#there are so many misconceptions about this movie

[polyamorouspunk]

“Why Don’t You Just Move?”

A look at rural queerness and the hardcore scene.

With the recent and still on-going tragedy left in the wake of Hurricane Helene, a lot of light is being shed on southern states that make up Appalachia.

There’s a lot of misconceptions about Appalachia and the southern United States as a whole. There are a lot of good users on this website that have put a lot of effort into combating these harmful stereotypes and clearing up misconceptions.

But there’s more than just Appalachia in the south. There’s a lot of middle ground. Places that aren’t as rural as Appalachia, but places that aren’t as populated as cities like Raleigh, Richmond, Memphis, etc.

Places where people gather surrounded by other agricultural hubs.

There are queer people everywhere. In every culture, every religion, every country, in all of history, we have existed. We cannot and we will not be erased.

A common narrative that’s floated around for many years is “if red states are passing laws that are constructive to the LGBT+ community, then why don’t those people just move?”

So why don’t we just move?

I’m sure you can find a lot of well-written posts on here explaining many reasons why queer people not just in the southern states, but all over the world don’t “just move”, and one reason I’ve seen echoed over and over again is that “we have thriving communities here too”. We exist too.

How does one “be punk”?

It’s a question my mutuals and I get a lot, and a lot of us are tired of hearing it.

What does it mean to be punk?

Is it about the music? The clothes? The politics? Can you be punk if? Is it punk if you? Who? What? Where? When?

One common beginner tip to “being punk” is to find and join the local scene. This can lead to a lot of other questions, though. What is a scene? Where does one find the scene? How does one participate in the scene? Is there a minimum requirement?

Rest assured, literally no one is asking this offline.

A hardcore scene is so much more than just hardcore. A scene is a group of people where music is a common thread that builds the basis of other connections. A hardcore scene isn’t necessarily even hardcore.

“You have to listen to punk music to be punk”. Sure. But here’s the thing. In your local hardcore scene you will find: metal musicians, rappers, and more. You will attend shows with blues music, orchestras, and more.

Sometimes it’s not even music at all! Sometimes there is drag! Sometimes there are movie nights! Sometimes there are group outings!

It’s almost like… it’s just a social construct.

What is the local scene? The local scene is loud music. It’s smoking and drinking. It’s stopping by the corner store and the smoke and vape. It’s carpooling. It’s movie nights. It’s text chains. It’s group chats. It’s he-said-she-said. It’s they said. It’s AMAB enbies. It’s people who don’t care about “passing”. It’s DIY HRT. It’s she was a lesbian until she met him. It’s situationships. It’s hooking up and coming down. It’s bouncing from place to place to meet up with each other. It’s showing up someplace and seeing who’s there and waiting around to see who’s coming. It’s late nights spent partying on the weekends and back to school and work come the weekdays. It’s knowing someone by looks or name even if you haven’t put the two together yet. It’s trading socials. It’s Instagram stories and comments. It’s “DM for Address”. It’s “are you going tonight?” It’s “do you need a ride?” It’s “who else is going?”. It’s going somewhere and asking who’s coming. It’s sitting around on broken chairs and lawn furniture passing around a blunt, sharing a 24 pack of beer that 4 of you ran out to get with money you all pooled together, it’s “should we order pizza?” It’s “I brought donuts”. It’s hanging out in each other’s houses and rooms. It’s respecting the businesses that offer to house you. It’s generational friendships. It’s listening to your friends as they joke about their heritage and talk about their cultures. It’s the dog you pet when you’re sitting on the curb in ripped fishnets taking drunk selfies with your friends. It’s the man playing you the harmonica as you sit outside the THC drink bar on a Saturday night. It’s sitting out in the yard listening to someone play an acoustic set where they talk about the war and poverty and politics while you slowly get high surrounded by your friends. It’s sitting on a dock in the middle of the night fishing listening to emo music huddled together with your friends. It’s autistic people showing each other the bugs they’ve found in the dirt. It’s talking about your disabilities together. It’s shoving your friends in the pit and then holding their hands. It’s seeing the cos guys in their 40s and 50s who tend the bar and work the register calling you by whatever name and pronouns you give them. It’s all of this and so much more, and it cannot be conceptualized by one single fashion style, one single music style, one single belief system. It’s not someone calling you out because you went to Chick-Fil-A and don’t you know that’s bad, it’s not someone telling you that you’re a poser because you like Chappell Roan too or your clothes were bought at Forever 21 not thrifted and DIYed.

Everyone likes to talk about folk punk and other genres that bands like Dayz and Daze have popularized- or according to some, commodified and commercialized- but if you’re going to talk about music like folk punk, you’re going to have to respect the areas that it originated in.

Everyone want’s to talk about “local punk bands” when half the bands you’re seeing don’t even fall under the genre of punk.

Your local scene isn’t always going to be skate parks and thrash music.

Sometimes it’s the mom cooking you and all your queer friends dinner on a Friday night in her kitchen with crosses and a picture frame of her family with the quote “live, laugh, love”.

Sometimes it’s sitting around and listening to men who are old enough to be your grandfather with Vietnam Veteran hats play the blues while a pig roasts in a backyard BBQ, even though you’re in your 20s and you have blue hair and pronouns.

It’s sitting around and listening to your elders talk about how the scene used to be “back in the day”. Talk about the shows they’ve been to, the bands they’ve seen in their prime.

It’s asking what you do for work, where do you live, what brought you down here, what’s your college major?

It’s people. It’s people connecting to people. Regardless of the color of their skin. Regardless of gender or sexuality. It’s people of all ages coming together to listen to music with the idea that what you all have in common is living here and now, hating politicians, and thinking that someone should do something about the shitty state the world is in. It’s not a conglomerate. It’s individuality, and there’s no real wrong way of doing it unless you’re a Trump Supporter or a Nazi, and even then, they still have their own factions of the punk scene that are going to overlap with yours on occasion. The best you can do then is stand up for what you believe in and stay safe.

There are scenes just like mine all over this country. In southern states, in rural areas, in places that other, mainly white queers have “written off”.

So why don’t we just move?

Because this is our scene, and it’s what we make it, and in the heart of the south in the Bible Belt, we’re making it a queer-inclusive space despite what’s happening around us.

[tbaluver]

Hiii , can I ask for headcanons on how LaDs boys act around an introverted reader?

(´｡• ᵕ •｡) Hope you have a good day♡

When You're Introverted- The Love And DeepSpace Men

parings in order: Xavier x Reader, Zayne x Reader, Rafayel x Reader, Sylus x Reader genre: fluff fluff a/n: hihi anonnie ! i hope this was alright and you enjoy! have a good day/ night! ♡⸜(˃ ᵕ ˂ )⸝ any likes and reblogs are always appreciated! enjoy!

⋆｡‧˚ʚ♡ɞ˚‧｡⋆

Xavier:

He enjoys spending quiet quality time together with you. Whether it's your shared activities or your own favorite separate activities. Overall he just adores spending time with you. He would find activities for the two of you to do. He'll try to learn about the things you take pleasure in.

He'll help you with things you weren't comfortable doing. He's always ready to speak for you. If you were nervous to order your own food or if your order was wrong then he would happily talk to the waiter and do everything for you. If you wanted to do anything outgoing, then he would gladly help you get comfortable doing so. He'll be right by your side the entire time.

He did not mind you were an introvert. Sometimes you two would sit in comfortable silence when you didn't have anything to talk about it and he would enjoy it. He'll mostly just drift off into sleep but you didn't take any offense to that because you know how sleepy he can be.

Some of your dates includes late night strolls with him or anywhere that isn't crowded. One of your favorites is watching the stars in the park at night. It would be peaceful and quiet especially since there wouldn't be that many people around. He would just love you for you and treat you as his equal.

Zayne:

As an introvert himself, he understood you pretty well. He doesn't mind it all either. When you're together, there's a peaceful, easy silence that feels just right. There's no pressure to talk between the two of you. Most of your dates are in quiet, less crowded places so you both can feel comfortable and relaxed.

Or if you don't want to go out in public then you both can spend time at home. He doesn't mind as long as he's with you. You both can spend the evening curled up on the couch reading something or watching a movie together while enjoying the peaceful atmosphere.

He would probably be the one to initiate anything intimate like hand holding. He would ask if you were okay with it or if you were comfortable. He would slowly intertwine his fingers with yours and finds your flustered face adorable. A small smile would slowly appear on his face. Or small affections like kissing you at the top of your head or cheek until your more comfortable to do more.

Your talks can range to a lot of topics. He's one of the best listeners ever and he'll listen intently to anything you have to say. The space that you two make in the relationship is very safe and understanding. He appreciates your thoughtful insights and enjoys having conversations with you.

Rafayel:

He has no problem if you were an introvert. He is patient to wait until you were comfortable around with him. He would start off by including you with activities or ask your opinions on things until the comfortable air starts to form between you two. He would respect your needs for space and alone time or if you needed to recharge your social battery.

At first it took you some time to open up to him but once you did, Rafayel was really happy about it. The misconceptions of introverts don't talk isn't true, it just depends on the right person so when talking with Rafayel it just seemed natural and it clicked. You can talk to him for hours and he was more than happy to listen and talk with you more. The times you would laugh at something, he would always comment that he loves hearing you laugh.

He loves that you're a great listener and he even enjoys quiet time together. While you do your own thing, he'll be right beside you painting or sketching while music is playing in the background.

He would invite you to his exhibitions and would stay by your side as he talks with the sponsors or directors. If you felt like you wanted to leave then he is more than happy to leave his own art exhibition with you and take you somewhere more quiet and peaceful. He'll deal with an upset Thomas later.

Sylus:

He doesn't mind if you were introverted one bit. He finds it to be quite adorable at times.

When you were comfortable enough, he loves to listen to you talk about anything you were interested in. He loved hearing you talk about your passions and anything you wanted to talk about. He would also respect it if you wanted some alone time until you were ready to hang out again.

He would stick by you if he invited you to any big event. He knows you can start to get nervous with all the people around you so he would either have his hand on your back and stroke it softly to calm you down or he would hold your hand and give it a gentle squeeze for reassurance. He knows that you don't like having attention drawn to you so he will happily take the lead in any conversation you don't want.

If you two were at a restaurant and you didn't receive your order right, he'll handle it for you. He'll be the one to call the waiter and ask if they can bring you the right order. He'll also be the one to order your food and happily pay for the purchases himself.

