#there isn’t really much of an issue but yeah

[vanillarosekiss]

Honeyed ˚ ༘♡ ⋆｡˚

Has anyone else been dreaming of what it would be like to have Price as your neighbour (when he's actually at home for once and not on deployment) and how HOT it would be to just end up having spontaneous sex (that isn’t really sex) with him out of the blue. Just me?

Scroll to the end for a little surprise...♡

Warnings: straight up smut guys (literally sounds like it came out of a shitty porno story, but no actual sex happens, you can imagine that!!), language, hints of restraint (no ropes or anything, just John) and edging, you getting absolutely devoured by John because he is a MUNCH... thats all I have to say unapologetically.

The sound of dripping water echoed through through your kitchen, each droplet of water only adding to the mountain of frustration you'd managed to acquire along the way of trying to fix the sink by yourself. You sighed, sitting back, staring at the mess you'd made. Pieces of the sink that you'd removed in order to find the leak were laid all over the floor, and you had no idea where they were meant to go back. You reluctantly picked up your phone and dialled his number, knowing that you wouldn't be able to end your trials and sufferings on your own.

Ten minutes later, John Price was stood in your doorway, toolbox in hand. His eyes flicked to the sink and then back to you, lips curving into a faint smirk as he took in your worn out and annoyed look.

"Trouble in paradise?" he teased, stepping inside and moving past you to get to the kitchen.

"More like trouble in plumbing." you shot back, trying not to focus on the way his t-shirt clung to his broad shoulders. "Think you can fix it, or should I call a professional?"

His laugh was deep and warm like honey, resonating in the small space as he knelt by the sink. "Guessing I'm not professional enough for you then, love?"

You crossed your arms, watching his hands work deftly to tighten a loose pipe. The muscles flexing in his forearm made a fast flushing heat rise to your cheeks as you imagined what his hands would feel like on you.

"Got the bastard," he announced, leaning back slightly to check all was in order. Water had stopped dripping, and he wiped his hands on a rag before standing. "Should be good as new."

"Thanks," you say, hoping your voice sounded steadier than you felt.

But he didn't move to leave, instead leaning against the counter, arms crossed, his gaze steady on you. "Think I've done a good enough job to get paid, lovie."

"Oh... I- Yeah of course. How much did you want?" You stuttered a little, grabbing your purse.

"Put it down." He ordered, voice stoic and steady as ever.

"I thought you said-" You began before he cut you off.

"Come on angel, you're a smart girl. I know you are. You know what I mean. Don't pretend that you don't"

It suddenly struck you, your mind fuzzing a little at how unlikely this event had seemed to you.

Before you knew it, his hands were on your waist and he had lifted you onto the counter behind you with what seemed like no effort at all, a small squeak erupting from you in surprise.

"Tell me to stop." He whispered, lips hovering yours as he stood in between your legs, hands on your thighs.

You didn't.

Five minutes later your legs were resting on his broad shoulders, the ones you'd been ogling from the very start of that interaction, as John devoured you completely. Little lace panties discarded to the side and your hands in his hair as he lapped at your core, sucking on your clit so well that you were making noises you never thought you could.

His tongue worked you up skilfully, holding your release just out of your grasp, wanting to tease you for 'just a bit longer, pretty girl'. His hands, God those hands, that were working on your household issues earlier were now holding your thighs apart for himself as he ate you out. Your hips were convulsing upwards at every stroke of his tongue, searching for the light at the end of the tunnel. He finally entertained you after what felt like hours and helped you orgasm, holding you down as he pushed you further.

Even once you'd cummed, he wouldn't stop, wanting you to become utterly exhausted and spent underneath him. And that's exactly what happened. It's Captain John Price, of course he always gets what he wants.

Contrary belief to what the Rolling Stones may say. Get it? You Can't Always Get What You Want? No? Someone please tell me they get it. I gotta get me a piece of this man.

You actually scrolled? Here's an X p!link for visuals of being eaten by Price just for you!♡

p!link

(lets ignore that this is already on my tf141 p!link post…)

Tag list: @punkkture @soapisgod @slut-lmao @sebastianstans-slut @ilikeoldmen @g1rlfa1lure0 @queenoflaflames @tmartin0918 @kkloubee @goldie-221 @patricksoulmate @writingandsins @mxnee777 @caro-line19  @decaffeinateddelusionbread @poohkie90 @lovidovii @xoxoxoaspen @i-ship-stony-and-superfamily @simonrileysdarling

Please lmk if you’d like to be removed or added to the tag list, I won’t take any offence!

[ordinaryschmuck]

What I Quickly Thought About What If...? Season Three

Salutations, random people of the internet who are already scrolling past this! I am an Ordinary Schmuck. I write stories and reviews and comics and cartoons.

You know, it’s a LITTLE crazy to me that What If…? is one of the most hated MCU shows…and yet not that crazy at all. I kind of get it, this is a show that’s basically dumb fun where the writers play with the heroes and villains in the MCU like they’re action figures. If you’re looking for interesting ideas and concepts, you’ll SOMETIMES get it like with Doctor Strange destroying his universe to save his true love or Hela trying to figure out who she is other than a Goddess of Death..but the majority of the time, you’ll just get Thor being a party dude, Nebula going full Bladerunner, and a big buff lady punching a demon wizard in the face with the power of infinity–I will keep saying that until it stops sounding awesome.

