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sinnabonka · 4 years ago

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It’s spec time: Love always wins

(Okay, I promised it, I’m doing it, there’s no stopping me now.)

For the last three days I’ve been all over the place emotionally, clinging to every post saying Cas is not dead dead, saying his story is not done, but then someone wrote the “but” post and, there I go again, down the bottomless pit of angst.

I’ve been a Schrödinger believer for so long with this show, one can get used to it.

I know I’m not the only one feeling this way, regarding whether Cas is coming back or not. We won’t know till we know ©

Ep 19 speculations here

But let's speculate!

Apparently, there's nothing better for me to do way past midnight on Saturday and on Sunday morning (when I’m writing this).

What makes us think 15*18 might indeed be the end of Castiel’s story:

Everything the crew and Misha told us, officially, is pressing toward Cas dying permanently in this scene. “Proud ending”, indeed.

Castiel’s story has the perfect symmetry this way, with the handprint, the “Hello, Dean” - “Goodbye, Dean”, and the whole “Dean Winchester is saved” theme.

He is smiling, while Empty takes him, he’s content with his sacrifice.

Something about Castiel’s monologue didn’t sit right with me for some time. The whole point of happiness being not in having, but in being and saying, gave me an idea of it being the way writers say we can’t have Destiel, but we should be happy to know it’s real and to hear it said aloud after all those years.

Supernatural had to be the story of two brothers and their journey, and Winchesters driving in the sunset is the most probable endgame we are gonna get.

Even though all those points seem valid, we can’t trust any of it.

Let me fix it for you:

It wouldn't be the first time the crew lied about someone being on set.

The handprint was not scripted. I repeat, the handprint was not scripted.

Castiel’s monologue could be just about loving Dean, and it’s just my poor wounded heart looking too deep into it and seeing my angstloving reflection on the bottom of the well.

And Supernatural might indeed be about family, but, as we know, family doesn’t end with blood, and doesn’t start with it either. Cas is family, after all.

I’m glad be are clear on this one.

What tells us Cas is coming back and we are getting Destiel endgame:

(Brace yourself, it’s gonna be wordy)

1. The most obvious, without rewriting his memory or going OOC, there’s no happy ending for Dean (not the crappy bittersweet substitute) without Cas.

Even without the love confession in place, we’ve seen what Cas’ death did to him before, it shuttered him to pieces. Imagine the damage it's gonna cause now!

“I love you, I always did, bye bye now, have a long and happy life knowing my feelings for you have killed me dead.” Really? No win can make up for it.

2. My fave point, aka the natural dynamics of storytelling. The big loss predicts the big win. The deeper the wound, the brighter the prize. Following the roller coaster this season has been, we should be up for a pretty high damn up pretty soon.

So, there’s The Big Loss (losing Eileen, all of their friends, all the people on Earth and Cas).

Next - The Big Win (defeating God, getting their free will back, getting humanity back).

Then, we should have The Big Regret and Reflect moment (Sam and Dean talking a lot at this point, realization of things which are important, what they want with Chuck gone).

And at the end, there’s The Ultimate Happy ending waiting for us (see point 1 again in case you are not sure what that means).

3. You know what, forget it, this one is my favorite. The parallels. Throughout this season we’ve been spoon-fed with context (Geez, it feels nice to finally know we are not crazy, we are not seeing things, we got it all right!) and writers chose to do so via parallels, via reflections, subtle hints.

It would be some lazy storytelling to shove everything to our faces, so, instead, we’ve got: Charlie and Stevie, Sam and Eileen, the world and humanity, Dean and Cas.

Everyone separated. Forever? No, not really. And I don’t buy everyone getting their loved ones back, except Dean. C’mon.

4. Unresolved love confession. Yes, Cas might have died with a smile, meaning it’s enough for him to speak his truth and be gone. But Dean? Him sobbing in the dungeon, ignoring Sam’s calls (he literally never chose anything above Sam before), the “Don’t do this, Cas” part - it’s the lowest he’s ever been.

To sum up, Dean didn’t get his closure. He might have needed five to six business days to process, but he still has his truth he has to find out and then give a voice to.

And yeah, I know, he could confess via prayer or something, but we all know that’s something needed to be said face to face. (Btw, he already confessed to Cas in purgatory via prayer once, you can try and prove me wrong, but good luck with that, sunshine.)

5. The perfect symmetry. If I were in SPN writers room, I would literally cry my eyes out of joy at the symbolism this ending gives. I would literally fight everyone against it.

The broken man not deserving to be saved is dragged from Hell by the most loyal and righteous angel Heaven ever seen.

The fallen angel not deserving to be loved is dragged from Empty by the most loving and caring man the sun shone on.

I mean, c’mon, people. Poetry.

(We are nearing a very important thing here, fasten your seatbelts, please.)

6. The message the show wants to give the world has changed. From “it’s all about the journey, about saving people, killing things, no one ever gets what they deserve”, the philosophy has changed drastically toward the “good things do happen, you deserve to be saved, to be loved”.

Come and see what lane we are walking right now: allowing yourself to love again, to experience things again / losing the love of your life a moment later / fighting for your love / winning your love back.

I believe the final message is: love always wins.

Love is not one’s weakness, love is power, love is strength, it’s a perfect fuel.

Humans declare war in the name of love, kill and get killed in the name of love, but, most importantly, humans live and win those wars in the name of love, too.

7. Go big or go home is on the table, and no one goes home this time.

Supernatural was a bunch of broken glass for soooo long, I think this time writers are gonna give us something good, for a change. Not bittersweet good, but actually cotton-candy-almost-diabetes-sweet good.

Why?

Because *loud and clear* we deserve having good things happening to us!

Also, it’s The End, the creators have nothing to lose, but, on the other hand, the ultimate happy ending would allow them to leave an enormous mark on the world and Supernatural to be known as the only show that actually could.

To sum up:

Dean can’t be happy with Cas gone and, following the logic of prebuilt parallels, he won’t have to - everyone gets their loved ones back at the end, because love always wins.

Cas might be at peace with speaking his truth, saving Dean and being gone, but it is not fair, Dean also deserves a chance to be heard.

Few seasons ago I would laugh in my own face for these arguments, but the philosophy of the show has been transformed. During the last few years we were being prepared for this moment, slowly, gently being led toward this moment.

Supernatural has to give us the Destiel endgame to prove their point.

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hogwartsfirebolt · 4 years ago

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Hello everyone! I’m back for my (omg time flies) third yearly drarry rec list, in which I share with you my 30 favorite drarry fics I read in the year, divided in three parts. What a year 2020 was. It was challenging, scary and confusing, and it was also an amazing reading year for me, I read so, so much more than I ever had before, and I’m really excited to share these masterpieces with you! The banner art is by @dragontamerdame who is one of my favorite artists and was kind enough to let me use this beautiful piece, which you can (and totally should) reblog right here. Now, with nothing else to add and in no particular order, here’s my

FAVORITE FICS I READ IN 2020 PART ONE

1. Who we are in the shadows - @quicksilvermaid - 100k - E - What happens when you’re forced to become the very thing you despise? Ex-Auror Harry Potter, tossed out of the Ministry for something he had no control over, has been looking for a way back to his former life. When he comes across Draco Malfoy in the criminal underbelly of Wizarding London and in need of protection, Harry figures bringing him in to face the Ministry's justice is his ticket back to everything he's lost. But nothing is exactly as it seems. Not even Harry himself. And as he gets drawn further and further into Malfoy's world of honour and deception he finds himself questioning everything he thought he knew—about his childhood nemesis, the Ministry job he misses so much, and most of all, about himself. What happens when you’re forced to see that you were wrong?

THIS FIC!!! It was the first one I read in 2020, and it immediately became my favorite fic of the entire year, and one of my favorites of all time. I have since read it two more times, the entire 100k of it. There are absolutely no words to describe how amazing it is, how much it floored me to read their characterizations, their jobs and the roads life took them on to end up where they end up, the connection between them in a time when they don’t even know how to relate to anyone, their sorrow and struggles which, despite being so rooted in the magical world, are painfully human, just... wow. It’s a masterpiece. It changed the way I view their characters, forever, and I suspect I will read it many, many more times in the years to come. It’s that kind of story. If for whatever reason you haven’t read it, this is your sign to take that chance and embark on this amazing journey.

2. Every Kingdom - @thistle-verse - 7k - E - Every kingdom needs a prince. Every prince needs a good and useful knight. Draco and Harry play their parts and renegotiate some borders while they’re at it.

So, so lovely. Even though I don’t read them very often, alternate universes fascinate me so much, and I am in awe of the author for being able to pack so, so much story, so neatly into 7k words. This features a princely, lonesome Draco, a charming, golden Harry, and a blossoming love that could change everything. It’s beautiful, and I recommend it deeply.

3. The Bucket List - GallaPlacidia - 32k - Draco will die in six months if he can't get Harry Potter to fall in love with him. Since that's not going to happen, he might as well spend his last days working through his Bucket List. Tap-dancing lessons? Rock climbing? Poetry-writing? Threesomes? Cocaine? Getting to know his adorable cousin, Teddy Lupin? Draco will try them all! Feat. Cheerily pessimistic Draco, devoted bitch queen Pansy Parkinson, and a Harry who can't help but notice that something seems DIFFERENT about Draco, these days.

I’m positive that many, many of us got acquainted with GallaPlacidia’s writing this year, and I, too, fell in love with it. This story aches in the most beautiful of ways, the humor happens to be somehow light in such a difficult circumstance that it ends up hurting when you laugh, it hurts when everything is right because it’s also wrong, it aches when it’s supposed to be a happy moment and feels tender and sweet when it’s not. I can’t even imagine the challenge of writing this kind of story, and they pulled it off beautifully. It’s a lovely story, one you will take with you long after you finish it, and, personally, I think it’s a great introduction to the author’s writing.

4. halcyon days - @the-starryknight - 1.3k - T - Sleepy mornings caught while the sun rises are reserved for silly word games and soft touches and feelings.

Oh my god, the amount of tenderness in such a low wordcount made me weak in the knees. I almost couldn’t take it. Being able to convey such a deep emotional connection in a short story seems like such a daunting task, and the author makes it seem almost effortless. I guarantee that this will make you bring your hands to your chest and sigh with how lovely it is. Reading it will be the best ten minutes of your day.

5. Clouds That Veil the Midnight Moon - @drarrytrash - 37k - E - According to Harry’s personal narrative regarding the incident, he’d hooked up with Draco Malfoy for purely self-destructive reasons, or out of convenience, or by some unlucky accident. Looking at him, sprawled in the moonlight, Harry is devastated to recall that he’d hooked up with Draco Malfoy because he’s hot. Draco is a secret werewolf and Harry is doing his best and they've got criminals to catch, darn it.

Reading this, I found myself laughing out loud, nodding profusely with how freaking spot on the characterizations are. The dialogue is amazing, so hilarious and real and Harry’s inner monologue is so, so him. I love everything about this story. I have a soft spot for werewolf fic, and this one hit everything I love about it, the case is interesting and engaging, the incidental characters, the OCs, Ron and Hermione, everyone and everything is absolutely perfect and I had an absolute blast reading it. You HAVE to read this and see for yourself what I’m talking about.

6. Sex Ed for Aurors - curiouslyfic - 8k - M - Some things, you need to learn on the job.

Oh my god this is so freaking good. The premise is, basically, that Harry is accidentally doused with a lust potion while in the vicinity of Draco, and suddenly wants him more than anything. I loved this take on that trope, we’re in Harry’s head, and it’s absolutely hilarious and endearing to experience the near childish glee he feels whenever Draco looks his way, when he smiles, when he feels he’s made him happy, meanwhile Draco and Ron are horrified and doing whatever they can to correct it. This is so funny and such a good time, I can’t recommend it enough! While you’re at it, you should definitely read megyal’s remix of this, which is also a blast.

7. plasticine porters with looking-glass ties - @bonesliketambourines - 15K - E - Lately, Harry thinks things don’t seem the same between him and Draco. His head is in the clouds when he thinks about what their relationship is now, and where it might be headed—he’s happy with their friendship, but he wants something else. A potions accident over a lunchtime visit to Draco’s lab (what does he get up to in there, anyway?) changes things, though, and accelerates their relationship faster than either of them had ever expected. How are they going to get through this new development together?

Atmospheric, beautifully-written and delicious. Their relationship is tender, just on the edge of something more, when they’re forced to quarantine together and face the effects of a potion that makes them see and feel things differently, which makes for the most intense, visual, gorgeous sex scene I think I’ve ever read. It’s just absolutely phenomenal.

8. i wake up falling - warmfoothills - 9k - M - Draco’s always leaving, one way or another. Harry’s usually 240 thousand miles too late.

In trying to come up with a way to summarize this story, I’m feeling the overwhelming urge to cry again, just like I did when I read it. It’s just so, so, beautiful, every single word of it aches in the best way, the longing feels deeply authentic and just, the setting and the jobs and everything is so unique and gorgeous. Every single work by this author is beyond beautiful, but especially this one is incredibly close to my heart and I think everyone should read it. It’s a gem.

9. In Every Universe - @skeptiquewrites - 27k - M - They sent Professor Harry Potter to search for Unspeakable Draco Malfoy. Draco has stolen a Firebird, an experimental magical device from the Department of Mysteries that lets you enter parallel universes as yourself. As Harry traverses from universe to universe, he begins to think Draco might be the one searching for him. A story about whether knowing what's possible makes it possible.

Stories where the characters find themselves somehow hopping from one reality to another are always so, so fascinating to me, and this one is incredibly creative and well-written, so entertaining all around. The mystery of it kept me on my toes, and every single reality was a joy to read. 10/10

10. Life goes not backward - @shealwaysreads - 8k - T - Harry still isn’t used to gifts, but this one is different. A story of coming home, finding safe ground, and the wild courage of putting down roots. Leaving one life behind isn’t always a sacrifice, and sometimes the greatest good comes from embracing the people you love.

My god, there are not enough words to describe how much this story means to me, how beautiful it is, how every single time I’ve read it, I’ve cried. Bella has undoubtedly become one of my absolute favorite writers in fandom. She has such a way with words, there is not one of her stories that hasn’t touched me, that doesn’t feel like an actual, full-length novel no matter the word count. I read so many of them this year, so many of the masterpieces she’s gifted us, but this one especially is so tender, so dear, that I ended up choosing it as my favorite of hers this year. Harry’s charactertization, the unbelievable warmth of their relationship, absolutely everything about this is gorgeous. Go read it, right now, and then binge all her other works!! You won’t regret it.

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Each of these fics is incredibly close to my heart and I enjoyed them immensely. In the midst of everything changing, I really found comfort and solace in the amazing works of the people of this fandom. I hope they give you the same amount of warmth and comfort they gave me, and I’m ALWAYS here to gush about any of them ❤️ Happy New Year!

#drarry #drarry fic #drarry fanfic #drarry fic rec #2020rec #ficrec #draco malfoy #harry potter #drarry rec list

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gaysneeg · 4 years ago

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Brief Passerine summary for those who haven’t read it

I would order these points under chapter but I can’t be bothered, sorry :p

Also this is all mostly from memory, with limited checking to make sure I got everything so if I missed something my bad. If you let me know, I can add it! It’s also kind of messy because I rushed a bit, sorry!

Techno and Phil are introduced as good friends (both are gods)

Phil leaves Techno's side

There’s a time skip and Phil is now a king with two sons (Wilbur and Tommy) and a wife

Techno enters Phil's kingdom, meets the sons and reunites with philza

Wilbur trains under Techno

Techno and Wilbur both have voices in their head but neither know about the other yet

Tommy braids Techno’s hair under a tree, Wilbur is there too and they bond.

Phil’s wife dies and he leaves behind Techno to care for a 15 year old Wilbur and a 6 year old Tommy

Wilbur becomes king

Techno starts training Tommy

Time skip again, Tommy is 15 now

Wilbur is king

War begins, Techno trains the troupes as general and Wilbur's right hand man

On a battlefield, Wilbur Techno and Tommy are all fighting

Niki and Tubbo are also there (Tubbo is not close friends with tommy in this fic)

A god of war attacks Wilbur, specifically wants revenge on Techno

Behind Tommy’s back, Wilbur planned to blow up the entire battlegrounds in order to win. He blows a horn to signal soldiers to run and blows the place up.

Tommy and Wilbur argue about this because Tommy disagrees with the choice

Not many survive, and the last one to die is Tommy who is killed by the god of war.

Phil returns and the god of war dies.

Phil notes that the “Green God” could bring tommy back (it’s Dream by the way)

They set out to find him to ask to bring Tommy back.

