#there will be more trolls to be seen later

[even-in-arcadia]

I am watching Fellowship of the Ring and I noticed this small moment in the battle in Balin's tomb. Yes this is going to be about Boromir again.

It occurred to me that "They have a cave troll" is a great little pre-battle quip but if you take in the larger context of Boromir's arc I think it's important that he specifically says it while he and Aragorn are boarding the doors together. Aragorn has of course seen a lot out in the wilds and I'm sure this is nothing new to him. But it's Boromir who gets to toss off that line because he's spent his whole life besieged, fighting overwhelming odds to defend a walled sanctuary. This is just another Tuesday for him.

But the real moment I'm here to mention is after the cave troll smashes him against the wall. He's thrown across the room and clearly stunned - a blow that could easily have killed. Aragorn sees this and watches him. He watches Boromir slowly raise himself and shake it off. They see each other, give the smallest of nods, and and immediately launch back not just into battle but into defending the hobbits specifically together.

This is the moment when they see each other. Aragorn sees that when it comes down to brass tacks and cave trolls, Boromir will put everything on the line including his own life to defend Frodo and the hobbits. He is stalwart and relentless. Perhaps more importantly, Boromir sees Aragorn in action not just as a man who has been wandering the wilderness but as a fellow warrior, someone worthy of respect and who has his back. I really think this moment which is so small is a turning point in their relationship and its placement is key because it's right before they lose Gandalf and Aragorn truly steps into the role of leadership. I think this sets the scene for Boromir's willingness to follow Aragorn into Lothlorien, a place which he fears.

To cap it off, this also foreshadows terribly the final scene. In this, Boromir is nearly shot by two arrows; later he is struck by three. He and Aragorn are in both cases both fighting to protect the hobbits. Finally, while in this scene Aragorn watches and Boromir is able to get back up and into the fray, in the last of course Aragorn can only watch as he dies. In the first, we have a nod, a small acknowledge. But that small moment is the direct foundation of the "Our people" - of "My brother, my captain, my king."

[clockworkreapers]

What other trolls belong to others who are plot relevant?

A few.

Vellum belongs to someone who would prefer not to be named in public spaces without permission (though if they wish to be I will edit this)

Carina also belongs to a non public person (same situation as above)

Tyrell belongs to my friend @sunsetspookie

Oculuz (who has been mentioned but not yet seen but will be seen later) belongs to Dorkywearwolf on discord (I forget their tumblr handle but they are also friend)

And of course all the trolls you see in the comic are fantrolls, none are just made out of thin air they all belong to a wide range of people.

[morgombie]

wish i could let the thigh/waist-up sprites go... its so much easier to do busts... but i like waist up so i cant do anything else :weary:

[clenastia]

self confidence is a skill that can be learned and you have to let yourself and your art exist distinct from how others perceive it. you will never exist or create in a way that nobody criticizes and that is NOT a bad thing. you obviously care a lot about your work or you wouldn't fret over it this much, but fixating so heavily on the potential opinions of people you made up to criticize you isn't healthy and isn't doing you any good. you're allowed to set that weight down and I truly believe you can do it.

I do try! when i catch myself spiralling i generally try to forcfully redirect my thoughts, even if it means completely ignoring whatever triggered it, but unfortunately sometimes i feel like im stuck in a loop because thinking of getting published triggers spirals of anxiety so i cant think too much about it which means i never get around to DOING it which makes me upset because i've always WANTED to get published, but when i try to seriously consider it i get all tangled up in the anxieties and ugh.

in all honesty i fell into the trap of thinking therapy would be a quicker fix than it is, where the therapist could give me a list of steps to do and my anxiety/issues would go away once i did them. so i put a bunch of unrealistic expectations on therapy but unfortunately there IS no magical list of steps to making your brain work right. you just. gotta wake up every day and push your way through the spirals and face the things you're afraid of. meds help, for sure, i don't get panic attacks anymore and the anxiety doesn't stress me out so much i end up crying or shutting down most of the time. but like. everything else, the solution is just: ignore it. keep trying. and there's no. fucking. steps to just. "do these three things and your brain will work like a neurotypical one!" and it fucking sucks and i hate it and i still gotta keep trying if i wanna get anywhere.

I haven't been on meds for a full year yet, and therapy less than that, so im sure with time I'll get to a place where i CAN push through those specific fears and get to where i want to be, and that in a lot of ways i'm still just rushing things and wishing i could be better NOW instead of having to put in months and years of work.

a lifetime of self-worth issues don't get resolved with pills and six months of therapy, but sometimes its just so GODDAMN unfair and i just want a magic cheat sheet to getting better :(

or maybe someone who can do like. literally everything for me so i don't have to face it myself lol.

can there be a business for that? like. be your own ghost writer. someone else gets all the credit and hate mail and deals with all the publishers. but you get to write your silly little stories and still make profit.

that'd be nice xD

totally ripe for abuse and probably actually a terrible idea but like. in an idealistic way. it'd be nice. y'know?

[emberwhite]

I spent the last 11 months working with my illustrator, Marta, to make the children's book of my dreams. We were able to get every detail just the way I wanted, and I'm very happy with the final result. She is the best person I have ever worked with, and I mean, just look at those colors!

I wanted to tell that story of anyone's who ever felt that they didn't belong anywhere. Whether you are a nerd, autistic, queer, trans, a furry, or some combination of the above, it makes for a sad and difficult life. This isn't just my story. This is our story.

I also want to say the month following the book's launch has been very stressful. I have never done this kind of book before, and I didn't know how to get the word out about it. I do have a small publishing business and a full-time job, so I figured let's put my some money into advertising this time. Indie writers will tell you great success stories they've had using Facebook ads, so I started a page and boosting my posts.

Within a first few days, I got a lot of likes and shares and even a few people who requested the book and left great reviews for me. There were also people memeing on how the boy turns into a delicious venison steak at the end of the book. It was all in good fun, though. It honestly made made laugh. Things were great, so I made more posts and increased spending.

But somehow, someway these new posts ended up on the wrong side of the platform. Soon, we saw claims of how the book was perpetuating mental illness, of how this book goes against all of basic biology and logic, and how the lgbtq agenda was corrupting our kids.

This brought out even more people to support the book, so I just let them at it and enjoyed my time reading comments after work. A few days later, then conversation moved from politics to encouraging bullying, accusing others of abusing children, and a competition to who could post the most cruel image. They were just comments, however, and after all, people were still supporting the book.

But then the trolls started organizing. Over night, I got hit with 3 one-star reviews on Amazon. My heart stopped. If your book ever falls below a certain rating, it can be removed, and blocked, and you can receive a strike on your publishing account. All that hard work was about to be deleted, and it was all my fault for posting it in the wrong place.

I panicked, pulled all my posts, and went into hiding, hoping things would die down. I reported the reviews and so did many others, but here's the thing you might have noticed across platforms like Google and Amazon. There are community guidelines that I referenced in my email, but unless people are doing something highly illegal, things are rarely ever taken down on these massive platforms. So those reviews are still there to this day. Once again, it's my fault, and I should have seen it coming.

Luckily, the harassment stopped, and the book is doing better now, at least in the US. The overall rating is still rickety in Europe, Canada, and Australia, so any reviews there help me out quite a lot. I'm currently looking for a new home to post about the book and talk about everything that went into it. I also love to talk about all things books if you ever want to chat. Maybe I'll post a selfie one day, too. Otherwise, the book is still on Amazon, and the full story and illustrations are on YouTube as well if you want to read it for free.