What If…? is not a show for everyone. You need to be in the right mindset and the right kind of person to enjoy a show like this. Dumb fun only works if it matches what YOU consider to be dumb fun. As for me, though? I loved it. I enjoyed the hell out of Season One, I found Season Two to be a HUGE improvement, and I really looked forward to Season Three. It’s just a shame, though, that Season Three is the FINAL season…which makes no sense to me.

What If…? is a concept that could go on for MULTIPLE seasons, at least EIGHT for sure. I get that maybe animation is expensive or maybe we’re wrapping up this multiverse shit next year so we can move onto the X-Men, but COME ON! You can’t make a show about showing all the different possibilities in infinity and then just say, “That’s it. We only get three seasons.” It also puts a lot of unnecessary pressure in these last eight episodes. If this is a final season, then these need to be the best, brightest, most EPIC final What Ifs in the SERIES. The question is…are they? Well, let’s run through them. Though, keep in mind, we ARE gonna have to talk about spoilers. I'll TRY to keep the big things secret, but what's considered big anymore on the internet. I could say two characters kiss (They don't in this) and that'll be enough to drive people up the wall. So, to keep things safe...

Spoilers Ahead.

What If…The Hulk Fought The Mech Avengers?: Alright, so we have Avengers fighting giant Hulks in giant mech suits. I would definitely say we’re off to a good start…if not for the fact that it has pacing problems out the wazoo.

Yeah, poor pacing has ALWAYS been What If’s…? main issue. The show was originally intended to have forty-minute episodes, but got shaved down so the MCU needed to fill their quota for Disney and the company’s shoddy streaming service. The writers never got used to that and, in episodes like this one, you can really feel it. I mean, this is an episode of MECH AVENGERS fighting GIANT HULKS. It should easily be epic, but there’s too much time fast-forwarding through the epicness so we can get to the next cool thing or the next heart-to-heart. The final fight as the team pulls a Voltron (RIP Netflix show) feels more like a montage instead of a big, epic battle, with most of the team practically being non-existent. I mean, this is the first time we’re seeing characters like Moon Knight and Shang-Chi since their debuts, and they do basically NOTHING. The most memorable thing Moon Knight does is press a button. THAT’S IT. The majority of the time isn’t on this team of Mech Avengers, but instead on Sam Wilson and Bruce Banner…Which, to be fair, is actually the part of the story I liked. The relationship these two have makes a lot of sense when you think on it and it really sells the tragedy of a character like Bruce far better than recent MCU entries have. But, just like everything else in this episode, we rush past this friendship. We’ve got great moments like Sam consulting Bruce about being The Hulk and that final heart-to-heart feels like it SHOULD mean something, but there wasn’t enough time to build up this relationship or to show how good it was for them. We’re constantly TOLD they were friends because the episode didn’t have enough time to SHOW us. I don’t know, this SHOULD have been a SMASH, but with so much going on and not enough time to let it flow naturally, it all feels more like an episode you can PASS.

What If…Agatha Went to Hollywood?: Huh. So, for the first time ever, the MCU is acknowledging certain stories I’d figured they’d sooner let audiences forget. For one, we have The Eternals, a movie not many people liked, myself included. On top of that, we have acknowledgment to Agent Carter Season Two of all things, taking the plotline of Howard Stark making movies and using it as the main crux of this story. It shouldn’t surprise me, these writers are CLEARLY Agent Carter fans given how they shoved Peggy Carter into the spotlight again, but it still amazes me that the MCU is FINALLY giving some form of nod to what is really an underrated series…In Season One. Season Two’s not as good.

Now, outside of those acknowledgements…I feel like this story is a LITTLE hindered by the fact that the writers of What If…? didn’t get a chance to know what would happen in Agatha All Along. The plot of this story is that Agatha’s trying to gain the power of a celestial, and knowing what her life was like in Agatha All Along and what she lost, it would be interesting to consider WHY she would want the powers of a god. There would have been such a fascinating angle to go with that, but because animation is a lengthy process and you can’t edit an episode to fit a story that wrapped up two months ago, there’s no way they could have fit in what happened THERE into HERE. They barely had time to explain what happened to the other Eternals, saying they were taken care of off screen so we can rush through parts of this story. Again.

That being said…I still had some fun with this one. Seeing Agatha ham it up was a lot more entertaining in animation than live-action, with animators looking like they’re having the time of their lives making her move around and have facial expressions like an over the top Disney villain. She may not be AS compelling of a character like she was in her own show (Which had NO right to be as good as it was), but again, the writers probably didn’t have enough time to factor that in. All the information they had was from WandaVision, and ran with it by making Agatha more of an outrageous villain than before. And her interactions with Kingo, the one of the few characters I kind of liked in The Eternals, was surprisingly enjoyable. It’s two egotistical immortals trying to outperform the other, with the chemistry shooting sparks through the roof. Not ROMANTIC chemistry, mind you. That “Not my type” line is just…hilarious. Regardless, they’re what makes this episode fun, taking elements from the weaker side of the MCU and creating a bigger story out of it. Would it have benefited if this season had more material to work with in regards to Agatha All Along? Most definitely, yes. But for what they had, it still shined bright.

