#these ineffable idiots lol
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ynnu-64 · 10 months ago
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love surge
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xdestinykey · 9 months ago
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“Crowley’s favorite place… is Aziraphale’s bookshop. But he would never admit it. Never admit that.” -David Tennant
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starfruitsomething · 9 months ago
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I never intended for good omens to become a hyper fixation yet here we are.
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deadbutnostink · 1 year ago
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Kissy( ̄ε ̄ʃƪ)
Sorry for any confusion, this is updated now since i realised i fucked up with Azis lines and had a random line in the frame xD
Details:
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theeerealpunkin · 6 months ago
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Hello Good Omens tumblr, I come offering a fanfic
This is part of the Good Omens Ineffable Bang 2024- I'm just insanely late
The incredible cover picture & the art inside was done by the amazing @vavoom-sorted-art - check her out, she's insanely talented!
Link to the fic here
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hawt-pants-exe · 2 months ago
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Guys I think they are in love 😳
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lights-at-night · 11 months ago
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mr gaiman i would like them to hug please
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melonsharks · 1 year ago
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warm up sketch where i exaggerate the height difference dramatically and also ur presence is unwanted
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mintycurry · 1 year ago
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* GOOD OMENS S2 SPOILERS *
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serenity-black · 11 months ago
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EVERYbody gather 'round!
It has been exactly 150 days since S2E6 of Good Omens aired and made us children of divorce!
✨️🌟🎄☕️😇😈🍷🎁🌟✨️
Happy Holidays to the children of the Ineffable Divorce!
12/25/23
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starfruitsomething · 9 months ago
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Aziraphale is not doing too well post divorce..
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elysiarte · 6 months ago
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"Maybe between forever and nothing, there's a place for us"
thought of this as a getting back together kinda thing and.. well, im not sure if the expressions make it look like that but i tried..
i saw these on pinterest..
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and HAD to draw aziracrow in this pose!! tried to get the pose and emotions right.. dk how well i succeeded but anw
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Good Omens: Lockdown, Aziraphale’s SAD-ASS desk, and how they get to 'Our bookshop' in S2
Welcome to part 2 of me reading reeaally far into the Good Omens: Lockdown video! (part 1 from Crowley's POV here) This post assumes the item choices in the Lockdown visuals are intentional. What follows is going to be my headcanon regardless, but if you're into the Word of God, Lockdown is canon 'If you want it to be.' and I want it to be, sooo checkmate! >;D
Also this is something of a long boi (~13 minute read without following the links >.>), so if you're into unhinged analysis of details and literary references that indicate Aziraphale is in his longing era and want to learn more about author and fave-of-Gaiman, G.K. Chesterton, either get comfy or mark this to read later when you have time!
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C: What? A: *somehow surprised even though HE CALLED* A-ah, hello. It's me! C: I know it's you, Aziraphale. A: *regaining composure* Yes, well, just calling to see how you were doing in lockdown.
The video starts with shots of Aziraphale and Crowley's da Vinci sketches (and some sushi remnants)... Babygirl is flipping through the time-goes-too-fast-for-me version of a facebook album, thinking about his crush. vERY chill of him. (also the paper looks new and he's eating on top of them, suggesting these are prints and he has multiple copies of them... sooo normal)
If we look closer at the still of Crowley's portrait, we can see part of the spine of a book that reads Kei- Chesterto-. This is, of course, author Gilbert Keith Chesterton, to whom Neil and Terry (and Crowley) dedicated Good Omens:
The authors would like to join the demon Crowley in dedicating this book to the memory of G. K. Chesterton A man who knew what was going on.
In this post by @azfellandco about Chesterton, you can see a photo of the dedication page and also read the book excerpt where Crowley describes Chesterton as 'the only poet in the twentieth century to even come close to the Truth'.
C: I'm bored. I'm so very very bored - transcendentally bored. There's nothing to do here!
