#these two really compel me

[wintergreenoreo]

Moment of Nando being a menace to Lando in Mexico 💚🧡 featuring Lance just strutting around.

also where was that hand going old man⁉️🤨

[that1notetaker]

Getting out of the comfort zone can be uncomfortable.

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[professorcalculusstanaccount]

going fishing - another segment from the beast of loch broom!

because my blog is a Mess this part happens after the argument between Haddock and Tintin and before Ramo Nash's studio in this post

[bookshelf-in-progress]

I love how a well-written romance is so often structured as a mystery. A person starts with a certain idea about another person, and over the course of the story, they uncover more evidence that gives them a fuller picture of who the other person truly is. They learn about layers to the personality and backstory that give the other person more depth. They learn how the other person's personality meshes with theirs. Even the third-act misunderstanding fits the mystery structure--it looks like they've uncovered the final secret to the other person's identity, which is that they're not the worthy person they seemed to be, but then discover that they misinterpreted that evidence, or the other person takes steps to apologize and repair the level of trust. When the mystery is resolved, they've reached a full understanding of each other and know they've found a partner they can trust their whole future to.

[thatswhatsushesaid]

psa that the day there are no jgy stans left on tumblr dot com is the day i am dead

but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open

[godslittlesadge]

something something Varric composing and sharing tall tales about Hawke because "that's what history is. the best stories", thus keeping their memory (however twisted it may be) in history something something Solas preserving the Inquisitor's identity, their real life and decisions in murals that will never be seen by other people to protect them from being defiled by history something opposite sites of the same coin. memory being the only way to keep alive what you have lost. the man who lives alone on an island

[pipperoo]

i just realized that we’ve never seen a duke in a timeline where miss holloway is dead

are there some timelines where he doesn’t remember her at all and just feels like something’s missing?

are there some where he grieves her for the rest of his life, never quite moving on?

are there some where he tries to go after wilbur cross and avenge her?

[sunnibits]

hello, this is it, this is the most evil edit I’ve ever made. malevolent fans pls enjoy :)))

(headphones recommended, and make sure to listen to the end! ☺️☺️)

art credits: x x x

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[mattodore]

you should make an *au* where theodore is the hunk & matthias is the twink...........😁

okay alex this took me forever in cas and i almost gave up bc matthias just looks silly but theo was serving so i had to share 🤲

[drinkinggblood]

Frogs

[ranger-kellyn]

meeting on the turret stairs for @yangvikweek2024 !!

[amelikos]

Dot being happy that she found new material to use for her Gurumin vid while Liko listens to her talk about it..

Something about Liko being able to fully appreciate the Gurumin side of Dot and be a fan without separating these two aspects of her, and Dot feeling comfortable enough to talk about her passion for creating.

[valyrfia]

exactly if I wanted best friends I would be into piarles which is probably the charles ship i'm least interested in even tho pierre is very obviously the driver charles is closest to in real life

I'm simply not compelled by Piarles, but I've never been compelled by friends to lovers type ships because that's not what I enjoy. I think Piarles makes for an excellent friends to lovers, as does Maxiel but considering my taste in ships outside of F1 is all Rhaenicent, Drarry, Stevetony–Lestappen was going to be a no brainer for me. If I thought their dynamic was just 'best friends', I wouldn't enjoy it. Simple as.

[vaultnewt]

DiMA having a strong interest in Sole after the Reformation quest because of how far they were willing to go to maintain peace between the communities living on The Island, because of how adamant they were to protect Acadia when they hardly even knew the community and possibly aren’t even a synth….

DiMA stating that Acadia will always be open to Sole in hopes of seeing them more often and getting to know them better……

There’s still so much he wants to learn about this person who’s so kind, so selfless, so strong, so doggedly loyal to someone they basically just met. DiMA is so intrigued by Sole that he simply must satisfy the urge of cracking their psyche wide open. What are their hopes? Their dreams? Their intentions? Do they always go to such extremes for people when it comes to keeping a secret of this nature, or is this just something they did for Acadia’s sake?

For his sake?

Hm. What a peculiar individual.