#they are literally all i read and write and watch

[daenysx]

hellooo <33!! could I request a 5:15 AM for dreamer girl sleepover x remus? tyyy!!

5.15 AM | REMUS LUPIN

you don't mean to do it, but you end up pulling an all nighter to finish writing your essay.

remus insisted on staying awake with you, he was actually reading his book on the bed as he sometimes looked at your direction. he didn't want to distract you so he kept his mouth shut mostly. he also had this nice feeling of watching you all focused on your studies, his smart girl, you really didn't let anything distract you and it was attractive.

he fell asleep at some point with his book on his chest, you completed your last a few paragraphs and left your essay to be checked with a clear head later.

"remus." you whisper, sit on bed next to his body. he put his head wrong, he's gonna ache when he wakes up. "baby, wake up."

you hate waking him up but it's for his own good. he's so cute like this, his face puffy and soft. you can't help but stroke his cheek with kind fingers, he leans against your palm in his sleep.

"dove?" he murmurs. he can't open his eyes, you totally get him. your eyes feel too much right now, too, you only want to lay down and fall asleep properly.

"let's get under the covers." you say, gently. "give me your book."

you mark the page before putting his book aside. he can only lift his body enough to get under the covers. you settle down next to him.

"finished your essay?"

"yes." you say, putting your head on his chest. his arms are wrapped around you almost instantly.

"you're so good." he praises in his sleep. "literally. smart girl."

his voice is sleep soaked and lovely, you wanna drown in it. your bones make tiny cracking sounds as you get comfy in his arms. kissing his neck thank you, you hold onto his waist.

"good night." you say, finally relieved for finishing your work and being in bed. "good morning?"

"yeah." he murmurs. "either of them."

dreamer girl sleepover ♡

[3rachaslut]

https://www.tumblr.com/3rachaslut/729194123843731456/i-saw-the-virgin-partner-post-and-i-just-want-to?source=share

We need maknae line too of this please

you got it!

a/n: it’s late and my eyes are stinging but i’m desperate to post this. i’ve proof read once but the writing could still be trashy who knows?🤷🏻‍♀️

——————————

virgin!skz x female reader MAKNAE LINE

cw: SMUT MINORS DNI !! pet names, a lot of fluff, boyfriend & girlfriend skzxreader

— hanji

“y/n…” han would say and you’d look at him with doe eyes as you always do that makes him melt. “yes baby?” you say, looking up from your phone. “um…”

he would run his hand up your thigh whilst you wait patiently for him to speak. his eyes would be flitting between you and his hand SO nervously. (it’s so cute!)

“i think im uhh.. i’m.. ready” he would say so hesitantly whilst refusing to even look at you from embarrassment. your eyes would actually light up from anticipation, questioning yourself if you even heard him correctly. the silence in the air whist you process what he just said would have him dying inside from embarrassment.

“really hannie? are your sure?” you try your best not to sound elated just in case he felt pressured but omg how you’ve been waiting for him to say that.

the way he would look into your eyes looking so nervous as you smile back at him trying to make him feel more at ease is so adorable!! “i think so. i’ve been thinking about you a lot.. like.. sexually” he would say and you’d chuckle adoringly at him “yeah i gathered that baby”

he would lowkey be so scared to touch all over your body but hearing your blissful moans encourages him to do so. (imagine his hands all over you OMG) soon he’s kissing up and down your thighs getting closer and closer to your pussy and your breath would be jagged which he smirks at.

“can i baby?” “PLEASE hannie please!” you. have. been. waiting. for. this. moment. your eyes would roll back into your head when you feel his tongue lick a strip up your cunt, shockwaves being sent to your clit omfggg. you would come so fucking hard and han is absolutely amazed at the sight.

“do you wanna.. no pressure!” you would assure him that you were MORE than happy to do whatever he’s comfortable with as it is his first time. lots and lots of whines from hanji like omfg he won’t be quiet (and we love that for us!)

he would try so so hard not to come too fast for you but oh how euphoric you feel he just can’t help it. the way you would both cuddle after you come back down is absolutely adorable omg you are both so cute AHH

(sorry for the ramble, the man’s my bias i can’t stop thinking about lovely, cute, nervous hannie)

— felix

felix is definitely the type to get a boner when you’re both play fighting in the living room during the adverts of the series you’re both watching. (sns) but how you’d usually both just laugh it off, this time he’s like “you can.. touch it if you want..” and you’d be so taken aback.

of course you want to JUMP at the opportunity but you’re still cautious. “are you sure lix? i don’t wanna rush anyth-“ “im ready y/n” he would say and the look in his eyes of nervousness and desperation warm your heart. you wanna give your all to him.

slowly you would slide your hand under the band of his sweatpants, gently running your finger under the length of his cock and the slight stimulation has he whimpering. he’s NEVER felt any sensation like this before and he’s literally ascending. you’d run kisses all over his neck, only adding to the pleasure he would be feeling omg. (he is so desperate for you rn)

you’d look into his eyes for approval before removing his sweats and boxers and holy- he looks gorgeous! (i’m actually dead) he’d be shivering in anticipation. “please y/n i need you baby” and you would be more than happy to oblige. sooo slowly you would start riding him and his mouth would drop open letting out strings of moans and groans ahh.

you’d lean down to plant kisses all over his neck and cheeks, you just wanna worship him. (i’m gonna cry)

when he comes, he would grip both your cheeks, staring into your beautiful eyes and strings of curses would leave his mouth as you smile down at him.

“i’m so proud of you lixie”

“i love you y/n”

— seungmin

allll minnie wants to do is make you feel like the most adored girl in the world by him. you’d come home from such a shit day at work and find him on the sofa, tuck yourself in next to him and he’d plant a kiss on your head. “bad day baby?” he says. “very” you’d lift your head up for a kiss in which he would reciprocate but would then obviously turn into a make out session.

what you wouldn’t expect though is the fact that he would be grabbing your hand and placing it on top of the rock hard tent in his jeans. clearly he wants you to take it slightly further? right? you would put a slight bit of pressure on top and start to rub your hand up and down which would elicit a BEAUTIFUL moan from him. “is this okay min?” “yes.. p- please”

he would undo his jeans (still making out with you duh) and you try your best to stop yourself from kicking your feet in happiness from the whole situation. “are you sure?” you say worried. “i’m 100% sure” he assures and you smile into the kiss.

lotsss of foreplay whilst seungmin is working up the confidence to do this properly with you. you really didn’t mind how this went, you were just so happy to finally be intimate with your favourite man.

you’d straddle his lap, his cock directly underneath your pussy and you give him a quick glance which he nods in response to. slowly, youd lower yourself onto him and he throws his head back in bliss against the couch. his hands would be roaming all over your thighs, torso, hips, ass (he CANNOT get enough of your body!)

“fuck baby- i’m sorry- i’m gonna cum” he would grunt out, lowkey embarrassed afff but you wouldn’t mind. it’s understandable. “gonna cu- ah”.

