#there's whole story arcs that will go on in these tags guys

[acid-ixx]

Hiii, I have read all your work and it is very good :D!! I've read it several times and never get bored.

Can I ask about something? I'm curious about the characteristics or signs of yandere appearing in Tim. Will he be the last family member to become a yandere? Sorry I asked like this because I feel like he's not getting enough attention in drabbles, questions from other readers, or anything else. So I'm curious.

I hope you understand my question. Because English is not my first language.

— masterlist !

don't mind me using the tags here, i want to clarify a lot of things.

hi anon!! don't worry about your english, i understand perfectly and it's also not my first language too hehe. and to all the others who have asked about tim's (or any other characters') appearance in the series: fear not, nobody is getting ignored at all, i intend for everyone to have their designated events/moments that trigger yandere characteristics for the reader for each chapter. it's my plan to make them each as unique as possible with their intentions, motives and goals, not just them being simply "obsessed" with you, so i'm trying my best to add depth to the story.

that means the entire series will stretch out quite a lot (i already have outlined multiple arcs, flashbacks, and all the characters' individual traits and significance). it's not just going to be ten chapters, i want to remind others that there's more lore to just the neglect, your mother's dark past, and characters that haven't even been introduced to the plot yet, so if you guys prefer one-shots or something shorter, then the series is not for you folks, sorry 😭

as for tim, he is quite literally my favorite character (surprise!), so of course he's going to get special treatment. he's not going to be the last to become yandere, but his spiral to becoming a yandere takes quite a lot of time since compared to others, it's him who spends the least amount of moments with you. even in the non-neglected au i wrote, what triggered his obsession was mere curiousity.

though just because there're lesser events with him, doesn't mean there will be none. he certainly plays a major role in the "wild goose chase arc where the family tries to negotiate (kidnap) you whilst you try to escape to multiple cities/end up in a completely different country". he may not express his love for the reader well, but he most definitely knows the most about you.

oh! and the traits that he does have as a yandere looks tame when you compare it to others, but it's also because it manifests through his personal dialogue (as i reckon he's keeps most of his thoughts about you to himself most of the time (gatekeeper archetype) and he's the character with the most internal dialogue/thoughts too). he's the worst stalker you could have, the one who you should look out for the most with just how much he knows about you in such a short period of time. tim's intelligence and detective skills knows no bounds, and he won't stop exhausting himself until the very knowledge of what the blood pumping under your skin feels like and the exact temperature of your body— is extracted and stored into the terabytes of data he has into his personal batcave.

and spoiler alert: he's also the one who uncovers your mother's past and alongside bruce, what had happened between the period of time when you were dragged out of the closet and the other time in elementary when you were nearly kidnapped, which completely leads to another arc wherein it's where their obsession drives off to a completely different plane of existence, exalting vengeance on the people who tormented you; but tim's pettiness is just on a whole nother level.

and i have to stop here before i (excitedly) spoil the entire series' plot LMAO. my answer to this is a bit more casual to the other asks, so i hope it doesn't irritate anyone.

so thank you for asking this! i also have a question for you people too:

how is the current progression of the plot? i get that it isn't even 10% finished and some moments feel slow, but i try to be as immersive as possible to the readers. so for those who have read the entire thing, what do you want me to possibly add, or does anyone have other clarifications? can anyone tolerate a fanfic that can possibly lead to more than 250k words??? 😭

[thejeffersonianinstitute]

Okay but I can imagine Hodgins breaking the coffee pot in the Lab and just replacing it with one of his big ass beakers from his lab. The squints won't notice or care for about a week until Cam gets aggravated and asks where the coffee pot is.

this happened regularly a couple years back, the coffee pot was replaced 3 times before Dr. Saroyan gave up, and now our coffee beaker (with a silicone handle for safety) is a permanent fixture in the employee break room. also how did you know that 🤨

[theflopwonder]

Me, naively: Omg haha what if I wrote a fic abt the party at the fortress of solitude in superman/batman 26 as an excuse to do some Tim & Kon character study?

Me, after reading 4 separate comic runs from 4 different editorial teams who were OBVIOUSLY not talking to each other AT ALL to try and figure out the timeline & other logistics of this party: WHO THE FUCK FUCKED UP THIS HOUSE LIKE THIS GOOD GOD??????????

[lifeof-pink]

when i first learned about how the fourth wall worked (making him view reality as a novel) the first thing i said was “…so he’s mentally ill. duh.”

because like????? “everything is awful and i am in terrible physical and mental anguish. i know how to make this better!” *enters derealization but like. magical*

[maraslesbian]

we finally finished s5 of the dragon prince with my roommate and man that show is doing things to me... the last 2 episodes were absolutely incredible i am. on the floor

[m0e-ru]

if you do want my extra thoughts on godhood early or want the same enrichment as i did please please please read neil gaiman’s the sandman or play the god of war norse reboot duology. with me 💜

[chrimsone]

my latest experience with reading fiction online

[writingwithfolklore]

Writing a Story from Start to Finish - Guide

                I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.

Step 1: Form an idea

All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.

                There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.

                If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.

                If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.

Step 2: Create your Protagonist

Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.

                At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.

                These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.

                Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.

                My favourite character creation technique is actually Here—it takes you through creating character in order to create story.

