#there she goes again with those taylor swift lyrics

[maryleclerc]

could you do a fic about the reader being a singer and she goes to one of luke's NHL hockey games and she is spotted there like Taylor swift was and than she writes a whole love album about her and luke

love this request, and i hope you like this 💗

LOVE SONG FOR YOU

REQUEST OPEN

PAIRING: Luke Hughes x Singer!reader

SUMMARY: After a night of supporting your boyfriend, Luke Hughes, at a New Jersey Devils game, your love for him spills over into a new album. Known for your voice and now for showing up in the stands to cheer him on, you catch the attention of fans from both your worlds. The album becomes a heartfelt reflection of your relationship, and in a playful interview with a close friend, you confirm what everyone had suspected – the album is a love letter to Luke.

WARNING: English is not my first language. Fluff, public attention, fan excitement, playful teasing, and pure romance.

Your heart pounded with excitement as you made your way to your seat, attempting to keep a low profile under a hoodie and a baseball cap. But no amount of disguise could change why you were here. You weren’t just a fan tonight, you were here to see Luke, Luke Hughes.

After a year and a half of dating, both you and Luke were used to supporting eachother from afar, you always watching his games online or catching highlights later, but tonight was different. Being here in person you could felt something electric. Your gaze stayed locked on him as he took a few warm-up laps on the ice with his teammates. Even from a distance, he looked as focused and intense as ever, radiating a quiet confidence that made your heart swell with pride.

Despite your attempt to stay under the radar, the fans around you soon began to whisper and point. Some recognized you, and you couldn’t help but smile as a few nearby Devils fans struck up casual conversation.

“Oh, so you’re a fan, huh?” a young woman in the row ahead of you said, grinning knowingly.

“Something like that,” you replied, giving her a wink.

They teased you gently, but they didn’t pry, simply enjoying the game and occasionally sharing their enthusiasm for Luke. It was heartwarming to see how loved he was by his fans, and you couldn’t help but feel an unexpected sense of camaraderie with them.

Every time Luke skated onto the ice, your eyes followed him. Each save, each play, had you holding your breath, and every victory had you clapping louder than anyone else around. There were a few moments when you caught Luke’s eye from across the rink, and though he couldn’t acknowledge you directly, the slightest hint of a smile in his eyes told you he knew you were there. In those moments, the rest of the arena seemed to fade away, leaving just the two of you in your shared world.

When the game finally ended, with the Devils claiming a hard-fought win, you could hardly contain your pride. As you left the arena, fans with quick cameras snapped photos of you smiling, and before you knew it, they were posting online, tagging you with captions like

Spotted at Luke’s game! The way she looks at him tho…

Another power couple in sports and entertainment?

You couldn’t help but chuckled at the speculation, secretly thrilled by how much people adored seeing the two of you together.

For days after the game, memories of the night still lingered in your head. The loud cheers, the crowd’s energy, the sound of his skating on the ice, the sight of Luke in his element all of it stayed with you. Back at home, you found yourself replaying it in your mind over and over again, finding bits and pieces of inspiration in each moment.

Lyrics began to pour out, each one a line in the story of your love for Luke. Some were about the thrill of watching him play, while others were softer, quieter, capturing the moments no one else saw the late-night talks, the gentle laughter, the way he’d hold you close when no one was looking.

Writing the album felt like writing a love letter, something you considered a very romantic things. You poured all of your feelings into each verse, each melody, until the album began to take shape as a reflection of your love for him. The songs were intimate and honest, capturing the magic and the reality of being in a relationship with someone whose life was as much in the spotlight as yours.

When the album was complete, you felt a mixture of excitement and nervousness. You hadn’t told Luke about it yet, wanting it to be surprise. And as the release date drew near, you could barely contain your anticipation.

When your album “Love Song for You” dropped, fans were quick to notice the clues. They dissected every lyric, analyzing lines like “the thrill of the crowd” and “the ice under your feet,” connecting them to Luke and his career. Social media erupted with theories, fans tagging both you and Luke in posts saying,

This HAS to be about him!

She’s definitely a Devils fan now!

Even Luke was taken aback when he first listened to it. He had suspected you’d been working on something special, but he hadn’t anticipated that each song would feel like a personal dedication. The two of you sat together on the couch, listening to the album as he took in each lyric. He reached over to hold your hand, his eyes full of emotion.

“This is incredible,” he said softly, his voice filled with awe. “I don’t know what to say… thank you.”

You smiled, leaning into him. “I just wanted to capture how I feel. How much I love you.”

For the next few days, social media, tiktok was flooded with reactions to the album. Fans shared clips, tagging both of you with heart emojis and comments even edits of their boyfriend, girlfriend.

A few days after the album release, you were invited to a friend’s podcast. They were well aware of your relationship with Luke and the story behind the album, but they kept things light, creating an atmosphere of fun and excitement.

After a few warm-up questions, the host leaned in with a smirk.

“So, there’s one thing everyone’s been dying to know,” they began, grinning.

“What was this album really about?”

You laughed, giving a playful shrug.

“What do you mean, ‘what was this album about?’” you replied, a twinkle in your eye. “Isn’t it too obvious?”

The host laughed, clearly delighted with your answer. “So it’s official then?” they teased, leaning back in their seat. “Our hockey star has his own singer-songwriter.”

“Absolutely,” you said, beaming.

“Every lyric, every melody, each and every single words, it’s all for him. He’s… well, he’s pretty inspiring.”

That night, you and Luke went out to celebrate, choosing a quiet, cozy restaurent where you could relax away from the public eye. As you settled into your seats at the restaurant, you both shared a laugh at the sheer amount of attention the interview had gotten.

Luke reached across the table to hold your hand, his eyes soft looking at you.

“You really didn’t have to do all that… but I’m so glad you did.”

You smiled, squeezing his hand. “I wanted everyone to know how amazing you are. You inspire me every day.”

He chuckled, a slight blush coloring his cheeks. “Well, now the whole world knows.” His voice softened. “Thank you. For every song, every word. I’m… the luckiest guy in the world.”

The two of you spent the rest of the evening lost in each other’s company, reminiscing over memories, and sharing dreams for the future, about his hockey career. By the time you left the restaurant, the street lights was already on, and as you walked hand in hand, you could felt the love and gratitude around you. You had poured your heart into an album, shared your love with the world, and celebrated a relationship that meant everything to you.

[tswiftupdatess]

Bon Iver on collaborating with Taylor Swift:

“All the glory goes out to Taylor for her courage to reach out to Aaron. Somewhere around that time [quarantine] everybody was going on Instagram live and just playing stuff he's been working on because I think we just needed to share and Taylor heard it. You know, and again, all the glory goes to Taylor for hearing as a songwriter what music she wants to make but like those songs are Big Red Machine demos. Her genius was working with the genius of Aaron Dessner on making the strongest set of lyrics and songwriting that she's ever had. And so during that process I'm just watching it happen and to me it was very much like seeing Taylor enter a whole universe. Of course there's no one bigger and we all bow down to her but to see her come into that, it was almost like I couldn't stop blinking. I was like, this makes so much sense, the love and community that Aaron had showed me over these years and what we've done with Big Red Machine and people and all the events that we had done, Taylor was just stepping right into it and flawlessly taking it and then Aaron hits me up and he's like ''So I think there's a song that Taylor would like you to sing.'' I was like 'Taylor?' he's like 'Yeah I haven't told you yet but you know, taking some of the songs and she's writing to them.' I was like 'Awesome I'm not doing anything today!' so they sent it and I ended up adding a couple little bits but that's how Aaron and Joe and Taylor wrote the song and I just sang it on an SM7 in my little makeshift studio. And it felt level to everything else. I mean, it's an exceptional song and an exceptionally popular song for a good reason but it felt just so natural. I'm so thankful for that opportunity just to have worked with such an amazing artist.” (Via Apple Music | April 16, 2025)

[verstappen-cult]

ATTENDING THE ERAS TOUR WITH THE BOYS | F1 GRID

★ — LANDO NORRIS (4)

lando suggests you wear matching outfits because he’s seen how everyone dress up so cool to go to the concert and he wants you both to experience what it means going to the eras tour, from start to finish. he blares all taylor’s albums while you get ready and in the car ride to the stadium, he knows probably half of the lyrics but his excitement is so cute you don’t tell him how he’s singing pretty like a devil instead of grinning like a devil.

★ — CHARLES LECLERC (16)

charles doesn’t consider himself as a huge swiftie, of course he knows a few of taylor’s songs but that’s it. however, when you asked him if he’d be your date for the concert, his high rate went up to the roof. seeing the taylor swift live? for the first time ever? and at the eras tour? he tried very hard not to show how happy and excited that made him feel and he was… not too successful. he sings with you during the concert, and happily listens to you talk about your favorite part while you drive back home.

★ — OSCAR PIASTRI (81)

when oscar bought you the tickets, he was expecting you to go with one of your friends, not to hug him and kiss him and practically scream how excited you were to attend the concert with him. oscar knows nothing about taylor swift, he’s heard a few songs because who hasn’t? so a few days before the big day you sit him in front of the tv, a power point that reads ‘all you need to know about taylor swift’ on the screen. if by the end of the presentation he goes to spotify to listen to reputation, that’s his problem. he spends the entire concert looking at you, he knows taylor is a big deal to a lot of people but he couldn’t care less when he has you smiling and shouting and looking so happy by his side.

★ — MAX VERSTAPPEN (33/1)

you and max started dating thanks to a taylor swift song, so when he learnt about the eras tour he didn’t hesitate, not for a second, and bought the tickets. it was meant to be a surprise for your birthday but he couldn’t keep the secret and told you the same night. he’s not good at keeping secrets, okay. what’s he’s also not very good at: arts and crafts, so he simply sat down on the couch, pressed play to miss americana and watched you make some friendship bracelets. his favorite was the one you made for yourself with his racing number on it. he spent such a good time at the concert, and got to trade a bunch of friendship bracelets too.

★ — ALEX ALBON (23)

alex is a swiftie thanks to you. one day he asked you who she was, the next one he was being introduced to the whole taylor swift lore. it was only fair that he stayed up all night trying to buy tickets to the eras tour with you. alex spent the weeks leading up to the concert listening to you talk about how excited you were. and if he’s honest, he was excited too. taylor is a big part of your life together and knowing that you two share it and can enjoy it together makes him feel pretty lucky.

★ — DANIEL RICCIARDO (3)

who was more excited to go to the eras tour… you or daniel? hard to say, really. he cries during all too well, even though he doesn’t admit it, he has something in his eyes right at that moment; believe him. daniel gets a lot of compliments for his outfit and goes viral, because what is a formula one driver doing at the eras tour wearing a sparkly suit? daniel doesn’t care about anything but to enjoy with you and kiss you when she sings lover. and love story. and enchanted.

