#there's still a lot of symbolism and things that can be incorporated

[darabeatha]

/ Not gonna lie, I'm really hoping that when f.go finally incorporates c.amazotz in game, they don't turn him into a 'single trick pony' joke kind of character (in the sense that he only appears to do the same thing and thats all there is to him) and make it so all that he has around him is giving us alter servants; LIKE! I'm biased as heck in waiting for alter a.rthur but I hope he comes over c.haldea like any other a.rtoria alter versions

[godsfavoritescientist]

A 4-dimensional eye would be made up of many 3D eyes that are somehow connected, right? So depictions of eldritch angels with a ton of eyes all over the place is probably what a 4D eye would look like to a 3D being that saw it crossing through our dimension

[galaxygermdraws]

The Luigi references to go with my Mario references. I have much more to say about Luigi, but before that, shout out to my friend @twigs-sprigs for the darker green color I used for Mr. L. It was kind of an accident BUT I like it.

Anyways notes time!

Luigi's hair tie is literally always red, it matches his button stitches and his socks. The only time it changed was during SPM, cause Mr. L saw the stupid thing and decided ew no red gross.

As Mr. L, he actually let stubble grow, and also he has earrings now! This will come back for symbolism. He got his cheek burns from the first Brobot explosion.

When he wakes up in the River Twygz and swims up, Luigi is. Still in Mr. L's clothes, but horribly ripped up. He's also half blind now, but has no memories on how this happens. He has vague recollections of being held down, an ominous laugh, and an explosion, but that's it.

After being found and taken to Flipside, Luigi manages to get a new pair of clothes thanks to some of the townsfolk having left over fabrics and sewing materials. He incorporates the Mr. L outfit into it, since it would be a shame to waste even decent quality fabrics.

Also, Luigi is much paler after Dimentio "kills" him, but that's because he only killed Mr. L. Mr. L, as he existed, is dead. So half of Luigi, in a way, is dead. So Luigi is like half undead. He isn't fully dead obviously, his heartbeat is just like. Significantly slower and he is much color. He has grey hair too, which is totally not connected to the Chaos Heart calling to him, or anything.

After SPM, he mostly goes back to how he looked before, although for a while his hair was permanently white, and he covered his scars up with makeup.

He gets little star earrings to try and "reclaim" the earrings he woke up with, they also match Mario's drawstrings

He eventually starts wearing his hair down more, not that that matters when his hair gets chopped during LM3. So now, his hair is MUCH shorter now, and it curls and poofs at the end kind of like Mario's

When he gets near any kind of magical artifact, his hair turns white. This can also be triggered if he uses a lot of magic (i.e. Thunderhand or any of the dark magic he has lingering in him because of SPM). His eye also glows red.

(reblogs with tags/comments are appreciated. Thankyuuuuu. You can ask about him also I will answer!!)

[omgthatdress]

the major takeaway from last night is that Karl Lagerfeld was more of a personality than a designer and that Yves Saint Laurent was the clear winner of that rivalry.

For those who aren’t familiar, Karl Lagerfeld and Yves Saint Laurent were both fashion wunderkinds who emerged in the late 1950s, both appointed heads of major brands at the same time, and had very intense rivalry. Yves Saint Laurent took over Dior after the passing of Christian Dior, helped cement the brand as a major player in fashion, and then after a disastrous stint being drafted into the French army, built his own fashion brand that went down in history with its unique and diverse and always evolving looks.

Karl was always kind of behind Yves. He designed for a lot of major fashion brands, and managed to establish himself at the top of the game at Chloé, but he didn’t get his full on legendary status until he took over Chanel in 1983. This history of the Chanel brand was already pretty frought, with Coco Chanel modernizing and defining the fashion of the 1920s and 30s, but being forced to shut down during World War 2, during which she collaborated with the Nazis. Behind the Bastards did a pretty great two episodes on her. When the brand returned in the 60s, fashion had changed tremendously. Dior, Givenchy, Balenciaga, and Balmain had all taken over mid-century fashion, and now that aesthetic was being taken over by mod, the miniskirt, and the likes of Mary Quant, Pierre Cardin, and Paco Rabanne. So when Chanel came back it was largely seen as a stuffy old lady brand, which it remained until Karl took it over.

Now, this is where Karl actually did something really impressive that you honestly can’t take away from him: he took a fashion house in severe decline, one that had been in its flop era for literal decades, and he made it hip again, while still managing to stay true to the ethos that Coco Chanel had laid out.

Chanel is clean, minimalistic, and classy. It is easy to wear, effortless, and always extremely glamorous, which is what made it so iconic in the 20s and 30s. Given that the 50s and 60s were all about making a fucking effort, the thing that the brand managed to keep doing well was its suits. You know what kind of suits I’m talking about. Tweed jackets and midi skirts, neat tailoring, delicate pastel colors, pearls and camellias and chains. It’s not so much that it was edgy and exciting but it was expensive and it was *Chanel* and people wore it for the status symbol alone. That is what Karl took advantage of and managed to re-invent.

That sort of aesthetic fit perfectly into the you-can-never-be-too-rich-or-too-skinny 80s, when wearing status symbol clothing was everything.

Then, in the 90s, he managed to keep things exciting by following exactly what was on-trend at the time and incorporating elements of street wear and hip-hop.

However, after that, he kind of lost his edge and just rested on “it’s Chanel” rather than actually pushing the fashion envelope. By the time he died in 2019, he was a fucking dinosaur and fashion had long since moved past him. The thing that he was ultimately most well known for was his own very distinctive look and flamboyant personality.

Before I ever started studying fashion, I knew who Karl was because I’d seen him so many times, and I’d seen parodies of him so many times. I knew *him* but I didn’t really know his work. And I think having an incredibly boring Met Gala dedicated to him reveals that: his actual artistic legacy is skinnier than the models he used to berate. Karl Lagerfeld built his brand on his diva personality, and that sort of personality and outlook just isn’t hip anymore. Fashion is always about moving forward, and Lagerfeld’s beliefs should remain fossilized in the past.

[messiahzzz]

i have been thinking a lot about mystra’s relationship with gale, how reducing her to “his ex” really is an understatement. she was and still is so much more than that. moreover, using the term “ex-girlfriend” in relation to her plainly feels wrong and diminishes the influence she has over him, as well as the role she played in his life since his childhood (and it also trivializes the abuse he suffered through her).

there are several instances where gale gets defensive when his companions mention or ask him abt mystra. he claims that their relationship was no less real even though most of their interactions were incorporeal.

we have already established that gale is an unreliable narrator in this particular case, still not having fully come to terms with the fact that he was groomed, manipulated and abused. he ping-pongs between bouts of realization (even in his romance), gaining clarity that he was merely used and eventually discarded and that mystra never truly cared for him, back to making light of his situation, idealizing her once again. realizing the extent of his trauma, that he is indeed a victim in this scenario, unlearning what he has been made to believe from a young age is a slow and painful journey. he is in the process of healing, but it takes time. time he deserves just like anyone else.

which makes me wonder what their relationship really looked like, once the lines between teacher, muse, and lover began to blur. i also feel like one of the reasons why part of the fandom still struggles to identify mystra as his abuser, is because she is a white woman who initially presents herself in a soft-spoken, benevolent manner… and well, the fact that gale himself is ambitious to a fault and a lil insane about the promise of power. he also briefly mentions "crossing mystra’s boundaries” when he confides in tav and tells them about his folly. (“i am, after all, the villain in this story.”) which led to a looooot of misinterpretations.

leaving the overall lore and mystra’s treatment of her other chosen aside — what we can discern from her interactions with gale in-game, is that mystra is civil as long as she remains in control and gale follows her demands, but as soon as there’s even a slight mention of challenging her power or defying her rule, she rather quickly changes her tone.

there is also one particular exchange between them that just won’t leave my head:

“you were many things to me, but never a threat. and never a savior."

