#they all have different personalities and you can't change my mind

[bokutosbabe]

Did You See Me On TV?

( bllk boys and being in a long distance relationship )

a/n — thought about this and just HAD to write. no long distance relationship experience, but def some long distance friendship experience. rather short, but i had to get it out.

content — fem! reader, set in the ' Neo Egoist ' era, some characters repeated, all characters 18+, angst, fluff, maybe some ooc for some people??, nicknames 'love' , 'babe' , 'baby' , ' my girl ' , and 'sweetheart' used

synopsis — yes, he's a world famous soccer player, but he's also your boyfriend. how does this effect your relationship?

⋆.˚✮🎧✮˚.⋆ ' you tell yourself it's fine, ' ⋆.˚✮🎧✮˚.⋆

✩₊˚.⋆☾⋆⁺₊✧ the... ' radio silence '

it's been a month since your boyfriend had left to go play for the soccer team he'd been assigned to, and what had you heard from him?

...complete and utter silence.

you understood he was busy now, you really did, but he hadn't even called while he'd been gone. any text he sent was no more than 3 words.

you were still in love with him, but was he in love with you anymore? had he forgotten all about you? was there another girl that was better than you?

the promise the two of you had made before he left sat on your tongue like lead now.

" you'll come back whenever you can, right? " you'd asked him. " for you? always. i couldn't imagine a life without you. i promise i'll call every chance i get. "

you stared at your phone, the text you'd sent him before his game started staring back at you...mocking you.

you: good luck, love!! i'm rooting for you from home! i love you, have fun, don't get hurt. call me when you can <3

it was almost pitiful. three almost exact texts sat above that one, and he hadn't even bothered to read them until after the game, simply replying with a...

him <3 : thanks

and no, if you were wondering, he hadn't ever called you.

and here you were, like a fool, curled up in your bed watching his game on live TV, watching as he made his second goal of the day.

maybe, just maybe, he'd call you after this one.

✩₊˚.⋆☾⋆⁺₊✧ SAE ITOSHI, isagi yoichi, RIN ITOSHI, oliver aiku, OTOYA EITA, rensuke kunigami

✩₊˚.⋆☾⋆⁺₊✧ the... ' a complete mess '

he'd been gone a month, and you can't count a single day he hasn't called you three times at minimum. you'd been together for a while, but you never realized how much he relied on you to do basic everyday tasks for him.

"babe? do you know where i usually keep my long socks?" you heard come from your phone speaker as you were trying to do your own homework, mind you.

" usually in the middle of your top drawer next to your underwear. unless you've changed it. " you stated, he'd asked you this question every single time he had a game since he had left, but you wouldn't dare expect him to remember that.

" you're the best, baby. what would i do without you? " your boyfriend asked as he pulled socks out of his drawer, propping his phone up on the bedside lamp as he slid the socks onto his feet.

" lose your head, probably. " you joked, looking up from your work to admire him.

yes, everyone got to see him as the big, bad soccer player on TV, but with you? he seemed like a completely different person, not someone who could get a hat trick and also simultaneously asking where their phone is while it's in their hand.

" your games soon, love. you gotta get going. " you helpfully reminded him, as if you were his personal alarm ( you were but that's besides the point )

" ah crap, thank you baby. i'll call you after i win," he said cheekily. " i'll score a goal just for you, so make sure you watch!"

" you know i will. call you later, i love you. " you reflected his smile through the phone. " i love you too! " he repeated. and just as you were about to press the 'end call' button...

"oh, baby? do you remember where i put my jersey?"

yeah, without you he'd be a train wreck.

✩₊˚.⋆☾⋆⁺₊✧ NAGI SEISHIRO, bachira meguru, HIORI YO, gin gagamaru, ZANTETSU TSURUGI, ranze kurona

✩₊˚.⋆☾⋆⁺₊✧ the... ' basically married '

it'd been a month since your boyfriend had left to go play professional soccer, and out of the four games he had played, you'd been flown out for three of them.

" do you like it? " he asked giddily, as if he was a child on christmas morning waiting to open presents. but instead of a gift, it was him showing you the hotel room he'd gotten you so you could watch his game this week too.

" you're too sweet to me, love. i would've been happy just sitting at home and cheering you on from there. " you told him. " nope! you're no longer allowed to watch the games from home," he said as if it was a fact.

oh, soccer players and their superstitions.

" even the whole team agrees! my girl is our lucky charm! "

the one game you missed, because you had a big test may i add, they lost. it wasn't a horrible loss, no, they went into additional time and lost 5-4.

your shock and confusion must have been written all of your face, because he just laughed. " c'mon sweetheart, why don't you just come live with me here ? "

many reasons, actually. you still had school, it was across the world (not really but it felt like it ), your family, your friends.

he knew all of this, of course. there usually wasn't a day that you seriously considered it. considered being here, with him, instead of having to facetime and miss him.

one day, you would, but not now...you think.

"oh, hush. you gotta get going, you have a game to win." you huffed, pushing at his shoulder to hopefully get him going out the door.

"alright, alright. i'll come back with you after the game, sweetheart. i love you, see you after my win! "

and win he would, because he swore to himself that if he won this game the velvet box that was hiding in his dresser would finally be able to come out.

but, hey, even if he didn't win, would you say no to the ring he had custom made for you?

✩₊˚.⋆☾⋆⁺₊✧ REO MIKAGE, isagi yoichi, YUKIMIYA KENYU, chigiri hyoma, nijiro nanase, BARO SHOEI

⋆.˚✮🎧✮˚.⋆ ' you're just in love ' ⋆.˚✮🎧✮˚.⋆

this was really written on a whim, but i hope yall liked it!

likes, comments, and reblogs appreciated!

[hinakazino]

⏳ REX LAPIS & THE MORTAL ⌛️

warnings: pure angst, hanaki disease referenced, zhongli struggling between friendship and love (?), unrequited love, maybe requited if you squint.

Zhongli not knowing how to feel when you confess your love for him. He can't lie, you're quite bold, a mortal daring to express their admiration so valiantly to their god. However, his heart is already taken by another.

Zhongli, or better yet Morax still remises about her. The long lost god of dust, with her soft grey silky locks billowing in the wind, her kind eyes and smile as she greeted him to discuss another of her inventions. Her silhouette atop a mountain in her signature dress and star-imbued sleeves. Zhongli's eyes have a look of gentleness in them you've noticed when she is in his mind. Honestly, you're already grateful enough to be this close to the Rex Lapis, the Geo Archon. You're but a human who managed to capture the hearts of the adepti with your kind nature, happy energy, and curiosity.

But even with all this, you long for more. You wish for the gaze of not just your archon's closest companions but him himself. It is a cruel thing, you're aware, humans and their untamable desires. In the end you ended up confessing, on the basis of not wanting to lie to your god and also why not? It was a horrid mistake.

After a moment of awkward silence, Morax's eyes once soft seemed to have an empty glare. Filled with disgust, anger, disappointment? You wouldn't know, all you registered that day was him telling you to leave and not get wrapped up in fantasies as a human.

That should've been the end of it, is what you thought, and what Zhongli thought. Nonetheless you proved to both yourself and him that it seems humans are quite stubborn. Despite the obvious pain that weighed on your heart from rejection you continued asking for his hand.

Before you had voiced it with the intent of being his equal. Which you soon realized wouldn't suffice. Zhongli wasn't one to sugarcoat his words, "Guizhong, she was the one meant for me. There is no one who can replace her in Liyue and in all of Teyvat. Do not test my patience, you've already stirred up less than pleasant memories little one".

Perhaps you had too much hope, as soon you began degrading yourself to the point you'd offered your hand in marriage not as an equal, but as a worshipper. To this, Zhongli had escorted you to the Guizhong ballista, where he proceeded to explain quite fondly the creator of said machine.

Maybe even Morax himself realized what a heartstabbing punishment this was. Having you listen to him ramble on and on for half an hour about her before ending with the point that this is exactly the key difference between you and Guizhong.

"You have to understand, you are but a mortal, she was a goddess. Your affections would be better directed elsewhere. This is the last I will tolerate this, I bid you a good day".

Zhongli should've been happy, because after that day your presence was nowhere to be found. Well, not exactly, although you had stopped visiting the adepti's and performing your standard rituals for him. The Geo Archon was well aware of all who resided in Liyue and knew you were still there too.

Could it be potentially you had broken into the Geo Archon's heart? No, that was impossible, all he did was feel pity for you obviously. "Why do I keep imagining the impossible..." you repeated to yourself, sitting inside the comfort of your room as you glanced out your window at the lovely scenery outside.

But you knew that even a persons state of mind could change how they perceived the world and right now everything just felt dull. The only memory present in your mind was replaying itself over and over again, it wasn't pleasant.

You're quite certain you'd confessed to Rex Lapis more than 50 times now, pretty much 5 years or more in your life. Yet his last message to you that day was the final straw.

It was so very frustrating, how your feelings towards him just wouldn't go away. You had attempted to build other romantic relationships to no avail. It was suffocating that your emotions just wouldn't disappear, they just couldn't be buried.

Oh but they can, you thought to yourself suddenly, and afterwards your last thought was to find true love in your next lifetime. As on a cool and calm night, you had laid yourself to rest.

The next day, no particular day really. Randomly out of the blue, Zhongli had heard of you once again after you distanced yourself from him.

It confused him, his adepti didn't dwell on his love life much. It was no secret they knew you harbored affections for him. However, that wasn't the reason why he found them all gathered here today.

As he approached them, his fellow adepti had parted a path so he could see for himself the cause of commotion. There, laying on a soft cushion was you.

Lifeless. Dry. Your eyes were softly shut, your face devoid of any emotion with the exception of a small titled smile on your face. But even that Zhongli could tell may have perhaps been his adepti's doing as part of their little ceremony for you. It became quite obvious then that you had decided to end your life due to the pain. Or, maybe the pain had ended you because no one could ignore the obvious flower that now sprouted from your chest. Bright and lovely, standing proud with petals that glowed amber like Cor Lapis.

[atangledfate]

A Hero? Why did they all go to that so quickly? He never wanted to be a Hero, even now it was the furthest thing from what he wanted. He fought because he had to, he fought because he lost someone precious to him. It was never about justice, or doing the right thing. It was and has always been a very personal conflict for him. One he still battled with internally. There were things Starline didn't know and might never know. Which by proxy left Surge in the dark, as well. No he wasn't a hero, he was just a guy who decided to fight back when everyone else was running away. He was full of anger and rage, and just wanted to make Eggman pay for that. If not for Tails, and Amy he might have become a very different person.

" I'm not a hero... i wish everyone would stop giving me that label, and if you think GUN thinks of me as a Hero, you are out of your damn mind... "

He said rather bluntly to Surge as he was probably at the top of there shit list.

" GUN absolutely despises me... Because they can't control me. The first chance they got they tried to lock my ass up. Let's not pretend they hold me in high regard here. They tolerate me because folks would flip the fuck out if they made a move... Nah GUN only cares about how they can use me... and i ain't about to let them do that again..."

