#there should be shes one of my favorite characters

[wingsdippedingold]

My rapid fire ACOTAR hot takes that y’all will hate:

I pray the pros don’t find this

I don’t ship Elriel or Elucien because I ship Elain with singleness and just traveling Prythian to learn about different plants and then settling down somewhere to become an apothecary. Is she aromantic and suffering from comphet in my head? You’ll never know

Nesta would not have eaten Lucien alive, I think she’d be tentative at first but then realize he’s not a threat to her then grow to enjoy his presence. They could have had a great romance that actually helped her grow as a person, unlike Nessian.

Nessian is a mutually destructive relationship. Cassian is too insecure to date someone who he thinks looks down at him. Nesta needs an emotionally supportive partner.

There was ZERO need to actively SA Feyre publicly to make her look subservient or as if she had a “claim” laid on her. The reasoning is weak, and SJM an Rhysand fans need to admit that they only defend it because they thought it was sexy, or because they self-insert and can’t make Rhysand actually look bad.

Tamlin isn’t a bad leader, but it doesn’t suit him. He’s much more of a people person than someone who would like to be removed from them and working on laws and politics.

Tamlin should be walking around the SC as they rebuild and see a woman directing townspeople on how to do so. Tamlin would admire her for being able to connect with people but also being able to govern well. They would have a romance and that woman would eventually become a lady and help Tamlin govern because she wants to make a difference and is good at that stuff. They eventually get married 💥

Canon Elain is my least favorite Archeron. I think she’s manipulative and worse than Nesta in her cabin behavior because she wasn’t upfront about it. She let Feyre think she was useless and kind, to later only throw her under the bus. Nesta is the one who went to the wall for Feyre, and Elain didn’t gaf about Nesta caring for her the second is stopped benefitting her. Elain even acknowledges all that Feyre did for them, and yet she still didn’t do anything

BUT to append to that, I totally get why she’s that way. It’s her only means of survival because since childhood she was treated as a doll with noice of her own. She can’t be upfront like Nesta because she won’t get taken seriously, so her only way to get what she wants is to manipulate people and use her niceness as a mask.

Nesta and Feyre have a closer relationship than Nesta and Elain solely because they were constantly arguing. Nesta “favored” Elain, but it was still distant, but she actively watched Feyre and treated her like a whole person even if it was poorly. I think this is also exemplified in their appearance. Feyre and Nesta look very similar, while Elain doesn’t look like them as much.

You can’t argue that Feyre’s childhood was traumatizing (it was) but then say that it had no negative effects on her development and ability to socialize.

Feyre is NOT good at reading people despite what y’all like to argue. She can barely read Nesta, a woman she’s known for 20 years.

She suffers from hubris and has a savior complex. For example, when the debtors came to cripple her father she notes that they only left after SHE cried and soiled herself. In her perspective she will always be the hero because that’s how she makes herself fell good.

Arguable my hottest take: I don’t think Nesta and Feyre had a power imbalance in the cottage to make their relationship abusive. In fact, I think Feyre held more power over Nesta, Nesta just didn’t acknowledge it/was mean so it didn’t seem like it. Feyre was their father’s favorite, was the breadwinner, and technically dictated whether they would get to eat. Feyre held control over her family’s survival, even if she didn’t want it, and they all knew this. It is specifically why Elain sucked up to her (a character know to jump to whoever has the most power at the moment and would protect her the most)

Feyre doesn’t act how she wants to, but rather as she thinks a good person would. She doesn’t want to hunt, but she does so because she thinks she has to. Many of her acts are “selfless” but are often shallow. She also thinks everyone wants to the helped the same way she would want to be.

To add to this, she doesn’t love her sisters. She doesn’t love them for who they are, but because of proximity. She even says to Nesta when trying to get her to come to solstice “but you’re my sister”

Feyre did not know love and it did not know her, and thus made her latch on to whoever gave her affection and she deemed as her own savior (Tamlin and Rhysand). Should she finally ever feel suffocated by Rhysand (though he has ensured she won’t), I wouldn’t doubt that she would run to another.

Feyre has 0 healthy relationships. ZILCH

By adulthood, Feyre’s illiteracy is no one’s fault but her own. As a child she didn’t want to ask Nesta, but she didn’t ask Elain or her father either. Even then they fell into poverty at like 9 and she still didn’t learn much so that doesn’t make sense. She refused Tamlin’s help and Rhysand literally had to force her to learn.

Rhysand’s character makes 0 sense when you consider her upbringing, family, friends, personality, and powers, and is just a product of SJM trying to write the morally grey ultimate love interest.

I’m on the fence about him being a master manipulator towards Feyre and the IC. I doubt Sarah meant for him to come off like that, but if he actually was it would be a masterful story and make his character feel more cohesive.

HOWEVER, if he was a manipulator I don’t think it would be that impressive for him to manipulate Feyre. She is naive and new to the world of fae, and she switches her opinions like night and day. She would be the perfect target. Again, this comes about from her upbringing and her own hubris.

The series should stuck to being a trilogy. Insert it drags on and makes new problems that aren’t even properly addressed

This was not rapid I fear

[seffen]

It's been a long time since they've been here.In fact, I've been cold to them for a long time. But recently, at my leisure, I decided to remember them, it was nice.

It's been a long time and I've been able to rethink a lot of the stories, but the main points in the story remain, and I'd like to tell them. But I strongly doubt that I have the patience to draw it all.

Shamura is still one of my favorites. I wanted to make him the most controversial character. I drew his image when there was still no crown on his head.

I remember Shawmura saying he caught his crown in a net, this prompted me to headcanon that his crown was not meant for him. I've had this headcanon for a very long time, and in the early artwork you can see that Shawarma uses a regular spear and doesn't use the crown due to the fact that he couldn't quite curb it. But it's worth saying that later on he was able to curb it like no mortal would be able to. I can say that Sharuma had very high self-esteem when he was young.

Callamar, I think he's getting unduly neglected. And I don't like that he's portrayed solely as a coward. I like that he can be very cunning and very self-loving. And I wanted to revisit one point in his story. I wrote earlier that he was relatively at ease with the role of a mortal, but now I think that's not true. To explain, Kallamar as well as Leshy and Narinder were gods from childhood, from early childhood, because of this their adaptation was the most difficult and one could say unbearable. Imagine being on top all your life and losing everything in one moment, it's very difficult and the only happy moment is that Kallamar is alive.

And I can also see that Kallamar has various hobbies that would seem strange or creepy to many people and all of them would be about bodies and their insides. Given that Kallamar personified disease he had a lot of medical knowledge, simply because his region was the most commonly affected by it, and because Kallamar was very hard to please as a god. But we should not forget that he was primarily a god of disease, not medicine. Under him, in general, it is better not to bring up these topics at all or risk repeating the experience of Tom Cardy's poor guy from Red Flags.

I love Hekat. I share those who see her as strong, independent and very responsible. The way in the game itself she was ahead of all her brothers as if taking everything upon herself after Shamura received the head grass. Also, according to her headcanon, she received her crown like Sharuma already at a conscious age and she managed to live in the settlement and was a loyal follower. This experience, as for me, made her more down to earth, even though her character was hot-tempered.

If we talk about her life before the crown, then even before that Hecate was a respected woman. She was one of the students, and her word was very important. Because of this, she was also very popular among men, although none of her marriages were successful, and not because of bad relationships. Those years were very difficult times for the gods and this also affected the followers. You can say that there were difficulties with survival.

Now, you could say she is on a well-deserved vacation, although at first she helped her brothers adapt for some time, but still, despite how difficult it was for them, they are no longer children and she is tired of dragging them by the hand everywhere.

Well, and Leshy, the youngest. I can't say anything new. Those who have seen it before know that in my universe he has a daughter from a yellow cat. I would like to devote more time to his spouse. Something that I would also rewrite and change my mind a bunch of times. He is definitely not as simple as he seems. I had an idea with a breakup, but it is too large-scale and I repeat that I am not sure that I can implement it. I can say that the cat is not local and has not lived in the lands of the ancient faith for most of his life, he came from distant islands that are his native home. The main reason why he swam away from Tula is that he is wanted there and if he is caught, he faces capital punishment.

I guess that's all for now. I would write more, but there's already a lot of text here.

And there is no Narinder here. I just didn't want to draw him, maybe next time.

[burning2know]

I agree wholeheartedly with OP and these tags from prev. prefacing that I will be ignoring the game that shall not be named and probably repeating some points.

There's nothing quite like the interactive medium of a video game that makes you examine your own choices and beliefs. And when it comes to politics, there's often a disconnect between ideology and lived experience. My favorite thing about DA was always the fact the it tried to bridge the two. Whether it's showing that various individuals in similar circumstances can have completely different ideologies, or it can be to explore what happens to individuals and their experiences after reshaping the world according to the player's ideology. That bridge, albeit implicit, has been formative in the way I think about my own world. When it comes to the lore and world building, it demands the player to use critical thinking, much like a historian might, to make sense of it. And I did end up feeling like I needed to make sense of the world to make my choices.

Even though DA has argued both sides, it does it incredibly well. The arguments it presents come from character perspectives that makes sense in the universe, and it makes it all feel real. I think a lot of credit should go to origin's writers for providing those arguments. It feels like the writers talking amongst themselves trying to hash out what each action means for the world and to eachother using the NPCs, and in the spaces of these discussions, I get to reflect on where I agree and disagree and what that means for me as a player. The experience reminds me of me watching Contrapoints videos in which she has a conversation with various parts of her own beliefs about her gender identity, and engaging with her inner-discourse lead me to a deeper understanding of my own identity.

That's the true value of arguing both sides. It lets the audience decide for themselves without being prescriptive. And while it does demand the audience construct their own reasons and values to explain their choices, it also provides a window into possible viewpoints that the audience might or might not agree with. And not in a judgmental way. That process shows how one character may arrive there, not through insanity or stupidity, but through various circumstances and experiences.

DA's goal was always to challenge the player. That isn't to say that there's no bias, or a particular perspective that the writers are coming from. But the point is that it opens a space for exploration. It takes a certain kind of person to be able to do that without falling into the hole of appearing contrarian or troll-ish. And to some extent the writers themselves had to treat each argument with equal respect and legitimacy to display its outcomes in the game according to the rules of the world rather than their own ideals. And that itself is not easy. It doesn't surprise me that that world view and capacity disappears when the series changed hands.

And underlying all of that is a philosophy about how individuals operate, and how they operate when they come together into groups of individuals (many different words to say power and hierarchy). And that underlying philosophy is what resonated with me so much with over time. It's very compassionate to be able to hold space for these other perspectives. Not only rare to see due to the complexity required to show it, but easy to lose and difficult to gain back once you've lost it. And at this moment in the history of DA, we have lost it.

In some ways, I think the timing of this happening Makes Sense. We live in a tumultuous time where reality is uncertain and volatile due to the nature of new modes of information exchange. We see all kinds of people sharing things on social media that could easily be interpreted as lived experience or disinformation. And more than ever, our shared reality is being shattered into a million pieces by personalized content. (I too have felt the "we live in parallel universes" thought creeping up on me). In this chaotic environment, we Need the psychological comfort of certainty, of knowing what the world is like. The easiest and most familiar way is to find an authoritative voice and trust that single voice as the guiding star. That voice is only strengthened by others' agreement, and we contribute to this strengthening with our own psychological needs for certainty and stability. And we become resistant to dissent and critical analysis, because the amount of information to sort through gets very overwhelming very quickly.