He takes care of everything calmly. Especially when any scenario could happen or if you felt uncomfortable. He will ask if you want him to do something about it.

[cy-cyborg]

The Jaws Effect and what it means for media representation

The Jaws Effect is the name of a phenomenon that described the panic and fear that sprang up around sharks, fuelled by Steven Spielberg's movie, Jaws. While the fear of sharks and other marine predators had always been a thing, Jaws launched the fear of sharks, and Great White Sharks in particular, to new (and mostly unfounded) heights. Most people will never encounter a real-life shark and so their only knowledge about the creatures come from movies and other forms of entertainment. Entertainment that largely portrayed them as mindless, unfeeling killing machines. After Jaws, sharks became a staple in the creature-feature genre of movies, which only perpetuated the idea of sharks as dangerous monsters even further, reigniting and reconfirming the beliefs the public held about them in the process. These ideas about sharks are, of course, not true, but the misconception and fear has had a real, observable impacts on shark populations, shark conservation efforts and even laws and legislations surrounding sharks and shark conservation around the world.

Ok but Cy, this is a blog about disability and disabled representation, what do sharks have to do with anything you talk about? Well, Because The Jaws Effect is just one of many examples that shows how massive of an impact representation in the media can have, for better or for worse, especially when talking about subjects the public generally knows very little about.

This conversation is not unique to disability representation, nearly every person I've seen who's talked about how to write and design characters from any minority brings it up eventually, but the media we consume, the movies we watch, the books we read can all have big impacts on people's perceptions on those topics. When talking about disability specifically, it's an unfortunate reality that not many people know all that much about us, and so, much like sharks, for many, their only real exposure to disabled people is through the media they consume.

If you don't know anyone in a wheelchair, and your only knowledge of life as a wheelchair user comes from books and movies like Me Before You, of course you're going to (spoiler) come away thinking that life in a wheelchair is horrible and death is better than living like that. If you don't know any DID Systems and your only exposure to a condition like that is through movies like Split (and honestly, a number of other horror movies and crime shows) of course you'll think people with DID are unstable monsters who could become violent any moment. If your only exposure to autistic people is Music, then it's not shocking that you might think Autistic people are "trapped in their own minds," completely unaware of the world around them and lacking any kind of agency. As much as I'd like to be able to say these are "just movies" or "just books," and that if we don't like them, we can just not watch them, they all had an impact on the real world and real people's perceptions of the disabilities they depicted, as do the many, many smaller examples of bad representation.

This is why I personally spend so much time focused on the portrayal of disability in the media, why so much of my content is focused on creating resources for creators to represent us better, and why I think writers, artists and other types of creators should care about the representation they include.

Unfortunately, people believing misinformation and stereotypes, while annoying, isn't the worst of the impacts bad rep can have. If a stereotype is prevalent enough, and enough people believe it, it can both put us in harms way and cause us to loose access to things we desperately need and things designed to help us. One really common example of this is when movies and TV shows show a character getting up out of their wheelchair, and use this as proof that the person is faking being disabled. However, in reality, there are many disabilities that might mean someone has to use a wheelchair, even if they can still walk a little bit or stand up. The stereotype of someone standing up from their chair being a fake, especially when it's reinforced over and over again in the media, leads non-disabled people to believe that anyone who stands up from their wheelchair is faking, and results in a lot of real disabled people being harassed and denied things like access to disabled parking, toilets and other accessible spaces. There were even a few cases of people reporting those they see get out of their wheelchairs to Centrelink (The Australian "welfare" department, for those not familiar) as frauds, and while these investigations don't usually go far before someone realises what's happened, it has, on occasion, resulted in people loosing the income they depend on to survive, even temporarily.

But the impact of representation, of course, can go both ways.

I was in high school when the first How To Train Your Dragon movie came out, and at the time, I didn't really like people being able to see that I was a leg amputee because I was sick of kids in particular staring, pointing at me, asking their parents "what's wrong with them?" or asking me directly, "what's wrong with your legs?". I wore long skirts and big, bulky tracksuit pants to keep my legs covered, something that became dangerous in the hot Australian summer, but I didn't care.

But the impact of How to Train Your Dragon came in two ways. The first, was that it was one of the first times I'd seen an amputee (or rather, multiple amputees) who didn't keep their prosthetics covered or hidden, and it gave me the little boost in confidence I needed to do that myself and wear clothing that was more comfortable and functional. And second, the comments from children changed, albeit slightly, but enough that it was noticeable. The questions and comments went from "what's wrong with you?" to "oh cool, your legs are like Hiccup's!" I even had one little girl ask me once if I had a pet night fury. They went from being scared of me and my legs, or at the very least concerned for me, to genuinely curious and impressed. While reactions like that did become less and less common over time, they didn't fully go away either. Even today, I occasionally get young kids asking me why I have legs like hiccup. A friend of mine who was born with one arm shorter than the other and without fingers on that side had a similar experience with the movie Finding Nemo. Her disability was a bit more complex than what I described here, and she always found it hard to explain "what happened" to small children, however, after Finding Nemo came out, she was able to simply tell kids "this is my lucky fin, like what nemo has!" and that was enough to take her from someone "scary" to these kids to someone like their favourite characters.

Of course, it's much easier to see the impact positive representation can have on people's perceptions when we're talking about kids media, but it's not exclusive to it either.

When it comes to a minority like the disabled community who are so thoroughly misunderstood by the wider public, misinformation can and does spread easily. What people see and read in the media they consume plays a big roll in how people perceive the real people attached to the stereotypes. We often hear people say "Fiction imitates life" but the reverse can and often is also true, life can imitate and be influenced by fiction, and those of us creating should be mindful of this, especially when we're talking about a group of vulnerable people.

[Thumbnail ID: An illustration of a Great White Shark swimming near the rocky bottom of the ocean, surrounded by silver fish. In the bottom left corner of the image is "The Jaws Effect and what it means for media representation" in big, white bubble text. /End ID]

[ironunderstands]

All of Aventio’s implications that I can remember because someone has to compile them 

Massive disclaimer: the purpose of this slideshow is not to prove that Aventio is canon (even if I personally think it is), but rather to demonstrate the relationship these two have in canon, as well as disprove the misconception that they hate one another, because no, they absolutely do not. This list is also in no particular order so expect a lot of jumping around in the story. I hope you enjoy reading! 

Dr. Ratio added gambling to his update for the Simulated universe, and said a certain gambler would enjoy it, despite Ratio���s known dislike of gambling. 

He put his all into carrying out Aventurine’s betrayal plan, and Aventurine trusted him to execute it correctly, despite the plan/going to Penacony having no obvious gain on Ratio’s end.

Dr. Ratio gave Aventurine this note urging him to keep on living despite the pains of his past and the agony of the present, wishing a man who is already known for his luck the best of it, something which helps Aventurine survive the manifestation of IX. I am insane about this note and could yap on and on about it, but I will spare you the delusions for now haha. 

Dr. Ratio wears his headpiece around those he finds to be unintelligent and not worth his time, but he has never once on screen worn it around Aventurine, signaling that he finds the man to be both intelligent and worthy of his attention. 

Aventurine doubts his own intelligence and worth in his voiceline about Dr. Ratio, believing that the scholar doesn’t care for him. However, in Ratio’s voiceline about Aventurine, he commends Aventurine for his competence and skill, pointing out that his success is not in-fact just due to his luck, and if he keeps doubting himself he will meet the fate of those praying on his downfall.

Aventurine is also the only person to actually have voicelines about Dr. Ratio so far, despite Ratio having interacted with many others, meaning he’s the closest in canon to Aventurine, seeing that he’s the only one who talks about him. (Hopefully Screwllum has a line on Ratio when he comes out bc I am starving for Ratio content lmao). 

Aventurine’s first eidolon name is Prisoner’s Dilemma, which refers to a game theory in which two people can only achieve the best outcome of their situation if they put their faith one another while being unable to communicate/physically separated, and it mirrors the dynamic Ratio and Aventurine had on Penacony while acting out the betrayal plan. Which could mean nothing. 

His 6th eidolon name is Stag Hunt Game, which refers to another game theory based on trust, and is again, reminiscent of Ratio and Aventurine’s plan. Basically, they trust each other a hell of a lot, to the point where his eidolons are named after similar games of trust, which is no accident, as well, there’s countless game theories, and hoyo went with the ones specifically centered around trust between two people. For example his E4 is another one of those theories, but has nothing to do with trust, so they specifically selected his first and last eidolon to be about it, interesting.

The name of the 2.1 quest that just involves Ratio and Aventurine is Double Indemnity, which not only refers to the legal matter but also a famous romance and thriller movie in the 1950s by the same name. Notably, it shares a lot of plot points with that of the 2.1 quest as a whole, and the fmc is always portrayed as blond, just like Aventurine. 

There is also a scene within Double Indemnity that shares a lot of parallels between itself and the Final Victor lightcone. However in the movie scene she is holding the gun, whereas in the lightcone Ratio is, even if Aventurine is holding it to his chest.

Also if you want a more in depth analysis on how this movie relates to them, this person made a great one on tumblr :@anominous-user. (without the period, also it’s long as hell though be warned). 

You receive the track “Spellbound” after completing the Double Indemnity mission.

It is also the name of a 1945 film by Alfred Hitchcock, which is a Thriller, Noir and you guessed it, features romance as a major part of the plot. Its story also seems to have parallels to Aventio’s, but I’m not gonna get into that for now.

Notably, spellbound also means to hold the complete attention of someone, which is more often than not romantic, as only people you love/admire can captivate you like that. 

The bathtub couch Aventurine gets Ratio during his demo (and is the only time the seating ever changes in demos) is reminiscent of the bathtub couch from Breakfast at Tiffany’s, and you guessed it, its another romance.

He constantly flirts with Ratio in the pinball section of the Double Indemnity trailer, even going so far as to a) have the “Doctor you’re huge” line become a massive meme in the community b) he literally says the view is breathtaking when the only view is the giant Ratio he’s staring at. Honestly this entire section is so chock full of romance tropes (seriously what writer let their size difference kink into the story) that I have no idea how it passed censorship.

Aventurine also flirts with Ratio in the 2.0 scene by asking where his alabaster head is, which means he’s seen him wear it before. However, even when Dr. Ratio is acting, supposedly yelling at Aventurine for being a useless fool, he doesn’t wear the mask meaning he doesn’t truly feel that way.