even if we choose to blatantly ignore the fact that mystra is a deity, his goddess - there is no possible way that their relationship ever could have been equal by any mortal standards. the power imbalance that comes with her being his teacher and a symbol of his admiration, plus the sheer control she holds over him and his powers are simply too great. don’t even let me get started on how it is a common tactic of abusers to isolate their victims from any outside influences so they can exert full control over them. and how up to meeting tav and their merry band of misfits, every single soul he was close to was inevitably tied to mystra in one way or another. he briefly mentions his colleagues and then there’s elminster, also mystra’s chosen and former lover, and tara, who is a fine wizard in her own right. he spend so many years in service of her, dedicating his life to her, that now there is no one left he can truly call a friend. most of his little anecdotes and stories he tells are restricted to his childhood and university days, everything else was mystra.

evidently, ordering gale to detonate the orb is the most efficient course of action in her eyes. he is just as expendable as any other mortal, after all. maybe once significantly more useful given his status and the extent of his powers, but she doesn’t feel sorrow nor remorse for ordering him to end his life. his death is simply the most convenient means to an end.

another thing i would also like to briefly touch upon is the trigger/detonator itself. a dagger to the heart. it could have been literally anything else, a simple incantation. it is well within mystra’s power to stabilize the orb and also to remove it from his body entirely. but no, what she requires of gale is to stab himself. one might argue that it was simply a cinematic choice meant for a more dramatic effect, but it really leaves a bitter taste in your mouth. especially considering the fact that she is commonly known and referred to as a jealous goddess. it almost makes it seem like yet another form of punishment or mere pettiness. after his long period of isolation, gale is now surrounded by fellow humans. people he cares about, even perhaps people he might eventually consider good friends — which is enough of a reason for him to not want to die, to keep going and try to find another way, rather than to blindly follow mystra’s bidding. now there’s a group of people who support him and are genuinely invested in him staying alive. hmmm...

[divine-crows]

✨️10 Things I always Include in My New Grimoire/Book Of Shadows✨️

I'm getting to the end of my second grimoire (prior to this I'd have random stuff in school notebooks that I unfortunately don't have anymore) so I thought it'd be fitting to talk about the stuff I benefited from copying over into my second Grimoire along with what I will most likely put into my third Grimoire.

Please Note: for my journey a Grimoire is the most fitting way for me to describe my preferred method of transcribing what I learn. As a result I will be referring to a Grimoire the whole time but this knowledge can be generally applied to other witchy books meant to hold knowledge.

To help with dictinctions:

Anything with an asterisk* indicates I regretted not including it before

Anything without is stuff I've included and benefitted from having on hand

1. The Elements and Their Correspondences

What I Include in this entry:

- A page dedicated to each element

- Tarot Card, Astrological sign, Color, Crystal, and Herb correspondes (condensed down to crystals and herbs I'm guaranteed to use)

- a vague list with ideas on what this element embodies vibe wise (for example: Earth can represent success, stability or fertility)

- A page dedicated to ideas on how I can work with each element

- how to invoke and banish an element with a pentacle

Why I Find this Entry Useful:

It makes for a very useful reference point when doing spellwork. I can easily see if I can use elemental symbolism and how I can incorporate it.

It also can be nice to reference if I'm celebrating a holiday that embodies the energy of a specific element. I can reference the page for ideas on herbs to use while cooking, colors I can incorporate, etc.

2. Moon Phases, Time, and Seasonal Correspondences

What I include in this Entry:

- a drawing of each moon phase along with about three adjectives to describe the phase

- lists of associations for each time of day

- a chart of the cardinal directions and which season and element corresponds with each one

Why I find this Entry Useful:

It might sound weird that I have all of this stuff condensed down into one entry but hear me out: it's so much nicer to plan rituals and spellwork when all you have to do is look through two pages??? Especially if your first grimoire has all of these entries in more detail (which I heavily reccomend so all of the knowledge is still recorded somewhere), it's nice to know you can easily access the basics without reading every little detail, and then you can always go back to your old grimoire when you need to access more information on the topic.

3. Cartomancy/Tarot

What I Include in this Entry:

- very brief definition of Major Arcana, Minor Arcana, and Court Cards

- elemental correspondences of minor arcana plus what they symbolize

- what each court card symbolizes

- a numerology "cheat sheet"

Why I Find this Entry Useful:

This is one of those things that will not be helpful for everyone but since I practice tarot frequently it's perfect for me. Even if you're not a big tarot person I at least reccomend you pick something you do a lot and create a condensed version for you to review when you need it!

4. The Witches Compass/Opening and Closing Circles

What I Include in this Entry:

- a brief explanation on why you'd use one

- a step by step guide on how you would open and close one

Why I Find this Entry Useful:

Even though I don't always utilize the Witches' Compass or a standard magic circle, I like to have a condensed form written in case I need to perform a ritual but don't have the space to lug around multiple books.

5. Alters, Shrines, and Temples

What I Include in This Entry:

- Definitions of each word

- a list of examples of types of alters

- a general run-down on what typically goes on an altar

- ideas on how to decorate an altar

Why I Find this Entry Useful:

I actually don't have an altar space currently, but I do find it useful to have inspiration on hand in case I need it. I also just find it useful to have the distinctions on hand in case I'm cross referencing my research.

6. Warding and Defensive Magic*

What I Include in this Entry:

- a list of types of wards with minor guidance on how to use them if I don't use them often

- ways I can use defensive magic if things go wrong

-When to ward/When not to ward a space

- a page dedicated to the Witches Ladder, how to make one, and I typically include one of my own spells with it.

- a page dedicated to a basic house protection spell

Why I Find this Entry Useful:

This is one of the topics I didn't copy over into my current Grimoire but really regret not doing. Since I like to dabble in Astral travel and a huge part of my practice is working with the in between this knowledge is nice to have on hand.

I'm personally of the school of thought that you don't need to ward everything at all times, however if you're like me and you do a warding spell every once in a while and then you forget how to do it... yeah might be nice to just always have it freshly recorded so you're not rifling through all of your stuff.

7. Magical Excersizes from Books, Media, Etc.

What I Include In This Entry:

- the source I got the excersize from

- what the goal of the excersize is

- a step-by-step rundown

Why I Find this Entry Useful:

It's especially nice when you're dealing with burnout or a mental block. It's also oddly refreshing to occasionally do one.

Now, I wouldn't reccomend having every magical exercise you've ever done in your new Grimoire, but I usually pick three or four that I really like and write them down.

8. About Me Page*

What I Include In This Entry:

- Deities I mainly Venerate

- What magical "paths" or ways of life I tend to follow

- How I feel about my practice (Do I need to improve in some areas? Do I feel lost? Etc.)

- Things I want to explore more or do more

Why I Find this Entry Useful:

This is another entry I seriously regret not including more. With my first Grimoire (that I didn't lose) it served as a good spot to check in order to see my growth, look for anything I hadn't learned yet but wanted to learn, and it served as a nice sentimental peice to look back on.

Some may not benefit from having an entry like this, but others may find they'll benefit from it like I do!

9. A Basic Guide on Fae Species (or other entities depending on your practice)

What I Include in this Entry:

- I usually pick about 8-10 Fae to make an entry on and I try to keep it in a broad, diverse range.

- A picture depicting each thing

- Name of species

- Anecdotes on their temperament, how you can avoid pissing them off, etc.

Why I Find this Entry Useful:

As a Celtic Pagan it feels right for me to have an entry that includes the Fae even though I avoid interacting with them when possible. I've also generally had a sort of fixation on the Fae and their way of life since I was young so it's a little something that speaks to my heart and my passions as well.

If you want to look at this more practically, having a guide of common entities can be good in case you encounter one that way you have a sort of code of conduct written down.