He crossed his arms setting the record straight, but Surge was right about one thing. Him rushing at GUN and losing his cool would only make everything worse. But deep down he knew this was going to end badly, GUN was cutting off there reinforcement and backing them into a corner. He knew tactic as he'd seen it before, and it was gun strat 101. The only thing that had not counted on was both Surge and Sonic on base and that may have been why there were stalling.

" And you think a GUN Cell is gonna make up for all the bad you did? That the idea? Cause i dun think that'll be how it works. Those cells suck by the way... the beds are the worst. "

He seemed to have calmed down at least and was focused on Surge, as he crossed his arms giving her a glance with those baby green eyes.

" They'll just want to use you... it's what they do, its there playbook... but if it's what you want whatever i guess i can't convince you otherwise... I just think this will hurt the kid alot more then it will help him..."

He sighed as he looked back toward the airship and fidgeted as he watched it getting closer. The massive shadow falling over the base as it and two other air ships came to a stop over top of HQ, as an almost imposing figure. Sonic felt the hair on his neck stand on end, as his bad feeling only intensified.

==============================================

There was alot that Kit and Surge didn't know about Sonic, and that statement proved it to Tails. But it was very hard for him to begin to explain it to Kit. Even then he doubted Kit or Surge would agree with it or even see it as a justified reason. But Death has a way of changing people, sometimes for the better and sometimes for the worst. He remembered what Sonic was like when they first met, and how he just never spoke to anyone. He honestly thought he was mute for a long time but of course that wasn't the case at all was it?

But at least Kit was honest with him and he could respect that honesty. He wanted him and it was probably the first big step forward. He also didn't disagree with him either, Sonic could end Eggman in a heart beat should he want to. He could have ended him so many times but he couldn't do that not without souring her memory.

" It does help... If only a little ... "

He didn't think trying to explain things to Kit would help and if anything it might agitate him. Though he wished he could make him see things the way he did.

" There, Relay is set up Restoration Coms fully restored... Lanolin should be able to contact our forces outside of Restoration now. We should get Belle Bot someplace safe till this is over, if anything happens to her, we'd lose coms and more--- Know anyplace secure? "

The horrible awful truth was, Sonic lost someone so precious to him that it nearly destroyed him. He was so full of anger and rage when he first met him. But it was her memory that kept him sane, that made him unwilling to to take a life. Her memory that made him believe that people can change. He knew neither of them knew the truth, how could they? He doubted even Eggman knew about her... or how she'd died.

But losing Sonic's mother had been the hardest thing in his life, and he still wrestled with it. If anyone had a reason to kill Eggman it was Sonic, and yet his promise to her kept him from going through with it. But he didn't think Surge or Kit would understand that kind of promise, or what it meant to Sonic. How breaking that promise would tarnish her memory in his eyes.

It was something he could never understand... his own parents abandoned him after all.

"Really? And here I thought they came all this for a fucking tea party with scones. Obviously I know GUN isn't here to just fucking talk, and I'm sure they have their own plans to be a pain in the ass. Though in case you forgot YOU'RE the hero, even to their bitch ass's. How do you think they'll react if you go off the fucking rails. At least if I do it then it'd be way easier for The Restoration to cut me off real quick." It was a blunt and harsh truth, though being such a loose cannon came in handy in a situation like this.

"What do you take me for, a fucking idiot? I'm well aware that I'll have to convince Kit NOT to fight GUN and let them arrest me, and doing that will be like pulling fucking teeth. That doesn't change the fact I trust only you to get him home and to keep your mouth shut just where it is. I'm not telling saying you can't be angry, though take it from me, you don't want it controlling you." Until today most of Surge's choices were driven by her anger.

"Look, I know you ain't happy about my choice, though believe it or not it's for me too. I got shit I need to pay for, and not everything is as easy as changing and running around helping people. Sometimes jail time is need, though I'm sure we both know some crazy threat will come up to force GUNs hand to let me loose to help which could help me get out faster." Surge main reason for doing this was clearly for Kit, though another reason was doing it for herself.

"So if you're done arguing with me then lets get to this fucking checkpoint and make sure GUN knows trying anything stupid will piss both of us off." Surge was ready to start telling GUN to pack it up and go the fuck home, if only for the fact it would get Drippy home faster. "Besides, in case you forgot we got giant Momma Wisp up there." The tenrec doubts GUN wants to fuck with a Wisp that side.

===========================================================

"Belle Bot wasn't designed programming of hacking, and it was something we put on the back burner as it was made mainly for defense purpose's. Simply put, it can't do something on this scale, though I suppose it'll work for at least jamming their communication and airships if need be. Belle Bot, run program delta nine B on all GUN communication devices and airship within range."

Belle Bot's eyes would glow green for a moment. "Executing command and calculating time until completion. Calculation complete. Command will be fully done in six minutes. Recommending to avoid conflict until process is complete." The bot would then put it's focus on completing the command.

"Why? It's not like you did this to me, and honestly I couldn't care less about your existence by this point. At this point my dislike for you is only because of how continue to let Sonic act so foolish and not convince him to end Eggman. Heroism is fine, though there's a clear line between heroism and stupidity. You and I both know if Sonic really wanted to he could end Eggman at anytime. I'm sure even you can, though you don't." For the most part Kitsunami had gotten past Starline's programming expect for a voice every now and then.

"So there's nothing to talk about as I just don't like you, though I can also admit I don't trust you either. Mainly because our points of view are so far apart and so different. If it helps I can say it's no longer personal as I apply this logic to Sonic and plenty of your friends." Kitsunami could now say he was mostly thinking for himself, even if most of his motivation was to help Surge.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[starry-bi-sky]

i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot

There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.

So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)

He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.

---------------

Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.

-----------------

Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.

I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.

He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.

Danny likes climbing things. This causes Problems For Everyone Else.

----------------

Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.

This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.

He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.

------------------

Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.

Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"

It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.

This is likely what leads to the "Danyal" conversation.

[ilikekidsshows]

Actually, yeah, that's clearly the difference between how I view Marinette's social-emotional skills and what others are saying: I think Marinette had poor social-emotional skills even before the retool.

The way I see it, Marinette has always acted like a coddled teen. There’s a reason so many of my examples of Marinette’s parents came from the pre-retool show, and why my description of Marinette as someone who can't handle stress, can't handle setbacks and considers her problems the most important problems, no matter how minor applies to Marinette's original characterization as well as the retooled Marinette.

Marinette used to do almost all of the stuff she does now, but to a lesser extent and she used to make up for it afterwards. Teenagers lean towards self-centeredness because their sense of self and identity is going through rapid development, but Marinette has always been very single-minded about this, and her poor skills in relating to others make her easily trample on other people's feelings. Of course, part of this was the original show's format of wanting to teach a lesson through Marinette's mistakes, but that's exactly what makes her relatable to kids with poor social-emotional skills; she's also learning.

Basically, being too preoccupied with herself has always been a weakness of Marinette’s; she has to see another person get upset before she realizes she did something to hurt them. The difference is that, before the retool, Marinette used to realize that she should make up for what she did wrong and then did so. After the retool Marinette’s reaction to her mistakes is to double down, make excuses or cry about what a terrible person she is and how bad she feels until she gets vindicated. The change in Marinette's character is in how much she thinks she should take responsibility for her mistakes.

Ever since the beginning, Marinette's gotten constant praise as Ladybug; everyone always tells her she’s the best, did everything right and is always correct about everything. At worst, her actions lead to “different consequences”. In addition to this, she has all the power and control in the hero team dynamics, making everyone else inferior to her. This has clearly gone to her head, so now she no longer sees her own mistakes as mistakes, because she’s the greatest Ladybug ever who can do no wrong and everyone else is just a pawn in her great master plans. She has no sense of accountability. She will over-blame herself when she gets caught messing up royally, but only until someone absolves her of guilt and then she takes no steps to avoid making that same mistake in the future, because she wasn't really at fault, she was told she wasn't.

Consider the Kagami bullying arc. In 'Ikari Gozen', Marinette accepts she was wrong about Kagami and had no right to interfere with her the way she did. She does go back to it briefly in 'Love Hunter' in a moment of weakness, but overall she accepts that sabotaging Kagami isn't right. If this story had happened post-retool, I have no doubt the conclusion to 'Ikari Gozen' would have been Marinette crying about how she's a horrible person and as bad as Chloé to Kagami, with Kagami saying something like: "You are much kinder than Chloé. You just love Adrien. In fact, clearly your love for Adrien is much deeper and purer than mine. I will gladly step down so that you can be with your soulmate."

Post-retool Marinette can’t be wrong about anything, so she never really accepts fault. She makes a big deal about how bad she feels, but only to people who will instantly appease, comfort and forgive her, and she never makes up for what she did wrong or even tries to avoid making the same mistakes. And that’s what makes her previously acceptable and understandable personal weaknesses into absolutely grating character flaws. The somewhat-coddled normal girl is now a spoiled brat and a terror boss, not because she lost her social skills, but because she lost her sense of accountability.

It's very ironic. The girl who whines about how she has too many responsibilities and she can't handle it accepts no responsibility for her own actions.

This is a longer one, sorry 😅

About that ask you replied to about Marinette's parents. I didn't grow up in a healthy household and i struggle to form a properly informed opinion on Marinette's parents in all this mess.

Cause clearly they are very loving, caring, and supportive, but they aren't perfect either. They are realistically human. They have blind spots, didnt actually RAISE her apparently when she does things wrong, and hardly give Marinette any boundaries or consequences to face, which now evolved into her neither being able to handle anything not going her way nor having to actually take people into consideration and go through with improving on the things she said she should.

Im pretty sure Marinette was a very friendly child who didn't cause too many problems, if at all, so now that she's a complicated teenager who actually needs some boundaries and discipline they dont know how to handle it. Thats the picture im getting. Not to mention that they don't know Marinette is Ladybug so they have no idea what's caused all these extreme changes in their daughter and how to accommodate to properly help her.

But in my eyes, without the whole Ladybug thing, this is still a pretty normal and realistic portrayal of a modern family, so Marinette is simply a normal ass kid. She's clearly spoiled to a solid degree and emotionally shielded the way most middle class kids from central Europe are. Just because her family isn't perfect doesn't it mean she's being abused or her parents are bad. For me, they are a realistic healthy family. Whatever faults her parents have are pretty common things parents do wrong.

But this now raises the question for me how exactly to go about Marinette's family. Obviously her parents didn't to everything right in their parenting, so those flaws of Marinette can be traced back to them while Marinette at the same time SHOULD normally STILL be asked to grow out of it the way any normal teenager should, it's just slightly more challenging.

But then I see discussions that take it way too far imo but I don't know where exactly to draw the line.

It is correct that Tom and Sabine for example seem to know very little about their daughter's friend group to the point that they just let Sabrina into Marinette's room. The common argument I see being raised here is that Sabine is neglective because she doesn't know that Sabrina isn't Marinette's friend.

