#there's too goddamn much in these stories

[godmadeaterribleerror]

As Much As I Do - No Love Lost One Shot

Series Masterlist

Author's Note: One-shot request from my love lordofthunderthr! Extra thanks because I've been waiting for the genuine smallest reason to use this gif because it's in no way going to fit into the actual story. Title from Bob Dylan by Fall Out Boy (you guys can pry my Fall Out Boy song titles from my cold, dead hands)

Word Count: 1.8k

Summary/Warnings: Takes place after Chapter 14 and around Chapter 15. It's fluff. Horny fluff.

Ben felt like a fucking cat. She was touching him casually while he “slept” and he was pretty sure he was fucking purring. The Thing was definitely making some sort of goddamn low sound, and Ben couldn’t blame it. She was touching him like it was simple, his head was buried in Her neck, and one arm wrapped was between her body and the mattress while one splayed out across the bed because it goddamn could. He was in their fucking bed and Ben could do whatever the hell he wanted on it. 

Except fuck Her. 

Ben wasn’t allowed to fuck Her. 

He wasn’t allowed to make Her moan and scream and feel fucking good. Fuck Her until she said his name and smiled at him and looked so fucking perfect, undone below him. Or above him. Or against him or in front of him or clinging to his body. He didn’t give a single shit, as long as it was Her. Wanting Ben, touching him, letting him touch her. Like this—where Ben’s breath was in time with her heartbeat and her perfect hands were running through his hair—but until She’d been ruined. Until her beautiful face was flushed and her hands were clawing at his back and her pretty eyes were blown out and lustful and all of it was for Ben. For how he was making Her feel, how she was gasping and begging for him to do it again and again until the only words She knew were Ben and please and everything else was just moans and whines. Until she felt half as damn good as Ben did now, resting on top of Her as she fucking pet him and he had to fight the Thing’s urge to just stay here for the rest of goddamn time. 

“I know you’re awake, Benjamin.” Her voice was so perfect, humming everywhere around him and soothing the Thing, that Ben almost missed her actual fucking words. “I can feel you.” 

He didn’t answer. Maybe She’d just give up, and keep him right fucking here—where they both belonged—forever. 

He should’ve known better. Ben knew Her too fucking well to think she’d ever just let anything go. 

“You’re heavy,” She said, and one hand dropped to the base of Ben’s neck. “And you smell like shit.” 

“Shut the fuck up. I smell fucking fantastic.” Ben didn’t move as he grunted the words against Her skin. He wouldn’t move, not until she damn made him. 

“I knew it.” 

Clever, impossible, perfect fucking woman. With Her happy giggle when Ben squeezed her closer and her gasp when he nipped the skin of her neck.

“That’s a goddamn underhanded move, Sunshine.” He muttered, and when he looked up at Her it was like he’d been struck by lightning. She was smiling at him so gently, eyes still heavy with sleep, and so fucking beautiful. Just looking at him, watching Ben like she’d never want to look anywhere else. 

“I don’t know what you’re talking about, Pretty Boy.” She kept smiling at him, voice smug. “I didn’t do anything.” 

Ben rolled his eyes. “You didn’t know I was awake,” he said Her name, and her smile widened. “You fucking baited me.” 

She shrugged, body shifting under Ben’s and making a small sound that sent a rush of pure fucking hunger through him. “Prove it.” 

Ben had a lot of favorite sounds She made. The small squeak when he flipped her body over his—sitting up with his back against the headboard and sliding her down his chest—was certainly on the damn list. 

“You’re a fucking menace, beautiful.” Ben pulled Her forward slightly, leaning down to growl in her ear. “I don’t think I’ll have to prove it. I think I’ll ask you again and you’ll just tell me.”

When Ben moved back, meeting Her eyes, he could feel her heartbeat under his hands. Resting right at the line of her shirt, never higher. Holding her right where he fucking wanted her. Against him, so when she squirmed he’d feel it. 

“Fuck yo-“ 

He didn’t wait to make a teasing remark or dirty joke. Ben just leaned forwards and touched Her. Kissed her pretty mouth until she opened for him, pushing his tongue in—almost down her throat—and just trying to get closer. As close as he was allowed to be, while still touching her more, making her feel good. Make Her hands pull at his hair, make her whimper a fucking perfect sound from her throat that Ben got to devour. He’d lost sight of his original plan, but he didn’t really fucking care. Not when he bit her lower lip and could revere in the way she leaned further into him, or when he had to try not to lose his fucking mind when she started to grind down on him. Started to practically fucking climb up his body. 

When Ben sucked on her tongue and she made maybe the best sound he’d ever heard in his life—unintelligible and breathless—he had to wrap his arms around Her and pull her into his chest. Hold Her there until he could get goddamn control of himself and not have to explain why he’d fucking cum in his pants. 

“Ben,” She whispered, head in his chest. “You really do smell terrible.”

He chuckled. “Brat.”

“Cunt. Can you please shower so we can train?” 

“I told you last night, we’re not fucking training-“ 

“And I told you, Benjamin, that I do not care what you told me.” She glared up at him, so fucking beautiful, and now Ben had to goddamn pretend he hadn’t already given in. “I am training, with or without you.” 