“omg that’s so embarrassing” he would say covering his face. you’d move his hands away to see his gorgeous face “i really don’t mind minnie”

“we will have to try again later…”

— jeongin

picture this: you and innie in your pjs watching a film after all the boys have left the apartment. (aww so cute BUT-) he leans over to place kisses on your collar bone whilst running his fingertips up your thigh. instantly you begin to feel yourself getting worked up…

“innie..” you’d say as your breath catches. “i wanna make you feel good babygirl” he would say in reply. where has this suddenly come from? what does he mean by that? your eyes would widen in shock. does he mean what you think he means? “lift up baby” and you do, he pulls your shorts and panties from underneath you soon finding your pussy and slowly sliding his fingertips inside your folds.

you would gasp and throw a hand over your mouth. innie has NEVER touched you like this before and you felt absolutely over the moon, the new sensations beginning to make you feel animalistic. “innie are you sure you’re okay to-“ he would disregard your worries with a kiss on your lips (omfg he’s so hot).

the way he would rub his fingertips around your clit has you writhing underneath him and you desperately try and get his cock out of his pj pants. he would moan down your ear at the feeling of your hands on him and that would only turn you on tenfold.

he would lean you to lay on your back on the couch and spread your legs slowly. “you’re so fucking beautiful y/n” (& that’s facts, reader!) “please innie i want you so bad” (also facts) and he would push into you slowly, his body shaking at the new incredible sensation.

whimpery. jeongin. !!!!

the way he would make out with you whilst he’s coming is so cute i could cry. (he loves you sm ahh)

“i love you innie” “i love you too baby”

[moomine]

backwash III | daisuke

author's note: thank you to literally everyone who’s reading this! you guys are so so sweet and i love you all <3 if you want to be part of a taglist for future updates feel free to reply or dm me!! (cover image credit)

summary: (daisuke x f!reader) Sleep is increasingly hard to find on the Tulpar. At night the reader spends her time in the cockpit, thinking about home. When she feels the whim to sleep, she ventures back to the sleeping quarters, only to bump into Daisuke. Instead, she joins him for a midnight snack and some conversation in the lounge.

word count: 2,372

warnings: no trigger warnings! all characters are 18+

now playing: Dave Bixby - "Morning Sun"

⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆

EMPLOYEE STATEMENT 034—

There was this movie I watched once when I was a kid, about a little girl who falls from the sky. Although I can’t remember the title of it now. I do remember that she was a part of another world, a part of something bigger. She was important. I don’t think you have us write these to talk about movies, do you? I’m sure you’d rather hear about the operations on board, or the technical difficulties, or if there’s been any damage to the cargo. You know, the “important stuff”.  Everything is running smoothly so far. Is that good?

I want to be a part of something bigger one day. Hopefully this experience will help me. I’m grateful to have this opportunity.

DAY THIRTY-THREE—

Pony Express allowed a maximum of five hours of sleep to their employees on haul. During those five hours, the Tulpar was shadowed by a veil of utter stillness. A silence not too dissimilar to that of a library, or that painful pause in awkward conversation. It was too quiet, which led you to stare at the ceiling until the fatigue of work or boredom got the better of you. Even when you could fall asleep, it was far from restful. Over the past month you had gotten the worst sleep of your entire life thus far. Worse than when you lived in those co-ed dorms with unruly neighbors and argumentative hallways. Worse than those nights thunder cracked down from the darkened sky and you clutched stuffed animals in your chubby, child hands. After a certain point, you had given up on finding sleep at all.

The computer screens within the cockpit would beep on occasion, the sound barely audible over the soft plucking of guitar strings in your headphones. The coords of some old folk song filled your ears instead. You sat in the captain's chair, curling in on yourself with your knees to your chest and arms around your person. Your head snuggled into the dip in your legs, cheek pressed your knee cap as you stared at the sea of glowing green.

Curly had given you permission not too long ago to sit in the cockpit at night. Within the first month of your apprenticeship, you had grown on him quite a bit. The captain had always been a kindhearted person. He was a people pleaser to his core, a man simply happy to help. Curly saw a lot of himself in you, and he knew what it was like to feel, well, restless.

“As long as you promise not to touch anything,” he had said, prefacing his next words with a comforting smile, “you have my permission to use your clearance to the cockpit at night. But if word gets to the higher ups, they’ll have my head, understood? We wouldn’t want that, now would we?”

Normally, you tried to pay attention to how long you had been sitting there, keeping track of each song that played to count the minutes as they passed, but tonight you hadn’t. With a sigh, you reluctantly stood from Curly’s chair, deciding to give sleep another try. You slipped your Walkman into the pocket of your pajama pants and left the cockpit. Each step you took was quiet, almost imperceivable, as you walked down the hall toward the sleeping quarters. You didn’t want to disturb the others, although you had a feeling nobody else was sleeping all that well either. The rusted, trusty pipes groaned as you passed, their settling moans somehow bypassing the volume of your music. It made you feel uneasy. You reached into your pocket and turned the music up a bit in an attempt to drown out the sound. 

Rounding the corner, you finally reached the door to the sleeping quarters. Just as you reached for the door handle, it slid open seemingly on its own, causing you to flinch. Standing there—holding a flashlight in one hand and with the other placed against his chest—was Daisuke, looking far more caught off guard than you felt. You winced as he shined the light directly into your eyes.

“Holy shit, dude,” he breathed, voice dropped to a raspy whisper. “You straight up scared the hell out of me. What are you doing walking around in the dark?” Daisuke adjusted his aim and shot the beam at the ceiling instead, creating enough light for the two of you to see each other a little better.

With a soft laugh, you pulled your headphones from your ears, allowing them to hang around the back of your neck. “I’m sorry. Couldn’t sleep.”

“You too?” Daisuke questioned.

“I’m surprised anyone can sleep on this thing,” you whispered. “Where are you going?”

His eyes dropped in embarrassment as he used his free hand to rub nervous circles against the side of his neck. “I’m… I’m grabbing a snack from the lounge. You wanna come?”

“Yeah, if you want me to.” You didn’t hesitate. Anything sounded better than tossing and turning. You stepped to the side, permitting him enough space to walk out of the doorway then alongside you.

Daisuke breathed a chuckle at your response. “I wouldn’t have asked if I didn’t want you to.”

“Then I guess I’m coming,” you said in a hushed, playful tone.

Daisuke looked at you with a smile and nodded, shining his flashlight down the hall as the two of you began to walk in silence. In the quiet of the hall, the door to the lounge seemed to open with a deafening wheeze. Deep, royal blue illuminated the large room. The night-time window screen displayed a starry sky with wisp-like clouds, bathing the room with an otherworldly glow. It reminded you of going to the aquarium as a kid, surrounded by water and the smell of saltwater. You half expected to look up and see sharks and fish swimming overhead, but you knew all there would be was a dull, blank ceiling and slumbering lights.

Daisuke stuck his head through the doorway, peeking to see if anyone was already inside. When he determined that the coast was clear—although it wouldn’t have mattered anyway considering the noise of the door, he motioned for you to follow him inside.

“Hell yeah! The place is ours,” Daisuke celebrated, speaking louder once the door closed behind you two. He walked toward the vending machines with long, intentional strides. You tread on his heels, gaze fixed on him in amusement as he looked over the different options. 

You pulled your Walkman from your pocket, then leaned against the bar, palms pressed to the countertop as you pushed yourself up, and took a seat on the cool, brown laminate. “Is there normally someone else here?”

“Hmm?” He barely heard you, too fixated on what he was going to eat. As he processed what you had said, the words loading behind his eyes in a turning spiral, he ordered a pack of freeze-dried fruit and tore into the package. “Oh, nah. Not usually. I mean, I’ve seen Anya in here once or twice, but she’s always coming from medical bay. Getting coffee for those late nights, I guess.”