★ — MICK SCHUMACHER (47)

mick is like a puppy. if you tell him something, he’ll do it right away. he can’t say no to you, not when you have those big and pretty eyes looking at him with that look that has his heart melting. mick is very nervous the day of the concert but when you ask him what’s wrong he just tells you he’s excited. you don’t ask again because next thing you know taylor’s on stage and the whole stadium is going crazy. when taylor sings ‘he knelt to the ground and pulled out a ring’ everyone around you goes crazy, and when you look to the left there he is, your boyfriend, kneeling on the ground with his pretty smile and a ring.

© VERSTAPPEN-CULT ⎯ do not repost, translate, plagiarise or claim any of my works as your own.

[skyrigel]

I’m so glad you take requests for Anthony bridgerton. I’ve been in the mood to read angst with happy endings for so looong😫 so could I request Anthony bridgerton x wife angst where they have an argument/fight because he is stressed so he takes his anger out on her so she ends up giving him the silent treatment while he basically begs for her forgiveness

Say nothing then || A.B

Pairing: Anthony bridgerton x wife!reader

Warning: hurt/angst, superstitious thoughts, Anthony doesn't think he could outlive his father. ( Happy ending and little comfort, i promise.)

Rigel's note 🪩 : Thankyou so much for requesting, absolutely heart breaking to write this one, I took inspo from book, Anthony denying love because he saw his mother going in depression when his father died and taylor swift's lyric I said, "I love you" (I said, "I love you") You say nothin' back . I hope i did justice with this one sweetheart <3

That's the way you loved Anthony, truly and completely and sometimes it was so hard to keep it in, it slipped through your lips everytime you kissed him. Pressing down in his skin and tickling his heart that was yours.

It gazed at him, dusk or dawn, ever so lovely, it scribbled down in your ink, leaving your love trailing down behind him.

When Anthony told you he would give you anything, you believed him, when he said he just wouldn't love you, you didn't.

That's not how it goes, perhaps you were naive and blinded but that, it was love that glinted in his eyes everytime he looked at you. When he would smile and reveal the book you yearned to read, hidden behind his back. When he danced more than any husband did with his wife so you didn't believe when Anthony said he wouldn't love you, that was only a matter of time.

However, there's difference between wouldn't and couldn't, Anthony was scared to love, for he knew it's a force and he would be damned if you were to be left heartbroken just like his mother, he would curse himself if he didn't wake when you would call out for him when he was dea Because Anthony was sure, he bloody knew he wouldn't be able to live past his father and in no universe he would want to see you begging, crying and slowly drifting away. Lost and sad, no.

So he wouldn't love you and he would save you from the greater grief, of getting left behind while the other is gone.

But love became too much sometimes, held too much of your heart and body and soul that it demanded to fly and then one such night, all the chains tattered and it was bleeding raw and fresh—

" I love you." You said, like you did every passing moment but oops you had said it now, in words and sound as Anthony kissed the back of your ear, it was the first time the words ever experienced by the nature, no doubt you had said it with every kiss, every touch, every gesture but this was new.

Anthony freezed above you, hands dropping whatever mischief they had in tow.

He pulled away from you in a blink of your eye and it took you a moment to realise what went wrong.

" Anthony ? Are you..you are okay honey ? " You whsipered, he didn't look at you, staring at his hands as he could see a story you couldn't.

" I.. Anthony ? " You said again because it scared you, Anthony wasn't the one to look away, all the things that scared you was nothing against the terror, the sinking gut wrenching feeling you felt when Anthony fliched at your touch and you shivered in ache. No, don't leave me. Please, please.

It was another pain to see Anthony like a stranger, like he didn't know you. He would, he promised he would know you anywhere but this, it was threatening.

" What did you say ? " You almost thought it was the voices in your head, the agony that coated the words could never be from him.

Never to you, he was drifting away with each heavy moment and the person who was at the edge of your bed, in your shared chamber, smelling like you, wasn't the person you knew.

" Anthony—" you tried, you couldn't help the choking of your throat as those eyes were fuming in rage, maybe there was love, hiding somewhere but you couldn't find it and it broke your heart. Anthony couldn't be right.

" You don't mean that ! " He was screaming, his whole body shaking as his fist slammed the mattress in fit of rage.

A strangled hiccup escaped your throat when Anthony gripped your shoulder, hard but not bruising, like he wanted to shake you out of this feeling. He couldn't.

" You don't understand, love, love, love—" he almost cried, his nose reddening, his whole face was burning.

" —its stupid ! Means nothing, does nothing, it takes away everything..." His voice tore down deep inside you, like breaking membranes and dropping vases, it could never be the same.

" You don't understand... don't say it ! You stupid woman ! " He bellowed when you worked your jaw to say something, Don't say it, I love you—

I love you, please, please, let me love you—

But just as he said it, it wasn't Anthony, it was like your mama reminding you how stupid you were, stupid, stupid girl, she would say.

Stupid woman, he had said and everything else was slowly fading, it was starting to slow down, like watching it from away, in different bodies, like you were the doorknob or the painting on the wall because you were crumbling under his touch.

Anthony mere few inches away and you wondered what he would do if you kissed him just then, would he stop this torment?

Would he pull away, back then he didn't when they were your silent ' I love you's ' instead he drank them in, tasted your love raw and wild and now refused them in sound and wave.

" What should I say Anthony ? " You were sure they never made it out, lost somewhere in void, perhaps still coiling around your cartilage but the shocked silence that echoed between the little space between you reminded you how words crawled out after all. Even those meant to be quiet. I love you.

" Say nothing then." His voice is so small that barely register and before you could, he's inhaling large gulps of air, drifting back and back and his eyes not quite meeting yours until he turned his back to you.

He was gone for the night.

Say nothing then.

He wasn't there for the breakfast.

Say nothing then.

He wasn't there the next day.

Say nothing then.

And the day next, and one that followed—

Until you reasiled you haven't said anything in days, it wasn't so bad afterall, it was, very, very bad and lonely but it was okay, as long as Anthony would come back, it should be.

It was very quiet when Anthony stumbled back, his steps shaking and vision dizzy.

He was terribly pissed. You turned the page you only half read and focused hard on the words, Anthony stripped his clothes as he climbed the bed next to you, in an attempt to kiss your forehead like he did every night.

He wasn't there to do it for days and you didn't sleep, it could surely go on, you pulled away.

Something hurt flashed through his eyes and he looked down at the sheets, chest heaving with untaken breaths.

" Good night Viscountess." He whsipered softly and You said nothing back.

Say nothing then.

You weren't sure how you did it but you managed to untangle yourself from Anthony by dawn, you slept for the first time in days and it was over with a series of dreams, each ended with you saying I love you and Anthony saying nothing back.

Silence was louder than words, it was also harsher than words.

Watching Anthony sleep was like playing we're good with him , you weren't sure if you could cry anymore than you had already.

It felt like nothing happened and it could go back to be like before, you could press your love to his skin and it wouldn't burn and leave scars.

But you didn't want that, that was something it had became unbearable, when love bled through you, it was unstoppable and you realised how you will love him enough to make it up for both of you but he wouldn't let you. He wouldn't love you either.

The hurt was visible when his hand trembled, he tried hard to catch your eye, you focused at the honey, so sweet. Anthony didn't know but it hurt you all the same. How much burden you felt in your bones when you couldn't tell him all the things you woke up with, to tell him about your dreams — nightmares now, to tell him that you hate him so much, to kiss him until he couldn't breathe and tear everything wrenched out of him, but you couldn't.

All the more heartache when Anthony brought out the third part of your beloved novel and when the smile never came on your lips, only tears that blurred your gaze so much that you turned away from him, Anthony was shattered.

It was the second day, you hadn't said anything at all, inside screaming didn't count as one. You watched ahead as the far, far away trace of green rolling grass from your balcony. It occurred to you how horizon was made, where earth met the sky and here you were, with souls of something same, whatever they were made of, and yet you and Anthony couldn't mingle.

" Isn't it beautiful ? " He looked at you like you would answer him, he hoped too much.

Say nothing then—

" Huh.." he tried to smile, it was so small.

You stared ahead because looking at Anthony only added salt to your wound, it was aggravating.

It was after some slipped moments when he spoke in a strained small voice, hurt and broken and it shivered you.

" I was so scared...still am," he said and his voice broke, a muffled cry escaped him and you looked at him, really. You wanted to wrap your arms around him and shush away every cry, every pain, every sadness.

Say nothing—

" I thought...I thought i could just keep it away, keep you safe..from me, from love—" and he was crying, not sobbing, not whimpering but crying as big warm tears steamed down his face and he dropped to his knees in front of you, hands reaching for you like moth reaching flame and you took him, held him.

Say—

" I..I..I thought.. could—" he sniffed," couldn't, i can't pretend anymore, I don't want to leave you in pain... don't want to leave you in hurt... can't can't can't keep it in." He cried more and more and more matter how much you wiped his tears, but more fell and it was then you realised, they were yours. You were crying too.

" I am sorry, I am so, so sorry for ever hurting your my sweet love—" he swallowed hard.

" Anthony.. it's okay.. it's alright." You assured him, maybe you and him could go with your love only pressed between silence and gestures and eyes and it would be enough.

But you couldn't watch him break, wouldn't and couldn't.

" I love you." He said, voice not shaking, eyes sincere behind the gleaming tears, " I love you, always had, always would." He brought your knuckles to kiss, love pressing down in your skin. It was golden in the last rays of sun.

" Anthony you don't have to say it." You understood, atleast you did. He shaked his head and smiled through his wet face.

" No, no...let me, " he exclaimed, " I love you my baby, my lady." He smiled and it reached his eyes, you giggled softly when he pressed open mouthed kisses on your hands.

" I love you, I love you and I love you." He said, " I am a fool for ever denying it, I am a fool for you my Viscountess." He inhaled, breathing after a very long time.

" I am sorry, I love you so much baby." His lip trembled and you wanted to steady them so bad.

" I love you too Anthony, truly and completely." You kissed his forehead and he melted in your touch, and you didn't know how much time ticked away with loud and whispered and blessed I love you's and that's the way he loved you, truly and completely.

--------------------------------------------------

Rigel's note 🪩 ( again) : I hope this was good, I am such a angst sucker myself<3 request through my ask box :) and can you reblog ? Please, please.

[goodbyeyellowbrickcloset]

Call It What You Want: The T Chain, Taylor’s Castle, and the Art of Hiding in Plain Sight

A necklace is just a necklace… unless you're Taylor Swift.

When Taylor stepped out at the Grammys, the internet zeroed in on her "T" initial leg chain, instantly taking it as a sweet, romantic nod to Travis Kelce. Then, seven days later, she wore it again—this time at the Super Bowl, the single most-watched event in the world. Same chain, different body placement, different setting, even more eyes on her.

For many, this was confirmation: The T is for Travis. Case closed. But for those who have followed Taylor’s patterns—her Easter eggs, her use of symbols, and her tendency to weave multiple truths into a single image—this was an invitation to look deeper.

And that’s exactly what I'm going to do.