“You’re a pain in my fucking ass.” 

She smiled at him. “But…?”

Ben rolled his eyes, leaning his head back, forcing himself to stop staring at Her perfect face. “Fine.” 

“Fine?” 

“We’ll train.” 

“Thank you,” She kissed his neck, near his jaw, and hummed against his skin. “Now go shower. You smell like balls.” 

The only thing that kept Ben from taking a year in the shower—letting the Thing grab him and show him all the ways he could’ve just fucked her on the bed, buried himself in her and made her scream—was that sometimes, when they trained her singing, his doppelgänger would appear. It would make Her face flush, make her eyes wide and heartbeat quicken, and Ben would get to taunt her until one of them moved and he was kissing the air out of her lungs. It was something to look forward to. Something that made Ben fucking haul ass, getting in and out of the shower in four minutes flat. 

Ben hadn’t left the room when he realized that She was already singing. She’d gotten more comfortable with it, the longer they practiced, and sometimes would hum softly during movies or while doing normal things. Normal, easy things like laundry or dishes or cooking, simple fucking things that Ben got to share with Her. Got to watch how Her humming would send the world into a spiral of her, all the perfect fucking parts of her cast across the room for Ben to exist in. Colors and lights that he got to watch her sway in. 

This wasn’t that. This was singing. 

With words and instruments and a beat that ran through Ben’s body and bones. With the room turned into a dark club, with lights that flashed and changed in time with the bass. 

And She was dancing. She was singing and dancing and moving with the music like it had been made for Her. Like the rhythm had been designed to follow her legs, and the guitar had been made to move her hips. Like the whole fucking song had been perfectly tailored to her voice and how she moved through it. How she didn’t stop for even a second, never losing a breath, performing for no one like her life depended on it. 

It didn’t, but Ben’s life might. Everything in the world might hinge on letting her just dance like that forever. The Thing wanted all of this. All of Her, forever, like this, or it would fucking explode. Ben had no will to push against it. Not when She was dropping down and twisting and turning her body and so lost in it that she didn’t even see Ben. Falling to her knees and leaning back while her hands gestured with the lyrics. Trailed down her body and up again. Wrapping around her throat before falling to the side. Her whole fucking voice saying every word like it had been written for her, the whole face twisting with the emotions of the song, smiling and dropping into a pout and so fucking perfect. 

She only saw Ben when the song ended. When the club disappeared and they were back in the apartment, leaving Ben no longer hidden in the shadows of her illusion. He should probably feel like a goddamn creep, but Her mouth fell open and her heart picked up, so he couldn’t really bring himself to give a fuck.

“Hi,” She whispered, and Ben grinned at Her.

“Hello.”

“How long-“ 

“About three minutes,” he crossed the room until he was standing above Her. “Almost the whole fucking show.” 

“You, um, you showered fast.” 

Ben winked at Her. “I’d have showered faster if I’d known I was missing something. You do dance like a fucking slut.” 

She scoffed, wrinkling her nose at him. “That’s pretty high and mighty for the manwhore to say.” 

“It was fucking hot,” he lowered himself down until his nose was bumping hers. “I think I prefer your slut dancing, Sunshine. It’s more you.” 

“More me?” She gave him a flat look. “Fucking rude.” 

“How the hell is that-“ 

“You just called me a slut, Benjamin. That’s not very nice.” She whacked his chest, and Ben caught her hand. Held it there. 

“It’s more you because it’s fucking loud. Because it’s fucking captivating and hot. So fucking beautiful and good.”

Because it’s fucking perfect, the Thing rumbled. Because you’re fucking perfect. 

She was watching Ben with wide eyes. Opening and closing her mouth like she was going to say something. 

Instead, she fucking tackled him. Rammed Her body forward, crashed her mouth against his, and let Ben pick her up and carry to the couch. Training could fucking wait. Everything could fucking wait. She was making that same perfect sound from before, and her hands in his hair were making him groan, and when his hand started to kneed at her skin she made such a happy fucking sigh and Ben knew everything could wait. This was just Her. Making the Thing content and goddamn purr in his chest. Making Ben grin against Her neck when he sucked that one spot and she moaned his name. 

The whole world could go fuck itself. This was Her.

End Note: Let's all say thank you to @lordofthunderthr for some easy fluff in these dark times (Chapter 16 to a secret chapter number I cannot yet say).

I'm going to start a separate tag list for one-shots, so lemme know if you want to be added!

If you like this story, reblog, share, or leave a comment! <3

[frogcereal29]

Nikto x savior!reader

So IDK what i was going for with this- but reader saves Nikto's life and he is... Grateful, in his own special Nikto way :)

Also Witten entirely in bulletpoints like hcs sjsgskshs cause heaven forbid I have to write a continuous story without any sudden jumpcuts when I can't come up with more shit to fill the space😭😭

Warning for military inaccuracies, mentions of religion, and google translated russian‼️ also nikto's thoughts are a bit obsessive. 18+ preferably

- He thought it was over. The building was about to collaspe, almost everyone else had been able to get out, but he was injured in the leg, and the fire was surrounding him. It wasn't the worst way to go, he supposed, a bit unmemorable. But who remembers a nobody anyways? Thats all he was.