“She works too much,” you noted. “I wish she wouldn’t push herself like that.”

“You two seem close.” Daisuke approached, leaning against the counter beside you.

“Yeah. You could say that.” A tender smile graced your lips at the thought of you and Anya being close.

There was a pause, a brief lull in the otherwise newborn conversation. A series of crunches sounded from your right where Daisuke stood as he popped piece after piece into his mouth. You glanced over at him, the tenderness of your smile warping into something more entertained. He glanced over at you in turn, his mouth full of apple as he mustered a lopsided smile.

“Hey, it’s your Walkman,” he exclaimed after a swallow, pointing at the dated tech in your lap. “Whatcha listening to?”

“Oh,” you peeped with a suddenly flustered look on your face. “It’s a mix my mom made for me. Just a bunch of old folk stuff she used to play for me when I was little.”

“Can I listen?” he asked, shoving another piece of fruit in his mouth.

“S-Sure, yeah.” You unplugged your headphones and played the tape. It crackled, the old speaker not what it used to be. Or what it ever was, truthfully.

Maybe the quality of the sound would have bothered somebody else, but not Daisuke. As your small corner of the lounge filled with the sound of guitar—the stories of rural towns, first loves, and early mornings, Daisuke set his snack on the counter and listened intently. It was far from what he’d normally like, but something about listening to it here, with you made it sound perfect.

“It’s funny, actually. I never used to like this stuff back on Earth, but lately this is the only one I want to listen to,” you said over the music.

“You must really miss her.” Daisuke inched closer, standing less than a foot away from you as he leaned against the counter. His gaze flickered up to your face, quietly admiring the curves and arches of your profile. Under the blue light of the night time window screen, any blemish or imperfection on your face seemed to vanish. Not that he had ever noticed any imperfections on you. Matter of fact, for some reason, he couldn’t imagine seeing any part of you as imperfect. Even if he tried. There was a somber look in your expression as he spoke, one that made his stomach twist in knots.

“So much. I didn’t think it would be this hard being away from home.” Your voice was just above a whisper now. You felt your eyes begin to burn, the familiar sensation of tears welling in the corners as you tried to suppress the ebbing flow. With the shake of your head, you let out a quick laugh, feeling the tension gradually lifted from your shoulders. “What kind of music do you like?”

Daisuke didn’t blink or care about the change in discussion. He didn’t care about what the two of you talked about, and he wasn’t going to pry either. He knew that you would open when you felt comfortable enough to do so, and he was happy to wait however long that would take.

“A bit of everything, I guess. It kinda pisses me off when people say that and, like, they don’t actually mean it.” He slid his snack off of the bar and extended it to you, shaking it as the pieces inside rattled against each other. “I have a pretty impressive vinyl collection back home. Got everything from Etta James to Duster. You should see it sometime.”

Weakly, you smiled and took a piece of the fruit from the package. “Maybe when all of this is said and done. After the haul?”

“I’d love that,” Daisuke responded quickly, eyes trailing over your face. After another moment of silence, a brief break in conversation, he shifted on his heels and looked away. “So, you uh… you got anyone waiting for you back home? Y’know, like friends? A boyfriend? Or uh, a girlfriend? If you, like, swing that way or whatever. Which would be totally cool, obviously. I’ve got a bunch of gay friends-”

“Daisuke,” you said with a hint of that ever familiar amusement in your voice. “Relax, okay?”

He looked back at you and nodded. “Right, yeah… So, do you?”

“Friends? Yeah, a bunch. I miss them too. But a partner, not so much…” You felt your cheeks light up, a soft pink flush dusting the peaks of your cheekbones and the ridge of your nose.

“Hey, that’s cool,” he responded, bumping shoulders with you and trying not to sound too happy about your response. “Me neither. I mean, like I said, I’ve got loads of friends. Just not the whole girlfriend boyfriend thing.”

“Look at us,” you mused. “One in the same.”

“Yup, one in the same.” Daisuke glanced back at you hopefully, then looked away. He downed the rest of his dried fruit and crumpled up the package, tossing it in the direction of a nearby trashcan and missing by a couple feet. He winced, feeling a tinge of embarrassment as he rubbed the back of his neck.

“You gonna go get that?” you asked jokingly, pushed yourself from the countertop, and landed on your feet, securely tucking your Walkman back into your pocket as the music stopped.

“Yeah, yeah.” He rolled his eyes and walked toward the trash before picking it up and disposing of it properly. “It’s on the way out anyway. In fact, I meant to do that.”

You trailed after him, following close behind as the two of you approached the exit to the lounge. “Totally,” you teased, smiling up at him.

Yet again, the door slid open with that deafening screech as Daisuke and you left the lounge. Together, you walked back to the sleeping quarters. At the door, Daisuke turned to you and stopped. His brown eyes trailed over your features once more in the darkness, illuminated only by the light of the flashlight in his hands. Even in the blackness of the hallway, his smile was bright. His gap-toothed grin seemed almost bright enough to flood the entire hallway with light.

“Thanks for coming with me,” he spoke quietly.

“Thank you for inviting me,” you responded.

Daisuke opened his mouth as if to speak, but the words he wanted to say seemed caught in his throat. Instead, he just nodded and displayed that same smile. Your brows furrowed questioningly, an expression that made his heart skip a bit. Before you could say anything, he opened the door to the sleeping quarters and ushered you inside.

“Goodnight, [Name]. See ya in the morning.” He bit his lip, walking backward toward his room and nearly stumbling when he reached the door.

“Sweet dreams, Daisuke.” 

With that, you slipped into your room with a strange feeling in your chest. A tightness you hadn’t felt since high school, since hallway crushes and etching names into wooden picnic tables. An ache at the loss of his presence. How strange.

⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆

pookies (taglist): @xcryptk33p3rx @freakyydaisukee @sanctuaryofsmartiess @st4rrysblog @academiq @c4t-n1pp @iiveraii

[beomiracles]

⌞ 𝐔𝐋𝐓𝐑𝐀𝐕𝐈𝐎𝐋𝐄𝐍𝐂𝐄 ⌝ TEASER

DREAM RECALL ⸝⸝ It didn’t occur to you that he might be dangerous, this mere stranger. No, you were too in awe of the fact that he was here, in your father’s home, a place no visitors were ever allowed. There was an actual breathing human being in your living room right now. — And this man, he looked nothing like those of your community, the ones who listened to your father preach about doom’s day. He didn’t look at all like someone who was meant to follow, but to lead. 

Your gaze lingers by the porcelain vase he clutches in his hand, then the worn out bag in his other. He looked alarmed, like you’d caught him doing something he certainly wasn’t supposed to. His dark eyes are wide, watching you expectantly, almost like he’s waiting for you to do something. — Tilting your head to the side, you peer at him through the darkness. He swallows. And you smile. 

“Are you going to steal that?” ⸝⸝

pairings — theif/stoner!taehyun x pristine/sheltered!reader warnings — um, well a lot! heavy cult elements, (reader's dad literally runs the whole cult), heavy manipulation, corruption, verbal abuse, naive!reader, toxic!taehyun, theft, smoking, substance abuse, drinking, loss of virginity, taehyun isn't a good person, (I don't know if he'll become good?? haven't gotten that far yet heh.)

1960s AU !!!!