                If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.

Step 3: Your Plot is your Protagonist’s Arc

As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.

                So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.

                Your character’s arc is A but B so C:

                A – your character and their flaw

                B – The conflict they go through

                C – how they change

“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”

                This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”

                If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…

Step 4: Theme

                I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.

                For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.

                Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.

Step 5: Outlining

                Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!

                Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.

Step 6: Worldbuilding

                Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.

                Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.

                Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.

                I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.

                Which brings us to…

Step 7: Research

                This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.

                Once again, ask questions, talk to people, and remain open to what you find.

Step 8: We can start writing now

                Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:

                Let me know how your writing goes, good luck!

[iikisa]

heres more teacher rin au!!!!

ill have some more deets under the cut about this hehe

Welcome back aoex fandom… I’ve decided for this AU to be called “Tightrope”!!!! Haha,, yeah it’s definitely not what i was saying earlier in that ask..

But yeah!!! I’ll be tagging any post related to this AU under a tag from now on! ;)

(The rest of this will contain spoilers from the manga, but then again this whole AU has been spoilers..)

Alrighty, this time we’re going over the reason for Rin’s appearance… Just as in the manga, Rin becomes “unstable” through Yukio breaking his sword, except in this tightrope au, their relationship was much more rockier than it was in the manga. So much stuff that wasn’t cleared up, lots of avoidance, not so much emotional stability.. There’s a whole background to how Yukio and Rin’s upbringing would’ve happened in this AU because of their little aged-up situation— some events are interpreted differently to fit and others are just completely new, you can assume— so obviously things happened differently between them without Yukio being the cram school’s teacher and Rin actually attending said school to begin with…

So, now that Yukio left Rin for Illuminati, leaving him completely lonely and without a proper purpose to live for in life… Rin’s demonic nature is left in a “tightrope-like” situation.

See how the title relates? And boy does it apply for many other things too.

Where is Mephisto to help with all this you ask? Oh he tried to offer Rin help by going into the past, but even after learning of his origins (I don't think it helped his self-esteem much tbh) Rin still finds himself unable to "restabilize". Like in the manga, it's not until Rin truly accepts both sides to himself is he able to truly stabilize. This AU is obviously more heavy on the twins terrible communication and relationship, so obviously this will be harder for Rin.

For as long as he can remember, Rin's always thought of himself as a nuisance to his family. And with Fujimoto's death, everything seems to be Rin's fault and he's not stupid enough as to not notice the pattern. Unfortunately, this really eats away at Rin, especially with how distant Yukio was with him. So until Rin can learn to accept the uglier parts of himself, he won't be stable. And Yukio is the most important part for him to realize that.

Now… time for the appearance explanation.

When Rin first "unstabilizes" his hair, ears, and eyes change (other smaller details like his canines as well as the newest addition of little nubs on his forehead). The more "unstable" he is, the more prominent these features become—his hair is wholly whitish-blue, his ears and canines are pointier, his eyes are sharper and more vibrant, and his little horns get bigger.

After becoming a not-so-substitute-teacher for the cram school, these features start to become smaller or fade away!!!! Depending on Rin’s emotional state—negative emotions lead to instability and positive emotions leads to stability— his appearance changes. The happier and healthier he is, the more his black roots take place (his original hair color) and the duller his other features become!

Now as for his flames.. I think some logic may be off canon for this but it’ll be fine! He can freely use his flames like he does during the final war-against-satan arc, however, his state of stability changes how precisely he can use them. The more unstable he is, the broader and rougher the attacks. When he’s more stable, his attacks can be more precise and controlled, such as shaping his flames into weapons and other uses.

Anywho, I’ll have to start on making these differences more noticeable for the Rin’s I’m drawing out, because I do like to draw him at different times of his life (if you take note of his hair,,, its one of his best indicators ahah). But yes. Now that I’ve written this concept out (after I drew these sketches whoops) I’ll be showing off a little more of the story once some heavy inspiration hits me. I hope you guys enjoy hearing about this AU as much as I love writing and drawing it!!!!! I’d love to hear feedback or any fic recommendations..! They are my fuel.

Thank you for listening to the end, much love <3

[lurkingshan]

Knock Knock Boys: The Unexpected Delight of the Summer Season

Who would have thought that this little under appreciated pulp would come in and steal the Thai BL summer season with so many bigger, shinier, more expensive shows on air? Not me! But here we are, and Knock Knock Boys is going down as one of my unexpected favorites of 2024.

I liked this show from the start, with its premise of four men, each dealing with various Life Situations, coming to live together in a shared home and developing natural friendships and romantic attachments. Each episode begins with a cold open that puts us squarely in the middle of their latest shenanigan and then we jump back to work our way there over the course of the episode. The writing is clever, the directing and editing is zippy and fun, and the whole thing is founded on queer and sex positive themes. I expected it to be a sexy, comedic romp with a sprinkle of mystery as we learned more each week about what these boys were running from.

And it is that, sometimes. But it is also a surprisingly touching story of queer friendship and finding yourself and your tribe and building courage to live an authentic life with the support of your loved ones. It's a story about making the effort to understand and giving each other space to figure ourselves out. It's a story about the importance of communication and giving others a chance to come through for you. It’s a story about how true friendship and patience and empathy can empower someone to change their life.

