#there’s nothing after the colon because nothing would change

[spop-romanticizes-abuse]

i just came by this post and i had to address it.

wow. that is a controversial take. and an objectively incorrect one.

i'll just preface this by saying that i'm not satisfied with arcane's finale either. i think it completely went against its own message in the end, and a lot of the arcs were resolved poorly.

but this take is still wild. let me break it down one by one:

there's nothing wrong with the "power of love/friendship" trope. the only problem is that

1. spop entirely focuses on romantic relationships. fuck familial relationships, fuck platonic relationships, the only thing that matters is romance.

2. most of the ships are either forced with no prior buildup or straight-up toxic.

horde prime as a whole was a poorly written villain who was only introduced because catra and hordak were "redeemed". that alone makes the entire finale weak, because horde prime is not as much of a threat as catra was. he's just a placeholder.

i'm convinced that the only reason they introduced the failsafe and the heart of etheria was because horde prime wasn't intimidating enough to keep the audience captivated.

mara convincing adora to stay alive would have been a touching scene if the message wasn't that adora should date her abusive sister.

i'm sorry, did we watch the same show? because how the fuck can you say that catra is no longer abusive after her redemption after watching all of this???

oh yeah, catra pushing adora to the ground and guilt tripping her for trying to save the world wasn't abusive at all. catra constantly screaming at adora for the smallest reasons isn't abusive, that's just catra's little quirk! /s

you would have to be blind to watch all of these instances of catra continuing to abuse adora, and still think that she has changed.

caitlyn hit vi with her rifle, yes, and I'm not going to defend that at all. i agree that it was completely unwarranted, regardless of her reasons. but caitlyn's actions are nothing compared to catra's.

you can love or hate caitvi, i literally don't care. but you can't hate caitvi for being "toxic" while acting like c//a is a healthy ship.

“catra ceased all intentions of being enemies with adora & glimmer and learned to love & fight for etheria”

oh yeah, that's why she kept taking jabs at the princesses and bragging about how many times she has defeated them. that's why she never apologized to glimmer for killing her mother, or to mermista for colonizing her kingdom. oh wait, mermista was very conveniently chipped so that poor catra wouldn't have to deal with all that, right?

let's be real, the only reason catra sided with adora was because she literally had no other choice. she was backed into a corner. she wanted to work for horde prime but since he was willing to throw her out, and the original horde was in shambles, catra's only choice was to join the rebellion. she does not care for the princesses or for etheria.

“catradora never had a power imbalance and fought pretty equally”

this just made me laugh. did this person even watch the show? catra had power over adora 90% of the time.

there were very few instances where adora had power over catra and usually in those instances, catra would attack adora in some way to bring her beneath her.

again, i have my complaints with caitvi. i don't think it's a perfect ship and i'm not going to defend the shitty parts of it. but catra has literally used every single type of abuse on adora - physical violence, emotional manipulation, gaslighting, guilt tripping, kidnapping, attempted murder, victim blaming - and y'all still think that caitvi is worse? be fucking for real.

five seasons isn't enough screentime to wrap up arcs in a satisfactory manner? come on. spop had plenty of time, the writers just didn't plan everything out. they absolutely did not make the most of what they had to work with.

they had 5 whole seasons and still decided to shove catra's redemption arc into the final one, completely rushing it and for what? so that adora had someone to smooch?

the conflict between glimmer and adora could also have been handled better. it was a complex situation, especially considering how catra and shadow weaver was the ones driving them apart. it shouldn't have been solved with a simple “i'm sorry, everything was my fault” and “lol it's okay we good now” like???

again, i'm dissatisfied with arcane's ending. i think a lot of the character arcs were sabotaged and there was too much going on in general.

but i don't think anything can compare to the character assassination in s5 of spop. everyone magically forgot about catra's crimes and forgave her; capable characters were suddenly incompetent and foolish so that catra could shine; and adora, who had completely moved on from catra, was now once again catra's doormat.

you can criticize arcane if you want but this post was just stupid. spop's final season was just as bad, if not worse than arcane. at least arcane managed to write a believable redemption arc for jinx within those 9 episodes - something spop couldn't do with five whole seasons.

[fullmetal-scar-simping]

This image perfectly articulates why most "Ishvalan Elrics" AUs are trash.

You know someone's grasp on racist systems are total dogshit when they make "what if we changed nothing else in this story about racial oppression but instead race swapped the racial majority/white characters to the oppressed ethnicity instead" stories. Classic "what if Indigenous people from [insert European-colonized lands here] colonized Europe instead? 🤪" type of crap. Or "What if the anti-Nazi resistance attacked a Jewish Nazi collaborator? Wouldn't that be fucked up on the part of the resistance?"

So Ed's Ishvalan now. Ok. Still grew up in Resembool? Alright, how would he have been treated by the Amestrian villagers? Given the blowback the village suffered due to Amestris' occupation and its destruction of Ishval, do they share a similar (racist) point of view to canon White Ed? Does Ishvalan Ed still blame Ishvalans for that too? If so, why? If not, why? Does he still think that the minor harm Resembool suffered (which is still Amestris' fault) compare whatsoever to full scale occupation, genocide, and ethnic cleansing? If not, why? If so, why? Why would he tamper with alchemic taboos given potential changes to how he was raised (for example, an Ishvalan Trisha may not have encouraged her boys to practice alchemy whatsoever)? And given that he has automail in the above image, meaning he does try to remake his mom, why then would Ishvalan Ed even consider becoming a State Alchemist to restore himself and Al? Would he even be allowed to join the military after the State disbarred, imprisoned, and executed serving Ishvalans? How hyper fucked would """good guy""" Mustang have to be to see a newly amputated Ishvalan child and think "Yeah, I want them to suffer within the military that wants him dead." How would Ishvalan Ed react to other Ishvalans, especially after learning the depths of the horrors that had been committed against them?

It's already clear that the majority of Ishvalan Elric AUs, particularly those that change nothing but their race, cannot grapple with any of these questions. But Scar here reveals the heavier racism within the fandom.

Scar is shown here attacking Ed no differently than he would the white child soldier of canon. Why wouldn't his tact change in response to encountering an Ishvalan teen being exploited by the State? Why would you race-swap this scene to instead depict Ishvalan retribution against an Ishvalan, with the implicit sympathy framed towards the Ishvalan fascist child soldier?

Why does this fandom so ardently believe that Scar's actions were so unprincipled?

The ugly truth that we see throughout the fandom is that people not only revile the violence of resistance when enacted by the oppressed, but they specifically buy into the propaganda that resistance fighters/revolutionaries, notably those who are also racialized and combatting that axis of oppression, are actually mindlessly violent monsters who simply conduct wanton violence in every direction, their own people be damned. And mangahood's canon already villainizes Scar this way, so the fans simply extend it to these stupid fucking Ishvalan Elrics/Riza/Mustang/every other Amestrian under the sun AUs.

To this fandom, Scar is just violent for violence's sake, an out of control 'terrorist' who would murder a random Ishvalan infant without a second thought if he found a state alchemist's watch clutched in their hands. And what's more, he doesn't get the extremely dubious 'benefit' of the "shoot and cry" excuse that the light skinned fascists get in canon.

Those soldiers don't need redemption arcs because despite how many Ishvalan children they slaughtered, they already felt sad about it. But Scar in an Ishvalan Elrics AU ala the drowned post? He wouldn't shed a tear if he inexplicably attacked an Ishvalan kid. Because "both sides".

[solaseffect]

society if i ever actually posted art on here :

[seiwas]

₊˚⊹。these traces of love, they outline you | gojo satoru

wc: 12.9k

summary: the 5 times gojo’s sure you’ve changed his life + the 1 time he hopes to change yours. 

contains: f!reader, pronoun she, 18+ nsfw (not super explicit but the act is there), symptoms similar to synesthesia, reader’s cursed technique, sparring, drunk call, pet names (cutie, silly, pretty, baby, loml), nervous feelings, tummy ache, food descriptions, surprise appearance of one character, emotional tears!!, internal thoughts and insecurities.

a/n: primarily in gojo's pov! & best read if you’ve gone through the other parts in the series! (lots of callbacks and references + better context!), lots of songs as inspo (would gladly share if you’re curious!), will add descriptions for the food in the a/n at the bottom!, from conceptualisation to actual writing this piece is my baby!!

collection masterlist: conversations on love +04b (extra). if you're ready (let me) <- you are here

MINORS PLEASE DO NOT INTERACT.

Gojo thinks he might pass out. 

There’s a feeling of unease sitting deep in his gut, nervous and gurgling. His hands have always been restless and fidgety but never this sweaty, and his head feels like it’s floating—even more than that first time he attempted a 24-hour stint on keeping up Infinity. 

It’s eerily quiet in his office as he waits for your meeting to end, the white colon on his digital clock taunting him as it flicks on and off—16:27. 3 more minutes until you finish. 

He paces around the room. 

Attempts at any distraction are thwarted when everywhere he looks, he’s reminded of you. There’s a photo hanging by the door, the mix-and-match of couch cushions in varying hues—all souvenirs you’ve given him from places you’ve been to. The coffee table books hold your touch too, and as he runs his hand over his face. he’s hit with that signature scent, clean and subtle from the hand cream you use.

Waiting in his office today has been absolute torture, but what’s made it more excruciating is the fact that he knows you’re aware of absolutely nothing.

To you, this is just like every other Friday. 

You’d done your usual morning routine, kissed him on the nose with the promise to meet him in his office after work, as you always do. And it feels like a big joke when he thinks about it now, because while he’s been on edge this entire day about it, you really have no clue what’s coming. 

To him, this could change everything with you. 

He’s been feeling it for a while now, the ripple effect of loving and being loved by you—how he can recall every time a single drop of you has shifted something deep within him, marked and colored you. 

There’s not a lot that Gojo wants now that he feels like he truly has it all, but when he thinks about all the times he’s sure you’ve changed his life, he hopes that with this one thing, he can change yours. 

.

.

.

1 — UNDER YOUR TOUCH, WHEN IT GETS TOO MUCH

The weather today is good—sunlight peeking behind cloud pillows and the occasional gust of wind passing through the space you’ve put between you and Gojo. It’s neither too humid nor too dry and though Gojo does get the occasional sniffle from his pollen allergies around this time, he'd woken up earlier completely fine. 

So, the weather today is good, perfect even, for a brush-up on sparring practice. 

You’ve kept a sizable distance away from him since it started, and every attempt he’s made to draw nearer, you’ve only moved away farther—a push-and-pull, an old dynamic that shows itself in the ways you engage in battle.  

Gojo’s hands stay tucked in his pockets, his stance one you know perfectly well as relaxed but still guarded. He’s gotten a lot bulkier than the days you used to spar often, the past few years having filled in all the areas of what used to be slim, lean muscle. He doesn’t move because he knows the style you fight with, how you stay on defense until your opponent charges, utilizing their own strength against them. 

It’s the only way you’ve managed to win against someone as deadly as Gojo, equal-parts lethal in speed and strength. 

So when a cluster of clouds passes by and the sun glares directly into your eyes, Gojo smirks, then bends his knees as he lunges for an attack.

Your senses are sharp and reflexes quick; in the split second that a white-and-black blur appears before you, you attempt a high kick, only for it to be blocked with his forearm. He uses his other hand to twist around your ankle, trying to flip you over, but you see right through his motives. You huff, furrowing your brows as you narrowly escape, slipping your ankle out before he can fully grab a hold of it.

Most of this practice has felt like a stalemate, with the both of you waiting on the other for the most part of the hour. Gojo can see how it’s wearing you down, this entire thing being dragged out, and if he’s being honest—this is exactly what he wants.

Sparring out here with you today, while still meant for actual training, is also just an excuse to do this for old time’s sake—the way you huff and frown, jaw clenched as your fists ball up tightly like you’re doing right now.

He kind of misses seeing you like this, impatient and frustrated, so unlike the tenderness you always regard him with. 

A smile threatens to form on his lips, and he bites it back down. 

You only ever get like this sparring against him. 

The tension breaks when you decidedly throw a punch; it’s a desperate attempt to get the fight moving but he ducks, arm securing itself around your waist as he locks your hip with his. Before you can even comprehend, your body is lifted across his back and lowered down to the grass below—the only thing in sight being two blue skies, beaming at you. 

Somewhere during the commotion, he managed to remove his blindfold, hair let loose, fluffy and white almost like the clouds above you. Gojo isn’t taking this seriously at all; he’s way too soft, having cushioned your fall by carrying most of your weight instead of throwing you down like anyone seriously sparring is supposed to. 

He doesn’t care though. All he really wanted this afternoon was to reminisce with you. 

You’re kept underneath him, one of his arms remains wrapped around your waist while the other cradles the back of your head—and it’s there, that frown on your face, that pout he’s witnessed for years evolve into what it is now. Beads of sweat collect at the crease between your brows, your temples tensing as you breathe out. 

Gojo at 17 would have teased you relentlessly for this, but he feels different now, warmth settling in his chest as he stares; he can’t help it, the words coming out of his mouth—

“You’re so—”

But he doesn’t even get to finish.

Everything around him blurs, green and blue blending in motion before he finds himself on his back, completely flipped over. He’s met with the sight of you, smug smile pulled wide with your hands resting on his chest. And his heart—

Can you feel it under your fingertips? How it’s beating a mile a minute? 

A shiver runs down his spine, the pinpricks of grass tickling the nape of his neck. The shock is tingling, his eyes fully open as he processes what just occurred. 

In the lapse of time he’d been a little too preoccupied staring at you, you managed to inch your leg to wrap around his, locking it at the last minute to flip him over—it lands you where you are now, on his lap, straddling his hips. 

“Sneaky,” he gazes fondly, grin teasing.

You catch your breath, “Do I win?” 

“Only because I let you get too close this time.”

Which is a lie, he knows, because having you near him like this, with some form of touching—you could never be close enough.

You roll your eyes, his fingers grabbing hold of your thighs. The grass pricks at your knees through the fabric of your leggings, and Gojo knows that if you stay like this any longer, it’s going to start to itch.

“Did I hurt you anywhere?” you ask, already assessing him for any point of injury. Your eyes go over his face before trailing down his arms, rarely exposed today in his black compression shirt.

“Yeah,” he pouts, pointing to his lips, all pink and puckered out, “kiss it better?” 

Asking for this is against his better judgment, he’s aware; with the way you’re situated on his lap, this could escalate into something else entirely. You shake your head, swatting at his chest. His grip on your thighs loosens as you get off him, but the curl of your lips is extremely telling. 

As you stand up to dust your knees, Gojo gazes at you fondly. The sun hides behind you from where you tower over him, but the halo effect around your head is just as blinding. 

“Lie down with me,” he pats the space beside him. You quirk your brow but follow anyway. 

He requests, not asks, because the weather today is good, and it’s making him a little bit sentimental, remembering earlier days with you. 

You lie down, positioning your head to align with his. And for a few moments, Gojo doesn’t speak, just looks at you once and smiles before turning to face the sky, hand placed behind his head as he sighs. 

You do the same for a while, this shared silence warm and just right. 

“So rude,” he jokingly tuts, “interrupting me while I was talking earlier…” 

“You shouldn’t have been so distracted then,” you tease back, sneaking a glance only to lock eyes with two skies. 

He wonders if you can tell—how he’s always looking at you in the stolen seconds before you notice him. 

“Well, you shouldn't have been so distracting then,” he holds your gaze. 

It’s incredibly cheesy but a part of you still feels like melting—he sounds so sincere; no lilt, no tease, no Gojo-typical flirting laced into it. 

You scrunch your nose, shifting on your side to face him, the arm used to support your head now resting against your cheek. He follows, taking one last look around him before turning to you. His other hand rests on your hip, fingers splayed out while his thumb draws hearts on fabric. 

You reach for him. 

The gesture is small, just your finger running across his cheek, but it nudges something in him—a memory of you and how you’ve always touched him like this: softly, kindly. 

“Remember when you used to do this?” he takes your hand, long and lithe fingers wrapping around yours as he guides them over his ear. 

Your eyes widen in recognition and he blinks, taking you in as he stares, “Wanna do it now?”

Concern reveals itself in the furrow of your brows, “Is it hurt—”

“No,” he chuckles, already knowing what you’re about to say.

The last time you did this for him, he didn’t even have to ask. One look and you knew—it’d been the night of his final conversation with Suguru. His skull-splitting migraine ensued after bickering with Shoko on what to do with the body. You were there; you heard everything, and when she gave up arguing and left, there was only one thing you could do. 

With his head on your lap by his office couch, you tuned out the sounds. 

He doesn’t prefer you using your cursed technique this way; it takes a considerable amount of your cursed energy to focus its effects solely on another body—and frankly, it’s a waste of time for you to spend all of that on him, at least in his opinion, personally. 

You’d struggled a lot with your technique back in high school, having to learn how to fully manipulate different sonic hues: white noise, brown noise, any and all of it in the entire spectrum. Being able to amplify, distort, reduce, and isolate them into their respective hues covers only the bare minimum when it comes to understanding your technique.

It’s tedious work, and when one of your senses holds so much more power over the others, the information that flows through it can be overwhelming, overloaded even. Sorting through all that noise—he gets it, gets you, and how it must hurt too. 

And yet you, at 17, still figuring out how to grasp it all, came knocking on his door when you noticed he hadn’t come for dinner. Quietly, you placed your hands over his ears and selflessly offered your discomfort for his relief. 

The first time you did this for him, you’d only heard of his migraines from Shoko. You witnessed it yourself when he opened his door and looked so unlike himself: blindfold secured tightly but haphazardly, strands of hair sticking out oddly; his room seemed to be blacked out completely. 

Gojo Satoru is no stranger to sensations beyond what any human should be subjected to, but when you laid your hands on him that day, cursed energy tickling his ears as it flowed through your fingertips—he’d never felt more normal, more human to be able to hear things without conjuring a visual of it. 

It’s almost like you silenced his mind—enough to hear himself, and you, and the buzz of the white noise you’d amplified to flow through him in his blacked out room. 

You’ve gotten a lot better at controlling it now, the task in itself barely causing you any ache or struggle at all. 

“Just like old times,” he nudges you. 

So you keep your hand where he’s left it, covering his ear with your palm as your fingers rest on his temples. Cursed energy flows from your touch, all sounds drowning out. 

He keeps his eyes on yours, watching as your expression shifts with every sonic hue you focus on—an upgrade to your abilities the more you’d gotten the hang of it. 

You concentrate hard for white noise, creating your own mix to emulate radio static, transitioning out to green noise the moment you highlight the sound of birds chirping. Then, you ease it to brown noise, intensifying the soft whistles of the wind to mimic it. 

