#there are some specific lyrics from the song that make me think about them even more

[mosdrash]

I just thought about something. Someone should really write/draw/edit, anything, Odysseus and Penelope with the song "For the Dancing and the Dreaming" from HTTYD. Like, it fits them so well (for the little i know still about them), but i love this music and i love them, so it would be fair to pair them together 😅

[my-thoughts-and-junk]

hate when i see a youtube video that's like 'analyzing why [thing] is bad!' and you watch the video and they just say nothing for twenty minutes

[bugflies00]

i have so many thoughts about the tommy song/video and theyre a jumbled mess. i wouldnt call this an analysis this is just. most of my thoughts surrounding the video and what it shows about tommy

one of the things that stuck out to me (outside of how depressing and just like. is this guy okay) is something that ive always respected tommy for because he's always stuck with it and its his like. fervent conviction in people doing things theyre passionate about. thats always been one of the things he talks about all the time!!!

when AI started appearing he was talking about death of creativity, with the internet he's always talking about how the real tragedy is the algorithm killing people's passion by driving them with views and money, and even when he talks about youtube itself, and nowadays standup, its so full of passion.

and i think thats really important because it would be extremely easy for someone like tommy, who's in the process of maturing his online image from a very loud, immature and PASSIONATE persona, to make fun of it. it would be so easy to do like so many other creators and laugh at how "cringe" it was and make a quick cash/attention grab with a funny clip of him laughing at himself. but he never has. well don't get me wrong he's laughed at himself or old videos but it's always just. good natured taking the piss out of himself, it's never this like. mocking your younger self who was so excited to do what they did only because now its "cringe".

not only is he constantly giving that advice to other people (its been years of him replying, to any kid in his chat or donations asking advice on how to be a creator etc, "just go and do it if you love it!!"), he's coherent with how he applies it to himself. he realised he was making cash grab tiktok react vids and hated it so much he just stopped uploading for a while.

i dont know i just think there's something admirable about being able to still be sincere in a time where everything especially online has to be processed through a layer of irony. and its even funnier because he's more sincere THROUGH the irony i mean he's literally going into standup.

letting yourself create something that "means" something is fucking hard especially when half the internet still sees you as a kid who screams around. except the thing is that kid DID make stuff that mattered and that meant something because he was, in his own words, having fun.

i think thats what the format of the video was about too. i mean i think it was pretty clearly not a song thats meant to be streamed, its not purely music, its also a video because tommy is also first and foremost an editor who went to film college. its also not a "comedy" song like he's made some before, because those were all intentionally created to land as many jokes and make a big buzz— which doesnt mean they were bad! im philza is a contemporary lyrical masterpiece. but they had a specific purpose and it was to make people laugh and i think this video was completely like. opposite of what peoples expectations are of tommy. the "wow hes not a child anymore hes being mature🤓" reactions are the most obvious aspect of this (which, like, its been a while, get with the program).

i think the point of this was to make something that genuinely meant something but that was also like. as unpalatable to the algorithm and to the TommyInnit Viewer as possible. even now that he's gone into making quieter, more reflective videos, we've never had the flashing texts and the projector images and just all of that. hes always talking about how he hates the way the "youtube formula" has dictated the course of content and stolen all creativity for youtubers. its not meant to be a YouTube Video tm. its just meant to mean something to someone, and obviously process some sort of personal emotions, and i just think thats. yeah. yeah

i mean he even says so outright. "this needless, self indulgent spiral of self gratification" is pretty damn explicit. its not meant to be funny content its really a cry for help or for just. anything at all really

it was also a lot about perception, yknow the "entertainer" dilemma, "its all attention porn"... theres a layer of this point thats universal, everyone struggles with how they're perceived and i think any "artist" or "entertainer" figure can see themselves in it, but there's also a layer thats completely impermeable to most of us because it touches upon the sheer absurdity of a "youtuber". especially one of tommy's popularity. especially one who blew up so so fast so young. i honestly think its IMPOSSIBLE to process that. its about the ethics of having millions of people's time so readily available to you if you just press the right buttons to make the algorithm happy and then you've got them. im like 75% sure i remember him saying this on stream once, something like "your time is valuable" and if a fan didnt value him as an entertainer they should drop him.

and even here^ thats the saddest "lmao" ive seen in my life SORRY LOL but its really just. yeah im not gonna repeat myself it speaks for itself. perception and internet expectations and all that

one of the other images that stuck out to me was also this:

"yeah i know its too much like bo burnham but it wont be in a year though. in a year it will be like tom simons. just let me figure out what that means, ok?"

a lot of the video is about. influences and inspirations. the bo burnham references are so obvious he's poking at them, but i think he's raising a good point about the creativity that he's constantly praising. its never something that springs up on its own, its all about looking at others work and making it your own and feeding yourself with all those experiences and slowly, surely building your own way of doing things (tommyinnit "minecraft talent show" and "a tribute to dream smp" serial quackity + schlatt impersonator would know all about that) ->

and its daunting! its fucking scary to move away from that! which is also the main vibe i got from the video which, outside of his own issues with how he's perceived online, was the sort of existential dread that comes with actually creating. its one thing to preach you need to be passionate and create, its another to sit down and create something thats BY you. its a part of growing up! and we're literally seeing him do it live (well the bits that he chooses to show obviously)! thats also part of why i think tommy's so relatable to so many people is that he's so like. honest and real about what it's like to grow up, simple as that, and growing into yourself.

"this was everything to me" and using the picture of his younger self... man. theres obviously so much sadness underlying the whole thing but i think the nostalgia and melancholy in mourning being someone who was only inspired/excited by your interests and role models is universal. and obviously for tommy a lot of those influences turned out. well i think it was pretty damn clear who/what he was referring to here. ->

i don't think i need to go too in detail about that, especially cause a lot of the video was clearly a way to process his own personal emotions. especially with those next few images. i just hope he's okay and that god doubles his pain and gives it to mr beast to quote my friend bronzetomatoes. man.

of course he had to end with a funny clip about a hot anime girl and i think that kinda. sums it all up in a way. if that makes sense. at the end of the day its about the fact that he has to use humour to make the thing work when its out in the open, even when he tries not to and to be actually honest, but theres also the fact that hes literally a comedian and creating something "honest" IS through humor. its kindof a double edged sword

right well that was my jumbled mess of psychoanalysing tommyinnit i hope he is alright and all that because well that was. something

[hoe4hotchner]

hi! could I request singer reader dating Aaron and the BAU doesn't KNOW but founds out after she drops her album/song about him (I'm thinking juno, bed chem by Sabrina etc).

Valkyrie | [A.H]

Pairing: Aaron Hotchner x singer fem!reader | WC: 0.9k | CW: No use of Y/N, but reader's stage name is Valkyrie in this, Fluff, relationship

The team had scattered across the bullpen, taking a rare break between interviews and paperwork. Penelope, however, was anything but quiet. She was vibrating with excitement as she stormed into the room, tablet in hand and an undeniable spark in her eyes.

“Okay, stop everything you’re doing,” she announced dramatically, catching everyone’s attention. “Have you heard this new album?”

Emily, sitting at her desk, glanced up with a smirk. “What album?”

She held up her tablet like it was a piece of holy scripture. “Valkyrie’s new album just dropped. I’m telling you, it is life-changing, soul-touching, cry-your-eyes-out amazing.”

You were Valkyrie - the pop sensation who had taken the world by storm over the last couple of months. Known for your breathtaking voice, and your way of writing lyrics that felt personal even to the audience, like you were pulling the words straight from your soul. What the team didn’t know was that Valkyrie, the woman with chart-topping hits, was Hotch’s girlfriend - and the subject of your latest songs? Well, that was him.

"Valkyrie? Isn’t she that singer you’ve been obsessed over lately?" Derek asked, teasing.

“First of all, it’s not an obsession; it’s an appreciation of an amazing artist. And second,” Garcia held her finger up for dramatic effect, “her new album, Into You, is… well, I’m not saying it’s about someone in her life, but these lyrics, guys… they’re personal.”

Spencer, ever the analyst, raised an eyebrow. “What makes you think it’s about someone specific?”

“Oh, Spence,” Garcia sighed dramatically, tapping her tablet to pull up the lyrics. “Just listen to this - ‘Your steady presence holds me still when the world spins too fast. In your arms, I finally find my way home.’ Does that not sound like she’s writing about someone she loves?”

JJ tilted her head, intrigued. “It does sound pretty intimate.”

Derek grinned. “Sounds like someone’s in love.”

Emily leaned back in her chair, crossing her arms. “I wonder who it’s about.”

Meanwhile, Hotch had been quietly observing the conversation from his office, a small, secretive smile playing on his lips. The lyrics they were quoting were all too familiar to him. He’d heard them months ago when Valkyrie - well, you - had played the demo for him late one night, curled up together in his living room. You’d been nervous, watching him for a reaction as your voice filled the room. But there had been nothing but pride in his chest, knowing how deeply you felt for him.

"Hotch!" Derek’s voice called as he stepped out of his office. “You ever listen to this stuff?”

Hotch looked up, his calm mask firmly in place. “Occasionally.”

“Occasionally?” Garcia gasped, horrified at his indifference. “Aaron Hotchner, how can you be so nonchalant about THE Valkyrie?”

He merely raised an eyebrow, his expression neutral. “I’m aware of her work.”

Spencer, still analyzing, added, “There’s been a lot of speculation about who her songs are about. She’s private, so no one really knows who she’s dating.”

Derek chuckled. “She’s probably dating some regular guy, someone outside the spotlight.”

At that, Hotch couldn’t help but suppress a grin. He supposed, in a way, he was that regular guy - well, as regular as the head of the BAU could be.

Just then, Garcia pressed play on the song, and your voice flowed through the speakers, soft and intimate. It was the song you’d written just for him, though no one else knew that. The one that talked about finding calm in the chaos, about love that was steady and unwavering.

JJ’s brow furrowed as she listened closely, some of the lyrics sounding a little too familiar, her eyes drifting toward Hotch, catching the subtle change in his expression. “Wait… Hotch, you wouldn’t happen to know something about this, would you?”

The team went quiet as all eyes turned to him. Hotch met JJ’s gaze, his lips twitching into the faintest smile. He debated for a moment how much he should reveal. You had both agreed to keep things quiet after all, your lives were public enough without everyone knowing about your relationship. But as he looked at his team, he realized it was time.

“I do,” Hotch finally said, his voice steady.

Garcia’s eyes went wide, her tablet nearly slipping from her hands. “WAIT… WHAT?”

Derek blinked in disbelief. “No way.”

“You and Valkyrie?” Emily asked her tone somewhere between astonishment and amusement.

Hotch’s small smile grew a little. “We’ve been together for a while now.”

The bullpen exploded into noise - questions, laughter, disbelief. Garcia was beside herself. “YOU’VE BEEN DATING VALKYRIE AND DIDN’T TELL US?”

Hotch shrugged slightly. “It wasn’t relevant to the job.”

Emily shook her head, grinning. “I can’t believe you kept this a secret.”

“Believe it,” Hotch replied, his tone light but still full of pride.

Penelope, still in shock, glanced at the tablet, then back at Hotch. “That song - this whole album - it’s about you, isn’t it?”

Hotch didn’t need to answer, but the look in his eyes was enough confirmation. Spencer, still processing, muttered, “Well, that certainly explains the lyrics.”

As the team bombarded him with questions, Hotch’s mind wandered back to you. Despite the craziness of your life in the public eye and his demanding career, you had found something rare and beautiful together. And now, it seemed, the secret was out - but somehow, he didn’t mind.

[agi-ppangx]

love song (bang chan x gn!reader)

angst with a fluffy ending, both chan and reader are producers/songwriters, chan is kinda an asshole for a while but he quickly apologises, not proofread; 1,3k words

author's note: a little fic requested by a lovely anon !! i kinda wrote it in one go and didnt have time to properly correct the mistakes so i apologise for typos and any other stuff >< please remember that feedback and reblogs are highly appreciated🫶🏽

“time for a break,” you announced with a smile as you entered your little homemade studio holding two bags. “i got us some food and coffee.”

chan looked up at you from his laptop and mirrored your smile, taking both bags from you with a soft thank you. you sat down on the couch with a loud huff and chan handed you your food. 

“you wanna listen to the song? i made a few touch ups to that part we were struggling with,” he asked, sipping on his americano and you nodded, mouth full of the pasta. 

as soon as chan played the song you closed your eyes, letting yourself be completely engulfed by the music. 

it was a rather upbeat melody, but when you were writing the lyrics a while ago you tried to make it really emotional and, what’s most important, true. some might think it’s cliché to constantly write songs about your lover, but it comes naturally to you. the emotions you pour into the lyrics, the memories and wishes, everything is about you and chan. and even as you sell your songs to various artists, you always know exactly who it’s about when they sing it. 

you snapped your eyes open around the middle of the song as one fragment of a few seconds did not sound as it should. 

“wait, let me listen to it again” you said with a frown and he wordlessly rewinded the song for a few seconds. “why does it sound so weird?” you mumbled to yourself as that one part was just not right. you took a sip of coffee from your cup, trying to understand what changed about the song. you two were talking about that part a few days before and…

“channie, did you change the melody?” you asked in disbelief. he turned around to look at you, but your irritated expression didn’t make any impression on him. 

“yeah, it sounds better now, right?” you huffed loudly, getting up from your place on the couch to walk your anger away. 

“i told you i want this part to sound specifically as it did before! why would you change it? we talked about it,” you let out, your voice getting louder with each word spoken. 

“relax, baby, it’s not a big deal,” he explained calmly, trying to reach for your hand, but you were quicker, taking it away and putting it in the pocket of his hoodie that you were wearing. 

“no, it’s the fact that it’s the first time we finally work together and you already don’t listen to my advice.” 

it was chan’s turn to huff, he was visibly getting annoyed by your words. “this wouldn’t be a problem if you wouldn’t make one of it.” 

“this wouldn’t be a problem if you wouldn’t ignore my opinion.”

“alright, yn, let’s just stop this. i’m getting tired of this conversation,” he said, turning around and putting his headphones on, pretending to work on some other track just so you wouldn’t bother him anymore.

you stood in the room for a while longer, staring at chan in pure shock. he may have pretended to be busy, but as you finally decided to leave the studio he noticed how you wiped your face and he sure heard the loud thud the door made as you slammed them. you went straight to your bedroom, wrapping yourself in the blanket and trying to stifle your sobs. 

hours passed as you finally sat up, grabbing your notebook to write some ideas for new songs. your eyes were still puffy as you scribbled down random words and rhymes, desperately trying to take off your mind from the argument, but no matter how hard you tried the situation came back to you like a boomerang. you weren’t sure if chan did it purposely or if he simply forgot about your conversation - you knew he was busy, so it might’ve slipped out of his mind. but it didn’t change the fact that it hurt you. 

both of you dreamed of working together for a long time - someone might think that you two could easily just write some songs for each other in your home studio. isn’t that enough? people say, but you always say that it’s different to play around on a saturday evening with a glass of wine and to write and produce tracks for other artists. it is a big deal to you - the fact that the song you both worked on will be featured on another artist’s album, heard by thousands, if not millions of people, and they all will hear about your love for chan and only you will know who it’s about.

a soft knock on the door pulled you out of your thoughts. you put down the notebook, keeping a firm look on chan as he quietly closed the door behind him. he was already in his pyjamas, ready to sleep, and you fought the urge to send him to sleep on the couch.  

“you still mad?” he asked with hesitation dripping down his voice. you didn’t say anything, waiting for him to say something other than the obvious. “listen, i feel really bad.”

“as you should.”

he sighed, scratching the back of his head. “i know. but i don’t wanna go to sleep without talking.” he said desperately, taking a few steps onward and carefully sitting on the other side of the bed. 

you exhaled loudly. you also didn’t want to leave it like this. “it really hurt me, y’know?” you started, feeling as the tears started to well up in your eyes. “we literally talked about the song a few days ago and i told you how i want that particular fragment to sound like and you agreed. then why-” your voice broke a little as a few tears ran down your cheeks. chan was quick to wipe them off and this time you didn’t stray from his touch. “-why would you change it now? i just don’t understand.”

chan took a moment to think before he spoke again. “i have nothing to say in my defence,” he started quietly. “i was just bored yesterday when i couldn’t sleep and decided to change a few things about the song and i just forgot to leave that part be. i’m so sorry, baby, i know i shouldn’t have behaved like that earlier, i don’t know what had gotten into myself,” he confessed, his cheeks now cherry red as shame filled his body. he didn’t look at you, he couldn’t, because he knew he fucked up.

“let that be your first warning,” you said firmly after what felt like eternity to chan. “i’m not that experienced as you when it comes to producing songs, but i would really appreciate you actually listening to my ideas. just talk to me whenever you want to make changes like that, okay?” chan nodded quickly. 

“i will. i’m really sorry, my baby.”

“i know you are.”

“are we okay now?” he asked hesitantly. 

“yeah, we are.” you smiled softly as chan’s body visibly relaxed at your words. “but i’m still hurt though.” 

“will a kiss make it better?” he proposed, a bit bolder now as the atmosphere around you wasn’t so tense anymore. you didn’t respond, leaning over to place a peck on his lips with a smile. 

“maybe a little bit,” you giggled. chan captured your face in his hands, looking you deeply in the eyes. 

“by the way i changed that part,” he confessed. “it sounds exactly how you wanted it to.”

you grinned, whispering a soft thank you, and chan finally kissed you, making the world around you disappear. you didn’t know how long it was before you finally broke the kiss, panting heavily.

that night you held him in your arms, letting him rest his head on your chest so he could hear your heartbeat and to his surprise it was his favourite love song that you ever created.

taglist ! @astraystayyh @laylasbunbunny @l3visbby @like-a-diamondinthesky @hanjsquokka @xichien @xocandyy @minhosbitterriver

[bucketbueckers]

I'D RATHER PRETEND

CHAPTER SIX

tags: @angryflowerwitch @avvwritesstufff @melpthatsme @rebecca-woso @bueckersg1rl @l0verl4ne @clouded-whispers @dolliest-thena @katemartinlvr @numberonepartyanth3m @glamourdaya @pbbucks @unadulteratedcyclepaper @paiges-1vur thelightknight21 wc: 18.3k notes: masterlist (sorry, nothing funny today, this chapter and last nights game actually destroyed me) but holy word count who cooked here 😹 i fear the last half of this chap is kinda rushed but writer's block was going crazy and i truthfully only had plans for like THREE (3) specific scenes...if you can't tell, planning, pacing, and the timeline are my biggest opps 😾 but i'm grown so i do what i want!! also, smut warning! if it's not your thing, it's at the very end and you can skip over it without missing anything super important. i'm not a smut writer, i just work here, but i put pen to paper and it just came out (no pun intended) 🤷‍♀️ sorry for making this as long as the chapter itself, but as always, lmk what you think and i hope you enjoy 🫶

‘The Hard Launch Heard Around the World’

For college basketball fans, Christmas has come early this year. On June 21st, Paige Bueckers and Tess Kennedy’s long-awaited hard launch was finally shared to Instagram after a month and a half of speculation, fan theories, and less than subtle interactions online. Kennedy shared a collection of pictures with the caption “here’s to tess kennedy’s worst kept secret. thank you for coming into my life when you did.” Many of the comments consisted of undecipherable keyboard smashes, such as one commenter’s “TESS AND PAIGE? AJSFKFJKDSJK”, but overall, Kennedy’s comment section was full of congratulations, support, and praise.

Bueckers, similarly, shared a collection of photos, although her caption was a lyric from Frank Ocean’s “Sierra Leone.” If you have been following Kennedy’s journey thus far, you may remember that the first ever soft-launch photo she posted to her story included another lyric from this song. Bueckers’s caption, reading “And her pink skies will keep me warm,” is seen as a call-back to that moment, with many fans accepting this as the confirmation that Bueckers and Kennedy have been seeing each other all along.

Their hard-launch precedes their Bose endorsement. The two of them starred in a commercial showcasing Bose’s newest product, where they became known as Mrs. and Mrs. Bose. Some critics noted how specific the timing was, arguing that their hard-launch was just a stunt to further promotion for Bose’s product, although supporters rallied in defense. Commenters noted that Bueckers and Kennedy spent most of their time this offseason in different states – this Bose ad was the first time they were able to be in person together, so they surmised that it was just the optimal time to announce it. Another fan also pointed out that their history speaks for itself.

Regardless of the timing, one thing is for certain – Bueckers and Kennedy are the next “it” couple. Their influence is beginning to spread outside of the sports world, and many people believe that their openness is going to be pivotal in breaking barriers and promoting acceptance for queer athletes. 