At one point a plan B is made where Techno will give up his godship to Phil, this is just a plan if Dream doesn’t want to bring Tommy back.

They get there and Dream is not very nice

He reveals he was the voices in both Wilbur and Techno’s head

Dream admits he has been controlling people in an endless loop for a while

He’s compared to a spider on a web which is pretty neat

Wilbur gets mind controlled by dream and immediately fights Techno

He breaks out of control eventually

Derealization for the next few points

The 3 enter individual dream worlds.

In Phil, he speaks with tommy and once realizing that it’s not real, he has a talk with tommy where he realizes he needs to fight back.

In Wilbur, he plays violin for his mother, but snaps out when he realized he does not play violin. He talks with his mother for a while before snapping out of it.

Techno talks with his dead sister, where he snaps out of it once he realizes he doesn't remember her name.

Derealization over

Before going back to the fight, Techno and Phil have a private interaction where techno gives his godhood to Phil. Wilbur does not find out until later that Techno is now mortal.

Phil talks to dream during the fight where (Techno and Wilbur are not present) where he admits he knows Dream is afraid of him.

In order to defeat dream for good and preventing him from returning, Phil wants to sacrifice himself to trap Dream away for good.

Wilbur is upset that Phil is leaving again but forgives him anyway and they say their goodbyes.

Techno and Wilbur return to the kingdom alone.

Tommy is buried underneath a tree, where Wilbur and Techno play a song

Techno and Wilbur were being put on “trial” for whether or not they should be exiled for their mistakes in war. They were allowed to stay.

Wilbur meets Sally and has a kid (it’s Fundy)

The end :)

I missed a few really sweet scenes and some really cool ones too, but this is the general story so it’s what I included. If you can, I highly suggest reading passerine yourself. It’s very well written and not as angsty as I expected it to be . Still very sad and bittersweet, though so be warned if you do.

#passerine #passerine spoilers #tw derealization #tw death

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dreamylyfe-x · 4 years ago

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God your ask responses are so good. The one about Debbie is super interesting. In a lot of ways she has signs of the person she becomes early on but I do think she changes a lot too. From the beginning of season 3 to the end of season 4 - less than a year in the show - it's like she's two different people. The difference in her concern for Frank, from 3x01 to "he's been dying for years", is so extreme. She also goes from being hyper-responsible and not all that concerned (at least outwardly) that she has no friends in s2 to making seriously, seriously awful decisions in the pursuit of finding connections with people outside her family, especially romantic partners. (Then again, maybe that was always there... I hope aunt ginger is doing well) Do you think those two big shifts are related? Is it just puberty? What do you think changed to make Debbie become the kind of girl who made the all wrong decisions Fiona was so sure she'd avoid?

Hey! First of all -- that you so much. That's really nice to hear.

Secondly, I'm sorry this took me a few days, but I was giving it some thought because I wanted to answer it with some real idea of what is going on with Debbie. I also went and watched the episodes you referenced. ☺️

I do think some of the changes with Debbie are straight up developmental. 4x01 starts with a montage that outlines for us that Debbie is now a teenager and is mirroring Fiona getting ready in the morning. This is clearly a shift that we're supposed to think happened between seasons and to that end, I'm cool with it. (I am not cool with, like, how time works in season 4 -- but we just have to accept that it takes place in a vortex where six months can go by, but it's always February.)

When my Netflix rests on Shameless it always plays the same clip -- Debbie making worried noises because Frank is missing, followed by the kids all going out to look for him. I remember watching the episode for the first time and thinking the divide between Debbie -- scared and upset -- and Ian, Lip and Fiona was something the show got right. Because part of growing up with one or more crappy parents is getting to the point where the switch flips and you realize that everything that's happening with them is complete bullshit, you can't count on them, and you've been worrying about them and caring about them far more than they've been worrying and caring about you. So inevitably, we were going to see each kid have their moment where they go from loving Frank the way kids love their dads to just shutting the door on it.

To get a little bit personal -- I come from a blended family and there's a whole mix of different parental figures in this situation, and not everyone is living their best parenting life. So I've experienced, and watched, several people go from being the kid who is anxious when their dad isn't where he's supposed to be, to becoming someone who will tell their dad to go fuck himself over breakfast. In my experience that shift happens really fast. Because the evidence of their parent being terrible has always been there, and it's like they just have to get to point where they review the evidence and once they have... they're angry.

Debbie shows up angry in season 4 and one thing I find REALLY interesting is that, in her first scene, she's angry about two things. First, the suggestion that she might forget that she's supposed to watch Liam (because Debbie is responsible, damnit) and then the fact that no one knows where Ian is and Fiona won't call the police. Puberty has clearly hit between seasons, but Lip and Ian have also moved out. AND Frank is gone, just like always. She goes to see Mandy -- who was helping her pick out first-day-of-school clothes in season 3 and that conversation ends with Debbie getting a door slammed in her face. You can definitely see how she might have gotten jaded about not just her father, but her whole family.

It's interesting to me that Debbie spends a day with Lip mid-season looking for Ian. That the desire to find one brother, and spend time with another is definitely present. And they find him. And he's frightening. Doesn't make sense, isn't acting like himself, doesn't want to go home with them. Developmentally it's natural for Debbie to start looking outside her family for connection, but also -- her family is getting more and more scattered and looking less and less like the reasonably cohesive people she grew up with.

Debbie does so many infuriating things, and so many of them make her look monstrous because she stomps all over people to make them happen. And that's where she gets Frank-ish, because she's always very "by any means necessary" and she doesn't seem to assume willing help very often -- she assumes she's going to have to trick people. I think part of the reason Debbie decides to get pregnant is because, at a very young age, she feels her older siblings pulling away, she understands her parents are never going to be there for her, and she wants something for herself. Looking at the stuff that is going on with Debbie in season 4, 5 and 6... she's finding herself alone and abandoned a whole lot. Fiona is ruling with an iron fist and won't support Debbie's desire to have a baby. Lip is gone to college and then dealing with alcoholism. Ian is struggling with mental health issues, but has also directed most of his focus on his boyfriend, and their makeshift family. Shelia leaves. Even SAMMI, who originally gossips with her about boys ends up sending turning Ian in to the MP. Debbie just spends season after season not being anyone's priority and not getting what she wants -- which is primarily love and attention. It does make sense that, eventually, she would become someone who just takes, because how else is she ever going to get anything? And when it comes to going after things, she is impulsive and has this almost child-like grasp on consequence -- but I think that might be because the hurt kid is the one in charge. All that too-young maturity and sacrifice to help everyone else left her feeling bitter and abandoned and like she has a right to something. And that's never a place where good ideas flourish.

#asks #thanks so much for this one #Debbie is fascinating and it's been fun to really go and look at the show from her POV #and just see how much shit she takes before she becomes the one giving it #she does so much for the family even once she's become kind of a nightmare #but she's also so angry #and not without reason #Debbie gallagher #Shameless season 4

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ckneal · 3 years ago

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About a month ago, I had a fairly random revelation that Lilith was to Lucifer what Adam was to Michael. Not in the sense that she was ever his vessel, as all humans capable of serving that role are purportedly descended from Adam and Eve, and, while it’s never specifically confirmed to be true for the Supernatural universe, most lore surrounding Lilith sets her up as being too old for that.

And I also don’t necessarily mean that Lucifer and Lilith were in love—Lucifer is too egotistical and arrogant for me, personally, to believe he’s capable of a true romantic bond, and it is twice stated that he lost his virginity to Kelly Kline, in settings that leant themselves toward his credibility on this subject (musing aloud to an uncomprehending Kelly in the privacy of their bedroom, and awkwardly grappling for something to say in his first unplanned meeting with Jack, respectively)—leading me to believe that the recognizable sleazy substitute for love (lust) was not present between these two either. But, I do think that there was a connection there, and I do find myself curious about it.

After all, Lilith was willing to die to set Lucifer free from the cage. And yes, I am aware that she had made a deal with Michael to help set off the apocalypse, and she was obligated to carry out her part, but has anyone ever wondered what exactly Lilith got out of the bargain? She’s not exactly written like Eve, from season 6. She is not mothering toward demonkind. I can’t see her sharing Michael’s motivation to bring God back. The one who stood to benefit from her sacrifice, was, in fact, Lucifer. (And Michael, obviously.)

I think that the bond Lilith and Lucifer formed was a bit similar to what Adam and Michael had, in that it came from a lack of choice. I firmly believe that Lilith and Lucifer spent a decent amount of time together in Hell, just the two of them. Likely for a much longer period of time than Michael and Adam did in the cage. We don’t know exactly when Lucifer made Lilith, but we do know that he was out and moving around for awhile after the apple incident that Gadreel was incarcerated for—after all, Cain was a grown man when he caught Lucifer circling Abel and agreed to take the Mark. And bible ages are a little strange, but let’s say that that’s a good couple of decades in earth time. That’s much longer in Hell. Assuming that Lilith was turned prior to Cain, that’s a long time with Lucifer and Lilith being the only two occupants of Hell. (Well, except for Ramsey and her hellpuppies; remember she was pregnant when Lucifer saved her from extinction.)

And I wonder if in that time, the two of them could have developed a begrudging sort of friendship? Just from the forced proximity—Michael was clearly capable of decimating Lilith on sight if she went back to earth, and there weren’t exactly a lot of humans wondering around that early on in the species to provide her with cover—not to mention a meatsuit. She was pretty much stuck there, while Lucifer was presumably laying low, while he got his schemes together. Setting up the horsemen, binding Death, somehow getting and hiding the demon tablet, creating the Princes of Hell, and such. . .Just a lot of stuff, and where he used to have a vast multitude of siblings to talk to, he now just had this snarky little corrupted human soul, and I think—I think—they became friends.

And Lucifer considers this to be the filthiest thing that he’s ever done—on par with the most torrid, disgusting affair that anyone has ever had, and he still hates everything about it to this day. That’s why Lucifer never once talks about Lilith. He is nauseated by the fact that they were the original frenemies, completely disgusted and powerless to resist their intense conversational chemistry, and if they saw each other tomorrow there’s a tiny part of him that will still light up because no one has ever been more thoroughly on his level.

And it’s fucking mutual. If they saw each other tomorrow, they would exchange the most vehement of insults, maybe even physically attack one another, shouting their hatred at full volume—and then a few hours later be spotted at a coffee shop, passionately talking trash on Sam Winchester, and set terrible, terrible plans in motion that will plague Sammy’s life for the next several years. When they part ways, they would both feel intensely dirty, telling themselves that this will never happen again—but Lucifer has never been one to resist temptation, and at 3am finds himself sending that text message he knows he’ll regret later. . . “So what are your thoughts on Dean? ;)” And off they go again, all night long.

And that’s why Lilith was willing to lay down her life to set Lucifer free. And it’s also why she had her moment of doubt, when she nearly got Sam to agree to that demon deal. She had a moment of realizing that she was about to die for an asshole she doesn’t even like.

I personally like to think that Michael was the archangel who nearly came blasting in to defend Chuck that night, when Dean pulled the plug on the deal Sam was about to make (and before you try to tell me that wasn’t a real deal because Lilith was planning a trap—rewatch that scene, Sam was the one who played dirty by reaching for the demon-killing knife; Lilith was busy eyeing his crotch through his jeans and feeling up his chest). After Lilith smoked out of her meatsuit, I like to think that Michael followed her and gave a kind of prep talk, telling her that it’s important that they remember their motivations, shameful though they might be

At which point, Lilith just bursts into tears, crying, “Oh god, you’re right. . .He’s my best friend—how did this happen? How did this—Oh god, oh god, oh god, I’m going to be sick!”

Lilith sobs into Michael’s wings, while Michael is just sort of stuck standing there, because Lilith is gripping one of his four heads with both hands as she cries, while the other three are looking around for help, intensely confused because he, of course, was talking about bringing God back, and now he has no idea what to do to get out of this uncomfortable social situation that he does not understand.

And thinking about Lucifer and Lilith and Michael and Adam as parallels, it gets me asking these questions about how things would go if the roles were reversed. Would Adam willing lay down his life to free Michael from the cage? As a fanfiction writer, I enjoy the idea of saying yes.

In fact, I’m a little enamored with the idea of a parallel world where everything is flipped. Where it’s Michael in the box, and Adam running around breaking seals, Adam on that final, fateful night—after having had his moment of doubt in which he’d lured Ramiel into a secluded spot and offered to stand down and nearly banged Ramiel’s brains out in the bargain—but that’s all past, and now he’s firm in his resolve. Adam standing in front of a mirror—but instead of the white gown that Lilith wore, Adam’s in a black suit, dressed as if it were his wedding day, though he’ll never see his groom. And Raphael appearing at his elbow, looking concerned—instead of some random follower of Lilith’s, and Adam telling Raphael to be happy. Everything is going to be okay.

And it’s Adam reclining against the alter, all serene anticipation as Ramiel—the second Prince of Hell, who rejected his place in the succession because all he wanted was to live out a quiet life with his fishing gear, well away from the Pit and the Life—comes storming into the church with Zachariah at his side, assuring Ramiel that he’s trained for this, he can do it—only to have Azazel come bursting in behind them, shouting, “NO, RAMMY! IT’S WHAT HE WANTS!”

#micahel & lucifer #supernatural lilith #my thoughts #supernatural archangels #supernatural ramiel #adam milligan

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sybilmarlowe · 4 years ago

Text

Since I joined the One Piece fandom, I was asked different times which character I ship with Doffy the most. Given I'm usually into self insert things, I'd firstly go with "my OC, of course 😛"... But let's talk about what I think of Doffy's most famous ships 😁

DISCLAIMER: all of what follows is TOTALLY my own opinion, don't want to judge anyone who thinks differently than me. OP is a fictional world made of fictional characters and anyone can ship whoever they likes!

So, here's the ships:

Doffy x Viola

Ok, let's start with what many people's don't want to hear: this ship is canon. Yeah. Like it or not, it's a matter of fact.

I honestly like them together, they're a weird couple but somehow they work. I like to imagine how could have been the dynamic between the two of them, and I'm more than sure there was nothing abusive from Doffy's side. I mean, sexually at least. I agree with the fact destroying one's whole life and Country is pretty abusive, but I'm quite sure the feelings between Doffy and Viola have been real for a while. Maybe the concept could sound trivial, but no one chooses who to love and Doffy has many characteristics which may definitely make a person fall for him. Not totally sure HE has ever truly loved her, but I like to think so. After all he does have a weak side and Viola might have been one of the few (even thanks to her powers) who managed to see it and knowing him deeply. This surely strenghtened their bond and it might have finally resulted in love...

My vote is a 8/10

Doffy x Cora

This is incest. I know. And it's indeed problematic and controversial. Irl a thing like this isn't exactly acceptable.

BUT as I told before, OP is pure fiction, so... I have to say quite like them tbh. In my opinion, as long as a relationship is adult and consensual there's nothing deeply wrong in it IN FICTIONAL WORLDS. (I know, there are fanfictions in which their relationship is abusive, but since we’re talking about headcanons here I like to think it’s not). Have you watcher GoT? Cersei and Jamie were one of the best written pairings in the whole series, the same goes for this situation imo, we have all the conditions to make this ship a sensible one.

They’re a realistic couple cause they went through a lot of difficulties together and, even if they chose different paths of life, their bond is very very deep. Their love is a desperate one, like “you’re the only one in this world I can REALLY trust”. This from both sides. The difference is that Cora is a pure person who just want to love and being loved while Doffy... well, he’s not exactly mentally healthy and he’s like “all or nothing”.

A lot of angst and stuff, of course, for this reason my vote is 7/10

Doffy x Crocodile

I’m sure someone out there is going to want my head for what I’m about to write, the DoffyxCroco fandom is huge after all... but...

I don’t like this ship at all.

Given one can ship two people with no reason or just because they wear matching colours and look good in fanarts (?) imo DoffyxCrocodile has no sense. They interact, yeah, but nothing about their dialogues or shared scenes makes me thing they could be a good couple. Even that most famous encounter at Marineford which made fanpeople scream... They looked just like contenders who quite disliked eachother, nothing less and nothing more :/ and Doffy saying “I’m jelous!” just gave me the same vibes of a childish sacrastic way to piss off a person, pretty much like the stupid classic “you fight like a girl!”.

They’re aesthetically beautiful, nothing to say, they’re both among the most handsome characters in OP and have a similar story, so I’m not saying I don’t understand the reasons of those who ship them... Just... I want ships to be stronger and more credible than this :/

6/10 just because they look good in fanarts XD

Doffy x Luffy

This is pretty diffused, but..... why.