What If…The Red Guardian Stopped The Winter Soldier?: I really want to like this one. I REALLY do. It’s the loud and boisterous Red Guardian teaming up with the quiet and professional Winter Soldier. There should be comedy GOLD with their interactions, and while there ARE…there’s not enough to make this episode more than “Okay.” The execution is really what holds it back, as David Harbour’s performance often makes the Red Guardian more ANNOYING than endearing a lot of the time, aside from a few bits with Bucky. Speaking of, it’s weird how Bucky isn’t…the same, cold killer he was in Winter Soldier and the opening of Civil War. There, he often acted robotically, matching the arm that Hydra and the Soviets gave him. Here though? He’s biting Alexi’s leg, quipping, and acting just as jovial as Alexi does sometimes. The only time it makes sense that he acts more human was when he flirts with a cashier and explains it away with him saying his “Deep-Cover Mode” activated. That’s not the BEST excuse, but it works enough. I get that this hypnotized assassin would have been hard to write around and explain why he’d team up with  Alexi, but I also feel like there would have been MORE comedic opportunity to have Alexi try and interact with someone who doesn’t talk much or barely acknowledges his presence. Treat it like a kid trying to befriend a killing machine, there’s comedic potential there. It’s definitely more digestible than Alexi being the one to break Bucky’s conditioning.

Yeah, that’s a thing that doesn’t sit right with me. You can argue it was the power of friendship that broke through to Bucky in Captain America: The Winter Soldier, but it’s not just that. It’s the POWERFUL friendship between Bucky and Steve that no time nor conditioning could have broken, making something kind of beautiful in a movie about spies and espionage. So to have a guy Bucky barely knew in a DAY AND A HALF to be the one to free him spits in the face of Bucky’s story, his relationship with Cap, and his entire character development. It’s what stops me from really ENJOYING this episode, as it takes leaps and bounds of logic that feel greater than any other What If. Especially since there’s a way to help that. You have this guy dressed up as a red version of Bucky’s best friend. You can find a way to write that into why he changed gradually, even if it means having Red Guardian SUBTLY act like Steve. Definitely better than how he USUALLY acts.

It really is the characterization that stops me from enjoying this episode. Alexi and Bucky feel more like they’re in a Lego parody instead of an alternate timeline in the MCU, and it holds back the enjoyment a LOT…That being said, there are SOME things that I do enjoy. While the characterization isn’t the best, there are the occasional fun and somewhat endearing moments the two share. It’s also kind of cool to see Bill Foster’s Goliath again as he chases after these two idiots across the country, and his interactions with Ranger Morales (Not THAT Morales…Maybe) are surprisingly adorable. Speaking of which, Ranger Morales might be the best character in this entire thing, with her being the only one who benefits from the screwball comedy because, you know, she’s a new character. She’s allowed to say she wrestled a bear with her bare hands or collected slot machine tokens in her hat because she’s not someone with far more interesting and compelling stories being ruined for a comedic episode. And, to this story’s credit, there IS something interesting and compelling as it reveals WHO gave up information that got the Starks killed. I’m not gonna give it away, but it’s a great detail that offers more lore than I could expect from a series that isn’t really canon but CAN offer plausible information that COULD be canon. And, yeah, it makes me enjoy a certain MCU villain a LITTLE bit more because of how despicable his actions are.

In the end, there are SOME good stuff that makes this a fun experience, but if you’re not a fan of the Red Guardian’s characterization or ESPECIALLY the Winter Soldier’s, then you’re going to likely wish someone wiped YOUR memory of this adventure.

What If…Howard the Duck Got Hitched?: Darcy laid an egg in this one…I wouldn’t expect crazier from an episode about Howard the gosh dang DUCK.

Despite all its flaws, What If…? really was the best way to adapt an insane character like Howard the Duck into the MCU. His wackadoodle adventures and storylines work fine in a comic universe where characters are allowed to get as silly as they want, but I feel like She-Hulk proves that MCU fans aren’t ready for goofy nonsense that suits the character. So to have him go on an occasional oddball adventure within a non-canon series, it works so that the writers can get as weird as they want with it. And holy shit-knuckles, do things get fuckin’ WEIRD.

Aside from Darcy laying a FUCKING EGG (How the hell is that even possible?), you have every powerful person in the universe chasing after the damn thing because it is, inexplicably, the most powerful thing in all of infinity and they all want it for different reasons. Dormamu’s cult wants it to host his body, SHIELD wants to keep it out of the hands of everyone, and the Grandmaster…just wants to eat the damn thing. Now, HOW is it possible that Howard and Darcy’s egg turned out to be the most powerful thing in existence? Fuck if I know, but it is BONKERS and I love it. It’s just so funny seeing all of the mightiest and most threatening beings in the MCU all chasing down an egg of all things. And I don’t know about you, but something about seeing the two most boring MCU villains slapping each other so they can get to it first is…It…It just tickles me, okay?