What DA does has always been the opposite of that, it demands the player to confront multiple perspectives (albeit in a much more curated and coherent way). And it is logical to me that the game goes against such a primary psychological need in these trying times, perhaps now more than ever. But this theme has always gone against the grain, and media that goes against the grain in this way is so rare and So Badly Needed. We Need people to be able to think through and cobsider multiple perspectives, because there are so many perspectives accessible to us. At the same time I understand the draw of never ever having to do that. And I also understand that a lot of people just don't think that deeply ever. And that's why losing DA hits extra hard for me. Because it is another piece of resistance swept away with the torrent of greater trends that push us away from shared understanding with the people around us.

i feel like all of my pondering and analyzing and criticizing veilguard over the past few months has actually truly given me a better understanding of what dragon age meant to me, what about it specifically was so meaningful, and why, as a result, veilguard felt so wrong. it took a while for me to figure it out. about three full months of relentless essay writing, actually. but i think if you had asked me a few years ago what the core of my love for dragon age was, whatever answer i gave would not have truly gotten to the root of it, because i think i had to experience the disappointment of veilguard to fully understand why i love dragon age. and ive realized that core is that i loved how the previous dragon age entries demand so much of the player, and deliberately prompt introspection and critical, often political, thought.

dragon age games have historically forced the player to be self-reflective and introspective about their worldview and beliefs. solas is obviously a fantastic example, as he was deliberately written to be a reflection of the player in order to prompt them to reflect on how they treat people, how our expectations of people influence their behavior, and how people are pushed to extremes and turned into monsters or saved by love and kindness. how do people become monsters? what drives them to blow up buildings or start rebellions or destroy the world as you know it? are they right or wrong? does it even matter? how did you contribute to this? are you innocent? it puts these insane, politically and morally charged situations in your face and forces you to confront them. slavery, a refugee crisis, poverty, class disparities, racism, foreign occupation, the list goes on, and you are not given the option to look away or be a bystander. you have to ACT. you have to choose, you have to make judgements, you have to take responsibility and explore your role in this world as someone with the capacity to act upon it, to make your will a reality, to fail, to make mistakes. i honestly can't think of any other video game that does this to the same extent? nor any media at all because the act of being IN the world as one of it's people through the act of role-playing is essential to how it provokes this experience in the player. its ballsy. they deliberately try to make you uncomfortable. these games are full of liars, deceivers, betrayers. the games themselves lie to you. its character try to deceive you. did you catch it? or were you fooled? what else might you be fooled by? who else might be lying to you? in the game? in real life? and then you get to play it again knowing the end, and what the game prompts changes with your new knowledge. now it asks, do you forgive them? what makes someone worthy of forgiveness? where do you draw the line? what do you think?

i dont think i realized until recently how impactful this was for me considering how i first got into dragon age at 16 years old. i dont think i had experienced anything up to that point that would put a situation like judging a war criminal who ordered the deaths of children or another war criminal who just left me to die and orchestrated a near-coup or a traumatized terrorist who just blew up a church right in my face, and said MAKE A DECISION. and i didnt know it at the time, but looking back i can see how valuable it was for me at that age to have what was effectively an avenue of exploration and self-expression of all of these moral and political issues that i was grappling with as a young adult. i played inquisition for the first time just months before i voted in my first presidential primary. i already had a political consciousness at this point, but it was nonetheless new and vulnerable and still blossoming into something more concrete. inquisition, then, almost provided a sort of political, moral and personal sandbox for me from ages 16-20 to better help me understand myself in relation to the world. the RPG-ness allowed me to put myself into these situations - like the mage-templar war and its metaphor for mass incarceration and police brutality - while i was also simultaneously grappling with and trying to understand these issues in real life. having dragon age to help me further unpack my own beliefs and conception of these issues was undeniably impactful. it provided a space, through a narrative i enjoyed and cared about, to make choices and judgement calls and better understand who i was, and what felt right to me. it asked, "what do you think?"

veilguard lacks this. completely. and lets be clear that the previous games did not always do a perfect job. many of these depictions are messy and harmful and problematic, but they at least, by extension of their own existence in a narrative that forces you to THINK and JUDGE and DECIDE, give me the space and opportunity to judge them as messy, as problematic, as harmful. i can confidently say that i think da2 is too sympathetic to the templars as an organization because the fact that da2 presents me with so many narrative conflicts regarding the templar organization allows me to not just make in-game decisions and play as a staunch advocate for mage freedom and circle abolition, but to form opinions on the game itself by extension. i can confidently say that i believe the qunari's portrayal is islamophobic because the game has prompted me so many times; what do i think about the qunari? what do i think about the oppression of the elves? what do i think about dorian being a seemingly good person but defending the practice of slavery? who should rule orzammar; the progressive asshole or the conservative traditionalist? do i forgive loghain? do i forgive anders? do i forgive solas? this in-world critical thinking about issues in thedas leads to meta critical thinking. further questions naturally follow -> what message did the writers intend to send through anders? how can i notice the echoes of how this story came into fruition in the shadow of 9/11? what do solas's endings tell me about the writers view of retributive punishment? how is bioware's portrayal of the dalish, as inspired by indigenous north americans, reflective of deep-seated anti-indigenous canadian sentiment? why did the writers stop prompting these hard questions at all in veilguard? did they only like it when it was about characters, not when it led to critical thinking about them and the company as a whole? through these processes of in-world interrogation, i am inevitably invited to analyze the effectiveness of their narrative portrayals and the writing itself. perhaps this is why dragon age is so famous for its discourse lol.

ive said before that im not sure that veilguard could ever have been as impactful for me as the previous games, partly because when you are 16 everything is more impactful because your brain is an eager sponge, unless it did something that really resonated with me as an adult. but what it should have been, at the very least, is something that could have been as impactful and formative on a current 16 year old that sees a gif on tumblr and decides to check out the game, as inquisition was to me 10 years ago. and im sure there are teenagers and younger adults out there playing this game and loving it and loving the characters and the world and thinking its great, good fun. thats great. however it fundamentally cannot have the same profound, developmentally catalytic experience it had on me because it simply does not challenge the player. it does not prompt them to question their own beliefs and the power structures within their lives. it does not prompt them to reflect on the political narratives they may have been fed all their lives. it does not confront them with the sorts of topics that get books on banned lists in florida and force them to bear witness, to think deeper, to feel guilt or horror at the outcome of your own poorly-made decision, to make moral judgements, to make mistakes, and to live with the consequences.

i think i now understand why veilguard was so disappointing to me and ultimately would be a failure in my eyes no matter if i enjoyed the combat or the exploration or whatever other shiny coat of paint sits atop it. veilguard does not ask much of you. it does not prompt any sort of introspection or interrogation of your presently held beliefs. it does not demand anything from the player except to dodge at the right moment. this is a fundamental, core departure from what made me fall in love with dragon age in the first place. if you love dragon age because you want "fantasy escapism" and fun characters to smooch, then i am happy for you. but i would remind you that can find fantasy escapism all over the steam library - farming sims, cozy games, a witch looking for her cat in the alps, etc. what you cannot find are games that are willing and brave enough to challenge and provoke the player into a better, more thorough understanding of themselves in relation to our world and it's many, complex and daunting political and moral issues. to have lost such a thing, when media like this has become so few and far between, and during a time when we need it more than ever, is a devastating loss.

[keepingitformyself]

older (and wiser): iii

A/N: well here we are! the final chapter of “older (and wiser).” this will not be the end tho! i plan to write a prequel series going more into depth about wanda and readers past, how they came to be, how they fell apart and what not. i do want to to make one more thing clear before you continue reading; this story is meant to be as realistic as possible. meaning the ending may not be for everyone. i specifically wrote this with intent of giving these characters an emotional arc they deserved. so, without further ado, enjoy this final chapter!

synopsis: wanda comes over for dinner one last time.

pairings: wanda maximoff x reader

genre: angst

warnings: it’s gonna be sad lowk. get the tissues ready.

MASTERLIST series masterlist

please do not repost my work anywhere for any reason at all. if you do see this happen to any of my stories, please let me know. thank you x.

wanda spends most of the night back at her hotel, staring out the large window that overlooks the city. neon signs flicker in the distance, their glow casting fragmented patterns across her room.

she leans her forehead against the cool glass, letting the city hum around her, lost in thoughts of you. she imagines what you could be doing right now. if paul’s arms were wrapped around you, if he makes you laugh the way she used to. a hollow ache settles in her chest as she lets herself sink into the deep loss of not having you anymore.

the next day, early morning, wanda’s phone buzzes on the nightstand. she reaches for it groggily, only to find a message from you at the top of her screen.

come by at 6:30? here’s the address: 150 west 26th street, new york, ny 10001. see you soon!

for a moment, wanda just stares at the screen, her thumb hovering over the message. she exhales slowly, closing her eyes as a wave of uncertainty washes over her. part of her wants to pack her bags right then and there, to book an early flight and leave you in this city behind.

she doesn’t know which is worse. never facing you again or having to sit across the dinner table from you and your husband-to-be.

she spends the rest of the day mentally preparing herself for how this evening could go, running through endless scenarios in her head.

what would one talk about when having dinner with their ex’s fiance? especially when said ex is someone you’re still seemingly in love with.

oh yeah, your fiance used to look at me the same way.

or

of course, i know what her favorite song is. ‘do i ever cross your mind?’ by dolly parton. i performed it for her on our eighth month anniversary.

yeah, i paid the tech guy in the theatre department extra to let me use the theatre after hours.

the thoughts make her cringe, but the bitterness is hard to suppress. she tries to bite back the small, unwarranted hatred she’s developed for paul. everything she’s learned about him—despite her best efforts not to—has been nothing but positive.

he’s generous, patient, successful, and clearly loves you. and wanda knows you wouldn’t be marrying someone who didn’t treat you like you deserved the whole world.

it’s all pathetic in its nature. she should have been over you long by now. but she doesn’t know how to explain to you— to explain to herself—that leaving you is still something she’s trying to process. that even when she didn’t appreciate you enough, you felt like everything to her. you still do.

and she doesn’t know how to make sense of any of it.

by the time the sun sets, wanda’s resolve is still fragile. she dressed carefully, standing in front of the mirror for far too long, fussing with her appearance. she wants to look composed, unbothered. as if seeing you happy with someone else doesn’t feel like dagger to the heart. one that you keep twisting without trying.

at 6:15, she steps outside her hotel and hails a cab, clutching a bottle of wine she bought earlier as a polite gesture. as the cab weaves through the bustling streets of new york, wanda wonders what kind of expression you’ll wear when you see her. will it be warm, nostalgic, indifferent? she braces herself for anything.

when the cab drops her off in front of a sleek residential building in tribeca, she lingers for a moment before buzzing in. the door unlocks with a soft click, leading her into a quiet corridor toward an elevator. she steps inside, pressing the button for your floor with a hand that feels unsteady.

the walls feel too close. the air feels too thick.

by the time she reaches your door, her nerves are frayed. she knocks twice, her heart hammering.

four seconds later, the door swings open, and there you are, beaming at her like no time has passed.

"hi! it’s so good to see you."

before wanda can say anything, you pull her into a hug, warm and familiar. she exhales sharply, caught off guard, but she lets herself sink into it, just for a moment.

when you pull away, she notices the man standing just a few feet behind you, a cat in his arms. he watches the interaction with a patient, kind smile before gently setting the cat down.

“sorry about that,” paul says, laughing as the cat immediately tries to sneak toward the door. "he bolts every chance he gets."

then, without hesitation, he steps forward and grasps wanda’s hands in his own. his grip is firm, his smile genuine.

“it’s really nice to meet you, wanda.”

for a second, wanda is stunned by the ease of his kindness. she had spent so much time building him up in her head as an obstacle, an enemy, but standing here now, faced with his warmth, she almost felt guilty for ever resenting him.

“thank you for having me,” she manages, recovering quickly. she glances around, taking in the space. "you have a lovely home."

then, as if suddenly remembering, she reaches into her bag.