#serene adds ✎.. *jumps up and down excitedly* I've been wanting to write this for two months now but I haven't had the time because things have gotten in the way BUT, now :3 — um this is not gonna be a happy fic ! (well it might have some fluffy scenes) but um, yes. also this is getting released after ttocbg !

the name isn't engraved in stone yet, but the fic is heavily inspired by the song ultraviolence by lana del rey, oh and I'm reading purple hibiscus for english class rn and I'm taking lots of inspiration from there too !

➤ RELEASE DATE, December 2024 (toward the end of the month probably)

estimated wc ... um no clue but, I know myself so, let's say 20k for now...

[penelopegarciaismygf]

Hey guys, so in case any fanfic writers are desperate to write a fic for me, here's an overly specific criteria: (I'm not sending an ask because i get scared of sounding demanding and also this is silly please don't take me too seriously)

○BAU!reader x spencer is superior. I said it. I really believe that the only way for there to be a functional relationship is for them to be working together because otherwise, they'd literally never see each other. Also, this is the best because of all the fun options there are- forbidden romance, reader gets kidnapped/injured, + writers can have fun writing cases... you get my point. It's the best.

○if the reader annoys me then I won't read the fic. I get that the purpose of having an unnamed character is so the reader can relate but that really doesn't mean they have to be an emotionless void. Give me some flavour please!

○Spencer not being anything like he is in the show annoys me to know end. No, I'm not going to read a high school fic where spencer is popular, and he bullies the reader for being a nerd. Have we watched the same show?? (Unfortunately, that is a real fic 😔) but I'm also not going to read a fic where he cheats either because that's ridiculous.

○I want to see the team! Sure, I love spencer reid, but I'm also a Criminal Minds fan, and I miss seeing fics that involve everyone. Especially if the reader is in the bau because i love the different dynamics

(Okay now we're going to get me specific)

○I love the daddy issues reader trope. Because yes I do believe that reading a fanfic of spencer reid saying everything I need to hear would fix me. Also if it's a bau reader fic I want to see a rossi father figure situation. I wholeheartedly believe that if I was in the bau I would force that man to adopt me and I want to see that in a fic

○I need more fics where spencer is obsessed, like just so down bad for the reader it's crazy. I know it exists and I need more because i know for a fact that he doesn't catch feelings often so when he does it's crazy

○spencer would lowkey be manipulative. I don't think it would be intentional but in a relationship he would make sure he KNEW his partner and we anyway know that he has issues with people leaving so if the reader tried he'd be reading those microexpressions (whatever that means) and hed know exactly what to say to make them stay. I don't think he'd do it intentionally, but that fear of abandonment runs deep. That+those puppy eyes would make him impossible to leave, and I really want a fic that captures that. Like more than anything.

[horse-girl-anthy]

The City and the Self: Or, the Uses of Lesbianism

someone in my server recently asked why Ikuhara seems so hung up on lesbians. I gave a short answer which in hindsight doesn't satisfy me. even this post won't touch on everything, there's plenty more that could be said, but here's a stab at a more complete answer, drawing from RGU specifically, though I think these points generalize to YKA as well.

a long time ago--around 2017, I believe--I posted in the RGU tag, asking about differences between how the western and Japanese fanbases see the show. the answer I got surprised me: I was told a popular fan theory held that Utena and Anthy were the same person. this is confirmed in the interview Ikuhara did with Mari Kotani:

Kotani: How did you think about relationships between two women, like the relationships between Utena and Anthy, Juri Arisugawa and Shiori Takatsuki, and so on? Sometimes it is thought of as one girl and her alter ego. Ikuhara: Yes, that's true of course.

at the time, this didn't make sense to me. now, though I don't take the "alter ego" concept literally, I certainly see where these theorists were coming from.

the very first impression the audience gets of the show, the opening seconds of the theme song, depict Utena and Anthy as mirror images of one another. I can't find the post now, but I once saw someone do a face swap of Utena and Anthy... and there was almost no difference in the final result aside from their eye color. yes, the show has somewhat same-y character designs (pointy chins, noses, etc.), and yes, Utena and Anthy are differentiated by coloring and height. however, there are differences in the facial features of the other characters, including other female characters like Juri and Nanami, meaning that you wouldn't get the same result from face swapping them that you do from face swapping Utena and Anthy.

visually, the show is trying to tell you something: Utena and Anthy are counterparts; not "the same person," in that there are clear contrasts between them, but perhaps different aspects of a single self. to put it another way, they cannot be separated from one another; what happens to one of them will affect the other, and how they relate to each other tells you a lot about how they relate to themselves.

RGU is not the first story to have this premise. I just watched Ingmar Bergman's Persona, which uses two women to tell the story of one woman, and that came out all the way back in 1966. I think that it's possible to do this kind of story with characters of different genders--however, it's most often done with homosexual/homosocial pairings because two people of the same gender are seen as better mirrors to one another.

when I initially gave my response as to why Ikuhara writes a lot of lesbians, I cited the influence of shoujo manga. however, I didn't detail how homosexuality was featured in those manga.

Ikuhara once said that the core theme of shoujo is "self-revelation." he wanted to capture that in RGU, and it seems to have come across. consider Takemiya Keiko's reading of RGU as "A story about independence, about finding oneself. It feels like a story about a girl defining 'what is myself?'"

this journey of self-discovery must involve encounter with the other. part of romance is other-longing, the desire to meet the unknown; love requires a separate entity which is not merely an extension of the self (this is why I don't believe that Utena and Anthy actually are "the same person"). through encountering the other, one can find one's own self, and further, through this encounter, the selves which meet can be transformed.

while plenty of 20th century shoujo did center heterosexual couples, I believe that homosexual and homosocial relations were so prevalent because they facilitated this romance more effectively. on a visual level, a homosexual pairing can create a clearer parallel, as discussed above. for a more thematic angle, RGU's lead writer Enokido has mused that homosexuality removes the issue of "genetic advantage" from the equation; since there is not a clear "survival and reproduction" benefit to homosexuality, it is easier to see it as "pure love." along the same lines, Ikuhara has said that "as soon as you see the destination point of producing children, sex becomes a social system." that's not to say that homosexual couples exist independently from social systems. the point is that writers who wish to pursue the idea of "self-discovery through the other" may wish to do so in the context where the norms of heterosexuality are not an issue, as they could muddy the water.

as an example, take Kaze to Ki no Uta, an influence on RGU. Gilbert and Serge, the lead couple, are very different people. often in conflict, their love ends tragically. that is precisely the power of the story: Serge, who is left alone after Gilbert's death, will live the rest of his life feeling incomplete, unwhole, because he has lost the "other self" by which he came to be defined. in Ikuhara's words, "It’s a story about that which forms the core of an artist - a starvation that can never be satiated."

when done properly, this kind of romance can be very moving, because it is not only a "love story" but also a story about the self and its relationship to the other. and even more potent are stories which are both about "finding one's other self" and about "the city":

Ikuhara: Out of your works, I particularly like the stories about cities... Stories of cities and “one’s other self” are enchanting aren’t they. There are a lot of shoujo mangaka who write about one’s other self, but there aren’t really any who write about cities. I think a story is weak if it only talks about relatives and neighbours and never about cities. In contrast, I think your stories which are simultaneously about cities really bring out their era. I think that allows you to mark out a line for the story of the other self. Takemiya: Personally, I feel at a basic level that stories without a sense of daily life aren’t very interesting. If one thinks of each person as a single cell, then the city becomes the “body”, and one cannot create a world without both. Based on where they live, some people become more modern or more provincial - the environment really plays a role. For me, it is a necessary component.