10. List of Herbs I Commonly Use and their Correspondences

What I Include in this Entry:

- Household herbs I can easily find in the pantry

- items I can easily forage and use from outside

Why I Find this Entry Useful:

My first ever list of herbs was basically every Herb under the sun and how I could use it. Did I use any of those herbs? Heck no! Now I keep a small, condensed list of stuff I actually use and have easy access to and if I use anything I'm not used to that's when I reference my giant list.

Not all of these topics may personally speak to you, but I hope that at least some of them could help you decide what you'd like to include in your own books!

[koszmarnybudyn]

The four horseman.

I have thoughts so here's a rant:

Normal is conquest/i think its illnes or something (its zaraza so plauge where i'm from) because the Oaks brought the doodler about (plus he's the one that brought it to heaven with willy so started the apocalypse), plauge cause the Oaks also have the doodler in their blood and its an "infection" (he's also the stinkiest lol). He has the black eyes he got after seeing what the doodler wants, the purple in his eye is for love and hate, and the blue is there cause that's his signature color and again love. The crown is made of tentacles and also have the eyes (red to symbolize hate and the rage the Oaks carry). I tried to potray him slightly Jesus and Mary like (its so wierd writing that in english), and of course he has the white cloak (i did not draw horses because im bad at drawing horses and i didnt want this to take half a year to make). He and Scary are the ones turned straight to the camera because they are the ones that are the most important doodler wise. Also them being white and black paralleal.

Taylor is war because well i just thought it fit him best, (also he gets the sword then), and i made him look demonic. I dont have much to say about him unfortunetly because this was honestly a struggle. He does parallel with link though in their demon and angel designs.

Link is famine, i feel like hes the one to give up the most, hes been denied his sustanance (love) and as the series progresses he gets more nihilistic because of that and gives up, i feel like famine fits that. He also gets the scales because hes a judge (he condemned his father and he forgiven Scary) and because of the goddess of fairness. Like everyone he gets the eye treatment (i love eye motifs what can i say, also please notice how everyones eyes are diffrent cause that was also a struggle) but i also incorporated the angel motif (yes every link i draw in an au has to get the angel motif i just like angels and well he is a protector and is trying to be good, but then "falls" (cause many deaths) and becomes jaded) the angel thing is also there because he has spent a lot of time in heaven (and he has that generational catholic quilt ya know). The eyes are orange and yellow because that's the colors i usually give him but also because the're golden and sun like.

And of course our seeker of darkness-Scary as death. I contenplated making Link death and her war but i finally didnt. She is partially inspired by that one painting of Mary staring into the viewer as shes holding the corpse of Christ (maybe its silly but my little dramatic heart thinks of Scary summoning the doodler and Marys story to be similar, and just a pretty cool concept you know), and partially just death depictions. She was the first one i finished and probablly still my favorite. She of course has the most purple (i thought about making everyone purple to fit the backround but that would have been a hassle). The whites in her eyes are a nod to the doodler summoning again.

Oh and of course the backround, it has tentacles for thr doodler and doves for innocence because idk if you noticed yet but i am obsessed with religious symbols and also because i think the teens are just teens and they are not quite to blame (and neither is the doodler)

[literaryvein-reblogs]

more literary & character tropes

Tropes - themes, motifs, plot devices, plot points, and storylines that have become familiar genre conventions

All writers manipulate language to create certain effects. At the level of individual phrases and sentences, the skillful use of tropes is key to creating writing that’s fresh, memorable, and persuasive.

Artifical Script - found mainly in fantasy settings, this trope is about fictional scripts invented by the author.

Busman's Vocabulary - when a character in a certain profession isn't on the job, they're going to still use jargon from that profession, basically to let us know what they do for a living. Mafia guys will use "whacked" and the like, chefs will use culinary language, and so forth.

Classical Tongue - a language that isn't typically known or used by the common man. It may be dead and mostly forgotten, or only spoken by educated elites such as nobility, scholars, clergy, or mages. A few words from it might be used to denote something special, or it is used for something or someone's name, or someone who knows it might drop a phrase here and there in an attempt to sound clever, but don't expect the common masses to use it (anymore). It's often an Expy of Latin, if it isn't Latin itself.

Dissimile - when you attempt to make a comparison between two things that can't be usefully compared, realize your problem, and then throw more words at the argument in an attempt to salvage it. This just undermines your comparison even further, to the amusement of anyone listening. ["Boxing is a lot like ballet, except there's no music, no choreography, and the dancers hit each other." — Deep Thoughts by Jack Handey]

Enslaved Tongue - certain types of monsters, wizards, and other supernatural or alien beings are able to control your voice, or otherwise replace your communications with those around you. They will use your voice to lie to teammates, friends and loved ones, or to deliver warnings or threats.

False Prophet - someone comes along and preaches a message about how they're going to make everyone's lives better. People will flock to them out of hope, or because they see an opportunity to increase their own power by aligning with the prophet. If they don't already have it, this figure will request assistance—physically, monetarily, or in some other way—so that their goals can be achieved.

The Grotesque - a character that induces both fear and pity in viewers because his deformities belie a perfectly normal — if not noble — personality. The pathos associated with The Grotesque is the implication that he could easily have been a well-adjusted member of society if not for the hideousness that he is powerless to remedy.

Higher Self - the aspect of a character which "knows better". More specifically, however, the Higher Self is the aspect which rises above whatever is going on in the plot and can see the situation in a way that's removed from emotional or melodramatic entanglement.

Inconsistent Spelling - when names and other terms are not spelled consistently in officially published materials (and not fan-made translations), usually because of transliteration issues.

Jeanne d'Archétype - a fictional character inspired by Saint Joan of Arc. This can incorporate various elements of the historical Joan's story. This character is Always Female, usually young, often an Action Girl, and often of humble origin. Her devotion to a religion, her country, or simply a desire to protect her loved ones causes her to assume an active role in liberating the oppressed from an overbearing force, eventually becoming not only a respected leader, but also a living symbol and a reminder of just how unjust the oppressors are if they bring out the warrior in the most unlikely of people. Therefore, her example directly inspires many otherwise ordinary people to follow in her footsteps and join the same cause.

If these writing notes helped with your poem/story, please tag me. Or leave a link in the replies. I'd love to read them!

More: Literary & Character Tropes

[nerdranttheories]

Okay I’m going to geek out about Toshinori’s costume designs because I’m an English major and analyzing tiny details in text is what we do and also I love??? The designs! And each one tells us so much about All Might and his focus during each costume.

Costume 1 (Young Might):

So first off, despite young All Might’s longtime dream of being a hero, his suit is mostly black. A stark difference from comics books and his later self which tend to be bright primary colors. The few dashes of primary colors he has are desaturated, even in the second instance where we see this costume. This would have likely been the only costume Toshinori designed himself, as David became his designer in college.

Obviously, others have pointed out the similarities to Nana’s suit, just like how Izuku copied AM’s, so I don’t think it will be necessary for me to point that out. But this suit is also very practical. Something the flashy All Might isn’t really known for, but let me point the details out. He has boots, gauntlets, as well as what appears to be protection for his upper torso, and even for his neck. A decent balance between more protection and more weight, which would slow a hero down. Also, unlike Nana’s suit, his extends completely down the arms. The only skin surface available is that of his hands, something that stays the same through all of his costumes and as such, must be something he personally insists on. In media, gloves often represent someone with secrets, or a guarded personality. All Might not wearing gloves shows how open he is, not just with his friends but strangers too. And it’s humble, too. It’s not an unfeeling, covered hand extending to you when you’re in danger, it’s the bare-handed reach of a friend, and I fully believe that’s why Toshi goes without gloves. Also it’s possibly a sensory thing for him as well, which goes with my canon-supported theory that this man has ADHD, but that’s a nerd rant for another time.

