#there must be more examples of such adaptations

[epickiya722]

I don't think I expressed enough how much I do actually like that Yuji is this... I don't know how to really put it into words but... how Yuji is this unique embodiment of horror and strangeness.

Like, just the details of his character makes him stand out to me. Everyone in JJK has some bit of oddness to them, and he has own unique kind.

He looks like sunshine personified and he is. He is the sweetest kid there is. And he looks like the typical "Oh, he must be the normal one who has to adapt to the horrors the other have to go through" character. Ha ha... no, he is the horror. He is the "creepy child" trope without even showing that he is.

Yuji is the kind of horror you actually have to put thought into to even realize "Oh, wait, that is actually fucked up". Fridge horror, the horror that you think nothing too much of until you really open your mind to it.

Like, he's this own level of odd with how he behaves and thinks.

First, it's his interests. Yuji didn't mind really being in the occult club. Of course, his reasons was that the club time allowed him enough time to see his grandfather. But also, even though he didn't have to really participate, he actively does. Iguchi and Sasaki exploring haunted places? Yuji tags along and isn't frightened at all. Mind you, they like going go haunted places because they like being scared. Why folks watch horror movies and go to attractions, right?

Yuji will play with an oujia board.

Fan of a movie series titled the Human Earthworm and actually can find the beauty and love in said movies. He's so real for that.

So far it's just simple stuff like that, right?

First time seeing a curse? Admits to being scared, but barely even flinches. When Megumi talks about the Cursed Finger and mentions how curses want to eat it? His response?

"Why, is it good?"

IT'S A FINGER?!

When informed about Inumaki's technique? What was the example he uses? "So if he says 'die' then it will happen?" Out of all the examples?! He was more impressed by the technique than actually fearful of it.

That Cursed Doll he had to train with? Called it "cute" and Gojo questioned that. In fact, when meeting Yaga, Yuji commented on how the dolls were cute.

How he fights is even a little odd and unsettling. He immediately goes into action, doesn't even need to hear the bell. He always has this look on his face that "Yeah, your kneecaps are mine". Not once has I ever recalled he actually smiles during a fight. Unlike some of the others who have showcased some enjoyment or some type of being unhinged in a "to hell with it" mood, Yuji always has this almost animalistic glare, that kind of unhinged. He isn't holding back, even against normal people like the high school bullies in chapter 163. Sometimes I question if he even knows how to hold back.

He doesn't like to get violent or kill. If he has to, he will. But it's just not anything he can brush off or be like "Yeah, I like doing it".

Then the idea of dying? Yeah, Yuji makes it clear he knows people will die. Execution placed on his head? He accepts dying with Sukuna instead of asking if there's any way to work around it, find a solution. Keep in mind, Sukuna is downright evil and does nothing but make life hard for Yuji every chance gets.

However, by the end, Yuji changes from choosing to die with Sukuna, so that no one else has to suffer, to offering Sukuna to live along side him even if no one accepts that.

Oh, let's not forget his family.

Yeah, Sukuna I just mentioned? That's his uncle by soul reincarnation. Jin, Yuji's dad who we don't really know what happened to him, is the reincarnation of Sukuna's twin that Sukuna ate in the womb. Doesn't stop there.

Yuji's mother, Kenjaku? Actually a 1000+ year old sorcerer who body hops by implanting their brain into whatever body they find convenient for their plans. One of those bodies happen to be Kaori Itadori, Jin's wife. Jin's dead wife. Kenjaku played wife in a woman's dead body, the same body Yuji was born from.

Yuji was born out of a corpse. With one of the Cursed Finger somehow already sealed inside him.

His other family members include Death Paintings: Choso, Eso, Kechizu, Noranso, Sho-oso, Tanso, Sanso, Kotsuso, and Shoso. His older siblings (technically) through Kenjaku, who was possessing Noritoshi Kamo's (the ancestor) body at the time. And guess what? Their blood consists of a human's blood, a cursed spirit's and Kenjaku's.

Yeah, like them, Yuji isn't really human. Again, born with one of Sukuna's Cursed Fingers already sealed in him. Without Cursed Energy, he was already outrunning cars and possessing strength not normal for the average human.

Oh, wait, and let's not forget his 'appetite'. He will eat anything if it means saving people. And he has. Other than Cursed Fingers, the other Cursed Objects Yuji consumed are his own siblings 4 - 9. Mind you, they were akin to fetuses contained in glass jars. (He isn't happy about eating them or anything for that matter though. I wouldn't be either.)

In all, he's just fridge horror with a some goodness mixed in there. I'm just rambling here.

[mzannthropy]

My Cousin Rachel 2017 for an example of a book adaptation that stays as ambiguous as the book it adapts. Did she or didn't she? You decide.

[feminist-space]

Cat in the Hat:

"The German Health Minister gave an important update on the Covid situation yesterday.

I’ve written up the section of his speech from the video below for easy reading.

It’s immensely refreshing to see a government minister warning of the harms of Covid in such a transparent way."

https://x.com/_catinthehat/status/1732092683508678954

Prof. Karl Lauterbach

Health Minister, Germany

4 December 2023

"This second (long Covid) round table was very interesting, lasting three and a half hours. It serves as a unique forum for dialogue among scientists, researchers and those affected by long Covid, facilitating the exchange of ideas.

There are many new findings about long Covid. Not all of them are good news. One piece of not-so-good news concerns the fact that long Covid is actually still a problem for those who are newly infected. One estimate that has been put forward is that the risk of contracting long Covid now, even after vaccination, is around 3%. Now you may say, "that's not such a big risk" , but there are tens of thousands of people who are repeatedly affected in a short period of time. And so, the long Covid problem has not yet been solved.

We have also established that there really are many subgroups of long Covid and that we do not yet have a cure. And it was clearly pointed out that we are also dealing with problems here that will challenge society as a whole, because vascular diseases often occur after long Covid. Throughout Europe, we are currently seeing an increased incidence of cardiovascular disease in the middle-age group - from 25 to 50. This is associated with the consequences of Covid infections.

We also very often find cognitive impairment in older people. And one participant pointed out that it may well be like the Spanish flu, where 20 years after the Spanish flu there was a significant increase in Parkinson's disease and probably also dementia.

This is something we must pay attention to, as the past infection afiects how the immune system in the brain functions, as well as the brain's blood vessels, potentially increasing the long-term risk of these major neurodegenerative diseases. This is why we need to conduct very intensive research. This research has played a major role.

What is the overall assessment of the situation now?

We have to be careful. Long Covid is not curable at the moment. We also know that over 40% of those who have several manifestations of long Covid, for example, five or more, still have symptoms after 2 years, so it doesn't seem to heal spontaneously. We also know that those whose symptoms are more pronounced at the beginning are less likely to heal.

So some of what we know from the demographics of long Covid has been confirmed, and we now know more precisely which mechanisms in the brain, but also in the blood vessels and the immune system, are responsible for this. Professor Scheibenbogan will explain this briefly later.

At this point, I can only say the following - this is particularly important to me:

First of all, long Covid is a disease that stays with us and that we cannot yet cure. And we are seeing an increasing number of cases as the waves of infection continue to affect us.

Secondly, Covid is not a cold - with a cold, you don't usually see any long-term effects. You don't see any changes in the blood vessels. You don't usually see an autoimmune disease developing. You also don't usually see neurological inflammation - these are all things that we see with long Covid. Therefore, one should not assume that Covid infection is just a common cold. It can affect brain tissue and the vascular system, and we still lack an effective treatment, making these studies crucial.

Significantly, we know that the risk of long Covid decreases when you're infected but have been vaccinated. That's why it's concerning that only 3 million people have been vaccinated with the new, adapted vaccine. That is a very bad result.

Please protect yourself from severe infections.

Please protect yourself from long Covid.

Currently, the danger posed by Covid is indeed being underestimated. Nothing is worse than infecting someone at Christmas who then becomes seriously ill and may not fully recover."

Alt text is included in all images of this post.

[princesssarisa]

In the past I've shared other people's musings about the different interpretations of the myth of Orpheus and Eurydice. Namely, why Orpheus looks back at Eurydice, even though he knows it means he'll lose her forever. So many people seem to think they've found the one true explanation of the myth. But to me, the beauty of myths is that they have many possible meanings.

So I thought I would share a list of every interpretation I know, from every serious adaptation of the story and every analysis I've ever heard or read, of why Orpheus looks back.

One interpretation – advocated by Monteverdi's opera, for example – is that the backward glance represents excessive passion and a fatal lack of self-control. Orpheus loves Eurydice to such excess that he tries to defy the laws of nature by bringing her back from the dead, yet that very same passion dooms his quest fo fail, because he can't resist the temptation to look back at her.

He can also be seen as succumbing to that classic "tragic flaw" of hubris, excessive pride. Because his music and his love conquer the Underworld, it might be that he makes the mistake of thinking he's entirely above divine law, and fatally allows himself to break the one rule that Hades and Persephone set for him.

Then there are the versions where his flaw is his lack of faith, because he looks back out of doubt that Eurydice is really there. I think there are three possible interpretations of this scenario, which can each work alone or else co-exist with each other. From what I've read about Hadestown, it sounds as if it combines all three.

In one interpretation, he doubts Hades and Persephone's promise. Will they really give Eurydice back to him, or is it all a cruel trick? In this case, the message seems to be a warning to trust in the gods; if you doubt their blessings, you might lose them.

Another perspective is that he doubts Eurydice. Does she love him enough to follow him? In this case, the warning is that romantic love can't survive unless the lovers trust each other. I'm thinking of Moulin Rouge!, which is ostensibly based on the Orpheus myth, and which uses Christian's jealousy as its equivalent of Orpheus's fatal doubt and explicitly states "Where there is no trust, there is no love."

The third variation is that he doubts himself. Could his music really have the power to sway the Underworld? The message in this version would be that self-doubt can sabotage all our best efforts.

But all of the above interpretations revolve around the concept that Orpheus looks back because of a tragic flaw, which wasn't necessarily the view of Virgil, the earliest known recorder of the myth. Virgil wrote that Orpheus's backward glance was "A pardonable offense, if the spirits knew how to pardon."

In some versions, when the upper world comes into Orpheus's view, he thinks his journey is over. In this moment, he's so ecstatic and so eager to finally see Eurydice that he unthinkingly turns around an instant too soon, either just before he reaches the threshold or when he's already crossed it but Eurydice is still a few steps behind him. In this scenario, it isn't a personal flaw that makes him look back, but just a moment of passion-fueled carelessness, and the fact that it costs him Eurydice shows the pitilessness of the Underworld.

In other versions, concern for Eurydice makes him look back. Sometimes he looks back because the upward path is steep and rocky, and Eurydice is still limping from her snakebite, so he knows she must be struggling, in some versions he even hears her stumble, and he finally can't resist turning around to help her. Or more cruelly, in other versions – for example, in Gluck's opera – Eurydice doesn't know that Orpheus is forbidden to look back at her, and Orpheus is also forbidden to tell her. So she's distraught that her husband seems to be coldly ignoring her and begs him to look at her until he can't bear her anguish anymore.

These versions highlight the harshness of the Underworld's law, and Orpheus's failure to comply with it seems natural and even inevitable. The message here seems to be that death is pitiless and irreversible: a demigod hero might come close to conquering it, but through little or no fault of his own, he's bound to fail in the end.

Another interpretation I've read is that Orpheus's backward glance represents the nature of grief. We can't help but look back on our memories of our dead loved ones, even though it means feeling the pain of loss all over again.

Then there's the interpretation that Orpheus chooses his memory of Eurydice, represented by the backward glance, rather than a future with a living Eurydice. "The poet's choice," as Portrait of a Lady on Fire puts it. In this reading, Orpheus looks back because he realizes he would rather preserve his memory of their youthful, blissful love, just as it was when she died, than face a future of growing older, the difficulties of married life, and the possibility that their love will fade. That's the slightly more sympathetic version. In the version that makes Orpheus more egotistical, he prefers the idealized memory to the real woman because the memory is entirely his possession, in a way that a living wife with her own will could never be, and will never distract him from his music, but can only inspire it.

Then there are the modern feminist interpretations, also alluded to in Portrait of a Lady on Fire but seen in several female-authored adaptations of the myth too, where Eurydice provokes Orpheus into looking back because she wants to stay in the Underworld. The viewpoint kinder to Orpheus is that Eurydice also wants to preserve their love just as it was, youthful, passionate, and blissful, rather than subject it to the ravages of time and the hardships of life. The variation less sympathetic to Orpheus is that Euyridice was at peace in death, in some versions she drank from the river Lethe and doesn't even remember Orpheus, his attempt to take her back is selfish, and she prefers to be her own free woman than be bound to him forever and literally only live for his sake.

With that interpretation in mind, I'm surprised I've never read yet another variation. I can imagine a version where, as Orpheus walks up the path toward the living world, he realizes he's being selfish: Eurydice was happy and at peace in the Elysian Fields, she doesn't even remember him because she drank from Lethe, and she's only following him now because Hades and Persephone have forced her to do so. So he finally looks back out of selfless love, to let her go. Maybe I should write this retelling myself.

Are any of these interpretations – or any others – the "true" or "definitive" reason why Orpheus looks back? I don't think so at all. The fact that they all exist and can all ring true says something valuable about the nature of mythology.