Jewelry as Symbolism in Taylor’s Work

Taylor has consistently used jewelry as a storytelling device, embedding meaning into her accessories. A few of many examples: the locket in Begin Again, Paper Rings, and the evolution of friendship bracelets on the Eras Tour. In Taylor’s world, jewelry is rarely just decoration—it’s a symbol, a message, a clue. And now, with the "T" necklace, one song in particular stands out:

"I want to wear his initial on a chain 'round my neck… Not because he owns me, but 'cause he really knows me." — Call It What You Want (2017)

This lyric, taken from Reputation, was written during Taylor’s most private, hidden relationship—one she spent years shielding from public view. A relationship that was misunderstood by outsiders. A relationship she had to protect.

Sound familiar?

At face value, Call It What You Want was widely assumed to be about Joe Alwyn. But does that assumption actually hold up? Because Joe wasn’t someone Taylor needed to hide—if anything, he was an active participant in maintaining her privacy. More than that, the song itself plays like a closeting anthem—someone deeply in love but forced to frame it differently for the public.

And then there’s the phrasing: "Not because he owns me, but 'cause he really knows me."

This line implies a kind of understanding that goes beyond conventional romance. To "know" someone in this context suggests trust, protection, and shared secrecy rather than possession. It aligns with the idea of someone who understands the truth of her identity, the reality of her situation, and supports her in keeping it guarded—which would fit a long-term bearding arrangement far more than a standard love song about a boyfriend.

That distinction makes more sense when we look at this through the lens of secrecy and protection. In a public-facing relationship where one person’s identity (or truth) needs shielding, "knowing" is the ultimate form of trust. He doesn’t claim her, he guards her secret. He’s not a romantic "owner," but rather a protector of her true self.

And because I can’t keep my mouth shut about it—the song basically says Karlie like a hundred times. Karlie What You Want To... The double entendre queen just let that one totally slip by on accident with no meaning at all? (Okay, moving on. Haha.)

Any who, now, in 2025, she’s suddenly bringing this lyric back into the conversation.

A Castle of Secrets: What’s Taylor Protecting?

Taylor’s use of castle imagery has been a long-standing metaphor for power, isolation, and protection.

“I could build a castle out of all the bricks they threw at me.” (New Romantics, 2014)

"The castle crumbled overnight." (Call It What You Want, 2017)

"Castles crumbling down." (Castles Crumbling, 2023)

The Bejeweled music video: Leaving the prince, keeping the castle.

If Taylor's castle is her empire, the thing she has worked tirelessly to construct, then what is she protecting? Her privacy? Her secrets? Her true self?

By wearing the T necklace at the most public event of the year, she’s putting the symbol front and center, just like she did in Reputation—an era built on hiding, reinvention, and carefully controlling what the world sees.

She isn’t just wearing a chain, especially to two subsequent events. She’s challenging us to question what the chain actually means.

The Castle Motif & The Public vs. Private Struggle

If we accept that she’s been building a castle out of the bricks thrown at her, does wearing the “T” necklace in public symbolize that she’s still guarding something behind castle walls?

This theme isn’t new.

She’s alluded to it in New Romantics ("we built a castle out of all the bricks they threw at me")—a song with explicit queer-coded themes. She visualized it in Bejeweled, where she ghosts the prince but keeps the castle (and now, two of her Bejeweled costars were with her at the Super Bowl). And let’s not forget Castles Crumbling, released in 2023, which is explicitly about watching an empire she built slowly fall apart.

Now, with Call It What You Want re-entering the conversation, we’re once again seeing Taylor reference the struggle of maintaining privacy, perception, and protection.

The Super Bowl: The Biggest Stage, The Loudest Message

The Super Bowl was not just a moment. It was the moment. A place where she knew every move, every detail, would be dissected under the world's microscope.

So why wear the necklace here?

If she truly wanted to keep things private, she could have left it at home. But instead, she chose to re-wear it in a setting where it would be analyzed and assigned meaning.

She is telling the world exactly what she wants them to see.

To Hetlors, it’s a clear confirmation of her love for Travis. To Gaylors, it’s a calculated nod to a song about secrecy and protection. To both, it’s an invitation: Call it what you want. ;)

Is Taylor Still Telling the Same Story?

Here’s where things get interesting.

If Call It What You Want was originally about hiding a relationship, and she’s now bringing that lyric back into the public eye, does that mean she’s still navigating secrecy in her love life?

And if Travis is her endgame, why would she need to lean into lyrics about secrecy, protection, and misunderstood love?

Could it be that the real love story—the one that truly "knows" her—is still hidden behind castle walls?

Final Thoughts: Call It What You Want, But Don’t Call It Coincidence

Taylor does not do things by accident.

She knew exactly what she was doing by wearing that necklace again at the Super Bowl—just like she knew exactly what she was doing when she wrote Call It What You Want in 2017.

A necklace is never just a necklace. An initial is never just an initial. And a Taylor Swift lyric is never just about one thing.

So, go ahead. Call it what you want.

But don’t say she didn’t tell us.

[ambeauty]

thoughts about Sydney and Carmy’s Love Story as told through the music in The Bear

If you know anything about the bear you know that the music is extremely important to the storytelling. There have been many metas about specific songs and versions of songs and the artists and genre influence the story. For this one, I’d like to illustrate how I think the music replaces the dialogue and tells Sydney and Carmy’s love story more overtly. Chris curates the music and editing choices himself so I know that every song choice is intentional as well as where they are placed. I believe that when the dialogue drops out and the lyrics come in and are transcribed into the subtitles, it is done to illustrate what the characters are feeling in these moments even when they can’t explain those feelings themselves. These are just a few examples but I believe there are many many more.

Season 1

Impossible Germany by Wilco- plays infamously behind Sydney and Carmy in Sheridan as she discusses her catering business failing. Their first moment of vulnerability. Sydney also asks Carmy for help. Something she doesn’t really like to do. The lyrics on the subtitles are “That’s what love is.”

Season 2

Pasta- You are Not Alone by Mavis Staple - the through line of the entire season. This song plays as Sydney has dinner with her father to celebrate her mother’s birthday and Carmy is reintroduced to Claire. This moment initiates what is the central rift between these two characters will be. Who are theoretically loners, but able to find kinship with each other. However a new character threatens that dynamic and possibility. The lyrics of You Are Not Alone describe them perfectly.

Forks - Love Story by Taylor Swift- “Marry me Juliet you never have to be alone. I talked to your dad go pick out a white dress.”

This lyric plays at the end credits of forks. The beginning of forks shows Carmy and Sydney working on the renovations of the bear. Separately but together, yet still alone. I also think that lyric represents the future partnership agreement which is a business marriage of the two. Once they are official partners, they’ll never have to be alone. Also "I talk to your dad" is funny because we know how Emmanuel feels about Carmy and how they have yet to meet. What will that meeting mean for Sydney and Carmy?

Most episodes in S2 after the end of Sundae, where Sydney loses trust in Carmy after her ditches her, shows her doing research and design alone. She never goes back to his home.

Even though Carmy is with Claire there’s a sense of loneliness for him in her world, because he doesn’t quite fit. This might be a reach, but I just tried to analyze his body language in Pop, which to me felt stiff and uneasy. He knows he’s supposed to be somewhere else but he’s trying to cure his loneliness with Claire as she is the first person that truly forces him to confront his failures at forming romantic relationships.

Season 3

No Machine by Adrianne Lenker - the lyrics "don’t know what I’d do without you" illustrate a scene where Carmy is thinking of a conversation with Claire, the scene cuts and everything is blurry around him but Sydney's voice is clear, the scene cuts again and its Richie in the dining room listening but thinking about his family. Another lyric/subtitle "don't know where I'd go without you" and it cuts again to Sydney at home contemplating her relationship with Carmy from the beginning. All 3 of our main characters are contemplating what they mean to each other and what their life is like with them in it. I think this song describes the throughline of the season as well. They are all contemplate the importance of these bonds they have created and what they actually mean.

I'm quite sure there are many other examples of this occurring but I don't have the capacity to do the amount of research this requires. However, if you notice this pattern of the music enhancing the emotional depth of the characters and the story and want to share please do so.

Hopefully this makes sense and not more senseless sydcarmy babble!

[wowevenmoreloveonearth]

You know what? I have become a gaylor sympathiser

This is going to be a long post, sorry! Please read the full post before even thinking about commenting.

Over the past few days I’ve seen a few posts on my dash about taylor swift and her fans that have left a bad taste in my mouth.

I know that a lot of people think that some fans of her are “trying to make her gay” and I just wanted to put the record straight and defend some people after actually looking at what’s going on. And I know I’m probably opening myself up for tumblr’s poor reading comprehension but before I start I’m going to say this:

I do not think taylor swift is a lesbian

Ok? Now let’s have a conversation.

First of all from what I’ve seen most of the fans who talk about Taylor swift and queerness do it from a point of literary analysis and learning queer history. This is a huge part of the community and lots of people have said that they never would have learnt so much about queer history without reading taylor swift’s works through a queer lens.

Adding on to that point, it seems a little hypocritical for the gay site which loves queer readings of books, tv shows, songs, musicals, films etc to be bullying a pretty small group of people who are mainly doing queer readings of lyrics. Especially when those people get near constant death threats. Instead of bullying these people (who don’t think or do what you think they think and do) why don’t you go outside and think “does this affect me? No. Do I agree with them? No. Am I going to cyber bully them because of this? No.”

Secondly, for the people who believe that any speculation on a real persons sexuality is 100% wrong. I used to think this too but I have changed my mind a bit about this recently after stopping and thinking about it properly. I’m not trying to change your mind at all I just want you to stop and think for a minute.

If you only get mad when speculation is queer in nature, then maybe think about that for a minute. Why is it totally wrong to think a person might be queer. We probably do it in our daily lives with people we know and they likely do it with us, back in the day that’s how queer people found each other-by speculating on sexuality. Would you be upset if you found out someone that you know thought you might be queer? I wouldn’t, maybe you would but if you would, why? Why is it terrible to think someone might be queer (this is NOT about hounding a person to admit to being queer like shawn mendes, this is just thinking in your head and on your small blog that the person will likely never see). Also this is literally the website where we talk about historical (real people) being gay even when they would have never said something to the equivalent.

An addition to this point before people start saying in the comments is that this is NOT the same situation as with kit connor. The issue there was people assuming that he was straight and taking that role away from a queer person. Speculating that he was queer was the opposite of what happened in that situation. So this is not an example of what happens when you speculate queerness.

Final things to say:

1) don’t believe every post you see with someone looking insane about taylor swift being gay, a lot of them are fake.

2) before anyone says “they should listen to real queer artists instead” most of them very much do. There’s a lot of fans of Hayley kiyoko, girl in red, Janelle monae, tegan and sara, zolita, kehlani etc.

3) there are some queer flags that are there. Sorry but there are. Hairpin drops, lavender, the ladder, flag colours, songs about women, friend of dorothy reference. Whether they are intentional is a different matter.