-Penelope Lancaster, Bleacher Report

JULY 2023

The months after their hard-launch go about as well as anyone could have expected. Once Tess and Paige made it back to Brooklyn and Minnesota respectively, things were…nice. They finished June out strong, in near constant contact and on FaceTime. Tess kept her feelings close to her chest. She knew there was no way Paige was into her in that way. She wasn’t the type to be tied down, and Tess had to respect that – even if she was one for commitment, Tess doesn’t think that she’d be her first choice.

All she can think about is their agreement. Paige had so confidently said that she could do casual. She wasn’t the one who caught feelings. And as far as Tess is concerned, she isn’t sure if her reputation is worth how complicated her life has become. She’s not the one to pretend to be someone she’s not; not the one to pretend to feel a way (or not feel a way about something). Her relationship with Paige used to be something that brought her great comfort, but now she can’t help but feel like she’s ruined something perfectly fine by allowing her feelings to get the best of her. Now, she’s not telling a story to the public or selling a ruse. Bree was right – she is lying to Paige, and that’s the worst part of it all. Paige doesn’t deserve her dishonesty, nor her inability to keep things strictly business as she’d once promised.

So, June was okay. They talked, Tess spiraled, but this is her life now. Tess would eventually have to learn to keep her feelings at bay.

Then July hit.

July was like a blessing in disguise, the perfect opportunity for Tess to work on herself and hopefully get rid of her lingering feelings for Paige. She could get over her. It’s not a big deal. So what if Paige was the first person she’d ever felt romantically for? Tess is new to all of this – she can’t honestly know perfectly what liking someone felt like. The denial wasn’t particularly effective, but if Tess keeps speaking it into existence, then it has to come true, right?

July was when summer practices started back up. Paige flew back to Storrs the first week. Tess was supposed to fly back to Columbia, but given her injury and the fact she wouldn’t be able to contribute much to practices, Coach Staley gave her the all-clear to stay in Brooklyn and soak up as much PT with Terri as she could. Craig was qualified, although the both of them knew Terri had a different approach to rehab than Craig did. 

Paige gets busy almost immediately. She’s fresh off an injury and her role on the team has shifted due to other’s injuries, so she’s swept up into an incredible amount of extra practice, film watching, and learning a different part of the game. Tess gets…the complete opposite of busy. She still does PT three times a week, meets with Yvette, but with Paige gone, all of her free time becomes free again, and she doesn't even know what to do with herself. Fortnite, as stupid as it sounds, makes her think of Paige. Her feelings are still too fresh and the mere thought of the game reminds her of the countless hours she and Paige wasted away on it, laughing, flirting, and celebrating their wins. It’s not a break-up, but it feels oddly like one. Tess used to be stronger than this. That was the worst part.

With Paige’s time being occupied by things out of her control, Tess uses it to her advantage. She tries to get over her, spaces out her responses when Paige does get the time to speak. With her knee in better shape, she tries out yoga. Tess can’t quite master the idea of clearing her mind. Paige’s name echoes like a mantra in her brain, the image of her blue eyes blinding. No matter how hard she tries, all Tess can think about is the pressure of Paige’s lips on hers, the way she’d guided her jaw just how she liked, the weight of her hand on her and the way she was able to feel exactly how she made Tess’s heart race.

She’s so fucked.

It hurts, Tess has to admit. Covering up lies with even more lies. She’s not completely sure what happened to turn her into someone who couldn’t tell the truth. It hurts even more to know that she’s not just hurting herself, but she’s hurting Paige, too, who’s not even at fault for any of this.

Hey I got a couple hours free tonight Facetime? I miss you

[Delivered: 4:32pm]

Are you okay?

[Read: 7:53pm]

sorry, busy tn idk if i can

It’s cool Do you know when you’ll be free?

idk got a lot going on

Okay Call me when you can

[Delivered: 7:54pm]

Tess feels like she’s going to throw up.

AUGUST 2023

Paige doesn’t give up, but Tess can tell she’s losing patience and hope.

She gets a two week break after the end of summer practices, then she and her teammates are heading overseas for their Europe tour. They’re playing a couple of exhibition games. Back in June, Paige had been so excited to send her pictures and tell her all about it, but they’re a day into their trip and she hasn’t heard a word from Paige. It’s for the best. Paige needs to lock in for her games. She can’t get caught up in Tess again.

Tess ends up tuning in for one game. She can’t help herself, even though she ends up turning it off after halftime. There’s a noticeable difference in the way Paige is playing. Tess knows it’s because of her. She’s a little more sluggish, sloppy in her passes, missing a lot more than she usually did. Bueckers, first exhibition game since her ACL injury, the commentator noted. She’s not quite warm yet, but we all know she’ll be on fire once the season starts. Tess knows better than that. It’s her fault.

Still, Paige tries.

You busy?

[Delivered, 5:43pm]

Zagreb is beautiful [3 Attachments] Text me when you can

[Delivered: 6:38pm]

[Read: 9:01pm]

sorry. just got free

It’s okay FT? Can’t sleep

i can’t, have to be up early tomorrow you should get some rest. it’s late

I don’t care I miss you I feel like we never talk anymore Did I do something? Whatever it is I’ll fix it I promise

you didn’t do anything just got a lot going on

Me too

[Read: 9:03pm]

Okay cool 😂 Let me know when you’re not too busy for me Goodnight Tess

[Read: 9:04pm]

SEPTEMBER 2023

July and August were busts – no matter what she did, she wasn’t able to keep her mind off of Paige. Distancing herself wasn’t very effective, but she shouldn’t expect results after two months, right? Maybe she just needed a little more time.

Paige texts her once in September.

I just wanted to say I’m sorry for whatever I did. I’m sorry if I made you uncomfortable or if there was something I said that hurt you. I meant it when I said you didn’t have to be scared with me. I still mean it. If there’s anything at all I can do or say to make you believe that, please let me know. I don’t like arguing or how we left things and I hate feeling like I’m not fighting hard enough for you. I shouldn’t expect you to drop everything to talk to me. You’re busy and you have a lot going on. Saying what I said was unfair. I’m sorry. But I miss you. Please let me know how I can fix us. I don’t care what it takes. I’ll fly out if I have to, just please don’t shut me out

[Delivered: 2:48am]

OCTOBER 2023

Paige gives up in October. It brings Tess more anguish than she was accounting for.

On the 20th, Tess texts her happy birthday. Paige doesn’t bother reading it. Paige doesn’t post anything for her birthday, either.

Tess wonders if she fucked them up for good.

Maybe it’s better this way.

NOVEMBER 2023

Ghosting Paige wasn’t the right decision at all.

A little obvious in hindsight, but at least Tess can say she tried. Five months apart didn’t magically fix Tess’s problem. It made it worse. She still feels the same for Paige, if not stronger, but affection becomes a difficult pill to swallow when it’s poisoned with guilt and shame. After her injury, she should have learned that pushing people away does more harm than good. Paige didn’t deserve that, but maybe this is who Tess Kennedy is – someone who’s blind to what’s in front of her, someone who leaves when it gets hard, someone who avoids her problems entirely, someone who treats the people she loves like disposable objects. Maybe it was better for Paige to find that out early on before their contract expired and Paige wanted to continue being her friend.

On the 17th, Tess’s birthday, she gets a lifeline.

Happy birthday

Paige’s text is like a knife to the gut. Tess twists the blade herself when she notes the lack of excitement, the lack of emojis. Her message is bland, more like an afterthought, and Tess can’t even be mad – she deserves it. She debates leaving it on delivered, much like Paige had left her message on delivered, if only to spare her from this constant back and forth cycle of will-they won’t-they. But her fingers move faster than her brain does.

thank you

[Delivered: 11:11am]

[Read: 11:11am]

And much to her surprise, Paige responds.

My mom wants to know if you’re still coming for Thanksgiving She bought you an ugly sweater to wear for family photos

There’s a lot of things Tess can say to that. Family photos is enough to make her chest tighten, her stomach roil with anxiety, her throat constrict. It takes everything in her to not break out into sobs, but she bites her lip hard enough to draw blood as she types out her message.

you want me there after these last five months?

Tess doesn’t think that was the right thing to say. Paige types for a long while.

I want what’s best for the story My parents think we’re together We need to keep up appearances

Tess would have preferred it if Paige just left her on read. Delivered. She would have understood if Paige just blocked her all together. She would have preferred if Paige had texted her at any other day, because it’s her birthday, damn it; she’s turning 22 and she’s sitting in her bed crying because this is all she and Paige are, anymore – a story, an appearance to keep up for the sake of their images. But it’s her fault, isn’t it?

i’ll be there

Okay 👍

Tess thinks that’s the end of their conversation until she gets an email. It’s an airline ticket, a roundtrip – she’d be flying out the 22nd and leaving Minnesota early on the 25th. They’re first class. Tess feels like she could throw up again.

you didn’t have to buy my tickets

I promised I would I don’t like breaking my promises

Tess has no retort for that. She sends Paige a half-hearted thank you, not expecting a response, and powers off her phone.

NOVEMBER 22, 2023

Tess spends the entire plane ride nauseous as hell. She dreads her reunion with Paige, knowing that seeing each other will only hurt them more. She’s not even sure if fixing them is possible, but she knows she’ll have to give it a shot. She gets four days with Paige. That should be enough to smooth things over. A part of her knows Paige won’t bend as easily as Kamilla, Bree, and her parents did. Paige was so understanding, but she didn’t take any of Tess’s bullshit. Tess might be making amends until Christmas, if they last that long.

She finishes off the rest of the ginger ale she’d asked the flight attendant for. It does little to soothe the nausea. Guilt usually isn’t something that can be cured with a drink, alcoholic or otherwise. Guilt is one of the things you can’t run away from, even for someone as good at running away as Tess is.

The seatbelt light flicks on as the plane begins its descent onto the Minnesotan soil. Tess’s anxiety returns tenfold. It feels as though time is moving slowly. The plane lands. It idles for a moment, then everyone is standing and reaching for their carry-on. Tess has hers in hand and is walking down the aisle as soon as they click open. It doesn’t take her long to locate her suitcase at baggage claim. Then, she’s back in the crowd, eyes scanning the airport for any sign of Paige. There wasn’t a message on her phone, but she was holding out a little bit of hope.

Instead of Paige, she spots a tall man holding a sign with her name written on it. Tess’s heart all but falls out of her ass as she walks towards him. The realization that Paige didn’t come to pick her up shouldn’t hurt her as much as it does. She should have expected as much. But seeing it brings on a fresh wave of pain that she just wasn’t ready for. The man recognizes her, lowering the sign with a beaming smile, and he reaches out for a hearty handshake. “Hey Tess! I’m Bob, Paige’s dad. It’s so good to finally meet you.”

Tess shakes his hand, smiling at him, and hoping that it’s convincing enough. “Likewise, Mr. Bueckers,” she says. Her voice doesn’t falter, but she can tell she’s about to crash out. She takes a deep breath as Paige’s dad waves his hand.

“Bob is fine,” he corrects her. “C’mon – my truck’s this way. Paige went out to pick up some last minute things for you. She should be back at the house by the time we get there.”

Tess hides her grimace. She’s not fully confident that Paige actually did that, but she’s not going to voice that thought to her dad. The simplest truth of the matter is that Paige just didn’t want to pick her up. Tess can’t blame her.

Once they’re loaded up, Bob makes small talk that Tess tries her best to contribute to. He doesn’t seem to think anything’s wrong, so Tess surmises she must be doing a pretty good job. As he speaks, her mind keeps drifting back to Paige, feeling a guilt and shame so strong that she’s unsure if she’ll be able to feel anything remotely positive ever again. How do you hurt Paige Bueckers? Her heart is made of solid gold, but perhaps the issue is her heart is a few sizes too big for her body. Her heart is bigger than Tess herself; Paige gave her everything, no strings attached, and Tess crushed it into small pieces and stomped it out.

That thought alone makes her nauseous all over again. She was so worried that Paige would hurt her, not the other way around. Life has a funny way of biting you in the ass. Tess wonders how socially acceptable it would be to jump out of your fake girlfriend’s dad’s moving vehicle and leave yourself for roadkill. She determines that it’s probably not very acceptable, so she tries her best to get her shit together while she still can.

The Bueckers’ live in a quaint little townhouse, two-storied and a light beige in color. Bob pulls into the driveway next to two SUV Jeeps – one black and one red. He grins at her, nudging her shoulder. “Paige’s home. You excited?”

Tess almost laughs in disbelief. “Yeah,” she lies. “Haven’t seen her in a while.”

“Well, let’s not keep her waiting.”

Tess will admit she sounds like a broken record, but she genuinely thinks she’s about to throw up all over the Bueckers’ driveway. She adjusts her backpack over her shoulder and pulls her suitcase out of Bob’s truck bed, glances at the door, and takes a deep breath as she follows the older man inside.

Inside, it’s warm and cozy. Tess can distinctly make out the smell of cinnamon and nutmeg. Bob calls out for his wife, who calls back with a cheerful, “In the kitchen!” Paige’s step mom is a tall woman, wearing a festive pair of leggings and an apron over her shirt. She slides off her oven mitts, having just pulled out a pie.

“This is Tess,” Bob states. “Tess, this is my wife, Moe.”

In lieu of a handshake, Moe pulls her in for a gentle hug. “So nice to finally meet you,” she says genuinely. “Paige talks about you all the time.”

Tess’s heart falls out of her ass and she chuckles worriedly, giving the older woman a squeeze. “Good things, I hope.”

“Nothing but,” Moe confirms. “It’s like y’all been together forever. Tess this, Tess that. It’s kind of sickening.”

At Moe’s brutal honesty, Tess laughs, the first genuine one in almost five months. It wasn’t even that funny, but Tess is so far off the deep end that anything helps. “My mom would say the same about me,” she says.

Moe lights up with laughter of her own, grinning widely at Tess. “Alright, I’m sure you’re tired from your trip here. Paige is upstairs. She can help you get settled in. We don’t have a guest room, so you’ll have to bunk with her. No funny business, okay?”

Tess smiles to hide the way her heart stops. She’s shared a room with Paige before. Granted, they had two separate beds, but the room sharing is not an issue. The issue is in how Paige will probably suffocate her with a pillow once night falls. “No funny business,” she agrees, and with one last smile, Moe directs her to the stairs and informs her that Paige’s room is the first on the left.

Tess takes a deep breath before she heads upstairs. She’s been through worse. She tore her ACL, underwent surgery, and crashed out so bad she almost killed herself. She doesn’t bother reminding herself she’s been crashing out for the past five months and she’s in no better shape, but that’s not the point. She can handle Paige. She can say she’s sorry. She knocks on Paige’s door and she hears some shuffling inside before the door opens, and after five months, she comes face to face with Paige once more.

The shift in Paige’s demeanor is noticeably different. Her jaw is tight, her blue eyes unusually dull. Even her body language is far more reserved. She leans against the doorframe, one hand on the doorknob, and her mouth pulls into a natural frown. “Hey,” she says, surprising Tess. Her words lack any bite, but it hurts because her words lack much of anything. If the both of them were five months younger, Tess is sure that Paige would have pulled her into a hug by now, probably whispered an excited, “Hey, ma,” or pressed an affectionate, “Missed you,” into her shoulder.

But they’re five months too late, and all Tess can do is wince as she responds with a quiet, “Hi.”

Paige glances at her, her eyes dismissive and disappointed. She sighs, taking a step back and allowing Tess inside. “You can just leave your stuff over there,” she says, pointing next to her desk where a space has been cleared. Tess does as she instructs, depositing her suitcase and throwing her backpack haphazardly on top. Wordlessly, Paige crawls back into bed, sitting so close to the edge that there’s more bed than girl, which is usually a difficult task for a six foot athlete.

“Is this what we’re doing?” Tess asks softly, her fingers shaking, and she knows she has no business asking Paige that when she was the one who fucked them up.

Paige scoffs, looking up at her again. Her gaze hardens, her lip curling into an unfamiliar scowl. “You had five months to figure that out,” she says harshly. “Don’t ask me shit now.”

Tess laughs weakly, shoving her hands in her pockets. “Okay,” she concedes.

“Something funny?” Paige asks.

Tess averts her eyes. “...No,” she says after a beat. Paige hums, an annoyed noise deep in the back of her throat.

Tess isn’t sure what to do. She’s standing in the middle of Paige’s childhood bedroom, feeling like every bit the fool she undoubtedly looks like. She can’t sit next to Paige, not when she can feel the anger radiating off her in quiet waves. She can’t go back downstairs with Drew and Paige’s parents. They’d ask why they weren’t together, and Tess isn’t sure how much more lying she can take. Paige glances back up from her phone, scanning Tess’s features, and she stands with a huff. “You take the bed,” she says. “I’m gonna get stuff to sleep on the floor.”

“You don’t–”

“Stop,” Paige says instantly, her voice breaking. Tess shuts her mouth, staring at Paige, and she looks agonized. Her eyes are glassy, face pinched, and Tess feels like a jackass all over again. “Just…stop, okay? Stop arguing. I’m gonna get a blanket and the air mattress and I’m gonna sleep on the fuckin’ floor ‘cause I can’t share a bed with you tonight and pretend like everything’s okay. It’ll probably be another five months before I get an apology from you, but that’s okay, right?” She laughs humorlessly, turning on her heel, walking backwards to the door. “S’okay. I guess I was stupid to think anything else. I was right. Tess Kennedy’s too fuckin’ afraid to get close, and when she’s scared, she goes back to what she’s used to. And apparently that’s bein’ an asshole to everyone around her. You don’t get to do that shit with me. Not today.”

Paige slams the door behind her, and all Tess can do is stare at where she stood in disbelief.

Dinner that night is a torrid affair.

Bob and Moe seem to sense that something’s off with Tess and Paige. Out of politeness, they don’t mention anything, but Drew seems none the wiser to the tension at the table. He rambles excitedly about Thanksgiving dinner tomorrow and how excited he is for Christmas. Tess tries to listen to him, she truly does, but she can’t focus on anything but the argument that she and Paige had. Honestly, a better descriptor is just Paige yelling at her and Tess taking it, but that’s neither here nor there.

Tess barely has an appetite, but she shovels her food in her mouth anyways, not wanting to be rude. Paige hasn’t said a single word to her since Moe came upstairs to fetch them for dinner. Even then, Paige hadn’t so much as looked at her. The worst part about it is that Tess understands why. Paige is genuinely a better person than she is. If someone treated her like Tess treated her, Tess would have made it everyone else’s problem immediately. If they thought her post-injury crash out was bad, then they’d be unprepared for the post-ghost crash out.

Bob distracts her from her racing thoughts as he clears her throat. “So, Tess…” She looks up, resembling a deer caught in headlights. “How’s physical therapy going? I saw you rehabbed with a WNBA team. That’s really exciting!”

“Oh,” she says, pushing around a piece of chicken on her plate. “Um, it was really good. Felt like I progressed a lot with Terri. I work with the team trainer now since I’m back in Columbia. He gets the job done, but I do miss the Liberty, you know?” She chuckles softy, willing her nerves to dissipate.

“I bet,” Bob agrees. “When do you get to play again?”

“I should be cleared by March,” she says hopefully. “Just in time for the last March Madness games. Provided we get invited or win the SEC championship. LSU is really strong, so…gotta take it game by game.”

“Smart,” Moe states. “Never count your eggs before they hatch, right?”

Tess nods. The table falls into a tense silence, only the sound of forks scraping against plates filling the room. Paige suddenly huffs. She stands up with her plate, her chair making an awful noise against the floor as she pushes it back under the table. “I needa take a shower,” she says, not waiting for a response. She walks into the kitchen to clear off her plate, walking back through the dining room with a frustrated expression on her face as she rushes upstairs.

Bob and Moe share a concerned glance. It’s Drew who breaks the silence when he asks, “What crawled up her butt and died?” Moe is quick to reprimand him, although it seems like her heart’s not really in it.

Tess clears her throat and stands, too. “Um, dinner was delicious, Moe, thank you. I should uh…probably go check on her.” Moe thanks her quietly. Tess washes her plate quickly, placing it in the strainer to dry off, and she heads upstairs after Paige.

Paige’s door is wide open and Tess walks in cautiously. The blonde rifles through her drawers, pulling a pair of shorts and a tank top out. She’s still pissed. Never in the seven months that Tess has known her has she ever seen Paige be this angry. When Paige turns, seeing Tess behind her, she clenches her jaw and walks out wordlessly. Tess feels her heart drop as she listens to the bathroom door close.

Her chest tightens. She feels like she could cry even though it would do nothing for her. Paige is the only one with the right to be upset. Instead, Tess takes a deep breath, burying her face in her hands for a few, calming moments before she moves to her suitcase and pulls out sleepwear. She scrolls on her phone while she waits for Paige to get out of the shower, and when she finally does, Tess averts her eyes as she stands. Paige doesn’t say anything to her as Tess makes her way into the bathroom.