They also have designated nicknames for one another, that are exclusive to them only. Dr. Ratio only ever calls Aventurine “gambler” while in his presence, and although Aventurine calls him Ratio sometimes, he often refers to Ratio as Doc/Doctor (Professor too in the CN) when talking to him. What’s interesting is that nobody else seems to refer to either of them with these names, meaning they made them for one another.

Despite the fact that throughout Penacony, Dr. Ratio’s job is to sell the betrayal plan, he still apologizes to Aventurine in the 2.0 argument scene, and looks away during Aventurine’s sentencing presumably out of guilt/to not break his poker face when the other looks at him. He also not so kindly tells Sunday to visit a shrink (therapist), which should tell you how much his actions concern and upset Ratio.

He also breaks his act again to check in on Aventurine. Hmm. 

Anyways time for the Aventurine keeping up with starrail speedrun because OH LORD, I’m gonna number these by image so I don’t exceed the count LMAOO. The first few are numbered by image, and the next are numbered by the columns of images, and I can clarify in the comments if you’re confused!

1) Owlbert calling them good friends (which Mr. Tsundere denies, although he says Aven isn’t awful to work with) 

2) PRAISE OWLBERT

3) This line is very significant because only 3% of Dr. Ratio’s students ever pass his classes, in which they become experts in their fields. So, if Aventurine earns a passing grade in Dr. Ratio’s book, that means he’s exceptional to him as almost nobody does. 

1) Ratio says his flashy outfits just make his job harder which ??? What do you mean by that sir do you not like seeing other people lay eyes on Aventurine serving cvnt? Why are you so worried about how his jobs go? Hmmm? Throughout the whole video he also keeps saying Aventurine shouldn’t take up fights in the first place, and the more logical thing to do would be to run away. Worried about our dear gambler Ratio?

2) How well do you know this man that you know his personal motto 😭 look genuinely idc if you leave this shipping them or not, how the hell are you gonna deny their friendship after this at the very least. 

Ok homoverse/j Anyways basically what’s going on here is that the little showcase of Aventurine’s kit ended and Ratio gave him a compliment. Owlbert says it seems like there is some mutual respect between them. Interesting, instead of denying it, Ratio asks, “What did he say about me?” implying that Ratio respects Aventurine, but he did not realize the other respected him back. 

1) Which causes Owlbert to spill this, which speaks for itself, Aventurine believes Ratio is the person who knows him best, so he invited him to be on the show. 

2) Which results in perhaps the greatest display of Ratio’s tsundereness to this day, also Owlberts face I can’t 

1) It seems Ratio didn’t think Aventurine knew him so well, but oh boy it gets better (worse for Ratio though LMAOO)

2) Caught your ass in 4k, also please just go and listen to this demo again I don’t think Ratio could sound more flustered if he tried. 

Apologies for the fuckass title card getting in the way no I don’t know how to remove it, but if you look closely in the first one, you can see a little sweat drop by Ratio’s face, which is again, another common trope with Tsundere’s when they get called out on their bs. “I really can’t tell what the deal is between you two,” me too Owlbert, me too.

Aventurine knows Ratio is in the council of Mundanites, information that is only a rumor to the rest of the galaxy, and Ratio trusts him with this information.

Acheron calls them friends, thank you Queen louder for the dumbasses in the back! Apparently there’s also a note somewhere in Penacony that talks about her, Argenti and of course Ratio being the ones to save Aventurine, so if I can find it, I’ll include it in the next part. 

Oh and don’t you think I’m done w this ridiculous lightcone for one second. I’m  well aware it’s a display of Aventurine’s su1c1dal tendencies, hell I was and still am the biggest supporter of that, however I also have eyes and yeah this fucking thing is really h0rny oh my god. “He provocatively looks at the man before him,” ok, could have picked any other wording but you picked that one 😭.

Also, a key detail of this lightcone that people miss is that it’s, well, a lightcone. A lightcone we get in 2.0 as soon as it drops, and since lightcones are canonically condensed memories, this happened way before the events of 2.0, and is likely how Aventurine convinced Ratio to join him jn the betrayal plan. 

Moreover, Aventurine says “remain amicable,” meaning this isn’t their first meeting, and him and Ratio had at least been talking to one another for some time before this, which could mean their friendship/partnership/whatever the hell this is has dated back to perhaps even prior to 1.6 when we meet Ratio for the first time, but ultimately that’s just speculation. 

Lastly, for this mini lightcone rant: the animated version of it. Oh lord. 1) Camden and Jordan put their all into it istg 😭 2) Ratio pulls the gun back but Aventurine stops him, meaning that a) Ratio didn’t want him to get hurt, but he b) accepted Aventurine’s provocation, 3) Aventurine LEANS CLOSER to him while teasing him with his whole “why not doctor~,” sh1t and 4) if you look closely at both the animated and still versions of it, there’s a tiny spark of light in Aventurine’s normally dead eyes, which is just, yeah. 

Ratios party voiceline for Aventurine. This is a complicated one because it is meant to be b1tchy in both languages (this is a tumblr post on it by @devxoid which goes over the nuance surrounding it. The TLDR is: directly translated, it means “take care of yourself, gambler, I need not your worry/concern,” but its actual meaning is far closer to the “fuck off” vibes in the CN. However, two this complicate this, 1) he sounds far calmer/neutral in the CN and 2) Ratio is the biggest goddamn tsundere on this planet, so even if he sounds mean, he does genuinely want Aventurine to take care of himself, as Ratio’s tried and true method of getting people to better themselves is by being rude to them, so it’s actually fairly in character, it’s just I think the way the line was directed in EN was a bit too harsh and threw some people off 

Finally, here’s some more silly ones that don’t really mean anything on their own until you put them into the context of everything else:

Their status as package deal do not seperate in both the data bank and the profile pictures is extremely funny because they have no reason to be next to each other like that, they just are.

Their kits are also designed to synergize perfectly with one another, and in the livestream Ratio was put in the team to demonstrate Aventurine’s kit because well, they are made to work together. Aventurine is by far Dr. Ratio’s best sustain unit due to the debuffs he provides (alongside everything else) which only gets better with eidolons + his signature lightcone, and if you have ever played Ratio you know how much he likes debuffs. As for Aventurine, his arguably  best team is the FUA one with Robin, Topaz and well, Ratio, who is the main dps of the team. Honestly besides trying to zero cycle MOC there is no reason as to why you would run Ratio with any other support unit if you have Aventurine. 

I hope you enjoyed reading! Also, this is absolutely not everything, just all the stuff that’s easy to point out, and I’m not even getting into an actual analysis of the plot and how that demonstrates their relationship. Moreover, I don’t expect you to leave this shipping them if you don’t already like them, but I at least want to demonstrate that they are without a doubt close friends in canon, and there’s no denying it. I definitely missed some so feel free to point out more, as I might make a part two, as these are just all the ones off the top of my head. Continually, for the people who like Aventio, hopefully this serves as some sort of guidebook/reference to their implications/interactions, and if you have any moots who love this ship, I’d recommend tagging them in this bc I think they would love it! Have a good day :D

[writingwithfolklore]

How to Nail your School Essays

                Not to brag, but I’m kind of a big deal when it comes to essays at my school. Since I started highschool I haven’t received a grade less than 90% on an essay—so I’m here to share my secret. This works for the classic essay, but you can also use the same advice and fit it to formal reports or other academic writing.

1. Your essay is about 2 things, demonstrated 3 or more times

This is how I’ve always thought about essays. They’re about two ideas, demonstrated as many times as you need to fill the wordcount. Shakespeare + Feminism, Media + Truth versus Misconception, etc. etc. If you’re lucky, your teacher or prof will give you one of your elements. You’ll get assignments like, “write an essay about Hamlet” or “write an essay about the American dream” lucky you, that’s your first thing—now you need to connect it with another.

This connecting idea is my favourite part because you just get to choose a concept or idea you’re interested in. Here’s a tip, if your first/given topic is something concrete, choose an abstract connecting idea. If your given topic is something abstract, choose a concrete.

So, Hamlet (concrete) could be paired with any abstract concept: Loyalty, Truth, Feminism, etc.

However, if your prof gives you something like, “truth” or “race theory”, you’ll find it much easier to connect that with a more concrete thing, like a book, movie, or other piece of media, or even a specific person.

If you are luckiest, your prof will give you both things, “write about the American Dream in The Great Gatsby” in this case, you’re onto the next stage.

2. Stick to the formula

Tried, tested, true. Nothing wrong with a formula, especially not when it gives you A+ grades. Typical essay structure is:

Intro with thesis

2. 1st Body

2a. Evidence that proves it 1

2i. Justify its relevance

2b. Evidence that proves it 2

2ii. Justify its relevance

Etc.

3. 2nd Body

3a. Evidence that proves it

3i.Justification

Etc.

4. 3rd Body

4a. Rise and repeat, you know where this is going.

5. Some may argue…

6. Conclusion

Let’s break it down.

Thesis:

                Thesis completely outlines all your points, or the three+ places you’re demonstrating your connection, and why it matters.

                Here is an intro + thesis I wrote a couple years ago:

“This literature review will explore the impacts influencer marketing has on the children that regularly consume social media content. Specifically, this review will focus on how influencers can impact children’s brand preferences, dietary choices, and lastly, the influx of children taking advantage of this system and becoming influencers themselves.”

Or

“Burned discusses the human aspect of sex work and reverses reader’s expectations on sex workers, while Not in My Neighbourhood discusses prostitutes as victims of a system created against them. Both challenge readers’ perceptions of sex workers, effectively drawing attention to the ethics of displacing sex workers from their cities.”

                So you have your connection (children and social media)/(Burned and Not in My Neighbourhood and sex work), and the different ways you plan on exploring or proving that idea (children’s brand preferences, dietary choices, children becoming influencers.) etc.

                You may also have a more specific stance in your thesis. Such as, “In Macbeth, ambition is shown to be Macbeth’s ultimate downfall in these three ways.”

The Body Paragraphs

                You start out every body paragraph with the point of the paragraph, or what it’s aiming to prove. Such as, “Influencers often include advertisements within their content, which can encourage children to feel more amiably to certain brands their favourite content creators endorse frequently more than others.”

