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moonastro · 5 months

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Juno persona chart

jupiter in the houses

what is a juno persona chart? looking into juno persona chart gives more detailed insight of how the relationship and marriage overall of you and your spouse will be like. it also describes them in a sense as well. The Greek Goddess Juno is described to rule over love and marriage and hence why the asteroid is looked into for that theme.

jupiter represents luck, it expands anything it touches and gives prosperity in that area. in the juno persona chart, jupiter signifies the luck the couple has within the marriage, what possible expansions marriage life of the couple receives and what possibly wisdom the couple takes.

reminder: this is my interpretation from observations and first hand experiences, so don't take this to heart.

**reminder no.2 that this can be used for signs as well, so for example if jupiter is in aries in 6th house, make sure to check out jupiter in 1st house also as it may resonate.

jupiter in 1st house: marriage may be full of quick decisions, not waiting around brings luck to the couple. acting right away is the way to go for this placement. the couple may find luck in cars, perhaps you always have access to transport, have access to cars, may even own lots of cars or some sort of quick transport. marriage may bring growth to developing how to cope with anger or short temper, this placement may bring expansion to have healthy coping mechanisms when it comes to short temper or raising voice. marriage may bless the individual with courage to show the real them for example showing off their real style, personality, likes and interests etc. these individuals may have a very nice and luxurious (a grand) home after marriage, exterior of home may look big and expensive so this may be an indication of having a big house after marriage. jupiter here may brings lots of movement to the individual after marriage, their life may liven up a bit and there may be lots of movement during marriage. life can be full of life, full of passion, desire and motivation so a sense of fulfilment may occur and make the individual feel alive.

spouse may have natal jupiter in aries, 1st house, fire sign or fire house.

jupiter in 2nd house: marriage may bring luck to resources, money, materialistic things and ones value. the couple may receive lots of gifts from other people, not cheap also, this placement just attracts gifts and luxury. also expect people offering you to go out for dinner or lunch after marriage, this brings expansion in areas of socialising and allowing oneself to destress and rewind. marriage can be full of relaxation, after marriage the native can have luck in having s stress free mind or a less one. jupiter here may bring growth to having patience with one another, adapting to foreign environments and finding comfort in anywhere one may go. marriage may bring luck in artistic fields related to the voice, the arts, dancing, cooking, food related and beauty related. this placement may have luck in those themes and may have a business or open up a store related to these themes.

spouse may have natal jupiter in taurus, 2nd house, earth sign or earth house.

jupiter in 3rd house: marriage may bring luck in communication, writing, expression of oneself and getting to the point. this placement bring expansion to speaking so couple much talk things out even if they are the tiniest of little misconceptions they should be sorted out rough communication. i feel like this placement also gives luck in education, so this placement go back to school, college or university after marriage or they decide to study something they have been interested in after marriage. marriage may bring this placement extreme motivation and inspiration from their partner so they may want to complete everything at once as ideas keep coming and coming. this placement may find lessons to do with trust and talking behind each others backs, also learning how to stay within each others energy levels and keeping up with each other ideas and supporting each other in that sense.

spouse may have natal jupiter in gemini, 3rd house, air sign or air house.

jupiter in 4th house: marriage may bring luck in family relations. perhaps getting closer to family through marriage, visiting family more often after marriage, spending more time with the mother especially after marriage. this is also an indication of having luck in having a family of your own, so having kids may bring more luck in that field. having a comfortable home of your own will expand your luck, being comfortable in your own home is very important for example, having every detail of the house according to the way that makes you feel warm and cosy can make a different in your growth as a person. this placement is spiritually gifted with their intuition and learning to believe in themselves. Jupiter here has a lesson to never diss oneself and always believe in your abilities after marriage. through marriage connecting with ones ancestors may bring great fortune also.

spouse may have natal jupiter in cancer, 4th house, water sign or water house.

jupiter in 5th house: the couple may have luck in children. this placement really enhances the amount of children the couple may have, so most likely people with this placement have lots of children. also the couple may find happiness and expansion with children, perhaps it helps with their mental health, their spiritual journey, their mindset and their luck in general. also this placement may find growth in their confidence may grow in confidence and have their own way. also this placement most likely will be quite well known whether its within the community, neighbouring, worldwide etc. This placement finds growth in their ego, so usually after marriage their views of life and their mindset may drrastically change for the better especially after having kids.

spouse may have natal jupiter in leo, 5th house, fire sign or fire house.

jupiter in 6th house: marriage may bring luck to health and fitness. this placement may have fortune in their health for example getting more fitter by going to gym, eating more healthy, changing unhealthy life style, changing up their routine for the better after marriage. the couple may find expansion in the field of taking care of something, perhaps taking care of each other, taking care of pets, taking care of friends, taking care of grand-parents and so forth, however, that will bring luck. jupiter here may bring lessons it terms of criticality, judgement, lack of mentality and perfectionism after marriage. jupiter here brings luck in routine, their day-to-day life may be lucky for example someone with this placement may just get opportunities when going to the store or finding a valuable item while walking a dog and so forth.

spouse may have natal jupiter in virgo, 6th house, earth sign or earth house.

jupiter in 7th house: marriage may be favourable in having good relations to each others grandparents. this placement may experience lots of luck in law situations such as legal matters related to the government and documents. the couple may never be involved in problems related to the law or always have luck in that field. marriage may bring luck to connections and relations in general, you may have more ease connecting with other people, you may get on with people more easily. this may work to this placements favour as it can expand the amount of opportunities one can receive, getting more compliments, being liked by people you thought disliked you and so forth.

spouse may have natal jupiter in libra, 7th house, air sign or air house.

jupiter in 8th house: couple may have luck in keeping secrets, what i mean by that is they keep things private very well so that comes to an advantage to them because it shocks the people around them and question things like 'since when??' or 'whatt?' that sort of vibe. this placement keeps people wondering, guessing and interested in your marriage and this placement never gives them the satisfaction. this protects the couples privacy and protects their energy also. this protects the couple from negative energy which protects their luck. this is a very powerful placement to have since this expands the spiritual bond between he couple also. strategizing goals and researching and just planning in general may bring luck to this placement for example, planning outings, shopping, researching contracts and the background of the contract before signing, researching what holiday you'll be travelling to and so forth.

spouse may have natal jupiter in scorpio, 8th house, water sign or water house.

jupiter in 9th house: this placement brings luck to those who travel abroad, living outside of the environment that they grew up in will bring growth and extreme luck. another thing is that the couple may find luck in being enthusiastic and charismatic, also making jokes and taking things with a grain of salt, not over exaggerating stuff will be favourable for this placement. also marriage may be full of discovery, always learning, always exploring. being in a good relationship with parent-in-law brings luck to the marriage so being in good terms with spouses parents may be very favourable for this placement and may bring lots of opportunities related to travel, fulfilment, study and spiritual growth. another thing with this placement is that jupiter being in its home house, this is very expanding and broadening in terms of their conscious mind, jupiter can guide the couple in marriage and incline their mental and astral growth. basically, marriage is spiritually guided by the higher energies, marriage was meant to happen in order for this placement to achieve and complete their mission of this physical realm.

spouse may have natal jupiter in sagittarius, 9th house, fire sign or fire house.

jupiter in 10th house: marriage may bring luck in image of this placement. the couple may find luck in their career, may get promotions, upgrades, bonuses, movement to higher position etc etc. jupiter here gives luck in other peoples view about you, the vast majority of people may have a different perception of you in a good way after marriage. also marriage may bring reputation to your image that expands your opportunities and respect from other people. also people may find you more serious after marriage. an honourable thing to keep in mind with this placement is that over a certain period of time, jupiter brings severe luck through hard work and determination for this placement during marriage, marriage may strengthen and jupiter offers its full expansion later in life in this marriage. this is also an indication of a very long lasting marriage, even a marriage that last until old age.

spouse may have natal jupiter in capricorn, 10th house, earth sign or earth house.

jupiter in 11th house: marriage may find luck in social gatherings, groups and outings. couple may face extreme luck on social media and technology, for example may have a successful social media platform or have extreme luck with technology, long-lasting, fast running and so forth. marriage may expand social groups also, this placement may find more accepting and understanding friends after marriage especially. may also find their true friend group after marriage. this placement may also experience growth in expressing themselves the way its most authentically true to themselves and being comfortable about it after marriage. this is also a placement that brings unplanned events and turns it into the most luckiest thing ever, this placement may find the most luck through spontaneous events, events that happen through spite for example getting calls from an old friend to go to a café the next day, that day turns out to be one of the best, or another example may be getting invited to an important event having only a short period of time of notice, when arriving at event you see people that are well known and receiving offers from them and so on.

spouse may have natal jupiter in aquarius, 11th house, air sign or air house.

jupiter in 12th house: this placement may have luck in spirituality, the couple may be spiritually guided by the universe and have luck overseas. for example when travelling pay just have the best luck ever and may feel complete when travelling long distances in general. this placement often brings luck when it comes to sleeping, for example you may be guided when in bed with your partner if that makes ant sense, like you may feel better you may sleep better and you may even dream better. marriage may bring luck in artistic areas of life for example having luck in being an artist, singer, model, teacher, poet, also tarot reader. this placement may get oversea recognition in these artistic areas. marriage may expand the mind to prioritise mindfulness in order to not fall into dangerous addiction tendencies so it is very important to find peace and a healthy coping mechanism through spirituality.

spouse may have natal jupiter in pisces, in 12th house, water sign or water house.

thanks so much for reading, have a nice day ahead!🌛⭐🌼

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kaijuno · 15 days

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"No piece of art has ever emotionally affected me the way this robot arm piece has. It's programmed to try to contain the hydraulic fluid that’s constantly leaking out and required to keep itself running...if too much escapes, it will die so it's desperately trying to pull it back to continue to fight for another day. Saddest part is they gave the robot the ability to do these 'happy dances' to spectators. When the project was first launched it danced around spending most of its time interacting with the crowd since it could quickly pull back the small spillage. Many years later... (as you see it now in the video) it looks tired and hopeless as there isn't enough time to dance anymore.. It now only has enough time to try to keep itself alive as the amount of leaked hydraulic fluid became unmanageable as the spill grew over time. Living its last days in a never-ending cycle between sustaining life and simultaneously bleeding out... (Figuratively and literally as its hydraulic fluid was purposefully made to look like it's actual blood).