And I know I complained about characterization in the last episode, and that still applies…unless the story is about Howard the mother fucking DUCK. Characters can get as weird as they want because that’s just how things work with him. But even then, there’s some genuine heart there as Howard and Darcy try their best to be good parents for their precious little egg. I would never think that a story where Howard and Darcy start a family together could turn out so wholesome, but gosh dang it, these writers are really trying to sell it. Their personalities work off each other better than I could have imagined, with Howard being an angry but good-hearted doof while Darcy perfectly toes the line between being the only sane person there and just as insane as everyone else. It works far better than I thought it could, really endearing me to the comedy as I watch the insane lengths these two would go to protect their child. I wouldn’t expect an episode about Howard the Duck to be one of the best in the season, possibly the series, but I guess it’s true what they say. When you’re outta luck, go duck…Or someone says that. I don’t know.

What If…The Emergence Destroyed the Earth: Hey, look! An actual DARK episode of What If…?! Are you fuckers HAPPY NOW?!

I say that as if it’s not something I wanted either, but I will admit that I would love just a BIT more dramatic stories in this show. Strange Supreme’s origins and Ultron’s victory are the best episodes of the series for a reason, even if I still wildly enjoy the goofy antics we usually get. It allows the writers to tell a tragic ending to a universe while, occasionally, showing the true strengths of our heroes. Something about Black Widow and Hawkeye still trying to stop Ultron despite living in a dead world–A dead UNIVERSE–shows that you can kill anything and everything, but you can’t completely kill a hero’s spirit. Something similar happens in this episode, though going for a different tactic to tell this tragedy.

It opens right away with The Watcher telling us that this story doesn’t have a happy ending. So, with every tense situation Riri is in, it makes you think that THIS is the moment when the worst happens. Yet the episode does a good job at always giving just the TINIEST bit of hope, making you think that The Watcher might be wrong and that she could maybe save the day. Although, it may have played its hand a little TOO much that The Watcher might do a certain something, but even then it plays with expectations a little, making you wonder if he’ll even do what you expect him to. It’s a decent attempt at playing with emotions, all while fitting into this extra dark world.

Speaking of, this is definitely the most intriguing universe that The Watcher presented. The idea that life still exists despite the Earth cracking apart is such a cool sci-fi concept that works best in a superhero world. Science will likely call bullshit, but I for one love seeing this literally broken world, watching debris and parts of people’s old lives float around the Earth’s messed up gravity. Things get more interesting as we get to see who the big bad of this story is, and I’m pleasantly surprised to see that it’s Mysterio. I don’t hate him as a villain, but I wouldn’t have expected him of all characters to control what’s left of Earth. Yet the writers go all the way that they could with a concept like this, showing us a much darker version of this villain and going further with what his abilities are capable of. The episode does a good job of showing us how Mysterio’s illusions were capable of taking over the planet, and I applaud the attempt.

I also love how much this episode endears me to Riri Williams. I wasn’t a huge fan of Ironheart in Wakanda Forever, feeling like she was the weakest part of that excellent movie. Here, though, I’m starting to see how a character like her could be fun to watch. Her determination to try and fix what’s left of the world and to keep fighting back no matter what it might do to her is the right kind of motivation to make me enjoy ANY hero. It’s simple, but effective enough to know that Riri is capable of such inner strength. I will admit, though, that I don’t really care for her supporting cast. In this episode in particular, it really feels like the writers just picked random names out of a hat and just inserted those characters into the story. No one other than Riri feels like they’re meant to be there as none of their unique personalities are allowed to shine through like hers. You could have replaced them with anybody, and the effect would still feel more or less the same.

That being said, I still think this is a winner here. It’s the exact type of dark story that fans have been demanding, all with a little hope shining in that darkness. Maybe it’ll make fans happy, maybe it won’t, but nothing in What If...? rarely does. I had my fun, and I’ll continue to have it no matter what Twitter says.

What If…1872: An episode where Shang-Chi and Kate Bishop are local heroes in the wild west? Sure, why not. This show’s done weirder…In fact, it’s kind of why I have some objections with a part of The Watcher’s opening narration. “Think less of ‘What if’ and more ‘What the hell,’” has basically been this show’s motto for a while. This is just putting two heroes in a different time period without some nonsense with Captain America smacking a time stone. Meanwhile, two episodes ago, we had Darcy lay an egg. I think it’s safe to say that this isn’t the first time we said “What the Hell?”

With that said…this is another good one. And it’s easy to see why. It’s a wild west story featuring two characters that have NOT made that big of an appearance since their introductions. AGAIN. As someone who absolutely LOVES Shang-Chi’s movie, it’s actually nice to see him kicking ass like he used to while the animation is allowed to have him fight with crazier moves. And Kate Bishop was a lot more entertaining to me this time around, acting as a cold and stern markswoman with actual skills instead of the bubbling and awkward character like most of the Young Avengers the MCU portrayed. She felt more like a unique character, and a badass one at that. Even the villains are pretty awesome in this, with Sonny Burch being a great, twisted fuck and The Hood being an ominous mystery even if the twist became a BIT predictable.