The colors are important because while obviously they mimic Nana, you can practically see through the color choice that Toshinori is not in his right mindset here. While later the oversaturation of colors serves to show how his own heroism has made him into something Else, and outside of his own head, leaving the man inside to shrivel away, these muted colors show that Toshinori has not yet blossomed. Also in the brief scenes we see of him when he is younger, Toshinori is very solemn. The one scene we get of him smiling when he’s young is when Izuku is comparing them at the same age, and even then, it’s more of a smirk as opposed to the signature All Might grin we all know and love. Black also is just a reasonable color for something like crime-fighting. Black shows the least grime/dirt, so he could reasonably spend more hours out in this costume without having to come home and wash it/trade it out. (Which is something that I love that this series includes, by the way!)

Costume 2-ish:

Toshinori adds some shoulder pads for the fight with AFO, probably expecting to stand side-by-side with his mentor. I could give a more full-body image but this is really the only difference I could pick out.

Costume 3 (College Might):

This is the first costume of All Might’s that is designed by David Shield.

First off, props to David. He’s an awesome designer. He not only made a new design, but incorporated several choices from AM’s previous suit, and definitely conferred a lot with Toshi on how he wanted his suit to look while still ensuring its functionality.

Black is traded for a dark, unsaturated blue, giving AM a more peaceful look, as navy blue is considered to be a calming color. (Even Endeavor wears it! But maybe copying AM and not wearing it for the same purposes?) All Might’s cape is also changed from red to blue, taking away the dark look and making it the color of the sky, again adding to that Symbol of Peace idea that is Toshinori’s dream. The gauntlets and boots remain, but the chest-piece has been removed, offering up more mobility. The yellow of his belt has been brightened, and added in place of the blues on his gauntlets and boots, giving him an overall more friendly look as opposed to the more subdued one he had before with the blue accents. The red has been removed as well, and by moving it to his body, it gives the impression of veins and the blood that is pumping away through the heart of this hero, which is fantastic for someone who cares as much as Toshinori does. White was also added vertically on the sides of the suit, thinning out the very intimidating form of Toshi and making him more approachable, while adding a more pure look to his overall form. This appears to be in part, a stylistic choice on David’s end that follows through to the other suits, though it’s hard to know if it remains on the Bronze Age Suit as well.

Overall the brighter colors telegraph that Toshinori is doing much better mentally at this point. He now has A Friend, and for the time being, is safer from the troubles at home, until he has to return.

Costume 4 (Bronze Age):

We don’t even get a full look at this suit, indicating that its time in use was likely short-lived. As I’ve seen others suggest, it seems very likely that when All Might returned to Japan, he went straight down to business and began doing vigilante work as he tried to track down AFO. However, possibly due to a combination of not finding him and All Might’s rising popularity, he seems to abandon this track and move on to a different form of heroism, which his suit symbolizes. I’ll briefly point out that Toshinori returns to the primarily black suit he had as a teenager, as well as the shadows of his face that add to the idea that as soon as he got back to Japan, he reverted to the mindset he had when he left.

Costume 5 (Silver Age):

This suit indicates to me that this period was All Might’s prime, despite his later suit being considered the Golden Age of All Might. (And even though it’s my least-favorite design.) He has the typical cape of a hero, and the bright colors are now fully of typical comic book style. The circular design on his chest indicates a target, but with being cast in white and surrounded in red, gives the impression that he himself is not the target, but the villainy around him is. Or at least, that is likely the thought process for this design. Other than the dashes of white here and there, the colors are very solid, possibly indicating a more stable, but single-minded train of thought, something AM is notorious for. No offense to Dr. Shield, but I would have mixed the colors better in here, and the cape connection is too bulky for someone who’s as jacked in the shoulders as Toshinori is. Alas, I am not the designer. We shall move on.

Costume 6 (Golden Age):

I love this suit. Plenty of analysis has been done on it already, but I think it’s a fantastic representation of how Toshinori’s been crushed under the very image he had originally wanted to create. His shadows are darkest and most severe here, reminiscent of how body-builders dehydrate themselves to get the best appearance of their musculature. His posing is also more inward, as opposed to the silver age, with the angles of his elbows being less directly out and more in, and instead of appearing confident, it’s more of how a cat puffs out its hair to make itself appear larger when it’s scared. I had a long bit to go with this but it was eaten by the Tumblr gremlins. Basically I believe this suit was made post AFO-battle. All Might is declaring he’s not finished yet, all while knowing his time is running out. This suit has several callbacks to the original suit David designed for him, with the navy, though more saturated base and the red lines running throughout the form, though the gauntlets and boots from before have been integrated into the suit itself. This could reflect David’s mindset as well, as he reminisces about the days when Toshinori was healthy and happy, when now Toshinori’s health is rapidly fading.

Anyway, here’s my costume analysis! I think it adds a little more insight to Toshinori’s mental state and situations in the years outside of the show as well as in them, and I hope you enjoyed this read! I’d love to hear other ideas too, if anyone has them!

[skitskatdacat63]

Fernando Alonso & His Relationship With Cards

I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?

I. Magic Tricks

You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)

But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."

In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.

II. Card Symbolism in His Helmets

This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?

From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.

Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)

2008.

Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible

2009.

Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?

2010.

This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!

2011.

Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards

2012.

This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??

2013.

Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form

2013 Monaco(Honorable Mention):

For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one

2023 Las Vegas(The Return of The King):

The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"

III. Why Does This Matter?

*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs

This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!

There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.

But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(

[ironyscleverer]

Doctor Who as a Post-Colonial Metaphor

Recently I've been thinking a lot about how beautifully Doctor Who reflects the state of post-colonial British identity, and tumblr seems like the appropriate place to share my ramblings. So let’s see if I can explain in a way that makes sense.

I must start by putting on my obnoxious little film degree hat and reminding everyone that sci-fi is one of those genres that is highly political (as most things are, but scifi even moreso). It turns out it's pretty easy to get a sense of people's fears and anxieties by asking them to envision the future, and that's what sci-fi media does; it uses contemporary cultural standards and ideas to create a vision of what futuristic/advanced science and technology might look like, and how people might respond to it. In doing so, it ends up taking the social and political temperature of the time and place in which it's created.

As such, it's very, very common for scholars to analyze sci-fi media through this lens; even Frankenstein, arguably the first science fiction novel ever written, is often interpreted as reflecting cultural fears regarding swiftly advancing science and technology during the early stages of the industrial revolution. The Day The Earth Stood Still (1951) is another great, very blatant example of how sci-fi and politics can interact. In this movie, a Jesus-like alien ascends to Earth during the Cold War to warn the human race about their imminent nuclear annihilation. It seems corny to us now, but it's actually a great movie and I would highly reccomend it. It's rumored that the US Department of Defense read the script and Did Not Like It because the themes were too anti-war.

In other words, despite often being viewed as too “pop,” too goofy, and too unserious to have any deep meaning, pretty much any scifi story can be analyzed within an inch of its life using a meta social/political lens. It's not the only way to interpret sci-fi, but it's by far the most common. One must simply ask, “what does this vision of science, technology, and/or the future say about us as we are now?”

But anyway. Doctor Who. Disclaimer: I haven't watched the classic series so I'll focus on 2005 onward (still post-colonial so it still holds up, lol). If you've seen Classic and you'd like to chip in, please do.

Genre-wise, Doctor Who is more-or-less a space-western, a subgenre of sci-fi that incorporates Western elements—exploring new frontiers, engaging with unfamiliar civilizations, rogue figures, etc. Star Trek is the peak example of this, but there are many, many others.

Of course, the Western genre is dripping with colonialism due to its historical setting of the American West, and the racist depictions of Indigenous peoples. Space-westerns, consequently, also tend to address colonial topics. Sometimes space westerns are just as racist as normal westerns, but sometimes they use the genre reflexively, to question colonial ideals. A more progressive space-western might be more willing to “humanize” the alien cultures they meet, asking questions like, "how does one ethically engage with foreign societies?" or "When is it appropriate to intervene in a conflict?" etc.

Althought these kinds of questions come up regularly in Doctor Who, especially regarding its anti-war messaging (Time War etc.). These themes become doubly interesting when you use them to inform your interpretation of The Doctor, both as a character and as a symbol.