The water is scalding hot. It makes Tess feel a little more centered, but it does little to wash away the grief and the shame. She tries not to think about it as she cleans herself quickly. She dries off, redresses herself, and when she walks back into Paige’s room, she’s already curled up on the air mattress and is scrolling through her phone. Tess glances at her, frowning, and shoves her dirty laundry into a separate compartment in her suitcase before sliding into Paige’s bed.

Her pillow smells like her. Tess wouldn’t expect anything else, but it makes her feel closer to Paige despite the literal and metaphorical distance between them. Her purple comforter is soft. When Tess looks around, she notes the various posters of NBA greats – Kyrie, Lebron. Diana Taurasi and Sue Bird are also there. Basketball is Paige’s life, her entire reason for breathing. When they lost to South Carolina in the NCAA tournament, Paige was distraught, obviously. But that anger and sadness only pales to what Tess observes in her now as she tries to pretend she can’t hear the way Tess breathes next to her.

Tess takes a deep breath, staring up at the ceiling. “Paige,” she says into the darkness of the room.

Paige doesn’t respond. For a brief moment, Tess wonders if she fell asleep, but she knows better. Paige is breathing too fast to be asleep, coming in uneven bursts. Then, Tess thinks she’s just ignoring her. Then, Paige surprises her. “What do you want, Tess?” she asks, her voice breaking.

“I’m sorry,” Tess says without hesitation.

She hears Paige laugh, but there’s no enjoyment in it. “Are you?”

“I am,” she says. They’re both quiet for a moment. She hears Paige sniffle and her heart breaks all over again. “I mean it. I’m sorry, Paige, I’m so fucking sorry. I shouldn’t have treated you like that. I shouldn’t have pushed you away when all you’ve done was care for me. I’m sorry for making you apologize when you’ve done nothing wrong. This is all on me and I could sit here and apologize for the rest of my life and it would never be enough.”

Paige shifts on the air mattress. Tess cocks her head, glancing down, and Paige is already staring at her. The moonlight streaming through her windows reflects off of her. Tess could paint her face by memory. She knows exactly what she looks like, where every single freckle or blemish or crease exists. She knows the exact shade of her eyes, the degree at which her nose upturns slightly, the way her nostrils flare when she’s annoyed. Tess could describe Paige Bueckers in such great detail that a blind person could recreate her visage. Until now, Tess has never seen Paige this way. Her lips are pulled in a constant frown, her jaw tight, her eyes a few shades grayer. Tess never wants to see Paige look this desolate, let alone because of her.

“Sorry doesn’t fix anything,” Paige says after a few agonizing moments. Tess deflates. “Sorry doesn’t fix the five months I spent losin’ my mind, wondering what I did wrong.” She studies Tess’s face once more, her lips pursing and her gaze hardening. Paige pulls her blanket up to her chin, flipping on her opposite side, putting her back to Tess.

“How do I fix us?” Tess asks, her voice nearly a broken whisper.

Paige lies unmoving on the air mattress. Tess should know better than to expect a response. But when Paige admits, “I don’t know,” Tess thinks she would have preferred the silence.

NOVEMBER 23, 2023

Thanksgiving is a terrible holiday.

Conceptually and historically, it leaves a lot to be desired, though she can understand how many American families would enjoy getting together in one place, eating a huge dinner, and watching sports. It’s supposed to be a day where everyone can come together and rejoice, tell each other what they’re thankful for and all that sappy shit, but Tess never bought into it. Many of her teammates would complain about going home for Thanksgiving and having to listen to an uncle or two rant about women or politics or whatever the fuck – it always ruined the mood. Tess never thought that those uncomfortable Thanksgivings would be something she had to be subjected to.

When she wakes up in the morning, Paige isn’t in her room. When she goes to the bathroom to splash some water on her face and do her morning routine, Paige isn’t there, either. And when Tess walks downstairs into a flurry of early morning chaos – Moe and Bob rushing around the kitchen and preparing dinner, Drew tidying up the living room – Paige isn’t there either.

“Morning, Tess!” Bob greets happily, grinning at her from where he’s cheffing up the turkey. She returns his greeting, though it’s a little half-hearted. “Paige went for a run. She should be back soon.”

“You guys need a hand?” she asks instead, wanting to be useful. Moe and Bob have welcomed her into their home. The last thing she wants to do is be an ungrateful guest, especially when their daughter hates her guts. Tess is going to make an honest effort to get back into Paige’s good graces. Even if she never forgives her, she’s going to make it up to her. That much she could promise.

“If you could help Drew clean the living room, that’d be great,” Moe says. “There’s too many people in the kitchen right now.” She shoots Bob a knowing glance and he laughs, raising his hands defensively.

Tess smirks wryly and makes her way into the living room where Drew is dutifully dusting off the coffee table. He wastes no time before he puts her to work, directing her to the vacuum cleaner (Tess just gets the impression he didn’t want to vacuum), and together, they get the living room all cleaned up for the guests. They tackle the dining room next. Drew and Tess return to the living room once they finish, sitting on the count and awaiting Moe’s next instructions. Soon, Paige returns from her run – Tess knows she no longer has the right, but she can’t help but look at Paige as she walks in. She’s dressed in a pair of athletic shorts and a tank top. It’s unfair how pretty she is, shiny with sweat and flushed. Tess has to avert her eyes. Paige only greets her parents before rushing upstairs. Tess hears the shower click on.

“What’s wrong with you and Paigey?” Drew whispers to her.

Tess glances at him, a somber smile on her face. “I messed up and hurt her feelings,” she tells him honestly. “She’s pretty upset with me.”

Drew looks at her curiously. “Why’d you do that?”

His blunt question makes Tess chuckle. That’s a question she’s been asking herself, too. “I like her a lot,” she admits, the first time she’s ever said those words out loud. It feels like a weight is lifted off her shoulders, though she’s still crushed under everything else. “I like her a lot and it makes me do stupid stuff.”

“Mom says you should never hurt the people you love,” Drew says smartly.

“She’s right.”

“Did you say sorry? And did you bring her a cookie? Cookies always help.”

“Do they?”

Drew nods, humming as he turns on the TV. He scrolls through the channels until he settles on some cartoon Tess has never heard of. “Paigey likes cookies,” he states. “Chocolate chip ones. They’re her favorites. She always says you can’t be sad when you’re eating a cookie.”

At that, Tess can’t help but laugh. “That does sound like something she’d say,” she concedes. The taps on the armrest of the couch mindlessly, thinking. She turns to Drew. “Do you think your mom would let us bake her some? Right now?”

Drew turns off the TV without another word, standing as he calls, “Mom!” Tess stands to follow him, sighing. She did not expect him to move so fast. The kitchen is much cleaner than it was earlier – Bob went outside to put the turkey on the smoker and Moe remained, preparing the roux for the mac and cheese. Moe hums as Drew walks in. “Can me and Tess bake some cookies right now?” Moe looks as though she’s about to protest, but Drew beats her to the chase. “For Paigey. She’s sad.”

Moe softens, looking over at Tess, who flushes under her stare. She hopes her face looks as apologetic as she feels. Moe sighs. “Yes, make it quick. I’ll need the oven soon.”

Drew pumps his fist in the air as he rifles through the cabinets, looking for the ingredients. Tess lets him take the lead on most of that as she leans against the counter. She feels Moe’s eyes on her again, and she turns her head, meeting her gaze. “Everything okay?” Moe asks knowingly, her voice quiet.

Tess smiles sadly. “I hope they will be,” she says. Moe raises a brow, clearly expecting more, and Tess swallows. “She’s not happy with me. I hurt her, and honestly, I’d be pissed at me, too.” She picks a loose thread on her shirt. “I’m gonna make it up to her. I just…” Tess sighs. “She’s my first…girlfriend. My first anything, really – I don’t know what I’m doing. But she makes me want to try and that’s scary. I’ve never felt this way for anyone before.”

Moe is silent for a moment, thinking about her next words. “You’re beating yourself up pretty bad,” she notes. Tess almost laughs because she truly has no idea. “I’m not gonna lecture you. But, you know, Paige is my kid. No matter how old she is. She has so much love to give. Don’t take advantage of that. One day, she’s not going to wait around.”

Tess nods. “I know,” she says. She opens her mouth, trying to find more to say, but her words fail her. Moe gives her another knowing look, her lips curling into a smile. Drew returns with flour, sugar, and all of the other supplies and he and Tess immediately get to work. He’s a little messy with the flour and definitely steals most of the chocolate chips, but he’s a joy to spend time with. Drew reminds Tess so much of Paige – that thought alone makes her queasy again. She has to tell herself that they’ll be okay. Delusion and manifestation are a thin line, right? Paige isn’t the kind of girl to hold onto grudges, even if she should.

Once the cookies are out of the oven, Drew helps her select the best looking ones to take to Paige. He salutes her like she’s going off to war and Tess can’t help but laugh at him, feeling strangely like she is about to walk across a field of landmines. She takes a deep, stabilizing breath before she walks up the stairs, plate of cookies in hand. She knocks on Paige’s door and opens it as soon as she hears Paige call out, “Come in!”

Paige is reclining on her bed, phone in hand and freshly showered. She looks up as Tess walks in with a meek smile, holding out the plate. “Are those…?”

Tess exhales deeply, taking Paige’s curiosity as a sign to move closer. “Yeah. Me and Drew made them. He said you can’t be sad when you’re eating a cookie.” That’s enough to make Paige crack the slightest of smiles. Tess gives her the plate, explaining, “They’re fresh out, so–” but Paige is already reaching for the one on top, dropping it with a yelp of pain. They stare at each other as Paige sucks on her finger before they break out into laughter. It’s slightly awkward, but it’s relieving, and the situation isn’t funny at all but everything has sucked for five months so it’s all just stupid. “Sorry. I promise I’m not trying to kill you.”

Paige chuckles again, resting the plate on her lap and letting the cookies cool off. She shuts off her phone, glancing back up at Tess. Her expression is guarded, like she still doesn’t fully trust Tess, but there’s a new openness to her.

“Can we–”

“Do you–”

They both speak at the same time and Tess laughs as Paige scratches the back of her neck. “Come sit?” Paige requests softly. Tess studies her features, the earnestness in her eyes, and she nods shyly as she rounds the bed to sit on Paige’s left side. She makes sure to leave a bit of space in between them, unsure of where their boundaries lay after all this time. “You first?”

Tess nods again, taking in a deep, shuddering breath. “I know you said sorry doesn’t fix anything, but I want to try, if you’ll hear me out?” Paige stares at her for a long while before tilting her head, giving her the all-clear. Paige reaches for a cookie again, checking the heat, before lifting it to her mouth and humming at the flavor. “I was spiraling again,” Tess says slowly, once she’s found the words. “Overthinking every single thing. I was confused. There was so much going on in my head and it was awful because there’s nothing anyone can do about it. I know the solution to it – it’s too risky, and I can’t lose everything I have. Not again. I shouldn’t have shut you out, but isolating myself is the only way I know how to deal with my shit. I thought I was protecting myself, protecting you, but I only made it worse.”

Paige doesn’t say anything, still chewing, and Tess keeps rambling. “I’m so sorry. Sorry doesn’t even begin to cover it. I hurt you and I keep hurting you and I don’t – I don’t know why or how but I just do and you don’t deserve that, Paige. I don’t think I’ll ever forgive myself for this, but if you never forgive me, I wouldn’t even be able to be mad about it.” Tess laughs humorlessly. “Whatever it takes, I’ll make it up to you, that much I can promise. Just…please, give me another chance?”

Paige gazes at her, her eyes wide and seeking. Tess has to fight every instinct to turn away, to break eye contact, but she needs Paige to know that she’s serious. Finally, Paige relents, a sort of somber half-smile quirking on her lips. “I’on like being mad at you,” she admits. “Arguing. Ignoring you. But…I just –  we agreed to communicate. You promised me that you wouldn’t do this by yourself. I’m upset you broke that promise and our agreement, but I understand why you did it. Just wish you hadn’t ‘cause we coulda fixed whatever it was. Easily. I woulda made time for you; shit, I did make time for you, and you threw it back in my face. That shit hurt.”

“I know,” Tess whispers. “I would feel the same way, too. You have every right to be upset with me. I’d be mad if you weren’t mad at me.”

That makes Paige laugh. It’s full, from the belly, and all of the tension in the room disappears. Paige is quiet for a moment before she speaks again. “I’on know about forgiveness right now,” she says honestly. “We gotta work towards that. But I don’t wanna be mad anymore.”

“That’s good enough for me,” Tess says softly. Paige smiles at her, her knuckles brushing her hand, the touch electrifying. The relief is nearly overwhelming. Things aren’t back to normal, but they’re as close to normal as they’ve been in five months, and that’s all Tess can really ask for. She then remembers where they are and exhales deeply. “I, uh, I think Moe might need a hand in the kitchen.”

Paige refocuses. She clears her throat. “Yeah. Okay.” They both stand, Paige holding onto the plate of cookies, but before they can leave the room, Tess stops her with a hand to her wrist.

“Thank you,” she says quietly, her throat bobbing. “For hearing me out.”

Paige’s smile grows, turning into something tender despite the reservation in her eyes. “Of course.” Then, Tess can almost feel the shift in the air as Paige’s eyes flash with mischievousness. “Just don’t do that shit again or you can go spend Thanksgiving with the Ionescus.”

“Paige Madison!”

After their much needed conversation, the energy in the house almost immediately changes. Tess feels like her breathing comes a little easier since she doesn’t have to walk on eggshells around Paige. When they made it back downstairs, Moe instantly put them to work in the kitchen. Both Moe and Paige pretended to not see Drew and Tess’s excited handshake to celebrate the fact that the cookies worked. Tess and Paige sat side by side as they peeled the potatoes for the mashed potatoes, quietly catching up on all of the things they’d missed over the last five months. Tess thought that revisiting those memories would hurt a little more, but being honest with Paige helped a lot. They’re working on moving past this, and while Tess does have much to atone for, she fully intends to put in the work to earn back Paige’s trust.

As soon as the potatoes are peeled and ready, there’s a knock at the front door. Moe leaves to get it and returns with a family of four in tow. Tess doesn’t recognize them, but when Paige goes in to hug each of them, she assumes it must be her mom’s side.

“Tess, this is my mom, Amy, and my step-dad Brian,” Paige states, some lingering fondness in her tone. Tess grins as she shakes their hands, greeting them. “And these idiots are Lauren and Ryan.” Immediately, Lauren and Ryan start talking over each other as they drag Paige, but the taller blonde struggles to hide her amusement as they squabble. “Guys, this is Tess.”

“Your girlfriend,” Ryan drawls, cooing dramatically. Lauren snickers.

Paige, to her credit, doesn’t react much, but a light flush settles on her cheeks as she smiles at them. “Yes, my girlfriend,” she says. “Where’s yours?”

Lauren hisses, murmuring ouch under her breath, while Ryan rolls his eyes and Tess giggles. “Not fair. You guys U-Hauled.”

“I actually specifically told her I’d do anything but U-Haul,” Tess cuts in. Paige scoffs, but grins. “It’s nice to meet you both.” 

Moe then kicks the four of them out of her kitchen and Paige drags them into the living room where Drew is watching TV. Everyone disperses, settling in on the couch or the futon. Tess hardly has the time to make a decision before Paige takes a seat in an armchair, pulling Tess haphazardly into her lap. Her siblings don’t pay any attention to them as they argue over the remote, trying to set up the Playstation. Tess glances at Paige with an amused look, though also slightly confused. She’d thought she would have needed to grovel a little more before Paige would want to be close to her, but she’s not going to look a gift horse in the mouth.

“Problem?” Paige asks nonchalantly, adjusting Tess so she sits a little more comfortably.

“Nope,” she says. She ignores the slight crack in her voice, but Paige doesn’t have the same plan to. Paige grins smugly and Tess rolls her eyes. “You’re insufferable.” Paige merely pinches her hip in response. Once Paige’s siblings have the Playstation set up, the five of them take turns split-screening Fortnite, integrating Tess almost seamlessly into their dynamic. While two play, the other three chat and play cards. Paige declared early on that Monopoly was firmly off the table, not wanting to sit through Lauren and Ryan’s inevitable argument when one or the other went bankrupt.

Tess settles in easily with Paige and her siblings. She finds herself smiling more than she thought she would, pressed against Paige’s body, and maybe she’ll admit that Thanksgiving isn’t so bad when you have good company. She feels lighter than she has in five months and she couldn’t think of any way today could get any better.

Paige’s hand rests low on Tess’s waist, splaying across her stomach as she pulls her in closer, chin hooked over her shoulder and grinning at the sight of all of her siblings together. Tentatively, Tess rests her hand over Paige’s, relaxing when Paige gives her a gentle squeeze. “You happy?” Tess asks softly, tilting her head so Paige can hear her. She can feel the smile that Paige presses into her neck.

Paige’s voice is muffled against her skin, but she shivers at the way it reverberates through her entire body. “Yeah. I am,” she admits, her tone full of affection. Her grip tightens on Tess ever so slightly. “I missed you.”

Tess’s throat bobs with emotion, feeling her chest tighten. “I missed you, too,” she says honestly. And when Paige’s lips brush against her skin, almost imperceptibly, Tess gets the feeling that they’re a lot closer to being okay than she’d thought.

Thanksgiving dinner that night goes a lot better than the night before. The chatter is lively, food is passed around, and they all link hands in prayer before digging in. Everything is delicious. Tess would have gone for seconds if she wasn’t trying to save space for pie. Even after their plates are cleared and Tess has to unbutton her jeans just so she can sit comfortably, the nine of them remain at the table, sharing stories and jokes. Paige’s hand finds her knee under the table, almost unconsciously, and Tess’s subsequent smile is real. She should be alarmed by how well she assimilates into Paige’s family, by how well she plays the part of girlfriend. She should be alarmed by the fact she’s not pretending at all, that this is just the soft, simpering idiot that Paige turns her into with the simplest of smiles.

When everything is said and done that night, Tess is crawling back into Paige’s bed, the smell of her shampoo and perfume still fresh on the sheets. The air mattress has been lying untouched since the night before. Tess is struck with the realization that she doesn't want Paige sleeping on the floor tonight, but she can’t think too much about that because Paige is walking back into her room, her hair damp over her shoulder as she squeezes the excess water out with a towel. They share a soft smile. Tess still thinks that Paige is the prettiest woman she’s ever laid eyes on.

“So,” Tess begins hesitantly, folding her hands over her stomach as she reclines back on the bed. Paige hums, urging her to continue, running her brush through her hair. “I heard through the grapevine that there’s a Thanksgiving tradition where you tell your friends and family what you’re thankful for.”

“Yeah?” Paige asks, an inquisitive noise building in the back of her throat.

“Mhm,” Tess responds, glancing at Paige, who meets her eyes through the mirror on the wall. Her lips quirk up into a smile. “Am I allowed to say I’m thankful for you?”

“Depends,” Paige teases. She leaves her hairbrush on her dresser and takes a seat at the foot of her bed, pulling on a pair of socks to ward off the late-November Minnesotan chill. “Do you mean it?”

“I do,” Tess says, completely honest. Paige’s eyes scan her features for any hint of a falsehood. Finding nothing but earnestness, her smile grows, an almost bashful flush settling on her cheeks. “I’m serious. I know I’ve been a jerk–”

“Not the word I’d use–”

“Shh,” Tess laughs. Paige raises her hands in defense. “But I’m glad you’re here, that you’re in my life. You didn’t save me, but you made it easier to want to save myself. I don’t make it easy for you, but… I don’t know – you take care of me. I just hope I can repay the favor one day.”

“S’not transactional,” Paige states. “Don’t need you to ‘repay’ me. Just want you to be happy.”

“I am.”

Paige smiles at her, a lone dimple popping out, and Tess truly can’t help the way her heart beats a little faster. “Good.”

There’s something about the way Paige lingers, her gaze expressive. “Paige,” Tess says, almost nervously. She hums, leaning back slightly, awaiting her question. Tess clears her throat. “Don’t sleep on that fucking air mattress.”

Paige’s eyes are bright, alert, searching Tess’s expression for any sign of a sike! moment. “Are you sure?” she asks, her voice barely a whisper. “Don’t wanna–”

“Paige,” Tess says again. “Please?”

And then Paige is nodding, a smile overtaking her features again. She crawls gingerly over Tess’s legs, slipping under the purple comforter next to her. They’re both on their backs, nearly elbow to elbow, and the space between them feels electric. Sure, they shared a room on their Bose trip, but they remained in their separate beds. This is the closest they’ve been in five months, and Tess is certain that every cell in her body is simultaneously combusting.

“Tess,” Paige says.

“Yes, Paige?”

“Am I allowed to say I’m thankful for you too?” she murmurs.

Tess’s chest loosens. “Depends.” She cranes her neck to glance at Paige, but the blonde is already staring at her, her gaze dark and beseeching. “Do you mean it?”