I agree with this exchange: the best stories about "one's other self" aren't solely about love between two people, but instead love between two people placed in a particular social context. it is that social context which gives the relationship flavor.

this brings us to the other reason that lesbianism (and homosexuality more broadly) is used in Ikuhara's works. not only does it allow him to tell stories about "one's other self," but also to tell stories about social systems. homosexuality is "deviant" within the social system that is set up to produce children in the nuclear family; thus, homosexual couples will face resistence and prejudice. as Ikuhara discussed in this interview, he is not necessarily trying to capture "the lesbian experience" in his works, but rather using lesbianism as an allegory for the sense of being a minority; a person outcast for standing out from the crowd. homosexuality thus allows for a marriage between the themes of "the self" and "the city" which are central to the telling of a great romance.

bringing it full circle, let's take a look at how this plays out in Utena and Anthy's dynamic, specifically the climax of the first arc. in the build up to it, Utena has been insisting that Anthy behave like a "normal girl," and believes she's succeeding in this venture. however, her illusions are crushed when Touga defeats her in the duel called Conviction. Anthy, now his bride, tells Utena that she likes being the Rose Bride and doesn't mind being alone.

Utena's reaction to this is interesting. suddenly, she is obsessed with being a "normal girl" herself, deftly signaling that all along, she was projecting her own conceptions onto Anthy. though she comes to realize this, Utena ultimately decides to duel again; in the episode 11 preview, she says, "Himemiya, wait! I have to try to get the real you and the real me back!" their selves are linked, tied; Utena cannot be herself without Anthy. what's more, the "false self" that Utena presents is linked to Anthy's "false self"--for, despite her words, it is quite difficult to believe that she "enjoys" being the Rose Bride, any more than Utena "enjoys" wearing girl's clothes. after Utena wins the duel called Self, she and Anthy meet again, paralleling the end of the first episode, but when Anthy tries to impart the rules of the rose crest, Utena tells her, "never mind all that, let's just go home." the two share a moment of authenticity, their "false selves" blown away like petals in the wind. they've drawn closer to each other and to who they truly are, while simultaneously gaining a level of independence from the system which seeks to define them by their gender. the rest of the show will play out in the same manner.

----

side note: I don't think that Ikuhara is more fixated on lesbianism than he is on male homosexuality; however, I'm not sure if he's focused on "mirroring" between homosexual males the same way he has between females, despite the fact that his cited inspiration for the way he wrote relationships between girls in RGU is yaoi.

[pedrosgrogu]

Born Too Late - Chapter 5

pairing/au: neighbor!joel x reader // no outbreak

Warnings: MDNI!!! SMUT (2 chapters in a row :0.. So much for slow burn), age gap, no use of y/n, i think thats it fr, dirty talk, unprotected p in v (be smart yall, wrap it up) lemme know if i missed something :) 

Summary: Sarah's conference is this week and seeing Joel is not on your list of things you want to do. Then he invites you over to talk. You need to set the boundary now, what could go wrong? (1.6k+)

a/n: i tried to write a lil more than usual bc i feel bad about inconsistent posting. (shoutout no personal life bc work/school) hopefully with winter break i can post a couple times a week. also trying to figure out how to make a taglist so if you want to be notified of new chapters, lmk!! If you have any suggestions, give em to a girl. i love to see/hear feedback :) <3

Yet again, you’re avoiding Joel like the plague. You have an unknown amount of missed calls from him. You also have conferences today. This means you have to see him, and you feel like you could throw up. He’s your last one at 5:30 p.m. The day goes by slowly, and you have lunch duty so you don’t have time to finish planning your conference notes. After lunch is the worst part of the day. Kids are tired and barely give a shit, but you have a couple good ones that you try to focus on. Sarah being one of them. The 2:30 bell rings and by 2:40 your class is empty. Conferences start at 3:30 so you finish your notes and try to eat your lunch but that sinking feeling is still there. 

By 5:15, you’ve talked to so many parents that they’re all starting to blur. You’re exhausted and would rather be quite literally anywhere else by now. You gather Sarah's notes and sit them on the table, one stack in front of you and a copy of your stack in front of where Joel will sit. Sarah really enjoys a select few books from your classroom library so you sit them on her desk for her in case she's with Joel. 

Before you see him, you smell him. The air in your classroom fills with hints of cedarwood and lavender. You look up and Sarah is already at her desk looking at the books. You stand to greet Joel. “Good Evening Mr. Miller” you reach to shake his hand but he doesn't move, he is staring right through you. “Sweet girl, you don't have to call me that.” He says, still staring. You smile and invite him to sit. “So” you start “Sarah is doing phenomenal, she loves to read and write, and is always very engaged. I pulled a few samples of her writings from the last couple weeks so you could read them. They’re the first sheets inside your fold-” “Babygirl” he says gruffly “I know my daughter, and she has excelled and exceeded every year. I'm here for you. Why have you been avoiding me?” You look at him, wide eyed. Half wanting to laugh and half wanting to cry. Your door is open and anyone could walk by and hear him, Sarah could hear him. “Joel I promise I'm not trying to avoid you” you say quietly, lying straight through your teeth. And he knows it. You stand up and walk to close the door and can feel his eyes burning through you. “I just dont think-” “I've called you more times than I can count, and you aint returned a single one. Shit baby, your bra is still on my bedroom floor. Taunting me every night.” You can feel the warmth begin to rise on your face, and between your legs. “Mr.Miller, now is not the time or the place for this conversation. If we could please get back to Sarah.” He looks at you, deadpan. “Alright, come to my house tomorrow night at 8. Sarah will be with her mom for the weekend.” Internally, you groan. Externally, “Yes sir”. You watch him stir in his chair at your words, repositioning himself. 

The rest of the conference goes well, Sarah reads some of her writings to her dad, and shows him her favorite books. He asks her so many questions about her work and she is extremely detailed in every answer. He seems like a great dad, and it puts him in a different light for you. Now he isn't only hot, and great at sex, and great at aftercare, but he's a good dad. You are so fucked. 

Friday comes and goes, yet again you're exhausted. You take a steaming shower when you get home. Shaving your legs, just because. NOT for Joel. Once out of the shower, you change into a pair of blue biker shorts and an oversized Texans crewneck. You throw your hair up in a bun and make yourself some coffee. Hoping the coffee will help combat the sleepiness, you throw yourself onto the couch and turn on some Grey's Anatomy reruns, and begin to drift into a nap. You try to fight it, but it's inevitable. 

You wake up to your phone ringing. You check the time. 8:17. “Shit” you grumble. You flip your phone open without even checking the caller ID. “Hello?” you say, groggily. “There's my sweet girl.” He says, pausing briefly. “You’re late. Better get here fast, dinners gonna be cold.” And before you can get a word out, Joel hangs up. “Fuck fuck FUCK.” You say, frustratedly. This has gone too far, and god forbid your work gets wind of this disaster. You’d be screwed. You throw your shoes on and walk next door. 