Speaking of, I have…mixed feelings towards that twist. Because I do kind of like the tragedy and internal conflict that Shang-Chi faces when met with who The Hood is. It feels like a taste of what COULD happen in a Shang-Chi sequel, whenever the fucking hell that will happen. But, at the same time, the episode started off as if it was about tackling AmerIica’s dark history in how we abused the immigrant workers to make it the country that it is. I was SO ready to give the MCU brownie points for tackling subject matter that isn’t easy to discuss…and then immediately ripped those points away once it revealed that the culprit is an immigrant too. Now, it’s not a COMPLETE loss. There’s this implication that the twist character is under some kind of control from The Hood itself and we’ve still got white boy Sunny being all kinds of okay with the enslavement of Chinese immigrants. BUUUUUUUUUT I still feel like this is the MCU starting off with an interesting, dark story to tell but pulling back because…reasons. Believe it or not, that happens more times than you think

Regardless of my thoughts on the twist, though, I enjoyed this one enough. It’s a decent wild west story that finally utilizes characters that the MCU refuses to touch despite throwing so much money into bringing them into the spotlight IN THE FIRST PLACE! Here’s hoping to seeing more Shang-Chi and even Kate Bishop in the future…

What If…The Watcher Disappeared/What If…What If: Might as well lump these two together as they’re more of a two-parter than any other finale. Even the Ultron episode of the first season still felt more like its own thing even though it set up the first big crossover. Here, though, both episodes are definitely part of the same story, one that a buddy of mine actually predicted we’d get: “What If The Watcher Was Put On Trial?”

Through this final story, we learn more about The Watchers, especially the one we’ve been following throughout the series. We get more of an idea about their oath and WHY The Watcher would want to break it. My favorite part is that he doesn’t hate his role in the multiverse. He loves his job as a Watcher and he doesn’t resent his higher ups for trying to take the job away from him or kill him and the ones he loves. He only gained a new perspective of what it means to watch and wants to share the lessons he’s learned, with the crux of the conflict coming from the fact that the other Watchers believes he’s going too far in protecting “lesser beings.” Speaking of, I liked the group of “lesser beings” formed in this two-parter. Byrdie is a kind of fun little tinkerer, it was GREAT to see Kahhori again despite her being a little TOO quippy, Storm as the Goddess of Thunder was AWESOME, and, of course, the big buff lady named Captain Carter proved just why I love her so much. I mean, she took a Watcher and fuckin’ body-slammed him into the dirt over and over again. Why the FUCK should I hate someone that awesome?

Speaking of, I’m…torn about my feelings towards the final battle. On the one hand, it was VERY epic and my monkey brain clapped at all the punching, kicking, and laser blasts that happened. On the other hand, I feel like the strongest parts of both episodes where the slow, character moments. The Watcher defending himself, Captain Carter voicing how she feels out of place in the entire multiverse, and even ULTRON going through a sort of redemption that works far better than I could have expected. That last part is the most fascinating of all, as we get to see what happens when a machine completes its objective, but his human mind allows him to reevaluate everything and change because his universe was allowed to exist. I feel like, as awesome as the final battle is, it would have been a more fascinating finale if we got MORE of that from other beings in the multiverse. Like, maybe if we got others that The Watcher helped or interfered with coming to his trial, defending him or going against him in some way, bringing the whole series together in a close. BUT, at the same time, I get why they didn’t do that. If this is the final episode, you gotta end it with a bang. And a big flashy fight is PERFECT for the kind of show that this is…but it could have been flashier.

We went from the starring characters in every episode teaming up to fight Ultron, to Captain Carter and Kahhori fighting against the most powerful beings of the multiverse, to…a random assortment of heroes plus The Watcher fighting three other Watchers. If this is the series finale, then bring in EVERYBODY for this one, big epic showdown as they defend the being that gave them importance. Instead, we have four heroes with one of them being introduced in THIS two-parter. As cool as Storm is, we know NOTHING of her or how she got that hammer. She just…does so the finale can have that extra cool factor. Even though I feel like it was on the right track when it brought back Infinity Ultron to join the team. It’s actually BRILLIANT to find a way to bring the first big bad in the series and make him an ally…Only to kill him off within the first few minutes of the final episode. You see what I mean? There’s a good idea to tie this series all together into one epic finale and what they do is…good enough, but not perfect.

With that said, I still find this a fitting enough end. Captain Carter gets to go out swinging to protect those she cares for and for all of infinity, while The Watcher realizes he’s more than just a voice or a faceless narrator who observes the fragments of the multiverse. He’s Uatu, and he’s the protector of infinity to make grander universes to observe, with brief flashes of the multiverse him and the others saved to prove. And…it’s really too bad we won’t get to see any of those.

Were these the best stories What If…? had to offer? Well…Not really, no. Aside from maybe one or two, it is, admittedly, not the BEST the show could make. Or the best stories they could have possibly made. It’s still enjoyable, but, once again, I can see why it’s not best for everyone.

…IT IS NOT THE WORST MCU SHOW, HOLY SHIT! The amount of people who bitch and moan about how awful the show is…makes me question reality, I’ll say that much. I genuinely wonder if there’s something wrong with ME or there’s something wrong with THEM with how VENOMOUS they get towards this show, especially with Captain Carter. I mean…what is with the hatred towards Captain Carter? They’re acting like the writers are FORCING fans to like her when…people like me just like her. And you wanna know WHY I like her? In fact, you wanna know WHY I liked What If…? Especially in this season? Because the writers give more of a shit about these characters than the MCU does.

Villains are allowed to come back and be better threats than they were in the movies.

Tony Stark can go on an intergalactic adventure instead of fighting evil billionaires.