[tehstripe]

this sequence of pages in act 5 is so striking to me.

in acts 1-4, jade is a mysterious, all-knowing figure who knows about sburb and how it needs to go, and shes very systematic about logging and remembering important things through the little bands on her fingers. even though shes just some goofy little girl, shes smart!! she knows whats going on and knows what she has to do, and shes been studying the clouds to make sure that she and her friends are ready. because honestly, what else is she going to do with her time? she's alone on the island, and this is her destiny. she's going to make sure it happens.

here, we're finally seeing a bit of her friendly and put together self image start to fall apart as she just gives up on keeping track of things. she's grieving the loss of prospit, shes just had her first ever nightmare, AND she had to deal with an obnoxious teenage boy (karkat), and she's reached her breaking point. and she just. gives up. forget the reminders, forget the systems, they aren't serving her right now, so off they go.

plus, we get this tidbit a few pages later:

jade always knew she was going to die. she had seen herself, stuffed and perfectly preserved as a thirteen-year-old. she must have known that it was coming soon, but that didn't stop her from going through the plan to play the game with her friends. personally i think she thought it was worth it if she could at least see her friends, hopefully keep them safe, and have some fun times with them right before she had to die.

i wonder if theres a part of her unsettled by the fact that she's finally faced something she didn't already know was going to happen. she no longer has the comforting clouds of skaia to tell her what's going to happen - she's as clueless as everyone else. probably MORE clueless than some characters, like the trolls, who have a window into her future that she can't see.

jade's realized that she doesn't know all of the beats of this story anymore. she might just grow up now, and that means she has to go forth into the unknown.

[relaxxattack]

okay so i don't want to particularly call out these kinds of headcanons as bad. but they highlight a specific fandom trend ive seen for ages so here goes:

the extended zodiac is not alternian canon, nor zodiac.

i know that's brash for a lighthearted official personality quiz. but i've seen this zodiac presented frequently as the End All of trollsigns -- even claims that all trolls MUST derive from these 288. this is a complete misrepresentation of original canon.

first, obviously, the notion that your personality is determined by your caste is literally just what troll racism is, so the canocity of this test claims racism as truth. second of all, the traits are not even accurate to the trolls we DO see in canon- they're pulled from western zodiac.

the zodiac's also determined by lunar sway; nonsense because alternian trolls don't have lunar sway. it's a "moon a sburb player dreams on", and none of these trolls are sburb players. (i also feel like this should go for aspects, though that is a more controversial opinion)

so yeah, the extended zodiac is inaccurate and purely just fandom sburb personality-type nonsense. but does that really make it noncanon? plenty of stuff on alternia is nonsense.

except... homestuck trolls don't believe that signs are a zodiac that determine their personality.

not only is the idea of signs being related to some sort of personality zodiac never once mentioned by a troll, but the signs are frequently tied to other things that have nothing to do with personality. kanaya equivalents trollsigns to signatures, and later vriska explains the concept to john as being similar to a family crest, bemoaning that trolls have to do much more searching for clues or their ancestry than humans do. cronus also refers to his sign as his signature.

virska does use the phrasing that trolls who have the same sign "have a lot in common", but she also does this explicitly in the context of explaining to john how troll ancestry works, as hussie further notes in the commentary of that page that signs are included in physical/genetic characteristics trolls look to for ancestry clues. even hiveswap, which wants you to believe in the zodiac, concludes that signs are specific to troll surnames and that there are signs outside of it. multiple trolls in homestuck have signs that do not appear in the extended zodiac.

the extended zodiac quiz ≠ the alternian sign alphabet.

alternians wouldn't know what aspects or lunar sways are, nor have personalities equivilant to their signs (feferi and meenah are right there). deciding that trollsigns = personality test is a purely human concept that comes from our western zodiac.

but you know what alternians DO have?

THEY HAD THEIR OWN FUCKING CONSTELLATIONS AND ZODIAC. FROM THEIR OWN CREATORS. THIS WHOLE TIME.

where are the headcanons about troll's placements on THAT zodiac?

[rivkae-winters]

Edit: the app launched and Is down- I have the initial apology video in a post here and I’m working on getting a full archive of their TikTok up ASAP. I’m letting the rest of this post remain since I do still stand by most of it and also don’t like altering things already in circulation.

Warning for criticism and what I’d consider some harsh to outright mean words:

So I’ve just been made aware of the project known of as ‘lore.fm’ and I’m not a fan for multiple reasons. For one this ‘accessibility’ tool complicates the process of essentially just using a screen reader (something native to all I phones specifically because this is a proposed IOS app) in utterly needless and inaccessible ways. From what I have been seeing on Reddit they have been shielding themselves (or fans of the project have been defending them) with this claim of being an accessibility tool as well to which is infuriating for so many reasons.

I plan to make a longer post explaining why this is a terrible idea later but I’ll keep it short for tonight with my main three criticisms and a few extras:

1. Your service requires people to copy a url for a fic then open your app then paste it into your app and click a button then wait for your audio to be prepared to use. This is needlessly complicating a process that exists on IOS already and can be done IN BROWSER using an overlay that you can fully control the placement of.

2. This is potentially killing your own fandom if it catches on with the proposed target market of xreader smut enjoyers because of only needing the link as mentioned above. You don’t have to open a fic to get a link this the author may potentially not even get any hits much less any other feedback. At least when you download a pdf you leave a hit: the download button is on the page with the fic for a reason. Fandom is a self sustaining eco system and many authors get discouraged and post less/even stop writing all together if they get low interaction.

3. Maybe we shouldn’t put something marketed as turning smut fanfic into audio books on the IOS App Store right now. Maybe with KOSA that’s a bad idea? Just maybe? Sarcasm aside we could see fan fiction be under even more legal threat if minors use this to listen to the content we know they all consume via sites like ao3 (even if we ask them not to) and are caught with it. Auditory content has historically been considered much more obscene/inappropriate than written content: this is a recipe for a disaster and more internet regulations we are trying to avoid.

I also have many issues with the fact that this is obviously redistributing fanfiction (thus violating the copyright we hold over our words and our plots) and removing control the author should have over their content and digital footprint. Then there is the fact that even though the creator on TikTok SAYS you can email to have your fic ‘excluded’ based on the way the demo works (pasting a link) I’m gonna assume that’s just to cover her ass/is utter bullshit. I know that’s harsh but if it walks like a duck and quacks like a duck it’s probably a duck.

I am all for women in stem- I’ve BEEN a woman in Stem- but this is not a cool girl boss moment. This is someone naive enough to think this will go over well at best or many other things (security risks especially) at worst.

In conclusion for tonight: I hope this person is a troll but there is enough hype and enough paid for web domains that I don’t think that’s the case. There are a litany of reasons every fanfic reader and writer should be against something like this existing and I’ll outline them all in several other posts later.

Do not email their opt out email address there is no saying what is actually happening with that data and it is simply not worth the risks it could bring up. I hate treating seemingly well meaning people like potential cyber criminals but I’ve seen enough shit by now that it’s better to be safe than sorry. You’re much safer just locking all your fics to account only. I haven’t yet but I may in the future if that is the only option.

If anyone wants a screen reader tutorial and a walk through of my free favorites as well as the native IOS screen reader I can post that later as well. Sorry for the heavy content I know it’s not my normal fare.

[nekropsii]

ALPHA TROLLS RANKED BY HOW WRONG THE FANDOM AT LARGE IS ABOUT THEM:

This is a personal challenge, based entirely on my own experience and perspective, and also ranked from Most to Least Correct. I was bored, and thought this might be fun.

Putting this under a cut, because it's long as hell.

MEULIN LEIJON

People get her mostly correct, from what I’ve seen… Most of the time, fan content of Meulin is absolutely recognizable as Meulin, but her pride in her deafness + joy of learning new ways to interact with the world through/due to her disability is always removed, and I do not often see people tackle the Toxic Positivity aspect of her character. That seems less like character assassination, though, and more like a combination of people not actually playing through the Openbounds, people not being able to fathom disabled people (especially those who gained a disability later in life rather than being born disabled) being happy, and general fandom distaste for the idea of touching anything uncomfortable, especially when that uncomfortable topic is highly mundane, normalized, and potentially applicable to them or their loved ones. Meulin’s toxic positivity was, of course, commentary on Tumblr’s ecosystem at the time, so… It was much harder to touch back then.