Joel opens the door right as you walk up the steps. The smells instantly take you back to that morning. You still remember how he felt inside you, how his lips felt on yours, how his hand fit around your neck so perfectly how- “You gonna come in or you just gon’ stand there?” Joel snaps you out of your trance. You follow him the rest of the way in, kicking your shoes off at the door this time. “I made spaghetti with garlic bread. Stuck it in the oven to stay warm since you tried to stand me up.” He says, grinning. “Joel look” you start, “I really appreciate this, and I really had a” “Sit down and eat. We can talk after.” He says, pulling a chair out. He walks around to the fridge, opening the door. You can't stop staring at him. His shoulders so broad, and biceps borderline busting out of his shirt. You’re in a trance. “Red or white?” he says, but you don't hear him. You’re too busy eye fucking him, completely forgetting that the only reason you’re here is to end this before it starts. He turns around and sees you still looking straight through him, undressing him with your eyes. He grins a devilish grin and you snap back to reality. “Huh? Sorry I was-” “No need to explain, I asked if you wanted red or white wine?” he says, grinning “Oh.. ummm.. White please!” He sits the glass next to you, along with your plate of food. 

Dinner goes well, you talk about Sarah and how great of a student she is. You realize Joel could go on and on about her, because he does. Before you know it, its 10:00 and you're fighting sleep again. But this conversation needs to happen. You gather the plates and wine glasses and begin doing the dishes. “Darlin’ don't worry about those. I can do them in the morning.” “Joel, we need to talk.” You say, hoping it doesn't come off too harsh. You turn the sink off and dry your hands. “Joel, I had a lot of fun a few weeks ago. But I don’t think-” he cuts you off. “Why’re you thinkin’ baby? Thinkin’ don’t never lead to nothin’ good.” He says, wrapping his hands around your waist. As much as you don’t want to, you lean into his grip. “Joel, please.” you almost moan. “I don’t want to get in trouble at work, it's a huge ethical misconduct if the school were to ever find out, especially since Sarah is in my class.” He’s kissing up your neck, and you aren't doing anything to stop him. “I just want to taste you, just one more time.” He groans into your ear, nibbling on the tip. “This has to be the last time.” you think to yourself.

You don't fight it, you give in. And you enjoy every second of it. Joel picks you up and lays you on the table. The same table you just had dinner on. Your shorts are thrown across the room and your sweatshirt is being used as back support. He’s devouring every inch of your body. Leaving bite marks in unseen places. You hear his belt hit the floor and watch his shirt peel off of his body. You moan at the sight. He lines himself up with your aching cunt. “What was all that earlier about you gettin’ in trouble at work?” he says, comically. “Joel, please not-” and before you can squeak the rest of your sentence out, he's ramming his cock inside you. Over and over. “What's wrong baby? Can’t speak?” he says, laughing. Hes fucking you so hard that the goddamn table is moving. “I need something more stable.” He grunts, picking you up and throwing you on the island, his cock never leaving inside of you. He rubs vigorous circles around your clit, watching your eyes roll into the back of your head. “Dont. Stop. Joel.” You manage to say in between breaths. “I don’t ever plan to babygirl.” He says, rubbing faster. Your release is on the horizon. Everythings gone white and all you can focus on is the sound of skin slapping skin. Your back arches and you scream with pleasure. “Let it out babygirl, cum for me.” Just as you begin to come down, you feel Joel's cock tense up inside you, and he falls to your ear, moaning. He pulls out and you moan gutteraly. You feel the warmth of his seed dripping  Yet again, he disappears and reappears with a warm washcloth. Cleaning and kissing every inch of your body. 

You get cleaned up and dressed. Joel puts on a pair of sweatpants, no shirt. You could go for round 2 but 2 times is 2 too many. You begin to put your shoes on. “Darlin’, why don't you stay the night?” You instantly get nauseous, and feel tears? Maybe? You barely know this guy, what the fuck? “Joel, I told you. This cannot happen. Not again.” You say, trembling. “We can-” You cut him off. “No more Joel.” and you open the door and walk out. Leaving him just as quickly as you found him.

Masterlist - Chapter 4

[sokuly419]

Now that Arcane is done, I’ll share my thoughts as I did with the previous two acts. It won’t be as long probably, but it would feel weird to me to not do one for act 3/Arcane as a whole.

I have some mixed feelings on it like everyone else it seems. Really, I agree that so much more could have been done if they were given a third season. I think it would have been better.

Overall, I loved this act and I loved the whole show. Of course I have some issues with how it played out this time. It was all rushed and crammed. A third season would have done WONDERS. I see those complaints, and I acknowledge them. I also understand not seeing the conversations and growth that happened off screen. I agree that we were robbed of Vi’s arc and her trauma. We were robbed of a Cait and Vi actually rebuilding their relationship. Season 2 was flawed, yes. But I don’t know a show I’ve watched that isn’t. This includes She-Ra too.

They may have fumbled a bit, but I still personally enjoyed it. The lesbians won, there’s some open ends for the other locations they want to explore, and so much more.

Unfortunately I’m already seeing caitvi turn into the catradora wars. I’m not engaging in it. If you call caitvi toxic and not catradora I don’t know what to tell you. That’s my position on it. Y’all can be critical about it, that fine. We don’t have to agree, but I’m not dealing with the arguments and I’m sure not going to involve myself in them. Just like catradora, in my opinion, a lot of growth and redemption arcs took place off screen. It’s a major, major bummer. But these arguments are literally catradora all over again.

At this point, you want a redemption arc? Fanfic is the way to go. I’ve already read some amazing ones. Post canon and dealing with the trauma and losses, exploring Vi’s pit fighting phase, Cait’s redemption/realizations in those 7-8 odd months they were apart, the arguments of the things that happened, the AUs even. Soft fics, smut fics, it’s all there. I’m even writing some myself.

So like… take a collective breath, criticize all you want. But there’s no need to turn this into the catradora/She-Ra wars all over again with all the arguing. People genuinely enjoyed the show. I know I did. I’m sad it’s over but so, so glad it happened.

[alexanderwales]

The second chapter of Save the Cat! is about genre, titled "Give me the same thing ... only different!". The general principle is one that I strongly agree with, even if I don't always practice it in my writing: you must know how and why things work in fiction, you must be a student of the realms you're writing in, you must give your own twists on clichés if you think you might be writing them, and must be familiar with clichés so that you don't end up boring people. Study things that are like the thing you're trying to create. Analyze them, take them apart, understand how they work or don't work.

But then a lot of the chapter is taken up with Snyder's own system of ten genres, and when I was reading it I wanted to just stop him and say "hey, what the fuck, did you even watch that movie?"

Also I laughed for like five minutes at him putting Schindler's List in the "Dude with a Problem" genre, even though I agree that according to his typology it completely fits.

I'm a huge fan of making up arbitrary categories and then stuffing things into them. I don't think it's often very useful, no, but it's fun, and when you're done shoving things into boxes, you can pull them back out, find a new set of boxes, and repeat the process. I'm not going to repeat Snyder's categories here, but I think they kind of suck, and don't accurately reflect genre as we understand them, and the whole thing would have been better off is it was taking story archetypes and saying why they work and then what the usual deviations from them were.

Here are two examples that I take issue with, among others. First, by his accounting Planes, Trains, and Automobiles is a "Golden Fleece" movie, the kind of film centered around a hero's journey where what he ends up finding is, ultimately, himself, and every set piece along the way is important only in the way it relates to the hero's self-acceptance or whatever.

No. Wrong. Planes, Trains, and Automobiles is very very clearly a "Buddy Love" under this system. Look at this fucking image:

Could this DVD cover make this any more obvious? Literally all the promotional material is like this. It even says in the book that most "Buddy Love" movies start with the "buddies" disliking each other, and that their relationship is central to the movie. And if Snyder is getting this wrong, what else is he getting wrong about his own system?