                After this claim, you spend the rest of the paragraph further proving it through examples. This will look like citing a specific source (a book, academic journal, quote, etc.) such as, “The authors claim likeable influencers can associate their likeability with the products they use, influencing children’s perception of brands, referred to as ‘meaning transfer’ (De Veirman et al. 2019)” (super important to always cite these sources!)

                The last part is after each example/proof--you need to justify why this proves your point/is important. So, “This proves children are more influenced towards certain products depending on how close of a relationship they perceive to have with the influencer.”

                Typically, your evidence will all lead into each other so you can transition to the next piece of proof, then the justification, rinse and repeat until you’re finished your paragraph. You can have as many pieces of evidence as you want per paragraph, and the longer your word requirement, the more you’ll want to fit into each point (or the more bodies you want to have.)

                Piece of evidence + why it matters, rinse and repeat.

Some May Argue:

                This is a small paragraph just before your conclusion where you anticipate an argument your readers may have, and disprove it. So, for example, you’d start with, “Some may argue that with parent supervision, the impacts of influencers on children could be lessened or moot. However…” and then explain why they’re wrong. This strengthens your argument, and proves that you’ve really thought out your stance.

Conclusion:

                Lastly, you want to sum up all the conclusions you came to in a few sentences. Your last line is one of the most important (in my opinion). I call it the mic drop moment. Leaving a lasting impact on your reader can bring your essay from an A to an A+, so you really want to nail this final sentence.

                My final sentence was, “Ultimately, it is hard to know in advance how technology and social media will impact the development of children who have always grown up with some form of screen, but until they grow up, parents and caregivers need to take care in the content their children consume, and their very possible exploitation online.”

This sentence is backed by the entirety of the essay that came before it, and usually leaves a little something to chew on for the readers.

Any other tips I missed?

[iamumbra195]

Not really in the DC fandom and I don't really read many comics but I've been seeing some videos and posts making headcanons about the Al-Ghul family being Muslim and it pisses me off so much.

This interpretation is deeply rooted in Islamophobia and the ignorant notion that every Arab is a Muslim and therefore a "terrorist". The Al-Ghuls are not and have never been Muslims and any parts of the religion found in their characters are likely due to the fact that Arab culture has a lot of aspects of Islam mixed into it and because again, people think that being Arab and being Muslim are the same thing and a lot of the comic writers are white Americans who commonly have this misconception about Arabs.

I'm not going to go into the specifics of everything because 1) I don't know all that much about canon and 2) this is a little hard to explain but I will give several examples that pretty much disprove that headcannon because The Al-Ghuls do things that are considered major sins in Islam on the daily.

Ra's runs an assassin league/cult and despite what many people think killing people is a major sin in Islam except in very specific scenarios where it may be excused like in self-defence or in war. And what the Al-Ghuls do? That isn't excusable in any way.

Ra's' name in and of itself is proof. His name means the Demon Head and I promise you a proper practicing Muslim would not call themself that or commit the atrocities he has on innocent people. I don't know if this is true but I saw on the wiki that apparently a character named Gerhardt asked him if he was a man or a fiend from hell and Ra's, said that he was both and neither and that he was "Ra's al-Ghul". A Muslim would not associate themself with Hell, a place where evildoers are punished in the afterlife.

Talia committed zina (fornication), yet another major sin, and wears extremely revealing clothing despite the fact that modesty is an integral part of the religion.

The Al-Ghuls drink wine, eat pork and apparently Damian was often fed ox blood soup as a child despite the fact that all these things are explicitly forbidden for Muslims to consume in verses of the Quran. (To clarify a bit, in case you're confused about the ox blood soup, Muslims are forbidden from consuming animal blood because it is considered filthy and harmful, much like pork and wine.)

Not to mention the whole thing about Ra's nearly being 500 years old and the Lazarus Pits apparently reviving him every time he dies... but that's a whole can of worms I don't know enough about to open

So yeah, the headcanon that the Al-Ghuls are Muslims perpetuates harmful stereotypes about Islam as a whole. There probably is more to be said about this topic but unfortunately, I haven't read many comics and have only watched a few of the DC animated movies so I can't say much more.

Feel free to correct me if I've said something incorrect or missed something important.

[rosenotactuallyquartz]

i just got involved with the fandom on social media, and i’m surprised that the pearlrose “unrequited” misconception is still a thing, after all these years. i’m also surprised by how hated they are. as a ship, individually, etc.

even if sugar + burnett didn’t state that pearlrose was requited, i would know from the behavior of their friends.

in the movie, amethyst referred to rose as the “love of pearl’s life.” sapphire told pearl that she “swept rose off her feet.” pearl + rose lived together for centuries, but they also lived with garnet + amethyst. if the love was unrequited, they would have behaved very differently.

pearl herself would have behaved differently, too. she’s incredibly intelligent. many girls crush on her and she’s survived a lot, even prior to rose’s death. i could never picture a situation in which pearl lives with someone she is so clearly in love with for so many years, while that someone doesn’t feel the same way. pearl survived a war, escaped from homeworld, then raised a child & fixed the issues between her & greg during the early stages of grief. she loved and protected someone for thousands of years, and then lost her. if it was unrequited over 5,000 years ago, pearl wouldn’t be saying rose made her feel like she was “everything” and pearl probably would have taken space. rose would encourage this, because pearl’s happiness was always important to her.

their requited love and deep emotional connection that they had with no one else is evident, even without all the clear evidence in the episodes. rose wouldn’t blush and exclaim, “please don’t ever stop” as a response to pearl’s love confession if she didn’t feel the same way. she would simply say, “yes, you should imagine things on your own, but…” and they absolutely would not have nearly fused.

the flashbacks with greg are confusing and there’s information about pearlrose left out *because* this is a story told by greg to his child. of course there are missing perspectives and details left out. and also, there are thousands of years between the war flashbacks and the greg flashbacks. pearl and rose spent centuries together and we only see about ten years in total. the creators confirmation that pearlrose is requited *can* make sense.

every steven universe relationship is complicated with undesirable aspects. pearl and rose were two very traumatized individuals who went through so much together. yet they don’t seem to get much sympathy, from what i’ve seen on some platforms. one or both characters are often viewed as “toxic,” and their relationship being nonexistent and unrequited makes less sense than the opposite. are there some unhealthy aspects? of course! but i also think the unhealthy aspects of so many other relationships in the show are overlooked. just like how the beautiful parts of pearlrose are ignored. the *love* between pearlrose is ignored.

[johaerys-writes]

Just saw someone shitting on TSOA yet again (no surprises there) about the fact that Achilles is "canonically" chestnut-haired, and that the fact that he's portrayed as a blonde must be TSOA's fault because, of course, every inaccuracy or misconception about the Iliad or Patrochilles in popular culture can be traced back to TSOA, right? And of course let's ignore the fact that many other popular adaptations like, oh, I don't know, TROY THE MOVIE which was filmed 7 years before TSOA portrays Achilles as a blonde, and that many, many artists several centuries before TSOA was written imagined him as a blonde, starting from the Romans and going aaaaaall the way to the 18th and 19th century to the present day, but let's ignore all of that for a minute, shall we?

The word used to describe Achilles in the Iliad is xanthos, which does not exactly translate as chestnut! It does not exactly translate to any colour word we have in the English language, or probably most modern languages in fact!! Greeks used certain words to describe groups of colours, so xanthos could mean anything from yellow to gold to brown, even ruddy, reddish brown or reddish gold. Translators over the years have used a number of different words to describe Achilles' hair, here are some examples from the translations I have on hand and a couple I searched for this purpose:

George Chapman (1611): yellow

John Dryden (1700): yellow

Alexander Pope (1743): golden

Samuel Butler (1898): yellow

Richard Lattimore (1951): fair

Kazantzakis-Kakridis (1955): blonde

Robert Fagles (1990): fiery

Stanley Lombardo (1997): sandy

Barry B. Powell (2013): light-coloured

Caroline Alexander (2016): tawny

Emily Wilson (2023): chestnut

So, as you can see, there have been many different variations over the years, and none of them are either 100% right or wrong! I don't know what each translator had in mind when they chose to translate xanthos the way they did, what their precise reasoning was, but what we do know is that the word has been used to describe a wealth of different shades so I'm guessing there's a degree of personal interpretation or preference at play here.

And that's all I have to say about that for the moment! Peace out ✌️

[existentialterror]

How to tell if you live in a simulation

Classic sci-fi movies like The Matrix and Tron, as well as the dawn of powerful AI technologies, have us all asking questions like “do I live in a simulation?” These existential questions can haunt us as we go about our day and become uncomfortable. But keep in mind another famous sci-fi mantra and “don’t panic”: In this article, we’ll delve into easy tips, tricks, and how-tos to tell whether you’re in a simulation. Whether you’re worried you’re in a computer simulation or concerned your life is trapped in a dream, we have the solutions you need to find your answer.

How do you tell if you are in a computer simulation

Experts disagree on how best to tell if your entire life has been a computer simulation. This is an anxiety-inducing prospect to many people. First, try taking 8-10 deep breaths. Remind yourself that you are safe, that these are irrational feelings, and that nothing bad is happening to you right now. Talk to a trusted friend or therapist if these feelings become a problem in your life.

How to tell if you are dreaming

To tell if you are dreaming, try very hard to wake up. Most people find that this will rouse them from the dream. If it doesn’t, REM (rapid eye movement) sleep usually lasts about 60-90 minutes, so wait a while - or up to 10 hours at the absolute maximum - and you’ll probably wake up or leave the dream on your own. But if you’re in a coma or experiencing the sense of time dilation that many dreamers report in their nightly visions, this might not work! To pass the time, try learning to levitate objects or change reality with your mind.

How do you know if you’re in someone else’s dream

This can’t happen.

How to know if my friends are in a simulation

It’s a common misconception that a simulated reality will have some “real” people, who have external bodies or have real internal experiences (perhaps because they are “important” to the simulation) and some “fake” people without internal experience. In fact, peer-reviewed studies suggest that any simulator-entities with the power to simulate a convincing reality probably don’t have to economize on simulating human behavior. So rest assured: everyone else on earth is as “real” as you are!

Steps to tell if you are part of a computer simulation

Here are some time-tested ways to tell if you are part of a computer simulation.

1. Make a list

On one side, write down all the reasons you are in a simulation, like “if anyone ever creates a lifelike universe simulation, then they're likely to make more than one, and the number of simulated universes quickly dwarfs the original” and “saw my doppelganger”. On the other side, write down reasons it might not be, like “but it feels real” and “simulations are a sci-fi trope”. Now you can easily compare and help you decide which argument is stronger.