I mean... what happened between the two of them which could have made them fall for eachother?? D: Have you ever tried to date a person after trying GearFourthPunch them out of the troposphere? °A° (Also, Luffy could LITERALLY be Doffy’s son. This is weird. Not the weirdest thing, but still.)

Srsly... If you like them together I ask you to tell me which dynamics are there behind this ship. Cause I really can’t see WHERE do you see even a little trace of feelings between the two of them D:

Sorry D:

3/10

Doffy x Law

Gods, yes. YES.

This ship HELLA works from every single point of view. Doffy and Law are two of the most (if not THE MOST) well written characters in the whole series. They have a complete and complex background, a deep and multifaceted personality and, above all, an extremely strong bond.

Ship them or not, they’re literally OBSESSED by eachother for different reasons.

Law is the ONLY man Doffy considers almost his equal, he thinks he’s like the only person worth being his right hand man and I’m quite sure he’s galvanized by the idea Law is the one who’s gonna sacrifice his life to make him immortal. Like... a great life to complete an even greater one? This is insane. And yet beautiful.

On the other hand, Law’s thoughts have been completely centred on taking revenge on Doffy for 10 years. Like, he was literally obsessed by that man, consumed by the hate he felt for him which obscured anything else, even his maniacal good sense in the end.

Turning this all into a tragic and tormented love story is as easy as drinking water. A long-term reciprocal hate mixed with a deep admiration for eachother (even from Law’s side, after all Doffy was the one who thaught him almost... everything?) which slowly turns into something terribly different. Imagine the tension between two arch enemies who have to admit their hate melted into passion... and yet still have this latent feeling of wanting the other’s death.......

Don’t know what’s your opinion about this kind of stories, but for me, the self proclaimed Queen of Angst, in love with the most tragical Theatre and Literature... THIS IS GOOD STUFF.

10/10 HANDS DOWN.

Doffy x Trebol

What tHE ACTUAL F***K.

-10/10

Doffy x Bellamy

Please, no.

Alright, I hate Bellamy. He’s exactly the kind of character I find terribly pathetic and incomplete. He barely has a personality of his own, he’s a wild fanboy with nothing original (not like Barto. Barto is the best fanboy ever. All my love goes to Barto.).

Now, he spent all his 34 years of life trying to... imitate Doffy? And yet he doesn’t even manage to truly understand him. So he’s worse than a fanboy, he’s attracted to the idealization of a man who’s not even half of the things he expects him to be. This is sad. Really sad. And call me a sadist, he deserved being humiliated imo. Maybe this helped him open his eyes and getting a life. Seriously.

It goes without saying I totally can’t see how a relationship between him and Doffy could work. Doffy despises him, the only kind of plot this thing could have is a quite abusive one :/ and since I deeply dislike abuse.... no. This ship is totally out of question.

0/10

Doffy x Monet

This is another ship which barely touches the canon. I sincerely think the "love" between the two of them is pretty much unilateral. Doffy respects Monet, he deeply appreciates her abilities, intelligence and loyalty, she's clearly among his closest subordinates, but... He doesn't love her in a romantic way. As for Monet, she's totally in love with him, she'd kill and die for him. And in fact that's what she does in the end.

Monet is not among my fav characters, but I still feel quite sorry for how things went for her. She gave her everything away for a helpless, almost obsessive, love.

If something between the two of them really happened for real, I think it was merely physical.

For this reason, tough I have to admit they'd actually look beautiful together, I can't ship them :/

5/10

Doffy x Vergo

Ok, I dislike Vergo. He's quite a flat character imo, don't even like his design 😅 I don't ship him with Doffy for this simple reason, but being honest they could perfectly work as a couple.

Vergo was among Doffy's very first "real friends", he was among those who were considered a family by him and, most importantly, he was the only one around his same age. They literally grew up together, likely supporting each other, and I wouldn't be honest if I said this has no chance to be a good assumptipn for a love story. A quite simple and basic one, if you want, but it's the most realistic kind of bond two people can make.

Still not shipping them, my vote is a honest 7/10.

Guess that's all?

Let me know what do you think about this 😆 do you agree with my votes? Or there are some points you totally disagree with?

Well, anyways. I had fun 😂

#doflamingo headcanons #doflamingo #donquixote doflamingo #one piece #one piece hc

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monday-headache · 3 years ago

Note

Hey Simon! Thank you for the amazing ask <3 Right back at you:

I love that you're writing/arting about characters that have never met in canon (Gaige and Sasha, Fiona and Scarlett). What drew you to writing these characters together? And are there any more that you'd love to explore one day? :D

Hey Sarah, glad it made you smile. I want to have more interaction with the fandom so I’ll try to make this a regular, so please be free to send me questions whenever. I’d love to read your thoughts ;)

And Omg, that’s a fantastic question as well but, be aware, this is gonna be an essay as well.

Mhh where to start, where to start.

So first things first, My headcanon of why I think Gaige and Sasha would be best friends started a pretty long while ago, way before I even got gently pushed towards the Idea of really starting to write about it in the first place. Because you must know, even though Strays is my first longshot, it is also my very first fanfc I’ve ever written in like ever. So no matter how shitty, great or whatever it will turn out to be or how well others will be, Strays has and will always have a special place in my heart. And I’m not gonna rush things either, even when the fandom will die out, my Ideas for it will flow ;)

But yeah how it started. To put it simply Gaige was my first character In Borderlands ever that I played myself. I knew about the Lore of 1 and I’ve played 1 with a friend by the time it came out, but I played 1 myself AFTER I finished 2 So that may be a big reason, why I have such an open spot for Gaige. But also because she is fun, quirky extreme, punky, loves robots and tech... to put it simple a lot of traits I really love about a character. Her backstory with the science fair was so fresh and funny, and it may be one of my favorite spoken dialogue interactions heard over echo cassette’s

Then after Bl2 my love for Borderlands continued, played 1, played TPS and then... There was Tales, and by god do I loved Tales, and I hella still do. You probably know the feeling yourself. And with the love for the game, came a huge love for it’s cast. Like seriously I think besides Tector there isn’t really a character where I was going like, “ugh this one is trash” on the contrary. And besides my obvious love for the main 2 characters, there was a big love for the Deutagonist’s of this masterpiece. Namely Sasha and Loaderbot.

Loaderbot may have officially taken the spot for me as most favorite Robot in video game history ever (and Gortys for the most precious character ever). Like his whole segment of kidnapping them, forcing them to tell the truth, only to show how much he had grieved, how betrayed he felt and that he did all of tha for his loved ones. Man say what you will about him, but damn he was written perfectly. I was blown away.

Secondly is of course, as you might have guessed it Sasha. I could go lengths for her too, how much I love and admire her character, how real she felt as a sister, a pandoran and last but not least as a human. Sasha felt to me like the most well rounded out character of the 6 (pls don’t hate me for it guys) From the punk rebellious attitude, to learning that she had an anti Hyperion pirate radio, that she used to broadcast bad things that happens in her neighbourhood, to her adapting her morals and learn that even in the most corrupt organisations there are still normal people struggling with their own life, and then progressing from it. And lastly after everything was at loss, the money the plan, she was willing to sacrifice her whole life for a dear friend/s, even on her dying breath putting both Rhys and her Sister at ease and in her last moments. Amazing.

Oooh boy and that was just the prelude to it all XD

After that I noticed a lot of similarities, between characters. Sasha and Loaderbot for instance are both pragmatic, put the lives of their loved ones over their own, love tech, are socially open people while holding back on information and emotion. Not to mention the scenes in 2 and 3 and also 4 and 5 where it is slightly hinted how well Sasha and Loaderbot work together, without sharing much words. So naturally the Idea was born that Sash and LB became quite close.

And the same goes for Sasha and Gaige. I was actually surprised that nobody (not entirely true, I saw one fanart of it) seemed to made that connection before as it was so obvious to me. So basically Sasha is a softer version of Gaige, in many terms. They both have a big heart for tech and especially guns. They both hosted a small radio broadcast that blew up in their region over night. Both are anarchist’s who spread the word for awareness, how fucked up the company war actually is. Both are not really good at their aim. Both call robots as their closes’t friends. Both share a deep hatred for Handsome Jack and his doings. Both fought a giant ass Vault Monster and nearly died in the process of doing so. Both got screwed up big time and now have a huge bounty on their head... So you see the list goes on, and honestly the more I write them, the more similarities I notice, both hc wise and canon wise. So there more I thought about it, and noticed similarites the more I fell in love with the Idea of them becoming close. And from there the Idea was born, that they probably met on a job ( the most likely scenario in the Borderlands universe). It had to be before BL3 of course, and to be after Tales naturally so that only put one timeline in the focus, Commander Lillith.

To be honest, I didn’t expect everything turning out so big. Like seriously I orifinally planed like 8k words or so. Now I’m dangling on the Idea of having 13 chapters and a big ass finally, a neat wrap up of everything and even a possible epilogue XD Yeah, that wasn’t what I expected either but damn do I love doing it.

Like seriously my headcanons only just gotten bigger and bigger. From a whole nebula system in the galaxy, to regions I created in my own mind for it, to even complex backstorys. Like why Sasha wears a headband, why she loves guns so much, what happened to her and Fi’s parents, why she was raised by her aunt, what does Felix have to do with it, Why Gaige has this kicks of both sudden depression and manical behavior. Why she’s so close to her dad, but her mom wasn’t even mentioned once (but teased), why she wanted to become a wedding planer, and why she is so obsessed with robots and margarita mix. I think one day, this thing will turn into a tabletop game or something XD

So estimated 20k words on my answer later and now we are going for my own created ship Scarleona. Don’t worry, as much as I like to gosh about that too, it wont take as long I prommy.

Scarleona was created in a sudden urge while thinking about what happpend to Fiona while Strays happened. And similar to Gaige and Sasha, Scarleona was born from a dynamic. Especially of those from two Ladybosses with Silvertongue and speech 100XD Fiona and Scarlett may have become my favorite Fiona ship (no offense everybody) because of how well they play off each other. Fiona is a con artist, her whole life she was used to swindle, to play it cool and by ear, go with the flow, and expect the unexpected. So here core idea is that she is manupulating people by LYING to them.

Scarlett on the other hand is similar while also the complete opposite to it. She is backstabby, plays with her charm and most importantly she is dead honest while tricking people. In fact even so honest that people don’t even realised that they got tricked even though she told it several times before. And this dynamic is so fascinating to me. You see, Fiona has almost an answer an action for everything prepared, but the idea that her winning honesty, is mind puzzling to Fiona is so perfect. @michellespenscratchz wrote me a drabble several months ago and I think that line describes it just perfect

“So, let me see if I got this straight,” Fiona tilted her head inquisitively at Captain Scarlett. “You needed these Vault Hunters’ help to find this treasure for you. So you…just asked them?”

“That’s right.” Scarlett nodded, inspecting her hook nonchalantly.

“Even though they knew you wanted it for yourself?” Fiona asked.

“Indeed,” Scarlett replied.

“And they…” Fiona blinked, “…knew you planned on fighting them for it once they had it.”

“Of course they did,” Scarlett shrugged. “I told them as much.”

“You told them?”

“Yes.”

“And they helped you anyway?”

“Precisely.” Scarlett turned her hat against the blistering wind. “I fear I don’t quite grasp what about this is so difficult to grasp, Fiona dear.”

“Huh.” Fiona cast her gaze out across the expanse of Pandoran horizon. “I guess I just gotta–I dunno–rethink my whole life right now.”

So yeah, that was basically it. I kinda diagressed and didn’t want to hurt your eyes more looking at the long ass text, but please if you have some more questions to it, pls hit me. I love to gosh about it <3

And thank you so much <3 This was hella fun

#Borderlands #Tales from the Borderlands #Strays of the Pack #Scarleona #Sasha the Kid Sister #Gaige the Mechromancer #I still need a great name for Sash and Gaige's dynamic #maybe I should go with Wolfpack for now till something better crosses my mind.#Fiona the Con Artist #Captain Scarlett #Thank you #<3

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puppy-phum · 4 years ago

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thank you once again @yibobibo for tagging me ♥ even if, like I said, this is pure torture. I have so many sons that I’ve given up on counting them sigh but here goes.

favourite male fictional characters.

I took it that this meant ten so am going with that (tho am not gonna try and put them into order). am also sticking to all the characters I loved this year. and gonna ramble and add gifs so cutting it here.

1. Liu Sang

The Lost Tomb Reboot/Reunion: The Sound of The Providence

I have so much love for this boy it’s not even healthy. it’s a bit funny tho bc once I started tltr, I didn’t really like him and almost forgot about him as the first season ended. he just felt so annoying and bitter in what I saw him, even if I did get that he had a Tragic BackstoryTM (I felt for him but well. tltr really made him hard to like at first). but then they brought him back in the second season with his sad puppy eyes and inability to handle his thoughts on wu xie and being all touch-starved and pitiful and whatnot and baam, I had the adoption papers ready. he’s wonderful and so strong and so smart and amazing. and liu chang as his actor has been wonderful (and he’s so pretty my god, have you seen him??)

2. Shen Wei

Guardian

never did I expect to just. fall into this hole after a year? I remember what a mess I was when I first watched guardian over a year ago, right after finishing the untamed. I was in shambles even as I knew how it would end. and now I’ve done this all again while also reading the novel and. my love for shen wei, especially bc it’s zhu yilong acting as shen wei? astronomical. I want to write poetry about him and his stupid responsibilities that he chooses to carry silently and his devotion to zhao yunlan and his love for his ppl and his didi and. I hope that one day I manage to write weilan bc I have this one idea and you can come pry it from my cold, dead fingers if it doesn’t get out there (am also super happy about the edit I made bc my god does he deserve at least that)

3. Cloud Strife

Final Fantasy VII

ok so stepping into the video games territory now. I was waiting for the remake like crazy and it was everything to me once the quarantine hit during spring. the game is so beautiful and I felt like I looked at this gorgeous boy once and was ready to give him my heart (tbh am quite sure he owned my heart before I even learned to know him). he is tragic in so many ways (I’ve only scratched the surface of all of his pain I know) and I wish I could just. hug him a lot. he is kind and cares very deeply even if he hates to show it and I love it how remake showed him also just being a human disaster (some of his scenes are just. peak comedy). I would kill for his smile (I have already cried for it a dozen)

4. Geralt of Rivia

The Witcher (The Witcher 3: Wild Hunt)

if there’s one grumpy, brickwall of a man I love, it’s geralt. I affectionately call him “papa wolf” while playing witcher 3 and his voice in it does things to me (I am just so fond of him ok, begone you dirty fuckers). I got introduced to him through the books and adored him in them bc he is so prickly and sarcastic and still so full of love even if he will never admit to it. he is the father figure I wish I could have in real life. (and yes, I’ve seen the tv series (or at least a couple of the first episodes) and it looks stunning but. this is my version of geralt and that’s the hill I will die on)

5. Xiaoge

Zhang Qiling, Daomu Biji (The Lost Tomb 2)

(wow finding a gif for him was a pain, apparently I gotta learn how to gif or?) ah, my dear boy who I’ve ended up just calling xiaoge bc he seems to prefer it over his real name/title/whatever zhang qiling really is. I got introduced to him through tltr where we really didn’t get to know that much about him bc he was just... there. huang junjie was absolutely stunning tho and his soft smiles made me super fond, but only in the lost tomb 2 did I really fall in love with xiaoge as a character. I was surprised tbh bc I didn’t expect it to be this drama? I had so many doubts about the cast in tlt2 but they all delivered! and I think cheng yi’s xiaoge is now my favorite bc he somehow captured that softness and the pain of him? (and we do not talk about that buxun storyline tyvm) tho now that ultimate note is on the way, I gotta say that xiao yuliang does a wonderful job as xiaoge too!