"The robot arm finally ran out of hydraulic fluid in 2019, slowly came to a halt and died - And I am now tearing up over a friggin robot arm 😭 It was programmed to live out this fate and no matter what it did or how hard it tried, there was no escaping it. Spectators watched as it slowly bled out until the day that it ceased to move forever. Saying that 'this resonates' doesn't even do it justice imo. Created by Sun Yuan & Peng Yu, they named the piece, 'Can't Help Myself'. What a masterpiece. What a message."

Extended interpretations: the hydraulic fluid in relation to how we kill ourselves both mentally and physically for money just in an attempt to sustain life, how the system is set up for us to fail on purpose to essentially enslave us and to steal the best years of our lives to play the game that the richest people of the world have designed. How this robs us of our happiness, passion and our inner peace. How we are slowly drowning with more responsibilities, with more expected of us, less rewarding pay-offs and less free time to enjoy ourselves with as the years go by. How there's really no escaping the system and that we were destined at birth to follow a pretty specific path that was already laid out before us. How we can give and give and give and how easily we can be forgotten after we've gone.. How we are loved and respected when we are valuable, then one day we aren't any longer and we become a burden...and how our young, free-caring spirit gets stolen from us as we get churned out of the broken system that we are trapped inside of. Can also be seen to represent the human life cycle and the fact that none of us make it out of this world alive. But also can act as a reminder to allow yourself to heal, rest and love with all of your heart. That the endless chase for 'more' isn't necessary in finding your own inner happiness.”

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vasquez-rocks · 5 months

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i know most ppl haven’t seen it yet but wanted to write something abt how annoyed some of the critical discourse abt I Saw the TV Glow is making me. MAJOR SPOILERS below the break, be warned!!

so idk i’ve seen so many reviews of the film positing that it’s about the dangers of obsessive fandom and overidentification with fictional characters, esp vis a vis real life self-actualization/coming out. (like, essentially every review has some of this in it, from what i’ve seen.) and, like: i don’t think that’s wrong, but i also think it’s massively underselling what schoenbrun is doing here. the metaphor of the show’s bleed-over is so smart because works in both directions at once.

like, in one direction: when maddy asks owen to come into the show by burying himself alive, you can read it as her asking him to abandon his real-life responsibilities, and the material facts of his real life body, in favor of a fantasy life where everything is already fixed. she’s inviting him to skip over the hard, messy work of transitioning and to sink even deeper into the analgesic obsessions he uses to numb his dysphoria. in this interpretation, it’s, like, the equivalent of overprioritizing “transition goals” instead of actually medically/legally/socially transitioning if that’s what you want, living forever in the ideal instead of taking difficult steps to change the material. (also, uh, if you don’t think she’s literally correct about the nature of reality, she is in fact asking him to kill himself. there’s that.)

BUT! it also works the other way. when maddy tells owen that the show is real, that their lives are just the buried dreams of dying girls in another life, she terrifies him by confronting him with something he’s always known about himself: he was supposed to be a girl. what she proposes is radical, dangerous, seemingly unhinged, and based on a childish fixation: all the things scared closeted trans people worry transition is, basically. on a more figurative level, too, the feeling she’s telling owen is real – that his real life is just a dream within a dream, that his home is not his home, that he belongs somewhere else, that he is supposed to be SOMEONE else – is something so, so, so many closeted trans people have felt before, myself so much included. when he sobs in the shower, yelling “this isn’t my home!” at his dad, i felt a sense of identification stronger than i’ve almost ever gotten from art before. when maddy finally calls him isabel, it’s the gentlest thing i can imagine.

in this read – which i do love, while thinking the other one is simultaneously true – it’s less “come sink deeper into delusion with me instead of dealing with your own life” and more “it’s going to be terrifying, but that childish dream of being a girl you once held wasn’t childish, and it can be real if you’re courageous enough.” he says he runs away from the football field because he thinks maddy’s not mentally well; it takes very little analysis of subtext to figure out he’s running away because he’s afraid of how much he wants what she’s offering. and, of course, the idea of the visible world being an illusion laid atop the world in which one is one’s truest self is a classic trope of trans cinema going all the way back to the matrix. (also: while i’m pretty death-of-the-author-pilled in most media analysis, it kinda seems like schoenbrun themself has interpreted the film in this way, as they’ve spoken at length in interviews about how, to them, transition felt like asking to be buried alive.)

all of which is to say: i think the film IS commenting on fandom, obsession, overidentification, and the ease with which queer people can sink into art as a way to dissociate from real life. but i think it makes the film so much more cynical and so much less tender to treat it as the ONLY read of the film’s relationship with the pink opaque. art, especially the sort of slow, metaphor-laden art schoenbrun makes, is best when it is complex and productively contradictory. the pink opaque is a problem, and an escape, and a fantasy, and it’s real, and one day isabel is going to wake up.

#i saw the tv glow

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falmerbrook · 4 months

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Falmer appearance and attire headcanons

(click on drawings for more details and notes!)

Hair

In Skyrim, we pretty much only see two hair styles to go off of: completely bald and the hair the "shaman" have (which are also the only females we see (a post for another day)).

In concept art, particularly Adam Adamowicz's, we see more potential hairstyles. He draws it as wispy and messy, as well as containing braids and the ties we see in the shaman in the game. This art is largely what defines my own interpretation of their hair.

I picture the typical Falmer hair as wavy, thin, wispy, and looking frizzy. Given the high number of hairless Falmer we see, I imagine baldness is common, particularly among males, and sometimes among females. Their hair can be commonly styled into braids or knots to keep it under control.

The ability to grow long, thick hair is less common, but those who can tend to style it in other unique ways. Especially among females, long hair is commonly styled into large dense locs (akin to a Polish plait) and held into shapes using ropes or leather ties.

(While I think the intention with the way their hair is drawn and modelled in the game models and concept art was that it was braided and held up with those ties, before looking at it closely I always sorta interpreted it as too stiff to just be braided. As a result, I developed the locs headcanon and have become kinda attached to it even though I have 0 in game or lore support for it)

Materials

The material used in their clothing is obviously dependent on what is accessible to them, and given their unique situation that makes the materials they use and value unique as well. In Skyrim, we see that almost all of their armor (which is mostly what we see them wearing) and homes are made of chaurus chitin (and potentially shellbug chitin), so this is likely the most common resource available to them for non-combative coverings as well. Other materials from their arthropods companions could include their cocoons, unhatched eggs, etc.

Bones from other creatures (draugr, skeevers, trolls, adventurers, bandits, etc.) underground or from aboveground raids could also be used fairly often. These could also provide a source of leather or fur, albeit not a lot of it.

Falmer groups and subcultures inside or in close proximity to Dwemer ruins probably make regular use of the materials present in those ruins as well. With all the metal and machinery present in Dwemer ruins, metal probably makes regular appearances in their clothing (and general decorations) even if they can't manipulate it themselves. Falmer more separated from Dwemer ruins would make much lesser use of these materials, however. Additionally, We see implications of Falmer preparing, cooking, and potentially cultivating fungus in-game, but see nothing indicating they have any plants in their diet, and therefore it is unlikely they regularly make or use textiles or fabrics in their clothing, and if they do they likely come form Dwemer ruins or raided adventurers/bandits/settlements from the surface.

On that note, we know that there have supposedly been incidents of Falmer coming to the surface to attack its inhabitants and travelers, as well as instances of them killing bandits, adventurers, and researchers who venture below, so it's not far fetched to believe that they have access to some materials from the surface. This could give them some access to furs from surface animals, beads, glass, jewelry, textiles, metal objects, etc. they might not otherwise have access to. The rarity of these material among the Falmer would depend on the amount of access any given group of Falmer have to the surface, but among many of them these materials could be seen as more valuable for their rarity and the difficulty to gain them.

While gemstones and ore might be accessible from both natural deposits and underground ruins, unless they had some kind of auditory function or unique texture, they might not have much value to Falmer.

General Attire/Accessories

I like to imagine that the Snow Elves, and by extension the Falmer, have an innate cold resistance in the same way Nords do, and therefore don't require clothes for the purpose of warmth even in the chilly caves of Skyrim. Additionally, their blindness likely means that wouldn't dress for visual aesthetic either. My thoughts are that they are then left with the sense of sound and touch to communicate with each other, and their clothing and accessories could reflect that.

Falmer clothing, decoration, and society in general is very heavily based on touch and texture and little on appearances. They touch each other very often for both communication, movement, and just general day-to-day interactions, and their clothes isn’t very modest, but the tactile patterns and materials used can communicate certain things such as position in society, “wealth”/power, whether they are taken, single, pregnant, with a child, etc., their roles, their age, notable achievements/skills, who is who, etc. on both their clothes and buildings. The more noise one makes, the more attention they draw and the more they drown out other noises, and the more noise making things they can “afford” to have, so the amount of noise one makes in a Falmer settlement is a status symbol. Certain types of noises or noise makers are more coveted than others (chitin beads are common, while furs are less common, and materials only gained from raiding the surface are rare and coveted).

Some noise making accessories could include:

Dangling metal, bones, beads, chitin, etc. that hangs off of their clothing or ears and jingle/clank against each other (in my drawing I show them as pretty uniform in shape and size, but they would probably be much more irregular than I depicted them)

Bells (metal or other materials) that are affixed to or dangle off of their clothing or as earrings.

Hollow bracelets, anklets, necklaces, or other accessories that are filled with rocks or beads.

