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therealbeachfox · 4 months

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Myths of Gotham: Batman & The Two Cities

Ever wondered what the DCU looks like for all those people who aren't privy to the what's and why's of the multiverse shattering events they live through? I sure do. That's melded with my "The Completely Normal Adventures of a Crime Alley Kid" series into this: An exploration of the stories the kids of Gotham would create to explain the world around them. Featuring a foul-mouthed homeless Crime Alley kid vending an education to the younger set, and one Bernard Dowd adding his historical and cultural commentary on the side.

Also available on Ao3, but I'm posting it here because I think it works just fine as a standalone without the 160k+ words of Henchman-In-Denial shenanigans on the side.

Or ignore that link and read it below the cut!

Myths of Gotham

Supplemental Document 3

Harris (Age-12, Male, Irish/African) [[1]]. “The Origin of Batman and the Robins” Interview by Bernard Dowd. 14th August 202X. BDOH #009, Myths of Gotham Project, https://BerDProductions.net/MythsofGothamProject/bdoh-009.html. Accessed 21st November 202(X+2)

[[1. No further information given, even after being told it’d be for proper attribution. "Harris" is also most likely to be pseudonym. Sorry, researchers of the future.]]

Transcript has been mildly edited for clarity and to remove vocal disfluencies. It is otherwise presented in its entirety without any attempts to correct grammar and other verbal slips. Additional notes by the transcriber may be found in the footnotes.

========

Alright, everybody needs to settle their shit down, it’s education time. If you don’t wanna sit here and listen to me explain shit, this place has got like twenty other rooms you can go hang out in, k? This aint school, no one’s keeping you here. ‘Xcept you, Carlos. Yeah, well you tried to go chasing after one of the Exquisite Birds the other day, so you obviously need to learn why you shouldn’t be doing that shit.

Okay, so. We’ll be talking about the Bat Man, but there’s a lotta other stuff we gotta talk about too, first. He didn’t just show up outta fucking nowhere, you know. Now settle down, thank our slumming Posh Boy over there for tonight’s food, and watch what your tongues wag cuz he’s recording all this shit.

Alright. The Bat Man. Where the fuck did he come from? Why the hell is he here? Why do other cities get flying muscle-men in bright colors and we got a living shadow that breaks bones? Why the hell is our shithole of a city like this? Well sit back and listen a learning, cuz unfortunately it all ties together.

Alright, so. The first thing we gotta make clear is that we don’t live in the first Gotham. We’re the second Gotham, the johnny-come-lately Gotham, the weird mirror shadow of the first Gotham. Not saying the other Gotham’s the “real” one and we’re some sort of fake, just that there are two Gotham’s and the one we live in aint the original.

And an important side-note cuz I can see some of you squirming to ask and someone always asks here, I’m not talking about the False Gothams you sometimes see from between buildings or in the reflections of broken windows or stuff. [[2]] Those things aren’t real; they’re just illusions and traps, spun up by something that wants to lure you in with the promise of there being a version of the world where everything didn’t go to shit. It’s all lies. Most kids who go hunting after False Gothams never come back, but there’ve been a few who have, and they’ve got wild as shit stories to tell. But we’re not getting into all that tonight. Basic point is, you don’t get to The Other Gotham by going down weird alleyways. Nah, you just gotta go down.

[[2. Harris appears to be referring to Gotham’s ‘Mirage City’ phenomenon where heated air trapped in narrow gaps between skyscrapers can sometimes warp the light enough to appear to show an altered city skyline between them. The implications of the fact that this phenomenon is most often reported near sites of Justice League confirmed inter-dimensional fracture points is beyond the scope of this project and will just be noted as a point of further study for the reader.]]

So the way it was told to me by the kids who knew shit back when I was among you all listening was like this: Gotham, that is to say, our Gotham, is The Black City, The Gotham Above. The Other Gotham, the original Gotham, is The White City, the Gotham Below, and it was here first. [[3]] The way it’s told, it’s not just the first Gotham, it’s the first city ever, built (or carved) out of the rock way back before people had figured out things like writing shit down instead of remembering it all, math, or how to build something more than two stories high.

[[3. There have been urban legends of an underground city that exists as a mirror of Gotham since the late 1600s, barely a decade or two after the city’s founding. The two main versions either say that it was some ancient city that sank beneath the swamp and bogs before the arrival of the Europeans, or that it’s an inverse mirror of Gotham that’s formed from all our wickedness and corruption. No evidence of either version of such a city has ever been officially recorded. It’s usually assumed that people who wrote of such things, especially in the earlier centuries, had stumbled upon some of the vast cave networks that extend beneath the breadth of greater Gotham and their stories of giant chambers with rock formations that rivaled the tallest buildings in size were misinterpreted.]]

So you know those whacked out monsters and aliens and weird-dicked demon things you have the Justice League out there beating the ass of every other week? They had all that shit way back in pre-history times too, but they didn’t have any cavemen in capes and spandex to punch them in the face. And they were everywhere. Big creepy monsters, fucked up demons that crawled out of the earth or shadows or fires and might not actually be from Hell, but acted like such murderous shits you could see how humanity got the idea of Hell in the first place. You had twisting shadows that would infect people’s own shadows and turn them into evil twisted things like them. You had monsters that only existed as silent whispers that’d get in a guy’s brain and tell them all sorts of shit till they honestly believed that wearing other people’s skin and dancing under the moon was a totally normal and not at all fucked up thing to do. You look back at the earliest stories humans ever wrote down and you can see they were remembering all sorts of fucked up shit we don’t got around anymore. Or at least, didn’t have around anymore until recently. [[4]] And it’s because of The Other Gotham.

[[4. Like with many aspects of Gotham’s unhoused youth culture’s mythic cycle, the timeline of this all doesn’t line up with actual history except in the vaguest of sense. It is interesting to note however that Princess Diana of Themyscira’s speech about ‘The Return of the Mythic’ (end note (i)) has somehow gotten incorporated here, and in a way that almost perfectly aligns with with current historical consensus.]]

So, the way we figure it must’ve happened was like this: Just because they didn’t have superheroes back then, it doesn’t mean they didn’t have magic. Like, we don’t got a lot of it now, but you can’t argue it doesn’t exist, and pretty much everyone agrees that there used to be a lot more of it way back when, whenever that when was. And that when was here. This is the Way Back When. So a bunch of the smartest most powerful magicals [[sic]] got together to try and figure out a way to get humanity on more of an even standing against all these fucking monsters and evil spirit shits everywhere, and what they came up with was the idea for a great big fuck-off prison for the lot of them.

So they went and found the one place on the planet that had the most Fucked Up energy possible - guess where - and set to work carving it out deep underground. At the bottom of the biggest cavern there was under the three islands and surrounding swamps, they dug out a pit. Not a giant wide pit, but a long deep one. As deep down as they could dig with whatever magic and tools they had back then. And down there at the bottom, they carved out a great chamber in the rock and covered it with all the runes and magic writing and iron and silver and whatever the fuck else you need to keep giant millipedes that eat souls in check. Then, somehow - and if anyone knows how, it sure as shit aint gonna be us - they managed to lure or suck in or capture just about every evil nasty messed up thing on the planet and locked them down in it.

You can tell when this happened if you know enough history cuz it would’ve taken place right before humanity got its collective shit together and started doing things like building cities and writing stuff down and everything else that they count as ‘civilization’ these days. [[5]] But like I said, none of the cities everyone topside were building was the first. The first city was built right here, under our feet. They started out by carving out the insides of the biggest stalag-whatevers hanging down from the cavern roofs to live in while they did the original work. Then, once they figured out how that sort of thing worked, they started building their own towers, hanging down from above where they could keep an eye on their monster prison. All spires and guardian statues and skyways and at the center of it all, a giant hole drilled straight to the middle of the whole fucking planet.

[[5. ‘The Great Binding’ and it’s coinciding with the beginnings of known civilization (end note (ii)) is one of the newest theories out of the field of metahistory. Notably, UC Berkley’s article on the subject referenced in the end notes came out seven weeks after this interview took place. And as a side note to the footnote, even proponents of The Great Binding have no concrete theory on where such a prison might’ve been placed. A giant pit right on the Eastern Seaboard seems incredibly unlikely, however.]]

So yeah, the Gotham Below. Sure, it wasn’t being called Gotham way back then. Not sure they even would’ve given the place a name to begin with. If you’ve never had a city before, would you even think it was something that needed a name? Anyways, Gotham Below. And they didn’t have shit to burn down there, but they did have magic. So, as the story goes, they kept the place lit with magic instead of fire. And all that rock remained as white and untouched by soot and ash as they day it’d gotten carved out. So Gotham Below, the White City. And even with all their magic, those people still eventually got old and died, so it was their kids left watching over the great pit prison. Then they grew old and died, and it was their grandkids left watching. And so it went for centuries and centuries and centuries, for however long it took for humanity to start building cities, then for Europeans to develop to the point where the felt like being assholes, and then for them to decide to go fuck up the rest of the world, and then landing on these same islands and decide that this abandoned remote hellhole was the perfect place to build a brand new city cuz there weren’t enough of those yet or whatever.

Now, this should be obvious, but you can’t keep a thousand million monsters and demons and evil alien ghosts all trapped in one spot and not have shit kinda bleed out over time. When those pilgrims showed up to start building shit here, shit got weird. Now, I haven’t read any of this myself, but the kid who told me all this did, and according to him, if you go back and read through the journals and writings of those guys responsible for building up Gotham originally, you can see that they were fucked in the head. They kept writing about dreams they’d be having, silent streets of gleaming white they’d walk through while they slept and how the visions of great towering spires and skyways and a billion fucking gargoyles filled their pages whenever they tried to draw up designs. [[6]] So that’s what they all wound up making, one bridge and building and road at a time. A perfect mirror of the City Below, but reaching up in the sky instead of down into the earth. Each stalagamitite tower hanging down in one had a tower reaching up in the other. And smack in the middle of original Old Gotham stood the tallest building of all, right over where the pit was drilled far far below. [[7]] The Clocktower aint the tallest building in Gotham anymore, but it used to be. And while the Gotham Below remained pure and gleaming white, up here they hadn’t even finished putting up the first medieval porta-potties before shit was stained with soot and ash and coal smoke and whale oil residue.

[[6. Harris overstates things, but the base assertion is correct here. The writings of Cyrus Pinkney are infamous for their frequent reference to ‘dark and shadowy dreams’ (end note (iii)) and his open acknowledgment of how much those dreams influenced his designs. Not to the extent described here, though.]]

[[7. The Great Gotham Tower. Known better these days as The Gotham Clocktower or just The Clocktower. It was placed at the center of Gotham as it existed in it’s original state, with the rest of Old Gotham laid out around it in expanding circles connected by thoroughfares at each of the eight cardinal directions.]]

And that’s how we got to where we are: With the White City, Gotham Below, and the Black City, Gotham Above.

Now, you can’t go building an entire fucking city without the downstairs neighbors hearing the noise and poking their heads out to see what it’s all about. This is another case where you can find references across all that early writing stuff they keep in the libraries. People started seeing ghosts. I mean, they were calling them ghosts, but they really obvious weren’t. People up high, watching people below. They’d wear big white robes that looked like wings when they moved. They wore strange masks with big smoke-glass eyes. They moved through shadows like they were part of them, they could climb a building as easy as walking, and anyone who tried to climb up to one would either find them gone, or would next be seen falling off the tallest building in the neighborhood.

As the history goes, the masks they wore looked vaguely birdlike. A specific type of bird. But it quickly became obvious that whoever these people were, they really didn’t like it when people called them… that specific bird species. So we don’t. Adults still do sometimes, but that’s because they’re fucking idiots. [[8]] If you need to talk about them, call them the White Birds. Or, even better- They’re vain, these White Birds. If you flatter them, they’re less likely to decide to kill you for talking about them at all. The term that tends to get used a lot these days is Exquisite. [[9]] Not sure who came up with it, but we’ve barely had any kids go missing since we started. Still, it’s best to wait until the middle of the day, and talk about them someplace out in the open where you can be sure no one’s lurking in any shadows.

[[8. Beware the eyes of owls

Who watch us all the time

From lofty perches up on high

To the deepest pits of grime.

They watch us as we work and play

They watch us in our bed

Speak not a whispered word of them

Least talons strike you dead.]]

[[9. “Exquisite” is recorded as being Gotham street-kid slang for ‘untrustworthy john/rich person/official’ in the early 1980s (end note (iv)). An article in The Gotham Gazette from 1954 quotes a homeless kid as saying “We all always knew you couldn’t trust him. He was a full Exquisite Bird type through’n’through. None of us is surprised they found all those bodies up’n’in his place.” (end note (v)), and a stylized EXQU was used as hobo code for a place that seemed nice but must be avoided at all costs along the mid-Atlantic coast during the 1930s. (end note (vi)).]]

So throughout all of Gotham’s history, they’re just… there. Watching from up high in the shadows, the Exquisite Birds. If you see one, no you didn’t. If someone asks you about them, you don’t know what they’re talking about. They don’t like it when people admit they see them, and they’re as quick to slice open witnesses as any other two-bit gang.

So that’s where shit stood for a few centuries. Then something happened. We really don’t know what, and no one who would is the sort who’d tell us, either. We just know what resulted. Grownups call it the Cataclysm, or the Big One. [[10]] One day, the earth just turned over in a giant earthquake, split open, and half of Gotham fell down. Then, suddenly, there were monsters. Monsters everywhere. Gotham had always been shit, but now you had people dressing up like insects and murdering people with giant roach traps, or gangsters turning from murdering assholes to mass-murdering assholes who’d torture you for five hours then pull out your eyeballs for their collection, or giant piles of toxic mud coming to life and eating people.

[[10. It goes without saying, but at this point, Harris’ version of events deviates radically from the known timeline. The first recorded footage of Batman was taken eight years before the Great Gotham Quake, with the first rumors of his existence being almost twelve years earlier. This condensing down of timelines and assuming all events from more than five years ago took place at around the same time is a known phenomenon with children-created mythic cycles. (end note (vii))]]

It was chaos. Everything broke down, no one knew what was going on. The rest of the country looked at what was happening in Gotham and flipped out and shut it all down. They blew up the bridges, put mines in the rivers and blockaded the entire city to try and contain whatever the hell this all was. [[11]]

[[11. No Man’s Land did take place, but if it was because elements of the US government were concerned about an outbreak of mythical monsters in the city, that fact remains undocumented.]]

Now, like I said, we don’t know how everything kicked off, but we know how it ended. Somehow, whether on accident or on purpose, someone broke open the prison buried deep under out feet. Not all the way; none of the truly giant world-ending shit has gotten out. But all those twisted shadows and invisible whispers and nasty spirt ghost fuckers? They slid out just fine. We don’t know if the earthquake cracked it, or if the cracking of it caused the earthquake. We don’t know if the Exquisite Birds did it on purpose, or why if they did. We don’t know if they didn’t stop it because they didn’t care, or they just couldn’t.

End result, though? Chaos in Gotham and monsters killing and corrupting and twisting everyone they could get their semi-visible claws into. And the Exquisite Birds just sitting there up high, watching and doing jack shit about it.

These days, we know what to do when shit like that goes down. We know how to feed wishes to the gargoyles and how to call out for the Bats and the Robins, but people back then, they didn’t know any of that. Hell, there wasn’t anything to pray to or to collect those wishes yet. So you had a whole city of people hoping and praying for something to come save them, and nothing for all that power and energy to ground itself in. And there was a whole lotta power in the air. That ancient magic prison had just busted open after all, so along with all the evil smoke demons and monsters and shit, you also had all that raw protective magic leaking out at the same time. And it got mixed up with all those unanswered wishes and pleads as it coiled up through the spires of a city that was the mirror of its own. And there, at the top of everything, it all found it’s lightning rod and grounded itself and WHAM! Just like that, everything changed.

Now, I’ve seen the old photographs, from back when you got pictures of city skylines from giant blimps and stuff. And the resolution on them is never great, but you can see it all the same. Back when The Clocktower was the tallest building in the city, it had a big fuck-off gargoyle on top of it. Big swept back wings and these curved back horns, and hunched all over looking out towards the ocean for anything that might be sailing in to do harm.

It’s not there anymore. Supposedly, it fell off during the Cataclysm, but I’ve never heard of no reports of it getting dug outta the rubble. [[12]] We know what really happened to it, though. All those wards on the monster prison had failed, all the watching guardians of Gotham Below had failed, and Gotham Above was filled with unanswered prayers. It all came together at the highest point of Old Gotham, and the Bat Man statue sitting there was imbued with both the power and the motive to protect us. All of us. Bam! Batman!

[[12. The Sentinel of Gotham was an actual statue that stood on top of Gotham Tower for over 150 years. It was an angel-winged figure standing ten feet tall with a sword at its side and a shield held facing out to the bay. It fell off the top of the Clocktower in 1967 along with a significant portion of the north-western corner. The damage would remain until the revitalization of Gotham at the end of No Man’s Land. What happened to the statue is unknown. It was recovered for restoration and assumed display in one of Gotham’s museums, but I can find no further word about it after 1968.]]

I mean, we all know about the next parts, yeah? Lots of punching, lots of asskicking. Big giant monster with glowing eyes descending from above to kick the teeth in of anyone who’d given in to the whispering shadows, to the monsters wearing human skin, to the demons and their shadows and all the rest. And it was awesome.

But the kids at the time, the kids like us, they had it rougher. I mean, the way it’s like today isn’t like it was back then. Batman’s been alive for a lot longer now; he’s had time to learn how to be a person and not just some sort of monster-fighting gargoyle. But you can still see it. He talks like most of his throat’s still rock, and he moves like it too. He’s got a punch that sends people through walls, and bullets only make him bleed when he remembers they should and they never keep him down for long. And he still doesn’t really get what it means to be a person, or how to deal with humans. Like, you can tell he tries, but he’s an ancient protective guardian powered by even more ancient vengeance magic and there’s only so much that can do. To the kids of those early days, he was even worse. He didn’t understand that they’d be hungry or lost or alone. He didn’t understand why something like him would be terrifying, and he didn’t get why sometimes you had to steal to eat and survive.

So some of the smart kids of back then got together and worked out a plan. There was still a lot of that protection magic in the air from the prison getting busted wide open and they got the idea to try and channel it all, but on purpose this time.

((The wishes!!))

Right, the wishes. This is when that started. They spread the word. When you needed something, when you’d lost something, when you needed someone to help, you would write down your wish and what and who you needed to fix it, and you’d feed it to a gargoyle. Wish by wish, paper scrap by paper scrap, we taught the gargoyles what sort of protector the city’s children needed. There were attempts to get kids to feed them all to one specific gargoyle or another, but it didn’t really work out, everyone just wound up stuffing them into whatever gargoyle they liked best, or was easiest to reach, or was safe to get to. Turns out, you don’t need to feed the wishes to any specific gargoyle, they all talk to each other. What you wish to one gets picked up by all the others. [[13]]

[[13. This tradition appears to have started a year or two after Robin first premiered. It’s unclear exactly how it originated, but it’s now city-wide knowledge, especially among the kids, that you can feed wishes to gargoyles if you want them to come true. Previous writers have compared this to wishing on a star and have suggested that it’s how Gotham’s youth have adjusted for the fact you can rarely see any stars to wish upon in the city. (end note (viii, ix)). ‘Wishes for Gargoyles’/’Wishing on a Gargoyle/Gargoyle Wishes’ is often used by older Gothamites – particularly parents, teachers, and other caregivers – to refer to young foolish wishes, but with a positive connotation (similar to the phrase ‘puppy love’ meaning young foolish love, but with a positive connotation). (end note (x)). And despite what some city officials have worried, there’s never been a need to invest in going around and clearing years of paper pulp out of gargoyles across the city. What exactly is happening to the wishes instead is unknown.]]

And it worked, is the thing! It barely took a year before there was a second shape following behind the Bat at night. And it wasn’t like the Bat at all. It wasn’t a soot and ash-stained version of the Exquisite Birds, carved out of stone and one with the shadows. It was small, and bright, with the colors of Christmas, Halloween, and the circus all in one. He laughed and told jokes and understood the difference between kids who were crying because they were scared, or tired, or lost, or had just too much happen to them too soon. He knew how to talk to kids and how to help us. He stood between kids who just needed money to eat and the Bat Man’s strict ethics. We’d done it, we’d made a protector of our own. Warmer, more real, more human.

Kind a little too human, it turns out. Robins aren’t eternal like the Bat is. Robins grow up and grow old. Robins can die. Turns out, Robins aren’t made by a gargoyle coming to life like the Bat Man did. It’s more like, the gargoyles sort of push out the essence of all those stored wishes into a form that’s shaped after themselves, but made of our wishes and hopes and needs instead of just stone and rock. We don’t even know exactly which statues most of them came from.

We know the Second Robin’s gargoyle. But we’re Crime Alley kids, so of course we know. He went back to it whenever he needed to rest and heal. There are kids who still climb up there to tend to it and feed it offerings. We’re never gonna get Our Robin back, but it doesn’t feel right to let his gargoyle sit abandoned. And there are some kids who think, or hope, that if we can feed it enough wishes and offerings and positive vibes, maybe someday Crime Alley’s Robin will be able to reform to protect us again.

Until that happens, though, we keep feeding wishes to all the others. The first Robin evolved into Nightwing and became the protector guardian of Bludhaven. Kids who were smarter than me figure it’s because that protective magic is still leaking out of the broken prison and spreading out like a fog. It’s spread far enough out that it can feed them the next city over. Which means they also have those invisible whispers and corruptive shadows and all the rest, which, if you’ve ever talked to a kid from there, you know they absolutely do.

The Uptown Robin dyed himself Red and moved in closer to us here in the Alley. Personally, I figure it’s because he’s been getting all those wishes and offerings we’ve been giving to Second Robin’s gargoyle. It’s sort of merging the two of them a little. Hell, if it wasn’t for that Red Hood guy showing up, he probably would’ve become the Crime Alley guardian fully by now. I always kinda wondered if the Uptown kids have a gargoyle they keep up like we do ours, they just don’t tell anyone about it. I mean, we scarcely do. We sure as hell don’t tell anyone who doesn’t need to know where it is, that’s for damn sure. [[14]]

[[14. I only asked after the second Robin’s gargoyle’s location once. When I told that information wasn’t shared, I didn’t peruse it any further. All the extra glaring here was just really unnecessary.]]

Oh shit, good question, yeah, no, the Bat Girls totally come from the same place. Why some go by one and others go by the other is beyond me. There’ve been girl Robins, and it wouldn’t surprise me if there’ve been guy Batgirls. I think it’s because Gotham’s kids feed so many wishes into the system? There’s a lot of need out here, and so Gotham keeps birthing out new protectors for us. For awhile, I thought it was just a case of there were usually two ‘new’ ones at any given time, so one would get called Robin and the other would get called Bat Girl, but then we had two Bat Girls for awhile, and then Red Robin went back to being Robin while the other Robin was also Robin, but then they kept changing names, and…

Look, I’m sure there are kids out there who have a better grasp on this stuff than I do. I just know where they come from, not what sort of weird rooftop pack/hive dynamics they got going on these days, you know?

So, couple of other points before we close this all up. First, on the nature of wishes. I know it’s real cathar- ceth-. Fuck. Real good feeling to wish death by a thousand cuts on those fuckers who beat you up and stole all your food, or wish that the dad who beat you has his arms chopped off and whatever, but we’re all, all of us kids, city-wide, we’re really pushing that everyone cut down on the violence level of the wishes. The latest Robin we got came out with a sword. He’s straight up merc’ed a few guys too, and it didn’t work out as well as it feels like it should. We don’t want the next one to be even worse. Robin is supposed to be our protector, not our vengeance.

If you want someone to wind up stabbed, you learn how to use a knife and take care of that shit yourself.

We’re pretty sure the one extra invisible Bat Girl was formed out of the Bat’s shadow. She doesn’t talk much because they have to share the same voice, and she’s usually happy to let him use it, but this way the Bat’s able to properly Bat at two different places in the city at once. So she’s like the born wish of a born wish. It’s no wonder she’s so slippery and invisible half the time. Unless she’s actively punching something, she barely physically exists at all.

And no, no one’s exactly sure what’s up with Signal. I mean, yeah, obviously he was formed out of the Bat Signal. Skin’s the same color as the metal, outfit’s the same color as the light, and he actually shines and glows and all the rest. And he says he’s The Signal. This is like obvious base level shit.

We just don’t know who’s wishes he was born from. I mean, it’s possible that somehow the Bat Signal’s gotten tied into the gargoyle network, but that seems kinda implausible to me. Some have said maybe he was born out of the wishes of the police for Batman to show up and help out during the day for fucking once, but he’s way less violent and murdery than you’d expect from something born out of cop wishes.

Buddy of mine who’s pretty damn smart and is usually better at these things than me thinks Signal might’ve been born from the police commissioner’s wishes specifically. Which kinda makes sense. He’s like the one cop who actually gets upset when someone gets shot twenty times in the back for no reason, and he’s always the one turning on the Bat-Signal and talking to the Bat under it for years and years and years.

Kid I knew a year back actually managed to ask Signal who’s wishes he was born out of, but Signal just laughed and said something along the lines of “Doesn’t really matter who wished for me. What matters is they wished for everyone to be safe, so that’s what we’re here to do.” Then he blasted apart these giant shadow-bat things with bat-light beams and it was awesome.

So yeah. That’s where Batman and the Robins and the Bat Girls and all the rest came from, and why they do what they do. Give thanks to Poshkid for the food, remember to put out your fires before you sleep, and if anyone wants to talk about the EBs, track me down tomorrow and we’ll go hang out in Leeds’ Park around noon so we can be sure nothing’s listening in.

#DCU #Gotham #Batman #The Myths Children Tell Each Other #Civilian's view of the DCU #Fiction #Writing #The Crime Alley Kid

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cinefairy · 3 years

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• i have such a perfect body- like i have the same body as those girls on instagram but BETTER obviously.

• i manifested my desired body so effortlessly..and it paid off!

• i cant believe how great my body looks. in every aspect, from my boobs down to my toes.

DESIRED AURA

• i have my desired aura

• people say i give off this lily rose depp vibe

• i successfully manifested my ideal aura

• i give off this early adriana lima vibes

• people say im a nepotism baby. im like yeah! i am.

• i exlude rich and wealth

• i give off this sexy feminine vibe

• people say i remind them of early 2000s models

SELF CONCEPT

• i have the best self concept in the world

• im always confident in all my manifestations

• everything in life is so easy for me

• every aspect in life feels like a dream

• i love my life

• everyone who talks to me is blessed

• people talk to me with such kindness and grace

• when people meet me, they instantly think i am so kind

• i am wealthy, pretty, sexy and smart (obviously)

• its so crazy how everything i think of comes to me so quickly, i really am a magician or some shit like

• my mind is so powerful.

• i am so powerful.

• literally all i could ever ask for, I HAVE.

• my life is so amazing

• people have me on their pinterest boards because they’re so inspired to be me

• i inspire myself everyday

• i become prettier and prettier every single time i breathe

• i am becoming a powerful divine human being

• my manifestation is inevitable no matter what

• i never doubt because i dont need to

SPECIFIC PERSON

• me and sp are together

• sp is always in my dms, wanting to talk to me

• i have the best relationship with my sp

• my sp treats me with the kindness i deserve

• my sp loves me and treats me right

• my sp spoils me and buys me everything i desire

• i love how me and my sp get along so well

• me and my sp are dream goals

• me and my sp never argue, we always get along healthily and well.

• my sp is madly in love with me

• me and my sp have an amazing relationship

• my sp only has eyes for me

• my sp and i have such an amazing bond

• my sp always gives me cuddles

• we have such a strong relationship

• my sp loves and accepts me in every way

• my sp and i have the best sex life and always keep it interesting

• my sp and i have a toxic free relationship

PERFECT SCHOOL LIFE

• i have the most perfect school life

• i have an amazing friendship group in and out of school

• all of my teachers love me

• i get the best grades in school

• i get straight A’s

• i never fail. i cant.

• i never get pushed in the hallway

• im always on time for classes

• i do online classes (optional)

• i am free from bullying or any toxicity in school

• i romanticize how i study, like blair waldorf!

• i literally love school- im so smart

• my school uniform fits me perfectly and it looks so nice on me

• im in my desired classes and i excel at them

• i always get praise whether thats from my parents or from my teachers

• i dont stress cus of school, i dont have to. i complete my homework and always meet the deadlines.

BEAUTY

• i feel so beautiful and i AM beautiful

• i am extremely beautiful

• i am goddess level beautiful

• i am so lucky to be this goregous

• i am nothing but beauty and brains ofc

• literally i am the prettiest person you’ll ever meet

• you’re stunned when you see me

• my beauty is out of this world

• i have pretty privilege

• i am so grateful that i am blessed with good looks

• its crazy how i am even real. i look like a goddess

• i look amazing in every outfit i wear even the “ugly outfits”

• i walk like im a model because I AM A MODEL

PERFECT FAMILY

• my family is so perfect

• everyone in my family treats me with the upmost respect

• me and my family never argue

• my family is there to always cheer me on, even on my bad days

• i have such a positive family

• me ans my family get a long so well

• me and family never fight, or do anything to harm each other

• me and family support one another, no matter our differences.

• my family accepts me for who i am

• my family loves to buy expensive things for me.

• my parents always give me praise

• my family makes me so happy, im so glad to be apart of this wonderful family

• i love how toxic free my family is

• im grateful for how my family have matured and evolved into better people

MONEY

• i am so wealthy

• i never have any struggles when it comes to money

• the bills are ALWAYS PAID

• i am motherfucking rich

• i am always rich, it never goes

• i always spend money, without even thinking

• im so glad to be so rich and pretty

• i am MILLION DOLLAR RICH.

• i can never stop making money

• i get £100 everyday without even doing anything

• im so grateful that im rich asf like yaay i can buy anything i want now

• its amazing how fucking rich i am, like im so sorry for being this stupid rich

• im as rich as chanel oberlin.