“i brought some wine,” she says, handing it to you. “the expensive kind. i know my stuff.” she huffs out a small laugh, forcing some lightness into her voice.

paul chuckles, taking the bottle from your hands to examine it. “i like her already.”

and just like that, wanda knows this is going to hurt more than she thought.

dinner passes in a blur of polite conversation and well-meaning smiles. paul is gracious, effortlessly kind, and wanda hates how easy it is to like him. she hates that there’s nothing about him to hate at all.

she watches the way you lean into him when you laugh, how his hand absentmindedly finds yours on the table. it’s second nature, the kind of comfort that only comes with time, with certainty.

and wanda knows, without question, that she has none of those things with you anymore.

paul has made it a habit to ask about how you and wanda met. even though she’s sure he already knows most of the story, he’s always genuine in wanting to hear more, especially the parts you tend to leave out.

“you got any funny stories about this one?” paul asks, flashing wanda a pointed smile. “something embarrassing, please.”

wanda huffs out a quiet laugh, her fingers tracing the rim of her glass. she has plenty. but as she glances between you and paul, there’s a flicker of hesitation in her eyes. some memories feel lighter than others. some carry more weight than she knows what to do with.

still, when she sees the way you’re watching her; curious, amused, trusting, she decides to tell it.

“oh, i’ve got one,” she says, leaning forward slightly. “back in college, we tried to break into the theatre department after hours. it wasn’t really breaking in, technically, the door was open, but we definitely weren’t supposed to be there. they had this whole wire rig set up for the upcoming peter pan production, and somebody—” she tilts her chin toward you “—thought it would be a great idea to try it out.”

paul turns to you, amused. “why am i not surprised?”

you groan, already bracing for the rest of the story. wanda smirks but continues, her voice softer now.

“so, there she was, strapped into this ridiculous harness, so sure she was about to soar across the stage like some theatrical prodigy. but the second she tried to lift off, the harness jammed, and instead of flying, she was just—”

“i was dangling there,” you chime in, groaning at the memory. “like some tragic shakespearean ghost.”

“and then, of course, security walks in,” she says, shaking her head. “and instead of, i don’t know, explaining, she panicked and yelled, ‘i have done the deed. didst thou not hear a noise?’”

paul bursts out laughing, nearly choking on his drink. “you did not.”

“she did,” wanda confirms, laughing softly. “the security guy just stood there for a second, like he was reconsidering every choice that led him to that moment, then sighed and said, ‘get down.’”

paul grins, shaking his head. “so, what happened next?”

“i had to help her out of the harness before we both got kicked out,” wanda says. “and then we ran. fast.” she pauses, her smile dimming just a little. “ended up at that all-night diner by campus instead. sat there for hours, drinking burnt coffee, still laughing about it.”

her voice drifts for a moment, lost in the memory. you swallow, feeling something heavy settle in your chest, but before the silence can stretch too long, you force out a small chuckle.

“i could’ve flown,” you say, shaking your head. “i just needed a little more time.”

wanda looks at you then, and there’s something in her gaze. something paul doesn’t quite catch, but you do.

“yeah,” she murmurs. “maybe you just needed more time.”

paul laughs again, unaware of the way wanda’s fingers tighten around her glass. “you two were absolute menaces, huh?”

and just like that, the moment passes. the air lightens again, and Wanda takes another sip of her wine. but the memory lingers between you, heavier than it should be.

“did she ever tell you that we watch some of your movies sometimes?” paul cuts in, his eyes bright with genuine curiosity. there’s an eager energy to him, the kind that makes it clear he isn’t just saying it to be polite—he actually wants to talk about her work.

wanda raises an eyebrow, glancing at you. “oh?”

you offer a small, sheepish smile, and paul continues before you can respond.

“i mean, seriously,” he says, leaning forward slightly. “i’m already a pretty emotional guy, but your movies? they wreck me.”

wanda lets out a soft, amused laugh, her fingers absently tracing the stem of her wine glass. “that’s very kind of you to say.” she takes a slow sip before adding, almost offhandedly, “i guess i just have a thing for playing characters in distress.”

paul barks out a laugh at that, shaking his head. “yeah, well, you do it very well. it’s almost unfair.”

wanda smirks, but there’s something thoughtful in the way she tilts her head, as if considering his words. then, with a teasing glint in her eye, she leans in slightly and says, “i take it you’re a crier, then?”

paul places a hand over his chest in mock offense. “absolutely. no shame.”

that earns a more genuine laugh from wanda, and for a moment, the tension in her shoulders eases. the air between the three of you feels a little lighter.

when the plates are empty and the conversation slows, paul pushes back his chair with a contented sigh.

“i’ll start on the dishes,” he says, already stacking plates. “you two should catch up.”

you smile at him, appreciative, and wanda feels something twist in her chest. she shouldn’t be here. she doesn’t belong here.

still, she doesn’t move.

you refill your wine glass and lean back in your chair, watching her carefully. wanda swirls what’s left in her own glass, staring at the deep red before speaking.

“maybe i should’ve tried to convince you to run off with me,” she jokes, her voice light, almost teasing.

but when she finally looks up, she sees the way your expression falters, just for a second. you know, both of you do, that it isn’t really a joke.

you let out a small breath, shaking your head with a soft chuckle. “that wouldn’t have changed anything, wanda.”

“wouldn’t it?” she asks, a little too quickly.

your eyes search hers, and for a fleeting moment, it feels like the past is sitting between you, untouched, waiting.

wanda wonders if there’s a universe where you had run off together. if there’s a version of you out there, tangled up in her arms instead of in someone else’s.

she swallows hard. “i wish i had tried a little harder.”

your face softens, but it’s not enough to undo the distance between you. “you couldn’t help it,” you say, voice gentle.

"i could have," she insists, her hands gripping the stem of her glass a little too tightly. there’s frustration in her voice, but beneath it, there’s something raw. regret, maybe.

you don’t argue. you won’t. because the truth is, she could have.

"yeah," you admit, barely above a whisper. "maybe."

silence settles between you. wanda watches as your gaze shifts toward the window, toward the street where people pass by, oblivious to the ache sitting between you both.

she doesn’t know what she was expecting. maybe some kind of reassurance that she still lingers in your mind the way you linger in hers. that if things had been different, if she had been different, this could have been her home, her life.

but you don’t give her that.

paul’s voice calls from the kitchen. “babe, where’s the dish soap?”

you blink, turning toward the sound, and the spell is broken.

wanda forces a smile, downing the last of her wine before standing. “i should get going.”

you don't question it.

you grab wanda’s coat from the rack and walk her to the door. she doesn’t ask you to, but neither of you are quite ready for the night to end without one last moment.

“leaving so soon?” paul asks suddenly, his voice light but tinged with something unreadable. both you and wanda turn to face him.

she nods apologetically, adjusting the strap of her bag on her shoulder. “i have an early flight tomorrow,” she admits, offering a small, regretful smile.

“oh.” paul’s disappointment is subtle but there, it flickers in his eyes before he shapes his expression into something more polite. “well, it was really nice meeting you, wanda.”

you glance at him, catching the way he shifts slightly, rubbing his thumb over the inside of his palm. a small habit of his when he’s holding something back. you wonder, briefly, if tonight was difficult for him too, if he’s been carrying the weight of this evening the same way you have. you decide you’ll ask him about it later.

stepping forward, you lean in to press a kiss to his cheek, feeling the way his jaw relaxes at the familiar gesture. his hand finds yours easily, his fingers warm and steady against your own.

“i’m just gonna walk her out,” you murmur, giving his hand a small squeeze.

paul nods, his eyes searching yours for a moment before he offers wanda another polite smile. “safe travels,” he says, his voice kind, sincere.

as you lead wanda toward the door, you feel the weight of paul’s gaze lingering on you, as if he knows that this goodbye is heavier than it appears.

the air outside is crisp, carrying the distant hum of the city. wanda stands beside you on the curb, her arms wrapped around herself despite the warmth of her coat. the streetlights cast long shadows, and for a second, it feels like you’re standing on the edge of something you’ll never get back.

her uber is a few minutes away. that’s all the time you have left.

she exhales softly, eyes fixed on the passing cars. then, as if she’s been holding it in all night, she finally asks, “do you think we could have worked things out? if we had been different people? under different circumstances?”

the question hits you. you open your mouth, but nothing comes out. because the truth is, you don’t know.

maybe in another life. maybe in a world where you didn’t leave the hotel before she could see you, where you both didn’t have to love each other from a distance, where you didn’t have to wonder if loving her meant waiting for something that wasn’t enough.

but this isn’t that world.

you swallow hard, staring down at the pavement. “i don’t know, wanda.”

she nods, as if she expected that answer, but the sadness in her eyes deepens anyway. “me neither.”

the uber pulls up, headlights cutting through the night, and you both turn toward it. this is it. the real goodbye.

wanda hesitates, then reaches for you, pulling you into one last embrace. you don’t know who’s holding onto who tighter. when she pulls away, her hand lingers on your arm for a second too long before she finally steps back.

“take care of yourself,” she murmurs, voice barely above a whisper.

you give her a tight-lipped smile, but it doesn’t quite reach your eyes. “you too, wanda.”

she slides into the backseat, and as the car pulls away, you stand frozen on the sidewalk, watching until the taillights disappear around the corner.

and then it hits you.

the weight of it all crashes down at once. the grief, the finality, the understanding that there are some lives you’ll never get to live, some love stories that will never get their second chance.

you press a hand to your mouth as your chest tightens, eyes stinging, but you force yourself to turn back toward the building before you fall apart completely.

when you step into the lobby, you’re not surprised to see paul waiting by the elevator. he doesn’t say anything. he doesn’t have to.

the moment you reach him, you break.

a choked sob escapes you as you fall into his arms, and he holds you without hesitation, one hand smoothing over your hair, the other wrapped firmly around your back.

“i’ve got you,” he murmurs against your temple. and you believe him.

because this was never about leaving him.

you love paul. you’ve never questioned that.

but love doesn’t erase the what-ifs. it doesn’t quiet the ache of knowing there’s a version of you out there who loved wanda differently, who had a life that was beautiful in its own way. one that you’ll never get to live.

paul presses a kiss to your hair and just holds you, letting you mourn what could have been.

and when you’re finally ready, he walks you up.

[nubiawrites]

chapter seven

Pairing: Aaron Pierre x Black Original Character

Warnings: Slow burn. 18+. Smut. oral (giving and receiving). sex.

Summary: Iriye and Aaron experience a night of firsts.

Notes: FLY EAGLES FLY! Also, I'm excited to finally get this one out because I figured out the ending for this series, so enjoy the ride. It's gonna have some ups and downs. Comment, like, reblog, or send me asks. I want to hear your thoughts as I love responding.

MASTERLIST

Music floated throughout Iriye’s apartment, and Mariah Carey sang about it being her night, which set the mood. She was happy it was Friday and she had a date with Aaron.

For once, Iriye wasn’t on the lot that day, as she had decided to take a me-time day. She started with some Pilates, trying to remember the last time she had been to a class. Her instructor even asked her where she had been after her workout. She then headed for a quick lunch, walked around her favorite used book store, and got her feet and nails done.

Iriye came home and read a few emails before seeing the time and figuring she should get ready. She started getting ready, spending time scrubbing down in the shower. She exited the shower and moisturized, moving on to her skincare. After feeling refreshed, Iriye went to the closet to see what she had to wear.

As Iriye pondered an ankle-length dress, she heard her phone ring and grabbed it. She smiled as she saw who it was.

“How’s my favorite child?” The smooth voice flowed from the phone, Iriye seeing her mother on the screen.

“Mommy, I’m your only child,” Iriye chuckled. 

“Same difference,” Eve, Iriye’s mother, stated. “Oh, you got the silk robe we took from the spa day we had. Where you heading out to?”

Iriye bit her lip as she shook her head. That day with her mom had been a trip.

“Who says I’m going out?” Iriye asked.