4) shipping real people is not what is happening for the majority of the people in the community. Also this comes back to queer vs straight again. Plenty of swifties ship taylor with men she’s been seen with and no one goes into their inboxes and sends death threats even when they are the ones making taylor swift all about the men she may or may not have dated.

5) taylor swift has never stated her sexuality. I know this may be hard to belive based off of how some people act, but it’s true. She has made vague statements which could have many meanings but she has never clearly stated anything. When gaylors get upset with taylor it is not because she said she is straight, it’s because they are getting death threats and doxxed and she seems to either be unaware of it (which is unlikely given how she seems to be a little terminally online) or she doesn’t care enough to tell her fans to stop.

6) if she does explicitly say she’s straight then there will probably be disappointment in her use of queer history and flags and her potential queer erasure (as we saw with lavender haze, with straight women describing their relationships as lavender) and centring herself in queer spaces (like the you need to calm down music video) but no one will be angry that she’s not gay. And a lot will probably be grateful that she actually explicitly stated for the record to absolve any confusion. The main issue would likely be other fans ramping up the death threats and bullying.

In conclusion: these people who do queer analysis of Taylor’s work are not trying to out her or make her gay etc. if you don’t understand it that’s fine it’s clearly not for you and you can go quite easily without seeing any of it. It’s not illegal to read works through a queer lens and if it means more people know about queer history then I think that’s a very good thing.

I changed my mind after looking at what a lot of people are actually saying rather than what people perceive them to be saying and maybe you will too?

Just be kinder to people online please and if you don’t like what people are saying block them and do not engage!

[crazy-ache]

Pirate Elucien Playlist

Tread carefully...

You’ve been warned.

Elain and Lucien are falling into deep waters. A playlist to accompany the fic Treacherous Waters, a story featuring Elain Archeron as a disgraced daughter of society, forced to marry our favorite Lord of Foxes, the mysterious pirate captain intent on keeping her.

This is a little stocking stuffer gift for @jsmelodies for the @acotargiftexchange. Hope you enjoy listening! Key lyrics found below the cut.

Listen to the Playlist

Love Letter From the Sea to The Shore - Delaney Bailey

'Cause you hold in my tide I would die a thousand times Just to see you in another life I think I loved you In a thousand ways 'Cause you remain stagnant On my troubled days No matter how far I drift away You'll be there when I come back one day

Black Water - Of Monsters and Men

But there's something, eating at me Black water, take over Swallowed by a vicious, vengeful sea, oh-oh Darker days are raining over me, oh-oh In the deepest depths, I lost myself, oh-oh I see myself through someone else The strange silence surrounding me Grows closer, feels colder

Allies or Enemies - The Crane Wives

Are we allies or enemies? This will be the death of me This will be the death of me All is fair in love, and war But I can't fight with you anymore This will be the death of me

hostage - Billie Eilish

I wanna be alone Alone with you, does that make sense? I wanna steal your soul And hide you in my treasure chest I don't know what to do To do with your kiss on my neck I don't know what feels true But this feels right so stay a sec Yeah, you feel right so stay a sec And let me crawl inside your veins I'll build a wall, give you a ball and chain It's not like me to be so mean You're all I wanted Just let me hold you like a hostage

Troubled Waters - Alex Warren 

The waves keep crashin' What would happen If I asked you to stay? Woah say you won't Let me drown in troubled waters alone Ooh throw me a rope Won't you tell me that you're still holdin' on Feel the world on my shoulders Slowly pullin' me under And I don't wanna push you away Woah say you won't Let me drown in troubled waters Drown in troubled waters alone

Treacherous - Taylor Swift 

Put your lips close to mine As long as they don't touch Out of focus, eye to eye 'Til the gravity's too much And I'll do anything you say If you say it with your hands And I'd be smart to walk away But you're quicksand This slope is treacherous This path is reckless This slope is treacherous And I, I, I like it

What The Water Gave Me - Florence + The Machine

Time it took us To where the water was That's what the water gave me And time goes quicker Between the two of us But oh my love, don't forsake me Take what the water gave me

We Sink - Of Monsters and Men

I know that it's a waste of time, chasing in the dark But keep me in your clouded minds, until time ignites a spark

gold rush - Taylor Swift

Gleaming Twinkling Eyes like sinking ships On waters so inviting I almost jump in

Power Over Me - Dermot Kennedy

I wanna be king in your story I wanna know who you are I want your heart to beat for me Oh, I Want you to sing to me softly 'Cause then I'm outrunning the dark That's all that love ever taught me Oh, I Call and I'll rush out All out of breath now You got that power over me, my my Everything I hold dear resides in those eyes

Sailor Song - Gigi Perez

Oh, won't you kiss me on the mouth and love me like a sailor? And when you get a taste, can you tell me what's my flavor? I don't believe in God, but I believe that you're my savior

She Lit a Fire - Lord Huron

I've been through the desert and I've been 'cross the sea I've been walking through the mountains, I've wandered through the trees for her I have been trying to find her, want to give what I got She lit a fire, and now she's in my every thought

Salt And The Sea - The Lumineers

I'll let the darkness swallow me whole I need to find you, need you to know I'll be your friend in the daylight again There we will be, like an old enemy Like the salt and the sea

Runaway - AURORA

No, take me home, take me home where I belong I can't take it anymore But I kept running for a soft place to fall

Francesca - Hozier 

Do you think I'd give up That this might've shook the love from me Or that I was on the brink? How could you think, darling, I'd scare so easily? Now that it's done There's not one thing that I would change My life was a storm, since I was born How could I fear any hurricane? If someone asked me at the end I'll tell them put me back in it Darling, I would do it again, ah, ah If I could hold you for a minute

[tabbedtabby]

calamitous love and insurmountable grief

johanna mason x reader

summary: On a hard grieving day for you, you recall an old holiday celebrated centuries before Panem.

a/n: valentine’s day oneshot!!! happy valentine’s day! inspired by a round of frantic fanfic me and my friends did (ty ruby) and the title is a lyric from the lakes by taylor swift bc i barely slept and don’t want to think of anything better. implied fem reader

cw: cringe 😓

words: 1.9k

——————————————————————

Your head lies limply on Johanna’s lap, your face expressionless as you stare deeply into nothing in particular. It was just one of those days for you. One day you’d wake up and be completely fine, skipping down the tile to the shops that make up the streets of District 7. The next, the memories would come surging back twice as strong and ferociously crippling as the last. The images of the dead stained under your eyelids; family, friends, even the soldiers you’d hardly taken the time to know during your fight against the Capitol. Some lost to your own hands, but most to Snow. It seemed impossible to think that he couldn’t reach you here, trying your hardest to forget about the Hunger Games and the war and the people you’ve lost. You’ve been trying to enjoy the little things again in this past month, taking a train out to District 7 with your girlfriend after Snow was assassinated, if you could call it that, really. Swarmed by the mob after Katniss’ arrow found Coin’s heart instead.

It happens to Johanna, too, so she gets it. She simply rests one hand in between the strands of your hair, her fingers brushing through the pieces as she fights with her own memories. She never knows quite what to say with these things, how to help. Often she opts for silence. She hasn’t cared for someone like this in so long. But Johanna has come to learn that her touch helps you more than words ever could. The feeling of her hands stroking your hair calms you, sedates that awful feeling that always seems to rise up into your throat like bile. It hasn’t taken long for her to learn how to calm your fears with just one simple touch, even if it’s something that goes unspoken between the two of you. Like a covert oath held together by the most lenient of hands, gentle fingers that have a tendency to care. Johanna’s touch is the type that draws all of the emotion out of you, like a magnet to its opposite end. Her hands absorb your fear and lead your mind to simpler things. A lantern in the dark, the only star in a polluted sky. Your mind wanders as you try to remember what you wanted to say to her.

“Did you know that before Panem, there was this holiday? About love. And you’d buy stuff for them. Like, your lover. It was called Valentine’s Day. Reading about it always made me wish I was alive back then.” you say, your brain reeling back to all those history books you’ve been reading to pass the time. You can almost feel Johanna’s eyebrow raise above you.

“Who wouldn’t? Worrying about stupid shit like that instead of getting reaped for a death match,” Johanna sneers, although the ferocity in her words isn’t directed at you. It never is. She’s always seemed to have a soft spot for you in that way.

“Yeah… it would have been today, you know. February 14th.” you say hesitantly, and your mind wanders back to those pages. The stores with the synthetic white lights overhead that illuminate the rows of heart-shaped boxes filled with chocolate delicacies. You’ve only ever had chocolate in the Captiol because of just how expensive it is. You’ve never been able to wrap your head around the idea of it being sold for so cheap, so common that it was purchased by millions to offer to their lovers. How simple their world seems to you. So different from the Panem you know. The Panem that condones violence, prejudice, the slaughter of children. But that Panem is one of the past now, too. Maybe humankind could return to such a silly holiday that revolves around love and stupid things like chocolate and flowers. Maybe Panem could finally heal after all the damage that was dealt.

Suddenly, you shoot up from Johanna’s lap, an idea forming in your head. Johanna just stares at you expectantly as you attempt to sort your thoughts into comprehendable words. Usually, it’s to no avail, but you need these words to reach Johanna’s ears right now or you’re going to explode.

“We should celebrate! We can both go out into town and get a gift for each other. It doesn’t have to be traditional, or anything too fancy. But I want to get you something. We can just pretend we really did live back then, before Panem. Before any of this.” you say, pushing the words out excitedly at the thought of celebrating anything at all, really. The aftermath of the war has been heavy and overbearing. There hasn’t been much room for fun or excitement or any of the childish feelings receiving a gift entails. This prospect is what has your eyes looking expectantly up at Johanna, on the edge of your seat for a response from her.

“Sounds stupid, but fine. Only because you look like you’re about to throw up.” Johanna decides, rolling her eyes, but you can see the small smile on her lips when she stands up. The excitement fizzes in your stomach as soon as the words leave her mouth. Something to look forward to! Not only that, but you get to give a gift to Johanna in return. This was the best thing that’s happened to you probably since you saw the life leave Snow’s eyes. Your life was filled too much with remorse and grief for your liking; even this small celebration was sure to bring some light back to your world.

Johanna is someone special. The only person left on this earth you’re sure you love. She’s not just anyone to bestow a gift upon, she’s Johanna Mason, for fuck’s sake, so you have to make sure you buy something meaningful. Something that she’s sure to cherish until her dying days. You sling some coins in your pocket and head out the door, heading in the opposite direction as Johanna into town so that you don’t run into each other while buying the gifts. Although, you’re both pretty famous around here so you doubt the shopkeepers will actually charge you for anything. The entirety of the country knew you as survivors of the Hunger Games, so most typically go pretty easy on you and Johanna. Even if their pity makes Johanna want to tear their limbs off one by one.

Your excitement shows by the way your feet bound you out onto the streets, taking quick glances at all of the shops open in the middle of the week. But as you bounce down the tile, you suddenly slow and realize you have no idea what a meaningful gift for Johanna would actually be. Being so soon after the war, chocolate was out of the question. Flowers were too simple; hell, if Johanna wanted flowers, she could have picked some in your yard herself. You think of getting something to aid her hobbies, but she doesn’t have many hobbies really except for cutting wood with an axe, and she’s already got plenty of those.