• all my stresses are out the door and the money keeps piling in

• im keeping up with this rihanna rich lifestyle

#law of assumption #manifestation #law of attraction #dream life #beauty #success #law of abundance #neville goddard #affirmations #lifestyle

6K notes · View notes

amoristt · 3 years

Text

Grazing the Fire | IV

well hello. here i am, four years later, once again enamored with nathan enough to finally dust this baby off and pick up where i left it. im a little rusty so bear with me this chapter! much more to come <3

reblogs + tags and replies will make my entire day as i put a lot of effort into this :)! it also helps motivate me!

story continues beneath the read more. let me know if you can’t access it!

Warning: language, very vague s/a mentions

want to support me? heres my kofi!

__________________________

“Alright class, who can tell me,” A board stick clacks against the chalkboard. “Who can answer problem four?”

A few hands raise in the corners of your eye, but yours remains atop your desk. Eyes far away, mind in a murky haze and almost completely unaware. All you could focus on were the memories playing on repeat within the confines of your tired, tired brain. Hours ago, you were warm, you were comfortable. Safe.

Cheeks heated to a dusting blush when you remind yourself just how you had awoken that morning. At some point in the night, an angel had blessed you. Allowed you to wake up wrapped around none other than big, bad, Nathan Prescott. Your face nuzzled into his chest, broad but wiry hands pressed firmly over your shoulder and his arm slung over your waist to keep you against him. Thankfully you had been the first to wake up, blinking away the morning sun blazing through his blinds and painting the room stripes of gold. At that moment, before your headache came crashing down onto your skull, you were astounded by him.

Eye lashes brushing the top of his cheeks, his lips parted ever so slightly, chest rising and falling rhythmically. In that moment, there was no anger, no bitterness. Just a soft and peaceful slumber. It was like being the sole viewer of a magnificent painting- each stroke and detail placed just there just for you to pick out, to remember the curves and sharp edges down to the very foundation. From his unkempt hair down to the way his hand flattened onto the mattress where your indent still lived. Nathan was so beautiful like this.

For a long time you stayed there. It was as though you were afraid to move- you couldn’t bear to disturb him. You had wondered, if he was always like this, so at peace, what would he be like? Likely soft voiced, mild mannered. He’d do his school assignments without hassle and donate to the charity board. He would wander the town with his friends and listen to music in a beat up truck flying down the stretch of highway overlooking the bold, blue, and beautiful ocean. An entirely different version of himself- carefree, and a fair blue as opposed to a burning flame of red.

But, if that were the case, you’d never have gotten here. You’d never been both the outsider, and the only seeing eye. A lucky, albeit firstly unwilling witness to the display of depth before you.

It never hit you like it had quite in that moment how lucky you were.

But- just then- an alarm disturbed what serendipity existed. You nearly leapt out of your skin, clutched your hands to your chest at the sudden sound. A headache wove its way into your once untouched temples. Nathan groaned, mumbled, ‘god damn it’, under his breath, and thus his body was reanimated into life. He rubbed his eyes and he stretched, that familiar scowl coming over his eyes and lips as he took in the sunlight damn near blinding him. A polar opposite to the being you’d appreciated just moments earlier.

“Ugh, fuck, how the fuck is it seven already.” He groaned. “I feel like shit.”

“Well good morning to you too,” You started, welcoming Nathan into the world. “‘I’m feeling pretty shitty as well.”

You said that, but really… You were more than alright. Your head had hurt, slight nausea crept into the wells of your stomach, but other than that you’re sure you were phenomenally better than you’d have been waking up whereverTate would have left your ass.

“You need to get outta here, before everyone gets up.” Nathan drawled, but he didn’t sound as urgent as you expected him to be. You’d expected him to be angry that you were still in his room, but instead he just… accepted it.

You snickered, climbing out of his throne of a bed. “Wow, you’re giving me the morning after treatment?”

“Sure am. Get outta here, whore.”

“Oh fuck you.”

You located your heels from last night, resting upright near his dorm room door. Heels didn’t sound like the most practical to sneak out of a dorm with, so you instead opted to grappling them by the straps and carrying them at your side. Hair a mess, outfit riddled with wrinkles and makeup smudged under your eyes, you stood before Nathan in all your glory. He stared at you for a long, odd moment- and you for some reason felt exposed, or even, shy.

“What?” You ask expectantly, placing a hand on your hip.

His eyes trail to your line of vision. He shakes his head. “Just thinking about how now you really do look like my morning after.”

“Yeah?” You hummed. “Find it hard to believe you get a lot of those.”

Nathan shoots you a suggestive glance. “You’d be surprised. Everyone wants a piece of Prescott.”

Surely, he was joking, or maybe he wasn’t, but you… Didn’t like hearing that. It made your stomach feel odd, uncomfortably heavy. As he stood up, reminding you how many inches he had over your size, you swallowed and cleared your throat to flush out that crappy feeling. “Well,” you started, mood having dropped. “I’m gonna go, then.”

“What got your panties in a twist all the sudden?” He asked, raising a brow and pulling some clothes from his closet, tossing them onto the bed.

The bed you two had shared.

You hated the idea of his morning afters- whoever they may be.

“Not feeling great. Probably a side effect of the roofies.” You mumbled.

Nathan breathed a laugh. “Probably.”

He seemed so calm, right now. Perhaps due to it being so early, before the outside world had a chance to remind him just why he was so uptight all the tight. Before he needed to be so uptight all the time. He really did have so many versions of himself- all of whom you were slowly becoming familiar with. Compared to the person you’d believed him to be before your run ins, you’d never have assumed someone so dangerous could be so soft as last night, as this morning. In the beginning, you’d feared him. Avoided him like a plague, or a wild animal. Even when you were enraptured in the existence of him, you still wanted to keep away. You’d never have believed someone like you could wake up clutched to his chest, as though he were afraid if he released you, you’d be gone long before he woke.

Then, a sudden thought struck your mind.

He’d held you so tight. He’d welcomed you in the morning. No anger, no annoyance. His soft laugh at your banter and taunts. How your heels were standing upright instead of tossed haphazardly into some random corner, where he’d watch your struggle to find.

How he’d stayed awake to ensure your sleep.

“So are you just gonna stand there?” Nathan called you back to reality, hands gripping the hems of his shirt. “I gotta get ready and you need to wash up so you don’t look like a five dollar stripper.” Cruel words, but with absolutely no bite. You rolled your eyes.

“Yeah. But, hey,” You started. “Thank you for last night.”

“Yeah, yeah. You gotta start learning to watch your own back.” He says. “There’s gonna be times I won’t be there to drag your ass out of the fire.”

If you’d been charged, if you’d been stricken with a strange defensiveness, you’d have retorted, ‘than stop helping me’, but… Instead you allowed yourself the comfort of protection. You allowed Nathan Prescott to watch you.

“I know,” You reached for the door. “Thank you.”

With that, you bounded out of the dorm silent as a mouse.

-----------

In hindsight, you should have left earlier. Class was merely 15 minutes away when you slipped out of Nathan's room and bounded towards the women's dorm. Albeit not exactly a long walk, by the time you discreetly snuck back into your own dorm, you had roughly twenty minutes to somehow pick an outfit from your countless unopened boxes and make yourself even slightly presentable.

Wiping off whatever make-up you could get and reapplying it, brushing out the tangles of your hair and nearly tearing off your scalp in the process, scattering your nightclothes over your floor and managing to scrounge out a semi-decent outfit for the day… You still looked a mess. If the mirror could laugh, it would have. Black mascara smudges under your eyes and frizzy untreated hair. What a lovely look.

You’d made it to class just five minutes late, but those five minutes were all it took for all eyes to be on you as you tried to slide into the classroom unnoticed. A couple classmates whispered to their table mates as you passed by, smelling of oversaturated cherry blossom perfume to hopefully cover the scent of alcohol. You sauntered to your seat and sank down with all your weight, suddenly exhausted. You’d made it with just five minutes tainting your record of attendance. The teacher greeted you with a disappointed sigh, and thus, the day began.

But, it was so hard to focus. All you could think about was Nathan.

“Alright class, who can tell me,” A board stick clacks against the chalkboard. “Who can answer problem four?”

You lowered your head.

“Ah, how about, ___?”

You snaked back into reality, blinking up at the chalk board that was somehow already riddled with math equations. Since you hadn’t been paying attention even in the slightest, your mouth gaped wide open, eyes scanning for something you understood even slightly so you didn’t look like a total idiot.

Sadly, you were out of luck. The teacher shook his head. “I’m shocked,” He said. “You're normally so on top of things. Oh well.”

“Oh, I’m sure she was on top of things,” A female voice sniggered behind you “Last night.”

Your face flushed a red, hot, ruby. What the hell was she talking about? How had they found out you were with Nathan? You were so sure of being sneaky, there was no way-

“Her and Tate totally got it on last night.”

You whipped around in your seat, facing girls who looked to be clones of some sort. Both with the same dark eyes, short brown hair, and freckles. “What?”

“Alright-” Your teacher blurted. “That's enough. April, May, enough. Let’s not discuss things outside of the classroom.”

The two girls batted their eyes. “Sorry sir.” One spoke, twirling a hand through her hair. Her sister's wide toothy grin never fumbled.

“Back to it then. Kate, can you help out __ with number four?”

The small, blonde girl nodded quickly, brushing a lock of hair behind her eyes and offering an empathic nod.

As you turned around in your seat, her answer fell on deaf ears. Your heart was racing in your chest, hands balled into fists while you stared ahead blankly.

They couldn’t seriously think that you chose to leave with Tate, could they? Surely someone must have seen the state you were in. Someone other than Nathan.

The clock ticks forward but time feels like it's passing almost unnaturally slow. With just 10 minutes left, you feel your phone vibrate in your pocket.

‘Nathan: consider ur favor officially returned

Your tongue poked from your lips, the tiniest of smiles taking over your once sullen features. Terrible thoughts and worries flew out the window while you type back, ‘damn. here i was gonna to ask you to do a backflip off the roof with me. there goes my plans.’

Nathan types for a moment. Typing, stopping, typing again.

‘Nathan: soundz like a blast. where and when?’

A small blush heats your cheeks. ‘very funny. thanks to last night i have an entire 24 hour session of studying to catch up with.’

His response is almost instant. ‘Nathan: boringgg. txt me when ur fun.’

Rolling your eyes, you shove your phone back into your pocket. It seems you’ve been able to secure enough of a friendship with him for some mindless banter even outside your little visits. You smile. He’s… Fun to talk to. Surprisingly.

Class comes to an end and you start to pack up the books and papers you’d hardly even glanced at the whole period. Whatever had been upsetting you before is lost in your mind while you think of the morning, the night before. All the things in-between. But, your happiness doesn’t last long. As you get up, you’re almost forced right back into your seat as a weight shoves into your shoulder. Your books scatter to the floor. April, the one who’d remarked about you earlier, glares at you in what looks to be disgust.

“Careful April,” Her sister hums as she saunters past you, keeping distance and raising her already shrill tone of voice. “Might wanna watch where you’re walking- I’d hate for you to catch something from this slut.”

You absolutely gawk at her. “What the fuck did you just say to me?”

April scoffs. “Oh come on, like everyone doesn’t know what you were up to last night.”

“Sleeping around isn’t a good color on you.” May hikes her bag over her shoulder and snickers at you. They both leave the class together, sickeningly in sync. You’re left stunned where you stand, unsure how the hell your life came to this so quickly. How you’ve stooped so low that the daughters of the world's most uncreative parents are able to bully you based on something that didn’t even happen.

Next class goes no better. The person to your right, a jockey looking brunette guy, asks, ‘have you ever heard of a Tate?’. You say no, that that’s the dumbest name you’ve ever heard. The idiot grins and goes back to marking down likely wrong answers on his test sheet and you debate kicking the leg of his chair out- but you don’t to avoid even more eyes on you. It makes you sick to your stomach- even more than recovering from the roofies does. How can everyone believe it? You barely even knew the guy and you were clearly uncomfortable with his advances. No one saw that?

After everything you’d worked for to build a reputation, trying so hard to not call out peoples shit for the sake of seeming friendly, tainted over something that didn’t even happen? And the kicker was that it hadn’t even been your fault! He’d drugged you, he’d have taken advantage of you! Yet you were the bad person?

Class came and went in the blink of an eye this time. Your mind wrapped up in the situation, your stomach churning. You wanted the day to be over with but you still had 4 more classes to suffer through. Why was this happening to you? Was Tate being treated just as horribly, or was he getting pats on the backs of his unaware friends?

Wandering down the halls to your locker, you noticed Lance and Kaz hanging around one of the drinking fountains. Your nerves quelled- your friends would surely make you feel much better. Especially since they had witnessed how awful you were feeling as you left. You approach with a relieved smile, ready to say your truth and finally have someone on your side.

“Hey guys.” You smile, but Lance looks down at his feet while Kaz places her hands to his hips. Your smile fades.

“You could have told us you were gonna spend the night with Tate,” Kaz snaps. “You didn’t need to lie like that just to leave. We were all worried about you and it was for nothing.”

“What?” You feel like you could cry. “No, Kaz, I really did try to leave. Tate tried to drug me and take me home, and-”

“He wouldn’t do that.” Lance interrupts, with a frown. He looks back down at the floor with knitted brows. “I’ve known Tate since before time. He wouldn't do something like that, especially not to one of my best friends. Plus he told me he was really into you. Why would he even try?”

“Are you serious?” You sputter. “You think I’d lie about something like that?”

“You’ve been lying about all sorts of things!” Kaz huffs. “What’s going on with you lately? You’ve been so distant, and secretive. What are you hiding that’s making you lie like this? We’re supposed to be your friends and then you lie to our faces just to go and fuck the first guy that shows you attention.”

“What…?” It was like acid. It was like the rug had been pulled from your feet sending you spiraling down the unending cliff. Kaz, your best friend, all that venom. How could they turn against you like this? What the hell is going on? You felt your throat tighten. “Look, I’m sorry if I’ve been distant, but I’m not lying to you, I-”

“We gotta go.” Lance isn’t in the mood to hear it. “We’ll catch up to you.. Some other time.”

Kaz says nothing as she pushes past you. Lance, at least, spares a short glance over his shoulder. You stood there alone in the hallway, your bag falling off your shoulder and clattering onto the floor with a thud echoing off the walls. Everything you had, all gone at once.

No one believed you.

---------

With nowhere to go where you felt like you could truly allow yourself to process the day's events, you went to the only place you knew.

Just outside of campus, where rocks lined the edge of the boundary, overlooking the outskirts of the town and the ocean stretching as far as the eye could see. You settled yourself there, staring at the vast waters and wondering how this had all happened. Unlucky didn’t even begin to cover how it felt. Not only did you feel violated with Tate attempting to do unthinkable things with your unconscious body, but you also felt alone, and walked on. Your best friends hadn’t believed you. While Lance seemed saddened, Kaz was so… Angry. Her words cut like knives into your skin.

It wasn’t fair. It wasn’t fair. You didn’t deserve this.

You want to talk to Nathan, but knowing him, he’d see your state and bounce instantly. After all, this isn’t exactly very fun of you.

As the sun began to fall, splaying orange and blues over the wide open sky, behind you, you could hear voices. A group of them, some male, some female. Memories of when your notebook had gotten snatched by those two horsed face assholes came flooding back and with all your alertness, you stood up, and decided that this sitting place was no longer safe. Nothing was.

Before you even made it ten feet away, the group had found their way to your spot and gotten comfortable, one of the girls cheering, ‘this’ll be our hangout! look at how pretty the view is!’

You took a short drive down the stretches of road and decided that if you were going to lament in your own sadness, you were at least going to do so in a place that had something to cover the sound of your tears. Plus a nice view.

The beach, littered with its picnic tables and the sounds of crashing waves would suffice just fine. So, you pulled in the desolate parking lot and wandered down the sandy shores until you stumbled upon a picnic table shaded by a large willow cascading lushious branches to block out the sun- a perfect canopy for you to wallow under.

You had nothing at that moment. No friends, no reputation, no one to believe your tragic tale. And now, you’d just lost the one spot that made you feel comfortable when stress was building into your body like concrete. Tears pricked into the corners of your eyes and you bit your lip, dreading that feeling of a lump in your throat. Why you? Everything had been going so well. How could not even a single person believe that Tate had tried to hurt you?

Well, actually, there was one person.

Of course Nathan believed you. He’d been the one to rescue you, after all. Time and time again it seemed. How was it that even the ones closest to you would turn their back so fast, yet Nathan seemed to be there even when you didn’t want him to be? Even when you yelled at him, and he yelled right back, fire and sparks falling into embers around the two of you.

In that moment, you almost felt like you could finally relate to him. A reputation based on lies and things out of your control, paired with a hardheaded attitude to try and combat all the assumptions.

No wonder he was so angry.

“Hey bitch,” A voice suddenly called, and you had a split second moment where you were terrified of once again being the victim of a cruel prank or some classmates boredom. “How about next time you have a pity party you don’t fucking call me in the middle of it.”

You blinked away your tears and through the blurriness saw a figure coming towards you. All that sass, the tone...

“Nathan?” You breathed. It only takes moments before he’s in front of you, holding his phone in view, seeing that the call that had been running for nearly ten minute. You flush in embarrassment, pulling your phone from your back pocket. “How did that happen?”

“Well, can your ass dial numbers?” He taunts, ending the call.

“Damn it, dumb phone must have butt-dialed you. I knew I should’ve gotten a different one.” You mentally kick yourself. “It must have unlocked in my pocket.”

“You don’t have a password on your phone?” He taunts. When you shake your head, he whistles. “You are just begging for a robbery. I’ll keep that in mind when I’m in the mood to send random messages to all your buddies.”

“Fuck off.” You scowl, and he grins, hopping up on the picnic table next to you. The sun flatters his skin. He’s almost glowing.

“Speaking of buddies, how the hell did it pick my number out of your sea of friends?”

You shrug. “Probably cuz’ it’s a priority contact.”

“Oh lala, I’ve been upgraded to priority huh? Does it display a superman logo whenever you give it a ring?”

“Nope. When I press call it rings the nearest asshole in my vicinity. The fact that it’s you is your own problem.”

“Haha, fucking ha.” He leans forward and rests his elbows on his knees. He stares out at the water, watching waves pull and crash onto the beach. It’s almost beautiful, until he ruins it. “Yknow, you’re a really ugly crier.”

“Wow, thanks.” You shake your head. “That's exactly what I needed to hear right now. Why did you even stay on the line?.” Wiping your eyes, you start to forget your tears. “Couldn’t have been that wild of a conversation.”

Nathan shrugs. “Between the crying and the sound of the waves it was pretty nice.” He grins. “Very educational.”

“Awesome. Glad I was able to make your day.” It doesn’t feel like your usual bitey remarks. You’re tired, you’re still a little hurt and you can’t stop thinking about how such an amazing morning had turned into such a horrible day.

“So what’s got you all fucked up? Never seen you act like this big of a baby before.”

“Nothing. You already paid off your debt to me per this morning, so feel free to resume our regularly scheduled mutual hatred.” You say, lying through your teeth. You know you’re both past the point of hatred, but you’re feeling jaded, you can’t help it.

“Oh shut the fuck up,” He groans. “I didn’t drag my ass all the fucking way out to this shit hole of a beach just for you to give me that bullshit. What, did you fail a test? No one matched you on tinder?”

“Everyone thinks me and Tate slept together last night.” You blurt. “I think he’s telling people me and him had sex.”

Nathan tenses his shoulders and grimaces. “Fucking werido.”

“I told my best friends that he tried to take advantage of me and they don’t believe me. One of em’ even said he wouldn’t do something like that.”

“Fuck em’. Who needs best friends.”

“And to make everything so much better, these two bitches that I share four of my classes with harassed me all goddamn day. I mean, fucks sake, how the hell are girls named April and May of all things able to get to me. It’s bullshit. And to make matters worse, Tate is just… Getting away with it.”

“Yeah well, something tells me that Tate’s gonna get a real nice fucking taste of medicine eventually. I just gotta find him first. He’s got a lot of nerve spreading shit around given I knocked his ass onto the pavement.” Nathan brows knit at the memory.

You test the waters. “Why would you do that for me?”

He seems caught off guard, or maybe, surprised that you’d ask. Maybe he thinks you’re both beyond that point. He grumbles, “Why does it matter.”

“I’m just curious. We don’t owe each other anything, remember?”

“Yeah, well,” He huffs. “Don’t ask me questions to shit I don’t know the answer to.”

“You say that an awful lot.” You tease.

“Yeah well you ask dumbass questions an awful lot. Not everything I do has to have some weird ass motives behind it, ___. Maybe I’ve got beef with Tate that’s outside of you.”

“Uhuh. Sure.” You’re about to say something else, when your phone lights up with a text. The display makes your heart fall all over again.

Unknown Number: you should just pack up and go somewhere else. no one wants std’s from breathing your air xoxo

You don’t even know who that is. Now absolute strangers are on your case. You want to throw your phone into the ocean and leave.

Nathan scoffs. “Don’t even bat a fucking eye for that bitch, whoever the hell they are. Half the hoes you’ve mentioned have slept with half the football team,” he pinches his jacket, “and I would know.”

“Ew, Nathan,” You grimace, that same feeling from the morning returning. It feels, oddly, like jealousy. He nudges your arm with his elbow and grins playfully. It’s cute.

“Chill, I’m just fucking with you. You gotta know even I wouldn’t fuck girls that desperate. I’m a man of class.”

That last comment actually forces a laugh from you. It’s soft, but it’s real. The first laugh you’ve genuinely had all day. “That’s horrible.” You remark, giggling again.

It's almost like the slight restoration of your mood puts him at ease as well. He leans back on his hands and stares off into the ocean, those sparkling waters under the setting, orange sun. “I’m for real though. Those hoes aren’t worth your time. One day when we blow this shithole of a town they’re not even gonna matter.”

Your brows knit, eyes blinking up at him. Had you heard that right?

“We?” You ask, perplexed, albeit a little… Hopeful.

Nathan sputters. “Well- Like, when everyone’s older and-”

“You know what, it's fine.” You interrupt. “Fuck it. You’re right. We’re gonna blow this town and they’re just gonna be some shitty memories.”

He sucks in a shaky breath. You’ve never heard him scramble like that, like he’s been unmasked. The look he casts you when you agree, when you don’t tease or patronize and finally hop on the idea that yeah, what if the two of you really didn’t have to deal with it anymore.

What if the two of you could just exist, without the anger.

You look up at him. “Would you actually do that though?” You start. “With me, of all people?”

He swallows. His expression is tense, but he’s not upset. He appears nervous, caught off guard. Nathan tries, “I-”

Your phone rings. Shrill, piercing. Mood destroying.

“Jesus Christ, it’s my mom.” You grab your phone and Nathan looks forward, stone faced and silent as you hop off the table and answer. It’s your mother, who all but shouts into the phone that her and your father are taking a surprising visit to Arcadia Bay while they’re traveling by on their vacation. She insists that you be ready in about an hour for dinner, and likely there will be family photos.

Which means if you still look as wrecked as you did this morning, you’re gonna have a lot of washing up to do. With a quick goodbye, a short and sweet, ‘love you’, you hang up and sigh.

“You still tell your mom you love her?” He teases. “What are you, five?”

You frown. “You don’t tell your parents you love them?”

Nathan side eyes you, and just shrugs. It is all the answer you need, really, and for his sake you decide it wouldn’t be best to press the issue. Not now. But- it still makes your heart hurt just a little. You wished that he’d had it better growing up.

“Right… Do you want a ride home?”

“Fuck no, what am I,” He shoves his hands into his pockets. “a fucking girl scout?”

“I was just offering, weirdo.” When he doesn't get up, you feel like you’re missing out. Like if you stayed, maybe, just maybe, you’d get to know him a little better. “Hey, if you want, I can stay for a bit longer.”

He rolls his eyes. “You’re needed elsewhere. But,” he shrugs. “I don’t know. Fuckin’... Text me or something. Or not, I don’t care either way.”

There’s a small warmth in your chest that rises to your cheeks. He wants you to text him. “Yeah,” You say. “If I’m feeling fun.”

And with that, you bid him farewell, beginning your descent to the parking lot.

“Hey,” He calls, and you turn just in time to catch a small item he’s tossed right at you. A tiny key resides in the palm of your hand. “Spare. If shit hits the fan again-...” He shrugs, and actually looks away. “Just don’t be too fucking loud of I’ll kick your ass out myself. No Madison needed.”

The widest grin plays over your lips. “I’m gonna re-decorate your room while you’re gone.”

“Ah, you fucking better not.” He shouts. “Actually- you know what, give it back.”

“No, no! I’m sorry.” You play with the key between your fingers. “Thanks for this.”

“Yeah, whatever. Don’t lose it and remember- emergencies only. I don’t need you watching me sleep like fucking freak. We’re past that stage.”

“How many times will I have to say I was never watching you. Christ… But, alright. See ya, then.” The key is heavy in your palm.

You place it into your pocket and give him one last glance before you take off, leaving him to enjoy the sound of waves, birds, and the absence of your tears.

#nathan prescott #nathan prescott x reader #life is strange #grazing the fire #scenario #fanfic #fluff

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cowboy-canoodler · 3 years

Text

Can’t Teach The Mad Dog New Tricks, Chapter 1 (Majima Goro x GN! Reader) SMUT

This work is for 18+ readers only, minors DNI ! ! !

You’re the captain to The Majima Family of The Tojo Clan of Kamurocho, a diligent worker who balances out Majima’s own brand of crazy.

You trust him and he trusts you, but does that trust go deeper?

Are there feelings you previously hadn’t thought about?

And just how far are both of you willing to go so the other may survive?

Tags: TW: Blood, knives, stab wounds, bullet wounds, doctors, fighting, smoking, “c-word use” Slow Burn, Angst, Fluff, Smut, blowjob (giving), dry humping, whining, bottom Majima, praise kink, edging, throat fucking, almoat public fingering/handjob, possessive sex, dirty talking, private fingering/anal fingering

Notes:

“Seiko” is a nickname for the reader, not an OC or a specific gender, it’s a moniker like Hawke or Shepherd in their respective games.

Set during the year off in Yakuza 3-4

Also:

When the reader is having sexual things done to them I have included separate vagina and penis versions just read the one that accommodates you. Chest and body descriptions are left gender neutral; it's only genitalia that’s different. If you’re unfamiliar with the way I write I try my best to be as inclusive as I can for the reader. This includes writing separate paragraphs for each genitalia (penis and vagina) while also including non-descript hair, skin, chest, and body sizes. If you feel that I haven’t done a very good job at that in particular parts of this fic please let me know and I will alter it to the best of my ability.Slowly working on this while balancing life.

Also this chapter has no smut but the rest of the work does

“We all know what you and Majima-san get up to you behind the closed doors” the lieutenant of a small family said out loud as you collectively waited patiently for the officers meeting to be finished.

You were there with a calm, level headed, expression. Your eyes fixed on the painting on the other side of the hallway as you stood by for Majima to either be told to leave or for him to walk out on his own terms when it got too boring.

“It’s no wonder a newbie was able to be promoted so quickly in their family,” another snide comment from a different lieutenant, once again from a smaller family but a family that was getting too big for its britches, “sleep with the patriarch and you’re sure to move up in the world.” A couple of them laughed as you took a deep breath in, your calm composure falling ever so slightly as a sensitive topic was touched upon.

It was true that you had moved up quickly within the ranks of The Majima family but you hadn’t gotten to where you are now by sleeping with Majima himself. He had always seen how diligently you had worked, sticking to The Yakuza ideals and always keeping a level head when doing your work. Right now, however, you did not have to work, there was no reason to keep these low-level lieutenants happy with you, or the family you belonged to, as you thought of that your hand slowly slipped into the back of your suit and grasped the dagger that was tucked away, ‘always for safe keeping’ Majima would say to you. This, however, did not mean to keep it safe, but to keep you safe, always.

“Gotta admit” the one who had spoken up first walked towards you, a cocky smirk on his face as he strode towards where you were patiently stood, hidden dagger in hand. “Someone who’s so good at keeping level headed does suit Majima-san the most, like that Nishida guy, gotta keep someone calm to balance out the craaaazyyy” his last few words had been drawn out in a mocking manner, a hand raised to his right temple and jokingly twirling in the air to represent his words.

As the other men laughed you pulled out your dagger, grabbed his hand, and turned the tides, pinning his face down against the wall where you had previously stood while twisting his arm and pressing the dagger against his neck. “Mock me all you like,” you whispered into his ear as the other men gasped, “but mock Majima-sama and we have serious problems,” you pushed the dagger further into his skin, a slither of blood dripping down the blade as he swallowed his pride, along with his saliva, “I don’t think your family would survive against ours, would they?” Your tone was one of feigned ignorance, calm and inquisitive as you asked the quivering coward simple questions. “Perhaps you should think before picking a fight with someone you can’t handle, particularly me and Majima-sama, hm?”

Before your victim could reply the door swung open and Majima came into view, his brow furrowed and an angry glare emanating from his good eye. Immediately you stood back, placed your hands firmly at your sides and bowed to greet him.

“Sir! I wasn’t-“

“It’s nothing Seiko-kun, musta deserved it. What’d he do?” A small grin made its way to Majima’s lips as he admired your devotion, he knew you only got that way when someone had insulted him, or the family, personally.

“Nothing that concerns you, Majima-sama , believe me-“ you glared over at the guy and held up your dagger to him once more, “it’s not worth your precious time” you placed the dagger back into its sheath and hid it behind your back once more

“No sir!” The lieutenants bowed as an apology before Majima shrugged and began walking down the hall.

“If ya say so, let’s go Seiko-kun” Majima began walking away and you followed closely behind, your eyes upfront and calm as you made your way out of Tojo HQ and into the car, you in the driver's seat and Majima behind.