It’s weird how sentimental he’s been feeling lately—without any trigger or anything, but the more he leans into your palm, the more it gets him thinking. 

Touch had begun as extremely foreign to him—a god revered and valued but never really truly loved, untouchable with infinity, and the pedestal he’s always stood on. 

It was never supposed to be important to him. 

Until you. 

From your kindness that first day, and the many more that followed: of fingers brushing and hand-holding to breaths mingling and bodies moulding, moving—you’ve always touched him in ways no one else has, in places no one’s been able to reach. 

And if it wasn’t important then, completely foreign, it’s important now, so much that he looks for it everywhere, all the time, even. The way you scratch the short bristles of his undercut, fingers dragging down to the nape of his neck; the way you tap his collarbone thrice, run your fingers across his lip, and intertwine your fingers with his at random. 

When Gojo thinks about your touch, he thinks about how gentle it is, with intent and purpose. How it’s always been careful for him but never of him, and that’s made the biggest difference. 

He blinks, and you follow two times, focusing on him. 

All he hears is a heartbeat now, a little too fast to be at rest, but still steady and grounding—

The way he feels when he’s with you. 

Whether it’s his or yours, from your cursed technique or just the blood rushing in his ears, he knows this is pink noise, the one you’d so excitedly shown him when you first mastered it. 

The pink noise that resounded all throughout his twenty-somethings, when he first realized that you meant more to him than what you were. 

.

.

.

2 — WHEN YOU CALL MY NAME

The bed feels cold tonight. 

Gojo’s been staring at the lights on his ceiling for the past 30 minutes, and though his pillow is cool and blanket soft, he’s wide awake—nowhere near falling asleep any time soon. 

He shifts to the side, the space beside him taunting, empty. 

He misses you. 

For the past week, you’ve been off to a much-needed girls trip with Shoko and Utahime. He’d even offered to pay for the entire accommodation—to which you and Utahime declined, while Shoko shrugged, crossing her arms as she snorted, “If he really wants. At least he’s being useful.” 

You’d compromised and agreed that he could pay for an evening out in some nightclub. 

Now, he regrets it. A little bit. Maybe. 

Gojo’s bed is big, a king-size that fits the height of him and all his long limbs, and while it’s comfortable and spacious–supposed good things–he feels anything but comfortable in how spacious and vacant it now feels. 

He turns to the other side, facing his sidetable instead.

The digital clock reads 01:17 and he sighs; you still have a few days left. 

The next time you bring up being away for this long, he’s going with you. Even if he has to spend the entire day on his own, he’ll do it—as long as he gets to end it next to you. 

If he’s really thinking about it, nothing’s stopping him from teleporting there right now. He could hop in quick, give you a hug, hopefully a kiss, and maybe even get lucky if you allow him to steal you for the night. He’ll teleport you right back in the morning and it’ll be like you never left, even. 

He could do it. You can never resist him when he gives you his googly eyes. 

If you’re already back from—

Bzz bzz. His phone vibrates. 

He reaches for it over his night stand, instantly sitting up once he reads that it’s from you—the nickname he just recently changed your contact to. 

(It was always just your name, simple and straightforward, easy to find; when you return, he’s probably going to change it back because you prefer it that way—for safety purposes and everything.

But while he still can, he’s going to keep it like this: a petname with an obnoxious string of emojis that he associates with you.)

1:20 a.m. 

cutie 💞🥺☁️🌸✨

> satoourur are u awaeke??

The corner of his lips curl up, endeared at the image of you hunched over your phone, fingers slipping as you clumsily press the wrong letters. So cute. 

1:21 a.m.

< yes cutie? ( ˘ ³˘) 💕

1:21 a.m. 

cutie 💞🥺☁️🌸✨

> casll?

He stares at it for a good minute or two, trying to decipher this rare, drunken code from you. But before he gets the chance to respond, your face appears on his screen, a photo of you he’d taken months ago, mid-chew special Daifuku.

You’re calling. 

He grins, biting his lower lip. His feet slip inside the house slippers by the side of his bed as he gets up, swiping his phone to answer before holding it against his ear. 

“Miss me already?” he teases, padding out of his bedroom.

“Satoruuu,” you drawl. Definitely drunk, if not tipsy.

Even like this though, Gojo aches when he hears you speak; there’s a twinge that pokes at his ribcage, making him wish he was right next to you.

The music around you sounds muffled, almost as if you’d stepped out just to make this call—another thought that makes him ache.

He walks down the hall towards his kitchen and stops, realizing: if you stepped out of the club, does this mean you’re alone? He trusts you can take care of yourself, but if you’re this inebriated…

“Are you with Shoko and Utahime?” he asks casually, attempting to mask his worry. His hand digs deeper into his pocket, shifting his weight to his other foot. 

“‘Nside,” you slur. 

You don’t actually sound that drunk, more sleepy if anything, really, but his heart still picks up pace. Maybe he should just go to you already. 

“You should go to them,” he urges, continuing his walk to the kitchen. 

“M’be later,” you sigh, and he hears a bit of rustling on your end—a soft curse and a small thud, “w’na talk t’you.” 

Another ache. 

He can picture it: you, in some sidestreet, phone clutched to your ear as you tuck your hair back before sighing, legs buckling as you clumsily drop down to sit. 

“Oh?” he lilts, eyebrow lifting. A smirk forms on his lips, head tilting as he wedges his phone between his neck and shoulder. He reaches for his refrigerator, “Got something to tell me, pretty?”

He doesn’t really know what he’s expecting you to say, maybe a recount of your day, or something funny that he’s bound to laugh at, whatever it is. 

“Just miss you.” 

He wasn’t expecting you to say this—

—in an exhale, with a slight tremble, like it’s been waiting to be let out. Vulnerable. 

There’s another ache, and he nearly drops the water bottle.

He should really just go to you.

His phone nearly slips from his neck, the thump of his heartbeat on rampage as he readjusts it.

He swallows, “I miss you too.” 

And it’s odd, how it sounds when he says it, a bit shaky too. A stillness settles in the room and it echoes off every kitchen equipment and countertop. He can’t even get himself to tease you for this one. 

“I can go there now, if you want,” he offers, almost a whisper, before attempting a chuckle. It comes out flat, tinted a little sad, “Blink twice and I’ll be there when you open your eyes.”

You giggle on the other end, and it fills him in this moment. 

When he looks around his apartment now, steel finish and walls accented black, the backsplash of his kitchen a grayish hue of iron—it reminds him of luxury fit for a bachelor, sleek in its utility. 

He’s lived here since his mid-twenties, and he likes how it’s designed, the colors and feel of it right up his alley. The furniture remains simple, modern and minimalist, filling the spaces of his open floor plan down to the two bedrooms and office space. 

But right now, it feels so empty. 

“Silly,” you chuckle, he can hear your grin forming, affection dripping, “my silly baby.”

Now his heart really aches. 

The subtle static makes you sound unreal, strung together by radio waves; it’s rare enough for you to call him ‘baby’, and for you to say it when he can’t even see or hold you while you do it—it’s cruel; a test of his restraint. 

He rests his back against the kitchen counter, arm coming across his chest to rest under his elbow, supporting the one holding his phone–you–by his ear. His teasing is softer tonight, tinged by yearning, so he hums, “Your silly baby, huh? Any chance it could be your silly ‘Toru instead?” 

The way he says ‘‘Toru’ is a pitch lower, slower, and exaggeratingly more seductive in his banter; it’s what you call him in bed, or by accident, and in the moments you find yourself needing him in ways he can only satisfy by being your lover. 

If you say it, he’s definitely going to teleport himself over. 

You giggle again. 

“S’that your fav’rite one?” you mumble, words blending together. He can imagine your cheek smushed against your knee, arms curled around your legs as you sit on concrete, “‘‘Toru?’” 

When he thinks about it, you aren’t too big on his nicknames—at least, not as much as he is with you. You only call him three things: baby (which truthfully, he had to convince you to), ‘Toru (first whispered in the moment, heat fueling it), and Satoru (since you were 16, weighted and grounding throughout all the years you’ve known him). 

Is ‘‘Toru’ his favorite? 

For obvious reasons, maybe.

But—

“I like everything you call me,” he smirks, shifting his weight. 

“Sweet-talker.” 

He closes his eyes, head tilting back as he leans further—and he swears, he can see you, the image of you rolling your eyes and scrunching your nose seared into his eyelids. 

God damn, he really misses you.

“You love it,” he murmurs.

A beat. He hears the faint honk of a car before you drown it out, sighing. 

“I do,” you whisper, admission ringing in his ears, “I love you, Satoru.” 

He hears this all the time, but tonight it just aches; the way you say things so sincerely, so honestly even in an inebriated state—how you call him Satoru and it’s still weighted, still grounding, like who he is resides right there, in the softness of your lips. 

Gojo’s always been relevant but when you call him Satoru, he feels more than just the name.

If you’re asking about his favorite, he thinks this might be it—in every handwritten note you leave, his name scrawled in your hybrid of semi-print-semi-cursive letters; in every call you pick up, opening always with a ‘Satoru?’, end pitched higher, sweet and curious. 

“C’n I tell you somethin’?” you ask (even when you don’t need to, even when he’s already listening). 

“Let me guess, Utahime has a travel ick and Shoko—”

“Satoru,” you scold, rolling your eyes, but there’s no bite. The next bit you say under your breath, a little fragile, “‘M serious.”

The nervousness sits in his stomach; this conversation feels significant.

He takes a seat on his barstool. 

“Listening.” 

For a while, it’s only your breathing; knowing you, you’re probably thinking, crafting what to say carefully. 

You sigh again, and—

“I worry sometimes,” you admit.

He furrows his brows, “About?”

“That maybe bein’ with me’s a lil’ boring?”

And this… this aches in a different way. 

How can you even think that? 

You chuckle anxiously; he can bet you’re biting your lips, a habit you’ve picked up from him. 

He rests an elbow on his kitchen island, leaning onto it as he tilts his phone closer to his ear. 

“Apologize right now,” he commands, sternness making him feel a little guilty, “that’s the person I love you’re slandering.” 

But you only laugh, real and more relaxed, nervousness dissipating. 

“My bad, my bad,” you play along before mumbling, “‘m just sayin’, there’re lotsa others who are more everythin’ y’know?” 

He wonders what’s got you thinking like this, if it’s triggered by seeing people at the club, perhaps younger and far livelier—how you spent those years of your life exorcizing curses and making a home for two kids. 

“So what? They’re still not you.”

And he means it, genuinely.

Your breath hitches and he grins, swinging around on the bar stool. 

Those years of youth were still fun, he thinks, and it’s precisely because of you—how you’d made the apartment the four of you stayed in as fun and homely as a teen barely pushing twenty could.

You had your fair share of mishaps and adventures—rushed breakfasts and Megumi’s 'my dog ate my homework's. Tsumiki had to miss a day of school once because you accidentally booked her a birthday trip to Disneyland on a weekday. 

(And he got scolded a lot, ‘Satoru’ exhaled with a look. But it would only last a few moments; you can never stay mad at him, no matter how hard you try). 

There was no way you and Gojo had the maturity and responsibility of actual parents (maybe more like inexperienced guardians, really), but you tried your hardest to give Megumi and Tsumiki a home. 

Home, what he’s beginning to realize reminds him of you.

He looks around him now, at the details of his interior, and begins to think of yours—your apartment, a little more wooden and lived-in; there’s a lot more wear but also a lot more love, never empty like his feels right now. 

“If being with you was so boring, I wouldn’t be itching to go to you right now,” he confesses, fiddling with the string of his sweatpants. 

You laugh again before it falls into comfortable silence. 

Muffled conversations and the occasional beep sound in your background. There’s a couple giggling around you and he thinks that could be the two of you—if only he were with you. 

“Satoru,” you call him softly. 

He hums, letting it sink in—the way you say his name, distinct in how you stress his consonants despite the softness around his vowels.

When you say ‘Satoru’, it always feels targeted, speaking straight to who he is. 

“‘M so happy it’s you,” you whisper shyly, but it’s bright—unmistakably smiling, the visual of your eyes crinkling. 

He doesn’t know what’s gotten into you tonight, drunken affection and vulnerable confessions, but there’s that ache again, and all he wants to do is go to you, hold you. Be with you. 

For a while, Gojo’s been resigned to the fact that there are some things he can’t give you: how you’ll never know true peace because he’ll always be linked to jujutsu society; how choosing him means choosing the tumultuous, the unpredictable. 

And while you’ve already told him that you prefer this life with him better, for you to say you’re happy, that it’s him—

He’s thankful it’s you, too. 

Tears collect at his lash line, pools of gratitude, “I love you.”

“Hmm? you’re coverin’ the mic w’your double-chin,” you joke, just to hear him say it again, he knows. 

(There’s no way he has a double-chin from how you complain about his jawline being too sharp all the time). 

“I love you,” he repeats, louder, steadier, pressing it into his phone’s microphone. 

He’ll repeat it again as many times as you want him to. 

You giggle and he echoes it—like that couple from earlier, your own version. 

The clock reads 02:47, and he normally doesn’t like being up this late, barely getting enough sleep as is. But if you’re the reason why, he doesn’t mind staying awake.  

.

.

.

3 — TUCKED IN BED, WHEN I LIE CORRECTED

“Satoru, you can’t keep eating sweets on an empty stomach.”

He turns beside you, the dull rumbling of the Shinkansen hardly masking how loudly he asks, “Why not?” 

An old man seated across the aisle looks your way, grumpy by the folds between his brows—as if he’d been woken up by Gojo’s whining. You bow your head slightly in apology. 

It’s been an early day so far, with you and Gojo catching the first train out from Kyoto to Tokyo. Departing at 06:14 doesn’t exactly leave room for food stops, so all you have are the two water bottles handed out from yesterday’s meeting and a pack of (now) half-eaten Hi-Chew that Gojo picked up from the convenience store last night. 

“You’ll get a stomach ache,” you whisper, with emphasis. 

He fiddles with the stick of Hi-Chew, tossing it between his fingers before popping one piece out. 

The seats in the Shinkansen are spacious enough for Gojo to stretch his long, gangly legs, but despite all the free room in your row, he’s chosen to encroach on your space, sticking to you shoulder-to-shoulder. 

“Nonsense,” he tilts his face, sunglasses sliding a few centimeters down the bridge of his nose, “I do this all the time.” 

And his eye, clear and bright blue amidst the morning haze zipping past the windows of the train, winks at you. 

Heat warms your cheeks; it’s too early for this. 

The moment you look away, hiding your smile, he knows he’s got you. 

. 

Or not. 

Because you seem to have gotten him—

—tucked in bed, nursing this stomach ache that could have been avoided if he just listened. 

To be fair, he does do it all the time: a few candies, sometimes gummies first thing in the morning, last thing at night. So he’s right, it’s nonsense; he probably got this from something else. 

(Even when you’d both eaten the same meals—how you always order to share because you like tasting a little bit of everything). 

Which is why, you insist it’s from the sweets, his beloved Hi-Chew to be specific. And though he wants to, he can’t argue much when he’s curled into a fetal position, clutching his stomach while writhing in bed. 

“I made you tea,” you stand by your bedside, holding out your mug—small cereals patterned all over it. 

He opens an eye, hair mussed up from all his squirming. The pain in his stomach is radiating, a knot that tightens in waves; this is different from the twist-y pop-y sparks of jealousy, and is nothing compared to the sting of multiple slashes. 

Still, it’s a pain he doesn’t understand: a mixture of feeling gassy and bloated, like he needs to run to the toilet only for it to turn out futile. What makes it worse is that when he catches a glimpse of you, a lock of hair perfectly out of place, the sensation in his stomach intensifies—like butterflies flapping (or maybe just another wave of radiating pain). 

“S’hot,” he grumbles, half of his face mushed into the pillow.

The mug in your hand is piping hot, steam lifting from it, and Gojo doesn’t like drinking hot things; he’s burnt his tongue enough times on hot chocolate that he swears any hot liquid is out to get him.

But you don’t know that about him—he’s never told you, he thinks. 

You take a seat on the edge of the bed. 

“That’s kind of the point, baby,” you chuckle, tone doting with a hint of pity, “It has to be.” 

Your hand rests on his thigh, attempting to soothe him. He catches your eye and whines. 

“If I blow on it, will you drink?” you plead, “Please?”

At this point, he doesn’t know what hurts more: this stupid stomach ache or how nice you’re being. 

You could have said ‘I told you so’ the moment his stomach started gurgling when you both arrived in Tokyo—but you didn’t. Instead, you asked him what exactly he was feeling and had him change into his pajamas as you nursed him to bed. Then, you cooked him real food, a bowl of Okayu for his stomach to digest something plain and non-irritable. 

You haven’t stopped moving since you both got back from Kyoto, unpacking both your things while simultaneously darting in and out of your bedroom, checking in.  

How you speak to him is so gentle, caring, doting—even when you have every right to hold it against him. 

He pushes himself up, leaning back on the headrest. You smile, lovely, and beautiful, and every bit healing that it eases the pain a little, somehow. Your mouth forms an ‘o’ as you blow on his tea, scooting closer.

A gurgling sound comes from his stomach again, but it’s manageable, and he bears it as he takes you in—how you’ve barely had the time to change out of your clothes since this morning. You’re tired, he’s sure, but you don’t mention it as you take care of him. 

The bed dips as you draw nearer, bringing the mug to his lips—he’s a grown man and he can definitely do this on his own, but you always take such good care of him. 

Who is he to say no?  

Sips of peppermint coat his tongue, warm as it eases down his throat. He wraps his fingers around yours, drinking a third of the mug before urging you to set it down. 

“I’ll heat up a hot compress,” you motion to get up, placing the mug by your bedside. 

He stops you, grip loose on your wrist. 

“Have you eaten?” 

You stare at him, a little surprised, but you nod.

“Just stay with me, then. Don’t need that thing.” 

Your brows furrow, pouting, “But it’ll help,” 

“Hug me instead,” his fingers play with yours, intertwining, “or I’ll hug you. Either.” 

You shoot him a look, disbelieving, but he musters up a wink, for you, despite the new wave of pain arising. 

“Okay,” you sigh, knowing you can’t exactly argue. As you get up, you land a kiss on top of his head, rubbing his knuckles as you get ready for bed. 

When you come back, dressed in your pajamas, he’s turned to his side, lifting the comforter to welcome you in. You lie face-to-face with him, his arm reaching out to rest on your lower back, pushing you closer. 

“You sure this is enough?” you whisper, breath tickling his chin. 