You begin to feel a bit defeated now as you wander around town, your bag of coins still clutched unused in the palm of your hand. You haven’t known Johanna for too long, but you thought you at least knew her better than this. You almost turn around until your eyes catch on the blacksmith shop.

On the front of the stand hangs an axe that must be completely forged out of metal, the sleek black and silver parts illuminated by the sunlight. It’d be impossible for it not to catch your eye walking down the path, the way that it shines in the very front of the stall. It must be a premium, because you’ve never seen an axe with a steel handle like that before. It’s heavy, sure, but Johanna’s managed to rebuild a lot of the muscle she lost when captured by spending so much time hacking away at firewood. Now that you think about it, the axes she uses must be older than she is because when she comes back home, you always have to fish splinters out of her fingers with your tweezers. As soon as that shiny, new titanium reaches your eyes, your coins are practically already in the blacksmith’s pockets.

No matter how much of your trauma was broadcasted on national television, a weapon like that is going to cost you a fortune. But the blacksmith recognizes you and offers to put something on the handle for free. You watch intently as he carves you and Johanna’s initials onto the handle with a small, neat heart on the end. Just the sight of it makes your lips raise in a smile with pride.

On your way back to Victor’s Village, you pick up a small box for the axe and buy some red ribbon to wrap around it, just for added effect. When you arrive home, Johanna’s already waiting outside for you, a larger, flatter box slung under her arm. She looks a bit bored, but her green eyes catch on you as you approach.

“Sorry. Took me forever.” you mutter through your grin as you walk up to her, already placing your box in her hands. Johanna smiles similarly, her lips a small smirk as the sunlight catches in her eyes. You can see the small flecks of brown in her eyes, a brighter green in the light than typical. Her hair has grown back curlier than before, the wavy strands ending just below her ears. You miss the red streaks in her hair. You wonder if she will dye them again once hair dye begins to be produced and sold again.

When Johanna takes the box from your hands, it’s almost like she can recognize the weight of an axe instantly. Growing up in District 7 will do that. “Nothing light, huh?” she grins, her eyebrows raising a bit knowingly as she tostles the box around a bit, hearing the metal slosh against the cardboard of the box. You can’t help but think she looks beautiful like that, with the sun dappled over her skin. You watch her almost distractedly until she hands you the box she had kept under her arm.

“Here, before I open mine.” Johanna says, her smirk widening just a bit as she looks at you intently. You smile back up at her as you take the box from her hands. It’s quite flat and almost weightless. You nearly drop it from expecting something heavier. You look up at her in question, and she just tells you to open it again. You roll your eyes, but the smile doesn’t leave your face as you gently take the top off of the box.

Your brows furrow in confusion as you slowly take your hand to touch the fabric in the box. It’s a piece of clothing. You gently unfold it, letting the box fall to the floor. It’s a dress, originally white, but cream around the edges with age. But it’s clear it’s well cared for, not a single stitch missing or a piece of lace misplaced. It’s beautiful. You nearly gape your mouth in shock as you run your fingers along the white satin, the pattern forming small flowers, and it feels silky smooth beneath your touch. Your eyes raise back to Johanna, the emotion clear in your gaze as she looks back at you with pride in her small smirk.

“I looked into one of your history books. White for weddings, right?”

[sequinsmile-x]

Dust Off Your Highest Hopes

It was too good to be true. He was too good to be true, and she’d never been able to hang on to good things for long.

My 350th Hotchniss fic.

-x-

Hi besties!

I cannot believe this is my 350th fic for these two idiots. That is...insane in a lot of different ways and I wouldn't have got this far without all you and your endless support. So thank you for always commenting and leaving kudos and reblogging and just...everything really.

To mark this milestone I've written a Vic classic - feels mixed into family fluff and a Taylor Swift lyric as the title.

As always, let me know what you think <3

-x-

Warnings: pregnancy, labour

Words: 3.4k

Read over on Ao3, or below the cut

It was too good to be true. 

It’s the first thing she thinks as Aaron walks her to her apartment after their first date, their linked hands swinging ever so slightly between them, her leftovers wrapped in foil in his spare hand. Every worry she’d had about their relationship moving from friendship to more unfounded, the line they’d walked like a tightrope for years finally crossed. 

She smiles as she turns to look at him when they make it to her apartment door, nerves simmering in her belly that make her feel nothing short of a schoolgirl, and she sinks her teeth into her lower lip as their eyes meet, “Can you stay?” 

He tightens his grip on her hand and lifts it, pressing a kiss against her knuckles, “Jack is with Jess tonight,” he says, his smile nervous, an edge to it that makes him look much younger than he is. It makes her feel better to know he’s just as affected by her as she is by him, that this was something they both wanted. He clears his throat, avoiding eye contact, “I don’t have to stay all night if you don’t want me to. I can stay for a drink and go.” 

She smiles and bites the inside of her cheek in an attempt to contain her smile. The thought that the man standing in front of her, the man she’d heard discuss the very worst of things a person could do to another without flinching, was talking around the subject of sex with her nothing short of adorable. 

“Oh, I want you to stay,” she says, cupping his cheek when he looks back at her. She leans in to kiss him and her hand slips around the back of his neck, her smile getting wider when she feels his hands on her hips, the foil swan containing her leftovers bumping against her waist. When she pulls back she rests her forehead against his, “Otherwise I’d have to call my other boyfriend to come over and make me breakfast in the morning.” 

It’s only after she’s said it she realises it’s the first time she’s referred to him that way, and her mouth goes dry, “I mean-”

“Well, we can’t have that,” he says, cutting her off with another kiss, “I’ll have to make sure I’m here so he knows you’re my girlfriend now.” 

She feels ridiculous for how much she’s smiling, and she wonders where he came from. How this man had been standing in front of her for years without her noticing, perfect for her in ways she never could have guessed that afternoon when they first met in his office. A familiar feeling sinks in, a swooping in her gut she’d started to treat as a warning sign years ago. 

It was too good to be true. 

He was too good to be true, and she’d never been able to hang on to good things for long. Everything good and decent had always crumbled around her. Seemingly poisoned by her very presence, anything worth having turned bitter and snatched from her hands just as she was getting used to it. She’d almost forgotten about it when she found the team, when she found a family in the most unlikely of places, and then Ian escaped from prison, bringing the death knell that always seemed to follow her everywhere with him. She told herself when she came back that she wouldn’t let it happen again, that she wouldn’t get so comfortable it posed a risk to those around her, but then Aaron happened. Kind, sweet, handsome Aaron who had been there all along. 

She wonders if it’s selfish to pull him down with her, to allow herself to have him for however long she could before the universe, or a god she stopped believing in half a lifetime ago, tore it all away from her

“Are you okay sweetheart?”

His kind words and gentle touch pull her out of the spiral she’d fallen into, his eyebrows knitting together with concern when she looks up at him. She immediately feels a little calmer, the thing that she can only call love shining in his eyes as he cups her cheek, and she nods, stamping her lips against his before she finally moves to dig her keys out of her purse. 

“I’m fine,” she says, kissing him again as she unlocks the door, “Now let's get inside before we give my neighbours a show.” 

He laughs, the full-bodied one that never fails to make her smile, and he nods, pressing his face against her neck and his chest against her back as he crowds her against the door, and she shivers. “Cold?” 

She narrows her eyes at his smugness as she looks at him over her shoulder, her nose nudging against his because of his proximity, and she struggles to suppress a smile. 

“Something like that.” 

It might be too good to be true, but she’d hold onto it, onto him, for as long as she could. 

___

It’s a thought that chases her throughout their relationship, a phantom hiding in the shadows, only ever one step behind her, its hand reached out to pull her under as they move from boyfriend and girlfriend to fiancees, to husband and wife. It’s easy. Far easier than she ever thought it would be and it terrifies her, the simplicity of it all something she struggles to relax into.

When they buy their house that seems absurdly easy too, both of them falling in love with the first one they are shown around in an instant, Aaron’s hand wrapped around hers as the realtor says the room next to the master bedroom would be a perfect nursery. A thought that made her giddy and terrified in equal measure.

No matter how much time passes, no matter how happy she feels, the thought always lingers in the back of her mind, a twisted mantra she can’t escape. 

It was too good to be true.

___

The relief is palpable as she feels her baby slip from her body into the waiting hands of the nurse between her legs. Emily collapses back against Aaron, barely feeling the way he squeezes her hands or kisses the side of her head, his whispered words of love against her sweaty skin drowned out by the piercing first cry of her son. 

And then she is handed him, her shaky hands unlinking from her husband’s as she holds her son against her chest, entirely unsure when someone had pulled her gown down so she could do the immediate skin-to-skin she’d been insistent on in her birth plan. Phrases she’d never heard before like ‘the Golden Hour’ suddenly more important to her than she thought they’d ever be. 

“Hi baby,” she says, her voice sounding nothing like her own as she holds him close, her eyes skating over features she’d only seen in grainy scans. She kisses his forehead before she rests her cheek against the top of his head, “Look at you,” she looks up at Aaron, “Look at him.” 

“He’s beautiful,” he replies, his hand tangled in her sweaty hair as he kisses her temple and then their little boy’s head, “Just like you.” 

For a moment it’s just the three of them, no outside influence, the nurses and the doctor disappearing from her awareness as her son’s cries quieten down, his screwed-up face finally relaxing as he stops protesting being born. 

“You’re okay, sweet boy,” she says, unable to stop staring at him, her gaze shifting from his nose to his lips to his head full of dark hair, quickly cataloguing everything about him as if it would be snatched away, “Mommy’s got you.” 

Everything and everyone else in the room comes back into sharp focus as she feels a hand on her leg, the nurse's eyes kind as she looks up, “Would Dad like to cut the chord?” 

Aaron nods, and it takes a little manoeuvring from him to get out from behind her, her grip on the baby briefly tighter as she sits up just enough to let her husband slip out from the bed. She watches as he listens carefully as he’s told what to do, his brow furrowed as if he is staring at paperwork in his office as he cuts the chord between the two clamps she hadn’t even noticed were put in place. She smiles at him as he does it, a look of wonder in his eyes as he looks up at her, a flash of innocence that reminds her of Jack that she hopes she’ll see in her newborn’s eyes as he grows. 

“Do we have a name for Baby Boy Hotchner?” Another nurse asks, standing at a counter in the corner, matching wristbands laid out in front of her, that Emily knows she’ll cut free from her and her son the moment they get home and keep forever, a rare show of sentimentalism she’ll allow herself this once, “Or are we sticking with Baby Boy for now?” 

Emily looks at Aaron, a silent question passing between the two of them, and his only answer is a nod, a quiet agreement that the name they’d chosen was perfect. 

“He’s called Samuel. Samuel Aaron Hotchner.” 