6. Wu Xie

Daomu Biji (Ultimate Note)

(sorry we have to go with a pingxie gif now but maybe it’s only fitting) tbh it’s hard to choose my favorite version of wu xie. I think all of the actors for him have done amazing job showing wu xie in different parts of his life (all of them are very distinct but still feel like the same person) but currently zheng shunxi takes the lead. I really wanted to put the reboot version of him here (bc I love that mature, relaxed and somehow very soft version of him and the angst is phenomenal and the thoughts he has about death... yeah) but I already have zhu yilong’s face here once so :’D wu xie is just one of those characters you cannot not like. he is so strong, so kind, so stubborn, so wonderfully stupid sometimes and in need of careful protection. I also adore it how smart he is and I could listen to him spew history facts for 10 hours straight (even if it was in a tomb full of blood zombies) ♥

7. Jiang Cheng

Jiang Wanyin, The Untamed

my darling boy! my beautiful angry grape! I love him beyond words. I love him in all of his raging, misunderstood, stupid, sassy, constipated, abused, tragic, bitter, big hearted glory. I could write novels about him (and I did and am still writing oh boy) and his love for ppl and his inability to show that love and his loneliness and his issues. I could also write another novel for all of his outfits etc. bc damn, what a fashion king. he is just so great. he owns my soul. he deserves happiness and in this essay I will

8. Isana Yashiro

Adolf K. Weismann, K Project

I rewatched k project this spring bc a) it’s one of my favorite animes ever (it just looks stunning with all the colors) and b) I love yashiro to bits. I remember falling in love with him when I first watched k project many years ago bc he was just so kind and bright. this time though, I ended up seeing another side of him and my god did I cry. he is... so sweet. he cares for others so deeply and is ready to sacrifice so much for them and his love for his two clansmen... yeah. I think I finally saw the tragedy of him too, all the pain and loneliness and insecurity he decides to hide behind his smile and obnoxious personality. he reminded me a lot of myself and watching him made my heart bleed in a good way

9. Qi Tiezui

Ba Ye, The Mystic Nine

(wow am going to riot for the lack of all the gifs hhh) yes, we’re continuing with the dmbj universe that sucked me in big time this year. the drama of the mystic nine wasn’t probably that earth shattering for me as it somehow got boring more than once but I did love ba ye to bits. he was just... so nice? I got it that he was somehow this “comedic relief” in the drama with all of his funny scenes and ridiculous mannerisms but I could see the brilliance of him. he is warm and smart and kind of a romantic too and he cares for all of his friends so deeply? it was also sweet how protective of him his two zhangs were (does that run in the family? the tendency to imprint into one smart but disastrous man and keep him safe? maybe) and I really hope I knew more about him bc he seemed to have a lot of knowledge and a lot of impact to ppl’s lives (I yelled when they mentioned him in ultimate note, I miss him ;;)

10. Dorian Pavus

Dragon Age Inquisition

(yes I’ve been replaying DA:I this year, this counts!) another darling boy! my lovely sass master son! I have so much love for him and his story in DA:I. he is my favorite companion (and his romance is my favorite too, probably obvious in the way am currently romancing him for the third time) and he has given me a lot of strength. the way he stands up against his father, how he’s ready to reform his homeland instead of walking away, how he’s so caring for those he sees struggling... it’s very warming and I feel like I’m safe with him. it feels a bit silly to say that but he really is that comfort character I will seek out when I just want to know am doing fine :’) (and I am so excited to see him again in DA4! probably?)

+ 11. Li Cu

Tomb of the Sea

yes I cheated a bit (with my own rules lol) to fit li cu here. I didn’t really expect to like him or tomb of the sea as much as I did once I started it? I’ve seen leo wu elsewhere before this (battle through the heavens, nirvana in fire) and his face always makes me think about a sad puppy so maybe I just grew fond over li cu instantly bc he was... so hurt? the first episode really slaps you in the face with all of it, showing him being abused, wounded, kidnapped, tortured, used and then just very, very scared and broken. he continues being that throughout the whole drama and I feel like tomb of the sea (or sand sea or sha hai idk) is the darkest and angstiest story in the dmbj universe. I know it deserves to be bc this is a dark time for wu xie but... my darling li cu. I wish him only happiness ;; he was so strong and smart and wonderful in this and it was just so amazing to watch him grow and find his own place in the world just bc he did something himself (even when he got dragged into all of this bc of wu xie) also I support the wu xie adopts li cu -agenda

Honorary mentions:

Zhang Rishan, Xie Yuchen and Hei Xiazi from DMBJ universe. The Twin Jades of Gusu and Ouyang Zizhen from The Untamed. The Iron Bull and Fenris from Dragon Age games. Thane Krios, Kaidan Alenko and Jaal from Mass Effect games. The whole lot of Assassin’s Creed protagonists (especially Ezio Auditore and Shay Cormac). Adam Parrish and Ronan Lynch from The Raven Cycle. Neil Josten from All For The Game. Eduon and March from The Smoke Thieves. Qiling from L.O.R.D. Critical World. Luo Fei from Detective L (played by Bai Yu).

well, with this I can really see that I have a thing for those who are tragic :’D I have a thing for grumpy, prickly and antisocial guys or those who hide their pain behind a smile. maybe it’s bc I am somehow both, even if I can’t show my anger or be mean to others and even if I feel like my smile never sticks either. I just find kinship in all of the characters who are on this list. and I feel like I aspire to be as strong and as kind and as loving despite all the pain I’ve been put through.

thank you, this was so much fun! and sorry I made this so long and so complicated ^^’ but well, there are just way too many male characters I love haha

at the end I want to tag @i-am-just-a-kiddo @ashenwren @kholran @tiesanjiao @lan-xichens @aheartfullofjolllly @manhasetardis and @lzswy ♥ feel free to do this in your own way or not at all! and thank you if you managed to read through my rambling :’D

#tag game #wow this was something #i've been waiting for one #bc there is so much love in me #and this year i've discovered so many #new characters to just gush over #about me #random #edit: added a few characters #and tagged some more ppl sorry #also mobile tumblr wouldnt let me edit so lol

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thewhizzyhead · 4 years ago

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you very much Should Keep going (if you’d like) I’m reading your tags like 👀👀👀 I wanna know More!!!

dude believe me i only just thought up 90% 9f this while doing my math homework last night so yea this is very barebones and this is very very new have very little to offer but um imma try to explain a bit more fjdjdc SO ANYWAYS GRADE 11

Warning: this is very long and I am very sorry aaAAAA also i only just thought of this last night and a while ago while attending class so um yea it's chaotic.

the songs i've mentioned so far in the tag ramble aren't um consecutive so yeah there are a lot of blank spaces in between fjsjsj and yea I haven't figured out the other leads and their arcs yet (probably 5-6 leads). for now um the planned songs feature 3 of the leads:

Kate - basically answers the question of What If Eva Sanchez Was The Protagonist and What If Eva Sanchez Saw The Hell That Is Don't Even (in this show, this song is called "Anakpota?" or "The Fuck?"); she's a transferee and is having a bit of a hard time adjusting to the new school environment; her reasons for transferring run a bit deeper than just "humanities is a lot more interesting than stem or business shits"; i guess her main character themes are burnout, the want for childlike wonder again and overcoming the fear that comes with chasing what you really want and no i am definitely not self projecting what are you guys talking about smh rhhdhs /hj (altho i admit that this is loosely based on my own experience with deciding to transfer schools) and yea she's a very closeted lesbian that slowly starts to comes out to others and to herself more throughout the course of the show. and also she gets a girlfriend YAY

Noel - rn i don't have that much planned out for him cause u know barebones plot but so far um i guess he's the chill dude, overall good guy, rantaro amami from danganronpa v3 vibes, and he's initially framed as the "love interest" for Kate esp in the song "Ikaw Ba Ay..." or "Are You..." (i wanted that to be a play on the typical Filipino Teen Hetero Romance CAUSE THAT SHIT IS IN EVERYWHERE JFJSJD I AM GONNA MAKE A WHOLEASS RANT ON THAT SOON AND NOBODY CAN STOP ME) but surprise motherfucker BOTH OF THEM ARE GAY AND BOTH BOND OVER IT AND BECOME BEST FRIENDS YAY WOOOO i kinda want him to be like the typical "Filipino Teen Heartthrob" star student with the twist being that he's gay and not make that a throwaway joke cause um yea that's a throwaway joke here that someone who is real catch for the heteros but is actually gay is "sayang" or "worthless" here.

Ella - ngl she is probably gonna end up as the main lead here fjdjd i'd say she has riley+chess vibes aka The School's Hotshot Achiever and Student Leader That Is Very Intimidating But Is Actually Really Freaking Kind and i guess with a dash of Kate Dalton-ish snark. Like i said the plot is barebones rn so i dunno anything but i do imagine them being the one that drives the plot forward due to her outspokenness. I also imagine her to be the one (along with Noel) that makes Kate a lil bit more comfortable with her sexuality and yup you guessed it Ella is gay too (bi to be specific oh and she uses she/they pronouns) and altho still a bit closeted, they're a bit more comfy with it. also they become Kate's gf yay!

those are the leads that i have kinda planned out so far but yea i still gotta expound kna lot of atuff and make up more leads for this but then again i just started conceptualizing this last night so ANYWAYS HERE ARE THE OTHERS SONGS THAT I LITERALLY JUST THOUGHT UP LAST NIGHT (aside from the ones already mentioned)

+ "Nakakapanibago" or "Well This Is New" - Ella and Kate work together on a school project aaand gay panic ensues. both of them take turns in addressing the audience and panicking over each other in um er an "Oh My God She's Very Fucking Cute What The Fuck" way. it kinda has What Is This Feeling from Wicked vibes if you remove the aggression and antagonization jdjsd and i kinda emphasize on how overwhelmed they are cause for Kate, everything - from the school to the subjects to the people - is new and her attraction to Ella is like a cherry bomb on top of a chaos cake while for Ella, who has studied in the school since kindergarten which is why nothing about the school fazes her anymore, Kate is a literal breath of fresh air and the spontaneity scares them and excites them at the same time. The number is comedic (and is chance for me to add a shit ton of wordplay cause yAY WORDPLAY) but i guess also hints at their fears which will definitely come into play later.

+ "Mabuting Laban" or "Good Fight" - a group number led by Ella, this is the first song in the musical that isn't mostly comedic. like um the musical so far (before this song) is mostly somewhat of a parody-just-for-laughs-don't-take-this-seriously piece but with this, the show finally hints to something a lot more serious and insightful. so basically ella tells kate (this scene comes right after the Nakakapanibago sequence) that they have noticed that the latter is um very very shocked at the blatant show of LGBTQ+ stuff. Kate mentions that altho many students have since then spoke up for LGBTQ+ acceptance, things were a lot more conservative back in her former school (once again wooo definitely not self projection /hj) so like seeing all this is very new to her. Ella then mentions that things weren't always like that - a lot of fighting had to be done in order to get to that point. and because most of the students already were branded with a rebellious reputation (for a lot of delinquent behavior), they really didn't give a fuck anymore if they were being controversial or not. What mattered was that they would make the school environment a lot more welcoming for themselves and for others. That sentiment is also shared by other leads singing along as they go out of their way to ensure a much better environment for everyone (in terms of lgbtq+ rights, undoing the stigmatization of mental health matters, student activism yadda yadda)

(oh and also this kinda serves as something that bridges the prejudices between the two schools since Ella's school is famous for a lot of student delinquency while Kate's former school is famous for being known as the "Best School In The Region With The Best Students" (which is why Ella understands why the students in Kate's school are a bit more hesitant to speak up because Kate's former schoolmates got way too much to lose) and the rivalry those schools have with each other cause students from ella's school think those from kate's school are pompous little shits while those from kate's school think that ella's schoolmates are delinquents and yes this is commentary on the dynamic my former school'scstudents and my current school's students share) (i should probably give this its own song)

+ "Ayoko" or " I Don't Want It" - (this does not come right after Mabuting Laban fjsjd i honestly dunno where to put this) this comes right after a conversation regarding her reputation in her former school and yea this is Kate poking fun at the "I Want" song musical trope. Like um she addresses the audience saying something along the lines of "oooohh wow complicated backstory exposition! you are probably expecting a song rn ala "How Far I'll Go" from Moana but guess what bitches fuck you all cause i'm gonna sing a song about the things I don't want just to fucking annoy you." it starts off as incredibly satirical and um Kate Dalton-vibes all throughout the scene with lots of pettiness which will then gradually transition to her singing about how she threw all the opportunities presented to her by the former school just because she really didn't want to do them and was tired of saying "yes" just to be enough for them. She then starts singing about her taking control of her own narrative by finally leaving the school. She still laments about those lost opportunities and admits that she still kinda wants to pursue those, but if she has to sacrifice rest for greatness, then she doesn't want it. The song ends with a verse akin to most I Want songs as she finally admits what she really wants the most: rest and wonder.

also here's a verse i made up just a while ago

Diyos ko, sabihin mo, ano pa ang kailangan kong gawin/upang mabawi ang mga ninakaw sa akin/upang maibalik ang pag-asang nawala/upang sa wakas ako'y makakapagpahinga/sapagkat hindi na ako nagnanais ng kadakilaan/ang hinihingi ko lamang ay ang aking kabataan

translation (i'll try my best to make it rhyme): My God, tell me, what else do i have to do/so I can take back all that they have taken from me/so that I can bring back the hope I've long so been deprived of/so that for once in my life, I'll be able to breathe/ cause I no longer want all the greatness that you say I could've had/ I only want to wonder, I only want my childhood back

+ "Halos Lagi Nalang"or "Almost Always The Same" - if this sounds familiar yes i rambled about this before gjdjdjd I started conceptualizing this song even before i even started conceptualizing the musical. So yea this is in Act 2 the song starts with mentioning the exhaustion that comes with being an LGBTQ+ teen in the philippines cause yup same old conservative religious bullshit same old same old shit and despite many a lot of people advocating for LGBTQ+ rights, nothing ever changes around here because well conservative religious bullshit. so yea this is kind of an extension of "Good Fight" but make it more about the burnout felt by a lot of teens that want something better than whatever we have right now. Then it will also apply to the other causes that the leads fight for (activism,destigmatization of mental health stuffs, etc). I'd say it's a combination of Before the Breakdown + Move On musically speaking (yea PMA has influenced me by a LOT). eventually this becomes one of the star numbers fo the show cause yea all the leads will do a shit ton of singing and harmonizing (but for here i'd say Noel and Kate have a tiny bit more of the spotlight since for now they are the ones with the very LGBTQ+ based plotlines). I really REEAAALLY want this song to work aaaa i've been playing around with the melody a lot recently and if i can't write the whole musical, then i'll be content with at the very least writing this song

+ "Try Lang Natin" or "Let's Try It Out" - this is a very barebones sequence atm but basically it's a scene where both Kate and Ella come to terms with their fears related to uncertainty and go "fuck it we don't know jackshit about the future anyway so why not ondulge a bit and ejoy what we have today" and decide to start going out with each other YAYYYYY and also this is like one of the few scenes here were Ella is much more visibly nervous compared to everyone else in the scene so yay for helping each other come to terms with their own vulnerabilities WOOOOO (also paige i remember you saying once that kate and eva could've had a Forever reprise duet right? And correct me if i'm wrong but i think u said it could be about eva assuring kate that she won't go anywhere? WELP I'M STEALING THAT JFJSJJDF /lh /hj AND YUP KATE AND ELLA ARE BASICALLY UM KINDA KATEVA IF YOU SQUINT SO THANK YOU PAIGE FOR THAT IDEAAAA)

AND THAT'S IT SO FAR WOO THIS TOOK ME 5 HOURS TO TYPE IT ALL OUT FJDJSJFF i'm kinda impressed with this ngl considering that i literally started making this up last night and i hope that i can make something out of it woo

And if you guys somehow reached the end of the post and have read every single thing, I'm sending you a lot of hugs and a lot of milkshakes

#paige i am so so sorry it took a long time and i am so sorry that the response is VERY VERY LONG DJXJS #but i hope you liked it!#the ask cheered me up btw fjsjx like i wasnt expecting anyone to be interested but then u sent the ask and YAY KRKDJ #if anyone has any questions or comments or anythjng then um feel free to um hit me up with them YAYYYYY #okay to rb btw if you wanna express ur opinions in the tags #i like hearing other people's opinions on my rambles so feel free to do so if you wanna #thanks for the ask paigeee #paige! (literally riley)#ask me stuff #hmm i should make a tag for this #Izzy's rambles and shit #yea that

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bre95611 · 4 years ago

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HI! I’m finally rewatching 15x17 so I’m doing an in-depth(ish?) super stoned commentary! Hooray!

Before I get into it, I just really have to say, god I love this season so so so much. The writing has just been beautiful, and it has me EMOTIONAL af. Anyway. Here we go!

I always like looking at the Then/Now scenes. I feel they can ring some really important storywide context to the show. A great example of this is the Pizza Man montage. This episode it starts with the conversation from a few episodes back with Dean and Sam discussing Jack killing God.

I’ve found the Dean/Amara relationship very interesting. After how it was played up in the 15x15 Gimme Shelter, always from Dean’s perspective in a joking manner. I believe it was @verobatto-angelxhunter that discussed the Big Married Energy it gave off, Dean teasing Castiel about a woman from his past. Season 11, as the beginning of the Dabb era, has been calling my name for a rewatch lately, especially with Amara being brought back. Its always been established that the connection Dean and Amara have was not something Dean liked. It wasn’t actual attraction. I’ll talk more about this later.