“Mm, yeah,” he hums, hugging you tighter as he grins, “you’re hot.” 

You hit his arm lightly, and he chuckles.

It turns quiet, then he shifts, resting his forehead against yours. White strands, as pale as your pillowcases, tickle your eyes. 

He nuzzles your nose, hiking your leg up to rest on his hip while slotting his leg between your thighs—like a pretzel, twisted into each other tight. 

“You’re too good to me.” 

He’s said this before, and no matter how much you say it isn’t true—he’ll always think it, believe it. 

You frown, gripping his waist, “I don’t like seeing you in pain, you know.” 

And he thinks you’ve always been like this: hands outstretched farther than his, offering yourself to help carry whatever pain, struggle, or burden you can. You cry for the sadness others feel, share the hurt of anyone who needs it. You’re the pillar, the support for everyone around you—from Yuuji, Megumi, and Tsumiki all the way back to Utahime, Suguru, and Nanami. 

You’ve always been this way, ever since he met you. 

“Does it still hurt?” you mutter, concerned, fingers grazing his stomach. 

It does and it doesn’t—the pain is unfamiliar but he can take it, having gone through far worse. If he’s being really honest, a part of him just likes being babied by you. 

“Better,” he inches back a little, lips curling into mischief, “would definitely go away with some Hi-Chew.” 

You shoot him a look, then pout. 

“Satoru.” 

He figures there are still a few things you don’t know about him: how he really dislikes hot drinks, how discomfort turns him into a whiney, needy baby, and how he remains incredibly stubborn, maintaining what he stands for (but maybe you know this already). 

“Hey, you should be thanking my Hi-Chew’s. It helps with energy when we fu—” 

You swat at his chest in hopes of shutting him up.

He clears his throat, correcting himself instead, “—make love.” 

This is hardly the time or situation to be talking about the other things you do on your bed, given that he’s been out of commission, curled in on himself the entire day on it. But you sigh, resting your palm on his cheek. 

He turns to peck your wrist, hand coming up to cover yours.

“Just because you were fine doing it before, doesn’t mean you always will be,” you whisper, rubbing your thumb across his cheekbone. 

And Gojo thinks he’s right most of the time, if not all the time, but—

“We’re not old, but we aren’t as young as we used to be, you know? Have to take better care of ourselves now…” you continue.

—when you talk to him like this, you humble him. Immensely. 

He’s always known that if he were to give in to anyone, it’d be to you. 

Things are different now, he knows; his considerations have changed too—like how to lay the foundations of a new, ideal jujutsu society, with all the political and diplomatic gymnastics he knows is necessary; what to do with all this downtime, with all this life and no more death looming overhead; there’s also you, where this relationship is headed, what he plans to do. 

“What will I tell everyone when the love of my life, Gojo Satoru, the strongest, gets knocked out by sweets?” 

Then you joke around like this so casually, kissing his nose and calling him the love of your life like it doesn’t bear commitment that spans your–his–entire lifetime—it shakes him a little. 

He holds his breath, eyes staring at yours. You seem completely unfazed—a slip of the tongue maybe, so he lets it go. 

“Okay, okay,” he pinches your nose as you scrunch it, “I’ll try, but no promises.” 

You kiss his wrist in return—the softness of your lips always turning him a little delirious when he feels it. He pulls you closer to his chest, palm pressed to the back of your head as his other arm wraps around you, squeezing you tighter. 

“But don’t complain if I only last one rou—” 

He gets kicked in the thigh. 

.

.

.

4 — WHEN IT'S YOUR WAY OR DOWN THE DRAIN

There’s the right way, then there’s the Gojo way. 

Sometimes there’s an overlap, but most times he’s just unorthodox. Gojo’s always had his own way of doing things, but now, he’s throwing all that down the drain in lieu of doing things your way (which in this case, he’s decided is the right way). 

Between the two of you, you’re definitely better at cooking. 

He isn’t inept at it per se; all these years, he’s managed to get by. It’s just that, he’s only ever made quick, simple things—barely having the time or need to make things on his own when you seem to have an extra plate on standby.

Long cooks like this, for real, big meals aren’t his forte at all. 

This is the fullest his kitchen has ever been, a trip to the grocery store producing bags overflowing with the ingredients he needs. He tightens his apron (yours, actually) by his waist, pale pink a stark contrast to his black shirt and gray lounge pants. It’s tiny on him, barely fitting, but it covers enough to (hopefully) save him from any mishaps. 

With all the ingredients lined up on his kitchen counter, he stares, hands on hips as he contemplates where to begin. 

You’ve mentioned before how his kitchen is every cook’s dream: complete equipment, all high-grade with steel surfaces for easy wipe downs and more than enough real estate to move around. It’s a shame he’s barely used it over the years, either too busy out on missions or lately, too often staying at yours.

The unease makes him fidgety.

There’s an air of confidence that normally surrounds Gojo in everything he does, but it wavers just a bit with this one. 

He has to get this right. 

It’s your anniversary—the third (officially), but the number doesn’t matter as much when the years have always blurred the lines of what you are to each other. 

The past two celebrations were cute and fun, adventurous in how you’d spent the first one on a trail date up north, and the second one fruit picking in a farm, just west of Tokyo—things you’d both done for the first time, together. Now, there’s added pressure because this is your thing; everything on the menu for tonight’s home cooked dinner is based on your recipes. 

You know all of this by heart. And though he’s aware he doesn’t have to impress you, he wants to. 

He glances at the clock: 15:05 in white, 4 hours until you arrive. The table hasn’t been set up yet and he’s barely dressed, an array of ingredients on the table waiting to be transformed into four of your recipes he plans to attempt. 

Gojo is no quitter, but it’d be stupid of him to underestimate how fast time flies. 

He pulls out his phone, scrolling through his contact list—then he shoots a text, pocketing the device as soon as he hits send.

.

In the amount of time between asking for help and said help standing outside his door, ringing the doorbell, Gojo’s managed to do most of the prepwork: slice all the vegetables, set the rice cooker, and mix together all the sauces and glazes so he can set them aside for later. 

“Just type it!” he shouts from the kitchen.

Four beeps sound from the door, a soft woosh following as it opens. Help enters in the form of spiky hair and a deadpan gaze, putting on house slippers by the genkan as he drags his feet to the kitchen counter. 

“Megumi!” 

The younger boy sighs, tucking his hands into the pockets of his joggers, long sleeves wrinkling higher. “Why did you call me?” 

“Oh!” Gojo claps his hands together, “I need your help.” 

Megumi looks him over, eyes zeroing in on the pink apron, then the bowls of sauces and chopped vegetables in front of him. The rice cooker is steaming beside the sink while empty pots and pans line the burners of the stove. 

“With cooking?” Megumi shifts his attention back to Gojo as the older male nods. He mumbles, “You made it sound like an emergency.”

(“Come here now.” in proper punctuation, lacking any of his usual emoticons—only ever being used in the most dire situations).

Gojo furrows his brows, “It is!” 

Megumi stares. 

“Anniversaries are emergencies,” Gojo stares back, holding the silence for a few seconds before he continues, demeanor turned serious, “Think of it as doing this for your Sensei, not me.” 

There’s a crack in Megumi’s resolve that Gojo knows only appears when it comes to you; a soft spot that exists because you’ve always been closer, warmer—an accumulation of all the times you were adamant on being present because the kids deserved someone there, especially when he couldn’t be. 

Megumi sighs, resigned, as he pushes up his sleeves, trudging over to the sink. He turns on the tap, soaping his hands until it suds, “You should have asked Itadori.”

“Yuuji wouldn’t know how it’s supposed to taste though.” 

“Sensei’s recipes?”

Gojo nods, fanning out pieces of paper from the recipe folder you keep in your kitchen drawer, “Your favorites.”

Megumi scrunches his nose, embarrassed as pink tints the tips of his ears. 

His relationship with Megumi has always been a bit weird, a not-quite-parent-maybe-kind-of-distant-guardian-and-good-but-annoying-mentor-slash-benefactor kind of weird. And he’s sure that the boy isn’t too fond of the idea that he knows small, seemingly trivial things about him like his favorite food, but if there’s anything they can settle on, it’s definitely love for you. 

“Do you have another one?” Megumi turns to Gojo, pointing to the hair band pushing back his hair. 

.

There’s a different kind of care in cooking that he’s now realizing, coming face-to-face with the pot of dashi he’s just started boiling—a patience that comes with waiting and an efficiency meant for multi-tasking.

During the 30 minutes of soaking the kombu, they split tasks: Gojo takes duty rolling the Temaki on his own, while Megumi seasons the Wagyu and prepares the Sunomono. It’s not long before Megumi is directed to setting up the table as Gojo focuses on the Miso Soup. 

There’s a reference photo, some picture he pulled online. The gray plates and silverware on his dining table match the iron-hued backsplash and steel surfaces of his kitchen, sleek but softened by the vase of red and white camellias from the florist you frequent. 

Megumi doesn’t say anything, frankly because he’s gotten used to walking in on Gojo searching up these things: a youtube video of trail dates and articles of ‘the top 10 best farms for fruit picking’. There was also that time he found Gojo’s browser open on a catalog of lingerie.

(Megumi’s been trying really hard to forget that). 

These aren’t things Gojo’s done before, much less thought of—romance and all. 

But he admits, it’s hard work, wiping off the sweat on his brow caused by the heat from the stove. 

“Why,” Megumi sighs, “Why are you cooking anyway?” He mumbles, adjusting the silverware on the table, “Couldn’t you just reserve some place?”

Most of the cook has been silent, with Gojo too focused and Megumi barely saying a word. So while adding the katsuobushi after the kombu boils, the older male answers. 

“I would have, but she said she wanted to stay home,” he turns away from the pot, leaving the katsuobushi to soak as he shrugs. 

Megumi snorts, straightening out the black tablecloth, “Don’t you have anywhere you want to go?” 

It’s a simple question. Innocent. 

But it hits him then, how what you say follows; how ‘anywhere he wants to go’ is wherever you are, how he’s choosing to cook this meal for you instead of just ordering in—how he’s now considering you, in everything.

This isn’t his strong suit, far from it, really, but because he’s thinking of what you want—suddenly he’s domesticated, cooking for you in hopes of romancing you (even though he already has you).   

You come first now, and he finds that he doesn’t mind. 

He turns back to the stove, straining the soup through a fine-mesh sieve before adding miso paste, dissolving it into the dashi.

“I guess not.” 

The thought stays with him, even as he drops in the tofu, dried wakame seaweed, and green onion. Even as he waits for it to finish cooking, moving the pot atop a different burner while grabbing a spoon to dip in it. 

“Megumi, come taste,” he calls behind him. 

And when the boy sidles up next to him, he feels nervous, fingers trembling as he hands over the spoonful of Miso Soup. He stares at Megumi, eyes wide open, anticipating. 

The boy arches an eyebrow as he takes the spoon, blowing on it gently. He takes a small sip.

“I added less salt because—” Gojo speaks up, a bit panicked, fingers scratching at his nail beds. 

“She’ll like anything you make, even if it tastes bad.”

Gojo’s brows furrow, “Are you saying it’s bad?” 

“Or bland,” Megumi adds, smacking his lips. 

“So it’s bland?”

The horror on Gojo’s face is laughable, but Megumi continues, deadpan. 

“No, it’s okay.” 

Gojo sighs in relief, then pouts, “Don’t mess with me like that.” 

“I don’t,” Megumi sets the spoon down, walking back to the dining table to finish setting up. 

The 18:03 on his digital clock flickers, and the rest of the cook continues: he heats up the skillet for the Wagyu—Matsusaka Beef, grade A-5, heavily marbled, meant to be tender and sweet. Some oil is drizzled onto the pan before cloves of chopped garlic are thrown in, followed by the beef, cut into bite-sized pieces. He adds a bit of soy sauce and red wine, to draw out the sweetness (or so he’s read), then finishes it up by plating it. 

And, there really is a different kind of care in cooking, he’s now realizing; how, when he stares at what he’s cooked in the past hour, he’s thought of you through it all—your preferences, the way you make things. How big meals aren’t his forte, but for you, he tries anyway. 

“Do you need me to do anything else?” Megumi asks, adjusting the camellias in the vase one last time. He takes off his hair band and ruffles his hair, hands tucking inside his pockets immediately after. 

Gojo looks up from the spread of food on the kitchen counter, motioning for the boy to come closer, “Taste test everything with me.”

Lined up are a plate of Temaki, a wooden board of Wagyu, a plate of Sunomono, and a bowl of Miso Soup. For every bite he takes, Megumi follows. And honestly? He thinks everything tastes… okay. 

The Temaki bursts with the sweet umaminess of buttery salmon dotted with ikura, the yellow daikon pickles adding a tart balance that complements the salmon well by simultaneously being sweet and salty. The avocado adds extra creaminess, while the cucumber and corn provide a freshness that lifts everything else. For some added decoration, he uses radish sprouts to mimic leaves on the filler plants of bouquets—the main reason he chose to make this: it looks like the bundles of flower arrangements you keep on your desk. What ties everything together though, is the crunchy, crispy texture of the nori, giving contrast to the creaminess it holds inside. 

There’s a reason why Wagyu is so expensive, and it’s being told in the way it melts into his mouth right now, sweet and tender. He paid a pretty penny for this, but it’s worth it because he can’t wait for your reaction. 

The Sunomono is meant to be a palate cleanser—with sesame seeds sprinkled on it, mild and sweet, while wakame seaweed and cucumbers serve as the base ingredients. The sauce is meant to be light, just a mixture of rice vinegar and soy sauce, seasoned to taste—and maybe his is a little lackluster compared to yours, but he swears you have some form of magic when it comes to cooking. 

After each bite, Gojo looks at Megumi for his reaction—but the boy gives nothing away, face blank and devoid of any emotion. None of them are as good as yours, definitely, but for his first shot at this, they aren’t too bad. He’d pat himself on the back for it. 

“They don’t go together,” Megumi regards the entire spread with his chopsticks. 

All his hard work? Shattered. 

Gojo is dumbfounded. 

It’s too late to change everything now. 

Should he just scrap everything and order takeout? 

“But they’re not bad,” Megumi continues, washing his chopsticks by the sink before heading for the bathroom to change out of the house clothes he’d borrowed in lieu of an apron.

When he emerges, long sleeves and joggers, he asks one last time if that’s all he needs to do, taking Gojo’s nods as a sign to take his leave. The older male remains rooted behind his kitchen counter, frozen from the crisis he’s facing.  

. 

You arrive a little later (thankfully), giving Gojo enough time to figure out this whole debacle. He’s ultimately decided to feel around for how the night goes, then he’ll act accordingly—if you show any sign that you aren’t happy, he has the delivery app ready. 

He dresses in simple slacks and a white button down, fiddling with how he’s rolled it up; the thought of you finally seeing everything he’s prepared for tonight makes him nervous—the table set-up, the ambiance, the food.

(He’s even cleaned up his bedroom).

Then he senses it, faint traces of your cursed energy by the door, and he holds his breath. The beeps on his lock count down the seconds to your entrance; and when he sees you come in, surprised and so amazed at the entire thing, the tightness in his chest eases up immensely. 

All he told you was to wear something nice. 

And, by god you did. 

You walk up to him, pretty and smiling in the simple dress you’d opted for tonight—a midi slip-on with a cardigan thrown on top. Black has always looked good on you, uniform or not, ever since up to now. 

But in white, you’re radiant. Glowing. 

He reaches for you. 

The grin on his face is lovesick as he grabs a hold of your waist. You instantly tiptoe up to kiss him, hands on his shoulders as you land a soft peck that transfers a light sheen of lip gloss onto his lips. The view behind him shows the table set-up, a pop of white and red amidst all the food he’s prepared for tonight. 

Your eyes widen, gasping, “Did you make all of that?” 

He nods, pulling away from you as he grins cockingly, “Call me chef.” 

But he immediately bites his lips, restless as he shifts his weight. He hopes you don’t notice how nervous he is—if you weren’t able to tell from his heartbeat, pressed against his chest. 

“You didn’t have to,” you pout at him, eyes watery as you swipe your thumb across his lips, wiping off the residue of your lipgloss. 

“Guess I’ll just undo everything then,” he chuckles, hands sliding to rest on your lower back, fingers tapping against silk. 

You roll your eyes, and before his hands get the chance to grab you lower, you’re whisking him away, holding his hand as you lead him to the dining table.

He pulls out your chair and you sit, the rare gesture making you giggle. As he settles in the seat across you, there’s a disconnect between the expression on his face and his body language—eyebrows wiggling and lips smirking, meant to be lighthearted and teasing, but he won’t stop fidgeting, shifting as he readjusts his seating. 

As you reach for the Temaki, he sucks in a breath, entirely hyper aware of every move you’re making. When you bite into it, he’s waiting. Anticipating. 

Your eyes fall shut as you chew, humming, then you grin. But when you open them and they catch his, it’s like you can tell—what he’s feeling. The furrow on your brows deepens as you look at him, concerned, “Hey, what’re you thinking?” 

How he hopes he hasn’t fucked this up, this dinner. What if the Miso Soup is too bland? Isn’t at all to your liking? What if the Wagyu’s dried out? Isn’t cooked properly? 

If he can’t get this right, this seemingly simple thing, how can he do everything else? Consider you the same way you’ve always considered him? 

He’s so sure of you his heart could burst at it, but what if he can’t ever come to terms with himself? With what he’s able to—

Then he feels it, your hand on his as you reach for him across the table, rubbing the back of it, soothing. 

He doesn’t even realize how much he’s worrying. 

“Megumi said it doesn’t go together,” he stares into your eyes, breathing slowly, grounding. It’s been a while since he’s given you a non-answer, but you accept it, patiently. 

“Megumi was here?” you ask gently, brow arched curiously. 

He nods, “Asked him to help a bit.” 

You hum, looking back at the food on the table before taking his other hand, soothing, “Well, that’s Megumi’s preference. Mine will be different.”

The smile you give him is warm, like the Miso Soup you’re reaching for right now. He watches you take a sip.

“S’good, better than mine,” You hum and he knows you’re lying but it’s still comforting, the fact that you’d do this for him. 

So if this is your effort for him, he isn’t going to waste it.

The rest of the dinner has you making the most exaggerated sounds, your ‘mmm’s and ‘ooo’s emphasizing how good the food is if he still doesn’t believe it. Your reactions are over-the-top and definitely overplayed, but it makes him laugh—has him grinning in his seat the more he relaxes. 

You help clean up, even though he insists that you shouldn’t. 

“It’s our anniversary, Satoru,” you bump his hip, shooing him away from the table as you stack up the dirty plates. 

