#there's a reason this didn't get written

[vanasartis]

@WIP game

Hi @nashibirne, happy about your ask! Hier ein kleiner Ausschnitt aus “Kylux Wiedersehen”. Spoiler: Es geht um ein Wiedersehen, und es geht um Kylo und Hux ^^

[Was war da bloß die Vorgeschichte? Ah ja, da geht’s um den Satz von Snoke am Ende von The Force Awakens, dass Kylo „sein Training beenden“ soll. Kylo kommt also zurück, hat sein mysteriöses Training beendet und Hux denkt, dass Kylo ihn jetzt töten wird. Anscheinend wurde er nach der Zerstörung von Starkiller Base degradiert und rechnet täglich mit seiner Hinrichtung. Aber stattdessen...]

Es war ein trockener Kuss, seltsam keusch und in Sekunden vorüber. Ren löste sich von Hux, und ein winziges, verhaltenes Lächeln erschien auf seinem Gesicht. Dann verschleierte sich sein Blick, er beugte sich vor und bewies Hux, dass er nicht geträumt hatte – es war ein weiterer Kuss, den er auf Hux' Lippen drückte, unbeholfen, aber wärmer als zuvor, feuchter, neugieriger. Hux fühlte sich eingehüllt von einem überwältigenden Gefühl, Sehnsucht und Begehren –

"Kylo." Er legte die Hände an Rens Gesicht und schob ihn sanft von sich. "Kylo." Wie fein die Narbe jetzt aussah, fast wie gezeichnet, keine Spur mehr von der verkohlten Schneise, die das Mädchen in Rens Gesicht hinterlassen hatte. Hux konnte nicht aufhören, über seine Wangen zu streichen, es war wie ein Trick, mit dem er bewirken konnte, dass sich Rens Augen mit Tränen füllten. "Ich wusste nicht, ob du zurückkommst. Ich wusste nicht, was er mit dir vorhat."

Ohne Vorwarnung ließ Ren den Kopf an seine Schulter sinken, das Gesicht an Hux' Halsbeuge geschmiegt. Hux' Finger glitten in Rens Nacken, hielten ihn, und plötzlich ergab alles einen Sinn. Er lehnte die Wange an Rens Haar und dachte, dass er das seit langem hatte tun wollen.

Ren presste sich näher, seine Arme um Hux' schmale Hüften. Seine Umarmung war so unbeholfen wie seine Küsse, und Hux verstand, dass all das neu für Ren war. Dass diesen einsamen, grausamen, schönen, verzweifelten Jungen nie jemand geküsst hatte. Nicht so, wie Hux es tun wollte.

"Kylo."

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[erinwantstowrite]

Speaking of your new and improved canon: what is the story behind Tony being somewhat chill with Bucky? Is he actually?

started writing LoF when i was being nostalgic for 2012 where the Avengers Tower fics were at its height of writing so in my world there is no divorce arc. I have no idea how to elaborate on that other than Tony having Peter around changed shit up because having a kid changes your world perspective a lot

[triglycercule]

oh yeah before i forget cute mttpoly headcanon because i said so: when killer finds out (through SOME way of means. he has his ways) that dust and horror like something then at every chance he can he goes and finds that thing for them :3 because I SAID SO AND IT'S CUTE ‼️‼️ (something something killer has no idea how to properly show affection and appreciation after believing his whole life was meant to cause pain and suffering to those close to him and now that he's trying he does silly goofy stuff like this hehe,,,,,,, dust is DROWNING in piles of fluffy blankets and books. horror cannot keep up with eating the amount of snacks killer keeps stealing for him 😞😞😞)

[likeabxrdinflight]

tired of early 20-somethings acting like harry potter was never good or had no value in its day like shut the fuck up half of you weren't even there when it peaked

[spop-romanticizes-abuse]

“c//a is like caitvi”

[rainbowsandwhumperflies]

The Winged Servant - 11

content warnings: vague medical care, narrator who does not realize he was a victim of violence, unreliable narrator who believes in the divine right of a monarchy, fantasy discrimination against angels, I swear this is actually much less political than these warnings make it seem

prev chapter | masterlist

The thing about angel wings was that humans didn't know much about them. Prince Ryan had done some research, early on, just in case, he'd said. From the look on this doctor's face, though, I didn't think she had done the same.

The other thing about angel wings was that I didn't know much about them either.

I wasn't an angel angel, of course. Not like the ones from the bible with eyes all over themselves, begging people not to be afraid of them. I was the type of angel that hadn’t been too different from humans, way back in the early days. Back when people paid egregious amounts of money for the ability to fly. Humans and angels were only separated by a surgery worth hundreds of thousands of dollars, still all called humans, until the scientists had learned to change the genetic code of children before they were born.