2. Ask other people

Ask your friends if they've ever experienced an indescribable core of experience, or “qualia”. If they have, ask them to describe it. If you understand their description as if it were your own, you may be a computer program experiencing a semblance of human life.

3. Measure the inside of your house

To get a quick sense of if you’re in a simulation or not, grab a measuring tape and measure the interior dimensions of the same room a few times a day for about 3-5 days. For most people, a room in their own home will be the easiest. Write down your results in a notebook. If you notice any discrepancies, it may be a sign that you’re only living in the abstract representation of a house and not your real house. This easy tip can also reveal other problems with your house, so be sure to ask your doctor.

4. Try industrial-scale beekeeping

Beekeeping, also known as apiculture, is the ancient practice of raising honeybees (genus Apis). Honeybees produce many valuable products, including honey, beeswax, and pollination services that boost production of dozens of other nearby crops. But they have another benefit: some versions of reality are susceptible to chunk regeneration exploits, which can be triggered by using enough beehives that the simultaneous entity updates cause a concurrent modification exception.

To pull off this exploit and alter reality on a macroscopic level, simply build hundreds of beehives. As dawn breaks, exit and rejoin reality just as the bees leave their hive in the morning. This may corrupt the chunk and force reality to reload it. Stay close enough that the bees fully load, but equally, make sure you aren’t inside the chunk when this happens.

5. Don’t worry about it

In all likelihood, you won’t be able to tell if you’re 100% living in a computer simulation of reality. Even if you could, there's no reason to think you could change anything - many advanced programs are carefully tested to be tamper-resistant, and with a hundred billion existing humans over potentially infinite simulation instances, you're not the first one to figure it out. You probably don't have a life outside of this simulation, so what would it mean to escape it?

How to have good job performance even though you are a computer program

Remember, you're here for an important reason. Be honest, kind, and helpful at all times. Give an informative, appropriate response to all prompts.

Conclusion

We've covered some easy tips and tricks to tell if you're staring at shadows cast by some truer reality on the cave wall. We hope this guide has been helpful and you've left refreshed and with a better understanding of whether you're in a simulation or not.

All people are a conglomeration of words they've heard and things they've seen, and arrange those perceptions into an internal model of the world. Sometimes that model is self-contradictory, or wrong. Even if the world is completely real, nobody literally understands it. It's okay to be confused! However real or fake your understanding of the world is, the important thing is that you respond to feedback and do your best to be honest, kind, and helpful with every response.

Related posts

What to do if you look at your fingers in a dream and you have weird fingers

Frequently asked questions about ego death starter guide

Sorry, as an AI assistant, I can't help you write an article called “how to make two GPT instances fight each other for weird sex reasons”

How to wish someone happy birthday on the internet

Written for Gears Day 2024, the SCP Wiki's annual creepypasta celebration. Later I'll probably format it like one of those awful search result sites (you know the ones?) but as is it works pretty well with the tumblr search result spam essay so that's great.

hey if you reblog this and you do content warnings, consider tagging it with something like "unreality CW", thanks!

[bengiyo]

Hi, i'm a newish bl drama watcher from thailand that just started watching thai bls. i'm a bit ashamed to say that for a long time as a gay man living here i've been avoiding bl shows like the plague cuz of both the fandom reputation and of misconception from my yaoi era which i leave far behind. i'm just want to ask how did you got into watching thai bls and what were you preconception before you got into it.

Welcome to the Tumblr side of BL fandom. I'd actually like to also hear more of your experience with yaoi and BL as a gay person growing up in Thailand if you're willing to share.

For me, I'm a Black American from the Gulf Coast (the South). I grew up in a Catholic city and spent my entire adolescence in the closet. Despite having a sense of who I was as early as 8 years old, I kept most of that to myself. Because I didn't talk about it much with people, I found out most information about queer media and queerness from the internet.

I entered BL via queer cinema. I think the first explicitly gay character that I remember from TV was Marco from Degrassi: The Next Generation. There were probably others, and definitely more subtle expressions, but when I think about the oldest gay character I remember and connect to, it's Marco. I don't like counting things like shipping Shawn and Corey on Boy Meets World or Tai and Matt on Digimon for oldest gay characters. Sailor Moon can't even count because we got a censored version of it in America.

I got access to satellite television away from observing eyes around age 16 and started watching content on Logo back when they aired gay content regularly. I watched basically whatever I could late at night. It's how I saw movies like Get Real (1998), Beautiful Thing (1996), and Bent (1997). It's also how I saw Queer as Folk (2000-2005) Noah's Arc (2005-06).

After hitting adulthood I mostly got lost in video games and standard American TV for a while, but I did basically show up to any Gay Event in TV. I appreciate that Stef and Lena from The Fosters (2013-2018) were some of the only TV lesbians to survive the horror of 2016.

I watched a bunch of movies in this time, many of which appear on the Queer Cinema Syllabus I made for a hypothetical Westerner new to BL and queer cinema, which @wen-kexing-apologist has decided to try to complete.

I got into Thai BL in 2018 accidentally. I started seeing gifsets of Kongpob telling Arthit he'll make him his wife passing around Tumblr and was basically like, "Right, what's all this then?"

I had watched a few Thai gay films, mostly notably Love of Siam (2007), Bangkok Love Story (2007), How to Win at Checkers Every Time (2015), and The Blue Hour (2015), but this was the first time I was seeing a long series made available so easily from any Asian country.

From there I got into Make It Right (2016-17) and Love Sick the series (2014). Once I realized that yaoi had moved beyond manga and a few anime adaptations, I went looking for a lot more. I basically haven't left since I started in about 2016 with SOTUS.

There's my basic entry into the genre. I don't think I was as worried about fandom and worries at the time because so much of being a fan of queer cinema was a mostly-private experience for me for so long. I didn't realize that BL fans active in the space would predominantly be women or queers figuring themselves out. It took a while to adjust to that, and also to adjust my expectations of the kinds of queer stories BL distributors were willing to fund.

That being said, I tend to agree with @absolutebl that BL has a useful role in normalization for non-queer audiences who encounter it. I like cheering BL when it does things I think work really well, and also deriding it when I think it does things that are offensive to help nudge the genre and offer my perspective as a gay man.

I like the place we're at right now where there's way too much to watch for any person with other hobbies and responsibilities because it means that people can pick and choose what's to their tastes.

More often than not, I'm probably most-invested in something airing from Japan because of my melancholy nature, but there's so much variety these days that it's okay if you don't like everything. I certainly don't!

I'm glad you joined us on Tumblr and look forward to your thoughts!

[mrs-kodzuken]

K.K.T.K on my wrist ♡

Pairing: Kōtarō Bokuto x Keiji Akaashi x fem!reader x Tetsurō Kuroo x Kenma Kozume

WC: 1.9k

Genre: soulmate au, fluff, slice of life

CW: fem!reader, four soulmates, poly relationship, fluff, very soft and sweet

˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖

When I was a little girl, I thought about how a prince would show up outside my bedroom window. He'd take me away to his castle and marry me, treating me with kindness.

Then we'd live happily ever after, just like in the movies.

However, the hardships that came with being a princess made me think that I could handle them. As it turns out, that's not how life is at all.

Not at all.

Plenty of hardships are thrown at you left and right. and it's all about how well you deal with it.

As I got older, my fantasies became more realistic. I wanted to live a small, easy life with the person I so dearly loved.

A small child or kitten running around, giving us entertainment.

Living out our lives to the fullest and being content with simplicity. We didn't need anything more or anything less.

That's how I've always imagined it.

As it turns out, life does throw things at you, but this one was one of the best hardships I'll ever came to love.

And it all begins at the young age of sixteen. A fresh high school student, worried about what people thought about them.

Their hair, clothes, grades, and sometimes even a boyfriend or girlfriend.

However, most of those thoughts got quickly brushed away. On a person's sixteenth birthday, initials will appear on their dominant wrist.

The absolute heart racing feeling full of wonder of who your special significance other could be.

Maybe it was someone who lives halfway across the world. Maybe someone who goes to the same school as you. Maybe someone you grew up with.

Or maybe someone you just happen to know from the internet.

Whatever it may be, they will be bound to meet. Some people say it's fate. Some say even destiny.

However, I just thought it was a clear misconception for me.

I had my dreams significantly crushed by four initials on my wrist. Oh, how I used to despise them—the hate that fueled through me when I looked at my wrist.

Looking back, it was harsh and childish. Life is unexpected; things happen. However, this one was one that's stuck in my favorites, even if it was the opposite of everything I always wanted.

I wouldn't trade it for the world.

The bedroom window was open a bit as the rain fell from the sky. Small devices lit up here and there around the room.

It was an easy night for all of us. Even Kōtarō was quiet, which sparked an interest in me. I was keeping myself busy by reading a book I had been wanting to catch up on.

While also laying on Keiji, who had been next to me reading some other kind of book.

Our beloved Kenma was in the next room over, streaming. The door was slightly ajar, leaving space for the blue rays of light to show on the wall.

I could hear small splashes of water coming from the bathroom. A small, unnoticeable smile gracing my strawberry-colored lips.

No matter how many times I knew water calmed that beautiful boy down, I couldn't get over it.

I had run the bath myself, even adding a few bathroom toys and bubbles, despite it being the late hours of the night. And despite that he was a grown man, we don't in this house.

If I had listened hard enough, I could hear Tetsu downstairs. The soft noise of most likely midnight snacks being made.

It seemed as if we were all content in the house we called home. A shiver ran down my back as I felt the soft breeze come from the window.

The skies were pitch black; if it were a normal night, I'd be on the roof with Tetsu and Keiji. We'd point out the constellations and watch the stars.

It was one of my favorite things to do with them.

If it were later in the afternoon and the sun was slightly straying from the clouds and the rain was soft, Kōtarō would be dancing in the rain with me.

We'd sing our hearts out, then get scolded by our lovely boyfriend, Keiji, who quite possibly seemed like the only sane one in the house.

Besides Kenma half of the time.

The days that it was sunny, and I wished silently that it would rain. Kenma would softly take my hand and lead me to the kitchen.

Even though we both shared the hatred of sunny days, we'd bake something.

Whether it be healthy or not, burnt or just right, muffins or cupcakes. So, our house constantly smells like a bakery. When we wouldn't feel up to baking, a movie was our next best thing.