Example two. I'm just going to quote it in full:

Now look at The Matrix and compare and contrast it with the Disney/Pixar hit Monsters, Inc. Yup. Same movie.

Fucking what do you mean.

Under this system of genres, Monsters, Inc. is very clearly another "Buddy Love" movie. There's a kid they have to deal with, but most of the movie is grounded in the relationship between Mike and Sulley. Like, what's the low point of the whole movie? They get banished to the Himalayas and then have a big fight! It's about their relationship to each other!

(I looked this up on the savethecat website and found an article claiming that it's an example of "Monster in the House", which is fucking stupid, because what's the monster and what's the house? Just does not apply. The child is takes the role of the "monster" for such a small amount of the movie, then they're looking after her and trying to return her home, and even before that it's not relatable as a monster to the audience. Blake Snyder didn't write the article, so maybe he had something different in mind.)

Meanwhile, The Matrix most closely falls into either "Dude with a Problem" (ordinary man thrust into extraordinary circumstances) or "Superhero" (extraordinary man in ordinary circumstances) and I would argue that it's actually neither of those because it's a goddamned hero's journey and those are their own thing and it makes no sense to try to split them into two parts because you don't get more explanatory power of what's working and what's not. His analysis of what he calls "Superhero" films also sucks for that reason and just totally misses the mark about what makes them tick.

So how are these the same movie? I don't know, it probably made sense to Blake Snyder. I have done my due diligence and searched for answers online, but haven't found much, just some weak ass defenses.

Also, I really hated that he says Chinatown and Who Framed Roger Rabbit? are basically the same movie because no shit. Who Framed Roger Rabbit? is a parody of noir, and was adapted from the script for a never-produced third film in what was supposed to be a Chinatown trilogy. But even then, I don't get how you can say they're the same movie without pointing out the strong "Buddy Love" through line in Roger Rabbit!

This whole chapter was a total miss for me. Decent advice at the start that I've been hearing and preaching for a long time, but this typology sucks and he doesn't even seem to understand it (or the movies he's putting in it) very well. And since the typology sucks, it's a bad lens for understanding the underlying rules of writing, of story structure, the components of story, etc.

[divinit3a]

For the ask game 💕

💕 Time for a shout-out! What are some of your fav AUs from other creators in the fandom? ⭑ dca au ask game

^-^ ....OK! I shall set down all the cakes on the table for a full buffet! Get your forks & knives out! 🍽️🍽️🍽️

please don't hesitate to let me know if you'd prefer not to be @'d in the future, or to be removed from this post u_u <3 I totally respect folk's preferences!

✨ lets go! ⭑⭑⭑ ⭑⭑⭑ ⭑⭑⭑

@muzzlemouths Dead Mall Dare / DfTR AU(s) Dead Mall Dare was one of the first AUs I read (like, literally. 1-2 months ago!) & I went woooaaah they are fun removed from original context. Isn't that so neat ?? This isn't a rabbithole to fall in, tho. u_u No wayyy guys c'mon ... /j Likewise, DfTR is a treat to watch unfold & see people squirm ^-^

@r0b0-wannabe Botanical Garden AU (or just any of your stories, but I'm.. sticking to the law...s... ) Hi, I stayed up to 2-3am drawing ur boys bc Im normal about this AU & how endearing it is... obviously... (💚) I love your writing style & characterizations. Maybe this is silly, but, I also enjoy learning about plantcare, too :3

@sinister-sincerely 2nd Choice AU Oh, you are so evil. The username matches. (A COMPLIMENT!! Hehe.) Oh, you write drama, angst/no comfort, hurting/damaged characters making awful choices so well. It was wild doing a double-take to realize YOU! are the WRITER for 2nd choice!! Some day, I will get u. For now, run 💜🔪

@wyervan Human!Slasher AU :D Yay! Both the OG/Main storyline are wonderful. I find the community version very endearing as an AU-within-an-AU. (love that!) As someone who used to run RP groups (on god!) it fills my heart with joy to see people filling out a world with so much life. Your art style is delightfully grungy ^-^/

@pluck-heartstrings - Pluck My Heartstrings AU Ohhh. I am weak to fairytale/renfaire vibes, as well as the more classic harlequin jester aesthetic u_u<3 Plus, the Vocalist/Princess is just so dang compelling, too. Your design sense is impeccable.

@moon-buggg Haunted House & Mad Scientist AUs They are both so neat & I can't wait to learn more!! The Haunted House AU designs live in my head rent free along with the comics :3

@zenkaiankoku Broken but Better AU Lovely, torn-up designs! Yay, mechanical horror! Yay, angst!! And a delightful remix of their personalities, too <3

@authormeat Alienware AU ^-^ I am instantly delighted by the weird guy freak energy & that the yn IS an alien/monster. Thats all I want & more. I also love ur designs for other AUs

...

...

...... 🧍 I Have More to Say

And...And... Not.. AU specific, but 🏏💥BAM , BAM 💥🏏 LOVELY FOLKS!!!!!!

🍲 <{ @soupdweller THERE IS NO ESCAPE ok but fr.. I appreciate ya, homie :3 you are a joy to chat with!! beautiful art!! evil mind!! delicious soups. i cant wait for whatever u cook up ^-^ 🐤 <{ @luckyyyduckyyy I WILL READ UR AU STORIES!! RUN & HIDE!!! you are the goofiest goober in the wild west, by goodness. i love ur energy and the gorgeous designs u create!! 🐛 <{ @chickenchirps27 ACK I COULD STARE AT UR ART FOREVER! I'll have to start volleying over illustrators I think ya might enjoy... u are so sweet & funny!! 🐐 <{ @lurking-loaf YOU ARE SO KIND! Seriously, I appreciate the fun craft projects you recommended -& your words of support :') 🔮 <{ @anis-sketches :D HI! Happy to throw recs your way. Also, your art is adorable!! 🌿 <{ @craykaycee HI TO U TOO!! the tags u leave always make me smile, and i appreciate u stopping by to say hi... :3 & MANYMANY MORE BUT I NEED TO CUT MYSELF OFF OR ELSE

Per usual, I lost sight of the original goal. But! Consider:

🏏💥WHAM , BAM 💥🏏 GOTCHU >:)

[jennaaswife]

The fact that we didn't get ANYTHING from Wednesday's official account for the two-years anniversary of the release is more than disappointing. Even a simple small story would have been enough. But no, nothing. And they expect the fandom to still be active after this... it's been two years, and the only thing we got is the two Wednesday videos and the teaser. I really thought they'd post a Wenclair or just a character trend/video every Wednesday as they did it twice until the wrapping, but no. We didn't even get a wrapping group picture... dissapointing.