“You are shea buttered down my dear. You learned that from me. Do you have a date?” Iriye could hear the smile in her mom’s voice.

“Yes,” Iriye said as she sat on her bed, phone in hand. “I’ve been sort of seeing someone.”

“And by seeing someone, you mean having protected sex?” Eve inquired.

“Mom!” Iriye shook her head at her mother. “We are too close.”

“We raised each other practically,” Eve said. Iriye’s mom was merely twenty-two years old when she found out she was pregnant. But her mom was always too cool, even if she knew when to lay down the law. “You’re my grown daughter. I know you be having sex,”

“We haven’t gotten to know each other that biblically,” Iriye stated. “But he’s different than any man I’ve been interested in before.”

“How so?” Iriye picked at a thread on her cover. 

“He’s so… authentically himself,” Iriye admitted. “I think sometimes he looks at me with rose-colored glasses.”

“And what’s wrong with that, sweetie?” Eve asked. Iriye sighed.

“Because what happens when he takes them off and sees me? Sees the good and the bad and the ugly,” Iriye admitted.

“Then you see if he likes what he sees or runs away,” Eve declared. “Not every man is like Jay,” Iriye sighed as she thought of Jay.

“You know he still calls Tamara,” Iriye mentioned. “I can’t fault her. They became great friends through me. But it still hurts. I feel like if I just… was a little more bending and willing to shine more-”

“Some men are just not built for women like you. Women like us. Their loss.” Eve shrugged after interrupting her. “You are so beautiful, intelligent, and talented. If a man can’t see that and step out of the way to let you shine, they don’t even deserve to be in your rays or your shadow.”

“I love you so much, Mommy,” Iriye said, trying not to get teary-eyed. It was blunt and straight to the point, but it was the truth served straight up. No chaser needed.

“Now wipe your tears and show me what you’re wearing. Because I know you took my favorite sweater dress, and I will get it back when I come out to visit,” Eve declared. Iriye got up and went to her closet, showing her options to her mother and purposefully skipping over the things she took from her.

Iriye was trying to clasp her bracelet when she heard a knock at the door. She headed out of her bathroom, looking through the peephole and saw Aaron crouching in it. She smiled softly as she opened the door, stepping back to usher him in as she tried to clasp the bracelet.

“Come in. I’m almost ready,” Iriye spoke, still struggling with the bracelet.

“Here,” Aaron shut the door behind him and approached her. “Let me help you,” Iriye tried again, huffing as she didn’t get it. She held her arm, clutching the bracelet in her hand. Aaron reached forward to find the clasp, his fingers gentle against her skin. He concentrated and finally got the clasp, Iriye smiling warmly.

“Thank you,” Iriye kissed him softly, Aaron smiling against her lips. “Hi,”

“Hello,” Aaron’s arms slipped around her waist. “You look-” He pulled back to take her in, his gaze sending a shiver down her spine.  “I think there’s not enough words in my vocabulary that can describe how good you look,”

“Maybe I can help you figure some out. You know… since I’m a writer and all,” Iriye winked. Aaron pulled her back in for a deeper kiss. “Don’t we have dinner plans?” She asked against his lips.

“We do,” Aaron said between kisses before pulling back, his hands smoothing down to her waist. “You look so beautiful, love.”

“Thank you.” Iriye pulled away and grabbed her purse. “Lead the way.”

Aaron and Iriye drove in comfortable silence, mixed with pleasantries and an impromptu sing-along to a Sade song they both loved. As they got closer to the heart of downtown LA, she watched as Aaron navigated the streets, and soon, they entered a parking structure. 

Aaron got out once they were parked and headed for her door, opening it for her. Iriye let Aaron help her out of the car, and she adjusted her dress. His hand slipped into hers, the tingles shooting up her arm every time they touched. Once they got to the elevator, Aaron pressed the button for the rooftop, and Iriye eyed him for a moment, him catching her eye.

“What’s on your mind?” Aaron asked, his smooth voice falling on her ears.

“The rooftop?” Iriye stated. 

“You’ll see,” Aaron said, kissing her hand. She leaned into him softly, watching the numbers tick off as the elevator rose. Once the elevator stopped and opened, Aaron led her out to a hallway with a frosted glass door. They walked down to the door and Aaron held the door open for her

Iriye took in the rooftop, seeing it was an intimate restaurant. Some were seated inside the glass space and others were further outside on the balcony.

“Aaron, this place looks incredible,” Iriye said, turning to see him taking in her reaction. 

“I’m happy to hear that, love,” Aaron stated. A hostess came up and led them over to a table outside. Aaron pulled her chair out for her, waiting till she was sat and comfortable before moving to his. 

“Where did you find this spot?” Iriye asked, grabbing the menu so she could look at what she wanted.

“A friend I made while working manages it,” Aaron stated. “And the food is amazing.”

“Look how connected you are.” Iriye looked over the menu and saw what she was thinking about for appetizers. The waiter came over to bring them water and take their drink orders. Iriye was taken in by how the sun set and the night came alive in LA. “I love this view.”

“Me too,” Aaron said as he took Iriye in. Words couldn’t even describe how beautiful she looked. Her eyes met his, and a heat came across his skin.

“Stop it,” Iriye felt her cheeks warming up, the pit in her stomach clenching as she took in him looking at her. “You look very handsome yourself.” “I clean up nicely after a long day,” Aaron chuckled, sipping his water.

“Tell me about your day,” Iriye asked. Aaron raised an eyebrow, which she returned with one of her own. “Please,”

Aaron regaled Iriye with stories of set life, how he was faring with his co-stars for the show, and how he was making friends with the crew. He talked about how the craft team had given him a few snacks that he liked, even though he was trying to stay in shape while filming Lanterns. She found it refreshing.

“I really am fortunate to get to do what I love,” Aaron admitted after the waiter took their order for shared appetizers. Iriye took a sip of her drink that was brought over, humming at the fruity cocktail as she listened. 

“You know you’re a rarity, right?” Iriye said. Aaron furrowed her brows. “This business has a way of jading people as they climb upwards and onwards. I’ve worked with a few people at different levels and rarely meet people who genuinely love what they’re doing. Who are grateful,”

“That makes me unique?” Blueish grey eyes stared into her soul, and Iriye had to focus.

“It does to me. No matter how big you get, you’re just you. Just Aaron,” Iriye shrugged, taking another drink. “I like that.” 

“I’m glad you do.” Aaron took a sip of his drink. “What about yourself?”

“What about me?”

“Do you love what you do? Writing scripts and scenes for unique people like me to act out,” Aaron rattled out. Iriye took a moment to think.

“It’s a love and hate relationship,” Iriye admitted. “There was a time I hated it—four years into living here. I was working as an assistant for an executive. It felt like they were doing everything possible to make me hate my job. Took so much of my sanity. But I was determined to stick it out. And a year and a half later, I proved myself. She said I could be just like her and take her job. That day, I decided to find another job. Anything. I put my notice in and helped train my replacement when I hired them. I worked at a youth center afterward, trying to find peace of mind. During that time, I found happiness in writing about what I could and wanted. Doing Uber Eats and the odd set job. I never wanted to be that… miserable ever again working a nine to five to make someone else feel important.”

“Are you miserable now? Working on Paradise Lost and all?” Aaron asked.

“Not at all. Everything I worked so hard for is coming to fruition.” Iriye stated. “I’m doing what I love with people who love it just as me,” She admitted. A smile took over Aaron’s face as he reached for her hand, stroking it softly when she put it in his hand.

Appetizers came and went, and Aaron’s friend Troy brought the main courses and two drinks. Iriye was intrigued as Aaron and Troy made quick conversation, retelling how they met.

“Never met a more encouraging spotter,” Troy admitted. Aaron crossed his arms over his chest in thank you.

“Anytime, brother.” Troy and Aaron hugged each other up before Troy shook Iriye’s hand in parting.

The conversation over their main course was pleasant. Iriye learned more about how Aaron was the oldest and how he was close to his siblings and family. How he talked about them made her wish she had someone to share the times growing up.

“I feel like I’ve talked too much,” Aaron stated, Iriye picking off his plate since he hadn’t denied her the first time she did. 

“Not at all. I find people with siblings interesting.” Iriye shrugged. “I’m an only child.”

“Your parents were one and done?”

“It was just my mom and I.” Iriye took a bite of his food, chewing and swallowing.

“Oh, I’m sorry.” Iriye raised her eyebrow at Aaron. “About your father,”

“I’m not,” Iriye stated. “He left when I was eleven. And honestly, it was probably for the best. My mom and I were better off without him.” She said pointedly.

“How so?” Aaron asked her, his eyes searching hers for a truth. Iriye had to look down at her plate, feeling like she was growing harsh with the mention of her father. 

“I… I’m not ready to talk about that,” Iriye simply said. She could see that look in his eyes—the one to dig deeper. “I just feel like it’ll ruin the night.”

“It won’t,” Aaron assured her.

“For me, it will.” Iriye wasn’t sure if she was ready to let Aaron know how she felt about the man responsible for half of who she was.

“I’m not going to pressure you,” Aaron said. “But just know, I’m ready whenever you are,” Iriye relaxed in her chair, those words washing over her. No pressure. Just patience.

“Thank you.”

By the time the check arrived, anticipation was the name of the game. Iriye was sipping her water, as Aaron had asked.

“I don’t want you falling asleep on me,” Aaron teased, Iriye watching as he wrote his signature. Iriye playfully let her heeled foot slide against the inside of his leg, watching as he stopped writing for a moment.

“Focus,” Iriye spoke, taking another sip of her water. Not even its coldness could calm the heat burning through her.

“You’re playing a dangerous game, Iriye.” Aaron felt her foot gently stroking his leg.

“It’s not a bad thing if we both win.” Iriye placed the cup down. “Yours or mine?”

“What are you asking, love?”

“Your place or mine,” Iriye raised a brow. Aaron put his card back in his wallet before sipping his water. Iriye raised her foot high along his leg. She was just so close when-

“You’re something else, Iriye Edwards,” Aaron had her ankle in one hand. 

“What can I say? I know what I want. What do you want?” Iriye asked. She felt his fingers rolling her ankle softly in his hands. Aaron licked his bottom lip, those eyes of his growing darker.

“What I want… is to know how you look lying spread out on my bed,” Aaron breathed. Those words made Iriye take a deep breath, unable to break eye contact with him. 

“That’s someth-”

“I’m not done,” Aaron interrupted. Iriye shut her mouth quickly, hoping no one else focused on them. “I want to be inside of you every way I can. See how you look when you give in to the pleasure I can bring you, Iriye.” Iriye caught the Jamaican twang at the end of his words and felt the anticipation roll up her back. “Smell your scent on my sheets, even after you leave. Is that something you want?”

“Yes,” Iriye breathed. Aaron smiled.

“Then let’s go,” 

Iriye was buzzing as Aaron led her out of the restaurant and back to his car, her clutching onto his arm. It was the comfortable silence, fueled with the thrumming of her heart as she was mentally preparing for what was to come.

But all of it was thrown to the wind once they reached Aaron’s apartment and entered. Iriye didn’t have time to process as the door shut behind her, Aaron pressing her up against it as he kissed her.

Moans left Iriye’s mouth and found a home in Aaron’s. All the self control he held onto left as his hands went to her hips, sliding over her ass as Iriye wrapped her arms around his neck. 

Chest to chest, Iriye felt their clothes were a burden. She moved to push her hands under his suit jacket until Aaron pulled away from the kiss to shrug it off.

“You look so sexy in that dress… I can’t wait to see it on the floor,” Aaron groaned. Iriye giggled as he dragged her to the bedroom, Iriye trying her best not to trip over anything. 