[worldsover]

Iff ft. Yujin

length ✦ 10.9k

genres ✧ breeding, as in breeding breeding, as in actual pregnancy kink; degrading petplay; NEVER underestimate my lack of sanity; super subby puppy gf with baby fever!Yujin

✦✧✦✧✦✧

It is necessarily true that there exists an ideal number of offspring for each human female from a purely genetic standpoint. Our distant ancestors who survived countless millennia of famine, warfare, and disease were those whose genomes encoded a certain target number for offspring; this number was close enough to just above two children that random fluctuations in fertility could never deviate much below or above that figure. For these women, at least, natural selection would penalize having either fewer or more children than their genes desired, as this would diminish the proportion of their offspring in subsequent generations. This principle extends even today: A 2021 study by Hutchings revealed significant variability in the number and size of offspring among species, driven by genetic and developmental factors. This suggests a non-fixed ideal number of offspring, adapting to societal changes and living conditions.

Even after tens of thousands of years, we are still these animals. That is, Homo sapiens sapiens does not differ greatly from its parent species Homo sapiens when it comes to such biological imperatives as sex and reproduction. Yet only a fraction of people maintain a lifestyle that mirrors contingent strategies favored by evolution, resulting in a massive imbalance between evolved psychology and modern life. Although humans may no longer face the constant threat of starvation posed by an unforgiving wilderness, problems evolve in the same way—we do not have nearly enough children to replace the adult population, at least in many developed countries. The United States, Canada, Australia, and many European countries are experiencing population decline, but nowhere is this phenomenon more exacerbated than in East Asia, with particularly acute examples in China, Japan, and South Korea. Our subject for examination lies within the context of the latter nation, wherein perhaps a solution may be found through the example of Ahn Yujin.

You and Yujin are going to work toward fixing this new, evolved problem by starting a family. With her fervor and your virility, you just might do this single-handedly—if not, at least you two will leave that target number in the dust. The world will thank you, and you, the world, for yielding you Yujin. The future is assured, so long as you can satisfy your breeding needs.

Yujin fits the archetype for having large numbers of offspring: there must have existed designs for Yujin's body as the template for prolific breeders. Even the most conservative anthropologist would admit Yujin's hips are ideal for childbearing, especially in proportion to her height. Her breasts are not the largest, but they are certainly sufficient enough for breastfeeding—and if not that, at least your own tit-sucking pleasures. Her lithe body was built to breed, and above any physical attributes, the mind within only confirms that impression.

She is eager, insatiable, and obedient. You tell her to strip, and she is naked in seconds. You tell her to go on all fours, and she is on all fours. You tell her to put her lips around your cock, and she is deepthroating you in an instant. And when you tell Yujin that she's now your little puppy to train and use as you please, she follows your command gladly.

Her greatest fantasy is being bred hard and often, and this is the fantasy most oft fulfilled by you, her master. It starts with the collar around her neck: an innocuous thing, leather and black, with a silver buckle in the front, and a ring in the back through which you put a leash. When she has that collar on, she is not the confident, witty, ambitious woman who commands everyone's attention—she is your pet, "Puppy", as so engraved in delicate silver script on the black leather.

The collar rarely leaves her neck at this point, a couple of years into your relationship. By now, she's your live-in pet.

You don't even remember the last time you used a condom. That was months ago, at least—a year? Ever since she moved in, you've been savoring Yujin's raw, slick walls on your cock, and she gets off on the all-filling feeling of your semen seeping into her fertile womb. If it weren't for the pill, Yujin would have been knocked up long ago. Despite that, each time you make love, you talk about breeding, playing at dreams of impregnating her with plenty of pups. She moans "please" on each thrust, and you know exactly what she's begging for when she whispers that "Master's cum is gonna be Daddy cum any day now." When the two of you are ready, there is no doubt that Yujin will become the mother of your children.

You and Yujin have many ways of making love, ranging from rough hair-pulling to gentle adoration. But one element always remains the same: the collar that transforms her into a wild, lustful creature, erasing all thoughts as soon as it's clasped around her slender neck. Her urgent pleas for you to release your load deep inside her are often met with little resistance, but occasionally you like to make her work for it—teasing and edging her until she whines and begs, this desperate bitch in heat. Then, you offer her a choice: continue being edged for another hour or allow yourself to impregnate her with your potent seed, guaranteed to result in triplets. Which will it be?

The answer, of course, is that both are correct. Why should we deprive ourselves of what nature gave us? If one woman loves being bred, why not breed her constantly? If another wants to be edged, why deny her? False dichotomies like these remain pervasive. Be sexually dominant or submissive; enjoy sex or romance; fuck like rabbits or make love tenderly—these can all exist together, if we so allow them to.

For example, there are always two women at play with your girlfriend: the Yujin who is a vibrant social butterfly, curious and never satisfied with sitting still; and the Yujin who lives and breathes your cock in daily routine, the Yujin who will happily let you lock her away in a dark room if you promised to give her your cum. You love both Yujins: a charming conversationalist, always cool and collected; a horny, obedient slut, who you train to do tricks in exchange for cum, who will only bark if her master so demands. There is no need to choose between these two Yujins, and you would not dream of doing so.

Or, consider the most misleading of dilemmas, being a young couple with kids, or being a young couple that stays together. Humans have grown rich enough and powerful enough to craft a society where the worst thing that could happen to a young couple—pregnancy at an inconvenient time—no longer threatens them in the same way. Now that people no longer have to marry their first stable match or die alone, now that everyone has gotten a little bit smarter and more independent, the universe is filled with possibilities for love and affection. This future child you make with Yujin could grow up in an environment where they would want for nothing, especially not siblings, for you'll give them plenty to spare. Thus, to knock Yujin up is hardly the disaster it would have been in our primitive past. Rather, you both should celebrate it.

This is not to say that every single person is the same. Not many women are as dedicated to the goal of impregnation as Yujin, and not many men are as driven to fill a receptive body with their progeny as you are. The series of coin flips and card draws that led to your personalities, to this relationship that binds you, is quite unlikely to repeat itself.

Yujin recognizes the rarity of the match. Even in the first meeting, she was as astute as a hunter dog, scenting prey, noting all the signs in the forest that you were the one. That night, after your friend invited Yujin to the bar, small talk quickly became deep conversation. Yujin asked your opinion on something. You gave it. Yujin replied, "Oh, I like a guy who takes charge." A few minutes later, she said she had to use the bathroom. She left her purse with you. Yujin did not return for another ten minutes, and when she did, it was with flushed cheeks and sweat on her brow. You asked her what took so long, and she answered, "You're so hot. I might have… been doing something naughty."

"Bad girl," you said.

At this point, your friend knew to leave.

You understand that Yujin is still the same girl, only with more of herself exposed to you—not just literally. She's been hinting at the concept of properly mating for weeks now, but she needed you to make the first move. It's a bit like old times, the nights after you met, the weeks you danced around each other's desires. Whenever she hinted at her interest, you weren't stupid enough to be oblivious—every word dripped with innuendo, every glance a flirt, every movement an invitation. But you built tension with purpose. She was too special to sleep with on the first date. In much the same way, what was once mere fantasy, empty talk of impregnating Yujin during sex, is starting to take on the shape of reality. In this sense, here returns Yujin the hunter dog, searching for a new quarry: your future family.

However, this is not lust alone. The chemicals that control desire can't do all the work in this relationship. When Yujin asks you more frequently about your opinion on having kids, you don't ignore it as simple pillow talk; she is gauging your willingness to commit. Because you love her, because she's right for you, past the sex and the fantasies, you take her seriously. Yujin speaks with infectious enthusiasm about her friends who have recently become mothers, all of whom are convinced that you two would make fantastic parents. Casually, she mentions she's not taking birth control anymore.

"I might be ovulating soon." "The doctor said I'm in my prime right now." "Do you think I'd be a good mother? You'll be a good daddy, for sure."

To that last question, you assure her, over and over, with the certainty that Yujin deserves. "The best mommy. I promise."

You find her researching baby names. Starts looking up parenting tips and ideas for nursery decorations. She's even helped you plan out your dream family home. There's something different about how Yujin looks at you. She's thinking about pregnancy, not just as a topic of conversation, not just as a fetish, but as a goal.

Concerns and fears, worries and hopes, you discuss them thoroughly, sometimes after sex, when Yujin is too tired to move and she lies in bed with your cock still inside her, cum on her lips, your hands around her belly feeling her body and dreaming of what it might become. Talks of plans become more and more serious as you set aside money and time for this future family, thinking about moving out from this modest apartment to a proper house. But ultimately, here is Yujin, in your arms, by your side, an angel's face, eyes stolen from the stars as they twinkle.

Like when you first fell in love, everything lovely about Yujin becomes magnified, so how could you deny her? You hold her close and promise that you'll do anything to make her happy, to make her dreams come true. She whispers back, "I know. I've never felt so loved."

It isn't long before Yujin becomes more brazen. As you try to fall asleep, you hear wet sounds next to you as Yujin's fingers dive in her pussy, presumably to the idea of you impregnating her. The next morning, she confirms your suspicions, this time sending you a video from the bathtub as she masturbates and talks dirty about how much she worships your cum. She sends you amateur porn of women taking three creampies three times in a row, or pregnant women squirting milk onto the camera lens while riding a man.

Then, there's the actual sex between the two of you. "Do you want to knock me up? Come on, let's just do it now. Please? Can't you tell I need it?"

You're glad to continue teasing and edging Yujin until her desire is too much to bear, her eyes watering and face contorted with desperation. Her raw pussy tightens around you even more, begging for release. You tell her it's up to Master before pulling out and spraying cum over her stomach. Obedient as ever, she cleans it up and swallows it down but her frustration is clear—she wants to be filled completely. You're truthfully equally as ready to impregnate Yujin, sooner rather than later; you want to watch your seed blossom within her, want to see her stomach swell, her tits fill up with delicious milk, and her nipples grow fat with lust. The smell of her slick sex is intoxicating whenever you slip a hand down her pants, or spread her pussy wide open to taste.

After settling all the necessary financial and personal matters, Yujin stays busy with buying pregnancy tests, making lists, and studying every bit of advice on how to conceive. You each tell your families that you're trying, which is a funny way of saying "I'm going to fuck enough sperm into your fertile daughter that she's guaranteed to bear our children, and we're going to do it so often that she might as well never leave my cock," but you suppose that "trying" is the more polite way of putting it. Yujin's mother has already started preparing the nursery, and your parents are talking about visiting to help watch over her when she gets farther along in the pregnancy. You're ready to move into your new place, but not before this apartment where you first made love has its proper send-off.

You thought you'd witnessed the limits of Yujin's vulnerability. However, you've never seen your girlfriend quite as desperate, needy, and pathetic as you do on the morning you decide it's time to breed Yujin.

For days, you've teased her relentlessly—marked her bare neck with bruises and bite marks, denied Yujin her collar until she's earned it, edged her with your fingers and mouth, fucked her fast and rough, used her as a living fleshlight, edged her more with toys. Made her watch as you jacked off onto her abs, fed her a throatful, or plugged up her ass with a thick load.

"Master, please," she begged, over and over, as her pussy clenched on nothing. With her body painted abstract expressionist—soaked in cum like you're marking territory—you needed multiple towels to clean the slumberous Yujin so that the sheets weren't too sticky. Left one towel under her legs to catch her dripping arousal. By the time she went to sleep last night, her guts were full of your cum, while her mind was void of all thoughts except for one: the place your seed had yet to reach, aching to be fulfilled like the rest of her body.

When you wake early and find Yujin's body pressed against yours in bed, her sleep is fitful, due to this very lack of semen inside her womb. She tosses, turns, her body hot. You touch her forehead with your hand to check for a fever, but it's just the heat of her arousal making her sweat. You run your fingers down her spine. Her skin feels flushed. Looks it too, how red her cheeks are. The sun has barely begun its ascent, so its color makes her glow further. Your fingertips reach her tailbone, then slip lower, where you press against her clit. Her breathing quickens as she rouses awake, and you pull your hand back.

With each breath, her tits rise and fall; they feel heavier than usual in your hands. The mingled scents of sweat and sex surround you, but beneath it all is an added note that stirs your arousal. It's a familiar smell, one that always drives you wild. You recognize the telltale signs of Yujin's hormones going into overdrive, intensifying her already insatiable desires. Her nipples, already normally sensitive, become almost painfully hypersensitive to every touch. She can't get enough of your scent, pressing her nose against your chest, armpit, neck, and groin—anywhere she can inhale your intoxicating musk.

It's time. Yujin is ovulating today.

Yesterday, you checked the calendar and the apps and the notes; however, none of the charts factor the most important variable: your instincts. Yujin looks so damn adorable when she wakes up, eyes bleary, hair disheveled, mouth still sticky with drool, legs spread, and a wet spot in the towel from where her pussy has been leaking—this was always going to be the day.

You gently stroke behind your puppy's ear, brushing her cheek with affection. "Morning, my love" comes out as your softest whisper.

Yujin stirs in response, nuzzling her head against your shoulder as she slowly wakes from her slumber. She yawns and blinks several times before finally locking eyes with you, a sleepy smile spreading across her face. "Good morning, Master," she says, shifting closer to give you a gentle kiss on the lips. Then another ten kisses. Twenty. "I had the weirdest dream."

You smile against her lips as you run your fingers through her tousled hair. "Do tell."