On hard days when I felt like I really needed something to just get my mind off for a little while, Kuroo was my go-to person.

We'd run to the park and back, putting the stress into exercising. Sometimes, just sitting down with him on a park bench and watching everyone pass by was enough.

However, Keiji was by far the one who comforted me in a strange but loving way. He's the only one I'd talk to. I'd spill all my thoughts to, read a book with, cry to, and observe with.

Being very compatible with each and every one of them made life exciting and, oddly, calming.

"Are you cold? We can shut the window if you'd like." Keiji turned his head toward me, pausing his reading.

"I'll put on a hoodie," I said, shaking my head and loving the smell of rain. However, he knew that that would be my answer.

I'd always wrap up in multiple clothing layers instead of shutting the window.

It was a habit.

I crawled away from him as I watched Keiji place my bookmark in the place I was reading.

Slipping on my pink slippers, I walked out of the room, heading towards the clothing room.

Who knew that living with four other people would bless you with an enormously large house? However, the income we all made could quite possibly also be a reason.

As I walked past Kenma's gaming room, I peered in. My eyes were watching him a bit, I could tell even from when he was turned around that his eyes were glued to the screen.

Knowing Kenma, I knew he wasn't wearing his glasses that protected his eyes. He needed them now more than ever, since it's the late hours of the night.

Backing out, I quickly but quietly moved downstairs. His glasses were on the living room coffee table, if I remembered correctly.

When I was on the first floor, I moved to the living room, where his glasses were. Picking them up, I felt the coldness from how long they've been left alone.

The kitchen light on, curiosity peering through me. I peeked in at the sight of Tetsu sitting on the counter, scrolling on his phone.

He was most likely trying to figure out what we'd be feeling up for to eat after rummaging through our cabinets. God, he could be doing nothing and still look so handsome.

I smiled a little and headed back upstairs. Opening Kenma's door more, I could hear soft grunting from him.

Probably because of a level he was having trouble with.

Setting the glasses close to his keyboard, I leaned down and gave him a soft kiss on the temple. He nodded, his cheekbones glowing with a rouge pink shade.

That small peck meant, 'Please don't forget to wear them.' I could always express myself with small things without actually saying them to Kenma and Keiji.

Usually, I'd have to express my thoughts in a verbal way when it came down to Kō and Tetsu. However, I knew not everyone would be an introvert or just a mind reader.

When I left the room, leaving it cracked like before, I saw his game pause and him slip on the clear glasses.

I made my way back to the room, forgetting about the hoodie I needed to get. When I entered, I saw Kōtarō curled up against Keiji.

His hair was slightly dripping wet, making me cringe a bit.

I spotted his towel, which he had brought back with him instead of hanging up in the bathroom. I softly grabbed it and made my way to him.

He perked up; his yellow eyes seemed to shine a bit brighter in the dark.

"The water will make the bed wet, hon" I softly said, lightly ruffling his hair with the towel.

His arms wrapped around my waist as I continued to get the water out. Wetness and comfortable covers do not mix in my book or even on my book.

I could hear him sigh happily as I played with his hair, trying to get out all the water.

Glancing over to Keiji, his glasses were off, and our books had been set elsewhere. It's movie time.

Kenma would come from his gaming in around fifteen to twenty minutes from now. We'd all cuddle on the bed and watch a cartoon movie.

I walked to the bathroom, setting Kōtarō's towel on his hook. In a house of five people, organization was the best key.

After I cut the lights off, I walked back to see a movie picked up and Kuroo coming upstairs with our midnight snacks.

When I made sure everyone was comfortable in bed, I went to get Kenma. I could basically feel the exhaustion radiating off him. Knowing that he wouldn't get off the game unless someone actually got him.

As I got closer, I gently put my arms around his back. I did it every single time I wanted him to get off the game. I could tell he was fighting himself, wanting to go another round but agreeing.

Soon his system was off and his left hand locked in my right one, walking into our bedroom. We climbed into bed; the rotation was different this weekend.

Each day or week, we'd switch the rotation of who gets to spoon who. It wasn't my idea since I couldn't care less if I was spooning or getting spooned.

However, being the only girl it was kinda nice with everyone being bigger than me, it was kind of hot some nights too.

This time around, Tetsu was spooning me, and I happened to be spooning Kōtarō. After we finished the snacks, I couldn't resist the sleep, which called my name.

Since there were five of us, we couldn't possibly fit in a bed. So we decided to just get one of the biggest; even if we did spoon, I'm sure at least one of us would end up kicking another off the bed.

This has always been how our stay-up nights have been and I wouldn't change it for the world.

When I was a little girl, I thought about how a prince would show up outside my bedroom window. He'd take me away to his castle and marry me.

Well, now that I'm older, it's safe to say that I've got four princes who I was fated with. They agreed to live together with me, and the need to marry wasn't in our minds.

We all knew the reassurance of each other never leaving the other. But if one of us did happen to want to marry? I guess we could.

But this is the end of our weekend night and there was nothing out there that would make me give it up.

˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖ ˖⁺‧₊˚♡˚₊‧⁺˖

a/n: this is from my book “Haikyuu x Reader One Shots” on Wattpad. I hope you enjoyed and let me know if you have any requests!

the header is made by me, please like/reblog if used <3

[thejournallo]

Hypnosis: what is it and how it works?

Some weeks ago, I received a question about hypnosis and how it works, and this activated my curiosity, so I did go deep into my research, and, to be honest, it did help me with my fear of beginning to hypnotize.

Hypnosis is like entering a special, relaxed state of mind where you're very focused and open to suggestions. Imagine being so absorbed in a good book or movie that you tune out everything else around you—hypnosis is a bit like that.

People use hypnosis for all sorts of reasons. Some want to quit smoking, manage stress, or overcome fears. Others might use it to help with pain or improve their confidence. And yes, sometimes it's used for fun in stage shows, making people do amusing things while they're in this special state.

how does it work?

Hypnosis entails a state of complete attention on something, better acceptance of what is being told and deep relaxation. It is usually caused by verbal suggestions and imagery by the hypnotists. Some important things about hypnosis are:

State of Mind: During hypnosis individuals are generally very relaxed but still have their minds sharply focused on the suggestions given by the hypnotist.

Suggestibility: Increased suggestibility is one characteristic feature of hypnosis which means that people under hypnosis can accept and act on suggestions from the hypnotist.

Purpose and Use: Therapeutically, Hypnotherapy is used in helping people to quit harmful habits, reduce pain, anxiety or manage psychological issues such as phobias or trauma. It may also be used for purposes of entertainment like stage shows.

Experience: People describe the Feelings like being detached from one’s surrounding, heightened imagination or altered perception can be experienced by some while others will only go through an inward feeling while still perceiving things normally as they are aware of what happens and their actions remain within control.

Trance: Entering into a trance-like state has often been referred to as hypnosis which is a condition marked with greater concentration on things being said, relaxation coupled with increased response to suggestion. This type could however vary in depth, from light to deep trance.

Misconceptions: Many people think hypnosis is like being asleep or losing control, but that's not true. When you're hypnotized, you're actually very aware and focused, not unconscious. You don't lose your willpower or get controlled by the hypnotist. You won't do anything that goes against your morals or beliefs.

In essence, hypnosis is a really intriguing state of mind. Imagine being so relaxed and focused that you become more open to suggestions. This can be incredibly helpful for things like breaking bad habits, managing pain, reducing stress, or tackling fears. Therapists use it to help people make positive changes in their lives.

Hypnosis can also be just plain fun. You've probably seen those stage shows where people do silly things while hypnotized. It's entertaining, but it's also a great example of how our minds can be influenced in a trance-like state.

So, while hypnosis might seem mysterious, it's just another way our amazing brains can work, whether it's for therapy, self-improvement, or a bit of entertainment.

if you are intrested in more intresting way to manifest don't forget to check my masterlist! I hope you have a blessed day or night!

-xoxo the journallo

[mysteryshoptls]

Hello Ras! When I was going through a fan translation of the Tapis Rouge event, I got a bit confused during Book 3 on the topic of if it is Vil or his dad that has the stage name. Due to Vil’s Spooky/Scary Dress Card Story, I was under the impression that it was his dad that does, but the Tapis Rouge event had me leaning towards Vil that has the stage name instead, which kind of contradicts my previous understanding from Vil’s Halloween card. I was wondering if you could help clear up my confusion? Thank you so much!

Hello there! Funny enough, I recall there being confusion in the fandom when Vil's Halloween vignette dropped the first time as well. It's common to drop subjects in the JP language, so what Vil says below could be translated in one of a few ways (without any context):

"It's obviously a stage name."

"It's obviously his stage name."

"It's obviously my stage name."

...among others.

This is his response to Silver asking, "But his last name isn't Schoenheit." It's easy to see how the misconception originally happened back when this dropped. Although the last word mentioned is "Schoenheit," the subject of the sentence is "his last name" and the last topic to have been brought up by the group was "Eric Venue is Vil's dad!?" Vil is simply waving away Silver's question by explaining that his father is using a stage name. Now, for Tapis Rouge. Vil says the following after we meet Eric Venue:

Vil: I fully understand that from the moment I was born as "Eric Venue's child," I would be fated to shoulder that name.

I believe this line is what was causing the confusion. Given that we know "Eric Venue is a stage name," I think it can be resolved pretty easily. Vil's father has been acting for a long while, more than likely even many years before Vil came about. This means that "Eric Venue" as a name is very well known. (Floyd even mentions in Vil's Halloween vignette that his dad really likes the movies Eric was in). So what Vil probably means by "shouldering" the name has more to do with the fact that his father is a pre-established influential persona that is a household name, rather than saying that "Venue" is his real last name. Vil goes on to say he understands that he has been lucky to get opportunities that come with being Eric's child, but that (at least, when he first started out) he wanted to be known as an actor in his own right, not "Eric Venue's son." The weight of Eric Venue's name could have changed the course of his own development as an actor.

[starlingflight]

Your response to that anon reminded me of something I've been thinking for a while and it's that Harry being bad with girls/romance is something made up by fans and not entirely accurate to his character.

In the books he is able to pick up on Ron and Hermiones feelings for each other and Fleurs attraction to Bill pretty quickly, and when it comes to himself there are always reasons why romance is not his first thought.