ARANEA SERKET

People tend to get her general, broad strokes personality right, but unfortunately she gets treated pretty roughly for the crime of Being A Serket. People refuse to understand her motivations, and she often gets demonized for what she was doing around/during [S] Game Over, even though that was something she’d gotten pushed to and also was cool as fuck to watch. God forbid a woman do anything.

DAMARA MEGIDO

People are right about the racism, 100%. It is completely despicable, hard to look at, and extremely blatant. She does, however, have character outside of that. No, it isn’t “whore”, it’s more like “angry, dysfunctional abuse victim”, and she’s genuinely a very interesting and tragic character. But, again, people are right about the racism, so she gets to be placed way up here.

MEENAH PEIXES

She is such a chaotic little bastard. I love her. I really do. Please understand that she genuinely does not understand the concept of consequences. This girl didn’t have a Lusus, she didn’t have parents, it was functionally illegal to tell her “No, you can’t do that.” That would fuck up literally anyone’s moral compass. That’s not me hand waving away all the fucked up and bad shit she’s done, we all know what she did, but people tend to forget this aspect of her character and it pains me deeply, because it is a very genuinely interesting concept that I want to see more of. She’s capable of regret, we’ve seen her feel it, I just don’t think foresight is her forte. No one raised her to consider consequences, or help her experience them in a healthy way, because nobody raised her period.

Also, her ass is not butch, she is the girliest girl in the entire comic. She is about hot pink and glitter and kiss marks and unicorns and cute little puns and you will respect that. She is not masculine. Her ass is not masculine nor is she butch. Let her be her hyper-feminine self.

LATULA PYROPE

Please for the love of god there is more to her character than “Gamer Girl” and “Mituna’s Girlfriend”. You are falling for her fucking ruse. Please. Please. Please recognize that her entire character is about internalized misogyny, and being forced to overcompensate for misogyny in gaming circles as a gamer who happens to be a woman. Please. I’m begging.

KURLOZ MAKARA

His character is not that deep, it’s mostly just a string of events he is mysteriously, inexplicably involved with. The Makaras are extremely Function Over Form- their characters practically do not exist, they're mostly just plot devices that exist to push the story along. I'm sorry to Makara fans. You just invented a guy in your mind and decided he was real. He is also not that soft, though, and his relationships with both Meulin AND Mituna are not healthy. Hard to stop people from ascribing cutesy squishy lovey dynamics to random men who happened to have looked at each other once, though. Some people truly haven't graduated from 2012.

HORUSS ZAHHAK

I am begging people to consider that maybe the biggest issue here is not that he is “Bad Otherkin/Therian Representation” and is in fact maybe the fact that Hussie was actually making fun of Systems when he was writing Horuss. Because Horuss is canonically a system. He uses the word system. He uses the word switching. He uses the word host. He literally talks about his Plurality at length in extremely upfront, plain terms. I don’t know how him being “Bad Otherkin Representation” was and still is the main discourse about him. It makes me insane. That is a commentary that truly writes itself. Talk about having your priorities out of wack, honestly...

PORRIM MARYAM

No, she is not a MRA, she’s just a regular feminist who happens to live on a different planet with different politics and social hierarchies from Our Real World Earth’s USA. Whatever argument you’re about to pull out of your ass to say that she sucks is bad. She already explained what she meant by that, in more detail, very clearly, and she was right. Half the time she’s literally just giving you factual information about what Beforus was like, and literal plot synopses. She isn’t saying anything insane. She’s literally normal. I don’t know why people cannot handle or process this. Porrim has not ever said anything controversial. If you disagree with this you’re either misconstruing her on purpose or you fell for Kankri’s bait, and that’s just fucking sad at that point.

Also, she’s more than a sex object, and her tits are not huge. Honestly, half the shit she was saying was just “I am more than my sex life”, and so many people took that and made her main character trait her sex life. Just pathetic.

RUFIOH NITRAM

This man is a fucking war criminal and I will stop at nothing until he is behind bars for his crimes against Damara. Raging misogynist. Total fucking cunt. Just the worst. If I talk any more about this, this part will be 1,000 paragraphs long. But also, I’m begging people to recognize his relationship with disability, too. He was similar to Meulin in the sense that he didn’t mind his disability, and his biggest gripe with it was the way that Horuss tried to “fix” it… Which is an interesting way to expand upon how Beforus’s culling system is not only very explicitly ableist, but mimicking real world systemic ableism. I also want people to recognize that Hussie is actively having a conversation about the reclamation of slurs with Rufioh’s character, and how not letting people reclaim such language is doing nothing but giving the word power against them while stripping away their own personal agency. Rufioh’s a complicated guy, and he’s interesting and also the worst, and I am really tired of how he gets watered down to nothing but “Pretty Boy Victim Of His Inexplicably Psycho Ex”.

MITUNA CAPTOR

Holy Fucking Shit, You Guys Are Ableist.

KANKRI VANTAS

To this day I see people saying he was just Hussie making fun of SJWs. To this day. To this day people think Hussie was trying to make Every Tumblr Leftist look bad, and that he hates them Because They Are Leftists. When will people recognize him as a bootlicker to the oppressive class and the violently bigoted. When will people recognize that. When will people recognize that this is more of a commentary on the legitimate real flaws of Tumblr’s politics at the time. When. When.

When will people stop portraying him as a lovey-dovey Catholic Whore. I’m going to stab my fucking eyes out and then kill everyone in this building. Me when it's based and cool to ship an aroace character with a sexual predator. I GUESS.

CRONUS AMPORA

I say this with every ounce of sincerity I can possibly muster as a person: What the literal actual fuck.

[becquerel]

i do think there is a lot to say on why homestuck’s fanbase is (to put it bluntly) so transgender in such a specific and interesting way. and i think its mostly to do with homestuck’s treatment of femininity vs masculinity in a way that is not typically done

femininity is presented as both something to save the world (space players and echidna, working with frogs, maids/sylphs presented as The Most Feminine classes and about creation/healing, despite it being said later on class gendering doesn’t matter, because it was written to matter at the beginning), while also being vicious enough to cause longtime and horrifying pain (kanaya and jade wield chainsaws and shotguns. the peixes line being as they are. its implied female trolls are culturally thought to be more cruel/violent on alternia due to condy’s influence via flarp being “for girls” as tavros is told. vriska. aranea’s help hurting everyone she tries it on.)

masculinity in homestuck is... frankly not aggrandized at all. it’s a reverse from the norm. every hypermasculine character we may have had a chance to look at has it ripped away in the end. bro strider dies to a little girl’s dog. lord english is first presented as a hypermasculine musclebound giant, then we meet caliborn and see the farce for what it is, LE is a little boy wearing an adult man’s clothes and screaming for people to take him seriously. and we do. until we notice that the clothes don’t fit quite right, and everything falls apart. grandpa harley was never alive. equius is the most masculine presented of any of the players, and... well. we’ve all seen equius. dad egbert is the only genuine show of masculinity in a truly positive light for john - and by extension the reader - to look up to, and he’s based around loving his own so much he makes cakes daily and tries to bond with him in any way he can, albeit often in ways that don’t really work. 

i don’t know. i think homestuck’s use of gendering is a fascinating aspect of the story. i think it helped me with my own personal experience of gender and the different aspects people can see gender through :] its cool to me

[urdreamgirls-dreamgirl]

watched that new jennifer lawrence comedy on netflix and like. should we make it steddie?

steve’s a rich kid who grew up having to be self sufficient because of his parents traveling constantly for work. he’s basically a mini adult, but because of that, he sees himself as a lot more mature than the rest of the people his age and by the time he’s ready for college, he’s missed out on a lot of the social milestones that young men his age are experiencing. instead of going to prom, he’d hung out around the house with his weird nerdy band geek best friend having marshmallow eating contests and watching bad rom coms. instead of going to graduation parties, the two of them had built a tent in the harringtons massive backyard and gone night swimming before camping out.