Instead of a verbal response, Paige moves, one hand holding herself up and the other cupping Tess’s jaw, kissing her with a soft intensity that pulls the breath directly from her lungs. Tess sighs, tangling her fingers in Paige’s hair, letting Paige guide her as she liked for better access. Paige pulls back, her nose brushing against Tess’s cheek as she presses her lips to the slope of her jaw, the spot under her ear that makes her shiver, the base of her throat, her pulse point. Tess can feel Paige’s smirk as she lingers, her lips sweeping across her skin. “Your heart’s beating really fast,” she murmurs.

Tess scoffs, blushing fiercely. “I wonder why,” she retorts.

“I think I got a few ideas,” Paige says smugly.

“Think less,” Tess says breathlessly, pulling Paige back to her lips, halting whatever stupid comment she was about to make. Paige grins insufferably, her kiss long and slow. Tess feels herself sinking deeper and deeper into the mattress, consumed by all things Paige Bueckers; the scent of her perfume, the silk of her pillowcase, the warmth of her hand on her skin, the push and pull of her lips.

When they finally pull apart, Paige’s lips ghost across her temple as she murmurs, “Happy Thanksgiving, baby.”

The nickname does little to slow the beating of her heart. Tess doesn’t care. “Happy Thanksgiving, Paige.”

DECEMBER 2023

are you still interested in christmas-ing with the kennedys?

Wouldn’t miss it for the world

okay let me email you the tickets

[Paige loved “let me email you the tickets”] You gonna pick me up from the airport?

i could be persuaded

Say less [1 Attachment]

that’s a picture of dunkin donuts

It is Which is what I will buy for you if you pick me up from the airport

you drive a hard bargain 🤔 can you upsell? 

I mean Coffee, a bacon egg & cheese, and Paige Bueckers in your passenger seat Are you not convinced?

not really

Bruh Tess PLEASE do not make me take an Uber

you are such a baby 😭 don’t worry i’ll be there with a sign that says “welcome back from jail”

As long as you’re there I don’t care what’s on the sign

ok smooth oh also so what are your thoughts on spending like a day with my family then we go into the city for like the new year’s eve stuff in times square

Alone? 🫦

oh my god ok so you can actually walk from the airport

I’m kidding I’d be down for that Whatever you want

[Tess loved “Whatever you want”] sounds good see you soon

Can’t wait 🫶

DECEMBER 29, 2023

Tess is nervous.

She isn’t exactly sure why. She’s been in this situation time and time again, waiting at the airport for someone to pick her up or waiting to pick someone else up. It’s extremely busy, an unfortunate repercussion of the fact that it was that limitless space between Christmas and New Year’s where time didn’t exactly exist and people were flying in and out of New York constantly. Perhaps the difference is just because it’s her picking up Paige when it’s usually the other way around. One of the themes she’s begun to notice is that simply doing things with Paige just makes them feel different. She can’t exactly explain it, but Paige has this way of helping her see and experience things through a new lens.

The bustle of the airport makes her stand on edge. She’s never been a huge fan of the crowds, the constant noise, which is probably a strange thing to say as an athlete. She’s usually able to lock in and drown it out, but she’s anxious for other reasons. Paige will be walking through those gates in a few short minutes. Tess is excited to see her – that’s not the issue. She’s dreading the fact that as soon as she and Paige reunite, half of the airport will want to shove their phones in their faces. Again, the lack of fan privacy is probably something she should be used to, although she’d spend her life arguing that the lack of autonomy and respect isn’t something that should be normalized.

But that’s neither here nor there. The PA overhead clicks on. Tess can barely hear the robotic voice over the noise of the crowd as it announces the landing of Paige’s flight. Just a little longer, Tess reminds herself, then we can go home. The time seems to pass slowly, but soon enough, Tess can see a new crowd forming, emerging from the gate, and she feels her heart beat just a little faster at the implication.

Paige stands tall in the crowd, her blonde hair sticking out like a beacon. She’s dressed in an all black Nike tracksuit with the Husky logo emblazoned on the chest, although she holds a hoodie close to her chest as if she’d gotten hot on the plane but prepared well for the New York chill. Tess makes her way through the crowd in Paige’s direction. It doesn’t take long for Paige to find her, a beaming smile growing on her face, and Paige falls into her with evident relief.

Tess will never get tired of the way Paige hugs her. She melts completely, her body enveloping hers, her head always falling close to her neck. Paige’s body is firm, tangible, and Tess sighs at the weight and pressure of their embrace. “Merry Christmas, ma,” Paige murmurs in her ear, squeezing her tight.

“Merry Christmas, Paige,” Tess responds. “And Happy New Year’s, I guess.”

Paige’s shoulders shake with laughter as she pulls back, dropping an affectionate kiss to Tess’s forehead before intertwining their fingers. “It ain’t New Year’s yet,” she says.

“Close enough?”

“Nah.” Paige shakes her head, looking all too mischievous. “S’not New Year’s until I get my kiss at midnight.”

Tess rolls her eyes, but a flush settles over her cheeks. “You’re incorrigible.”

“C’mon – look at you!” Paige gestures with her free hand as she leads the two of them over to baggage claim. “I’m not a monster, I’m just a man with needs,” she sings, terribly off-key, which amuses Tess.

“Alright, Daniel Caesar,” she goads, smirking. “Let’s get you out of here before people charge you with aural assault.”

Paige suddenly looks affronted, blue eyes wide and indignant. “Oral?” she asks, wrinkling her nose.

Tess sighs, shaking her head. “No, baby, aural. A-U-R-A-L. As in hearing.”

Paige scoffs. “Jus’ say that, then.” Then, her head snaps back quickly, glancing at Tess with mock-offense. “Wait, that wasn’t nice!” Finally, her suitcase rolls around and she hauls it off the conveyor with ease.

Tess snickers, patting Paige on the shoulder. “Remember what I told you? I gotta keep your ego at a reasonable level.” With their hands still linked, Tess leads them through the crowded airport quickly, eager to get home and away from all of these people.

“My girl so mean,” Paige huffs dramatically. “Nothin’ wrong with my ego. You’re just a D1 hater.”

Tess smiles. “Are you finished?”

“No!”

Paige rambles the entire drive back to Tess’s house, but she at least stays true to her promise and buys Tess brunch at Dunkin – not that Tess expected anything less from her. In the short eight months they’ve been friends, Paige has proven herself to be very intentional in her words and actions. She doesn’t make a habit of saying things she doesn’t mean. Excluding their banter or when they’re teasing one another, Paige is unfathomably genuine. Promises and intent are incredibly important to her; Tess found that out the hard way back in November, but she’s keen on keeping that an isolated incident.

When Tess parks on the curb behind her parents’ car, she cuts the engine, but makes no effort to get out. Paige glances at her with a concerned expression, her thumb brushing against her knuckles gently. “So, my parents might be…a lot,” she says hurriedly, meeting Paige’s eyes. “Just let me know if it gets overwhelming or something, okay?”

Paige smiles reassuringly at her. “Don’t worry, ma. We got this in the bag.”

Tess returns the smile, though it’s a little weaker. “I’m serious. My dad likes you but you might get the shovel talk.”

“I’m serious, too.” Paige lifts their hands, pressing her lips to Tess’s palm. There’s no use hiding the infectious blush, so she just tries to not look as down bad as she feels. “I can handle it.”

Tess sighs, conceding, and she collects her belongings and leads Paige into her house. Her parents are sitting in the living room watching a movie when they walk in. Almost instantly, they turn to stare down Paige, who, to her credit, doesn’t falter, instead offering a polite smile.

“Hey, guys,” Tess says awkwardly. “This is Paige. Paige, these are my parents, Alessandra and Mateo.”

Her parents stand to shake her hand. “Great to finally meet you both,” Paige says charismatically, not wincing under her father’s handshake, which earns her a gleam of silent approval. Point, Paige. Her parents echo the sentiment, flashing relaxed smiles, and Tess finally chills out.

“Are you both staying for dinner? I know you have other plans this weekend,” her mom asks.

“Yes, mamma,” Tess replies with a smile. “We’re heading into the city tomorrow afternoon and I’ll be back on Monday after I drop her off at the airport.”

Her parents share a glance, as if silently communicating with one another. Their apparent telepathic capabilities always terrified Tess growing up. That fear comes back tenfold when the both of them glance at Paige, curiosity in their gaze as they soak her in. Paige, admirably, stands strong, a calm seriousness in her expression. She doesn’t even react when Tess subconsciously tightens her grip on her hand. While it feels like they stand there for hours, the staredown only lasts a few seconds before her parents relent. “I’m making bolognese tonight,” her mom states, the tension in the room dissolving.

At that, Tess relaxes again, and flashes a quiet smile at her parents. “We’ll be in my room,” she says. “Paige is jet-lagged after her flight.” None of them comment on the fact that Paige only travelled across one time zone, but her parents smile kindly and return to their movie as Tess drags Paige down the hallway, flushing. “Oh my God. That was the most nerve wracking thing ever.”

“I’ve never dissociated so hard in my life,” Paige confesses. “Did I do okay? Can they smell fear?”

Tess laughs, pulling Paige inside her room and shutting the door. “Christ, Paige – they’re Italians, not fucking sharks.” Paige rolls her eyes, depositing her bags close to the door and kicking off her shoes. She wraps her arms around Tess from behind, rocking them side-to-side, and Tess can’t help her smile as Paige sighs with relief. “Good job, though. She asked if you were staying for dinner.” Tess spins in Paige’s embrace, wrapping her arms around her neck and kissing her in celebration.

“Is that good?” Paige asks, her cheeks turning red.

“Very,” Tess confirms. “Just don’t wear jeans. She cooks enough for a small army and she’ll make you eat dessert, too.”

Paige nods seriously, like impressing her parents is an important task to her. “I’ll lock in,” she vows, her lips brushing against Tess’s jaw. “They’re gonna like me more than they like you.”

And at that, Tess shoves Paige away from her, scoffing indignantly while the blonde dissolves into laughter. “Jerk,” Tess grumbles. She makes her way to her bed, climbing in and turning the TV on. “Grey’s?” she asks Paige hopefully, as if the blonde would ever say no to Grey’s Anatomy, and Paige nods as she crawls in next to Tess, slinging an arm over her waist and resting her head on her chest.

They make it through an episode and a half before Paige falls asleep, lulled into slumber by the drag of Tess’s fingertips against her scalp. Tess knows she’s been working hard this season, spending extra time in the gym and training because she’s shouldering so much more for her team. She’s on court for nearly 40 minutes a game and although she’d never admit it, Tess knows that it’s taxing.

Tess wouldn’t admit it, either; she knows this arrangement is temporary, but she could get used to this – laying in bed with Paige while the blonde naps, comfortable in the knowledge that out of all of the people in her life, Tess is the one person she knows she can go to and not be expected to be Paige Bueckers all the time. She’s not expected to shoulder all of the responsibility, not expected to be the tough one – she can just be. The fact that Tess can provide that kind of comfort and security for her means more to her than she’d ever expected.

Paige shifts in her sleep, her arm tightening around Tess’s waist subconsciously, and Tess allows herself a gentle smile. It’s temporary, but she’s going to enjoy it for as long as it lasts.

Dinner was surprisingly nice that night. True to Tess’s word, her mom did make a shit ton of food, but Paige was a willing victim as she went back for seconds and had room for a slice of tiramisu. The chatter was lively and Paige integrated so well with her family. They asked about her childhood, her dreams, and her dad even dragged her into a lengthy conversation about football and the Superbowl. For an Italian raised man, her father was far too interested in American football, but Tess can’t find it in herself to mind too much when Paige’s hand finds her knee under the table as she listens intently. The smile on her face is bright, endeared. When Tess catches her mother’s gaze from across the table, noting the silent approval and her own fondness, she realizes that there’s just something so right about her and Paige.

They gather around the Christmas tree after dinner. Tess and her parents had already opened most of their gifts when Tess’s cousins came around on Christmas day, but her parents had surprised them both with gifts for Paige. Paige wasn’t expecting it, but the childlike wonder on her face was priceless, and Tess really couldn’t have been all too shocked by the fact that she fell just a little harder for Paige as she opened her presents. It was nothing major; a few pieces of workout apparel, a sneaky South Carolina hoodie that they all laughed at as Paige stared at it in mock-disgust (Tess knew she’d wear it), and a gift card for an upscale restaurant in the city that she and Paige planned to take full advantage of.

And then Paige surprised her parents with gifts of their own, which was incredibly fucked up, because how was Tess supposed to go back to normal when Paige is buying her parents Christmas presents and they’re not even dating for real? Paige gives her father a beautiful watch and her mother a gorgeous necklace. Judging by the way they sparkle, they must both cost a fortune, and Paige tells them she already tore up the receipts so there’s absolutely no take-backsies.

Tess hugs her parents goodnight, although they also pull Paige in for one when she tries to shake their hands again. Her parents both whisper their firm approval and Tess can’t help the way her chest tightens. They tell her that they really like Paige – that makes Tess laugh weakly because they aren’t the only ones. She really likes Paige, too, and that’s slowly becoming her biggest problem right now.

After they both shower, Paige rifles through her bag, searching for something, and when she turns around, she presents Tess with a small, gift-wrapped box. “Paige,” Tess grumbles, not expecting a gift from her, but the Cheshire grin on her face makes her resolve weaken.

“C’mon,” Paige goads. “D’you really think I wouldn’t get you sum’?” Tess rolls her eyes, but she opens the drawer on her nightstand and pulls out a gift wrapped box, too. Paige’s smile grows. They exchange their gifts, and after much argument, Paige convinces Tess to open hers first. She takes the wrapping apart gingerly, her eyes widening at the Tiffany & Co logo. “Don’t freak,” Paige says gently, which does little to hide the fact that Tess is freaking.

“Paige–”

“Open it, ma.”

Swallowing thickly, Tess does, and tucked into the cushion of the box is a small, yet glimmering, bracelet charm. She picks it up gingerly, her breath catching. “I struggled for a really long time to find the perfect one,” Paige admits in a whisper. Tess glances up at her, watching a slow smile spread across her face. “Had to get it custom made. It’s the Gampel court. I know – why would you wanna walk around with the enemy court on your wrist, whatever, but flip it over.” Tess flips it, and on the back, February 8, 2021, is engraved. “This was the first game we’d played against each other. The first time I met you in person, the first time I shook your hand. And honestly, I didn’t think we could beat you. I didn’t think I could beat you. You made it really fucking hard.” That draws a teary laugh from Tess, but Paige keeps going, a smile on her face. “As we played, it became less about, I’on know, beating you and more about impressing you. Win or lose, I was just really fucking grateful I got to share the court with you. I learned so much from your game and you made me a better player, whether you realized it or not. I was scared to reach out to you – you’d always been sort of untouchable, I didn’t think you’d wanna be my friend, especially since we’re on different teams. But here we are now.”

“Here we are,” Tess agrees, her lip quivering. “I don’t know how I’m supposed to out-do that,” she jokes.

Paige rolls her eyes, dimples popping out. “Lemme put it on you?” she requests. Tess nods, handing over the charm, and with overwhelming gentleness, Paige clasps the charm to her bracelet, giving her hand a squeeze once it’s safely secured.

“Thank you,” Tess says, her voice barely a whisper. She meets Paige’s eyes. Her expression shines with adoration, fondness, the blue of her gaze disarming. “It’s beautiful.”

Paige smiles at her, vulnerable and tender. “Of course,” she says.

Tess gestures to the wrapped box in Paige’s hand and she opens it gingerly. Inside the box is a thumb ring. The band is extremely thin, gold in color, and isn’t perfectly straight. It resembles the stem of a rose which leads into the petals with two miniscule leaves jutting out on either side. Paige stares at the ring in a reverent sort of awe. “So, we have this Italian saying: se son rose, fioriranno. ‘If they are roses, they will bloom.’ It essentially means that things take time to develop. You have to have faith that the roses will bloom – that you will bloom. It reminded me of both of us – our ACLs, that in time, they won’t weigh us down.” Paige glances back up, meeting Tess’s eyes. “It reminded me of you. I know this year hasn’t been easy for you so far, for your team, but in time, you’ll find that success you’ve been working your entire career for.”

Paige smiles even though her eyes water and her bottom lip quivers. “Tess… I’on know what to say.”

“Well, that’s a first,” Tess jokes, and the both of them dissolve into laughter. At Paige’s insistence, Tess slides the ring onto her thumb. Paige stares at it for a while, a dopey expression on her face, but Tess can tell she loves it. “Merry Christmas, P.”

Paige’s smile grows. She leans in, softly pressing her lips to Tess’s, her arm curling around her waist and dragging her closer until she’s nearly in her lap. Tess places her hands over Paige’s shoulders for stabilization, content to let Paige take the lead, but it’s not long before Paige is withdrawing to ghost her lips across Tess’s cheek, murmuring into her ear, “Merry Christmas, baby.”

DECEMBER 30, 2023

The first few hours of the morning are spent watching cheesy Hallmark movies, much to Paige’s chagrin. She thinks they’re too corny, but Tess argues they’re a holiday staple. Paige eventually gives in after Tess makes her a mug of hot chocolate with extra whipped cream, although that doesn’t save her from Paige’s endless commentary.

“The acting is so bad,” Paige says, her tone disgusted. She stretches out a little more on the couch, her leg brushing against Tess’s. “Why does she move her head so much? Why does she keep blinking?”

“Paige,” Tess says, fond exasperation clear in her tone. “It’s not supposed to be good.”

“Well, it’s bothering me,” she whines. “Moving your eyebrows so much doesn’t make you look cool. It makes you look ridiculous.”

“You are such a baby,” Tess gripes. She lifts Paige’s left arm, tucking herself flush against her side. Paige gives her shoulder a gentle squeeze as she pulls her in a little tighter. “If you think about it, they’re just like us.”

At that, Paige raises her brows, huffing out something akin to unconvinced laughter. “Yeah? How so?”

Tess smiles at her coyly. “They got paired up together for the mural contest. Now they have to work together if they want to win.” She presses her fingertips together, separating them as she makes an explosion noise. Paige snorts. “I don’t think we’d be on Hallmark, though. Not PG enough. You curse like a sailor.”

“Me?” Paige asks. “Have you heard yourself?”

“You’re really gonna sit here and blame me for sh – stuff?” Paige gives her a knowing look, a smirk growing on her face. Tess juts her lip out in a pout that’s clearly not working on Paige. “It’s Christmas and you’re being mean to me?”

“It is not Christmas –”

Tess sighs dramatically, cutting her off. “Christmas,” she whines.

Paige rolls her eyes good naturedly, brushing her lips across Tess’s temple and shutting her up. They finish the movie, along with two others before it’s time for them to make the arduous, thirty minute journey into the city (traffic was a bitch). Paige called dibs on driving, which Tess wasn’t happy about considering that it was her car, but as soon as she thought about driving through the city traffic, she changed her mind.

Tess booked them a suite in a hotel called Tempo by Hilton, mostly due to its proximity to the New Year’s Eve ball drop location. After they checked in, they planned on heading out to dinner and then lounging around for the rest of the evening. They weren’t doing much on the 31st either, their only real plan being the ball drop. They agreed they weren’t going to fill up an entire itinerary. New Year’s in New York was just supposed to be a weekend vacation away from their families and the city would be crowded enough that they’d be away from the media, too. It was difficult to find much to do since Tess was not a fan of the New York nightlife. December marked eight months of sobriety – it wasn’t a lot, but it was a source of pride for her. She had no interest in going back on that even if the urges were long gone by now.

They got ready for dinner together, although Paige was absolutely no help at all. She was dressed in a multicolored striped sweater, baggy white jeans and a pair of matching shoes; her hair was styled down in loose waves. Tess jokingly told her that she looked like an art teacher and Paige rolled her eyes so hard that she had to lay down because it made her head hurt.

“Paige, I don’t know what to wear,” Tess complains. 

“Sum’ warm,” she says unhelpfully, not looking up.

“I want to wear a dress.”

“Then wear one?”

“It’ll be cold!”

“Bring a sweater.”

“And ruin the fit?” Tess grumbles.

Paige laughs, much to Tess’s chagrin. “You can pull anything off,” she says.

“It’s probably not even that cold,” Tess muses, glancing down at the dress she packed. It’s a simple black one that cuts off just below her thighs with thin straps at the top. “We’ll be inside for the most part, right?”

Paige shifts, holding her head up with her hand as she stares at Tess with amusement. “Wear the dress. Bring a sweater. Or don’t. I can give you mine and we can be all cute and shit.”

“You just want me wearing your clothes,” Tess says under her breath, but Paige hears it.

“Damn,” she deadpans. “Caught me.”