Wings got a lot less valuable once kids could be born with them. It didn’t help once people couldn’t control if a kid was born with them or not.

“Angels” was a nickname first, and it spread, although I never was sure if it was just the wings or if it was the idea that angels would come to the earth while the world was ending. It didn’t matter. Everyone thought that the world was ending, and maybe it had. But people still ate and slept and laughed and cried, and the world went on.

And once the angels started to show differences from humans, humans stopped caring to know about them.

I knew very little about my wings besides the fact that they weren’t the wings of a bird. Prince Ryan, while in one of his better moods, had explained some of it to me once. Bats were mammals, like humans—easier to attach, easier to maintain. Of course, the prince was human, and I was not, and I would never be able to have his level of understanding with matters like these.

There were humans in this castle, though, that also didn’t seem to have his level of understanding.

The doctor that Kieran had brought me to had taken one look at me, smiled politely, and left me alone to talk to Kieran outside the door. “Just stay put for a minute, sugar,” she’d said, voice strained, a southern accent bleeding through her words as she left me to avoid eye contact with the guard who’d had to help me walk down the hall.

Her voice was less strained when she’d returned, but she still didn’t seem pleased that I was there. I shrunk back onto the cot I’d been left on.

“Onyx, Ma’am.”

“Alright, Onyx, that’s good. Do you mind telling me what happened to your arm?”

“It got hit by a sword, I think, Ma’am.” My memories of the night before were hazy, but it was a sword, right? My arm had been… it’d gotten hurt when we were in a hallway, in an endeavor to get us out of that hallway. And Prince Cardan had pushed me in the way. Maybe.

“Mkay. Looks like you got lucky and it just nicked you, hun. Won’t even need stitches. I’ve just gotta disinfect it and bandage it. Would that be alright?”

I nodded jerkily, not expecting the question. Prince Ryan had told me what he was doing to me, sometimes, but not like this. Dr. Charlotte had been smiling the whole time, soft and kind. Prince Cardan smiled at me sometimes, but it was always due to amusement on his part. Of course, that was his right, because I was a servant, but Dr. Charlotte had been smiling as if it were for my benefit. She’d asked before touching my arm. That wasn’t… how people were supposed to act about angels and servants.

“I’m afraid I can’t do much about your wing, sweetheart,” she said once my arm was bandaged, and I nodded. I’d expected that much. “I haven’t ever worked with angel wings before, and I wouldn’t want to make anything worse because of my lack of experience. But I can find someone who knows more about it, alright?”

I nodded. Dr. Charlotte seemed like the type to tolerate questions, probably. “May I ask a question, ma’am?”

“Sure, hun.”

“Why do you want to fix my wing?”

She blinked, and then laughed lightly. “Well, I’m not quite sure what you mean. I mean, I think everyone should get medical assistance that caters to them. You don’t mean to give up on that wing just because I wouldn’t know where to start with it, right? We’ll find someone else. Do you not want it fixed?”

I frowned. “Good servants don’t have wants, ma’am, other than serving the royal family. Her Majesty has always had my best interests in mind, including when my wing was broken to prevent me from flying. And I don’t have a preference, of course, but I don’t know if she wants it fixed.”

“Her Majes- Are you talking about Lucia?”

“Yes, ma’am.” Dr. Charlotte’s willingness to refer to the queen with her first name was dangerous, to say the least, and I tried not to let my heart rate spike.

“Okay, well, I’m not sure if she mentioned this to you, but she hasn’t ruled a country for the better part of the last decade. Last night was a pitiful attempt to get the country back under her control. Bless her heart, she might have actually believed it would work.”

I stared at Dr. Charlotte. I wasn’t supposed to contradict the things said by people who ranked higher than me, which included everyone, but holy shit. Holy shit. Talking about the queen that way was treason of some kind, without a doubt, and also flat out wrong. Sixteen generations—the monarchy had been theirs for sixteen generations. “Are you sure you aren’t misinformed, Ma’am?” I settled on eventually.

“Quite sure. Have you ever actually seen Lucia with any of her subjects?”

No, but I wasn’t a traitor and I knew that I was supposed to take the royal family’s word on things. I was a good servant and I would act accordingly. Except-

Except I had just left a room of the entire royal family, tied up together. Except we had murdered three guards to get into this castle, and we’d lived in a house with three bedrooms. Except that the royal family had a total of two servants working for them, and neither of us had been allowed to leave the house.

“Her Majesty’s family has been ruling the country for sixteen generations,” I said weakly.