As Crowley is explaining his nap contingency plan, we get a shot of Aziraphale picking up his mug of hot chocolate, then the image below of the 2/3rds gone bottle of Courvoisier cognac (i mean maybe he is baking with it let's not jump to conclusions), and then the stack of books beside a framed woodcut print of witches dancing with devils...
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...that I used reverse image search to trace back to page 17 of a book from 1720 called The history of witches and wizards: giving a true account of all their tryals in England, Scotland, Swedeland, France, and New England; with their confession and condemnation.
Interestingly, the text above and below the picture reads:
At their Meeting they have usually Wine, or good Beer, Cakes, Meat, or the like; they Eat and Drink really: When they meet in their Bodies, Dance also, and have Musick...
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Beside the framed print of Aziraphale's idea of a really great night out is a stack of books that includes (going from top to bottom):
Homer's The Iliad, Book 2
Orthodoxy by G.K. Chesterton
Forbidden Rites: A Necromancer's Manual of the Fifteenth Century by Richard Kieckhefer
a book by Hilaire Belloc with no visible title
The Club of Queer Trades by G.K. Chesterton
The Iliad (according to sparknotes) has the following major themes:
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....Interesting, ok. Book 2 in particular starts with a god (Zeus) messing with someone (Agamemnon) via a dream that says he will be successful in taking Troy if he launches a full assault, balls to the (city) wall. Agamemnon, who is supposed to be leading the Achaean army to conquer Troy, believes the dream but then in a weird twist decides to test his army and be like 'jk actually I'm giving up and going home' and then is mad when the soldiers are like 'sick, to the boats!' Then Odysseus, who sparknotes tells me is the most eloquent of the Achaeans, gives an impressive speech to inspire the troops and reminds them that they vowed 'that they would not abandon their struggle until the city fell.' ...No way that could worsen Aziraphale's internal conflict about being a bad Angel who thwarted the Great Plan. >.>; Orthodoxy we'll get to in a second.
Then there's Forbidden Rites which is a medieval necromancy guide translated from Latin with added commentary - Aziraphale is perhaps studying occult topics in an attempt to understand Crowley better? And then there's the Hilaire Belloc book on top of the second Chesterton book, a collection of related stories/episodes?, The Club of Queer Trades. The book's Wikipedia page says:
Each story in the collection is centered on a person who is making his living by some novel and extraordinary means. To gain admittance [to the Club of Queer Trades] one must have invented a unique means of earning a living and the subsequent trade being the main source of income.
Aziraphale and Crowley have rather novel/extraordinary jobs and they're both peculiar-queer and gay-queer. Neat. The narrator in the book is named Charlie "Cherub" Swinburne - also neat. >.> He goes on an adventure with his friend, a retired judge and president of the Club of Queer Trades, Basil Grant, (who Oct 2021 GoodReads reviewer Cecily said is "described as mad, mystical, and a poet, with almost no friends, but who “would talk to any one anywhere”) and Basil's younger brother, a private detective named Inspector Constable Rupert Grant. The last line of the book is:
Thus our epic ended where it had begun, like a true cycle. (something something "It starts, as it will end, with a garden.")
Anyway, the Belloc book and The Club of Queer Trades are placed back to back in such a way that they almost look like they could be one book with two different aesthetics, or... two halves of a pantomime beast?! (stay with me I needed a segue)
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Belloc and Chesterton have what is essentially a ship name:
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It was coined by George Bernard Shaw (if you are like me and didn't know why you've heard of him: he wrote, among other things, Pygmalion, which was adapted into My Fair Lady). Shaw apparently liked to gossip about Belloc and Chesterton with H.G. Wells (again if you're uncultured like me: he wrote, among other science fiction-y things, The War of the Worlds).
In the Feb 15, 1908 issue of The New Age newspaper, Shaw said:
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He continued:
"Chesterton and Belloc are so unlike that they get frightfully into one another’s way. ... They are unlike in everything except the specific literary genius and delight in play-acting that is common to them, and that threw them into one another’s arms.”