Hela can look into who she is beyond a goddess of death.

Riri Williams can be an actual hero instead of a side character that’s forced into a spin-off.

Howard the Duck can be an actual character.

And Peggy Carter? She’s not someone who has boys fighting over or for Steve Rogers to win as a trophy. She’s not carefully tip-toeing through situations and appealing to men for the sake of getting THEM to get shit done. She’s a big, buff, BADASS woman who will do whatever she wants and wins like a fuckin’ CHAMPION because she is CAPTAIN GOSH DANG PEGGY CARTER! I don’t give two shits if you think she’s an industry plant. Ninety-percent of the heroes you LOVE are industry plants. THE FUCKING AVENGERS WERE INDUSTRY PLANTS! It was a collection of superheroes that weren’t doing well on their own, so Marvel just lumped them all together into a team, labeling them as “Earth’s Mightiest Heroes.” AND YOU CALL THEM THAT TO THIS DAY! Just admit that it’s sexism that makes you hate her. You’re still annoying, but at least you’re honest about it.

Like What If…? or not, it’s at least USING these characters for more than what the MCU offered, especially the ones that the franchise refuses to touch because Kevin Fiege didn’t think ahead about how to use characters he spent millions to produce for the big and small screens. And I’m going to genuinely miss it for that reason alone. I had so much fun with this show because I got to see these characters I love go on more adventures they couldn’t in the main timeline. If it’s not your cup of tea, that’s fine. I can live with that. But don’t act like it’s a STAIN on the MCU when the MCU HAS GONE LOWER! It’s not the writers fault that they wanted to have fun instead of making YOUR fan fics come true. You want to see what happens if the other half got dusted? Write your own fan fic about it. Because if you don’t think What If…? has good writing, what makes you think it’ll deliver those high expectations to you. YOU are not the person this show is catering to. Deal with it.

As for me, I’ll miss this show. I genuinely will. It was fun while it lasted, but I guess fun can’t last forever. The only question now is…What’s next?

[velvetvexations]

the fact that i've seen multiple transmascs happily reblogging/supporting the "bomb that kills all transmascs" thing makes me so fucking sad. i feel like we've understood with other issues how "ironic" edgy humor can desensitize us to the bigotry within it- but now we're just happy to let people joke about wiping a group of trans people out of existence? we have no problem with this? we're gonna normalize hatred based solely on identity and not behavior (like how theyfab claims to only target transmigoynistic transmascs)? the bomb kills all transmascs honey that includes you, TMpickmEs i never want to hear people criticizing transandrophobia theory again if this is what passes for transfeminism

It's exactly that kinna person who I was talking about when I was posting about identifying when I was getting victim blame-y and too hostile towards someone being self-destructive, because they make me sad and it's easier to hate them than sympathize. I hope they get better.

Transmasc: acts transmisogynystic because they see individual transandrophobic transfems Everyone(correct): that's bad and reactionary, you can't blame an entire group for a small portion of traumatized individuals who lash out at your group who may have been hurt by individual members of your group Transfem: acts transandrophobic because they see individual transmisogynystic transmascs Everyone (double standard): that's valid, if you've been hurt by individual members of a fellow minority group that gives you free reign to act reactionary and generalize a whole group based on the worst of it's members (this is not a universal thing, but it does exist and I've seen the double standard. I encourage calling out transmisogynystic transmascs, I just don't like the double standard in certain trans spaces. Treat reactionary thought as what it is: reactionary. No matter who it's from or against)

they fundamentally do not care about other people

why is it called transradfeminism instead of radical transfeminism?

Ask Thalia Bhatt.

I love transmasc mabel (and also transmasc ophelia) headcannons cause it's very comforting to turn the characters I related to hard when I was a kid into transmascs.

Yeah! Love that for you anon.

I wanted to thank you for your level-headed support and the platform for respectful intra-community discussions you've provided. I hope you're taking as much rest and recovery from the stresses of the Disc Horse™ as you need <3 (also, idk if you bake, but I found a really good recipe for snickerdoodles that definitely chased away some of my lingering holiday stress www.ambitiouskitchen(.)com/brown-butter-snickerdoodle-cookies/ )

oooh thank you anon!

I like how jokes about killing all transmascs are fine but TRFs are still harping on about that one guy that said something about - (not that I thought the original post was in good taste but. I do feel like jokes about killing all transmascs are worse actually) Now that I type it out it's kinda horrifying that there's so many people that are theoretically supportive of trans people that think those joked are okay actually.. somehow internalized it as normal till just now

TRFs would say that post was code for something worse but idk if "we're open about wanting to murder an entire group of marginalized people" is a W

- was just stirring shit up with the gravity falls discourse to distract from her only answers to questions about 'tme/tma' language is to call people stupid and tell them they are lying about their experiences.

As usual.