I have made some random posts here and there talking about the symmetry in endings between Season 11 and Season 15, I will also dig into this more later.

Saw a post about the amount of times “world” is said, want to keep track of that. I know there is a heavy Destiel attachment, and the second time it is said is during the Then sequence, Chuck’s dialogue from the episode with the tvs, talking about how its time to clear the board. (Want to look into Chess mentions this season, maybe even Dabb era as a whole? Because obviously there’s been a game going on at the cosmic level for quite some time). It doesn’t show the scene where Dean and Cas in the kitchen comes up on the tv where Chuck calls them “the world”. but it does have that section of dialogue as t screens are being shown, bringing that to mind.

Then we have Meg 2.0 as The Shadow, Cas is confused why he is being harmed since they’re on the same side. The Shadow makes their loyalty known. Keep this in mind. Will touch on this later as well.

Shit this is a lot for the episode not even starting yet. Below the cut for more!

God Amara is a QUEEN and I love her SO MUCH.

Sam tells Cas to “just get home” cause the Bunker is his FUCKING HOME

One thing I’ve seen brought up a lot is how Dean is always very action focused. Solve the problem at hand, “cross that bridge when we get to it” type of mentality. His plans always revolve around that. Cas and Sam are always very focused on there being another way, how there is always another way, especially when one oftheir lives are at stake. Sam calls him out. Sam wouldn’t care if Dean was saying that all the time if it were actually true, wouldn’t wonder if he ever got tired of saying it if they did only ever have one choice. TFW always subverts the problem at hand. Last season, their only shot of beating Michael was the Malak Box. Season 11 was soul bomb Dean, 13 was Dean saying yes to Michael. Ya’ll see a theme yet? Dean loves to sacrifice himself. Sam’s done the same exact thing, closing the Hell gates, letting out Lucifer. Cas’s whole thing in Season 6? They’ve all done the same things. over and over. Hamster wheel. Think of what made all those endings obsolete? What made them find another way, huh?

Fuck that paragraph went somewhere I wasn’t originally taking it, but still a good take IMHO.

I’m loving the SUITS!

I really hope that Amara is not gone. I know I’ve seen some stuff that talks about why that has to have been her last episode, but whatever. Imma still dream. And I really might have to just write a fix-it fic after the finale about Aunt Amara and Jack hanging out.

I just noticed world again (Dean to Amara: saving the whole world’s ass)

“You and I will always help each other.” That look on Dean’s face when she said that. Not the face of someone enjoying being flirted with by and “ex-flame” or whatever the hell

Saw a post about the generational family story that was being told (I believe it was @occamshipper) that basically has Sam is to Jack as Dean was to Sam growing up (Dean is John and Cas is Mary, super awesome read, will try to find and link in a bit). This whole family arc is about breaking the toxic circle, being a better parent than your parents, found family kinda things. So how has Dean reacted to Sam in these situations? Most recently, I think, is season 8, with the Trials. Sam was sacrificing himself, he knew that, he was okay with it. Sam was suicidal by the end of it, and Dean does what he normally does with Sam and keeps him from finishing the trials, and season 9 starts with Dean completely taking away his autonomy again, allowing Gadreel to possess him. Dean was angry, he was disappointed, he acted like Dean, and that is the kind of treatment he gets from his “big brother” father figure. But Sam breaks through his treatment, tells Jack he is brave and validates him, and doesn’t try and take away his FREE WILL.

Sam continues the path he started on when he told Dean to stop as he continuously made excuses/explained why he had kept things from Sam about Jack. He grows!! I love to see it!! He does NOT give up his FREE WILL. Guys I’m loving it. These boys are actively making HARD decisions and we are seeing growth in real time. TFW in every form has...not really lived up to its name? Sure, the world gets free will, but the boys never do. And not just in situations like they’re told they can’t do something. I’m talking constant violations of each other’s bodily autonomy. Dean all the time with Sam, Cas when he takes down the Hell wall from Sam’s mind, honestly....mostly its Sam having it violated. But the other guys have to stop fucking with it. They all need a variation. Dean needs the Free Will to stop being his father’s soldier, to live his true non performative life. Cas needs to be free of his self doubt. Permission to be happy, not happy in and of itself. Jack needs Free Will to be a fucking toddler.....

Sam SEES it dude, he knows something isn’t right, and he’s the one that figured it out like, every other time this season, too. Jesus. Dean is so desparately caught up in wanting to get the hell OUT of the hamster wheel, he’s too blind to see how deep into it he is. The first plan ANYONE gives him, he goes with it. He’s literally followed Billie’s plan because of one of her books before, and what happened? Cas and Sam brought him back from sacrificing himself.

I’ve really enjoyed how much Sam and Dean are fighting, honestly. Like, my spec for a while now has been that the brothers are going their seperate ways at the end of all this, the only way to satisfyingly bring an impactful end to their toxic codependency that they’ve been chipping away at for the last few seasons.

Guys I’m suuuuuuuper baked,

Dean says “Someone’s gotta be the grownup here” talking to Sam about taking Jack to do the final ritual. Dean is fully his father, talking to the “older brother” Sam protecting the “special child” Jack. Dean is not breaking the cycle established by his father, going mad with rage over his circumstances

Jesus Christ the LOOK ON SAM’S FACE when Dean says Jack’s not family. I’m dead. He looks so broken.

That line though is.....hm. All through season 14 and 15, its been established that Jack is family, their kid. When Lily Sunder comes back to help get his soul, Dean makes comments about not making them go through what she did with her daughter, and again to Belphegor in 15 when asked who he was (after a fight between Dean and Cas no less, calls him “our kid”). So this is how far Dean has spiralled? This is how he is choosing to try and deal with knowing Jack will die? Denial of his importance?

“He’s not like you. He’s not like Cas.” Dean feels he holds a different relationship with Cas than he does with Sam. Just...sayin....

Jared’s acting is......truly just phnomenal.

Man, i feel like the music is off? and it makes me think its intentional, cause Becky says something about how there’s no classic rock? So foreshadowing? nah.

This really does feel like....the last real Sam and Cas interaction. It is heart breaking really.

Alright, I’m posting this now......cause I literally just got to the first commercial break.... So

This is pt 1 I guess.

#spn 15x17 spoilers #spn 15 spoilers #spn spec #spn meta #my meta #my spec

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asterekmess · 4 years ago

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S3A-E6

Oh boy, here we go, Motel California is just full of absolute bullshit. *sigh* let’s get started then.

Read More’s are good for the environment (or so i’ve heard)

Before we start, I wanna let you guys know that I’m just not gonna comment on the Jennifer/Derek scenes. I just. I really honestly cannot do it. I don’t care. No. Also as this is well, this episode, please be advised that there will be extensive suicide mentions.

Thoughts:

I know this is random as hell, but that truck looks like mine. Oh, and look at the date, it’s only like nine years older than mine. nice.

why does it look like he’s nursing an arrow wound on his leg? Is it just me? That doesn’t look like a claw mark.

Can...can I just point out (god, i already need the tag) that....that they’re drawing a DIRECT parallel between this ARGENT HUNTER and Scott with the whole “lifting up the shirt to reveal the bite on their side’ thing? Like, it’s a perfect replica of when scott does it in the first episode. And they don’t do that with the others. Jackson’s bite was just Visible when he got out of the water and we never see Isaac, and Erica’s bites. Boyd’s was a whole sitting down thing on the Zamboni with his hoodie. They didn’t even do the same thing with Victoria ARGENT’s bite. OH and he’s wearing the heirloom necklace from season 1.

Wait, hold up. So, he just got bitten that night, but he’s already gonna shift? What? The bite works that fast?

....he’s from MA? Why tf is he in california? Also, he’s 27 apparently, oof.

Finstock...honey...you ran out of keys when you have like 6 students behind you still.

why is Finstock paying for Allison and Lydia’s room as well? He’s just that nice, or did he honestly forget they aren’t on the track team?

Maybe it’s just the Sterek shipper in me talking, but someone wanna explain why the fuck Stiles would put Derek on the suspect list for HUMAN SACRIFICES? Let alone TWICE? He literally just helped Derek get his pack back and has been working with them the whole time? Why???Would??He???Suspect???DEREK??? OR his sister???

I totally forgot that Scott promised Stiles he would watch Star Wars after they got back to Beacon Hills. SCOTT YOU ASSHOLE COME ON.

yeouch. You’re putting a huge damper on my Stydia brotp here Stiles. jeez.

*Movie trailer voice* He’s a hunter whose family has been torn apart by a human/werewolf war, who refuses to give up the fight against a species his clan has persecuted for centuries. He does weird detective work that makes no sense and looks like a Dark Souls ghost repeat of someone’s death. He insists on ‘staying out of things’ but then follows people around getting mad when things go wrong. Coming this summer, Chris Argent must actually learn.....to get off his ass and help.

WHY DO THEY ALL DO THE CLAW THING??? Yes, they are obviously claw marks. Why the fuck do you need to put your fingers on it?

Honestly, it makes me so sad because STiles is trying okay? Like, Boyd was pissed that Stiles acted like his friend when they never hung out, and STiles is trying to do the chill smalltalk thing, trying to point out things they have in common. He’s trying to MAKE FRIENDS and Boyd is just....uh...possessed? And still getting candy?? Huh?

Honestly, I’d do the same thing Stiles. Get that candy.

Allison, why’d you get in the shower if Lydia wasn’t back with the towels yet? How’re you planning on getting to them? You expect Lydia to come into the bathroom while you’re showering to put one there? #allydia confirmed.

WHAT THE FUCK IS THIS? I ALWAYS FORGET THIS HAPPENED. WHAT THE FUCK?

Okay, okay, look at that adaptation we got going on here. Remember, okay, the last time Allison was harassed sexually (which, holy shit I can’t believe this has happened twice) it was by Jackson, who was possessed by Matt. So when Scott gets super fucking creepy, instead of freaking out, her FIRST instinct is to check if he’s still himself, if he’s okay. She jumps to ‘possessed’ and tries to take care of him WHILE SHE”S NAKED IN THE SHOWER AND BEING CREEPED ON. Which, while absolutely horrendously terrifying, is also an interesting character growth. We get to see how Allison responds to the same situation, but a season later.

Really not a fan of the weird-ass focus they put on this woman’s stoma ( think that’s the word) like...are you seriously trying to make that a part of the ‘horror’ aspect of this episode? For real? what is wrong with you?

So I did the research, and actually, hotels aren’t required to tell anyone about deaths in their rooms. But they also renovate the entire room basically to clean that kind of thing up. Replacing walls and anything that can absorb liquid and even electronics. Oh, the things I google for this research. *sigh*

So, she says “since opening.” So...why does it even matter that an Argent was here? ALSO...why does the wolfsbane whistle matter? Clearly the whistle wasn’t the cause of the last howevermany (apparently 40) years of deaths, so why would it be the cause of these ones?? They gave like fifty different answers to the question of why the wolves (and only the wolves) tried to kill themselves and none of them make sense?

Hey, so...what the fuck even is this possession thing going on? What is it actually doing to these wolves? Why are they getting affected at different times? or did they all get affected at the same time, and the scene with Ethan and Danny is supposed to have been happening at the same time as the bit with Scott and Stiles? Is it supposed to like, make them more impulsive, or just drive them to do what they want to do? Boyd wants some candy, and he will get some candy. Isaac wants to watch tv so he just sits there and clicks through static endlessly. Scott wants to......fuck Allison?

Honestly? Good dad moment here. Chris. Good Dad Moment. I just, feel so bad for Allison. That when it comes down to it, she will always end up lying to her family to save Scott’s ass. Either when they’re dating and her dad wants to kill him for it, or when Scott shows up in her bathroom and grabs her and she can’t possibly tell her dad about it without Scott getting shot.

WHY do they treat that moment like it’s a big shocker that Allison was there? She TOLD her dad she would be going to help them. This shouldn’t be a surprise to him???

....wait how was allison on the phone with her dad, fully dressed and outside, but now she’s in her bra and drying her hair in the bathroom? TIMELINES. TW doesn’t HAVE them.

OKay, so Lydia says it’s only been 40 years, which would mean that the motel was only 6 years old when Alexander Argent died in it. Plus...Lydia literally says that approx. 4 deaths a year is a reasonable number? So...either this place has a lot of suicides, or it doesn’t. WHich one? Also, just because you have the warning at the beginning of the episode doesn’t mean you need to go into such callous detail about the different kinds of suicides that took place. God, that’s so tasteless.

As horrific as this moment is, I feel like I should point out that the behavior/conversation that Lydia hears...it’s nothing like what happened with the wolves. They’re talking about it, clearly nervous. But the wolves are stoic and silent. What? WHAT IS THIS PLOTLINE? IS THE MOTEL causing these suicides somehow, or are the werewolves poisoned by wolfsbane?? THESE ARE TWO DIFFERENT PLOTS. WHICH ONE IS IT?

god, I just..I can’t not point out the contrast here! Lydia is saying she heard two people die in a room across the hall, and after leading Allison there they find an empty room going through renovation. All she has to say is “they were here” and Allison believes her. No hesitation. Stiles’ childhood best friend literally shows up dead and Scott refused to believe a word he said about human sacrifice until Deaton confirmed it. Yet Lydia and Allison have known each other less than a year, and Scott and Stiles are supposed to have been friends for ages.

I just...I hate fisheye lenses. they don’t give me any horror vibes at all, they just look stupid. Personal preference.

Boyd, honey, those things are supposed to have bags in them so they can be reused.

WHAT THE FUCK WAS THIS SCENE? WHAT THE FUCK? WHY WOULD THEY EVER BRING THIS UP JUST TO KILL BOYD OFF LATER? WHY?

Lydia is actually very correct, remember what I said about the renovating?

God, this episode has so much...just horrible shit. I’m gonna fucking ignore it for my own sanity and just focus on how wolfy it is that Isaac wouldn’t want to sleep under the covers at a hotel because it would probably smell. Plus, bare feets. Also, why’d he go to bed so early? Did Boyd go get the ice for him, since he’s sweating so much?

I love that they are roommates.

Okay, I don’t understand. Three more suicides are about to happen. Boyd, Ethan, and I guesss...Scott? So what the fuck was up with Isaac? I just...they’re supposed to like. give into their their worst thoughts or something? Boyd’s guilt about his sister. Ethan’s....something. Scott’s...uh...self-hatred? Or, I think it’s more his lack of self-confidence? He doesn’t hate himself, he just doesn’t think he can keep going. And Isaac’s ingrained guilt of doing the wrong thing? His fear of being useless...I guess? So is it supposed to make them suicidal and Isaac’s a weird case, or does it only do that sometimes, and the rest of the time it just leaves you paralyzed with fear? This makes literally no sense.

Where has Stiles been this entire time?

Uh...that’s not how Alphas work? Just because Derek died, it wouldn’t make Scott an Alpha. Scott didn’t kill him. Even if Derek Was dead, it would’ve been from impact or from the wounds Ennis gave him. In no universe would Scott become an alpha. If it was the impact, Cora would become Alpha, as the next blood relation. If it was Ennis, the Hale Alpha spark would be gone/soaked up by Ennis.

Okay...so, Stiles was in the bathroom brushing his teeth, and he didn’t hear Scott talking to the phone?

*snort* Stiles has a Nokia phone. How much do you wanna bet his dad bought that for him after the Pool Scene because he was trying to make sure Stiles didn’t break another phone?

Did...did Stiles just leave the room with the toothbrush in his mouth?

Okay, I get that this is a teen drama...but why does it have to be so obsessed with 16 and 17 year olds having sex? Seriously? It’s not the common occurrence people think it is? Now, if these were college age people...or, hell, even then it wouldn’t be this fucking common. Seriously. I don’t want eye-candy from someone who’s supposed to be 17 at MOST. Teenagers watching this might like the eye candy, but when I watched this at 17 I STILL was sick of the sexy scenes. Knock it off.

Also. Ethan IS STILL A FUCKING MURDERER.

.....uh....Ethan...do you not understand human anatomy? Giving Danny the bite wouldn’t remove the metal bars in his chest. It might heal the cartilage or whatever, but it wouldn’t REmove the BARS. Oh see that’s just creepy. Wait. OKay, are you telling me that Ethan’s thing that he wants, with this possession thing, is to bite Danny? AND HOW DOES DANNY NOT RESPOND TO THAT? HE’s supposed to know about werewolves, which means he HAS to be getting what Ethan’s going for. WTF?