enter his parents, who are less worried abt steve coming out of his shell for his own independence and comfort and more worried that he’ll embarrass them at his ivy league in the fall. there’s been a long line of harrington men attending yale and they’ve paid a lot of money to even get steve a spot there, so if he fucks this up, if he doesn’t join the right clubs and make the right friends, they’re worried it’ll all be a waste.

so they put an ad on craig’s list. eddie and his bandmates are trolling the boards, looking for any odd jobs they can find to try and raise the cash they need to record a demo at the local studio. jeff points it out as a joke and, after laughing at the poor pathetic dweeb whose parents think he’s such a dud they’re trying to set him up with a stranger, they scroll on. but later that night, eddie pulls up the page on his own phone while he’s lying in bed. the offered amount is more than enough to pay for their studio time and then some. eddie calls them and sets a meeting.

when he gets to the harringtons beach house, he’s nervous. he’s a townie and townies are rarely invited into the massive homes that line the shoreline. he knows what he looks like and he knows that the rich tourists who infest the beachside towns every summer tend to steer clear of him when they see him around.

but he needs the money and after meeting with the couple, he thinks this kid probably needs all the help he can get and so he decides to meet their son steve.

turns out steve’s a lot more attractive than he’d imagined and he’s only a couple of years younger than eddie is. he’s also a lot more flirty and charismatic than eddie had assumed. turns out, steve doesn’t lack the ability to make friends or get dates, he just really hasn’t been interested in anyone… at least, not until now.

they hit it off almost immediately. eddie’s never had this much fun with anyone he’s ever tried to date before. steve is funny and smart in very specific ways and his best friend, robin, is a riot. eddie’s not sure how steve’s parents don’t see any of that, but then steve tells him all about how he’d grown up basically alone, how he’d had to make a lot of his own fun growing up, how he’d rarely ever even seen his parents between the ages of 11 and 18. they hadn’t even made it to his high school graduation. steve reveals to eddie that he’s not even sure he wants to go to yale at all, that he only agreed because he’s not sure what else to do.

and eddie tells steve about his dad, abt how he’d gone to jail when eddie was 13, on a job with eddie in tow. he tells steve abt how his mom was heartbroken afterwards, would barely get out of bed to even pick him up from school. he tells steve abt the car accident, the flashing lights of the police car that had picked him up one day and taken him to a foster home before wayne had been called down from upstate to come collect him. wayne had moved out onto the island, trying not to disrupt eddie’s life more than he had to, but prices down here were so much higher and he’d had to work all the time. he’d done so much for eddie and eddie is so grateful… he just wants to pay him back anyway he can.

they reveal things to each other no one else knows and suddenly, as the summers coming to a close, eddie realizes that he’s been falling in love this whole time. but before he can tell steve abt the deal, before he can apologize and come clean and confess his feelings, steve has some kind of massive blowout with his dad. and his dad—in all his anger—tells steve the truth. he tells steve how steve is so pathetic that he and his mom had had to buy him a boyfriend.

steve is, obviously and understandably, beyond devastated. he confronts eddie with tears in his eyes, begging eddie to tell him it isn’t true, that his dad was a liar and he’d just known where to hit him hardest. but eddie can’t deny it. that is how all this started.

eddie doesn’t see steve again, not around town, not at any of their usual haunts, and soon the school year is starting. steve, eddie assumes, has moved into his dorm at yale and is, hopefully, making new friends. by the time thanksgiving break comes around, eddie can finally think about steve with only a tiny ache in his chest. he and the band have recorded their first demo, thanks to that harrington money, complete with the saddest love song eddie’s ever written.

and suddenly steve is there in the bar eddie works at, where he’d been taking steve on their nights out all summer. his brown hair looks extra soft and he’s wearing a quarter zip with the yale logo emblazoned over his heart. they stand there and stare at each other for a moment too long before they both try to speak at the same time.

“no, me first,” steve says, and eddie really can’t deny him this. he’s the one who ruined everything, after all. “what you did to me was terrible.” it’s straightforward and factual, but eddie’s face burns. “you hurt me. a lot.” eddie watches as steve swallows. “i told you things i’ve never said out loud.” eddie opens his mouth to speak, but steve powers through. “but now i’m up in connecticut and i’m meeting all these new people. and some of them are great. but i can’t help but compare them to you. everyone i meet, i think of you. and no one is as fun as you, and no one makes me feel as good. no one sees me like you did.”

eddie’s speechless for a moment, mouth dry. he swallows. steve’s looking at him expectantly. “i was always honest abt how i felt about you, stevie. i really was falling in love with you. or… i mean…” eddie pauses, runs a hand through his hair. “i mean, i love you. i am in love you, like, currently. ongoing. probably in perpetuity which, uh, you know. is like, forever or whatever.”

“yeah?” steve asks softly, a small smile curving on his lips. “forever or whatever?”

eddie can feel himself returning that small smile, nodding. “yeah,” he responds, “ no biggie, though.”

steve laughs. “i kind of disagree. cause i don’t know abt you, but i’ve never been loved in perpetuity before. seems pretty big to me.” eddie shrugs as he watches steve close the distance, smiles widening. “i’m pretty sure i love you too, you know.”

“pretty sure?”

“i’m trying to be a little aloof abt it. not reveal my whole hand too soon.” they’re standing chest to chest now, eddie can feel steve’s breath on his face, they’re so close.

“right. makes sense,” eddie murmurs, staring steve’s wet pink mouth. and then they’re kissing.

and they kiss until gareth comes into the bar for the start of his and eddie’s shared shift and turns the club soda spout on them.

they have a lot to talk abt. but thanksgiving break is a whole week long and after that it’s only two weeks until winter break. eddie has a lot of time to make it all up to steve, in any way he can, in perpetuity.

[zivazivc]

What was Ish and Lena's relationship?

I made so much for this ask, don't look at me 🫣

The two trolls had a short summer romance at a "no boarders" music festival called Fusion Fest. Back then it was a pretty new and small thing, and the point of the festival is for trolls from all genres to come together and enjoy each other's music and company; celebrating togetherness and acceptance.

(Yes, I made a logo. 😅 This festival is a major annual event for the mixed trolls in my AU.)

Ish and his friend group went to check it out because they're already a colorful ensemble of different genres, and they were curious to see what it was about.

Lena and her friends somehow caught wind of the festival in their backwater village where nothing new or exciting ever happens, and they decided to go to rebel against their closed-minded, racist parents and community, but mostly because they were bored teenagers who'd never seen any trolls other than Rock Trolls before. Despite them wanting to experience something new, their reason for going was very much NOT the point of the festival; They were treating it more like a freakshow to stare at, and them rebelling against their parents was more just to anger them and not because they were any better...

In my mind Lena is very attractive (in a trashy, grunge kind of way), and a 16-year-old Ish immediately got a crush on her from across the room.

He put his Funk moves on her and left her completely flustered from how forward he was. I imagine he was really charming and smooth, but also I can't stop cringing and comparing it to bird mating dances lmao.

(The song Ish is singing to Lena. It makes it feel extra perfect because I just happened to learn the singer was also a 16-year-old when recording it!)

Lena didn't fall for him as hard as he fell for her at first, but she's one of those girls who will go for any bad boy that looks intimidating, and she thought funk trolls were scary and intimidating, because she was subconsciously racist herself too. 🧍 She did really start to like him after they hooked up though, and started liking him for him (so at least she was learning...)

But then they were faced with an unexpected surprise one morning after waking up from a night of concerts and partying (and mixing of substances that shouldn't be mixed)...

Ish panicked hard, he even tried getting rid of the egg, claiming it had to be a dud given the circumstances, but Lena stopped him saying she felt it move. Thank god, because Leslie hatched only minutes later.