And it's also a touching romance, times two. Latte and Almond were the favorites all the way through for most of us watching, and seeing them go from friends to something more to proper boyfriends was so lovely. What I loved most about their arc together is how gently it advanced; despite Latte starting the show as our resident sexually experienced pansexual, he was also clear that sex and relationships are meaningful to him, and we saw that in how he pursued Almond with utmost patience. Almond was completely inexperienced and fixated on another guy when they met, and Latte was his genuine friend in helping him sort through his feelings and move on from Jumper before he was a prospective love interest. When Almond became more aware of the attraction between them and they began dating, it all felt natural, as did the progression of their physical intimacy. They are precious and their relationship has such a strong foundation that it's easy to believe they'll stay together long term.

Perhaps most surprising to me is how much I ended up loving the Peak and Thanwa romance, as well. Peak's journey, and the way it ultimately landed, is what sent this show into the stratosphere, and it's where that theme about patience that I mentioned above comes through most strongly. For much of their story, Peak and Thanwa were caught in a frustrating cycle of constantly misunderstanding each other, and it was mostly down to Peak's failure to communicate about his family situation and the way it was restricting him. These two kept missing beats, refusing to talk, and hurting each other because they just couldn't get it together to clear the air, and that can be hard to watch episode to episode. But once we have the full picture, Peak's behavior becomes understandable, both to Thanwa and to us, and we can only join his friends in rooting for him and giving him strength to be brave. And he was, in one of the most satisfying and heartwarming scenes I've seen in bl this year.

I just can't recommend this show highly enough, and I've kept things somewhat vague above because I hope more of you will watch it now that it's over and available for a binge. This show is not perfect, but it's so heartfelt and you will be rewarded in the end. You can find the show on Gaga and the small but mighty crew of us regular viewers screaming about it every week in the tag. You don't want to miss it!

[utilitycaster]

Do you think this episode is so boring because they brought back the Nein and reminded us how good they are? I keep thinking about this as I'm absently watching this episode, saw your post and would love to hear your thoughts on it. Because like, at least to me, most villains this campaign are painfully boring. But the Weave Mind are also boring. That was fine, M9 handled it perfectly and I loved it. Ludinus is arguably the only kinda interesting bad guy and a PC's mom is in mortal danger and I can't manage to care.

I don't find Ludinus and the Weave Mind boring! I don't find Liliana boring either! And I found Ozo Cruth and Otohan Thull DREADFULLY boring but actually, the fights with them are pretty fucking great. I mean, I have a LOT of criticism about the first Otohan fight that boils down to "this was EXCEPTIONALLY poorly signaled and I'd be PISSED if my character was killed for someone else's arc at this point in the story" but Otohan being boring is about the non-combat elements; she felt very real and compelling as a THREAT, just, she could have been a giant blender of magic knives that the party was going to be dumped in for all she had an impact on the story as a person. But I do think it is because we've seen the Mighty Nein and Vox Machina recently and remembered that they're orders of magnitude more compelling.

I think it's really like...I don't even want to say Bells Hells isn't bonded, but they lack something. I think I alluded to it in the tags of one of my posts but there's no banter between party members or sense of urgency. Like, I enjoyed the whole All-Minds-Burn/Myceit scenes a lot, actually, but after Imogen's initial (justified) panic the pacing felt unbelievably slow until we got to combat. I have found that really, for a good deal of the campaign, you have to kind of take things episode by episode and enjoy the good set pieces and scenes because it simply does not make for a pleasing and rewarding whole. The reason I didn't care about Liliana is, to be fair, partly because I think having her die would be an interesting development, but also because there wasn't a sense of "we can't stop and fuck around with mushrooms, LILIANA IS DYING" within the episode itself. No one was comforting Imogen as they ran through the tunnels. The Mighty Nein showed more personality and investment in the lead up to a fight that really, they had no more stake in other than the broad world-ending ones. As someone who's been playing a LOT of Veilguard which is all about building a close-knit team, and who's had VM and the Nein the past month to compare Bells Hells with, that lack is immediately apparent.

I said, over a year ago (possibly over two, I don't recall) now about one of the relationships in the campaign that it felt like when I see a single episode from a soap opera I don't follow. The actors are imbuing lines with emotion, but everything feels kind of disconnected. Like, this is all in a deeply subjective realm, I cannot give you a strong argument based on logic here as it's very much vibes-based, but I feel like when I watched this, my thought process was "BAFTA-winning Actor Laura Bailey is doing an excellent job of conveying the emotions 'terror and anguish over a dying relative' in this line read, and not "Imogen Temult, a character I've been familiar with since October 2021, is devastated over the potential demise of her mother.' " And I never had that issue with C1 and C2. Like, you can call it je ne sais quoi or the juice or the sauce or chemistry or the spark or whatever the fuck but Campaign 3/Bells Hells simply doesn't seem to have it for a huge number of people who have adored pretty much every other Critical Role work, and that means something. My personal thought is that it's because this has been such a plot-focused campaign without strong DM prepping of what kind of characters would be appropriately invested that we've had the problems we did (rampant indecision, lack of party chemistry due to lack of early opportunities to mingle and meld, lack of investment in each others' lives due to insufficient time focused on backstory-related plotlines), but I could be wrong, and ultimately the root cause isn't super important to this question, which is just. they don't have the it factor.