- "You're not going to die." a voice? He knows that voice.

- you were one of his teammates, he recognized you from trainings and mealtimes, you never stood out to him before though. Just another body. But now. You were attempting to hoist him over your shoulder, despite him being so much bigger than you.

- "что? What did you say?" He rasps, voice weak. The smoke was starting to get to him. It didn't help he's been smoking for years, making his lungs shitty as can be.

- "I said, you're not going to die. We're not going to die." You seemed so self-assured, despite the seeming hopelessness of the situation, you started down a path yet to be touched by the flames, but one that was in the process of collasping, meaning you had to act fast. Jogging your way through the smoke, trying to keep your breathing steady.

- He knew you could go faster if you would just drop him. You would've been out of the building by now.

- "Just drop me. Im dead weight." He begs, his vision clouding as oxygen struggled to find its way to his lungs. His body trembled, his eyes stung and watered. But he wasnt scared. No.

- his time with Zakhaev taught him there are fates much worser than death. He's seen enough to last a lifetime, so he wouldn't mind dying so you could live, even if he didn't really know or care about you.

- "No." Was all you said back. So defiantly to a man who could kill your smaller form so quickly, of course, he was in no state to do so, but your firm rejection shocked him. He usually didn't have to ask twice for things, people usually understood what he was about and listened the first time.

- "We're not going to get out in time, save yourself. ты идиот? ты на самоубийственной миссии?" He cursed you off in Russian, flying right into one of your ears, and right back out the other.

- And then you did the absolute unthinkable. You were consoling him. Muttering phrases of reassurance and comfort. What the fuck?

- "you're going to be ok.", "Keep breathing.", "The team needs you Nikto.", "We need you."

- to say he was shook would be an understatement. You weren't technically doing anything wrong. And it wasnt like he'd never received help before. But never in his goddamn life, or at least never in this field of work, had anyone ever been so gentle and caring about it. To a stranger none the less. Yes, you were teammates through the PMC you both worked for, but that was the extent of your relationship prior to this, you had no worldly reason to risk your life for him, yet here you were. It dumbfounded him.

- you come to an exit, only to find it swarmed with flames. The only way out, you were surely doomed.

- "hang on." You said, and started running. Nikto would've screamed at you had he anymore strength. He was right, you were a suicidal lunitac, even moreso than him.

- congrats, you've startled nikto (I wouldn't say scared, he doesn't get scared to often) running into the wall of flames. He closed his eyes.

- It only lasted a second or two, nikto felt the flames brush his skin, and no doubt yours too. Searing away any exposed hairs on your body and face. But you flew through the doorway and stumbled out into the grass.

- when the coolness of the night air flew in through his mask holes, he shivered. How you two survived, he genuinely didn't know.

- He had abandoned all his faith, God ignored his cries and prayers when he was being tortured, something Nikto could never forgive, but in this moment he was thanking him again. Not just for his safety, but for the angel he just sent him. Thats what you must be. An angel. It wasn't his time and God sent this angel to carry him to safety.

- seconds later, the building completely collasped, but like a sick ass action movie, you didn't look back. Carrying Nikto to safety.

- When your walkie talkie catches a singal, asking for your status and reporting Nikto's MIA status. The team, whereever they regrouped, must've noticed your absence.

- "alive." You say informally into the walkie, "Nikto is with me." You report back, Nikto tunes you out as you dicuss further plans of meet up with your team, Nikto is just thinking about you.

- it isn't long until the team came to your aid, the combat nurse who came along on the mission took Nikto from your arms, and checked you down for injuries as well.

- everything ended up working out, the mission was a success despite some of the causalities, and you and Nikto made it out alive with only minor outter injuries and a bit of internal damage from the smoke inhalation, nothing you two couldn't sleep off in the hospital.

- life for you went back to normal after everything was said and done. But Nikto? Oh no. No no no. You changed everything for him. He would repay you, somehow, someway. He owed the angel his life. Eго ангел.

- everyone except you seems to take notice of a pattern immediately: wherever you were, Nikto would start showing up too. His previously reclusive behavior abandoned as he put himself in more social situations around base simply to be in the same room as you.

- maybe someone will eventually point it out to you, if it doesn't eventually become painfully obvious, finding flowers and russian chocolates outside your door all the time.

- hell, some nights you wake up in a sweat from a nightmare, and swear you can sometimes see a figure standing in the corner of your barracks, and a gentle voice distantly whispering to you, still delirious and sleepy.

- "Тсс, ангел, это всего лишь сон, я защищу тебя так же, как ты защитил меня."

- Your kindness wss like a drug in his head. He almost wants to injure himself on purpose nearby you, maybe you'd scoop him up, kiss his forehead, and tell him everything was going to be alright.

- Maybe you'd personally wrap his wounds and carry him back to your bed, and lay with him. He was sure he'd heal faster having you around, his pain always went away when you were near.

- His thoughts get a little deranged from time to time, but he tries to be so controlled with you, his little bird. And he is. He never acts out around you, even when everyone is being annoying and he has to stare off into the distance real still or else he's going to snap and kill everyone here. The last thing he wants is to scare you.