She seems to remember that you've been edging her for days, her thighs rubbing together, the scent of her slick arousal thick in the air. Yujin giggles and buries her face in your chest. When she finally looks up again, her cheeks are tinged red, and Yujin avoids your gaze. "I dreamed… that you were fucking me—"

"Of course," you interject, grinning. You reach down between her legs, returning to her folds, feeling how hot she's gotten overnight. It takes no effort to slide one finger inside your girlfriend.

"—and then you came inside of me, and it was so warm, and I was so full, and…" Yujin trails off as you add another finger. "And then the next day, I felt different. Like something inside of me changed."

"Oh?" Your hand moves steadily in and out of her tightness as she speaks.

"Yes," Yujin murmurs, her breath coming out in short gasps. "It felt like there was a weight in my stomach, but not physically. It was hard to explain, but it just felt off."

You continue to pleasure Yujin with your fingers, watching as she writhes beneath you. She lets out a whimper at the sensation and spreads her thighs wider for you. As her body responds to your touch, she whispers with breathless urgency:

"So I put my hands on my tummy, trying to figure out why things felt so off, and then... Oh! I can't believe I'm telling you this!" she exclaims, hiding her face in your chest again.

"Everything. I want to hear the whole dream." You push deeper, curling your fingers inside her, searching for her G-spot. She moans, and you hear the faint squelching of her slick leaking out.

"Master!" she says, panting, louder, gasping for air. "I—oh god—I just knew it! I had your pups inside me. I knew, because my belly felt heavy, and my body felt strange, and there was a pressure on my chest, and, and my nipples were so, so sensitive, and when I touched them, milk came out, and—" Yujin cuts herself off with another sharp yelp, your fingerfucking reaching a crescendo. "Master! Please!"

You chuckle. "That was quite vivid, puppy." Withdrawing digits from your girlfriend's warmth, you sit up and position yourself behind her, pressing her soft curves into your body—she's always been such a perfect fit, in your lap, in your arms, in your life. On your cock too, as it nestles comfortably between her round, plump buttocks.

She shivers at your touch, and you know from the tremble that Yujin's close to her peak.

"Today."

Yujin's eyes widen in surprise as you utter the single word. It's almost magical, the way that one word can turn a dream into a reality more than any other before it. You understand her desires and share them with equal passion—although, at this moment, could anyone want anything as much as Yujin right now? Her breathing hitches even more as desire floods through every inch of her body. Her glazed eyes stare back at you with pure love, the dilated pupils barely showing any trace of color.

You nod, confirming what she already suspects. "Yes, Yujin, today is the day."

A single tear gathers at the corner of her eye, threatening to spill over. Her voice quivers and trails off as she struggles to speak. "Master..." Her breath catches in her throat. "Are we really... going to—"

You lean in and capture her lips with a deep, passionate kiss. "Yes," you whisper against her skin, sending shivers down her spine. "We are going to have a baby. Babies."

She moans loudly against your lips, unable to contain her excitement, as she grinds her body against yours. "Nngh, oh my god, yes, yes! Yes, I want to have my Master's puppies! Please, please, fuck my pussy, breed me, I love you, make my womb yours, breed me, breed me, breed, m-me, mmmh—" Her babbling dissolves into a series of incoherent noises, her mind lost to the lustful haze of your touch.

You reach up and grasp Yujin's nape firmly but gently, pulling her closer to you. "You'll be a good puppy for Master today, won't you?" You raise an eyebrow expectantly.

Yujin murmurs and whines, sounding like a dog who has been chastised, though she nods quickly.

"Good. We'll have all day today, and the whole weekend to fuck, to fill you with my seed. You can be as loud as you want. I don't want you to restrain anything. I want to see you lose yourself completely, and I don't care who hears. Fuck the neighbors. We'll be leaving soon anyway." Your smirk widens.

Stroke her cheek, then pat her head and point to the floor next to the bed.

"On the ground, puppy."

Yujin slides off the edge of the mattress and kneels, her eyes never straying from your length, soft and hanging between your legs. A small gasp escapes her lips as she leans closer to your cock, her tongue slipping out between her teeth in anticipation. She releases a soft hum, murmuring, "I adore your scent, Master." With reverence, she snuggles against your cock with her cheeks and forehead, inhaling deeply as if testing the notes of a fine wine. Her lips part and her tongue darts out to cover your balls with her saliva. She finds pleasure in drooling on them, feeling their weight, and hearing you moan with enjoyment when she takes both in her mouth. As she feels the tension building between her thighs, she rubs them together for some relief.

She wraps her arms around your thighs and pulls herself closer, burying her nose in your crotch. As Yujin looks up at you, between big and pleading eyes, your shaft lays on her face, covering her mouth and nose. Every expression of submission, lust, and desperation hardens your cock. None match her unflinching smile while she lathers your sack in attention and spit.

Though her voice is muffled by your sack, she whimpers anyway, "Pwease, Master, cahn, I suck yow cock? So… yummy, mmnh." She lets each ball pop out of her mouth slowly, lines of drool connecting them to her glistening lips.

On this small hunt, Yujin's hand snakes towards your groin, but you don't plan on letting Yujin wring your balls dry so easily; you swat her hand away. "Ah-ah. You said you'd be a good girl."

Yujin's head drops in shame, her apology barely audible.

"What was that? Speak up," you demand.

She takes a deep breath before speaking louder. "I'm sorry, sir."

You place your palm gently on top of her head, relishing the softness of her fur beneath your fingertips. "What a good little puppy!" You say it with a hint of scorn, just the way she likes it - you can tell by the way she shivers in anticipation. Your voice turns serious. "If you want a treat, you have to earn it, right?"

Yujin nods eagerly, her eyes still downcast.

"Let's make sure you remember your tricks first."

With hopeful anticipation, she looks back up at you. It has been months since you've gone through this routine, the times the two of you delved deeper into this kink. When you first broached the subject, Yujin had played coy, but she took to it so naturally. And now, she's back in character perfectly. You run your hand through her hair, scratching behind her ear like an indulgent owner would for their well-behaved pet. Yujin leans into your touch, panting softly in contentment as she nuzzles against your hand.

"Sit," you order.

Your obedient pet Yujin complies at once and sits upright on her haunches. Her posture is impeccable, with knees pressed together, hands neatly resting on her thighs, and back straight as a rod. You hold out your hand with the palm facing up, and she eagerly places her chin in it. As she gazes up at you with adoration and trust shining in her eyes, you can't help but feel a sense of pride and ownership over this beautiful creature. It's moments like these that make you believe she was truly made for this canine role.

"Stay," you command, your intense gaze bearing down on Yujin. She fights to remain motionless, every muscle in her body trembling. But she is not a perfectly trained robot; sometimes a bratty, needy side emerges from within her. Rising from the bed, sheets rustling underneath you, you hold out your cock in front of her face. As if to say, look, here's the toy, puppy, as if daring her to lick it. You could thrust it into her mouth like a gloryhole and she wouldn't even flinch. But that's not why you're here. You're testing her. As if sensing your thoughts, she parts her lips slightly and you can practically smell the saliva building up in her mouth. Not good enough. In response, you smack her face with your hard length, the sound reverberating through the room. "Stay means stay," you remind her firmly.

She takes a deep, shuddering breath and squeezes her eyes shut, fighting to regain control over her body. After a few moments, she steadies herself and stares straight ahead, ignoring the throbbing member in front of her with impressive discipline.

You run your fingers through the soft fur of her head and praise her, "Such a good girl." With your other hand, you hold out your palm and command, "Paw." Yujin doesn't hesitate; she places her paw gently in your hand and allows you to shake it. A small smile tugs at the corners of your mouth as you see how easily she follows your commands. "And now, roll over."

Yujin's cheeks flush a bright shade of pink as she gets onto all fours before she rolls onto her back, fully exposing herself to you. The warm morning sunlight streams through the bedroom window, highlighting every curve and dip of her flawless skin. Her wet pussy is on full display, inviting and tempting you further. Every subtle movement of her hips captivates you as she meets your gaze with adoration and devotion shining in her eyes. A shy grin plays on her lips, but there is no doubt: Yujin loves being your devoted puppy, always eager to please and serve you in any way possible.

Yujin lies sprawled out on the cool, hardwood floor of your bedroom, her body aching with desire. Her thighs are parted wide, exposing her glistening, craving pussy to you. The scent of arousal fills the air as she squirms impatiently, her clit protruding from its hood in a swollen and red state. You can see the evidence of hours of teasing and foreplay in the puffy, engorged state of her labia. As you lean down and run your fingertips over the softness of her inner thighs, Yujin shudders under your touch, her muscles tensing and trembling with pleasure.

"Such a good girl. Just a few more, then you get your treat," you whisper, your voice low and seductive. "On your feet, puppy," you say, accompanied by a finger gesture.

Yujin rises gracefully, her arms lifting high above her head and crossing at the wrists. As she arches her back, pushing out her chest, she bites her lip and gazes at you with an intense longing. You come closer. As you cup her breast gently in your hand, Yujin shudders under your touch. To your caress, she arches deeper while she presses herself into your palm. Her body silently pleads for release from the building tension within her—she's not so silent. You continue to massage and explore her soft flesh, feeling the heat radiating from every inch of her skin. When you pinch her nipple between thumb and forefinger or knead the pliant tissue beneath your fingers, Yujin lets out soft whimpers.

Her nipples are hard as diamonds, and a hair's trigger away from causing another orgasm so soon with their sensitivity. They look delectable and you can't resist giving them the attention they deserve. It's also practice for when Yujin is pregnant, as you plan on sucking on them regularly then. Your lips start at her collarbone, eliciting moans from Yujin, before moving down to dive into the valley of her cleavage. You kiss and nip at the pale, sensitive skin of her tits before finally reaching her buds. You lose track of time as you lavish attention on Yujin's breasts, slicking them with your saliva until she looks like she's about to pass out in pleasure—the puppy truly is so sensitive there. But she stands strong for you, eager for more.

"Oh, god," you murmur huskily, your voice dripping with desire as you imagine Yujin's full, milk-filled breasts in your hands. "I can't wait to see them when you're pregnant. So much milk, so juicy and ripe." A smile spreads across Yujin's face at your words, her eyes shimmering with a combination of desire and love for you. You clear your throat. "Now, bow."

With practiced grace, she drops to her knees and bows her head in submission, her forehead touching the ground. Her long hair tumbles around her face, tickling her flushed cheeks. As she lifts her head to peek up at you through her thick lashes, a slight smile plays on her lips. She is proud of herself for remembering all the tricks, but her expression is still pleading for more.

"Mmm, turn around. All fours. One last time."

She complies, getting onto all fours and arching her back to present her ass to you. Her legs spread wider, revealing the slick pink folds of her pussy, glistening with moisture and awaiting your touch. For further measure, with one hand on each cheek, she pulls apart the mounds of her ass to expose her tight puckered asshole. Her juices flow freely down her thighs, leaving a trail on the hardwood floor beneath her as she quivers with anticipation.

"Well done," you praise, lowering yourself to the cool floor to caress Yujin's head, back, and firm ass. You run both your index and middle fingers along her slick slit, feeling the heat emanating from her core. With two fingertips against her entrance, you spread open her folds to inspect how ready she is for you before pushing in. Yujin moans and grinds her hips against your hand, craving more of your touch. You chuckle and withdraw your fingers from your girlfriend's dripping pussy; they glisten with her sweet nectar as you hold them up for her to see, like delicate strands of silk. You'd say she's ready.

She whimpers at the sudden lack of touch and watches intently as you lift your slick-covered digits to her nostrils. She inhales deeply, bites her lower lip, and squirms, her breathing ragged and quick.

"Does my little pup enjoy the scent of her own arousal?" you ask, a smug grin on your face. "That's the smell of a fertile bitch, eager to be bred."

Yujin eagerly nods her head, her eyes shining with desire as she opens her mouth, inviting you to let her lick your fingers clean.

You smirk at the display of submission; it sends a thrill down your spine, a jolt straight to your cock. "Beg like a good dog," you command, "then you can have my fingers to suck on."

After a deep breath, she barks like a loyal canine, then whimpers in need. Her voice is barely audible as she pleads for what she desires. "Please," she begs, her words coming out in soft whines like a dog begging for scraps. "Master, can I please suck on your fingers? I need it so badly." You let out a small chuckle at her plea, knowing that Yujin has been eagerly awaiting this moment. You smear some of her juices onto her cheek, causing her to instinctively try and lick them off but she quickly restrains herself.

You shake your head and tut disapprovingly, making a mental note to be stricter with Yujin during her training sessions. "Not quite good enough," you reprimand her lightly. Tears begin to prick at the corners of Yujin's eyes at your rejection and she sniffs back a sob. "Master..." she starts again, only to have her voice break off into whimpers and heavy breathing. "P-please let me taste myself on your fingers. I know I've been a dirty whore but you take such good care of me and my needy pussy. And I-I'm sorry for making a mess on your fingers but please, please let me clean them." Her words are rushed and desperate as she begs for your approval.