A couple of minutes had passed in silence, both of you enjoying the calm of each other's company as you focused on the road and Majima focused on you. His eye bore a hole into the back of your head and you saw it every time you checked behind the car in the mirror, but you chose to say nothing. He was obviously in a bad mood from the meeting, him escaping partway through with a scowl was enough to tell you that, but usually there was chatter in the car as you rode back to the office.

“So what happened?” Majima broke the silence after a couple minutes of staring out of the window, he must have grown bored with the passing cars.

“They said things I didn’t agree with”

“Like?"

“Do you really need to know?”

“Now,” Majima tutted as a smile made its way back to his face, a finger pointed up and waving side to side, “is that any way to treat your boss?”

“Tch-“ you looked back in the mirror and saw his smirk before moving your eyes back to the road, you hated how he knew your weaknesses, “they said we were sleeping together, and that was the only reason I had been so successful, and so quick, with my promotions in the family”

“Ohh, no wonder you were so harsh on ‘em, I woulda been, too” Majima leaned back and looked out of the window as he crossed his leg, his right ankle on his left knee and his lightly hands resting on the inner of his thighs. “Having your achievements pinned on something you didn’t do that woulda been a lot easier, sure as shit ain’t nice to hear- ah- I didn’t mean it like that-“

Knowing Majima had your back always brought a smile to your, usually calm, face. A small display of emotion that was usually kept hidden, on show just for him. “I know what you mean, don’t worry about it, to be honest, I would have slept with you if I could but you were always so damn busy”

“Oh? You woulda?” Majima’s gaunt cheeks reddened a little as he looked over at you, smirking and staring at him in the mirror, “oh- you’re joking” he rolled his eyes and sighed looking back to the window at the passing cars.

“You got really happy at that Majima-sama, something you wanna tell me?”

“Eat shit”

You sat there staring at each other through the mirror as the car sat at a red light before bursting into fits of laughter

The light turned green and you drove off towards the office once again, the last few minutes sat in a happy silence between you both, appreciating the content atmosphere you had cultivated with Majima. Your eyes often wandered back to the mirror to watch him in his small and comfortable world, one of the few places he could let his guard down a little before heading back into his role as Patriarch and Senpai to the family, plus his jacket did nothing to cover himself and you did so enjoy watching him breathe.

“We're here, sir” you said before stepping out of the car and opening his door for him, once more bowing as he exited.

“Thanks Seiko-kun” Majima smiled at you before walking to the doors, hands in pockets and his guard back up once more in the characteristic sway of his hips. You stood and watched him walk away amongst his family members who were all bowed with their head low to greet their patriarch, and you. Another member ran up to you and bowed as you stood aside to let him take over the car and park it in The Family’s usual spot.

The feeling of walking amongst your peers as their captain was still a strange one, while you had filled in the role easily and commanded their respect it was still very alien to you being their commander. Listening to the shallow breathing of the men at your side as you walked past calm and collected, sticking to the Yakuza code and showing them the amount of respect you were supposed to, was rough and something you had never fully agreed with. These men were willing to die for Majima and the family, the same way you would, and probably will, and not being able to show all of them what that means to both you and Majima was insulting. A code that doesn’t value the people who uphold it, not just the top brass who are in charge but those grunts who do the hard work, is a code that will die. It was inevitable.

As you came to the doors you looked back at the men, still bowing low and waiting for you to enter the building, and then down at the pin on your lapel. A familiar, warm feeling spread through your chest as you felt the comfort of your found family before turning back around and proceeding into the offices.

Majima usually took time to himself after a meeting he didn't agree with, usually they were asking him to do something he didn’t wish to do or demanding The Majima family lay their lives down for some bullshit cause. Everytime a Patriarch dies, or a family has to disband Majima, more often than not, would get up to 200 hundred new recruits into his own, making it the biggest of The Tojo Clan so he’s always asked to lay down his men's lives for the sake of Daigo or the greater good. It’s really one of his biggest peeves about being tied down into the Tojo Clan, while he was, ultimately, in charge of his family he had to obey Daigo’s orders no matter what. Yakuza code to uphold and all, and Majima always upholds his moral codes even at the cost of his dignity, freedom, or life.

A couple of hours passed and you had kept yourself occupied looking over paperwork concerning the finances of The Family, sorting out spending, repair work for damages made to Majima family turf, and collection payments from said turf. This was the work that you liked, the filing and organisation of it all, keeping things behind the scenes running smoothly. It was what you were good at, the best in the family if your title was anything to go by, and you often felt proud of the work you did, and how little you made mistakes.

Of course there were others who handled the wages and every day frivolities, you were there to check any major problems or spare work whenever you had a moment to breathe away from Majima… but you hadn’t heard from him, not a hair or even a whisper of what he was doing right now.

“Hmm...” you hummed, quietly putting your documents down and looking out of the window, “he’s been too quiet tonight… maybe I should check in on him” the statement seemed to be questioning but you had already placed your documents into the drawer before speedily heading to the door.

The halls of Millennium Tower were always so quiet, the slightest cough or sneeze ringing and echoing through the walls of your floor. Just like the footsteps you were making that erupted through the desolate silence. As you walked down you nodded to the guards, men were stationed at each door, 2 at yours and Majima’s, and 1 at the lieutenants along with their respective groupies inside the rooms when needed.

Your footsteps continued to echo through the halls as you passed various doors, the guards bowing in respect as menial mumbling chatter rang through the cracks of each room until you came to Majima’s corridor, you walked up and signalled his men to move further down the hall. Still on guard but with a little more privacy. You took a moment to yourself before knocking lightly and waiting for a response.

“Who‘s banging at my door this fuckin’ late?”

“It’s Seiko, sir”

“Oh… justa sec-“

A pause before you heard something heavy drop behind the door and Majima exclaiming painfully.

“Majima-sama? Are you okay?” More groans of pain made your heart quicken in worry, the beating echoing into your ears overpowered your, usually, calm composure, “I’m coming in!” Hastily you opened the door and saw Majima sat on his couch clutching his foot, and a bowling ball on the floor slowly rolling towards you.

“Ah,” you chuckled to yourself, “I think I see what happened”

“Just tryna have a happy memory and it’s gotta do that shit to me?!” Majima sighed and leaned back, legs apart and knees spread wide with his arms stretched out along the back of the seat. You smiled and closed the door behind you before picking up the ball and walking over to him, bowing for respect, and placing the ball back into the open bag on the coffee table, his eye following you every step of the way.

“Are you hurt Majima-san?”

“Naw- well... my pride maybe? Having you see me like this sure is a kick in the dick” he rolled his eye and looked away from you, sending his pout out of the window.

“Better than an actual kick in the dick though, right?” His response was nothing more than a click of his tongue and a sigh as he rolled his head, and his eye, back, “I hadn’t heard from you tonight so I thought I’d check in. After today’s meeting you seemed preoccupied, maybe even a little stressed-“

“I ain’t stressed Seiko-kun” his tone was short and guarded as he raised his head to meet your gaze.

“With all due respect Majima-sama, you are. I know you very well, better than most, and I know something happened in that meeting today” you sighed at his silence and sat in an adjacent chair, placing your chin on your fist and staring at him with bored eyes. He looked at you and scowled before averting his eye back to the window, but you continued to stare and crossed your legs.

“Tch- it’s just- it’s shit The Chairman’s got me doing, now that he’s healed and able to lead again, plus losing Mine and shit, everything’s just gone to fuck and I’m the one who has to put it together again”

You could see how annoyed it made him to be tied down like this, he just wants to do his own thing with people he trusts surrounding him but every time something happened in The Clan Majima was usually the one who had to clean up the mess and with every mess he got tied down even more.

“Unfortunately, this isn’t like in 2006 when you were able to just break away and start on Kamurocho Hills… although-“ he looked back over to you, eye soft and pleading behind his dagger-like glare, “-technically there’s not much stopping you from doing the same right now, if that’s what you choose to do, sir”

“Nothing but a promise”

“To whom?”

“Kiryu Kazama"

You both sat in silence for a moment, the muffled sounds of Kamurocho below echoing into the dimly lit room. The silence was suffocating, unsaid feelings and context ripping the two of you apart before you gathered the courage to break it.

“I see, you do hate breaking promises, sir"

“You really do think you know me don’t you Seiko-chan? Huh?!” Majima stood up and balled up his fists, the soft squelch of leather rubbing against itself filling the angry atmosphere. You sat there and stared at him silently, your eyes telling him you weren’t buying this façade he was putting up. “Ain’t nothing worse n’ a guy who can’t even keep his word. It’s too much that we let Yakuza get this fuckin’ soft all this time, only caring about makin’ money and being on top. Ain't shit without the strength to back it up.”

Majima turned around and sighed before walking over to the window, he placed his elbow above his head and stared down at Kamurocho like a lion watching and guarding over his pride.

“Is this about Makoto Tateyama-san?”

Once again, silence.

You could hear Majima’s breathing getting heavier as he thought about how he wanted to approach this with you and you sat there ready to take it all, he needed to get his emotions out and into the open. Carrying a torch for someone for 21 years wasn’t exactly healthy and the only way Majima knew how to take his mind from it was filling his days with menial tasks, or finding people to fight to prove to himself

“It’s been 4 years since she left the country with her family” you could see Majima’s fist tightening and the scowl on his face getting even angrier as he continued to stare out of the window.

His voice was low, almost a growl, and nothing like his usual scratchy tone “you should know when to shut up and to keep her name outta your mouth”

“I can tell you how she’s doing if you wish, I have people checking on her and her family often to make sure she’s safe”

Majima’s breath hitched in his throat and he looked over to you, his eyebrows still knitted together but now in a combined look of anger, curiosity, and affection. “Why? I never ask’d ya to do that, how’d ya even know?!” He took a step towards you, his arm falling down to his hip and hands still balled into fists. You stood up and clasped your hands behind your back keeping eye contact with him.

“When I joined the family I had my sights fixed on becoming your captain as fast as I could so I dug into your past. The things that happened with Shimano-san and Saejima-san, Yuki-chan and Makoto-san.” He stopped and stared at you, eye wide with awe and mouth slightly agape along with his still knitted brow, “I’ve made it my goal to make sure no loose ends come and bite you in the ass in the future, and that the people you care about are taken care of no matter what. I had hoped to keep your mind at ease.”

“At ease?” Majima’s voice was barely a whisper, the words only just crawling their way to your ears as you stood your ground. “Finding out one of the only people I trust is going behind my back to get info on me, that’s supposed’ta put my mind at ease? Huh?!” Majima’s voice rolled into a roar as he took a step towards you, the anger radiating off of him and his mad eye shaking around as he bore a hole into your skull with glare alone.

“Yes.”

Your reply was short and abrupt, the final tipping point before Majima ran towards you and grabbed your collar pushing you back into the wall. You both grunted at the impact as books fell off of his shelves. Your hands came up and gripped his arms in a futile effort to keep him at bay, there was no way you’d be able to take The Mad Dog in any kind of fight, not that you’d want to but you had to try to calm him down somehow.

“The fuck you think you are?! Huh?!”

“The one person who’s always on your side no matter what Majima-san!” He didn’t budge, “I didn’t do it for blackmail or for any kind of leverage, if I wanted that I wouldn’t have worked so fucking hard to get to where I am now. Here! Right by your fucking side where I plan to stay!”

Tears blinded your vision as you poured your heart out to him, the things you admire most about Majima flashing through your mind as his grip on your collar loosened.

The way he never backed down from fights.

His loyalty to the people close to him, especially his family.

The promises he never breaks no matter how hard it is to get to the result.

How hard he fights when he lets loose, especially when he fights Kiryu.

His smile.

His laugh.

His nose.

His lips.

Him…

“Sei- no… (Y/N)-kun…” him saying your name made your heart skip a beat and the breath in your lungs disappear. His hands lay on your chest, slightly smoothing down the fabric of your creased shirt and he averted his gaze, almost sheepishly, as he realised what he had done.

“Unless you throw me out yourself I don’t ever plan on leaving you, Majima-san. Not for all the Yen in Japan, not even to start my own family-“

“You’d be a great patriarch, y’know”

You smiled and lightly sighed, “not nearly as great as you.”

A small gasp made it’s way past his lips once more before his gaze made its way back to your own, eye slightly watering as you studied him making sure to remember every little detail you could. Only now could you feel how close he had gotten, Majima’s breath a small breeze upon your lips, both of you breathing in eachothers air.

All the blood in your body became intimately known to you as well as where it was rushing to. The heat rising in your cheeks and the small, rushed, beating of your heart echoing into your eardrums.

Majimas voice was barely above a whisper as he leaned his head forward, eye now focused solely on his gloved hand smoothing down your shirt. “Seiko I…” he let out a breathy sigh before a small smile made its way into his lips, Kansai accent slipping from his words, “I haven’t felt this comfortable alone with someone in years, I don’t even know how I’m supposed to feel… not anymore”

“I know” you were in no position to give him advice about how to feel when your own emotions were hardly ever in check, “I’ll be here whenever you need to feel comfortable. No matter how far away I am, even if another family has me locked up. I’ll fight my way to you with every fibre of my being, nothing will keep me from you Majima. Our world has no enemy I won’t kill to make my way back to you.”

He leaned his head down slightly, eye closing as he became more and more vulnerable the closer he got to you, and you felt the same about him. Your breath became shakier as your heart continued to beat out of turn, you leaned your head forward and pressed your forehead against his, feeling how hot his body was, your noses barely touching and your hand resting on his bicep.

Kamurocho stopped in those few seconds, no sounds, no lights, no traffic, just the two of you alone on this earth.

Majima was the first to move, his hand creeping up to the side of your neck and his head tilting to the right as he brought your lips closer together, your breath trapped in your lungs as you anticipated his lips upon yours. Your eyes had been focused on anything but his gaze until now, you looked up and he had already been studying you. Just as your lips were about to touch there was a knock at the door, both of you jumped and parted before someone walked in and bowed, looking like he had bad news.

“Sir, I’m sorry to interrupt but there’s a phone call from The Chairman, he says it’s urgent”

Majima sighed and turned away from you, the lingering heat from his hand on your chest slowly fading away as you averted your gaze. All of the trapped air in your lungs made its way out and you stood there out of breath and embarrassed.

“You should get that! I’ll leave you alone. Thank you for seeing me Majima-sama, have a good night.” You bowed and Majima opened his mouth to protest but before he could you quickly made your way out of the door and down the hall to the elevator, face red and still short of breath.

Once the elevator doors closed, and you were alone, everything hit you and you couldn’t stop yourself falling onto the wall for support, the cool metal of the lift. All breath left your lungs as the emotions took over, arms wrapping around yourself and eyes fixed on the floor as you tried everything you could to calm down the thoughts in your head and the thoughts in your heart.

You remained that way until the elevator came to the floor of your office. You stepped out, having regained your calm persona, and walked down the halls with your hands firmly by your side, the right one almost burning as you remembered the feeling of Majima’s bicep in your grip. Your chest aflame with his handprint as you continued trying to keep your composure, determined not to let any of The Family see you like this.

You spent the remainder of your night awake and alone in your office, laying down on your couch with a pillow for company and the Kamurocho sounds, and rain, for ambience. Each thought was of him, how close the two of you had gotten, and how much closer you were about to get before you were interrupted.

#majima goro x reader #majima goro #yakuza #gender neutral reader #N/S/F/W #bal writes #yakuza writing #series

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lxngbottom · 3 years

Text

A Fun Trip. | N.L.

in which the reader and neville take acid, and have a fun trip together.

warnings: drug use, swearing, a little bit of angst.

word count: 1,692

i got inspired due to the fact i had to trip sit like 6 or 7 people the other night so enjoy whatever this is lolol

—

“oh, shit. this is actually about to happen...”

those were the words that came from your best friend, neville longbottom. you two sat calmly on his bed, ron, harry, seamus, and dean all present in the room.

“we don’t have to do this, you know. if you’re too scared then we should just—“

“no! i want to do this. it seems cool!” he quickly interjected, taking a quick glance at the tab sitting patiently on the plastic bag in front of both of you. you laughed at your best friend, surprised by his eagerness to take muggle drugs.

“you guys won’t like—die, right?” ron asked, not really knowing if he was trying to reassure himself or you two.

you rolled your eyes at the ginger, “no, ronald. we won’t die. we’re taking one tab each, and trust me... i’ve seen people take way more than that and be completely fine.”

“so why did you ask us to be here?” seamus added, a book settled in his hands as his back was propped up against his headboard.

“because, asshat! it’s only my second time ever taking LSD and it’s neville’s first time!”

“i thought you said you’ve never done this before...” neville stated, his face now visibly sweating. you smiled at him,

“i’ve done magic mushrooms, nev. but never acid.”

his mouth formed into an ‘o’ shape, and he quickly looked down at the two tabs once more. you could tell that he was anxious, simply from the way his hand made its way up to his neck and began to rub it. you grabbed the same hand, and put yours over it. “hey, you’ll be alright. there’s nothing to be scared of. and if you do start having a bad trip, i told all of them how to get you out of it, alright?”

he couldn’t help but to send you a small smile. you were always so good at making him feel relieved, reassured. it was one of the reasons why he adored you so much.

“so...” you began, picking up one of the tabs carefully, making sure that it wouldn’t get on your skin. “are you ready?”

neville looked at the tab once more, and sighed. “yeah. fuck it.”

you chuckled, and passed him his tab, “fuck it.”

at the same time, you two put the tab directly on your tongue. you could already feel the tab slowly dissolving, and for a quick moment regret filled your body. but you pushed it away, as you didn’t want to make neville nervous. you wanted his first trip to be good, unlike yours was.

“how long does it take to work?” neville asked, throwing the plastic bag in the trash bin right beside his bed.

you thought for a moment, trying to recollect your past knowledge from doing LSD. “about thirty minutes to an hour. but, it really all depends on the person, i suppose.”

he nodded, and began to play with his fingers.

you let your back fall onto the headboard, and moved some hair from your face.

“now... we wait.”

—

almost a whole hour had gone by, and neville stared up at the canopy, waiting for something, just anything to happen.

“still nothing, longbottom?” dean asked him, staring intently at his friend.

“yeah, nothing...” he muttered in response, “what about you, y/n?”

if neville or any of the other boys would’ve been a bit more attentive, they would’ve noticed how you were practically lost in your own world. everything was so bright, the most beautiful environment that you had ever seen. the wrinkles in your hands wiggled, and the print on the wall seemed to move like the ocean.

“uhh—you guys?” harry suddenly announced, and he pointed over towards you.

the boys looked over, and saw you staring at neville’s bed side table intently. you were on your knees, staring at the printed wood and the way it danced. you almost began to dance with it until neville got your attention,

“y/n? are you alright?”

you looked over at him, and he was shocked to see the brightest smile on your face that he had ever seen. “fantastic. the best i’ve ever felt!”

you couldn’t explain it, but it was the best you ever felt. your physical body on its own felt as if it were on cloud nine, and the things you were seeing... it was brilliant.

“look at the table. it’s dancing!” you squealed excitedly, pointing at the thin lines imbedded into the wood. neville, out of pure curiosity, looked exactly where you were pointing at. but, he didn’t see the wood dancing like you were.

“i don’t see anything. i guess it’s not working for me...” he sighed, envious of how happy you seemed from the affects.

you slowly got up, and looked over at him. you were making every attempt possible to ignore the visuals that covered your eye sight. you walked over to him, a small smile still planted onto your face. you bent down in front of him,

“it hit.” you whispered to him,

“what?”

you stared into his eyes, “it. hit.”

in that moment, neville truly believed in the power of words. because as you stood up, a blurred version of your figure followed. as if everything happening all in this moment was delayed.

neville’s eyes widened, and he looked down at his hands. he noticed the way the faint lines in his palm moved, and how they seemed to be wrapping around on each other. he closed his hand, and opened it right back up to make sure he wasn’t just seeing things.

no. this was actually happening.

“you guys... look at my hand! look! it’s moving!” neville started to shove his palm into his ron’s face, and ron laughed when he saw that his palm actually wasn’t moving.

you two began to get lost. lost into a trip that came in waves, but nonetheless, quite enjoying.

every time you looked at the walls, they seemed to move with your every step. you kept giggling at it, earning questionable stares from your designated “trip sitters.”. the bed posts seem to grow, shrink, and do the same thing all over again. at one point, you needed to use the bathroom. but as you walked passed a random mirror within the dorm, the need to relive yourself faded away.

in the mirror, you could say you saw multiple things. but, that wouldn’t even be a good enough explanation for what you saw. your face began to grown a shade of purple, a lavender shade. and you saw two extra terrestrial seeming ears grow out of the top of your head.

“neville, come check this out!” you blankly stated, too lost in thought and sight to even put any emotion into your words.

he quickly made his way over to you, and looked in the mirror as well.

it didn’t take long before the two of you were shouting about crazy things, and laughing your asses off.

“these crazy people, mate. i swear!” ron joked, shaking his head at the two of you.

—

as you sat up from neville’s bed, a large wave of sadness crashed into you. you knew this was bound to happen, just not as soon as you woke up.

you looked over, and spotted neville sleeping soundly. his hair was messy, and his lips were parted a bit. small snores escaped him, and you smiled at the way he looked, but your come down didn’t let you feel too happy for long.

“neville...” you nudged him, attempting to wake him up nicely. “neville... wake up...”

his eyes fluttered open slowly, and he smiled when he realized that you were over him, staring at him.

“hi.” he hummed, and you greeted him back with a quick, “morning.”

but from the way your face looked, neville could tell something was wrong. he had known you for so long, that he knew just one face drop always indicated that something was going on.

“what’s wrong, love?” he asked sweetly, mentally pleading for you to lay down next to him.

“i just feel...” you began, but trailed off getting lost in your own thoughts, “i just feel sad. like... noting is ever going to get better.”

you had talked to him about the affects of LSD, and how it made certain people react. and of course you didn’t forget to tell him about the infamous come down. he had retained as much as he could, so he knew from your statement that it was simply the drugs talking.

“y/n... that’s not true. you know that. everything can get better.” he assured you,

you looked over at him, “you said can. but... what if they don’t?” your voice cracked, and you could feel the sob climbing up your throat, desperately trying to escape your lips.

neville sighed, and quickly pulled your arm, asking if you to lay down next to him. you did so easily, making no complaints about receiving comfort in this moment.

he held you tight, and pressed a small kiss to your temple as he fixed the blanket that laid over the both of you. when he settled in once more, all it took was a look of adoration from him to make your lip quiver, and for a small cry to leave your body.

“oh, y/n... it’s alright...” he whispered, petting your hair gently as you cried into his chest. he couldn’t help but to feel his heart shatter into thousands of pieces hearing you sob like this. he knew it was just the routine of doing muggle drugs, but merlin, he hated seeing in this state.

you both laid still, and neville let you cry and ramble on about philosophical topics. he listened carefully, running his fingers through your hair gently.

when you calmed down, you nuzzled up closer to him.

“i had fun with you last night, nev. thanks for always doing stupid shit with me...” you chuckled through your tears, wiping them away with your hand.

“well, you want to know something?”

you hummed in response, looking up at him.

“i would do it all over again.”

#harry potter #neville longbottom #neville longbottom imagine #neville longbottom smut #neville x reader #harry potter imagine

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normal-thoughts-official · 3 years

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I LOVE LOVE LOVE YOUR BEAUTY AND THE BEAST IDEA. But may I also propose: Magnus cursed from a young age (probably bc of Asmodeus) that anyone who touches him is hurt by a blast of magic he can't control. (This may result in his mother's death). He locks himself away of his own will. Alec teaches then that it's fear that makes him lash out. Featuring: touch starved Magnus.

this idea is GENIUS actually and i love it. tbh me and my friend have a similar idea that we talk to each other about (lol) but it isn't a B&B thing, its more of an adventure AU. anyway, lets go!

so in this universe i guess magnus banished asmodeus like in the original sh verse but asmodeus cursed him with the "everyone you touch will be in indescribable pain" thing. maybe just as revenge, maybe to try and use it as bargaining chip because okay magnus, is it freedom that u want? u want to be able to have ur own friends and ur own life? fine. get me back, and ill leave u alone, and ull be free to have friends again. if not, ull be still isolated just like before. so is it gonna be win-win, or lose-lose?

but magnus doesn't budge because he knows that if he lets asmodeus free things will only get worse not only for him, but for the whole world. he is too dangerous to be out there. so, magnus resigns to his fate

and i guess in this version he wouldnt have a lot of close friends because he had been with asmodeus his whole life before he was cursed, so he was just. alone in his self-imposed isolation with no one to talk to. maybe he enchants the furniture so they gain sentience but they can't really feel pain, so at least he has someone to talk to. god im so fucking sad already

so is the furniture his friends in canon? im not entirely sure how i feel about that but also the idea of ragnor as that clock from the original movie is great. thats my most important thought on the subject ngl

btw its 4 degrees Celsius in here so im typing with gloves on so ull have to excuse my typos i am a mere brazilian and i want death

anyway okay so i guess his friends are like pieces of furniture that he spelled into sentience and they aren't his servants or anything cuz that's gross but they just like, hang out. wow im actually managing to type pretty well all things considered

so at least magnus has people to talk to but he's still touch starved because you know... a clock can't hug you and that'd just be weird. maybe them becoming sentient was an accident? lmao like magnus just wanted to automate some functions like having the clock talk to tell him the time or something and it turned out that they became sentient. possibly his magic is a little fucky because of the curse so that's why that happened? or maybe he just is way more powerful than he realizes and we all know he invented the spells he used to try and automate the things anyway. but if he gets people to talk to, well, he's not complaining

im focusing too much on this. anyway. id also like to note that im making rapha the cook/stove thing because i mean, come on. it's right there

and ok i guess alec comes into this because he uhhhhhh no u know i might go with that izzy thing. so izzy ran away from home because of maryse's bullshit and alec was sent to bring her back. so he was going after her but in the middle of the path there was the whole wolf attack thing that scared off his horse and LUCKILY magnus' house/tower/whatever was right next!!! so of course they take alec and his horse in but also WHOOPS there's a huge snowstorm that lasts for days (par the course for where magnus lives, actually. he DID want somewhere people would avoid. but also i think maybe his magic being fucky has something to do with it) so i guess alec is stuck at magnus' for the foreseeable future

which is HELL for magnus because he is terrified out of his mind that they will accidentally touch and alec will be hurt. and like.... his Constant Crave For Touch is already bad on a regular day, but having someone who could actually hug him in theory just makes it worse, you know? he hasn't interacted with other human beings in so long, just having one there is enough to make his need for touch almost unbearable and just... completely constant. it's hell

so magnus is scared, which means that he keeps to himself. so he tells alec not to go into his room, he tries not to eat at the same time, and other stuff like that, bUT his friends keep sabotaging his plans because they want him to have another friend, jesus christ!! (rapha being like "come on now magnus, you don't want my soup to get cold, do you? i'll be deeply offended. i guess you have no choice but to eat with alec". so magnus goes but the first thing he does is magic his regular table into a gigantic rectangular table with 41908410 seats and seat on on the side opposite to alec. alec just sighs

so like he's constantly coming across as rude because he is trying to avoid alec, alec just doesn't know why

but alec is also a stubborn bitch who goes stir crazy and refuses to just sit around isolated doing nothing while they wait for the stupid storm to finally be over so he can go get his sister. and magnus saved his life, so it's the least he can do to repay him in some way. besides, this is what, the first time that he's been completely away from his mom? for such a long time too? and he's finding that he feels... weirdly free and just relieved and he doesn't want to waste that opportunity with standing idly around alone all day. he had enough of that at home, thank you very much

besides yeah magnus is being rude but alec is used to straight up assholes and abusers (jace. i'm talking about jace. also maryse ofc but mostly jace) and magnus is not that. in fact he makes very polite conversation and is actually pretty fun during dinner, all things considered. he's just.... super private, i guess

AND magnus' friends are all being a nightmare with the making them interact so you know. they end up interacting. and alec makes it a point to help him take care of his house because it is a certified Depression Lair™. magnus can take care of it magically but it's like... so dark and almost suffocating at times and there is stuff like bad painting and piping problems that he never bothered to fix because it isn't affecting the functionality too much but it DOES makes life harder and alec "everything must be at 100% always" lightwood is not here for it so for a few days they are working on fixing the house and... magnus actually feels a lot better when the place has actual sunlight and looks inviting and like a home, he has to admit. when he says that to alec it might be the first time he's given him a real smile and man, is alec smitten

sidenote i guess this means that magnus doesn't exactly... dress well in this au lmaoo i mean it makes sense too because canonically magnus uses dressing up as a way to convey an image of power and untouchability and he doesn't really need that in this AU since he is completely isolated. so i guess he is a bit more like twi magnus - bare-faced and wearing comfortable clothes and the like. this isn't a twi au i'm just saying that it makes more sense for him to dress like that in that context

anyway. after the whole house fixing thing, they officially become friends. it turns out that alec also knows a bit about what it's like to feel isolated and touch-starved (altho he's always had izzy to help in that department, but still) and also what crappy parents are like. magnus shows alec his little mirror that he's enchanted to be able to show him anything he wants and how he uses it to be able to see all the places in the world he'd like to visit - he loves people, he loves culture, and sometimes it's all he can do to watch what's going on in Mumbai and it makes him feel a little better, so, he does that. he also admits that sometimes he catches on some drama happening and uses the mirror to see the people involved and make sure they are okay. kinda like a soap opera of his own but he has the means to interfere and help because of magic, so he will have someone who's struggling with money suddenly find hidden cash or have an "unknown dead relative" give them a lot of money in their will, or something like that. and if he also watches some of their personal drama that unfolds, well. he is lonely and it's not hurting anyone

but magnus doesn't tell him about the curse, and he still makes sure to keep his distance. it stings a little to alec, but it hurts magnus the most because fuck, maybe he just desperately needs someone who will give him the time of day, but he likes this guy and that only makes it harder to keep his distance. he makes it a point to always be at at least two arms length from alec, which alec thankfully respects and doesn't try to get him to breach, but. shit. it's still so hard to not want to just rest his head on his shoulder or get a hug or even fucking touch pinkies like stupid children and he can't. alec even once jokingly suggests that they have a ball since magnus doesn't know how to dance and magnus is actually excited for a second before he remembers that he can't, it would have to mean that alec touches him, and he can't

someone - maybe ragnor - even suggests that maybe he could try gloves and heavy clothing so alec isn't really touching him but magnus refuses to try because he doesn't want to risk it not working and alec getting hurt, because he'd never forgive himself. besides, getting a taste would only make it hurt more. he can't. he can't

but it's alright because at least he has some human company - he loves his friends, he does, fiercely, but it's different when they kind of have no choice but to be with him and also are enchanted creatures. he doesn't even know if they aren't nice to him just because he enchanted them into life, even tho to be fair if he had a choice ragnor wouldn't be that grouchy - and alec makes him laugh and gets him and helped make his place feel more like home, a little bit. and he can pretend that he feels the warmth from alec's body when they are sitting by the fire and feed these crumbs to his desperate need for touch and company

and then the snowstorm ends and it's time for alec to go

honestly, alec himself is kind of heartbroken, but- he loves his sister, and he can't just leave her alone in god knows where, even if he dreads the thought of coming back home now that he's been away from his family for so long. but magnus doesn't want to keep him, and doesn't want alec to feel pity for him, so he's all but pushing alec out of the door (not literally, of course. he can't do that, it would mean touching him) all "go, go, you never know when another storm might start. go see your sister. take my mirror, you can find her more easy". and alec's all "but it's been the only thing-" and magnus waves him off, of course, all "i can always make myself another one. besides, you'll have something to remember me by. now go"

so.... alec goes

and hooo boy magnus is heartbroken and a mess because even tho he knew how much having someone else there helped he had almost forgotten what it was like to be the only human in the house. he just feels extra lonely and even kind of bad about it because hey, his friends are there - not that they begrudge him for it, of course. it's not like they don't also hope for the chance to get out of the house and do other things, but well. they can't. so they understand him. and they know how awful he's feeling right then, but what can they do?