Eventually, once her hour is up, her placenta already delivered and gone, the seeming army of medical staff that had been in her room whittled down to just one nurse who was weighing and measuring Samuel, Aaron convinces her to shower. She hesitates, her gaze fixed on her little boy in the corner of the room, her teeth clenched as she watches a stranger coo over him, but Aaron insists. He repeats the nurse's assurance that she’d feel better for it and that he’d keep an eye on their infant son. 

She hates that she does feel better for it, her sore body somewhat soothed by the warm water and the gentle soap Aaron had bought and packed for her. She has to sit down to get dressed, wincing as she bends over to pull up a pair of disposable panties that resemble a diaper more than anything else. She blows out a steady breath as she looks at herself in the mirror, wiping away the steam that had collected on it to get a better look at herself. She turns sideways to look at her profile, her hands pressing against her slightly deflated belly, the squishiness strange after so many months of being able to feel her son shifting beneath her skin. 

A familiar feeling climbs up her throat, greeting her like an old friend as she feels the overwhelming urge to see her little boy, the fear that she could no longer protect him now he didn’t live inside of her overwhelming. She bursts out of the bathroom, the panic dying the second she sees Aaron sitting in the plush chair next to her bed, a soft smile on his face as he looks up from Samuel who was now in one of the tiny onesies they’d brought in. She’d cried when she’d packed it in their hospital bag, completely at the mercy of her hormones as she tried to imagine how it would be possible for her son to be so small he could fit inside of it. She tries to ignore that it’s clearly a little big on him, sure if she went down that rabbit hole of emotions she’d never climb back out. 

“How was the shower?” 

She only realises Aaron’s asked her a question when she looks up at him, his smile expectant as she clears her throat and nods, shuffling slowly over to the bed, “The water pressure was crap,” she complains, smiling gratefully when he stands and offers her a hand to help her onto the bed, Samuel safe and secure against his chest with the other, “But I think it might be the best shower I’ve ever had.” 

He chuckles, and she doesn’t think she’s ever loved him more than when he passes Samuel over without her asking too, “Even better than the one where we conceived-”

“If you ever want to have sex again, don’t finish that sentence,” she grumbles, unable to stop herself from smiling when she thinks of the night he’s talking about, the night they’d calculated must have been when she’d fallen pregnant. 

Aaron nods and clears his throat, “I texted JJ and she’s going to tell everyone else,” he says, smiling when she raises an eyebrow at him for the abrupt change in subject, “I thought that was the best way to make sure we’re largely left alone.” 

“Thank you,” she says, patting Samuel’s back when he fusses in his sleep, “And my mom?” 

“Called her and told her you’d speak to her tomorrow.” 

She hums and kisses the top of her baby’s head, “Daddy is the best, Sammy” she whispers, breathing in the smell of her little boy, “He loves us so much,” she rests her cheek against the top of his head, “Jack?” 

“He was already asleep when I called Jess,” Aaron explains, his smile soft as he sits on the edge of the bed, his hand heavy on Emily’s thigh, “She’ll bring him in the morning to meet him.” 

“Good,” she replies, trying to relax into the feeling of Samuel against her chest, “I’m excited for them to meet.” 

“You must be tired,” Aaron says, and she tenses, holding her baby even closer, “If you need to sleep-”

“I don’t need sleep,” she cuts him off, a mix of anger she knows he doesn’t deserve and overwhelming sadness swirling in her gut. She feels no warning that she’s about to cry, the first sign the weight of her tears hitting her cheek, spilling over and catching in Samuel’s dark hair, “I’m fine.” 

“Em,” he says, endlessly patient in a way that somehow makes her feel worse, “What’s wrong?” 

She blows out a slow breath, unsure how to put it into words, her chest concaving inwards as all of her fears pile on top of her at once, “I…” she shakes her head at herself, “I don’t know how to explain it.” 

He stands up and for a second she misses his warmth, but then he’s next to her, half hanging off the bed, one of his feet on the ground to steady himself, and he wraps his arm around her and gently pulls her against him. “You can tell me anything, you know that.” 

She nods and turns her head to kiss his shoulder, “I…I worry I have too much.” 

He furrows his brow and shifts so he can see her face a little better, “What do you mean, sweetheart?”

She sighs not even surprised when more tears fall past her lashline, her last remaining defences that had stayed standing during her pregnancy destroyed by a long labour and the almost oppressive love she felt for Samuel. Her chest so full of it she could barely breathe, the fear that she’d never been able to outrun still ticking over in her mind, background noise she could ignore right up until she couldn’t. 

It was too good to be true. 

“Before you, I never got to keep anything good for long,” she explains, leaning into his palm when he wipes a tear from her cheek, “I was never happy for long. Even when I joined the team, that didn’t last because of Ian. So I keep just…waiting for the other shoe to drop. For something to happen. Because I don’t understand how after everything…” she chokes on a sob, her chin trembling with such force she worries her jaw may shatter, “I just don’t understand why I get it have it all now. You. Jack. The house,” she sobs again, her attention focusing back on Samuel, “Him. I mean look at him, Aaron,” she runs her knuckles over her son’s soft cheek, “He’s perfect. How could something so perfect come from me?” 

He sighs, “Em-”

“And I love our life so much,” she says, cutting over him, unable to stop now she’s started, “And I am so worried that it’s all going to go away.” 

She presses her face into his shoulder and he places his hand on the back of her head, holding her close his thumb tracing back and forth over her damp hair, “Sweetheart, you deserve the world,” he says, kissing her forehead, “You’re allowed to allow yourself to be happy.” 

“It’s not that I’m not happy, honey,” she says, sniffing as she pulls back, “I’m so happy I just…”

“Don’t trust it,” he finishes for her and she nods. He wipes more tears from her cheeks, “I understand that.”

She frowns as she looks up at him, moving so quickly she briefly worries she’s woken up Samuel, but he’s still sleeping contentedly against her, “You do?” 

He nods, tucking some of her hair behind her ear, “I do. Sometimes if I try to call you and you don’t answer I panic, it takes me right back to when I was on the phone with Haley when she was with Foyet. When I couldn’t protect her,” he admits, and she sighs sadly, her chest shuddering with it as she opens her mouth to respond, but he shakes his head, his smile soft, “You have nothing to apologise for. I’m telling you I understand, okay? But you, Jack,” he smiles as he looks at the baby asleep on her chest and he places his hand on his back, “Sammy. You’re what makes me happy. And it helps drown out the rest of it.” 

She’s strangely grateful he doesn’t offer her platitudes, that there are no empty promises hanging between them. They knew more than most people that nothing was guaranteed, and it was more comforting than she expected it to be that he knew how she felt too. 

“It also probably doesn’t help you haven’t slept in over 24 hours,” he says softly, and she chokes on a laugh, nodding as he wipes more tears away from her cheeks. 

“No, it probably doesn’t,” she admits, “But I really don’t think I’d sleep. I can’t explain it,” she says, tucking Samuel up against her cheek, “I feel almost wired.”

He chuckles and kisses the top of her head, “Yet Sammy is fast asleep.” 

She hums, “It’s hard work being born, clearly.” 

“Anything I can do to help?” He asks, and she nods stamping a kiss against his lips. 

“Can you do something with my hair for me?” She asks, feeling oddly embarrassed by the request, grimacing at the damp waves against her neck, “It’s overstimulating me but I don’t want to put him down to do anything about it.” 

He nods, his expression serious as he stands up and heads for the bag they’d packed, a determination in his step that made her fall impossibly more in love with him. “I can braid it if you want,” he says, turning to look at her with her hairbrush in one hand and a pack of hair ties in the other, “It will let me practise if our next one is a girl.”

She laughs loudly, disturbing the sleeping baby in her arms. She shushes him, whispers of Mommy loves you Sammy, against his head for a few seconds before he settles back down, and she raises an eyebrow at her husband. 

“Our next one?” She asks incredulously, the thought of another kid with him warming her from the inside out, “At least let me get out of the diaper from having this one first,” she says, narrowing her eyes playfully, “Animal.” She smiles as he settles back on the bed next to her and she leans in to kiss him, “I love you.” 

He smiles into the kiss, his forehead resting against hers before he pulls away, “I love you too.” 

She sighs contentedly as he gently brushes her hair for her and she closes her eyes, allows herself to settle into the feeling of her son on her chest and her husband behind her and the comfort that came with them. 

Her life was good. 

[helloiamnamelesscarol]

I listened to the album after its release, because I wanted to better understand the lyrics and the sound of the album. Lyrically, it's totally different from any album she's ever made, much more mature with subjects she's never tackled before, especially on Folklore and Evermore, which she never tackled in those two albums. Whether many of you like it or not, the album talks about two relationships that we know exactly who they are, there's no point in anyone turning a blind eye to the relationship she had with Matty Healy, we all know that their relationship has been going on since 2014 and the flame was lit again last year and he uses her in his songs, she clearly talks about it! Joe Alwyn and Taylor Swift's break up was a normal break up and they talked about it and decided to break up, they both realized that they weren't in reality, they wanted different things in life and there was no betrayal! The album says very well that there was no betrayal as MANY say there was betrayal, that he used her and her money ... The only betrayal I noticed in one song was emotional betrayal on her part, while she was with Joe Alwyn she was thinking of Matty Healy in a loving way. An album of mourning, denial, anger and bargaining over the two break-ups and especially over the Love of Her Life who is or was Matty. Fear of being alone, delusions, anxiety...There's no point in wishing them ill, the song Karma itself says that everything that goes out comes back!!! So be careful what you wish for!!!

[marofdawn]

Hello!! I WANT MORE ANGST, can you drop some quotes that describes them (levi and eden) perfectly🙆‍♀️🙆‍♀️

This took me so long to answer, SORRY. Most of these are gonna be song lyrics because I don’t really have any quotes saved, and I’m not sure where to look for good quotes 🤧. But I hope these fulfill your desire for angst 🫶🏼.

“I know history may not remember me fondly, but I hope you do.” - not sure who this is by, but someone in my ao3 comments said they found this on instagram :).

This is 100% Eden to Levi. She knows some people will hate her forever for what she did, but she hopes Levi could at least acknowledge the good times they had.

“Time is too slow for those who wait, too swift for those who fear, too long for those who grieve, too short for those who rejoice, but for those who love, time is eternity.” - Henry Van Dyke.

This one reminds of when Eden and Levi were having that heated discussion in the forest, and Eden said she just wanted every second she spent with Levi to last for an eternity.

“Was I stupid to love you? Was I reckless to help? Was it obvious to everybody else? That I’d fallen for a lie. You were never on my side. Fool me once. Fool me twice. Are you death or paradise?” - “No Time To Die” by Billie Eilish.

This song literally goes PERFECTLY with this fanfic. This whole song is Levi’s POV after finding out about the truth about Eden

“I know you’re not in love, like you used to be. Guess I’m not enough, like you used to think. So you just run.” - “Run” by Joji

I see this being about Levi being furious about how Eden kept the truth to herself for so long. This relates to what he said in the forest: “You said you loved me, but if you truly loved me, you would have stopped what we had the moment you knew I had feelings for you.” She ran away instead of being honest, and that’s what made him feel like her love wasn’t completely genuine.

