#there’s also a cultural difference

[somnas-writes]

Azriel and Eris cannot communicate express emotions for the life of them, but they do try very hard.

Eris communicates mostly through flirting, honeyed quips that would turn the average fae to putty— but azriel, spymaster who is trained to be stone cold, is absolutely unaffected. It’s that Pokémon meme; Eris uses flirt, It was Uneffective!

Azriel communicates through body language, he has six limbs after all so it’s easier. Flared wings that would signal to any Illyrian that he is excited, but Eris, a high fae who knows nothing about how illyrians use their wings, cannot understand it.

They have to meet in the uncomfortable middle ground of actually saying what they mean.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[artsekey]

Thinking about the time I lost a game of Overwatch and I was so mad about it that I genuinely considered getting into shit with the other team in chat and then realized that it was a colossal waste of my living breathing Human Time and uninstalled Overwatch instead because it was only making me angry.

And then thought about the OTHER time when I was on TikTok and realized I was Not Enjoying Myself and was, in fact, seeing so many sad videos and fake influencer ads that I felt Truly Despondent and then just…Deleted it.

Imo I want my social media /general media experience to be a pleasant break from real world and I get to decide what I get to cull to make that a reality for myself. I highly reccomended it! Life has improved considerably!

[vriskan8or]

let her go

[spacerockband]

Legend tells of the carp that leapt over the Dragon Gate at the crest of a river and became a stand up comedian.

[honehonn3honey]

What happens to this empty place, waiting for my arrival...

Rook in my heart. You can read the monster list here @lustlovehart

[Alt under the cut]

This is the original version but God, I don’t see anything else and I didn’t want others to get hurt watching

Now here I put my thoughts as I drew him:

I think our beautiful creature doesn't really have a human anatomy, his limbs are long and with very little muscle covering. Their bones could click together if it fully manifested. Claws replacing part of the bony fingers and nails. You could feel the long ribs behind that thick sack

He doesn’t need beyond his big and cool gothic sack to cover his abnormal appearance, after all the is no more shadows and fog for everyone’s eyes

The darkness consumes you from the pores, in each puff of lungs, you could become one with him and he would be delighted

I feel that it is detached from all worldly, but I would keep a thing or two of those who most appreciate... like the feathers of Neige or a brooch of Vil

[filurig]

sekuuti and akestur, deities of the rau-kakse and crakam

LONG ASS CREATION/ORIGIN STORY OF THE RAU KAKSE AND CRAKAM HERE

the sun and moon both have important roles in northern basilisk religion, and are interpreted as two deities: sekuuti (sun) and akestur (moon).

both seen as patron deities of their respective people (rau-kakse aka basilisks and crakam aka harpies). their eggs were originally stars in the sky that fell and hatched in the world below.

at first, there was only pure spirit. something known as "tukaarti" (which is an unconscious but all powerful driver of all things) - the "natural force", arose, and began create shapes from this spirit, polarities, warmth, energy eventually the forces shaped this spirit into The World, which was barren at first, amorphous, but this shaped energy began to solidify, first into mountains, then into lakes, rivers, flora etc etc. but the water did not stay liquid long for after the formation of these things, and a brief flourishing period, the World cooled down, and fell under a great winter, as it had no sun. the sky is basically where tukaarti resides in its rawest form still, and stars are "concerntrations" of it, and the only light source. the stars began to fall eventually on occasion into the world, and that would spawn Creatures. early on when the world was still fresh after this was when the eggs of sekuuti and akestur fell, they were among the last creatures to fall onto the world. prior to them similar animals had hatched from other eggs, but they all perished trying to survive on their own.

both sekuuti and akestur were lonely and struggled on their own - persecuted by hostile ancestors of other creatures. not only was it difficult, most of all, it was lonely.

sekuuti was so lonely that she desparately wanted children, but as she was the only one of her kind she prayed to tukaarti for a way to achieve that company she desired. she was heard, and granted the ability to shapeshift to any creature that she found. this also was something tukaarti needed, as it lacked a way for spirit to go from the World back to tukaarti, and by "collecting" bodies to learn as forms, sekuuti would also return their spirit to tukaarti. with this ability, she resorted to courting different birds that she transformed into and bearing their young. and she did successfully hatch them. her children would not only inherit a lot of her features and shapeshifting ability, but they also inherited the plumage and some other traits from their other parents, and she loved them all the same. this also means that according to rauk-kaksian lore sekuuti "has no comparison" and doesnt look like an extant bird in particular, but interpretations vary. these children were the first "rau-kakse". the most important established trait of her depictions though is that it seemed that the glow from her egg ("star") never faded, and her plumage glowed strongly and brilliantly.

akestur, meanwhile, sought company with birds in a different way. he found flocks of corvids, flocks of nightjars, and found certain comfort with them. but he was frustrated with the fact that they could not communicate, he prayed for the ability to "hold a conversation" with his new contemporaries. and the tukaarti granted him his wish - the flocks that he had become familiar with were granted a blessing, but with that blessing, they also changed in morphology - they became harpies (crakam), and gained sapience. he was reminded, however, that he had gotten this wish without cost - and that the forces counted on him to do what they wished in return if they so needed it. they only cryptically let him know to "not keep his eyes off of the flame". akestur is thought to have looked like a harpy slightly, but with a different face, black as night, but with brilliant glowing white eyes.

again, the world during this time was pretty barren and harsh due to an eternal winter, as they had no sun. sekuuti, while having found comfort in her kin now, was unhappy with the state of affairs - especially as many young would die in the harsh conditions. akestur, too, hated seeing his new contemporaries suffer.