meanwhile alec finds izzy pretty quickly - she's living with this one insufferable villager named clary that alec absolutely can't stand, but- she's happy. and she doesn't want to come back, which alec expected, but he finds that he can't actually insist for her to come back. how could he, when he himself doesn't want to go?

and izzy insists that he stays with her - there's no reason for him to come back. they can stay in the village, and work, and build a life for themselves. alec is the only thing she's been missing ever since she left, and in here the both of them can actually be happy. and do it together, like they're meant to

and when he first gets into the village is the first time since izzy ran away that he was hugged and fuck, it's hard to say no to her

but also... he misses magnus already

and he doesn't know if he can just stay and leave him behind

and of course izzy is like "who is magnus?" so alec tells her the story, how he was attacked by wolves and rescued by this house that miraculously was in the middle of the single most inhospitable placealec had ever seen in his life. and the kind but wary stranger who always keeps his distance but seems so eager for connection, who made alec feel welcome and laugh and feel like he built a life for himself there

and clary tells him that she's heard of the story, but she never knew it was more than a legend - no one really remembers what happened. some say that magnus made a sacrifice to rid the village of a demon, and it turned him into a beast, forever locked in his castle. some say that he himself is the demon, and it's the tower that's containing him and keeping the village safe. some even say that he died battling the demon, and it's his ghost that keeps watch on the tower

she wants alec to explain which one is true, but it's all alec can say that none of these are right and he knows nothing because magnus never told him. all alec knows is that he doesn't want to leave magnus behind

and clary is like... well, if he's not a demon or a ghost, maybe we could bring him to the village too. he has magic, right? he could bring the tower closer. and maybe the other villagers could, you know, visit him and hang out. and he wouldn't be as lonely, and then alec and izzy could both stay

driven by this failproof plan, they decide to go back to magnus and tell him their great idea

except they are IDIOTS and forget about. you know. the damn wolves

and like holy shit is this pack big or what? like no seriously why are there infinite wolves in that one singular pack in beauty and the beast. like holy shit dude there's more wolves near the beast's house than in the whole yellowstone park

anyway there are Many Wolves and while alec is a good archer, izzy is a fantastic fighter, and clary is Fucking Crazy if you give her something stabby, there's only so many wolves they can take on at the same time

good thing magnus is a pining idiot who did in fact make himself another magic mirror and was watching alec with it. so he knows that the dumbass is in trouble and for the first time in years, he uses the portal (his own invention, and he had never gotten to use it before!) to get to them and fight off the wolves

so magnus saves all their lives, at the cost of getting severely injured and passing the fuck out. izzy, who's the one closest, runs to get to him and help put him on one of their horses... and is immediately hit by a blast of magic that almost makes HER pass tf out too

which is when they finally learn that, oh. that is the curse

izzy is fine, of course - the pain ended as soon as she was away from magnus

but it does pose the problem of How The Fuck Are They Getting Him Back To Safety, because they can't exactly wait for magnus to wake up (it's freezing, for starters) but with this amount of pain it won't be physically possible for them to hoist him up and get him on the horse. shit, will the curse work on the horse?

they bring alec's horse (by far the strongest of them because alec is huge buff mcgee) and try to get him to touch magnus and the spell does NOT work on the horse because in order to be dramatic asmodeus was like "you shall never feel human touch again" when he cast the spell, which accidentally gave a LOOPHOLE for non-human animals. so magnus could have had cats the whole time, which he had always dreamed of, but he didnt want to risk testing. besides, his house would be a poor environment for a cat and [self torture noises]

anyway thats one less problem to deal with, 99 to go, so they use some ropes to hoist magnus on top of the horse and bring him back to the tower (it's closer than the village) so they can tend to his wounds. thankfully, as the assigned Big Brother of a very irresponsible izzy, alec has experience with first aid, altho he never really dealt with anything quite this bad. and magnus' friends help, too, as much as they can. inevitably this means that alec ends up touching him even if by accident sometimes, but he knows what to expect so he Powers Through It because he won't let magnus die, damn. and as horrible as that is alec has experience with powering through pain, so. he's gonna bandage him up god damn it

izzy can't stand to see him dealing with that himself tho, so she helps, and clary ends up helping as well because they figure sharing the pain makes it easier and alec doesn't have to be too hurt. minimal touching accidents for alec! good

*narrator voice* And Then Magnus Wakes Up And Alec Hugs Him

full on launches on top of him and brings him into his arms and Magnus screams like NONONO OH MY GOD WHAT ARE YOU DOING ALEC NO GET OFF ME YOU'LL BE HURT and his shock and distress at the whole thing sends another whole blast of magic that explodes that whole mf before it can touch alec and alec feels no pain and magnus is like.............. did i just COUNTER the spell? and everyone's like well! it looks like u did!

which earns him ANOTHER hug (oh my god alec stop he's so stressed out by this) (who knew alec was so touchy?) and this time he's paying attention to that gut reaction and because magnus is a Certified Magic Genius he realizes what it is that he's doing to counter the spell and immediately starts working on a way to turn this into unhexxing himself for good

which he DOES after some time idk how long but alec stays with him meanwhile and maybe izzy and clary do too, because magnus needs all the company he can get and besides, izzy has always wanted adventure and clary has never left the village before, so this is interesting to them at least. and magnus gets to meet new ppl which is nice

eventually the Begone Spell spell is performed and it works and turns out that when it does that it also unfucks magnus' magic and perfects his sentience spell turning all of his friends into humans WOW WHOD HAVE THOUGHT. so all of them are free to leave the tower as ppl at the same time and GROUP HUG!! and magnus cries like a baby in the group hug because holy shit hes been needing something like this so bad for so long and he never expected to have that with his friends but here he is :)

and then yeah they all move to the village to live a simple but fulfilling life and Magnus and Alec start living together in a little cottage and become husbands the end <3 this is so long too rip me

#sh #shadowhunters #malec #magnus bane #alec lightwood #izzy lightwood #lightwood siblings #clizzy if u squint #beauty and the beast au #part 2 i guess lmao #ask #shum-baby #long post #abuse mention

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corpsentry · 4 years

Photo

ao3 mirror

fandom: botw rating: t  pairing: zelda/link  notes: post-canon, getting together, mild descriptions of injury. cooking. dancing. crying. and so on. “Let’s say you’ve been asleep for a hundred years and when you wake up you’ve lost all your memories, but you defeat the big bad monster like you’ve been told to, because a girl told you to, and because you were in love with her. And after defeating the big bad monster she comes back, only she’s not the person she was a hundred years ago. And you’re not the person you were a hundred years ago. And yet every time you look at her, your chest hurts so bad you think you might be dying.” He looks up from his breadstick. “Am I dying?” “No,” Beedle says. “I think you’re stupid.”

All roads lead to hateno.

“I ate the frog.” Is the first thing he says to her in a hundred years, because he can’t stop staring at her hands, and his head isn’t working properly because he can’t stop staring at her hands, and he doesn’t remember what he had been planning on saying before he walked into the castle and killed two versions of evil incarnate in a room with a domed ceiling and a field with a domed sky, but he’s pretty sure. He’s pretty sure it wasn’t this. “I’m sorry,” Zelda says. “You what?” “I, uh.” He takes a step back, and then a step forward. Hyrule castle looms like a corpse behind her, hulking and majestic and dead. It distracts him, though not as much as Zelda herself, pale as winter and glowing behind a halo of sun. “There was a frog you wanted me to eat.” A hundred years ago. “You said it would be for an experiment.” A hundred years ago you told me to eat a frog and that’s all that I remember. That’s what’s kept me going all this time. When things got hard, when the weight of the curse you had given me grew too great, I cooked a frog in a pot over a fire. She stares at him for a moment, her expression unreadable. “You’re more talkative than I remember.” He panics. “Should I stop talking?” “Oh no! No, just— how do I put it—” This probably isn’t what she had in mind for their reunion. He feels the sudden need to apologize. He should have tried harder to hold onto himself while he was sleeping off the blood on his back and the world retreated into a corner to lick at its wounds, but it was hard. He didn’t know what he was doing. He doesn’t remember, actually. He doesn’t remember going to sleep, and he doesn’t remember what he dreamed of. That’s two question marks in one head, and only one answer to go around. There were two shadows on the wall, though they belonged to the same boy. Zelda twists her hands together, almost as if in prayer. Her white dress billows heavily in the wind, covered in wounds from another century. “I’m sorry,” she says to his feet. “Please keep talking.” He nods, though she isn’t looking. After a moment, they make their way across the trampled, dead-looking field to his horse, who’s had half of her mane seared off and looks like she desperately wants a carrot. He hauls himself onto the saddle, then holds out a hand to Zelda, who stares at it like he’s just offered her the rest of his lifespan. Then she takes it, letting him pull her up behind him, and her hand is so warm, and the sky is so blue, and everything is so strange, he almost lets go. Of the girl. Of the reins. Of his grip on reality, this new, unexplored reality, the carcass of the castle slowly growing smaller in the distance. When he walked into the sanctum with a plan to kill Ganon he had been thinking about how the stalhorses on Tabantha Snowfield run faster than the horses near Kakariko, how a bokoblin will choose a freshly roasted chicken over the skin of your teeth, how stables are a metaphor for family. Now all he can think of is angels. She asks him where they’re going a little while later, and it’s only then that he realizes he doesn’t know. It’s a cool, starless night. No moon, no blood. His horse snickers at a boar by the side of the road, and Zelda tightens her grip on his waist. God, what have they been doing for the last hundred years? “Home,” he answers. “We’re going home.”

 The house in Hateno is a small and modest affair. This is probably the only reason Bolson and his construction company were willing to sell it to him at an equally modest price, with modest display stands for his modest weapons, and a modest bed beside which he hung a framed photograph of him and his dead friends. He’s fine with it, though. The only thing that really matters to him is the photograph, though there are now two living people in it instead of one and a half, and if Bolson had not graciously included a bedframe and mattress in his modest homemaker’s package, then Link would have slept on the floor. He says as much to Zelda, who blinks at him sleepily and throws a pillow at his face. “Please don’t do that,” he says. “Sleep in your own bed,” she replies. He peels the pillow off the floor and pats the dust away before replacing it carefully on the bed. “I promised your father I would take care of you.” And Daruk. And Mipha. And Urbosa, who would kill me if she found out I let the princess sleep on the carpet. Like a dog, she would probably say, her voice low, her eyes slanted. How could you treat her like a stray dog? This is the princess we’re talking about. She deserves better. He opens his mouth to say as much, but Zelda gets there first. “My father is dead,” she says, her voice unexpectedly raw. She seems surprised at herself despite her best efforts, and clears her throat in an attempt to hide it. He finds himself overwhelmed with the sudden urge to hug her or blast a hole through the roof with his sword, but can’t decide on one, and ends up wringing his hands together behind his back while Zelda sits on the side of the modest bed in the modest house in Hateno, and presses the folds of her dress into a clump. There should be more he can do for her. What is it? If only Urbosa were here to tell him what it means when Zelda takes your hand like a promise, when Zelda pinches the side of your waist, when Zelda announces that her father is dead, has been dead for a hundred years, died a long time ago. But Urbosa is dead too. The old world is gone, though its survivors have finally emerged from the twilit field. What now? Zelda rubs her eyes. He picks at a cuticle and holds his breath. Despite her best protests, she agrees to the bed-floor arrangement. Zelda will sleep on the bed, because he didn’t think that far when he walked into the castle and defeated evil incarnate, and she doesn’t seem to care. Meanwhile, he will sleep on the floor. Which floor? The first floor, he decides, but when he tries to go downstairs he almost throws up. His heart’s uneasy, of course, but he had underestimated the side-effects of meeting an angel. Over the past few months, he had gotten used to getting mauled by things to the point where it had become part of his daily routine: get up, have a minor crisis about the fact that everyone you know is dead, have a minor crisis about the beautiful voice in your head, get mauled by a bear. Get mauled by a bokoblin who stole your spear. Get mauled by Mount Lanayru, which has a thing for spitting giant snowballs at him when he’s trying to talk to the Koroks in the region, pleading with them through chattering teeth to stop giving him more tiny golden shits and start letting him talk about his feelings. Zelda is not daily routine. Zelda was the girl in the dream, then a face in a photograph, and now Zelda is sleeping in the house in Hateno with her hands pressed up to her cheek, breathing softly. He’s overcome with emotion, though if you asked him to tell it to you, he wouldn’t know how. And as for the matter of her hands, were they always this lovely? Impa didn’t tell him what to do after he saved the girl, though he knows she’ll want to hear about it from him and not the Sheikah warriors she has spread out throughout the kingdom, keeping an eye on their dying gods. Impa wanted him to look forward, which meant knives and teeth and forests full of bodies. She didn’t tell him what he could or couldn’t do in the presence of the sun, and he, having spent his whole life sitting in a dark room, didn’t think to ask. In retrospect, he should have. In retrospect, he should have asked Bolson to build two beds. But the thought didn’t occur to him, just as it didn’t occur to him that his heart might not be the dead thing the world told him it was, and so he never did.

 “I had a dream.” He flips the eggs. “About what?” “About a world where I made it in time.” Zelda peers over his shoulder. “Are they done yet?” “Almost, if you could please—” “—Ah, excuse me—” She dances out of the way of the big cast-iron pan, which he holds in one hand while he reaches for the plates with the other. In her haste to create space she walks into the counter and winces, bending over to touch the side of her foot. “Oh. I stubbed my toe.” She sighs. After breakfast he goes to look for Uma. He finds her sitting under the same old tree beside the bridge, cradling a cup of tea and humming along with the cicadas. Uma is the only person in Hateno who remembers the Calamity as a name with a face, and not a dream. She also had a daughter once, whom she lost in the years after the Calamity, when the rice fields had not yet begun to flourish, and the winters were long and cruel. He asks her quietly about the weather, which she tells him is her favorite kind. Spring’s never felt quite so lovely, she informs him, as she pries open an old dresser and leans forward to peer inside. He holds her cup of tea with both hands, the mellow sweetness of chrysanthemum tickling his nose and making him sneeze. After a moment, she returns with a set of clothes in the signature Hateno blend of oranges, blues, and warm, earthy browns. She places them carefully on his head and then retrieves her tea before he has the chance to drop the cup. “I hope your friend is taking well to Hateno,” she says warmly. I hope I have a friend, he thinks with his heart stuck halfway up his throat. He’s barely keeping himself together, in pretty much every sense of the word, but he thanks her all the same, and means it.

 He did, in fact, eat a frog. Several times. Once on the Great Plateau, after the spirit of the old king had left him to fend for himself with a pickaxe and half an apple, and again while he was in the Hebra mountain range, because it was too cold out to hunt and one had hopped into his pack while he wasn’t looking and died there. Then there was another time, at one of the stables up north, where he met a traveling salesman who offered him a stamina-boosting trick for ten rupees. The first time he obediently closed his eyes, and could only describe the texture in his mouth as ‘soft, with hints of viscosity’. He returned several weeks later, ran away on his horse immediately after making payment, and was mildly alarmed to discover that he had not in fact been presented with a breadstick, but rather a leg. A very long leg. With joints. And skin. And a big, webbed foot. Once, while sitting on a raft headed out to sea, he considered hurling himself into the water. It had been raining for several days by this point, which itself wasn’t a problem as he had come to quite like the sound of rain bashing on the outside of his tent with bloody fists, but this rain was relentless. Like a ghost which tries to kill you and fails, and, in a fit of bitter resentment, resolves to throw rocks at your window each night for the rest of your life, the water got into his boots and it got into his eyes and then it got into his pack, which spoiled all of his carefully-preserved meat and caused the stopper in his bottle of milk to rot. Under the present circumstances, all the game had either gone off to find shelter or been washed away by the floodwaters. There was nothing for him to hunt, and nothing for him to eat. His stomach growled faithlessly. While stumbling along some beach or another, he bumped into Kass, who told him about some treasure further out at sea. He looked blandly in the direction that the parrot pointed out for him, and found his eyes drawn to the island that lay beyond it. “I’m going to go there,” he said. “I hope you find good treasure,” said Kass. “Yeah,” he said. So he hauled himself onto a raft (he was too shy to ask the people in Lurelin for help, and too proud to talk about his circumstances) at the crack of dawn and began to blast a Korok leaf at the sail. And then he got tired. He sat down. He leaned over the edge of the raft. His reflection in the water was gray, because the sky was gray, and the sky was gray because it was raining. He had begun to shiver again, but he had spent most of the week shivering anyway and so didn’t pay it any attention. His hair was matted to his forehead, and there were bags under his eyes. One of his piercings was smarting; it must have gotten infected. “What if I just stopped trying,” he suggested to the sea, which ignored him. What was the point of it all, anyway? All of his friends were dead and the girl in the photograph was stuck in a castle in the sky. He didn’t remember a single thing about the first seventeen years of his life. Only the things that happened in the last three months, only the things that were deemed important, and even those he remembered in fragments. Like what if he had a sister. What if his father had been kind to him, or doting, or an alcoholic. What if he had been in love with someone, and what if he had had a heart, and what if he had cared. It was hard to discern the world’s sympathies for him when he spent most of his time alone. Sometimes, at night, he drew a face on the rock-wall and gave it a name. “I’m tired,” he said. “I’m tired, and I’m hungry, and I feel more dead than alive, even though I’m the only one still breathing.” But the sea continued to ignore him. The wind continued to ignore him. The rain continued to ignore him, pelting at his wet shoulders with wet hands and wet teeth, clawing at the skin on the back of his neck, telling him to go to sleep and stay there. Eventually the raft drifted of its own accord to the shore of the island he had spied in the distance, and then some thousand-year-old mummy stripped him of all his belongings anyway, so it no longer mattered that he had nothing in his pack or his head or his heart, as long as he was able to replace it with something new.

 A few weeks later she’s standing in the kitchen and staring at the vegetables in the pot, humming to herself, while Link rearranges the condiments on the table. She’s swaying from side to side, holding up the ladle like a sword. She seems happy. He leans back in his chair until he can just about see the top of her head. “What song is that?” he asks, casual as a house on fire. A pause. Something clatters to the floor. Picture two figures in a forest full of thorns and teeth. Picture the knight carving a path through the trees, the princess stumbling behind him, his clammy hand tight around her wrist, their feet bruised and dirty. It’s raining, of course, because it’s always raining in the dream. They’re being chased by mechanical monsters with knives for eyes. And they’re tired, both of them, so tired they could hurl themselves into a pond and drown there, but instead she walks into a tree. The bark scrapes the length of her forearm like a kiss, tearing at her skin and pouring blood down the back of her hand. Something clatters to the floor. Something breaks. Picture the old dream, the one he knows like a memory, the reason he’s less afraid of bears than people. He whirls the chair around to the sight of Zelda’s hand in the fire, her posture rigid, her face hidden by a curtain of hair. “I’m sorry,” she says, crestfallen. “It’s just—” He’s on his feet and halfway across the room before she can finish her sentence, pulling her away from the counter, reaching for the faucet with his other hand. “—It’s the first time you’ve asked me a question since you found me,” she says quietly. The skin on the back of her hand is bright red. If Urbosa were here, she would tie his arms and legs to four horses and then ask them to run in four different directions, and he would die in such a memorable way, it would eclipse even the deaths of all his old dead friends, who were trapped in machines with voices for a hundred years while their bodies turned into dust. If Urbosa were here then he likely wouldn’t be, would be in the next room, his ear pressed to the door, his heart pressed to the roof of his mouth. It’s a good thing, then, that she isn’t.

 It’s spring, so the water from the faucet is cold enough to cut yourself on. The water from the faucet is cold, so it should sting on skin as red as this, but Zelda doesn’t say anything as he holds her hand under the stream of water, his thumbs resting on the curve of her wrist, his eyes searching her blank expression for. A sign? A reason? Why the ladle on the floor; why the hand in the fire? “It’s fine,” she finally says, brushing her hair behind her ear with her unhurt hand. “No,” he says before he can stop himself, bristling a little, feeling slightly outrageous. “It’s not.” Zelda looks somber for a moment. Then she hiccups a laugh. “We’ve had this conversation before, haven’t we?” Yeah, I remember when you [the path that leads to Hateno is wet and winding] and I [your hand on the back of my head was cold and dying], he wants to say. But he would be lying if he did, because he doesn’t remember. He doesn’t remember anything except the sixteen stories she left him, sixteen shards of a seventeen-year-old life. If she’s referring to something funny, then he’s missed an opportunity to make her laugh. If she’s referring to something important, then it’s no wonder he can’t seem to bridge the gap between the frog and the girl, no wonder his head hurts like someone stabbed it with a pitchfork and forgot to take it out, no wonder Hyrule still feels so far away, even as he milks the chickens and he chases the cows and he collects the eggs from the bears. He turns this thought over in his head as he goes for the medicine cabinet, which he had not asked for and Bolson had installed as a courtesy. Despite his best efforts, the blood on his back never quite washed away. She’s gone by the time he closes the cabinet, and he begins to feel that telltale sickness in his stomach, the sudden urge to throw up. He walks briskly out of the house in Hateno, salve and bandages tied to his wrist, his heartbeat ringing in his ears. The moon is a crescent tonight. Hateno rises and falls with each breath, pressing flowers into the palm of his hand. He folds each one unevenly in half. Zelda’s halfway up the ladder when he finds her. He waits for her to get onto the roof before he starts heading up, and is surprised all the same when he reaches the top of the ladder, and finds her face inches away from his. “I didn’t know you had a ladder,” she says pleasantly. “Why did you follow me up here?” She smells like Goron spice and sun. He is three seconds away from plummeting to his death. This is nothing he is used to, and a part of him thinks that if he knows what’s good for him then he will never get used to any of it. Not the silent, dead castle, not the long black shadow of the future, not the girl. She leans back after a moment. He breathes out. Half an inch of space will not keep either of them safe. Zelda watches him retie his ponytail expectantly. “So?” The ladder is from the Great Plateau. He found it at the back of the Temple of Time days after the old king asked him to climb to the top of the ruined structure and revealed to him that he was, yeah, the old king, and that all of his friends were dead, and that he would have to get the girl out of the castle before she could even think to save him, and by association, the rest of the world. At that point he was still naive enough to think defeating Ganon would take a stick and an apple and a really fast horse. He had also not yet learned of the myriad ways in which he had failed everyone he had ever cared for, and so spent his days wandering from place to place, pointing at bugs in the leaves and laughing. The ladder pissed him off. Who put it there? Why didn’t the old king tell him about its existence? What was the point of leaving a ladder behind the statue of Hylia when you could’ve put it in front, so stupid soulless people like him could use it to reach the end of the story faster? He returned to it much later, after he had purchased the house in Hateno, and yanked the whole thing down. Hacking it into four sections with a pickaxe he stole from a bokoblin (it had probably belonged to him first anyway), he piled all of them on his horse and then walked through Hyrule field, past Fort Hateno, all the way back to Bolson, who stared at him like he’d just asked him to kill a man. What do you mean you want me to fix this ladder, he asked. I mean I want you to fix this ladder, he replied. So Bolson did. Zelda laughs so hard she almost falls off the roof. She gets right up to the edge of it, leaning over the side with her face in her hands while he scrambles to keep her from toppling over. She only let him wrap up her arm because he was talking, because according to Zelda he never did much talking, but maybe he’s said too much. He’s embarrassed. Defeated, he lies down. There’s a star, just above the crown of trees at the other end of the village. He reaches out idly, trying to pinch it between his thumb and forefinger, but his fingers brush against skin instead of sky. Zelda, half-goddess, half-miracle, turns her face into the palm of his hand for the briefest of moments, like a butterfly alighting on the surface of a pond. The cicadas sing ballads. His breath stops in his lungs and dies there. “I like the ladder.” “Oh.” “Please keep it.” “Oh.” “You know,” she says, still leaning over him, close enough that if he gave her hand a tug, she might fall right out of heaven. Her head is tilted, her hair falling into her eyes, splaying across the tiles on the roof like a satiny strip of sun. “What?” he asks hoarsely. She smiles at him like a secret. “I—”

 He used to be in love with her. As each piece of his sixteen-part past was returned to him and the last day of his life emerged slowly into the light, it dawned on him like a horse falling out of the sky that he had been very lucky to be her knight, that he would have willingly given his life for her, and that he did. Only his final, heroic act of sacrifice failed to accomplish anything meaningful in spite of his best efforts. He had died with her hand cradling the back of his head, his tunic wet with blood and tears, believing that the ending could be salvaged still. Maybe this is what it takes to reach happiness, he thought dizzily. Maybe you have to be pushed to the end of the line, before you can start walking back towards the center. But when he opened his eyes, it was to a world which had not moved an inch from the precipice. His back was covered in scars, water streaming down his skin like blood, and his head was so light, he worried for a moment that if he stood up too fast it would float right off of his shoulders. The only thing that remained was old skin, the thin aftertaste of fear, and a bone-deep anxiety that wouldn’t come off no matter how many times he threw himself into the river. The only thing that remained was a voice in his head, calling his name through the dream, reminding him that there was still something that could be salvaged from the fire. He used to be in love with her, though it took him a while to admit it, because being in love with her meant admitting that he had failed not only on a prophetic level, but on a personal level that cut to the wound at the center of his chest. It was a matter of survival in those first few months. Him, or a kingdom. His selfish and worthless pride, or the world. Naturally, he chose the world.

 “Let’s say you’ve been asleep for a hundred years and when you wake up you’ve lost all your memories, but you chase after fairies and you dig up shrines and you defeat the big bad monster like you’ve been told to, because a girl told you to, and because you were in love with her. And after defeating the big bad monster she comes back, and you take her back to your house, and you fry eggs for her. But she’s not the person she was a hundred years ago, because she spent a hundred years in a dream. And you’re not the person you were a hundred years ago, because you forgot everything you could possibly forget, and then you got mauled by a bear. And yet when you look at her, every time you look at her, your chest hurts so bad you think you might be dying.” He looks up from his breadstick. “Am I dying?” “No,” Beedle says very seriously. “I think you’re stupid.” Beedle retrieves a string of petrified armored beetles from one of the pockets on his back, and holds it abruptly in his face. “You can fall in love with someone twice, you know.” Link wrinkles his nose. “How do you know?” Beedle sticks the lower half of a beetle in his mouth. “I’m five hundred years old.” He bites down. “I know things.” Chews thoughtfully. “I’ve eaten things, too. Things you’ve never even dreamed of. “Point is, Link, you’re being stupid. Get it together. The world’s not ending anymore.” “Oh,” says Link. He watches Beedle eat the rest of the beetles. There are five in total. He doesn’t have to chew very hard, which is weird. He turns Beedle’s words over in his head. Beedle has a point. The world isn’t ending anymore. The world isn’t hanging on by a thread, waiting for the boy in the story to haul it back up the side of the cliff. They hauled it back up, him and Zelda and their old dead friends. They hauled it out of the well. And now look at the flowers.

 Once, while sitting on a raft headed out to sea, he considered hurling himself into the water, but here’s the other half of the story. He had recently been into the castle again, up to the princess’ room, where he found, among other things, a moblin, a bow, and a single Silent Princess, growing at the end of the hallway. He also found a diary, which he really shouldn’t have read. He shouldn’t have read the diary. It’s common courtesy. It’s the mark of human decency, respect of personal privacy, respect for the dead, et cetera. But he did. So he hauled himself up to that tower in the sky, and he mistimed several guardian laser parries before finally getting one right and yelling in triumph and getting a beam to his ass for his efforts, and then he cried, standing over that tattered old book while a cold wind blew in through the man-sized hole in the wall. He had spent so long working towards the abstract idea of salvation, he had forgotten that salvation was also, inextricably, a person. A girl with the hands of Hylia, praying in a castle in the sky, stuck in a hundred year cycle from hell. She had thrown away everything so he would float back out of the water with his face to the sky, and he couldn’t even remember how to shoot a bear without getting his face clawed off. What had he ever done to deserve this? What had he done for her? The answer was he couldn’t remember. He couldn’t remember anything. The conversation they had about skin-deep secrets, the day it was raining and she told him about the hypothetical nature of failure, the morning of her seventeenth birthday, as she slid the gold cuffs onto her wrists and strode grimly out of the castle, her shadow clinging to the wall like it could keep her from leaving if it did. Did he even say happy birthday? Did anyone bring her candles? Did she make a wish, and if so, for what? He felt suddenly angry, and disappointed, and lonely. The fireplace was full of rubble and the table was covered in dust. The bed frame had collapsed, probably at the very beginning of this whole mess, and the mattress was sunken in like a face with no flesh, the sheets torn, the gold trim reduced to tatters. This place used to be a sanctuary. Now it wanted him dead. He wiped his eyes furiously, though there was no one there to point at him and laugh. He wiped his eyes with the back of his clumsy, scarred hand, pulled the diary shut, and walked back out, into heaven’s line of fire.

