#there was a point to this story ( answered )

[akanemnon]

We didn't even get an answer, and we never will (at least it's not determination)

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[poorly-drawn-mdzs]

Now I need a lab safety wizard! U

se your PPE, do not microwave food or eat food. Specially in the Ethidium bromide area. Stop touching things with gloves that touched contaminated areas pLEAse!

You can see I'm frustrated lol

I have sent a helpful Lab Safety Gnome your way. May he guide you, and any students in your proximity to respect the Lab Safety Rules.

[xxplastic-cubexx]

erik will genuinely jump at any chance he can to steal charles' last name and be so catty about it i know this for a fact WHAT is his deal

[Magneto (2011)]

[ignitesthestxrs]

there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.

and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.

idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.

which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'

*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.

[kedreeva]

#we spoke of this a LOT at work after that one tech was murdered and hidden in a wall

hi!👋 hello! kedreeva! i’m going to need to ask you to explain this!!!!

So back in 2009, a lab student named Annie Le was murdered at Yale university. Cameras saw her going on into a building, but not out again and it was like, the eve of her wedding (or close to? I don't remember) so clearly she had places to be and people waiting for her so they immediately started looking and the next day (or so? Anyway on the day of her wedding) they found her body in a recess in a wall, down in the areas where the research animals were kept. It turns out, a tech had killed her, but since there were cameras like EVERYWHERE, he just, I guess, left her there. Well, hid the body where it was. I don't remember how they caught him, but they did. It was a horrifying story. It still is.

And it was a huge news story among the folks at my workplace because, at the time, I was working at a different university, as an animal husbandry technician. As you can imagine this was a kind of intense time to be in that situation. They started offering, like, I'm not gonna say counseling but it was "if you need to talk we would prefer you talk to us about something wrong rather than kill anyone about it" and as techs (even if we were not even the same kind of tech, the killer was a lab tech and we were husbandry techs but I think a lot of people assumed it had been a husbandry tech since she was in an animal area), we were kind of getting the side eye from lab people for weeks afterwards. Like they thought we were gonna go "wow that's a fantastic idea, you're next!" or something, idk. And I mean like, people would freeze when you were alone in a hallway, or turn and walk the other way, or duck into the nearest room and watch you walk past, and they were all being super nice/civil to us when they did have to interact. It was very atypical behavior for lab people. Like not all of them, some of them had always been nice and weren't worried, but some of the people who had been unbelievable dicks previously were walking on eggshells. And the people who had friends in other universities reported this was happening at their jobs, too.

And instead of talking to The Man (because all the higher ups were garbage at the time), we just. talked among ourselves. It was a lot of "I may say I feel like strangling lab people sometimes when they do things that drive me up a wall but I don't MEAN it you know that right" and it also led to group discussions of what would be a theoretical *better* solution to hiding a body than what happened, with clear disdain for doing things like hiding bodies in walls, which is a terrible idea and one we would never do (looking at the people who think we might have decided this was a great idea actually).

Which consequently led to a lot of supervisors and/or managers that happened to overhear us bringing us donuts or arranging pizza for lunch in like, some kind of bid to help us feel appreciated, I guess, so that we wouldn't murder anyone, even though none of us were going to do that anyway. But also none of us were in a position to turn down free donuts or pizza or whatever.

And then after a few weeks, maybe a month or so, people just kind of forgot and moved on and things went back to normal like fifty people hadn't spent every lunch hour for weeks talking quietly among themselves about how human bodies would definitely fit into a carcass disposal barrel or that you'd have to crush hip bones and/or skulls before incineration. Hypothetically.

Like I said, it was a VERY weird time to be at my job, and every time I remember it happening feels like a fever dream. I can't even imagine what it was like at Yale.

[the-crooked-library]

the most annoying part of the social media response to Nosferatu (2024) is having to deal with the same tired, recycled, boring discourse that we’ve ALREADY HAD about Interview With The Vampire (2022-), Hannibal (2013-2015), The Phantom of the Opera (2004 film and previously stage), Buffy the Vampire Slayer (1997-2001), IWTV (1994 film) -

like, I’m going to say this from the bottom of my heart: if what you want in your heart is a wholesome sweet monster romance, The Shape of Water (2017) is right there and delightful. You do not have to force yourself to engage with gothic/horror media that you know you won’t enjoy - and doing so on purpose in order to demonize it, ignore all inherent nuance of the genre in favour of severely reductionist virtue signalling takes, and pearl-clutch about the people who did like the story is deeply, severely unhealthy. there are other things out there for you, and this is not one of them

[mohntilyet]

Wait is the middle picture from those three sketches that one scene from the wigmaker job?

yes! it's this specific passage where lucanis is just seething with rage and trying to keep a lid on it, and illario's a stablising, comforting presence. BROTHERS!!!!! <3 though i chose to draw his hand on his shoulder rather than his arm i guess. artistic liberty!