You're amazed at how well Yujin can act in these moments, pulling out all the stops to get what she wants. You suppose the intense teasing and edging you subject her to only adds to the sincerity in her words. Finally, you hold your fingers out to her, tracing teasing circles on her lips. Yujin obediently parts her mouth and takes your digits inside, her tongue swirling and dancing along the surface with eager diligence. She sucks harder, hollowing her cheeks and drawing your fingers deeper, until a low moan escapes from deep within her throat, causing a pleasurable vibration against your skin. Her gag reflex kicks in when the knuckles of your fist brush against the soft palate of her mouth, but she pushes through it, determined to please you.

As you slowly withdraw your fingers from her quivering, red lips, a slick sound echoes throughout the room. Your eyes are dark with hunger as you gaze down at Yujin, who looks up at you with adoration and submission. "How does your sweet pussy taste today, my little puppy?" you ask in a low, commanding voice.

Her breath hitches at your words, her eyes fluttering shut before she responds, "It tastes so good, Master, thank you, thank you. My pussy is always fresh and sweet for you."

You take a moment to taste her yourself and confirm her words—she's right. You continue. "You don't look satisfied. What is it that you really want?"

Her hand trembles as she reaches out to touch yours. "Please, sir," she begs in a hushed tone, "knock me up. I want your cum inside me so badly." Her cheeks flush with arousal as she continues, "I know I can be a naughty puppy sometimes, but my pussy is dripping wet and begging for every drop of your seed. I need to be bred by your big and thick cock... by my perfect Master's cock. It's unmatched and I couldn't even imagine wanting anyone else."

Yujin's grip on your hand tightens and her entire body quivers with anticipation, her eyes widening and mouth slightly agape as she takes deep breaths. She may look like a mess right now, but she's your mess and you love every inch of her in this moment.

Her breath catches in her throat as she confesses, her voice trembling with raw desire. "You're all I ever think about when I touch myself," she admits, the words pouring out of her in a torrent of pure desperation. "And I always pretend it's you who brings me pleasure, not my stupid toys when you're away at work." A deep blush spreads across her cheeks as she continues, "You own me, Master... and you own my pussy. Please cum inside me and make it yours forever."

Yujin falls silent after her confession, her face beet red. But she can't tear her gaze away from yours, as if seeking your approval and permission for her deepest desires.

"Yujin, puppy, are you sure? Once I breed you, I don't think I'll ever be able to stop breeding you." A wicked smile crosses your face as you continue, "I'm going to fuck you raw every single day and make sure to get you pregnant with my pups. It's going to be nonstop baby-making from now on. Do you understand?"

Yujin nods, her messy hair bouncing around as she lets out a small bark of excitement. Her big eyes are wide and pleading, begging for your touch.

You coo softly, a smile playing on your lips as you stroke Yujin's head with affection. You reach over the side of the bed and retrieve the familiar black leather collar, adorned with the word "Puppy." Yujin's eyes light up at the sight of her reward, and she sits patiently as you slip it around her neck, locking it in place.

"From now on, you're not just wearing the collar at home anymore," you explain. "But that doesn't matter right? You're my breedslut, so I might as well keep you leashed to the bed."

Yujin shivers at the idea, and you can feel your desire growing as your fingers brush against her skin. Gripping her hair firmly, you yank her head upward, making sure her gaze remains locked on yours.

"This means you belong to me at all times, Yujin," you growl. "You are mine, and no one else's. Do you understand?"

Release your grip, and Yujin sinks back down to her knees in front of your erection standing tall. You've never seen her so nervous about giving you head, but her determination is evident. She opens her pretty, plump lips to reveal the pink interior of her warm mouth, but all you feel is warm breaths.

Yujin moves closer to you, her body radiating heat and anticipation as she guides your throbbing cock toward her lips with a gentle hand at its base. She gives the head a teasing kiss before taking it into her mouth, eliciting a deep, primal moan from deep within your throat.

As she sucks you off, you can feel her soft, wet tongue swirling and spiraling around your shaft, coaxing every last drop of pleasure from you. Every now and then, she comes up for air with a gasp, before eagerly diving back down to continue pleasuring you. Yujin is a true cocksucker, and she loves every second of it. Her eyes water as she deepthroats your cock with determination, refusing to stop even as it triggers her gag reflex.

"Such a good girl," you say, running your fingers through her hair as you thrust deeper into her throat. "You're my obedient little puppy, aren't you?"

Yujin's eyes roll back in ecstasy as she feels your cock filling her mouth and pushing against the back of her throat. With strings of saliva connecting her lips to your cockhead, she looks up at you with a mix of desire and submission.

"Yes, I'm your good puppy," she says in a raspy voice, still gagging on your cock, a few nervous giggles, a few woofs for good measure, even as tears run down her cheeks. "I'm your slutty little puppy girl, and I love your cock and I need your cock and I'm going to suck it forever." And she's back to work, sucking and licking and gagging on your dick as if this is the only thing that matters to her in life.

Yujin's technique is nothing short of impressive, utilizing all of her skills to bring you closer to the peak. Every move is calculated and precise, expertly designed to pleasure you in ways you've never experienced before. You firmly hold her head down, using her as your own personal fleshlight as you give rough thrusts into her warm, welcoming mouth. Yujin struggles for air but never pulls away, fully submitting to your desires. Her delicate hands reach up to massage your balls, adding an electrifying sensation to the already intense experience.

You can feel yourself getting closer and closer to the brink, ready to explode down her throat at any moment. However, despite your animalistic instincts, every neuron firing within you is focused on breeding rather than covering her face and tongue with your seed. You know that it would be a waste to release such high-quality, potent cum anywhere other than inside her womb. Your rational brain understands this logic, even as your body screams for release.

Yujin will have plenty of time in her life to service you with her mouth; for now, her womb is more valuable in housing your powerful seed. Both your mind and body are in agreement on what they want - and right now, it's nowhere near Yujin's throat. As she continues to suckle on your throbbing member, you pull away from her grasp. Your hips ache with desire and a sense of incompleteness without Yujin's perfect mouth pleasuring you, yet the rush of power coursing through your body is almost intoxicating.

"Puppy, on the bed. Now."

Yujin scrambles to her feet, climbs onto the mattress. "What position, Master? Where do you want me?"

"On your back," you growl, pulling Yujin by her hair onto the bed so that her body is flat against the soft sheets. Her head falls onto the pillows behind her as she looks up at you with wide, waiting eyes."Good girl. Now lift your legs and spread them wide for me."

She immediately obeys, bending her knees and exposing her wet slit to you. You take her ankles and bring them behind her head, folding the girl in half so that you can truly mate-press her, pin her down with your body weight. Her pussy lips are engorged and puffy, and her clitoris protrudes from beneath the hood, throbbing with arousal. She opens her pretty labia wider with two fingers. The pink hole looks small enough that you would be unsure how you'd fit, even though you've fit in there plenty of times, more than you can count.

"L-look, at it, D-Daddy," Yujin stutters. "You're not just my Master, you're gonna be m-my Daddy, too."

With a low growl, you press your aching cock against Yujin's slick entrance. "You want it that bad? Beg for it."

Yujin whimpers and bucks her hips, trying to get more of you inside her. Yujin's voice fills with needy pleading. "Daddy, please, I'll do anything for you. Please, I need your cock more than anything."

"Anything?" you ask, your smirk widening.

Yujin nods eagerly, her hips bucking against yours. "Yes Master, anything! I'll do whatever you want. Just breed me like the slutty little puppy I am."

A wicked thought crosses your mind as you watch her squirm beneath you. "What if I tie you up like this and leave you here, completely at my mercy? You'll be spread open and exposed, unable to move until I decide to fill you."

Yujin gasps and moans at the idea, her body trembling with excitement. "Oh god, yes! Please do that! I'll be your fleshlight, whenever, always, please, just cum in me right now!"

An evil grin spreads across your face as you thrust into her harder, reveling in the power and control you have over her.

You slide your cock into her slowly, savoring every inch of her tightness. Her warmth envelopes you and it feels like heaven subverting God in its perfection.

Yujin's breath catches in her throat as she feels you finally sink deep inside of her, a long, primal moan escaping her lips. Her body trembles with pleasure and relief as she cries out, "Yes Daddy, I need to be bred!" With each thrust, she lifts her hips off the bed in search of more depth.

But you take control, refusing to let her dictate the pace. Your movements are strong and forceful, slamming into her again and again, igniting screams of ecstasy from her throat. "You're a breeding slut," you growl as you continue to drive into her slick heat. "My breeding slut. Mine." Her body quivers with each powerful thrust, unable to resist your dominance.

With a firm grasp on her ankles, you pull Yujin's legs down to either side of your body, opening her up completely for your pleasure. Her tight pussy squeezes around you with each thrust, driving you wild with desire. "When your breasts are swollen and full," you whisper in her ear, "I'll milk them like a cow and make you drink your own cream."

Her mouth falls open in bliss as she listens to your dirty talk. "Oh god yes!" she cries, her eyes rolling back in pure ecstasy. "Master, please breed me! Milk me! N-need it, so, so bad, mmfh, fuck!"

With each forceful thrust, the sound of flesh slapping against flesh echoes throughout the room. Waves of pleasure course through both your bodies as you ravage her cunt without mercy. The sight of her spread open and vulnerable beneath you is almost overwhelming. To distract yourself from the intensity, you roughly slap and squeeze her breasts, relishing in the satisfying jiggles and leaving red marks in their wake. "Puppy loves being punished, doesn't she?" you taunt, reveling in her screams of pleasure mixed with pain.

As her moans crescendo and transform into frenzied screams, you instinctively cover her mouth, despite earlier boasts of being as loud as you both want. Seeing your girlfriend in such a state of ecstasy (eyes rolled back in pleasure or perhaps lack of oxygen) ignites your own desire. Determined to prolong this moment, you abruptly pull out and flip her over onto all fours. For a puppy like Yujin, what other position would be more fitting?

Without hesitation, you plunge back inside her from behind, causing her to cry out in a mixture of pleasure and pain. The new angle allows for deeper penetration, her walls constricting around you in a tight embrace. With one hand gripping her hip and the other tangled in her hair, you claim her as yours by bending over and sinking your teeth into the soft flesh of her neck. Her skin turns from its usual pale hue to a rosy pink or fiery red as you mark her with rough fingers and sharp slaps to her ass. A mixture of sensations floods Yujin's body as she arches against you in submission.

Yujin meets your every movement with equal passion, pushing back against your length, as much as it may split her in half. Her arms give out and she collapses onto the bed as multiple waves of orgasm wash over her, until the metaphor spills out of her pussy in squirts. You have to pause for a moment and pull away from her tight heat to let her fully experience the intense pleasure engulfing her. Her thighs tremble and she struggles for breath, completely undone by your touch. And yet, this surrender to primal desires is nothing short of magic or art or beauty. She falls. Unwound, on her stomach, you give her as many moments as she needs. As she looks back at you through heavy-lidded eyes, a contented smile graces her lips.

It is necessarily true that humans have evolved a set number of genes that govern their physical form, and this number remains fairly consistent across different populations. However, there are exceptions: A 2015 analysis of DNA sequencing data found that the total number of human genes is not fixed, but varies depending on population, age, sex, diet, and other environmental factors. This finding is consistent with recent work that has demonstrated that the genetic code of a given cell is not static—instead, it changes slightly over time, as new mutations occur and older ones fade away. These mutations can affect the expression of certain proteins or alter the structure of certain RNA strands, thereby affecting how the gene is expressed and what function(s) the protein encoded by the gene fulfills. In short, our genomes evolve over time, and the process is not entirely random.

Humans have been around for thousands of generations, and yet they still exist today. Why do we believe that this pattern will continue for the foreseeable future when in reality, nothing is guaranteed? Evolutionary biologists have proposed a number of hypotheses regarding this question, including that humans are uniquely adaptable to environmental challenges and thus able to survive longer than many other species, and that our brains allow us to create tools that protect us from predators and disease. However, it is possible that these explanations are simply wrong. Perhaps humans were always meant to live forever. Maybe evolution made it so that we never grow old and die, and that death itself was merely an illusion created by our minds to keep us focused on surviving rather than procreating. Or maybe we will simply cease to exist someday. As long as chance determines our fate, we may never know for certain. But what remains clear is that relying on natural selection or external forces is not enough—we must actively make decisions in accordance with our individual interests.

This is not just abstract philosophy. This is the mindset you adopt as you forcefully drive your raw cock into Yujin's dripping-wet pussy, her body responding eagerly to your every thrust. With her submissive form lying beneath you, legs wrapped tightly around your waist, you have complete control over the pace and depth of your lovemaking. And as much as you enjoy taking her from behind, this is the best way to ensure the creampie takes. It's in your best interests. For the future's best interest.

We do not dwell on hunger pangs or fatigue, nor do we dwell on the satisfaction of satiation; we do not dwell upon the emptiness we feel after a good orgasm, because we assume that it was merely a temporary state, one which we must return from eventually. This mindset is what allows humans to achieve great feats, but also holds us back from reaching our full potential. When we fail, we often place blame on ourselves and our own perceived inadequacies, rather than acknowledging external factors. And when we succeed, we often underestimate our own abilities and attribute it to mere luck. This is the complex nature of human existence—the ability to push past pain and discomfort, to push ourselves beyond our limits without fear of consequences. It is a gift bestowed upon us by our biology and has enabled countless achievements that would otherwise be deemed impossible.