“Were you sent by someone? Who wanted me dead? Did you sleep with a gun underneath our bed? Were you writing a book? Were you a sleeper cell spy?” - “The Smallest Man Who Ever Lived” by Taylor Swift

Literally, thank you to all the people who recommended this song because it goes SO WELL 😭, especially this part. Eden was sent by Marley to kill Levi, writing stuff in her journal about her time in Paradis, and living a lie for five years.

“I didn’t have it in myself to go with grace. ‘Cause when I’d fight, you used to tell me I was brave.” - “my tears ricochet” by Taylor Swift

To me, this whole song is in Levi’s POV about Eden’s betrayal. This line basically explains why he was being an asshole to her after they met again after four years. He’s still holding on to that anger and just couldn’t find it in himself to be mature about it because he still thought about all the pain she had caused him. She made him feel loved, only for him to discover she wasn’t who he thought she was.

“And when you go away, I still see you.” - “Sunsetz” by Cigarettes After Sex.

Very simple line, but I just really love this song. I could see this as Levi still yearning for Eden after so many years even despite the anger he held.

“Help me hold onto you. I’ve been the archer. I’ve been the prey. Who could ever leave me, darling? But who could stay?” - “The Archer” by Taylor Swift.

I can see this being about Eden wanting to hold on to Levi. All her life, she never felt good enough or lovable. Her mother was the only exception until she passed away, but it wasn’t really until meeting Levi that she saw how capable of being loved she was. She felt misunderstood, but Levi always understood her. She wanted to find a way to hold on to him, but was terrified knowing she was hiding the truth.

“It turned into something bigger. Somewhere in the haze, got a sense I’d been betrayed.” - “The Great War” by Taylor Swift.

This song perfectly summarizes Levi and Eden’s relationship as a whole. This line obviously pertains to Levi, but I think the song in its entirety is about a relationship that has gone through toxic times (aka, a ‘war’), but in the end, they still find a way to spring back despite the difficulties.

“We were too close to the stars. I never knew somebody like you, somebody. Fallin’ just as hard. I’d rather lose somebody than use somebody. Maybe it’s a blessing in disguise (I see myself in you). I see my reflection in your eyes.” - “Reflections” by The Neighbourhood.

This mostly pertains to Levi. I feel like this song is about loving someone who may not love you back? Or maybe loving someone who just isn’t good for you? Levi fell hard and fast because he had never met anyone like Eden before, and after her betrayal, he thought he’d get over her eventually, but she still continued to linger in his mind years later.

“Our love is six feet under. I can’t help but wonder. If our grave was watered by the rain. Would roses bloom? Could roses bloom again?” - “Six Feet Under” by Billie Eilish

I think this song is about yearning for a love that died. Levi was heartbroken after the betrayal, but he still always wondered what would have happened if Eden hadn't 'died' in front of him. He wondered if their love could 'bloom' again, even after all the hurt and pain.

This came out longer than I expected lol. I hope you found this fulfilling!

[ts1989fanatic]

Let’s call the abuse of Taylor Swift what it really is – a hate crime against women

It doesn’t matter what your thoughts are on the artist’s latest relationship, writes Olivia Petter – we should not be talking about women this way in 2023

Of all the women in the public eye, Taylor Swift is one that people love to hate. Maybe it’s because she’s inordinately successful – her Eras tour is likely to be the highest-grossing tour of all time with an estimated $1.4bn in revenue. It could be because she’s incredibly talented – have you listened to the lyrics on her Folklore album? Maybe it’s because she’s exceptionally beautiful – that hair! Those eyes! That smile!

Or... perhaps it’s just that she’s a woman.

As a long-term, die-hard Swifty (this is what us Swift fans call ourselves), I have often wondered what it is about my favourite golden girl with the voice of an angry angel and the brain of an Ivy League English professor that riles people up quite so much.

Anyone who has seen her Miss Americana documentary for Netflix from 2020 will know that the 33-year-old has long been the subject of internet bile, with critics attacking everything from her vocals and the way she dresses, to her weight and the men she’s dated.

In the latest spate of hatred against Swift, it seems to be the latter that is causing the issue. You see, following a breakup with her long-term boyfriend, Joe Alwyn, and a rather surprising (though short-lived) fling with 1975 frontman Matty Healy, Swift has a new man in her life: Travis Kelce. The American football player is considered one of the best athletes in the game, and Swift has already made a handful of notable appearances at some of his big games.

Most recently, Swift was seen attending the Kansas City Chiefs-New York Jets game to watch Kelce play, alongside a close friend, Blake Lively, and Lively’s husband, Ryan Reynolds. Following the game, though, Barstool Sports personalities Dan “Big Cat” Katz and Eric “PFT Commenter” Sollenberger – hosts of the popular Pardon My Take podcast – decided to weigh in on Swift’s presence with a series of sexist comments, calling her “bad for football” and making lewd jokes about “Taylor Swift’s vagina."

Elsewhere in the podcast, Katz admitted that he’d accept Swift’s presence at Chiefs games if she and Kelce were to “release a sex video”, as he described what crude details the video would need to include for him to accept the rumoured relationship.

It’s a hideous series of comments to read in full. Here is one of the most successful women in the world being reduced to nothing but a sex object by two male sports fans. It’s textbook misogyny: what better way to minimise a powerful woman than by talking about her sex life, or making references to her genitals? We’ve seen it before, and I’m sure we’ll see it again – but hasn’t Swift had to deal with enough of this already?

For years, critics fixated on her love life, often neglecting to mention her music at all in long reads about who she was rumoured to be dating at the time. She is a woman that has, for far too long, been defined by the men in her life. At least by those without the common sense to actually listen to her music and show her even a modicum of respect as an artist.

Enough is enough. As the actor Rachel Zegler put it in a tweet, “You will never see people speaking this way about a man. That goes for a lot of different scenarios. We do not pick apart men’s attitudes and relationships the way we do women’s and it’s not always just men who speak this way about us. Women can and do, too. It sucks.”

It’s 2023; this sort of language should not be tolerated, let alone broadcast on a popular podcast. However, when it is, we should recognise it for what it is: hate speech spouted by men who are threatened by successful women, and therefore feel compelled to sexualise them in order to preserve their flimsy, fragile egos. How sad for them.

ts1989fanatic

Nothing but the absolute TRUTH

[wrongcaitlyn]

okay grammys predictions from the very reliable and expert opinion of user wrongcaitlyn whose experience comes from spending a concerning amount of time on the grammys wikepedia page and who has a concerning number of minutes on spotify wrapped! (will only be judging the categories of which i've actually listened to the music of and will be fully transparent of my biases because i have plenty <3)

Album of the Year: André 3000 — New Blue Sun Beyoncé — Cowboy Carter Sabrina Carpenter —Short n’ Sweet Charli XCX — Brat Jacob Collier — Djesse Vol. 4 Billie Eilish — Hit Me Hard and Soft Chappell Roan — The Rise and Fall of a Midwest Princess Taylor Swift — The Tortured Poets Department

who i think will win: chappell roan or jacob collier

i dont know who jacob collier is but he has won a few grammys before and idk the album name just sounds like the name of an album that would win aoty (but truly i have no idea what it sounds like so no judgement can be made there)

i feel like aoty usually either goes to a well known pop album (midnights, harry's house) or some unknown album that everyone's confused by (we are (sorry if this offends anyone) (this is solely based on what *i* know and i obviously don't know *that* much music))

who i hope will win: chappell roan (runner up: sabrina carpenter)

i SERIOUSLY hope chappell wins this one. rise and fall of a midwest princess is incredible and it 100% deserves the win, both from lyricism and the general flow of the album, plus it's a no skip album imo

short n' sweet also slays and i think it has a good balance of silly glitter gel pen pop music and serious sad ballads, plus the variety in genres flow together so well

only reason i think short n' sweet won't win is because midnights won last year and i think short n' sweet falls into the fun pop jack antonoff with some quieter songs category and it wouldn't win two years in a row

other thoughts

it won't be taylor swift

in fact i don't think taylor will win more than 1 or 2 grammys this year and definitely not in the main categories

or at least i actually hope not i'm not ready for her to be public enemy no. 1 again sorry

haven't listened to andre 3000 or beyonce's albums so i can't judge those but i don't think beyonce will win

charli xcx and billie have good chances i think, i've only listened to a few songs from hmhas though - brat has solid chance i think but honestly i can't see a dance pop winning album of the year

Song of the Year: Beyoncé – “Texas Hold ’Em” Billie Eilish – “Birds of a Feather” Chappell Roan – “Good Luck, Babe!” Kendrick Lamar – “Not Like Us” Lady Gaga & Bruno Mars – “Die With a Smile” Sabrina Carpenter – “Please Please Please” Shaboozey – “A Bar Song (Tipsy)” Taylor Swift feat. Post Malone – “Fortnight”

who i think will win: chappell roan or kendrick lamar

both of these deserve it sm i feel like

i think kendrick has a larger chance but then again chappell's never been nominated before so i can't tell whether they're gonna completely snub her or whether she's gonna pull a sweep like billie did in 2020

billie may have a chance too because the grammys really like her and she has a history of winning song of the year

who i hope will win: chappell roan (runner up: kendrick lamar)

i actually haven't listened to not like us in full but i know well enough that it's a really well written song and he'd deserve it

but like good luck babe. i mean. good luck babe. like. good luck babe.

the bridge on its own deserves a song of the year award

and also just an extremely lesbian song written about lesbian experiences by a lesbian artist winning song of the year would make me so happy

other thoughts:

die with a smile prob has a chance too i think

and i haven't listened to texas hold 'em or shaboozey so i can't make any judgments there

Record of the Year: The Beatles - "Now and Then" Beyoncé - "TEXAS HOLD 'EM" Sabrina Carpenter - "Espresso" Charli xcx - "360" Billie Eilish - "BIRDS OF A FEATHER" Kendrick Lamar - "Not Like Us" Chappell Roan - "Good Luck, Babe!" Taylor Swift (feat. Post Malone) - "Fortnight"

who i think will win: sabrina carpenter, chappell roan, or kendrick lamar

i feel like espresso is sort of a given, and if it doesn't win, like,,,, what

but if chappell or kendrick win song of the year then there's a higher chance of one of them winning record of the year for the same song

but yeah i feel like it's gotta be espresso

who i want to win: sabrina carpenter (runner up: chappell roan)

i feel like i don't even need an explanation for this- record of the year focuses on production and artistic achievement and espresso is just the most catchy instant classic pop song ever

like there's a reason everyone became obsessed with it myself included

but also good luck babe. like good luck babe.

ik i keep not giving explanations for good luck babe but i don't think i need one that song is just perfection

other thoughts:

if taylor wins any of the main awards it would be this one i think

BUT grammys are not supposed to take into account charts/sales success so i don't think it will

and again i srsly hope not because. god the amount of hate we had to face last year with midnights im not ready for that to happen againJSDF

i haven't listened to now and then, texas hold 'em, or not like us so no judging there

however it would be insane for a beatles song to win a grammy in the year 2025 and it'd be really sick if that did happen

i don't think it will unless it's for the purpose of awarding a song by the beatles tho if that makes sense

charli deserves to win one of the main categories but i don't think 360 was the standout song from brat ngl, i think it was more the album as a whole which is why i don't think she'll win this

okay and best new artist if it's not chappell then what the fuck

[eileen-crys]

Lady Gaga MAYHEM live Tumblr reaction like the good old etiquette requires. The songs with the ✨ emotes will be my favourites

Disease ✨

Ok I absolutely adore this song and tbh I even like it more than Abracadabra, it's incredible. Love the lyrics, love the production, obsessed with her voice here. Those "aa-ah" vocalisations in the background live rent-free in my eardrums now.