[forgettable-au]

I love your au sm, I've never felt so enamoured with an interpretation of Gaster (or Wingdings, in this case) before. The art is amazing and your characterisation is just as good. You just seem to GET papyrus as a character in a way thats so difficult to do. So intrigued to see where you'll go with this <3

Hope you're enjoying art school!

AAAHHH THANK U SM

OHH I love this ask, I'm glad everyone seems to like Wingdings

Especially since he's very different from ur usual pre-core Gaster interpretation..... and the fact that you're all still open to him is greaaat

Always great to know that you're liking my Papyrus interpretation, he is probably the hardest character to write...gjsffiud SO EXCITED TO CONTINUE!! The hiatus might end soon!

[carlyraejepsans]

One thing I think people forget is that sans probably wouldn’t talk about missing his home and never being able to go back and giving up unless he absolutely felt he had to

with frisk he’s pretty sure that’s the time traveler that could very well end the entire world. He’s trying to reason with em as a someone he’s hoping could be a friend at that point because he’d really rather not have that happen

In geno is IS the end of the world and he’s hoping you’ll realize this is stupid and cruel and reset. It’s not like he’d have this conversation on a random Tuesday with papyrus

yeah agreed, sans goes out of his way to not talk to/with papyrus about their life before the underground. remember the newsletter q&a? (this is more a theory, but judging from their behavior i personally think papyrus is an amnesiac/sans thinks he is, and he's trying to spare him the grief of remembering).

his memories and mementos are stored behind his house for a reason, he's had his realization that he'll never go back already: there's no sense in reopening that wound again if he has an option to avoid the topic.

[aliusfrater]

related to nick's post. you can't even make this stuff up

[ruegarding]

yknow what's fucking wild to me is that rick used to show us Annabeth who did struggle with her disabilities!

she had difficulty with reading and spelling in pjo, she talked about struggling with school in one of the kane chronicle crossovers, and showing those difficulties never took away from how she was still regarded as smart

ricks insistence on leaning into 2D and OOC fanon characterizations is wrecking the morals he originally based this series around

exactly! og annabeth was intelligent and disabled. at the same time! both of these things were equally important and never detracted from the other.

[rainofthetwilight]

need people to look at this tweet because oh my god, FINALLY someone said it

[empty-dream]

What I don't have is what you're made of You make me who I am ↳ KANATAHALUKA - RADWIMPS

[tokutaiseichan]

EN: "Just be happy enough for the both of us, okay?"

JP: "Just be happy enough for all of us too, okay?" → I interpret the "us (俺ら)" Rui talking about is himself and someone else, but not including MC so I took it he means himself and the other ghouls…

[sweetgaleria]

Help a college student graduate by answering a survey!!

Hey!! Are you over 18 and in the miraculous fandom? Then this is for you!!

Hi everyone, this is my last semester of uni, and one of my final projects to be able to graduate is to write a scientific paper. I'm writing an article about adult fans of children's animation, specifically Miraculous Ladybug. My goal is to understand what makes adults (like us) want to join fandoms centered around shows aimed primarily at children, and to do that I'd love to hear directly from the source! The survey takes around 10 minutes to answer, it's 100% anonymous and it would help me immensely!

>>Click here for the survey<<

I need at least 30 people to answer, but honestly the more the merrier! I've also made a little thank you gif at the end, so if you see it let me know! If you have any questions feel free to send me an ask, as well!

Please reblog so it can reach more people! Thank you so much!

[franeridart]

I need a character chart with how each person knows the other, like who is roommates with who, etc. I love them all but It's been awhile since I read it all so I'm like wait I thought you were Dave's roommate are you not?

I posted a little scheme of the most relevant relationships at the moment here! by the way, the boys (dave's group) and the girls's flats are in the same apartment building!