Now this doesn't feel quite right to me. Marinette's parents seem to be pretty much unaware that their daughter was bullied in school which unfortunately isn't at all uncommon. When the parents are neither told by the child or the school, then how are they supposed to know? The most they seem to know is that Marinette has a hard time with Chloé, but I never had the impression that they know how serious this was. Marinette sure was never shown to ever voice any of that.

So Sabine thinking Sabrina is Marinette's friend is a fair enough assumption in my eyes. I remember back when I was 12-13, forming friendship in a collective class is alot easier when you're a kid. Kids just go with the flow like that and become friends in 10 seconds even if they aren't spending much time with each other directly. Forming connections tends gets more difficult as one grows older.

I don't think at that age parents can be faulted for not keeping track of all their kid's friendships. Sabrina running up to Sabine and claiming she's Marinette's friend and Sabine believing her is honestly nothing too special.

What I take issue with, though, is that Sabine just let Sabrina go into Marinette's room ALONE. That a parent, imo, truly shouldn't do.

And yet, one still wouldn't call her a BAD parent for that, right? It's very flawed, but obviously Marinette also continues to rely on her parents doing that with the amount of times Alya just gets to come and go however she please, even with Marinette not being there, despite Marinette knowing Alya merely year at this point. Way less than Sabrina for example.

There is this persistent grey area here that I can't quite place. Marinette's parents are very obviously very trusting, but the way the show portrays it seems to border on neglective imo, but it's based in their daughter just getting free reign most of the time so Marinette can do shit in her room and leave for long periods of time for example that parents should normally check on their kids for.

So, at the same time, is it actually neglect? Thanks to being Ladybug, it is Marinette who has pulled more and more away from her parents and since season 4 is doing so to honestly very unnecessary degrees. There is little reason for why Marinette constantly locks herself and Alya into her room and doesn't spend much time with her parents when all that Marinette is doing in there is panicking and not doing something actually productive most of the time anyway. You may as well just spend time with your parents instead of crying to Alya that you supposedly CANT (while taking over Alya's life and being the actual reason why SHE cant)

Teenagers at Marinette's age starting to pull away from their parents is nothing uncommon. So I'm pretty sure that's just how it looks like for her parents. Marinette is starting to grow up and doesn't prioritize spending time or sharing her life with them as much anymore.

Can't pretend like that's not a sad truth parents have to deal with, so the kid's friends are trusted by the parents to know their kid in ways they don't anymore.

Marinette has very loving and caring parents who don't push her to involve them or share what she doesn't want to. Now here is the question. While this is neglective to a degree and Marinette does seem to be affected badly by it, is this necessarily something her parents are doing objectively WRONG? From their perspective, their daughter is growing up and so busy that they aren't much of a priority in her life. She's pulling more and more away and her parents try to adjust to that supportively without being given context as any parent must.

Clearly the created distance has Marinette now incorrectly believe that her parents aren't actually a real support system anymore, the way Marinette didnt even try to reach out in Kwamis Choice and her thinking she has lost EVERYTHING at the end of season 4 and then proceeding to act like she doesn't think she truly has anyone or anything in season 5 too.

Now, is Marinette thinking that she has NOTHING at the end of season 4, and still seeming to think so in season 5, something her parents failed at teaching her better?

When a kid starts pulling away from their supportive family, because they are so used to having them, and ends up convincing themselves that their parents dont count anymore as support because it isnt as perfect and easy as they'd like, is this a failure of the parents for not sitting their child down to remind them that the kid isn't the emotional equivalent of an orphan now the moment they have to do something alone?

Or is this simply a normal thing a teenager has to realize on their own? That just because the loving parents aren't a perfect support system anymore, doesn't it mean the kid just gets to disregard them fully as an option the way Marinette constantly does?

Because, well, this IS what it constantly feels like for me when it comes to Marinette.

When Marinette takes offense with her parents not unconditionally believing her all the time, is it really always her parents fault for not having raised her to handle push back better, or is it also just a natural part of growing up that you have to get over yourself and realize that your parents too need context for the situations you're in (e.g. Adoration) because growing up means you're parents shouldn't just handwave all the accountability away you potentially have to take now because you're not an 8 year old anymore and capable of genuine wrongdoing?

Yes, her parents definitely failed a solid bit in regards of leaving Marinette emotionally immature and unprepared when it comes to pushback, criticism, or considerations of others.

But to what degree are her parents actually WRONG in wanting Marinette to learn it for herself now because that's normally how it done?

Do her parents REALLY have to sit her 14-15 year old ass down and teach her that other people have feelings and lives of their own? That reality exists outside of her head and feelings? Or should a teenager be expected to learn that themselves, especially one that's so busy and involved in everything as Marinette? Cause it actually seems to me that her being Ladybug caused her stunted development in this regard. Because being Ladybug always serves as the right excuse to always demand and expect the others to do the learning cause she's "too stressed" and "too justified as leader who doesn't owe anyone anything, but is owed everything herself cause she says so".

It's seems that it's rather that being Ladybug caused the damage in Marinette's development which her parent can't know about, and not that her parents are particularly failing by not holding their daughter's hand all through growing up even more to spoon-feed her every bit of development she should grow into now to make sure its as pleasant and easy as possible?

In my opinion, from teenage age onwards it's not the parents' job to tell their children at any uncomfortable or challenging occasion what's right and wrong and do all the work in the child's personal development into a young adult. And isn't that what Marinette's parents are being criticised for anyway? That they don't let their daughter face disappointment, discipline, and struggles because it makes her upset? But now they are in the wrong for wanting to have their daughter learn and figure things out in their own, but fully intend on always being there for her in every way when she needs it?

There definitely IS a complicated grey area here where these two parenting styles badly overlapped and caused problems.

Tom and Sabine DO give Marinette way too much free reign cause it badly clashes with how little discipline, rules, boundaries, and consideration she was raised to actually having to oblige to as part of living with other people.

Marinette was not well prepared for the freedom she now has, but looking at it in general, the problem seems much more to be Marinette being Ladybug, and not necessarily that she's a teenager who lacks refined emotional intelligence because she grew up shielded and cuddled. If Marinette had a normal life, she would have some more trouble growing out of it, but it's not like her parents ruined her.

I think it's that Marinette is Ladybug that is to blame here. Because that's how she was put in a position where she learned that she just needs to stomp her foot, scream, cry, or use her titel to make it so that it's always everyone else who has to do the learning and not her. Marinette's concerning entitlement grew through being Ladybug and not tolerating anything but having all the support, resources, and everyone beneath her in the hierarchy who must submit to her will or else she cant function.

Whatever problems her parents caused in her upbringing should have been easy enough to grow out of. It's LADYBUG who stunted that development because Marinette learned that she has the option to just demand that everyone has to cater to her instead. That is not her parents fault, but it always leaves me at the same problem of not knowing how to properly dissect and discuss what blame Tom and Sabine objectively have in this.

---

This is a very insightful and interesting essay, Anon. When it comes to Marinette’s parents, it's really hard to call them “bad parents”, because they're really good at many things that come to parenting. They're supportive, they respect Marinette's space and privacy, they believe in her ability to handle herself and Marinette clearly feels safe with them. And you're also right that it's extremely difficult for them to guide Marinette learning social-emotional skills now that she's a willful teenager and wouldn't be receptive to her parents “correcting her behavior” if they even knew there was something to correct.

I also don't think Marinette's parents can see all the issues with Marinette’s conduct. She is a very “easy” child; she's polite, she respects authority and doesn't get into purposeful mischief. She's the exact kind of child adults don't worry about, so they don't have to constantly keep an eye on her. Especially since a lot of her problems come to the forefront as Ladybug, a whole new part of her life her parents aren’t involved in.

The thing here is that 14-year-olds not knowing that other people have feelings or how to deal with disappointments is exactly why early childhood education is now emphasizing the teaching of these skills so much. For a long time, there was a belief that kids learn social-emotional skills naturally and there's no need to purposefully teach them, because kids will “get it” when they're “old enough to understand”. Except that we have now discovered that they don't, in fact, just naturally “get it”. These skills need to be taught in early childhood, starting from simple ideas like “your friend is crying because you took their toy, don’t do that again” and moving up from there. And the only way to teach these things in a purposeful way is to put your small kids with other small kids and let them do small kid things, even if it results in someone ending up crying, especially if someone ends up crying, because learning to deal with your own emotional responses and other people having emotional reactions to your actions is, in fact, an essential life and relationship skill. The theory of mind (the understanding that other people have thoughts and feelings that can differ from your own) is something that preschoolers are expected to learn and should get support in learning if they don't.

I’m saying Marinette should already know this stuff. Her parents and possible kindergarten teacher should have taught her almost a decade ago.

However, I don’t disagree with your assertion that being Ladybug is why these common problems with Marinette’s conduct are such a big issue for her relationships now. Because her upbringing neglected to teach her essential social-emotional skills, and she’s been shoved into a position of not just power, but absolute power where no one is in a position to question her, she’s now a nightmare boss who expects everyone else to be fully committed to making the broken system she’s running run smoothly while she comes up with some nonsense project to keep busy so that she has the excuse to take her frustrations out on everyone beneath her.

If Marinette was just constantly ditching her friends so that she could do something relating to her love quest, I’m pretty sure the most severe, realistic consequences for her friends would just be them thinking she doesn’t want to hang out, feeling bummed and no longer inviting her. Marinette being in a position of leadership both exacerbates her social-emotional ineptitude and makes its consequences more severe, because now they’re facing dangerous situations and the leadership only doesn’t care if they get hurt, but sometimes actively hurts them for the sake of achieving some other goal in the future.

We must consider that Marinette has been Ladybug for only a year, while her parents have raised her since birth. Anything being Ladybug has taught Marinette was learned on the basis her parents gave her. I don’t think this is an either-or situation. Now that she's an independent teenager, of course her parents expect her to pull away, be private and figure things out on her own. What Marinette is doing wrong now is on her, because she's the one taking on all these responsibilities, leaving others in the dark, not consulting anyone who doesn't just appease her and making decisions for others. However, this being her go-to approach shows us that her parents failed her in the past.

I think Marinette's parents are doing everything right for an older child, but I also think they were very out of their depth when Marinette was a small child. She clearly wasn't taught this stuff that has to be taught at an early age because she's now a teenager and seems to have no clue how interpersonal relationships work. Of course she's still too young to understand everything, especially romance, but she lacks basic understanding of mutual friendship as well. It just really feels like Marinette's parents have never had any expectations for her, even when she was a small child throwing a fit when she didn't get her way.

[katyspersonal]

I find it very ironic how the same cultish looser that shuns people based on who they're friends with because she genuinely thinks if you believe something you can't have human interactions or treatment to those who believes otherwise..... will preach hard and proud against harassment for people's headcanons, ships and takes whereas being friends with the person who did harass people's headcanons, ships and takes. But why rules are always only for their victims and never for them? What's so hard about following what you preach? Go ahead, disown this person and be mean to everyone who still likes them and want to give them a chance, you SHOULD by the terms that YOU'VE chosen! But you won't, you'll rather cover their ass and pretend you haven't seen the evidence, to save the face, because should you ever admit a mistake you'll explode from the notion of not being so "holy". PEAK L0garius and Alfred behavior.