 He takes her to the Kochi dye shop on her request, but Sayge gives them a name and an address and herds them out of his store, and so they find themselves in Tarrey Town again, exchanging nods with the people he tricked into leaving their old lives behind while Zelda describes her old outfit to Rhondson, who takes notes on her husband’s arm in erasable ink. Several days later, a new set of clothes arrives in Hateno by donkey. He helps her do her hair, by which he means he holds a mirror behind her back and she does her hair, occasionally instructing him to tilt it several degrees in one direction or another, but it’s the most useful he’s felt in weeks, and when she’s pulled on her gloves and done up the buckles on her boots, she stands up and does a little twirl. It’s a perfect replica. She’s glowing. Rhondson is god. “I feel like I could defeat Ganon,” Zelda tells him. I already did that, he thinks. He nods. “You probably could.”

 “So, are you going to do something?” Beedle retrieves a string of soft-shell crabs from his pack. “Do I have to?” Beedle waggles his finger at him disapprovingly. “The question is, do you want to?”

 He has a dream where she falls from Shatterback Point. He runs as fast as he can down the side of the mountain, cutting his palms on coral and bruising his knees on the wet rocky path, but when he gets to the bottom, no one’s there. You were too late, Muzu tells him, stroking his beard somberly. You tried to reach her, but you let go, and then you were too late. The water in the lake is bright as blood. The sky crackles silently above Muzu’s vacant eyes. A voice emerges from the lake. You let me die, the voice says. I saved the world for you, and you let me die. He wakes up sweating. He curls up on his side, bracing for the cold, hard floor against his cheek, but Zelda’s slipped one of her pillows under his head while he was sleeping. She’s murmuring in her sleep, something about fruit halves and grams of sugar, her hand dangling over the side of the bed clenching and unclenching itself earnestly, kneading imaginary dough, cutting imaginary apples. “Zelda?” Too soft. He won’t call again. He refuses to. In a moment of weakness, he reaches for the side of the bed, but stops just shy of her hand. Beedle’s bright, angular nose appears before him, carrying with it the wisdom of his ancestors. What do you want to do, Link, Beedle’s Nose asks him. What do you want? I want to pull her out of the burning house, he thinks. Is that too much to ask for? Moonlight trickles down her throat and vanishes under the collar of her tunic. His chest implodes and his heart bursts into a thousand tiny pieces, as he wonders how it is that planets were made before people. Beedle’s Nose is indifferent. What burning house, it asks. Where’s the smoke coming from? Look around you, Link. There’s smoke, and fire, and windows with broken glass. But who’s still inside?

 Uma’s hundred-and-ninth birthday arrives on the coattails of fall. On her insistence, they keep the decorations sparse and the cake disarmingly large. Streamers are put up and butterflies corralled into glass menageries. A traveling band with a bit of a reputation further west is invited. There are three musicians with ocarinas and one with a cowbell, and all of them are wearing pink overalls and big yellow sun hats which hurt to look at for too long, unless you work for a construction company, in which case you want to look at them forever. After Bolson has finished taking down all of their contact information on his forearm (they prefer to be called for via messenger pigeon, but if you don’t have one then a snail is fine as well), Zelda drifts across the grass to stand in his place. She’s wearing a white dress, borrowed from Uma, who said it would complement her eyes. Uma was right. The dress is made from a thin, glittery fabric that billows around her ankles and makes her look like she’s floating. Like a fairy in a forest clearing. Like a cat perched at the top of a clocktower. Their conversation lasts for several minutes. She says something, and the others laugh. The guy with the cowbell pretends to look embarrassed. Everyone else at the party is dancing, including Uma, who is holding hands with a small child in a green frog-suit and swaying like a palm tree in the wind. While Zelda keeps the ocarina ensemble preoccupied, one of the adults in the village has gone and retrieved a guitar. He begins to play a warm, meandering tune that reminds Link, distantly, of grassy fields and white skies. “Are you not going to dance?” He looks down. Nebb tugs at the edge of his tunic with one hand, pulling him in the direction of the crowd. He squats down. “I don’t have anyone to dance with.” “You can dance with me. Duh.” “I don’t know how to dance.” Nebb looks at him like he’s stupid. “Then learn.” “What if I don’t want to?” “What if you meet someone who does, and you like them too much to say no?” He squints suspiciously at Nebb. Nebb’s atrocious bowl cut hasn’t grown any less atrocious with time, though it does have the effect of making him look far less menacing than he would be if he were bald or sporting a mohawk. The boy knows too much for someone so small. This cannot do. If this goes on, he will reveal a secret to the gods, and then they will kill him for his hubris. “Shhh,” Link says to him, holding a finger up to his lips. He digs around in his pockets until he finds a piece of honey candy, wrapped in a palm leaf and tied together with twine. “Take this, and go dance with someone else.” Nebb gives him the Stare of Judgment, but takes the candy. “You’re terrible, Link.” He sticks out his tongue. “Bye.” Then it’s back to demolishing the cake, which he’s still not convinced Uma didn’t order expressly so that he would have something to do with himself during the course of the evening, as the dancing progresses from cheerful to insane and a small group of guests begins to construct a spaceship out of empty wine glasses. No one else has gone for thirds, though a handful have gone for seconds. There’s a big fondant chicken perched on the highest layer. He sucks on his fork thoughtfully. He wants it. Last week they went up north, in search of forgiveness. Despite their best efforts and the gift of crabs and crocuses they brought along, their reception in Zora’s domain was cold and gray. It reminded him of the way they had received him when he first stepped out of the rain and into the blue glow of the domain’s hallways, armed with only the knowledge that he had been sent to prevent a tragedy that had already happened. He didn’t yet know that Mipha was dead. He thought he could still save her. They called him failure and fool and living reminder of Hyrule’s downfall, laughing at him in a language called mourning. He had thought they had forgiven the Hylians and their king for letting their Champion die, especially after he walked out of Vah Ruta with a black eye and a bloody nose to show for it, especially now that the evil had been defeated. Apparently the knight by himself was tolerable. The knight and the princess, together, made things too raw. Too immediate. “Mipha’s dead,” they said. It was a Tuesday. “I’m sorry,” Zelda replied. Tomorrow they’re headed for Goron City. He closes his eyes and wills away the taste of sweet cream and berries, tries to picture the winding path up Death Mountain, the grooves hammered into the ground, the rubies in their metal caskets. Flame-resistant armor is a given, so it’s a good thing he bought two sets on accident last winter. He wants to trap a few fire lizards in a bottle and bring them back for a friend. As for what he will say to Zelda before he hands her off to the city’s protectors, their hands half an inch apart but not touching, never touching, there isn’t much. Goron City will be better, he thinks. He licks the cream off his fork. It’s sweet. “What are you thinking?” He opens his eyes. Zelda looks at his plate, then the cake, then his plate again. She points at the chicken. He shrugs. “I was thinking that I hope Uma lives forever.” Someone has invited the dog onto the dance floor. He isn’t trying very hard to keep to the beat of the guitarist, who has been joined by two of the ocarina players with brown hair and blue eyes, but he doesn’t have to. Spinning very fast in a circle is actually the smartest dance move of them all. There’s no beginning, so there’s no end. Zelda plucks a berry from his plate. “It’s not very fun, to be honest,” she says, chewing thoughtfully. “Living for that long.” He watches the dog chase its own tail and she watches him watch the dog, though neither is aware this is happening. “Sorry, I didn’t know. I was asleep.” The dog is easily the best dancer in the crowd. He experiences neither shame nor hubris, and is thus freed from the stresses and seasonal anxieties of being known by others who might fear him or like him. He also runs very fast. Zelda punches his shoulder weakly, her hand lingering, her eyes soft. “That’s a terrible joke, Link.” He pinches the inside of his wrist. “I’m trying my best.” “So am I.” After a beat, the dog who has been invited to the party to spin in tight circles on the dance floor and be a nuisance to the other guests goes careening into the rotisserie chicken. In a wondrous, gravity-defying moment, the chicken sails not away from the dog, but towards him, flying in a swooping arc over his head at a height of several hundred feet above the ground. The plate clatters to the floor before the chicken can find its bearings and, awoken by its war cry, people scramble into action, evacuating themselves to the other side of the buffet table or under the veranda with their legs between their tails, until Uma is standing alone on the grass, still swaying to a song only she can hear, still smiling. The chicken reaches the highest point in the sky, pauses for a heartbeat, then pitches downwards. She catches it. The crowd goes wild. And then Zelda is tugging on his sleeve, like Negg, but not like Negg, because Zelda walked out of the mouth of the monster, because Zelda left her hand in the fire, because Zelda looked at the miserable, vulnerable world that he had yelled at until his voice was hoarse and dying and even the pigeons were something fiercer than him, that he had tended to with clumsy, scarred hands in spite of all the dead things on the ground, and decided to stay. “God,” she says, her eyes bright. “Link, look. In the sky.”

 Picture two figures in a forest full of night. Picture the princess carving a path through the trees, the knight stumbling after her, her hand tight around his wrist, their feet fast and flying. The sky is clear, of course, because someone pulled the mourning veil off its head and threw it in the river. They’re chasing after a column of light, poured by the hand of Hylia from the heavens. And they’re tired, both of them, so tired they could hurl themselves into bed and lie there, half an inch apart, watching each other in the dark with waiting on their tongues, but instead he trips on a branch and goes down, face-first, into the dirt. She doesn’t realize he’s let go until he lets go, but when she turns around he’s already pushed himself off the ground. Hands and knees and boots digging into the grass. The woods outside of Hateno are still teething. The princess gives him her hand, and he stares at it for a moment like she’s just offered him the rest of her lifespan, and then takes it. He’s fine; of course he is. It would take much more than this to kill him. It would take another hundred year cycle of pain. She points at the column of light. It’s still there. Still glowing. So they keep going, picking their way through the undergrowth, climbing over branches and pushing boulders out of harm’s way, doing what ghost children like them do best, which is pointing at something in the distance, and then chasing it. Chasing hope. Following it back to the center. And when they reach the place where the sky has spat out the blood in its mouth, the knight gets punched in the face with nostalgia. He caught a falling star once, when he was all alone and the world was grim and unknowable. Then he gave it to a fairy, in exchange for less blood on his tunic, in exchange for stronger teeth. He approached heaven from afar once, a solitary figure burning darkly against the pale yellow water, but there was no way for him to go home when all was said and done, so he pinched the inside of his wrist and kept walking.

 The thing is you can’t go from swinging a sword around and dreaming about dead people to waking up and frying eggs and searching for ways to heal the cracked earth beneath your feet. Not that fast. Not that goddamn fast. You can’t just flip a switch and not be scared anymore, not wake up sweating anymore, not wake up wanting to hold her hand. Fear is a country and you’ve lived in it all your life. There’s a reason kingdoms keep such a close eye on their borders. You’re either in, or you’re out. Make up your mind. Pick up your sword. Save yourself.

 The star fragment is stuck in a tree. Zelda wants to climb it and he wants her to stop; naturally, she wins. She hauls herself up the trunk while he circles the bottom like a hawk with an anxiety problem, waiting to catch the star, or the girl, or both. But neither comes pitching out of the sky. The dream stays just out of sight. “So that’s what star fragments look like,” she says later, her voice muffled by the sound of crickets. She turns it over in her hands, running her fingers along each point and indent. “They’re warm.” Smells it curiously, then wrinkles her nose. “No smell.” Tries to break off one especially thin-looking point with little success. “Sturdy.” She spends ten minutes staring at the star. He spends ten minutes staring at her. She gets bored, puts the fragment on the ground, and looks up. He looks away. “The party’s probably over now, huh.” He nods to his left. A sigh, very small, very lovely. Like a firefly under a bridge. “I didn’t get the chance to dance with anyone.” Beedle’s Nose is staring at him from a gap in the trees like the red eye of the devil. It’s singing a nursery rhyme he doesn’t remember learning. What do you want/what do you want/what do you want. Link! Link! Open your eyes! He has to break every bone in his body just to turn his head three inches to the right, but for the first time in this life, this new life, this second chance at everything, he gets it right. Zelda’s knees are drawn to her chest, her head pillowed on her arms, her gaze heavy on his face. He sucks in a breath. “Do you still want to?”

 Dancing without music sounds reasonable in theory, but generally requires one party to be exceptionally good at keeping count while the other has to be in possession of at least a rudimentary grasp of the steps. This is, of course, assuming that there are redeemable qualities to both parties. For example, if one is the knight from the fairy tale who has spent his whole life swinging sharp objects at people, and the other is the princess from the fairytale who has spent her whole life praying sharp objects find their way to the right people, then there may not in fact be anything redeemable between them. Her counting is off, his hands are clammy. Her voice is wavering, his feet are too slow. It’s disaster after disaster after disaster, first the champions in their divine beasts, then the castle, then the king on the Great Plateau, a knife through the heart, et cetera. Dancing without music sounds reasonable in theory unless you’ve spent the last three months of your life chasing angry moose down mountains, so it’s a good thing no one’s here to laugh at them. It’s a good thing they’re alone, surrounded by starlight, half an hour by foot from Hateno, village of lights and wonder. Spring has come and gone without them. The night is young and the air is cool and the forest is sweetly indifferent to his tendency to crash into inanimate objects. This would be embarrassing if he left himself think about it, but more importantly it’s unfair, how neither of them knows what they’re doing but Zelda can smile her way out of a clumsy turn, how he has to keep his hand on her waist but hers is doing an elaborate dance on his shoulder, how every time she leans in and her hair parts down her back, a sliver of neck peeks out and steals the lungs right out of his chest. He is going to die trying to keep his hands to himself or they are going to fall off the edge of the forest and into a ravine with no bottom. There is no option to walk away. “You’re a terrible dancer,” she says, smiling up at him from under her lashes. He chews on his lip. “I’m sorry.” “That’s fine.” He twirls her and her dress floats up past her ankles like a cloud of tiny stars. “I like you anyway.” He walks into a tree. Decides that’s not enough. Slaps himself generously across the face, hard enough to leave a mark. Decides that’s not enough. Kneels on the grass, letting go of her hand, to look for a stick that might help him end things faster. “Link?” It is too much and too little all at once, and therefore unbearable. He is going to fall off the edge of the forest right now. He tries to stand up just as she begins to bend down, reaching for his shoulder. They fall off the edge of the forest together. Oh god. Oh fuck. Oh no. They’ve fallen off the edge of the universe together. Her face is in the crook of his neck and her hair is stuck to his clothes. His skin is on fire and his butt is sore and he’s dying. Hylia, can you hear him? There’s a name for the place children go after they leave this world. He’d like to know what it’s called now. “Hey,” comes the small, muffled voice. Her arms are on either side of his waist, and they’re trembling. “Can you say something?” He looks up. Always up, always forward, towards knives and teeth and forests full of bodies. Always past the blurry face in the dream, to the nightmare that follows after. Someone will tell you when to breathe. Someone will tell you when to swing your sword. Someone will tell you when it’s all right to stop being scared of everything, and start looking for angels. Like right now. Like right-right-now. Your heartbeat fluttering in your throat. Your throat an ocean of knives. Eight weeks and three days after he walks into the castle and defeats two incarnations of evil, first in a room with a domed ceiling, then in a field with a domed sky, he steps out of the burning house, and finds himself face to face with the sun. He presses his cheek against her hair. “Do you want me to?” “Yes,” she sighs. “Yes, I do.”

 He tells her about the way the world looks from atop the back of a bear and the gray of the ocean from a raft and the conversation he had with her dead father about how cooked apples taste sweeter. He tells her about the first time he shot an arrow at a bomb barrel and the second time he shield-surfed down a hill and how Urbosa made him promise to take care of her, even in death, even after it. He tells her about being so lonely it hurt to breathe and being so bad at breathing he passed out in a river, and being so hurt he had to be saved by a stranger on the road, tied to the back of their donkey like a piece of merchandise and carried to the nearest stable to be burnt back to life. He tells her how no one believed he was the boy in the story, even when he pulled out the sword, even when he showed them the blood on his back. He tells her about how the stalhorses on Tabantha Snowfield run faster than the horses near Kakariko, how a bokoblin will choose a freshly roasted chicken over the skin of your teeth, how a sword is a metaphor for forgiveness. He tells her how a hundred years ago she told him to eat a frog, and he never forgot about it. Not once, not ever. Walking through the Breach of Demise, looking for Koroks in Fort Hateno, praying for her heart at the Spring of Wisdom, he never stopped thinking about the damn frog, and by extension, the girl. The first thing she says is why didn’t you tell me all of this earlier? The second thing she says is why the hell didn’t I ask? She presses a hand to his forehead, pushing his bangs out of his eyes and glaring at him. The third thing she says is that she really wants to see a stalhorse, and the fourth thing he says is he’ll take her there one day, and the fifth thing she does is cry. Big, heaving sobs. Arms tight around his shoulders, tears smearing the front of his shirt, while he pretends he isn’t half as insane, gives up, and resolves to hide his face in her hair forever. And it’s dramatic as hell, it’s an ancient tapestry on a wall in Kakariko, but hasn’t it always been that way? Haven’t they been through enough shit to justify the heartfelt reunion, the face full of tears? If the conversation they had in the field outside the castle was a blueprint for what it looks like to meet someone you wanted a hundred years ago, then this is the aftermath of that war. Do you remember me? Of course I do. Do you love me? Of course I do. Ask me a question, any question. Crack my chest open. “To make things very, very clear,” Zelda says, wiping her eyes furiously. She’s pushed him flat onto his back and the light’s not hitting her face so he can’t make out her expression, but he can imagine the pinched brow, the bitten lip. “I didn’t fall in love with you because you were conveniently there, like, I don’t know, an armchair when you’re tired, or a glass of water when you’re thirsty.” Her hands on his chest are very beautiful, even in the moon-lit dark. “I didn’t take one look at the prophecy and think to myself, well, if I’m going to tie my happiness to someone then it might as well be him.” Now he’s the one who’s embarrassed. He brings a hand up to cover his face but she tugs it away. Takes a deep breath. Counts to ten, probably, maybe fifteen, maybe a hundred. “I fell in love with you,” she says, softly, each word falling from her lips like a star, each star plucked from the highest point in the heavens. “I don’t even know why I fell in love with you.” She fists her hands loosely in his shirt. “It just happens, you know? One day you look at the boy with the stupid pretty hair, and you think to yourself, oh no.” His head is spinning so fast he feels like the dog at the party. Maybe he is the dog. Maybe he finished eating the cake and shoved the fondant chicken in his mouth and then he passed out, and had to be carried back to his house, and had to be laid gently on the unmade covers. He gathers his thoughts. “I’m not a very good person,” he says quietly. “But if you would have me, I would gladly give you my life.” “You’ve already done that once, Link,” Zelda says, laughing with the sun in her mouth. “Do something else.” What do you want, Link? Open your eyes. Save yourself. “Okay, then. Can I kiss you?”

 His name is Link, and he died once when he was seventeen. It was pretty traumatizing. He got slashed several times across the back with some very sharp weapons, and then he got mauled by a forest full of screaming metal, and then he collapsed, right in front of the person he was supposed to protect, who ended up protecting his dead body by the skin of her teeth. Because he died. Somewhere between the laser on his chest and her hand pressed against the seal of the sky, his body made one last stand against the stark inequalities of the world, and he died. The only reason he knew his name was Link when he woke up was because it was the first word she said to him. “Link,” she said. “Wake up.” He concluded through logical reasoning that “he” must be “Link” and that “Link” had to “wake up”. So he did. He went traipsing around Hyrule with a ladle and a pot lid, seeking out places from a photograph and trying to find ways to bring every four-legged animal in the land to a stable, but he never really felt like “Link”. He felt like a corpse that had received a very shiny, very thick coat of paint. Half-here, half-there. Half-me, half-something-else. What else? A bird, maybe. A horse. One day Link got bored and decided that he was going to defeat all the forces of evil. He fought his way into the castle, where the guardians shot lasers at his earrings, and he fought his way past the lynels, who hissed fire and called him rude words, and he fought his way into the sanctum, where he met the asshole who had put him through all this shit in the first place. And he kicked his ass. And he kicked his other ass. And the asshole died. His name was Ganon. Ganon dying brought Zelda back to life, because the law of equivalent exchange governs half of the children in this world, while the devil gets the rest. The devil got to him: his life will always carry the weight of hundreds of thousands, he will always feel like lead for the first three seconds after he wakes up. But it didn’t get to Zelda. Zelda got the other bargain, the one where your dead father dies but you get your knight back. One or the other, left or right. In the end, you always have to choose. And he’s still pretty traumatized. And dying at the age of seventeen with a sword still stuck in your hand is pretty traumatizing. And the Zora are still mourning and the Gorons are still eating rocks and the Gerudo still think he’s just a really short girl, which he can live with, which he doesn’t particularly mind, but the trauma has a place on the shelf now. And the shelf is in his house. And the house is a modest one, with modest display stands for his modest weapons, and a modest bed beside which he’s hung a framed photograph of his friends. But some things are different, even if the foundations stay the same. No more rafts on gray seas. No more sleeping on the floor. No more standing in the burning building, and wondering why the shadows aren’t moving. No more shrines full of dead monks. No more monsters full of dead bodies. No more waiting for someone to tell you when to breathe, when to stop, when to get mauled by a bear. Pick up your sword, boy. Now put it down. Now pick it up. Now put it down. You’re going to be doing this until the day that you die. Are you all right with that? Are you all right with your god? [Thank you for helping my sister.][They say the leviathans died thousands of years ago.][Get me a horse. A big, strong horse. Any horse.][BROTHER. THE ROCKS ARE READY.][Find me someone whose name ends with ‘-son’.][I’ll sell you rushrooms for diamonds. Fifty-five for one.][Have you heard of the story of the bird on the mountain?][Do you already have someone special in your heart?][They say if two people visit this pond, they’ll be together forever.][Do you believe in miracles?][Do you believe in magic?][Do you believe in me?] [I believed I would see you again.]

It’s a cruel, unforgiving world. People die and don’t come back. But you did. Now get up. Someone’s waiting for you.

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rosy-cheekx · 4 years

Text

Hypothetically

@aspecarchivesweek Day One: Wish

I wish to make you happy.

Jonathan Sims/Georgie Barker

This was it. Jon fiddles with the pale green collar of his shirt; eyes focused resolutely on the version of himself in the mirror that hung on the wardrobe in his student flat. Tonight’s the night I’m going to ask Georgie to…

He shakes his head to himself, wincing at the end of that sentence. He knows what he’s going to do tonight, what he wants to do tonight, what difference does vocalizing it make, even if it’s just to himself?

Glancing down at his watch, Jon chews his lip. He was meeting Georgie at the bar in thirty minutes. The bar was ten minutes away…He should probably leave now, right? In case he needed to find them seats or use the loo or if the walk ended up taking longer than the dozens of times he’s been there before? He doesn’t want to be late, that would just make everything worse-

Huh. He’s pacing. Jon forces himself to stop and stands in the middle of his bedroom, wrapping his hands around his sides, thumbs digging into his back, feeling his diaphragm push his ribs out and in as he breathes, focusing on the solid movement of his body. Why am I so nervous? His therapist had talked to him, years back, about identifying sources of his anxiety. He hates that it works, hates that it means confronting his own brain and acknowledging his faults.

Is it the bar? No. This bar, The Addison, is one of the few pubs Jon actually enjoys. It’s always got a bit of a draft so even in the busiest nights it never feels like the heat of the room is inescapable. Jon’s not the biggest fan of beer, per se, but he can knock back a pint with the best of them, so long as he has something in his stomach first, and the pretzels and beer cheese The Addison makes are his favorite. The thought of them make his stomach growl.

Is it Georgie? No. He has a lot of strong feelings for Georgie, feels comfortable being himself around her. He drops his stuffy academic persona and can be his regular, less-stuffy-but-still-academic self, the one who speaks to her flatmate’s cat in a higher-pitched voice but still with proper Queen’s English, because “they deserve to be treated with respect, don’t you Madame?” She cares about him, too, he knows that, and he’s enjoyed their months as friends and the past few weeks they’ve been a couple.

As a couple…He feels a twinge of anxiety in his chest that makes him flap his hands instinctively, a quick stim to ward off the impending doom building in his belly. Ah. Found it. He and Georgie have only gone on a few dates: a coffeeshop on a Saturday morning, and a movie night in Georgie’s flat, an evening which had been planned to be a movie marathon of Georgie’s favorite bad horror movies, the B and C rated films that were truly just a vehicle for half-naked women sprinting down alleyways and gratuitous fake blood effects. Any excuse for them to laugh over popcorn and predict the plot points, except Jon had fallen asleep partway through the second movie and had woken up the next morning on Georgie’s couch, a worn fleece blanket over his slumped form. But this? This was a proper night-time date, involving alcohol and a walk home and, Jon was sure, a “mind if I come in?” and it would be different because it wasn’t a friend he was talking to, it was his girlfriend and there were expectations and he was a virgin and didn’t want to disappoint her because he knows Georgie is experienced and she deserves to have a good time and it’s his responsibility as a boyfriend to do that, even if he’s terrified because he hasn’t before—

Woah. Jon takes a deep breath. That was a lot. He did a full Sims, as Georgie would say, letting things snowball in his head until he explodes. He closes his eyes, wringing his hands again, just a gentle flutter at his sides. It’ll be fine. She’ll understand. She has up to now. Georgie has understood his weird studying habits, his deep aversion to spiders, his need to be early everywhere, his sudden shutdowns and stimming habits and how he loves to be held and touched. She can certainly handle him being a nervous virgin.

Jon slips a condom in his wallet and then, hesitating, tears off two more and throws them in. In case he messes up the first time. Checking his watch, he sees its quarter to eight. If he leaves now he’ll only be five minutes early. Perfect.

The Addison is a healthy dose of busy on a Thursday night in late autumn, the hum of conversation and music floating over Jon is just the right amount of chaos for him to reach equilibrium, feeling enthused by his nervous energy. He’s sitting at the bartop, spinning the cap to his beer bottle, watching it whirl, whirl, whirl, clattering on the stained wood and spinning all the while. It’s entrancing.

Georgie is speaking to him now. She smiles warmly at him and feels his stomach flip. God, she’s gorgeous when she smiles. Her hair’s in braids this month, pink and orange weaved tightly together, contrasting with the tight black turtleneck dress she wears. He catches himself staring at her profile, the planes of her face animated as she tells him a story about her professor and his alleged vow to fail her this semester. His face is warm. See, he soothes himself, you are attracted to her. You’re just nervous.

“Jon. Jon?” Georgie’s eyebrow is quirked up and she’s smirking at him, like she’s caught him in a lie. “Everything alright? You’re staring.” Jon feels another rush of blood to his cheeks, prickling at how exposed he feels to have been caught up in his thoughts about her.

“Oh-uh, yeah,” he nods, hesitating before reforming his own features into a smile. “I-I was just thinking. Well. How nice you look tonight.” Georgie isn’t immune to compliments, he knows this for certain, and its reaffirmed as she ducks her own head briefly, smile shifting from teasing to soft.

“O-Oh. Thank you, Jon.” She sips her drink, preferring something a little harder than Jon’s beer, usually a vodka cranberry she can nurse throughout a night or throw back when she needs a little something more in her bloodstream, fogging her mind. “You look really nice too, you know. Your green shirt is my favorite.” She gestures to the button up and he nods absently, glancing down at it. When he looks up, her face is close to his, hand weaving into the curls by his ear. He sighs and leans into the touch, feeling a shiver run through him when they kiss. He tastes the cranberry on her lips, vodka on her tongue, her liquid courage enthusing him as well as her (not that she needs any excuse to be bold, really), and makes a choice.

When they pull away for air, he grins wildly at her, the face he makes when he knows he’s about to a very Not-Sims thing. When the bartender makes his rounds again, a pale man in a black button-down, Jon orders his own ruby-red drink. Georgie’s eyebrows meet her hairline as he does so, folding her hands together. “Who are you and what have you done with Jonathan Sims?” The chuckle behind her voice balances the sternness of her words. He just grins at her and takes a sip of his newly-acquired vodka and cranberry juice, the dry flavors curling on his tongue and making his head feel light and warm after even half the glass.

Jon is drunk. It doesn’t take a genius to see that. He knows he’s a lightweight and even the divine soft pretzels he’s been munching on since his arrival can only handle so much. He’s finished his second hard drink on top of the beer and is feeling properly light and airy. Like a cake, he giggles to himself. He’s having fun, chatting with Georgie about life and cats and uni and their plans for the future. Jon’s entertaining a couple of options, a few research jobs in London, and Georgie is poking his side, making him laugh as she teases him about his studying skills being useful for something more than exams.

“At least I have studying skills!” He says, pushing her off his side, linking their fingers together to inhibit her from poking him again. “You can’t ride my coattails forever, you know.”

“I won’t have to! It came in today.”

“What did?” His thoughts are clouded, edges of anxiety smoothed over into something more ignorable.

“My microphone! So I can start my podcast about spooky shit, remember?” Georgie squeezes his hand and finishes her own drink, far along as Jon in liquid consumed but not nearly as affected as he is. “I’m going to uncover the world’s mysteries and teach my faithful audience about the supernatural. I’ve got the title nailed down, too.” With her free hand she paints a banner in the air. “What the Ghost. ‘Cause it’s like ‘what the fuck’ and I can talk about all sorts of weird shit.” Georgie swears a lot, and more when she’s tipsy.