When he finishes washing the dishes and turns to find you, sitting atop his kitchen counter, nibbling on a piece of strawberry from the special Daifuku he put out for dessert, he approaches you. 

“Don’t be greedy now,” he rests his hand on your knee, coming to stand in between your legs. You hike your dress up a little bit, just to give him some space. 

You chuckle, cupping your hand under his chin as you feed him; he eats the entire thing, half-bitten by you already. And as the tips of your fingers touch his lips, sticky and syrupy from the strawberry coating, he takes them in his mouth, sucking lightly. 

He holds your gaze.  

“Thanks for doing all this,” you blink twice as he releases your fingers, interlacing them with his, “s’not everyday you have an entire dinner cooked by the love of your life.” 

You say it again—how you call him that so casually. 

What do you mean it’s not everyday you have an entire dinner cooked by the love of your life? 

You do it for him all the time.

He hums, moving closer. His other hand rises higher, kneading the flesh of your thighs through the smooth silk of your midi dress. 

“Thought you were going to spit it out for a second there,” he swallows his nerves. 

“Stop,” you frown, grabbing him by his belt loops before pressing your lips against his forehead, landing a loud ‘smack’, “go away silly thoughts.”

He chuckles when you blow a raspberry on it, laughter easing up as you drag your lips down to the center of his brows, tense from all the worrying earlier. 

You always seem to get it right, he thinks, this whole relationship thing—always knowing what to say. 

He tilts his head up, leaning closer to kiss you on the lips, fully. The breath he lets out mingles with yours, sweet with hints of strawberry, and when he catches your bottom lip you lean back, hands coming to rest on his cheeks. 

You nip on his upper lip, playful but light, and he groans, hand reaching up to slot itself by your neck. 

It’s there, underneath his fingertips, the pounding of your heartbeat. 

As you squirm on the kitchen counter, you pull away for a moment, restless from the growing heat. The action is subtle but dangerous as your cardigan slips off your shoulder, revealing the strap and lace of your lingerie. 

Blue eyes land on familiar pink, one he’s certain he’s caught you in before, but seeing it now, under white, it does something to his brain—blood rushing, ears ringing. 

He leans closer, grabbing you by the waist as he runs his lips against along your neck, nipping on sensitive skin.

“‘Toru,” you gasp, breathy as you grip his shirt. 

“Tell me what else you want,” he murmurs against your skin, muffled. He sneaks one glance at you, pupils blown, before hovering over your temple, lips barely touching, tickling as he whispers, “anything.” 

Your fingers trail lower, pinching at his shirt before you tug, untucking it from his slacks. You turn to him, finding his lips, sliding them over his as you match his rhythm. It’s careful and slow, the way you unbutton his shirt, but it’s like he said—

This is your way; he’ll follow anything you say.

.

.

.

5 — WHEN ALL I SEE IS ME AND YOU

Gojo never thought he’d make this decision all because of your joint streaming subscription. 

It’s a normal weekend, regular in every way possible—just a night in for the both of you. He usually stays over at the end of the week, but it’s been bleeding into the weekdays too, lately. 

The sound of splashing water against tile echoes along the hallway; you normally play songs when you shower, but he guesses today isn’t that kind of day. 

He plops on the couch, pointing the remote to the TV as he selects the streaming app. Normal weekends consist of movie nights, half actually paying attention to the screen, and half paying attention to other things—either way, it ends in falling asleep. 

When the homepage lights up on the screen, he spots two accounts: yours and his. And it’s joint, under one household—your home. 

And he doesn’t know if it’s because he’s been thinking about this more lately: how the past months have been a slow realization coming to terms with himself, and where he sees this relationship going, but the visual in front of him sparks an influx of things he’s been noticing. 

The pajama pants he’s wearing now exist as a pair to a matching set he has with you, but tonight, he’s opted for a white t-shirt because his pajama top is tucked somewhere in the drawers of your bedroom. 

(You keep it with you because you like how it fits more, you say, but he thinks it’s because it smells like him, and you sleep with it when he’s away). 

There’s another pair of chopsticks you always wash now, too, plain bamboo with a ring around the handle, light blue. You’d bought it from a market down the street a year ago, and told him it reminded you of him—how it’s his from now on, in the container of utensils by your kitchen sink. 

He’s always known how intertwined your lives are, a decade and more of learning one another is bound to entangle you somehow. But the past few years have caused knots, impossible to unravel—a thought that doesn’t scare him as much as it used to; a thought he now thinks doesn’t sound so bad as long as it’s with you. 

As long as it’s with you. 

The creaking of the bathroom door snaps him back, the soft pads of your footsteps growing louder as it reaches the living room.

“Oh, you haven’t picked a movie yet?” you ask, ruffling your hair with your towel. 

He puts on a smile, facing you as he hands over the remote, “You pick tonight.” 

.

You barely pay attention to the movie, snuggled up against his chest, constantly looking up to kiss his neck. He’s the same, distracted, but not for the same reasons you are. 

It’s a lot to resist, the way your hands creep under his shirt, warm against his stomach, but the sinking feeling in his gut makes it impossible to focus anywhere else. 

“Not the time?” you tap his cheek, and he tilts his chin down, acknowledging you. The look on your face is anything but disappointed, and it tugs at him, makes him feel guilty that he’s making you worry. That he can’t give you what you’re looking for right now. 

“Maybe later,” he takes your hand, lips grazing your fingertips, “I’ll get ready for bed.” 

You nod, sitting up as he taps your hip. He knows you can tell something’s bothering him—it’s impossible to hide anything from you at this point, but this realization feels like a long time coming, like it’s been brewing, now spilling. 

He gets up, kissing the top of your head before walking to the bathroom. 

When he steps in, it still smells like you—the shampoo and bodywash you use. (Technically, it smells like him too—he’s started using yours because it feels like keeping you with him, everywhere he goes). 

As he finishes brushing his teeth, reaching for his towel hooked beside yours, he remembers how none of this existed when it was just you. You only ever had one hook for one towel, how he used to share it with you only to realize that it would never dry in time for the next use.

Then he found it, some time last year, when he walked in to take a shower and saw a hook installed right beside yours, presumably his. 

The lights are adjusted for him too; fluorescent white too bright, a pain for his Six Eyes. You noticed when you caught him washing his face in the dark, so you changed the bulbs to soft white, tinged a bit yellow, warm. 

And the thing is, he never asked you to do any of this. 

You just… did. 

Because that’s you. 

And it’s making him realize even more how he wants to keep it this way, how he wouldn’t mind if this was the rest of his life, everyday.

.

The mood shifts when you both get in bed, and if you notice it, you don’t tell him. Whatever was bothering him before has settled, his head clear, more focused to reciprocate your earlier advances. 

He’s gentle when he touches you, taking the time to love you. Your clothes come off one by one with no haste at all, slowly, almost painfully. 

But he kisses you all over, leaves marks on places only he can see—by your hip, at the center of your chest, and another one, visible, on your neck below your ear. This is more than what he usually does, but he feels determined tonight.

“Off,” you whisper, as you tug at his shirt, pulling it off before throwing it to the side of your bed. 

He holds his breath when your fingers land on his chest, dragging across his collarbones before you tap thrice. This is a spot you’ve loved so intently, he’s become sensitive to it every time you come close. You leave kisses along it, some wet, others dry pecks, but it makes him shudder all the same, every time. 

As he hovers above you, arm bent by your head, his fingers trace your lower lip, tugging only to let it bounce back; he kisses you, noses bumping, softly at first before it turns hungry—lips overlapping, biting. His tongue runs over your lips, smooth and warm. 

There are more touches, more gazes; lips brushing and breaths mixing. The heat between you is shared, intermingling, and when he’s in you—

—it’s too much, how he feels looking at you right now, like you’re everything, the only thing seared into his memory. 

There’s a life he wants to give you, and though he knows there are others who might be more able to—he can’t let go of you, refuses to. He can’t bear the thought of anyone else being this close, doesn’t even want to think about someone else waking up next to you—the bed hair he always looks forward to, the lazy smile against squished cheeks, the hands that always reach for him, first thing. 

These traces of you have made him want the whole of you, and if this is him being selfish, then so be it. 

His arms wrap around your back, hoisting you up as your legs wrap around him, and you’re both moving, timing in sync, and he’s crying. 

He tucks his face into your neck, and he’s sure you feel everything—wet tears, shuddery breaths, but you don’t say anything. You hold him tighter, fingers scratching his undercut as he gets closer and closer. 

Gojo Satoru is a man of impossibilities. 

And this life he thinks you deserve—he wants to be the one to give that to you. 

.

.

.

+1 — WITH MY KNEES ON THE FLOOR, WHEN I ASK FOR MORE

He shouldn’t even be feeling this way, because what’s the worst thing you can say?

It’s just you. 

It’s just you—

And… maybe it’s because it’s you, that the .01% possibility of you even saying no—

—it makes him feel sick. 

He looks back at the clock: 16:30. The walk from the conference room to his office will take an extra 3? 5? minutes. 

The room feels tighter, smaller, floorboards practically worn down from how much he’s paced around it. 

He’s rehearsed what he wants to say, how he’ll grab your hand and look you straight in the eyes as he does it. Fear and excitement churn in his belly, how he’s imagining the look on your face.

If you were here, you’d tell him to breathe—to follow you with every inhale and exhale. 

If you were here, you’d smile at him, lips curled up softly, gently, the one he loves. 

If you were here—

—the door opens, and you step into the room. 

Now that you’re here, he doesn’t know what to say. 

You stand before him in your uniform, smiling, just as he imagined you’d be. Your eyes crinkle at the corners, sparkling, the way he’s noticed they have since you were 17. 

He must be doing a terrible job hiding how he feels because your demeanor instantly shifts, face contorting into worry, brows furrowed and frown forming. You drop your bag as you walk to him, hands reaching to cup his face. 

“What’s wrong?” you ask, voice hushed and delicate, “Did something happen?” 

Your fingers are warm on his cheeks (or is he too cold?), tilting his head lower so you can look him in the eyes. He can’t breathe, can’t hear you properly; you’re drowned out by the thumping of his heartbeat. 

“Need to tell you something,” he manages to mutter. 

Your eyes widen before you nod, lowering your hands as you speak slowly, “Okay, do you want to sit first? I have water—”

He shakes his head, hand reaching for your wrist, “I think… you should sit.” 

The pause alarms you, your body turning rigid. He has no idea what’s going through your mind, and you give nothing away as you mumble an ‘okay’ while walking to the couch. 

He stays beside you, not too far but still placing a bigger distance than he normally would—for the 0.01% probability that this isn’t what you want, that he isn’t too close, forcing you into an answer you might not want to say. 

The words float in his mind, but none of them string together to form the sentences he wants to tell you. Does he take it from the start? How this whole thing has always terrified him? How he never thought this was meant for him, but here he is, still learning but loving every second of it?

There are things he’s never had to consider before that he cares so much more about now—all because of you, how it’s for you, how he wants to do better by you. 

You call him the love of your life and he hasn’t told you, but you’re that and more for him, too. 

He practiced this, damn it. 

Why can’t he remember a single thing? 

The silence between you is tense, tainted by overthinking on both ends. You look like you’re waiting for bad news, and Gojo’s too stuck in his head, turning over the right words to say instead of reassuring you. 

“I’ve been thinking lately,” he starts, fiddling with his fingers. His feet won’t stop bouncing, knee fidgeting. He’s biting his lips, a tell-tale sign that there’s a lot he isn’t saying.

You place your hand on his knee to calm him down, and he stops bouncing it, looking at you as you muster up a small smile—far from being genuine, but it’s the fact that you’ve mustered it, as if to say: ‘it’s okay, you can tell me; i’ll always want to hear all of it.’ 

He swallows, “This arrangement isn’t working.” 

Your face drops, brows furrowing, “What arrangement?” 

His heart is pounding. 

“I stay over at yours too much.” 

Too much, that mine doesn’t feel like I belong there anymore, he fails to add. 

“I think we need more space.” 

Your hand slides off his knee as you tuck it between your thighs. There’s a frown on your face he can’t seem to figure out, and the fact that you’re giving nothing away, whatever you’re thinking—he’s turning even more nervous right now. 

“Okay,” you finally say, tone flat, “when do you want me to return all your things?”

He tilts his head at you, confused, “What—” 

“Actually, can I…” you shift around, tucking loose strands of hair behind your ears before clearing your throat, “can I ask if it’s something I did?” 

And his heart drops, straight into his stomach. 

It’s not like that at all. 

He’s hit with déjà vu; this conversation feels so familiar, so similar to one he’s had with you before—on the sofa chair across this couch, laying himself bare the same way he is now. 

The couch dips as he scoots closer to you, reaching for your hands. 

“It’s not—”

You scoff sadly, “Please don’t give me the ‘it’s not you it’s me’ thing,” then your tone drops, blinking away your tears, “if you’re going to break up with me, Satoru, just tell me why. Honestly.” 

He blinks. 

There’s a secret Gojo keeps, one he once told himself he’ll never tell you. 

But now seems like it’s fitting—the right time to say it. 

“You remember when I was unsealed?” he moves to the floor, getting down on his knees in front of you. You nod as he rubs circles over your knuckles, “When I first saw you, it was pretty scary.” 

He brings one hand to your cheek, catching a tear with his thumb. You pout, the crease between your brows growing deeper. 

“You ran yourself dry because of me.” 

When he thinks about it now, he still feels guilty. 

He believes that people are accountable for their own actions, and he still believes that with you, definitely—but he knows your reasons, why you acted that way, desperate for hope everyday. And for that, he takes responsibility. 

“I didn’t want that for you, still don’t.” 

Your frown deepens, tears welling up even more. 

Do you still think he wants to do this without you? 

He can’t take this, seeing you cry; he promised himself he wouldn’t be the reason behind this anymore.

“I’m not breaking up with you,” he tells you firmly, surely. 

You blink. 

Then your shoulders drop as you breathe out—what he hopes is relief. When your eyes meet, a little less sad, he sees the stars in them, glinting like they do when you look at him.

This should be his answer already, how much you brighten at the thought of staying with him. But—

“I still think you deserve more,” he brings your hands to his lips, brushing them against it, and as you’re about to interject, he chuckles, “but I’m also too selfish to leave that up to someone else, you know?” 

“Soooo,” his hand reaches for his pocket, fishing around until he feels for what he’s looking for. He takes out his phone, swiping and scrolling until he finally stops, placing it on your lap for the both of you to see, “I’ve been thinking lately…” 

He looks up at you, the two skies you’ve always been drawn to, waiting. The unease in his stomach returns, churning. 

It’s a compilation of properties: houses, apartments, plots of land—all scattered around Tokyo, some central and some further on the outskirts. 

Your eyes widen, tilting your head to the side as you attempt to read what’s on his screen. You turn to him immediately, eyes still watery; the expression on your face is unreadable, a mixture of surprise and confusion, like you don’t exactly know what he means. 

“We don’t have to choose from these, it’s just a few brokers I talked to recently. We can look for others if you want, in quieter areas too—” 

Then you smile, beaming, tears falling from your eyes, “Satoru,” and you breathe out his name but it sounds like I love you.

There’s a quiet life he can’t give you, but he likes this one with you much better too. He takes your hands, placing one on his chest, over his heart, and the other on his cheek. Then, he leans into it, kissing the insides of your wrist before staring back at you sincerely. 

His heart is beating wildly, he’s sure, but if he can continue to make you this happy—

“Make a home with me?”

a/n: food descriptions—temaki is easy hand-rolled sushi, sunomono is japanese cucumber salad.

thank you notes: @stellamancer the actual birthday gift for u :') + @em1e for listening to me talk abt the entire plot and even reading the first few scenes!! + @mididoodles @kissxcore @itadorey @twentyfivemiceinatrenchcoat for always being so supportive when am sharing my progress posts ilu + @crysugu @soumies @augustinewrites no reason other than i just love u ᰔ i reply so slow when am writing smth...

comments, tags, and reblogs are greatly appreciated ♡

[spacelazarwolf]

saw a post that gave me an eye twitch so i’m gonna break it down and analyze it bc i feel like it exemplifies a lot of what’s wrong with gentile discourse on i/p rn.

1. yeah, it is awful that zionist institutions and leadership use jewish trauma to justify why diaspora jews should unquestioningly support the current state of israel, regardless of the atrocities it commits against palestinians.

2. "israel is not your bube who survived the shoah" i don't know how to explain to you how fucking callous this sentence is.

3. for better or worse, israel did save jewish people. nearly a million jews from the swana region and 24,000 from ethiopia fled there after experiencing extreme violence and discrimination. you really think america or europe would have taken in a million black and brown jews? have you seen the current state of immigration?

4. "how do you argue with someone when their idea of israel is so rooted in their family trauma?" you don't. you validate their fears, make them feel heard, and then you offer them alternatives. the vast majority of diaspora support for israel is based in fear of persecution and eradication. if you offer real, legitimate solutions for the safety of diaspora jews, i guarantee you will be a thousand times more successful than just screaming at them and telling them "who fucking cares about your holocaust survivor bubbe????"

5. "how do you possibly tell them that the holocaust isn't relevant?" you don't, because it is. nearly 500,000 holocaust survivors moved to or were sent to israel after the shoah. some did not have a choice of where they were sent, some tried to go back to where they were living before but had no money and gentiles had taken their houses and belongings so they had nowhere to go, many faced violence upon trying to return to their hometowns in the form of pogroms, several countries turned them away. you cannot say the holocaust is not relevant to the current israeli population because gentiles in the diaspora are the reason they're there.

6. "i'm so tired of centering jewish identity in discussions over a nation state." are you stupid? genuinely, are you stupid? do you really not see how jewish identity and the history of the jewish people factor into a state with a fucking star of david on the flag that was founded after a genocide of 6 million jews that the rest of the world didn't want to deal with? seriously? no, jews in the diaspora are not responsible for the actions of the israeli government. we aren't more loyal to israel than we are to wherever we're living. but to say that israel has nothing to do with the jewish people is frankly laughable.