...what the FUCk kind of voldemort “love and monsters” kinda bullshit was that? What does that have to do with Ethan’s deepest fear/insecurity?

I am...so confused. FIrst off, I love having Allison, Lydia, and Stiles all chillin’ trying to figure things out. THat’s amazing. But how do they know something’s up with Isaac? Also, it contradicts what I was theorizing before when Allison says the last time she saw Scott like that it was a full moon. Now I’m even more creeped out? WHy would they have her fully believe that it’s Scott, and just...let him be a fucking creep? Why would they openly admit that he’s been that terrifying with her before and then just...be chill about it? Also, when did she actually see Scott act like that? When he did it on his second moon Allison never saw him bc Derek tackled him into the woods. When did Scott go all creeper on her? Is this a REgular OCCUrREncE?

I know it was wasn’t intentional, but it’s such an adhd mood for Stiles to see the paper sticking out of the bible and just snatch at it. most people would call that ‘attention to detail’ but like...I just see it as ‘wtf is this, gotta know gotta know” mooood.

Why does Stiles go running to the next room like it’s an emergency, and what is the relevance of these articles in the bibles? LIke, yeah, you knew there were a ton of suicides. How does this help?? God, it’s like they were trying to make it a mini-horror film, but they just suck at understanding what the right order is to put things. FInding those articles should’ve been something that happened at the beginningin order to create a sense of unease, not in the middle of figuring things out!

how exactly did Stiles get the damn door open if it was locked? For that matter, how did Ethan know the handsaw was there? Was he on his way to talk to Lydia and Allison, or was he heading for Scott and Stiles’ room to get help? WHat’s going on???

Thank you Allison for not just Standing There. And Lydia for having a BRAIN. <3

HOW DID STILES HOLD BACK ETHAN? Ethan IS AN ALPHA? HOW?

OKay. I know I said I wouldn’t comment on these scenes with Jennifer, but this is just a general observation. DEREK. YOU HAVE A CELL PHONE. YOU ARE PERFECTLY CAPABLE OF CALLING PEOPLE FROM THE BED.

What...what does that mean Ethan? “You probably shouldn’t have.” WHat?

I know it’s supposed to be for the Allison/Scott angle, but I just love Lydia and Stiles heading to save the pack. *sigh*

I gotta say, I actually really respect Stiles for straight up telling Lydia about the parallels he’s seeing. Rather than hide it from her, he’s trying to get to the root of the problem, point blank and he’s being honest with her about his worries that she might be involved without even knowing it. And she listens and doesn’t get immediately defensive. This communication is SO GOOD. Stydia BROTP.

I’m fucking on the verge of tears. Sinqua, your acting is just...like, you barely speak in this scene and yet your face is just??So pained?

Bare feets. I know I point it out a lot, but like, compared to kali, who keeps her claws out all the time even in like a fucking hospital. It’s so cute to see Boyd and Isaac wandering barefoot in their hotel room. Just, the level of calm it implies, despite the situation. They feel so safe with each other.

ALSO did Boyd go through all of that while Isaac was under the bed?

WAIT WHAT? WHy is Lydia suddenly all pissed off? WHAT? That makes no sense! But then when she says his name, she doesn’t sound upset at all?? WHAT?

ALSO, I thought this was supposed to be about suicides? Why did they add this totally random (and horrific) thing? It has nothing to do with BoYD! JUST BECAUSE YOU PUT A TRIGGER WARNING DOESN”T MEAN YOU NEED TO MUSH AS MUCH FUCKED UP SHIT AS POSSIBLE INTO ONE EPISODE. GOD. It’s like those people who assume just because they’re allowed to do R rated shit, they have to have random sex scenes in their tv show.

where did Scott get gasoline? Like...where?

God fucking damn it, how fucking demonizing can you get, fucking juxtapositioning Scott’s suicidal monologue about Derek suffering and being dead, then jumping to Derek fucking someone instead of telling anyone he’s alive? What the fuck is wrong with these people? Why is it literally ANY TIME Stiles or Derek are in some way happy (NOT that I’m considering Derek at that moment in time Happy or in any way okay) they always make it out to be the most horrible thing ever? It’s like I said before, Stiles smiling on the field because he actually gets to play lacrosse? Jackson’s about to die. Stiles happy because he’s going to play a game in class? His best friend is missing. Derek....I’m not even going to give what’s going on a name. But then they just layer that over Scott...what even is he doing? Everyone else actually tried to kill themselves. Why is he just...standing there? Are they seriously trying to make the claim that his strength of will is so strong he’s the only one could can hold out against the...whatever the fuck is causing this? Jesus fucking christ do you have to turn him into Jesus every time? SERIOUSLY?

YOU DIDN”T THOUGH. SCOTT YOU LITERALLY REFUSED TO FIGHT BACK. YOU PLANNED A RENDEVOUS WITH DEUCALION BEHIND EVERYONE’S BACK BECAUSE YOU INSISTED FIGHTING BACK WAS WRONG. YOU WOULD HAVE BEEN MURDERED IN COLD BLOOD IF DEREK AND THE OTHERS HADN”T COME TO FIND YOU.

...I get that this is supposed to be an emotional moment, but why the fuck does Scott’s monologue about how much he sucks have to drag Stiles down with him? Stiles was literally always good at lacrosse. He never got ‘better’ before being put on the field. You saying that the both of you were ‘nothing’ is a terrible, horrible thing to say because you’re implying that because Stiles didn’t get the bite like you did, the only thing that makes him more than nothing is being your friend. How does Scott manage to be a total asshole even when he’s in the middle of explaining why he wants to die?

AGAIN WITH THE RANDOM PLOTLINES. DAVIS WHAT THE FUCK IS WRONG WITH YOU? IS THE HOTEL HAUNTED, OR IS THE WHISTLE FULL OF WOLFSBANE OR IS THE DARACH ACTIVELY MAKING THEM KILL THEMSELVES? WHAT THE FUCK IS GOING ON? ANd why would the Darach be making them kill themselves?? THey don’t match any of her sacrifice requirements! This makes no sense with the plotline you follow for the rest of the season!

WHAT THE FUCK IS THIS SCENE? Scott was NOWHERE NEAR Ethan? WHY THE FUCK DID HE GIVE SCOTT THE CREDIT FOR SAVING HIS LIFE? And why would he thank him for it, when he told Stiles he shouldn’t have been saved? WHAT IS GOING ON?

Also, why does Ethan have like, a bruise thing on his cheek? Is that...is that a skin thing, or like, a show thing?

This doesn’t solve the problem of Allison’s car being stuck with an empty tank at the side of the road halfway to Beacon Hills.

dude. you realize that was literally 34 years ago? Deucalion would have to be like 50. and even then he would’ve been a fucking 16 year old Alpha. So that makes Deucalion more likely in his 60s. Also, why the fuck do you care Chris? This is such a random fucking thing. It makes no sense. What the fuck does it matter now?

Last Thoughts: What the fuck even is this episode? It’s like this steaming dumpster fire of half-assed ideas and loose ends to plots we’ll never see and really shitty horror movie vibes. We’re talking D List or maybe E list horror movies. I’m honestly disgusted? I can’t remember the last time I had to watch something so tasteless and cruel and insensitive in every single way?

.....on to the next episode, I guess. God, I need to change all of this in the rewrite, and I don’t know if I can actually make it good?

#personal #anti-scott mccall #TeenWolf-Rewatch

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davidmann95 · 4 years ago

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Comics this week (12/16/2020)?

Iron Man #4: Still good! Every issue I remain surprised that this is staying good, and yet it does!

The Immortal Hulk #41: A real good revisitation from a completely different angle of the ‘here’s why regular superheroes can’t fix what’s going on here’ thread from way back in #7, and god between this and Empyre Ewing writes such a perfect Ben Grimm.

King In Black: The Immortal Hulk: Surprised this didn’t end up a direct follow-up on the dangling thread left behind from the Absolute Carnage tie-in, but this was excellent so I’m not complaining.

Solid Blood #17: A new Robert Kirkman comic (joined by Ryan Ottley) announced right before its release like Die! Die! Die! before it, this one has the added gimmick of dropping its seventeenth issue with no preamble. The actual comic...well, the actual comic is basically 1963 for the 90s in the most fun way (it’s even printed on authentically fitting paper stock!), but the seeds of something much stranger are established and I have almost no clue what to expect next, quite literally. It must be nice to have that sort of fuck-you Walking Dead money, and I’m glad Kirkman’s choosing to do something as weird and interesting as this with it.

We Live #3: This one felt somewhat disjointed, but still an excellent experience.

Stillwater #4: I cannot believe I’m getting and enjoying so many horror comics on a regular basis now.

Once & Future #14: I keep saying I’m appreciating and decently enjoying this book while not connecting with it, but maybe it is winning me over.

We Only Find Them When They’re Dead #4: Get this book.

Decorum #6: I swear to god this series might be the prettiest comic of all time.

Commanders in Crisis #3: I didn’t review this one for AIPT, but this one’s a bit of a bridge between the first two issues tonally, both as grounded and as weird as the book has been thus far. I’m ready for it to return to something more bombastic, but I still have zero doubt this is going to be an all-timer when it wraps. No character interview with Ritesh Babu on AIPT this month, BUT in its place @deathchrist2000 has interviewed Prizefigher for Comic Book Herald on the subject of an in-universe James Bond novel written by Steven Moffat, and it rules.

Second Coming: Only Begotten Son #1: To borrow a line from @deathchrist2000, that sure is the death of Krypton as portrayed by the writer of The Flintstones. That’s the opposite of a complaint for me, but that’s sure what it is.

Superman #28: Kind of a perfect ending to Bendis’s tenure, in that it ends up totally whiffing some great ideas even if you can only mind so much given the quality of the character insight with the narration, but then there’s a Superman Moment so perfect it breaks your heart. Very glad Bendis will keep writing him in his half-announced Justice League with Marquez, and that he said today he’ll keep writing him elsewhere as well (I continue to assume he’s working on a Future State-era Jon as Superman book). Let’s see how well Action can put even more of a bow on it next week even with that art holding it back.

Batman #105: Does the ending here totally make sense? Ehhh. Am I willing to forgive any lapses in logic that get us way more Ghost-Maker? Hell yes. Speaking of which, he and Bruce totally used to be a thing off-panel, right? That’s the vibe I got from the opening in a BIG way.

Catwoman #28: I’ve been saying I’ve been loving it but also been waiting for what it looks like when it gets out from under Brubaker’s shadow, and I think I’m starting to see it, and it’s definitely my jam.

The Batman’s Grave #12: So someone either didn’t see or didn’t care that I explained I had already checked with my store to ensure my purchase of this wouldn’t result in any money going to Warren Ellis, so they messaged me spoilers for the ending of the issue in an attempt to ‘dissuade me’ from any further interest. A. Wherever the motives there are coming from, incredible dick move, for the love of god don’t do this. B. They misunderstood what happened in the ending? Wild. Anyway, it’s fine but also Ellis’s fourth-best Batman comic, strange if not at all undeserved that his now presumed/hopeful final Big Two comic, intended as a huge prestige Batman perennial (still confused why it wasn’t Black Label) and sure to forever be pushed as such if not for outside circumstances, ended up one of his passable third-tier works, destined to be remembered only as “that Batman comic DC had to finish publishing even after it turned out Warren Ellis was a piece of shit”.

Rorschach #3: Standard policy regarding my comments on this series applying: it was good.

Dark Nights: Death Metal #6: This one...kinda blew? Totally perfunctory moving-the-pieces into place issue for the most part, one or two nice moments aside. What a disappointing capstone to a story from 2017 to now I largely loved, hope it at least delivers a few haymakers with the finale.

Tales of the Dark Multiverse: Crisis on Infinite Earths: Mixed feelings. The beginning and ending are the sort of slaughter in mass of super-dopes without fanfare and on such a scale that it reminds me of World’s Funnest doing the exact same scenes for comedy, but that middle chunk? By god, Orlando makes me give a shit about the JSA, and that’s no mean feat, plus nice to see him write a few great Superman bits on his way out the door. Speaking of which, I’m mainly parsing this issue as an expression of Orlando’s bitterness over said exit and his time with DC as a comic about a big swaggering puffed-up dumbass living for destruction before whom our heroes our powerless, and a man has to sacrifice himself for a queer kid in servitude to it so that they can have a future and keep building that world. I liked it in balance, but I think I found it more interesting than good.

(Since I’m mentioning two Orlando books in here, worth noting I read this week his and Ricardo López Ortiz’s The Pull on Comixology. I’m not clear if it was released in single issues - I can’t quite wrap my head around TKO’s publishing model - but it’s basically an unholy mash between shonen manga, grungy noir crime comics, and a Crisis, and it rules and you should get it.)

The Green Lantern Season Two #10: What a strange, messy, fascinating capstone to Morrison’s DC work this series has turned out to be, and holy cow how has this been Liam Sharp lately? When did he get on this amazing Frazer Irving shit? And how is Ultrawar gonna happen and be resolved entirely within #12, unless it goes for a more abstract “The Ultrawar was really inside us all along!” conclusion?

#Week's Comics #Opinion

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travllingbunny · 4 years ago

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The 100: 7x10 A Little Sacrifice

After The Flock - the show’s weakest episode in a long time - and an unfortunate hiatus after that episode, A Little Sacrifice helped get season 7 back on track. It’s one of the best episodes of the season: it was exciting, things finally happened - a lot, we got a big revelation about what the endgame is likely to be all about, there were fights, an attempted mass murder/genocide (what would a season of The 100 be without those?), some really good character work, and the first major death of the season.

Yes, Charmaine Diyoza was not a main character. but after being introduced as a villain in season 5, she has grown into one of the most memorable and interesting characters on the show - in large part due to Ivana Miličević’s charismatic performance - with a complex and morally ambiguous characterization and backstory (which I really hope to maybe learn more about one day in the prequel flashbacks? Please?). She has been one of my favorite characters since season 5, and I loved her development and her relationship with Octavia, her mother/daughter relationship between her and Hope, her past fights to protect “expendable” prisoners and her S7 attempts to find peace and renounce violence, and hope (!) that at least her daughter will get to have a different and better life where she wouldn’t need to resort to it. She became a (not so little) sacrifice for the better future we saw her dreaming of in season 5 in that conversation with Kane - maybe that dream is something we will see the new generations live in the series finale?

The one thing I wasn’t too happy about (I was OK with the lack of Bellamy cliffhanger since we got him in the promo for 7x11 right afterwards) was that Clarke did not have any more screentime than in the other recent episodes. But, especially on rewatch, she had some great subtle little moments.

You know what is not subtle? Sheidheda. He’s finding new ways to be completely OTT. This time he can finally stop pretending to be Russell, so he gets a makeover, more in tune with the...interesting Grounder fashion styles, chews the scenery even more, and then - thanks to Madi - he loses an eye (just as he did during his original lifetime), getting closer to his season 6 Emperor-like look, though he’s missing a cloak this time. He also doesn’t have enough facial hair to twirl his moustache, but he actually hisses at one point. This part of the episode was, this time, really fun and intense, including a really good fight scene and some really emotional and important moments for Indra, Madi and Murphy, but doesn’t need much analysis and doesn’t require attention on rewatch.

I’m still not sure how/if these two storylines will connect. But I can see a thematic connection of sorts: Sheidheda is the embodiment of the worst parts of the Grounder culture, with the worship of violence and power and killing all those who oppose you; and not just that - he’s all egotism taken to the extreme, the kind of “wild beast” as Anders would despise, but in this case, he would actually have good reasons to. On the other hand, we have the Disciples with their sterile white rooms, order and the propaganda of the abnegation of self in the favor of the collective, and dreaming of “transcendence” instead of trying to get back to the “old ways”. But they really come off as two sides of the same coin: both ideologies are about worship of and subjugation to a leader, both believe violence is the solution, and both are against love and see it as a danger.

Brand new opening titles - these opens start with a shot of Sanctum and end with the Bardo Stone Room with the Anomaly Stone - and guess what makes a cameo near the end of the credits? That’s right, Earth. I was starting to think that any return to Earth won’t happen, but now I’m not so sure.