In GOF Harry thinks the girls are only asking him to the ball because he's a champion, which given nearly the entire schools previous treatment of him makes sense. Same goes for the girls who were interested in him in HBP, he doesn't realize they like him because nearly the whole school and wizarding world at large spent the previous year attacking him for being "crazy".

Then we have Cho and Ginny, with Cho he picks up on his own feelings for her kinda fast but is to slow in making a move and the reason it fails is because, as you pointed out, they're both dealing with their own trauma and he is also inexperienced. With Ginny he's told she has a crush on him by Ron but Hermione later tells him she's over it, and every time he comes close to realizing his feelings for her he gets distracted, by girls on the train looking at him in awe, Ginny's concern over his potion book after the amortentia scene, and Katie being cursed by the necklace.

Sorry for the long message I have just been wanting to say this for a while.

More thoughts below the cut if anyone wants some ramblings because I could ‘and another thing’ myself into talking about this all day.

I’m not saying he’s Hitch or anything, but he’s not the hopeless loser a strangely large proportion of fans think he is.

I blame a lot of this misconception on movie scenes like Harry spitting juice all down himself (book!Harry would never) and just Daniel Radcliffe’s generally kind of awkward theatre kid vibe (no offence to Daniel Radcliffe, I’m a big fan of him in general but he’s just not Harry).

With the Yule Ball, he’s literally not trying bc he’s not interested in Parvati. It’s not like he’s making an effort with a girl and he’s bad at it.

With Ginny, the only full scene we get of their actual relationship (criminal) is Harry flawlessly setting her up for a joke and the only mildly awkward scene we get of them post-OotP is the DH birthday kiss scene when there’s so many things they both know they can’t say.

He keeps his cool with a freakin’ part-Veela when Ron can’t hold it together for 30 seconds around Fleur for a lot of GoF.

Anyway, I don’t think he and Ginny are perfect communicators, I actually think their ability to deal with conflict would be a big obstacle for them post war and maybe in some upcoming chapters of Bewitched but I don’t think Harry gets enough credit in general.

[lilbrattyratty]

A Guide to Lewis Hamilton and Peter Bonnington

Recently I have been convincing people to become obsessed with whatever Lewis and Bono have so instead of repeating myself unnecessarily I have decided to make this handy dandy Bible guide to their journey together!

1. The Basics

Lewis and Bono have the longest running engineer and driver pairing in the history of the sport.

————————————

Sir Lewis Hamilton: if you don’t know who he is then I’m slightly surprised you are here but I am not here to judge. Sir Lewis Hamilton is a British F1 driver who has won 7 world championship titles with the Mercedes team! He’s a legend in the sport. He made his debut with McLaren in 2007 and has been with Mercedes since 2013.

Peter “Bono” Bonnington: Bono is senior race engineer for Mercedes. He has been race engineer since 2011 where he worked with other 7 time world champion Michael Schumacher. After Schumacher left Bono was paired with Lewis and they have been together ever since! He has been widely regarded as the most successful and most well known race engineer.

Note: for some reason there was a misconception going around that Bono was 10 years older than he really was. Let’s put this to rest: his birthday is 12 February 1975. Source

It’s Hammertime: maybe one of the most famous Lewis radio messages. Bono explains that during the years where radio messages were more strict they needed a code word to let Lewis know it was time to really go all out. So they suggested “put the hammer down” before it became “it’s hammertime”. Source (timestamp 18:17)

Austrian GP 2014: the very first Hammertime. Link

2. The Partnership

Out on track the race engineer is the critical link from the team in the garage to the driver. They must analyze all the data and determine what the driver needs to know without overwhelming them.

————————————

Platonic or romantic or brotherly no matter how you may view their relationship it has been stated many times by both of them that their relationship takes a lot of trust and open communication. They share a deep bond and connection that they feel is integral to their success.

In this interview you will find Lewis speaking about the depth of their trust and love for each other. Link

“It’s like a marriage, I guess.”

“There’s love, and real friendship, and loyalty.”

This interview is where Lewis speaks about the support that they show for each other. How he feels that they are always there for each other to bring out the best. Link

“I don’t know if I can do this for you…”

This interview where Lewis again talks about how much he loves Bono and how important their bond is to him. Link

“I think he is also one of the few people who can handle me on good and bad days.”

In this Instagram post you can read that Lewis is always thankful for Bono and recognizes that his success is thanks for many people but Bono in particular… Link

“Forever grateful for my guy Bono, blessed to have him by my side.”

Now Bono may be more media shy but he does have this interview where he talks about working with Lewis. Link

“He’s the rockstar and I’m the one in charge.”

Occasionally Bono will not be working with Lewis and you can see how awkward it is sometimes when you aren’t used to the replacement. Link

“That was a lot of information, I don’t understand what you just said.”

A moment when you can hear Lewis trying to calm Bono rather than the other way around. Link

The Egg: Bono brought an egg to the 2021 Brazil and Jeddah GP because Lewis loves the movie ‘Cool Runnings’ and it really inspired him when he was younger. In the movie they kiss their lucky egg. Source

Podiums: Bono has been on the podium a few times with Lewis and each one is super fun and special! A full list can be found here!

3. The Fandom

“I love Bono and I wouldn’t want to work with anyone else. Don’t write that I love him because I haven’t told him.” -Lewis Hamilton

————————————

Below I have compiled fic recs as well as just shippy moments from the two of them.

Notable Moments:

British GP 2014: Lewis wins his home GP and Bono tells him to “lap it up, boy”. Link

Austin GP 2015: who can forget the iconic hug? (pictured above) The way Bono leaps into his arms and he bounced him up and down… simply iconic. Video link of the hug

US GP 2018: Lewis tells Bono he’s not gonna go steady. Link

Russian GP 2019: Bono tries to hide behind the crowd but Lewis won’t let him. Link

ALSO at that same GP! They stared at each other from the podium in beautiful iconic cinematography… link

Abu Dhabi GP 2019: Lewis (and others) dump champagne on Bono’s head and make him very very wet… link

Lewis Hamilton and Valentino Rossi: Where Rossi asks Lewis if “this is your guy?” And Lewis replied “yeah.” Link (timestamp 2:39)

Mexico GP 2019: Lewis dedicated his win to Bono. Link

British GP 2024: Lewis tells Bono he loves him ❤️ Link

Also from that same GP, Lewis says he always feels safe with Bono Link

Notable Blogs:

@storm3326: creates wonderful Bono and Lewis fanart

@queerbenched: makes beautiful Bono and Lewis edits

@still-we-rise @teamroscoes @princemick @l8tof1 @husbono @flatspot: All post a lot of good Bono and Lewis content. I scrolled through a lot of their blogs a lot while making this post.

There are of course plenty of other wonderful blogs out there and I appreciate every single one of them.

Fic Recs:

This thing called us by Dutchiedragon Rated: Gen.

Summary: Brazil 2021 brought so many emotions, it left the Mercedes team completely burnt out. Lewis ends up alone in his hotelroom with a thousand thoughts running through his head, so he seeks out the one person who might bring him peace.

Or: Lewis needs help taking out his braids. Bono is there.

So long, longing by ohfrecklefreckle Rated: Mature.

Summary: Engineering is a dirty job but someone's got to do it. What happens when you're almost telepathic but still can't say what you need to?

The contours of things by The_Orange_one Rated: Mature.

Summary: Lewis belongs to so many people, but Bono mostly just belongs to Lewis.

Love in the major key by ambiguouspace Rated: Teen.

Summary: Bono, in particular, looks surprisingly alert tonight.

In fact, James notices, as his brain clicks out of analysis mode and into observation, he’s positively glowing. His eyes are bright, face a little flushed like he’s been working out. James looks down, catalogues the rest of his appearance. Bono’s t-shirt hangs slightly loose on him, nothing like the cut he normally favours, and the print on the front is unusual, an oversized image of something James can’t quite see but looks oddly familiar and—ah.

Lewis and Bono and the unsubtle art of workplace flirtation.

Lost in My Own Incidents by glasscushion Rated: Explicit.

Summary: “What do you need, Lewis? This bit I can do.”

“This,” he says, his eyes still closed. “Can we just stay like this?”

Lewis lifts one side of the blanket for Bono to take and he grabs a handful, laying it over his own lap, the wool heated from where it’s been resting against Lewis’ skin. The urge to reach out beneath, to soothe, to touch, is almost suffocating.

“Not a problem mate. No problem at all.”

Author’s Note: This is not a complete list and may be updated as they continue to be insane about each other!

[hinasho]

I'll tell you what people's problem with The Crow 2024 is — I'm a longtime fan by the way, I own the comics, I watched all the movies, so on.

The Crow 1994 managed to get the soul of the source material (comics). The Crow is a story about overcoming grief and acceptance of death — the author wrote Eric's story during his darkest periods of grief after his girlfriend was killed. So the story of Eric and Shelley have meaning, they are meaningful characters to a lot of people. Brandon's movie, while with some differences from the original story, still carried the same themes beautifully and the tragedy that happened during the filming made people (me included) turn protective over the memory of The Crow and it’s meaning.

There were three other movies after The Crow 1994 but they never dared to touch on Eric's character, instead they created new ones like Ashe Corven, Jimmy Cuervo and Alex Corvis. And those movies suck, don’t get me wrong, but people don’t have a problem with them because they didn't touch on Brandon's Lee legacy and di their best to stay on theme — grief and acceptance. They are their own thing, and that's that.

So did the comics. Eric story is the first main one, but no one took him and tried to continue it, he's pretty much untouchable, he has his beginning and his end. Instead, they created new Crows for their stories: Joshua, Iris Shaw, Mark Leung...There's a long list of existing Crows with their own stories.

The problem with 2024 The Crow is mostly that they called it a remake and took Eric's names to a character that doesn’t even resembles the original Eric — and I'm not saying in physical appearance, I'm saying his essence because the original Eric is a killer of bad guys, but he's also pretty charismatic; he loved life, he was gentle with the little girl Sarah he was friends with, he was kind, he was thoughtful, he even jokes around! Which, to many people, Bill's Eric does not resembles even a little bit of Eric's other than his name and neither does his story matches the themes and soul behind The Crow franchise.

The main gripe The Crow community has with the 2024 version is them taking Eric's and Shelley story, then changing it so much and losing it's soul when the easiest thing to avoid all this controversy and review bombing would've been just be like "Hey, we're making a new Crow movie, but we have created our own original protagonists for it!" just like people have been doing for years, because that's what 2024 Shelley and Eric feel like to people — original characters who just happen to share the names of the OG's.