Ish was so freaked out that he abruptly left and headed back to Funk Kingdom in the same day, and just abandoned Lena with the baby.

Lena was also very scared but she immediately warmed up to little Leslie and had no intention of dropping him off at an orphanage or doing something similar, despite her friends' encouragement to do just that, claiming her parents were going to kick her out if she showed up back home with a mixed baby.

I'm thinking Ish did try to reach out to Lena by sending her a letter a few weeks later (he got her address before the egg thing happened), but the letter never reached her because she really was disowned and kicked out of her parents' house when she came home and refused to give her baby up...

So Lena never heard from Ish again, and the next time Ish heard about Lena was about 9 years later when Leslie turned up looking for him with his baby brother, and he learned that she was gone...

(Ish having a weird day where he went out after Kymani poorly relayed a confusing phone call from the police station, and later came back home as the sole caretaker of two neglected kids.)

[justiceamberheard]

''Who Trolled Amber'' podcast

The highlights of each episode from the podcast. You can listen to it on Spotify, Youtube etc. EPISODE 1.

The outcome of the trial definitely damaged #METOO movement;

There were 80k of anti Amber Heard tweets, more than anti JD tweets even though AH was the one who accused him of abuse;

There's no way it was all organic, they either bought bots or those were real people pretending to be JD's supporters;

According to Jennifer Robinson, one of AH lawyers from the UK trial, Amber'd never wanted to relieve what had happened to her during the relationship;

Jennifer thought it'd be easier to win the US than in the UK;

The information about bots were thrown out way before the trial hence Ron Shnell couldn't talk about in the courtroom; EPISODE 2.

According to Ron Shnell there was a bot campaign against AH but he wasn't 100% sure because the judge struck out that research;

Kathryn Arnold shared that AH wasn't allowed to be a part of Aquaman 2 promotion tour and was banned from posting anything Aquaman related;

KA also said that AH couldn't audition, no one would hire her and that the agents were told not to touch her[AH]; EPISODE 3

The podcast creators asked experts(Kai-Cheng Yang) to check the date that was given by Ron Shnell;

According to the data: many accounts with no followers had tweets with more than 5k retweets/likes; hundreds of identical tweets were posted in one day; many accounts liked 400k tweets; 10k of identical comments were left under AH youtube videos; many accounts change their tune(from right wing Chile politics) and out of nowhere started to post pro JD tweets; half oh the data/accounts/tweets were generated by inauthentic accounts and then the real accounts started to engage with those tweets etc. it all started in November 2020 when JD lost the UK case and was fired from Fantastic Beasts; EPISODE 4

Cameron Herrin case was mentioned, more specifically the sudden interest and pro CH posts on TikTok asking to reduce his sentence and that he is innocent. Most of the accounts that were spreading those posts were from Middle East; EPISODE 5

Some Arabic twitter accounts suddenly started to tweet Pro JD tweets in English during and after the US trial;

The friendship betweet Johnny Depp and prince Mohammed was mentioned(him financing JD directorial movie Modi); EPISODE 6

Adam Waldman worked for Lavrov as a consultant for years(2010-2017);

During the deposition Adam Waldman refused to answer more than 70 questions;

Alexi Mostrous tried contacting ''the internet journalists'' aka TUG and ThatBrianFella but they didn't answer; he also pointed out that the audios that were posted by ThatBrianFella were clearly edited(we know);

Mostrous also tried to call Adam Waldman but he didn't pick up the phone and 25 minutes later posted a tweet:

“He[Adam Waldman] attacked witnesses, he attacked us (legal team)..unlike anything I have ever seen from a lawyer” said Jennifer Robinson. ''Amber Heard wrote an Op-ed for Washington Post which is a very respected publication and Johnny Depp's name isn't in it. It told to survivors if this can be done to a woman whose actually well-known and well-established person in the industry, it's gonna be even worse for you.'' All-in-All, it's clear as day that Waldman was behind the bot campaign against Amber. We've known that but it's good that a popular podcast researched about it and shed a light on it. Plus it's always great to see JD fans being nervous and panicky.

[tiyanasfantasy]

He’s Mine ❦.

wussupp 😼!

i’m bored and i was watching this tiktok and it had this sound and i wanted to write something for it soo, yea

im still getting used to writing again so don’t expect nothing too good, ALSO TY FOR THE LOVE ON MY LAST POST 🥹!

i jus wan 👩🏽‍❤️‍💋‍👩🏽👩🏽‍❤️‍💋‍👩🏽👩🏽‍❤️‍💋‍👩🏽..

EREN x Blackfem!Reader ❦.

Warnings: Language, not proofread,Yall a lil toxic,

enjoy ❦.

you and connie broke up everyday, this was nothing new.

y’all had got into an argument today because some girl had responded to his story on instagram saying “#NeedThat” and this boy thought it was funny and started entertaining it, even tho he was mostly trolling and you and him both know he’d never cheat it still made you mad cause… wtfk??

“bro yn you overreacting, you know ion want that btc, you actin like i was asking her on a date or sum shii, ian even say nothing that indicated i wanted her.” he said while he was waving the phone around in your face trying to show you he had blocked her.

“ion gaf bout you blocking her, why tfk you texting her back and entertaining her anyways?? you know how embarrassing ts is for me?”

eren lowk knew he was wrong and that he should just give in and tell you he’s sorry, but the nga so stubborn and sassy that he just had to win the argument.

“you know what yn, ionc no more you wanna be mad, be mad, im tired of yo shii.”

he walked over to the dresser and put on a shirt, then grabbed his keys and started walking towards the front door.

“so you just leaving ? like you always do when you know you wrong, it’s not that fucking hard to apologize instead of acting like a lil btc about it.”

one thing about eren, he don’t play that b wrd shii.

he turned around and looked at you (he was muggin real hard 2)

“bro, keep running yo fkin mouth, see what happen” idk who he was feelin like, but he was pointing all in yo face n shii.

“boy you better gtf outta my face”

he scoffed and started walking to the door again, before he left out he said “we done” you rolled your eyes and said “type shii”

like i said before, this wasn’t nothing new. you knew he was gone be back in the next 24 hours (or less)

time skip: 4 hours later, it’s 8:30.

eren was at a party (hoin, ofc) and you seen on his story that he out was showin out?? he had girls dancing all on him and shii, ouu girll.

so ofc, you bein you, had to show him how to really act bad. you fixed yo hair, made sure the lace was melted honey, did yo makeup and got dressed, you called sasha, mikasa, zar, and jatavia and told them what the move was.

when yall got to the party, first thing you see, this ho ass boy getting twerked on, you ain’t really care tho, he wasn’t really touching her so you didn’t mind that bad, but that was still yo nga so it pyo a little bit, but once again, you bein you, you went yo to jean and started throwin downnn.

Jatavia started laughing “Girl he gone getcho lil ass” “he doin the the shit, idc.”

girl lemme tell you, when eren looked up and seen ts he was ready to crash out damn near, but him, bein the sassy lil princess he is, had to 1 up you.

he grabbed this this girl byyyy her neck and kissed her??? not only that he was making eye contact with you while he did it.

then then he pulled away from the kiss and lead the ho out the door ..

ts blew yo whole mood, but you didn’t let it show ofc, you left the party like 20 mins later tho.

the next day

you were getting ready to go to another party ony was throwing, you and Jatavia were getting ready to meet sasha, mikasa, and zar there.

15 minutes later yall get there, yall having a good time, you really only went out tn to get yesterdays events out of your head.

sure yall not together “technically” and eren could do what he wanted but that’s wasn’t the point. it’s the principle of the situation.

after dancing for a bit you went into the kitchen to get something to drink, when you walked in you seen Eren, Armin, Connie, Ony, and Jean passing the splif around.

“hey yn” connie said nodding his head up at you smirking as he looked back and forth between you and eren.

“don’t piss me off rn” you said while you were digging through the fridge. “ony where all yo good drinks at damn?” you pulled a capri sun out then leaned again the fridge.