As you enter Yujin's tight and hot pussy, it feels as though it was custom-made for your cock. The fact that such a small and delicate thing can fit perfectly around you is a gift in itself. And despite having been with many women before, none have been as willing or enthusiastic as Yujin. Her moans fill the room with each thrust, her cries of pleasure echoing off the walls. You no longer care about being discreet. Let them hear. This is your bond, the mother-to-be of your children, irrevocably yours.

Yujin's voice, strained and desperate, begs for you to breed her. Her arousal is evident in the way she teeters on the edge of climax so soon after her last. But you know all the ways to push her over the brink, and this is your favorite. Slowly, deliberately, you draw out each pump of your hips, driving her insane with anticipation. With one hand, you reach between her legs and toy with her clit, rubbing circles over the swollen bud and teasing it relentlessly. Your other hand wraps around her smooth neck, squeezing just enough to restrict her breathing as you pound into her desperately. She whimpers and whines, struggling for air, her wide eyes staring up at you in shock.

"I'm going to knock you up, puppy," you growl into Yujin's ear. Her body trembles with ecstasy as your cock thrusts deep within her, giving no mercy as wave after wave of orgasmic pleasure racks through her, legs kicking wildly.

Humans are social creatures, defined by communication, which most commonly takes the form of exchange: exchange of ideas between individuals—we invented language for it—exchange of goods or resources, even exchange of genetic information through intercourse. This is the fundamental mechanism by which our species has survived and thrived for thousands of generations. Of course, exchange itself begets more exchange. For instance, offering food to someone may result in them giving you food back the next day, while giving advice can earn you gratitude and offers of assistance. In sexual relationships, this reciprocity can take the form of mutual pleasure and sharing intimacy. However, at times, the balance of power can become unequal and one-sided. You tighten your grip around Yujin's neck, cutting off her air supply as she gasps and wheezes beneath you with wild eyes. At that moment, you have complete control over her and plenty of DNA to put inside her. Less girlfriend, more of a mere receptacle, Yujin lays limp in your arms. You feel closer to her than ever before while you build towards your own release.

Releasing your hold on her neck, she takes in deep breaths—her chest heaving with each labored inhale. Yet even these breaths are taken from her as you steal them back with kisses before finally consummating the act. Through it all, Yujin smiles against your lips—the roughness and love intertwining in a beautiful dichotomy that continues to prove false in practice. No need for words as she tells you how much she loves you, how much you love her. It is an unspoken bond between lovers, solidified in moments like these.

As you feel yourself reaching the edge of climax, your body tenses with anticipation. The sweet ache in your loins intensifies as you know that Yujin's womb is aching to be filled with your potent seed, yearning for your offering, your gift to her. The scent of arousal fills the air, mingling with the sound of heavy breathing and skin slapping against skin. You are on the brink of eruption when suddenly, without warning, you feel her body spasm violently beneath you—exchange begets exchange—and her walls clench as though she's out for every last drop of your load. And if she's not out for that, at least she's out—there is not a thought left on Yujin's face, eyes crossed, her lips curled into a blissfully stupid grin as the euphoria of her climax consumes her completely, washing away all rationality and replacing it with pure ecstasy. Try as you may to hold back, there's no stopping the freight train. Your own mind burns with the image of her face, knowing that this is the moment your child will be conceived. With one final thrust, you surrender completely to the waves of pleasure crashing through you both.

Yujin's body continues to ride out the aftershocks, her walls clenching tightly around you as you fill her with your hot load. Your seed coats her insides, painting them with thick jets of sticky white liquid. She milks every last drop from your shaft as you convulse violently, lost in the throes of pure bliss. All other thoughts fade away as her pussy becomes your entire world, drowning out everything else.

In this moment, you imagine a future where Yujin remains your devoted pet forever. The thought fills your heart with joy and you know it will soon become reality. You will breed her until she is heavy with pups, and then do it again and again until… there is no until. This is your destiny, and nothing could make you happier.

As Yujin whimpers and nuzzles against you in post-orgasmic bliss, you cradle her close, stroking her hair and whispering soft words of comfort into her ear. "You're going to be such a good mommy," you groan, a swell of pride washing over you like the sunrise. And in this moment, you imagine a future where you could stay inside Yujin forever.

Before she relaxes, Yujin gestures towards the nightstand drawer and you rummage through it until you find a small dildo. She takes it from you and pushes it into her still-quivering pussy alongside your softening cock. It's a tight and intense sensation, but one that you enjoy knowing that you are still locked inside her. You smile down at Yujin lovingly, pressing a gentle kiss to her forehead.

"Good thinking," you murmur, "we need to keep your pussy plugged tight so my seed can take hold."

This detail may not have been mentioned in any books about conception, but you find yourself laughing and going along with it anyway. As your mind wanders to how important this is for Yujin (and how turned on she must be), you consider taking advantage of her other free hole despite your body tingling from the most intense climax of your life. But you decide to save that for another time.

As your shared exertions begin to subside, your bodies relax against each other. Yujin's breathing slows as she drifts off into exhaustion. You finally pull out, but keep the toy in place to ensure none of your precious semen escapes. Finding a pair of panties nearby, you use them to secure the toy before covering Yujin with the blankets. You slip beneath the covers as well, pulling her close and holding her protectively until she falls asleep.

"I love you so much," you whisper, planting a gentle kiss on Yujin's temple before drifting off beside her, basking in the warm glow of the morning light. In this moment, you feel fulfilled and content in ways that words cannot express. You've never been happier or felt more alive. And wrapped in the arms of your perfect puppy girlfriend, soon to be your wife and the mother of your child, you know that this is where you belong, with many more days like this yet to come.

With that comforting thought in mind, sleep claims you both.

✦✧✦✧✦✧

As consciousness slowly seeps into your mind, you are greeted by the sound of slurping and wet warmth between your legs. Your eyes flutter open to see Yujin kneeling beside the bed, her lips wrapped around your cock. In her hand is the smaller dildo from earlier in the morning; on the floor underneath her is a larger silicone dildo with a suction base, which she's slowly bouncing on. The scent of sex fills the room, accompanied by the soft moans coming from Yujin's lips, received in vibrations by your member.

She sucks back and forth between the smaller dildo in her hand and your cock, as if cleaning both with fervent desire. Her taste buds must be bombarded with the flavors of dried cum and her own nectar, yet she continues to suck on both like candy. Despite having barely been asleep for two hours, your girlfriend seems to possess boundless energy.

"What are you doing?" you murmur groggily, rubbing sleep from your eyes. Glancing at the clock, you realize it's not even noon yet. You must have only drifted off a couple of hours ago—but it seems like Yujin was too aroused to let you get any decent rest. The consequences of keeping her on edge for so long.

Setting aside the smaller dildo, Yujin pulls her lips away from your member momentarily, a strand of saliva connecting her mouth to your glistening cockhead. Her eyes sparkle mischievously as she says in a bratty tone, "Master, you promised me that you were going to breed me!"

A smirk crosses your face as you reply, "I did."

"Nuh-uh," she retorts. "I won't believe it until I feel your baby growing inside my belly." A devilish grin spreads across her face. "So until then, I'm not letting go of your cock!" With a playful giggle, she resumes pleasuring you orally while riding the dildo at the same pace. As her mouth goes down on your cock, she takes the toy deeper into herself.

You can't help but agree with her logic—even with all day and all weekend, breaks for basic needs like eating and using the bathroom are inevitable. Might as well start now. Plus, Yujin looks so damn cute with her mouth full of your meat. It makes you want to cum in her throat just for being so adorable.

Your hand reaches down to stroke her hair, gently guiding her movements. "That feels good, Yujin. But just so you know, I plan on cumming in your pussy again, not your stomach."

She nods with your shaft still between her lips, murmuring, "Yes, Daddy," before returning to fervently sucking and stroking your length.

A content smile spreads across your face as you lean back against the pillows. Watching Yujin pleasure herself on your cock reminds you that this is exactly how things are meant to be between the two of you: Her worshiping your cock with her skilled mouth; you reveling in the sight and sensation. There is, of course, one more hole you'd like to fill while you're still in bed, but it can wait till after breakfast. For now, you're happy to let your girlfriend suck away.

The blowjob feels incredible—her mouth is so soft and hot that you can hardly stand it. Your fingers thread through her hair as you encourage her to bob down further and further onto your length each time. Even with the intensity of your last orgasm, you're renewed by the sheer force of her devotion, ever a smile curling up at the corner of your lips as her eyes water with the effort of taking more of you into her throat. Yujin gags, her body convulsing as the tip of your shaft hits the back of her throat, but she refuses to stop, determined to swallow your entire length into her mouth and beyond—she loves it, craves it, needs it.

In a way, oral sex is evolutionary cheating: A female's reproductive tract is optimized for conception, which requires a relatively high amount of energy to maintain, but oral stimulation doesn't result in pregnancy; it's a waste of energy. Thus, it makes little sense biologically for females to enjoy giving oral sex, but at least in the example on her knees, they love it more than the world. You watch in awe as she sucks you off, her eyes closed in concentration as she focuses all her attention on pleasuring your manhood. She moans softly, her tongue caressing the underside of your shaft while she continues to suckle, licking every inch of you. Her technique is flawless, and she knows it—she knows that every movement, every flick of her tongue sends shivers of pleasure up your spine, and she relishes the fact that you can barely contain yourself from cumming right in her mouth. She wants it badly, too—you can tell by the way she keeps looking up at you with those wide puppy eyes, pleading silently as if to say "please cum in my mouth, Daddy, I want to taste it, to eat it. We can keep breeding later, but I need this right now."

You can tell that she's not going to let up until you finish in her mouth, so there's no point in trying to hold on. You let yourself fall over the precipice, and you groan loudly, your hips jerking forward involuntarily as you erupt, shooting hot jets of your semen straight down into her stomach, as her own orgasm hits her hard—she's already so turned on that the feeling of your seed splattering into her stomach sets off her own climax immediately after yours, and her body shakes and trembles.

You pull out from her mouth with a wet pop, your cock slick with saliva as it slips free—it's hard again already. Yujin is panting heavily, her body flushed pink from arousal and exertion. Her eyes are wide and bright, and they're locked onto you, watching every little motion you make as if afraid to miss a single thing.

"Yujin. We're getting lunch. Then we're fucking in the kitchen." She beams and jumps up, excited to follow your orders. You smile to yourself; she's such a silly girl sometimes. But you wouldn't trade her for anything in the world.

You get out of the bed. "Come on, pup."

Yujin follows after you eagerly, imagine a wagging tail behind her, and you both head downstairs to the kitchen.

✦✧✦✧✦✧

AFF, AO3

This final ending section is incomplete and reasonably should just be cut or completed, but it's what you're getting.

[secretmellowblog]

Another reason I dislike Les Mis adaptations that make Jean Valjean constantly openly angry/violent is because they miss that Jean Valjean is not allowed to be angry. The fact he is forbidden from expressing anger is, I argue, actually a very important part of his character in the novel!

One of the subtler political messages of the story is that some people are given freedom to express anger, while others are forced to be excessively meek and conciliatory in order to survive.

Wealthy conservatives like Monsieur Gillenormand can “fly into rages” every five minutes and have it treated as an endearing quirk. Poor characters like Fantine or Jean Valjean must be constantly polite and ingratiating to “their superiors” at all times, even in the face of mockery and violence, or else they will be subjected to punishment. If Gillenormand beats his child with a stick, it’s a silly quirk; if Fantine beats a man harassing her, she is sentenced to months in prison.

(Thenardier and Javert are interesting examples of this too. Thenardier acts superficially polite and ingratiating to his wealthy “superiors” while insulting them behind their backs. Javert, meanwhile, is completely earnest in his mindless bootlicking. But I could write an entire other post on this.)

The point is that….Jean Valjean has to be submissive and self-effacing, or he puts himself in danger. He can’t afford to be angry and make scenes, or he will be punished. The only barrier between himself and prison is his ability to be so “courteous” that no one bothers to pry into his past.

Jean Valjean is excessively polite to people, in the way that you’re excessively polite to an armed cop who pulls you over for speeding when you secretly have a few illegal grams of marijuana in the your car trunk. XD It’s politeness built on fear, is what I mean. It’s politeness built on a desperation to make a powerful person avoid looking too closely at you.

It’s politeness at gunpoint.

Jean Valjean has also spent nineteen years living in an environment where any expression of anger could be punished with severe violence. That trauma is reflected in the overly cautious reserved way he often speaks with people (even people who are kind and would never actually hurt him.)

So adaptations that have Jean Valjean boldly having shouting matches with people in public and beating cops half to death without worrying about the repercussions just make go like “???”

Because that’s part of what’s fascinating about Jean Valjean to me? On one hand, he is a genuinely kind compassionate person, who cares deeply about other people and behaves kindly out of altruism. But on the other hand, he was also “beaten into submission” by prison, and forced into adopting conciliatory bootlicking behaviors in order to survive. And it can sometimes be hard to tell when he is being kind vs. when he is being “polite” — when he is speaking and acting out of earnest compassion vs. when he is speaking and acting out of fear.

The TL;DR is that I think it’s important that even though Jean Valjean is very (justifiably) angry about the injustice that was inflicted on him, his anger is harshly policed at all times— by other people, and by himself. He has been told his anger is wrong/selfish so often that he believes it. His anger takes weirder more unhealthy forms because he has no safe outlet for it. His rage at society becomes a possessiveness towards Cosette and silent hatred of Marius, but primarily it becomes useless self-destructive constant hatred of himself. And while I might be phrasing this wrong, I think that’s what’s interesting about Jean Valjean’s relationship with anger— the way his justified fury at his own mistreatment gets warped into more and more unhealthy forms by the way he’s forced to constantly repress it.