7. "how do you say that without sounding invalidating? like that just sounds horrible and antisemitic." that's because it is. you are being horrible and antisemitic.

edited to add: NUCLEAR SUPERPOWER?????????????????????????????? HELLO??????????????????????????

so please for the love of fuck educate yourself on the history of the jewish people and the history of the state of israel before making stupid ass posts like this. israel didn't manifest out of nowhere, it didn't come from "jewish supremacy" it came from hundreds of thousands of jews who were at their wit's fucking end with antisemitism in the diaspora, and from britain's colonization and imperialism paired with it's complete and total disregard for anyone who wasn't racially and culturally white. the monster that is modern day political zionism is a creation of the world's own making. people have been posting a lot about hamas being a response to 70+ years of israeli occupation, violence, and apartheid, but don't seem to understand that israel is a response to 3000+ years of persecution, expulsion, and genocide. the massacres and terror committed by hamas don't take into account the wellbeing of palestinians, and the oppression and violence perpetuated by the israeli government don't take into account the wellbeing of jews in israel or in the diaspora.

nothing will change if gentiles in the diaspora do not take responsibility for the rest of the world's role in the creation of israel. research your country, learn about how they treated their jews (not just during the holocaust but from the moment there were jews in your country), talk to your local jewish population, ask how you and organizations you are part of can help keep the diaspora safe for jews. because as an american jew, i don't want to move to israel. the government is borderline fascist, non ashki non orthodox jews are often seen as second class citizens, i don't speak the language, and my life is here. a lot of diaspora jews feel this way. but every time i see another group of nazis at a rally or get another bomb threat at my synagogue and look to see which country would be safest to move to as a trans person and as a jew, the only answer is israel, which is exactly what zionist institutions and leadership are counting on. if you want that to change, you and your community have to change it.

[read-marx-and-lenin]

heyo- a friend is trying to get me to read 1984 because 'it'll totally change your worldview on government and anarchism', but i've heard some bad things about the book itself/george orwell. should i read it? is there anything similar/more theorylike i could read instead?

thank you! your blog rocks <3 <3

Go ahead and read it if you want. It's a classic entry into the genre of dystopian science fiction and it has spawned many imitators since its publication. However, if you're looking for actual theory or history, you won't find it there. I would recommend Pat Sloan's "Soviet Democracy" or Anna Louise Strong's "The Soviets Expected It" and "The Stalin Era" if you want real accounts of the Soviet Union under Stalin.

Orwell never actually visited the Soviet Union, and 1984 is based not on his own personal experience with the country but instead on Western propagandistic views of the country and his own displeasure towards the fact that during World War II, when the UK and the USSR were allies, the British press was much less keen to publish anti-Soviet works right at the same time he was trying to get Animal Farm published. You must also understand that his wife worked for the UK's Ministry of Information as a censor and Orwell himself worked at the BBC producing wartime propaganda. It is not a coincidence then that the main character of 1984, Winston Smith, is a censor and propaganda official working with the fictional "Ministry of Truth" and eventually finding himself battling against state control of information.

Ironically, after stylizing himself so much as a defender of liberty and freedom against the "totalitarianism" of the time, Orwell would write up a list of alleged subversive writers for the British Information Research Department, a secret department tasked with publishing anti-communist propaganda during the Cold War. Some of this propaganda would end up being a comic strip version of Orwell's Animal Farm. There is a significant throughline in both Animal Farm and 1984 that clearly betrays Orwell's political views. In both works, the proletariat are depicted as nothing more than idiots and sheep who follow the orders of anyone willing to give them work and are easily duped by intellectuals. In 1984, he phrases it as the proletariat being more "free" simply because they're so insignificant as to warrant no government surveillance.

In 1984, the fictional society of "Oceania" is a far cry from a dictatorship of the proletariat. The proletariat have no political power, they all live in slums and are mollified by bread and circuses. How is the building of the slums organized? Where does the money go when one buys their bread? We are not told anything about this except that the process is slow and inefficient. The story isn't interested in material concerns. The "proles" do their work, we are told, but we are never shown much more than informal labor. We don't know who is telling them to work or how they are getting paid. The "Outer Party" is supposedly the white collar "middle" class of Oceanic society, but despite the amount of focus the story has on this class, we are never shown a single Party member managing a workplace or poring over receipts. We are to believe that the proletariat are simultaneously left to their own devices and unmolested by the state, while also completely under the control of the state through invisible mechanisms that are never elaborated upon. While Winston will complain endlessly about his own quality of life, not once does a single prole gripe about their job. The cost and quality of goods come up sporadically and only to illustrate the deterioration of English society under Party rule, never to illustrate any material basis of said rule.

Even more at the periphery are the colonized peoples (although never described as such) within the war-torn areas never under the permanent control of any world power. All three of the global superpowers are said to be in a constant struggle over the control and enslavement of these super-exploited workers and the resources of their nations, which are said to make up a significant proportion of the material resources of each superpower, however at the same time they are not considered to be part of the proletariat and are dismissed as entirely disposable and unnecessary for the maintenance of any of these superpowers. To Orwell, it seems, colonialism is simply a thing the colonizers do out of habit and not a phenomenon with an actual material basis or actual material effects. In turn, the colonized are not actual people who might take umbrage with the constant conflict imposed upon them, but rather chattel that is perfectly content to be traded back and forth among the colonizers.

The importance of the middle class in society is a recurring theme in 1984. For example, the Trotsky-esque political treatise Winston reads within the story, "The Theory and Practice of Oligarchical Collectivism", begins with a twist on Marxist historical materialism - while it recognizes the role of class conflict in human history, it asserts a transhistorical narrative of the eternal existence of three separate classes within society since "Neolithic times": the upper, middle, and lower classes. It is then asserted that it is the middle and only the middle class that is ever revolutionary, and that when it appeals to the lower classes it does so only to use them as a cudgel against the upper classes and never out of a genuine concern for their wellbeing. The treatise, idealistic as it is, provides little definition of these classes. The lower classes are described as "crushed by drudgery" and in a constant state of servitude that places them incapable of achieving political consciousness, something reserved solely for the upper and middle classes. The upper class is defined simply as the "directing" class, and the middle as the "executive" class. The identity of the middle class within Oceania is made clear: they are the "Outer Party", the white collar intelligentsia and managerial class which Winston and Julia belong to. One must assume Orwell viewed himself as a member of the middle class as well. If this section of the book is at all reflective of Orwell's own views (and to be clear no part of the book refutes this outlook,) then Orwell's rejection of Marxism-Leninism is rooted in his view of the vanguard party as simply a mechanism for the intelligentsia and bureaucrats to trick the stupid proles into overthrowing the bourgeoisie, rather than as a genuine means of proletarian liberation.

The politics of the Party are entirely idealistic in nature. "Big Brother" dominates through control of ideology and speech. The goal of Ingsoc, the ruling ideology of Oceania, is to make dissent impossible through the thorough alteration of language and the removal of words which could represent ideas that are not in line with Ingsoc, a process called "Newspeak". It is explicitly stated, however, that none of this ideological control is directed towards the proletariat, which is said to make up 85% of Oceania's population. The proles are not expected to learn Newspeak, they are not monitored by the telescreens, because as is stated quite frankly in the book, "the masses never revolt of their own accord, and they never revolt merely because they are oppressed." That this line is given by the villain of the story is unimportant, because the story never refutes it.

While Winston routinely repeats his belief that "hope lies in the proles", he is consistently met with scenes that challenge his faith whenever he winds up interacting with the proletariat. His conversations with proles reveal their total lack of concern with politics or history. He hears a crowd erupt into chaos and briefly hopes it's the proletarian uprising he is waiting for, only to find it's simply a riot over consumer goods. They are more than once compared to animals. While it is said in exposition that intelligent members of the proletariat who might end up fomenting dissent are eliminated, this is never actually depicted. We don't see Winston meeting with a single intelligent and politically conscious prole. The most intelligent prole he meets turns out to be a secret member of the "Thought Police". And so, the concept remains theoretical.

Winston is depicted as an ardent materialist, desperately defending the notion of external reality against deranged idealists who believe that through control of thought, control of reality becomes possible. But the world he lives in is not material. It is fictional, of course, but more than that, the fictional world described operates on idealistic principles even from Winston's own perspective. Winston's worldview is a faith based one, appealing not to any material basis for liberation but purely to emotion. It is love and the spirit of humanity that is the basis of freedom, and material freedom springs forth from it. Anyone who thinks otherwise is merely a trickster trying to control the masses.

Orwell rejected the material basis of history because he rejected the idea of a revolution on a material basis. To him, the revolution must be an ideological one, and the problem lie not in how society and the economy are organized but in the existence of hateful "authoritarian" ideologies governing the world. He believed the material basis was already here, that industry alone was the solution to material inequality, and so we must concern ourselves now only with the idea of equality and freedom, and from an abstract and universal viewpoint to boot. It is intolerable to him that a revolution be fought against an actual enemy in the real world. The problem is not that the capitalists are in control of the means of production, the problem is that the workers are too stupid to disobey them. A real revolutionary class would spontaneously throw off its own shackles through thought alone. It doesn't matter that Orwell was a lackey and a snitch, because in his mind he was freer and smarter than everyone else.

The bravery of Winston Smith was in recognizing the existence of a material reality that lies and propaganda could never destroy even while being tortured into believing such absurd notions as "two plus two equals five". But Orwell was never tortured into any of his incorrect beliefs. His incorrect beliefs stem purely from accepting the official narrative that he was fed and refusing to investigate its veracity for himself. Orwell's writing was used as propaganda against the designated enemy of the UK throughout the Cold War, adapted countless times in the forms of radio plays, TV shows, movies, and comic books. He never made an effort to actually travel to the Soviet Union to find out if what he was told about the country was true. All the other upper middle class "left-wing" intellectuals he hung out with seemed to be just as concerned as he was with the rising tide of "totalitarianism" and the supposed excesses of the Soviet Union, so why shouldn't he agree? He was in this regard no different than the Western "socialists" of the modern day who have no shortage of vitriol towards China or North Korea. Yes, he might performatively rail against chauvinism and nationalism, but only enough to ensure that he wouldn't be seen as a conservative. He still knew in his heart that his country was surely better than those barbarous communists in the East.

Yes Orwell was sexist and homophobic, and despite his best efforts he remained plagued by racist and antisemitic attitudes, but in addition to all that his books promulgated a view of the world entirely in line with British bourgeois values, which is why they were so eagerly used as propaganda by the British government. The Nazis were bad and the Soviets were bad because they were both authoritarian, and the differences between them were negligible and unworthy of mention. The references 1984 makes to the shifting alliances in Oceania, "we are at war with Eurasia" becoming "we are at war with Eastasia" and vice-versa, are most likely allegories for the shifting alliances of Britain at the time, how they viewed the Soviets as an enemy before the war, as an ally during the war, and as an enemy again once the war was over. Orwell viewed himself as above all of this simply because his view of the Soviets never changed at any point throughout this.

[throwaway-yandere]

𝖘𝖈𝖆𝖗𝖇𝖔𝖗𝖔𝖚𝖌𝖍 𝖋𝖆𝖎𝖗/𝖈𝖆𝖓𝖙𝖎𝖈𝖑𝖊 [Yandere Prince!Scaramouche/Reader]

A/n: After reading so many tyrant otome isekai manhwas, I thought I should give writing one a try... This story ended up being a bit more “real”(?) than OI. And I forgot the isekai part LOL. Love this fic a lot because the (L/n) family says the most banger lines. They spitting facts. Anyways, welcome to another throwaway-thursday, enjoy this one, @vennnnn-diagram because... lol.

Unreliable Synopsis: Exiled in Watatsumi island after publishing two anti-colonial novels outside their homeland, the famous reformist writer and physician (L/n) (Y/n) faces several familial deaths— and it all leads back to one man...

Content Warnings/Tags: Yandere themes, mentions of miscarriage (note: this is because this is very loosely based on a real life hero's biography), "lovers" to enemies, angst, character deaths, church corruption, politics, etc. Prioritize your mental health. The fic is meant to be a bit dark. You can listen to this song for the vibes 💖

"Are you going to Watatsumi Fair, Niwa?"

"Well, of course! The Lector works hard to make sure it's grander each year."

"Our Lector… I hope (L/n) is doing alright. It must be incredibly heartbreaking to lose a newborn son under three hours…"

"Indeed…"

It’s the 19th century and the streets chatter on about the upcoming festival. Seri, mitsuba, yomogi, and shiso— murmurs of food and spices exchanged at the Watatsumi Fair circulated. However, these four wonderful things wouldn't be there without a certain exile transforming the island into a thriving island: Lector (Y/n) (L/n).

Prince Kunikuzushi's most esteemed “rival”.

You were an exemplary philosopher and ophthalmologist who published two novels abroad that reflected Inazuma's social issues and military abuses. Of course, you were born in a noble clan. Only the wealthy can study outside Ritou and attain higher education beyond the basic arithmetic and religion Inazuman Colonizers gatekept your people with. You were slaves.

But these colonizers feared educated colonies would demand rights; hence, after publishing those eye-opening novels, you became Public Enemy #1. Charges against you were not absolved, but Inazumans could not execute you upon arrival. You were not a revolutionary, but a pacifist reformist. You made the government and clergy's behavior known worldwide, hence the military banished you to Watatsumi— another Inazuman colony and barren land. 

Assured that you've done nothing wrong, you stayed in Watatsumi. With nothing but your firm beliefs, your days of exile were your most productive. Using your skills as a physician and some wits on land surveying, you've improved Watatsumi’s quality of life in under 6 months. 

You're far from home with little spare change, yet you provided medicina gratis. With you, you’ve helped open the people’s eyes. 

You lived under the scrutinizing eyes of the Queen, yet you erected streetlights in each dark street. With you, you’ve helped the people see in this dark age. 

And most importantly, you have established Watatsumi's first school.

With you, the people understood the truth of their situation: they had been living under a tyrant’s rule for the past few decades.

And all you asked in return was for the people to help you in your ventures to improve the island's agriculture and spices.

How can the people of Watatsumi not love you for this martyrdom?

“(L/n) is organizing a secret rebellion association planning to overthrow the government”. That was the Queen’s grounds for exile, including false testimonial and documentary evidence. It was obvious that your books were in strong opposition to the current Inazuman Government.

Hence, Archbishop Sangonomiya Umiko was incredibly fond of you.

"I still believe I am innocent of the crime of rebellion, illegal association, and sedition. All I did was publish two novels!" You hummed. "When the Shogun calls for my execution— and she will— do immediately ask for my body. They will likely throw it wherever they please. Worse, Kunikuzushi might use me as his doormat." 

The Archbishop laughed. "I can see that. His Highness does fit that character."

You and Umiko sat far from the festivities. Sangonomiya Umiko was neither friend nor foe. She is the current leader of Watatsumi Island, but she is restricted by the commands of the Queen and her children. Umiko cannot even preach about her true faith, hiding her birthright as the Divine Priestess and instead donning the title foreign title of Archbishop. Even with friendly demeanors, there’s an unmistakable grim air on both your faces.

No passerby would mistake this meeting as a romantic date. You have a wonderful spouse waiting home, appearing as crest-fallen as you do now. 

… But "Spouse" is a rather loose term. You and your partner were forbidden to have a wedding. Prince Kunikuzushi would not allow an exile to marry and no priest would disobey him. Hence, you and your lover decided to merely promise to the God you believe in that you'll remain loyal to one another. That faith and loyalty brought about a prematurely birthed child— who only had three hours to live until his breath was cruelly stripped away…

And historians would attribute your son’s death as a cause for your morbid obsession with your own future execution.

"Kunikuzushi is a personification of what's wrong with the Inazuman Empire," you said casually. "He will be the core of what causes the revolution, not I."

Umiko did not miss the way you addressed the Prince. You spoke without honorifics, an aspect in both Watatsumi and Inazuma's language that is evident in everyday conversations. Most revolutionists emphasize his high station with hatred. You emit those titles and call him by name.

As though it was a habit.

As though you were once friends and more.

"Lector (Y/n), do watch your tongue," she shook her head. "The walls have ears."

"And what if the walls have eyes and ears? They shall see and hear my innocence." You sipped your tea before you snapped your fingers with a grin. "Oh, and do me one last favor. When they'll let me face my executioners, armed with polished guns and a shoveled ground:"

"Only the guilty are shot in the back. Let me face the firing squad and spare my head so that I may die facing the heavens."

A glimpse of (h/c) hair ran past in the streets of Inazuma City, carrying a child in his arms. The child was injured but otherwise “fine”— as fine as children could be amidst the rains of ashy woods and turbulent fires. The city capital reeked of gunpowder and a nauseating metallic scent. The (h/c) haired man may not have any blood relations to the person whom they’re protecting, nor does he know her name, but he held onto the 8-year-old dearly. 

Despite the chaos that surrounded him, your older brother cannot help but think of one hopeful thought:

With the recent loss of (Y/n)’s son, maybe they’d be willing to adopt this little girl as my new niece? 

But all that ended abruptly when a loud voice resonated throughout the streets.

“DON’T LET A SINGLE ONE OF THEM ESCAPE. NO SURVIVORS!”

Prince Kunikuzushi stood proud in the middle of it all. With calm finesse, he ordered the generals to order their soldiers to kill without a hint of remorse. His eyes were dull. All he knew was that his mother wished for the death of revolutionaries hiding in the capital. Whether these rumors were falsehoods or not, the Queen did not care. Fear is the family’s greatest weapon, bloodshed is nothing to them.

Death is nothing for a mother's puppet like him.

The Prince truly didn't have any care for this war. He's only following orders under the reward that he'll be able to have you. It was the Queen's promise, and she had always been relentless in any pursuit of honor and glory.

In return for his familial services, Queen Ei might consider his proposal. The royal family dreaded the death of their former matriarch, Makoto, and the prince showed no attraction to any of his valid consorts. Should he show loyalty to the end, the Queen will allow him to marry anyone to his liking.

That's why he's putting up with this.

He looked at the horizon, seeing nothing but fire instead of the deep ocean.

Why did Watatsumi have to be so far away?

Why did you have to be a sea away?

As fate would have it, a young soldier spotted the two. A hunt between two red-tagged innocent civilians and a greenhorn murderer commenced. Limping slightly, your brother attempted to push down restaurant chairs and other outside furniture in hopes he’d lose track of them.

The soldier did not know that the person he was tracking was your older brother.

Had he known, he would’ve left him alone.

And as much as fortune favors the bold, it was not on your sibling’s side.

The soldier fired his first reckless shot and hit its target.

Your brother stumbled, holding his stomach. He gasped, coughing as he subconsciously let the child go. But he did not fear for his life, but hers. He knew that the child was asleep on a park bench when the horns rang for danger. She was homeless with nothing but bedclothes and a short makeshift blanket, and now she’ll be forced to witness a traumatizing scene.

Poor child… You must be frightened…

I hope…

Your brother remains adamant that the child must live, even as the barrel of the enemy's rifle is pointed at his chest. A look of stern determination, mixed with fear, can be seen in his eyes as he stands his ground despite the threat of death.