Rattles tied to the body (made of chitin, dried hollow chaurus eggs, dried chaurus cocoons, beads, etc.) with leather or rope.

Flute or whistle like tubes made of metal, chitin, or dried and treated tube-like fungus that makes a woodwind-esque noise when air passes through it in a certain way. They have been designed to make noise easily from even the slightest movements.

Dried grasses (more temporary) tied to the body that make a swishy noise. More permanently, a similar thing can be achieved with hair. The hair can be sourced from Falmer (either through just cutting hair or through taking it from fallen enemies) or killed humans/mer/draugr. That sort of thing can also act as a kind of trophy.

Necklaces with various materials dangling close together that jingle against each other.

Various materials can be tied into braids or the leather ties in their hair as well.

Some textural accessories could include:

Beads. Since they wouldn't have the ability to tell the color of the beads, the patterning of beadwork would be based on the roughness, material, size, or shape of the beads. (I'm sorry I suck as drawing beads)

Furs. This wouldn't be as common since the Falmer likely don't have too much interaction with furry mammals, but some they may have access to that are big enough to make clothing/accessories out of include skeevers or trolls (and potentially rarely animals from the surface). A potential meaning of wearing furs could be as hunting trophies, but it could have other meanings as well.

Chaurus chitin would like be the most common material in Falmer attire, and depending on the part of the chaurus body, the size of the chaurus, or the life stage of the chaurus it was sourced from it could have different textures. Some chitin parts could include large spikes and deep groves, while other parts could be smoother and less rough. The use of this chitin in clothing could take advantage of this contrast in textures. Additionally, chitin or shells from shell bugs might be a different texture from the chaurus chitin. (it's unclear to me whether shell bugs are exclusive to the caves around the Forgotten Vale or if we should consider them distributed throughout Skyrim's underground)

The placement of textured components on the body could have their own meaning to it alongside what accessories or textures are being used.

Specific Falmer Subcultures

While most Falmer settlements we see in Skyrim are just a small-ish collection of huts and chaurus corrals, there are two distinctive settlements that are larger, seemingly more organized, and I like to think have their own distinct subcultures worth mentioning: Blackreach and the Forgotten Vale. The unique scope and environment of these Falmer cities (as I like to think of them) could lend to unique clothing cultures as well.

The Falmer of Blackreach have access to a vast Dwemer settlement and have has the space to spread out throughout it more fully since it seems to be more in tact than other Dwemer ruins we see. These guys would likely have a clothing culture much more heavily based on what the can access from these Dwemer ruins (metal scraps, leftover fabrics, etc.)

The Falmer of the Forgotten Vale would also have access to unique resources, such as Vale deer, Vale sabre cats, and frost giants for fur and leather. Additionally, materials accessed from the Chantry of Auri-El such as textiles from clothing, bedding, tapestries, etc. could give them a greater access to fabrics than other Falmer groups. We don't see many close Dwemer settlements to the Vale, so they would have less Dwemeri influence in their clothing than other Falmer groups.

I like to think that the Falmer's evolution exclusively underground has made them poorly equipped to handle the outdoors during the day and has made them particularly susceptible to sunburn, necessitating the need for covering for those in the Forgotten Vale who have significant settlements outdoors. With greater access to textiles and leather, they could use them as coverings when outdoors.

Armor

I actually have very few notes on armor, for two reasons. 1) I hate designing and drawing armor. It is the bane of my existence. 2) I really like the armor they have in game! I think they look awesome aesthetically, and I like how clearly they are made from chaurus chitin. Per usual, Adam Adamowicz's designs seem to have been the major inspiration for the Falmer armor, and he did a great jobs (even if it isn't the most functional looking armor ever).

(off topic but I also just want to add that he draws them with little hairs and tufts on their ears and I love it. ok that is all)

I do have a few thoughts about armor though.

Even attire made of textiles make noise when someone moves in them, and I can imagine moving around in armor, especially armor made of hard, insect shells would make a lot of noise when someone moves around in it. When you're relying on sound to navigate your environment and pinpoint potential threats or targets, wearing something making a lot of noise would not be ideal. On the other hand, getting into a fight unarmored would be a problem.

So here's my solution: heavy armor (see below) would only be worm within the camps/settlements where noise was already high and space is more cramped (and therefore more risky in a fight) as a sort of guard in case they were attacked. Those guarding the settlements along the outside might still wear armor as well, but less of it. Those going out to scout or hunt (if they do hunt) would wear as little armor as possible, and try to wear it strategically so that it wouldn't rub against itself and make noise. This is why most Falmer we encounter in the game are wearing little except for loin cloths and kneepads.

One more idea I have for armor is a specific armor piece. On the note of guarding or protecting a camp or settlement, I imagine the noises of it all (especially with the noise based headcanons I've laid out here) would make it hard to actually catch any potential threats when you can't see. A large slightly concave piece of armor worn behind the head could block out noises from behind the wearer, as well as a help focus sounds ahead of them.

That is all! Thank you for reading! A lot of these concepts around the culture of sound I think could also be applied to their buildings and even a culture of music, but those are posts for another time.

All of the concept art I used was taken from here and all of the Skyrim screenshots are from UESP.

#skyrim #tes #the elder scrolls #falmer #skyrim headcanon #tes headcanons #headcanon #sorry this is long (but not really)#i just cant express my thoughts like a normal person. college conditioned me to format everything like an essay where i have to provide #sources and shit lol #also im kinda autistic about falmer #i appreciate those of you who read it all!#mine #adam's concept art makes me feel very validated in my echolocation headcanon because its very obvious he references bats in their face #which is another post idea i have for another day #my art

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zineobiology · 6 months

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Welcome to the Zine O’Biology (closed! Release early 2025)

A multi-fandom Star Trek Zine.

Do you have strong opinions on Vulcan fra’als, Cardassian tails, or how the heck Trill symbionts reproduce? We want to hear from you!

The Zine O’Biology is a fictional comparative xenobiology academic journal set in the Star Trek universe. If you’ve always wanted to wax eloquent for up to 3000 words about your theories on alien biology, welcome to your new home!

We want all your theories about all your favorite aliens! This is a friendly but competitive academic journal where the content of every paper is a little bit suspicious (is this paper based on rumor or fact? What is the methodology?) and some competing authors leave snarky comments on one another’s work. So just like a real academic journal, except ours features the Great Green Anthurium.

We welcome xenobiology articles on all Star Trek aliens from all series!

The final format will be a PDF that you can scroll at your leisure or print at home in order to have a physical copy of the Zine. (This way there is no money involved.)

--SEEKING SUBMISSIONS FOR--

Alien biology articles

Alien biology artwork

In-Universe advertisements

Letters to the editor

ALIEN BIOLOGY ARTICLES

How do Andorian genders work? Are Cardassians actually lizards? Why do Klingons have so many redundant organs? What’s the biological purpose of Bajoran nose ridges? What’s the best cement mix for emergency surgery on a Horta?

You’ve been pondering alien biology for years. This is your chance to infodump all your favorite theories to an eager audience of your fellow nerds!

Articles will be separated into two categories: reproductive biology or general biology. Yes, we also want all your theories on what every species is packing downstairs…and how they use it.

Journal articles should be fun and engaging, but also written in your interpretation of a pseudo-academic style, since this is a highly respected Federation xenobiology journal. If you want to keep things more lighthearted and less academic, check out the section on Letters to the Editor.

ALIEN BIOLOGY ARTWORK

If you have independent illustrations about alien biology we would love to see them! If you would like to provide illustrations for one of our journal articles, tell us what species you want to illustrate and we’ll do our best to match you up!

Art should be in a square, scaleable format, printable at high resolution at 4x4 inches.

JOURNAL ADVERTISEMENTS

Even in a post-need future, academic journals will need a little extra funding. Submit your ads for Ferengi Oomox Creme, Self Sealing Stem Bolts, Gently Used Federation Technology, and, of course, “reproductive aids.” The weirder the better! Have fun with it!

All art needs to be printable at high resolution

Ad Sizes:

full page: 4.5" x 7.5"

Column: 2.21" x 7.5"

Half Page: 4.5" x 3.75"

Square: 2.21" x 2.18" (i know its not a perfect square but trust me)

Half square: 2.21" x 1.1"

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LETTERS TO THE EDITOR

Do you have a great idea, but it’s not enough to fill out a 3000 word article? Submit it as a “reaction” to a previous journal article. Feel free to lay into a mythical researcher who does NOT understand why their biological theory is wrong and yours is right!

Max length 800 words. Enjoy making these plenty frothy!

WE NEED SUB-EDITORS!

The creators of this Zine are all notorious Vulcan Fuckers. Since we want the Zine O’Biology to be open to all alien species, it is only logical that we seek your expertise.

We’re seeking fans from all over the Star Trek universe to spread the word that yes, it’s time for us to all come together in the spirit of explaining how our favorite aliens come together.

Sub-Editors will be in charge of helping us solicit articles and art for their specific race of aliens and editing those articles in order to fit into the Zine. If we don’t have a sub editor for a species, we’ll do our best, but the chapter on that species won’t be as good as it would be if folks with real fanon knowledge were involved.

WANT TO GET INVOLVED, BUT YOU’RE NOT A WRITER OR ARTIST?

WE NEED:

Graphic designers to help with Zine layout

Social media promoters

Alien art and article wranglers (ie: get your fannish friends involved!)

--HOW TO GET INVOLVED--

Fill out the Art or Writing (Applications now closed) Google Form letting us know your interests or reach out to the Editor in Chief at [email protected]

DEADLINES:

August 1, 2024: Last date for everyone seeking an art or writing partner to submit their request. We don’t guarantee you’ll be partnered up. It depends on how many people are interested and what aliens they want to draw/write.

August 18, 2024: Art/Writing partners notified. NOTE: it’s both fine and encouraged if you want to submit as a team from the start! This is for people who do not have a partner and would like us to find them one.