[ame-to-ame]

there are things that you don't do for a year or more and pick up just right where you left off and these days i fear loving you might be one of them

[elytrafemme]

long theoretical post about my friend hugging me

like. to dissect a matter that none of you are involved in and then i'll delete in the morning: my friend in college hugged me about ten minutes ago and i don't understand why. he's a physically affectionate person so we knew it was bound to happen, it was a running joke between us that we'd like schedule our hug to happen. nothing extraordinary happened tonight. in the second half -- which is when i spent the most time with him -- i was so fucked up that i barely processed what was going on? i was listening to what he was telling me, he just rambled about stuff, and it's interesting and i could recite all of it if asked and the expression he made at each part, but there was absolutely nothing in my head. and he never asked if i was okay which i think he would have if he thought something was wrong, because he's done that before. and we were alone so he could have and there would have been zero consequences. but he didn't ask me what was wrong, so it's hard to assume that the hug was for emotional consolation reasons. he wouldn't have noticed me on the brink of tears, either, he's not that observant. i would have known if he had. and i didn't do anything truly kind to him today, i listened to him talk about his interests and we hung out for a while, but that's what we do all the time. nothing happened. there was the chair thing but i thought i played that off well, i tried to have a coherent narrative about it an hour later too so he would guess what i had hoped, and i think i was successful. he wasn't distressed, i would have known. and he was tired but he's been tired a lot before and he's never acted like this. so he had zero reason to hug me unless he maybe sensed that this entire time i just really fucking wanted him to hug me, but he wouldn't have, and i would never have voiced that, because i don't want him to see me at that level. but i needed that hug badly. and i don't understand why i received it.

[jewishvitya]

A pro-Palestine Jew on tiktok asked those of us who were raised pro-Israel, what got us to change our minds on Palestine. I made a video to answer (with my voice, not my face), and a few people watched it and found some value in it. I'm putting this here too. I communicate through text better than voice.

So I feel repetitive for saying this at this point, but I grew up in the West Bank settlements. I wrote this post to give an example of the extent to which Palestinians are dehumanized there.

Where I live now, I meet Palestinians in day to day life. Israeli Arab citizens living their lives. In the West Bank, it was nothing like that. Over there, I only saw them through the electric fence, and the hostility between us and Palestinians was tangible.

When you're a child being brought into the situation, you don't experience the context, you don't experience the history, you don't know why they're hostile to you. You just feel "these people hate me, they don't want me to exist." And that bubble was my reality. So when I was taught in school that everything we did was in self defense, that our military is special and uniquely ethical because it's the only defensive military in the world - that made sense to me. It slotted neatly into the reality I knew.

One of the first things to burst the bubble for me was when I spoke to an old Israeli man and he was talking about his trauma from battle. I don't remember what he said, but it hit me wrong. It conflicted with the history as I understood it. So I was a bit desperate to make it make sense again, and I said, "But everything we did was in self defense, right?"

He kinda looked at me, couldn't understand at all why I was upset, and he went, "We destroyed whole villages. Of course we did. It was war, that's what you do."

And that casual "of course" stuck with me. I had to look into it more.

I couldn't look at more accurate history, and not at accounts by Palestinians, I was too primed against these sources to trust them. The community I grew up in had an anti-intellectual element to it where scholars weren't trusted about things like this.

So what really solidified this for me, was seeing Palestinian culture.

Because part of the story that Israel tells us to justify everything, is that Palestinians are not a distinct group of people, they're just Arabs. They belong to the nations around us. They insist on being here because they want to deny us a homeland. The Palestinian identity exists to hurt us. This, because the idea of displacing them and taking over their lands doesn't sound like stealing, if this was never theirs and they're only pretending because they want to deprive us.

But then foods, dances, clothing, embroidery, the Palestinian dialect. These things are history. They don't pop into existence just because you hate Jews and they're trying to move here. How gorgeous is the Palestinian thobe? How stunning is tatreez in general? And when I saw specific patterns belonging to different regions of Palestine?

All of these painted for me a rich shared life of a group of people, and countered the narrative that the Palestininian identity was fabricated to hurt us. It taught me that, whatever we call them, whatever they call themselves, they have a history in this land, they have a right to it, they have a connection to it that we can't override with our own.

I started having conversations with leftist friends. Confronting the fact that the borders of the occupied territories are arbitrary and every Israeli city was taken from them. In one of those conversations, I was encouraged to rethink how I imagine peace.

This also goes back to schooling. Because they drilled into us, we're the ones who want peace, they're the ones who keep fighting, they're just so dedicated to death and killing and they won't leave us alone.

In high school, we had a stadium event with a speaker who was telling us about a person who defected from Hamas, converted to Christianity and became a Shin Bet agent. Pretty sure you can read this in the book "Son of Hamas." A lot of my friends read the book, I didn't read it, I only know what I was told in that lecture. I guess they couldn't risk us missing out on the indoctrination if we chose not to read it.

One of the things they told us was how he thought, we've been fighting with them for so long, Israelis must have a culture around the glorification of violence. And he looked for that in music. He looked for songs about war. And for a while he just couldn't find any, but when he did, he translated it more fully, and he found out the song was about an end to wars. And this, according to the story as I was told it, was one of the things that convinced him. If you know know the current trending Israeli "war anthem," you know this flimsy reasoning doesn't work.

Back then, my friend encouraged me to think more critically about how we as Israelis envision peace, as the absence of resistance. And how self-centered it is. They can be suffering under our occupation, but as long as it doesn't reach us, that's called peace. So of course we want it and they don't.

Unless we're willing to work to change the situation entirely, our calls for peace are just "please stop fighting back against the harm we cause you."

In this video, Shlomo Yitzchak shares how he changed his mind. His story is much more interesting than mine, and he's much more eloquent telling it. He mentions how he was taught to fear Palestinians. An automatic thought, "If I go with you, you'll kill me." I was taught this too. I was taught that, if I'm in a taxi, I should be looking at the driver's name. And if that name is Arab, I should watch the road and the route he's taking, to be prepared in case he wants to take me somewhere to kill me. Just a random person trying to work. For years it stayed a habit, I'd automatically look at the driver's name. Even after knowing that I want to align myself with liberation, justice, and equality. It was a process of unlearning.

On October, not long after the current escalation of violence, I had to take a taxi again. A Jewish driver stopped and told me he'll take me, "so an Arab doesn't get you." Israeli Jews are so comfortable saying things like this to each other. My neighbors discussed a Palestinian employee, with one saying "We should tell him not to come anymore, that we want to hire a Jew." The second answered, "No, he'll say it's discrimination," like it would be so ridiculous of him. And the first just shrugged, "So we don't have to tell him why." They didn't go through with it, but they were so casual about this conversation.

In the Torah, we're told to treat those who are foreign to us well, because we know what it's like to be the foreigner. Fighting back against oppression is the natural human thing to do. We know it because we lived it. And as soon as I looked at things from this angle, it wasn't really a choice of what to support.

[whirlybirbs]

— CAN'T WE BE SEVENTEEN? ; shoto todoroki ; 焦凍

summary: he's loved you since he was seventeen. pairing: f!reader x pro hero!shoto ; reader was a 1-A student tags: mutual pining, heavy make-out, thinly veiled sugar daddy shoto, reader does not go pro, touya might be a dick but he's a hero now, shoto is bad at feelings wordcount: 5.6k a/n: i do not fucking know what came over me, enjoy your food my little todorokinas. yes the title is what you think it is. no i will not elaborate.

You never did go pro.

Truthfully, you thought there would be more pushback when, in your senior year, you announced your plan to pursue a degree in early childhood education with a focus on non-conforming quirk development. 

The War changed a lot. It changed you, your classmates, and the world. But, through it all one thing stuck with you:

What if someone helped Tenko Shimura?

How different would his life have been? How different would history have spun? 

You graduated at the top of your class and joined the faculty at Chiba Prefectural Preparatory School for Quirk Specialties two years ago. 

Chiba Prep was opened eight years ago in response to a societal cry for more infrastructure around what was dubbed "non-conforming quirks": a nice way to say quirks that can injure, maim, or kill. Maybe even all three on a bad day. Some parents still see their child being labeled as a non-conforming quirk user in the national database as akin to social suicide. 

You see it differently.

Your quirk allows you to manipulate emotions — anger, sadness, betrayal, love, hatred. If you can feel it, you can sink it into another's psyche deep enough to drive them to act. You can even imbue things with feelings. For example, a cup of warm milk can transform into more than just a simple comfort, now it can hold the feeling of home and safety, or even exhaustion strong enough to put even the biggest foe to rest. 

You could easily use your quirk with nefarious intent. 

You could steep hatred in someone's bone so deep it drives them to harm themselves. You could sew fury so solid into someone's mind it drives them to violence. 

Just a touch and you can control others with something so intrinsically personal it only exists within themselves: their feelings.

What makes you any different from little Asuke, a shy little girl with a quirk that allows her to see people's greatest fears, and then manifest and control them? You're convinced she can use this for good, if only with practice. In your mind, her future is bright and glimmering. Perhaps she will become a therapist, focusing on exposure therapy? Or, maybe the most prolific horror novelist in their time? 

Or, bright and sunny Tao — a transplant whose parents sought out Chiba Prep's specialized education — whose heteromorphic quirk makes his bodily fluids, namely saliva, eat through nearly anything but his own biologics. A sneeze is quickly the most dangerous thing in the world for the cheery, lizard-bodied class clown. 

He's just a boy given a quirk that needs more care. 

He isn't a villain-in-training. 

None of them are.

It's important to teach them that young — and as their teacher for Year 3 of their elementary schooling, you aim to hammer that in as much as possible. They deserve to feel normal. To feel loved and supported. They aren't scary, they're children. 

So, you take it upon yourself to insist on pushing for privileges like field trips. There aren't many public spaces that welcome the classes of Chiba Prep with open arms. Over the years, there have been plenty of incidents. But, a day trip into the city to visit Tokyo's Hall of Heroes is green-lit with bubbling excitement from both faculty, the children, and their parents. 

You usually keep your history as a graduated member of Class 1-A quiet. 

After all, you never did go pro.

And even still, Shoto Todoroki never stopped thinking about you.

He remembers that weekend everyone moved back in for their last year before graduation. He remembers you smiling at him, and helping him drag up a duffel of luggage from the common room to his dorm. You made a joke about how you're sure he got taller over the summer, and how his hair is longer now. You said you liked it. 

It was the beginning of the end, then.

His crush was a silent, smothering thing. It made it hard to think. Shoto had enough on his plate thanks to Touya's acceptance into the Villain Rehabilitation Program and his father's insistence on staving off retirement. Not to mention his parent's divorce — no matter how amicable, it was still a separation. Add on training, tests, studying, finals, and j-term classes... And a desperate, writhing, burning crush on the nicest girl in class? 