Shaw says Belloc is 'a bit of a rowdy', and 'cannot bear isolation'. Hmm. Then he says Chesterton is 'friendly, easy-going, unaffected, gentle, magnanimous, and genuinely democratic'. HMM.
“They share one failing—almost the only specific trait they have in common except their literary talent. That failing is, I grieve to say, addiction to the pleasures of the table.”
Ok ok I think we can see where this is going.
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(^ from Staged S3E6)
Now, someone did ask Neil Gaiman about this similarity, and he said the Lockdown video was filmed by Rob Wilkins in Terry Pratchett's library, and that he suspects 'Belloc is there because he was on Terry's shelves beside Chesterton.' And it MAY VERY WELL BE that NONE (0) of the book titles are meant in any way other than 'these are books from Sir Pratchett's library that looked nice on camera and ofc we wanted some Chesterton refs and maybe some demon-y stuff for Crowley' but that is WAY less fun so I am choosing to take them as intentional: these are books Aziraphale is actually reading (along with the sushi and many cakes he is actually eating). Let's put ourselves in Aziraphale's shoes and try to imagine how it would be to read this stuff during lockdown while you pine for a demon with slinky hips after you got in big trouble at work for Armageddoff (and work happens to have defined your worldview and general purpose in life).
C: welll... ngk then people might follow my bad example and get ill. Or even die—
As Crowley acknowledges that he ought to be out making peoples' lives worse, we see Orthodoxy by Chesterton open on the desk.
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Orthodoxy is described as a ‘spiritual autobiography’ and is considered a classic of Christian apologetics, i.e. the religious discipline of defending religious doctrines (in this case, Catholic) through systematic argumentation and discourse. Wikipedia also says Chesterton's The Everlasting Man contributed to C.S. Lewis' conversion to Christianity, so overall it sounds like he must've been fairly convincing. (and so maybe reading it also poked at that work-related-but-religious-trauma-adjacent stuff Aziraphale has going on?)
You can read Orthodoxy (and probably any of the books I mention bc theyre all old) on project gutenberg but I will include this part of what is shown on the righthand page bc it just reminds me (and so probably Azirapalala as well) of a certain angel squeaking happily at a nebula:
"I felt economical about the stars as if they were sapphires (they are called so in Milton's Eden): I hoarded the hills. For the universe is a single jewel, and while it is a natural cant to talk of a jewel as peerless and priceless, of this jewel it is literally true. This cosmos is indeed without peer and without price: for there cannot be another one."
Ok great, so Aziraphale is diving into the works of one of Crowley's favorite authors bc he misses him, that's cute. What else? Oh he already wrote him a letter right before calling - THE WICK ON THE WAX STICK FOR THE SEAL IS STILL SMOKING. sO CASUAL asdashgfjds
something something 'either call on the phone and talk, or appear mysteriously; don't do both'
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When Aziraphale gets to 'I've never had so few customers, not in two hundred years!' We get a close up of this glass of cognac with droplets still on the side — I take back what I said about baking, Aziraphale is drinking it~
He's not drinking a wine, eg Châteauneuf-du-pape, which would be ~14% alcohol by volume (ABV), or a sherry (15-20% ABV); he is drinking Courvoisier cognac, a hard liquor (40% ABV). Crowley's Talisker whisky is 48.5% while we are on the topic. This is stronger than what Aziraphale usually drinks which means... he could be a bit tipsy.
As Aziraphale starts talking about the would-be cash-box burglary, we get this wide shot of the desk:
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In the top left hand corner, we see two stacks of books, most (all?) of which appear to be Chesterton when I zoom in. Some of them have Chesterton's name visible on them, others have the publisher name 'Darwen Finlayson' on them, which according to my googling is a house that published several of Chesterton's works. If Chesterton was truly 'a man who knew what was going on', then perhaps this is Aziraphale seeking not just to feel closer to Crowley, but also to make sense of the warring ideas in his mind. Interestingly, Chesterton has also been described as 'The Eccentric Prince of Paradox'.