[nellasbookplanet]

Book recs: the evil fungi did it

We all know of The Last of Us, but that franchise isn't the only example of fungal invasions. We've got zombies and apocalypses, we've got gothic horror, we've got fantasy, we've got romance, we've got space - no genre is safe from having their characters become the home of fungal organisms.

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

If you want more book recs, check out my masterpost of rec lists!

The Girl with all the Gifts (The Girl with All the Gifts series) by M.R. Carey

Want another fungal zombie apocalypse? Then I come bearing great news! The Girl with All the Gifts is a post apocalyptic novel following a group of characters fleeing across an infested wasteland, trying to stay alive and hoping to find a cure. One of the characters is Melanie, a young girl who carries the contagion inside of her and hungers for flesh, but like many children of the apocalypse has kept her humanity. Is she and children like her the answer to the cure we are looking for? Or are they the start of something entirely new? This book has also been adapted as a movie!

Cold Storage by David Koepp*

Years ago, a quickly growing fungal organism capable of wiping out humanity came dangerously close to spreading. It was contained and kept in cold storage underneath a military repository. Since then, a larger storage facility has been built on top, the dangers on the lower floor being largely forgotten. That is, until it makes a new attempt at escape. Now, two unsuspecting security guards might be all that stands in the way of complete extermination. This book is both funny and genuine in its characters, and genuinely creepy in its portrayal of body horror.

Salvaged by Madeline Roux

Rosalyn Devar is on the run from her famous family, and has run so far she ended up in space. Now she works as a "space janitor", being sent off to clean up the remains of failed research expeditions. But in trying to cope with her problems, she has fucked up on her job multiple times, and is now close to losing her position. Her last chance is the Brigantine: a research vessel gone silent, all crew presumed dead. But when she arrives to salvage it, Rosalyn discovers the crew isn't as dead as presumed. But are they still human - and will Rosalyn be able to keep her own humanity?

The Annual Migration of Clouds by Premee Mohamed

Novella. Reid is a young woman living in a small community after a climate collapse. Resources are scarce, but Reid's biggest problem is Cad, a mind-altering fungal parasite that lives inside her body. When she is offered a rare chance at attending a far-away university in a secluded dome community, Reid must decide whether to leave or stay to help support her community.

Mexican Gothic by Silvia Moreno-Garcia*

Noemí Taboada is a glamorous and well-off young woman, but when she receives a frantic letter from her newly-wed cousin, Noemí must leave her glamorous life and travel to find out what is wrong. As she arrives at High Place, a mansion on the Mexican countryside, Noemí is met with mysteries and her cousin's new English family. As she tries to find out the truth behind High Place and its inhabitants, Noemí's only ally is the youngest son of the family. But will she be able to find out what so scared her cousin before it's too late for all of them?

Sorrowland by Rivers Solomon

A young pregnant woman flees a cult that left her body strange and changing in terrifying ways. Hiding from both a world wanting to oppress her and the cult seeking to force her back, she does her best to raise her children while trying to find out the truth of the cult and being pursued by a hunter in a dangerous game of cat and mouse. Bleak and scary, Sorrowland is a book that will creep under your skin with horrors both fantastical and very, very real.

What Moves the Dead (Sworn Soldier duology) by T. Kingfisher

Novella. Alex Easton, retired soldier, travels to visit their childhood friends, siblings Madeline and Roderick Usher, after finding out that Madeline is dying. In the siblings' rural, ancestral home, Madeline walks in her sleep and looks to be fading away, while around it wildlife seems to be possessed by a strange force. With the help of a mycologist and an American doctor, Alex attempts to save Madeline and reveal the truth of her illness.

Wanderers (Wanderers duology) by Chuck Wendig

A strange illness has struck the United States: with no warning, random people with seemingly no connection simply get up and start walking. They do not eat, do not sleep, do not communicate, and they do not stop - and if you try to force them, they literally explode from the inside. Teenaged Shana isn't one of these sleepwalkers, but her little sister is. Unwilling to leave her sister on her own, Shana accompanies the growing flock of walkers, protecting them as one of many "shepherds". And this protection proves necessary, as the sleepwalkers is only the first step toward what might very well be the extinction of the human race. An 800 page epic, Wanderers is a slowburn apocalypse story with a multitude pov characters and plot threads, from fungal pandemics and all-knowing AI to the all too real portrayal of radicalization and bigotry.

The Dawnhounds (The Endsong series) by Sascha Stronach

The Dawnhounds is a book where you just kind of have to let the story and the world wash over you. It skirts the line of scifi and fantasy, with a futuristic world of environmentally friendly mushroom houses and deadly fungi bio weapons next to literally god-given superpowers and near-immortality. It’s really cool and unlike anything else I’ve ever read, but also a bit confusing. Bonus: it’s also sapphic!

Agents of Dreamland (Tinfoil Dossier trilogy) by Caitlín R. Kiernan

Novella. A government agent known only as the Signalman; a cult preying on the young and vulnerable, promising to usher in a new age; a woman who exists outside of time, searching for a way to save humanity. Agents of Dreamland is short, but includes many spooky elements, among them an alien and possibly world-ending fungi. The narrative is non-linear and a bit strange, but also fascinating.

The Genius Plague by David Walton

Soon after landing his dream job at the NSA, things get weird for Neil Johns. His brother Paul, a mycologist, returns from a trip to the Amazon, carrying a nearly lethal fungal infection and a strangely sharpened mind. At work, Neil starts picking up mysterious messages originating out of South America, where cases similar to that of Paul starts occurring. And strangest of all: all the infected seem to be working towards the same goal. Recommended with the caveat that, while the fungal stuff is really cool, The Genius Plague is also happy to idolize American intelligent agencies and demonize environmentalism and anti-imperialism.

Little Mushroom: Judgement Day (Little Mushroom duology) by Shisi

An Zhe isn’t human. He’s a mushroom who absorbed the DNA of a dying man, allowing him to take on human guise and leave the wilderness. Entering one of the last human bases, a place struggling to keep out the mutated and dangerous creatures of the wilds, An Zhe must keep his identity secret as he searches for something which was taken from him. While not my cup of tea (frankly, I need more female characters), Little Mushroom is an undeniably unique m/m romance novel.

Bonus AKA these don't technically involve any fungi but have similar vibes of parasites and nature corrupting the human

Parasite (Parasitology trilogy) by Mira Grant*

In the near future, a great leap in medical science has improved human health by leaps and bounds: a genetically engineered tape worm. Within a few years, almost every human has their own personal parasite implanted. But now, something is happening to the parasites - they want more, whether their hosts want to share or not.

Annihilation (Southern Reach trilogy) by Jeff Vandermeer

For decades, Area X has been completely cut off from humanity. The only ones to enter are small organized expeditions, many of which never return, or return... wrong. We follow the latest expedition, its participants known only as the anthropologist, the psychologist, the surveyor, and our narrator, the biologist. As they enter into Area X to try to find out its secrets, only one thing is for sure: they will never be the same again.

Wilder Girls by Rory Power

Young adult. Over a year ago, the Raxter School for Girls was hit by the Tox, a strange disease that killed off many and left the survivors' bodies slowly changing in terrifying ways. The island the school is on has been in quarantine since then, and the girls dare not leave the school grounds lest they become victims of wild animals changed by the Tox. But as they wait for the promised cure, one of the girls goes missing, and her friends are willing to do anything to find her. Unsettling, spooky, and sapphic, this is a unique read featuring body horror and messy, dangerous girls.

(Second) Bonus AKA I haven't read these yet but they seem really cool

City of Saints and Madmen (Ambergris trilogy) by Jeff Vandermeer

Ambergris, a city created by a mushroom-like people, is now the home of humans, but the original inhabitants are still there, residing beneath the city.

Creatures of Want and Ruin (Diabolist's Library series) by Molly Tanzer

It’s the prohibition era, and while Ellie does fishing during the day, at night she bootlegs moonshine in Long Island. But unbeknownst to Ellie, some of the booze she smuggles has a strange source: distilled from mushrooms by a cult, it causes those who drink it to see terrible things, such as the the destruction of Long Island.

Bloom by Wil McCarthy

The inner solar system has been overtaken by fast-reproducing, fast-mutating technogenic life. Humanity has fled to the outer solar system, hiding beneath the ice of Jupiter's moon, but even here they aren't safe from possible incursion of mycospores, which lead to deadly blooms. Now a group of astronauts venture back to an infected Earth.

[foone]

Games are kinda weird as a creative medium because it's one of the few where it's possible to be incredibly incompetent at one of the major parts of it (the programming) and it not be noticeable in the end product.

Like, if you're a musician who can't sing or play your instruments worth a damn, that definitely comes across in the final product, no matter how good you are at lyrics or composing.

Making a movie? It doesn't matter how great the script is, if your performers can't act and your cameraman doesn't know which end points towards the action, your movie is going to be noticeably bad.

But games? There are games that have sold a bunch of copies, developed by one person, with brilliant game design, highly playable, not noticeably buggy, but if you look inside them it'll turn out it's just absolute dogshit. They barely are holding up against the strain of just existing.

The kind of game that when the sequel comes out, they just throw it all out instead of reusing any code, because it's all so terrible that it'd be more work to adapt any of it than to just burn it.

That happens so often. But you would never guess it from just playing it. Like, if you think about "badly programmed games" you get things like "skyrim", which is just... Not exactly right.

Skyrim has lots of bugs but that's because it's trying to do so much. It's simulating a huge world with so much interactivity and so many complex interacting systems, that it's almost inevitable that it'll have weird glitches. It'd take so much playtesting and careful bug fixing to make that game glitchless, and they clearly did not do that. The game is known for glitches, but not crashing (unless modded), suggesting their QA approach was "weird unexpected stuff can happen, but the game must continue working".

Or Pokémon red/blue! That game is so glitchy, with so many bugs, but a lot of that is that it is just stuffing way too much game on a tiny cartridge. Its only failing is that of Icarus: it flew too high, too close to the sun, it did too much.

Skyrim and Pokémon gen1 are examples of amazingly coded games, even if they have their glitches.

But there's games that seem to work just fine that are held together with toothpicks and duct tape, at best. They're immensely fragile, and they only work at all because the crash bugs were fixed, painfully and slowly, far more painfully than they would have been if the program had just been designed correctly in the first place.

Just absolute disasters of game programming, but then those games go on to be critically acclaimed and start entire mini-genres because of how influential they were on certain gaming niches.

But you'd never know! That's the weird thing to me.

[togglesbloggle]

Evolution, Metaphor, and the Meaning of Gay Alligators

A few times recently, I’ve run across discussions about animal sex that are wrong in interesting ways.  I don’t want to derail those conversations, and I certainly don’t want to call out anybody in particular, so I’m branching off here- but the most recent one was in the notes about the discovery (original paper) that most alligator sex is between two males.

Anyway, a not-uncommon element of these discussions is for somebody to frame animal homosexuality as ‘confusion’, particularly with simpler animals.  The idea behind this isn’t too tricky: it proposes that the animal’s sexual instinct is functionally oriented towards (or intended for) heterosexual coupling and reproduction, but that the perceptions and processing power of the animal’s brain are too limited to reliably distinguish between the sexes.  As a result, simpler animals of the same sex may occasionally copulate with one another by accident, as one of the failure modes along the way to biological reproduction.

If you are a card-carrying member of the Tumblrati, the word ‘heteronormative’ might well be in your brain already, and fast approaching your tongue.  You might be building an argument about how sexuality has social as well as reproductive functions, that a lack of human imagination doesn’t prevent evolution from building towards homosexuality for its own reasons, and anyway human sociolinguistic concepts are a lousy fit for animal behavior.  These are pretty good arguments, but I’m asking you to pause that line of thought briefly; it’s not where I’m going.

Animals confound us in an interesting way: their agency is without question, but their sapience is limited, and we struggle to imagine ‘what it’s like to be an alligator’ for that reason.  What is it like, after all, to be conscious but not self-aware?  So when we ask ourselves why an animal does what it does, we tend to use evolution as a way to paper over that gap, and say “well, the alligators must be having sex in order to reproduce and succeed as organisms.”  Persistently, in odd and elaborate ways, we make this assumption that animals are themselves pursuing adaptive fitness in a way that’s much more direct than humans do, as if natural selection were a motive for animal behavior and not just an explanation for it.

This is the deeper and more interesting error that I’m trying to chew on.  The ‘mistake’ theory of animal homosexuality assumes that animals are motivated to pursue biological reproduction, not because of what we know about them as individuals or as a species, but because of what we know about the forces that produced them.  This assumption gets silently made in the case of alligator sex in part because we often make this assumption, it’s nearly our default way of thinking about these things.  

I’m very sympathetic to this error!  Biology and especially anatomy is our go-to example of purpose in nature; questions like “what are your lungs for?” have obvious (if surprisingly sophisticated) answers.  Behavioral instincts are a little more complicated, but it’s still kind of the same thing- we can cogently talk about the reasons why we shiver when we’re cold, for example.  And every time we have this conversation, natural selection is looking over our shoulder waggling its eyebrows at us.  This kind of language can be very, very misleading, inviting a slip from “we <are born with an involuntary reflex to> shiver in the cold because it helps us survive,” to “we <agentically prefer or choose to> shiver in the cold because it helps us survive.”  It’s practically designed to trip us up like this.