That (Y/n) will raise you right…

“S-Scaramouche’s crown's resplendent band shows no natural light. The ocean's glimmer elucidates more hope than your vile scarlet battalions could ever hope for!!!” Your older brother yelled, weakly hiding the child behind him.

The soldier cocked the barrel against his forehead.

“There is no emprise to plundering, to murder and genocide—” he continued, coughing blood at the corner of his lips. “You will all be remembered in history as those who had foolishly paraded without genius. Death has a more ambrosial scent than a life of servitude under your heels.”

SHOT!!!

…

…

“M-Mister?... M-Mister?! MISTER!!!”

The child screamed as your brother fell to the ground. With the remaining humanity the young soldier clung to, he turned a blind eye towards the little one crying silvery tears. Truth be told, the new soldier himself had forgotten what it was he was fighting for. What was the point in this death, this pain, if not to harm both sides? But a good soldier does not question his orders and he leaves the child without a word.

She did not know his name. She did not know his status as a (L/n). She did not know he was the older brother of the famous physician (Y/n) (L/n). She did not know he was a martyr way before his true death.

But she still held his corpse with abandon. His body heat was slowly growing cold. Though her stature was short and small, her tears were heavier than her heart could manage.

(L/n)s may meet horrid ends, but Fate grants you all one last wish.

You all have the privilege of dying whilst facing the heavens, and that is the final honor your brother can carry with him in his passing. 

“My dear, a letter arrived,” your spouse spoke. “It came from your mother…”

It was deep into the night and you had just fixed yourself up for bed, but you’re not one to turn down letters. Perhaps your old friend from Opera Epiclese had sent you a reply? Igniting the nearby lamp, you lovingly kissed their hand before taking the letter.

“Thank you, love,” you cooed. “I’ll surely be writing a letter back, so why don’t you rest before me? I shall accompany you later.”

Leaving them with a blush, you shut the door behind you. Despite the struggles in your relationship, your love for your gorgeous spouse will never disappear over the unplanned loss of your first child.

Unlike Kunikuzushi’s…

You entered the living room and closed the door behind you. A wise decision, given the contents that were about to crush the little mental stability you had left.

“My Dearest (Y/n), It is with a heavy heart and trembling hand that I take quill to convey news that no mother should ever have to write down. As I write these words, tears splotch the paper, and each stroke of the pen is a painful reminder of the sorrow that has befallen our clan. My dearest child, it grieves me beyond measure to inform you that your beloved older brother, (B/n), has departed from this world. The weight of this solemn news rests heavily upon my shoulders, and the burden is almost too much to bear. The tragedy unfolded in the heart of the capital, where (B/n), in an act of unparalleled heroics, sacrificed his own life to save that of a young girl during a merciless ambush. His valor shone through, but the cost is another pain you must bear after the death of your own child. Oh, my (Y/n), the pain is unbearable. I wish I could shield you from this heart-wrenching truth, but I believe in your resilience. The thought that you are in exile, far from my comforting embrace, only adds bitterness to my heart. The cruel hand of fate has robbed you of the chance to bid a final farewell to your dear brother, to stand beside his resting place and pay tribute to his funeral. The distance that separates Ritou and Watatsumi feels insurmountable, and I ache at the thought of your solitary grief. I hope your spouse shall accompany you in these troubled times. In these dark hours, know that you are not alone in grief. Though separated, we mourn the loss of a beloved son and brother, the heir of the (L/n) clan. May time and the tender embrace of cherished memories bring some measure of peace to your soul. With all the love a grieving heart can muster, Mother”

As the ink on your mother's heartbreaking letter crumpled with sorrow in your heavy trembling grip, a weighted silence filled the room. The words she penned— each a painful jab to your psyche— threatened to spill tears you've fought so desperately to hold back for weeks since you didn’t want your spouse to worry.

Before you can succumb to weeping on the floor with a contorted expression and writhing body, the door opens, disrupting your peace. 

Prince Kunikuzushi, adorned with his mother’s feather and opulent regalia, strode into your humble abode with an irritating aura of entitlement. His presence, a stark contrast to the mourning atmosphere, successfully transformed your grief into weaponized spite.

"Still holding another Watatsumi Fair, are we?" he sneered, disdain dripping in every word. The callousness in his eyes and “indifference” to your mourning made the air all the more sharper.

“Why are you here, Your Highness?” You spat out. “Had your clow— soldiers failed to entertain you?”

“They are nearly as boring as your spouse in bed.” He snarled. “And I wager that their lives last longer than they do.”

You bit your tongue. Your spouse had made an effort to teach you not to reply to any insult he had towards them, and you had done decently enough to honor their wishes by merely scowling at the royal instead of equipping any nearby blunt weapon.

“Allow me to ask again,” you forced yourself to be cordial. “What are you doing here, Kunikuzushi?”

The prince clicked his tongue.

“Do I not have the authority to visit you?”

“You do,” you said. “But you do not have the right to barge in as you please, much like how Lord Hiroshi shouldn’t have decided to conquer my homeland Ritou and decide to claim it as Inazuman property for your mother’s ever-so-eternal happiness.”

“He was only claiming what is rightfully ours.”

Prince Kunikuzushi looked over at your bedroom door. You took large steps forward, blocking his way. You won’t allow him to disturb your lover’s good night’s rest.

He frowned.

"You should have been mine," he muttered softly. 

You hated this about Kunikuzushi the most. He speaks with audacity that knows no bounds as he criticizes your spouse, but would sound the most pure when addressing his own emotions. “You should’ve said yes. You should’ve ruled these nations with me, and more. But you threw it all away and for what? Fragile patriotism? You are defending an island that will suffer the same fate as your beloved Ritou.” 

In the eye of this tempest, your mother’s burning words fuels a fire that burns brighter than any royal decree. 

"You speak of love and marriages," you seethed, voice cutting through the tension, "but you know nothing of the bonds that truly matter."

…

…

…

As the realization dawns upon him, his arrogance wavered. 

He had not realized early on that news about your brother’s death had reached you already.

"An accident," he stammered, attempting to deflect blame. "If I knew, I would have spared him in that ambush. I’m not an All-Knowing God, so it’s genuinely just an accident."

With a chilling calmness, you locked eyes with him. "That wasn't an accident— our previous affairs were an accident. What you've done was murder." 

Your words hung in the air, leaving no room for denial.

“I love you,” the prince spoke in near-whisper. “You know better than anyone that I would never do anything to hurt you this bad. You know that I am the voice that called for your exile instead of execution. I never would’ve asked for his death.”

His claim was also true. 

You knew you were the only person who he had fallen for his whole life. You knew because when you were studying abroad, you had strange chance encounters with him. You knew because he was mildly stalking you and would’ve for a long time had you not offered a seat in the library. You knew because he had been a difficult person to court, always bottling his own emotions and lashing out in retorts you had dubbed “adorable” at a time. You knew because he had told you himself years ago that…

"You are insufferable. And yet, I find myself inexplicably drawn to your company. It's horridly vexing. Your presence lingers in my thoughts long after you've departed, like an annoying insect. I must confess, despite my best efforts, I find myself rather fond of you too— ridiculously enough."

... But what you didn’t know during your studies in Fontaine was that Kunikuzushi was the son of the Queen you despised and wrote articles against in editorial jobs to earn not only spare cash but the enlightenment of your people back home. What you didn’t know was that the prince had been sent by his mother to monitor your actions.

What you did not know came to haunt you on your way back home. 

So you rid yourself of these memories and cornered him into a wall, a hand just behind his head. The sound of your hand slamming made the intimidating prince flinch, and he trembled at the dullness of your eyes.

“And yet whose orders was it? Whose order was it to ensure there would be no survivors in that location? WHOSE WAS IT, KUNIKUZUSHI?! ANSWER ME!!!”

Your spouse called your name from the other room. “(Y/n), is everything alright?”

With their voice, your anger faded slightly, yet your breathing remains loud and manic. “I’m alright! Do not leave the room, dear!”

“Scaramouche” took that as an opportunity to digress.

“I saved you from death before. Do not forget that.” His face hardened. “In case you've forgotten, I'm no saint. Many people will want to seek me out and settle the grudges they've built against me, and what better way to avoid that than to route those future seeds of rebellion?” 

The prince took your hand off the wall.

“Mother had enough, she sees no reason to hold back against those who rebel and she had filed an order to reopen your case. And if my blood and hers are the same, I guarantee you that she will only provide you with the worst defense attorney possible. You will surely receive the death sentence.”

He placed your hand on his chest, gripping it so desperately tight to the point of it hurting.

“So choose me,” Kunikuzushi mumbled. “Choose me, and save yourself. Do not follow your brother’s path. Choose me. I’m your only option.”

And heavens above, does he take delight in that.

You met his gaze with a resolute determination. 

"I appreciate your offer," you replied, your voice steady, "but I refuse. My brother's legacy, as tarnished as it may be, deserves justice, and so do I."

A flicker of frustration passed across Kunikuzushi's face. 

"You're being naive," he retorted, the desperation in his voice taking a sharper edge. "An arraignment is on its way. The military court will not deliver justice. It will devour you. I’m offering you a fucking lifeline, a chance to escape the inevitable."

“I won't tarnish my brother's memory by succumbing to the same shadows that claimed him."

Kunikuzushi's eyes, once filled with a glimmer of hope, darkened with frustration. "You're condemning yourself—" he argued, "—for an idealistic notion of justice that doesn't exist. You're a fool."

"Perhaps I am a fool," you admitted, "But I am a fool who is sure of their innocence. I am not a revolutionary, I only spoke and wrote of the truth. I will not compromise my integrity for the sake of expedience."

As you spoke, the defeat in Kunikuzushi's eyes began to settle. 

"You're determined," he snarled. "So stubbornly determined to die!"

"Perhaps," you acknowledged, "Choosing you would be an escape, but it would also be a betrayal of everything I stand for. And I…"

You smiled.

“I love my spouse,” you said. “And the child we made that was taken from me all so suddenly. Hence, I do not need your love, Prince Scaramouche.”

Kunikuzushi tensed up.

Your child was baptized by the Inazuman priests. 

And Inazuman priests serve the royal family and their constituents.

History’s eyes will speculate that Prince Kunikuzushi was the reason your child had died, that he had ordered your son's immediate poison upon birth.

And Kunikuzushi knows it to be true.

But you will never know that.

You will never know the full extent of what this man had taken from you.

With those words, you turned away from Kunikuzushi, leaving him and his offer behind. You opened the door and gestured for him to leave. Neither of you knew at the time that this would be the last night you’d spend in the comfort of your own home.

Before you knew it, you were writing your final farewells.

(Y/n) (L/n) was subjected by the military court on ████████ ██, ████ and was sentenced to death at six in the morning.

The people saw no justice for their hero, and your body was buried in Inazuma City. If it were not for all you and your clan had given, there would be no freedom in Watatsumi Island and Ritou. Had your brother not saved the young girl, she would not become the matriarch of the Yuna Clan, who led the first Navy in the revolution.

And had you not died in Inazuma City, there would be no Resistance.

But that was centuries ago. 

Divine Priestess Sangonomiya Kokomi sat on her desk, examining previous preliminary investigations. She racked her brain over the testimonies of the seven members of the military court, the judge advocate, the defense counsel, and the prosecuting attorney. The prince was right when he stated the trial would not be fair for you were forced to employ a Lt. Arataki as your defense. It was a prejudged trial. Despite the obvious assertion of innocence, you were still acquitted of your allegations of treachery.

It never fails to make the current Head Priestess feel sour over a 5 centuries-year-old case.

"In their last moments, (L/n) penned Watatsumi Fair and Canticle, two sonnets kept hidden in an alcohol burner." Kokomi murmured as she read. "Although the prince barred their spouse entry, several other family members and friends came to visit (L/n) with the Orobashi coral statue provided by the townsfolk. The sculpture was created for them during the aforementioned fair."

Are you going to Watatsumi Fair?

"In their Fontainian black suit, hat, shoes, and white vest, (L/n) walked calmly outside their prison cell to the execution site in Inazuma City. They've even checked (L/n)'s pulse and felt no irregularities. (L/n) were tied elbow-to-elbow despite their visible acceptance of fate."

"It was speculated that Prince Kunikuzushi was the last person whom they talked to, looking rather somberly with disdain. He spoke in a foreign language so only (L/n) and he knew of their conversation."

 

Seri, mitsuba, yomogi, shiso.

"But Archbishop Sangonomiya Umiko understood what he had said. Je t'aime, mon grand amour… ma première trahison. Roughly translated as I love you, my grand love… my first betrayal."

"Lector (Y/n) (L/n) was commanded to face the ground when the firing squad pulled the trigger, but they still tried to face their executioners. They fell to the shoveled ground, looking at the gray morning skies. They were buried at seven."

“From then on, the name Kunikuzushi changed its meaning to Country Destroyer— for he had successfully demolished the Inazuman Empire upon sitting on the throne through violent means. When asked about this, the King responded with:”

Remember me to one who lives there.

“I didn't desire the Empire that took away my (Y/n). I didn't crave any of it. As soon as I was coronated, my heart stopped beating. And so, I enticed the neighboring King Morax to crumble the very essence of the Inazuman Empire. What purpose do these soldiers have in life, when all they've done is obediently follow ruthless commands and snuff out the ones who hold my heart?

When it’s said and done, I will be empty— a blank slate, destined to wander the desolate corridors of a nation bygone.

Only to honor these filthy human emotions called “love” that never came to be.”

He once was a true love of mine.

Taglist (pls notify if you wish to be on the taglist &lt;3): @pix-stuff @sagekun @vennnnn-diagram , @dilucragnidvr @tnsophiaonly @lsleepysimpl @kitkareen

[eerna]

Hiii I have some thought contributions to the Arcane symposium if you'll have me!

I see people understandably angry at how Arcane handles who is or isn’t a villain and I suppose my two cents is that I didn’t have any hope of them handling it right in the first place, even back in s1 there were always parallels made, always some “both cities have good and bad” nuance when one city doesn’t have air to breathe and is colonized by the other. If anything the beginning of s2 was more consistent in that the second Caitlyn is personally inconvenienced she goes full chemical warfare and mass institutional violence

Personally I thought it unlikely that they suddenly change narrative tones and resolve the plot in a way that was satisfying to me, and I knew the pacifist “choose love not hate <3 zaun and piltover arms in arms” both-sides ending was inevitable, so I’m glad they at least had that whole thing with Viktor and Jayce and the timelines to distract me from it

“they shouldn’t have made Viktor, a Zaunite, the villain” but Arcane always made the villain a Zaunite! Before Viktor there was Silco, Piltover chooses peace but Jinx blows the council up and now they have to do a whole “look what you made us do” arc. This was my beef with Arcane from day 1 (it wasn't emphasized enough, IMO, that the villain is Piltover's oppression and marginalization of Zaun, and that this context renders null any "both cities" comparison)

Also Vi was written so poorly this season what's up with that

All that being said I suppose it’s more complicated to discern “writer’s intent” from that kinda show than it would be in a book or an indie project where there are fewer people involved in the plot writing and less interference. Like one deleted scene or one line of dialogue omitted radically changes the message. But well, there's the intended message and there's the manifest message and as the audience we are allowed to criticize both

Of course we shall, step to the podium~ Truly, the "writer's intent" is truly so complicated here, because anti-capitalist messaging in mainstream art powered by capitalism is always a nightmare to get through.

Oh yes it's a good take, I remember the discussions from s1 era well! However, I still don't think the "both sides have good and bad" thing is a red flag in stories, simply because it's true IRL. A ton of people have trouble committing to a side in a conflict because neither is totally morally pure, which completely blinds them to the truth that NOTHING is morally pure and choosing the lesser evil is the way to go. Silco was a brilliant villain to me because he was an oppressor himself, as people in power are rarely anything else, but that didn't mean that Zaunite ideals were worth any less! After all, Ekko held the same anti-Piltover ideals, but he is morally pure and thus unable to become an influential politician. He can support a small society, but not a large one, because no one really can do that without resorting to some bad shit. Just because Silco dreamed of being the same as Piltover's elite and became a class traitor by forcing his citizens into another toxic work culture, except this time they made HIM rich instead of Piltover, doesn't mean we should just give up on trying to make things better. Zaun during Silco's reign is just as worthy of freedom and equality as Zaun during Vander's reign. It doesn't matter that there are terrorists living there now - that doesn't excuse Piltover's violent actions. And s1 seemed to be aware of that, considering how the Enforcers were depicted, and in the end it's the Piltover council who are forced to give up instead of the Undercity. And the choice of peace wasn't as morally pure as it sounds: the council opposed it and was forced into it by Jayce and Mel's combined power, even Jayce was resistant to the terms at first, AND it still left the Undercity in Silco's hands, fixing absolutely none of the sins they committed there. It wasn't an evil terrorist blowing up a bunch of hippies, it was a hurt Undercity girl setting in motion an event that has been brewing for a long, long time, against a system which gave too little, too late.

So yeah, in short, I don't interpret s1 as ever trying to question whether Zaun was right to demand more from Piltover by saying "well both sides are bad so nothing should change". It simply showed the ugly truth to any revolution: leaders are practically never good people, and those who get too close to it are doomed to very cursed lives. And yet, giving up isn't an option, because the system IS bad and the system HAS to be changed, and if that isn't gonna happen by the way of peace, then you can't help but sympathize with those who were wronged when they do something horrible.

That's why it only worked when it focused on individual characters - that way you can understand why everyone is acting the way they are acting, and you avoid falling into broad strokes. S2 instead focuses on the aesthetic of revolution and war and the characters get lost in the big picture, which absolutely sucks and completely negates everything I've been typing about here. In fact, who knows, maybe my opinion changes too after I sit with s2 for a while and contextualize s1 within it. Maybe I was just wishfully thinking and misinterpreting this whole time. I already feel like a clown for defending this show, so I can totally accept that I could probably be wrong here. But I just wanted to write it all out in the name of discussion and interpretation!

[onskepa]

Hi hi hi!!

Can i get neteyam x human reader? Let's say she was jake's teammate back on earth before he lost his legs. And they had some cool nicknames for each of them. Jake calls her 'bullet' (or anything else you want) and she calls him 'marine' (the way grace always called him) or 'mermaid' (to mock him. Idk you chose). When quaritch appears and kidnaps the kids, she's there too fighting along with him. But she doesn't know these are Jake's kids. When she finds out, she sides with them and saves the kids. At first, Neteyam hated her because initially she sided with quaritch. I need them to have the 'enemies to lovers' trop

Hello sweetie! So I went over your request a couple times. While I love your idea, I hope you dont mind if I did some adjustments to it. Reader will most likely be the same age as Jake, meaning she will be old enough to be a parent herself. So, I thought if it is ok to have it be platonic instead of romantic. I hope you are ok and understand the change of it. Hope you can enjoy this one!