“fuck is you staring at” you looked at eren and mugged him when you seen him staring at you.

“i’m sorry ma, you straight?” you rolled your eyes “you kissed that ho infront me and everybody else, then proceeded to take the bitch hand and go somewhere and fuck her? you dead to me.”

Ony, Armin, Jean and Connie was sitting there being messy sayin shii like “he said her shii was trash” “he miss you tho” “ok but he diddd say sorry”

“first off” he walked in front of you, leaning on the island.

“i didn’t touch her, i was just doin that to get a reaction out of you, then you was twerking on jean??”

“only cause you was letting that bitch twerk on you”

as you were talking, that same lil ho walked into the kitchen.

“girl you just mad i took yo nga, everytime yall into it he be with me, beating shii down.” she stood next to eren and crossed her arms, you looked at him with that “dpmo” look then back at her.

“ma, she lyin i swear, only thing i ever did with her was kiss, and i only did it once, which was yesterday.” eren said while moving away from her and going next to you.

the girl rolled her eyes “you just gone sit there and lie?, tell her the truth.”

(this story alr corny but here come the cornier part 😂)

before eren could defend himself you spoke up…

“He might be doing you, but he's thinkin' about me so, baby, think about another lover, and go find another brother”

then here go connie “Period sis, clock it.”

the girl rolled her eyes “girl boo, that’s not yo nga. he fa me.”

“I know he's my man, he's all in my hands, It feels good when he calls my name, Don't you wish you had the same? Feeling disgust working your stuff 'Til he thinks about mine, Now he's feeling real high, You ask why? cause he's mine.”

she was getting a lil mad too, then connie and them in the back being messy tb “she clocking you boo” lil sassy tails. then eren just sitting there laughing at them.

“that’s not what he saying last not tho. “ooo to shii so fye, the bets i ever had.” he love me suh, i love him too.” she said with a petty smile on her face.

erens eyes widen at this, this was really delusional?? “nihh wtfk?? on everything i love i wasn’t witchu last night, after i took you outside i got in my car, by myself, and went to connie shii.”

“Tell you something that just ain't cool, Never fall in love with a man who don't love you, oh, I wouldn't waste my time telling you something wrong,You've been with him one night, and now he's coming home.”

connie:”I know that’s right”

He's mine, you may have had him once, But I got him all the time, Went out on a date, wasn't out too late, Took you to a room, and you gave it up too soon, Played you like a trick 'cause you let him hit, Now he's coming home to a lover that is strong, I got all his love, baby, don't try to take it, You wanted a piece, you were mistaken, 'Cause he belongs to me, Baby, can't you see?

eren pulled in you for a kiss making eye contact with the girl, “i’m sorry ma, shoulda never did that. i love you.” the girl shook her head and walked away.

“you fucked her eren?” he sucked his teeth “you know ian fuck her, this to dck, i promise ian touch her.”

you looked up at him, you know he didn’t do nothing with her. you pecked his lips.

“let’s go home.”

YALL this so cornyyy wtf 😭… also i rushed the end cause i got bored + i ran out of ideas so sorry if it seemed rushed or youn like it .

but ty for reading!

gimme some requests on some songs yall wanttt !!

bye bye

kisses 💋. gn ilyy ❦.

[yumiis]

headcannons for getting drunk with tgc?

like how high their tolerance to alcohol is,

what they usually have,

and stuff similar?

ignore my 'ideas' if you dont wanna do them <3

🫧 anon

absolutely!! i love making hcs like this (i also won't be including larry bc he isn't of legal age to drink :P)

｡ﾟﾟ･｡･ﾟﾟ｡ ﾟ。 drunk ; tgc boys

　 ﾟ･｡･ﾟ

genre/type: fluff/humor, headcanons

read below!

ISAAC;

absolute unbeatable tolerance. insane tolerance. dude can take 6 shots of everclear and still walk a straight line.

you've only seen isaac blackout ONCE, and it was complete accident. you hadn't seen isaac drinking that much, but he was actually borderline drunk. he asked you in a pretty sober sounding voice, "how many drinks have i had? should i stop?" you say, "i've only seen you take like 2 shots. drink some more!"

horrible move. he blacked out and also woke up with the world's worst hangover.

ever since then though, his tolerance, like i said, is rock solid.

he likes the classic drinks, so i'd say he likes a good screwdriver.

super clingy and COCKY when he's drunk.

drowning you in kisses and hugs, and he goes, "babe, i'm soooo hot. i'm soooo hot and sexy.."

"sure you are."

your two options are to kill his ego or boost it, but it kills you too much to deflate his ego.

"how cocky was i last night?"

"yeah."

TANNER;

moderately normal tolerance, maybe a TINY bit lower than the average person in their mid-20's.

like, if we're measuring in shots of vodka again, like 4 1/2 shots he'd be gone. not black out gone, but "i'm gonna talk about every celebrity i could probably pull" gone.

he's such a YAPPER when he's drunk dude.

will probably do the trend of writing fake band names to try and make you laugh

he's dancing around to loud ass music in the kitchen, invites you to dance with him, he immediately starts shoving himself against you

he won't shut up about how much he loves you

he's definitely got his head in your lap and he's making you play with his hair and listen to him talk

however you have to stop him talking at a certain point, because he'll just start having a crisis and making himself sad.

he's never blacked out, but he has terrible hangovers.

favorite drink? he strikes me as a daiquiri kinda guy. he'd love them.

but if it's more casual drinking at home, he's happy with some soju.

NICK;

literally AVERAGE tolerance.

about 2-3 shots of vodka has him tipsy, 4-6 has him drunk, and don't give him more than 8, he might start drunkenly making an album.

he's not a clear liquor guy, he prefers browns like brandy or scotch.

there is almost ALWAYS a bottle of whiskey in the fridge for nick, he never runs out.

he drinks regularly, but he doesn't HEAVILY drink on those nights.

he's super sleepy when he's drunk. he could literally fall asleep anywhere if given the opportunity

he could be laying on the floor to "stretch his back" he's asleep 10 minutes later

you have to carry this dude to bed (and if you can't do it alone, isaac helps you)

like i said he prefers drinking brown liquors, so i think he'd maybe like a tequila sunrise or just straight whiskey

BLAKE;

"i have a ROCK SOLID tolerance!" dead in 3 shots. don't listen to him lie to you

every time you and the guys go out for dinner at like chilis or something, blake orders a margarita and everyone sighs in unison

the margarita gets him on the verge of drunk. just a little past tipsy.

he can HARDLY casually drink with anyone because his tolerance is just THAT bad

you constantly pick at him for it but he's just accepted it at this point

he's so SILLY when he's drunk man

cracking jokes that do NOT land at all and are not funny unless he's talking to a bunch of drunk people

"so the.. uh.. what? yeah.. uh.."

he suddenly forgets english

he can barely formulate a SINGLE sentence and he's basically speaking in mumbles

he's like speaking in fancy or speaking in riddles like a troll under the bridge or some shit

you have to baby him while he's drunk or he won't know what the hell is going on

i think he honestly.. just likes whatever he can get his hands on.

[artist-issues]

I’m bored and I really enjoy your opinions on Disney, so I thought you might have something interesting to say to get my brain ticking. I came across a post on Frozen and I was like, “Ah, a perfect starting place for dropping you an ask.” I’ve never really been that bothered by Frozen and I don’t know what it is that I’m just not fond about. Maybe it’s that I dislike the characters? Maybe it’s that they didn’t really have any established rules for the way magic worked in that universe and thus had anything they wanted happening? Maybe it’s the twist villain? I don’t know, it’s probably just the characters that they tried to make so cool and girlboss!