I think this happened in our language because of the theological fights around evolution in the early days of its discovery.  You know how it was- Darwin, the monkey trials, all that nonsense.  Natural selection accounts for biological diversity and the seeming-purpose of natural forms in a way that requires no conscious designer (or Designer), and so what might have been a purely scientific discovery also ended up blowing a hole in the social and religious functions that that sense of purpose provided- and was called upon, in some ways, to fill that hole again.  Evolution got smooshed into a sort of theological shape, and now we have the sort of culture where the phrase “evolutionary imperative” feels like it makes sense to us instead of being an obvious contradiction in terms.

That theological shape comes back again and again when we try to speak poetically about natural selection, because it’s always lurking very shallowly under the surface.  In these failure modes, we talk about natural selection in almost filial terms, a generative entity that hangs out in a workshop occasionally holding up new animals for our perusal; it’s hiding behind Kipling’s ‘gods of the copybook headings’, NRx’s ‘gnon’, Scott’s ‘Goddess of Cancer,’ and so many others.  I did it a little bit myself, not three paragraphs ago!  I called evolution “a force that produced them,” like it was some sort of creator-deity sculpting gay alligators out of clay.  Like “what evolution wants” is something that a person can talk about…

Metaphors and language are hard, but I’ve been trying to think a lot lately about how to build a story about evolution in my head that doesn’t have this problem.  Something passive, you know?  Something that doesn’t have the property of being a designer, doesn’t tempt us into treating ourselves and the organisms sharing our world as if we were all agents of some Lovecraftian entity.

I’m not entirely satisfied with my answer just yet, but for now, I’m trying to let evolution be a labyrinth.  It’s filled with twisting corridors and strange rooms, dead ends and loops, and terrible, deadly traps.  It’s unfathomably large, and mostly empty- even though trillions and trillions of us have explored this maze, we’ve only really seen a small part of it, and out beyond the edges of our knowledge, there’s still mile after endless mile of quiet, dark corridors that have never known a footfall.  

It’s not a comforting place, and even though we were born here, it’s not really home; it’s not something built for us, or one that’s especially concerned with our wellbeing.  But the thing about this labyrinth is that most of the rooms have prisoners in them, strange and unfamiliar beings held in stasis and waiting for the door to open so they can spring into life and begin their own wandering.  And this is a treasure of a kind, if you want to see it that way; not wooden chests full of gold coins, perhaps, but something new and beautiful all the same.  And if that’s not reason enough to explore the maze, to go out beyond the relative safety of the room you were born in- then, well, there’s always the rumors that there’s a real exit, hidden somewhere among the twisting corridors.

It’s… not bad, I guess?  The metaphor has its uses.  

I think it does a decent job of capturing and illuminating lots of our moral intuitions; bioconservatism (and to a lesser extent, social conservatism) as a refusal to explore the maze, rejecting the insane dangers of exploration and the questionable rewards of the search and instead preferring to stay at home in the room where we were born– still trapped in the labyrinth, but at least alive, at least for a while.  It shadows that position with the correct amount of irony, reminding us that human existence follows from a four-billion-year history of discovery, adaptation, and mutation by nonhuman organisms; it reminds us that the discovery of human beings came at a terrible cost for those who came before us.  And importantly, it allows any given organism to be a thing-in-itself.  Sure, life originates in certain places and certain patterns according to the latent shape of the labyrinth (though my metaphor isn’t very good at describing that shape…), but it’s free to act as it prefers, and live or die by those choices.

My hope, anyway, is that by dwelling on this metaphor, and stepping back from all the talk about creators and purposes and imperatives, you’ll find it easier to see what ought to have been fairly obvious to us: alligators have gay sex because they think the other alligators are sexy, and they want to have sex about it.

The questions that follow after, like “why do alligators find each other sexy?,” are also important!  It is vital to learn as much about the shape of this labyrinth as we can, the better to traverse it safely, to explore it comprehensively, and maybe even to find the exit.  But those are different questions, and conflating them can only lead to confusion.  We must begin by acknowledging that we and our fellow-travelers on Earth do not exist for the sake of natural selection, and that any willful concessions to it are strategic, not moral.  The creatures all around us- human and otherwise- carry their own motives and their own reasons within themselves.  To live in the world as it is, we have to confront that radical pluralism head on, and not try to wipe it away by pretending these are all just masks over some domineering force of nature puppetting them towards inscrutable ends.

[bestanimal]

Round 1 - Phylum Arthropoda

(Sources - 1, 2, 3, 4)

Arthropoda is a phylum of animals that have segmented bodies, possess a chitin exoskeleton, and have paired segmented appendages. They are colloquially called “bugs” though this is often only used for terrestrial arthropods, and sometimes only used for insects specifically.

After Nematoda, this is the most successful phylum, and it is far more diverse, with up to 10 million species! Arthropods account for 80% of all known living animal species. The three major subphyla include the Chelicerates (sea spiders, horseshoe crabs, arachnids, and the extinct eurypterids and chasmataspidids), the Myriapods (centipedes and millipedes), and the Crustaceans (shrimps, prawns, crabs, lobsters, crayfish, seed shrimp, branchiopods, fish lice, krill, remipedes, isopods, barnacles, copepods, opossum shrimps, amphipods, mantis shrimp, entognaths, and insects).

Arthropods are so diverse in fact that it is next to impossible for me to describe a model arthropod. They are important members of marine, freshwater, land, and air ecosystems and are one of only two major animal groups that have adapted to life in dry environments, the others being chordates. All arthropods have an exoskeleton and must molt as they grow, replacing their exoskeleton. Some arthropods go through a metamorphosis in this process. They have brains, a heart, and blood (called hemolymph, though some crustaceans and insects also use hemoglobin). They sense the world through small hairs called setae which are sensitive to vibration, air currents, and even chemicles in the air or water. Pressure sensors function similarly to eardrums. Antennae monitor humidity, moisture, temperature, sound, smell, and/or taste, depending on species. Most arthropods have sophisticated visual systems ranging from simple eyes (ocelli) which orient towards light, to compound eyes consisting of fifteen to several thousand independent ommatidia capable of forming images, detecting fast movement, or even seeing polarized or ultra-violet light. Some arthropods are hermaphroditic, some have more than two sexes, some reproduce by parthenogenesis, some by internal fertilization, some by external, some have complex courtship rituals, some lay eggs, some give live birth, some have prolonged maternal care. The first arthropods are known from the Ediacaran, before the Cambrian era.

Propaganda below the cut:

Insects are the first animals to have achieved flight

The smallest arthropods are the parasitic crustaceans of the class Tantulocarida, some of which are less than 100 micrometres long. The largest arthropod is the Japanese Spider Crab (Macrocheira kaempferi) with a legspan of up to 4 metres (13 ft) long. The heaviest is the American Lobster (Homarus americanus), which can get up to 20 kilograms (44 lb).

Many arthropods are popular pets, including various species of crab, shrimp, isopod, crayfish, mantis shrimp, millipede, centipede, tarantula, true spider, scorpion, amblypygid, vinegaroon, mantis, cockroach, beetle, moth, and ant! Some are even domesticated, including silk moths and honeybees.

Many arthropods are eaten by humans as a delicacy, and farming insects for food is considered more sustainable than farming large chordates. These farmed arthropods are referred to as “minilivestock.”

Arthropods feature in a variety of ways in biomimicry: humans imitating elements of nature. For example, the cooling system of termite mounds has been imitated in architecture, and the internal structure of the dactyl clubs of mantis shrimp have been imitated to create more damage tolerant materials.

Spider venoms are being studied as a less harmful alternative to chemical pesticides, as they are deadly to insects but the great majority are harmless to vertebrates. They have also been studied and could have uses in treating cardiac arrhythmia, muscular dystrophy, glioma, Alzheimer's disease, strokes, and erectile dysfunction.

Shellac is a resin secreted by the female Lac Bug (Kerria lacca) on trees in the forests of India and Thailand. It is used as a brush-on colorant, food glaze, natural primer, sanding sealant, tannin-blocker, odour-blocker, stain, and high-gloss varnish. It was once used in electrical applications as an insulator, and was used to make phonograph and gramophone records until it was replaced by vinyl.

One of the biggest ecosystem services arthropods provide for humans is pollination. Crops where pollinator insects are essential include brazil nuts, cocoa beans, and fruits including kiwi, melons, and pumpkins. Crops where pollinator insects provide 40-90% of pollination include avocados, nuts like cashews and almonds, and fruits like apples, apricots, blueberries, cherries, mangoes, peaches, plums, pears, and raspberries. In crops where pollinators are not essential they still increase production and yield. Important pollinators include bees, flies, wasps, butterflies, and moths.

Many arthropods are sacred to humans. In Ancient Egypt, scarab beetles were used in art, religious ceremonies, and funerary practices, and were represented by the god Khepri. Bees supposedly grew from the tears of the sun god Ra, spilled across the desert sand. The goddess of healing venomous bites and stings, Serket, was depicted as a scorpion. Kalahari Desert's San People tell of a legendary hero, Mantis, who asked a bee to guide him to find the purpose of life. When the bee became weary from their search, he left the mantis on a floating flower, and planted a seed within him before passing from his exhaustion. The first human was born from this seed. In Akan folklore, the cunning trickster figure Anansi/Ananse is depicted as a spider. Western astrology uses the crab constellation, called Cancer, and the scorpion constellation, called Scorpio. Dragonflies symbolize pure water in Navajo tradition. In Anishinaabe culture, dreamcatchers are meant to represent spiderwebs and are used as a protective charm for infants. They originate from the Spider Grandmother, who takes care of the children and the people of the land in many Native American cultures. The Moche people of ancient Peru often depicted spiders and crabs in their art. In an Ancient Greek hymn, Eos, the goddess of the dawn, requests of Zeus to let her lover Tithonus live forever as an immortal. Tithonus became immortal, but not ageless, and eventually became so small, old, and shriveled that he turned into the first cicada. Another hymn sings of the Thriae, a trinity of Aegean bee nymphs. Native Athenians wore golden grasshopper brooches to symbolize that they were of pure, Athenian lineage. In an Ancient Sumerian poem, a fly helps the goddess Inanna when her husband Dumuzid is being chased by galla demons. In Japanese culture, butterflies carry many meanings, from being the souls of humans to symbols of youth to guides into the afterlife. Ancient Romans also believed that butterflies were the souls of the dead. Some of the Nagas of Manipur claim ancestry from a butterfly. Many cultures use the butterfly as a symbol of rebirth. And the list goes on…

cute crab eat a strawbebby:

[electricsoul-rpg]

Netflix's 3 Body Problem

I tried watching Netflix’s American adaptation of Three Body problem. I watched five episodes and boy, is it painful.

(Full disclaimer: I really liked the Chinese adaptation by Tencent, I read the book after I watched the drama, and I am a European of Chinese descent, so I am definitely biased.)

The general whitewashing and westernization of the story is already pretty bad. Why take a Chinese story if you’re going to make it so blandly American?

Everyone is horny and thinks about sex, relationships based on ideals are reduced to attraction and sex. Everyone is so vulgar and crass. IQ seems very low.

Ye Wenjie. What did they do to Ye Wenjie. She’s a brainless horny fanatic woman now. And Shen Yufei is replaced by a generic unhinged lady. All the scientists seem supremely dumb.

White characters explain or emphasize things in Chinese, for Chinese people, when their Mandarin is bad. Not gibberish bad, but still pretty bad. Please just use English, your white actors clearly can’t speak Chinese. Your Chinese characters can understand and speak English. Don’t hurt our ears like this. It might be cool and exotic for the average Western audience who doesn't understand Mandarin but it’s cringe and painful for us.

A small thing but since I lost my father a few months ago, it struck me pretty hard. What was that altar in Clarence Shi’s house? Just two big pricey candles and one stick of incense? This is so cold and lifeless. Where is the FOOD??? The drinks??? The flowers/plants??? You're calling your wife and you're leaving her starving and depressed!

(For info, a normal small home ancestor altar should look more like this. As you can see : FOOD. Take care of your ancestors!)

The cast and setting is supposed to make this adaptation more "international"...but two British dudes decide everything when, in the novel and the Chinese adaptation, it is truly an international decision and an example of global cooperation. Five Oxford alumni of different skin color does not make this more international!

And so so so so many more things that are wrong. I feel like there is not a single Chinese brain cell in this.

All in all, I did not expect anything good, but I am still disappointed. It is so bland. No build-up. No mystery. No menace. No ambiance. Nothing. Everything is said straight to your face. They must think the audience is stupid, I guess.

Watch the Chinese adaptation

Did you like the ideas behind the Three Body Problem, either the book or the Netflix series? Are you ok with reading subtitles and watching something not in your language? Are you ok with seeing something set in another culture, with another culture's codes, not simplified and westernized for your sake? Are you ok with not being able to binge-watch it in one weekend? Are you ok with more complex characters, a slower-paced plot? Then try the Chinese adaptation. It's on Youtube and Viki, with subtitles. Legal and free.