Touya's elbow digs into Shoto's side.

It drags him back to reality — to the stifled quiet of the historical Hall of Heroes. 

Suddenly, the doors to the wing squeak open, and a tour guide ushers in the elementary school class. The buzzing excitement and wonder are visible on each of their faces as the attendant — one of the HoH's lead tour guides — excitedly explains the newest, in-progress addition to the Hall:

Endeavor's wing. 

There's a whisper of awe that ripples through the children as their teacher and co-teacher follow, and as the class moves through the large, open space. They're staring up eagerly at the gilded statue in the center of the room. It's larger than life and intimidating. Years ago, Shoto might have had to fight the odd tremble in his knees at the reminder it brings: to be small in his father's shadow again. But, things are different now. 

Very different.

Touya scoffs. "I thought this wing wasn't open to the public yet."

"They're just children," Shoto hums, turning his back on the gaggle across the way to inspect the large mural winding along the back end of the installation, "I'm sure it's—"

"Oh, ho, no way!"

Shoto quirks his brow at his brother's outburst. His elbow digs into Shoto's ribs again. 

"Ain't that the pretty girl you never got the balls to ask out your senior year?" comes the rasped drawl of his older brother's voice. Touya is clearly amused, his white hair hanging in his eyes as he leans forward to squint, "She is cute, Sho'—"

"Shut up," Shoto grits, turning his head over his shoulder; he tries to bite back the flurry of nerves that ignite in his gut, "Stop talking."

It is you.

You look... good. 

Happy. 

You're crouched by a small, timid girl in the back of the crowd. Your hand is in hers, and you're pointing upwards at the large paneled screens replaying Endeavor's most historic fights. You're explaining something to her, your knees bent as you squat. You look... the same. As if in the six years since they graduated, you sat still in time. 

For a second, it's like he's seventeen again.

It's his senior year, and he's stuck at the corner of the gym's edge with a half-empty glass of punch in his hand. The lights are low, and there's slow music playing. His tie feels too tight. Bakugo keeps telling him to 'ask her to dance already', and Kirishima is considering bashing his head through the wall. Even Midorya is trying to persuade Shoto. 

"It's prom, man! C'mon, this could be your last chance—"

Touya is about to be a real pain in the ass — his favorite pastime — and make some comment about your ass, but when he turns to lob the one-liner at his baby brother, Shoto's gone.

Shoto is on the move.

The crescendo of gasps draws your attention first.

Then, the cry of "WOAH, IT'S SHOTO!" leaves you dumbfounded. The rippling murmur of excitement bleeds into the children as their eyes — and the eyes of the tour guide — widen at the sight of the approaching Pro Hero. 

Shoto Todoroki.

He looks... good. 

Really good.

He's a bit older, and a bit more filled out than when you were both teenagers. You can see the strength in his arms and shoulders — it's a distant echo of his father's physique, though Shoto is so much more elegant and much... prettier. He's always been.

For a second, you're seventeen again.

It's your senior year, and you're sprawled across Momo Yaoyorozu's bed.

They had finally wrangled out of you who your crush was: something they hadn't been able to do in all their years as classmates.

There's a sticky, Miss Midnight-themed face mask clinging to your expression as you try to flip through the large magazine in your hands as nonchalantly as possible. Mina's voice, as she paints Ochaco's nails a bright pink on the floor, is sweet and saccharine as she looks up at you.

"I think you and Shoto would be, like, the cutest couple ever." 

You're still crouched when the tour guide nervously — like she was caught doing something naughty — introduces The Pro Hero Shoto to the already-aware crowd of elementary school students and their teachers. It's like igniting a match; the uproar of excitement leaves you laughing as three of your boys push forward to bombard him with questions about his quirk. 

Asuke is smiling shyly, now. That's a small win. She's intrigued by the appearance of a real hero, not the "scary statues" — and her big, fat tears stopped rolling the moment you laid a gentle hand on her to quell her anxiety over the new environment with a push of comfort through your quirk. She unhooks her pinkie finger from yours as you guide her towards your co-teacher. 

"Boys," you call with a crisp air of authority as you stand and lead Asuke toward the bulk of the field trip group, "What have we learned about personal space?"

"It's fine, really, Insight," comes Shoto's voice; as warm and placid as you remember. 

"Insight?" mutters your co-teacher at the presumed hero-name; a look of confusion plasters itself on her face, and her big, feline ears perk up. She leans in to whisper in a way that borders on conspiratory, "Do you two know one another?"

"Old classmates," you confirm, not daring to get into the finer details.

Shoto's attention is entirely rooted in the way you manage the kids. There's something beautiful about the ease with which you handle the bouquet of students; you quell the excitement into a manageable decibel like it's as easy as breathing. 

"Shoto," you start as you gesture to him, "Has a very special quirk — Toyamai, he has ice like you. And, fire like Tojiro. He can regulate his temperature. Can anyone tell me what that means?"

There's a wave of hands shooting up, a few me, me, me's rise from the gaggle. 

You're using him as a teaching moment.

Shoto's smile is soft.

You nod at Ogomi, excitedly nodding as the reserved child speaks up. Normally, he hates public speaking. But, recently, he's started working with the speech pathologist during lunch. The boy bounces a little as he answers. "He doesn't g-get too hot, or too c-cold."

"Exactly! Isn't that cool?" you grin at the lazy attempt at a pun, "This is why it's important to learn about our quirks as much as we can!"

Touya thinks this whole thing is just too cute. 

You're different than he remembers — but, granted, things were sorta different last time he saw you. He was a little too busy tryna kill his old man and lil' Shoto. He's different now, too. A changed man! A real licensed hero. Support items and all. 

He hangs back. 

He... I mean, he is a jack-ass but he isn't gonna ruin this for Shoto. 

...It's kinda cute.

Just about as cute as Fuyumi said it was. 

Apparently, Shoto had opened up to her and Natsuo about his feelings after graduation — about how he regretted not doing anything about it. Fuyumi then told their mum, who then off-handedly mentioned it to Touya... and well Touya dug in because, duh, he is a whore for good gossip. He might be the family's black sheep, but Shoto is the glue that binds. 

And he deserves to be happy.

Your co-teacher is ushering the kids to the next installation — a viewing of All Might's Legacy, a new documentary following the retired pro's teaching career. It will be a good wind down for them, in comfy seats and the dark. It's hardly the sort of content an elementary school student would find riveting, but it is All Might. And they love him.

You hang back. 

Shoto's heart is hammering in his chest.

"Hey."

"Hi," you greet back, closing the door to the theater and stepping forward as you weave your arms around you, "Long time no see."

"Yea," Shoto breathes, his hands in his pockets as he meets you halfway across the museum's marble floors, "I... I see you're teaching."

His eyes are as pretty as they were back then. Slate grey and piercing turquoise. "I'm in my second year," you confirm softly, fiddling with the material of your sweater, "Congrats to your old man."

You gesture up at the statue, then wave around to the rest of the installation.

Shoto inhales, then nods; he's staring at your face, blissfully realizing you're just the way you were all those years ago. Kind. "I'll pass it along."

"How's he handling it?" you ask, your eyes raking across his expression and trying not to stick to the sharp slope of his jaw, or the bob of his Adam's apple, "Retirement, I mean."

"He's happy, I think. Touya and I are working together and... things are...  good."

Last month, Endeavor finally retired. He cited his age, and his dedication to passing his legacy to his two sons: Shoto and Touya. Shoto has planted himself firmly within the Top Ten in the last year or so, and shockingly, Touya isn't far behind. People love an underdog's redemption story, you suppose. 

And the underdog in question can read a room. 

This is getting a little too sexually tense for even him.

"Heeeeey, girl," he rasps out, staggering backward with a thumb over his shoulder, "Nice t' see ya. I'll let you two catch up, yea? I'm gonna go pop my head into the theater, see how the kids are handling the snooze fest on screen—"

You jump.

How long has he even been there?

"Hi, D— Touya," you strain, wincing a little; the rehab'd villain doesn't seem to mind.

"Hi, teach'. That cool with you?" he asks, wobbling his thumb and quirking a pierced eyebrow; it's comical, like he's trying to disarm you with humor, "Don't want you thinkin' I'm corrupting your youths—"

"It's fine," you breathe, ignoring the sting of age-old mistrust. You know better. Shoto wouldn't be here, with him, if Touya Todoroki hadn't changed. Endeavor wouldn't be entrusting his legacy to the ex-League of Villain member if he didn't believe in his capacity for good, "Just don't be disruptive."

Casting judgment on someone whose life was nearly destroyed by his own non-conforming quirk would go against everything you taught the kids anyway.

"Touya's whole thing is being disruptive," Shoto grits as his oldest brother slips silently through the doors, "I apologize for him—"

"No," you wave him off, laughing a little, "Don't. It's... nice to see you two together."

Shoto's expression is soft as he wanders a little closer. "It took time — and a lot of therapy — but we've all managed to come out the other side."

"That's great to hear, Shoto," you breathe, your eyes flitting across his face, "I'm really happy for you."

There's a long silence, then — and you can't help but ignore the roil of butterflies in your stomach. The eye contact is heavy with some unspoken thing, and both of your tongues are weighted by secrets-never-turned-confessions. 

It's like finally this dance you've been doing around one another for years breaks — and the two of you throw caution to the wind at the exact same moment. 

"Would you like to—"

"Are you free—"

Hesitant, slow grins bloom on both your faces.

"Dinner?" is all he manages after a sweet moment of soaking up your soft smile, "If you're available...?"

You make yourself available.

Yaoyorozu almost dies when you call her that night — winded from tearing through your entire wardrobe. You explained you had nothing to wear a-and you needed something nice, and you only have an hour to get ready, because Todoroki — yes, stop screaming, Todoroki — is picking you up at 8pm.

Little bro is nervous. Touya can tell. 

From his spot on the sofa, the white-haired ex-degenerate scoffs. Natsuo is digging around for some cufflinks in Shoto's dresser.

"Seriously, Sho'? A suit?" 

"It's a nice restaurant," his brother says tightly, adjusting the collar of the black button-down, "I booked the upstairs dining room for privacy." 

"Who the hell told you t' do that?" Touya quirks a skeptical brow.

"Father was the one who suggested it."

"...That old dog." 

Natsuo rolls his eyes at the exchange before throwing his hands as he emerges from the closet. "Do you have any links that aren't emblazoned with U.A. High School's crest?"

The ones in Natsuo's hands have his graduation year on them.

Shoto winces.

"Want me to ask dear ol' dog of a dad?" Touya snarks from the corner, his posture becoming less and less upright as he scrolls on his phone.

"Already did," comes the soft voice of Fuyumi; she's smiling, padding into Shoto's room with a velvet box, "He offered up his nicest pair. He also says not to screw it up with Insight. He likes her."

Of course, he likes her. You worked under Endeavor for a brief work-study period during your third year. Shoto remembers hearing grumbled praise over dinner one night about your talent for de-escalation.