- He may be Nobody, but you, that fateful day, made him feel like a somebody. You brought back a small piece of Andre. And he will forever be yours. Please accept him, angel. He will take such good care of you

(ty for reading! If you haven't read but would like to check out my nikto and krueger hcs thei under the tag #lexwrites, its in my search too on my blog so yeah ;3 hope you enjoyed I love yall /p)

[captainpineappl3]

LEGO Red Dead Redemption is a game we need:

You might see a similar post from @phantom-of-the-501st because we were talking about this together!

Also spoilers for the RDR games.

Base Game Concept: We've all played a LEGO game and we know that they frequently make games for other franchises such as Star Wars. LEGO RDR follows the entire storyline from prequel of the second game all the way to the end of the first game. If the game is too big with all that then we remove the first game because RDR2 adapts much better (sorry).

The World: LEGO games have used a large scale open world before so we can assume the exact same for RDR. The LEGO Hobbit game I'm pretty sure used a massive scale map which admittedly you mostly fast travel around but you could walk around a lot too. Another good example is LEGO City Undercover, a very detailed world to explore.

(side note I only just realised the "i" in "CiTY" is the only letter that isn't capitalised)

Obviously including all of the side missions from Red Dead Redemption and Red Dead Redemption 2 would likely be too much for the game include so as an alternative, we reduce them down to character unlocks and small Easter eggs/tasks. Another good example of this is how it's done in LEGO Jurassic World where you can occasionally find sick dinosaurs and you have to search around the area to find what they need.

Now imagine this but with a random character from RDR/RDR2 like Albert Mason. You meet him, the coyote steals his bag and runs away, leaves it in a place that's difficult to reach. Now it's your job to work out how to get it back, perhaps using a lasso or hitting some targets or the good old LEGO building a small object to reach it.

Completing these small side missions can unlock the character for you or give you a red brick/collectibles perhaps (more on those later). Missions that can't be adapted very well can simply be turned into character purchases. Imagine wandering the bayou and finding that cabin with the poem about Jimmy Brooks, then you turn around and the good old Strange Man is stood in the corner ready for you to purchase him.

Unlockable characters also gives you easy opportunities for an Easter egg like Red Harlow.

The Story: The story is possible to adapt to a LEGO game form although obviously it has some significant difficulties we'll cover later. As stated above, RDR2 is our priority to include so the game of course starts with Colter, the whole gang is there in their beautiful LEGO form. Just like the original game, Colter is entirely used to teach the player the basic mechanics of the game. Here's an example of a few starting missions.

Outlaws From The West teaches you basic combat and you finish by unlocking Sadie as a character.

Enter, Pursued By A Memory teaches you how to do parkour and unlocks John (that or John isn't unlocked until the epilogue).

Eastward Bound where Arthur broke the goddamn wheel? Sounds like a great time to do some building, hitting targets and doing some parkour to go get the wheel and the rest of the stuff that fell off the wagon!

You get the point, the story is adapted into LEGO form making use of all the same stuff you've seen in LEGO games before. Some missions could probably be removed or several missions can be combined into a singular level. There's one massive problem you may have realised about this though...

LEGO is a very kid friendly company and well, Red Dead Redemption certainly is not...

How can we fix that?

Adapting Red Dead Redemption To Be Kid Friendly: Well obviously we have the simple steps of just... not including the murder dungeons? Head explosions via sudden increases in kinetic energy applied through double barrel shotguns wouldn't be a concern anyway since LEGO people literally explode into their individual pieces upon death anyway.

But then we have the big concern about the choice language in RDR.

Fixing Red Dead Redemption's Language To Fit LEGO: We all know where this is going right? An aspect of LEGO games that we all know and loved yet sadly hasn't been seen in ages. The non-verbal noises. We can probably steal a few sounds from the original games. Arthur has plenty of "argh"s when he gets shot that would fit perfectly with LEGO's style. But I think we also should still bring in the voice actors to make some noises for it.

In the event that we do keep a few voice lines, I personally recommend "LENNYYYY!".

But what about how this impacts the story? How will Dutch explain all his amazing plans? How will the Pinkertons threaten the gang? So much of the game relies on verbal communication to progress the story!

How To Replace The Talking: Our first issue is Dutch explaining all his plans. If he can't speak up then how could he get his points across about making a lot of money and leaving to Tahiti?

Simple! If you're not at camp, Dutch does an overly animated pause as he thinks before suddenly and excitedly reaching into his pocket and pulling out a hastily drawn diagram on a piece of paper illustrating exactly what to do.

If you're at camp then there's plenty of options available, my personal favourite being he wheels in a whiteboard and draws on it with his coloured pens whilst the gang all sits there on the floor with their legs crossed looking up at their great glorious leader.

It's the exact same for whenever the Pinkertons come to demand Dutch from the gang. They walk up and pull out a wanted poster of Dutch and angrily growl at the gang.

Also just to make sure Micah is still unlikeable despite not being able to insult anyone, we may just have to make him a bit of a bully. Stealing food, kicking and shoving people out his way, forcing others to do work for him etc.

Speaking of Dutch and his ability to manifest a whiteboard out of nowhere, it's about time we finally discuss characters.