---------------------

Swaxpi

The natural sunlight of Pandora blinded the marine for a few seconds. Blinking a couple of times to adjust the sudden brightness. Here she was, in the far away planet that is the ideal of new human colonization. And by god, is Pandora beautiful, almost makes her wanna cry. But she came with a new mission and goals. Now arriving and being assigned under the group section following ex-colonel Quaritch. 

After hearing the news of Jake Sully now considered a traitor to human kind, the marine now needed answers. It isn't like him to just act out like that. There has to be some logical reason. Seeing as he has gone native, it will be tricky to find him. But hopeful with her new position, finding Jake sully will be easier. Hopefully. 

“Our mission is to hunt down the one they call Toruko Makto, Jake Sully” Quaritch gives a brief description of their new mission. Marine stood out among the rest of her ‘squad’ as everyone else literally is 4 feet taller than her and blue. Though she paid close attention, she couldn't help but feel weird. 

But now that the squad is heading out, to look for him in the forest to look for him. And while no success, they did find the old shack at the last battle that Jake had with human Quaritch. Not only that, but to see the last minutes of the fighting in a recorded camera of the old armor, the marine almost didn't recognize jake. He looked feral and angry. 

“That is Jake’s woman” one of the members points out the female na’vi in the recording. “She is an animal,” the other commented. In a way, she did. 

But then suddenly, with a turn of her head she looks at the direction of the forest. “You see something soldier?” Quaritch asks, noticing her looking out. Giving a quick look around her, she shakes her head. “No sir, nothing” she replies. 

Though, she could have sworn she heard a voice. Somewhere near a distance.

The surprise attack was indeed surprising. The recom team captured four na’vi children and one human child. Yet two of the four na’vi children have five fingers and eyebrows, indicating they are mixed. 

“Show me your fingers” Quaritch demanded one of the children, and without hesitation, the young boy flipped his middle fingers up at Quaritch’s face. It made the man grin, but the marine almost wanted to laugh. Why does it remind her so much of jake? 

“You’re his alright” Quaritch comments. The marine girl blinked a few times. Are they Jake’s kids? 

Quaritch takes off the mic neck piece from the child and turns it on. And out comes a voice the marine woman thought she would never hear in a long time. 

“Lo’ak? Lo'ak, do you read me?” Jake Sully. Sounding alive and well. And it seems Quairtch knows it too. Shit, if the kids really are his, it will make the situation tense and anything could go wrong. Yet she is the enemy to them. What on Pandora is she gonna do? Be part of the reason for hurting her best friend's kids or will she go rogue? 

Guns were pointed at the children's heads, neither recom hesitating to be rough on the kids. Especially the little one. “Really sir? They are just kids” the marine girl spoke, her eyes narrowing at her commander. Quaritch shook his head dismissively. “They are the spawn of the traitor. They are valuable so long as they dont do anything rash” he responds. 

She is not liking every second of it. 

The youngest child yelps in pain as the one holding her was causing her pain. “Easy! Damn, let me have her” she tells the big blue off. She grabs the youngest in her hold, still being strong but hopefully softer than how the other was holding. The recom walks away in annoyance. The child however was close to crying. Leaning closer to her ear, the marine whispers “ssshh, its going to be ok. Your dad will come save you soon. I need you to be a big girl and be strong”. 

It sort of seemed to work. Now to figure out how to help the other literal big kids without having her head blown off. She can only hope Jake can get his blue ass faster.

It was night but it was perfect for neteyam and his parents. Yes, they told him to stay put and not move. But how could he stay still when his siblings are in the hands of the enemy? Following quietly, neteyam hid among the large plants, letting the darkness cover him. 

Getting closer, he can see those false na’vi holding down his siblings. He looks and sees tuk, scared yet calm. A human woman was holding her from behind. Narrowing his eyes, neteyam wonders why there is a single human in an all blue team. It won't matter, she along with the others will die. 

So being quick, he managed to kill one false na’vi, however he exposed himself. 

“NA’VI!” one of the recom shouts. Just in time jake catches neteyam and pushes him down to the ground, avoid a flood of bullets. Neteyam knows he will be in big trouble later, but it will be worth it. 

The marine knows she will be in serious trouble later but right now it will be worth it. 

Bullets and arrows were flying around, taking a moment to use it, the marine woman took out one of her bombs and yanked off the ring. Throwing it in the center of where everyone was at. Quickly counting how many seconds she has, the marine grabs the kids and yanks them to a certain direction. 

“Go go go go!!” was all she yelled, pushed the youngest first to the direction where she saw the na’vi. The others followed as she did, counting the time the bomb exploded. Bodies flying all around. The light from the bomb gave her enough sight to see where she was going. However, it was too good of an escape. A sudden and quick sharp pain was felt on her leg. But she couldn't stop to see what it was. Mostly likely she has been shot. By why? It doesn't matter at the moment. 

“MARINE!” she heard quaritch shout. Not looking back she continues to guide the kids deeper into the darkness. 

Until a giant blue body tumbled her to the ground, blade against her neck.

Neteyam hissed dangerously at the unknown woman who kept touching his siblings. He raised his arm ready to kill the woman once and for all. 

“STOP!” kiri shouted, grabbing his arm, forcefully trying to take the blade away from him. Lo’ak also forcefully neteyam to back off from the woman. He looked at them in confusion. “She didn't hurt us! If anything she made sure those killers didn't hurt us any further” kiri was quick to explain. Lo’ak nodded, “yeah, she calmed tuk down and made sure she didn't cry '' he added. 

Tuk wasn't far, “she is really nice! Not like those killers' '. 

Neteyam looked down at the human who was still laying flat on the ground. “Listen, I understand you want to end me. But I am not your enemy. I know I looked like it, but trust me-” the lady’s words were cut by the worried shriek of a female na’vi. 

The kids turned around and saw their parents approaching. Quickly they all ran towards them and hugging them for dear life. Weeping and crying, the parents hugging their children as they sigh in huge relief. “My children! oh thank eywa, you are all safe!” the female na’vi says. After the kids were being checked over, the marine took a good look at the male na’vi. Looked a lot like the recom blues, but also a native. 

Her thoughts were interrupted when the oldest son yanked her up and pushed her rather roughly towards the parents. “The human was there with the demons, holding tuk against her will” Neteyam states. Anger still present. 

“She is not like them!” Tuk protests. Eager to go side with the human woman but jake wasn't letting her. “Please, she didn't want to hurt us,” Kiri adds. Neytiri was ready to kill the human, but Jake gently placed a hand on his wife’s shoulder. Getting right at the marine’s face, mad yet confused.       

The marine couldn't help but let out a nervous chuckle, “long time no see little miss damsel” she says. 

“No fucking way….”

Neteyam didn't know what to feel. One moment his father was ready to kill the human, and now his father was happy and rough housing with the demon. His mother was just as confused as he was. His younger siblings however were happy and enjoyed playing with the human. Maybe it was so late into the night, maybe the thrill was dying down and he was just hungry and tired. 

Yet he cant help but not trust the human woman. How can his father have him accept the demon who held a weapon near his baby sister? Sometimes he understands his mother more. 

“And this I dunked him in the orange liquid! Oh you should have seen his face! He looked like a shaking, crusty chihuahua!” The marine woman was retelling a funny memory to Jake's family. While the kids laughed, neytiri trying to remain a stoic face couldn't help but crack a smile. 

Jake looked like he wanted to die on the spot. 

“Oh yeah? What about that one time when we were in Guatemala? You were so drunk that you were flirting with that bartender” Jake smirks as he recalls another memory from their shared past. The woman blushed but also looking ashamed. “Not my proudest moment,” she confessed. 

“Swaxpi is so funny! I hope she stays with us” tuk giggles as neteyam tucks her in bed hammock. Neteyam gave a surprised look, “why?” he asks. Tuk shrugs, “I like her!”. Shaking his head, he gives her a kiss on the forehead and leaves. 

He was tired but not sleepy, so much has happened in the few short hours. He needed some time alone. So he quietly leaves his family’s hut and out to the nearby area. Silence was perfect. 

Until it wasn't 

Seems like the human woman was also in the same area neteyam wanted to be in. Neteyam grabs his blade by instinct, observing her move in case she does something. “Calm down kid, I will be gone soon” the human woman explains. 

She turns around and her eyes meeting his. 

“Come here, I could use some company,” she says. 

Huffing in annoyance, neteyam walks over to her and sits near a branch, keeping distance from her. It didn't bother the woman. From what Jake told her, his oldest son is more cautious of possible danger and tends to be alarmed often. 

“Swaxpi, your siblings and your mother have started calling me that, I'm not very well educated on your language, so what does it mean? I hope nothing too mean” the woman asks.  Yes, neteyam has also noticed that too. Mostly tuk and lo’ak calling the odd woman hat name. But hearing that his mother calls her that too was very surprising. 

“It means family member…” neteyam replies slowly. 

The woman humms at that. Seeming more relaxed, swaxpi makes herself comfortable on a branch. “I like it, but I find it odd. I only have met all of you in less that a day, was part of a enemy squad, exposing some of your father’s embarrassing secrets and now look. Already seeing me as family-” 

“I don't, you are a demon no matter what. A killer.” Neteyam cuts her off. 

Swaxpi lowered her gaze, her smile faltering a bit. “Call me what you like neteyam, but never call me a killer. Yes, I joined the RDA. Yes I have held weapons. But never ever have I taken a life. Human nor na’vi. I never brought death to anyone” Swaxpi calmly defends herself. 

Long minutes have passed and neither spoke a word. 

“They can call you swaxpi all they want. But in my eyes, you are nothing to me” neteyam declares. Almost trying to convince himself more than the human. The woman however lets her lips grow back into a smile. “Sure neteyam, whatever you say” she replies. 

Yes, neteyam will never call her Swaxpi or anything endearing towards her. She is nothing to him, nothing. 

But if she is nothing to him, why does it feel wrong? 

This took too long that I would like. BUT! I hope you all liked this one. And also hope you guys understand the changes I made. So, until next time! See ya!

-------

Swaxpi = Family member

[rodolfoparras]

OK imma be honest and little personal, before I knew a little bit more about the LGBT, I just didn't care I just knew they existed, now that im older and apart of it nothing changed ngl...just maybe a little rude with it. I'm like "Oh you're gay? Cool want a cookie?" Or "Oh, you think being gay is the devils or whoever you claim doing? Want a medal?". I don't mind having people like having something for them but a month? Sounds like robbery 2 me like, What about soldiers like I mean the good soldiers who actually fight for their people? I'm sorry, but if I could, I would make certain... things like these two have at least a week, but like I said, I don't mind it... I just find it... wrong in a way...like think about it...when something big happens in your life (if yall do it like me) we just celebrate it in like that first week, like what I mean is for the first few days it's all "WOOHOO THIS HAPPEND TOO YOU" then the rest of the week it's just "congrats". Like I remember a few years back, I'm not sure if it's still the same now. But soldiers die every day and stuff, and all they get is a day, and everyone like "poor soliders rest in peace" and then go on about their lives after a few bours or something . But the moment a Trans person got killed, suddenly everyone dropped everything and talked about it for weeks....trying not to sound harsh, but come on....

Sugar I think you have a lot of inner work to do

Pride month cannot be boiled down to a celebratory party of sexualities and genders

While yes a major part of pride month is to celebrate lgbtq people it’s also about remembering the journey as to how we got here, plenty of people literally laid their lives down so there could be a celebration in the first place sugar I don’t know if you know this but trans people would literally use bricks and drop it onto their genitals or their chest to get rid of those parts, a lot of trans people died of cancer and other terminal illnesses because it was considered shameful to treat an openly trans person no matter what severe condition they had it’s also to raise awareness of how lgbtq people of color made a lot of things possible for us, did you know that before colonization native people had woman man and then a third gender that didn’t fall in either category white, Christian cis people wiped that out because it was considered abnormal and now today we have a whole chunk of people who are seen as abnormal because that whole gender identity has been wiped out pride month is to also raise awareness to everyone who can’t live their lives like they want to. It’s like international women’s day just because women in Europe have it good doesn’t mean that it’s fine and dandy all around the world

The reason as to why people don’t care much for soldiers is that the only ones discussed are American ones- soldiers belonging to armys who have more or less started the war in different places. Never have I seen people discuss the 10.000 soldiers that died in the srebrenica genocide - soldiers- boys 18 year old boys 10.000 of them- that had to forcefully enlist in the army because their country was going through a genocide

And the reason as to why trans people get so much coverage once they get killed is the same reason as to why women get so much coverage when they get horrifically murdered by a man they’re oppressed, soldiers are not oppressed soldier more often than not are the oppressors.

With that being said I do hope you take time to actually do research on your history because the reason as to why you can be like “woo I’m gay ok let’s move on with my day” is because of thousands upon thousands upon thousands lgbtq ppl that made sacrifices for you those sacrifices didn’t happen that long ago

[mesetacadre]

I've been curious as to why in a lot of socialist states, there seems to be such a reverence of their leaders - I understand why strict adherence to the Party is necessary to oppose counter-revolutionaries and for the survival of a Dictatorship of the Proletariat but I've always had trouble recounciling the fact that there seems to always be cults of personalities around leaders.

Is this image of a cult of personality in socialist states completely fabricated by capitalists? I feel like it must at least be exaggerated by the West, and I understand that these leaders are/were popular amongst their populations for the good they have done, but I would like to know if there is more to it.

As a slight aside before the meat of the question, adherence to the party is mainly necessary because as the party of the proletariat, it should sum all of the interests of the class into a single program and a single will. Apart from the issue of survival and defense, it's mainly a political reasoning.

We should have in mind the context of these "cults of personalities". The places in which socialism has imposed itself for any significant amount of time have essentially been imperial periphery, meaning a colonized people with decades of savage exploitation weighing heavily in their minds. The case of the USSR was an imperialist country, although living conditions within the empire were nothing to be envied, and in the case of Eastern Europe, a cautious parallel can be drawn to fascist occupation and the various reactionary dictatorships of the interwar period, with the myriad of little regional wars and population transfers. To sum up, socialism has been a liberatory force, one that sided with the powerless in their most miserable times and brought them to run their own state, and enjoy the full fruits of their collective labor. Keep this point in mind for a moment.

Idolization of individuals is an attitude that has been inherited from nodes of production that benefit from taking the focus away from masses of people as classes by shifting it to extraordinary individuals. It is an aspect of psychology that is still nowadays very hard to escape because it has been conditioned so deeply into the collective consciousness, if one allows me to borrow a Freudian concept. History is taught through individuals, but we also conceive of all political leadership in terms of individuals. The administration of so and so, the such and such era, etc. Most communists also do this to an extent, for instance, when we talk about the history of the USSR or of China or Cuba, we rely on the tenure of individuals or at least use it as a crutch for compartimentalizing periods.

With these two things in mind, it's not surprising to see idolatry of individual communist leaders to happen. I'd agree with you that it's not exactly desirable, but the context in which revolutions take place are the smoldering ashes of the old, not a foundation of freshly-poured concrete. A lot of communist states also leaned into this individual worship, and while I won't get into specific examples, I will say that the ones I know of have a satisfactory explanation, or at the very least the reasoning behind the choice at the time makes sense. Regardless of this, the propaganda that comes out the mouth of the Pentagon is exaggerated and at times complete fabrications.

Let's take a modern example, for a change of pace. It is true that the Kim family has included all general secretaries of the Worker's Party of Korea, and that Korean people in the north have very positive opinions of the Kims. Did Kim Jong Un force all Koreans to have his haircut? or forbid all babies to be named after him? or force every house and establishment to have a portrait of him? Absolutely not.

All of this scare-mongering plays very deftly into the pre-conceived expectation of people in liberal democracies of politicians being polarizing figures or largely disliked. This propaganda simultaneously reinforces a normalization of this expectation, which does prevent some people from acting on their discontent, and also convinces people that there can be no such thing as a politician who genuinely does govern for the benefit of the social majority and is liked for it. "A worker's state can't possibly be so because it's impossible for a state to truly satisfy all people, they must all be under the spell of a personality cult!" thinks the worker living in a bourgeois dictatorship reading the umpteenth ridiculously exaggerated story of Kim's dictatorial whims.

[avelera]

Nothing will convince me that Ed was telling the truth in OFMD 1.10 that it was “regulation” to shave the beard. Absolutely nothing.

I mean, first of all, the reason the British spared him and Stede was because of the star power “Blackbeard” brought to the British navy. Why would they tell him to shave it off? It was what made him instantly recognizable. Without it, he’s just another sailor.

And now we’re getting into S2 and the first “self portrait” we get of Ed in any form is him painting himself as the bride on the wedding cake toppers??

A lot of fandom called it, I think. Ed has a complex relationship with gender. I don’t feel I have the authority to more than underline that it exists, I don’t feel up to attaching specific labels just yet, but clearly the beard was more than just a beard, if ya know what I mean. It was part of his worksona, a fuckery, a performance, a shackle, an anchor dragging him down. He might not go fully clean shaven after this (though I do think the short beard we see at least by 2.03 is at least in some small part a depression beard) it might not be quite so clean-cut (ha!) as him simply never wanting facial hair. But the long beard was something he clearly feels happier and freer without (Taika too, lol, he hated the fake beard).

Anyway. Nah, Ed shaved the beard off because he wanted to and he finally had the excuse.

And as a final note, one reason I so vastly prefer this interpretation, is how much agency it gives Ed in his own “transition” for the lack of a better word (until we see more to confirm it, that is). The “oh yeah it was against regulation” then becomes an easy, flippant little lie he tells at a convenient moment when it seems entirely plausible. But note how cheerful he is about it. This is the same Ed who freaked out when a noble touched his beard ribbons, no fucking way he’d be that casual about some colonizer changing his hair without his permission.

Nah. Nah, Ed did it himself. It was 100% his choice.

[thesockinyourdrawer]

“And suddenly im okay again.”

📝📝📝

Lls: Ais, Vere and Leander.

You don’t know why, but you have become more and more irritated, you could even say infuriated. And it burned more then normal on your oh so cursed hands.

You don’t know why and it’s making you even more irritated.