Consider this: The Doctor is the embodiment of an ancient and immensely powerful being with a bloody history. Their kill-count is quite literally somewhere in the quadrillions. Although they are a self-proclaimed pacifist, they are still constantly a perpetrator of death and destruction throughout the series. The Doctor, despite repeatedly and loudly choosing peace, can never seem to keep their hands clean of chaos and suffering. Doctor Who is about an entity that destroys everything they touch, sometimes on purpose, sometimes not. As an allegory for grappling with the legacy of British imperialism, I'd say it's pretty on the nose.

In this sense, not only is Doctor Who a show about colonialism, it is also a show about identity in the wake of colonialism. It's even in the name: "Doctor Who?" Who is the Doctor? What is their responsibility to the universe? What does it mean to be ancient and powerful and drenched in the blood of millions? How do they move on, become better, without falling into the same traps? What does it mean to be British?

These questions come up over and over throughout the new series, from the destruction of Gallifrey, to the Timelord Victorious, to A Good Man Goes to War, the Flux (arguably), and many, many other smaller plotlines I could mention. Even in the latest series with Ncuti Gatwa, the focus on adoption and family is in a similar vein—where does the Doctor come from? What does it even mean to be “from” a place? How much do your origins truly contribute to who you are and who you become?

How the companions fall within this framework is also interesting; if the Doctor is a stand-in for the nation as an entity, then the Doctor's companion, the everyday British person, is the stand-in for the populace. The companions are ever-changing, ever-evolving, constantly renegotiating their relationship with the Doctor. The companion's ultimate challenge is to find how they fit into the narrative of the Doctor's life, and try their best to come out the other end with a happy ending (ha).

Of course, Doctor Who is owned by the BBC, meaning it is quite literally nationally subsudized TV. It is all but directly approved by the British government. As a result, althought the show is actually VERY critical in some places, the Doctor is usually ultimately sympathetic; their good intentions tend to forgive a lot of the problems they've caused. The companion is usually charmed by the Doctors' seemingly endless tragedy of a life. This is a country's state-owned media company working with it's own self-image--it's inherently a work of self-reflection, and perhaps of self-obsession, too.

It would be easy to be cynical about Doctor Who as a product of the BBC, which is state-funded (but notably not owned or directly controlled by the government!). However, I tend to think that just writing it off as propaganda because of this is doing the show a disservice. Yes, there is an inherent privilege and self-centeredness to endlessly forgiving the Doctor, but that's also kind of the whole point; it's a show about coming to terms with one's horrible past. It's a show about learning to formulate a new sense of self. To demand that Doctor Who to be less self-obsessed, to not be about British identity when it is in fact a British show for Brits about Brits, is just a bit unrealistic.

Instead, I choose to believe that Doctor Who can and does use its privilege for good more often than not. The creators tend to be very progressive (as sci-fi so often is) and they can get away with a lot of very progressive messages in the guise of a silly sci-fi show for families. Most recently, I would point to s14e3: Boom, s14e5: Dot and Bubble as examples of thinly veiled rants about the evils of capitalism, war, racism, social media, etc. To ignore or dismiss Doctor Who because it has some form of institutional backing would be doing the actual stories and writers a disservice.

Finally, let me leave you with one last point; One consistancy throughout the new series that I find very charming is the positive effect the companions always have on the Doctor. Companions come and go, which is sad, but they're each special in their own little way, and they each change the Doctor, wearing them down a little at a time. The Doctor is consistently at their worst when they are alone, removed from the people that make them want to be better.

Very often the companion's parting message for the Doctor is "don't be alone.” This can be extrapolated to mean: don't forget we exist. Don't forget to be kind. Even if you can't help your legacy, even if you can't wash the blood off your hands, you can always keep striving to be better. Keep someone around to remind you to be better. And the Doctor, more often than not, does. Because ultimately it is the companions, us the people, that make the Doctor who they are.

It’s this special brand of relentless optimism, this indomitable belief in the goodness of people and the power of that goodness that always brings me back to Doctor Who, one way or another, despite all its flaws.

Edit 11/29: corrected some info about the BBC per the comments!

[hjemne]

Okay as kinda a follow-on to why I love how Trimax characterises Knives and Vash as kids, let me talk about why I love Knives' outfits in Trimax so much

So, Knives' outfits are heavily inspired by the jumpsuits/ uniform from the Seeds ships. If they're not directly using the uniforms as a base, Knives usually keeps their silhouettes or other elements (the blocks of two colours, the buckles etc)

Some examples of the original Seeds designs for reference, as modelled by Conrad and Vash

And now some Knives looks

Even that third example still keeps a very similar feel to the Seeds jumpsuit from the buckles and the shapes of the fabric/cuts. It's definitely a bastardisation of the original, but the inspiration is definitely there (plus, you can see the tube things around his waist which a later Vash coat incorporates, and there are big similarities to this and Vash's belt buckle legwear, which I also think is really cool to emphasis how similar Vash and Knives are through their outfits!)

This is the main exception to this that I can find, but still I'd argue there are still some similarities to the Seeds jacket here in the high collar, cropped around the waist, the two colours, the buckles etc and his shoulders are also emphasised here by his clothes & pose which is another Knives staple. It also wouldn't make sense for Knives to be wearing anything too directly similar here as this is during the period where Vash and Knives travel together and try to blend in more with the humans around them.

There's two outfits I want to look at in particular- one is what he wears when confronting Vash in July and the other is the iconic bdsm piano outfit

When Knives and Vash reunite in July, Knives is in an outfit that is incredibly similar to a version of the seeds uniform. Specifically, the uniform worn by the crew when Knives accidentally messes with the ships and the crew comes out of cold sleep to deal with it.

Now, why might this be a look Knives wants to replicate?

I'd argue it's potentially because that was the first time Knives felt true fear at the presence of a greater authority (the crew) and that's what he wants Vash to feel when he ambushes him in July.

Knives' character in trimax is based about wanting to take back power from the humans who killed Tesla, and make sure that doesn't happen again by switching the powerful-powerless positions between humans and plants.

By becoming Conrad in his confrontation with Vash, Knives immediately puts Vash on the back foot, infantalising him, and reminding him of the day they discovered Tesla and the fear and horror they felt. It also allows Knives to reclaim that memory for himself psychologically, and shows Knives is every bit hung up on the past in the Seeds ship as Vash is.

Now, the infamous BDSM fit

He is so full of drama. It's an iconic introduction to his character. The spike at his neck is as much a threat to himself as it is to others. And the eyes.... Oh I'll be coming back to the eyes....

But why am I bringing this outfit up? It shows up in about 3 panels never to be seen again, right? Right?

Wrong!

There's been a lot of talk about how tristamp is a love letter to Trimax, but you know what really is a love letter to the imagery of Trimax? Trimax itself.

Imagery from many, many volumes before, which could be dismissed as just there to look cool, crops back up after a decade of real-world time passing between these being published. Trimax tells such incredible depth of story through the use of clothing and the symbolic language that each character chooses to wear.

I'm not going to say anything about tristamp as such, but I do think that by changing the Seeds uniform and by the choices made in Nai's clothes (or lack thereof), tristamp has therefore lost a huge amount of this visual language and storytelling, and I really really hope this was done intentionally because the tristamp team wanted to create their own which we'll see in S2, rather than just being a change made without considering its impacts.

[waitmyturtles]

SOME GOOD SHOWS THAT I LIKED IN 2023! (AND SOME THAT I DIDN'T)

I watched A LOT of stuff that did not originally air in 2023 by dint of my Old GMMTV Challenge. This list is inclusive of this recognition!

THE BEST SHOW I WATCHED THIS YEAR: HE'S COMING TO ME

I have no other words: this is my favorite Thai BL of all time. Perfect length, perfect plot, perfect celebration of Thai culture, perfect acting, the greatest coming out scene of all time, the BEST of the best BL moms. Perfection.