Character And Their Abilities: LEGO games are known for their characters having different abilities and I think it's best we make the entire gang as playable characters of course. Maybe not all available at the start but they certainly are needed eventually. Here's the main ideas for the gang so far and their abilities. A lot of them are still yet to be worked out.

Dutch - Investigative (able to find details others can't that then reveal objects or their locations) Hosea - Disguises Arthur - ? John - ? Javier - ? Bill - Strong (able to break objects other's can't) Micah - Dynamite (can place it and thrown as a projectile) Charles - Tracker (able to see footsteps and follow trails) Sean - Pyromaniac (throws fire bottles like which cause splash damage on impact unlike dynamite which has a fuse) Lenny - Double jump/more agile? Sadie - ? Karen - Disguises/Distractions (able to lure NPCs away from places) Tilly - Double jump/more agile? Mary-Beth - Pickpocket? Uncle - ? but he has to throw out his back after any strenuous activity. Abigail - ? Susan - ? Pearson - ? Strauss - ? Trelawny - Disguises Swanson - ? Kieran - ? Molly - ? Jack (young) - Small and can go through crawlspaces.

Most if not all of them will also have some sort of ranged weapon depending on what they mostly use in game. Arthur likely with a revolver, Charles with a bow, Susan with a shotgun etc.

Some characters may also act slightly differently, a good example being brutes like Tommy in the Valentine saloon who is harder to fight and requires you to fight differently, like the stronger opponents seen in LEGO City Undercover.

Another important thing is collectibles.

Collectibles: Red bricks are obvious. They're in every LEGO game and there's always the obvious ones like stud multipliers. But we can also include ridiculous ones like: All horses become cars, Lawmen and Pinkertons have little police lights on their head, All guns become water pistols, Dynamite explodes in confetti, All guns fire explosives.

We could also consider other collectibles like special hats or weapons.

The final point I have to cover here is character deaths.

Character Deaths (obvious spoilers): The story has to reach some character deaths eventually... it's inevitable. But LEGO likely isn't going to be very comfortable with good ol' Sean Maguire getting the worst surprise party ever.

How do we fix this?

SLAPSTICK COMEDY!

We can't keep them around because the story doesn't make sense so we have to remove them in LEGO friendly ways. Here are my suggestions!

Jake Adler - Technically already dead but to avoid showing a corpse in the wagon we just go with a classic skeleton.

Sean - As you walk through the streets sudden swinging log booby trap flies down and absolutely punts Sean into orbit, never to be seen again before a the gunfight rolls out.

Kieran - Instead of being killed and rode into camp, a cutscene is shown where Kieran is on guard around the camp, caught by O'Driscolls and quickly tied up and thrown into a dingy which floats away before the O'Driscolls send a fake scarecrow copy of Kieran into camp which confuses the whole gang before the ambush attack.

Hosea - Instead of the scene that broke everyone's heart, Hosea boots Milton right in his little brick balls and jumps down a drain into the sewers.

Lenny - Whilst running across the rooftops Lenny is caught in a snare trap which quickly loops around his foot and lifts him away with party balloons.

Molly - Miss Grimshaw during the middle of Molly's rant pops Molly's head of just like a LEGO minifigure would be and boots it off into the woods causing Molly's headless body to go chasing after it. That or another idea which I think I prefer is Dutch and Molly have a dramatic argument in the middle of camp, once again someone gets kicked in the balls before Molly storms off, never to return.

Leviticus Cornwall - Whacked around the head with a frying pan by Dutch or Micah causing him to fall overboard from his boat and he is chased away by a shark.

Cold O'Driscoll - It may be best to change the story a bit here and instead of making sure Colm is hanged, you make to make sure he gets arrested by either leading them to the cops or leading the cops to them.

Eagle Flies - Instead of being shot he is whacked round the head with a frying pan and knocked out, almost arrested before Arthur saves him and you return him to the Wapiti tribe albeit a little dazed.

Agent Milton - Arthur, Abigail and Sadie beat him up, tie him up then shove him inside a barrel and stick it on a passing ship.

Miss Grimshaw - Tricked by Micah somehow (maybe by him pointing behind her making her turn away from him) before somehow she is dragged away perhaps by Micah typing her to a horse or something.

Arthur Morgan - Rather than Arthur dying, he helps John to escape (more on this later).

Micah - I'd love to kill this man but LEGO probably wouldn't allow that. I'm not sure how you work around that. Maybe you freeze him in a bit of ice and turn him in to the lawmen but honestly I don't know.

I don't know Red Dead Redemption 1 as a game well enough to discuss the character deaths in it as I have never played it through (sorry but I cannot ride a horse in that game) however with the death of John and Uncle, instead of being killed by the Pinkertons, in exchange for john's help capturing the gang, John, Uncle, Jack and Abigail are all rewarded with an all expenses paid trip to Tahiti. The final thing to note in all of this is what we see in the credits of the game and the thing I said I'd elaborate on with Arthur.

The Credits: Just like the original Red Dead Redemption games, the credits feature cutscenes showing the aftermath and current events happening once the gang falls apart. The cutscenes go like this:

Remember how Sean got launched into oblivion back in Rhodes? Well the first shot we see is of a nice sandy beach and who comes falling out the sky? The good ol' Irish legend himself! He's made it to wonderful Tahiti.