Tess wears the dress. She doesn’t bring a sweater. The restaurant was warm enough that she didn’t need one, although she’s certain that Paige deliberately took them the long way back to their hotel so she’d cave and ask Paige for her sweater. Her suspicions are proved true when Paige forces them to take what feels like a million photos, but Tess just feels endlessly endeared by her, so she entertains it.

“I like you in this,” Paige comments nonchalantly once they make it back to the hotel room. She toys with the frayed edges of the multicolored sweater mindlessly, glancing up to smile at Tess coyly.

“I know,” she says, taking her jewelry out and unpinning her hair. Paige lingers behind her, watching as she works. “You’re so down bad. It’s sickening.”

“Sorry,” Paige lies. Tess shakes her head with an amused smile. “Look in the mirror and get back to me. Who wouldn’t be?”

They watch an episode or two of Grey’s before bed that night, although Tess falls asleep after the first thirty minutes. The weight of Paige’s body against hers was too calming, the scent of her perfume in the air, the drag of her fingertips across her back. Despite doing nothing but lounging around, traveling, and going to dinner, Tess was exhausted. Paige could be partially to blame for that – she makes Tess feel safe, like she doesn’t have to worry about keeping all of her walls up. She has a comforting energy that could make anyone relax and lose all of their worries.

But maybe she’s a little too effective at that. If Tess had managed to stay awake longer, then maybe she would have heard the dial tone, the sound of another person picking up, and Paige’s whispered confession of, “Aubrey, I might be in love.”

But she didn’t hear it – and Paige may never say it again.

Things are fine the morning after, although Tess would have no reason to expect them to not be. She wakes up before Paige does (not a surprise), although they shifted at some point during the night. While Tess fell asleep with her head on Paige’s chest, she woke up on her side with Paige’s right arm slung protectively over her waist and the blonde’s face pressed into the back of her neck. Her breathing was gentle, fanning against her skin, sending shivers down Tess’s spine when she was coherent enough to realize just how close they were.

She slides out of Paige’s arms, careful to not wake her, and stretches as she walks into the bathroom to begin her morning routine. She’s in the middle of brushing her teeth when Paige finally wakes up, padding into the bathroom and wiping the exhaustion out of her eyes. “Mornin’,” she says, voice thick with sleep. She presses a quick, chaste kiss to Tess’s cheek before she reaches for her own toothbrush and gets to work.

“Morning, Paigey,” Tess says, though her words are muffled around the toothbrush in her mouth. Paige shoots her an amused glance while Tess tries not to stare at her too obviously. She’s dressed in a pair of black basketball shorts and a matching Nike sports bra, although her shorts hang low on her waist, revealing the waistband of her boxers. There’s not even a safe region for Tess to look at. The muscles in her shoulders are freakishly defined, the veins in her hands protrude slightly, her expression is soft and mellowed out, and her hair is down in bedridden waves. Tess needs to be taken out back and shot between the eyes. This is getting out of hand.

“Sum’ you wanna say?” Paige asks around the foam in her mouth. Tess flushes immediately, much to Paige’s endless enjoyment.

“Nope!” she says as she spits out her toothpaste. “Nothing at all.”

Paige catches her around the waist when she tries to leave, attempting to put space between them. Tess’s breath hitches as Paige pulls her flush against her, her hands resting on her bare stomach. Wordlessly, Paige bites down on her toothbrush, using her free hand to wipe away a smudge of toothpaste off Tess’s bottom lip. Paige’s subsequent smile is all too smug and she has to shove her away before she says something pathetic like naming the 2023 WNBA draft class by pick order.

She can hear Paige’s light laughter from the bathroom as she returns to the main room. When Paige finishes up in the bathroom, she doesn’t mention how she flustered Tess, although she does put a shirt on (much to Tess’s simultaneous relief and disappointment) and picks up the phone to order room service for them. The food arrives quickly, an assortment of meats, pastries, and other delicacies. Paige insists on making Tess’s plate for her – the princess treatment getting is ridiculous, but who is she to complain? – and the photo of Paige that she captures, messy bun and oversized t-shirt on, is good enough that Tess considers gatekeeping it, but she ultimately posts it anyway because the people deserve to know that UConn’s basketball star is doing this for her and not for them.

Paige reposts it with the eye rolling emoji and the princess emoji, which makes Tess laugh.

They talk all throughout breakfast, easy conversations and jokes, and they lounge around in the hotel room until it’s time to get ready for the ball drop. Tess, once again, struggles with what to wear, but when Paige comes out of the bathroom wearing a hot pink, long-sleeved Nike sweater with black baggy cargos and rummages through Tess’s suitcase, Tess really can’t be all too surprised when the outfit Paige selected matches her’s.

“You could be a little less obvious,” Tess suggests as she does her hair in the mirror.

Paige only smiles, taking in Tess’s outfit. Paige has dressed her in a pink tube top and black high-waisted pants with a matching coat. “Nah,” she says after a minute of shameless ogling. “I did my big one.”

Tess rolls her eyes. She would never admit it to the blonde, but she and Paige look good.

The walk to Times Square flies passes quickly. They spend it hand-in-hand with Paige expertly navigating them through the busy New York foot traffic as Tess takes countless pictures of the city decorated for New Year’s. She gets plenty of photos of Paige, too, the easy smile on her face, her side profile illuminated by the city lights. Tess knows very well by now that Paige is extremely attractive – that wasn’t a secret to anyone. She was magnetic and Tess has been stuck in her orbit from the first time they met, not in the conference room, but when they played each other in 2021. It takes her a long time to realize her feelings. She keeps them under tight lock and key, knowing that her goal and purpose is to play basketball. She never had the time for anything else, but when Paige finds her gaze, squeezing their intertwined hands, Tess thinks that maybe she could make time if Paige decided to stay in her life permanently.

Paige isn’t magnetic because of her looks. It definitely helps, and while that physical attraction will never leave, Tess has come to find she’s attracted to Paige for other reasons. She likes Paige’s kindness, her candor, her irresistible charm. She likes that Paige keeps her accountable, that she stands ten toes down on her beliefs. Tess is drawn to the way Paige cares for those around her, the way she gives everything her all. She likes her humor, her faith, her compassion. There isn’t a single thing Tess hates about her, but there’s an infinite amount of things that Tess loves about Paige Bueckers.

Love.

Tess loves Paige Bueckers.

That realization, while incredibly sudden, doesn’t surprise Tess as much as it probably should. If anything, it’s freeing – there’s a reason, an explanation to the way she’s been feeling for so long. It should scare her, but it doesn’t. Maybe it’s because it hasn’t set in yet, the panic. Tess panicked when she realized she had feelings for Paige in the first place. But maybe it’s because she’s older now, arguably wiser. She’s learned that she can’t run from her feelings. She has to embrace them for what they are. She’s in love with Paige. It should scare her because Paige was her first “relationship,” first kiss, and now, first love. It should scare her but it doesn’t and that’s just what it is.

It should scare her because now, rule four is officially broken. There’s no arguing against it or calling it by any other name. She dapped Paige up in a campus coffee shop and promised her that she wouldn’t fall in love with her. In fairness, a Notes app contract and a handshake isn’t really legally binding. But at the end of the day, Tess doesn’t care and that’s probably the scary part. She’s in love. It’s unsurprising, undaunting, and looking back, inevitable. 

“You good?” Paige asks, drawing Tess from her thoughts. “You got really quiet.”

Tess thinks about her answer. Is she okay? She’s here, in New York City with Paige Bueckers, the woman she’s in love with, and they’re about to watch the New Year’s Eve ball drop. She’s three months away from being able to play basketball again, a year away from declaring for the WNBA draft. She is literally on the cusp of achieving all of her dreams, of having everything she’s ever wanted. So, she smiles at Paige, shifting closer into her personal space as they walk, and she’s honest when she responds, “Yeah. I’m good.” The smile that Paige gives her is bright, full of fondness, and so disarming that Tess truly wonders how she went so long trying to convince herself that she couldn’t fall in love with her. Paige just makes it so easy. And when she pulls Tess tighter into her side, whispering a joke into her ear, part of Tess hopes that Paige could find it within her to love her back. Another part of her notices the clear adoration in Paige’s eyes, the way she tightens her grip on her hand, and she thinks that maybe Paige Bueckers being in love with Tess Kennedy isn’t such a long shot.

Paige finds them a secluded spot in Times Square, decently far away from the larger portion of the inebriated crowd. The wind is frosty, nipping at her nose and fingers, but Pagie’s body is so warm. She wraps both arms around Paige’s waist, laying her head on her chest, and the blonde runs her fingers up and down her back in a soothing motion. She’s not scared to be in love, but it’s overwhelming in the best way possible. Her heart feels like it’s about to burst at the seams, that the only way she could get this energy out is if she cried from the rooftops.

Right now, there’s literally nowhere else she’d rather be. She has room in her heart for both basketball and Paige – her two first loves. For her, that’s enough.

“D’you have any New Year’s resolutions?” Paige asks once the clock hits 11:50. 

Tess hums, pausing to truly give it some thought. “I think I’m going to try to do more next year,” she admits in a soft whisper. “Do more things, meet new people, take more risks. This year really taught me I can’t just rely on the same thing. Take more drives into to paint, you know?”

Paige smiles at her, immediately catching onto her reference. “No more three-point shooting for you,” she teases. “I wanna see you out-hustle Kamilla for some rebounds.”

Tess laughs. “I don’t know about that,” she says wryly. “What about you? Any resolutions?”

Paige’s hand is warm on her back, still brushing her fingers against her spine. She’s quiet as she thinks. She stares directly into Tess’s eyes when she responds, her eyes blue and beseeching. “I wanna try to build something permanent,” she confesses, her throat bobbing with nerves. “Legacies. My future.” Paige hesitates before her next words. “...Relationships.”

“Yeah?” Tess asks. Paige nods, a flush on her cheeks, though Tess can’t tell if it’s from the December chill or embarrassment. “Sounds admirable. But if anyone can do it, you can.”

Paige’s smile is solemn, although Tess doesn’t pick up on it, shifting her attention to the clock. 11:53. The two of them sit in silence for the next few minutes, swaying side to side to the beat of far-away music, the murmur of the distant crowd. Tess allows herself to get lost in the fantasy of a new year, one where she and Paige aren’t just pretending. Tess stopped pretending a long time ago. Part of her wonders if Paige did, too. She finds it hard to believe that Paige would be so committed to keeping up appearances in private. You could excuse the amount of time they spent together. Friends do that. But friends don’t kiss. They don’t fall asleep with each other, or cuddle, or call each other “baby” like Paige does with an enamored drawl. The signs are all there, but what if they were all lies? She doesn’t want to get her hopes up, even if part of her feels like there’s something more.

Tess has never been one for resolutions. They’re tacky and no one ever upholds them, but she thinks she’s going to uphold hers this year. She’s going to confess to Paige – eventually. Definitely not during the tournament season, not when Paige has so much on her shoulders already. But one day she will. That’s a promise she’s going to uphold.

She checks the clock again. 11:59. When she glances up, Paige is already staring at her. Coyly, she asks, “Ready to ring in the New Year’s?”

Tess chuckles, tightening her arms around Paige’s waist. “Are you?”

“Been ready ever since you picked me up at the airport,” she retorts, a grin growing on her face. “D’you remember what I said? S’not New Year’s until I get my midnight kiss?”

Tess hums as if contemplating something. “I don’t recall that,” she murmurs, her gaze locking onto Paige’s.

“No?” She shakes her head as Paige draws her in closer. Their noses brush. Paige’s eyes are soft, but there’s an emotion swirling in them that Tess just can’t place no matter how long she searches for the answer. “Is there anything I can do to jog your memory?”

The crowd roars, although Tess doesn’t pay them any attention.

10…

9…

8…

“I’m sure there’s something,” Tess concedes.

7…

6…

Paige smiles at her, her hands firm on her back. “Something?” she drawls.

5…

4…

“Paige.”

“Yeah?”

3…

2…

“Please stop talking.”

1!

And she does, pulling Tess even closer and capturing her lips with a gentle urgency. Tess grins against her, reaching up to tangle her fingers in Paige’s loose hair, though Paige grows annoyed at Tess’s inability to be serious. One of her hands finds Tess’s jaw, taking control and guiding their kiss. Her hands are freezing but they feel like a soothing balm against the heat building in Tess’s cheeks.

Paige pulls away for air, her breath coming out in shallow bursts that forms clouds of steam in the air, but she doesn't stay away for too long. She’s swooping back in and kissing Tess with a renewed vigor, like there’s something she’s trying to communicate. Her lips are greedy, insistent, drawing out every single noise building in the back of Tess’s throat. She’s never kissed like this before – technically, Paige is the only person that Tess has kissed, but there’s something that’s earth-shatteringly new about this interaction. Paige kisses her with want, with desire, like she couldn’t bear it if she didn’t have Tess in her arms at all times. And honestly, given how Tess eagerly responds, trying her best to put as little space between her and Paige as possible, Tess isn’t sure if she herself could bear it if she and Paige weren’t near each other.

Her entire nervous system is alight with activity, neurons firing on all cylinders. Call her delusional, or stupid, or whatever, but Paige has awoken a part of her that has laid dormant for 22 years. It’s like part of Tess was waiting for Paige to come into her life, that she wasn’t fully living until she felt what it was like to love Paige Bueckers. Now that she knows, Tess can’t imagine living a life where she doesn’t love Paige Bueckers, where she doesn’t get to look at Paige like she’s hung the very stars in the sky, where she doesn’t get to wake up everyday and wonder how Paige will piss her off this time. It’s just them, it’s how they work, it’s how Tess wants them to work forever and ever and ever.

“Paige,” Tess gasps, almost breathlessly, pushing the blonde away from her with a hand to her chest. Paige looks almost annoyed at the interruption until she takes in the hazy look in Tess’s eyes. “Hotel?” Tess asks, and Paige nods her head so vigorously, coming back to her senses. She reaches for Tess’s hand and shoves their way through the crowd back towards their hotel.

The walk back feels like it takes ages. The elevator ride isn’t any better. Tess is nearly shaking with anticipation and Paige fumbles with the keycard, cursing under her breath. Finally, she opens it, ushering Tess inside with unseen urgency and shuts the door quickly behind them, locking it.

Tess hardly has the time to react before Paige is on her again, one hand at the base of her throat and the other around her waist. Despite her haste, she carefully walks the two of them backwards until the back of Tess’s knees hit the bed and Paige lowers her down gently, cognizant of her leg. Paige pulls back, her eyes clouded with want but she finds some clarity when she looks at Tess again. “Off?” she requests, her voice hoarse, tugging lightly at Tess’s coat. Tess nods, but Paige is shaking her head. “Words, Tess. None of that shit.”

“Off, Paige, please,” she says hastily, leaving her pride at the door. Paige rewards her with a deep kiss to her lips as she reaches for Tess’s coat, pulling it off her shoulders and throwing it somewhere behind her. She stands to kick off her shoes and Tess almost misses the contact until Paige sinks to her knees, reaching to undo her heels. The sight of Paige on her knees, staring up at her in near reverence sends a shockwave of desire straight to Tess’s core. Once her heels are off, she reaches for Paige, pulling her up and on top of her, connecting their lips once more.

“Fuck,” Paige murmurs, dipping down to press her lips to Tess’s jaw. Tess tangles her fingers in Paige’s hair, pulling the hair tie out, allowing the blonde waves to spill over her shoulders as Paige drags wet kisses across the slope of Tess’s collarbones. She nips at her skin, soothing the bite with a pass of her tongue, and Tess can’t help the moan that rips from her throat when Paige’s hands press against her ribs. “So pretty, baby, you have no idea.”

“Says you,” Tess says breathlessly, which draws a laugh from Paige. She pulls back far enough, hooking her fingers under the hem of Tess’s top. Paige meets her eyes, the question evident in her blown-out eyes, and Tess nods rapidly as she says, “Take it off, please.”

Her top comes off quickly and Paige groans, her eyes zoning in on her bare breasts. “So polite,” she murmurs, sliding her hands to her chest. She glances back up for consent, and once she has it, she brushes her thumbs across her nipples, drawing a whimper from Tess. “This what I needa do to get you to be nice?” Her tone is warm despite the insinuation in her tone.

“Stop teasing,” Tess grumbles, and who is Paige to deny her? She leans down, littering wet kisses across her chest, encircling her mouth around a nipple as her hand gives equal attention to the other one. Tess slides her fingers through Paige’s hair for leverage, pulling slightly, and moaning when Paige’s subsequent groan reverberates throughout her body. Her back arches off of the bed, trying to lessen the space between them. Paige pulls back, staring at Tess with a reverent smile like she’s the eighth wonder of the world. Then she’s dipping back down, lavishing her other breast with attention, and Tess feels so high-strung that she could float away from the slightest touch.

When Paige moves down her body, sucking hickeys near her ribs, Tess reaches for Paige’s sweater. Wordlessly, Paige raises her arms, allowing Tess to pull her it off. Her mouth goes dry at the sight of Paige’s abs, firm and rigid and inviting.

“All quiet now, huh?” Paige goads.

“Paige–”

Paige shushes her, pressing their lips together again, swallowing the needy sounds ripping from Tess’s throat as her hands explore. They’re warm, leaving blazing paths of desire across her body, dipping down to grip her thighs. “Gonna get you right,” she promises, leaving Tess’s lips, traveling down to her neck where she sucks a mark into her skin. “Jus’ need you to be patient.”

“Don’t want patient,” Tess says, gasping when Paige bites her shoulder. “Want you.”

“You got me,” Paige reassures. “Always, baby, you got me.” Her fingers hook into the waistband of her pants, looking back up to Tess for approval.

“Please,” she begs. “Fuck, Paige, please.”

With almost agonizing slowness, Paige pulls her pants down her legs, still cognizant of her knee. Her eyes widen at the sight of Tess splayed out under her, her breath catching. “Fuck, Tess,” she murmurs in disbelief. Tess finds it hard to be insecure when Paige is looking at her like this. “All for me?”

“For you,” Tess says, her chest heaving.

Paige smiles smugly, whispering, “Yeah, it is,” before she leans down, pressing her lips to Tess’s full thighs, gripping her hips. She spreads her legs, fitting her body in the space she’s created, trailing kisses towards her knee, where the surgery scar remains. Tess’s breath catches in her throat when Paige kisses her knee, her fingers brushing gently over her skin. “Every inch of you is so fuckin’ beautiful,” she whispers in awe. “God, Tess. How are you real?”

For that, Tess has no answer. She reaches for Paige’s hand, intertwining their fingers as she pulls the blonde back to her lips. They’re locked together for a few moments before Tess feels the brush of Paige’s pant leg against her skin. “You’re wearing too many clothes,” she whines.

“Sorry, baby,” Paige whispers against her lips. She kisses her once more, a lingering press before pulling away, pulling her pants off with a quickness. She’s left in a black sports bra and a pair of boxers. 

She settles in again, her lips finding Tess’s navel, pressing wet kisses to her skin. “Paige,” Tess begs again. “Please touch me.”

“Where d’you need me?” she asks, glancing back up to meet Tess’s eyes. She wonders if she looks as destroyed as she feels. Paige hasn’t even done anything, but all of her senses are on overdrive. She reaches for Paige’s hand, guiding it to the apex of her thighs, resting it over her underwear. If she were wearing a lighter color, she’d be concerned about her arousal seeping through the material.

“Off, Paige, please,” Tess requests.

Paige obliges, stripping her fully. Her eyes soak her in, a groan building at the back of her throat at the sight of Tess spread open and exposed for her. Her hands linger on her thighs as Paige returns to Tess’s lips, kissing her deeply once more. “You want me?” she asks, their noses brushing. “We can stop if you want, don’t gotta do nothin’ you’ont want, Tess, I swear it.”

Tess shakes her head, pulling Paige back in. She’s never been more sure of anything else in her life. “Want you,” she affirms, her voice breathless. Paige pulls back again; her pupils are blown out and the desire is evident, but she searches Tess’s eyes for any hint of a falsehood. When she finds none, she presses one last kiss to her lips, trailing down her body again until she reaches her cunt. Her breath is warm against her and Tess shivers.

Paige reaches for one of her hands, intertwining their fingers. With the other, she spreads her legs once more, getting comfortable and finally, she dips down fully to drag her tongue slowly along the length of her slit. She groans, the vibrations making Tess crazy, and it takes everything in her to not lose her mind as her back arches. Paige uses her free arm to press down on her hips, keeping her rooted as she licks and sucks, her tongue all over her. And when Paige finds her clit, wrapping her lips around it and sending waves of white-hot pleasure throughout her body, Tess whines so loudly that she can feel the noise in her throat. “Paige, fuck,” she gasps, one of her hands twining in Paige’s hair, tugging her closer and closer to her.