“Can I see it?” The words are out of his mouth before he can think them through. “The-the microphone, can I see it?”

Her eyes widen and she nods, “Oh, yeah of course! I haven’t been able to test it out yet, so maybe you can help me.”

Jon insists on paying. So does Georgie. They resign to splitting it, each vowing to pay next time and knowing they will never outsmart each other.

Jon doesn’t realize how drunk he is until he’s walking the five minutes to Georgie’s flat. Tucked into her side, the air is cool around his face, the wind an icy hand cupping his cheek. Everything feels smeary, liquid, warm. Hands in the pocket of the peacoat he knows he bought for the aesthetic and not to keep him warm, he fingers his wallet, feels the circular outline inside, and feels…nothing. Good. He can do this.

He’s always loved Georgie’s flat. It is warm, all orange and yellow lamplight, houseplants, and a cosy cluttered look. Her roommate exists only in residuals, the sneakers she leaves by the door and the dishes she does at odd hours more proof she exists than anything like conversation. Jon respects that. Georgie’s room is a lot like the rest of the flat, which means it’s a lot like Georgie herself. Warm, dark, soft, and scattered, with hidden elements of cat hair no matter how many times she cleans. Jon throws his coat over his desk chair and collapses onto her bed, reveling in how her pillows feel under his back. He takes a moment to greet the weird smile-faced stain on her ceiling before sitting up, watching Georgie fold herself next to him and open a carboard box, taking out a chunky black microphone with a USB cable. She brandishes it like a sword, before angling it to her face.

“This is BBC 4 with breaking news,” she intones into the microphone, putting on a crisp RP accent and lowering her voice an octave. “Ghosts and ghouls have been discovered at King’s College, Oxford, residing as university professors. News anchor Jonathan Sims has the story. Sims?”

Jon presses back his giggles and leans into the character, accent already pretty close to the posh voice she puts on. “There’s been an error, actually. They’ve been the students all along. Journalism student Porgie Parker has been found out to have been a ghost. These discoveries were made after her boyfriend, English Literature student…Bonathan Bims, realized she had never picked up a textbook because she couldn’t! Her hands went right through them!” By the time he’s gotten to the word textbook, Georgie has pounced on him, microphone forgotten as she wrestles him to the bed, alternating between poking and tickling him until he lets the bit trail off, voice a mix of giggles and pleas for her to stop.

When she lets off, Jon abruptly realizes the intimacy of their position. She’s straddling him, her hands pinning his wrists to the plush pillow behind his head. They’re both breathing hard, cheeks flushed, and smiling.

Jon isn’t sure who started the kiss, but it doesn’t really matter. His arms are wrapped around Georgie’s neck and her hands are cupping his face, cool to the touch, nails lightly scratching his jawline. The bed is soft and Georgie is warm, pressing in from all sides, and it feels good. This he likes.

She kisses along his jawline and he feels heart rate pickup, flexing his hands (when did he curl them into fists?) as she presses against his neck. He wishes vaguely she’d put her hands back in his hair, he likes that soft feeling of pressure on his scalp. The smile on the ceiling is smirking at him now, the curve of the water stain looking more vicious than it had earlier.

Her hands are on his chest, she’s unbuttoning his shirt. Her hands feel too cold now, the shiver running through him one of anxiety, not desire, and Jon is sitting up before he knows what he’s doing. Fuck. Georgie, the saint, backs off him and kneels beside him on the bed. Jon’s hands flit to the undone buttons, fingertips circling them, suddenly unsure what to do.

“Are you okay, Jon?” Georgie’s voice is softer, eyes searching his face as she wedges her hands underneath her knees. He watches her wrists, the swing of her braids as she cocks her head, anything to avoid her eyes.

“I-” he gestures to her vaguely. “Y-You know I haven’t before, right?”

“Oh. Oh.” Georgie nods, understanding maybe a little better than he expected. “No offense, but I kinda figured, Jon. Not in a bad way!” She backpedals. “I just figured, you know, there’s no rush.”

“I mean, there’s a little of a rush,” he admonishes under his breath. At her hum of confusion: “You know, the whole-” he gestures again, as if he could pluck the word from the air. “-third date…thing.”

“Jon,” Georgie sighs his name, voice soft and so patient, a voice he doesn’t think he’s heard used anywhere else. “There’s no rule saying what we have to do when. Or how. Or ever, for that matter. It’s no one’s business what we do except ours.” She reaches out a hand, waiting for a slight nod, before taking his thin hands in her own. “Is that why you drank more than usual today?”

Jon nods, feeling a sag of relief spread throughout his body. “I just- I want to make you happy.”

“You do make me happy, you twit. That’s why we’re friends and it’s why I’m dating you.” She presses a kiss to his knuckles. “Contrary to popular belief, I don’t need sex to be happy. Is it fun? Yes. But not necessary.”

Jon frowns, chewing on his lip and eyeing the window of her bedroom, tracing the rectangle with his eyes over and over again. “I-hmm.” Georgie watches him search for words; she knows how he ticks well enough to know they’re coming if she waits. “What if, hypothetically, I never had sex with you? Ever.”

“Well,” she gave his hands a light squeeze. “Hypothetically, I’d be totally okay with it, though I’d ask if you were asexual and make sure we had appropriate boundaries.”

“Huh?” The word draws him back to her face, the deep brown eyes that search his own. “Asexual. Like, no sex?” She nods, again, ever-patient. “Huh. Asexual.” He drops the pretense. “Maybe.”

Asexual. The word felt good as he rolled it around in his mouth. He traced the letters with his fingertips in cursive against his thigh as Georgie let go of him, rolling off her bed to pull on sweatpants and a t shirt instead of the dress she was wearing

“Let’s look into it, if you want. Together.” Georgie grins at him now, rye and warm. “I will have to ask you if want hypothetical crisps, because I’m hypothetically fucking starving.”

#aspec archive week #jonathan sims #Georgie barker #cw alcohol #cw internalized acephobia #/confusion #just some good confusing feelings #based on my own experiences? said who?#also! important note: Jon's stims are reflective of my own habits #just sayin #asexuality #ace #ace flavor: who knows? not even Jon

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mirrerover · 4 years

Text

Big Plans

“You know shit’s never gonna fucking change, right?” Jason makes to grab for his Zippo. Remembering Dick will happily remove his nuts from his waxed sack for even contemplating smoking inside Dick’s apartment, he stops. His fingers twitch with irritation, nothing like a little nicotine deprivation to start the day. “Gotham’s a gothic nightmare where corruption runs thicker than blood and Blüdhaven’s worse, somehow. Like looking in a funhouse mirror. Uglier. More warped.”

“I really do enjoy our little morning pep talks,” Dick replies, closing the last two buttons on his dress shirt before tucking the fabric into the waistline of his pants. In general, Jason would say he prefers the Kevlar-enhanced, ass-hugging suit Dick prowls the night in—but there’s something to be said for a crisp, white button-down with the sleeves rolled up, forearm veins on display. He doesn’t know how the Blüdhaven criminals are faring but, personally, he wouldn’t mind letting Detective Richard Grayson slap some cuffs on him. Let Dick work him over hard in a surveilled box until Jason cracks, raw and bloody under the harsh fluorescent lights.

“These fucking places,” Jason grumbles, tired and cranky from watching Dick getting ready to leave, all that warm, gold skin about to slip right out the door. “It’s not something anyone can fix. Nothing short of dropping a bomb on the damn place and razing it to the ground.”

Dick sighs, running a hand through his hair. It’s getting longer, strands brushing the bone of his jaw. He’s no stranger to this; Jason and the trash he talks. Words pouring out of him sharp as knives, the blades full of blood. Just endlessly spewing shit.

“No point to it all, huh?” Dick leans a hip against the dresser, arms folded, eyebrow raised. There’s an ease to him that’s inherent; the way he owns his body, his space, every room he’s in. “If I didn’t know any better, I’d say you’re trying to lure me back to bed.”

Jason thinks it over. Admits, “not originally,” and lets his legs fall apart slowly. Nude body lounging against cheap, synthetic pillows, he’s got Dick’s low-rent sheets strategically draped across his crotch, all tasteful and shit. Just like the Renaissance paintings cluttering the hallways of the Wayne Manor. None of the shameless, naked peacocking Dick gets up to after sex. No, Jason’s classy. Artful. The signature Jason Todd brand. “But are you feelin’ down to fuck?” he asks.

Dick throws his head back and laughs. Really fucking laughs. Eyes scrunched up and shoulders shaking, all charisma and beauty and warmth. Laughing like that, it’s suddenly easy to see how a group of metahumans chose Dick as their leader despite his lack of superpowers or how the Blüdhaven Police Corps would accept him as their own despite him being the ward of Gotham’s favourite billionaire asshole. There’s something about Dick like there’s something about Bruce. Something captivating and inescapable that would make you launch a thousand ships for them. Burn down entire worlds for them. Jason’s not sure Dick’s aware of that. And in a way, Jason thinks he understands the Joker better than Bruce ever could.

Dick’s laughter fades too slowly, and Jason would be annoyed but there’s a tightness to Dick’s pants that wasn’t there two minutes ago, and Dick’s always laughing. Joyful and happy. Like those are easy feelings to conjure and easy feelings to have. As if getting out of bed isn’t like crawling out of a dark pit every morning and as if life isn't like taking a suckerpunch to the gut, over and over.

“Wish I could,” Dicks says, and Jason swears he sounds like he means it. “But I got big plans today. Gotta save a city.”

“‘Save a city.’ Jesus Christ. More like go get shanked in the gut.”

Dick shrugs and slips on a watch. “Wouldn’t be the first time.”

The other bats all have their day jobs. The Police Detective, the Socialite, the rising Tech Wunderkind, and Jason’s personal favourite: the Student. Jason derives no small amount of pleasure from knowing that Bruce and the Demon Spawn get to suffer through the worst of it. Like an ill-fitted suit, Jason hopes it pulls and itches every time they’ve got to slip their disguises on. It shows how removed they are from the rot and the grit and the filth of what is Gotham. The gore at the core of it all.

That’s where Jason lives, at its epicentre.

He’d fallen into it naturally, being a crime lord. It had been a logical first step when he’d come home, head full of green fumes and rage. He’s proud to say, he puts the organized in organized crime. Outshines even the worst of them in calculated vicious violence. The crime part of the job, Jason can admit he’s gotten more discerning about. There’s no peddling drugs to kids or bleeding junkies dry, no people traded like cattle, and he doesn’t like selling guns to the lowlifes clogging Gotham’s streets. So, he’s become a parasite instead. Infiltrates a crime organisation and eats it from the inside out till it finally collapses. Scraps the dead beast for parts and money.

It’s not something Jason talks about with this version of Dick. His shady deals, his underground moonlighting. Never with a cop like the one making his way to the bed right now, uniform tight over thick thighs and a sway in his hips that’s nothing less than sexual warfare.

“Try smoking in my bed again, Todd,” Dick warns, looming over him. He stops whatever threat he was going to utter, disrupted by Jason grousing at him to fucking let that go already. Perfectly pleasant, Dick does exactly that. Just stares at Jason with a face far too naked and utterly too fond. Something’s creeping under Jason’s skin at the sight of it—an itch he doesn’t know how to scratch, unable to decide whether he wants to kiss the prick or break his perfect face instead.

A little lower, there’s a bruise peeking out of Dick’s collar that looks like a handprint. Jason had put that there last night. Violently. Not even the fun kind of violent but the messy kind. The kind where something hunts Jason through nightmares and his body acts before his sleeping brain has had the chance to catch up—that kind of violence. Maybe a better person would wallow in the guilt and remove themselves from the situation. Not Dick and Jason. They just get better at hiding the batarangs and guns. The 200 pounds of well-trained muscle and murderous reflexes are a little harder to counteract but Dick’s no babe in the woods. Besides, Jason’s not exactly the first lethal bitch between Dick’s bedsheets.

Dick smiles. A teasing thing full of soft edges. “Mornings are hard. Aren’t they, Sugarplum?”

“Fuck you to hell.” Jason groans with feeling, hating the hard lumps of Dick’s mattress when he sinks back into them. “Just get lost already, Birdbrain. There’s no fucking point to you with your clothes on.”

“Nice to know I’m not completely useless.”

Jason wants to fight that far too favourable self-assessment. Would fight it, were he not half a pack of Lucky Strikes and three cups of coffee short of mustering the energy. Which is also the only reason he’s letting Dick press an off-centre kiss to his forehead. A shitty place for a shitty kiss from a shitty person, if you ask Jason. Very much Dick Grayson’s style.

“Try and behave, Little Wing.” Dick’s already moving away from the bed and shrugging on a jacket. “I really like this place. Got three South facing windows and none of the neighbours run a meth lab.”

“Prime Blüdhaven real estate,” Jason mutters darkly.

“Glad we’re on the same page.” Dick takes one last look at himself at the mirror, shoots Jason a tacky wink because his existence is a curse, and promises under his breath something that sounds suspiciously like I’ll be back or I’ll miss you. Another twenty seconds later and Jason hears the front door lock click back into place.

His day is wide open now.

There are things to do but there are always things to do. At any time, Jason’s got about forty things in various stages of motion. Always working on something. Someone. Bigger games than the one he’s running on Dick right now, lighting one up in his bed.

Blowing smoke up into the air, Jason decides that today he’s going to crack the safe Dick keeps behind the panel in his closet. Perfectly harmless, really. Just him fishing through some of Dick’s case files—maybe even solving a few, if he’s feeling charitable. And for tonight, there’s that Malaysian place three blocks over that does a better Rendang than anything he’s found in Gotham. Dick never shuts up about it. Like he’s never going to shut up about the cigarette smell seeping into the wallpaper.

Jason smirks. Solid options. He still has last night’s terrors painted on the back of his eyelids and the feeling of Dick’s neck under his hand but they’re slowly fading. And Dick’s got him covered, said he’d take care of the big plans, so Jason doesn’t have to. And next time, when Jason’s Dick and Dick’s Jason, he’ll have Dick covered too. Jason will tackle the big plans while Dick raids Jason’s fridge and leaves wet towels all over his apartment. Jason knows it’ll happen. It has happened. Just not today.

Maybe tomorrow.

----------------------

@wethatake thanks for being the beta and basically a co-writer. You suck but I love you. <3 Here’s to hoping that your sad little sack of a co-worker doesn’t kill you. XD

#jaydick #jaydick-flashfic #jaydick-flashfic: big plans #jason todd #dick grayson #mirre writes

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that-wizard-oki · 3 years

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Hello! I've been aware of your blog for years, and made a Tumblr blog very recently. I want to say that your posts are extremely well thought out, and give the storyline of Wizard101 a lot of much needed depth. I think if Wiz had the gameplay and story structure of Pirate101, it would benefit highly especially for worlds like Azteca and Khrysalis. Currently I'm rewriting Wiz and your posts are a huge inspiration. Finally. what are your thoughts on Arc 3? Imo it had potential but failed.

Hey there! Thank you so much for all your kind words, I’m glad you enjoy my thoughts and theories about the game- and I’m flattered to hear they inspire you to create your own fan work :D

Personally, I wouldn’t say that Arc 3 failed in any sense. I think the idea of a children's/family game to tackle the theme of a broken family\divorce is pretty smart- it gives the opportunity to adults who play this game with their kids to find a way to perhaps talk about their own experience with the same themes in their real lives (if it applies to them). Likewise, i also like that the story focuses on that the CHILDREN are the one who have to clean up the PARENTS mess, more or less. Often times the children in families who have a parent/parents that are either split, should split, or are abusive to one another, are the ones who get caught in the cross fire- this is SO evident with Mellori and Bat in Empyrea.

Following that, I think it was also super clever to have Mellori (and the wizard) initially ALSO be fighting against Spider’s children. Another common occurrence in families that experience abuse between their parents/ect, is that one or both of the parents will try to divide their children onto sides- furthering the divide and conflict in the family itself. THIS was exactly what was happening in arc 3- we weren’t technically fighting Raven and Spider, but their children were fighting each other in their names.

One of the most beautiful things to come out of this game was the fact that Mellori and Bat WERE able to see through that, and instead focused on the real threat at hand- their parents. In fact, it is their COMBINED power that allows the wizard to defeat the result of Raven and Spider- the Aethyr Titan. This reflects so well into reality, where when the children of broken families try their damned to support one another, instead of letting their parents continue to control and divide them, it leads to the kids being able to break the domino effect that comes with that kind of family dynamic. They are able to become individuals- instead of being some mini version or “part” of their parents (which is also clever on KI’s part to make Mellori and Bat/Rat/Scorpion LITERAL extensions of Raven/Spider, which makes it seem like they are just kind of mindless bots doing whatever their entrusted parent tells them).

One part i particularly like as well is that towards the end of Empyrea, Mellori talk about how she’s going to go home to her mom- and it’s not Raven, it’s Baba Yaga. I absolutely love this idea that, yea, Mellori (and any kid for that matter) SHOULD be able to choose who their mom/dad/parent is if their birth parent(s) don't provide for you the way a parent should. I think that is a SUPER important lesson for Kids AND parents to hear. You choose your own family if that’s what it comes down to, and there is NO shame in that.

That being said, i do have my issues with some things too- this might seem small, but I never liked how when we’re in the Husk, and Raven and Spider are talking to one another about who’s “really” at fault, and eventually Raven goes “oh what have i done?” and Spider just goes “.... Yea were were BOTH really bad huh?” Like.... listen, sure, Raven probably shouldn’t have locked Cob away for eternity and stole his chaos heart in order to reform the spiral, BUT imma be real with y’all... Spider also did shit to aggravate Raven- specifically, he messed with her kids into a fucking war. I mean this half sarcastically, but tbh, if you mess with a mother’s kids... that's fucking on you man, you know the grave your digging for yourself on that one lmao.

But more seriously- i feel like they REALLY tried to make Raven out to be “worse” than Spider, and having Spider just beguile her with his words at the end in a way were she ended up being like “oh nooo IM the really bad one, oh no oh noo :((” JUST for him to be like “no its ok babe :) we’re BOTH equally as bad, stay here with me and we can be bad and alone together :)”

Actually now that i write that out, it is a little.. weird that Spider kinda got what he wanted- to be with Raven, when imo, they really should have STAYED split. I don’t come from a divorced family, but I’ve many friends who do, and I’ve gathered that more often than not... divorce can be a good thing, as it is likely to stop/lessen the conflict within families. I think that yea, they both did bad things to one another, and need to stay apart, not spend the rest of eternity together.

That’s probably my biggest qualm with the entirety of Arc 3, beyond the various obvious one, which is that Morganthe played like, absolutely no part in it lmao. I’ve talked endlessly about it, so i won’t repeat myself too much lol.

Just to briefly reiterate- i think that Morganthe, the one who re-discovered shadow magic, was groomed by the Shadow Magi, and very blatantly infused with something akin to the conversion tables we see in Khrysalis, I think she would have been an invaluable source of information and help for the Wizard. Not only does she probably know the most about Shadow Magic outside of Spider, but it’s insanely alluded to that she was under his control- perhaps even had contact or conversation with him somehow in her time as Shadow queen.

The biggest frustration of her lack of presence though, comes from the way Khrysalis built up this INSANELY interesting Foil between the Wizard and her. The way that they both weirdly fit the prophecy, the way their lead into The Hive was so eerily mirrored, the fact that we were both called the Children of Light and Shadow by Spider, and not to even mention how the shared feelings of loneliness and fear of failure as students of Ambrose... like I could go on about these two and how amazing it would have been for them both to work together in arc 3, but also help heal and grow as The Children of Light and Shadow... but that’s not what we got unfortunately.

Anywho, i don’t wanna ramble on about that too much because i touched on it in another ask post and you can look at that if ya want in my tag, but yea! Those are my general thoughts on Arc 3. Again, i love this arc, i think it truly has some of the most nuanced writing and characters thus far in the game.

Besides, i always think they could easily write in Morganthe’s return for a redemption with the wizard, especially now with the Wizard seemingly trying to fight their own shadows.

Hope that satisfied your question though, and good luck with your writings :D

#wizard101 #oki answers a thing #marvelousmagicalaura

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tillidontneedfantasy · 4 years

Text

A Track-by-Track Breakdown of Taylor Swift’s 8th Studio Album: ‘folklore’

Taylor Swift’s 8th studio album, folklore, starts off with the lie, “I’m on some new shit.” Perhaps to someone who hasn’t been paying attention this would seem to be true. But to those listening, folklore is the essence of her skill and success throughout her entire career stripped down for all to see, but more refined, enhanced, and impressive than ever.

Even prior to her pop-world domination with 1989 (2014), Taylor’s storytelling ability has always been her most compelling strength as a writer. In 2010, she released her third album, Speak Now, penned fully solo to prove to the cynics that she does, in fact, write her own music. And it’s damn good. Widely considered her best song, “All Too Well” from Red (2012) is a five and a half minute epic about love had and lost, all in walks through autumn trees, almost running red lights, dancing round the kitchen, and a scarf reminiscent of innocence, unreturned.

Yet her pop prowess over the last six years perhaps leads to her storytelling being overlooked to those more focused on the music. There is a particular genius in writing a successful pop song, let alone three successful pop albums, that still has hard-hitting lyrics underneath the synth. Take the excellent “Cruel Summer” from Lover (2019) for example. The song is just under 3 minutes, and the production is so enthralling and infectious that it can take such a hold on you, you might miss the tale being told along with it about a fraught summer relationship that was actually just the beginning of her own love story.

But without the pop production, her stories on folklore demand attention. Swept up by a strong wave of creativity and inspiration, Swift secretly wrote and produced this album in around three months with Aaron Dessner of The National, one of Swift’s favorite bands, and long-time collaborator and friend Jack Antonoff. A surprise album is a new endeavor for Swift, as she generally spends months meticulously planning an album rollout. It is refreshing, and as a dedicated, long-time fan of Taylor, it is thrilling. Due to the album cover where she is standing in the woods, and the genre of the album itself, there have been think pieces regarding the “man in the woods” trope and what it means that Taylor seems to be embodying it. As a result of over-exposure, people are unable to stop focusing on her image and the way she presents herself. It’s understandable, as she is a very smart and deliberate businesswoman, and clearly cares about how she is perceived. But with this album, it is clear that none of that was at play. We are in the middle of a pandemic. Her mother has been battling cancer for years. Isolate a creative person in a dangerous world and they will dream up an escape. She understands more than ever how precious each moment is, and does not want to waste another one. The woods being the landscape for the photo-shoot is most likely attributed to the fact that it is the safest place to have one under these circumstances. She’s not pretending she removed herself from society and became enlightened, she didn’t dabble into a more alternative sound to prove anything; she is just sharing stories she wants to tell that she is proud of, and nothing more.

Of course the music of the album is important, but the lyrics are the heart of it all, and I wanted to focus on them. Upon its release, Taylor explained in a foreword that the album was a mixture of personal and fictional accounts. The beauty of stories is that once they are shared, they never live one single life; each person who consumes a story interprets it uniquely, and the story becomes a multiverse, with different meanings and outcomes than what initially drove the pen to the paper. As explained by Swift in a YouTube comment prior to the album’s release, three songs on the album are all one story, which she has dubbed “the teenage love triangle.” The three points of the triangle are “cardigan,” “august,” and “betty.” But if someone had not seen her say that, they might not have figured it out. Maybe they’d interpret each song as their own story, and connect it to their own. Taylor knows this. It is why she loves storytelling and is why she is so good at it. The album itself is a mirror ball, shimmering with every version of the stories being told, reflecting a bit of each person who listens. These are my interpretations, but they can mean whatever you make of them.

1. the 1 The melody of this song helps set the scene; picture yourself skipping rocks on a lake, reminiscing on the one that got away. “the 1” is about learning to assimilate into a life without them, resentfully accepting that they might be moving on, too. She ruminates on what went wrong and what could have been. In a very Swift fashion, she puts the blame on herself when she sings, “in my defense, I have none / for digging up the grave another time.” Perhaps this song is fictional, perhaps it’s a revisit of a past feeling or relationship, but its relatability makes it feel real and present. She searches for explanations, restraining herself from asking, “if one thing had been different, would everything be different today?” But it’s good she didn’t ask, because she’d never find the answer, anyway. Best lyric: “We never painted by the numbers, baby, but we were making it count / You know the greatest loves of all time are over now.”

2. cardigan (teenage love triangle, part 1: betty’s perspective) “When you are young they assume you know nothing,” Swift sings in her smooth low-register on this Lana del Rey-esque single. “But I knew everything when I was young,” she asserts. They say wisdom comes with age, but there is wisdom lost, too, of what it felt like to be young; but she has held onto it. In this track, the narrator (Betty) is looking back on her relationship with someone she once loved (James, as name-dropped in “betty” later on in the album). Her insight on his character was always spot on; she knew he’d try to kiss it better, change the ending, miss her once the thrill expired and come back, begging for her forgiveness in her front porch light. As soon as she was feeling forgotten, he made her feel wanted, his favorite. The ending in question is unclear, whether she granted him her forgiveness or not. But what is clear is Taylor’s understanding of the pull of young love, the intensity, the immortalization of all the smallest of details, the longing to be someone’s favorite. It’s why we look back on it so often, read stories and watch films about it, even as we grow old. It’s the cardigan we put back on when we want to be Peter Pan and remember what it was like to fly with Wendy. Best lyric: “You drew stars around my scars / but now I’m bleeding.”

3. the last great american dynasty The story of Rebekah Harkness and her destruction of the last great American dynasty, Standard Oil, is documented in this track, as each verse covers a different part of Rebekah’s life, going from a middle class divorcee to one of the wealthiest women in America by marrying into an empire. Swift paints Rebekah as an outcast, the Rhode Island town blaming her for her husband’s heart giving out. Rebekah used her inherited fortune on her ballet company, throwing lavish parties with her friends who went by the “Bitch Pack,” playing cards with Dali (Yes, as in Salvador Dali. It’s not clear if they actually played cards together, but her ashes were placed in an urn designed by him), and feuding with her neighbors. Then, fifty years later, Taylor Swift bought that very house and ruined the neighborhood all over again, bringing with her the triumphant return of champagne pool parties and women with madness, their men and bad habits. It’s a note on how women will be blamed for tarnishing what is sacred to men rather than celebrated, specifically when its related to wealth and power. They will call them mad, shameless, loud. But just like Rebekah, Taylor learned to pay them no mind, and just have a marvelous time. It is also interesting to note that Rebekah went by Betty. Perhaps Taylor felt inspired by and connected to her and gave her a whole backstory, and thus the birth of “the teenage love triangle,” or maybe it’s just a coincidence; but that’s the fun of it all. Either way, this track is a standout showcase of how Swift has truly mastered her craft as a songwriter. Best lyric: “Holiday House sat quietly on that beach / free of women with madness, their men and bad habits / and then it was bought by me.”

4. exile ft. Bon Iver You know that feeling when your parents are fighting and it’s upsetting you but you can’t help but listen? That’s kind of what listening to this song feels like. Bon Iver’s Justin Vernon co-wrote the track, and he lends his gorgeous vocals to play a man who has been exiled by his ex who has moved on with someone else while he desperately tries to understand where it all went wrong. The bridge is particularly poignant, both proclaiming, “you didn’t even hear me out,” while talking over each other. He thinks he was expected to read her mind, but she is adamant that she gave him plenty of warning signs. Miscommunication is one of the most common downfalls of a relationship, and the emotion in Swift’s and Vernon’s voices really draws you into the argument with them, transporting you back into your own exile from people you once called home. Best lyric: “I couldn’t turn things around / (You never turned things around) / ‘cause you never gave a warning sign / (I gave so many signs.)”

5. my tears ricochet Taylor describes this song in the foreword as “an embittered tormentor showing up to the funeral of his fallen object of obsession.” If you know enough, you can put the pieces together that the tormentor is Scott Borchetta, the head of Big Machine Records, and the funeral is of their professional and personal relationship. Taylor was the first artist ever signed to Big Machine. Borchetta and Swift had to trust each other in their partnership for it to be a success, and oh, how it was. But prior to Lover’s release, Taylor announced that she would be signing to Republic Records as her contract with Big Machine had ended and Republic offered her the opportunity to own all of her masters moving forward and negotiate on Spotify shares for all their artists. It all could have ended amicably there, but then Scott Borchetta sold all of Big Machine, along with Taylor’s masters from every album prior, to Scooter Braun. Braun manages some of the biggest stars out there, and had previously managed Kanye West. Taylor publicly spoke out about this purchase, stating that she was not made aware of this before the announcement, and how much of a betrayal it was considering she had cried to Scott before about Scooter’s mistreatment of her. Taylor has continued to be vocal about this, and so she sings, “I didn’t have it in myself to go with grace.” There is a lot to unpack in this song, but the main takeaway is that this betrayal hurts him just as much if not more than it hurts her, because his career was built on her achievements. He buried her while decorated in her success, becoming what he swore he wouldn’t, erasing the good times for greed, all just to be haunted with regret for pushing her out and stealing her lullabies. The pain is palpable, and it is notable that this is song is placed at track 5, the spot generally reserved for the most vulnerable on the album; it shows that there are different types of heartbreak that can shatter you just as much as those from romance. Best lyric: “If I’m dead to you, why are you at the wake? / Cursing my name, wishing I stayed.”