Sanctum

The episode opens with the immediate aftermath of Shady’s massacre of the Faithful. We see Madi’s friend Rex (that’s his name according to the credits) - the Sanctum boy who offered Madi’s other friend, the null boy, to play soccer - mourning someone, probably his mother. This scene had to be there so we’d feel some sympathy and sadness over the deaths of the Faithful rather than just be relieved they’re (mostly) gone. One of the wounded ones is Jeremiah, the same guy who developed deep gratitude for Murphy for saving his son. Although the Faithful have been very annoying, I do feel a tinge of sympathy for this guy, who’s so clueless that he never understood he had any agency in what happened to his son and seemed really convinced it was all about the will of the “gods”. He now asks Murphy to take care of his son when he dies, but Murphy insists he will not let Jeremiah die. (Trey, the annoying a-hole who was brainwashing Jordan, and used to act as the leader of the Faithful, is credited in the episode but I didn’t see him anywhere - so I have no idea if he’s among the dead, or he survived and was in a deleted scene.)

Madi has a really nice mini arc in this episode. She already had PTSD from her experience and possession by Sheidheda in season 6, so she is absolutely terrified when she learns he is back, and when he threatens her in a really creepy way. Excellent acting by Lola. Later, after being comforted by Murphy and joining the survivors,she shows strength in comforting Rex for his loss; and in the end, overcomes her fears and risks her life to save Indra.

Not that it matters, but Sheidheda’s real name is Malachi. (I’m still gonna keep calling him Shady.) We learn that when he recites the lineage - the names and clans of all the previous Commanders, which we know from S3 is a Grounder custom for a new Commander to do. Of course, we only get to hear some of the names in the middle (a couple of random Commanders called Maffei kom Boudalankru - the Rock Line and Kemji kom Trishanakru) and the end, when he mentions Lexa and Madi. The show wasn’t going to spoil the prequel by revealing the names of early Commanders,

The fight itself was really intense and maybe the best Grounder-style duel in the show (yes, I prefer it to the 3x04 one, which involved too much showmanship to look as a real death match). Shady is obviously going to be there for a while and things aren’t going to get so easily resolved, so he wins and is about to kill Indra - who refuses to kneel to save her own life - but just as he’s about to kill her, Madi finds the courage to come as the Big Damn Hero at the crucial moment, pluck out Shady’s eye and save Indra’s life. But then as he is about to kill Madi, Indra decides to (metaphorically, since she’s lying and about to pass out) kneel in order to save Madi’s life. Indra’s arc with Shady has come full circle: this may finally make her understand her mother’s choice and realize she was unfair to her. She grew up blaming her mother for agreeing to kneel to Sheidheda and considering her “weak”. The battle had been lost, her father was already dead, and her mother made the best possible decision and wasn’t just saving herself but her daughter, too. Otherwise, as we see in this episode, Shady would have ordered the daughter to be killed, too, after the mother - as he thinks children of the people he killed should also be eliminated so they couldn’t pose a threat and seek revenge.

That last order even shocked Knight, who may be having some second thoughts about the awesomeness of “Sangedakru’s greatest champion” (but this doesn’t mean he won’t keep obeying him). Penn and the other Trikru guy we know, who are loyal to Indra, reluctantly knelt when Indra asked them to.

Madi, Rex and the other Faithful (including Jeremiah, who has indeed survived) have gone into hiding with Murphy and Emori - and hiding at the abandoned reactor. We didn’t see Jackson, but i’m sure he’s there. (Sachin is a guest star and must skip some episodes he’s not really needed in.) So now we’re finally reached the part of this storyline where Shady is in power and our heroes are the resistance. And Murphy is now, with Emori, a part of a power couple protecting these people and taking care of them (who would’ve expected that back in season 1?) - much like we’ve seen Clarke and Bellamy do over the seasons - even though most of the same people resented them for being fake Primes just a few hours earlier. Maybe they’re finally starting to get a clue and feel respect and gratitude to people who are trying to save them just because it’s a decent humane thing to do, rather than for being self-proclaimed “gods” who participated in their murder, oppression and exploitation.

Bardo

After 4 episodes, Clarke, Raven and Miller finally left the Stone Room! Yay! Jordan and Niylah stayed in it, and as it turns out, Jordan has a much more important and interesting role to play by reading the Anomaly Stone, while Niylah’s role in S7 has been to be exposition machine for Grounder history and have bad one-liners while Miller has the good ones. I’m glad there was no prolonged “OMG are they really brainwashed and on their side?” misunderstanding, as Clarke and the rest of the group, after learning about MCap from Gabriel, quickly realized that Octavia, Echo and Diyoza are only pretending, since they haven’t blown the secret that Clarke doesn’t have the Flame.

Speaking of one-liners, Miller’s “Get the flock out of here” really made me laugh out loud.

Callie is known as the Pramfleimkepa - the First Flamekeeper - which should mean she was never a Commander (I imagine that would supersede the position of the Flamekeeper or at least be as worthy of mention). I was afraid for a moment that Niylah had given the game away when she told Cadogan that - but fortunately, he didn’t understand what it meant, as he never knew that Becca called ALIE 2.0 “the Flame”.

Gabriel and Cadogan have a long conversation over dinner (or breakfast or lunch of whatever) about Earth before the bombs and Cadogan’s beliefs. The two of them are one of the few remaining humans who knew life before the apocalypse. (After Diyoza’s death in this episode, the only other people left from that time are the Eligius prisoners in Sanctum.) But while Cadogan is chronologically ‘older’ than Gabriel, as he was a Millennial, while Gabriel was born a couple of decades later, and because Cadogan has technically been alive for thousands of years on Bardo - Cadogan spent most of that time in cryo (same as Diyoza and the other prisoners). Gabriel is the real Old Man - at least 260 years old, having lived and experienced all those years. We learn a bit more about Gabriel’s background - that his family were from Colombia and his grandmother was poor, making him a “self-made man” - another contrast between him and the love of his life Josephine (which makes their season 6 parallel to Clarke/Bellamy even more perfect). Gabriel is the go-to-guy this season for having conversations about the worship of false gods and trying to challenge the Disciples’ beliefs. Cadogan, again, denies that he’s a cult leader (sure), reveals he doesn’t believe in God, and claims he doesn’t consider himself one (he sure doesn’t mind being treated like one, though). Instead, he claims his purpose is for everyone to “transcend” and become like gods - though he doesn’t really explain what that would consist of, and he also doesn’t offer any explanations as to why there is supposed to be a “Last War” and who the enemy in that was is supposed to be. Seven episodes have gone by with the characters talking to the Disciples, and no one has ever asked that question: who is the enemy? I guess they don’t even know that, they just think that, when they type in the code, they will learn who the enemy is and the war will begin, for... reasons? He also adds some BS about “this life” being unimportant compared to afterlife. (Now, to be clear - I actually do believe in the afterlife in general (though I don’t know in which form), but I really, really hate it when religions make the afterlife the focus and treat the life we actually know and are sure we have as less important, use it as an excuse to teach people to accept any sort of crap in their lives and not ask for more instead of living their lives to the fullest and trying to build something worthwhile in this life.) Gabriel is less than impressed with Cadogan, and challenges him by pointing out that “You can’t fight a war for the soul of the human race with an inhuman army” and that a life without love, individuality or freedom is pretty worthless, but Cadogan has the afterlife as a ready excuse, even though that doesn’t really answer the question.

The most important revelation that we finally get in this episode is that Cadogan has most likely mistranslated and completely misunderstood the ancient Bardoan text that he’s based his entire belief system on. And his mistake was in large part due to confirmation bias - he saw what he wanted to see, even though the idea of ending wars and violence by starting and fighting a war is absurd. (Niylah, for once, has a good line, when she points out that every major war is supposed to be the “last” but it never is.) Jordan’s interpretation - that it is really about a test that the species needs to pass - makes a lot more sense. Not a literal test - I really can’t imagine the show introducing some kind of godlike “higher beings” - but, I think, something that will require the characters to use all their strength and moral sense and all the experience they’ve had and wisdom they may have gained, to find the best solution to save the human race and rebuild the civilization, hopefully into something better (and it’s really not too hard being better than the mess of tribalism and constant wars and conflicts we’ve seen on the show). I don’t know what this will be, but the words “the orb becomes like a star” make me thing of a natural phenomenon.

It’s also cool that it was knowledge of the Korean language that helped Jordan decipher the text - proving how helpful it is to be familiar with multiple languages and cultures and how much it expands one’s way of thinking. Do Disciples speak any languages other than English? They seem to foster cultural uniformity, so probably not. (it’s also confirmed now that Monty was half-Korean on his father’s side - Chris Larkin is Korean, but the actress who played his mother, Donna Yamamoto, is Japanese, so I assume Monty is half-Japanese.)

If you doubted that 7x09 flashbacks were a waste of screentime, we get a confirmation early on that Echo has just been pretending to be loyal to the Disciples, while plotting revenge all the time, when she kills a Disciple and saves Hope from being sent to Skyring. This plot could have continued straight from 7x07, when Echo’s Azgeda ritual was strongly hinting that she’s out for revenge. (And yes, the writing in 7x09 was just that clunky as I feared - of course that Chekhov’s WMD that Levitt mentioned for no reason would be used in the very next episode for someone to try to kill all the Disciples in another Mount Weather parallel.)

A tiny bit of info about the Disciples - a Disciple addressed Hope as “Seeker Diyoza”. I don’t know if that’s a title for those trying to reach Level 1 or something else.

Hope, with her usual anger and impulsiveness, reminiscent of how Octavia used to be once, and her naive black and white views, is all for revenge-genocide, too, in spite of Octavia’s and Diyoza’s disagreement. Her mother tries to, again, teach her the lesson she tried to in 7x07, that she should turn to love instead of violence and killing (which carries a lot more weight when it comes from someone like Charmaine Diyoza rather than a hippy): “I know what it's like to kill innocent people for a cause, and I promise you, it's not gonna fill that hole in your heart. Only we can do that.” But Hope retorts that “There are no innocent people here”, echoing Nikki’s words to Nelson that “There are no innocent people at the end of the world”. It’s not that Hope doesn’t have a point that everyone in Bardo is a part of the society that’s been kidnapping and torturing her family and that stole her childhood, but collective responsibility is a concept that only works in terms of moral responsibility, not as an excuse to commit genocide because you’ve decided that everyone in the other group is evil and the “enemy” and deserves death. Some people have compared it to Maya saying “None of us is innocent”, but I don’t think this comparison works, because that line changes the meaning entirely depending on whether you are holding yourself and your society morally accountable for its failings and complicity in crimes against humanity, or if you’re using it against others, in order to justify hate and commit crimes against humanity.

Even though neither Clarke nor Octavia had huge screentime in this episode and may not have done anything big (like Diyoza sacrificing herself and saving everyone, or Jordan figuring everything out), they had some wonderful, subtle little moments that spoke volumes:

I loved the hug between Clarke and Octavia - where Clarke said her condolences to Octavia and then Octavia said them back, letting Clarke know she knew what Bellamy meant to her and that she is grieving just as much. (”I’m sorry, Octavia” - “So am I”)

Raven and Miller exchanged a wordless look - probably because of how awkward it was for Miller to see Octavia again. Although these 4 people all go back to season 1 (and it was the first time in a while they were in the same room), for Miller it’s been just a few weeks since she was Blodreina and he was her follower, and the last time they saw each other (in season 6), he yelled at her that he’s not following her orders anymore - which was about him struggling with his guilt and seeing her as an embodiment of it. But for Octavia, it’s been over 10 years and a huge character development, which Miller doesn’t know about. But they had no time to go over it - instead, she just hugged him and asked him to hug her back, and he did.

When the group went to find Levitt - still tied up and bloody after Echo had tortured him and killed two Disciples in front of him to force him to tell her about Gem9, the WMD that can destroy everyone on Bardo (he must be really traumatized one - Clarke obviously immediately realized what was going on when she saw Octavia come to check on Levitt, going by the look on her face, and her look when she turned to go and the others went after her, while Octavia was still there -as if saying "I realize you need a moment with this guy, but don't wait too long". Although Levitt looked disappointed and shocked that Octavia didn’t untie him, she was really doing what was the most reasonable way to try to protect everyone - the priority was to stop Echo from killing all the Disciples, which would include Levitt, but also to stop Levitt from alerting Anders, which he would’ve done, because Octavia also wanted to save Echo and her people. It doesn’t mean she doesn’t care for Levitt, but she’s not the 17 year old girl who’d go: “I just met you but you’re immediately the most important person to me and I’m going to prioritize you over everyone I know”.

And then we get to the final and most dramatic scene of the episode... Echo’s attempt to commit genocide out of revenge, while Octavia, Clarke and Raven tried to talk her down.

Octavia tried to reach Echo by, again, talking about their shared grief over Bellamy, as she did in 7x07, but again, it did not work - because Octavia and Echo, and Clarke and Echo, are different people, who grieve in different ways and think and act in different ways. It doesn’t mean that any of them are grieving more or less than another one - but their responses are very different. Octavia - this mature Octavia who is more able to empathize with others and doesn’t react with impulsive violence as she used to - responded by trying to reach out to others who were also grieving for Bellamy, Echo and Clarke, and validating their grief, too. Clarke reacted - after the initial shock and grief - by sucking it up, as she does, in order to take care of the others, and focusing on saving the people Bellamy loved, telling Raven “We do this for him” and focusing on saving Octavia and Echo. Echo, on the other hand, reacted destructively and violently and by killing people for revenge and then plotting genocide as revenge for 3 months. This is the only way she knows how to process grief - she’s never known a different way, as I’m sure Azgeda weren’t known for compassion and sharing feelings. When Bellamy was grieving Clarke in season 6, she asked him “When do we attack?”, because that’s what she expected him to do, too. She’s also lost because she hasn’t lost just a boyfriend, but a leader and anchor in her new post-Praimfaya life, and because she had made saving Bellamy her mission she was waiting to fulfill during the 5 years on Skyring. If she had carried out her plan, I’m not sure she’d know what to do with herself. (I don’t know what it says about the mindset of us, humans of 2020, that so many fans have decided that Echo’s way of grieving is the superior one and the one that shows that she loves Bellamy the best. It certainly doesn’t show anything good.)

Octavia’s next argument - that there are many good people on Bardo she’d be killing - was even less successful, as Echo threw her relationship with Levitt back in her face, pointing out that he stole her memories, talking of him as one of their enemies, and then even saying: "Way to honor your brother's memory!" Echo came off as very judgmental here, and more than bit hypocritical - after all , she personally almost killed Octavia twice, and Bellamy started trusting her and dating her on the Ring, after she had given them both far less reason to trust her than Levitt did. Levitt actually took a risk and was helping her against Anders just out of his feelings for Octavia, while Echo only helped Bellamy and others after she was exiled and had to in order to survive. She seems to value forgiveness only when it’s others forgiving her (”Who knows more about forgiveness than us?”), even though she never expected them to and was a bit shocked that they did.

Clarke then tried to use her standard “This is not who you are” plea, but it didn’t work with Echo, since Clarke doesn’t really know Echo, and the words felt empty. There really is very little reason for Clarke to think this is not who Echo is, except for her tendency to assume Echo must have changed for the better because she’s Bellamy’s girlfriend and Bellamy loves her (see their conversation in 5x12). Clarke also tried to use her own experience - as she did with Raven earlier in the season - telling Echo that “a choice like this” would haunt her forever (of course Clarke would bring up MW, it always goes back to MW for her), but Echo rejected that comparison and, for a moment, channeled me by pointing out that Clarke’s motivations were to save her people, while Echo’s are purely revenge. Which was, however, a strange argument in context - pointing out that Clarke’s reasons were much better and she had no choice but to kill all of the Mountain Men or let them kill all of her friends and family, while Echo wasn’t achieving anything good and could just save all her people and not take revenge on the Disciples. But Echo seemed to be telling Clarke that they different, and she cannot assume that Echo will feel the same way about mass murder Clarke does.

Then Clarke finally brought up Bellamy, pointing out that he would not want a genocide to be committed in his memory. I don’t know how anyone who’s watched the show for 6 seasons could disagree with Clarke. But Echo did. What’s more, she yelled "You have no idea what Bellamy wanted!" in a really angry, resentful way. It felt personal. I don’t know if Echo has felt romantic jealousy of Clarke over Bellamy - she has sure kept it close to her chest - but it certainly felt like some kind of possessiveness, like resenting the idea that Clarke was as close or closer to Bellamy and knew him better. In any case, this was a moment of extreme dramatic irony - because we know (and really, Echo should know as well) that Echo is the one who doesn’t seem to know, or is simply ignoring, what Bellamy would have wanted and who he was. And she should know. She was there when he talked down Riley from killing Roan, telling him “War made me a murderer, don’t let it do it to you too”, she was there when Bellamy refused to kill 283 prisoners in cryo sleep and said “Clarke didn’t die for us to go back and make the same mistakes”. And she was there when Bellamy was grieving Clarke but decided not to take revenge for her death - not even by killing the man who murdered her, Russell - but to try to honor her memory by doing what she would want and surviving and keeping their people alive. Which directly contradicts Echo’s statement that Bellamy would be doing the same she is if one of them (Clarke, Octavia or her) were killed. Does she really not know him? Most of the time they spent together were in a time of peace and boredom with just 7 people on the Ring. She seems to be projecting her own ideas and views and character into him.