A little after Sean has set up his nice camp on the shores of Tahiti, who comes rocking up in a little boat still tied up by the O'Driscolls? That's right, it's Kieran.

Y'know it really is strange but did you know that the sewers of Saint Denis seem to connect up with the plumbing networks of Tahiti? It's honestly quite nice because it means Hosea was actually able to wander through them and eventually find himself with the others on the nice sandy shores.

Lenny! Whilst he's flying over the ocean looking pretty bored and annoyed that he got to miss out on all the fun back at that bank robbery, he suddenly notices Hosea, Sean, and Kieran all looking up at him from the beach and manages to untie himself from the rope of the balloons, dropping himself down to them where they all hug and reunite.

Turns out after Molly's breakup with Dutch she really just needed to get away from it all and clear her head. Good thing that she was able to afford a one way ticket to Tahiti!

Miss Grimshaw ends up their somehow I don't know.

Arthur. My sweet old boy. After helping John escape the gang and the Pinkertons he finds himself at a port, waiting for a boat. His brother John says one final goodbye to him and waves from the pier as Arthur pulls out a ticket from his back pocket and puts on his sunglasses and Hawaiian flower shirt and boards the ferry of too the wonderful Tahiti where he spends his days lounging around in a deckchair next to his horse (also in a deckchair), sipping his drink from a coconut through a straw with a little parasol in it as Hosea and Lenny come to sit by his side. Obviously because he's warm and relaxed his Tuberculosis heals too and he's cured. Amazing!

This concludes my 2395 word explanation of why we need a LEGO Red Dead Redemption game and the amazing ways it could be adapted. Come on, Rockstar, you're already a games development studio just get that partnership and work with Traveller's Tales and their experience to make this a thing!

[anniilaugh]

”So.. somebody forgot to mention it’s their birthday, huh.” 💚💛

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

[shithowdy]

realized a drawing i'm doing rn is almost identically posed to one i did 8.5 years ago of a different oc, except the old drawing was instantly tainted by one of the players featured messaging me asking if i could take it down because their abusive, possessive rp partner saw it and got jealous of them "roleplaying behind their back" and i said "nah" and it became a whole Thing that i should have walked away from at that exact moment but didn't and the 6 months that followed contained some of the most truly condensed batshit i have ever witnessed in an rp community already well-known for its batshittery.

... anyway i love my friends. so happy to accidentally redeem the pose.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[liauditore]

new suicide squad anime got me thinking about the genderbend batman au i made when i was 16 again.

extra (nsfw??? body horror + shirtless doodle lol) art under the cut + drabble.

A mysterious actress appears in Gotham!

Production for the long-anticipated remake of the 1930s classic horror film, "The Clay", is saved in part thanks to the audition of one woman with no credits to her name, just a face and demeanor identical of the late leading actress of the original film.

However, the cast and crew have bigger worries than their limited budget and endless demands from their producers -- everyone involved seems to be disappearing one by one!

While the average gothammite worries that the cult classic's "cursed" reputation might be a little more than an urban legend, The Batman refuses to entertain such unfounded silliness and aims to get to the bottom of this crime against cinema!

presenting BATMAN '63 - THE RISE OF CLAYFACE coming not actually ever lmao

(her hair is brown now because I like the idea of her appearance never being fully consistent lol. shapeshifters gotta do their thing)

[danmeichael]

i'm not aromantic but i agree with their ideals

[nonconstories]

Someone pissed me off a couple of days ago

So! Below are several links to programs and foundations that promote adult literacy! Hundreds of millions of adults world wide were failed by their education system and now must fend for themselves while trying to read contracts and hospital bills and infographics from the CDC. But they don't have to be alone, and it is never too late to learn!

ProLiteracy: A network of educators, researchers, and advocates which provides research reports, learning materials, and other support to adult education programs. They assist with connecting volunteers to local programs and provide guidance and support to community leaders trying to use their programs' findings to advocate for social and political change.

Adult Literacy League: An adult education program in Central Florida, which aims to provide students with one on one attention to foster growth and confidence. It also offers English Second Language courses and job skills training, and each new student receives a comprehensive assessment to determine the best plan for them.

Saint Vincent and Sarah Fisher Center's Foundational Skills Program: A 100% free adult education program aimed at adults reading below a fifth grade level. It operates year round and is either in person or remote, and they now have a GED testing center that is open to students and the public alike.

Washtenaw Literacy: A free network of trained tutors for adults in Washtenaw County, Michigan.

Adult Learning Program (Las Vegas/Clark County): Free education classes to those lacking a high school diploma, those seeking to learn ESL, and adults who read below an eighth grade level. Also assists in students' search for gainful employment. Nevada got so fucked by COVID and the education/literacy numbers in the South West are grim. Please help these guys.

Hawaii Literacy: In addition to helping adult residents of Hawaii Island learn to read and write AND bridging the education gap in Hawaii's underserved children, they offer computer literacy classes, ESL classes, and a bookmobile. 1 in 6 Hawaiian adults struggle to read and write.

[littlelofty-fufufu]

At this point it’s literally just there for good publicity points, don’t fucking convince me otherwise.