The thing with “Dipper can’t be trans because then Mabel would be transphobic!!” Is that I’ve seen so many posts on this site that have had no problem intentionally interpreting a characters actions as transphobic for the purpose of transfem headcanons? That’s usually don’t get push back? Even though I’m usually against intentionally trying to portray a character who isn’t bigoted in the source material as bigoted for no reason other than headcanons or jokes I don’t understand what the difference is here?

the difference is that it's a transmasc headcanon

My hot take is that both Dipper and Mabel are transmasc, but Dipper has always known and socially transitioned very early, and Mabel will be hit with the "oh fuck I am also a man" realization in his 20s in the same way a Looney Tunes critter would be with an anvil or perhaps a piano.

such a funny image lmao and very in-character

[maxdibert]

Your opinion about Ginny is interesting, because I've seen so many people claim that she's a good character in the books, not in the movies, but honestly... She's not very well written. She looks good in comparison with her movie counterpart, but that's only because movie Ginny doesn't have much of a personality.

I wouldn't mind her being a "tomboy", there are plenty of girls who are like that. The problem is that the narrative looks down on other female characters who are traditionally feminine.

The story seems to imply that most girls are too emotional and vain, unlike Ginny, who is cool, sporty and "not like other girls". I think Hermione also gets a similar treatment, but she's the "book smart, intelligent girl" trope, a different type of "not like other girls".

Again, there's nothing wrong with any of these characteristics. The issue is acting like they are "superior" for being that way.

I agree 100%. The issue with Ginny—and honestly, Rowling's female characters in general—goes way beyond just the individual tropes. It's not about Ginny being a "tomboy" or Hermione being "book smart"; it's about how the narrative frames those traits in a deeply sexist way.

Rowling consistently pits her female characters against traditional "girly" traits, like being emotional, vain, or caring about appearances, as if those traits are inherently shallow or inferior. Ginny gets to be "cool" because she's sporty, tough, and “not like other girls.” Hermione is valued for her intelligence and practicality but is often shown to be above "silly" things like divination or gossips (unless, of course, she's being awkward or it’s for comic relief). Even Luna, who’s supposed to be this unique, whimsical character, only really gets respect as a manic pixie dream girl—a quirky outsider that fits neatly into a masculine fantasy of the "weird but lovable" girl.

And let’s not even get started on how motherhood is practically the only "redeeming" role for older women. You're either a nurturing, self-sacrificing mother (Molly Weasley) or you're a caricature of bitterness and cruelty (Aunt Marge, Umbridge). There's no middle ground.

The problem is that Rowling doesn't just use these traits as character details—she assigns value to them in a way that reflects a masculinized view of women. Women who exhibit traditionally "feminine" traits are mocked or dismissed, while those who embody masculine-coded traits (strength, independence, intelligence in a way that doesn't challenge male characters) are put on a pedestal. It’s not inherently bad to have a “cool tomboy” or a “nerdy girl” in your story, but when you repeatedly present them as better than other women just for not being “girly,” it reinforces the idea that femininity is lesser.

From a feminist perspective, this plays right into patriarchal ideas about the "right way" to be a woman. You're only worth something if you cater to male ideals: the “chill girl” who likes sports and doesn’t nag, the hyper-competent intellectual who doesn’t threaten the male ego, or the kooky outsider who exists to spice up someone else’s life. Anything else? Forget it. You're either a joke, a villain, or invisible.

So yeah, the problem isn’t the traits themselves. It’s that Rowling uses them to perpetuate these tired, sexist hierarchies about what makes a woman "good" or "worthy."

[greentea-and-honey]

congrats to "it's not six, goddammit", pulling through just barely. here's a description below:

midnight burger and gravity falls crossover where the Stan twins stumble upon the diner’s stop in Gravity Falls when they come back for the summer to see the kids, and chaos ensues. (yall probably expected sm with fords six fingers. gotcha! six is just the time the diner opens) you really don’t need to listen to midnight burger to get it, but you should!! suggested listening is just the first episode and maybe the second to get the group dynamic

also uhhhhh "ten-i-see" had an early lead so i kind of. ended up writing it anyway. so that'll be out later tonight!!! "it's not six, goddammit" should be out in the next few weeks. if you're curious, below the cut are the other stories, and if you really want them written, feel free to let me know and they might just appear 😉😘

coffin-locked: Stan and ford, on their sea grunkles world tour, pull into port and meet a weird lady named Carmilla. (Yes, that carmilla) through some shenanigans, Carmilla mistakes ford for another vampire, and she and her wife Laura invite the Stan twins to a vampire party that’s happening in town that very night. The ladies promise that it’ll be fine and vampires are actually pretty chill and def won’t attack Stan if they’re asked not to, and they’re right. Mostly. There’s a bad vampire there, and you can guess what happens next. features working through past abuse from bill and someone from stan’s criminal past popping in and wreaking havoc!!! also, nasty fucking vampires. they get gross…..any of yall seen the strain on FX?

amaretto sour: owl house and gravity falls crossover. Stan’s short lived marriage to a weird lady with feathers in her hair. It gets weirdly emotional because they both have major family issues that they’re trying to hide, and Eda is on a rebound from Raine so they both kinda know this aint gonna last. RATED M FOR SEX!!!!!!!!

make a statement; face your fear: Magnus protocol (YES, PROTOCOL) and gravity falls crossover. Anomaly hunting in London goes great until the hunters become the hunted. Lots of delicious fear for ERROR to eat……also needles is there because I love him. Kinda glad this one didn’t get picked because I have no plan for it just vibes. 