THE OTHER BEST SHOW I WATCHED THIS YEAR: BAD BUDDY

I don't even want to think about how many words I've written on Bad Buddy this year, but they're well deserved for this REMARKABLE show. I've got a thing for shows by Aof Noppharnach that feature Ohm Pawat, what can I say!

THE MOST INFLUENTIAL SHOW(S) I WATCHED THIS YEAR: LOVE SICK AND SOTUS

The influence of Love Sick and SOTUS can be seen in SO MANY Thai BLs, even through today. Without having watched these two shows to start my OGMMTVC project, I wouldn't have the context for what later shows like Bad Buddy and Theory of Love were commenting on by way of their content and structures. Love Sick in particular was a HELL of a lift -- but I am damn glad I watched it, and I certainly feel nostalgia for it today.

Honorable mentions of influential pieces that had impacts on Thai BLs: Love of Siam and Dew the Movie

MY OTHER FAVORITE OLD SHOWS I WATCHED: UNTIL WE MEET AGAIN AND THEORY OF LOVE

BANGERS!!!

If New Siwaj ever tops Until We Meet Again, I'll fly to Bangkok and give him a gold medal. That long-ass show, 17 EPISODES, I WANTED MORE! OhmFluke's chemistry was great, the story delved SO deeply into historical homophobia and how culture and acceptance changes over time -- scrumptious. Theory of Love, man, the way this show ate up implicit compassion bias and gave it right back to us. I loved it. KHAI FOREVER!

THE BEST SHOW I WATCHED THAT ACTUALLY AIRED IN 2023: MOONLIGHT CHICKEN

Not only was Moonlight Chicken my first real live fandom experience on Tumblr, it was a hell of an amazing show, incorporating so much of what I love particularly about Thai BLs, and how many Thai BLs do not shy away from celebrating Asian cultural touchpoints. From exploring Jim's internalized homophobia by way of his rural upbringing, to juxtaposing Pattaya's spiritual symbols with growing development that upends older strains of local culture, Moonlight Chicken offered a lovely commentary on what it means to be queer in an ever-changing Thailand.

THE OTHER BEST SHOW I WATCHED THAT ACTUALLY AIRED IN 2023: WHAT DID YOU EAT YESTERDAY?/KINOU NANI TABETA? SEASON 2

BRILLIANTLY ACTED by literally the best actors in the Asian BL game: we are blessed that Nishijima Hidetoshi and Uchino Seiyou have given so much to this franchise. It's hard to write about this show because it's so perfect -- it needs no extraneous words. Plot, pacing, acting, character development, gratuitous food shots. It has it all.

THE OTHER OTHER BEST SHOW I WATCHED THAT ACTUALLY AIRED IN 2023: I CANNOT REACH YOU

Just like Bad Buddy looked at Thai BL tropes in the eye and said, "over my Nong Nao," I Cannot Reach You asked Japanese BLs about the efficacy of almost every trope we've gotten used to, and questioned them with efficiency. The biggest shocker for me? REAL COMMUNICATION, encouraged by the CIPHER, Hosaka, that allowed the two lead protagonists to confirm their love and understand each other. It was straightforward and FUCKING GOOD.

A SHOW THAT AIRED IN 2023 THAT I HAVEN'T WRITTEN ABOUT YET, THAT I NEED TO REWATCH IN CHRONOLOGY, THAT ALSO DID SOME TROPE/GENRE ASS-KICKING THAT I'M STILL THINKING ABOUT: LA PLUIE

La Pluie was FEARLESS. The show had a LOT to say about romance and soulmates not being as much of a realistic thing as content-makers... and, frankly, majority society would like us to think. La Pluie made its characters WORK for love and understanding, and had us viewers face our implicit biases about how romantic content should and could work. I watched this show out of order of the OGMMTVC watchlist to see it it was one of the best of the year, and it certainly is. I'm planning a deep rewatch for early 2024 to pen my words on it.

A SHOW THAT ALMOST TOPPED MY 2023 LIST BUT GOT DOCKED BECAUSE I ENDED UP LIKING THE NOVEL A LOT BETTER: I FEEL YOU LINGER IN THE AIR

@neuroticbookworm and @lurkingshan know that I flipped THA FUCK out over this show -- FABULOUSLY acted by Nonkul Chanon and Bright Rapheephong, FABULOUS cinematography, great story up until the end of the series. My fangirling led me to read the original novel by Violet Rain, and -- I found out that Jom was a lot more damn sassy than we got in the show! Tee Bundit's penchant for sadness won. This is not to dock the show, but the novel had more than enough material to carry the series through without repeating themes in the end. So it fell on my 2023 list, womp womp. BUT I STILL LOVE LOVE LOVE THIS SHOW, DON'T GET ME WRONG.

TWO SHOWS THAT I'M SUPER GLAD I CAUGHT UP WITH WHILE THEY WERE AIRING: THE EIGHTH SENSE AND BE MY FAVORITE

Be My Favorite looked at Krist Perawat's checkered past as a BL idol and said: we are going to examine this and make an honest BL out of inspiration from it. It wasn't a perfect show, the time travel shit didn't end up adding up in the end, BUT -- excellent acting from two GMMTV VETS made up for those tangles, and I loved the contextual philosophical references throughout the series. The Eighth Sense looked at the tug-of-war that Korean BLs have with K-dramas and their tropes and said, actually? We will have these dudes full-frontal kiss, and placed that energy against commentaries on mental health, both topics that Korea hasn't quite embraced as quickly as other countries.

HONORABLE MENTIONS OF OTHER AWESOME SHOWS THAT MAY OR MAY NOT HAVE AIRED IN 2023

Make It Right, Our Dating Sim, Dark Blue Kiss, Gay OK Bangkok, Dirty Laundry, 10 Years Ticket, I Told Sunset About You, I Promised You the Moon, 3 Will Be Free, Lovely Writer (underrated?!), Our Skyy 2 x Bad Buddy x A Tale of Thousand Stars (UNDERRATED!), and Manner of Death.

And the shows that are airing that I know will stay with me well into 2024: Last Twilight and Cherry Magic Thailand.

I had fun!

WHAT ELSE, WHAT ELSE: THE "NO" SHOWS: THE PROMISE AND STEP BY STEP

I'm not even hyperlinking my thoughts on these shows, nor gifting them with gifs. Insert Bugs Bunny NOOOOOO gif here! We got Man Trisanu, though.

THE SHOW I WAS THE MOST OBVIOUSLY DISAPPOINTED BY: ONLY FRIENDS

Despite my passionate disappointment for this show and how it ended: in the context of the OGMMTVC, Only Friends is still an incredibly important inclusion to the list. Some amazing Tumblr bloggers offered commentary that the bias against sex that OF contained within the show was actually importantly and culturally contextual to the still-conservative state of acceptance that Thailand is currently in (here and here for more reading).

Only Friends reminded us that despite any kind of marketing that we here on Tumblr, as a majority non-Thai audience, may receive about a Thai show -- that we are still not fully plugged into the non-verbal expectations of what a show like OF could promise to do, and to be okay when it doesn't reach those heights. In light of the seemingly pro-sex marketing blasts that previewed the series before its airing, OF ultimately seemed to want to take casual sex, chew it up, and spit it out. There might be reasons why that happened that we just don't know about as outsiders to Thailand. But as an Asian-American viewer that was hoping for neutral -- and maybe even supportive -- commentary on single folks having casual sex without judgement, OF did not deliver for me.

I'm ending the year reading Dr. Thomas Baudinette's book, Boys Love Media in Thailand, the first book-length ethnographic study on the impact of BL on queerness, media, and more in Thailand and across Asia. Baudinette comes from the world of Japanese queer media studies -- as someone who came to Thai BLs this year from Japanese BLs, I appreciate his trajectory. It's clearly a necessity for me to read this book in the context of the OGMMTVC, to understand how Thai BLs have changed over time, and to understand the incredibly larger impact of heterosexual/heteronormative media and themes on Thai media as a whole, as larger and larger swaths of Thai, Asian, and international societies welcome and watch BLs with open arms.