C: *clearly amused* Did you smite them with your wroth?
The screen then shows two occult-y books and a flickering candle (lower left image). Then Aziraphale explains about his cake~, and as Crowley cuts him off because he's about to nervously ask to come over bc he is so so lonely & down bad for a certain angelic bookworm, we see a map of Oxfordshire on top of Pilgrim's Progress (lower right image).
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The two books beside the candle are Satanism and Witchcraft (presumably the 1862 book by Jules Michelet that comes up when I search the title), and another called Magic: An Occult Primer.
Satanism and Witchcraft is described on Wikipedia as 'notable for being one of the first sympathetic histories of witchcraft' and says 'Michelet was one of the first few people to attempt to show the sociological explanation of the Witch Trials.’ Sympathy for people who like to eat/drink/dance with demons, if you will?
Magic: An Occult Primer is a 1972 book by David Conway, a Welsh (CACHU HWCH!) magus and is described as 'a seminal work that brought magical training to the every-magician'. It also includes an appendix called The Occult Who's Who, which is somewhat reminiscent of Hastur's Furfur's book about angels. In Chapter 11: A Word About Demons, it says in regard to summoning them:
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"Assuming that the form has turned up in the right place, it will soon begin to act and talk in a very friendly manner; do not forget, however, that its winning ways conceal a sinister intention-- namely, to get the adept out of the circle, and into its clutches.”
...okay?? Aziraphale's desk has a flickering candle on it throughout the video, and we get a close up of the flame when Crowley offers to slither over:
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and just like that, Aziraphale has summoned a demon~~
Naturally, he freaks out:
A: *panicking*Oh I— I— I— I— I'm afraid that would be Breaking All The Rules! *nervous breathing* Out of the question! I'll see you… when this is over.
But why? Isn't this what he wanted? Let's go back to the Pilgrim's Progress shot from right before the successful demon summoning and zoom in:
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In a similar vein to Orthodoxy, Pilgrim's Progress, by John Bunyan, is an allegorical Puritan conversion narrative. Christian is the main character / stand in for anyone who wants to be in the allegory and Hopeful is well, hopeful, from what I gather. A slightly larger continuous excerpt is here for the curious, but here are some bits I thought were especially interesting in the part of the book shown above:
Christian: Why, what was it that brought your sins to mind again? Hopeful: Many things; as, If I did but meet a good man in the streets; or, If I have heard any read in the Bible; or, If mine head did begin to ache; or, If I were told that some of my neighbors were sick; or, If I heard the bell toll for some that were dead; or, If I thought of dying myself; or, If I heard that sudden death happened to others; But especially when I thought of myself that I must quickly come to judgment.
Perhaps the pandemic is bringing Aziraphale's "sins" to mind again, on top of the whole choosing faces thing to avoid 'quickly coming to judgment'. And then:
Hopeful: I thought I must endeavor to mend my life; for else, thought I, I am sure to be lost forever. Christian: And did you endeavor to mend? Hopeful: Yes, and fled from not only my sins, but sinful company too, and betook me to religious duties, as praying, reading, weeping for sin, speaking truth to my neighbors, etc.
UM??? While I can't say about the praying or weeping for sin, he has definitely been reading and the whole 'giving a good talking to' the burglars could be 'speaking truth to [the] neighbors'...?
Anyway to recap:
Aziraphale has been poring over books about dark magic and demons as well as a ton of books by an author that Crowley loves and who formed a partnership w a very different person in a sort of yin-yang, pantomime beast situation
He has been looking at pictures that remind him of their fun times w Leo in Florence and eating sushi and cake cake cake (and forgiving sinners) and drinking hot chocolate and cognac trying to fill a void but now he's tipsy so he wrote Crowley a letter, stamped it with a wax seal and then thought 'I should call her' BUT
His recent brush with attempted death penalties, the death toll of the pandemic, and some of the religious books he was reading have also filled him with guilt/fear over disobeying Heaven, who he knows could still be watching him and Crowley, so he feels much more conflicted than usual AND
He probably has some inkling that he wants to go ape shit on that ox rib if it comes over to hang out (lol editing to add bc i remembered ox rib discourse: ape shit in an emotional way! whether you hc them as ace or not I just think he really likes him and I’m using ox ribs as a stand in for general forbidden joy/love, not specifically sexy stuff)
So he has to say no.