[spaceorphan18]

The Lady Whistledown Papers : 1x01 - A Diamond of the First Water (Part 1)

An Introduction

Dearest Gentle Reader... ;)

Well, okay, looks like there a good handful of you for this idea! Yay!

I did want to preface this with a couple of notes first, though if you want to skip to the show meta, head straight for the 'read more' below...

My intention with this project is to explore the individual stories as well as the romantic relationship between Penelope Featherington (who is my favorite character on the show) and Colin Bridgerton. So, I'll be looking at every episode of the entire show and kind of go through their character arcs with a fine tooth comb. The first two seasons I plan on batching scenes together while Season 3 might end up almost scene by scene because it is so rich and dense with story.

The whole point is that I enjoy meta and media analysis and breaking down stories and looking at stories from every angle possible. I am usually pretty positive, but that doesn't mean even my favorites are not exempt from a critical eye from time to time. And I'm not hesitant to explore character, story, and production flaws when discussing things. I do, however, try to remain respectful.

While this is primarily Pen and Colin focused, I'll probably still end up opinioning on other things I like as well (and do have respect for other characters and ships on the show).

The only book I've read is The Duke and I. I don't plan on doing any book to tv analysis, but I do hope to get through Romancing Mister Bridgerton before I get to Season 3 so I can point out Easter Eggs.

I'm also no historical scholar. So, probably won't be doing any kind of historical analysis either. Sorry.

I'm a multi-fandom blog, and have lots of projects I'm working on, so I plan on rotating through them. Plus, I have a full time job and family and friends, which means please be patient as I work on the project. It's a labor of love! But maybe a slower one. <3

Not here to discuss the actors', creators', crew, etc's personal lives. While I may put in a tiny BTS tidbit I've picked up, I have no intention or desire to talk about anything but the story.

I always enjoy talking with you guys about things, my meta is only one interpretation of what's going on, and I'm always open to discussions! However, I block or ignore any kind of wank, so please be civil. :)

Tag : the lady whistledown papers (in case you want to follow along or black list it away)

Okay, let's dig into some meta!!

Episode 1 : A Diamond of the First Water (Part 1)

So, it may be something that's easily forgotten or overlooked, but the very first thing we hear when we open the show is Lady Whistledown's voice -- which of course, is really Penelope. Since it's the delightful Julie Andrews doing the voice, it doesn't really feel like it's an 18yo girl's commentary about life in the rich part of London society in the early 1800s, but here we are. It's all done to build a bit of mystery around Lady Whistledown.

But what I think is more fascinating is the fact that the show opens -- not with the Bridgertons but the Featheringtons. They are our starting point. They are our dysfunctional family unit that we may closer resemble in our own lives that we get to peek in on before heading over to the esteemed, charming, and seemingly perfect Bridgertons.

The Bridgertons might be the protagonists of the show -- but Lady Whistledown and (by extension) Penelope Featherington is our framing device. She sets up the world, gives us the expository layout of the land and gives us an insight into the world. So it makes sense that we're starting in Penelope's home -- the person, like the audience, who gets to look into the Bridgerton home, but not actually be a part of it (yet).

When we open, we get a great introduction to the Featheringtons, and in a quick few shots - learn a lot about of them.

First of all, the narration -- while I'm not going to take note of every single narration throughout the whole show, it is important to remember that it's Penelope who is ultimately speaking. And when we open the show -- the first thing she does is blast her own family.

Why? Because it's her only way to push back. Look at what's happening in this scene? Prudence is being forced into the tightest corset ever imaginable as Penelope (and Phillipa) look on in horror. Penelope is still young (she is 18yo) and is being thrust into the market earlier than she wants so that her mother can have all of her daughters out in society at the same time.

Unlike what we'll find over at the Bridgerton family household, the Featheringtons are ruled by a seemingly iron fisted mother who only wants her daughters to marry rich so she can retain her lifestyle and place in society while her father is uninterested in anything other than himself.

Later in season 3, she'll mention that this particular issue is her first issue. So, it's no surprise that she starts writing just as she's coming into society. It's her way of coping and her way of expressing herself. But, I'll also remind everyone, while she is incredibly savvy at her craft, she's also still so young, and not entirely aware of the power she's going to wield.

As for Pen herself -- she's genuinely concerned about her older sister. We don't get a sense of their dynamic yet, but at least we get to see Penelope's kind hearted nature. Prudence looks like she's being down right tortured by her 'tasteless, tactless' mama. And nothing about this is appealing to Penelope.

(As an aside -- this also sets up a couple of things for the show -- for one, throwing us into the historical nature of the show, as well as adding a slight bit of comedy to the over-the-topness of Portia's insistence. The show is telling us that, yeah, there are crude and unpleasant things going on, but we're not taking ourselves too seriously, so neither should you.)

Next, we shift over to the Bridgerton household, but I want to point out something first... Notice how the Featherington door knocker from earlier was much more adorned and intricate? The Featheringtons are more concerned with status and money and appearing as if they're better off than they really are, while the Bridgertons don't need nor want to show off in the same way. It's a neat little detail.