Paige is vocal in general, but the noises she makes against Tess’s cunt are intoxicating in the best way. Her head spins as Paige laps her up, gathering her slick on her tongue and drinking her up like a woman starved. She travels lower, her nose brushing against Tess’s clit as her tongue circles her entrance, and Tess feels like some part of her has died and gone to heaven. The pleasure is immeasurable, white spots blotting at the edges of her vision.

Then Paige’s arm is leaving her hips, her fingers trailing down, brushing across her folds. She presses her lips to Tess’s thigh, smearing the wetness as her thumb rubs slow, intentional circles on her clit. “So pretty like this,” Paige murmurs, her voice thick, sounding like she’s drunk off of her taste. Her fingers dip down and she slowly pushes one inside of her, letting Tess get used to the stretch as she tips her head back in wordless euphoria. “That’s it, baby, you got it.” Her finger starts moving, curling upwards, dragging across a spot that makes Tess writhe.

Tess releases Paige’s hair, one arm slinging over her face, unable to fully process the pleasure. Paige stops suddenly, making a disapproving noise against the inside of her thigh as she nips at her skin. “Eyes on me,” she says firmly, “or I’ll stop.”

Tess whimpers, but does as Paige says. She’s rewarded with a blinding smile, the shine of her slick on Paige’s cheeks evident with the way the moonlight streams through the room. Paige prods at her entrance with a second finger. It’s a tighter squeeze, but Tess just sucks her in. “There we go,” Paige whines, breathless with want. “Jus’ like that, fuck.” Both of her fingers are working her in tandem, curling upwards, and Tess feels boneless.

With every push and pull of her fingers, every time her fingertips brush against the spongy part inside of her, Tess feels the pleasure mounting and she starts babbling, begging for Paige to give her what she needs, to finally give her some relief after being so high-strung for what feels like ages. Paige is all too content to give it to her, her head dipping down once more to wrap her lips around her clit. Paige is vocal against her cunt, moans of her own high-pitched and whiny, talking her through it with incoherent rambles. Her mouth and her fingers work her in tandem. Paige leads her higher and higher to her peak, and after one final well-timed brush, the pleasure crests and Tess’s orgasm washes through her.

Paige hums against her, pleased, working her through it until the aftershock tremors subside. Only when Tess gasps, far too overstimulated, does Paige slowly drag her fingers out, pressing one last kiss to her thighs. Tess sighs, sagging into the bed. Paige glances at her, her expression hazy and filled with undeniable smugness, fondness, and a lingering concern. “You good?” she asks, her voice rough.

At that, Tess can’t help but laugh, gazing up at Paige through hooded lids. “You just gave me the best head of my life and that’s what you have to say?” she asks weakly.

Paige rolls her eyes, rubbing her thigh gently with her clean hand. “I’on know what you want from me. You wanna high-five or sum’? Buy a cake to celebrate?”

“Jesus Christ,” Tess says, amused and somehow endeared. “I can’t believe this is who I just had sex with.”

Paige snorts. “I don’t remember you doin’ much of anything.”

Tess flushes. “First of all,” she begins, still a little breathless, “rude. Second of all… should I?”

“Nah,” Paige says, her entire demeanor shifting. “Uh, you don’t gotta worry about that.”

Tess stares at her long and hard, not quite understanding. It’s not until she notes the flush on Paige’s chest, the sweat beading at her temples, the way her boxers stick to her body that she finally understands. “Oh my God,” she says, much to Paige’s chagrin. “You–”

“Chill!” Paige exclaims, embarrassed. “You were makin’ all these noises. I couldn’t help it.”

They stare at each other for a few beats before they both dissolve into exhausted giggles. Tess feels slightly delirious, although part of her can’t believe she just did this with Paige. She doesn’t regret it. She doesn’t think she ever could.

“We should probably clean up,” Paige suggests.

Tess hums, stretching. “Give me like ten minutes,” she says. “I can’t feel my legs.”

Paige laughs smugly. “Yeah?”

Tess shakes her head, amused. “Shut up.”

“Alright,” she concedes, hooking one arm around Tess’s back and the other under her knees. Tess yelps in surprise as Paige lifts her easily, walking them both to the bathroom. “I’m tired. And your ass is not makin’ it ten more minutes.”

“You’re an asshole!” Tess exclaims as Paige turns on the shower, adjusting the heat. “But true.” With one last smile, Paige helps her into the shower and they wash up together. It feels so incredibly domestic, but Tess isn’t complaining. She’s not going to allow her brain to ruin this night for them, not when everything leading up to it has been nothing short of perfect.

They’re well past sleepy when they finally make it out of the shower, redressing in sleep attire. Paige checks out the blankets, getting rid of the soiled ones and grabbing fresh ones from the closet. Soon, she and Tess are collapsing into bed, seconds away from passing out entirely, but Paige reaches for her instantly. She curls into her body, her arm wrapping around Tess’s middle. She brushes her lips against her temple. “Happy New Year’s, Tess,” she whispers, her tone fond.

Tess can only muster an exhausted smile, squeezing her hand as she whispers back, “Happy New Year’s, Paige.”

[this-tastes-lemony]

Falsettos Food Theory

Okay so someone asked what this is and I really wanna explain! So the falsettos food theory is that food represents love throughout the Marvin trilogy.

In the show, In Trousers, Marvin is very strict about what kind of food he wants, and he gets very upset when he doesn’t get it imminently or the way he wants. For example, in the song ‘How Marvin Eats his Breakfast” there is the lyric,

“No one looks busy in this kitchen

And my breakfast isn't ready

And my stomach aches.”

This is in reference to that no one at that moment is giving him the love that he wants, and that he aches for it. Later in the song he also says ,

“I don't want miracles from heaven

Just some eggies over spinach over toast

No, I will not apologize!

She should win a prize:

Very best emoting

That girl can't cook”

When he says the first line he doesn’t literally mean he just wants a basic breakfast, he means that he doesn’t want much, he just wants to feel loved. By saving “that girl can’t cook” he doesn’t mean she’s lousy at making food, he means that she doesn’t give him the kind of love that he wants. One of the other ladies says

“maybe she can’t cook, but have you seen her milk a cow?” Implying that sexually she “provides” to Marvin, even if he doesn’t romantically like her (obviously this means nothing, just because they can be sexually active does not mean that it is love).

Another one is in Whizzer Going Down he says,

“he hates my wife

I hate his food”.

He’s saying he hates when Whizzer shows him love because he is not ready to accept the fact that he can be loved and he can love another man.

There are many more references of this in the show In Trousers and if anyone wants to hear them I’ll gladly go into it in another post!!

The ones in Falsettos are even more obvious references to love. In the song Tight Knit Family, Marvin sings,

“We all eat as one

Wife, friend, and son

And I sing out as they cook

I love my tight-knit family

I love the way they cook linguine”

They all eat as one meaning they are all receiving love from one another, even if it isn’t good. The next line being “I sing out as they cook” (singing out meaning to say or shout something loudly, most likely implying the unhealthy relationship he’s in with his family) this line is saying that while they provide him love and what ever he asks, he continues to complain about it.

However, in the next line he says “I love the way they cook linguine” which is a considered normal traditional meal for a lot people. This is showing that he enjoys when they provide him with basic normal love, instead of arguing or disagreeing with him.

Another reference later on in the musical is in the ENTIRETY of the song “This Had Better Come To A Stop”. The first set of unique lyrics though is what I’ll cover.

“Whizzer's supposed to always be here

Making dinner, set to screw

That's what pretty boys should do

Check their hairlines, make the dinner

And love me”

This is saying that Whizzer is supposed to always be at Marvin’s command, loving him and giving himself to Marvin sexually at all times. He mentions making dinner twice in these lyrics, again implying that he doesn’t want Whizzers love unless it’s later in the day once he’s gotten his love from his other family ( breakfast specifically).

Another general reference to food equaling love is Cordelia’s entire character. All she does throughout the show is provide food and such to the characters, this being her giving them constant love. Since Cordelia was giving Marvin so much food (presumably) during the two year gap during intermission, we can assume that her unique and (sometimes) not so great food taught him that he doesn’t always get to choose what to eat, but that he should be greatful someone is cooking for him anyway. I think Cordelia is one of the most amazing characters in the story.

For all of the song “Days Like This” she’s trying to get Whizzer to eat something, meaning she’s trying to share her love with him.

In the song “Jason’s Bar Mitzvah”, Dr. Charlotte says

“She's cooked for some 200 guests

[CORDELIA]

We number not that many

Actually... we're seven”

This shows that she has provided so much love for all of these people, even though there’s only seven. Only a couple lines later, she tries the food Cordelia made, and says that the food “tastes really yummy.” (in the pro shot Trina nods her head to agree).

This is important to me because it shows that Cordelia finally found a way to show/express her love with the rest of the characters, and have them reciprocate it for the first time on stage, showing that they are all at peace and finally love each other.

Just like in trousers there are hundreds of more references in Falsettos so if any of you would like me to go more into it I’d be happy to!

This is all speculation of course, we don’t know if any of this was intentional, buts it’s by far my favorite thing to talk about that’s falsettos related. Hope you enjoyed reading!

[nativegirltapes]

f2f by sza is soooo drew and angel

omg yes this song so represents them during their "break"

⋆˚࿔ 🧁 𝜗𝜚˚⋆

i been thinkin' 'bout you, haven't got much sleep worried that you already done replaced me worried i done it took far and you too hurt to hear me

i feel like these set of lyrics could really apply to both of them because during their "breaks" because they're both having trouble sleeping, they're both overthinking late at night about how the other is probably giving attention to another person, and they're both replaying the argument in their head; thinking that maybe they went too far and the other one won't come back this time. more specifally in angel's case, she's up sick to her fucking stomach thinking about how drew is probably complaining to odessa about their relationship and burying his head in between her legs (he's literally not doing any of that). and in drew's case, he's worried that angel is out making rash decisions because that's what she normally does when she's upset (and yeah she is).

smokin' on a backwood because i miss my ex now i'm ovulatin' and i need rough sex knowing you gon' block me tomorrow can you still come and get me?

this plays along with angel's rash decision making, she's getting turnt asf (but in an alone and sad and 'i want to drown out the pain' kind of way) because she misses drew. also i can see her craving some sort of male attention so she's inviting random frat guys over to her dorm in hopes to drown out thoughts of drew.

and when angel realizes that she physically cannot bring herself to have sex with anyone but drew, she calls drew and asks him to come over. and because her and drew can never actually stay away from each other, he comes over and they have sex. it's so weird too bc they'll just have sex here and there during their "breaks" but that's literally it. they call up one another when they're horny because they're both so worried about the other sleeping with someone who isn't them.

i beg for empathy, you gave me nothing so hard without you (so hard without you)

this reminds me of angel literally just trying to drill into drew's head that she does not like odessa and she doesn't want him hanging around her but he just genuinely doesn't see why/how he's shown that him being around odessa is an issue. and ultimately leading to their demise aka a "break". and despite angel's boundaries not being respected, she realizes that it's hard with our drew and still wants him.

i knew all along i knew that you loved her

.....do i even need to explain how this one correlates.

but i can see angel calling drew up one day when they haven't spoken in weeks and she's just like "why did you even get with me if you were in love with her still?" and drew is literally like "what are you talking about?" and angel says "cmon drew, i'm done with you playing stupid. i know that you love her." and drew is like "ok now you're just making stuff up." boiiii baiiii.

i try to run, but i can't duck 'em fuck 'em, but i don't cuff 'em i fuck 'em 'cause i miss you

i think this could represent angel going through men like no tomorrow. she never fucks them, she does do other stuff but they never satisfy her in the way that drew does. also kind of crazy of her because if drew was indulging in such behavior she would actually start war.

[grnpurplgrmln]

with this new version of bluza that we got, i feel like i have to talk about the lyric "da se nagledam lepote te" (and also maybe the entirety of the last verse bc it drives me crazy)

for starters, it is such a romantic lyric i CANNOT get over it

no english translation can do it justice, the closest i can think of off the top of my head is "so i can soak up that beauty", but even that's not quite right

nagledati is a very specific type of verb (idk what the actual name for it would be cause i don't think it's a svršeni verb?? could be wrong idk grammar was never my strong suit)

it comes from the verb gledati (to look) and the prefix na-

the prefix na- gives it a sort of full quality. najesti (na- + jesti (to eat)) would mean that you've eaten so much that you're now full and can't eat anymore. nahodati (na- + hodati (to walk)) would mean that you've walked so much that you're now tired and can't walk anymore etc etc.

now, nagledati, in the context of looking at the person you're in love with, specifically their beauty AND the additional context that you're going to have to be away from them, for an undetermined amount of time?

looking at your lover so closely and so focused, so you can remember their every wrinkle, every blemish, every freckle, every twinkle in their eyes as they stare at you with the same love you feel for them, just in case you start to miss them, because you know you will, your heart would never let you fool yourself into thinking otherwise?

devastating, i want more of it

as i've stated earlier, this whole ending verse just trips me up so bad, in the best way possible

"ne palite još svetla" "don't turn on the lights yet"

"još samo jedan tren" "just one more moment"

"da se nagledam lepote te" "so i can really take in that beauty"

"ne palite još svetla" "don't turn on the lights yet"

"ne prizivajte dan" "don't summon the day"

"spasite me, smislite neki plan" "save me, think up some plan"

"ako svane sunce" "if the sun rises"

"ostat ću sam" "i'll be left alone"

it's so tragically romantic that it makes my heart break.

one thing i noticed here though, are the lyrics "ne palite još svetla" and "spasite me, smislite neki plan" mostly because they're in plural

now, i think it's probably just because that's the closest serbian has to gender neutral pronouns*, but i also think it's interesting to think of bojan, as the "protagonist" of the song, pleading the world to stop so he could get more time with his lover, a moment of selfishness

and the way the rest of the song sets up this almost domestic feeling "soba nam je mala"/"our room is small", which could also be translated to "the room is too small for us" as in "this room is far too small for our love, to handle us"

and i just... how can you not love this song...

additional notes:

* i'm an idiot, i just remembered that singular imperative exists and is also gender neutral so the lyric could have been "spasi me, smisli neki plan" but it's not so the whole protagonist talking to the world stuff might have been the intended purpose

[kanmom51]

Like Crazy - new insights

*This is a reposting of my latest reblog due to issues with that specific post.

***This has been sitting in my drafts since April 2023!!!

This is the post I reblogged and the basis to my own post.

Yep. I had some of a post written way back in April 2023, but the pieces just didn't come all together for me.

After Muse's release and specifically after the BTB yesterday where JM discussed Who, Muse and the lyrics, we also saw the change made to Who's lyrics from "you" to "she" things started to clear up for me. But then, a friend also shared a picture of the original lyrics of Like Crazy, which were subsequently altered before recording. We discussed these changes and I now feel that this is it! This is the missing piece to my post.

I mostly left what I wrote over a year ago in tact, adding the missing pieces to this puzzle that makes this post with what I feel is a little more insight into Like crazy.

Needless to say, these are my opinions, how I see the lyrics, the ones that made the cut and the ones that stayed in JM's lyrics journal.

So, let's get started:

Here I was thinking I'm the only one who was seeing this...

I do hope I'm reading this right, before going off motormouth about something that maybe isn't what is being said, but to hell with it, this is something I've been thinking too and I'm just gonna come out and say it.

We're all over 18 here right?

This is a subject we can talk about?

The more I listen to this song, the more I think it to be true too.

First of all, before starting off, I want to link this ask:

**Shock and awe... "she" wasn't part of the original lyrics for Like Crazy . Colour me surprised to learn the same is true with Who (even though JM didn't actually write the song himself). Oh, and if we are on that subject already, how not surprising to see the process of writing the song with John Billion, who happens to be one of the writers of SNTY as well (me sitting here thinking of several words and references that could have been somehow suggested and inserted into the song. No idea who (nah, I'm telling lies, I know exactly who). How shocking (NOT) to see that the artist actually had input with the song lyrics of which he is not credited in writing.

Again, the depth of the song, the layers to the song and the multiple interpretations too.

JM told us this song is about him struggling. He told us he was going through a period where he was drinking too much. He was finding fulfillment in ways other than performing, as performing is part of him, he is a performer, someone who needs the stage to express himself. The stage is where he is at peace, the stage being a piece of him that he was missing.

We saw his outburst of emotions in the first day of MOTS ON:E (that was my first experience of BTS and he literally broke my heart - and later seeing him being mocked for it infuriated me).

This was October 2020, around 6 months into the pandemic. The uncertainty. This is their first online performance and from there until Muster another 9 months go by. We know from Festa 2022 that the pandemic screwed up all of their plans. The uncertainty, working on and releasing BE and then Butter and PTD everything leading up to the PTD online concert, a year after MOTS ON:E. For those that performing is their life, standing in front of an audience and giving it their all, it's a hard pill to swallow. The unknown, if they will ever get back to perform on stage in front of a live audience, when this is who they are, their essence, it can be unbearable. JM wasn't the only performer to go through this. It's just that he shared this with us. He showed us his pain and vulnerability and was mocked for it by many. Shame on them!!!

So, again, JM told us with Like Crazy, that he was filling in that hole. Alcohol was mentioned by him specifically. But listening to the song, I think it's quite clear that sex was a very big part of it as well. Looking for that rush, that high. It's clear as day, for me anyway, in the lyrics.

(I think we could last forever I'm afraid that everything will disappear Just trust me)

[Verse 1] She's saying Baby, don't think about it There's not a bad thing here tonight Baby, you can leave it Stay with me until today

[Verse 2] Watch me go Wet me all night (Away) And morning too Don't come if you're drunk

In this loud music It fades me It's a drama-like story I'm get used to it Have you come far to find me that you used to know? Yeah, I know You know, I know (Ooh)

[Chorus] I'd rather be Lost in the lights Lost in the lights I'm outta my mind It holds to the end of this night Every night You spin me up high The moon that embraces you Let me have a taste

[Post-Chorus] Give me a good ride (Oh, I'm fallin', I'm fallin', I'm fallin') It's gon' be a good night (Oh, I'm fallin') Forever you and I

[Interlude] Mmm-hmm Yeah, hey Mmm-hmm Ooh-woah Mmm-hmm Mmm-hmm (Forever, you and I)

[Verse 3] Me reflects in the mirror I'm going crazy without hesitation I'm feelin' so alive, wasting time

I'd rather be Lost in the lights Lost in the lights I'm outta my mind It holds to the end of this night Every night You spin me up high The moon that embraces you Let me have a taste

[Post-Chorus] Give me a good ride (Oh, I'm fallin', I'm fallin', I'm fallin') It's gon' be a good night (Oh, I'm fallin') Forever you and I

[Outro] This will break me This is gonna break me (Break me) No, don’t you wake me (Wake me) I wanna stay in this dream, don't save me Don't you try to save me (Save me) I need a way we (Way we) I need a way we can dream on (On, on, on)

Those are the lyrics he recorded.

But you see, there were changes made to the lyrics he was working on originally, and we got to see some of them.

This specifically:

Reading this draft and the final ones there are a few things that just fall into place for me (and I'd think for anyone that reads them), loud and clear:

First of all, obviously JM is singing about drinking too much alcohol. If the final lyrics hinted to losing himself in alcohol, the draft lyrics are ever so clear regarding that point.

Second of all, the sex. I think JM was pretty straight forward using the wording he was using. "Give me a good ride" can be other things, if you twist it around to try and explain it away, but bottom line, those lines within the context of the lines in the draft, like "just go turn off the light, you and me..." not to mention the whole chorus, to me the reference is obvious.

Next, I talked about the many references to JK in this song in this post:

This is all also relevant when it comes to my next point being the fact that to me it's clear that JM wrote this song referencing a special someone with whom he shares a high level of intimacy. A special someone that was there by his side when JM was struggling. A special someone that was struggling seeing JM going through everything he was.

To that person JM wrote (in the draft): "oh baby don't you cry, just wanna see your smile..."

These lines, they were too much. Too obvious. Too intimate. And they were left out probably because of just that.

So JM went with other lines. A little less obvious perhaps, and yet still very telling. The finale of the song:

No, don’t you wake me (Wake me) I wanna stay in this dream, don't save me Don't you try to save me (Save me) I need a way we (Way we) I need a way we can dream on (On, on, on)

Now, you could claim that the song is about an inner struggle. JM struggling with himself, talking to himself, and yes, that could very much be part of the message JM, the king of layering, is going for. But see, that's exactly the point. JM is the king of layering, of having several meanings and messages within his lyrics and creations. And this is not different. There is no mistaking the reference to another person, not JM himself, in the lyrics. The way he uses the "you" in the lyrics, at times could pass as you being the alcohol, at times the you being himself in the mirror, but at times it's clearly a third party he is talking to. Especially in that finale to the song, that someone that wants to lift him out of that stupor he is in, to wake him up, to save him, when he is unwilling, not ready to accept that help just yet (same person he asks not to cry, knowing that he is making them sad). There are also the clear JK references in this song. The "you are me I am you" being the loudest of them all.