[be-queer-do-arson]

Okay so I'm not generally a sports person but I can't stop thinking about all the ways the foxes revolutionized exy. For example, the way their tiny team structure made them focus on endurance and coordination rather than brute force? Amazing. And related to that, the way that they adapted by training players to fill multiple positions? That must have had huge implications for how they understood other players needs and allowed for flexibility of they needed someone's specialty in a different position (see the final game). BUT ALSO the way Kevin and Neil specifically shook up the game was insane. Kevin being ambidextrous and using it to make his moves unpredictable. Using heavyweight racquets to put more strength behind their shots. Communicating only in French so opponents don't get any warning but they're still in sync with each other. I'll bet you anything other teams were scrambling to catch up and figure out how to play like the foxes did

[noneorother]

The secret timeline inside of Good Omens season 2 revealed, *part1*

Part 1 l Part 2

If you’ve ever watched a ballet or an opera, you know how the rhythm in the music is used throughout to determine not only the movements of the dancers, but also when lines are sung or spoken. This is almost unheard of in television, but what if I told you it was hidden in season 2 of Good Omens? If one were to, say, meticulously cut together only the scenes set in the present day into one big timeline, you would get one long video that is exactly 2 hours 22 minutes 00 seconds and 00 frames long. An ineffable cut that is so perfect it defies all logic. (I’ve burnt a timecode into this ineffable edit to help pick up the rhythm.)

Even though there are large swathes of the second season with no music, there is a constant tempo weaving its way through the show: What if the seconds ticking by in the runtime itself was the music? Here’s an example of what I found. Behold a supercut of every single time Shax shows up, or Hell is mentioned in series 2 in the ineffable edit. They always arrive on a 6 in the time stamp (ex: 00:XX:X6).

(SOUND ON is an absolute must here, otherwise you won't hear any of the triggers)

Shax rings Crowley on a XX:X6. Shax miracles herself into the car on a XX:X6. Shax knocks on windows on a XX:X6. Shax’s big scary moment at the bookshop happens at 66 minutes exactly (lol). Crowley calls out for Shax on a XX:X6. Beelzebub starts spewing flies on a 6. People mention hell and it’s always on XX:X6 etc. etc…(Bonus: I also left in Maggie flipping the damned the double-bird on a XX:X6) I’ve also left in the only appearance of Shax or hell at all in the whole series that isn’t tied to a six: the park bench scene with Crowley. Shax seems to be off by one line, showing up on a XX:10, then back to XX:X6 on her second reply: “Bills, mostly”. I can only theorise that this scene, while technically in season 2, is not supposed to *be* in season 2 (even just judging by the trees, sun and the overcoats, it’s not summer like in the rest of the season). And it’s not only sixes! Every time I go through I find more and more little beats that line up exactly with ineffable timings. I can only do one video per post, so I’ll have to cut it up into sections, but Gabriel, doors, car horns, bird calls, Aziraphale, food, drinks, Angels, dialogue, Maggie, Nina, jokes, clocks, bells… The list goes on and on. 

Neil called this season “The bridge”

Because we all know how much Neil loves double meanings and wordplay, I just have to ponder the idea that when Neil said this season was “the bridge” between seasons 1 and 3, he meant it double-literally. First, as in the bridge Aziraphale and Crowley have to cross in order to get them into position for the second coming. We even see the physical manifestation of this bridge leading everyone in the background of the opening credits. But this season is also a bridge in the sense that it’s a musical section that introduces new ideas or material in the middle of a song. This whole season is the music that deviates from the familiar, and re-contextualizes the chorus and the verses so we can appreciate them in a new way. 

Let’s not forget that 2:22 is also exactly the same timing as this (and only this) track from the good omens s2 album (read all about the soundtrack here):

Why is this so bonkers? I think GOS2 might be the first ever “Total” series of television.

Having everything in the series timed and choreographed would actually make it a very faithful adaptation of the Powell & Pressburger film The Tales of Hoffmann (read about the movie and it’s effect on all of s2 here). If you watch the tales of Hoffman, you will realize that the entire film is actually done more like animation, with the music and vocals all performed in a studio, mixed and edited first, and then the actors came back to act out their choreographed and lip-synched parts for the cameras afterwards. The result is "Total film": a movie that feels more like a ballet, with every movement, action, and line happening in time with the music. As far as I can tell, very few films have ever attempted this, with The Tales of Hoffmann and Playtime being the only two “complete” films I could find in this style. (The Red shoes has one section, and An American In Paris has a few)

“Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann (…) was in some way an admission(…) that they couldn’t go on making their edgy, over-the-top melodramas after the rejection and interference they’d suffered, (but) there’s a case for considering The Tales of Hoffmann as one of the finest and boldest works that Powell and Pressburger produced, so far ahead of its time as a wholly “composed” film... Late in his life, Powell himself said that he thought it was one of the best films that he and Pressburger had made.” - Criterion review, Tales of Hoffmann

Here’s a simple example from An American in Paris

If season 2 *is* scripted and choreographed to line up with specific timings, I’m pretty sure that would make this the first ever “total” or “composed” season of television ever attempted. Not only does this take an ASTOUNDING amount of planning, scripting and editing finesse, not to mention a completely controlled set, it takes a real understanding of how to perform as an actor using rhythm and metre, which would go a long way to explain why all of the main actors coming back for season 2, with the exception of John Hamm, are well regarded theatre performers, (especially of Shakespeare).

I’ll leave you with one last surprise I found in the discovery of the ineffable edit: remember Aziraphale’s smile at the very end if the credits? It happens on 02:23:03, as the first step off the bridge, and into season 3.

I will have much more in the next ineffable timeline post. Stay tuned…

__________________________________________

Thanks for reading all the way to the end. It’s taken me a solid month to get this perfect. There are so many hidden cuts and jumps to take into account, and I had a frame rate issue that kept exporting to 29fps instead of 25fps, but I’ve finally nailed the ineffable timeline enough that I am confident sharing in it.

Credits to @thebluestgreen and @embracing-the-ineffable for all the support and help with editing and just general good vibes. 

[writingquestionsanswered]

Do you have suggestions on how to write a story in the romance genre where the couple stays together, never breaks up, never cheat and never doubt their feelings but are still somewhat tested in their life together?

Romance Where Conflict is Being Tested in Life Together

This is a less common setup for a romance, but one that I think has its appeal. Part of what people like about romance is the "will they/won't they"/"just kiss already" tension, so the trick to doing this well is finding ways to test their relationship, even if their love and fidelity to one another remains fully intact.

Some indirect strains on a relationship can be things like financial problems, familial problems, health issues, or stressful events they must navigate together. You might also test not their relationship but their mettle as a team, having them share a challenging adventure. For example, a road trip that goes wrong, a major project like renovating an old house, solving a problem or mystery, helping another person such as a family member or friend, or participating in a competition together. You can also delve into more personal, "daily life" type moments, such as the nuances of their relationship, tender moments, and everyday moments of domestic bliss.

You may also want to let the characters grow individually and show how their relationship is challenged by these changes, but perseveres. In other words, show how they adapt as a couple as they grow and change as individuals.

I hope that gives you some good ideas!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[raven-at-the-writing-desk]

Hello! It's me again. I'm probably pestering you, lol. I think a lotta people give flack for the Octavinelle trio being ruthless and "behaving like a Mafia." But I think considering where they live it makes sense? They live in the ocean. And the ocean is a kill or be killed environment, where you have to the strongest and toughest. If not? You at least have to be quick witted and unable to be seen, otherwise you'll be dead. If the trio become too soft they'll be fish meat.

I think the fandom is pretty divided when it comes to perceptions of what the Coral Sea is like. On one hand, you have the people who think of it as like living in Atlantica, which is basically just like living in a peaceful and pretty city (but underwater). Then you have the people who think the environment would be so different it would shape its inhabitants to behave differently as well. The second one tends to be a darker or grittier interpretation which aknowledges dangers such as other undersea creatures and treacherous living conditions.

Personally, I lean on and enjoy the latter, since TWST rarely ever designs purely for the aesthetic of it; one example of this is how the twins are confirmed to be bioluminescent in the Magical Archives. This is a decision that was not made “because it would look cool”, but because many deep sea creatures rely on this trait to intimidate potential predators. It would make more sense for the cold waters of the Coral Sea to change its people rather than merfolks’ cities simply being civilizations moved several leagues under, especially seeing TWST time and time again really consider the geography and history of each new location and how those inform the cultures that form there.

However, I want to state that the Coral Sea would be very different depending on which area you’re in, just like how there are nice parts and bad parts of a city. It’s not ALL nice or ALL bad. For example, the Atlantica Museum in book 3 appears to be in a more photic zone, so there’s more sunlight and it appears pleasant to be in. Even the merpeople there seem to be different than the Octatrio; they less so resemble specific sea creatures and are much more akin to being human-like. We have yet to really see how the benthic zones are—but we do know they must be harsher, since Floyd has mentioned exploring shipwrecks and various dangers there (like sharks).

I also want to point out that there are subtle signs in dialogue which could imply merpeople prefer traits that promote survivability and adaptability in the ocean. Azul’s bullies are noted to taunt him for his weight, but also for his bulky tentacles and inky tears. Now why those traits specifically??? Because these impede his ability to swim swiftly (making it harder to escape danger) and easily give away his location (if he’s in hiding or camoflauging).

I’ve seen others suggest that maybe these comments are because of racism against octopus merpeople, who are a rare kind of merfolk. This is entirely possible, yes! But thinking about it like that… Isn’t it also possible that there aren’t a lot of octopus merpeople at the moment because it’s more difficult for them to escape or to hide from predators? Which then informs and perpetuates preexisting prejudices. In this context (plus the bullying), it makes sense why Azul may have “hardened” as a defense and survival mechanism. The same goes for the twins, who were explicitly taught how to defend themselves (although this also goes into the Leech mob family theory, which is a whole separate matter) and have often made references to fighting others in the Coral Sea. Their upbringings also play a part in their personalities, but so does the environment they grew up in. Like Azul and the twins, you’d have to harden mentally or physically to some degree to ensure your survival through tough circumstances.

It’s hard to say for sure though! A lot of this is speculation based on current but infrequent lore, and the Octatrio themselves are a very small portion of all merfolk. They may not be representative of the behaviors of all other merpeople, and we should keep this in mind when referring to them as our exemplars. That’s why I’ve been hoping for a Coral Sea hometown event so we have a more concrete idea of what life under the sea is like 😭

[yuurei20]

Hi! I've seen some posts going around about Epel's accent and Vil correcting him. From what I gathered Epel has a pretty farmland accent that can be basically indecipherable so Vil being hard on him for it is both 'this is kind of casual' and 'i have no idea what you're saying' but could still be kind of elitist/classist. But I see some people saying Vil is just correcting Epel because he's swearing a lot?

Thank you so much for this question! Reading through just the EN adaptation of Book 5, I think I can understand why people might be annoyed by Vil’s wording: in English, he says outright that Epel should “speak properly,” as if his natural dialect is somehow improper and objectively “wrong.”

But his original line is closer to, “Speak more politely”! (The translations in these images are just more literal rewordings of the original dialogue, not meant to be corrections or improvements over EN’s localization)

I think the game was aware of the risk it was taking by having Vil give such an order, which is why it has Epel immediately jump to that assumption himself, so that Vil can explain it is not Epel’s hometown pride he has an issue with, but rather the outdated mindset that comes with it.

While softened on EN, Epel is quite misogynistic in the original game. He also repeats the same insult three times, possibly as an example of his limited vocabulary, which is another of Vil’s projects.

While Epel does say that Vil has told him not to use the accent specifically, Vil explains that he just wants him to consider the time, place and occasion for it.

Question: But then why does Vil order him to drop the accent entirely if the only problem is that he’s speaking rudely? Surely he can just speak politely while keeping his accent?

Answer: There is another layer to this that is more difficult to explain in English, but I shall try!

The Japanese language has multiple verb forms that change depending upon who you’re talking to at the time. “Meshiagaru,” “taberu” and “kuu” are three different ways to say “eat,” for example, depending on how polite you want to be.

In the beach scene (and anywhere we get his Harveston dialect), Epel immediately shifts into casual/impolite verb forms.

I searched for the most formal interaction involving characters speaking in the Harveston dialect that I could find (where the mayor is apologizing to Marja), and even there, the character was using casual/informal verb forms.

So that is what Vil is actually getting at: he wants Epel to use polite speech around his senpai and teachers, but Epel’s original dialect might just not adhere to that system.

The Harveston dialect clearly has its own ways to denote politeness, which must make sense when you’re there, but outside of Harveston what is a harmless and natural way of speaking becomes offensive from the perspective of everyone else (when Marja adapts her speaking patterns so that the visiting NRC students can understand her, she uses polite forms).

Not able to have a student from his dorm obliviously insulting everyone around him through his verb forms, Vil bans Epel’s accent entirely, presumably so that Epel can grow more accustomed to interacting with people from other countries and then learn to judge for himself the times, places and occasions outside of Harveston where that degree of informality is appropriate :>

(Omake: I conferred with an American friend who told me it sounds like this is the opposite of how things are in the US, where sometimes it is assumed that people from more rural communities use more polite speech (using "sir" and ma'am") than people in cities, so they visit cities and are surprised by forms are expression that are considered rude where they come from. This is the same, but backwards! Epel is going from a laidback rural village to a more populated location where polite speech is expected of everyone, and is experiencing culture shock as a result.)