6. mirrorball On Lover’s “The Archer,” Taylor expresses her anxiety over people seeing through her act, her own grief at seeing through it herself, wondering if her lover does and whether he would stay with her regardless. “mirrorball” is about the act, one of the more obviously confessional songs on the album. She talks about how a mirror ball can illuminate all the different versions of a person, while also reflecting the light to fit in with the scene. Taylor’s critical self-awareness is heart wrenching, and it’s clear that the anxiety that surrounds the public perception of her is still prevalent. She describes herself as a member of a circus, still on the tightrope and the trapeze even after everyone else has packed up and left, doing anything she can to keep the public’s attention. It hurts to hear the desperation in her voice, but there’s hope in the song, too. She is speaking to someone (we can assume her long-term boyfriend, Joe Alwyn) and thanking them for not being like “the regulars, the masquerade revelers drunk as they watch my shattered edges glisten.” In 2016, the height of Taylor’s fame and subsequently her farthest fall from grace, all the people who pretended to be her friends and attended all her parties celebrated her (temporary) demise, continuing to dance over her broken pieces on the floor. But he stayed by her side as she put herself back together. And so now, when no one is around, she’ll shine just for him, standing even taller than she does for the circus. Best lyric: “I’m still a believer, but I don’t know why / I’ve never been a natural, all I do is try, try, try / I’m still on that trapeze, I’m still trying everything / to keep you looking at me.”

7. seven Her voice gentle and haunting, Taylor recalls the freedom and innocence of her childhood in Pennsylvania. She asks to be remembered for how she was, swinging over the creek, before she learned civility when she would scream anytime she wanted, then letting out a very pretty one. She sings to her old friend soothingly about taking them away from their haunted house that their father is always shouting in, where they feel the need to hide in a closet, perhaps literally, or figuratively, or both. They can move into Taylor’s house instead, or maybe just to India, just be sure to pack their dolls and a sweater and then they’ll hit the road. She can no longer recall her friend’s face, but the love she had for them still lives in her heart, and she wants it to live forever through story. Just in the way that folklore itself blends reality and fiction, but the truth within it passes on, so will the purity of that love and friendship. Best lyric: “Please picture me in the weeds / before I learned civility / I used to scream ferociously / any time I wanted.”

8. august (teenage love triangle, part 2: the other girl’s perspective) If you had to assign the feeling of longing to a song, it’d be “august.” It’s when you’re teetering at the edge with someone, unsure of where you stand with them, clinging to anything they give you and doing anything just to raise your chances, “living for the hope of it all.” August, the last month of summer, its heat causing it to slip away the fastest in a haze before reality hits. This track is a display of how sometimes losing something you never had causes an even deeper ache than losing something that was yours, and Jack Antonoff’s signature production intensifies the emotion even more. It’s the story of shattered hope, and the longing for the days where it could still fuel you. Best lyric: “To live for the hope of it all / cancel plans just in case you’d call.”

9. this is me trying “this is me trying” is like a drive through a tunnel at night, hearing your loudest anxieties and insecurities echo all around you, caving in. The track is another apt insight into Swift’s struggles with her self-image, with the pressure she puts on herself, so much so that she sometimes pushes herself too close to the edge, her fears luring her out of the tunnel and down, down, down into her own cage, stunting her own growth and keeping those who care out of reach. She tells us how she was “so ahead of the curve, the curve became a sphere.” Every action has an equal, opposite reaction, meaning that she was pushing herself so hard, she rolled back to where she started, and now has to reset. This could be referring to the period between the end of the 1989 era and the release of reputation (2017), or a different time in her life, or just a general sentiment. It doesn’t really matter, though, because no one’s growth is a neat, straight line; growth is jagged. Just like any of us, Taylor will always have to face new obstacles, new pitfalls, new reasons to get back up. She sounds most vulnerable as she cries, “at least I’m trying,” and you feel comforted knowing someone so beautiful and successful has to push herself to try, too, and yet that motivates you more to try yourself. Best lyric: “They told me all of my cages were mental / so I got wasted, like all my potential.”

10. illicit affairs A quiet, slow-build testament of the passion, the tragedy, the secrecy, the inimitability of a romance that shouldn’t exist, “illicit affairs” demonstrates how you can ruin yourself for someone from just one moment of possibility or truth, quite like the narrator of “august” does for the hope of it all. An illicit affair can be many different things: infidelity, forbidden love, a love that can never be fully realized, a relationship that is inherently wrong but electrifying all the same. It’s a reminder of what so many of us would do just to see new colors, to learn a new language, even if the one moment of enlightenment destroys us forever. We might lose the iridescent glow but we don’t forget it; we carry it with us, but must be careful to remember its blinding effect, to remember how fatal the fall is from the dwindling, mercurial high. Best lyric: “Tell your friends you’re out for a run / you’ll be flushed when you return.”

11. invisible string Clearly the most outright autobiographical track, “invisible string” is the plucky pick-me-up needed. The song is like sunshine, as Swift endearingly links all the little connections between her and her boyfriend, Joe Alwyn, since before they even met. She compares the green grass at the Nashville park she’d sit at in hopes of a meet-cute to the teal of his yogurt shop uniform shirt, and gives a nod to her smash hit “Bad Blood” from 1989 with the delightful line “bad was the blood of the song in the cab on your first trip to LA.” She reasons these coincidences as a fateful, invisible, golden string tying them together since the beginning, always destined to meet at the knot in the middle. She thanks time for healing her, (a callback to “Fifteen” from Fearless [2008]), fighting through hell to make it to heaven, transforming her from an axe grinder to a gift giver for her ex’s baby (the ex in question, Joe Jonas, and his wife Sophie Turner, happened to have their first daughter two days before this album’s release). As she has on her previous two albums, she uses the color gold to illustrate how prized their love is to one another. It’s sweet to know in all the gloom that the string has not been severed, and the trees are still golden somewhere. Best lyric: “Cold was the steel of my axe to grind for the boys who broke my heart / now I send their babies presents.”

12. mad woman Throughout her entire career, Taylor Swift has defiantly defended female rage, all the way back from throwing a chair off a platform on her Fearless Tour during the impassioned “Forever & Always,” to her patient, vengeful reliance on karma in reputation’s lead single, “Look What You Made Me Do,” to her most recent tackling of the matter on Lover’s last and final single, “The Man,” where she explores society’s acceptance and encouragement of angry men yet disdain for angry women. “The Man” is catchy and upbeat, and a fun thought experiment into how Swift’s career would be perceived if she was a man, something that is even more interesting to think about now as she releases an album in a genre heavily dominated and lauded by males. But on “mad woman,” she further explores the creation and perception of female rage, though masked under a smooth, haunting piano melody, her vocals subdued, taunting. In the album foreword, she describes the inspiration behind this song as “a misfit widow getting gleeful revenge on the town that cast her out.” This could be the continuation of Rebekah “Betty” Harkness’s story at her Holiday House in Watch Hill, RI, and how she further alienated herself from the rest of the neighborhood as they cast stones at her for the collapse of the last great American dynasty. (Or perhaps Daenerys Targaryen’s descent as the Mad Queen played a part in the song’s inspiration, as Swift has spoken of her love for Game of Thrones and her character specifically.) Taylor herself could also represent the widow, her music and masters as her love lost, and the men behind the crime as the “town that cast her out.” In the first verse she sings, “What do you sing on your drive home? / Do you see my face in the neighbor’s lawn? / Does she smile, or does she mouth ‘fuck you forever’?” It’s the first f-bomb of Taylor’s career (though a much more playful one will come two tracks later in “betty”) and it speaks volume. Taylor has received a lot of condemnation for expressing her anger at their transaction, for calling out their greed for what it is. Some view Swift’s stance on the ordeal as petty and trivial; they see the men as orchestrating a good business deal, and Swift as the girl throwing a tantrum. Ask any woman, and they can tell you about a time a man told them they were crazy for being justifiably angry; it only makes us angrier. “No one likes a mad woman,” Taylor states, “You made her like that.” Swift underscores that here, how they will poke and poke the bear but then blame it for attacking, as if they had never provoked it at all, and how dare it defend itself. Just as they blamed Rebekah for her husband’s heart giving out, they somehow manage to blame Swift for not being allowed to purchase the rights to her own work. And yes, she’s mad, but the song is measured and controlled; she’s used to her anger now, and knows just how to wield it. Best lyric: “Women like hunting witches, too / doing your dirtiest work for you / It’s obvious that wanting me dead has really brought you two together.”

13. epiphany This is another track Swift provided some background on, stating it was inspired by her “grandfather, Dean, landing at Guadalcanal in 1942” during WWII. The first verse paints this image, while the second verse depicts a different kind of war, happening right now, fought by doctors and nurses. She speaks of holding hands through plastic, and the escape folklore has granted you suddenly lifts. Watching someone’s daughter, or mother, or anyone suffer at the hands of the COVID-19 pandemic, just as watching a soldier bleed out, helpless, is too much to speak about. As she points out, they don’t teach you about that vicarious trauma in med school. We are living in a tireless world with barely any time time to rest our eyes, but too much going on while we’re awake to make sense of any of it. “epiphany” is a cinematic prayer, pleading for some quiet in order to find an answer in all the noise. We’re still waiting for that glimpse of relief. Best lyric: “Only twenty minutes to sleep / but you dream of some epiphany / Just one single glimpse of relief / to make some sense of what you’ve seen.”

14. betty (teenage love triangle, part 3: james’s perspective) It makes sense that a song reminiscent of Fearless would exemplify some of the best story-telling on folklore. The final puzzle piece of the teen love triangle, “betty” is a song sung by Swift from the perspective of the character of her own creation, James, attempting to win back his true love, Betty, who he slighted in some way. He proclaims that the worst thing he ever did is what he did to her, without explicitly stating it. Though the infamous deed is unclear, here’s the information we collect from this song: James saw Betty dancing with another boy at a school dance, one day when he was walking home another girl (from “august”) picked him up and he ended up spending his summer with her yet still loved Betty, and though he ended things with his fling and wanted to reconcile with Betty, he had returned to school to see she switched her homeroom (James assumes, after saying he won’t make assumptions. Classic men). So in order to make it up to her, he shows up at her party with the risk of being told to go fuck himself (the second and charming “fuck” on the album! Which is repeated!). Upon his arrival, there is a glorious key change (ala “Love Story”) and all the pieces fall into place for the listener; we realize Betty is the girl singing in “cardigan” as he lists the things he misses about her since the thrill expired, like the way she looks standing in her cardigan, and kissing in his car. He’s 17 and doesn’t know anything, but she knew everything when she was young, and she knew he’d come back. The way I see their story conclude is that she led him to the garden and trusted him, but as they grew older they grew apart, but the love she had for him never faded completely. Listening to this song is like being back in high school, whether you were the person who did someone wrong or the person so willing to forgive in the name of young love, or Inez, the school gossip, you’re right there with them. The other great thing about this song is that it is sung to a girl, and though it is set up so we understand it is most likely from a boy’s perspective, it doesn’t have to be. It’s really great that girls in the LGBTQ community can have a song in Taylor’s voice to fully connect to without changing the pronouns or names (even James, which is unisex and is one of the names of the daughters of Blake Lively and Ryan Reynolds, Taylor’s close friends, mentioned in this song). That is the beauty of folklore: the infinite ways a story can be told, perceived, retold from a different perspective, and told again. Maybe you’ll hear it from Inez. Best lyric: “But if I just showed up at your party / would you have me? Would you want me? / Would you tell me to go fuck myself, or lead me to the garden?”

15. peace One of the most beautifully solemn songs of her career, “peace” echoes the same fears explored in “Dancing With Our Hands Tied” from reputation; will the person she loves be able to weather the ever-present storm that comes with the life of a superstar, but also dwells within herself? Will holding him as the water rushes in be enough? Will giving him her wild, a child, her sunshine, her best, be a fair consolation? Presumably another confessional track and about Alwyn, Swift puts him up on a pedestal, praising his integrity and his dare to dream. She proclaims that she would die for him in secret, just as she told him she’d be on her tallest tip toes, spinning in her highest heels, shining just for him in “mirrorball.” She highlights some of the greatest gifts of love, such as comfortable silence and chosen family. She knows what they have is special, but she also knows the value of peace, the ultimate nirvana, and does not want to deprive him of that. It is so deeply relatable- to me, at least- to feel like you can give someone so much of yourself but know it still may never be enough, and to fear either losing them or robbing them of something better. But looking at what they have together, maybe peace is overrated. Or maybe, she’s looking for peace in the wrong places. The calm is in the eye of the storm, and sometimes, there’s nothing more freeing than throwing away the umbrella and soaking in the rain. Best lyric: “I never had the courage of my convictions / as long as danger is near / and it’s just around the corner, darling / ‘cause it lives in me / no, I could never give you peace.”

16. hoax The truest enigma of the album, the closer, “hoax” is a devastatingly dark ballad about the uncertainty, or perhaps incredulity, of someone’s love for you, a love that is your lifeline. The lyrics are ambiguous, which gives way to a plethora of interpretations. Perhaps she is speaking about a hypothetical situation that has yet to happen (and hopefully doesn’t) in which someone she loves and trusts betrays her. Maybe she is talking about a relationship, real (hopefully not) or fictional, in which despite the torment it brings her she holds onto it for dear life. I’m most inclined to believe that the song represents her difficulty in accepting that someone is willing to love her through such dark periods, that their love must actually be a hoax, but she chooses to believe in it anyway and uses it as the motivation to rebuild her kingdom, to rise from the ashes on her barren land. And even through the downs that come at some point in every relationship, she can still see the beauty in it all. Yes, their love is golden, but waves of blue will crash down around any partnership, because life does not exist without them. So even when things are as blue as can be, she’s at least grateful it’s with him. Best lyric: “Don’t want no other shade of blue but you / no other sadness in the world would do.”

Although we still have yet to hear the deluxe track, “the lakes,” as a fan of Taylor for almost 12 years, it feels so obvious that this is her strongest work yet. The storytelling I fell in love with on Fearless as a teenager (which, much like folklore, was highly inspired by imaginary situations and real emotions) is even sharper now as we have both grown into adults. The music on this album might not be everyone’s speed, and that’s okay. But it allowed Taylor to dip back into what made Fearless such a success: using pieces of her own truth and the whims of her imagination to develop a multi-faceted narrative that becomes universal. During her Tiny Desk concert, before performing “Death By A Thousand Cuts” from Lover, Swift explained the anxiety she felt around the possibility of stunted creativity when people would ask her what she would write about once she was happy. Taylor has released an abundance of beautiful, fun, complex love songs since the start of her relationship almost four years ago now. But “Death By A Thousand Cuts,” which is a fan favorite, helped her prove to herself that she can still write a killer breakup song while being in a happy, fulfilling relationship; the song was the last track written for Lover and was inspired by the film Something Great on Netflix. And so it makes perfect sense that Taylor used folklore to continue exploring this new avenue for songwriting. All of her discography and all of her life experiences have culminated to the folklore moment: as all the best artists do, she will never stop finding inspiration in hidden corners of this dark, mystical, wondrous universe, and falling in love with new ways to share those wonders. And that love will be passed on.

DISCLAIMER - REVIEWER’S BIAS: I love Taylor Swift more than any person in my life, yes including my parents, they are aware and have accepted this fact long ago ❤️

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arthurflecksgirl · 4 years

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Hey love ! How are you ?? ♥️♥️ i love the scene you wrote after Arthur kills Murray. If you want to do another, here’s my request 😉

How about a reader who is in the apartment when Arthur kills Randall. After Gary is gone, she’s scared but he reassure her and promise to never hurt her. And she tells him that she loves him no matter what. Of course there is no obligation 😁 I’m addicted to your writing !! ♥️

Hi. First of all thank you for your request and for your nice words. This makes me soooooo happy to hear and it means A LOT to me!!!! It means SOOOOO MUCH!!!!! THANK YOU!!!!!

READER COMFORTS ARTHUR AFTER KILLING RANDALL

I had to change it a little bit, especially the reason why he kills Randall, because Arthurs situation would have been a whole different one if he had a girlfriend. Me personally I think he would have never killed someone while being loved and not alone anymore. The thought of him killing someone while his loved one is wittnessing it, is even harder. BUT I still love the fact hat you asked for a request that shows that the reader / his girlfriend is there for him no matter what. Even after a murder happened. And going off 7 meds at once can do a lot to a person. So I hope the changes are okay with you and you still like the result.

"You`re so beautiful, Arthur. I could stare at your face forever". The hint of a smile was crossing his face while he took the brush to whiten his chin while a cigarette was burning in his left hand. He looked like a piece of art doing his own make up. His reflection in the mirror stared back at him. The white paint gave his well structures face an even more intense look to it. Haunting. Tragic could be seen behind his eyes. The kinda tragedy that the greatest of all storms couldnt possibly wash away. It was there raging inside of him. Even in his calmest moments. Especially in his most quiet ones, there was this orchestra of chaos burning in his core. Still all he wanted was a moment of peace. Of silence. Love. You took the brush and helped him paint the rest of his face white. Arthur closed his eyes. His dark eyelashed protecting them like a curtain. He wanted to feel it with all his senses. How your hand was leading the brush. It was almost like being touched by your fingertips. Just as thoughtful and loving. He could just tell that it was your hand leading it. No other hand would have been so good to him. "Whats wrong , darling?" you asked him, feeling that there was a heavy weight resting on his tiney shoulders. Arthur shrugged "Thinking about Randall and how all of this mess started with him giving me that fucking gun" he replied. His face twitched in an uncomfortable way. "I still think he gave me that gun, hoping I`d kill myself with it. Or...I dont know... maybe he just hoped for what happened in the end. The way I fucked up. The bad shit I did. " Arthur looked at you . His green eyes pierced you in a way that made it impossible for you to not feel your knees weaken. It hurt so much to hear that some people out there really wanted to see Arthur on the ground. Wanted to see him hurt. Suffering. Dead even. Your hand gently touched his cheek and got stained with white "Arthur, we both know that what you did on the subway was self defence. It was three of them and they could have beaten you to death." He nodded. A stain of hair fell to his forehead as he took a deep drag of his cig "Yeah....you`re right...I guess it was. I hope it was. Sometimes I`m not sure I remember it right. Some nights I remember it this way, sometimes another. But in every single version of it, they were about to kill me first." You wiped the curl out of his face. His freshly dyed hair was soft to the touch. "And in every possible version you came home to me and I told you it was a good thing to save your own life" He once again nodded without looking very convinced. "I`m so glad they didnt caught you. They still dont know who ended their lifes. There were so many guys in clown make up running around these days." Arthur smoked teh rest of his cig "I have a bad feeling about this. Its a gut feeling....like the cops will be here any minute. Ringing my door... and ...take me away from you...." You couldn have sworn to see a tear hiding behind the galaxy of his eyes. The thought of being taken away from you was Arthurs worst nightmare. Being locked away in Arkham state hospital wasnt so bad for him in the past. But now...now that he had you it was horrible to think of nights spent all by himself. With just a photo of you under his white , bleach smelling pillow. No loving arms around him, helping him sleep. Keeping him save from nightmares. Just staring at ceilings and more blacked out diary pages. He didnt cared so much about himself anyway. It was the both of you together he cared about most. And he wanted to protect you from anything that could do you any harm. Ever. Arthur was your protector. And if anyone would try to seperate the two of you from one another, he would not think twice about it to end this person. The doorbell. Arthurs muscles twitched. His shoulderbone was becoming more and more visible as he opened the drawer to get the scissor "I knew it" he whispered "Its the cops." Within seconds your whole world fell apart. What if they knew? What if they will take Arthur with them now? You coudlnt even imagin a day or a night without him anymore. Arthur was your home. They couldnt just come in and take your home away from you. "Oh my god....Arthur" you whimpered "Please dont open the door..." He stood up "Dont worry, baby. I will take care of it." The scissors disappeared in his pockets. This was bad. Your whole boday started to hurt. Your mind was raging. This was a nigtmare. Is this how Arthur felt sometimes when he wasnt sure of reality anymore? Was this a taste of how he lived most of his life? Uncertain of what is happening . Arthur checked the door "Its okay. Its jus Gary and Randall". The weight of the world was falling off your shoulders. Thank god it was only his workmates. "Hey guys, come on in" Arthur opened the door while Randall was talking about what was going on outside. Arthur claimed that he didnt knew anything about that. Gary handed you a bottle of champain "I brought a little present" he smiled "I`m so gald that that Athur isnt alone anymore. He really needs someone on his side, you know? Its not good for him to be alone with his....thoughts I think. " You took the present and thanked him. Gary was the only one of his workmates that you wittnessed to be actually nice to him. You looked over to Arthur and Randall. Arthur seemed annoyed by him. Or hurt. Probably both. "You`re too sweet Gary. And yes. I try my best to be there for him. In any situation, you know? He has been left alone since he came into this world. " Gary nodded sadly. He really felt for Arthur. "I stopped taking my medication" The tone in Arthurs voice sounded strange. You didnt knew about him not taking his medication anymore. Why wouldnt he tell you about something important like that? Was it something he wasnt telling you to make sure that you wouldnt start to worry about his condition? The way he told Randall about it, sounded more than concerning in your ears. "I feel a lot better now" he added. You knew that Arthur was always convinced that the doctor should increase his medication. But you would have never thought that he wanted to stop taking them. Maybe it wasnt even his desicion. Maybe something else happened. Was it possible that he didnt got his receipes anymore? "Good for you" Randall replied. Not a spark of honesty in his sarcastic voice. Arthur was standing in the doorway. His body language changed since he was talking to Randall. Randall was the representation of all the bullies that ever tortured him. Arthur looked even smaller than usual, now that Randall was standing in front of him. You could tell that Athur was thinking about the gun. And why Randall handed it to him. Loaded. He could have killed himself with it. Arthur took his cigarette and drew a smiley on the wall, laughing. It wasnt his usual laugh. It was different. A laugh you had never heard before. Going of his meds must have changed something inside of him. "Arthur?" you walked up to the love of your life and tried to talk to him. But he seemed to be focused on Randalls hand, which slowly reached down his pocket while he talked about the cops showing up. "I just want to make sure that our stories line up, because you`re my boy and...." You`re my boy. Arthur had heard this sentence before. Right after he gave him the gun. "Artie?" you tried to get through to him but his eyes were still lingering on Randalls big hand. Convinced that Randall was about to pull a gun. He finally tured his head into your direction "Now close your eyes, baby." Arthur whispered softly before he rapidly grabbed the scissors and with one fast movement he sticked them into Randalls neck. A flood of blood appeared. Arthur pulled the scissor out just to stick them into Randalls eye. A scream. Gary started crying. And you. You just stood there. Paralyzed. All of this seemed unreal. Like a nightmare you barely remembered after waking up but you still felt it in your subconsiousness. Waiting to be analyzed. Arthur grabbed Randalls heavy body and slammed his head against the wall. Another time. And another. Ten times. Until his scull cracked. Blood was dripping from the walls and from Arthurs angelic face. You wanted to scream his name, just like Gary did. But you couldnt. "Arthur why would you do that?" Gary cried in the corner of the room, shocked by his actions. "I think h-he thought R-Randall was about to pull a gun....it triggered him w-when Randall called him his boy." you stuttered. Gary covered his face with his hands. He couldnt belive what your boyfriend just did eighter. Arthur was sitting on the floor next to Randalls body, breathing heavily , his eyes unfocused, with a feverish look to his face. Was he aware of what he just did? Was he aware that you were still in this room with him? Or was he elsewhere? Far away from you? Oh god, how much you wished he was still in there. Gary wanted to leave but was too afraid to pass Arthur. "Its okay Gary, you can go" Arthur smiled. Hearing his voice again felt good. He was at least able to talk. "I`m not gonna hurt you". Gary took a small step towards him. Arthur scared him for fun. His sense of humor could be kinda dark. Still. But only seconds later he helped Gary with the door when he couldnt make it to the lock. Before Gary left the apartment, Arhur kissed his forehead saying "You and Y/N were the only ones who were ever nice to me." Gary ran as fast as he could. Arthur closed the door, checking his chest. realizing there was blood all over his body. He kneed down to land on the floor again. Trying to catch his breath. It seemed like he was having a panic attack. Arthur started to quietly sing to himself. Thats when you realized that he needed help. He needed you now. More than ever. You carefully walked towards him. "Arthur?" He barely turned his head, humming. Your gently took his face between your hands. Randalls blood staining your fingertips. "Arthur, darling. Are you here with me?" He nodded "Always". "You loooked into his eyes but his gaze was still unfocused. His mind all over the place. "Breathe, Arthur. I am here with you. Try to breathe with me." The mixture of grease paint and blood felt strange between your fingers. But somehwere underneath there was that face you loved the most. Arthur stopped humming "Dont.....dont be afraid of me, please. I feel you being afraid. Please dont. You know that I could never hurt you." Arthur leaned in to place a gentle kiss on the corner of your lips. And even though you knew that his face was stained with another persons blood you let it happen. Tasted it. You knew that you could trust him with your life. "I`m not....not afraid of you, Arthur. I´m just afraid of what is happening inside of you. What it does to you." "My sweet angel" he said, stroking your cheek with his red fingertips "Always worried about your man" he chuckled, closing his eyes. "I had to" he added "he was about to pull a gun!" You havent seen a gun on Randall but you would never tell him. He thought he just saved your life. this was the only way to cope with what he just did. "I know Artie, I know." you took him into your arms to cradle him like a little boy. "It will be okay. Everything will be fine as long as we are together." A silent tear ran down Arthurs smeared cheek "You still love me? I told you to look away. But you didnt. You just didnt." He whimpered. "I never wanted you to see this. Can you still love me ?" Your hands shaked as you took his bloody hand in yours "I loved you before we even met and I will love you for as long as my soul exists" you whispered into the still of the room. "I love you too" his voice cracked. "Now stand up. We´re gonna wash the blood away, Okay? You really need to get this off you now". Arthur nodded as you lead him into the bathroom for him to take off the rest of his cothes and get into the bathtub. His blue pants and underwear was now lying on the floor. You turned on the water and waited for it to fill, as you thoughtfully grabbed a sponge to wash his face. Arthur closed his eyes and listened to the music inside of his head. It became calmer now that you touched him. It was hard not to shake while watching the water turn pink. But it felt good to get it off his face. With every cleaned part you were able to breathe again. To recognize him. "Thank you" Arthur mumbled "I dont deserve you". After his face was clean you couldnt stop staring at it. there he was again. Yor sweet,angelic Arthur. The man with the most gentle hands. The softest heart. He was right there with you and you were here to wash his sins away. You now focused on his chest, noticing that his heart was beating fast as you let your hand slide over the skin above it. HIs fragile heart which had experienced so much torture and pain. To much pain to handle. Later you had to figure out what to do with Randalls body. But for now you just had one purpose. To take care of the man you loved the most. You continued by washing his hair. Washing the sweat away. Curl by curl. Your hands turned green and Arthur looked more vulnerable than ever. "Why didnt you tell me that yo stopped taking your meds?" you asked him, afraid of his answer. "They cut the funding. I was afraid to tell you.... I´m sorry. I should have. " "Oh Arhur. we have to do something about this. You know that right?" "Yeah" he breathed, staring at his now clean hands. Knowing that you will figure this out together. All of this. "We gotta hurry a bit, Arthur. They will be here soon and try to get you back at Arkham. But dont worry about that okay? We´ll be running away. Somewhere far from Gotham. We`ll find a nice place to stay. Just the two of us. Together."

"I know we will find a way. We always do, right?" he whispered .And when his intense eyes met yours with such certainty you leaned in to kiss him on the lips, telling him that everything is going to be okay, while you pulled the plug to rinse away the last traces of red.

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iwach4n · 4 years

Text

Reminisce (Iwaizumi x fem!Reader)

This is incredibly self indulgent but by god i want to marry Iwa. I want to marry him so bad.

・・・・☆・・・・☆ ・・・・

warnings: mild swearing

word count: 1889

read time: 7 minutes

11:30am was not a particularly early time to wake up, but considering that you had returned to the hotel room at 3:00 after hours apon hours of drinking, dancing and chatting with friends and family, it was actually quite impressive. You looked and felt a mess, with sweat remaining from the shower you had been too tired to take, hair sticking out in every direction and remnants of makeup, sloppily removed in early hours of the morning, smudged around your face. And yet, Iwaizumi was still looking at you like you were the most amazing thing on Earth.

"What?" you laughed, shifting closer to him under the covers.

"Just looking at my beautiful wife," he responded, with an expression so lovestruck it made you giggle more.

"I'm never going to get used to that."

It was his turn to laugh, pulling you closer against his bare chest, "You better, Mrs Iwaizumi, because I'm going to keep saying it."

You smiled with an expression mirroring his own. In the five years you had been together, you never got tired of mornings like these. Waking up in his arms, taking in every detail of his face, memorising exactly how his body felt pressed against yours. And now you were married. There was nothing better in the world.

"What did I do to get so lucky?" he mused, making you shove him half-heartedly with a laugh.

"Save the compliments for when I don't look like shit."

His arms didn't relent, wrapping around you and pulling you ontop of him. A soft kiss was pressed to your lips.

"I'm not kidding. If someone had told me seven years ago that I'd get to marry you, I'd be overjoyed, and also never believe them," Iwa said, before catching himself on his words.

"Seven years ago? You mean like first year?" you asked, a hint of amusement in your voice as you rested your chin on his chest. He groaned a little in embarrassment.

"Okay, so I may have lied when I said I started liking you at the start of third year."

You couldn't help but start laughing for real now.

"We didn't even talk in first year!"

"I know, but I was sixteen! What was I supposed to do, not fall for the cute girl who helped me with my English homework?" he defended as you rolled off him in your laughter, finding his reaction funnier than the actual situation.

"You're so adorable," you said, pecking him on the lips and giggling at his red face.

"Asking you for help with that English was probably the best decision of my life." His hand found its way to yours under the covers, calloused fingers intertwining with your soft ones.

"I can't believe that's actually what got you," your laughs were softer now. At the start of your relationship, you had been a little insecure as to whether Hajime liked you as much as he said he did, but you'd grown past that now. Though you sometimes wondered quite what he saw in you, you knew he wasn't lying about anything.

"You were pretty and nice to me and you told Oikawa to fuck off. At the time, that was like, my dream woman."

A snort escaped from your mouth as you nestled into the crook of his arm, tracing patterns along his chest.