"You told him who I was seeing?" Shoto asks incredulously, taking the box and working the cufflinks on. He's starting to feel exasperated.

Fuyumi nods, popping down beside Touya. 

"He asked. I'm not gonna lie to him."

"Did y' tell ma?" Touya rasps, peeking up over his phone to inspect Shoto's outfit. Not half bad, honestly. He looks good in all black. A man after his own heart, "M'sure she's gonna be real excited—"

"Yes," Shoto grumbles, "I called her earlier—"

"Chiba Prep is a really good school, y'know," Natsuo buts in as he tries to find a tie that matches Shoto's outfit. Ultimately, though, the middle brother decides against it and tosses the options over his shoulder, "They're, like, on the leading edge for quirk therapies."

"Hey, nerd? Quiet down. The big kids are gossiping," Touya shirks, turning back to Shoto, "What did mum say?" 

"She wants me to call her after—"

"One, you're gonna call mum the morning after," Touya raises a finger, "Because if you don't get laid, I'll be so fuckin' disap—"

Fuyumi slaps Touya's chest. He lets out a pained yelp at the solid smack.

"Uh, ow," he rubs his sternum. "An' two, take a deep breath. You look like you're gonna shit yourself. Those are my pants and they're expensive."

Shoto lets out a long breath. 

Fuyumi's smile is sweet like honey. "Aw, Sho'! It's gonna go great. You two have known each other for such a long time, and catching up is going to be amazing. Just be yourself! Confident and kind—"

"—Hold the door open for her, and pull her chair out," Natsuo adds as he adjusts Shoto's collar for him, "Car door, too—"

It's Touya's turn. He's dead serious. "—And do not chicken out on kissing her at the end of the night. I swear to god."

Easier said than done.

You never did go pro.

Those years of hardened battle instincts have lost their edge. You try to remind yourself this is just Shoto, not The Shoto — but you're a little lost in the whole celebrity of it all when he picks you up in a very nice, sporty little car with ENDVRplates. 

You answer the door and he forgets how to breathe.

He has flowers for you. They're blue and blooming and beautiful. 

Fuyumi's contribution. 

You settled then you were going to kiss him at the end of the night.

The restaurant is... nice. Really nice. The sort of nice you could never aspire to experience on your teacher's salary. Even the valet is a concept that has your head spinning. But, Shoto handles it all with cool ease. The entire time, his hand is settled on your lower back. 

It feels like you've been lit on fire.

You're glad Momo was able to create a dress fitting for the occasion. It's sleek and black. Comfortable, too. Not much can be said for your heels on that front, but it's fine. 

Somehow, Shoto managed to book the entire upper floor of this place in all its glimmering glory — it's just the two of you alone in a sea of tables. 

The waiter is pouring you a glass of the chef's suggested pairing of sake.

You thank him, smile, and take a sip as Shoto unbuttons his suit jacket and watches you. 

For a second, you're seventeen again.

Sero and Kirishima were always in cahoots when it came to parties back then — somehow, between the two of them, they always managed to smuggle enough booze onto campus to obliterate any semblance of promised sobriety from even the most stoic members of 1-A. 

You remember one night, after a lot of hounding, you finally gave in and joined a few of your classmates on the back lawn for a few drinks. 

A few beers turned into a cup or two of wine, and then another big gulp of whatever deranged jungle juice concoction Kaminiari managed to cook up. It tasted terrible, but you were too drunk to really care. Shoto was no better. He was nursing his fourth drink of the night — a rarity he was even drinking at all — and seemed completely fine with the way your arms brushed as the two of you sat close in the grass. 

He was always so nervous around you. Now, he just seemed... happy. 

"I can't believe there is only one week left until graduation."

Graduation day was the last time you saw him. 

Until this morning, that is. 

You smile into your drink. 

"What?" you ask when his eyes never leave your face.

His fingers twitch towards his own glass. Shoto blinks, then rolls his jaw. He was caught staring. He clears his throat, looking a bit shy. "Nothing."

"Nothing?" you press playfully, cocking your head to the side.

"You..." he starts, then bawks. You're stunning, and it's making it hard to even think straight. He thought these feelings might have mellowed out over the years but seeing you again has just reignited everything. He feels like a hormonal teenager again, "You look beautiful."

Your expression falters into something lovesick. You chew your lip. "You're not so bad yourself, Todoroki."

He manages a half-smile. "Touya had me worried the suit was a bit much."

The idea of Touya offering him advice on his outfit strikes a chord in your heart. It makes you smile even bigger than before. "Well, you can tell Touya that I like it. A lot."

You rake your eyes up and down him. On purpose.

He notices.

Shoto's face feels hot. 

He tries to shake the bone-deep want that has swept his entire body up in its grip, but it's difficult when every single word out of your mouth reminds him just how in love he was with you back in school. You explain, excitedly, why you chose to teach at Chiba Prefectural Prep and catch him up on where you've been living since graduating. He's pleased to learn you're still in the area, living in the city, and decidedly in love with the commute to the school. 

Shoto's always been a good listener — but you can see how much he's changed when he begins to speak about his career. He seems so much more sure of himself than he was all those years ago. It wasn't that he was... unsure... but, no. He was shy. Quiet.

Now, less so. 

It's adorable. 

Dinner comes and goes with conversation over sushi that is far too good for you to even process. It's easy talking to him. It was easy talking to Shoto back, then, too but... Things are different. You're both different. Not in a bad way, but in a way that feels like coming home. 

While you both wait outside for the valet, Shoto shrugs his jacket off and puts it over your shoulders without a single word. Suddenly, you're cradled in a warmth that's very Shoto — his cologne clings to the collar and you bury yourself a little deeper into it. 

Shyly, you step closer and steal his hand. It's calloused and warm. He laced his fingers with yours as if practiced. You bite back a grin. You give his hand a little squeeze when you spot the car coming around the corner.

His silence is calming — and he squeezes your hand back. When you look up at him, you realize he's already looking at you. 

His face is close. It's so... intimate. Very. Nearly better than a kiss. 

But, you've wanted to kiss Shoto Todoroki since you were seventeen. 

The valet driver interrupts the moment with a respectful call of Shoto's name and offers the keys with a shake of the hand. With a little bit of hesitancy, Shoto remembers the thing Natsuo said — the car door, too — and moves around the passenger side to open the door for you. 

It's sweet.

Really sweet. 

The car ride back to your apartment is punctuated with easy conversation — you ask him about Bakugo and Midorya, and you're pleased to hear they're both doing well. He asks about Momo, and if you still keep in touch with Mina and Ochaco. He smiles to himself when you admit you did call Momo for help with an outfit. 

"She did a beautiful job," Shoto breathes, a palm moving from the gear shift to brush over the dress' fabric on your thigh.

His hand settles there. 

Your stomach does a flip. 

You chew your lip, swallow down a sudden burst of nerves, and let your hand rest over his. You squeeze it. Shoto tries to focus on the road. His gaze drifts for a moment at a red light, his heterochromatic eyes dancing across your figure. 

Keep it together. 

He isn't seventeen.

He's twenty-five. He's a Professional Hero. One of the Top Ten in all of Japan. He's more than capable of keeping it together in the face of physical touch from the woman he's dreamed about for years. 

...Right?

Green light.

His hand is still on your thigh when he pulls up to your apartment. 

The touch is relinquished in favor of putting the sports car in park. 

It makes your chest ache.

Shoto swallows thickly.

Do not chicken out on kissing her at the end of the night.

He'll never forgive himself. But, admittedly, he's bad at this. He's not good at reading body language, or even knowing himself enough to realize he looks mildly terrified as you blink up at him in the passenger's seat. His heart is hammering a mile a minute.

What if you don't want to kiss him?

When would he even kiss you? Now? Or at the door?

Why does he feel like he's going to die?

"This was really... Shoto, are you okay?" you ask as you unbuckle your seatbelt; you pause, your brows knitting tightly. 

"What?" he asks, blinking back to the present moment. The look of fear disappears, "Sorry. Yes. I'm fine."

You're working his jacket off your shoulders, gently leaning to fold it neatly in your lap. Your voice dips low, into something playful. "You didn't look fine..."

"I—" Shoto clamps his mouth shut as he leans an elbow on the center console, "Sorry. I suppose I'm just nervous."

"Nervous?" you grin, a little giggle punctuating your words as you wriggle in the red, leather seat, "Why?"

Your expression makes his expression crack. He ducks his head as he huffs out a laugh. You continue to egg him on via expression alone. "I... Stop it."

"Stop what?" you push some more, your back pressed to the door as you face him in the car, "You're the one being weird—"

"I'm not being weird—"

"Then what's wrong, Shoto?" you tease in a sing-song voice.

"I'm nervous because I want to kiss you."

His words are punctuated by a slow look that takes in every inch of your face. Butterfly wings kiss your stomach walls. And your knees. You feel a little tremble in your chest. 

It feels like someone has sucker punched you square in the sternum. Shoto's no better. He isn't entirely sure what the expression on your face means. Is that... good? Are you happy?

Your voice is a little quieter now. You duck your head and fiddle with his suit jacket as you lean back against the seat, a little closer now. 

"You don't need to be."

Shoto's breath catches at that.

So, he makes his move.

His hand comes first — his calloused palm settles nicely against your face, his thumb brushing your cheekbone as his pointer finger brushes the underside of your jaw. Shoto is slow. Methodical. It's like he's trying to ground himself in the moment. 

Truth be told, he thinks he might be blacking out.

Your eyes flit up his wrist — a dark leather band around his wrist with an expensive watch face, a dark dress shirt with glimmering cufflinks, strong arms and a broad chest, and you can see the dip of his collarbone where the top two buttons of his shirt remain undone. 

He looks so damn handsome with his sharp jaw, pretty eyes, and his trademark white and crimson hair. Even his scar is beautiful. 

The touch pulls you in like he's got his own personal orbit.  

Your elbows are braced along the center console, your eyes flicking across his face as his fingers continue to brush along the soft expanse of your cheek. You wring your fingers together. 

Then, his eyes stick to your lips.

"Can I kiss you?" he whispers, his breath fanning across your face. 

You never did go pro.

But, Shoto did. 

It shows. 

Because, at this moment, all you can do is nod feebly before you're swept into the sort of kiss people go to war for. It's the sort of kiss that sticks to your ribs, that feels like warm, fresh food. It's the sort of kiss that would drive you to the brink, that would make you nod and agree sure, let's get married and have three kids, let's name one after your father, and paint the house blue like your mother's favorite flower—

His mouth is eager, but not in an overbearing way. It's gentle. Slow. As if he needs to remind himself this is real and not some midnight fiction that leaves him aching and alone. Shoto reminds himself to be tepid, pliable, and easy, which is easier said than done when somewhere deep inside of him there's a seventeen-year-old screaming in victory. 

It's better than anything he could have ever imagined. 

And then you whimper. 