Elsa is made out to be this awesome protagonist that is never in the wrong and that grates me. She has flaws, but the film doesn’t act like they’re flaws. She runs away out of fear and shame for not being able to control her powers, but then two seconds later she’s singing “Let It Go” and making giant ice castles and bringing snowmen to life?! And “Let It Go” is super annoying for the fact that Elsa starts off worried and upset (fair enough, she’s just ran away from her home, her kingdom, her sister whom she hasn’t seen in years, she lost control of her powers) but then immediately turns round and is like, “Actually, it’s not my fault and I’m fine as I am and I don’t need any of those responsibilities!” Which would be fine, but she also finishes the film with the same attitude!

Anna, too! Naive and optimistic and perhaps a little too trusting, she never realises that even if Han hadn’t turned out evil, Elsa had every right to be worried over their marriage. She never realises that it’s partly her fault for revealing Elsa’s powers (and she definitely doesn’t apologise). There’s a lot she doesn’t realise, and the only lesson she takes away from it all is that Christoff loves her instead of Han.

Oh my days, I’ve just realised how ridiculously long this has gotten, super sorry! Have a lovely day!

Let’s do this! For fun!

1. They don't need to establish exhaustive rules for how magic works in their world.

Red Riding Hood doesn't explain how the Big Bad Wolf can talk-it just explains that he can. Cinderella doesn't explain how Fairy Godmothers work, or why the spell should only last until midnight—it just explains that she casts one, and it does only last until midnight. Beauty & the Beast does not explain how, after The Beast has died, the "breaking of the curse" could bring him back to life. After Belle confesses her love, he should just go from dead beast to dead human, for all the explanation they give.

Beauty & the Beast also famously refuses to explain (explicitly) why all of the household were cursed, along with the castle and the Prince. But what it does explain is, "there's a curse, it was put in place because of a defect in the Prince's character, and there's a time limit on it's ability to be removed, which can only happen if the defect in his character is overcome."

The whole point of having magic in the story is just as a tool...to create a plot. You don't have to explain everything; you just have to explain what will affect the characters. So, Frozen says, very plainly in the beginning: "you can either be born with magical powers or cursed with them in this world, and trolls are the experts on how magical powers work. The way Elsa's specific magical powers work is, they're beautiful, but powerful, and they're tied to her emotions. Therefore, if her negative emotions control her, her negative emotions control those powers. Also, if you're struck with magical powers in the head, the effects can be removed with memory alteration. If you're struck with magical powers in the heart, the effects can only be removed by an act of True Love.

Also, here's an explanation of what counts as 'True Love." They actually do way more explaining than the average fairy tale. And they set you up really nicely to receive that explanation by having the opening scene be a song that describes Ice Magic as “beautiful/powerful/dangerous/cold/ice has a magic can't be controlled.” Etc.

If you were wondering what limits there are on Elsa's powers, and whether or not she can just make anything out of ice, and how it's possible for her to bring inanimate snow to life

—well, you're focusing on the wrong things for this kind of story.

It's not that important for a fairy tale like this one. In a superhero story, limitations on powers would be important. Because the point of a superhero story is, "how am I going to take selfless responsibility for what I'm able to do?" And if you don't know the boundaries on "what I'm able to do," then you can't communicate that point clearly. That's why we need to know that Superman can see through just about everything, but not lead. That's why you need to know that Elastigirl can't stretch in the cold. You can't know how to take responsibility for your abilities if you don't know what they are and are not.

But Elsa? The point of Elsa having powers is not as a metaphor for her unique skills. That's what it would be in a superhero movie.

Like, in superhero movies, Spidey's ability to stick to walls is supposed to be a reference to like, your ability to...l don't know, draw really well. How is Spidey going to use his ability to stick to walls for the good of others = how are you going to use your ability to draw for the good of others, because it's something special and unique to you, you have something to offer, are you going to use it selflessly, etc.

But for Elsa, that's not what it's about. Her powers are just a metaphor for how what's going on inside of her effects everyone around her, relationally. And it's still relatable. But not in a "skills" way. Just like all of us non-superpowered people: "if you let fear control you, you'll hurt everyone around you. But if you let love cast out fear, you'll love and be loved."

That's what's so good about this movie. When you look at it like that, you realize the powers aren’t the point.

Elsa isolates because she thinks that'll keep her from hurting everyone (fear controls her) but actually, by isolating, she's still hurting everyone-nobody in the kingdom gets to see their beloved ruler, and her sister is hurt, relationally, and feels unloved and shut-out, enough to trust the first scoundrel she meets-etc. See how the powers just make the story interesting, but they're not the point of the story? If Elsa's powers were replaced by "frantic outbursts of human temper" the story could be told in a lot of the same ways. But that's a post for another time.

So I don't think you disliked it because of the powers not being "established." "Whatever they wanted to have happen" did not happen, in the story. They laid out the rules that were relevant—“if fear controls you, it'll lead to great danger/but an act of true love can thaw a frozen heart."—and then they followed those rules in an interesting and consistent way.

2. The "twist" villain worked perfectly for the story.

A good villain is supposed to be the opposite of whatever your story's message is. Frozen's is, "Self-Sacrificial Love Casts Out Fear." Elsa is afraid she'll hurt everyone around her, and afraid that makes her unloveable-so she's a control freak over her circumstances. Anna is also afraid she's unloveable-simply because she's shut out and unknown-so she's always trying to control who she keeps in her life. Hans is both "unknown" and "controlling." He's "unknown" in two ways—1, nobody sees him in the shadows of his brothers in his own kingdom, and 2, nobody in Arendelle "knows" his true nature, especially not Anna. But the difference is, where our heroes don't like being unknown, Hans does, and uses it to his advantage, because he's also "controlling." But unlike our heroes, who learn that "control" is not the way to love, Hans is willing to do anything to stay in control. Which is, always, rooted in fear, too. Hans is just afraid he'll never get a throne. So. You see that he foils the two main characters perfectly.

But the main point of Hans is that he's not self-sacrificial, he's self-serving, which is the opposite of what the story claims "True Love" is.

Why's the "twist" part important? Because he uses the main characters' fears as a weapon to serve himself, and he couldn't have done that, for these two particular characters, by being anything but a liar. Anna is afraid she won't ever be loved, so he pretends to love her to get something for himself. Elsa is afraid she'll hurt everyone, so Hans pretends to be protecting everyone from her. And honestly, that's another core of the movie-love that is self-sacrificial, true love, can't be separated from truth. Anna can't really "truly love" Elsa in a way that HELPS Elsa feel loved if she doesn't know Elsa's flaws. Elsa can't "truly love" Anna if she's refusing to know Anna by always shutting her out. And Hans comes along and doesn't let himself be "truly known." Perfect.

So, the movie says "Self-Sacrificial Love Casts Out Fear" and Hans, the villain, says, "Self-Service Uses Fear As a Weapon."

So I don't think you disliked the "twist" villain. Because it wasn't just an empty "shock-jock, look how edgy we are, to make the Prince the bad guy" move. It was the right move, for this story and these characters.

3. I think your definition of "so cool" and "girlboss" might be different from what l understand those terms to mean, because none of the characters fit those descriptions.

Anna (as we understand her throughout the story) is introduced like this:

And she's constantly dropping stuff and getting into awkward social situations-and she basically makes zero correct decisions, for the entire adventure. Tries to fight wolves like a girlboss-and instead accidentally knocks her guide out of the sleigh and has to be thrown to safety while she ruins his livelihood. Tries to climb a cliff with zero experience-looks ridiculous and falls. Tries to talk her sister into lifting a curse and insists that she knows best because her sister would never hurt her-gets crippled, because her sister absolutely does hurt her, and totally fails. Tries to marry a handsome prince-really bad judgement of character, totally duped, basically would've died without help from the weakest and most mentally-confused character in the movie, Olaf. The only "girlboss" moment you could argue she had was punching Hans in the face at the end of the movie, and I would argue that that one moment, in the face of all her failures and humiliation throughout the movie, and in the face of him as a vile villain? That moment is okay.