“Yeah, well, no one wanted Lucia to rule because she’s a dick and hates everyone. So we did something about it. I can’t get you to start hating her—that’s up to you—but you should probably know the facts, and the facts are that she’s not a queen and she never will be again.”

And that was- not my decision to make. Nothing was ever my decision to make. Of course political affairs like this wouldn’t make sense to me; I was an angel and a servant, and my only job was to do what I was told.

That was what Prince Ryan had said, even. Do what they tell you. Don’t get hurt. Even if this Dr. Charlotte was wrong about things, I was supposed to do what I was told.

“Hey,” Dr. Charlotte said softly, and I glanced back up at her. “I’m sorry for overwhelming you, dear. Now that your arm’s all fixed up, Kieran’s got some questions for you, if that’s okay.”

Do what they tell you. Don’t get hurt.

“Yes, Ma’am.”

~

Taglist: @kaleidoscope-of-thoughts @toyybox @rainydaywhump @risk606

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.

[filmmakerdreamst]

They get it

[lowstakesvampires]

in which a language barrier has the new kid accidentally naming his new friends

[annastrxng]

DO NOT STEAL MY ICONS. I swear on all that is HOLY!!!!!!!!!!!!!!!!!!!!!!!!!!!! I am so fed up. This is also why I am marking some of my graphics un-reblogable.

[pianapplez]

Hello there 👋👀,

So I just found your blog and had a lot of fun scrolling through all the pjo show crit😂 I couldn't help but notice that one tag you left on a post where you said you had some beef with Annabeth's portrayal in the books 👀 Would you mind elaborating on that if you're comfortable with it🙈? Because I absolutely share that sentiment, but it's sooo veeeery rare that I see other people express anything like it... I've found that trying to be a part of the fandom can be pretty alienating most of the time, if you're not exactly the biggest most devoted Percabeth shipper...😅 And often any criticism leveled at Annabeth just gets you a smack with the "internalized-misogyny" hammer... it's even worse in the tv show now due to... obvious reasons...

Again just if you're comfortable with answering of course🙈 There is a reason I stayed on anon after all...😅😂

Really glad you asked because i finally get to ramble about this heheheh (going forward, know that i skimmed over The Last Olympian to have a clearer sense of what I meant because that's the book where Rick fumbles her character more than the others)

i'm gonna try to make as much sense as possible but short answer would be, she's underdeveloped. Long answer:

She really got on my nerves in the last two books, with the whole Rachel debacle and then the Battle of New York. I can't really remember a single moment in those books where she and Percy aren't bickering or having heated discussions, which really made me question their friendship status. Of course, it's not like friends can't fight and it obviously builds up the (romantic) tension between them, but it got unbearable at one point.

I understand she's a teenager in an incredibly stressful situation that didn't even get to have a normal upbringing- she grew up way too fast (run away at 7, head counselor at 12) while also not really maturing, which is not a problem for a character, if it is handled properly. Given the fact that I am writing this, Riordan did not.

On the surface, my biggest beef is that Annabeth is not exactly held accountable for her actions (ie. treating Rachel a bit like shit and going off on Percy for a bunch of stuff.) I know Percy is to blame a bit here: as far as we know, in TLO he basically cuts the greek world out of his life as much as he can as a coping mechanism. And while yes, he never apologizes either, he doesn't give her nearly half the hard time she gives him: always either giving him the cold shoulder (there must be at least one example of this in the entire series but i cant be bothered to look it up sorry) or starting an argument only to then storm off (see the "you're a coward, Percy Jackson!" scene, which is not the fairest example since she was confronting Percy about ignoring camp but also was a bit too harsh about it) (especially after finally reading the prophecy and being under the impression that he was absolutely going to die when he turned 16 lmao) or just straight up storming off (see, Annabeth reacting when Rachel shows up for the first time during the battle of new york). While most of these feel, at least to some degree, fairly justified given how the entire situation does an absolute number on her emotions, she comes off a bit brattish and like she's trying to rile Percy up, especially when it comes to Rachel, which in the context of a battle that could mean the destruction of the world.... Well, it reads as a bit childish to me, and i wouldn't exactly have that much of a problem with it if it was dealt with in some way (a two-way apology would be nice).

After that first impression, i realized that Annabeth is barely ever anything else other than a plot device (when relating to Luke) or a love interest (when relating to Percy). This might be because the books are on Percy's POV. Hell, on the third book he's even conflicted when Annabeth is considering joining the Hunters of Artemis, aka, when making a choice for herself would mean he loses her (which is fine and dandy but it feels like Percy is more upset about her choosing her own path rather than being sad about not seeing her as often); we really only get a few glimpses of her, as in, actually her when she's on her own.