All of this feeds into my ever-growing body of knowledge about the impact of Thai BLs, both in Thailand and across Asia, as Baudinette writes about, and how these shows have and are developed/developing over time. It's been an AMAZING YEAR of watching old and new dramas for me, and I'm looking forward to seeing how the genre grows even more in 2024.

I also made AMAZING FRIENDS on Tumblr -- y'all know who you are! What a year of growth and discovery for me: this has been a fabulous experience, and I'm looking forward to even more growth in the new year!

[absolutely-esme]

Monster!Tim Coraline AU part 2

A while back, I posted an Idea I had For a Combination of a Coraline AU and a Meta!Tim AU. It's here assuming I made the link correctly.

Well, I had more thoughts on the matter, so I'm making another post.

First off, I want to expand/clarify on how Tim's powers work.

Tim fights (or otherwise challenges) various supernatural things and gains power from defeating them.  I touched on this before and mentioned that it was because it was symbolically similar hunting and eating prey.  I would like to talk a bit more about what this entails. 

Upon achieving victory, Tim takes a bit of power from the defeated opponent and incorporates it into himself.  Tim can gain abilities this way or just boost his own power level a bit.  He does not physically eat any part of his opponent.

The opponent is left a bit weaker, but does not lose abilities completely and is not permanently damaged.  They can get their power levels back up given some time.  Think of it like donating blood, they’ll be a little weak and woozy for a bit, but no lasting harm is done.  Now, I cannot stress enough that this is because of the choices Tim makes. 

Tim chooses to use his powers in the gentlest way available.  He chooses not to take more than they can safely part with.  He chooses not to simply consume them completely.  He chooses to pay careful attention to how much power his opponents can afford to part with and whether or not they are in a position to weather the recovery safely.  Tim grew up looking up to Batman and Robin.  He believes in harm reduction. 

That’s why the supernatural-leaning rogues fear him so much.  Their instincts are very aware that this is a predator that has simply decided not to kill them today.  He probably won’t next time either, but he could easily make a different decision at any time.  At least some of them are not entirely aware of their ties to the supernatural or why the third Robin inspires such primal existential fear.

The thing that drives Tim to keep doing these challenges is not primarily a desire for power (though some of the abilities he gains are useful), but rather because it makes the hunger more manageable for a bit.  It doesn’t stop it, but it takes the edge off for a little while.  Tim was incredibly suspicious of this at first.  He knows full well that his condition makes a point of being inconvenient and that it is easy to spiral out of control in a way that makes one dangerous to oneself or others.  He remembers how miserable the fallout of trying to eat to fullness was.  He made a careful study of the challenges and how they affected him.  He kept meticulous notes on his mental and physical state.  He also created and stuck to a very rigid schedule on how often he would allow himself to “hunt,” and made a point of not taking too much from his “prey.”

Tim starts off pretty close to a baseline human and gathers abilities over time.

When he is very young he gains improved stealth and the ability to sense secrets.  For a little while, that’s all he has, until he learns that there are other things in Gotham he can challenge.

 While he was still very young he collected the ability to make his fingernails razor-sharp, the ability to climb like a goat, some minor enhanced strength (just enough to somewhat offset the disadvantage of being so tiny), partial immunity to slipperiness caused by water (from the many rain/fog/whatever spirits to be found in a city as gloomy as Gotham), increased impact resistance (don’t know what that thing was, but Tim’s not sure if he actually beat it or if it was just so high above his level that it felt safe to feed him a scrap of its power purely out of curiosity over what he might do with it), and a bite like a beartrap.

Then the Beldam incident happened.  He got a lot from dealing with the Beldam because that wasn’t an ordinary challenge (by his way of doing things).  The Beldam was too powerful, too dangerous, too impossible to contain, too sneaky, too focused on targeting vulnerable victims who won’t be missed in time for any sign to be found.  Tim had to stop her for good right then and there because he only had one shot.  Even if he survived and escaped (which wasn’t especially likely if he held back at all) she would go right on killing children.  There was no way to put the Beldam in Arkham even just until the next breakout.  No way to track the Beldam.  No way of protecting other isolated, vulnerable children without lethal force.  So Tim killed the Beldam and consumed it entirely (he has to think of the Beldam as an it, he can’t afford to do otherwise). 

From defeating the Beldam, he gained a supernatural knack for fiber arts (especially spinning, weaving, and sewing), the ability to control things he makes with these skills to a certain degree, the ability to see through buttons he’s sewn on things, some slight shapeshifting, minor space-folding on the level of making his pockets a bit bigger on the inside, and illusory powers that allow him to make things seem a bit nicer/brighter/more pleasant.  He also gains a pretty huge general power boost that goes into enhancing his existing abilities.  He takes to spinning some very strong cord and keeping a few skeins on his person at all times because it’s useful for a number of things and makes a pretty good weapon, especially with his ability to manipulate it.

The shapeshifting isn’t much on it’s own, but it can combine with other abilities he’s taken on to let him make greater changes and take on forms that better support use of his powers.

After the Beldam incident, Tim’s power levels increase a good deal very quickly, allowing him to challenge and defeat stronger opponents and collect stronger abilities.  Tim continues wandering, continues fighting, continues gaining power. 

(Trauma?  What Trauma?  He’s fine.  It all turned out okay in the end.  The Beldam is dead.  The souls she trapped are free.  Tim totally doesn’t have complicated feelings about killing her.  It.  Tim is fine.  Tim totally doesn’t have nightmares about an evil Batman with buttons for eyes.  You would not believe how fine he is.)

He collects some extra senses that allow him to maintain greater awareness of his surroundings.  He gains the ability to produce and maintain a very small fire (like a candle flame on a tealight) at his fingertips.  He gets quicker reflexes from something he probably wouldn’t have been able to beat prior to killing the Beldam (he had to tank an uncomfortable number of hits in that fight).

He gains the ability to find and use what he decides to call shortcuts. They’re these odd little throughways tucked into out of the way places that he can pass through and go from one place to someplace a fair distance away.   One of them is an odd little opening in a wall between a dead-end alley and a rooftop on the other side of town.  The shortcuts don’t look odd or out of place.  He mostly recognizes them by vibes.  If he had been born with this ability rather than gaining it later in life he probably wouldn’t have realized that there was anything odd about the shortcuts or that no one else could see them.

…

Tim goes on doing his thing, pretending he wasn’t traumatized by the Beldam, and even managing to heal a little despite his somewhat unhealthy handling of it.

Then Robin dies, and Batman loses it.  Now Batman is self-destructing and looks like he’s going to take all of Gotham down with him, the Other Gotham Nightmares are back, and Robin is fucking dead. 

Tim is not okay.

Tim tries to get someone else, anyone else, to deal with the situation because a violent, out of control Batman is a pretty massive trigger for him.  No one else who seems like they might be able to do anything for Batman is willing to intervein.  Batman is getting worse.

It looks like Tim is going to have to be the one to do something about this.

…

When Tim eventually begins his training to be Robin, it is such a hassle learning how to fight without his powers.  Batman and Nightwing think he’s incredibly clumsy when he first starts his training and wonder just how the heck he managed to follow them undetected for so long.  Then the clumsiness clears up more quickly than they would have expected, and they are concerned that he might have had a concussion when he started training and they didn’t notice. 

It’s actually because he has to re-learn how to get around without using his powers in a way that Batman and Nightwing would notice, and he’s started to forget how to account for large bulky items that aren’t tucked away in a pocket dimension.  That said, he did do it all without powers in the beginning so he’s re-learning rather than learning something new for the first time.  Also, he figures out pretty quickly that he can use the stealth he got from secret hunters and the goat-like climbing ability he got from a Jersey Devil because neither Bruce nor Dick realizes just how unusual Dick’s childhood level of ability was.