Also, the bee imagery for the Bridgertons always is amusing. Symbol of death there ;) In case you were wondering - the Featherington symbol is the butterfly.

So, it's important to note that the Featheringtons are the next door neighbors of the Bridgertons, and it's of no surprise that Penelope would, after disparaging her own family, turn her attention to the family that has captivated her most of her life.

Okay, I kind of love these paintings as an introduction to the Bridgertons. (Are there ones for Gregory and Hyacinth?) I think it's a fun touch to the whole historical setting of the show. And it makes them look as if they're these frozen, idyllic pictures and who are not exactly real. Which is great when combined with the Lady Whistledown dialogue going on how wonderfully attractive they are - because it sets us just slightly apart from them.

Like I said above - Penelope is on the outside, and as we move in, so are we, but we get to finally move in to see real people behind the paintings. (Also - omg, the look on Eloise's face is priceless and I love it)

Also. A+ casting, guys. I really believe they're all related. ;)

I also love the juxtaposition that when we first hear the Bridgertons talking, unlike their perfect, picture-esque counterparts in the paintings, we get Eloise complaining. (Look, I love Eloise a lot -- and she's the third in this crazy triangle, so we'll be talking a bit about her, too.) We also get a bit of chaos as the camera descends the stairs, with Gregory running around them and the banter between the sisters.

It's all great, quick character set up as each of the Bridgerton siblings gets a little beat in this sequence.

And... we get our first glimpse at Colin!

And here's the thing about Colin. He's the third son. Anthony may not be around at the very moment, but he's very much a father figure to a lot of them and is in a different place being the oldest and actual Lord of the Estate. His role is much different. And then there's Benedict - who is that second in command while Anthony is away. Benedict, though is the artsy one and the experimental one and is a bit more aloof in nature. Which brings us to Colin... Who doesn't have the same set in stone sense of purpose Anthony does nor the happiness of just floating through life the way Benedict does.

And so, this scene has a couple of tidbits to kind of illustrate his place in this huge household. He's says he'll go get Daphne (who is currently hiding out in her room, and whom everyone has been arguing about). Colin does like having purpose, and does like to help whenever he can.

And then there's his banter with Benedict about how he's better liked by Daphne than him. It's a great little moment, not only the show again allowing to us to know that we should not be taking this historical show too seriously, not only showing us the beloved sibling antics (which -- i really love all the sibling dynamics in this show), but also showing that Colin has a bit of a cheeky side, and isn't afraid to bring a bit a levity to the situation when he can.

Also, a tiny tidbit in relation to the book, Colin and Daphne (being close in age) are rather close in the book. We don't necessarily see it in the show due to the nature of wanting to highlight Anthony more, but I feel like these lines are a little nod to that, too.

Of course, then, Eloise screams at the top of her lungs, which is a moment I still laugh at. I love that while Benedict's jaw is dropped, Colin is entirely amused by her, as I'm sure she livens the entire household up.

We get both households coming out of their houses, and we get this sweet little moment where we see that, not only are they neighbors, but Penelope and Eloise know each other and are friends.

I love that Penelope is so overjoyed to be looking over to the Bridgertons that she kind of freezes in excitement and has to be ushered along.

Also as the camera pulls back, we see Eloise reading a Lady Whistledown pamphlet! The first time we see someone do so!

You guys remember Disney's Sleeping Beauty? There's a moment when they enter the castle the three good fairies are announced. The dude who announces the Featherington sisters reminds me of that -- introducing Flora, Fauna, and Merriweather! (Don't even come at me, it's my favorite Disney movie)

Anyway... we get LW's narration that this is a pivotal moment for London society at the time -- when the girls are presented to the Queen and enter the marriage mart. Basically, it's a coming of age for young women. And while Prudence might have the most embarrassing moment by fainting (I mean - who's to blame her, really) Penelope looks so awkward going out there -- before her time, really not emotionally ready, and just not graceful in the way that the other girls, including even her sisters, just are.

Okay, so it's not really our first Polin moment, but there is a pseudo moment buried in here.

But first - I want to acknowledge that Penelope, feeling out of place, and at ill-ease with her surroundings, throws a glance over to Eloise. I love Eloise's truly perplexed look as she watches her friend go through something that neither of them really want -- as if trying to grapple how any of this is real. Penelope and Eloise's bond is incredibly important to both their characters and the show (and is something I enjoy as much as I love all the Polin).

As for Colin standing over there in the corner... No, there's not really anything to pull out here. But! There is going to be a moment in season 3, when Colin is writing in his journal, where it's clear that he's thinking about this moment, and describing watching her as she heads towards the queen. It's a cute callback to this moment, and even if we don't really see it -- it's still there. He's still noticing her, even if it's very, very subtly.

LW continues her narration about how important the Queen's opinion is of the ladies of society, and how important it is to make a good impression. But fascinatingly, Penelope is too busy looking at the ceilings and being in awe of her surroundings to really take notice of what the Queen is doing. She's a bit, understandably, shocked. (and another great comedic moment as Portia kind of knocks her back into focusing.)

It's great for setting the atmosphere of the show, but also allowing us, through Penelope, to take in our surroundings and be in awe of what we're witnessing.