[chiisana-lion]

Colors arise!

[f0linasahl0]

more things about the livestream experience before i go completely insane.

(warning: this is going to be a long one)

1: why is [bishop] lisden's favorite song mulberry street and why is [bishop] sacarver's favorite (if i remember) the outside or stressed out....i just want to throw that out there

2: i absolutely adore the piano spread whatever thing tyler does before he goes and raps to migrane. i dont know what its called but when he runs his hand across the piano, it was good. how did he make it sound so good and musical...

3: why is the shy away livestream version the only livestream version that is on their official "the story" playlist??? i keep thinking about that (https://www.youtube.com/playlist?list=PL3roRV3JHZzaU_kQ4-7uv-ahPbFabFmRW)

4: also thinking about how they cut off holding onto you before the outro. basically all there was of holding onto you was the "entertain my faith" part...thinking about the lore THERE. how a "good day dema" ad cut off the ending as well then they talk about how happy they are !! then how it goes to mulberry street after dan LISDEN says its his favorite then how it goes so blurry BEFORE THE AD??? ----"entertain my faith" sounds something like he..wants more from the religion but they cut him off from continuing the rest of holding onto you..like he got in trouble or something? i dont know man

5: "dema is bringing you this music collection that is vibrant with saturation"... "dema wants you to enjoy this collection"..."i just felt trapped before having this collection" ... "contentment"...."now that youve heard some of this collection you must be just like us, completely saturated"..."sometimes i close my eyes to try to escape...you know you cant escape sally...yes i know!" PROPAGANDA

6: why is he holding and grabbing his head so much. past the literal deadpan ass stare hes got through the majority if not all of the experience (like even while doing his little dances you'd think he'd be smiling during...), why does he grip his head so often-- i talked about this before but like what are they doing to him man he like grips his head in almost pain so much

7: also thinking about what the lore implications of jenna and debby being in this...because im pretty sure its shown jenna in levitate is a bandito i only assume debby was one too. why are they there?? were they caught too? or did dema make clones of them to use against josh and tyler?

8: "i cant wait to see you again"

9: ”in a world where this is as good as it gets…we miss you. we really do.”

10: also can we discuss the "CONTROLLED by" dma org and good day dema??? this photo is blurry as hell but CONTROLLED BY! not PRODUCTION OF! specific word choice..also dma org...dmaorg.info...why are clancy's letters posted on a website thats directly correlated with dema...letters from his time inside as well as time outside...can we like talk about that--like other than the obvious showcase that they have his letters and are using them to lie to the people, why are they going through dmaorg?? if clancy isnt directly with dema why are they--why are they going through there???

11: the whole cutscene before lane boy "there was a wonderful structure to the city that put my cares to rest and the responsibilities of the day seemed to be accomplished with minimal effort. once a task was taught and understood, our obligations timely, and it felt secure knowing tomorrows duties would be accomplished with the same efficiency. we all worked to represent our bishop with honor knew that each inhabitant of our region had a like-minded dedication to consistency....why do i kneel to these concepts? tempted by control, control by temptation. stay low, they say. stay low," then the direct contradiction of the redecorate rap he inserts, “with the bells and the whistles scaled back like an isolated track, and he feels trapped when he's not inebriated fair to say he's fairly sedated most days of the week. he might have made it if he lived on a different street. i repeat, scaled back and isolated he says he likes an open schedule but he mostly hates it if you're running to his room, take a breath before you break-in put your ear up to the door, tell me can you hear him saying?” using clancy's letters to show praise to dema then clancy (tyler) directly contradicting being like "no i hold zero praise for this city" and saying how hes isolated and sedated when hes not preforming--how he ALMOST made it out. how if he lived A LITTLE closer to the walls he wouldnt be there right now-

12: the way the old songs are "SCALED BACK AND ISOLATED" ???? A SCALED BACK AND ISOLATED TRACK????

13: the way ned is missing in chlorine when he was such a big part of chlorine

14: AGAIN this shy away version. one-why is it so important to the story, two-the 9 chairs for 9 bishops around the table, three-i fucking love the guitarist by josh i love his energy, four-THE WAY HE BREAKS A GLASS WHEN TALKING ABOUT BREAKING THE CYCLE IN HALF???, THE SCREAM !!!! so many things

[so many things you guys]

15: the fucking bishop ass dancers to stressed out....can we discuss that too. ALSO HOW THEY DRAG HIM TO THE NEXT STAGE FOR STRESSED OUT?

16: "but remember you should- *cut off*" YOU SHOULD WHAT SALLY SACARVER????

17: also firstly, how beautiful the ukulele part was...it was so gorgeous, also the transition was amazing. though past that, can we talk about how fucking sad he looked on that little boat with his uke? was that a mock to his escape attempts? to him singing to an empty sky in trench? singing to the banditos as they boat someplace safer? like...

18: THE MOCKING OF THE BANDITOS WITH THE FUCKING JUMPSUIT/HEAVYDIRTYSOULD PART?? why would dema do that? why would the bishops actively make josh and tyler look like the banditos if it wasn't just a mock? they dont like the banditos i thought why would they have them dressed up like that? like torchbearer bringing the torch to the stage and the look josh has on his face-then tyler also being in a bandito outfit. like--it has to be mocking his attempts. mocking the banditos or SOMETHING

19: heathens being in the livestream makes me think a little too but i dont know. "all my friends are heathens take it slow, wait for them to ask you who you know. please dont make any sudden moves you dont know half of the abuse."