But JM being JM, he showed us in his own way what this song was about, opening up and allowing us to see his drafts.

And then he gave us Letter. Hidden, and private and intimate. Addressed not to us, but to that person that was always there by his side, that person he addresses in Like Crazy telling him "forever you and I". Now, in Letter, being in a better, healthier place, he can repeat the sentiment of them together forever. A sentiment JK had mentioned in the past (omg, that was so very awkward).

And now using lines like : "I sincerely hope we are forever" and "But don’t forget that we’re always together"...

The lyrics, the sentiments, the drafted lyrics that never made it, like the use of "Dangshin", I have talked about it all. Letter was for JK. Period.

When seeing Like Crazy again, the lyrics, the struggle, the person by his side, the intimacy, and Letter, I'm kind of thinking that not only is Letter a love ode to JK. That is stating the obvious. But it's also JM's acknowledgement and thank you to that person that stood by his side in his most difficult of times.

JK.

Bottom line:

Like crazy is about JM struggling and self medicating with alcohol and sex.

It's personal about himself, his struggles, but also includes a person that is there by his side, one he is highly intimate with, one who is there with him together. That person is there, spending the nights with him, in that escape world JM created for himself. Sad seeing JM struggle, trying to find a way to help JM out of that pit but being unable to do so, staying by JM's side all the same.

We know who that person is.

Same person he addresses Letter to.

[starzwithapen]

⭑˚₊‧° ♢ 𓆩♡𓆪 ♢ °‧₊˚⭑

JOHN DORY / READER ☆ DUET?

｡ﾟ•┈୨♡୧┈• ｡ﾟ

☆summary: Brozone happens to play on the radio, and JD's appalled to find out you're not a fan

☆content: reader is not a pop-troll, reader is gender neutral, lowkey crackfic lmao, established relationship

☆a/n: Silver wrote this one!! And okay we KNOW realistically JD would tell his partner about being in brozone but for the sake of the comedic factor in the fic he's hiding it shshsshshhsbshshsh

⭑˚₊‧° ♢ 𓆩♡𓆪 ♢ °‧₊˚⭑

You'd been sitting in the driver's seat, driving Rhonda around [a rare occurrence, but JD indulged you just this once] while John Dory stirred his sugar into his mug, handing you yours with a kiss to your cheek. You nod at him gratefully, looking down at the buttons spread across in front of you, one of them particularly sticking out to you.

“Woah, wait, I didn't know Rhonda had a radio.”

John Dory leans against the back of your seat, arms wrapped around you from behind, “ehh, I don't use it often in case it scares off all the animals.”

He pokes your arm playfully, eyes glancing out the window, “we're pretty far out, though, should be fine to listen to some tunes.”

You insert a random channel number, turning the volume upwards. This one seems to be a host speaking about the weather, so you switch to the next- sounds like a cheesy pop song of some kind, probably a boy band. You snort at the lyrics- you didn't know anyone could fit that many synonyms of “girl” into one song.

You switch onto the next channel without catching John Dory's wide, shit-eating grin, and the immediate way his face practically crumples apart, “wuh- hey, what's wrong with that last song? It was really good.”

“Okay, I know you're a pop-troll,” you start, trying to find a channel with your preferred music, “but you have to remember I'm not. That stuff hurts my ears.”

John Dory leans backwards, arms crossing around his chest, “Okay, yeah, you don't like pop music, but why that song specifically? I was really jamming out to it, y'know.” He makes that smug smile of his that normally has your cheeks heating, “guy's a lyrical genius if you ask me.”

You stare at him, unimpressed, because he's got to be joking if he thinks that song has deep lyrics.

“JD, he just rhymed baby with baby. Three times in a row. Within the same chorus.”

“Hey, it's hard to think of rhymes that don't throw off the choreo, okay?” He points an accusing finger in your direction before pausing, forcing a nonchalant pose and pursing his lips, “Or- uh, or so I've heard.”

“Yeah, yeah, that's what you pop-trolls always say. I think that guy just needs to pick up a dictionary every once in a while.”

You don't actually care about the song that much, but seeing John Dory get this riled up over it is funny enough for you to go further,

“I bet you I could write a better song by the end of the week than that guy has his whole career.”

John Dory's grin turns wolfish, and oh boy, you should've known better than to try and challenge him, even jokingly,

“Oh you bet, do you? We'll see about that.”

—-------------------

This whole thing was going. Uh. Badly.

Your conversation had escalated into another one of your bets, which you surprisingly lose more often than not, most likely because you bite off more than you can chew. John Dory's unfortunately very aware of this, and throws you bait whenever he can. This time was no different. Winner gets one request for the loser.

You are not a song-writer by any means. You're a troll, yes, trolls sing and dance! But you don't write songs! The most experience you have with rhyming is a shitty poem you made as a teenager that never saw the light of day.

You'd started with listening to more of Brozone's music, and okay, you have to admit, some of their songs were actually really good okay. You'd caught yourself humming them more than once throughout the day, and John Dory always gives you that smug look from your peripherals before leaning in to kiss you senseless. He knew you were coming around to them and it was humiliating, and he was also concerningly elated by it.

While listening you've come to realise the lead singer sounds oddly similar to John Dory, just with a higher pitch and none of that raspiness. Like, freakishly similar. It's had you thinking John Dory's calling for you when he's just sound asleep, and the fact you misheard Brozone's “baby” or “honey” as JD is frankly embarrassing.

You groan and slump against the couch, the pen tumbling out your hand and clattering onto the ground below. Okay, you had to admit, this was really difficult. You were suddenly gaining so much more respect for boy bands.

You'd wanted to use this ridiculous bet as an opportunity to show off, or…even bring you and JD closer together- you know how important music is to him, so getting to write him a love song under the guise of a bet? It's a perfect chance handed to you on a silver platter!

But you just can't seem to think of the words- it's already been a week and so far you've written, what? 4 verses? And they all sucked. You wanted it to mean something- you wanted it to sound poetic and elegant and meaningful all at once, unlike those silly songs on the radio, but it just wouldn't work out!

You muffle a frustrated shout into your hands, pulling them away from your face when you hear footsteps, looking up to see John Dory towering over you.

“You give up yet?” His smile is adorable infuriating to look at, so you cast your gaze aside, huffing and grabbing your pen off the floor.

“No, ‘course not.”

He hums, patient for you to admit defeat, trying to take a peek at your notebook from up above, though you're not too worried since he can't read upside down [or at all, you've come to suspect].

“Okay, fine, I give up. You win.”

John Dory lets out a ‘whoop!’ and throws a fist upwards in celebration, smile so wide you're afraid he'll split his face apart.

You sigh, “Okay, hit me with it, I'm doing the dishes for a full week? Scrubbing Rhonda's windows?”

“Sing a duet with me.”

“This is so unfair, you know I hate doing the dishes- wait- huh?”

John Dory looks at you with a hopeful gleam in his eyes, holding his palm out for you to take, “Sing a duet with me. C'mon, don't think I haven't seen you swaying to my- uh, ahem, Brozone's music the past few days.”

He recovers quickly from his slip-up, tugging you upwards once you take his hand. He carefully starts up his record player, and you're surprised to find you recognise the song immediately, since it'd become a favourite of yours this past week.

“You know this one?” JD grins in your direction, one hand on your waist and the other on your shoulder, his touch gentle yet firm, “think I've heard you hum it a few too many times during breakfast.”

The song starts off slow, as does your dancing, the both of you simply swaying together- you don't exactly…dance often, so your movements are clumsy while his are self-assured.

The lyrics are cheesy, all about young teenage love, but…they make you feel giddy, your steps becoming lighter, your heart fluttering about. And, well, the song may not have deep mind-blowing lyrics, but you think that's the point of it. It's just meant to be fun, have your blood pumping and your heart soaring.

“We're grown adults, this song is for highschoolers.” You say, though your smile is fonder this time. John Dory chuckles and spins you around in his arms, making your head spin in more ways than one, your feet tripping up over his, “C’mon, live a little! Who says we can't be young and free in our mid-thirties?”

You stumble in place, trying to blink the dizziness out your eyes.

“JD, I'm gonna knock you out.” You try your best to grumble, but it only comes out flustered with how hot your cheeks are.

He smirks, twirling you around, “You've already knocked me-” his foot slides under yours, and you fall down into his arms with a yelp as he catches you in a perfect dip- “off my feet.”

Just before you can spew another insult at him for catching you off-gaurd like this, he leans in to kiss you, lips melding against yours sweetly. You melt into it, his arms secured around you so you don't fall, the music fading into background noise in your mind. You know your voice will be hoarse from singing and your muscles sore from dancing by the end of the night, and you wouldn't have it any other way.

⭑˚₊‧° ♢ 𓆩♡𓆪 ♢ °‧₊˚⭑

Would be superr cool if you left feedback if you enjoyed it's super helpful and much appreciated ! this guy is so cringefail I NEED HIM. -silver

[taesanluv3r]

studio sessions.

han taesan x reader

taesan n reader r both idols! refers to taesan by his real name (dongmin) in most of this, super cuteness TT lowercase intended, ignore any spelling mistakes or grammatical errors! enjoyy <3

wc: 3,561

⋆౨ৎ˚⟡˖

"and i guess...i guess i'm just...in love with you?"

"tsk...no, that's not it" yn ln groans as she leans her head onto her knee. "if you could look through my eyes, if you could listen to the beat of my heart...if we switched places for just a moment you'd see all the truth about you that i've kept within me..." the idol girl read out loud, her cursor skimming through the page of lyrics she had just typed out onto the otherwise empty google document that stood before her on the computer screen. "and you'd figure me out...you'd see what this is all about..." the words seem to naturally come out of her head, like she was born to create catchy rhymes out of thin air. "you'd see what a fool i am, all the stupid things i'd do...all the proof that...uh..." she pauses for a moment, repeating that last line once again in search for the final words of her new song. "all the proof that...ah! all the stupid things i'd do, all the proof that i'm so in love with you!" yn emphasizes the final line, excitedly clicking the keys on her mechanical keyboard. she nods once, reading through the whole page once more before hitting the save button atop the screen. "perfect"

the young k-pop idol girl smiles to herself, the lyrics she had just written rolling satisfyingly out of her tongue as she read them again and again for the hundredth time. see, yn wrote almost all of her own songs- hell! she wrote about 70% of her group's discography all together. she loved it. she loved the idea of putting her own thoughts and troubles into words, the idea of turning her mind into a collection of rhymes. even on her off days like this one, she'd lock herself up in a random studio at the KOZ floor of the HYBE building, spending hours in front of the screen just writing. however, there was one problem. as much as the girl loved to write lyrics, she had but a clue how to actually turn them into listenable tunes. so, most times out of ten, when the girl was running out of possible strumming patterns on her ukulele, she would need to seek some sort of help from her company seniors. more specifically, from the guy she wrote half her songs about. the guy she had known since they were trainees, the guy she had a crush on for as long as she knew. she had to seek help from the musical genius behind many of her unreleased tracks, from the one and only, han dongmin, famously known as taesan of boynextdoor.

yn picks up her phone, scrolling through a few notifications she hadn't read yet, replying to her members in their group-chat, and sending a selfie to her mom who was wondering what she'd been doing these days. then the girl scrolls some more, searching for one particular contact in the sea of kakaotalk chats that flooded her screen. an unconscious smile makes its way onto her lips as she finds what she had been looking for. 'dongminie' the contact name, paired with half his face in his profile were enough to send the girl's heart to do cartwheels in her chest. she clicks on it, waiting for half a second as their previous texts loaded onto the screen.

r u busy?

she watches as a little green dot appears almost instantly on the bottom corner of his profile, an indicator that he was online to read her texts.

dongminie not rnn just finished schedules why? miss me? hahahah

his last text causes the girl to roll her eyes. the smile still present on her face as her fingers move to type out a response.

pftt u wish i just wrote another song 🤗

yn blinks once, then twice, waiting for him to finish typing.

dongminie another one??!!??! u psycho...what are you? a rhyme machine or something?? let me guess...u need help composing it? 🥱

she giggles, he knows her too well.

pleaaaseeee? not like u have anything to do either and i think this one is gonna be rlly rlly good...trust me!!!!

yn's hand moves to her mouse, placing her phone on one side of the desk. she shuts down her computer, already knowing his answer despite not really looking at his response.

dongminie fine... but only bcs i hv nothing else to do n making music is just something i love too much to turn down 😼 just come here, i'm in the studio as usual

and with that the girl gets up, stretching her body out in the process as she gathers her things into her shoulder bag and walking out the door. it doesn't take long for her to reach his studio, smiling softly as she makes contact with the familiar grey wall that surrounded the whole of their company building. yn lifts a hand up to tap against the door, knocking politely before a voice from inside asked her to come in.

"hey" han taesan says, turning around in his office chair. his hair laid flat against his forehead, and he wore a simple white shirt paired with some vintage jeans, the long black coat stashed against the corner of the room where his bag was completing his usually chic outfit. it seems he had been working on something too, the music program still opened on the brightly lit monitor that sat on the large desk. the idol boy smiled at the girl, reaching over to the side to pull another chair for her to sit in beside him and inviting her over. "hey, what you up to?" yn asked, taking the seat and dropping her things on the floor beside her. "nothing much...just some song drafts for the comeback" he replied, cursor hovering over the save button. "and you? seriously? another song?" the boy exaggerated his words dramatically, laughing when she rolls her eyes and playfully hits his shoulder.

"whatever! i just felt like writing today, alright? besides...this one's gonna be a hit" yn says, nodding proudly as she did so. dongmin laughs again, "you say that every time...and most times you don't even end up releasing them!" his words sound tired, as if he were getting sick of helping her make all these songs and none of them actually going out to the world. however, that was far from the truth, the boy would never ever be sick of it. he'd tell her time and time again how he only did these things because of his sole love for musical production, and she'd just nod, going along with anything that would turn her words into tunes. she didn't know the full story, she'd never know that only half of what dongmin said was real, and that despite his fascination in the art, the only reason he did any of this was because he, too, was in love with the girl sitting in his studio beside him right now and he'd take up every opportunity to be with her amidst both their busy schedules.

"so what kind of song is it then?" the boy asks, opening up a new project on the computer before bending down to plug his mini keyboard into the socket. the girl giggles before she speaks, "you're not gonna believe this..." she prolongs, watching the way his features washed down into a monotone and bored expression. "really? do you write anything other than love songs?" she laughs again, "i'm afraid they're the only thing i can write, dongmin" he sighs, "i mean seriously...what loser has you writing all these lovey dovey songs?" his words cause a scoff to escape her mouth. "says you? mister i keep thinking about you, mister just you and me...please, if anything, you're more lovey-dovey than me!" yn's outburst makes his stomach turn, grinning sheepishly as he begins scrolling through the variety of digital instruments he had downloaded on the program. "shall we?" dongmin asks finally, everything prepared for their music-making session. yn nods excitedly, her smile matching his own.

"we shall"

⋆౨ৎ˚⟡˖

"that's so good oh my god...han dongmin, you musical genius" yn claps her hands together as the melody the two had just come up with came to an end. dongmin laughs, his hand slapping over his mouth as he did so; a habit of his that she found so cute. he moves the mouse so that the rows and rows of drum, bass, and other instrumentals on the screen became smaller and compressed into a single line of recordings. the song is smooth-sounding, the 808s and soft drums matching perfectly with the r&b rhythm they had decided on for the track. "now...vocals. it's time to put that pretty voice of yours to good use, yn" the boy says, grinning at her as he began to bend down to grab a mic and it's stand from the cupboard beneath the desk. she blushes slightly at his sudden compliment, giggling as she playfully rolls her eyes. "here" he says, handing her his pair of black headphones, asking her to put them on while he set up the mic for recording. yn nods, the headphones sliding down the sides of her face from how big they were compared to her head. he laughed, reaching over to adjust it to her size.

"is that fine?" he asked, eyes never leaving hers. "mhm" she hummed, face flushing, suddenly feeling shy from all the eye-contact. he must've noticed, a proud smirk making it's way onto his pink lips. "okay, tell me when you're ready" dongmin says, his finger grazing against the mouse as he prepared the program for recording. yn nods, pulling out the song lyrics that remained neatly typed out on the google doc she had opened on her phone. she took a deep breath in, adjusting the mic that sat on the table before her. then she takes one quick look at him, a look of determination on both their faces.

"okay, let's start"

the boy presses the space bar on his keyboard, a quiet metronome entering the girl's ears as the instrumental they had just composed started playing. she follows the count, nodding along to the sound and waiting for the fourth beat where she'd start singing. signaling for her to begin, the guy beside her nods his head and points his finger towards the screen at the same time, trying his best not to squeal like a little girl when her honey-like voice fills the otherwise silent atmosphere of the studio.

"i'd spend every free moment of my time sitting in a room with you, i would quit a job just in case you wanted me to. a thousand more rhymes i could write, hours and hours going into new songs. i begin to see you for all your rights, ignoring all your wrongs"

dongmin listened carefully to the lyrics, the way he always did, beginning to wonder again who she had in mind while writing such things. he watched the way her eyebrows knitted together as she hit a higher note, the way she bit her lips and narrowed her eyes as she played back the recording, listening to it again and again as she re-did each verse a dozen more times. yn felt his gaze on her, the same gaze she felt every time they had these studio sessions together. she'd turn to him annoyed, telling him she can't sing properly if he kept staring at her that way. then he'd laugh, teasing her about how red her cheeks got when she sang and the way her own lyrics had her smiling like an idiot.

"and you'd figure me out, you'd see what this is all about. you'd see what a fool i am, all the stupid things i'd do. all the proof that i only love when it's for you"

the finished demo comes to an end, yn and dongmin sharing a satisfied round of applause as he leans forward to hit pause on the keyboard. "another great song, as expected from us!" the idol girl cheers, patting herself on the shoulder in praise. "yeah, another great song that no one other than us will ever hear" the boy says, passing her a bottle of water. she rolls her eyes as she takes a sip, sighing before turning over to him. "wanna know why i never release these things?" his eyes widen and ears perk up, nodding slowly so as to ask her to continue. yn sighs once more, looking away from him this time as she plays with the hem of her t-shirt.

"it's cause of the lyrics. if i release these things, the fans will come up with all sorts of rumours about them. like who it's about, or why i'd write songs like that...and i don't know..." she trails off, leaning against the back-rest of the chair. "i guess i just don't want people to make it a big thing...you know?" he nods again, understanding where she was coming from. "yeah, i get it. i mean, every time my own unreleased stuff gets out, the fans come up with all sorts of ideas...so i get you" they share a mutual understanding, the girl smiles sweetly at the idea of how quickly they got each other; another thing about him she could write a billion songs about.

"i'd like to say i'm no better than those fans though..." dongmin begins, inflicting a curious look from yn. "what do you mean?" she asks, head tilted off slightly to the side as she looked at him. "i mean like...every time we have these sessions, i wonder who your songs are about too...if i think too much about it, i start to see why fans so quickly are able to come up with scenarios and rumours...it just comes out naturally, i guess" the girl laughs, stroking a hand through her hair. he mimics this, his own hand tucking the loose ends of his own hair behind his ear. "yeah, same goes for when i listen to your songs, i'd like to know what pretty girl has you so...romantic like that" yn smiles when he rolls his eyes, a comfortable silence mixing into the cool atmosphere inside of the sound-proof room.

"i think you'd have a field day if you ever found out about her..." the boy's voice trails off, his hands busy as he began to export the song they had just finished making a moment ago, watching as a grey box appears and starts glowing green as it slowly saved onto the device. "and why's that?" the girl asks, now leaning against her palm, her elbow propped up on the desk. "well...um...i'm not telling you- you'll laugh at me" his cheeks turned a pale shade of red, the same colour but darker sneaking onto the tips of his ears. in the moment the boy refused to look at her, finding the way her eyes stayed locked on him somewhat...pressuring.