"I think the moment I really fell for you was when I first saw you play in a match," you mused, remembering being dragged to watch with your friends in second year and not regretting it one bit. Your husband gave a small hum of encouragement, as if telling you to continue, so you did.

"I mean, I thought you were hot and cool and whatever before, but on court, you were just so... driven. You kept pushing for one more point," you said, eyes glued to your finger as it wove its way through invisible paths along his torso, "it was like a whole new side of you."

As you spoke, he had buried his face in your hair, and you felt him smile against your scalp.

"Honestly, that's the only way you would've fallen for me. I'd have been much more awkward if I'd known you were watching."

"Looking back, you were so awkward," you recalled, thinking back to your highschool days, "but at the time, I just thought you hated me or something."

"For real?" It was his turn to rumble in laughter.

"You were always avoiding me!" you said in defence, pouting at his growing laughs.

"I'm sorry for making you think that," he said, unable to keep the grin off his face, "you were so ridiculously pretty that I got nervous. And it's only gotten better from there."

"Someone's sappy today," you giggled as he rolled over, hovering over you. He only hummed in response, planting a sweet kiss on your lips, "but seeing as we're remembering the old times, remember when you first asked me out?"

These words were enough to make him groan and collapse off of you, arm going up to cover his reddening face.

"I wish I didn't. Most embarrassing moment of my life."

"I think I need to refresh your memory," you managed through giggles.

"No!" he groaned, "you do not."

"Oh, I'm going to."

Hajime always got embarrassed when you brought up how he asked you out on your first date because it was a prime example of how awkward he'd been at the start of your relationship. You still remembered it vividly, and his reaction to you telling the story was almost as cute as the image in your head, so you would remind him every chance you got.

"Can we talk about the proposal instead? I was a lot cooler with that one."

You ignored his pleas, beginning your narration, "Imagine it-"

"You told this like fifty times yesterday. Stop," he was laughing too, despite being bashful.

"This isn't just what I told yesterday. This is the unabridged version, just for you," you said, and he finally gave up on arguing with a sigh, "imagine it; the last week of third year, and it was coming to the end of a maths lesson - a class I didn't share with the hero of our story. In my head, I was thinking about the lovely ace, who is currently looking at me like if someone was to shoot him, he wouldn't complain, but that his dying wish would be for me to shut up. I was wondering if I should make a move on him."

Iwaizumi's face turns from one of annoyance to curiosity - he hasn't heard this part of the story. You'd never really told him what went through your head that day. Noticing his change of expression, you decided to expand on that train of thought.

"You see, there was only a week left. After that, I might not get the chance. I might never see him again - at least, this is what I thought, as I didn't know that we were both going to the same university the next year. Part of me thought that it was now or never, but I decided on never. He was cool and popular and always seemed confident. If he liked me, I thought, he would make a move himself. This thought crossed my mind as I began to pack my things, and then, as if on cue-"

Iwaizumi's arm returned to covering his face. This was his least favourite part of the story.

"My knight in shining armour burst in, having been let out of his class early, and shouted, in front of the whole class, '(Y/N), I really like you, and have for a while! Please go on a date with me!'"

Your husband let out a long groan at this, the embarrassment still fresh despite it having been five years. Usually, this is where you stopped. It was pretty much the end of the story. But you continued.

"Naturally, I agreed. But, as if things weren't already awkward enough, our good old friend Oikawa decided to pipe up from behind you-"

"Oh my god," Hajime interrupted momentarily, "I forgot about this bit."

"And the somewhat sweet confession was finished off with the lovely note of 'Woo! They're finally gonna bone!'. The end."

It appeared the little addition shook Iwa out of the annoyed mood the story usually put him in, because he uncovered his face and laughed reminiscently.

"We both got detention for that," he chuckled, pulling you back into his chest.

"Was it worth it?" you asked, knowing the answer but wanting to hear it anyway.

"Take a look around. We're married. Of course it was worth it," what was probably the hundreth kiss of the day was placed on your forehead, "I'd sit through a million detentions to keep you with me."

"Good thing you don't have to. I don't think I'd be able to go a million hours without you," you said, beginning to fiddle with his hair, "can I try and plait your hair?"

"No," was the short answer, "we're gonna talk about that first date I asked you on."

"Why?" you asked, cocking your head as your fingers left his hair. The date had been nice, but other than the fact it was your first with your now husband, there had been nothing particularly special about it.

"Don't think I've forgotten about when you tried to say you were hungry and instead said horny, and were so shocked by the fact that your mouth did that that you spilt your drink all over both of us."

"Oh my god, even I forgot about that."

"I'm gonna give you a dramatic narration."

"No!"

The rest of the morning and early afternoon was taken up like this - reminiscing about notable moments in your relationship. Everything from your first kiss, which had turned an uneventful 'date' of running errands together into a special one, to your first 'I love you's, which had slipped out on a late night call. Each of you gave vivid retellings of meeting the other's parents for the first time, which had gone swimmingly for Hajime, but had been incredibly awkward for you until his father made some comment about thinking his son was gay until then because of the amount of time he spent with Oikawa. That really broke the ice between you, but it put Iwaizumi into an adorably disagreeable mood for the rest of the night. Iwa finally got to talk about the proposal, which you had to admit had been very romantic, and then you talked about the wedding the night before.

Eventually, you moved on from the past and talked about the future. Where to go for your honeymoon, where you'd like to settle down one day, how many kids you'd like and when. You decided you'd move to the outskirts of Tokyo, and start a family in your late twenties. You settled on two kids, but maybe a third a little later on. And then, when you retired, you'd move to the Okinawa prefecture and live by the beach. By the time you got hungry enough to need to get up, you felt like your entire life was planned.

You couldn't wait to make it real and have more things to reminisce about.

262 notes · View notes

banalbones · 4 years

Text

The Petite Prince: Chapter 5

Chapter 1, 2, 3, 4, 6, 7, 8

Chapter 5: The Treasure Hunt, Part 2

Summary: Roman is a child. Virgil and Logan lost him, and have been questing to find him for way too long. Remus loves his bro, but is feeling a bit more chaotic.

Words: 2485

Ships: Familial prinxiety, logince and Creativitwins. Eventual familial royality, roceit and DRLAMP

Genre: Fluff with a side dose of angst

Warnings: A few swears, tiny blood mention, arguing, a mention of being unconscious, a dragon, falling, tell me if there’s any more!

Taglist: @pricklyfish777 @sunflowerblondeuwu @itriedandimtired @draw-your-perfect-world @cemmy @battlebunnyteardropsinthesun @nonbinary-lizard-2

_________________________

The ‘twins’ were doing karaoke with the birds.

“Love is an open doo-oo-oor!”

The song was perfect for the pair, an adorable ‘love’ song for Roman, and a Disney villain tune for Remus.

Roman was grinning madly, his gap tooth showing, as his sweet little child voice perfectly nailed all of the notes.

“You’re really good at this,” Remus commented, taking a break from the song. “But Elphaba’s better.”

Cue the *o f f e n d e d p r i n c e y n o i s e s*.

“She’s a bi- she’s a bird! How can she be b- be better?”

Remus cackled. Annoying his brother was fun, even when he was a child.

He probably shouldn’t be thinking that, but still.

Quoting Virgil, sometimes I just gotta be me-an.

The smol one wacked his leg with the stick.

(Remus truly didn’t know how he kept getting it.)

“You know,” he said, “We could decorate the stick.”

That was a thing kids did right? Decorating sticks?

Apparently it was, as Roman squealed in delight and jumped around, whilst simultaneously summoning paint and glitter and smaller sticks and a whole lot of other stuff Remus didn’t bother to acknowledge.

I would have just gotten blood.

_________________________

“Are we supposed to climb this thing?” Virgil asked incredulously.

Logan wasn’t looking at the tower, so much as the dragon. It had shimmering scales, the color of the sea, covering the entirety of its lithe body, with accents of a bright gold littered throughout. The sunset colored wings however, were the things that stuck out most.

The dragon was quite beautiful and had cool wings, in an abbreviated sentence.

It also appeared to be asleep, which was definitely a pro in this situation of cons.

“If we wish to retrieve Roman, I believe so.”

“Well, fuck.”

_________________________

Virgil for all his faults, was loyal. Or so he told himself. Janus (?!?!), when the emo was still a part of the Others, had told him that dark sides were extremely protective of what they deem to be theirs.

So he supposed it made sense that he, the literal embodiment of anxiety, was about to climb a fifty foot tower with no safety precautions, just to save the little prince.

He turned to Logan and grinned sheepishly.

“So, uh, do you want to start?”

Just because Virgil was going to do it, didn’t mean he had to go first.

_________________________

The Dragon Witch smirked slightly as she rested her scaled head atop the tower’s black roof, gazing down at the two sides.

Looked like it was time to drop the ladder.

_________________________

Logan rolled his eyes at Virgil and began to reach for the tower, not sure what he was actually going to do when he touched it, when suddenly a pile of pili fell on his head.

“What the heck?”

The sub-astute teacher looked up to see… a rope of hair?

What?

“It’s like in Tangled!” Virgil said, somewhat excitedly.

“The Disney movie?”

“The Disney movie.” Virgil nodded.

“So what do we do, climb it?”

“I mean I guess,” The Supreme Dark Overlord of Negative Commerce (That’s a throwback) paused, “Because I don’t see any stairs.”

Logan, once again, rolled his eyes.

Might as well start climbing.

And so he did.

_________________________

Roman watched LoLo begin to climb through the fly-eyes. It seemed so fun!

Maybe he could do that one day…

If Remus would let him.

Roman giggled.

He probably would.

_________________________

Remus had wanted to add a thorn bush at the bottom of the tower, to be true to the original, ya know? But the smol one hadn’t wanted them to get hurt.

Again.

So instead, he had come up with an ingenious compromise that Logan would have been proud of.

Put vines at the bottom, but make them look like thorns!

It would be so funny to see Virgil panic and try even harder not to fall, especially with the armor-

Oh yeah!

“RoRo, do you want to give them the armor now?”

The little prince nodded enthusiastically, his face scrunching up in concentration.

And then…

“I did it!”

Little did the prince know that Remus had done a slight flick of the wrist, ensuring that the metal protection would… weigh them down.

He may be my brother, and I still love and will protect him at all costs, but I am always a chaotic rat man.

_________________________

I can’t believe you acknowledged that you were a chaotic rat man.

I can.

_________________________

Patton hummed softly, twirling around as he made the brownies.

He had tried checking on Roman in his room, but the princely side hadn’t answered.

So, he decided to make brownies to give to Roman when he felt like he could talk to him again!

If he ever felt like he could…

Patton shook his head quickly, dismissing the thought.

He would! It was Roman, after all!

Patton swallowed.

It was Roman, after all…

_________________________

Logan was halfway up the tower (and the hair) when he felt a weight be placed on his body. A very heavy weight.

The logical side was now extremely glad he had made Virgil stay on the ground.

Gravity tugged a little too hard on Logan for his own liking, and then he was falling.

And falling.

And f

Into a pile of thornbushes?

Logan inwardly groaned. It was like in the Grimm Brother’s version of the fairytale.

The prince fell into a bunch of thorns and got blinded.

I’m already blind enough, come on!

He barely registered Virgil screaming out his name through the rush of air and thoughts.

And then he landed.

________________________

Virgil screamed as Logan fell.

He was gonna die!

Could sides even die?

He didn’t think so, but what if they could?

The emo’s mind was so filled with what ifs, that he barely registered the dumping of heavy metal on his shoulders.

It was like a weighted blanket but five times heavier.

“Oof.” He was pulled to the floor, just as Logan landed… in a pile of thorns?!

How had he not noticed that?

“Holy shit! Logan!”

He heard a groan.

“Ow.”

Virgil breathed a sigh of relief.

At least he was alive.

_________________________

You fell off a tower?!

Yes. I just said that.

How did you survive?

We’re getting to that.

_________________________

The teacher figure groaned as he opened his eyes. He wasn’t blind, and he wasn’t bleeding.

That was a good sign.

It seems I have not, in fact landed in a pile of thorns.

“Holy shit! Logan!”

Logan attempted to move his head. A fall like that could not be good for his neck.

He managed it, if only slightly, to see a raccoon-like side running, well trying to run, towards him.

“Hello, Virgil. Before you ask, no, I do not know how I am alive.”

“Are you-”

“Yes, I am indeed hurt,” Logan interrupted, “I fell twenty five feet, what did you expect?”

“I don’t… whatever. How come you’re wearing armor?”

Logan responded with a dry “You are too,” before craning his neck (ow) to see that he was, in fact, wearing a bunch of bulky metal.

It was very blue. Or indigo, depending on how specific you wanted to be.

“Why is it so heavy?”

“That’s because of Remus,” a very familiar, lilting voice answered, as weapons materialized in the boys hands.

“Oh shit,” he heard Virgil mutter.

Logan looked up (once again, ow) to see the dragon that had been sitting atop the tower flying towards them.

It let out a roar.

To mirror Virgil’s earlier words, oh shit.

_________________________

Roman stood proudly, brandishing his stick for all to see.

By all, he meant Remus and the birds, as they were the only ones left to see it.

(The other forest creatures had to go, they had told Roman, it was almost dinner time for them.)

Apparently, birds had really weird eating schedules.

Big me had a really weird eating schedule too. He only ate during the night.

That, along with the fact big him never slept at night either led to the little prince forming a rather intelligent conclusion.

Big him was nocturnal!

Like an owl!

Wait…

If Big him was nocturnal (or an owl)…

Did that mean ReeRee was too?

…

“ReeRee… are you a- you an owl? Or noc- or noc-tur-nal?”

The Duke turned.

“Also, do yo- do you li-li-li’ my stick? Its glitty-ery!”

The tiny royal’s big brother looked confused.

“No? Why? Your stick is splendiferous, by the way.”

Now it was Roman’s turn to be confused.

(He was happy with the reaction to the stick.)

“Big me is. How co-how come you aren’t?”

Maybe the lack of sleep at night isn’t something that owl’s do.

Oh! Elphaba’s leaving! Byeee!

The petite prince was so caught up in his train of thought that he didn’t see Remus’s concerned gaze.

Bye bye birdies!

_________________________

Virgil stared at the bedazzled dirk in his hand, the onyx gems glinting in the light of the fire.

Wait, fire?

The emo turned to see a large green dragon (?!?!) diving towards him, flames spewing out of its mouth.

A dragon?

Shitshitshitshitshitshitshitshitshitshitshitshitshitshitshit

“Virgil! Move!” he heard a voice shouting.

But for a moment he was paralyzed.

Then, in a way that was opposite his regular behavior, he let out a battle cry and leapt towards the reptilian rapscallion (Roman would be proud), brandishing his weapon.

The dragon roared as Virgil threw one of his dirks, the sharp metal burying itself in a shimmering teal scale.

No blood emerged.

One weapon wasted.

“What the fuck are you doing, you inbecile? Run!”

For some reason, Virgil decided to ignore the admittedly good advice.

The dragon swiped at the anxious side, knocking him into the hard brick of the tower.

The scaled beast crept forward.

It poked Virgil’s head, slamming it back into the stone.

And then the world was fading to black.

Well, he knew that wasn’t good.

_________________________

Logan shut his eyes, restraining a groan of frustration.

WHY did people (metaphysical people) never listen to him?

Virgil was the smallest of the sides (apart from Roman, at the moment) and though he was fight or flight, the anxious side really didn’t know how to defend himself, especially against dragons. It also didn’t help that he only had a tiny daggers and a leaden suit of armor to protect himself.

Logan took a deep breath.

…

When the logical side’s eyes reopened, he was subjected to the view of Virgil being yeeted (slang words) into the tower.

Virgil was quickly climbing up the idiot list.

Very quickly indeed.

_________________________

Where am I on the list right now?

The same place as you were when this happened.

Where was I?

That is not important.

What? Yes it i-

_________________________

Remus was concerned. Which was weird for him.

What did the smol one mean?

An owl?

Nocturnal?

Was Roman secretly an owl? Or did his twin have a really unhealthy sleep schedule that led to negatively affecting his mood, energy levels and attention span, making him lash out in even the slightest of stressful situations whilst simultaneously causing his metaphysical human being-like health and mental health to deteriorate?

Nah, he was probably an owl.

And with that (most of) Remus’s concern washed away.

His brother was an owl.

_________________________

Roman was watching the battle through the fly-eyes. Well, battle was an over exaggeration. It was really just VeeVee getting smacked into a wall by a dragon (who looked suspiciously like the Dragon Witch Big him had killed a while ago).

The prince looked to where Logan was.

The nerd looked reeeeeally annoyed.

Probably because now he had to defeat the dragon all by himself.

What’s he gonna do?

Roman watched as the logical side got up, a broadsword appearing in his grasp.

The prince summoned a bowl of popcorn.

He should throw it. Mama should definitely throw it.

Logan threw it.

And missed.

The sword didn’t even get near it!

Come ooooon, Mama.

The dragon roared and pounced on Logan, baring its teeth.

Roman leaned forward, a handful of popcorn nearing his mouth.

This was getting good.

A drop of saliva dripped onto Logan’s face…

Aaaaaannd…

He was whisked away from the fly-eyes view by a pair of grimy hands.

“ReeRee! No fair!”

“Sorry RoRo.”

The little prince pouted, and Remus held something out to hi.

“Look I made a stick!”

_________________________

Did it work?

Did what work?

The stick. As a distraction.

It wasn’t a distraction, I just really wanted to show him my stick!

Liesssss.

It was also a distraction.

_________________________

Patton was becoming concerned.

Roman usually would have come out by now.

Maybe he decided to talk to someone else.

But who?

Definitely not Janus, for obvious reasons. Maybe Virgil?

I should check. Just to see if he’s okay.

I’ll bring the brownies.

Just in case…

And so the walk to Virgil’s room began.

_________________________

Do it for the child.

That was the mantra that Logan was repeating in his head.

He truly did not appreciate being carried through the sky in a dragon’s claws, especially since it had caused his glasses to fall off of his face.

For the last time, I’m already blind! Why is it always me?

It also didn’t help that every single part of his body was aching.

_________________________

Do it for the bean.

That was the mantra that would probably have been repeated in Virgil’s head at this moment, if he wasn’t unconscious.

_________________________

Patton frowned.

Virgil wasn’t there.

Maybe Roman and his dark strange son were with Logan!

And so the walk to Logan’s room began.

_________________________

Remus giggled.

RoRo had forgotten about the fly-eyes almost immediately, being too distracted by the glowing stick.

He waved his hand.

A visitor (or two) was about to drop in.

_________________________

Patton furrowed his brows.

Logan wasn’t in his room either.

Were they all together?

Who else could they be with?

Remus?

It was worth a shot.

And so the walk to Remus’s room began.

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Back in the dragon witch’s claws, a fully healed, very confused Virgil awoke, and Logan felt all of his physical pain disappear, along with the stupid heavy armor.

And then they were thrown through the window of the brick monstrosity,

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As Patton twisted the door handle,

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As Virgil and Logan crashed through the floor of the tower,

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As Remus looked up to see the ceiling falling in,

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As Patton pushed open the door,

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As the left brain boys fell into the Duke’s room.

Oh boy.

_________________________

Roman looked up from the stick to see ReeRee grinning like a madman (That’s pretty normal), VeeVee and Mama sprawled on the floor (Yay! Why’s the ceiling broken?), and Da- Patton glancing around the room with a plate of brownies in his hands (ohnohonohonohonohonoh).

The petite prince was feeling slightly overwhelmed.

“Wha?”

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Thanks for reading this chapter of the Petite Prince!

(And by the way, at the time of the stick distraction, Roman is around five. If you’re confused, don’t be scared to ask.)

Any and all feedback is appreciated!

#sanders sides #thomas sanders sides #tss #the petite prince #baby roman #roman sanders #ts roman #remus sanders #ts remus #virgil sanders #ts virgil #logan sanders #ts logan #patton sanders #ts patton

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lilolilyr · 4 years

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Fics I Wanted To Write This Year But Didn't, Part 2: Star Trek AU

For @spookyvoidangelskeleton for this ask

Now I suppose these would have been several fics, but in a series or a collection as they're all about the same main storyline: The collapsing of a (or several) universe(s).

If you've known me for a while, you know that I am very into Multiverse Theory, both real life and fictional, and Star Trek with the Mirror Universe is of course one of the first fandoms that comes to mind for me to write my batshit ideas in xD

Basically, in my personal little (fictional, bc I know and understand 0 about real life physics or whatever would be relevant for this) multiverse theory, there are an infinite number of universes, evenly spread around the multiverse, and a new universe comes into existence when a timeline/universe (same thing) can go into 2 seperate ways naturally, or when there is timetravel involved to manually change a timeline: The original timeline won't be affected, you can't change what's already there, but a new changed timeline will be created.

Now, in some cases that works out well, with the timetraveller ending up in the new timeline and never knowing that their original universe is still out there- in other ways of time travelling, not so much. If the person trying to make a change manages to do just that but never notices, because they or a version of them is stuck in the orginal timeline, what do they do?

Try again, with the same result, many many times.

And that's where it gets problematic, because the multiverse gets unbalanced, and whether you see it as a sentient entity connected to the Qs in Star Trek or just as something that Works That Way automatically: the multiverse doesn't want to be out of balance, so the new universes start to collapse in on each other, creating a Splitter-verse and leaving its inhabitants to a fate arguably worse than death (in this fictional world): they completely stop to exist. This doesn't just affect the new universes but the surroundings ones, which would have split earlier and are already more different from each other, too, to make sure the one that was the cause for it all falls, too.

Now (of course, because I can't help myself) this would be part of @thelucyverse , with there being Central people trained in spotting such time anomalies before it is too late, but with there also being time-bombs (yeah hahah) created in inter-universal wars to create smaller, controlled splitter-verses (I say small and controlled here but like. We're still talking about entire universes), and with Central having back-up plans to get people out of the 'verses, in order as follows: anyone visibly IDing as Central (the organisation is still largely volunteer-based, shit's got to have some perks), then everyone whose energy indicates recent travel in-between universes, as these are also most likely to a) be Central and b) be okay in a new 'verse, after that, if there is still time and anyone willing to go back into the falling universe, children as they are also more likely to adapt in a new world. If there is enough warning, they also get out whoever people Central members want to have saved, but usually it just turns into whoever stands close enough to grab and get the hell out of there.

Whether taking people out of a universe against their will is a good thing or nah is ...debatable and still being debated amongst those who do it and those who think that taking someone away from the possibility of dying death in their own universe is vile (as amongst most religions, it is thought that you can only reach the same afterlife as those who died in the same umiverse- but again most also think that there probably won't even Be an afterlife in a splitter-verse).

Sometimes, people are also pushed out of the universe by the explosion itself, but they then tend to die upon impact as they seldomly end up exactly at the coordinates where they left, which leaves them either suffocating in hard matter or in space.

If you want to use these ideas for your own fanfic feel free, just give me credit and link this post as inspired by/ link to my ao3 or @ my tumblr!

Anyhow! To Star Trek... and I suppose this is now SPOILERS not rly for any Star Trek canon but for these fanfics, if I do end up writing them!

I tend to forget which characters are canon and which are complete OCs because I spend Way more hours on tumblr and ao3 + thinking about my own headcanons than I spend consuming the original media, but I am fairly certain a canon Joana McCoy, daughter of Leonard 'Bones' McCoy exists? If no and I stole the idea from sb else's fanfic I am sincerely sorry. Gotta look that up.

In one universe close to what would be the centre of the splitterverse, Joana- as a young child nicknamed 'Jojo', but now as a young teen trying to get rid of the childish nickname- has a younger part-vulcan girl as a friend, and this girl, nicknamed Aka, has, through having sticky fingers and connections to Central, a device that allows you to jump between universes. She's used it before and gotten into a lot of trouble for it, but to her it had always been great fun- until reality is starting to collapse around them while she is visiting Joana, and Joana is the only person she can reach in time and take with her to the next universe.

Distraught, the children are left in a new world, debating what to do, waiting for Central to contact them, hoping that they saved their families- but of course, Central has quite some different problems right now and won't contact them any time soon, and even if they did it wouldn't be with news of their parents: the adult families of non-Central members who only happened to have jumped between universes before themselves are really not the top priority, and the universe is collapsing too quickly to even get down the prio list to 'children',

Aka wants to leave the universe again and look for Central elsewhere, hoping that her moving around will attract their attention. Joana has enough from universe jumps for a lifetime. Thus, they part ways.

While Aka at some point does run into a group of Central troubeshooters who more or less adopt her as one of their own and teach her how to work their equipment and use magic and weapons and starships (not what a child her age should be learning. But then, none of the adults there ever signed up to be a parent, so who's to blame them), Joana goes looking for her family in this world.

Now I could write entire novels about Akas adventures and how it may or may not be healthy to not have a home at all and decide to not rely on anybody instead of either finding new versions of her original parents or letting someone new into her life properly (spoileralert: it isn't healthy at all), and how meeting a girl from one of the original splitter-verses (the not bombed ones) telling her not to make the same mistakes she made finally makes her think about her choices and and and, but this post is already going to be Long so I won't. That would all be a seperate fanfic anyways.

Joana finds a girl her age who looks just like her and acts almost exactly like her, too- the only difference seems to be that there's no Aka around, which made this version of her less used to adventure but also less wary of it.

The version of Joana from this universe- she decides to call herself Joan when they are alone, while the Joana we already know goes with 'Jojo'- her once loathed childhood nickname now a connection to her past- is thrilled to meet her and begs her to stay, I mean what is cooler than suddenly having a twin, and won't it be fun there is so much they can do! As their parents are seperated, they manage to spend their time mostly at one of their homes, either together when the parent is too busy to notice that there are two kids around, or one at each place, guessing correctly that if the parents were to talk about it, they wouldn't even think of the possibility of there being two children and instead just get mad at each other.

This goes on for a few months during the summer, with Jojo feeling vaguely guilty both to her original dead parents and these new ones who think that she is their real daughter, and the girls are just deciding about what to do when school starts again when-

Reality breaks apart around them.

Jojo clings to Joan in fear, and- as Jojo is now on the list of people who have travelled between universes in the past, she is saved by Central, and Joan with her. They are placed into a universe further away this time, a safe distance to the only slowly contained Splitters.

Meanwhile, in the same universe, two people were currently out on a space-walk: Michael Burnham and Philippa Georgiou.

They are thrown out of the universe in the explosion, and as they are wearing their suits, they survive as they end up somewhere in space again, but- they don't end up in the same universe. Michael ends up about 20-30 years earlier in a universe further away, and she doesn't even end up in what would've been federation space in her old 'verse. Philippa is only thrown one universe to the left and picked up by Central. As Central likes to name their acquaintances in some way that makes it easier to identify just which version of a person you are talking to without having to add the long universe number (even harder when the universe was destroyed and there isn't a known number), they ask Philippa to pick a new name. She is way too rattled and desperate to go looking for Michael as quickly as possible to care about what name she is supposed to have, so she goes with the first option given to those who don't have their own nickname ideas: lastname for firstname, making her Georgiana, short Gia.

Through Central, she finds out that the universal explosion left her and Michael connected- but it won't be much help in the search, basically just a way to say 'alright this verse is closer to it than that one', it's still trial and error... (I could also involve some body switching here, idk I already wrote a long fanfic with that trope in the Andromaquynh fandom, but I happen to Like that trope so yeah maybe I'll recycle some parts of In Your Stead if I ever do manage to write this Milippa story. Which, btw, if not already obvious, would again be a seperate fic from the Joana universal-sister story. On the other hand, Aka runs into Georgiana a lot, even calling her 'auntie Gia').

Meanwhile, Michael doesn't have to jump through universes but make her way through just the one universe to get to federarion space. Except what she find's isn't the federation at all... you guessed it, the 'verse she ended up in is more similar to a mirrorverse than to Prime. However, the Georgiou of this world isn't the emperor yet, she's young and Michael is able to influence her enough over the years so that she turns her back to the Empire.

Yes, it takes years for Michael and Gia to find their way back to each other, maybe decades... they also wouldn't have spent exactly the same amount of time apart as they aren't in the same 'verse. In fact, Cleo of Central carefully tells Gia that Michael might have died by now, but of course Georgiana doesn't want to hear this.

Michael and that universe's Georgiou also get quite close, though Michael doesn't want to cheat on her Philippa... of course, after years of this, she might think that she will never see Philippa again... (We are approaching ot3 territory here lol, and I don't even want to think about the potential of ot7 with the two canon mirror and prime versions adsfghjkl because if I finish this story here, I would 100% write a lil fix it where Central! Gia Mikay and Phil go fish Mirror! Michael and Georgiou out of a splitter-verse into the next prime verse in which Michael already knows that Georgiou... and ad they're already at it they also get half dead! Prime Philippa away from the Klingons... heheh sounds like the kind of poly chaos I would enjoy writing, but sadly I have to make it through all the Plot first)

Anyway! Back to Jojo and Joan: they decide that while they maybe should have told Joan's family about Jojo's existence soon if they had stayed in that 'verse, the initial idea of staying with one's universals wasn't so bad, so they go looking for this universe's Joana McCoy. The girl- (nicknamed Anna, which makes Joan decide to change hers from Joan to June because she doesn't want to be half Jojo and half Anna), is happy enough to meet them, but often feels left out from the other two as they act as if they've known each other forever even though of course it's only been a few months... In turn, Jojo and June aren't sure whether Anna really wants them around, whether she might think they're trying to steal her life and family from her...

Lots of potential for conflict! Yay! XD would of course come to a happy ending, with at least Bones accepting his three daughters, dunno yet whether they'd tell the mom... also Aka ends up in the same universe at some point, together with a version of her vulcan birthmother who she had never known the original version of but now gets along with alright... oh and if I do write aforementioned Milippa ot7 bullshitery, this would also be the Prime!verse for that, so all stories in the series or collection interconnect again!

this got... long... and I could obviously go on but I need to go back to writing my Bachelor thesis :(

@whoever read through all of this, do let me know whether you like these ideas and which you would like to read proper fanfic for! Might influence future writing decisions.

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