Anything else might cause him to spontaneously discorporate into a plume of pining and cognitively dissonant gay smoke, which may be all well and good if you only think there's a God, but if you KNOW it and the angels are absolutely recording you and Heaven just tried to kill you and your wife colleague, it's... kind of a big deal.
C: Right. gnnehh. I'm setting the alarm clock for July. Good night, angel. *dial tone*
We don't get to hear Aziraphale's response, but besties you and I both know he is not feeling tickety-boo. He spent like a month putting off calling Crowley (UK lockdowns started end of March, the call is at the beginning of May), finally got drunk and said what the Hell, it'll just be a fun flirty chat in between his temptations, and then it turned out Crowley was depressed and not going anywhere and Aziraphale made him even sadder. And then it got worse because it wasn't all over in July, or in October, even.
I think Aziraphale ends up with a lot of time and brain space in which to think about how Orthodoxy and Pilgrim's Progress were only written to guide *mortals* and how it really wouldn't be so bad if he spent more time with Crowley, would it? Heaven hasn't reached out in actual years again, things feel safer. Crowley is essentially Good and spending time with him would be sort of ministering to the downtrodden and afflicted, and Aziraphale does miss reporting his good deeds (lol you know, whatever rationalizations you need to get you there).
More than anything, he thinks about how hollow everything feels without Crowley; how no mouthful of food or drink tastes as satisfying in his absence because it wasn't ever just about the 'gross matter'...
So when lockdowns end, Aziraphale begins to summon his demon again, but this time with much less inner struggling. It all comes so naturally, when you let it. By the beginning of Season 2 in 2023, they seem delightfully comfortable with their shared routines and places (see also this lovely post by @nightgoodomens). Our car. Our bookshop.
Aziraphale might take longer to catch up, but he does get there.
(SHHH DON'T THINK ABOUT EPISODE 6! STOP! I'M HANGING UP!)
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“The way to love anything is to realize that it may be lost.” ― G.K. Chesterton
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cheeekycharchar · 1 year ago
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"Shame and guilt have followed humanity since Adam and Eve disobeyed God in the Garden of Eden."
Good Omens; a story of an Angel that can't accept love because of shame and a Demon that can't accept forgiveness because of guilt.
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"It'd be funny if we both got it wrong, eh? If I did the good thing and you did the bad one."
An in-depth analysis of an Angel suffering from shame and a Demon wracked with guilt.
Let's dive deeper below the cut!
[Now I'm going to lay down a lot of facts, definitions and minimal psychological babble and I want you, as the reader, to view this through your GO nerd glasses. Also, I want to express that I am not a therapist or religious in any way- this was all done as academic research for the fandom's sake cause I can't shut my brain up. I tried to organize it the best I could. ..sorry it's so long but I swear it's worth the read through! ;)]
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• Shame is the painful emotion you have when you perceive that you are not good enough in some way. Entirely self imposed and only known to you, shame can be an unpleasant self-conscious feeling often associated with negative self-evaluation. When shame is chronic, it makes you believe that you are fundamentally flawed, defective, dishonorable, immoral, or improper.
• Guilt is a negative feeling of worry or unhappiness that you get because you have done something wrong. It's a moral emotion that occurs when a person believes or realizes- accurately or not- that they have compromised their own standards of conduct or have violated universal moral standards and bear significant responsibility for it. When guilt is chronic, it can be a toxic emotion that could cause a person to take on unjust responsibility if things around them go wrong. They are quick to accept that everything is their fault even though it isn't.