Once inside the bedroom, lips clashed against as Iriye let her hands slide under Aaron’s shirt. He got the memo and backed Iriye to the bed until she fell into the familiar mattress. She leaned up to watch Aaron lift his shirt from his body, muscles and abs underneath the caramel skin.

“You can’t be real.” Iriye hummed, taking him in. Aaron smirked, grabbing her hand and dragging it down his abs. 

“I am. All for you,” Aaron groaned, feeling her nails dragging softly against the skin. She sat up more, making quick work of his belt and unzipping his pants. The peek of his Calvin Klein boxer briefs made him even more appealing to her.

Iriye slipped her hands into Aaron’s pants, helping him get the pants and his boxer briefs down, seeing the one-eyed monster between his legs. She kept her eyes on him as she let her tongue lick at the underside of his length, a groan escaping Aaron.

Aaron’s hand slipped to Iriye’s goddess locs, seeing he was trying to regain some sense of control as Iriye worked the tip of his length into her mouth. She focused on the head, finding it was her favorite part of his length so far. She wanted to spend the night playing with it and discovering what made him tick.

“Jesus,” Aaron breathed, peering down at Iriye playing with the slit of his cock, tongue wiggling against it. She was a pro. He pulled back, watching Iriye’s mouth fall open as she moaned for more. “You look so sexy.” Aaron slid his cock against her lips and she sucked the head into her mouth playfully. “Open those pretty lips for me, baby girl,”

Iriye smiled before letting her mouth fall open, Aaron pushing his length in her mouth. She whined, relaxing as she let him fuck her mouth. One hand went to grip his ass as she encouraged him to fuck her mouth. The other one went to her dress, tugging up the skirt. She slipped her hands between her thighs, moaning around his length as she touched herself through her wet panties.

Aaron thrust a little faster into Iriye’s mouth, her gagging some. She grasped onto his ass as he pulled back, licking up to see his eyes were half hooded and his hand grasping into her hair. Iriye went deeper, seeing how much more his jaw dropped.

“Fuck…” Aaron breathed and Iriye pulled back to suck before taking him deep again, her hand moving her panties aside and slipping her fingers inside, fucking herself and moaning around him. 

Iriye took him down further, gagging around his length as she relaxed, hearing Aaron praising her as she sucked him slowly. She wanted to savor him but she was fucking herself, her pussy growing wetter. She felt one of Aaron’s free hands trail down to the arm fucking herself. 

“I can hear how wet that pussy is Iriye,” Aaron groaned. “Bet your fingers—- fuck—- feel so good inside. But not as good as mine.” Iriye nodded, moaning once again. She whined as he pulled back, seeing him kick off his pants. Iriye was about to take off her dress when Aaron grasped her hand, pulling it out of her panties. Her jaw dropped as he sucked her juices off of her fingers, moaning around them.

Iriye pressed her lips against Aaron’s, tasting their juices together as they kissed. His hands pushed her dress up and lifted it, leaving her in the black lacy bra and panties. Her bra was next, his hands slipping them down her shoulder as they kissed. She was bare to him except for her panties. Iriye pulled away, her staring into his darkened eyes and licking her lip.

“Aaron, I need you,” Iriye moaned as she moved her hand around his length, giggling when he groaned at her touch. “Please…”

“Please, what? Tell me what you need, love.” Aaron kissed her again. 

“Aaron, please fuck me,” Iriye was helpless to her pleasure, needing him. She felt him pull away from the bed, reaching into his bedside drawer and opening a box of gold foil condoms, his length bobbing as he moved. 

Aaron helped her up the bed, his fingers landing on her panties and pulling them off. Iriye moaned as he pushed her legs apart, seeing Aaron lowering to her pussy. “I need you.” She let her hands trail down his shoulders and dug into his shoulders softly.

Iriye let out a moan as he licked at her pussy, seeing her juices on Aaron’s lips. 

“Please, Aaron.” Iriye begged. Aaron smirked up at her from between her legs. “Since you’re using your words,” Aaron trailed kisses up her body, her skin heating up more and more. Iriye moaned and kissed him back when he made it to her lips.

Aaron grabbed the condom, using his teeth to open it. He slipped it on as Iriye’s hand slipped to rub her clit and Aaron pushed it away. His condom covered length pushed between her lower lips, teasing her clit and a gasp came out of her. He slid his length between her lips a few more times, whines leaving her body as he teased her.

“Iriye…” Aaron groaned, sliding between her lips one more time before he grasped her cheek. “Keep your eyes on me. Let me know if you need me to stop.” Iriye nodded, her eyes locking on his. She felt him at her entrance, and he pushed in, Iriye gasping out.

Aaron could feel how warm she was through the condom, his length fitting inside of her like a glove. He had to focus as he fantasized about the moment he would feel all of Iriye wrapped around him. But his late-night and daytime thoughts were nothing compared to the reality below him, her legs beside his hip as his body pressed into hers.

Iriye tried her best not to squeeze around him, wanting to feel all of him, and she was.

“You feel so good, Aaron,” Iriye moaned, already beginning to feel intoxicated with lust. She cupped his cheek to pull him in for a kiss. “Move, please.” “Yes,” Aaron raised himself on his arms, pulling his length out before pushing back in, slow thrusts making Iriye whine. Her hands dragged from his hips to his back, nails grasping onto the caramel skin as she tried to focus on anything but Aaron taking her. 

Iriye rolled her hips against Aaron, and groans fell from his lips. She could see he kept his chain on, and she leaned to kiss him. The way his eyes caught hers, the sight too much for Iriye to focus on so she kissed him, letting him swallow all the moans and gasps that came from her.

“Shit Iriye,” Aaron moaned against her lips. The moans, groans and smack of flesh meeting wet pussy filled the room. 

“You’re fucking me so good,” Iriye cried out. “Harder, baby.” Aaron obliged her, hips moving deeper and faster into her. “Just like that,” Iriye’s eyes rolled into the back of her head. His hips moved into her, colliding with the flesh of her skin. Iriye wrapped her legs around his waist. Keeping him closer as he dug deeper into her.

“You like being filled like this?” Aaron breathed.

“Mhm,”

“That’s not good enough,” Aaron said, giving her a hard thrust into the fleshy spot that had a cry coming from Iriye. “Tell me. Talk to me, Iriye,” He groaned.

“It feels… it feels like you were meant to be inside me.” Iriye licked her lips, the lewd sounds of his cock moving inside of her echoed in his room.

Aaron watched her for a moment, seeing how her breasts moved with every thrust, the different sounds coming out of her as he moved a certain way. It made him want to lose it quickly, and he was okay with that as long as she came first. He could feel her walls tightening, and Iriye was getting worked up. That just made him thrust harder into her, her cries building more and more. Her pussy tightening around him as he coaxed her orgasm from her with his hard cock.

“Iriye…” He groaned, one of his hands sliding to her ass, to pull her harder into him. Her toes clenched at the feeling, liking how he was manhandling her as she grew closer.

“Don’t stop,” Iriye cried, her hand sliding down between them, her fingers finding her clit and rubbing it. Seeing her touching herself made Aaron focus on hitting her G-spot, the cries and moans between them making their breathing erratic and their movements following suit.

“Oh shit,” 

“Yes! Right there,”

“Iriye!” Aaron growled into her ear as he rolled himself into her, feeling the pit in his stomach grow. His balls tightened up and he moved faster, needing her to cum first.

“Shit! Oh! Aaron,” Iriye rubbed her clit faster, cries leaving her body as his thrust becane faster. With a grasp of her ass to pull her against him, the damn broke and Iriye cried out as she came, her juices spilling and coating the condom. 

Her walls tightening as she came had Aaron stuttering in a thrust before he fastened his pace once more, drawing Iriye’s orgasm out. It took him ix more wet thrust before he spilled into the condom, pulling Iriye’s hips closer to him. Iriye pressed kisses against his lips, cheeks, and shoulders, clutching onto him as they moved together, riding out their orgasms.

Their hips slowed, sweat clinging to their bodies as Aaron struggled not to suffocate her beneath the weight of his body. However, Iriye pulled him closer. Once he had regained his strength, he dragged them further up the bed. Iriye giggled as she felt his kisses all over her face before he found her lips. She moaned into his mouth as his hand rested on her stomach, and she whined. Aaron pulled out of her, and she whimpered, feeling her juices spilling out. He kissed down her body, lips moving to kiss and suck at her hard nipples.

“Aaron…” Iriye whined as she dragged her nails over his head as he kissed down. “You gotta…” She arched against him when he kissed down the softness of her bell, his tongue licking between her folds. “Let me catch my breath.”

“You got it, love.” He spread her legs over his shoulders. “Just breathe and let me taste you till you’re ready for round two.”

Iriye watched as Aaron devoured her, her night just beginning.

@wildwomanalereyia @teenage-aria @skvrpion @absentmindeddreamer @blackpinup22 @liv10002 @styleismyaddiction @jungwonsgfs @hooliemooliedonutshawp @hippiesandpeacesigns @blowmymbackout @justagirlwho-believes13 @caribbeangyalsworld @melovedorks @moihasarrived @ashanti-notthesinger @xx-mintyxx @iluvchrisbrown @ash-ketchumzzz @deijalee @pyramidlight @xosharieee @kaylaahisthebestest- @chaniceandrea @kimmivlixx @saveadanc @kaylalb @queenbritbrat @kceeee @naughtynolly-blog @myawesome56 @chainingxday @nononoks-blog @kinginwithbreezy-blog @apple123cg @jazziejax @lauren1000000 @withoutmusiclifewouldbflat @venusincleo @loveschrisbrown20 @brwnskingirlll @iamfredtina @cozyashhh @modelmemoirs @kimiasinterlude @rpayn22 @mscarter123 @lolola22267 @thesweetestdrug @valarghoulis @nyifly22 @zimsilandela @teheeboo @blveeeeeee @5starsirl @yassbishimvintage @23jammy @prettiegal @vadeadiugularis @gabbywontlose @pinkkycherrish @slashervalley @aqueenwasmadehere @lee-jennie @wuzzzgoood

[the-boring-distopia]

I just had the stupidest idea, I wrote up a bunch of stuff last semester (related to genetics and biology, I never got to use it tho :( But I enjoyed writing it) about adaptations and genetic illness. I am interested in biology, proteins and the such, combining the thing I think about at uni with the other thing I also think about at uni sounds fun. My last post about Ianthe and prion disease was really well received so I thought I might write some more in depth posts about necromancy and the Locked Tomb universe. The topics I planned on exploring are:

Dulcinea's Illness, what it might be based on symptoms and the treatments she received in GtN and how it might affected her as a person.

How Harrow might be capable of creating entire skeletons from one bone shard despite it breaking the laws of physics, presenting my theory that the River works as a buffer for necromancers both as a power source and as a temporary holding space for materials they use in their magic. This one always puzzled me and I might've been able to pin down a theory. (There will be a part about why Palamedes and Cam in one body was a problem and why I think they could not be "present" at the same time)

Ianthe's is an another character that is on my mind a lot. In this really cool post by @cemetegee there were a lot of cool ideas I want to explore further and introduce my idea about my other oldest headcanon: Ianthe's potencial albinism, related health issues and my favorite: how this relates to her and Corona's development in the womb. I floated this idea on that post and there was a really good question about why only Ianthe has it, I might be able to answer that.

I really want to make a post about Judith and Varun, because what's happening here is technically parasitism and I really want to get into specifics because I find the idea of it mind boggling.

How Blood of Eden mistreated Judith when she was fighting for her life and they probably broke (potencial) laws about prisoners of war, did the worst possible thing in (almost) every scenario and how terrifying it must've been for Judith to suffer through this, mostly conscious: a medical perspective. This one pissed me off when I read it because it was not even adressed in Nona the Ninth.

About the hole in Gideon/Kiriona's chest (the one that makes her aerodynamic lol) and how Gideon died exactly because it was fucked up and painful and enough a reason for her to be upset at Harrow.