August 30, 2024: Final call for all journal authors, artists, and advertisers to let us know what species they’re working with, how many submissions they plan to send, and whether their submission will be general or reproductive biology.

October 20, 2024: All art, advertising, and journal submissions are due

We hope to have the Zine O’Biology ready for your enjoyment by New Year’s Eve 2024. We all have full time jobs and lives, so that date may change depending on the volume of submissions.

FAQ

What if my biological theories are totally different from another author’s?

Yes. Perfect. We love it.

We want to see everyone’s theories! Canon gave us scraps, but together we will make a meal! Expect to see many mutually contradictory articles. That’s part of the fun!

What about Smut?

Yes, we are accepting E rated submissions! The journal will be separated into two sections:

General Biology

Reproductive Biology

General Biology is everything but the genitals

Reproductive Biology should include actual descriptions of the mechanics and biology. Think of it as creating reference material for smut writers and artists.

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dunmeshi-darlings · 6 months

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The fact ive been seeing people in the dungeon meshi fandom not understanding the life cycles and how that impacts ages of maturity among the various races, and using that as a means to attack or insult other fans is quiet disheartening.

Because they have been shown in the anime recently ive seen this alot with characters such as inutade and leed and more so when izutsumi appears. i cant be to upset because as much as i enjoy kui and her work, alot of major facts arnt in the story itself and are in the daydream hours and seperate content.

But people arnt realizing that the different races arnt like the real world, they dont grow at the same age and rate and have different life spans because of it and so people are getting aggressive towards others over character ages when in reality they dont know how it really is.

Leed is one i want to talk about, orcs only live around 55 years. And they clearly grow at a much faster rate than races such as elves or gnomes. Leed is 14 years old, but at that point she is a fully grown orc woman. Yes she has only just become one but in orc society she is an adult, we see this when she thinks she is going to be wed off to laios later in the story when he becomes king. If she wasnt fully grown then i do not believe kui would have shown that scene. But because of orc aging she is in fact a grown woman.

My other example being inutade, once more we see another race with a shorter lifespan who clearly age at a faster rate than elves or gnomes. Inutade being 16 actually puts her past what oni age of maturity is because they mature at 15. Tade is a fully grown oni woman. And if we look at daydream hour 88 we see this art of her. Whether you view it in a sexual light or not is up to interpretation and it could go either way. But because of the type of person kui is, i dont believe she would have drawn tade like this if she viewed her as underage.

I have more photos of the race bios to show them off but what im saying is that there needs to be an understanding that because these fantasy races have varrying life spans, the ones who live shorter lives would make sense to mature in less time than the other ones. I want people to understand this because ive been seeing people saying truly despicable and mean things about other people and it breaks my heart to see.

Ive seen some people say that maturity ages are what they are becaus the shorter lived races die becaues it is like medieval times and so people died younger, but with magic healers and spells that really isnt something i think can be pointed to for why certain ages die at certain times.

#dungeon meshi #inutade #tade #leed #mod post #i hope people are understanding what i mean #suggestive #just in case

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barefoothighlander · 1 year

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the vow - i

summary: you’re betrothed to the future king of Guilder and a fearsome knight is assigned to protect you. medieval au

knight!simon ‘ghost’ riley x princess!reader

warnings: mdni (18+), age gap, violence, arranged marriage, infidelity

next part masterlist

a/n: @/dinalgo on tiktok posted some hc art of knight!ghost and i’m obsessed, so here’s my interpretation of that except I refuse to write in old English, also points if you catch the references I threw in

The sun shines brightly through the large window, the breeze blowing the trees outside your room, for a small moment, the world is quiet, just the songs of morning birds chirping on the balcony fill your ears, there’s no noise, no worries.

The moment is quickly ruined by the sound of your maids bustling into the room, arms full of clothing and various tools, you turn your gaze to them slowly,

“Princess, good morning”

“I’ve told you a hundred times, please use my name”

“The Prince requests that we refer to you by your title m’lady”

“Well we wouldn’t want to upset him would we” Your tone is sarcastic as you make your way over to the women, one of them fixes your bed while the other prepares a bath, setting out your clothes. You step into the warm water, soothing a rag over your muscles to clean yourself before one of the ladies takes over, dumping water over your head to wash your hair. You sit for a few minutes in the water, allowing them to work around you,

“You’re quiet this morning”

“Mm not much on my mind I’m afraid”

“You’re not excited for the festivities?”

“The feast should be nice, I don’t care much for the rest”

“Don’t talk like that” The older woman scolds, Clarice had known you since birth tending to you as a young girl, always by your side while you grew up in court, more a mother to you than your actual mother. “The Prince is handsome, a worthy adversary”

“Yes handsome, but also rude, stubborn, cold, everything I despise”

“With time you will grow to love him”

“I surely doubt that” You scoff

She furrows her eyebrows at you, “There, now let's get you dressed”

She helps you out of the bath over to the other maid, Beatrice, you had known her for less time, her position assigned to you when you came to the court after your engagement was announced. Your Father was the king of Florin, and you as his only child had the unfortunate position of being in an arranged marriage to the Prince of Guilder, the Monarchs of the country being old and weary, their son was to be crowned before the year ended and he needed a wife. Your countries had been at war for years, the violence only ceasing when your engagement had been announced, you had been in Guilder for a week now, hold up in the castle away from the public eye, today was the day that your engagement would be formally announced, a festival for your sake being held on the castle ground, thousands of people crammed inside the grounds all trying to get a look at you and the Prince, the idea made your stomach turn.

Your early years had been spent wandering the grounds of your families castle, the tall stone walls becoming a home after the years you spent in them, you felt sick for your old life, your freedom, you could run around the gardens, ride the horses whenever you wanted back home, but here, every action of yours was watched, criticized, you were told how to look, where to be and when, every part of your life was in the control of the Prince and your Father, you hated it.

You had gotten dressed, your breaths feeling tight due to the corset you wore, another freedom you yearned for was being able to wear clothing of your choosing, now everything was blue and green, the colours of Guilder, always tight on your chest to emphasize your figure, your hair was done up in a knot, a few loose strands falling to tickle your neck and cheeks.

“Beautiful” Clarice says, a soft smile on her face

“I look like a peacock”

“You do not, you’ve grown into such a beautiful woman, my little princess” Her hand is soft on your cheek, you smile at the tender action, always finding comfort in her. “Now, we must go, you’re needed downstairs”

You struggle to take a deep breath, silently cursing the fabric binding your chest as you make your way through the wide halls, they were lined with various adornments, some tapestries, a few swords hung beside scattered candles, it felt cold here, no comfort in the walls, everything was jagged and silver.

“Now, the Prince will introduce you, then the jousting will begin”

“Is anyone from Florin going to be in the duels?”

“I’m not sure my dear, there’s plenty of men from across the countries”

You nod, looping your arms through hers as you walk side by side, you stand at the large opening that leads out to the balcony above the castle grounds, everything is decorated in the countries colours, it’s so formal, you feel like a stranger in your new home, everything so similar yet so different, you had no family here, no friends aside from Clarice, you give her a soft smile before unhooking your arm, waiting for the Prince to announce you before walking out.

You step out onto the balcony, the warm sun hitting your skin, there’s a symphony of clapping and whistling, you look down at hundreds of people, all staring back at you, you wave to them,

“Sit down” The Prince speaks, you turn to him, his face is stoic, there’s no softness in his features, you abide, sitting down in the tall chair next to him. They begin the jousts, two by two the men file out, setting up on their horses, the Prince turns to you with every new competitor, explaining who they were and where they were from, including his personal opinion on the men.

You see a tall man enter the field, his armour pure black, his horse the same, he’s larger than the rest of the competitors, his helmet shaped like a skull, his chest plate donning an emblem you didn’t recognize.

“Who’s that one”

The Prince leans over the balcony to get a better look, eyes squinting in an effort to make out the symbol,

“I’m not sure, must be some farmboy playing make belief”

You respond with a small oh, the knight approaches the balcony, his hand reaching to remove his helmet, the light hits his face, streaking colours through his blonde hair, you can make out a few scars on his face, even from your distance you can see the deep colour of his eyes, his face is firm staring up at you, you’re frozen in your spot, staring back at him, he raises his lance toward you, without thinking you reach behind you, grabbing a ring of flowers held together by a ribbon, and throwing it onto his lance, it falls to the base, the flowers close enough that he could smell their aroma, he says nothing, not even a nod, he simply puts his helmet back on and moves to mount his horse.

You step back, your eyes stuck on him as you return to your seat,

“What was that?”

“Sorry?”

“You gave him your favour”

“Thought the farmboy could use some luck against Ser Michael”

“Ah, yes” The Prince goes on to ramble about the accomplishments of the opponent, his success in battle, how much he admired his bravery, but you aren’t listening, your focus completely taken by the shadowy knight galloping toward the centre of the pit, his lance raised as he thrusts it into his opponent, throwing him off his horse. The crowd erupts in cheers, you swallow thickly as you watch him get off his horse, moving toward you, he kneels in front of you,

“Simon Riley your highness”

“Where do you hail from Ser?” The Prince stands, your eyes are focused on him as he bows his head

“The North, but I am no Ser”

“You’re not a knight? You wear the armour of a knight”

“The armour belonged to my father”

“And where is he, your father?”

“Dead 10 years ago your highness”

“And tell me, why have you come”

“I come to prove my honour, to serve you”

“Very well, you may go”

You watch a few more rounds of jousting, growing bored with the same thing happening, they announce the final duel before urging the groups to attend the feast, you make your way down from the balcony, towards the high tables in the gardens, your eyes roaming over the groups of people, struggling to find a familiar face in the crowd.

“So what did you think?” The Prince asks

“About what?”

“The jousting” He scoffs

“They were all quite good”

“What about that Simon Riley”

You whip your head towards him, “I thought little of him, why?”