Also, the whole way they pace that moment is still in-character for Anna. It's still like she's not doing the "dignified" thing. She delivers her little one liner, "the only frozen heart around here is you," and then turns around to walk away with her nose in the air, like she's

"above it all." Which frames the moment where she turns around and punches him like a joke. It frames that moment like it's a satisfying, but still "not decorous, not dignified," thing to do. It would've been "cool" and poorly received if Anna, the character who's always jumping into doing the emotional, awkward thing, had suddenly become the bigger person and risen above her hurt in that moment.

So instead, she punches him. And whatever. He deserved it, blah blah blah. The point is, even that moment isn’t supposed to be strictly “cool” or “girlboss.” It’s just supposed to be “in-character funny.”

See, usually a "girlboss" character knows exactly what the best thing to do is in a situation, and does it well. Or, she gets knocked down, but consistently gets back up and hits harder. Anna does not do any of those things. She keeps trying when she fails, yeah-but it's not because of an inner strength, it's because of an inner weakness. She keeps pushing because she's desperate, and insecure, not because she's awesome and never-say-die. Eventually, after Elsa strikes her and Hans betrays her, Anna does give up. She tells the snowman "we won't (come back.)" after Elsa strikes her. She tells Olaf she doesn't know what love is. It's not until she learns that lesson that anything she tries to do works—and she gives herself up to do it. And that's finally a moment of strength from her, not weakness. As for "cool"-gimme a break.

There's nothing "cool" about Anna. Anna's not good at anything except, at the very end, self-sacrificially standing in front of a sword and getting one punch in on a villain who's already disarmed, defeated and probably slightly concussed anyway. She's not supposed to be "cool" or "girlboss." She's supposed to be "Desperate to Love and Be Loved." And that's what she is, perfectly. "Desperate" is not a characteristic that fits the definition "girlboss" or "cool."

But maybe you just meant "Elsa is so cool and a girlboss." Okay, well, again, depends on what you mean by that. If you mean "having superpowers are cool" okay, well, are they? Is that what the movie is telling you? Because powers basically ruin all of Elsa's childhood and life until the last 3 minutes of the movie. You could be like "come on, she can make snow and ice monsters, glitter gowns, and an entire palace just by dancing. They totally tried to make her 'cool." That's like saying Simba's ability to eat bugs and belch and fight with Nala is "cool." She does all those things at her "Character in the WRONG" moment, in the story, just like Simba living in the Hakuna Matata jungle. Therefore the movie is not trying to tell you that Elsa is cool, it's trying to tell you that Elsa is wrong, but you can understand why she's wrong. You can understand why she feels triumphant for a moment-and then the movie shows you that triumph is misplaced.

I mean, she's taken out by her own falling chandelier. Every time she's confronted with a problem, she runs away. When she gets into "battles of wits," she says the wrong thing, or the shy, shut-down thing, not a girlboss one-liner that shuts the other person up. Elsa's not cool either. She doesn't have the answers, she doesn't save the day-she gets saved.

Both of these characters are desperate, open wounds-—they're needy and they're in the wrong, each in their own way, for the majority of the movie. They're weak, and they have to learn to find strength in love, for most of their story. There's nothing "girlboss" or "cool" about them.

I think maybe what some people make the mistake of is noticing the Frozen mania, and the fact that the two main characters are girls and one of them has superpowers and they other doesn't get with a Prince, and then they get the impression, from that, that the characters are "cool girlbosses." But like...that's like saying Dory from the first Finding Hemo movie is a girlboss. She's so totally not. She's a wreck. A funny, appealing, sometimes-relatable-human wreck. And a good character, but the hype doesn't change who she is, as a character. And who she is, like Anna and Elsa, is just a good character.

4. Elsa does not finish Let it Go with an "I'm Fine As I Am" attitude, and she doesn't finish the movie that way, either.

She finishes "Let it Go" with an "I'm fine up here, isolated from everyone," attitude. And then the movie very quickly proves her wrong by having Anna show up and reveal to her that no, actually, she is not fine up there, because the person she cares about most can still find her and be hurt by her, and the whole kingdom is still reeling from the problems she ran away from.

At the end of the movie the only thing I can guess you got the impression that she's "fine as she is" from was the fact that she's using her powers again.

But like. Elsa's whole problem was never her powers. She wasn't supposed to learn to stop using them. She was supposed to learn to stop living in fear. Instead, she was supposed to lean on love-love that sacrifices for her, flaws and dangerousness and all-and stop trying to control her image and what everyone knows about her.

Because in trying to control what everyone knows about her, she was controlling whether or not they loved her or treated her like a monster. And even running away and singing Let It Go was still an effort to control everything-by not being around people who could treat her like a monster or be hurt by her. Instead, accepting that she might hurt people because she can't always control everything, and trusting that they'll still love and forgive her, was her character arc.

She lives by faith in sacrificial love by the end, not by fear. That's the arc. She does that perfectly.

It was never, "I'm fine as I am." Because the point was never "there's* something wrong with me." It was, "I don't need to fear a lack of control, because true love covers what I can't control." That's all.

4. Anna does communicate to the audience that she's sorry and willing to understand the reasons behind Elsa's secrets.

The lesson Anna takes away from all of this is not "which guy loves me." It's "what is love?" And you know she's learned that because she demonstrates it. If Anna had died-frozen forever-or been cut down by Hans' sword, you realize that Elsa would never have been able to repay that gesture, right? But Anna still made that choice.

Even though it meant Elsa would never repay her. And the point is — excuse me, I know this is long enough, but I feel like you're missing out on something wonderful here—

Anna could have left Elsa to be killed and ridden off into the sunset with Kristoff.

They make it very clear that that is her goal when she stumbles onto the ice, free from the room Hans trapped her in. Elsa is no longer her motivation. She isn't looking for Elsa. She's not trying to get that love she's looked for, from Elsa, in that moment. She's trying to get it from Kristoff, not just for her emotional need-but for the "breaking of the curse" that's killing her in the moment. That whole scene where she realizes he loves her-truly loves her, because he fits the description Olaf gives-is in there to communicate to the audience that he could save her. He could give her what she needs.

And the reason that's important is that it proves that this is character development: when she chooses not to go to Kristoff, and to go to Elsa instead.

Because it's her, choosing to turn away from the person who could give her something (even if it is "love") and to turn toward the person who can't give her something (Elsa.) Who has repeatedly failed to give her something, for their entire lives.

Anna at the beginning of the movie would've run to Kristoff. That was the whole point of Hans, when it comes to Anna-he represents someone who can fulfill a need in Anna. But when Anna turns away from Kristoff and runs to save Elsa instead, Anna is demonstrating what she's learned —that love isn't about her own needs. It's putting someone else's needs before yours. She stands between Hans and Elsa, with the full expectation that she's not going to get anything out of it, not even a guarantee of E/sa's love in return. And her own needs will NOT get met if she puts Elsa's first.

And that's what she does. Whereas, at the beginning of the film, Anna would not have done that. Because that's not what she thinks love is. She hasn’t realized that yet.

She thinks love means closeness. And that does come with love. But that's not love. Love is, like Olaf says, putting someone else's needs before yours. But the whole movie, Anna is not working to put Elsa's needs before her own. She's working to change Elsa's mind, now that she knows the truth, so that she and Elsa can be "close again." She's climbing that mountain and arguing with Elsa, because she thinks that all that stood in their way before was this secret that's been uncovered. And sure, Anna has always been willing to “be there for” Elsa, but you have to see that Anna wanted that to come with Elsa being there for her, in return.

Which would be nice. But it's not true love. True love is being there for someone even when they refuse to be there for you. Because that's putting their needs before yours.

Thanks for the super long ask! That was fun! I hope you enjoyed reading as much as l enjoyed writing-I think sometimes we judge Frozen by the mania that followed, not the good quality that actually caused the mania, and deserved the mania, though. Anyway 😂

Guards! Take them away! Back to the theater with you! Watch the movie again!