While Tim is operating as the Bats’ emotional support child, he uses his illusion powers from the Beldam to look cute, comforting, healthy, and un-concerning.  When he’s not with the Bats, he drops the illusion and just goes about his business with his actual appearance.  When he has some shit to get done far enough outside of the Bats’ sphere of influence that he can be reasonably confident he can avoid them finding out about it, he turns into something out of a scary movie.

Guess who gave digital art a try? Here we have Emotional Support Tim, Regular Tim, and Cryptid Tim.

I hadn't originally planned for Cryptid Tim to be showing that much skin, but i had to spend a lot of time figuring out the anatomy before I could figure out how to dress him, and by the time I realized what I was doing, i'd put so much work into the shading on the ribcage that i didn't want to cover it completely. Tim won't actually dress like that in Cryptid form, I just worked really hard on the anatomy. I should do more art to figure out his actual Cryptid Garb.

I went the stretched out, spindly monster route for Tim's Cryptid form because his magic/condition is called "afflicted with gluttony." I know a lot of artists make monsters based on the concept of gluttony heavyset with lots of excess fat tissue, but I feel like it makes sense to have a gluttony monster look hungry, like no matter how much it's eaten it's nowhere near enough.

The gray-ish skin with darker gray hands was just because I thought it would look spooky, and redoing the hands once they were done felt like it would be a lot of work. Hands are hard. Especially with foreshortening.

[dailymothanon]

yes… more space critter Alaska… unfortunately I have taken a big liking towards this thang, I do have other fantasy ideas for the other states tho! And I promise I’ll get back to the regular Table stuff! For now more Alaska 🐶 I’ll explain my thoughts behind his design too! Warning tho, it’s a lot of words down there

Basically, the whole reason he’s space-based is because of his flag, being the only one that’s a constellation and nothing more visually (albeit symbolism and a story behind it), as well as two of his state nicknames; land of the midnight sun and land of the midday moon!

He’s also heavily inspired off of Saturn, particularly because of his Birthday (Jan 3rd) & capricorns being presented with Saturn (not I don’t believe in astrology or anything, I just think the references are cool); tho I dunno how to really incorporate the rings into his design 🤔

he’s also inspired off of cosmic/nebula dust, because Alaska’s flag and the stars n all, nebulas are where stars are born! It’s mostly his… mane, thing?? That’s the dust, that’s why he’s got stars up in there!

The tail is supposed to be referenced to auroras, because well it’s Alaska, and also because Saturn has auroras too! It’s why it’s long and also drapey

He’s actually also big inspired off of birds too! Thanks to @keepbirdieweird I used nightjars for inspiration specially for his head shape :)

His “ears”, the tufts that look like ears aren’t ears! They’re akin to bird ear-tufts, so they don’t move nor really contribute to Alaska’s hearing or showing off emotions or signals

Other bird things is that of his limbs, specially his legs. And also he’s actually more so feathery than fur fluffy I’d say? So he doesn’t really have a mane, I think it’d be technically referred to as a neck ruff? I’m not sure!

His coloring I also just decided recently could be inspired off of Saturn’s colors maybe (or even on of it’s moons or their rings) 🤔

He’s also one of the more,, animalistic or heavily animal based designs even in a humanoid form, because well it’s Alaska. I just think he likes his animal attributes a lot

Because Saturn and Jupiter inspirations, gas giants and all, Alaska is actually much more able to be bigger in the fantasy au and still be comfortable! Lots of mass indeed, but not dense due to gas giant things, so he floats around much of the time

Alaska does not have a skeleton. Think like the cores of Saturn and Jupiter, that’s basically what goes on in him! And thanks to nuclear fusion, he can control his temps and therefore can get real hot and bright

His markings are inspired off of Alaska malamutes (particularly his face) because again: Alaska

So basically: Alaska is like a sentient cosmic cloud thing and we love him in this house

[cripplecharacters]

Salutations! I’m in the process of creating a story wherein both characters are missing an eye. One has a prosthetic, but is presently isolating themself in the woods, and wears an eyepatch to protect the eye while alone; the other’s socket is either empty, or they have a glass eye with no actual details (iris, pupil, etc.). I’ve struggled to find references for the latter, and fear it may come off as unrealistic. I understand prosthetic eyes keep the eyelid from collapsing, but aside from that could a person just not wear one? If these options are unrealistic, please let me know. I can supply you with concept art if need be.

The story itself centers around these characters after one of them finds the other by accident. They’re painted as foils—the one hiding out in the cabin adhering to a self-made sense of logic that centers on cycles and confirmation bias, while the only who takes refuge there after running away is deeply paranoid and prone to hallucinations. The first character is missing their left eye; the other their right. I don’t want to make a symbol of their disabilities, but I feel their designs simultaneously stress their opposing perspectives, as well as the fact they paradoxically still manage to see “eye-to-eye.” Their visual impairment is just one of many ways they’re able to connect across the story, as they also bond over their obscure passions and delusions, and respect each other’s warped worldview to such an extent said worldviews start to blur together. In addition to this, the story places an emphasis upon an entity known as the “ocellus,” which is basically the “false eye” you see on moth wings. In my outline so far, it’s the name of a mysterious band which the pair discover in a record collection, and resolve to solve the mystery of (regarding the members, music, etc.) One of the characters also sleeps with an eye mask with the pattern of moth wings and their respective ocelli overlaying their own eyes; their paranoid counterpart also sees eyes in the trees and wood of the cabin.

Absolutely none of this is set in stone; before it is, I just want to know how much of it is fine, which parts “moralize” or make a symbol of a disability, and what is straight-up ableist. Please let me know if you need more details.

Hi!

The prosthetic eye has two main functions: 1) to keep the eye area stay in shape, 2) to protect the socket. Both of these can be achieved by conformers (it's like a big contact, except it goes into the socket and not on the eye) which I talked about here!

A blank prosthetic eye would probably be fine. The process of getting it custom painted is expensive from what I know, and IRL a lot of people will decide on the generic kind rather than a custom. If in your world the generic happens to be a blank, there's no problems I can think of? Potentially, you could explicitly say that it's not how most prosthetic eyes look like (maybe someone else knows a person with an eye prosthetic and they comment that it's unusual?). You mentioned that the character doesn't have it in all the time, so I don't think the trope of "blind character has blank/white/milky eyes" applies here because it's clear that it's a prosthetic.

A person could decide to go bare, but the sensation of blinking could be uncomfortable, and they would need to clean their socket more to get rid of anything that could get inside. Normal saline could be used for that.

I don't think there's an issue in them missing different eyes at all. If you want to make sure it's not giving "Just Magic Symbolism" energy then you could incorporate some boring everyday things that would make sense. If they go somewhere together, they could decide to walk missing eye-to-missing eye, so that they see what's going on the sides rather than in the middle, things like that. It could make it feel more grounded, so to speak.

I don't see any issues with the moth fake-eyes symbolism either, I think it makes sense for the story you're trying to tell.

If you want to be very safe, I would have a character (can be minor, or background) that's also missing eye(s) that's not connected to any of the potential symbolism and is more of an average Joe of Not Having an Eye.

In case you decide to get into that, it would be nice for them to have different causes of why they don't have eyes. It feels like in fiction it's always physical trauma, but there's a whole more that could cause someone to not have an eye;

anophthalmia,

retinoblastoma,

severe eye infection,

elective enucleation (removal) of an already blind/painful eye,

just to give you a few ideas! Giving them "boring" everyday reasons of eye loss will also make it feel less symbolic and more like a regular disability. Think "dramatic swordfight with Huge Meaning" vs "yeah I had cancer in my eye when I was 2".

I hope that this helps; if you have any further details you'd like to ask about feel free to send another ask!

mod Sasza