"would you tell me about her if i told you about mine?"

the boy's eyes go big and he turns around to finally look at her again. he nods enthusiastically, excited that he was going to get an answer to all his queries at last. yn giggled at his expression, letting out a deep breath before speaking again. "well...he's a guy i've known for a while now. we used to see each other more often, but now both our schedules are just so busy we only seem to see each other on off days, or in passing at work" dongmin's eyebrows furrow as he racks his brain, trying to piece together all the information he was getting. "i've always liked him. i like how easy it is to be around him. i like how quickly we understand each other, how comfortable it is even when we don't talk...i like that he always helps me when i ask him to, how he makes me laugh and jokes around with me...and most of all..." she drags her words out, looking deep into his curious eyes as she muttered out the last of her sentence. "how easy it is to write songs about him...and he doesn't even know it- even if he's heard them all before"

the last few words were risky. anybody with a brain and some common sense would understand right away the boy she was going on and on about. there was no doubt in her mind that he'd figure it out too if she had given him enough time to digest all the things she just said. however, before he could do so, the girl interrupts every train of thought that went through his mind. "okay, that was my thing...your turn! you said you'd tell me about her if i told you about him, so..." she waves her hands around, signaling for him to start talking.

dongmin cleared his throat, straightening up his back before telling his own story. "this girl, i think almost all my songs are about her...well, at least all the songs i've written since i met her. i tell her about all my problems, and i try to help her with all of her own...uh..." he pauses for a moment and looks up at the ceiling, as if he were searching for what to say next. yn kept her gaze focused on him, patiently waiting for the boy to speak again. "she's really pretty- and smart too, and she can sing. she has the nicest voice, and she's passionate- maybe, the thing i love the most about her. how she loves doing what she likes to do, how her eyes are sharp as a hawk when she reviews her work, how her eyes disappear when she smiles when she's satisfied...how her hair falls over her face as she shows me a song she wrote on her ukulele...i could go on about her, hoping one day she'd realise"

the pair went quiet again, giving both the rookie idols time to reflect on what they just heard. it took them little to no time to figure things out, but they couldn't help the doubt that clouded over their minds. like the boy had said a couple of minutes ago, it was easy to come up with random ideas when the full story hasn't revealed itself yet.

"dongmin..." the girl began, grabbing his attention away from the loose thread of his shirt he was playing with. "huh?" the boy asked, watching the way her breathing got heavier like she had just gotten nervous about something. "if i tell you his name would you tell me hers?" he sat frozen in his seat for a second, a dilemma circling round and around in his brain. hesitantly, he nods. it's now or never. "i have a better idea, actually" he says, earning an interested hum from her. "we say their names at the same time, just so no one changes their answer- you know?" she nods, agreeing with his idea. "okay then, on the count of three..."

"one...two..." they share anxious looks. it was almost as though they knew what was about to happen, yet they needed it to come out of each others' mouth as confirmation. "three" she said, taking a deep breath before a single word escaped from both of their mouths.

"you"

within the split second after the word graced the very surface of their ear drums, the pair simultaneously released the breaths they didn't even realise they were holding. it was as though a weight had been lifted off of their shoulders, a wave of relief washing through the air surrounding them. the two idols didn't say another word, their glossy eyes staring deep into each other's as identical smiles made their way onto their lips.

"so that loser who made you write such lovey-dovey songs was me the whole time? you're telling me i helped you produce a dozen songs about myself?!" dongmin exclaimed, still in slight disbelief. yn giggled, nodding along. "mhm...and the pretty girl you write about is me! funny how that works out..." they shared another set of laughs, comfortably sitting beside each other in his studio the way they usually did. "so...now what? what changes between us?" the boy wonders, suddenly worried about what difference this new information could bring to their tight-knit relationship. the girl purses her lips, shaking her head softly as she began to speak again. "i don't know...i mean we obviously like each other...that doesn't change anything since we've always liked each other..." he agrees, the smile he had on before never leaving his bright face. "i guess we just keep going the way we always have...just that this time..." he trails off, stretching his arm out to grab her hands in his.

"this time we won't have to hide all our feelings in silly songs"

yn giggles when dongmin presses his lips against her hand, "when did you get so romantic?" he just smiles at her, noticing the way her eyes gleamed like they've never before, and the way her cheeks were naturally stained pink. he wonders for a moment if it were all because of him, he wondered how on earth he got lucky enough to know someone as perfect as her.

"i think the romantic-ness happened when i met you, yn"

the end.

⋆౨ৎ˚⟡˖

hehe <3 hope u guys enjoyed this 🙂‍↕️ this is one of the scenarios i alway think of before bed TT i love u han dongmin :( also the ending is up to interpretation!! u can say they start dating after this or maybe they stay the way they are knowing they love each other, or maybe they arent ready for a relationship yet! its all up to how u want it to be ♡ tysm for reading, reblogs n feedback r greatly appreciated! love, kona.

[xjackjackx]

AVA 11 Might Have Teased Hazard's Backstory

So. AVA 11 huh.

I could make a LOT of posts about this wham episode. But this is the big one I want to bring up. While discussing AVA 11 with my friends on Discord, we discovered that we might already know Hazard's backstory.

So. Hazard, Ballista and Primal were surprisingly absent from AVA 11. I'm pretty sure this shocked everyone; why would the origin episode not show the origins of 3/5th of the villains? Well, I still think it gave us a little teaser of what we can expect of their backstories in future episodes.

In the scene that shows the Shepherd and Steven's creation, look at this:

LOOK AT THIS

A PICTOGRAM DUDE. ON NEWGROUNDS. That's gotta be Hazard. To clarify, yes this is likely something Alan himself created; me and my friends looked this up on Newgrounds and couldn't find it. It's most likely original for AVA.

So. Hazard was on Newgrounds. He was there for a long time, before Mitsi or Chosen were even born. So why wasn't he in AVA 11 during the destruction of Newgrounds? Well, look at his work's title and description: A tribute to "Boulevard of Broken Dreams". Very specific. So, what are the lyrics to this song?

Now. Now connect this to Hazard, to the Newgrounds Incident. How in AVA canon, once your animation is destroyed you're forced onto the website you came from. This specific song was chosen for a reason. Because, in my opinion, if this truly is Hazard, then the lyrics reflect his origin story.

What am I getting at? Hazard... wasn't forced onto Newgrounds during Chosen and Dark's rampage. They just missed him. He was left untouched. Until years later, when Newgrounds is still a mess no one ever cleaned up, some rubble of destroyed buildings collapses. And then Hazard is forced out of the Outernet into Newgrounds. What does he see? Empty streets. A city that sleeps; empty of all life after everyone was killed or evacuated. He's the only one here. It's his home, and he walks alone.

Hazard sees the remnants of a warzone. Something happened. Someone destroyed his home and murdered thousands of innocents. And he wants to bring justice, to avenge all those innocent people. So when Rocket Corp claims they found the culprit, he jumps at the call.

It works perfectly. It's foreshadowed. It makes sense with the theme of Chosen's actions biting him in the ass. It fits with the theme of Victim and Agent being exposed as good, but misguided people; Hazard is also a good person at heart, who just doesn't see the full picture.

The comic relief has one of the saddest backstories of them all.

[katebeckets]

LISTEN THROUGH SILENCE: An MSR Playlist ⤷ Part Two: Scully

It feels close to you, somehow, to say your name out loud.

playlist / songs ↘

SIX by Sleeping at Last / Similar to with Mulder, I haven't really thought about what enneagram I think Scully might be, but the lyrics of this song are so her. Plus: "I want to believe—no, I choose to believe—that I was made to become a sanctuary." I constantly think about "I want to believe" in the context of Scully because that's very much Mulder's thing, but it takes on so much significance when you think about it relating to Scully (just like Mulder choosing not to believe things takes on special significance as well). Mulder wants to believe in so many things, but Scully wants to believe in Mulder—and she chooses to believe.

RENEGADE by Big Red Machine & Taylor Swift / Very very Scully to Mulder. I mean— "there was nowhere for me to stay, but I stayed anyway" and "you fire off missiles 'cause you hate yourself, but do you know you're demolishing me? And then you squeeze my hand as I'm about to leave" and "it's time, you've come a long way / open the blinds, let me see your face / you wouldn't be the first renegade to need somebody" and "is it insensitive for me to say / get your shit together / so I can love you." But "open the blinds, let me see your face" really gets me because Scully truly does see Mulder, she sees him better than anyone ever has.

BETWEEN THE LINES by Sara Bareilles / Oof, this one huuuurts. I chose the title of this playlist from this song ("listen through silence") because I feel like it goes pretty well with Mulder's playlist ("amidst the chaos," also from a Sara Bareilles song) and because it's so much of what Scully does while Mulder learns—she listens through silence and reads between the lines. ALSO: "I'm queen of attention to details, defending intentions if he fails." Scully is forever the first to defend Mulder no matter what he does, always from a place of love.

BREATHE by Lauv / There are so many songs that could be applied to both of them, but for some reason or another I choose it for one of their individual playlists (this being one of them). I think one of my favorite parts fits Mulder better—"I should leave 'cause you deserve better"—but overall this song made me think of Scully, especially during I Want to Believe. "You're my all and more, but I need room to breathe."

WATER WORSHIP PRAY by Grace Power / This song also makes me think of I Want to Believe, and I especially love this song for Scully because of all the religious imagery. "How can two people fall apart when they both want the same thing? How can my happiness be you, but I'm not happy at all?" OW. And also: "First peace I ever knew / Can't love you well enough to keep you or enough to let you go / I'd rather stay in purgatory with you than in heaven alone."

IF PATIENCE DOESN'T KILL ME by Alison Sudol / I'm very aware that this is a pretty specific sound that not everyone will love, but I love Alison Sudol and I feel like this song is perfect for Scully so I kept it anyway. I just feel like the lyrics fit her perfectly—"if patience is a virtue, I abound / ... / if patience doesn't kill me, I'm yours." And it's where the description comes from—"it feels close to you, somehow, to say your name out loud." It feels like they constantly are calling for each other both because they want them there and trust they will be there, but also because the simple act of calling for each other makes them feel less alone.

GIVE UP THE GHOST by Rosi Golan & Johnny McDaid / Another song I love (I would've titled this "Quiet the Noise" if I hadn't already used that as a playlist title) that takes on new meaning when you think about it in an MSR context. Ghosts take on a different significance when thinking about Mulder (also, @leiascully just KILLED me with her fic and "I don't love anything more than I love you, Scully. Not even ghosts." Literally what the fuck). Even the very beginning of this song—"come here, it's all worth the fight when it's you, dear." And "slow down, we're losing the meaning of words now / quiet the noise 'cause we made a mountain of minuscule things." And Scully really does quiet his noise.

THE BEACON by A Fine Frenzy / The lyrics in the gifset are from this song and if I could write out the entire song without it being ridiculous, I would. I swear this could truly be a song written by Scully about Mulder. I mean, just starting with the first verse: "You say your time has come / you're tired of waking up / don't be obscene, I can't conceive of living without you / You say you drag me down, no one should want you now / I start to cry, you kiss my eyes and say I'm not allowed to." And then, AND THEN the second verse: "you were a child forgot / lessons of love untaught / now no embrace can quite replace the one that never found you / I was raised tenderly / all that was taught to me / I will apply / Your parents tried, but they didn't know how to." Like. Okay. Sure. That's fine.

SATURN by Sleeping at Last / I know I'm not alone with this one because I've seen multiple videos of them set to this song, but I chose to put it on Scully's playlist because it really makes me think of Mulder's abduction arc/when he wakes up in "Deadalive." Just imagine her listening to this song sitting by his side, holding his hand, willing him to wake up. GAH.

YOU MATTER TO ME by Jessie Mueller & Drew Gehling / This is another song I was debating for both of them, but the first verse especially makes me think of Scully: "I could find the whole meaning of life in those sad eyes / they've seen things you never quite say, but I hear / come out of hiding, I'm right here beside you / and I'll stay there as long as you'll let me."

SOMEONE WHO LOVES ME by Sara Bareilles / This song wrecks me and has some of the most beautiful lyrics I've ever heard. One reason I love it for Scully is because of the hug at the end of "Irresistable." This is another song I would have considered for a playlist title ("my home, my heart") if I hadn't already used it before. But the way it's sung always gets to me—"my home, my heart, thank god you are someone who loves me," like she's exhaling into the safety of his arms.

I F*CKING LOVE YOU by Zolita / The song pretty much says it all: "what if I let it slip, tell you that oh my god, I fucking love you."

WHO WOULD'VE THOUGHT by Emily James / I absolutely love the first part of this song when she says "I just wanna say that I'm not going anywhere anytime soon unless it's with you." What really made me think of MSR was this, though: "'cause we've been busy lying to ourselves, swearing it would never work / promising that we were just friends / it's funny how it doesn't make sense / and then it does." And I love the idea of Scully thinking again about how different her life is, how this is so far from where she thought she'd be, but with a little bit of wonder: "who would've thought that it would've been you?"

[abyss-seer]

Pile 1

Both of you could love a lot of Disney shows, animated shows, family-oriented shows, and things like that. Overall, I am sensing very warm energy in this relationship. The song "Rab Ni Maaf Karega" could be significant. You might meet this person during some delays, possibly caused by an emotionally manipulative, jealous bully. This bully could be of the same gender as you. This bully might lack the drive to achieve something in their life, so they might target you while ironically striving to be someone like you to maintain some status quo. The song "Asa Kooda" could be significant. The two of you could meet while dancing.

For some of you, you will find this person when your family gives you no other choice, prompting you to start searching for a partner. You might feel things are moving too quickly in this relationship (just before getting married), but you may perceive it as things being rushed because of how fast you connected. This person could present a very balanced perspective of themselves to others, even if that is not the actual case. They might show you all their cards on the table, being blunt like a Sagittarius (but still a mystery); they may have this placement in their chart.

Comment"😍" if this is your pile and share your experiences!

Pile 2

Maybe you will back off at this person's initial advances as you may assume them to be an opportunist (gold digger). The song "Alibi," with the lyrics "Rosa, how beautiful you are," is coming through. This person doesn't hesitate to give you compliments. They might seem too forward for you (you might think this person is too much), but I feel like even if no one else compliments you that day, this person will. They have millions of compliments saved for you and could be very funny.

I think you might meet this person while you or they are in a disharmonious relationship, and one of you could be in a doubtful stage of this previous relationship, wanting to find some emotional solace somewhere. This person will be everything you wished for in a relationship. They can become your dream come true. I think this relationship will take place during your healing stage from some sort of betrayal or bad experience. The song "Maye Ni Maye" is coming through. You could find yourself falling in love with this simple-natured stranger. Crows cawing could be significant in this connection. Your partner is very silly.

Comment "🌺" if this is your pile and share your experiences!

Pile 3

Some of you could have gotten engaged. This is very specific: maybe you two could share a mansion (perhaps this mansion was a dream place you both dreamt of together, you believed in your dreams and you got it). This is very specific: "Hide behind Caroline." Someone named Carla or Caroline could have helped you financially during a harsh time. The movie "Coraline" could be significant. "You're my little Margarita, babe, make me sway..." "Sway" is a song coming through. This person might come off as a naysayer at the start, but you might slowly find out that they are an honest truth-seeker. This person might seem like a god-sent angel who will help you during financially bad times. You admire their honesty and stability. This person might work in law and could be very smart. A self-made person who is self-sufficient. They could have strong Libra or Taurus placements or significant 7th house influences, or they may have an Aries-Libra pairing in their chart. You might meet this person in September or October. The number 5 or repeating fives could be very significant. You might see this as confirmation when you are about to meet them.

Comment if this is your pile " 🌌" and share your experiences!

Pile 4

You might meet this person at a time when you are trying to move on from a previous relationship but are unable to let go of your ex, so you start focusing on your work to get over it. You might have been stubbornly holding onto your ex while also dreaming of better things in the future, hence deciding to refocus on yourself. I thought you might be from Pile 2, but honestly, this energy seems much more serious, and I see your relationship already materializing whenever you find this message.

Comment "⚡" if this is your pile and share your experiences!

[wordy-little-witch]

Okay but One Piece being in the pirate era and the lack of a frankly inordinate amount of sea shanties hurts me. Like you know DAMN well Roger was a partier, Buggy and Shanks undoubtedly know an incredible amount of shanties, from their first crews, from the new crews, from exploring and seeing and experiencing the world so thoroughly from such a young age.

Shanks would be the type to belt them, top of his lungs, but always adhere to the Codes, though he does think on it for a moment. People think he'd be a pirate head to toe, through and through, and he is! Truly, he is. He just doesn't really live by the Code and die by the Code the way some of the older generation does.

Buggy, despite popular belief, is the one to cling to those Codes with all he has. It's subtle, in the way he hums certain songs to himself but never sings the full lyrics without Meaning. He will sing and dance and party with his crew, they will make merry but they will do so properly. He's avant garde and nouveau expressionism but he's also old fashioned.

When he finds out Shanks taught this scrawny rubber twink everything the kid knows about piracy through sporadic meetings over a year, nearing a decade ago, he is absolutely livid. The swordsman is stupid but has a decent head on his shoulders for behavior. The redhead, from what he sees, knows more than most. He decides to put class in session.

He's surprised to be beaten so thoroughly and then furthermore to be removed succinctly. He's not gonna let it slide, obviously, but he'll play along. Sure. Could be fun. He was getting bored anyway.

Shit just so happens to hit the fan with this decision and all that follow. Shanks, knowing the truth of things, is simply VERY amused and Buggy is debating fratricide.

He's been playing this role for so long, it feels unnatural to drop it. It feels wrong. It makes him panic, makes him Itch.

It only comes to a head years later as he's humming to himself late in the evening on a certain day in September, having spent a good chunk of the day on his own, away from company and to the surprise of very few. Crocodile and Mihawk are among those who do not know why, but they alone are the ones to look for him.

Finding Buggy, singing softly to an animal as he gently brushes out their fur, surrounded by calm animals who seem to nearly build a wall with their bodies between himself and the world, was not anticipated to either men. Nor was hearing Buggy's voice, usually so shrill and rasped, flow gently over a melody with a grief filled expression. Ritchie, among the ones closest, gently head butted the clown with soulful eyes. Mihawk and Crocodile simply watch, seeing Buggy groom and pamper the creatures within the stables this far from town as he sings a specific sequence of songs.

Mihawk realizes first just what they're witnessing, and he grips the logia user's arm, guiding them both back. Crocodile, startled, goes to ask, and Hawkeyes simply shakes his head sharply. It is only once they are far enough that Mihawk breaths a stunned, "He's performing Rites."

"What?"

"Rites," the swordsman reiterates, sending the other a suspicious look. "The Rites of the Code."

The mafioso takes a drag from his cigar, gesturing for the other to go on.

Mihawk sighs, pinching the bridge of his nose. "I forget," he remarks dryly, "how uneducated in ours ways you are."

"Excuse me-?!"

"Rites," the other interrupts, "are a form of mourning. Frequency varies, and the honoring actions can be altered as well. The constant component are the shanties sung in remembrance and the flags flown. For some, a single instance can be sufficient..." Golden eyes drift to the side, unfocused, as he continues. "For others, there is a need to continue doing so. Often, it is a crew mourning a commanding officer. Unlike Marines, Pirates all share an unspoken connection. Though paths may vary and goals may differ, we all care Her in our veins."

Violet eyes love to the expanse of blue, the horizon bleeding across the world. He knew. He may lack some of the nuance of the Code from his priorities laying further inland, but he knew this. How could he not when his own blood sang salted sprays? He knew this much at the very least.

"So the clown is in mourning."

"Yes."

".... why?"

"...... ....... it is September."

"And?"

"The 28th."

"What does that have to do with anything?"

"You were there, too, 25 years ago. Loguetown."

Silence falls.

The wind rustles branches overhead. It carries the faintest wisps of a voice. The two men pointedly ignore it and the choked quality it had.

".... I see."

"..... yes. That is my theory, at any rate."

"............. Hawkeye."

"What?"

"He was on the King's crew."

"Yes, this has been established."

"Why?"

"Whatever do you mean?"

"Why him? Why the clown? He's not even 40 yet, so that day... he'd have been, what, 15, at the most? He'd have been on the crew for years by that point. He was there before the man was crowned, after all."

"Shanks was, as well. I believe the earliest mention was when he mentioned an incident from their childhood. He'd said they were... oh, what was it? Seven? Thereabouts. To be on a crew so young..."

"To be there so long, Hawkeye. The brat would have been with them since childhood. That crew was infamous for the things they did - the clown does not fit the pattern."

"He does not boast anything nearing the decorum expected of a fledgling of a King..."

"He knows the Codes, something never mentioned to us nor taught explicitly to his crew that we know of. He served under the King and kept it hidden from the world government for decades. He escaped the Grandline and settled as an East Blue nuisance for years. He was imprisoned in Impel Down with no sea stone."

Golden eyes widen. "You believe he has been hiding more than simply his heritage."

"What makes more sense? This, or what we have thought so far."

"How would we confirm it?"

"Just ask me, maybe?"

Neither man will admit to being startled when a new voice chimes in, soft and hoarse, drowsy. Buggy leans into Ritchie's side as the lion purrs loudly, the clown rubbing his eye.

He continues. "Tomorrow, though. It's late, I'm not feeling well, and Ritch and I have a date with my blanket nest."

"The lion?" / "Blanket nest?"

Buggy giggles softly. "Weighted blankets are expensive. Weighted Ritchies only cost snacks and chin scritches," he remarks softly. "As for the blankets, nests are the way to go. Good night."

Two dark haired men are left by a drowsy clown and lion in the woods on the edge of town with much to thing on and a list to compile for the next day.

The first question? How Mihawk had not sensed him whatsoever on approach.