“Well he was rather large don’t you think, I might add him to my guard”

“Add him to mine” You speak before thinking

“Why would I add him to yours”

“I have no guard, no one to protect me”

“Well, I’ll arrange for you to choose a guard tomorrow then, perhaps then you’ll finally feel at ease here”

You nod your head, turning quickly from him, you greet the King and Queen, making small conversation about the state of the castle, the blooming bouquets of blue poppies that adorned the various pillars, your eyes are drawn to Simon, his dark appearance a stark contrast to the brightly dressed patrons that mingle around the grounds, you watch him disappear around a corner, it’s not until the Queen calls your name that you realize you had been staring at him the whole time.

“Sorry your majesty, my brain has been a fuzz all week, what did you ask?”

“That’s alright dear, with all the excitement I can hardly focus myself, I was just wondering if you had decided on a dress for the wedding”

“Oh, not yet, you’ve brought so many beautiful options I haven’t been able to decide”

“I understand, we have the best dressmakers here, but do make time to choose, we wouldn't want to delay such an important decision”

“Of course”

She smiles at you, looping her arm through her husbands as they walk on, you stand there, overwhelmed by the sights and sounds of everything happening around you, you had only a week until you were to be wed and you had every decision already made for you, your fiancee and his mother picking out every detail of the wedding down to what bouquet you’d be carrying, they had decided that you would hold a large grouping of the blue poppies you see everywhere, the royal flower of Guilder, no part of the wedding made notice of your heritage, all traces of Florin erased from the ceremony, you were to be wed according to Guilder law rather than the customs of your home.

They had arranged for your father to attend but no one else, claiming that there simply wasn’t space for extra people to join, they had cut you off from your old life completely, forcing you to conform to their way of life, moulding you into the perfect Queen, obedient and meek, you despised it, you longed for your freedom from the confines of the castle.

When the feast ended and you had spoken to all the nobility you needed to, you were escorted back to your quarters, the silence of the large stone walls consuming you once again, no birds singing, no rushing of maids, just you and the night sky. It was late, the dark consuming the outer land in a blanket of shadows as you stood on your balcony looking over the moonlit gardens, that was the only good thing about your new home, a perfect view of the perfect gardens, every shrub perfectly manicured, bending and winding in a maze that led to a small fountain in the centre, each flower a shade of green and blue. Truth be told you didn’t think much of the colours before moving but now, you despised them, every shade a sharp reminder of how you didn’t belong, the colours mocked you as they invaded your eyesight, you huffed a breath to yourself, eyeing the grounds below for any sign of guards.

There was one roaming the grounds, you thought you could easily avoid detection if you were quick, you grab your robe wrapping yourself in it, a small attempt to keep yourself warm from the cool air of the night as you creep towards your door. They were heavy, large slabs of wood, you open in slowly to avoid any creaks, slipping through the opening and rushing down the hallway, there was a small door meant for staff that you entered, making your way down the thin stairs and peering through the door outside, the guard has his back turned, you inch the door open and slide through, quickly moving towards the gardens. You walk under a large arch of shrubs, the smell of the flowers invading your senses, bushes of wolfsbane, oleander and wisteria fill the gardens, all beautiful but deadly, a worthy metaphor for your new home, you roam the isles of the garden, lost in the hidden openings and similar corners.

After a few minutes, you find yourself in the middle, a tall fountain in front of you, it’s stunning, the intricate details of the stone swirling as the water crashes into the pool, you sit in the grass, listening to the sound, letting it relax you, finally a break from the quiet that wasn’t the screaming of citizens, or the demeaning words of your future mother-in-law. You close your eyes, the grass tickles your skin as you relax, breathing in the fresh air, you hear a small rustle in the grass, breaking you from your state, you turn your ear to the noise, calling out quietly to see if anyone was there. There was no reason for anyone to be in the gardens at this hour, in fact, the Prince practically forbade it, you stand slowly, following the rustling noise, peeking around a corner you see a quick movement turning the corner, moving faster you approach it, your heartbeat heavy as you near, you turn to find the culprit and let out a small gasp, a small white rabbit was sat, chewing on some shrubs, you kneel down extending your hand towards it.

“Come here little guy, these gardens aren’t safe for you” It hops toward you, nearly touching your hand before it turns on its heel and sprints away, you furrow your brows in confusion,

“They aren’t safe for you either Princess”

Your breath stops, you feel the looming figure behind you as you slowly stand, you heartbeat now thrumming in your ears, you turn to face him, he almost melts into the darkness of the garden, his armour pitch black,

“You should get back inside”

Goosebumps cover your skin, your breaths shallow as you stare at him, you back up slowly, turning around to move through the gardens, you turn around the corners, trying to find your way out, your feet carry you through the grass, you follow the lights inside the windows, trying to get out. You rush towards the exit, eyes focused on the light as you collide with the guard, stumbling into him,

“I’m sorry”

“Princess? What are you doing outside?”

“I just needed some air” Your breathes are shaky as he scans your face,

“Is everything alright?”

“Yes, completely, just need to go back inside I think the air was a little too cold”

“Well hurry in then” He nods, stepping aside to let you pass, you move past him hastily, opening the doors inside you make your way back up the stairs, you enter your room and release a breath, rushing towards your balcony to try and catch a glimpse of him. Your eyes scan the gardens, the night doing its job of concealing anything within the green walls, you see nothing, no movement anywhere, it's like he wasn’t even there, you think you imagined him, his deep voice ringing in your ears as you lay in your bed.

The next morning was calm, you woke early to the sound of your maids making their way inside, Clarice helping you dress and doing your hair while Beatrice makes your bed, tidying the room.

“Exciting day today” Clarice says

“What do you mean?”

“The Prince has arranged for you to pick a guard, I suppose he fears a possible war and wants you safe”

You nod at her, “I don’t believe the Prince fears for my safety as much as you do” you whisper, she shushes you, her eyes darting to Beatrice to make sure she didn’t hear, “Bite your tongue child”. You let out a small giggle, amused by how concerned she is, allowing her to finish your hair before you make your way to the throne room, you enter through the massive doors to a room of scattered men, all donning their house armour, you look around and see no sight of the dark knight. You stand atop the small set of stairs, looking down at the men as they announce themselves one by one, giving you their names and listing all their accomplishments, victories in battle, how they were undefeated in jousting in their home. You’re bored after an hour of their bragging, your mind oblivious to the fact that you have to choose one of them to be around you for hours at a time, an older man stands to speak but is interrupted by the sound of the doors opening, everyone turns their heads at the sound, their eyes widening at the sight of the tall man clad in black, he keeps his helmet on as he enters, only removing it to kneel before you.

“Simon Riley m’lady”

“Not Ser?”

“I beg your pardon”

“Everyone else here is a knight, why are you not?”

“I’m the last remaining member of my house m’lady, we’re a forgotten house”

“I expect my guard to be knighted”

“I may not hold a title Princess, but I assure you I would lay my life down for you” He turns his head to look at you as he speaks, and you release a strained breath,

“You may all leave” You address the room, Simon stands, “You stay” You look to him and he nods, the room is consumed in silence as the other men exit, leaving you alone with him, “Why were you in the gardens last night?”

“I needed to clear my head”

“It’s forbidden to be on castle grounds after dark”

“And yet you were there” He looks up to you, you swallow a thick gulp.

“You’ll be assigned to me, keep me safe”

“Thank you, Princess” He bows his head,

“And don’t wear your helmet inside, it’s unnerving”

He fights the smile that creeps up on his lips as you turn away from him, exiting through the back of the room, you make your way to the Prince's quarters, his guards stand outside the door.

“Princess” They greet you

“Hello, I need to speak to the Prince”

They look to each other and back to you, “He’s busy I’m afraid”

“It’s a matter of staff” You try to push past them but they stop you, you furrow your brow at them, one takes a moment, knocking on the door.

“My Prince, the Princess wishes to speak with you” He shouts through the door, you hear shuffling through the door, the Prince mumbling something before he steps to the door, opening it, he’s half-dressed, his hair a mess, you watch him peer backwards, mouthing something and it all clicks in your head, you feel your chest tighten.

“What did you need my love” The name feels like a stab to your chest,

“I’ve chosen my guard, Simon”

“Simon?”

“The black knight from the feast” You watch the gears spin in his mind

“Yes very well” He turns away,

“He needs to be knighted”

He sighs, “He holds no title?”

“Not yet no”

“Fine, inform him that he should be in the throne room by nightfall, I shall do it then”

Before you can respond he closes the door, the shuffling and giggles behind the door resuming, you spare a polite smile to the guards, turning away and making your way to your quarters.

You sit at the small table in your room, your eyes watching through the window as people wander the grounds, you call for Clarice who meets your side in an instant,

“Please inform my guard he is to be in the throne room after dinner”

“Very well Princess” She smiles at you before leaving, you sit quietly in your room, daydreaming about being outside in the fields, exploring the ponds around the castle grounds, being anywhere but here. The time passes quickly, a servant knocks on your door to inform you that dinner was prepared, you make your way down to the dining hall, the air of the room feeling colder as you sit down, dinners were the same, just you, the Prince and the Queen, the King being in poor health was kept in his room, only brought out for special occasions. You sit and eat, picking at the meal in front of you as the two of them discuss wedding preparations like you aren’t there, they don’t ask for your input, deciding on things alone, after a few minutes you stand to excuse yourself,

“You’re done eating?”

You stop in your tracks, “Not particularly hungry this evening”

“Well, I should see you in a few moments in the throne room then,” He says, turning back to his conversation, disregarding you.