20: also first, what was that alarm that was sounded before never take it? what happened there? second, the lore people have posted about never take it and how it was about the bishops? the way it was played while the alarm was going off and it was almost messier filming...

21: HIM ENDING THE LIVESTREAM WITH "nobody's coming for me" and his deadpan look (sobbing)

22: again, bringing up sally sacarver and dan lisden. sacarver and lisden being bishop's names and hosting this livestream. then showing directly how the bodies they are controlling are deteriorating as the show goes on. "The rules are that you can only seize or control a dead body, and only for a short while."

23: also just the heavydirtysoul part. starting to think about the: "I tricked Nico into taking me outside the walls. I created a fiery diversion. I escaped." i just keep thinking about that and:

24: "we've come for you, we've got people on the way, no chances, none at all" the way this is direct quotes from dan and sally, who are bishops, and it is also direct lyrics (or close to direct lyrics) from no chances. it just keeps cementing itself on everything ive already thought about

25: past just the livestream experience what is with josh and the bucket hat lol. i love it but like.-

26: "you ask me if its real, i see your shifting eyes, you dig in your heels, i dig my hole to die" also wondering why the "live from the outside" version is here rather than the original.-is it important

27: his little dances are my favorite thing-

28: CAR RADIO...car radio. thats it thats the point. just the car radio part is everything to me--its giving old car radio performances and im living for it. though also old car radio performances? did they put it together like that on purpose?

29: NEVER TAKE IT HAVING A BURNING CAR HOLY SHIT FIREY DIVERSION? LMAO just how close he is to the camera during this too...so many thoughts

30: "...you know you cant escape sally...yes i know!" IS THIS LIVESTREAM SHOWING CLANCY AND HOW HE DIDN'T ESCAPE EITHER?? SHOWING THAT HE HAS BEEN CAUGHT AND IF HE CANT ESCAPE, THE NOTORIOUS CLANCY, THEN YOU CANT EITHER???! SO MANY THOUGHT!!

[sorry for how long this is-]

DID THIS SHOW HOW MANY THOUGHTS I HAVE HERE. im going insane like i keep thinking about the lore implications of this goddamn livestream. i have more points (i will make a essay list whatever for it all so i don't go any crazier) but this is already a lot for one post. just wanted to like...throw this out there. i know some might be a stretch but please just hear me out. just hear me out :,)

[bonefall]

I feel like the Warriors writers are allergic to making a character be cool. Like they all have to be an every man from humble origins and stuff nowadays. Why can't we ever just jump in like 'yeah this guy has cool river powers so we follow him' and BAM have an actual interesting story/concept/world it's always gotta be 'here is how he learns how to swim he is not special and here is his biography now :)' and its driving me NUTS these books are about! cats with magic powers!!

SO true, like, it's as if they saw the backlash to Tigerheart's resurrection and got scared of ever doing anything cool ever again. And they're COWARDS for it. THIS SERIES HAS ALWAYS HAD MAGIC. FUCK OFFFFF, THE CATS CAN DIE 9 TIMES AND FEAR THE WRATH OF GODS, GROW A SPINE

They didn't even HAVE to give him cool ass water powers or anything, just a special connection to the river, y'know? Have him treat it like a living being when others just think it's water. EASY. But nooooo They'll take the only good founder and be like, "What if he had nothing cool about him at all and his wife taught him everything actually."

[vanhelsingapologist]

Family reunion! RSVP now.

—

Just a little campaign sketch that I decided to color! As of a couple session ago, it turned out Emilia was not an orphan, to her great displeasure. Nothing good is happening in our campaign.

[clowningaroundmars]

listening to rakim and the pharcyde rn and just thinking it's actually kinda weird that more ppl haven't pointed out how much miles' taste in music affects his life and viewpoint in general

and how being raised by his uncle who's into more old school stuff on earth-42 would affect him and his development

i'm imagining 42 actually clowning 1610 for listening to post malone while placing a labcabincalifornia vinyl on his record player while they chill in his room one day lol

42's tastes would probably be more varied and just... like more developed in general bc he has a man who was more than likely a Part Of The Culture helping to raise him. aaron was out on the streets of brooklyn as a kid most likely swapping diy mixtapes and buying local rap cd's with his allowance/summer job money (assuming he was born like around 1978-1980, then he was most likely on the streets in the mid 90's during the Golden Age of Hip Hop).

not to mention that for aaron to even Do What He Does as the prowler, he is still out on the streets til this day, shooting the shit with fellow neighbors and shaking hands with black market merchants. he's dapping up store owners and trying to get on local gang leaders' good sides for intel. he's making connections! he is most def still swapping music recommendations with ppl in the hood and ordering vinyls online if he can't get his hands on them in physical brick-and-mortar stores

and music seems to be a super important thing to a man like aaron. that would definitely influence miles. interesting that i haven't seen more posts mentioning that actually!