Then Raven went on to agree with Clarke (but Echo did not resent her for saying it), pointing out how Bellamy has grown and changed and that the post-season 3 Bellamy certainly would never do that. I was slightly annoyed when she said that Bellamy of season 3 may do that - but to be fair, she did say, “maybe”. Now, season 1 or season 3 Bellamy was certainly angrier and more prone to black and white thinking when it came to enemies, and he may very well have agreed to kill all of the adult Disciples if he thought they were likely to be a threat to his people (which is what he did when he agreed to help Pike kill Lexa’s army), but he sure wouldn’t agree to kill any of them just for revenge, or to kill children and non-combatants (the one time he did it was MW, when he and Clarke knew there was no other way to protect their people from being horrifically killed, and he hated it and was haunted by it then). Nevertheless, that’s a minor thing as the point of Raven’s speech was the way Bellamy has grown and developed. Echo hasn’t really changed, certainly not as much as Bellamy wanted to think in S5. Is there still time for her to change?

In the end, love did save the day - but it wasn’t Echo’s love for Bellamy, it was her non-romantic love for Raven and Raven’s for her. Raven calling her a sister only helped pave the way - but she had to actually threaten to stay there and force Echo to choose between killing Raven and giving up her revenge, for Echo to finally stand down. The fact she did shows that maybe there’s still hope for her to change and give up revenge and violence for things like friendship.

But then Anders had to appear and ruin everything, He could have just tried to arrest the group, rather than threatening them and giving them speeches about how he despises them for being “beasts raised in the wild”. (I’ve wondered many times since 7x05 is Anders is supposed to be smart or a complete dumbass. He was definitely a dumbass.)

Diyoza took charge, as the most experienced and tactical one, and almost. And then Hope was again being her impulsive, angry, out of control self - Anders is always the person most likely to set her off - killing Anders (which I wouldn’t mind) but then also making her own attempt to commit genocide. (It’s funny that the four Disciples just froze and did nothing while all of that was happening.)

What happened then was both a heroic sacrifice and one of the best and most heroic death scenes on the show, a fitting ending for Charmaine Diyoza (even a visually beautiful death in a creepy way, as Diyoza turned into a crystal statue), with her final message to her daughter to be “better” than her in the future - and a heartbreaking loss for Hope, who has just been punished by the narrative/fate for her devotion to violence and hate and attempt at genocide, by causing her own mother’s death. She was obsessed with revenge for her lost childhood and the fact her mother was taken from her - instead of focusing on the future and what she still had. I’m sure that Hope will survive to the end of the series, and will have to question herself and change. She still has Aunty O to help her and be her family.

As we’re approaching the endgame, the show here made an obvious point about violence, hatred and revenge and having to give up those things - not for Anders’ unemotional duty to the collective, but for love and compassion/

Rating: 8.5/10

#the 100 #the 100 7x10 #a little sacrifice #the 100 season 7 #charmaine diyoza #clarke griffin #octavia blake #gabriel santiago #jordan green #indra kom trikru #indra #john murphy #madi griffin #sheidheda #emori #bill cadogan #hope diyoza

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fnafslinky · 4 years ago

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Fazbear Frights 1-9 review.

Into The Pit:

Slow and meandering during the first half but picks up speed after Spring Bonnie shows up. Good message and good idea, but the execution could be better. 6/10

To Be Beautiful:

This story is so full of fluff, you can cut out like 60% of it and lose nothing. I know it's going for a fairy tale thing with the repetition and all, but fairy tales do that because it's made for children. Repetition is to train a child's brain to remember better. These books are aimed at teenagers, so this narrative device is not needed. On top of that, it has unfortunate implications of "Not like other girls" memes that we don't need to revisit. Only saved by its creepy af ending. 3/10

Count The Ways:

Legitimately my favorite story out of FNAF and one of my favorites of all time. It fixed the previous story's Not Like Other Girls problems by having the goth main character hate the pretty blonde and being called out for not even knowing her and being shallow. It is actually surprising to have these two stories be back to back.

The narrative device of switching back and forth between the MC facing her death and how she got up to that point means it keeps your interest throughout that the previous two stories had problems with. It makes for great drama and tension.

The main reason I love this story in particular is because of this exchange near the end:

“Silly Millie, for someone who doesn’t want to die you sure spent a lot of time talking about it,” the voice surrounding her said. “But that’s the way of things, isn’t it? Talk is always easier than action.”

“I think,” Millie said, sniffling, “that when I said I wanted to die, what I really wanted was to escape. I didn’t want death. I just wanted my life to be different.”

“Oh, but that really takes action, doesn’t it?”

And, if I can be real for a minute: I feel like that kinda changed my life. Or very least, my point of view.

As someone who has made attempts on his life before and frequently battles depression- It made my problems so much less overwhelming. Of course I didn't want to die. I wanted my life my life to improve. And now whenever the thought of suicide passes through my head, I just remember this phrase and it helps me keep it together and calm down.

And also F.Freddy's follow up with having to work for happiness is spot on too. Misery is comfortable, that's why so many people prefer it. Happiness takes effort. 10/10

Fetch:

I'm in the minority for not caring for this one. I felt like there wasn't any direction or character arc, I didn't find Fetch particularly scary or interesting, and the MC makes a lot of dumb decisions in it.

That being said, I love how it jumps right into the action instead of taking awhile to get to it like the other stories did. The stories tend to play out like a different book and then FNAF characters are slapped in at the end. This one gets right to it and makes it integral to its plot. 6/10

Lonely Freddy:

Another one I really love. The Frights series has a good traction with its tragedies and this one is no exception. I really connected with the feeling of being pitted against your siblings, usually by accident and circumstance with your parents. Particularly this line:

“Maybe you’ve made them what they are,” Aunt Gigi said, pausing for a moment before adding: “Hazel’s the easy one. Alec is the hard one. It’s like you put them on their own little islands.”

I wasn't Alec, but Hazel in this situation. And it made me realize what my sibling went through because of it.

And this is another story where Freddy's is more integral to the plot too, and one of the few times it's not already abandoned.

I really like how well done Alec's back and forth he had with himself whether to befriend his sister or not. It's a believable character arc when he realizes his mistake at the end unlike another story that we'll get to.

And the fact they made a God damn teddy bear legitimately creepy is a mastery of horror writing that I can only ever hope to strive for. Definitely the scariest in Frights 2. 9/10

Out Of Stock:

I agree with Dawko that this one feels best to make a 30 minute special out of. It feels like a Halloween special or creepypasta you would watch/read as a preteen. Old enough to want to explore more mature stuff, but young enough to still have more cartoony stuff be familiar. And I mean that as 100% a positive.

I also like how this one is a bit more comedy based. Like the scene where the MC gets thrown across the room after electrocuting himself and his friends dont even notice. I can picture that bit so clearly.

The climax is the best part of having a dire game of Red Light, Green Light with the Plushtrap Chaser. It's very energized and exciting that the other stories don't have as often because the subject matter doesn't lend itself to it.

The trend in these stories of kids learning to appreciate their parents, and they're parents realizing they have to sacrifice some stuff to make their child happy is very sweet. And it's no different here. 8/10

1:35 AM

What I like about this series is that you never know where its gonna go from story to story. I though for certain this story was about how the doll was gonna have an evil spirit possessing it.

But no, what actually happened is that it's never made clear if the MC is losing her mind, being haunted, or just seeing stuff because she's sleep deprived. That ambiguity makes the book a lot creepier and sadder because you don't know how this poor woman should be helped. And it ends without any clarification. That's great and a perfect idea for horror story.

That being said, Scott's writing quirks (and it's definitely Scott doing it, I can tell) of front loading info, constantly stopping the flow to have backstory and over explaining things that don't need makes it frustrating to read after several books of it. And we're not done with that either. 9/10

Room For One More:

I skipped over all the dream sequences because it adds nothing to the story. Its great you remember Sister Location, but it feels like you don't trust your audience to read a FNAF story if there isn't animatronics every couple pages. And honestly? Understandable.

I do know based on my own FNAF comic, pages featuring humans is a lot less popular than the ones featuring animatronics. And I get it, you're a bunch of furries it's more interesting to visualize. And you can go in the opposite direction and have very little FNAF stuff when they're needs to be more. The New Kid doesn't even bring it up til the last third.

But I digress. The strongest qualities in Room For One More is three points.

The location is very vividly described. The underground security office with steel walls, the radiation disposals, the musky scent. It paints a clear and unique picture.

The main character's fallen arc of self care and distrust of others is a well done cautionary tale. It goes hand in hand with the speech before of having to work for happiness, and the difficulties there are from even trying. But you still need to do it.

The body horror is not as visually disgusting as it could've been, and more conceptually horrifying. But if you have a fear of bugs in your skin or crawling in your mouth, prepare for something so much worse! And no, that's not a spoiler, it's pretty obvious where its going from the beginning. 7/10

The New Kid:

This one was disappointing. This is not the way to do a tragedy, because I don't care about the MC.

Throughout the entire story, the main character has literal sociopath tendencies. He is controlling of other people, he doesn't have any empathy, he sees other people as tools to use, he kills a bird and doesn't care- So at the end when he accidentally kills someone, I don't believe him feeling bad about it. And I sure as shit don't care about his death after him leaving his victim to die, while he was still breathing, and not coming back for a week.

Also the twist at the end makes no God damn sense and I'm not even gonna dignify it.

A better tragedy would've been his friend, Mick, getting into trouble for the murder after refusing to ever stand up to the MC. Or even the MC being betrayed by him last minute for him to learn how his shit behavior really screwed him over. But the end result ended up being an unsatisfying mess. 2/10

I'll review the 4th's books with 5 and 6, since I'm sticking with a three at a time theme and because I haven't read 4 yet.

#fnaf #fazbear frights #fnaf books

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mirrorfalls · 4 years ago

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The Alchemist When He’s Full of Metal, Vol. 27

(Vol. 1, Vol. 2, Vol. 3, Vol. 4, Vol. 5, Vol. 6, Vol. 7, Vol. 8, Vol. 9, Vol. 10, Vol. 11, Vol. 12, Vol. 13, Vol. 14, Vol. 15, Vol. 16, Vol. 17, Vol. 18, Vol. 19, Vol. 20, Vol. 21, Vol. 22, Vol. 23, Vol. 24, Vol. 25, Vol. 26)

And lo, there shall be an ending.

A double-triple-deluxe ending. It’s never an easy prospect, giving everyone something to do in your Grand Finale, but the genre pretty much demands it - even when the finesse needed to juggle dozens of protagonists and deuteragonists in the same room have crushed countless otherwise-talented writers. On the low end of the scale, of course, we have our pick of any Big Two kill-a-hundred-C-listers-cripple-a-couple-more crisis crossover (which, adding insult to injury, never actually end anything apart from the fans’ patience), and on the high end...

... on the high end, this is a pretty good candidate.*

I suppose I’m cheating, since this particular Final Battle started anywhere from one to six volumes beforehand, during which everyone from the Armstrongs to the Curtises to the Xingese to Scar to Marcoh to Yoki got to contribute something. But this is where the not-my-our victory theme truly congeals. Here, a lesser writer would’ve decided everyone else has already done their part and relegated them to cheerleading while Ed pastes the Dwarf solo; here, Arakawa makes damn sure that you know Ed owes it all to the sacrifices of unambiguous friends....

... and supposed foes.

Now, in case you think I’m getting too gushy: I still think the Dwarf in itself is an underwhelming Big Bad, and its actual “death” scene is visually impressive but emotionally not too different from setting the week’s trash out on the curb. I’m also not too unsympathetic to those who came away from this scene deciding Truth is the real Big Bad of the series**, or that the true moral is closer to “Equivalent Exchange rules all... but there’s still a guy at the top who gets to rule on what Equivalent is.”

A point made all too clear by what comes after.

Don’t get me wrong - I love that Arakawa doesn’t let the Epic War story get the last word over the small, all-too-human quest the Elrics started out on. And Ed’s giving up all his powers (and implicitly at least 75% of his combat ability) is still refreshingly unique among Shonen protagonists, even counting those whose powers are literally lethal curses. But I really could’ve done without Truth suddenly deciding to like and approve of the kid like some kind of auxiliary sensei. Even if it’s not a cheat - and I don’t think the manga ever denies that every single Gate Exchange only happened because Truth let it happen - it drains quite a bit of ambiguity and hardship from a scene that could only have benefited from both.

And then you’ve got Mustang’s equivalent to the above:

Okay, so Mustang never willingly entered the Gate - it’s fair enough he’d get his eyes back with less fuss, and on top of that he doesn’t actually get to be Fuehrer. I’ve no complaints on that front, but I wish a bit more space had been devoted to the Ishvalans beyond “Bad Army Men out, Good Army Men make everything okay for you oppressed peons now!” In particular, it feels off for Scar’s final scene to be with the uniforms that wreaked so much havoc on his people; I’m not saying he should’ve turned his backs on them entirely, but tell me it wouldn’t have been more heartwarming to see him rejoining the other Ishvalan refugees, or even Mei and Yoki.

Speaking of heartwarming... okay, I don’t have the time or space to go into all of the different epilogue-threads, but I’d just like to highlight this one in particular, because more than any of the others it lands just the right amount of hope.

Selim is, in the final analysis, a Nina who was saved - an innocent child, involved in repulsive alchemy experiments through no fault of his own, now untangled from it all and allowed to live as freely as he can. And through him, Arakawa raises a question I’d been wondering a while now: why should Homunculi be so feared and hated on sight, to the point where Mustang and friends spend multiple chapters acting like the Fuehrer being a Homunculus should in itself be a career-ending scandal? Oh, the seven Sins have the whole stigma from the Dwarf, fair enough, but they can’t have been the only Homunculi in existence, else the secrecy of their existence would preclude Amestris even having a term for it; and hell, when the chips were down, one of those seven turned around and gave its life to do the right thing.

They can learn. They can change. They can love. Not for certain - but then, a child should never be a promise, only potential. Potential to go higher than the last generation ever dreamed - or lower than it ever dreaded.

And that, ladies and gents, was Fullmetal Alchemist.

Is it good? Definitely.

Is it great? In many parts, yes.

Is it the epitome of everything the Internet says it is? No - at least, not at the stage I read it.

I can say this without hesitation: if this had been my first or second or even fifth Shonen, devoured anytime during my school years, I’d almost certainly be a full-on stan today. It’s a machine with many, many excellent parts - maybe too many to build a properly excellent whole. You’ve got all the talent and ingredients for a first-rate fighting fantasy, or globetrotting political thriller, or horror-fable about the follies of playing God, or goofy-ass romcom, or heartbreaking war drama, or a half-dozen other storytypes. Perhaps a more seasoned author could’ve mined the strongest benefits of each while keeping them all in line; as-is, they compete with each other as much as they complement. I’ve lost track of how many times I’ve seen a perfectly poignant moment cut apart by an ill-timed joke, or how many many potentially interesting plot/character moments were either let down by insufficient worldbuilding or left dangling altogether.

(I’m told that 108 is some sort of sacred number in Japan, so I presume Arakawa had the total length mapped out before she even started the series, But as any author can tell you, no outline survives contact with reality; some characters might have been better off folded into others, some plot-threads trimmed altogether. I, for one, still can’t quite figure out why the heroes needed four chimeras turned to their side.)

At my current age, I suppose my eyes are a little too jaded, a little too impatient with (or worse, eager to point out) shortcomings big and small and subjective alike. But make no mistake: I don’t regret finally finishing this little epic, and if half my mutuals’ accounts are to be believed, it's just the start of the real fun to be had with the series.

Hi-ho, to AO3!

*The midpoints that come most immediately to (my) mind are Harry Potter, Gravity Falls, and Samurai Jack. Which stands atop which is an exercise for the individual reader.

**Y’know, there is still plenty of time for Arakawa to roll out a sequel series where our heroes fight actual God instead of a wannabe. ‘til then, let’s content ourselves with this.

#Lego reviews stuff #Fullmetal Alchemist #It's done #FINALLY DONE #Now I just need to read the remaining 20 Discworlds #And give that Chinese Necromancer drama a look-see #And... and...

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