Obviously it's impossible to talk about Annabeth without touching on percabeth, which also is, in my opinion, what hinders Annabeth's character the most. On paper they sound great. The guy whose fatal flaw is loyalty falls in love with a girl whose been let down by people over and over, and she decides to never give up on the boy whose always had people give up on him (can't find one of the million posts that talks about this right now but it always goes something like that) And yeah, the bickering is really well written! But that's literally as far as it ever goes: they don't ever seem to have fun together, because 8 times out of 10 the bickering ends up being passive aggressive, and mostly done by Annabeth. My biggest gripe about percabeth is that their friendship seems to be based off... shared trauma. Literally. Other than going on quests together we are given no examples of them hanging out, nor a reason why they would want to spend time together in the first place, not even a shared hobby. Yes, in the fourth book they had a movie "date" planned but of course they didn't even get to it, and surprise surprise, they had a minor discussion, and surprise surprise, Annabeth was passive aggressive again. It's hard to picture them having fun together when even the author doesn't write in any scenes in which they get along smoothly (and before you say anything, a scene in which they get along where neither of them is about to die, and they're not talking about previous adventures. Gets a bit hard then, doesn't it?) It's even harder to picture them as a couple when the moment she gets upset about something, she starts coming off as emotionally manipulative (see, again, literally any conversation with Rachel or about Rachel)

To be fair, the books are relatively short and don't allow many "filler" chapters, if you will; there's always something happening to keep the main plot or a minor plot point moving forward, but it's not like there is no room to develop the characters' relationships, especially when we're talking about the main char and what is essentially his endgame. As an example we have Percy and Clarisse, or Percy and Beckendorf. Their interactions are brief but still hold so much weight.

Worst of all, Annabeth could be one hell of a character; what's most interesting of all is how being a daughter of Athena she is still incredibly emotionally driven, which is displayed very clearly with her fatal flaw being pride: her telling the Sphynx that her questions were too easy was not smart nor strategic: it was completely impulsive. I seriously think she wasn't far from being the best character in the series had she been given more time.

I guess i have as much beef with Annabeth as i have with Rick for doing her dirty. I really could sum this up with: while her emotions are justified, she acts upon them quite poorly. And this is what i mean when i say she's underdeveloped, because it would've been nice to see her come to her senses a bit.

Would love to read anyone's opinions on her character though, feel free to comment, even (or especially) if you don't agree with me!

[mulletmitsuya]

random tokrev rant ahead !!

when i first started this blog it was going to be for random shitposts, groupchats once in a while, and mostly tokrev analysis but i was so scared of discourse that i just chose to do the funnier stuff 😭. when tokrev was at it's peak i'd be reading 20k+ words of analysis and it was so fun!! but i felt like i couldn't word what i wanted to say properly so that discouraged me but i wish i'd ignored that because there would have been at least one person who understood what i was saying yk?

[mysteriouslybluepirate]

Can't send asks from my sideblog, but this is @chewing-the-drywall

I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.

Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)

100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.

This season had so MANY ideas it wanted to touch on.

Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.

Notice, I've said all this and we're not even at our romantic leads.

Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-

[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.

What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).

Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.

A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?

I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.

Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.

This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.

The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.

[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]

Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.

When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.

I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.

In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.

Imagine if we had a one-week off-screen time skip between episodes 4 and 5.

Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.

THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.

Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?

Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.

It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.

Overall.

My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.

Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.

When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.

At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.

Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.

Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!

Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.

Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.

Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)

Do you agree, or disagree? Leave any lingering thoughts down below!

I'd love to chat down below.

[pianokantzart]

Pardon me/ignore if this is too personal but you mentioned you have siblings before so do they share your love of the Mario bros? Or do you have a Mario and Luigi sibling type of relationship with them?

I'd say I have a Mario-Luigi type relationship with my siblings... my big sister in particular. My youngest brother and I better resemble Uncle Arthur and Uncle Tony: a chaotic, utterly unfunny improvisational comedy duo.

I've got one other younger brother, but our relationship is unusual. He has a few intellectual disabilities, so our verbal communications are limited to repeating a narrow selection of scripts back and forth. He does have a Mario & Luigi shirt that he wears a lot though! I told him I'm a big fan of it, and he seemed to appreciate the sentiment.

Unfortunately, I'm the only one who has a truly deep interest in Super Mario Brothers (my sister and youngest brother have what you might call "a healthy relationship with media.") My sister knows about my hyperfixation and is firmly in the "I don't understand but I support you! 👍" camp. I try to keep the rest of my family out of the loop. My tendency to hyperfixate has gotten more and more embarrassing to me as I've gotten older lol... don't ask why. I couldn't answer that question if I wanted to.

[freshtomatoesddd]

Everytime Taigen is on screen I get a headache. I wish I was lying.