It's also, I'll add, to be an awkward contrast to when Daphne comes in and is completely flawless in her entrance. Penelope is our side character. She's not our main character. And main characters are supposed to have a level of perfection to them. (Or so we're been accustomed to believe.) I think one thing I'm happy to see on the show is that, while we're still going to get a lot of romance story tropes, the show does try to dismantle a few of the stereotypes as we go along.

Also, two quick smaller notes... we don't really get to see Colin's reaction to Daphne -- Anthony and the sister are too in the way, and he doesn't have much of a discernable reaction when we do see him. And, the narration makes note that Daphne is going to burn quickly, which honestly made me laugh a little.

And.... that takes us up to the credits! Which is where I'll be stopping for now. Since this is the first episode and an introduction to the world, there's actually lot of both Penelope and Colin in it, so there's a lot to go through... stay tuned ;)

[perfectlypreservedpie]

MacCready Fanfiction Recs (Fallout 4)

hey everybody, nobody asked for this but in the midst of writing fallout fanfic I was feeling a special kind of love for my favorite fo4 fanfics and wanted to recommend them in case you hadn't read 'em. Because they are VERY GOOD and writing fanfic is hard, so you gotta give props to those who sweat for your comfort fics.

I'm gonna recommend my top three finished fanfics, and then two more bonus fics that are being updated rn. As a clarifier, these are all Maccready fallout 4 fics. so. keep that in mind.

im tagging the authors and also anybody who wants to join and share their favorites too!

3. THE FATHER(S) AND THE SON(S) on ao3 by @sirmanmister

I'm going to preface this rec by saying this: there is Fanon MacCready. There is canon MacCready. And then there is ascended!whatBethesdawishesitWAS MacCready, which exists solely in this fanfiction. The characterization of Mac is so well written. He is snarky, he is vulnerable. He desperately wants to grow up but doesn't know how. He has the most sick character arc in this story!!!

It's not a romance but instead a coming of age story where the sole survivor becomes a de-facto parent to Mac. The heart of the story is about how to raise a child while you're still trying to grow up yourself. The apocalypse setting lends itself well because the Wasteland is a place where NOTHING is beautiful, but the way that M!Sosu and MacCready care for their sons is beautiful. Which makes it special and worth fighting for.

As a fun fact, I read The Road by Cormac McCarthy for class a week after finishing this fic and I was thinking about this fic the whole time because the themes of fatherhood during an apocalypse hit a lot of the same beats. Maybe my professor would kick me in the teeth by comparing fic to McCarthy, but @sirmanmister YOU ARE MY CORMAC MCCARTHY <3

2. WORKING CLASS HERO on ao3 by @bluegrasskitty

This is the kind of fic you take with you to toilet, to work, in-between classes. It will suck you in. AND THERE'S A SEQUEL TOO YOU GUYS‼️

The sole survivor in this story is the model for the Nuka Cola girl. You know the hot lady in the spacesuit? SHE HAS A BACKSTORY. AND YALL IT MADE ME WEEP. During some point of the story, I sort of stopped rooting for MacCready to be the narrator and just wanted Nora Cabot to take the reins. When I tell you I think of this oc every two to three business weeks. She's an incredible leading lady. I can't look at Nuka Girl posters in the game without thinking of Nora Cabot, my beloved.

the sequel IS SO FIRE. It's the best reimagining of 'what happened after the institute blew up' that I've ever read. im gnawing at the bars of my enclosure actually.

A VERY GOOD PLOT TWIST I CANNOT MENTION TO NEW READERS BUT IF YOU'VE READ IT YOU'LL UNDERSTAND. AND IF YOU UNDERSTAND DM ME I HAVE TO TALK TO SOMEBODY ABOUT IT. HHh.

The amount of world building that @bluegrasskitty puts into this story is insane. They ARE Beth Esda.

As a fun fact, I didn't know that radchickens were canon in fallout. I thought it was a plot device made up by this author to excuse the ability to make cake in this book, but radchickens ARE real. When I was playing Far Harbor last year, I found radchickens and thought that @bluegrasskitty manifested them into existence because they had that kind of power.

that being said, I still think this author has that kind of power.

1. Atom Bomb Baby on ao3 by @starlightwrites

I think you dropped something....my jaw.

fellas. fellas. this is my comfort fic. You ever had a comfort fic? Something you come back to at least once a year to reread to feel something? the fiction equivalent of chicken noodle soup? this is what Atom Bomb Baby is to me. this is peak literature actually. if I ever figure out book binding, im doing this one first.

Plot wise, it's a retelling of Fallout 4's main story through the perspective of MacCready. But (and im wheezing as I say this) it's also so much more THAN THAT.

this fic author understands that MacCready is not a womanizer but is in fact a touch starved loser. and they are CORRECT.

MacCready spends the entire fic like 'uuuhhhh I dunno about this one, boss!'

ITS BEST FRIENDS TO LOVERS RAHHHHHH

it also has a nostalgia feel to me too, because reading it gives me the same feeling as what it was like to play the game for the first time, years ago. maybe it's because I've read it so many times over the years, but reading it feels so satisfying.