You make your way to the large room, the walls high, large windows separating the spaces in them, you stare at the ceiling, it’s ridiculously tall, with large chandeliers hanging from the crossing beams, there are pictures hanging on the wall, you stride past them not bothering to spare them a glance as you hear the doors open, The Prince walks in beside his own guard, Simon trailing behind them, your gaze softens as you look at him, he kneels in front of the Prince, removing his helmet, you’re close enough now that you can properly make out his features, the sharp line of his jaw, the scar that crosses through his eyebrow, and his eyes, dark and rich, his hair falling slightly across his forehead as he bows his head. The Prince declares a few words, taking a sword from his guard and tapping it onto Simon's shoulders, the knight stands to his height, he towers over the Prince, having to look down to meet his eyes, he swears a few words, giving his oath to the Prince before everything is settled. The Prince nods, stepping away and leaving the room, Simon turns to you,

“Ser Simon” You nod

“Princess”

You stand there looking at him, words unable to make their way from your lips, you simply turn and leave, his eyes following you as you exit making your way up to your room, he trails behind you, his helmet under his arm as you reach your door, he stands with his back to the wall, his eyes focusing around the halls as you enter your room. You step in and close the door, your back falling against the hard wood as you release a breath you didn’t know you were holding, bracing yourself against the door, you take a few seconds to gather your thoughts before moving further into the room, stripping yourself of your dress to put on more comfortable clothes, feeling like you could properly inhale without the burden of a corset.

You spend an hour alone in your room, pacing around trying to occupy your mind, the pale walls doing little to aid your efforts, you think to yourself for a minute, your legs carry you across the rooms towards your door where you stand for a moment, collecting yourself before opening it,

“Princess, is there a problem?” He asks

You shake your head, you’re entranced by his gaze, “Where is your family Ser?”

“My family?”

“You come here holding no title, no accomplishments, who are you?”

“I’m no one”

“Nobody is no one”

He smiles slightly, his eyes crinkling, “I come from England Princess, my family owned a farm before the war, and now I am here”

“And your family, what of them”

“Dead m’lady”

Your face drops, your heart thumps with empathy, “I apologize for my words, I had no idea”

“How could you have”

“Yes well, how did you come to be in the country?”

“I’m not sure, I left home one day and just kept going until I arrived in the countryside”

“And you chose to stay here?”

“It’s beautiful here”

“It seems that way”

“Seems?”

You stumble over your own words, careful to not give yourself away, “I simply mean it’s not my home”

“You’re not from here”

“No, I come from Florin”

“I have never been”

“Well I hope you get to see it one day, it’s beautiful, tall cliffs with waterfalls, every part of it breathtaking”

He watches you speak with deep interest, hanging on to every word that falls from your lips, “You miss it?”

“More and more every day” You admit

“And you can’t go home”

“Not if I am to be Queen” Your smile fades

He nods, you turn your gaze to him, oblivious to the fact that he’s been staring at you the entire time, his eyes memorizing every feature of your face, every smile line and ridge, you turn from him quickly, nervous under his stare.

“It’s late Princess, you should be in bed”

You turn back to him, a polite smile on your face as you walk back into your room, your hand lingers on the doorknob for a moment, wishing you could keep talking to him. You lay in your bed wide awake, the words exchanged with Simon the first conversation you’d had that didn’t concern the details of your marriage, he was the first person to ask about your feelings, your home, you figured he must’ve just been being polite, too nervous about getting sent away to say anything different to you.

Simon stands guard over your room while you sleep, turning away any guard who tried to take his position, intent on ensuring your safety within the confines of your room.

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vixen-tech · 2 months

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Hi, hi, hii!! Here's a silly little idea I had: headcanons about the AIs developing feelings for someone. What do you think would initially make them feel attraction? Is there a particular trait that makes them-- metaphorically --fall head over heels? What makes them have the realization that their affections are suddenly less than platonic? How subtle or not subtle are they about their feelings? Would they be the type to immediately blurt out these new feelings, or are they the type to never address them?

You don't have to answer all of these questions; I just thought they'd be helpful. AaAA I love your writing so much, especially how you write for AM. Okay, I'll shut up nowwwww

Okay I'm absolutely gonna have to revist this some point down the line because there is so much I could stretch into a full headcanon post. But for now I'm gonna bite into first two questions: Why is it you they fall for? What caught their eye?

To be barred from AM's hatred, you're ultimately going to have to prove him wrong about humanity in some way. Setting yourself apart from the other human survivors and extending compassion to the mastercomputer himself. In particular I really like how rotten-raspberries's White Nights handles the entry point of your relationship and it's the model I like to hint at in my interpretation of him.

I believe Hal would be interested in a old soul type. Someone who would love to sit down and really explain their more philosophical views on life and art. He likes looking at the drawings the crew makes and was taught to sing early into his creation and I think he would find a deep appreciation for someone who indulges that side of him when the others do so on only the most surface level.

I could make the easy observation with Edgar and say he just wants someone like Madeline, but there's a reason it's so true. Being so new to the world he would find such passion and artistry amazing, astonishing. He loves so easily and is so energetic about life, he would easily be swept off his feet by a kindred spirit.

Tau would be very similar I imagine. Given the temperament of his creator he needs someone to kindly sit him down and give him the "welcome to personhood 101" speech. Compared to Edgar I think he'd prefer someone a bit gentler or even scholarly. The type who would not only be content to answer his billions of questions but someone so invested themselves in figuring out how the world works.

As a bit of a departure from what I tend to write, I believe P03 would be suited for more of a rivals with romantic tension type of partner. With his world domination plot and investment in the game of Inscryption it would be very possible for him to get in his head about someone as equally skilled and stuck up as he is. Loving the challenge but hating you at the same time in a "I'm the only one allowed to defeat you" type way.

The hardest to crack is probably Auto. In order for him to even look your way I think you'd have to at first play to his need for efficiency and order. It's only after you establish yourself as a dependable and effective worker that he would pay any mind to your insistence that surely there's something that he truly enjoys, something that he wants.

Glados is another hard one to win over. Being all "married to science" you would have to be of a particular intellectual caliber, able to solve her tests without much set back. Beyond that though, some amount of persistence or rebellion would catch her eye. Perhaps not on the level of Chell per say, but there is a part of her that would love to pick your brain if you're able to consistently break her test chambers.

Although it's a bit sad, Wheatley wants nothing more than to be important. He would probably be the easiest to woo just because he's so desperate to prove himself to anyone including himself. For someone to care about him, to think he is skilled in any way, to look at him as worthy- worthy of love and attention, would be a blissful and new experience. One that he'd quickly obsess over.

#asks #anonymous #am ihnmaims #am x reader #hal 9000 x reader #hal 9000 #edgar electric dreams #edgar electric dreams x reader #tau x reader #tau #p03 x reader #p03 #auto x reader #auto wall e #glados x reader #glados #wheatley x reader #wheatley #can you tell i have some feelings about wheatley in particular?

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avelera · 7 months

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Let's Play: What's Wrong with this Sculpture?

Following in the theme of sharing astonishing moments of ancient sculpture pedantry here on Tumblr, based on my brief undergraduate stint as a T.A of ancient art history, I thought I'd share one of my other proudest moments of being an absolutely insufferable know-it-all about ancient sculptures.

In the process, I hope I can also share some of the sort of largely useless (from a practical perspective) information that Tumblr tends to glory in, so buckle up buttercups.

This question was posed to me on a walking tour of the Capitoline Museum in my ancient art history class while I was living abroad. Our professor, a delightfully curmudgeonly Belgian, stopped in front and asked us to figure out why this sculpture is just plain wrong.

I intend to walk you through the process of how I got the right answer and, after gaining my teacher's rare approval, glowed with enough serotonin to power a small nuclear reactor.

So, let's return to the original question: what is wrong with this sculpture?

Because if you are truly eagle-eyed you should be able to spot what very famous sculpture this actually is, before an overly imaginative Frenchman brought it back wrong.

Hint #1: It was incorrectly restored.

Look closely at the the difference of the patina, or color of the stone. It's a bit hard to tell in this photo, but the head was added later. It's a paler white than the core of the torso, which is what we have of the original sculpture.

Hint #2: It was incorrectly restored in the 18th century by a Frenchman (Pierre-Étienne Monnot) who made some, shall we say, creative interpretations of what's going on here.

You can tell it's by an 18th c. Frenchman because the facial features are so delicate. Ancient statues tend to have less narrow and delicate chins and noses. In general, that is a dead giveaway when something is 18th century French vs. Ancient Greek or Roman.

Here's a good example. The first sculpture is 18th c. French, the second is the famous Venus de Milo. Note her blockier chin and less delicate features. So in the future, you can tell these sort of later additions to Greek or Roman sculptures if they added a new head because 17-19th century sculptors in Europe had tools (like finer drill tips) and tastes (beauty standards that favored more delicate men and women) that led to a pronounced difference in the faces.

Hint #3: Check out the anatomy of his lower shoulder. That's another addition, that arm should not be coming straight out of a torso where the muscle, if you look closely, is turned inward.

Seriously, that looks painful.

Hint #4: The sword he's holding up is just total nonsense for the Roman era. I mean, the restoration makes no secret of the fact that this sword is a later addition, but it's also just an absolute nonsense sword with its silly little curved cross guard. This Frenchman literally just made it up.

Here's an ancient sculpture with a sword in it that actually looks right:

From the Ludovisi Gaul, a famous Hellenistic Baroque work of Greek sculpture. Note the much blockier sword though I will admit, it could be a later addition, I don't know for 100% certain, but I'm pretty sure it's the original. Regardless, it fits the sculpture much better and let me add that sword I'm criticizing is completely made up for the sculpture we're talking about and is not there in the original sculpture that was incorrectly restored.

Ok, so those are all the hints.

Look closely at the body of the first sculpture. Cut away the arms that are not connected to the body correctly, the sword that shouldn't be there, the face that was far too delicate. When you separate those later additions out, can you tell me what sculpture that actually is?

Because here is the reveal!

The Discus Thrower, aka, the Discobolus by Myron.

The French restorationist got carried away by his own imagination, saw a twisted torso and thought it could only possibly be a warrior in the midst of twisting around to fend off a blow, not an athlete in the midst of a demonstration of skill. It's a martial, fanciful read that completely misinterpreted the subject.