The part in Nona the Ninth were Nona was falling apart on the Ninth, because the descriptions read as if she suffered a high dose of ionizing radiation and the idea that Alecto was able to inflict damage like this... It got me thinking what other abilites Alecto might have (she is the earth, after all).

I might make a post about the murder of Naberius Tern and why I am a bit sceptical that it was Ianthe that killed him (it's a wild ride and just a theory).

I want to explore the limits of lyctoral healing, because I find it interesting how some injuries can instantly heal but others don't. I will reread Harrow the Ninth, collect descriptions of lyctoral healing and compare them to actual data on how tissues like that in human bodies can and should heal. I might also theorize about how necromancy works on living tissue in general.

A post on Noodle the dog because he is a good boi.

[mefreakio]

I'll just do all of them at once because my blog is small, I'm bored, and it's fun :)

General kin asks:

Who are your main kins? Is there a reason they're your main kins?

I have one main kintype, Mercutio. Everything just feels very very me.

How many kins are you aware of? If you don't want to list them all that's fine, just do your top ones.

Just one kintype :)

Who is the most recent kin you have discovered? Do you have any information on them (ie kin type, what happened in your canon, ect)?

Do you have a kin you didn't expect to kin but did?

Yup. I did not go into my English class's Romeo and Juliet unit expecting to be or even like Mercutio but uhhhhh that happened.

Do you have a 'kin type' (Ie do you always kin characters with black hair, do you kin characters with a temper, ect)? Can you relate this 'type' to yourself currently?

Uhhhh not that I know of, since I only have one kintype

Is there a character from media that you haven't engaged with that you're kinsidering?

Nope

Do you have any kins that take place in an AU? Or any kin you'd like to see in an AU?

Nope

Do you have a favorite kin? Why are they your favorite?

My only kintype lol

Is there a kin source you have that no one else seems to kin from?

YES OH MY GOD I've only met ONE other Romeo and Juliet kin WHYYYY

Do you have a specific kin type (ie otherkin, fictionkin, objectkin, ect) that you lean towards?

I use the term fictionkin mainly.

If you could live in any of the worlds your kin is from, which one would you like to live in?

I would absolutely want to live in Verone but not in modern times, I just want to go back and see my friends again really

Have you met any canonmates before? If so which canons/kins?

Nope and I'm not looking for any because I'm nervous af.

Do you have any kins that are no longer main kins for you? Who are they?

Yes, I used to identify as Applejack (MLP G4) but it turns out that was just a flickertype.

How did you discover being kin? If you don't want to share for any reason, what age did you learn about kin?

I wasn't even expecting to like studying Shakespeare at all but then I started looking at Romeo and Juliet fanart and became inexplicably drawn to Mercutio in the Romeo et Juliette french musical, and then in class we had to perform three scenes of our choice from the play in groups, and one of my friends was cast as our Mercutio and I started to get like this insanely strong feeling that everything was wrong and everything felt off and I should be Mercutio, not her (no shade to my friend though). So then eventually I asked her if she was willing to swap roles and she agreed (she was not interested in performing in general and was happy with a minor role) and the moment she said yes it was like the stars aligned or something. Then I got increasingly obsessed with the musical and started kinsidering if I'm Mercutio and I kinfirmed it pretty fast due to the whole 'everything feels wrong if I'm not Mercutio' thing.

-

Specific kin asks:

What is the most important relationship(s) you had as [kin]? Or do you have a comfort character that links to [kin]?

I was closest to Benvolio, and now he's my comfort character too

Give a brief summary of your kin timeline! Or write about why you kin [character].

(I dont understand the question so im gonna skip this. I'll figure out what a kin timeline is later)

Do you have any music you associate with [kin]? If you want to list multiple songs!

Pretty much all the songs from source that I sing in.

Does your kin (or anyone else) have a queer identity in your memories? If you don't have any memories, do you have a headcanon for [kin] or anyone else?

Yes! I was pansexual and homoromantic, pretty sure Benvolio was bisexual, and I have a strong suspicion Romeo was aromantic (ironic, I know) because he did NOT know what romance actually is and I doubt he wouldve figured it out.

What are your most comforting memories? If you don't have any memories, do you have any scenes from source that bring you comfort?

I do have a few memories of waking up with Benvolio in the morning and just lying there together for a while. No details though, they're pretty vague. I remember things that were shown in source a lot better that things that happened outside of source canon.

What hobbies did you have as [kin]? Or are there any you do to feel connected with [kin]?

I think I remember I liked to dance, but I literally cannot dance in this life (well I cant do modern dances at least) and it makes me sad 😔

As [kin] were there any fashion types you enjoyed and/or wore? Is there any fashion types you'd like to see [kin] wearing?

I'm... pretty sure my entire closet was purple.

Were there any differences in your kins canon appearance to your kin timeline? If not is there any differences would make to your canon apperance?

Nope I was pretty much identical to source.

Do you have any food that you link to [kin]? Did you enjoy eating this food or is there another reason?

GELATO I remember loving that stuff and I still do!

Did you listen to any music as [kin]? Or what music do you associate with [kin]?

I didn't listen to music, I WAS the music (being from a musical be like)

What does your fandom get right about [kin]? Why do they get wrong?

Someone headcanoned my last name is Bellerose instead of Escalus and I have absolutely noooooo clue where they got that from but I'm 99% sure that actually was my last name in my canon.

Also I did flirt with Tybalt, but only to get him angry WHICH HE DID, EVERY SINGLE TIME and it was HILARIOUS. BUT I definitely did not like him and he did not like me either. Fandom ships us 9 times out of 10 and I'll never escape the fanart so I've accepted my fate. I'm also a fan of my source so from a fan perspective I actually kinda ship it myself but not in a serious way. I just think it's funny lmao

Are there any similarities between canon [kin] and you? Is there anything canon got wrong?

Hmmm everything was accurate I think

Do you have any regrets as [kin]? What would you have done differently?

Perhaps picking a fight with Tybalt was not such a good idea after all. Actually forget perhaps that was definitely not a good idea and if I ever meet canonmates (unlikely) or sourcemates (also unlikely) I'm pretty sure they'll say the same

What was your universe/world like as [kin]? Or what would it be like living in the world of [kin]?

Everyone hated everyone else basically

Favourite part about being [kin]? Why?

Hmmm... everything?

Least favourite part about being [kin]? Why?

THE OBSCURITY OF MY SOURCE I JUST WANT SOME SOURCEMATES PLEASE

Do you have a favourite picture of your kin? If not is there any of a comfort character?

EVEN BETTER I HAVE MULTIPLE :D

And this is me and Benvolio while my uncle sings the first song in the musical and absolutely killed it ✨

Large kin ask game

Notes: I tried to make these friendly to both kin with memories and folk who kin with no memories! Also the second set of questions are heavily linked to fictionkin, but feel free to use for any kin type!

-

General kin asks:

🏆. Who are your main kins? Is there a reason they're your main kins?

🤯. How many kins are you aware of? If you don't want to list them all that's fine, just do your top ones.

👤. Who is the most recent kin you have discovered? Do you have any information on them (ie kin type, what happened in your canon, ect)?

🦧. Do you have a kin you didn't expect to kin but did?

🍿. Do you have a 'kin type' (Ie do you always kin characters with black hair, do you kin characters with a temper, ect)? Can you relate this 'type' to yourself currently?

🦄. Is there a character from media that you haven't engaged with that you're kinsidering?

🌐. Do you have any kins that take place in an AU? Or any kin you'd like to see in an AU?

🌟. Do you have a favorite kin? Why are they your favorite?

📚. Is there a kin source you have that no one else seems to kin from?

🪶. Do you have a specific kin type (ie otherkin, fictionkin, objectkin, ect) that you lean towards?

🌱. If you could live in any of the worlds your kin is from, which one would you like to live in?

🪀. Have you met any canonmates before? If so which canons/kins?

🎆. Do you have any kins that are no longer main kins for you? Who are they?

🪄. How did you discover being kin? If you don't want to share for any reason, what age did you learn about kin?

-

Specific kin asks:

💕. What is the most important relationship(s) you had as [kin]? Or do you have a comfort character that links to [kin]?

🖋. Give a brief summary of your kin timeline! Or write about why you kin [character].

🎶. Do you have any music you associate with [kin]? If you want to list multiple songs!

🌈. Does your kin (or anyone else) have a queer identity in your memories? If you don't have any memories, do you have a headcanon for [kin] or anyone else?

🍃. What are your most comforting memories? If you don't have any memories, do you have any scenes from source that bring you comfort?

🥁. What hobbies did you have as [kin]? Or are there any you do to feel connected with [kin]?

👗. As [kin] were there any fashion types you enjoyed and/or wore? Is there any fashion types you'd like to see [kin] wearing?

🪞. Were there any differences in your kins canon appearance to your kin timeline? If not is there any differences would make to your canon apperance?

🍔. Do you have any food that you link to [kin]? Did you enjoy eating this food or is there another reason?

🎧. Did you listen to any music as [kin]? Or what music do you associate with [kin]?

🐣. What does your fandom get right about [kin]? Why do they get wrong?

🐦. Are there any similarities between canon [kin] and you? Is there anything canon got wrong?

💧. Do you have any regrets as [kin]? What would you have done differently?

🗺. What was your universe/world like as [kin]? Or what would it be like living in the world of [kin]?

💖. Favourite part about being [kin]? Why?

💔. Least favourite part about being [kin]? Why?

🖼. Do you have a favourite picture of your kin? If not is there any of a comfort character?

🎲. Send a question I haven't thought of!

[not-your-damsel]

Listen, y’all can wild for the hair in the hairstyles released in Tomorrow’s Catch-22 event going in now in Love and Deepspace. But y’all CANNOT tell me Sy didn’t EAT!

⚠️ATTENTION⚠️

There’s a boycott going on started by the CN fan community. Depending where you look, there are people upset by this thinking that it’s to get the game shut down. This. Is. Not. The. Case! I’m sure many of you know or have realized by now that in this first ever Quint-Banner, the outfits have been separated, you’re not automatically getting the hair that comes with it as usual. This is a huge problem for free-to-play players and any future players, as farming isn’t gonna be enough with the allotted time for the event. What the CN community is boycotting is the hidden price hikes for gaining the hair, incentivizing players to buy despite their little notice to play the way you want to, that’s not exactly feasible for everyone. Which will inevitably leave some players out. LaDS has an advantage in the otome genre by being so stunning looking with 3D character models. Infold/Papergames should be making the example for future games to not pull this BS, considering they’re currently king of the genre atm.

If you want to join along with the CN community in this boycott, it’s simple. I already know of a few people here in the US who are participating, myself included.

Try NOT to spend money in the first 3 days of the event. Use your saved diamonds/tickets instead.

Or, limit your time in-game for the first 3 days as well. Simply log in, choose your favorites, wish, and get the fuck out. Their analytics show how long someone stays in-game and they count it during the first few days of an event as a success. You can also find more on YouTube from Gacha Goblin, she’s wonderful.

Will it be hard? Yes. Will it be worth it? I also think yes. Don’t trash the CN community when it was them in the first place who enabled us all to receive Heartfelt Wish crates when the game launched because it wasn’t easy snd still isn’t for many to get who or the ones they want. It was them boycotting that got us that very thing in the first place. This isn’t to shut down the game, just for companies to not abuse the ones who literally are giving them recognition, popularity and money for those who pay. Yes, it’s a business, but one that should be done responsibly and respectfully to us as the consumers. If you don’t want to, you don’t have to, it’s your choice. I already got Zayne and Sylus just from my saved diamonds. I’m not spending any money until day 4. But outfits and hair are separate this time around and the formula is changing. We don’t want it to stay like that when it affects everyone, including free-to-play and new players. Happy and responsible gaming!