and all that this entails: Stan, going by a fake name to outrun some bad men, meets an eerily accurate roadside psychic who insists that he shouldn’t go northwest, or else someone named Stanley pines will die. Does he know anyone by this name? Probably the shortest story on this list, just basically me showing off that yes, I do practice some witchcraft but im not very good at it 

taphophobia: Good Shapeshifter au, the one thats been floating around with a few artists on Tumblr that I’ve been reblogging. Takes place right after Ford disappears into the portal, and Stan meets Shifty for the first time. Shifty is deeply maladjusted. He eats a live mouse in front of Stan and watches Scooby Doo. Fun times. rip this one getting zero fucking votes lmao 

because you’re the only ten-i-see: it's a surprise 💚 but it IS a relativity falls oneshot

shake, rattle, and roll!: inspired by H.P. Lovecraft’s “Dreams in the Witch House”, the sea grunkles happen upon Arkham, Massachusetts to find a house that everyone claims is cursed. The librarian at the local Miskatonic University is loathed to help them, so it seems they’re on their own for this one. The house isn’t cursed, though. It’s something much worse, and much hungrier…

the abyss and the boat: inspired by H.P. Lovecraft’s “Shadow Over Innsmouth”, which is one of his only good stories even though yeah it’s hella racist. Um I’m not gonna be racist in my story tho. Duh. Anyway. The Sea grunkles stumble upon a tiny town called Innsmouth, and are put off by marina owner Zadok Allen’s icy attitude towards them, and his granddaughter Farah isn’t much better. Mayor Barnabas Marsh is overjoyed that tourist season is starting early, and offers Stan and Ford a far warmer welcome. maybe even suspiciously warm. but there are beings beneath the docks that are already stirring up trouble….and why in the world are these otherworldly monsters named “Robert and Laurence Olmstead”?!

based on title alone, which fic should i publish next?

[ao3screenshotss]

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[pwurrz]

of course terfs would get mad at a post reminding them that there’s more to being a woman than misery and suffering: they’re misogynists. they hate women. their misogyny is just the ‘woke’ kind where they re-enforce the idea that women are weaker and stupider and generally less capable compared to men but like, in a ‘feminist’ way 🤪💅

when you hate women and genuinely believe they are inferior, that they are lesser, it’s impossible to see that there’s any joy or pride or anything positive about being a woman. especially if you yourself are a woman who believes in this kind of self-deprecating mindset.

[aroaessidhe]

2024 reads / storygraph

Girls Night

YA contemporary

four unlikely girls are thrown together and decide start a fight club at their girls school, and quickly become friends

but things start to get out of control, putting their friendships and safety at risk, and they must decide whether to keep hold of the club or each other

4 POVs, all sapphic, a deaf MC

[hershelwidget]

sorry i just went on an deep dive. it would cost like. 5 or so billion dollar for the octonauts to function. either inkling has pockets as deep as the ocean or there’s some highly illegal behind the scenes nonsense goin on here

[kitabasis]

Gilded Serpents

In an alternate England governed by mage dynasties, the impending death of a family head means a competition among their heirs. The prize? A ritual taking of the head’s life, and with it, their title, and the combined magic—and souls—of all their dynasty’s previous leaders. The competition, is, predictably, fierce.

And it’s never fiercer than when it’s for the crown.

The eighty-year-old King of England is dying, and the whole country knows the competition will begin any day now. None know it better than his three daughters:

Gunnel, 24, ruthlessly practical and constantly overworked, who tried—and failed—to fill the space the absent Queen left behind, and hides her longing for a life ruled by herself alone

Aikaterine, 22, easily personable and subtly manipulative, who resents her status as the forgettable middle child just as much as she uses it to her advantage, and secretly has no idea who she is by herself

Calla—her father’s unabashed favorite—16, prodigiously powerful and incredibly principled (and autistic), who memorized every subtle rule of behavior to survive, but now is adrift as her father grows unpredictable

As the days pass, the King’s behavior gets ever more erratic, the competition approaches, and a certain bastard’s resentment of his family grows, it becomes clear that this will be a competition to remember.

Let the games begin. 

[theres-whump-in-that-nebula]

AHA

I am not going crazy. Having excess beta brainwaves IS correlated to ADHD symptoms (in children and adolescents), specifically metacognition issues, inattention, and irritability:

[plugnuts]

It’s OC posting hours with Felix and Ebony

[white-weasel]

Do…. Do people actually have an issue with stuff being written in present tense?

[mcnuggyy]

sorry if this has already been asked but do you think you'll ever do a physical printing of cryptid crush cus i would absolutely 10000% buy the entire series if you did

Hi hi hi!! I have answered this before but it’s impossible to find even just 5 day old asks on this website 😭 so here ya go!! 💗🫶

> ask from back in September

> ask from November!

[badlydrawnducktales]

So how come your not in the DuckTales fandom anymore was there something about the show you don’t like at all?

Primarily just lost interest! Got interested in other things that held my attention, and I never ended up regaining interest in this show.

As for if there was anything about the show itself… There were a few things about the show that kinda contributed to my lost interest. I guess my primary issue was just the show has too much stuff in too little time. I’d go more into it, but I’d prefer to keep this blog mostly positive about the show!

I also would like to ask that people send any questions or comments regarding this blog to my main @holydramon instead! I want to just keep this blog inactive and just an archive of my older stuff.