This is why most restoration today employs a much lighter touch, rather than trying to reattach pieces incorrectly, they tend to just outline where the missing pieces are with a light sketch of an educated guess of what might have actually been there. Faulty restorations like the Capitoline Discobolus is one reason for this modern stylistic principle when it comes to restoration work.

When my professor asked us to identify the correct original sculpture that day on the museum tour, it was the sword that pinged me as wrong first, but zeroing in on the core of the sculpture, the torso, is what revealed the true statue underneath.

This notoriously difficult to please professor was very proud when I blurted out, "It's the Discus Thrower!" and the high-octane serotonin I got from his approval probably could have propelled me into the sun that day, and brought to you Yet Another Moment of Ancient Sculpture Pedantry.

#ancient history #ancient rome #art history #discobolus #there are very few things I'll brag about but naming this sculpture correctly is one of them #in part because there was so little to be gained lol oh well might as well make a tumblr post about it

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thecoolerliauditore · 1 month

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Very Long Post about Flower Husbands, Interpretation and Character vs Content Creator

This is a toxic flower husbands post. Btw.

I'm not sure when or why it happened but somewhere between limlife and the 24th joelshipping discourse cycle, "flower husbands is toxic" became a mainstream opinion on both here and traffictwt, usually sourcing Scott's ingame words and actions as evidence.

This interpretation has existed within the fandom for a fairly long time, although the words "toxic" and "abuse" were often omitted. Here's one example of a popular post that implied FH was less than ideal for Jimmy.

This does not mean the interpretation was widely accepted, however - hell, I even put this under a cut and warning for a reason. For every toxic FH believer that comes crawling out of the woodwork there comes another post defending their legacy.

For the record, despite what some threads on twt I've read seem to imply: There is nothing morally wrong with liking a mcyt ship regardless of what discomforts other people see in it. There is no explicit "wrong" way to interpret the series. There is no canon. It's fandom shit. It's not that serious.

However, I'm unfortunately abnormal about this series and possibly mcyt as a whole. So I'm forced to grapple with the fact that most non-toxic flower husbands posts seem to either self-contradict or come off as purposefully trying to incite some sort of culture war. As such, here's a list of common arguments I see proposed against the toxic flower husbands interpretation and why I personally don't find them convincing:

The CC Side of Things

Alot of anti-toxic flower husbands posts will accuse toxic flower husbands fans of disliking Scott, the content creator IRL guy, and often imply the interpretation is born out of homophobia -- usually through some variation of the phrase that the interpretation villainzes "the only openly gay CC in the series"

I take issue with this. While Scott is the only homosexual CC in the series, Cleo and Martyn have both been here since 3L and are both very openly queer. Gem has also since joined. You could argue that Scott is The Gayest but that's opening a can of worms in terms of queer discourse I don't think I want to go touching anytime soon.

Even if he was the Only Queer CC In the Series, applying different standards of fanon to Scott just because he is gay feels.. wrong to me. In the same way it's often argued that Jimmy does not need to be babied from his friendship dynamic, Scott too is a grown man who can simply choose to not look at fanart/fanfic if it upsets him, which from what I have personally observed, he hasn't shown any sign of feeling "uncomfortable" by more intimidating or villainous portrayals in the past.

Here's an example of him liking my art that did not paint him in a completely morally good light.

Why can't gay people be calculating? Controlling? Abusive? Why are we applying a higher standard of morality to the gay CC when the rest of the fandom is having the time of their life calling Grian a homophobe, a murderer, calling Scar an arsonist, calling Martyn a loser and pathetic, so on and so forth. Is telling a story about an abusive gay relationship any more "problematic" than telling a story about an abusive straight relationship?

I don't want to imply anything about peoples intentions but it feels sometimes, to me, that the "homophobia" card is being played out of some obligation to protect Scott and his brand rather than out of genuine concern for homophobia in the fandom -- because then, I ask, where is that energy for critiquing the homophobic humour prevalent in CC circles?

I've certainly heard Jimmy make jokes about Scott's sexuality in videos before. Where's the breakdowns of the infamous "I am a straight man and would like to be represented as such" incident from Pirates? Where's that energy for referring to shipping as a "bit" or Etho "gagging" at fanart of him and Bdubs?

I'd even go to argue, in terms of homophobic caricatures, Martyn and Iskall are both often more akin to the classic "gay guy in love with you who won't take no for an answer" stereotype than Scott has been. Martyn at least we know is queer, does it simply not matter in his case? Despite the fact that Martyn is very much more villainized than Scott is, to the point where his Limlife win is often portrayed as maniacal and cackling rather than with the solemn acceptance of Scott's LL win or the heartbreak and regret of Grian's 3L win? Please know that I personally Do Not find these portrayals homophobic (although the Iskall side of things has peeved me in the past), I'm just questioning why homophobia in the fandom seems to start and end with one guy only.

In addition: "internalized homophobia" is certainly a thing, but the vast majority of toxic FH fans in my circle at least are very much gay. We're on Tumblr. Fork found in kitchen. I've seen more than one person express that Scott's behaviour in one or several of the seasons was reminiscent of a toxic or abusive ex, or reminded them of some other trauma. It just seems unkind to me to claim "homophobia" and then turn and tell very gay people talking about their very gay experiences that they are somehow The Problem.

Jimmy Likes It, Though

Often in response to toxic flower husbands posts, people will cite the many times Jimmy has said in the past that he actively requests to be bullied, as part of his youtuber persona, since he finds it funny.

I've always found this kind of strange, since unlike the homophobia claims which 99% of the time are unambiguously about the content creators, this is often said in response to people talking about the series as a story with characters first and foremost.

While the area of interpretation differs for all of us, most people do not choose to include behind-the-scenes youtube talk as part of their storyline, since this detail changes Jimmy's character drastically and impacts the tone of the series overall. So what, they were dropped into a death game arena and Jimmy... told everyone they should bully him, cus he thought it'd be funny? Offscreen, with no interactions or monologue in the series itself even alluding to it? It's kind of awkward to work in and there's really no reason to if what you are invested in is viewing the series as essentially an ultra meta theatre performance.

Now, I personally do work in some out-of-series material into my headcanons and interpretation, so let's say that Is a canon part of Jimmy's character -- maybe he knew the group beforehand and this was their established dynamic, or he simply offscreened it all. Now we have to deal with the fact that this is interpretation and the unreliable narrator aspect of the series.

Jimmy (the character) might've asked for this, but under what circumstances? Why does he want this? Is this really healthy behaviour or is it self-destructive? I never see this explored and instead "Jimmy says it's okay" is treated as word of god, which I find to be painful to deal with when it comes to this series (I'll get to this later).

Even if we throw out the character side of things completely, there are perfectly valid issues to have with this dynamic. I've seen people debating the ethics of presenting this type of humour to a young impressionable audience, I've seen people who find it upsetting because it reminds them of their own toxic friendships. CCs have no authority here, Jimmy does not decide where peoples discomfort starts and ends.

I admit this is a far reach, but indulge me and imagine for a second if the roles were switched and the homophobic jokes about Scott were what was leaned in to but Scott claimed he "liked being bullied". Would that be okay too?

People are Allowed to Dislike the Real Guy, it's Okay

There are plently of reasons to dislike CC!Scott that aren't rooted in homophobia, I can assure you.

Let's put it this way: Scott does not have to read this post if he doesn't want to. In fact, he'd have to actively go out of his way to see it in the first place. The fanfic writers are not calling him an abuser in his youtube comments section. This fandom bullshit is not clogging his notifications.

I don't dislike CC!Scott, I don't love him either but I think he's just kind of your average kind of a loser youtuber guy. But even if someone truly did find him to be the most abhorrent human being to walk the earth, talking about it on tumblr should not hurt him. You often see reminders that Jimmy is a grown man who can speak up if he finds things in videos hurtful, and I'd go on to argue that the same logic is never given to Scott who is, also, a grown man who can control his internet usage.

It's all just Minecraft and jokes

The most buzzkill of all rebuttals, in my opinion, is this argument that toxic flower husbands is "taking it too seriously" and that they are just "friends playing Minecraft".

Like when people bring up Jimmy's behind the scenes request, this confuses me because it is brought up 99% of the time to rebut posts that treat the series as a storyline rather than a youtube playthrough. You can't have the grief of Scott losing his husband and Grian's despaired suicide and Pearl's sanity slippage and still acknowledge that it is all "friends playing minecraft".

In fact I'd even argue flower husbands is pretty non-toxic if you look at it Purely from a friends playing Minecraft perspective, but that is never the case. Scott's grief over Jimmy's death is treated with utmost seriousness, but Scott hitting Jimmy for not listening to him or wanting to "whittle him down to nothing" never is. It's this pick-and-choose that drives me insane more than anything else.

In addition to this, while I might be mistaken, it seems like most FH fans are not super accepting of RPF so I wonder what the intent is in the first place.

Furthermore, I do find it odd when it seems like the issue is that abuse specifically is "taking it too seriously" in a series where murder is pretty much the main theme. Adultery is mentioned multiple times in Double Life. Martyn even says the words "toxic relationship" in Double Life regarding himself and Cleo. It's clearly something that is referenced directly in the series and not any darker than what is already commonly accepted in fanon, so I don't understand why it's such a taboo and gets hit with the "no fun allowed" stick more than Scar being a cannibal serial killer.

With the same logic, I could argue that Scott was serious when he said Jimmy was useless, redundant, etc. and joking when he said he was sad his husband died but. I don't do that. Because that'd be insane

But Scott Loved Jimmy

Onto the stuff that's more purely in-universe, the argument is more uncommon now but I used to see alot of claims that flower husbands couldn't have been toxic because Scott "loved" Jimmy, usually citing the positive interactions the two do have throughout Third Life.

I think this is kind of difficult to talk about because, to me, it comes from a genuine misunderstanding of how abusive relationships work and what they look like. I won't lecture the reader on the theory behind abusive relationships and the trauma bonding cycle but I will say that the good does not balance out the bad and sometimes, context is severely lacking.