[averagemoxxiestan]

Omg- pls write something more about Josh x alien/e.t.!reader

Like imagine your just a cute green alien gremlin girl who landed on earth and is like-

“I WANT THAT ONE” >:D

“😨”

I honestly love aliens! One of my favorite mythological creatures ‼️

Reader is seen as having no gender or gender neutral until said otherwise

You were pretty popular from the start. Your spaceship crashed in the street in the middle of the night and the loud noise woke a lot of people up, except for Josh.

Josh soon woke up when the sun rose and then he saw you in the corner of his room, staring, which freaked him out and he tried to cover himself with his blanket but could still feel your gaze on him

He went to his mom and told her about you but she didn’t believe him at first, that was until you appeared right next to her and said hello in your alien language (she almost passed out.)

They help you try to blend in and try to make it seem like you’re a foreigner but it’s kind of hard when you keep getting curious about stuff and wander off easily

You have a tail, like animals, it matches how you’re feeling and your emotions. (You are happy almost all the time.)

Josh told his friends about you on accident due to him being sleep deprived since he was trying to get you to sleep (you have a very irregular sleep schedule) they thought he was joking or delirious until they went over to his house one day and saw you eating out of the fridge

They think you’re really cool 😼

You watch tv 24/7 because Josh wants you to try and learn the English language and you don’t mind because you get to watch colorful characters be silly on the screen

Bill and Pete definitely teach you how to say the most out of pocket shit. Like, imagine Bill dragging you to his friends and Bill is like ‘E.T.!Reader has something to say’ with the most smug evil look on his face and then you just say a slur

Bill is the type to manipulate you since you have no idea how humans work

Josh likes that you try to calm him down whenever he’s angry, you just wrap you cool temp body around his and coo at him in your alien language

Gum is your favorite snack

You have telekinesis. Josh found out when he was trying to look for something and you noticed him struggling to crouch down and get back up again, so you lifted all the furniture with your powers

You killed someone once but it was on accident! they were a bully and Josh taught you that bullies aren’t good people and should be punished, so you broke into the bullies house and melted their face off

(The form you are in is to appease to the human eye, your actual form will make them fearful of you.)

Your sweat has a slimy texture to it so whenever someone tries to touch you, all they can feel is something slimy. (Jerry had the unfortunate experience of trying to tap you on the shoulder why you were sweating)

You seem very weak but your are very very strong, you picked Josh up without a struggle and even ran while he was in your arms

Josh’s mom loves you and loves how kind you are, she finds you very helpful

You are fascinated about the human body.

Josh once caught you staring at him while he was sleeping and almost pissed himself

Done!! I hope y’all like this one because I didn’t have many ideas for it 😋

K bye (might post something for Valentine’s Day)

[randomfoggytiger]

in reading the anons idea that Diana didn't pose much of a threat, I started to review my initial assessment of her.

While I agree that we are not seen a lot of Diana on screen, I think her threat is of the unknown. It's almost like not knowing your spouse's exes but still having a sting because you get all the crazy "what-ifs" running through your head: what if I am not as interesting, what if they were funnier, what if my spouse is not with the other because they were dumped and still have feelings, what if. What if. What if. I think that is her threat and for a moment we see the what if. If Scully had not called Mulder to go find Cassandra, Mulder would have gone with Diana and then what? Then, there is Mulder's dream of "what if" he had a life with Diana. I m a little fuzzy with the why he dreamt of her. Was she or CSM controlling the dream or was it Mulder's own dream? These what ifs for me are what make her a threat.

I wanted more of a resolution with scenes like when Gibson says that Mulder is thinking about one of the girls and one of the girls was thinking about him. Maybe I am weird and it's an unpopular opinion, but showing Mulder and Scully have some (just some) real conversations to resolve that "what if" would have been enticing. We somewhat see Scully's emotions especially when she goes to TLG.

Last note: the scene in which Scully is trying to give Mulder some results on Gibson and Mulder refuses to take it and says " are you asking me to choose" and Scully says "I'm asking you to trust my judgement" deserved Scully turning her back on him and walking out. There was a missed chance of some good tension that could be nicely resolved, but NO she let's Mulder off the hook too easily. Why? Did we ever see Mulder really have to worry about Scully having enough of him and walking away just for herself? Other than being abducted or dying of cancer, he didn't worry that she would leave.

The dream, as far as i'm aware via the scripts, was meant to come from Mulder's head; but it had to have been influenced a bit by reality-- CSM and Diana's presence pop up here and there when the two are right next to him, for example. Mulder, in essence, felt "doomed" to live this normal life, felt he should be happy he finally got a normal life... but knew, deep-down, that it was a hollow, shallow, selfish, cowardly existence. When Scully's presence nearby drew her into his subconscious, he dreamed about her acting as his moral voice: "Get up and fight." The life he has with her, he realized, is worth the danger that she chooses to place herself in-- he can't martyr his freedom to secure her safety. They are each other's touchstones.

Diana definitely disguises her motivations to Mulder, appearing upfront and honest and as boots-on-the-ground-to-find-the-truth as he is. That would have been a particularly juicy bit of character work to mine into; but, alas, she only shows up here or there, and is barely mentioned (once) outside of mytharc episodes. My favorite bits of character work were her manipulation in The End and her conversations with CSM in Amor Fati-- wish we'd had more.

The scene in The Beginning is a bit more... complicated. I don't believe it should have resolved with Scully walking away from Mulder: it was a follow-up to Scully not trusting him in front of the FBI board, despite their five year partnership's trust and her own experiences in Antarctica. She could have stalled for time, could have thrown up solidarity even if the proof wasn't in her hands right then... but she didn't; because she wasn't ready to wholly accept the truth-- not until her experience in Africa, almost a year later. Mulder felt betrayed-- and he wasn't completely wrong, but also not completely right-- and his feelings were partially justified when Scully did find the evidence at the end when it no longer mattered. She didn't apologize for not backing his theory up; and he didn't apologize for not trusting her new set of answers. Both were in the wrong, to varying though comparable degrees; and both decided to wordlessly move on rather than address the problem. (That problem, by the way, is brought up and finally addressed in Field Trip.) That's why Season 6 is less intense than previous seasons: they jockey back-and-forth from being in the wrong to smoothly sailing over each fumble to grappling onto the next case or piece of evidence.

@agent-troi's Season 6 observations here really hits the nail on the head: "...in some ways they’re more joined at the hip than ever before. . this season has the highest concentration of shippy episodes.... the only times they really don’t get along are when diana actually appears in the episode (side note: diana only gets mentioned once in the episodes in which she doesn’t appear, a fact which intrigues me to no end. it’s like when she’s not there she doesn’t even exist, and in fact i have actually forgotten she existed while watching some of these episodes lol). ...i think their schism in the beginning is partly due to mulder being petulant because scully couldn’t/wouldn’t back him up at the opr hearing after he put himself way out there earnestly insisting with his whole chest she was about to present proof of alien life. it’s not that he suddenly doesn’t trust her anymore, he just feels (somewhat irrationally) like he was let down. ...but in the very next episode (drive) they’re a team again, using his intuition combined with her science to figure out what’s going on with crump. the fact that they couldn’t save him wasn’t their fault, and is almost incidental to what this episode really illustrates, which is not only how well they work together, but that they still can work together, and the past five years between them haven’t been erased just because diana’s back in town. ...i think people sometimes overestimate the impact diana had on their relationship. i think she was definitely a catalyst for them to examine some of their feelings more closely, but she was never gonna drive a permanent wedge between them. the closest she came was in one son, and even then they manage to pull back from the brink of destruction. scully asks for mulder’s trust, and he gives it by going to look for proof that diana really has betrayed him. if it had been the other way around, if diana had accused scully of working for the syndicate, he would have dismissed the idea immediately and never even bothered to consider it...." The entire post is mandatory reading, in my opinion. XDDDD

Also! There are many, many incredible Diana metas out there-- a few of which are @scullysflannel's thoughts here, @agent-troi and @actual-changling and @waxworkdaughter and my collaborative thoughts here-- and follow-up, with @baronessblixen's input, here; @deathsbestgirl's thoughts here; @limnsaber's tags here; @iconicscullyoutfits's thoughts here); and @welsharcher's deleted scene proving Diana's a one-trick pony here. I've also tried my hand at a few posts (here, here, here, here, and here), including a musical edit here, heheheh.

Thank you for your patience if you read this far, anon. XDDDD Thoroughly enjoyed pouring over your thoughts-- thanks again for sharing!

[9mysterybook6]

again making problems

Look at her, she changed the name of her blog again. It's even more stupid.

rhylie caterfly is not going banned

Seriously, this is useless. You will be banned from here soon.

And guess how she responded to me?

First of all I will never stop exposing you until you are banned from here

You don't deserve any followers or your blog, not after your heinous actions.

Again I am a sensitive person blah blah blah

That's a stupid excuse and a lot of guilt trip and You are playing the victim again

I never regret exposing you, but I am proud of myself for exposing you. Because you deserve it

And no, this is not over yet.

karma will happen to you when you get banned from here

I will continue to spread awareness about you and expose you.

I'm not the one causing the problems here, you are from the beginning

Nobody would support a bully like you.

You are not a favorite person to anyone, but you are the most hated person here

Here again Rhylie is imitating my words in a stupid way.

(((((And a message to 9mysterybook6 (as a backfiring): Before you say "how did you come back?! stop stealing my popularity and apologize to solosergiohd!" usual you tried to expose and banned, This is sorta true. I never get jealous, because I'm not a corrupt person.)))))

You're just saying backfiring as a excuse

This is a stupid and silly excuse.

I'm sure %100 when you say top stealing my popularity, you mean it to yourself.

Like I said before, I don't care about followers at all.

I don't even care about fame

You are the person who is crazy for fame and power over others Rhylie

Again, you are imitating my words

You didn't learn anything from the beginning.

Guys, look at her bad actions.

Here is the translation

I definitely don't regret solosergiohd after I got banned from deviantArt

Because I have cut ties with Sergio and I will not forgive him. Because he's aggressive, selfish, manipulative, egocentric, stubborn and he's Russian. I’m teaching her a lesson so she should do male blueberry inflations and let everyone have their waifus, including Delphox, Diane Foxington and Krystal who just wanted to be Veruca Salts while Maid Marian and Fox (skunk fu!) just wanted to be Augustus Gloops rather than Videolet. Bea I always give friendship to Yossi and Ms. Boumba, including anyone who already had friendships as well, like Nicole Watterson and Kitty Katswell's friendship, Unikitty and Twilight Sparkle's friendship (because they have Tara Strong's voice), Mammoth Mutt and Starlight Glimmer's friendship (they have the same friend Sherida, actress Kelly Emberlynn Pinkle, Star Butterfly and Princess Elise, Misty and Serena's friendship and Diane Foxington's friendship with Gloria the Hippo, and I give them all from Kill TTG Robin, Fake Velma, Thundercats Roar Lion-O, Alfieou, Cappa Peppa, and Robag as well, since they protected Mufasa, Goh, Serena and possibly Liko from his imposter called FireMufasa417, Violet Beauregarde and Mammoth Mutt Loves. Blueberry and inflated male characters, I'm still afraid of him, but anyone can defend him because I heard he has two profiles, as I saw him on DeviantArt.

I picked it up with my hands in the dough. Come on, he's so pissed he has two counts.

Are you so suspicious that you have two accounts, the same as me?

Are you so suspicious that I have two accounts, just like me?

((Wow, You're Good At Speaking Spanish.))

((I knew it, that's how I never trust him.))

((Yes, I'm sure it's ruined.))