It's a sound tied between bliss and relief and it's muttered against his mouth as you lean in and let your fingers brush the fabric of his dress shirt. The tips of your fingers brush his abdomen and he flexes, the feeling foreign and warm. It warrants his other hand to drift to your face and you break for a breath; he doesn't care that there's lipstick smeared across his mouth. He's kissing you again — this time a little bit more feverish, a little bit more aching. 

You melt against him, this time your hands trembling to grip his wrists.

He needs to slow down.

He is not having sex with you in his father's car.

That's shameless.

He needs to slow down.

He has to, or he'll lose himself in this and he refuses to fuck this up. 

Shoto's breath is ragged when he finally peels himself away, his lip parted and eyes half-lidded. His grip on your face is still so soft, so gentle. It's very him. 

You're glad you didn't do this when you were seventeen.

It would have permanently altered your brain chemistry, you're sure of it. How could you ever kiss someone else again after that? 

He's rubbing your cheek with his thumb. You swallow, and try to level out your breathing. It's hard when he's still so close, when he's so... perfect. 

"I've wanted to do that," he murmurs against your cheek, "Since our last year at Yuei."

A well-kissed smile breaks across your face. You reel back, your nose wrinkling as you shake your head in disbelief. Shoto is smiling. A real smile. The sort that's so rare you can count on one hand the amount of times you've ever seen it in person. 

"Are you serious?"

"Very," he says, chastely pressing another to your other cheek as he leans back.

"Me too," you admit shyly, "Can we... do it again sometime?"

Shoto's eyes widen incrementally. Then, his smile eases back onto his face. 

"Are you free this weekend?"

"I can be," you reply easily with a honeyed look, "And I will be. For you."

"I get off patrol on Saturday around seven," he explains before asking timidly, "We could... do dinner again?"

"Works for me," you breathe as you move for the handle of the car door, "After all, I never went Pro. Weekends are free."

Shoto scoffs. 

Then, as you open the door and swing a leg out:

"Oh, and tell Touya I thought the suit sexy."

Shoto's laugh is dry. You leave his jacket on the seat and scurry into your apartment with a lovesick wave. He swears he sees the silhouette of a familiar ponytail greet you at the door, but he doesn't dwell on it. He waits until you're inside and the lights to the front door are shut off.

Then it hits him. He has another date with you this weekend. 

Not so seventeen anymore, Shoto Todoroki. 

[oncillabrigade]

Consider:

The Bats all have personalized ring tones for one another, but everyone has both a civilian and a Bat ring tone. The civilian ones are chaos, with everyone choosing whatever they want for their various family members and friends. BUT! Everyone has a single Bat tone that all other team members use for them.

The catch? Bruce forbid them from choosing their own Bat ring tones because he proposed this plan back in Dick's Robin days and he IMMEDIATELY picked "Toxic." The choice was not well received.

Bruce: Dick, I will not be alerted to the fact that you're in danger by some Britney Spears song.

Dick: First of all, it is not some Britney song, it is the Britney song. That song finally won her a Grammy.

Bruce: *sighs*

Dick: Second of all, it won't tell you when I'm in danger... it'll tell you when Robin is.

Bruce:

Bruce: I'm taking the Walkman out of the Robin kit.

Dick: *offended gasp*

(Yes, Dick is old enough for a Walkman. No, you will not change my mind. Yes, the Tim-and-on siblings all find that hilarious. Yes, Jason has to be VERY careful not to mention that he borrowed that Walkman for years because he was uncomfortable taking expensive electronics out and about with him.)

Anyway!

Dick then proposes a slew of other songs for the whole team to use, all of which are pop culture references, e.g. the Scrubs theme because they're not Superman and also they're a dysfunctional family of coworkers; the theme from the Godfather because "let's be honest, B, we are basically our own mafia"; "Where is My Mind" by the Pixies because lol identity shenanigans, etc. The list is endless. Bruce spends weeks groaning every time his son texts him.

Eventually, they compromise on the version of "The Entertainer" from The Sting because they're hiding in plain sight to enact a mission defending good people in a hard world. Bruce, Dick, and Alfred are all so pleased with this that they each take a different section of the song as their ring tone.

Then Barbara becomes Batgirl, so she gets a section... and then Jason becomes Robin and gets one, too... and then Tim, then Steph, and then Cass is taken in, and... uh oh. That's a lot of people for one song.

But it's family tradition! They can't stop now. That would be so unfair to the new kids, B!

So they start using alternate arrangements of the song. Bruce has mellowed slightly on the "no choosing your own" thing. As long as it's a version of "The Entertainer" (within reason) he'll allow it.

Tim retroactively changes his ring tone to a weird groove-ska arrangement Bart randomly sent him on YouTube because have you met Tim Drake? Of course he went for hilarious obscurity. (Bruce grits his teeth and approves it after lots of prompting from Dick and Alfred). Steph makes it her mission to find a weirder one (Bruce agrees because he's too tired to deal with accusations of favoritism).

Cass creates her own arrangement on theremin because apparently she knows how to play the theremin. No one is sure why. Upon inquiry, she just says, "spooky noises are fun," but does not elaborate further even when she's asked to do so. A Batgirl's gotta have her secrets—Babs taught her that.

When Jason starts working with his family again, he pays an aspiring music producer within Red Hood's ranks to create a minor key remix of the original Robin II ring tone. His siblings (minus Cass) are VERY jealous he has his own personalized arrangement. Dick, Tim, and Steph end up paying this goon who owns Garage Band to do ones for them, too. Duke does the same when he joins the team.

Meanwhile, in a fit of little brotherly pique, Damian steals Tim's original ring tone. He hopes to rub salt in the Robin replacement wounds. He fails! Tim finds it beyond funny that Damian's ring tone is groove-ska. So Damian quietly pays the amateur producer to make him one that's cooler than Tim's. He pays a ludicrous amount, though, because Steph paid for one cooler than Jason's and Tim paid for one cooler than Steph's.

(Dick wanted one cooler than Jason's too, but he had $63.02 in his bank account at the time and Bruce flat out refused to use the Batbudget on "a super cool ring tone that's better than Jay's." Eventually, Dick just paid himself for an averagely cool one. In installments.)

At this point, the Bats have single-handedly given this fledgling producer enough money to quit being a goon and start an indie music studio. His first customers are mostly superheroes from out of town who like what the Bats have going on and want their own team ring tones. Harley and Ivy get in on that action, too.

Then, as word spreads, every local crook/henchperson with a side band (there are many) flocks to the studio to have their stuff produced by one of their own. Gotham rogues suddenly have an unemployment problem, while the city finds itself with a flourishing indie music scene that puts Metropolis' to shame. The entire state of New Jersey is celebrating the dual victory.

Dick has never been so glad someone doesn't like Britney Spears' magnum opus.

[corkinavoid]

DPxDC When You Are Suddenly Dating a Princess (pt. 2)

[<- part 1]

"What do you mean-" Jason starts, but the girl is already tapping her ear briefly - and only now does he notice a tiny comm there. Fuck, he should have known.

"Oscar? I changed my mind, I want to claim something," Jazz says easily, and, after a short pause, "A Tecpatl, the one with the owl. No, it's for personal reasons- You don't have to, but alright." She taps her ear again, and Jason can't help but ask:

"Who's Oscar?" He is not jealous. He is just insanely curious and very confused.

"My bodyguard," Jazz rolls her eyes, "At least he thinks he is. I'd say he is more of a secretary."

That doesn't really explain anything. It actually just adds even more questions - what kind of a magic user needs a bodyguard? or a secretary, for that matter? - but Jason keeps them to himself for now. He is... kind of intrigued now. Jazz said 'claim', not 'buy'. Which might be just a weird word choice, but somehow, Jason thinks it was deliberate.

A bald, black-skinned guy in a black suit and sunglasses - which, seriously, how does he even see a thing in here with those on - makes his way through the crowd and stops in front of Jazz, nodding slightly to her.

"Lady Phantom, I understand you want to make an impression, but using your status for personal matters-"

"Did I ask for your opinion, Oscar?" Jazz's voice doesn't change. It's still pleasant and sweet, and she is still smiling, if just a bit, but there's an unmistakable steel edge to her tone now. Jason feels a light shiver run down his spine. He's seen Jazz in a lot of different situations and circumstances; he's seen her get mad at a librarian who banned some controversial books in the public library, and he's seen her skillfully take down an armed robbery in a shop all by herself, and he's even seen her successfully stare down Killer Croc on one occasion.

Yet, he's never seen her like this, with her chin raised up high and radiating authority like she is the most powerful person in the room.

Also, Lady Phantom?..

"No," Oscar admits after a pause and presses his lips together, "But the Council of Ancients will not be pleased."

"Council of Ancients couldn't care less even if I declared war," Jazz brushes the comment off, and Jason's levels of confusion are growing higher and higher with every word they exchange. Oscar sighs and finally complies:

"Very well, then," he breathes out with a sense of surrender, and then turns his head to Jason just slightly, "Is this an urgent matter, or should I go talk to the auctioneer and the sellers?"

Jazz looks to Jason, raising her eyebrows in question. And, technically, it's not that much of a time crunch now since Jason doesn't have to try and sneak through the security or wait for the auction to start officially. But he feels a bit petty. Also, this man was questioning his girlfriend, which is offensive on many levels in Jason's opinion.

So, he nods, "Urgent."

Oscar's face doesn't change one bit, but Jason has plenty of experience with emotionally inept men who look like they are eternally constipated. He can see the traces of exasperation in Oscar's shoulders.

"Follow me, then," he tells them both, and turns around, headed to the back of the auction rooms. There's security there, but Oscar only shows them some kind of a badge, and they step aside, letting the three of them through. As far as Jason knows, no FBI or CIA agents should have that kind of clearance.

Which finally prompts him to ask the most important question as soon as the doors behind them close and it's only them three going through an empty hallway.

"Who are you?" He asks Jazz, who is still keeping her hand on his elbow. The girl hums, not looking at him, and keeps walking after Oscar.

"Jasmine Fenton," she answers, and, yes, he knows that much. He's seen the files Bruce has on her, but at this point, he is not even sure how much of the info in there was actually true.

"You are in the presence of Jasmine Fenton, Lady of the House Phantom, Princess of Infinite Realms and sister to a King," Oscar supplies, and his voice is... a bit petty. Like he knows Jazz didn't want him to say anything, but he still did just because he could.

Jazz huffs and rolls her eyes, "Yes, that, too."

Jason blinks.

He's heard about Infinite Realms. Mostly rumors through the grapevine of Leaguers, but also from Diana personally - he remembers her saying she is glad about having a truce with them. He didn't listen much since she explained it as the Underworld, the Land of the Dead, so he thought she was talking about some mythology shit. Turns out it wasn't.

But there's a more important thing.

"I'm dating a princess," he says to no one in particular as they come to a stop in front of one of the doors.

"Technically, you'll be treated as my consort if you ever decide to visit," Jazz admits, and Jason is officially out of surprised responses. There's only a limited amount of bafflement he can feel in a day, and he has exhausted the resources.

He is a royal consort of the Underworld princess. Sure, why not.