While guilt is about wrong actions, shame is about being wrong as a person.
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In academic psychology, shame is associated with avoiding failure and its consequences while guilt is connected with forgiving and improving one's self, along with making amends.
Guilt and Shame are often confused for each other but there’s a big difference between the two. Guilt can help you understand how your actions impact others, but shame is an inward-facing emotion that reflects how you feel about yourself. (And I do realize that Aziraphale may, at times, feel guilt and Crowley can also feel a sense of shame. But the main motivation behind majority of their characterizations and actions throughout the series are both coming from these two different feelings.)
Guilt can help you move forward while shame keeps you stuck in the past. [such as the "We could have been.. us." and "You go too fast for me." scenes] And the only way to rid themselves of these negative emotions is through recovery with unconditional love and forgiveness.
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• How Aziraphale represents the concept of shame •
Shame tricks you into believing that you aren't good. That you are worthless. Not that you've done something bad, but that you are bad. Ever since Aziraphale gave away his flaming sword, he started to question himself. But it wasn't until he outright lies to his fellow Angel's about the true fate of Job's children that he truly believes he has fallen- that he violated God's word and lied (again). He believes there must be something truly wrong with who he is as an Angel. He's a flawed creation of God and he feels a dreaded sense of deep shame from this.
Feelings of shame can also present itself in different types such as, Chronic Shame (negative emotions all the time that you aren't good enough), Performance Shame (feeling as though you are inferior compared to others) and Shame from Unrequited Love (this is a feeling of not being good enough for another person T^T).
Shame is a harmful, negative emotion that when internalized enough can result in an overly harsh evaluation of oneself.
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Next, let's take a closer look at what defines shame and how it operates through Aziraphale:
• Being Defensive is a way to avoid taking responsibility for our behavior.
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"I don't need you." "And the feeling is mutual!"
• Perfectionism is the unrealistic desire to be perfect and is often a defense against shame. If we’re perfect, no one can criticize us; no one can shame us. We keep up a front that looks good to the world. We may spend a lot of time attending to our dress and looks.
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"I do have standards."
• Apologizing constantly. Shame can prompt us to be overly apologetic and compliant.
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"I did the 'I was wrong' dance in…"
• Procrastination can occur from a deep hidden shame. If we consider pursuing something and it doesn’t turn out well, we might be paralyzed by that feeling. If we never try, then we don’t have to face possible failure and subsequent shame.
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"You go too fast for me, Crowley.."
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Next are the four category behaviors resulting from shame:
• The Hot Response These are things you do when you feel ashamed and defensive, such as lashing out in anger or attacking the other person to deflect attention from yourself.
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"I don't even like you!" [always resorts to being defensive in any argument]
• Behaviors to Cope With or Conceal the Shame These behaviors include doing things to make yourself feel small, trying to avoid being the center of attention, or not sharing your thoughts or feelings. Concealing yourself is a method of self-protection.
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[always awkward and can't speak openly around other Angels]
• Safety Behaviors to Avoid Shame or Being Discovered This category of shame behaviors might be things like apologizing, crying, or avoiding conflict. People who have a tendency toward being emotional or avoiding conflict may be more likely to engage in safety behaviors.
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"Why? What's wrong? I mean.. if there is something wrong.."