The author spends 10 chapters at the end solely dedicated to an epilogue. I wish more stories did this. They go through the wringer in this story, and it's so deeply satisfying to see how cleanly everything gets wrapped up. MacCready and the Lola work really well together as a couple, so it's awesome to see how they work together after the battle is done.

6 out of 5 stars.

BONUS FICS !! aka fics that are still updating! I squeal with joy when I get an ao3 email about these: 1. Best Laid Plans on ao3 by @druidgroves - Georgia Tate is an incredible character and sole survivor! She was a teacher prewar, so it's really fun to get her perspective on the world. She cares a lot about education and libraries and I find her really relatable and endearing. It's a cool thing for a character in an apocalypse to care about! It also makes for fun tension with Mac, who's written as a pragmatic survivor. A great take on familiar characters and their dynamics. - And It's a great slow burn! I'm really enjoying reading it. 2. Long Time Running on ao3 by @twosides--samecoin - If you've ever thought that Med-Tek was too convenient an option for Duncan's cure, this fic was written with you in mind. - RJ goes to Canada and im obsessed with it. - If you're interested in fallout lore, specifically the bit where the U.S annexed Canada and wished that there was more info about that, I would highly recommend this fic. Twosides--samecoin put in THE WORK. The world building they do to explain Canada's side of the Great War is so fun!!! its genuinely such a thrill to read!

I'm tagging the authors who I mentioned, if you all have favorite fics (fallout or otherwise, I'd love to hear em!) Thank you for making good art!

[samijey]

Corey Graves with the foreshadowing of all time in this old episode of Smackdown (February 19th, 2021)

Let's talk about this episode, shall we? Because the Sami & Jey dynamic is really interesting in retrospect

Let's talk about how this episode accidentally focuses on the samijey dynamic way before it became "a thing" - remember these were HEEL Jey and Sami - they were both at their lowest points, with Jey at his most volatile and aggressive (still reeling from his defeats against Roman) and Sami being an annoying, paranoid mess (this was shortly before the whole Johnny Knoxville thing).

At the start of the show, Sami interrupts a segment between Edge and Roman (the "real" top feud going on in SD at that time, if you'll remember - oof pandemic era) and immediately starts rambling, which Roman ignores, Edge laughs at and Jey just watches looking equal parts confused and curious:

man literally got the 🤔 going on

that was until Sami got the camera crew involved and started yelling into the microphone, at which point Jey lost patience and superkicked him - look at his face when he turns around to look at the camera guys he's soooo annoyed

classic samijey angst shot before it was a thing i'm just sayin'

Sami rolls to the outside after the superkick so Edge and Roman can resume their thing - and what does Jey keep doing during the rest of the segment? stare at Sami on the outside, of course

he just keeps doing it for no apparent reason

even while they're all making their exit, Jey's in the back of the shot staring at Sami, who's still down (lol at his little head popping up in the right corner of the frame)

cut to the main event tag match of heels Sami, Jey & Corbin vs babyfaces Daniel, KO and Cesaro. Immediately as Jey makes his entrance he and Sami start bickering

that's when you have that great line from Corey Graves about sparks flying (talk about foreshadowing lmao)

also let's talk about how Sami gets in Jey's face but Jey doesn't look phased by it and looks weirdly relaxed as he responds with "I got you"

they go on to bicker during the match, of course

but to also be the only two people to work together (we even pause the match at one point to have a classic "angry" tag spot between them)

and to put a cherry on top, they are also the only 2 to save the other from getting pinned

it's fun to see that even over a year before Sami famously approached Roman to officially kickstart the Sami in the Bloodline story arc, these two were already gravitating towards each other on a random episode of Smackdown 🤧🤧 it makes for really funny (unintentional) foreshadowing

[bekolxeram]

I woke up to a dash full of bones, and I thought to myself: What a day to be a moopsy!

But then I realized it was the same kind of bones people have been trying to force feed me since May. I'm a moopsy with standards, give me herringbone, funny bone, trombone, Jackson Rathbone (jk I've never seen Twilight), any other kind of bone.

Please don't force a moopsy into vegetarianism.

Oh, and I've read that opinion piece. It's certainly one of the articles ever written.

First of all, I feel like I'm in a time loop, I can't believe I have to dig through the vault to find this post from June. Tommy wasn't taking Eddie on an "adventure" in 7x04. Both flying and combat sports have been Tommy's passions way before Eddie showed up in his life. They happened to share common interests, so Tommy asked Eddie to tag along for the ride, but he was going to Vegas anyway, solo or not.

Exploring your partner's interests would be more like... I don't know, showing up to a groom-less (and fun-less) bachelor party while being on standby because it's important to your partner? Listening to him ramble about a dead outlaw even though you're so tired from your shift and taking care of him all night that you're basically mumbling half-asleep, yet still manages to catch that he's said "crossed" twice? Thinking your partner is stressing himself over a stupid curse but you still put on a nice suit, drive him to the cemetery and stand behind him while he gives a century old mummy a eulogy, for it to unexpectedly turn into a moment of connection between you two?

Secondly, I'm not even getting into the whole "slow burn is the only valid form of romance" thing. I just never imagined there would be a day I see the words "slow burn" and Bathena put together. They're the antithesis of slow burn. They're explosions in the form of beautiful fireworks. I understand that the author only started the show about a month ago? But literally, in the first episode of S7, Athena told the therapist that while she loved her husband, she didn't know how to just slow down and chill out with him. The cruise ship disaster arc ended with them bonding over yet another near death experience. Life's too short for slow to them.