The room they step into after Oscar puts in some code into the lock is filled with boxes, packages, and crates. Jason looks around - sure, he knew all the prettily displayed artifacts back in the auction room were only replicas, but he didn't expect the originals to be literally just stacked in piles in the back room. Yet, here they are.

Oscar looks around the room and confidently makes his way to one of the shelves on the side, quickly going through the labels on the containers.

"Do you have, like, a crown?" Jason asks because he sucks at small talk. Also because he doesn't know what else he is supposed to ask in this kind of situation. Jazz snorts and leans to him, resting her head on his shoulder.

"Not really. Danny has one, and it looks absolutely badass, with flames on top of it, like the ones you would see in cartoons. I have some tiaras and stuff, but they are just jewelry," she explains, and Jason nods sagely. Just jewelry, alright. Seems like he is simply destined to be surrounded by rich people from all sides.

"How about a castle?"

This gets a sigh out of Jazz, "We used Pariah's - that's the previous King - old one for the coronation ceremony, but mostly, it's just for storage. Both Danny and I live on Earth, and Dani, our little sister, travels a lot. So, I do, and I don't at the same time."

"What about-" Jason starts, but he is cut off by Oscar all but shoving a small box in his hands, "Oh. Do I-" he turns to his girlfriend awkwardly, "Do I have to pay you for it or..."

"No, it's from a dead civilization," she raises her head back and shakes it slightly, but after seeing Jason's frown, she elaborates, "I'm the Princess of the Dead. I can officially claim anything that belongs to the dead as mine."

"It's a law that is supposed to resolve any possible conflicts between the denizens of Infinite Realms and the living," Oscar supplies, his voice disapproving. Alright, makes sense why he said it was not for personal matters, then. Not that it's going to stop Jason, though.

"Like, anything?" He punctuates, and Jazz tilts her head, a sly smile on her lips.

"Sure."

"Lady Phantom," Oscar sighs, tired and chastising, but Jason doesn't plan on robbing the auction. At least not robbing it any more than they already did.

He has a different idea.

"Can you ask Batman for the Robin's suit he has in his cave?"

Jazz blinks, and then her smile turns into a full-on grin.

"Of course."

------------

@akuworld777

[realcube]

— SAIKI RELATIONSHIP HCS

☆ very hesitant to hug you/hold hands bc he is afraid he might shatter all your bones. prefers kisses, less can go wrong

☆ except that one time he kissed you and was so flustered that a whole galaxy exploded

☆ but it was one of those really distant, useless ones so he moved on

☆ or that time you held his hand and he literally started levitating ??

☆ finishes exams in two seconds then spends the rest of the time annoying you

'i don't mean to disturb you but i noticed you put the wrong answer for question four' 'get out of my head!'

☆ i already wrote a drabble about this but he morphs into different objects to 'prank' you

☆ you always want him to shrink bc what's the point of having a psychic bf if you can't carry him around on your person like a polly pocket

☆ he's very apprehensive about it, however one day he finally agrees to it because you have a shift at work and you really wanted him to join you but it would be weird if he just showed up to your place of work unannounced so he shrunk and you carried him around in your back pocket

☆ that is until you almost sat on him!! and when he dived out to avoid being crushed, he fell onto the sticky work floor covered in dust

☆ still hasn't fully recovered 😿

☆ omg if you are insecure about a physical feature of yours , instead of using his powers to change you, he will use his mind control on the entire world so that your insecurity is now the beauty standard (similar to what he did with his hair)

☆ he doesn't use mind control on you though bc it's rude

☆ in fact he tries to avoid using his powers on you all together bc it would only cause trouble (with the exception of telepathy bc he likes to speak to you.. unlike he does with most people)

☆ and he's very strict with that ethic of his

☆ which is nice and all, and really easy until he does something super embarrassing in front of you

☆ like you see him scream at a cockroach or smth

☆ and he is SO tempted to use memory alteration on you so you could just forget that ever happened

☆ but he just can't bring himself to do it

☆ OR when your birthday was before his so he got you a present but didn't do that much else, but when it was time for his birthday and you went all out, he so wanted to either go back in time and do better or just alter your memory so you think he went all out too

☆ oh and passive aggression doesn't work on him ofc

☆ if you are ever mad or upset at him for whatever reason, you can't be like 'hmph i'm not gonna tell you what you did wrong, you just have to know :<' bc he can.. y'know.. read your mind

☆ and he also knows exactly what to do to make you feel better and forgive him, every single time

☆ plus you can never stay mad at him for long anyway bc he's just too cute!!

☆ too shy to admit that he wants to spend more time with you so he will use his powers as some sort of excuse

as you're about to leave saiki's room, he lies, 'wait. don't go. i have had a precognition that something terrible is going to happen to you if you do.' 'really?' you raise an eyebrow. 'and what might that be?' he wasn't really ready for any follow up questions so he stutters and thinks of the scariest scenario he can 'toritsuka.' ... 'toritsuka is going to do what? jump me?' 'no. just toritsuka.'

☆ for your birthday or anniversary he does something you call the 'saiki special' where he duplicates himself to give you a full body massage

☆ it's what dreams are made of !!!

☆ but yeah it's a lot of effort so he saves it for special occasions

☆ he would so love to watch trashy reality tv shows with you

☆ but he so uses it against you

☆ like if you are ever studying and are like 'why am i working so hard when you are psychic and can literally set us up for the easy life 😫'

☆ he'll be like.. you know who else never worked hard a day in they're life.. the kardashians!! do you really want to end up like that??

☆ and when you say yes this is the face he makes 😐

☆ dw though bc as i said before he will be in your head during exams so he can help you a little

☆ his love language is actually spoonfeeding you food and desserts

☆ and yes he actually uses his hands opposed to his mind to control the spoon, just to show you that being a psychic doesn't mean he gets to cut corners!

[8housevenus]

⋆ ˚｡⋆୨୧˚ placements that feel like a fairytale ˚୨୧⋆｡˚ ⋆

🧚pisces venus - "i've walked with you once upon a dream," such an exceptional place for venus and a very good lover. thoughtful and remembers little things about somebody. gives even when they have nothing. venus is exalted here, which strengthens the power of venus. rosed-colored glasses, natural lovers. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚neptune in 1st/2nd/7th/9th - 1st/ dreamy appearance, "i wish i could look like you," "i don't know if i wanna be you or be with you," wins people over, sometimes unaware of their influence, stands out in a room full of people. 2nd/ "you sound so sweet," delicate voices, gives the best compliments or receives unique compliments, gets money for no reason or gives money for no reason, very questionable kind of person but it is a likable feature about them. 7th/ unpredictable in love, "tag you're it," loves the chase and the longevity of a new/fresh relationship. people wish they could be with you or have had dreams/thoughts of pursuing you. sometimes people might drop many hints but never say. 9th/ super underrated, people feel elevated in your energy, you bring out a new lens to others, your ability to change and only get better overtime seems super unreal. the type to go mia and then randomly appear in a fancy italian restaurant with 1 million dollars and a rich spouse. they think it and it is, very big planners and attractive to the outside. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚sun in 5th/7th - 5th/ their love is their passion, and their self-expression is one that is bold and unique. this is your "entertainer," placement, understands the role they play in this life. courageous in their love and give an experience that one will never have again. 7th/ people-person, revolves around being open-minded and naturally attracting friends, partners, and even some enemies. a very commendable individual. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚libra/taurus rising - the symbols of beauty and allurance. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚cancer sun - exudes a tender warmth to others. "wifey material, mom friend, therapist," has probably heard it all. cancer sun has seen the vulnerability of everybody they have met, there's a strong trust here and their strength is undeniable. think of fairy godmother. has an emotional depth that allows others to easily fall for them. double points if it is a man with a cancer sun; women will admire this difference about you from other men. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚libra moon - pretty when you cry, everyone stops to hear you talk, such a mediating and magnetic energy, wears their heart on their sleeve and can empathize very well with others they have nothing in common with. all about fairness and equity, wants to be the peacekeeper in most situations. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚venus in 11th/2nd/7th - 11h/ friends will admire you and pick up on your aesthetic and can even try to "become" the same way. you make people feel really good and you are inspiring. 2nd/ you are well kept and seem orderly. soft voice, soft appearance, and loves to smother themselves and others with little gestures. 7th/ ideal partner placement, looking for love in everything they do, has very good connections and dazzles their flirt onto everybody they meet. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚personal planets in 4, 7, 12, 16, 19, 24, 27 degrees - these are libra, cancer, and pisces degrees, can amplify these placements by sprinkling on some of these signs qualities. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚neptune conjunct/ trine sun - dreamy-esque, can't keep you off my mind, is it love is it lust? naturally charming and independent. knows how they make others feel, giving others a sense of hope that makes them cling on forever. usually, the favorite boy or girl for somebody. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚venus conjunct moon/neptune - awareness to what relationships might require, or what other people want out of you. knows how to express themselves properly, can be sweet/seductive one minute, then manipulative/moody the next. likes to change up their style for their partner; very intimate and puts their partner's needs first. will be super feminine for their loved one. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚midheaven conjunt/trine/sextile neptune or venus - enhanced beauty in the public eye. people want to be around you and there's maybe some type of distance between you and your lovers- which makes relationships so much more intriguing. "i've got my eye on you." these people love makeup, jewelry, skin care, anything to appear ideal. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚virgo midheaven - seen as a damsel in distress sometimes; but they are elegant and reserved. they are the ones that people usually rely on and open up to the fastest. their fairytale qualities come from how they act rather than how they speak. they will make sure you are covered and will attract you with their practicality and realness. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚virgo venus - has a purified perception of love, very service oriented and even shy. they are slow and steady in terms of love language, however a virgo venus will always make sure their partner only gets the best. they want to make everything perfect for their significant other, which makes the virgo venus placement seem so admirable. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚cancer venus - soft, sweet, and giving. full of the feminine and embodies the nurturer archetype. magnetic to the opposite sex; babe magnet, and usually wear pastel colors or colors that are bright. they don't like to make themselves unknown to the idea of love. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚moon/neptune in 5th - has such a childlike approach to the world, very full of nostalgia and is deep-rooted in being memorable for others. oftentimes moon in 5th has a dramatized identity about themselves, which gives the fairytale vibes because it can feel almost surreal. neptune can also have this affect, neptune 5th might always get "i wish you were here," or "where's so and so," very memorable and such sweet and delicate impressions to the public. 🌷 ˚ ༘♡ ⋆｡˚ ❀

🧚sun in 9th - would take their partners through all kinds of experiences, the kind of people to take you higher and change your mind-set on various subjects. very underrated placement and i find it quite fairy-tale like due to the fact that there's always some form of expansion for these individuals and you can see and feel their inner glow when they are in new environments. usually, can have foreigners or various kinds of people fall for them, they quite literally shine in new horizons. 🌷 ˚ ༘♡ ⋆｡˚ ❀

thank you for reading <3

[writers-potion]

Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

If you like my blog, buy me a coffee☕ and find me on instagram! 📸