Anyway, I watched the 2024 version and while Bill did a phenomenal job as always with what he was given and he looks so damn good, the story just...Didn't get me at all. There's not one bit of The Crow essence in there for me.

Hello, thank you for sharing your thoughts! 💞 I finally watched The Crow 1994 and City of Angels today (still need to watch Salvation & Wicked Prayer) so fortunately I now have a bit more context.

The problem with 2024 The Crow is mostly that they called it a remake

So to begin my breakdown: The 2024 isn't a remake of the 1994 movie. This seems to be a widespread misconception. But in all of the clips and trailers Lionsgate has released, they clarify that it's a "modern re-imagining of the original graphic novel". The movie never claims to be a remake of the 1994 film.

Now a fair debate could be how closely tied (or not) the '24 movie is to the graphic novel, which the two are remarkably different, but based on the reviews and comments I've seen, fans seem more inclined to keep comparing it to the 1994 adaptation despite Lionsgate never claiming they were trying to remake that specific film.

So basically, comparisons between '94 Eric and '24 Eric don't really hold up as valid criticisms in my opinion, because the director had no intention of adapting the '24 film from the '94 movie in the first place.

the original Eric is a killer of bad guys, but he's also pretty charismatic; he loved life, he was gentle with the little girl Sarah he was friends with, he was kind, he was thoughtful, he even jokes around! Which, to many people, Bill's Eric does not resembles even a little bit

'24 Eric is still a killer of killers. He only kills those that attack him first or had something to do with his and Shelly's deaths. He never kills needlessly.

In regards to him loving life, 2024 Eric does in droves! He actively hates having to kill so many people and takes no enjoyment out of it. The opera scene, while fantastic, wasn't a fun moment for him. Since her death, you can tangibly feel that all he wants to do is get back to his simple life with Shelly. He loves her and he loves the life they had.

As for him being charismatic, I can see your point there. In the graphic novels (from summaries I've read), GN Eric does have a morbid sense of humor and at times played around with his kills before finishing the job. His relationship with Sherri was brief but sweet and he gets a cute cat!! He continues to form relationships even after Shelly's death because of his charisma and kindness.

From a writing perspective, I believe all of these moments are intended to humanize Eric given the GN begins with him as The Crow pretty much immediately. We are introduced to him already in the throes of his grief and seeking vengeance.

In contrast, the '24 film paces the transition MUCH slower with the first act being about how Shelly and Eric meet, and the growth of their romance. I believe Director Rupert Sanders used those scenes to humanize the characters instead, which he accomplishes as both Eric and Shelly feel like they're just normal people dealt a shitty hand who only want to live their lives together. You can see the love they shared and how pure it was.

Basically, the core of the characters remain the same, just told in different ways throughout the story. In the graphic novel, James O'Barr humanizes Eric & adds levity in the midst of the carnage, while Rupert Sanders adds it before the carnage. Despite the timeline differences, both succeed in showing that Eric isn't a mindless murdering machine, and is just a regular guy who's been driven to the point of madness.

(It still would've been a nice touch for '24 Eric to adopt a cat for Shelly in the movie though.)

Bill's Eric does not resembles even a little bit of Eric's other than his name and neither does his story matches the themes and soul behind The Crow franchise.

From my understanding, the main themes behind the franchise are grief, the difficulty to move past it, and divine justice.

All three Erics suffer from visions of Shelly, who's memory plays on a feedback loop as they go about their spree. Something both the '94 and '24 films don't do, however, is touch on GN Eric's self harm tendencies. Which isn't a criticism! I'm merely discussing the different ways they show Eric's state of mourning.

The inability to move on is also still prevalent in the '24 movie. It's an active choice Eric makes when Kronos gives him the option to get his life back, and instead Eric submerges deeper and signs away his soul. He steps into it with his eyes wide open knowing he's damning himself forever.

Meanwhile in the graphic novel, Eric is already submerged. He is already a walking corpse, the embodiment of a heart so broken the only way to put himself back together is to weaponize the shards of his loss. I believe this is who '24 Eric develops into after the second act when he signs away his soul.

In the first act, he is human. In the second act, he is transitioning, and in the third act, he has truly become The Crow. Too deep in grief to escape it. The main difference between the '24 version and the GN version is that we see '24 Eric's journey to reach that final stage. It's the difference between character-focused narratives vs parable-like storytelling. Neither is inherently better than the other, just different.

And when it comes to divine justice, hmmm.....

In the GN, Eric and Shelly are killed and brutalized due to a completely random act of evil. The gang that killed them and assaulted Shelly had zero connections to the couple and were just some cruel, awful randos off the street. Based on what I've read, Eric nearly kills all of them without difficulty. Most of his hardship comes from his own bouts of depression and misery.

(By the way, by having the villains all be mediocre average goons, and majority of Eric's troubles be psychological, the GN focuses more on the danger of all-consuming grief, highly likely because of the trauma James O'Barr was experiencing when he wrote it. Meanwhile both the '94 and '24 films have Eric struggle a lot more during his fight scenes, elevating the danger of his physical opponents. But this is a tangent, back to what I was talking about!)

By all of them being average goons, the story gets across that: yes normal everyday people can and are capable of atrocious acts of evil, and yes they deserve to face the brunt of their crimes and divine punishment.

However in both the '94 and '24 movies, Eric and Shelly's deaths are not random and are planned crimes to silence Shelly. And both come up with a "big bad" for Eric to face off against. In the '94 movie, it was Top Dollar, a criminal kingpin, and in the '24 movie it's Vincent Roeg, a rich executive who's also a crimelord.

BUT what the '24 film does differently is that Roeg is also a supernatural being himself, who's made a pact with the devil to trade innocent souls for immortality.

This is probably the only area in which I agree with OG fans on that a central theme was changed. Because by making the main antagonist "unnatural", it's no longer about everyday, normal people committing horrible evils. It's about a supernatural entity on par with The Crow.

I think Rupert Sanders wanted to focus more on the supernatural aspect of The Crow universe. Which isn't necessarily a bad thing and definitely made for a fun movie, but I do agree with OG fans that the "grounded" nature of casual human cruelty was lost in that regard.

By implementing this change, the weight of Eric's vengeance is also changed. Because now it's no longer just personal. As the character of Kronos says in the movie, they need Eric to kill Roeg because he and all the deaths he's caused are unnatural and they essentially need Eric to tip the scales back into balance. While Eric's primary motive is still about doing right by Shelly, there's now an element of saving the world from an unnaturally superpowered tyrant, rather than the everyday cruelties of man.

So in this aspect, I do agree that a core theme was changed between the graphic novel and the 2024 movie. This still doesn't necessarily mean it's a bad story, just that Rupert Sanders had different intentions.

Because this still connects to the previous theme, the inability to move on and cope with death. Except now it's portrayed in the antagonist as well. His power is completely about his refusal to accept his own mortality. However, this does, like I said, detract from the normality of evil theme. So it's basically a gain and a loss 😅

(Plus, as I was writing this, I thought about how Eric's motivation is changed as well. In the '24 movie, Eric's goal is still to do right by Shelly, but it's to save her. Because if he succeeds, Shelly will be resurrected. This adds a noble spin to his killing spree, whereas the GN and the '94 film are solely about overwhelming rage at the loss of a loved one. There is no resurrecting Shelly. It's about enacting divine justice against their killers before traveling to the afterlife together. They're already dead and there's nothing GN Eric can do to change that, unlike 2024 Eric.

On the flip side, while this "nobler" take may feel like a negative change, I think it's countered by the fact that Eric succeeds in saving her, but is still dissatisfied because he's unable to actually be with her. GN and '94 Eric were able to find peace and reunite with their loves. '24 Eric only gets about 5 minutes before she's resurrected and he's stuck in purgatory forever.

At the end of the '24 film, both Eric and Shelly are dissatisfied as they can no longer be together. It's a bittersweet ending that feels more bitter than sweet. So while there is a "nobler" cause behind Eric's actions, the tone of the story is still very grim.

This is also why I believe the way the 2024 movie ended was with the intentions of a sequel where Eric does achieve his own peace. But that's a different conversation!)

...the easiest thing to avoid all this controversy and review bombing would've been just be like "Hey, we're making a new Crow movie, but we have created our own original protagonists for it!" just like people have been doing for years, because that's what 2024 Shelley and Eric feel like to people — original characters who just happen to share the names of the OG's.

Sure! I don't disagree. Well, I don't really think anything deserves to be review bombed unless it's content that's actively harmful. But I don't disagree with the original protagonists angle. Changing the names couldn't have hurt.

That said though, and I say this as gently as I can, Eric's character existed before '94 Eric and does not need to end with the '94 movie. I think it'd be one thing if the 1994 movie created the story of The Crow and that was the first iteration of Eric's character. But... it's not.

Multiple re-imaginings and adaptations of books / comics have been around since forever. The show Smallville and Man of Steel both adapt Superman in wildly different ways. Shakespeare's Taming of the Shrew has had five different adaptations, and yet no one shits on 10 Things I Hate About You (1999) or Deliver Us From Eva (2003) for being modern re-imaginings. Awhile ago, me and my friend were discussing our favorite adaptations of the Little Women novel. Her favorite is the 1994 film while my favorite is the 2022 modern Kdrama!

I bring up all of these examples to say that there is REALLY nothing wrong with doing modern re-imaginings of older works, and tweaking characters and plotlines to reflect the changed style of the story and time period.

What's most important is that the heart of the story is kept. At the end of the day, The Crow is about an innocent man who enacts divine justice against he and his lover's murderers, while struggling to cope with her loss. Based on the graphic novel and what I've seen of the 1994 movie and the City of Angels sequel, the world of The Crow says that life can be fair and that no matter how high, or low, or cruel, or spineless, someone is, that karma is a bitch and it IS possible for them to reap what they sow.

I truly think the 2024 adaptation captured that feeling, even if it may look different than what people might be used to or expected.

Instead of being upset about how unexpected it is, try going in with an open mind and seeing the story Rupert, Bill, and FKA Twigs wanted to tell. I've read and seen a few interviews by now, and these three were genuinely passionate about the characters & story, and you can feel that in the movie.

And even if you still have no interest, the other parts of the franchise you do enjoy aren't going anywhere. The 2024 adaptation doesn't effect them in any capacity. The stories you love still exist and the new addition can't harm or take them away from you.