Literally, the fandom is dying. I've seen all the pics of Jenna and Emma, read all the Wenclair fics, watched all the fanarts. Now it's just boring. I don't know when I'll post a new Wenclair fanfic on my Ao3—soon, hopefully as I have like 2k ideas on my notes—but right now I just feel like taking a break from this show 🤷🏻‍♀️ I found a new hyperfixation, Agatha & Rio from Agatha All Along so I might write some stuff from this on another Ao3 acc. We'll see. I just hope Wednesday's acc will do something soon to entertain the fandom because they're losing people. I've seen a lot of people on social media saying they quit... it's sad

Ofc I'll continue to post here if there's any updates or some random pics, but probably less than before because, what would I even post about considering we have nothing new? At least until like season 2 trailer or something interesting where I'll post a looot. I might also post a new shorr fanfic soon, but I need to finish it first and right now I don't feel like it. Stay turned! <3

[firstprincehornyramblings]

I'm posting this Sentences Sunday at 3am, because why the hell not, it's Sunday. This one is going to have 3 snippets, all very nsfw, all very under the cut, but I'm doing to try and keep them shorter, for mysterious reasons. *wiggles fingers*

- kissingchambers (🤭) pwp 💊

He couldn’t look down at Elliot, he managed a glance before giving up and looking back at the ceiling. Those hungry eyes and wide pupils narrowed and nearly predatory- that look was lethal. It would make impossibly quick work of Marco if he allowed himself to watch. His hand tugged harder at the hair between his fingers, legs spreading wider, to what end he had no idea. But it was rewarded with one of Elliot’s hand sliding along his inner thigh, squeezing at soft skin. “I- uh, Ellie…” Marco swallowed hard, gasping for air between moans as he spoke. “Can you uh-” With a hum, Elliot lifted his head, still sucking hard as his mouth popped free. “Ellie, that’s cute, what, are you about to cum?” he chuckled, somehow still sounding sarcastic. All Marco could really do was nod.

--------------------------------------------------------------------- doctor alex and patient henry 🩺

“Oh, I didn’t make you dinner,” Henry sneered, “You can do that on your own.” “Wh-” “You need to get tested,” he didn’t even allow his boyfriend to respond to the initial jab. “You fucking gave me chlamydia,” he hissed, already standing up and emptying his plate, “Don’t apologize, don’t make a fucking excuse, be an adult, take care of it. And for christ’s fucking sake,” he snapped, tossing his plate into the sink nearly hard enough to break it, “Use a Johnny next time, will you?” “Baby, wait,” Charlie pleaded, following behind Henry who was already in the process of storming toward the bedroom. “Do not,” the blond whipped around with lightning speed, a finger shoved only centimeters from his boyfriend’s nose, “Do not fucking ‘baby’ me, right now.”

-------------------------------------------------------------------- dystopian prince's consort alex 👑

All at once, Alex got his wish, Henry’s hips jerking forward as he spilled onto the bed. Streak after streak of white painted the linens, loud husky whines and moans coming from deep in the blond’s chest. That tightness squeezing Alex’s cock like a vice grip, it was an incredible feat that he didn’t finish on the spot himself; he’d thank whichever god did that for him later. His own hips finally slowed to a moderate pace, now just rolling into deep, slow slamming motions into the other man. His hand worked the last few drops from Henry’s tip, the opposite hand leaving the blond’s throat to lovingly cradle a warm cheek instead. His thumb brushed over Henry’s lips in a way that was far too affectionate for what they’d just done, but he couldn’t help it, Alex was a romantic at heart. “Where do you want me to cum, baby?” “On my face, please,” with that answer, the blond leaned forward, falling into the mattress with no regard for the mess. He rolled over onto his back after a moment, still breathing hard as he looked up at Alex. There was a smile on those plush lips now, a quiet blissed out laugh, and half-lidded cock drunk eyes. Henry was more beautiful that way, Alex thought.

—

🏷️(no pressure tags darlings)

@taste-thewaste @henrysfox @mikibwrites @eusuntgratie

@softboynick @catdadacd @sheepywritesfics @henryspearl

@basil-bird @caressthosecheekbones @henfox @anti-homophobia-cheese

@redlipstickandglitter @onthewaytosomewhere

@thesleepyskipper @tailsbeth-writes @thighzp @lfg1986-2

+ literally anyone else I'm tired and forgot. (i say as if im not always sleepy) or anyone who sees this and wants to tag me, I love reading yall's stuff. <3

[anna-scribbles]

what a shame, i can see it all now that we’re through

- firearm by lizzy mcalpine

(chapter 5 of call it even is making me feel bonkers insane. thank u @sha-nwa)

[writerfae]

I’m one of those people that lived and breathed the Percy Jackson books when I was younger and therefore regularly forgets that not everyone has read it as a kid

[muckyschmuck]

ultimately!

[flythesail]

Yep I saw so much of that after the finale! For certain, at least some of the "Amandla can't act" was just racism. (I mean the instagram comments were horrible.) But there was also quite a number of people who seemed to genuinely not understand Osha either when she killed Sol or in her decision to join Qimir. Like you said, in their minds anger would be bold and loud. But I bet a lot of women watching would find her silence/seriousness on the outside with anger boiling beneath more relatable. That is what makes the acolyte important. It's an opportunity to connect with someone you might not "see" yourself as. Yet it's still star wars for everyone. That's the beauty of media but a lot of people are just not willing to interact with a character that isn't a carbon copy of themselves, despite the presence of so many universal themes. Family being a big one.

And agreed, the development of Osha and Mae was subtle and fantastically done. To me, that's the appeal of the show - it's really as deep as you want it to be. I can sit here and say, yeah the lightsaber fights were so fun and it was cool to see Osha turn evil. But I could also sit here and write a whole essay on themes of belonging/acceptance or the nuance of good and evil lol. The material is there and in some cases people do refuse to interact with it on a critical level - or beyond what's spoon fed - and that's where you get some of those odd takes where it's like, were you watching the story being told or the one you expected from *your* perspective?

As for ahsoka, I'm not all that opinionated on it but I will say I think it's another example of DLF digging themselves into a deeper hole. From the trend toward turning anything animated into live action, to the fact that it's just not... something you could watch without context (you'd at least need to watch rebels and the clones wars and maybeeee mando too). Yet they could also see it as a safe bet in that they're drawing on the nostalgia of other shows and relying on an existing fan base.

But! I also just read s2 of of ahsoka is being written to work as an ending because s3 isn't guaranteed. And it's just so odd because what is going on at DLF that they can't commit to anything anymore? The acolyte is a particularly crazy case because it's a new era and could have jumpstarted the next decade of content. We know there were talks of a writers room, a LOT of tie-in material for s1, and they were looking for s2 directors before they called it all off. So to hear ahsoka is up in the air too, it just has to be a mess behind closed doors. Even tying up mando with a movie is weird imo after the shakiness of s3.

Which just makes this all so frustrating as a fan. It's star wars and they have disney money. They could make shows or movies about literally anything. Instead, they throw away anything new and recycle the rest.

Okay last thing for now! But I did start rewatching the other day, and I wouldn't be surprised if a lot of people dropped the acolyte after episode 1 and 2 because they're slower. Yet I'm not sure... what you can do about that other than stick with it. Because more exciting episodes like 5 and 8 or even 6 won't be exciting without that intro. You can't start the show with everyone on khofar. And even when andor first premiered, remember what the #1 critique was??? It. Starts. Too. Slow. But now two years later, no one is saying that. Most people are looking back on andor like it's the best thing star wars has done. A lot of this probably is because of the streaming model. It creates a pressure to like a show from the very first second and to watch it as quickly as possible. (Idea being the quicker you like it, the quicker you finish, the quicker you move on to another show so these companies can sell you on the Next Big Thing.) It's just capitalism! But that means we also don't get to take our time with art as much because where's the profit in savoring. With the acolyte, people would have come around too, especially as the hate it got died down. But by canceling it so early on, you give people no reason to. It's like creating proof for a problem you created.