the two groups would meet one day, sekuuti and akestur leading them. the two were fascinated by one another - sekuuti brought warmth to akestur and the crakam, while akestur brought a certain darkness, that while somewhat discomforting at first, also shrouded both groups from other hostile creatures, theyd come to find out. there was safety in his darkness. sekuuti and akestur grew very close and became partners (according to most legends).

sekuuti wanted to change the state of the world and set her eyes upon the sky, wanting to become a sun and bring warmth to all and end the eternal winter. akestur was hesitant, for he did not want to lose her, and her children needed her. when seeking the guidance of tukaarti - they discouraged her from it, urged her to stay and perform her duty as a bringer of spirit from corpses of this plane back to tukaarti. but she was insistent, and one day, decided to simply go for it. she flew so fast, with such force, that she caught flame, but her will was so strong that it didnt bother her and she became one with the flames eating her as she flew up to the sky.

akestur was too late, and only realised she was gone once she had lit up the sky. betrayed, upset, but most of all - realising that he had failed tukaarti. he had let his eyes off his flame. as a punishment, tukaarti undid the blessing it had granted his people for half of them, leaving half of them as regular birds again.

sekuuti lighting up the world had done something - it had taken away the eternal winter, but the problem was - sekuuti had nothing to temper her up there. the world was beset by a devastating drought with no end in sight. akestur, trying to lead his people as well as the basilisks, then realised what he had to do.

before leaving his people, he urged them "to not take their eyes off the flames", meaning the basilisks in this case, and then, he also set off for the sky. instead of setting ablaze, his eyes seemed to burst with the pressure of the speed of his flight, engulfing him in a cold, bright light. once he joined sekuuti in the sky - the heat was finally tempered.

however, sekuuti, both overwhelmed with love but also guilt and shame over abandoning akestur, fled him. but he, loyal and also overwhelmed with love, began to follow her. and basically, the day/night cycle is their eternal chase after one another - and on occasion, they meet, during eclipses :,) perhaps they also realised that their chase is what brings the world balance. and perhaps its a bit of a punishment from tuukarti for disobeying it.

[naturecalls111]

WIP!!! Stealing glances amidst victory celebrations in Suna….

[senvurii]

preparing for the spring equinox festival ft cpuffy

[bingsoo-jung]

I said this in the comments of someone else’s post, but I’m going to say this here. Taash identifying as non-binary is good actually, and in fact better than the dev’s making up some new term for them. Let’s get into it.

So for a bit of background, I’m non-binary and Thai. If you don’t know, Thai has specific terms for different gender-sexual identities, they’re quite old, they date back a few hundred years. However, the thing about culturally specific terms is just that, they’re culturally specific. The reason you use them is because you are tied to the culture in such a way that you gender-sexual identity cannot be disassociated from it. Because, to be clear, these terms are never just about your gender or sexual identity. They encompass a role you play within society itself.

For instance, in Thai culture we have tom/tomboys. These are AFAB folks who occupy a masculine societal role and date women. If you’re AMAB you cannot be tom. If you’re transmasc and feminine? You cannot be tom. If you’re transmasc and not attracted to women? You cannot be tom. If you’re transmasc and mostly date men? You cannot be tom. If you’re transmasc but don’t particularly feel like taking care of the girl you date, taking her out, being the ‘man’ in the relationship? You can’t really be tom.

Because the thing about culturally specific genders is that they come with a lot of rules. Being tom isn’t being non-binary. There are cis women who are tom, and there are non-binary people who are toms. You do not get eschew gender roles in these cases. You are quite literally taking one on. You have a role and place in society that has been made for you, and you are expected to carry it out.

Because of this, none of these terms are a one-to-one for other identities, and nor should they be. Being kathoey or hijra is not the same as being a trans woman or non-binary, and visa versa. You can be kathoey and not be trans. You can be trans and not be kathoey. Being aqun-athlok or any other specific term shouldn’t be either. The idea that it is, is more ahistorical and inaccurate than the word non-binary itself. Giving Taash some new, culturally specific term, would inherently tie them to a culture, and one perhaps that they didn’t feel apart of. Especially since Taash’s entire story is about struggling to figure out where they belong. Arguably the biggest issue with their story is that you have to make them decide, and fundamentally tying them to a term would’ve compounded that problem.

The reason I identify as non-binary and not a tom, is because I am not occupying some specific role in Thai culture. Despite living in LA, I rarely interact with other Thai people who aren’t my family. I do not live in a cultural context that would allow me to identify as a tom.

The thing about terms like non-binary, or trans, or agender, is that they’re meant to be acultural terms encapsulating the concept of truth to oneself and ones identity. Whereas culturally specific terms aren’t, they’re about the role you hold in society and where you fit in. It’s about your identity within a status quo. Taash is a character who is eschewing societal roles, and breaking the status quo, giving them those terms just wouldn’t work.

And finally? Using non-binary itself allows the writers to very specifically say where they stand. There is no space given to transphobes. You either accept that DA is queer-friendly or bust. And that’s a very important stance to make in an era where trans and non-binary folks are being actively targeted. There’s no ‘well Taash isn’t actually trans or non-binary they’re [insert term here]!’ Because people would’ve done that, we know they would’ve. This means people can’t do that. They have to just say that they have an issue with the term, and thus we can call them for what they are. Transphobes. Plain and simple.

So yeah, Taash’s identity does have nuance, it has a lot of it. And to be honest with you, I wouldn’t be surprised if Trick Weekes, a non-binary person whose wife is First Nations and thus from a group with culturally specific gender identities, knows about the difference between something like two-spirit and trans. And to be honest with you, using something like non-binary has nuance I doubt was actually afforded to Krem, considering they cast a cis woman to play Krem.

So yeah.

[opens-up-4-nobody]

:-P

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[julijbee]

girlbossing too close to the sun.

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)