Thirdly, 9-1-1 doesn't really do cute dates? It's either in the ending montage of an arc or it's a setup for some terrible misfortune afterwards. It's not a YA style queer coming-of-age show either, the best you'll see Buck navigating through queer spaces is speeding from "calling himself an ally while on a date with a guy" through "walking into a room full of people with a soot eating grin". (While we're on that, I guess I have to dig out another post from June about the first date closet comment. Tommy took the initiative to tell Eddie they were just hanging out, and Eddie bought it. He didn't mind keeping Buck's sexuality private, but he did mind Buck pushing him back into the closet with the hot chick lie.)

Finally, Tommy has been relatively involved in the Fire Fam circle ever since his re-introduction. He literally stole borrowed a helicopter and flew the 118 to the Pacific Ocean just to save Bathena. He was at the wedding, he was at the medal ceremony, and now he's part of the hospital vigil for Denny. And each time he's not just there for Buck, he's there for Chimney, he's there for Hen too. For someone who puts so much emphasis on "slow burn", the author seems rather hasty in pronouncing BuckTommy dead on arrival, after watching a total of 5 out of 18 episodes this season (with 2 of them heavily featuring passengers on the plane and putting the whole fire fam to the side no less). Every relationship takes time to build up, I'm sure the author understands that, welcoming a new member into your family is not a question of yes or no, it's also a question of when. Tommy has mentioned 3 times how much he wanted to have a team like that behind his back, how alone he was navigating through life with only negative influence like his father or Gerrard. Buck's story in 8x05 started as a spooky comedy about a mummy, but ended as a heartwarming tale of Buck empathizing with Billy's loneliness and declaring himself part of Billy's posse. So what do you think will be the more satisfying payoff to Tommy's story? Him being formally welcomed to the family eventually? Or having him break up with Buck then cast aside with a mere "lol sucks not being a main ig"?

[friskarm]

tentatively putting my thoughts into the tag. for context i am an anime-only watcher but i've been really, really enjoying the mage exam arc and i was definitely a little surprised to find out that this arc has a lot of people frustrated!

one of the strengths of this arc, i think, is seeing how frieren interacts with characters and personalities we've not seen her encounter before. fern and stark are both relatively placid as people; they're generally content to go along with what frieren says.

lawine and kanne are two very strong personalities that frieren initially doesn't know how to deal with at all! they have a whole thing going on and frieren's choice is to. not handle it at all. rather, she spends much of her time quietly observing the two of them until she can speak with each of them individually and figure them out, just a bit. she really struggles to get a grasp on the situation until she does that; it's lawine and kanne who are acting first within their team.

then, secondly -- frieren's plan is so. elf with a lot of time to spare. the impact of the time limit is felt so strongly by every human character on the field; everyone is in such a rush! fern's team are stoked they caught a stille so early. the team that attacks them are desperate to steal it asap. after lawine freezes the lake, the other teams are desperately trying to thaw it, for a quick solution.

frieren, though? frieren's solution takes a shitton of time and involves her essentially meditating by a pond for god knows how many hours. it's such a frieren plan; i feel like only someone with a relationship with time like frieren does would come up with it.

tldr; frieren's capacity to form relationships and understand people and her relationship with time are shown off in a really interesting way wrt the way frieren solves the stille problem.

that, and... it seems a bit silly to say this about a show with a certain character in the title but... i do not feel that frieren is exclusively about frieren. it is certainly a story about her adventures but frieren is by no means the only important character! fern is also there! and stark but hes on vacation. so let's talk about fern.

the one fight scene fern has is so unbelieveably crunchy to me bc we learn so much about the world (now) and about the world (part)/frieren's view on magic from it! the girl she fights has really impressive magic; we know that this is generally considered a time of peace, the demon lord is dead, etc. magic is not necessarily a means to an end. i wonder if this means magic has entered a sort of renaissance? a time period after a period of great upheaval, where social structure is thrown out the window and great advances are made in technology, science - and maybe magic!

the way fern uses magic is very indicative of how frieren feels about magic. fern says (that frieren said) that "this is enough to defeat mages of this era", which is so interesting to me bc yes, ofc, fern does win! with her simple magic and full auto fire. but does that automatically mean fern is a better mage? it's complicated...

you hear a lot about the different philosophies of people who use magic in these episodes, and what i'm really interested in seeing is mr war guy meet frieren, bc i think they'd be the most interesting contrast -- a warrior of the past, and a warrior of today.

specifically bc -- frieren is basically a custom-designed warrior. the way she can mask her mana is very specifically designed to be able to weaponised against demons, flamme did that to her very purposefully. the way she's trained fern is also indicative of that; fern's immense firepower and stamina being "enough to defeat mages of this era" without being flashy so to speak indicate, at least to me, that this sort of thing was common in frieren's time! but this is a type of magic very specifically made for battle against a very specific enemy.

no wonder frieren likes collecting weird spells so much... i wonder if she's had much time at all in the past to play around with magic for the sake of anything but fighting and training to fight?