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The Impact of Feeling Shame:
• Makes you feel like you are flawed or there is something wrong with you
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"I'm like you now. A demon. I'm a fallen angel.." • Can lead to social withdrawal
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[spends most of his time in the bookshop alone] • May cause you to become defensive and shame others in return "I'm an angel! And you're a demon!" • May cause you to inflate your ego to hide the belief that you don’t have value
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"Well, I am a great deal holier than thou. That's the whole point." • May leave you feeling empty, lonely, or worn out
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"But I thought you said it wasn't [lonely]?" • May lead to lowered self-esteem
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"I'm.. soft." • May make it harder for you to trust other people
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"Obviously, you're lying. You're a demon. That's what you do." • May lead to perfectionism or overachievement to try and counteract your feelings of shame
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"If I can just reach the right people and resolve all of this-" "That's not going to happen! How could somebody as clever as you be so stupid!?" • May cause you to engage in people pleasing
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"Doing good again, Angel? "Oh, hardly counts. Purely for selfish reasons." • May cause you to avoid talking because you are afraid to say the wrong thing
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[trying to explain to Metatron in S1 without revealing too much] • May cause compulsive or excessive behaviors like overworking, excessive cleaning, or having too high of standards in general
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[non stop research all day and night to look for the antichrist by himself]
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• How Crowley represents the concept of guilt •
Guilt is what you feel after committing a specified or perceived offence/crime/bad action.  It's typically attached to a feeling you experience when you do something wrong on purpose or accidentally and can regret that action. Guilt can be morally ambiguous.
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"Well, maybe there is something to be said for.. shades of grey?" "..Shades of dark grey."
Signs of guilt are unique but these are the most common (again there are many but these I thought related to Crowley the best):
• Low self-esteem
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*sighs* "Don't bother..."
• Excessive attempts at reparation [Crowley always trying to secretly help humanity when he can]
• Being unable to meet someone’s gaze
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[Covering his eyes not only hides his snake eyes but also his guilty feelings]
• Anxiety "We are fucked!" [and we all know TV!Crowley is 100% more anxiety ridden than Book!Crowley is lol]
• Trouble sleeping [Sleeps too long (100 year nap from book). Or can't get comfortable sleeping (from S1 deleted scene)]
• Depressed mood
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"What's even the point.. everything seems.. pointless.."
• Avoidance of people, places, or events linked to the cause of guilt "I'm not going to be joining their team and neither should you!" [doesn't want to return to Heaven or Hell and is "on his own side" to avoid them further] • Shifts in energy levels [can be giddy/jumpy one second to morose/moody the next, etc]
• Emotional outbursts
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"I'm just so angry!"
• Appetite changes
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[took up drinking alcohol even though its unnatural to]
• Making amends [spends every moment since Eden trying to secretly do good despite the hellish consequences]
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Defense mechanisms against feeling guilty can become an overriding aspect of one's personality. (These are also related to trauma response.)
• Displacement is a defensive tool that may take the form of blaming the victim or taking your feelings out on others.
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"You know what you've done. You've disappointed me."
• Projection is sharing the unacceptable feelings/qualities onto others, thereby being less alone with it.
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"But that sounds.." "Lonely?"
• Self-harm may be used as an alternative to compensating from one's past transgression. Not just physical self-harm but not allowing yourself to enjoy opportunities or benefits as a result of uncompensated guilty feelings.
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[always holding himself back for 6k years from saying what he truly feels and won't allow himself to be with Aziraphale the way he really wants]
• Repression is subconsciously blocking or forgetting harmful/traumatic memories. "Right.. looking at where the furniture isn't.." [doesn't remember his time in Heaven in detail- whether from trauma response or just had his memory wiped]
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Behavioral responses to guilt can be associated with the moral of their character. Feelings of guilt can prompt virtuous behavior.
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"You shouldn't test them to destruction.."
People who feel guilty may be more likely to: • Exercise restraint [holds his true feelings back for Aziraphale for centuries]
• Avoid self-indulgence [only really has his car and plants in the end]
• Exhibit less prejudice [is more open and accepting of other's sins - such as helping during the Scottish bodysnatching scenes]
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Guilt can prompt reparatory behaviors (actions to make amends) to help alleviate these negative emotions. People tend to engage in these reparatory behaviors toward the persons they wronged. Some religions theorize that forgiveness of sin (even those committed by accident or ignorance) is exclusively through repentance.
Crowley, being the wily serpent that tempted Eve to eat the forbidden apple of knowledge and subsequently getting her and Adam kicked out of paradise on Earth- and thusly creating the first sin of humanity. Right away, Crowley feels guilt from this.