Abracadabra ✨

Banger, obviously, we know. This is some of the most catchy shit on the planet and I love it. It's incredible how ear-wormy this song is, the beat is insane and those gritty synths are gay and 80s AF. If there's more in the rest of the album I'm going to ascend.

Garden of Eden

Ok let's go with the new songs. Eyyyyy let's start sexy with this 👀👀👀 THERE'S A CHOIR??? This is so early 2000s ahhhhhhh and I love how she sings the pre-chorus so beautifully, an angel.

Perfect Celebrity

ThIS IS ROCK AND DARK HOLYYYYYYYYYYY OH FUCK?!?!!????!!?? *grabby hands* This song gives streaks of dark makeup-stained thick tears running down my face while I sing. Get angry and scream mama. The lyrics are SO GOOD.

Vanish into you ✨

The way she harmonises with herself is insane. WHAT IS THIS BASS???? HELLO? This is beautiful, much sweeter and less clubby but still powerful. I can see this becoming an iconic romance song really fast, prepare for it to be (rightfully) everywhere. The lyrics are like a warm hug, beautiful.

Killah ✨

SHE GOT POSSESSED BY PRINCE??? This is GROOOOOOOVYYYYYY AS HELL hahahahhahahah yesss 🤣💕 The lyrics are so cvnty 😳😳😳 this came out straight out of the 80s clubbing scene. THANK YOU

Zombieboy ✨

WE'RE STILL IN AN 80S DISCO I'M LOSING MY MIND THIS IS HOT SPACE TIER GROOVE, WHO IS THE BASSIST?????????? I NEED A MOMENT 😭😭😭😭😭💖💕💜💖💕💜💖 THERE'S A SYNTHS SOLO AND HANDS CLAPPING

LoveDrug

A bit of calm after that injection of groove (thanks because I'm breathless), but we're still in the good 80s vibes and I love it. Power ballads are always appreciated 🙏💕 Her vocal versatility is insane and the lyrics are lovely, this really feels empowering.

How Bad Do U Want Me

People in the comments say this is Taylor Swift coded but I don't follow/like her so I can't really say, but from the little I've heard of her it makes sense. The beginning with that bubbly synths remind me of Spandau Ballet. Up until now it's the song I like less, it sounds a lil generic to me which is the same issue I have with Taylor. It doesn't vibe with me like the other songs, sorry.

Don't Call Tonight

Ahhh this is more funky again, thanks, I like this MUUUCH better 🙏 Gaga tell your bassist I love them. WAIT WHERE DID DAFT PUNK CAME OUT FROM??? Bonus points for that part hahaahahh, good song overall.

Shadow of a Man ✨

THE BASSSS AGAIN FUCKS HARD 🔥🔥🔥 Also hEY GAGA DID YOU GET POSSESSED BY MICHAEL JACKSON???? HOW IS THIS POSSIBLE?!?!!???!??!? This is INSANE, release this as a single PLEASE PLEASE GAGA

The Beast ✨

Ooooo this is trippy, slow but powerful, veeeery cinematic, sexy, angry. Sounds like a MJ ballad with a sprinkle of Phil Collins, AWESOME. The guitar solo goes CRAZYYYYYY 🔥🔥🔥 Chef's kiss.

Blade of Grass

Ohhhh another ballad! And this is a love love power ballad. Gorgeous, this reminds me of Bon Jovi's Always in terms of vibe and intensity. This is dedicated to her Michael so it makes sense, we stan a lovestruck queen 💕💕💕

Die With a Smile

We already know this is a banger too hahahah but I must say I love how Gaga and Bruno's voices match, it's a GREAT intense song and perfect to sing-along. This is even more Always-coded 🙏💖

Final considerations: BANGER. This album is AWESOME and truly strucks my musical taste. There's only one song I don't like much, but the rest is just awesome, thanks Gaga I'm going to listen to this till my ears bleed 😭

[deadpcnned]

hiii!! firstly i just wanna say how much i’m adoring your series, like they’re both so good 🥹💛 i was curious if you have any songs or artists that sort of remind you of them? i’m asking because i was listening to “champagne coast” by blood orange, and the instrumental part reminded me so much of sealed by the storm, like the tension between them two and everything >>>> maybe it’s because i’m so obsessed and can’t stop thinking about it hahaha anyway i was just curious to know if you have any inspo like that 💕 i’m literally so excited for the next chapter!! and i’ve been loving afterglow so much, it’s so sweet!!

(i apologize for how long this is, i got carried away)

hi!!!! i'm so sorry for the late response, i'm literally typing this at 3 am. this is suchhh a fun question!

thank you sm for keeping up w both series 😭 i listened to champagne coast from the perspective you did and woahhhh i would've never thought about that but i totally see it! i'm such a lyrics person that i get caught up in the literal meaning of songs, so it's super cool to think about how the production of a song could connect to the story.

also i always say i have "basic" taste in music bc i'm ur average pop-loving girly so pls no judgment on the song choices hahaha

afterglow: the obvious response is ofc 'afterglow' and 'cruel summer' by taylor swift. after i decided on the plot, i immediately wanted to title it afterglow bc i think what jj's abt to do is pure self-sabotage. despite the fact that he rlly does love the reader, he's going to put her in positions that are totally unfair. then it just naturally worked out that the story takes place in the summer, and there's a secret romance involved. so those two songs are very much jj's perspective vs. reader's. another song is '18' by one direction. i imagine them to be 20/21 and to have been friends since they were 18, so to me, it's the perfect song to show the soft, giddy essence of their relationship.

sealed: ooo okay this one i have sm more to say.

for the reader, i think of 'nonchalant' by suki waterhouse. this song definitely could apply to her romantic relationship w/ jj, but i see it as more her approach to life. she comes off as this sometimes cold and serious person (e.g., when jj mentions in ch. 2 that her humorous side often goes under the radar and sometimes he's the only one to catch it), but it's her defense mechanism because of her fear of losing everything (for a 2nd time in her life). there's a line that goes "i don't want the shoe to drop" that i think encapsulates the reader perfectly. she's constantly waiting for the next thing that goes wrong because that's all her life's been since she was 14/15 (can't wait to get more into her backstory!!). furthermore, her fear of marriage will definitely play a role when it comes to admitting her (future) feelings for jj and that's kind of when you can take the song more literally.

for jj, there's so many songs that i connect to his character (from the show), but in sealed specifically i think of 'glory and gore' by lorde. in this song i believe she's talking abt her fame, so not everything can be taken literally, but there's two parts that i view in tandem for jj's character.

we're slipping off the course that we prepared / but in all chaos, there is calculation / dropping glasses just to hear them break / you've been drinking like the world was gonna end (it didn't) / took a shiner from the fist of your best friend (go figure).

again, not everything is literal, but this is similar to jj's headspace in s4 after learning abt groff and the property hearing.

i guess we're really fighting ourselves / roughing up our minds, so we're ready when the kill time comes / wide awake in bed, words in my brain / "secretly you love this, do you even wanna go free?"

in this part, lorde is admitting to herself that whatever thing she claims to be fighting, she may actually like, which means she's now fighting herself. for jj, his entire life has been chaos - poverty, abuse, death, running. he wants to have that settled life where he owns a shop with his friends, doesn't worry about money, has a clearer future. but someone like jj can't flip a switch and get used to life without all the chaos. when something goes wrong, it's easier for him to "make it worse" bc that's all he's ever known, and he finds comfort in the destruction. now he says he doesn't want that life anymore - and of course, no one does or should - but can he let go of the comfort of his tendency to self-destruct? (i am actually so sad writing this - jj maybank, i'm sorry)

now for their relationship, there's three songs i think of:

the first is 'hate that you know me' by bleachers. this song is very much the anthem of their relationship. in part, their animosity towards each other exists due to their lack of understanding of what makes the other person who they are. but it's also because they know each other so well. they know exactly which pressure points (pressure points / they pressure you right back) to push to get a reaction out of the other, and they use it to protect themselves.

the second song is 'smoke slow' by joshua bassett. to me this is what we'll see of their relationship after they start living on the boat. ugh there's sm abt this one, pls tolerate me, i beg!

she asks for a light / as our secrets spill on the window sill / we're buying more time / while we kill ourselves as we both inhale

making believe there's a future / is it naive to think we could work? / the second it's out, then I lose her

but all that we are is all that we'll ever be / 'cause he's the one waiting at home

there's only so far we can go / next to you, but I'll never be close / so take your time while you're mine

i'm telling you things that I've never said / hope I don't regret this

the entire concept of this song is that two people are pointlessly spending time together because their bond cannot go past the room they're in. once one of them leaves, it's over. jj and reader's marriage, while indefinite, is meant to be temporary. no matter what bond they create during their time on the boat, to them, there's no us after the stuff with groff is settled. furthermore (do i think this is an essay???), jj's life has unfortunately been public for most people to see, but reader's life pre-terrance's crew is still very much a secret. we'll definitely see her open up more to jj and that's going to be something extremely new for her (like, not even cleo knows these parts of her).

addicted to illusions of a love that never was / and never will be anyway

this line is PERFECT. it can be connected to the illusion of love btwn them caused by the simple but glaring fact that they're married. they weren't in love before, and they can't be in love after, so whatever they feel in between must be a mirage caused by misplaced marital obligation. right?

one last one - 'movement' by hozier.

this song is about their physical intimacy as their relationship progresses. the sound is seductive and visually i imagine it as a very dim lit moment between two lovers (which is bound to happen living on a boat). but there are two parts that i think make this song unique to them.

and when you move, I'm moved / you are a call to motion

when you move / i'm put to mind of all that I wanna be

for jj, the reader will become someone who shows him a better version of himself. the person he can be, instead of the person he's been made to think he is. for reader, jj will force her to place trust in someone other than herself (and cleo). they'll both find parts of themselves that they wish could be their whole, and i think that yearning for each other, but also their best selves, will shift the tone for their more intimate moments.

if you've read this far, wow! thank you fr. i clearly love to yap lollll