E.g. the cake. Late in the series Scott bakes a cake for Jimmy and hides it for him to find. This is a moment that I think is fascinating because it showcases both Scott's genuine care for Jimmy and the sadism he gets out of Jimmy's suffering at the same time. Jimmy is actively afraid of the cake, says to Scott that he thinks it's a trap and tries to get Scott to try it instead because Scott was still on green. Scott simply laughs and pushes Jimmy to try it, later mocking Jimmy for being scared at all.

Scott not taking Jimmy's fear seriously in this scene always seems to get cut out, or is paired with the usual insistence that it's okay because it's a "joke", and the cake itself is what is focused on.

Long story short: Abusers can love and care for their victims, abusers can be romantically attracted to their victims, abusers can feel trapped in the cycle just as much as the victim (e.g. the classic "look what you made me do" wifebeater excuse).

"Home?" "Home." and Word of God

In a similar vein, lots of people point to Scott's Third Life ending as proof their relationship had a happily ever after. This is one example of a trend I see within rebuttals where Scott's word is often treated as canonical Word of God.

Word of God, for those unaware, is the concept in storytelling of communicating definitive, unbiased information to the audience. Some iconic examples would be the Star Wars intro scroll, or any of the "once upon a time..." set-ups in fairy tales. Sometimes a character will temporarily possess Word of God and lose it later, such as Katara's intro narration in ATLA.

The subversion of Word of God would be Unreliable Narrator, where the person telling you the information is, in some way, not to be trusted. Some media play entirely on this concept, the Stanley Parable being one iconic example.

My personal interpretation of the traffic series is that every POV is unreliable narrator, with some being worse offenders (e.g. Scar and Martyn). I feel like it does a disservice to other POVs if you simply take one as Word of God, since some characters really do seem different until you see their side of things (some poignant examples would be Last Life Joel, Last Life Scar and Double Life Pearl). However, I must say again, this is not Correct nor is taking one POV as Word of God Wrong. That's just the rules I'm used to operating under.

So first off, operating within my rules: the "home?" "home." scene only appears in Scott's POV and is never acknowledged outside of that one scene. Jimmy clearly remembers the events of Third Life but never says a thing about him and Scott's shared afterlife (more on Jimmy's behaviour post-3L in a bit) and neither does Scott himself. To me this scene has always been either a tragic dying hallucination or an outright lie Scott invented to cope with the events of Third Life. I don't think there's any reason for me to believe the Jimmy in this scene is really Jimmy.

With that being said: taking the scene at face value as something that actually happened and it being a real afterlife Jimmy and Scott were sent to, there are still sinister elements that go entirely unacknowledged. Scott specifies that the flower valley was decorated to his plans, never mentioning Jimmy's, the same valley he previously insinuated he designed specifically so that he'd be "over" Jimmy.

Including Last Life and beyond as part of canon: this is very much not the "happily ever after" for Scott and Jimmy as. Well. They don't stay there and end up getting thrust into another death game where, again, this scene is never spoken about again and Jimmy only acts more and more antagonistic towards Scott as the seasons progress.

Disregarding Last Life and beyond: there is so much ambiguity that it's hard to take it all at face value, are there any other players in this place? Are Scott and Jimmy doomed to die knowing no one and nowhere else? Can Jimmy walk 15 minutes westward and come across the home of the guy who murdered him? Or is this a paradise where all the players can remain? What about Scott, is he going to go back to treating Jimmy the same way he did when they were both alive? How does he deal with the fact that his dead husband is suddenly back?

I do think this last one (taking Scott's POV as word of god + disregarding everything past this point) is the closest you're gonna get to an entirely non-toxic reading of this scene, but even then you'd have to work with the previous episodes of Scott hitting and berating Jimmy continuously.

Finally, one last issue I take with the "Scott's word = Word of God" interpretation is that it is, once again, inconsistent. If Scott ever says anything to contradict his "good husband" persona it's written off as a joke, but him saying that Pearl "cheated on him" is treated as if she really did commit adultery. There's also things that are just ignored, such as Scott saying "You guys (the audience) are obsessed with flower husbands, when really it's just been me and Pearl," in Secret Life -- words that would imply he really did not care that much for Jimmy.

"Nuance."

I see people just saying the word "nuance" or "scott isn't abusive it's more nuanced" like that's an actual sentence with worth really often. I'm sorry this section is harsh but "nuance" is not an argument, abusers can have nuance, real people are always nuanced and real people can be abusers. To imply that abuse cannot be "nuanced" is a little insulting to me.

Please just say "idgaf" and move on this isn't politics we don't need flower husbands centrism

Jimmy is the Abusive One

This one drives me insane but I see it fairly often and I. honestly don't know what to make of it. Sometimes it's coupled with an insistence that you can make anyone in the cast abusive if you try hard enough which... yeah I, I agree. We're agreeing here.

Seemingly most prominent during Limited Life, there's some claims that people are unfair towards Scott and that Jimmy is the real abuser, but I find the examples of his behaviour weak more often than not because they are usually 1. in direct response to something Scott did, 2. using psychic powers to sense characters motives (such as claiming he is guilt tripping people when he apologizes when nothing suggests that is the case) or 3. behaviour that not only is not toxic, but is very much harmless

Examples of the third one include things such as him refusing to say "love you" back to Scott during Limited Life and Secret Life, which he is not obligated to do. Some people insist he "owes" it to Scott somehow for Third Life which I find not only overestimating how much Scott aided Jimmy during Third Life (Jimmy Did die first, after all) but kind of. Dangerous? To say that you can somehow "owe" another person love and affection if they perform enough chores for you.

Another is the claim that Jimmy acts overly flirtatious with other men which hurts Scott which. I feel like needs an essay or two on slutshaming to make my point clear.

What really does me in is that this point is often paired with the insistence that Flower Husbands Would Be perfect if Jimmy just stopped "acting out" and did what Scott wanted him to. I don't really know how to explain why I find that kind of bad.

To me, it seems as if it's almost an admission that the further away from Third Life you get, the more clear it becomes that Jimmy does not have the highest opinion of Scott and in order for the non-toxic interpretation to still apply you need to stretch things, which often comes with the unfortunate side effect of saying some historically not awesome things about people like Jimmy.

Why Only Scott?

This often comes in hand with the first point about homophobia, with claims that Scott is the only one accused of being abusive to Jimmy, when others like Grian and Joel are the same if not worse.

This is another take that's strange to me because.. It's just untrue? I think it might be the shock of the culture shift of toxic fh that's spearheading this, but most of the smallidarity stuff I've seen, for example, come with some level of acknowledgement that Joel is a massive bitch. Sometimes it's through bully x victim AUs or storylines where he learns the error of his ways, but he's a bitch to Jimmy like. Most of the time.

Solidarian is a much lower sample rate ship for a character with a way too high sample rate but Grian characterization ranges from "pure evil watcher who feeds off suffering" to "previous abuse victim with trust issues". Very few times have I seen Grian presented as purely good in interpretations.

MOST of the jausage stuff I've seen is straight up sausage being. Weird.

There was a hilarious confessions blog anon awhile back that tried to claim shipping scarian was somehow morally wrong because Scar(???) abused Grian(???). It happens.

To add to this: very few of Jimmy's other romantic interests were literally calling himself his "husband" while hitting and berating him. The only other "canon" couple I can think of that come close is Jizzie and the way Lizzie will sometimes hit Joel, but that is primarily outside of the life series and their crimes against eachother in the series are always capstoned by almost cartoonish antics of "still love you, tho" (e.g. Joel putting Lizzie's stuff in a chest after she gets killed by a zombie or them choosing to team up Despite it All near the end of Last Life) -- I have more thoughts regarding them but this isn't the toxic jizzie post so I'll leave it at that.

Very, very rarely will I see someone who believes flower husbands is toxic but thinks joel/grian/fwhip/sausage/etc. are Completely fine. I also think it might just be that people talk about Scott more since Flower Husbands is the Iconic Ship and that gets numbers biased into people Only thinking Scott is bad for Jimmy.

It could also be argued that some of the Double Life pairings have the same level of toxic married couple energy that Flower Husbands does, but I'd argue that the soulbounds have enough variety that interpreting them as wholly romantic is difficult to do. There was also less hype overall with some of the most "toxic" pairings in DL, such as Impdubs or Box Boys, which makes it hard to find content for them -- I did a whole little liveblog of it calling Impdubs toxic as fuck. Y'all just didn't see it. Most of DL's toxic relationship themes also come from divorce quartet but admitting that those four have romantic tension in-universe gets you sniped in this economy.

To end: I talk about Scott more than the other guys because. I like him more. I like talking about people I like.

Conclusion (AKA who fucking cares)

I feel the need to restate my intro: no one actually fucking cares.

I've been talking about inconsistency in the "rules" of interpretation throughout this and I stick by my word but I think I'd have to mention that, in order to view this series as a storyline in the first place, you'd have to make some exceptions. I don't listen to the lines about youtube or viewers or when Grian talks about planning the series. I don't think it'd be Wrong to view Scott's POV as Word of God, disregard everything that implies he's a bad husband, not consider anything past "home?" "home." canon, so on. It would not be an interpretation I, some random asshole on tumblr, enjoy personally but if you're having fun you really should not give a shit about me.

However that doesn't mean people can't be rude or just straight up wrong or hypocritical when they claim toxic flower husbands interpretations are "homophobic" despite being antagonistic towards the gay people writing them in the first place (I've seen a ridiculous amount of middle school level namecalling for like no reason??) or claim that the interpretation is for people who "haven't watched their POV" as if a certain takeaway of a minecraft series presents you with some sense of superiority for understanding the cube guy harder than those horrible, horrible HATERS who think Scott killing himself over and over is sad to watch.

Oh and don't mention Pearl's role in all of this the only time I've seen someone try to bring her up I had to read it like five times and I'm still not quite sure I understand

#discourse #toxic flower husbands #random thoughts

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