After all, he was just told to stir up some trouble and had no idea the consequences of his first temptation on the future generations of human existence. Ignorantly doing something considered wrong and getting exiled.. this mistake would forever haunt him. He knows the pain and trauma from unwittingly doing something insignificant and being punished severely for it (such as asking questions or eating an apple) yet he accidentally made the first of God's new creatures "fall" in their own way from Eden. It's because of this guilt that Crowley spends the next 6000 years secretly rebelling against Hell to help humanity in any way he can to redeem himself.
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That's why their first conversation (post Fall from Heaven) on the wall of Eden was SO important to their relationship with each other and themselves.
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"Oh, I do hope I didn't do the wrong thing." "It'd be funny if we both got it wrong. If I did the good thing and you did the bad one." "No. No! It wouldn't be funny at all!"
I think the reason Crowley always seems to be one step ahead of Aziraphale (in more ways than one) is because, in a sense, guilt is easier to resolve from than shame.
If you acknowledge your mistake and the person chooses to take the steps to improve and change for the better, then they can recover from those negative feelings. They can work through the guilt by repairing the transgression or learning from it.
Whereas shame can only intensify inwardly and be harder to face because your mind is telling you that you are the bad thing, that you are the mistake. This makes it harder to overcome. And the only way to truly recover from shame is unconditional love and forgiveness- for yourself.
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“Instead of your shame, you shall have double honor, and instead of confusion, they shall rejoice in their portion. Therefore in their land, they shall possess double; everlasting joy shall be theirs.” (Isaiah 61:7)
And in S2.. we can see they both hold regret for their actions at the end of episode 6. If you look at every choice, ever misstep, every argument and their occasional confusion in understanding one another, you can see how Aziraphale was written with shame as a main part of his personality and Crowley written with guilt.
Two feelings that are often confused for one another but differ slightly in their own ways. The motivation behind every word they utter and every action they make throughout the series is built on the foundation of these two fundamentally negative and often traumatizing feelings.
There is a possibility to recover from shame and guilt and I have a feeling that S3's plot line will be all about recovery.
And that's what the concept of that Second Coming storyline might be all about. The New Testament says, "In Jesus Christ, God took upon Himself the sins of the world and died on the cross to pay mankind's debt" (Rom 6:23). "Those who repent and accept Christ's sacrifice for their sins, will be redeemed by God and thus not guilty before Him. They will be granted eternal life which will take effect after the Second Coming of Christ" (1 Thess 4:13–18).
A second chance. Forgiveness and Recovery from Sin.
And what is the story of Adam and Eve if not about humanity's Original Sin?
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Remember, after all is said and done, the antidote for shame is love, and guilt is cured through forgiveness.
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Two things a certain Angel and Demon struggle with accepting from each other but are more than willing to give to one another.
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[…There! I made myself sad again, lol. Thank you for reading this far! Sorry it was crazy long but I really enjoyed putting this all together into semi-comprehensible words (though stupid tumblr made me delete a bunch of pictures I had as examples…). Also, on a final side note- if you are ever experiencing overwhelming shame or guilt in anyway (which can result in depression or worse if not dealt with) please make sure you reach out to someone or seek professional help in some way. Take care, everyone! ^-^]
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cornflakesinchocolatemilk · 9 months ago
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ilomilodailystuff · 8 months ago
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Aziraphale walking in the bookshop before stumbling on something : Oh— Crowley ?
Big black snek, looking up at Aziraphale : hissssss
Aziraphale : What are you doing here, darling ? It's been a while since you last turned into your snake form. Aw, but you're adorable like this...
Snek, showing his fangs : hisssssssss !!
Aziraphale (with heart eyes), starting to rub the snake's head gently : Awww, yes, you're so evil, so dangerous...
Crowley, looking at the snake over Aziraphale's shoulder : What the hell are you doing ?
Aziraphale : ...
Snek : ...
Aziraphale, paralyzed by fear : *loud screaming of conflicted emotions*
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