Case closed, but there are still more mysteries to solve about Solosergiohd

And look at her tag

#I'm not sorry Sergio #sorry not sorry #I stand up for protections #spanish #this person has 2 accounts from deviantArt?! #he's so busted #case closed but they're still have more mysteries about solosergiohd

Rhylie you don't know anything about spanish or how to pronounce it you just use translation

Lie on lie

And look at this too

This is not your opinion, but you just don't want to admit that you are harassing solosergiohd

How do you expect me to stop while Rhylie is acting so childishly and stupidly? and Don't take anything seriously

And again, look at her latest posts of stupidly

Translation here

Mysterious stories are defeated after I blocked karma and saved the Gacha community and all of Tumblr.

She tried to expose me and banned me along with Karma but she's even worse than Smiler from the Emoji movie and Sour Kangaroo from Horton Heards a Who.

She's guilty for exposing me and not forgetting my past, she really is a pervert who exposes me and has been a very perverted and naughty girl.

9mysterybook6: I'm so jealous of Rhylie and I love exposing her Blah blah blah EVERYONE DO NOT SUPPORT RHYLIE BECAUSE SHE'S CRAZY AND TRYING TO GET 900 FOLLOWERS!!!!!

Rhylie You are really a disgusting and rotten person to the core.

If we turned our backs to Rhylie

She will come back later and stab our backs After a guilt trip and a manipulative on many people

Rhylie will cause more problems because she will use her followers' bad ways and authority in the bad ways

Imagine this, I can imagine this horrible scene.

Rhylie may try to have one of her followers convince pamithebunterfly2007 to return to her friends back with her again.

I know you're still stalker on pamithebunterfly2007 Even after she Block you

or make her followers help her spread lies to others.

And Rhylie makes her followers bully and harass her victims.

Rhylie asked her followers to do a hate drawing of her victim and do bad meme on her victim

This will happen if we leave her alone.

That's why there should be a reminder of Rhylie's bad And terrible deeds.

If we don't do something now, then it will cause problems later.

So Guys remember to spread awareness about Rhylie and report her blog.

[the-stove-is-divorced]

YES! LOVE ranting furiously about a show. Like it pisses me off so much. I can't get enough of it. Everyone should watch.

That's such an interesting point, too, because yeah, that's the entire premise of the idea, no? At least the start? Evil Superman, with bootleg copies of agencies and Leagues and heroes, outright banking on audiences' general knowledge of these to skip out on some important groundwork, world-building wise to me, but don't really take advantage? Like why really explore Evil Superman, son of colonizers, and bootleg Justice League? Even just for comedy purposes, like why not? I haven't seen that video in a while to bring up any specifics (+ I am a diehard Batman fan than Superman) but truly!

Man, you make me wanna rewatch Justice League for those team dynamics and YEAH, stuff like Martians being shapeshifters! That's fun and so COOL! I also just plainly love their dynamics and interactions. Watching some snippets and clips myself, it tickles me how much of Batman's standoffish-ness could be used for Nolan, if they wanted to show team dynamics. I want it so bad. Off topic somewhat, but went down a youtube clip rabbithole and ended up seeing one of my favorite action sequences for animated movies, Madagasar 3's driving scene, and MAN, I wish we got like a fun fight or action scene for Invincible as well. Well aware there's a big diff of genre, general tone, but ONE TT or GoG scene that play off powers and personalities in a fun way would be everything to me. Internally sobbing I'm not an experienced storyboarder/animator to storyboard it myself.

Lazy shipping will forever be the bane of my existence, because I don't care so violently but it'll refuse to be ignored, and LIE to my face about how much these characters MUST be in horribly love, while having the audacity to be boring. Literally get this off my screen. Please go on your gift of jewelry rant by the way, I've already expressed the "get OTHER characters to lazily comment about how these two characters are LOVEBIRDS!" makes me consider abandoning humanity for the woods. JUST WRITE THEM LIKING EACH OTHER. GENUINELY. HAVE A CONNECTION. and for the love of all things entertaining, don't make it BORINGGGGG. But seriously, the fact Mark can't get a DAMN BREATHER, like is Eve a rebound like??? And the refusal to explore their potential and bond makes my ass itch. Like, ethics!!! Superheroism!! Shitty family!!! CHICAGO! Literally the fact they're not in groups like YOU said!

Just have them fly together tbh, like easy short hand of longing looks and excitement together is flying together. Showing off tricks and eventually talking or something.

Mark outright not improving drives me utterly insane. We OPEN with him improving and then nerf him immediately. Throwing my TV. TRULY I DID NOT UNDERSTAND WHY EITHER DIDN'T GO FOR THE OTHER HEROES from the START. Eve, you are an experienced hero, unlike Mark, who JUST got SOME training that's clearly strength based, not strategic. Literally just elevating the danger/situation and using characters' flaws could have been so beautiful but NOOOO. Like, have Mark struggle focusing on both protecting AND fighting, (lethal enough to kill the monster, but careful a giant monster doesn't fall on top of the trapped heros for example), or flinging a monster into the ground / getting smacked and the ceiling collapses faster. Now, Eve's gotta deal with a crumbling ceiling AND rescuing them, maybe she's even rusty working with a team! Heck, have Eve direct Mark to rescue instead of fighting, and he struggles not stepping into the fight, or gets distracted by approaching monsters?

ALSO HECK? JUST USE ANOTHER VILLAIN? You're telling me the original GoG didn't have some seriously menacing, intelligent, heavy hitting supervillains who wants to eliminate the newly weak GoG??? The one that even said they're BAD at teamwork?? How has the dismantling of the GoG not created a whole power scramble of villains trying to prove themselves by taking out the NEW GoG???

Also FOR REAL. CAN DEBBIE BE A WHOLE PERSON PLEASE? Like, how is part of the Super Hero Family Drama: The Show, and we don't even know her HOBBIES? WHO IS THIS WOMAN????? How are we on s3 and I still don't know. Utterly insane. Slow the fuck down, I don't care about some stupid mummy curse of the last episode of s2, a weird alternate Eve demanding her teenage crush to confess to her after he thought he was gonna die in a desert, or the Lizard League, but I DO care about who these characters ARE so I can feel more about the stakes!

Invincible (barely resisting to bash my head into the wall in rage) & Invincible (giggling, kicking my feet, gasping in delight) can function in the same breath istg.

That's exactly why I want Cecil as a mentor so fucking badly 'cause it's like quasi Dad/mentor would sacrifice this mf in a heartbeat, like immediately interesting. Plus the dread of a another inevitable betrayal would be chef's kiss! Plus I'm surprised he hasn't tried it like??? This mf never tried the whole "catch more honey with vinegar" approach? Mark's a kid with too much on his shoulders, he is outrageously In-Need-Of-A-Mentor-Shaped. I mean, we're dealing with Viltrumites and potential Omni-Man Junior, I'd want that kid to trust me, believe me, so I'd know if something's off. Keep your potential emotional unstable nuke closer rather than farther and far less irritable, perhaps? Attempting to slowly chip away at a oneshot as we speak tbh. But again, no GDA counselor/therapists to be snitches? Where's the paranoia, invasive plans, here?

No fr, like ???? She has unexplained beef with him and never tells Mark to avoid him, or even a classic "I told you so"???? Like, another setup and we just??? Don't do anything? You already think he's a liar??? Gimme Debbie eyeing the babysitter, trying to check for microphones/cameras more often or something. Do something with this, I BEG.

Also hitting that on the nail here, I was writing a WIP and Mark kills a guy and I'm just kinda scrambling cause on one hand Cecil doesn't want Mark TOO cool with killing he's uncontrollable, but also this is good if Cecil wants Mark to kill people. And I'm just staring at my screen like ?????? Like give me mentor Cecil so I know how he would act for fanfic, for it for me specifically.

Aso insane over the fact Mark's moment of paralleling his Dad doesn't go farther enough for me, like this is the moment for shit to go crazy and it's GOOD enough for me to feel insane but lacking enough for my insanity to triple of what could have been??? I am this close to adding another WIP of just fun what-ifs/scene rewrites for my own sanity! Like, why not have Mark slamming his fist into the ground while he's got the shriek in his ears? Slamming his head in agony just to make it stop? Or even clawing towards Cecil, on the ground, eyes burning with hatred from the pain? I would fucking love a moment of Mark trying (but still failing) to walk, crawl, move, while in pain to ADD to the scene, even if he just stumbled back down and writhed on the floor.

While I'm not too familiar with the DCU- your batfam meta posts are intiguing- so in transfering some of the broader strokes from them- I think you tackling a 'Mark isn't Nolan's biological son' fic would be fascinating. Sort of a step to the side of the 'what if Mark never got his powers' fic that sometimes pop up in the fandom

OOOOOO chewing on this currently, hm, the much a distinct flavor of exactly what you’re talking about, but the potential for more family drama depending on WHO knows. Does Mark know?? Is he waiting every day only to be crushed? Does he confused non-Debbie features with Nolan’s? I suppose I’m not the most enthusiastic about non-power AUs, but I think there’s something very fun to explore about Mark having to settle with, if he knows all his life, he will never have powers? I think the trajectory of his dreams will obviously shift, I can see him still having that distinct fatherly idolization, but perhaps embraces being useful to the GDA? Cecil’s number one intern—only intern—curtesy of nepotism, ha! There is something tickling me about Mark taking the Robin Route/Role for the Teen Team in terms of having no powers, just insane skills, BUT there’s something way more delicious about intern Mark when s1e01 happens and Mark tries snooping around to find out the truth about what happened to his Dad.

I wonder if, with Mark having a whole another father, if they’re more or less distant relationship, depending on WHEN Nolan entered Mark’s life? Like if Debbie met Nolan later for this, or just for fun, they dated once, separated (Mark being born during then), then they happened to stumble into each others lives again and Mark’s already been born, anywhere from tween to teenager so there’s a gap in how close they are. I feel like one important aspect of the whole Family Drama is how close they’re supposed to be, a functional, loving family turned upside down? So I wonder what more distance does. I wonder how Nolan copes when his family is entirely human and he can’t project onto Mark.

I love thinking about these, omg.

[grapemoon]

My vision..,.

[bumfuzzled-bee]

! Eight !

[inumbrapugnabimus-maybe]

I read Howl’s Moving Castle and it is officially a comfort book now so here is Sophie :D

[flameblade3]

Ophelia X H’aanit was one of the first ships I ever had. They inspired my common character pair in my D&D campaign with a timid magic girl and an extroverted strong girl.

As for actual reasons, they’re so cute together. A whole travel banter they spend complimenting each other, saying they should talk more, their faces go hard red, it’s so stupid cute.

Their character archetypes are so perfect too, H’aanit is a hunter with unbending care for the natural order of the world, but she can get hurt a lot in her battles with the big monsters that threaten the balance of the forest. And Ophelia is great at handling people, she wants for people to get along more than anything else.

Ophelia’s patient and meticulous where H’aanit can be reckless in her goals. Ophelia is a solid healer while H’aanit can take the hits. Ophelia can be naive while H’aanit and Linde can read bad people like an open book. They’re perfect supports for each other.

Their relationship doesn’t have to be anything major, I imagine them like they go to each other for help first, they do just about everything an actual couple does but they never wanted to put up the label, so everyone else just considers them good friends, but the other travelers know how close they are.

I love the thought of Ophelia dealing with a haunting situation like the hostage situation in her chapter 3, coming home to the others and H’aanit and Linde just comfort her with their presence, no words need to be said.

I could also talk about some of my other favorites- Hikari X Partitio, Castti X Throne, and of course Temenos X Crick. But I’ll save that for another day

I miss octopath yapping with people so uh yknow what! We’re gonna play a game!!

Explain in the notes what y’all’s favorite ships are and why you like them!!!

Only rules are

1) do not explain why everyone should think your ship is canon, as that is not the point of this post 2) do not put any other ships down bc that is also not the point of this post 3) ALL games are included (yes including cotc) 4) ANY SHIPS ARE ALLOWED!!! GO NUTS!!!!