You don’t like being irritated or mad in the slightest. You don’t know what is happening with you at all. So after mentally preparing oneself. You go out of your room and down the staircase. Only to be met with laughing, yelling and the most thick, mellow atmosphere, it was like you couldn’t breathe in it. You ignore it and continue walking down the stairs. You were greeted with the most annoying people you have met yet in this cursed city, Vere, Ais and of course Leander, getting straight up roasted by the two of them. He didn’t seem like he was very offended or anything like that, but what do you know. You stand there for a second wondering if you should just storm out of the wet wick or like a normal person, wait a couple of seconds before Leander calls you over but you didn’t get to wander off with your thoughts long enough before called you over. Great… Its not because you had anything particularly against Ais and Vere, They just happened to be annoying and teasing ALL the time. You couldn’t allow yourself to just stand there. That would be embarrassing. So you make your way over to them. Greeted by three figures, they all had stupid smirks on their faces. “Hello, mc. How has your day been?” Leander says, seemingly a little tipsy. “It was..Something.” You reply not even thinking before speaking. “Uh anyways! What about you?” You try to change the topic. All six of eyes were suddenly on you, you redden from the attention and stare back. Leander looked like he wanted to say something but, before he could say a word, a fight breaks out between two drunk bastards, and he runs over to stop it. When he’s out of sight, Vere spoke up. “Oh! Finally, he’s gone I swear he’s colone is so strong I can smell the colors of it.” Ais smirks when he hears that. “Whats up, sparrow? Going somewhere?” “Not particularly, why? You want me here?” You teased, shifting your gaze to Ais. Ais smirks at you “hm..Maybe, depends.” You just glared at him after that. What kind of answer was that?! You think to yourself. Vere starred at the two of you, amused, clearly. It never gets boring when with them, they have that effect on you, at least. You actually like them as people in general. You thought, but snapped out of it when you returned to the real world “Mc.” Vere speaks in a low sexy town causing you to gaze up at him. “Don’t tell me that we are so charming, that you daydream while we’re right here!” He grins at you, amused by your annoyed expression “You wish.” You answer. Ais chuckles at that and so the night goes on, Veres unholy jokes and snarky remarks combined with the teasing words of Ais and smugness. You just now realized how much better you’re feeling, guess it isn’t that bad anyway. You think, grinning like an idiot towards them. You redden a bit, and in a silent whisper you say…

“Thank you.” “What was that, sparrow?” “It was nothing.” You quickly reply, though, Vere gazes at you with that “I know” look and you give up on denying, but you just grin at him, bashing your lashes at him in a innocent manner.

He chuckles, he’s clearly gonna tell Ais later. “Whatever” you think.

Maybe they aren’t as annoying as you thought, or something.

______________________ ______________________ ______________________ ______________________ ______________________ _______

Sorry if this is out of character, I tried my best.

Thank you for reading. 📖

I’m out. ☕️

[1d10tch1ld]

Being Winterqueer should be the norm

(Message me if you need, I am not going to attack anyone over this subject even though it does frustrate me.)

Like how Queer Activism is the norm because guess what? Making assumptions that all white people or white passing people could not be going through severe trauma or could not be gaslighted into thinking their a bad horrible person because of their race or adding to their pre-existing trauma is not funny.

Racism is Taught, Not a Biological "gift."

Save your opinion for after you've heard me out, I know I am like the only white person affected by this but I am also autistic and have a hard time being sure on certain tones.

Most of my trauma stems from TikTok, but the thing is I don't view my trauma as that much connected to it since that'd be avoiding responsible that the creators should be taking with over 1Billion people I think the person/people should be held accountable.

I can't force someone into my opinion but I hate being spoken over, I don't mean to trigger anyone but if you are then please scroll past this post.

Racism hurts everyone, including the relationships and friendships someone can have so even if the racism is not explicitly aimed at a white person it can still hurt them because majority of people hate seeing the ones they love in pain.

2. Calling someone a colonizer for being white passing or having white genes is just as bad as calling a German person a Nzi for being originally from Germany, years after the holocaust ended many Germans were hated for being German whom did not even support Nzi's (such as children who were born after the event, It's not the childs fault for their parent including if someone has a parent who is a murderer, the child had no choice in who their parent is such as with their ancestry.)

3. I support everyones right to talk about their experiences whether they are white or not, but putting one over the other or any kind of forced ethnocentrism is wrong and gross. (as in claiming stuff that didn't originate from their country as originating from their country is wrong.)

4. the conflation between feeling good about being white and being a white supremacist is gross, I don't support stuff like the KKK or NeoNzi's. But I want people to feel good about being white since someone who is proud of their heritage may be less likely in certain situations to be against racism especially fi the person was taught to be racism because they thought or were taught into thinking that all Black people for example hated them or would steal from them (which is a huge lie but someone already told to think that when they were searching for researchs to feel good about their race from their insecurity can fall into the pipeline of becoming a NeoNzi).

5. I think it should be taught in schools or universities for people looking to become psychologists that emotional manipulation can be helpful or can provide a good tool to make people avoid becoming racist or even if it's given into someone's selfish point of view they should still use it but not to gaslight them into hating themselves. such as an interaction like this:

"I hate xyz people"

"Why do you hate xyz people?"

"Explain here or something."

:0 Then the therapist can gain knowledge on how to redirect the persons thought process to avoid any hatred against people of "xyz" race. but that should be the norm of what is used in therapy to negate those feelings of shame or doubt in someones feelings towards being or towards people of "xyz" race.

I love how black activists act like white people are the problem when for years majority of them don't care about Black men, or cared about George Flloyd yet did nothing to actually change laws or change things for Black men like putting a better system in place for them? If George Flloyd lived today he'd still have been klled which to me prove as a society we did nothing. we are the society, traditional is not mainstream society so stop conflating traditional with society.

Like the same for White people, majority of racism that would come from a white person is likely feeling threatened by POC people so it's good to teach that out of them but somehow POC people took that to mean making fun of their trauma or paranoia! Making fun of someone with Paranoia about something no matter what is ableist and I will not stand for it but purposely inducing Paranoia into someone is also ableist.

I would argue that black men are often dispositioned into roles where they are more likely thought to be dumber or less-human then black women. the whole George Flloyd thing did not get to the root of the issue which is the Police System --- since no one thought to take it to the Police Department / Head of the police to have honest discussions on what to change to make sure its less likely to happen since it'd influence the training style or it'd still make a remembrance day or something??? Like guys words aren't all you need to make a change.

(NO!) No, more gaslighting someone into not being able to talk about their experiences, some people act like therapists are just robots pre-programmed with automatically knowing how to make someone better yet these lies from POC people (not all POC people but like a lot of POC activists) do reach therapists yet a white person can't say they feel gaslighted or they feel like their trauma is not taken serious for being white --- or other white people shut the white person down, not wanting them to label their trauma as racism when it technically is.

Like the whole argument over, "white racism does not exist" so what am I to tell my therapist if the therapist thinks like that? It does not prove anything to them, it just makes it harder for a lot of people to access therapy as they may refuse or think the therapist is weak because they are basing their opinion on "empathy" and not every feels empathy.

No one is arguing that white racism is as bad as any other types of racism but yet people want to know why so many people go from being White at birth to go identifying as Trace like??? I don't want people to have to identify as Trace because it's just been adding to the trauma I have because I want people to be able to work through their trauma and what I mean by that is not the current gaslighting therapy style we have now. So please stop the way you talk or act about race, you don't need to be an activist based on the colour of your skin.

That goes to everyone, you can be an activist if you genuinely want but know this It doesn't change if you are morally right or wrong as long as you hear people out then its fine but if your not willing to on any issue then you can't really get your own activism across to them.

[mab1905]

Oh no guys

Oh no

I’m reading that play I talked about. And it’s about colonialism and climate change through the lives of a group of Inuit people and a polar bear family. And that part of it is really good. Like all that is very beautiful. But uh. The second act is meant to be about the Franklin expedition. And. This is from the dramatis personae:

Also no mention of the terror. Not a single name of any of the crewmen is real beside’s Franklin’s. And it takes place out on the ice after they have abandoned ship. Which we know for a fact Franklin was not a part of. And like. I totally understand the necessity of simplification in a play, especially when the play is not strictly about this expedition. So in that sense the fact that Franklin is there wouldn’t bother me because like, yeah if I’m an audience member who knows nothing about this it would be easier for me to understand if Franklin is at the head and not Crozier Bc it’s JF’s name on the expedition. Also within the purpose of the play, it does not matter which of them is leading it Bc the play is about how the expedition as a whole affected the local people and wildlife. So like. That part I totally get. But… you couldn’t do a five minute google search and find their real names? ITS SO EASY TO FIND THEIR NAMES. Every single crewman in the show is someone who we know the name of. The Erebus ice master, the boatswain, the mates, the stewards, and a few unnamed crew members. Those are the people in the show. You know, James Reid, Thomas Terry, Robert Sargent, Charles Des Voux, Edward Couch, Edmund Hoar, Richard Alymore, William Fowler, and John Bridgens. Or, as this play would like you to think, “Oliver Morshead” (ice master AND chief engineer ??), “Wickers” and “Bean” (a midshipman, and a mate), “Carter” (the boatswain). Also I’m sorry. Who the fuck is James Holloway. I don’t know him. Like the play-write knows enough to talk about Lady Janes leading the search to find Franklin but not enough to know the name of Franklin’s third in command?? Or any mention of Francis??? Even if it doesn’t matter to the overarching plot why is it so hard to give them their names? Especially when it seems like so much painstaking research was done for every other aspect of the play??

Edit: it just feels very weird and imbalanced compared to the rest of the play. And someone tagged talking about how it’s not about them and it’s kinda real that they should just say fuck it give these guys random names. And I understand that to an extent, considering the number of times that has been done to Inuit people in stories told by white colonizers. But, as a reader who is fascinated by not just Franklin as a topic in the play, but also the history of British colonialism, it’s affects on the Indigenous American people and landscape, and climate change on both a physical and spiritual level; when each of those topics except one feels so well researched and cared for, it pulls me out of the story when I see discrepancies that are so glaring.

[alarajrogers]

Just re-reading some of my old "for the love of God vote for Biden so we don't get Trump" posts, and I'm super happy that instead we have Kamala Harris, who people seem to be excited about... but I did notice a recurring theme in the leftist opposition (aside from refusal to actually understand electoral politics or pay attention to what's going on outside of the one issue they care about):

"We need to smash the existing system because it doesn't serve anyone! We need a revolution!"

It is understandable that Americans should believe in this fantasy. We have been taught that our Glorious Revolution that started this country was the height of righteousness and a wonderful thing for the whole world.

The problem is, it wasn't a revolution except in the most technical sense. It was the overthrow of a distant colonizing power and the institution of locally controlled government.

"Revolutions" that get rid of distant colonizing powers and grant the locals self-governance are often pretty successful, because the locals have a structure for self-governance already -- no distant colonizing power has ever been successful by installing nothing but puppets at every level of government in the entity they're trying to govern. But they're not really revolutions. They're the overthrow of occupying powers.

France took inspiration from us, misunderstanding what our "revolution" really meant, because they hadn't had 250 years to understand colonialism and what it meant and how it behaved... and their revolution involved unspeakable bloodshed and then takeover by a strongman who wanted to conquer Europe, and came damn close to doing it. How many French people died in the revolution? How many in the Napoleonic wars? Yeah, eventually they got their shit together and got a better government in place. It only took them a hundred years after the revolution... which, by the way, killed 16,000 French people. There were not that many nobles in the country. During the century of unrest that followed -- Wikipedia quotes this:

"Every [French] head of state from 1814 to 1873 spent part of his life in exile. Every regime was the target of assassination attempts of a frequency that put Spanish and Russian politics in the shade. Even in peaceful times governments changed every few months. In less peaceful times, political deaths, imprisonments and deportations are literally incalculable."

The Russian Revolution killed even more people. They started with the idealistic notion of a state that would wither away, and ended up with totalitarianism, and widespread hunger and black markets, because their version of Communism had to start with a state strong enough to strip everyone's property. They had a brief period of free press and free speech from the mid-80's when the Wall fell, to the 10's when Putin started turning them back into a colonizing empire. Now they are no better off than they were before the Revolution -- overall better food and health care, maybe, but less freedom to speak out against the government.

Oh, but our revolution would be different, right?

I want y'all who hope for revolution to seriously ask yourself these questions:

In the US, who has the most weaponry (outside of official government functions like military and cops)? How strong is our military? How leftist are our soldiers, in general? How leftist is the country, in general? Who controls the media that tells most of the country what to think?

I will answer those questions for you:

Right wing gun nuts who hate queers, Jews and Muslims and are not real happy with the notion that women and black people are human

Strong enough that if every single right wing gun nut rose up in revolution to kill our elected leaders, the military could put them down

Not very leftist at all

Our "left" is the rest of the world's center or moderate right

Big corporations, and a disproportionate number of evangelical Christian billionnaires who control those corporations

In other words, a violent leftist revolution is NEVER GOING TO HAPPEN. Never. Not in our lifetimes, at least. And I'm including three year olds in that "our" there. And if it did, it would probably condemn our country, and most of the world, to unrest for a hundred years, and might result in us ending up with a far-right-wing dictatorship at the end of the churn.

The far left wing of this country -- the communists and extreme socialists who want to see all or most capitalism destroyed -- are a tiny minority of the nation. The progressives, who want stronger socialist protections but are okay with capitalism existing with stronger controls, and who want to see all people being treated as equals, are not a minority but have almost no guns in comparison to the right wing. Guns are actually necessary in rural areas due to the existence of wolves, bears, coyotes who will eat your chickens, etc, so even if we had excellent gun control measures, the majority of the non-government weapons would be held in the rural areas, which are predominantly white, Christian, and have been largely taught that queers, Jews, Muslims, atheists and socialists are evil subhumans. But most of the non-military weapons are held by cops... who exist to protect property rights and are so riddled with racism, sexism, ableism and corruption that good cops often end up dead rather than being able to change anything.

When do you think a minority of leftists who mostly do not have guns are going to be able to mount a revolution against the most powerful military in the world, against cops who are willing to drop bombs on civilians (check out the story of MOVE in Philadelphia, and recall that the cops have gotten worse toward civilians since then), against the people who feel like they're not really safe unless they have twenty-seven guns in their home and they know how to shoot all of them?

Your leftist violent overthrow of the wealthy will never happen, because all the wealthy will do is use the media to redirect a substantial number of you into attacking Jewish doctors and lawyers for being "rich" instead (or for being "Zionists", which is happening right now, because anti-semitic hostile powers like Iran and Russia have infiltrated your leftist spaces and filled them with misinformation), and the people who should share your class consciousness think you should be dead for not being a straight evangelical Christian, or for believing in Communism, or both.

Your only hope is to change the culture. Change the government through non-violent ways like peaceful protest, calls and letters to your representatives, and voting. Change people's beliefs by writing, teaching, running for office and speaking, controlling school boards to make sure the next generation are taught to question authority and not mindlessly accept everything the media tells them. Make things better in little ways, then crow about it so everyone knows you did it, then use that to prove that you could make things better in bigger ways if you were given the power to do so.

You have tried, election after election, to "teach the Democrats a lesson" by withholding your votes, to make them go further left. As a result they went further right. Because if leftists don't vote, why should an elected politician care what they want? Go after the people in the middle who could maybe be pried loose from the right wing, by catering to them. That's how we got Don't Ask Don't Tell and the Defense of Marriage Act and welfare "reforms" that fucked over poor single moms and why we still don't have national marijuana legalization despite the fact that Bill Clinton admitted to smoking it in college. When a strategy has not only failed to work but has made matters much worse, over the course of at least 20 years, maybe 50, why do you keep pushing it like it changes anything?

You argue, votes don't change anything. Has nothing changed in 50 years? Corporations have more power now than when Howard Beale yelled "I'm mad as hell and I'm not gonna take it anymore" in the movie Network, in the 70's. Real wages are down. The job I do paid $90 an hour in 2010 and now it pays $70 -- that's not "with inflation", that is actual numbers. AIDS happened and killed untold thousands of gay men, drug users, hemophiliacs and people who needed blood donations, because the left wing didn't come out to support Jimmy Carter, so we got Reagan instead. Reagan didn't cause AIDS, but he did his damned best to make sure that AIDS research got no federal funding. Many things got worse because you didn't come out and vote.

Things have also gotten better. Because people who are nowhere near as far left as you economically, but who believe all humans should have rights, have voted, so now we have a world where on paper everyone is equal and discrimination is illegal, which is nothing at all like a world where everyone is actually equal but a hell of a lot better than a world where people are allowed to legally discriminate. But meanwhile things turned to shit for the working class. Because you guys are the ones who put pressure on the government to protect people's economic rights, and you abdicated because you wanted to teach the politicians a lesson. Well, you sure did. You taught them that nobody who votes cares all that much about economic justice. It's only now that late-stage capitalism and corporate/right-wing control of our economic system has gotten so toxic it affects the middle class, that we're seeing any economic reform at all or any pushback against corporations -- because you gave up. Because you declared, on the basis of no evidence because most of you are 20 and the rest have become so beaten down by life that you're hopelessly cynical, that votes don't matter.

The right wing buckled down and voted. Every election. Dogcatcher, school board, municipal waste authority, whatever. Vote for the person who gets you closer to where you want to go. And as a result, we are on a precipice where, despite how unpopular their extreme ideology is nation-wide, they are on the verge of being able to achieve it -- the rollback of everything we've successfully achieved throughout my lifetime, 55 years of progress, gone. Or, we can have leadership who have been trying to push a progressive agenda, uphill both ways but they're doing what they can.

This is where we are. Because you want moral purity. You want to absolve yourselves of all the bad things American leaders do by not voting for any of them. But since you had the power to vote and you didn't use it, there is no absolution for you. Everything an American leader does that is worse than what his opponent would have done, your hands are dirty if you didn't vote against him. And if you wilfully refuse to understand that voting third party in a presidential election is basically not voting at all, and that all it does is make both of the large national parties that are capable of winning ignore you, and that this behavior is why we are in such a shitty place right now...

Well, maybe you think your conscience is clear, but honestly, you are the guy standing next to the trolley lever operator, saying, "Well, I didn't do anything to stop him from making sure 1 guy died instead of 5, because making 1 guy die is as bad as making 5 guys die, so my hands are clean!" And then the next trolley operator comes along and wilfully kills the 5 people on the train tracks and you didn't stop him either, because the last guy killed 1, and you refused to accept that your choices were 1 or 5. And because you gave away all your actual power, and fantasized about power you don't have and never will, you imagined that someday, in a perfect world, you and your friends will fix the trolley system so it never hits anyone. But you aren't even engineers, you won't pick up tools, you don't join public transportation planning committees, and you won't even stop the guy who keeps turning the lever to kill 5 people because the 1 on the other track gives him money, because the other guy killed 1 to save 5 and that makes him just as bad in your eyes.