#there are so many characters in this game so it really is hard to choose a favourite

[triglycercule]

killer should know about dumb video game meta stuff ike i-frames and animation cancels and critting amd breaking out of bounds and use it to his advantage in fights. maybe he learned it from chara in something new as a silly little thing to try out because theyre already teaching him all this bullshit on killing so whos to say a video game character cant learn a player's cheats?? he's already interacted and collaborated with a player before i think its fair he knows tricks on how to cheat undertale's fighting system

everything's all fine and dandy in a fight against killer (no it isn't) until you see him glitching around and somehow phasing through your attacks. he looks ridiculous but it gets the job done

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[malulurivers]

Who is your favorite tears of the kingdom character?

hey now~~~

that's a big old question you're asking there!

that's a really hard one to answer!

with so many options, an argument could be made for all of them.

how i adore link even if i scold him for constantly doing things i dont ask him to how i yearn for zelda and cherish every moment with sidon how i long to know more about yona to the point of planning fics to detail more of her life and history how i beg the game to give me more of tauro and plan to write things for him too to sate my curiosity and as a fellow linguist how could i not love him too?

with so many options, could there ever be a wrong answer?

...yes, yes there could be--

my favourite character is obviously master kohga.

is he the best written character in the game? no.

do i endorse his behaviour or want to be friends with him? absolutely not.

do i want to be part of his clan? see above.

do i write for him? no.

but does his theme go the hardest? ABSOLUTELY

is he a riot to see on screen? ABSOLUTELY

is he a trash man? ABSOLUTELY HE IS!

ok, all jokes aside, i'm not in love with kohga (i have a soft spot for tragic men, not pathetic men unless it's reigen, who is the most pathetic man to ever pathetic and of course i adore him). but he is my favourite from the totk roster. or at least, my emotional favourite.

there's something just so fun about him. he's so stupid, so incompetent and yet still so successful somehow that i just find him hilarious.

he's not very multilayered, and though i think there's stuff to be discussed about how the yiga operate, how they're effectively a cult and how it makes sense that they're there, and how they affect the world around them... there's not much i want to discuss about him, actually.

normally this is something i don't like in a character, he lacks depth, that's not very compelling. but when he's on screen, when his soundtrack goes (and it goes hard) it's impossible to not get hyped and just have a banging time. also his fights were just so fun, so ridiculous!

he really provides levity to tone too, especially in the depths where it's actually quite lonely down there (kudos to the sound developers especially for that one!). i can't tell you how special the weird euphoria felt when i finally saw movement in the depths (which is just an innately hostile environment no matter how strong you are) and it was his dumb ass.

i was genuinely laughing but also very sad when (mild spoilers for later game:) he basically shot himself into the sky because that was probably going to be the last time i would see him. to be fair, i haven't finished the story yet so i still have a sliver of hope.

i think he's a bit of a hidden gem of the game, and i'm still cross with nintendo not giving him any voiced lines and cutscenes like with other characters. his va from age of calamity gave it his all and absolutely made this character fantastic to me, and he would've gone to town with these scenes! a massive missed opportunity!

i have more i could say but i think i would have to explain my opinions on tears of the kingdom as a game, and that would get really long as i have many many opinions on it. somewhat mixed opinions, and that's not the vibe for right now!

tldr: in terms of favourite character, in one way it's master kohga lmAo

in terms of 'favourite to talk about/write about' it is probably link, by virtue of spending so much time with him in game. though i genuinely like pretty much all the characters to a very similar level!

i don't really have a standout character that i'm attached to like i do with arcane, and i'm... not really sure why? i mean, i do have some ideas but i'm not sure exactly. it's probably more of an arcane thing though rather on the totk end XD

anywho, thank you for the question anon! i had a lot of fun thinking about it and trying to work out my answers because i genuinely hadn’t thought about it before! i hope your curiosity is sated XD

[hecksupremechips]

Persona 3 reload should not entice me with those damn shiny bells and whistles!!!

[agoddamnrayofsunshine]

I’m sure someone has talked about this before but one thing I absolutely love about tbosas is how Snow’s descent into villainy is never once presented as something that was inevitable

So many villain origin stories portray this idea of a person who tries incredibly hard to be a good person, who takes every opportunity to be kind and to better themselves, but are ultimately doomed to fail by the narrative. Their environment and their circumstances make it impossible for them to be a good person, and while this is effective from a storytelling point of view it’s not exactly accurate to real life

In real life there is always a point where a bad person makes the decision to do something bad, they make the decision to prioritise themselves, their own power, money or desires over someone else. That’s how real life dictators are made, they are presented with every opportunity to be good, and they purposefully choose to not take it

This makes Snow’s storyline so effective because he is given so many opportunities to do the right thing and yet, at every single turn, he chooses to serve himself instead, exactly like how real dictators are made

Snow, unlike most people we see in the capitol, is in a unique position where he could genuinely have the chance to understand and relate to the people from the districts. He, unlike his classmates, is poor and spends most nights going hungry, he witnessed firsthand the cruelty of the capitol when Clemensia was bitten by the snakes for nothing more than lying about doing her homework, when his sister was forced to sell herself on the streets in order to feed the both of them

Throughout his book, the three people he is closest to are Tigris (who dislikes the hunger games, is a rebel, and a victim of the capitol forced to turn to prostitution), Sejanus (who is originally from district 2, dislikes the capitol and knows he will never be accepted there, and also a rebel) and Lucy Gray (who is a victim of the hunger games, from district 12, and is also treated horribly by the capitol). These are all people who gave him an opportunity to realise the cruelty of the system he was in, a chance to directly confront his prejudices and see that people from the districts are just the same as him, and yet he still refuses to take the chance to change

He is given every opportunity, he’s sent away from the capitol to be a peacekeeper in the districts, he forms personal connections with people from the districts, he helps Sejanus perform funeral rites, and yet at every moral crossroads he comes to he makes the wrong decision. He didn’t have to become a villain, and yet he made the choice to do so anyway, despite every chance he was given

I think it’s a really effective portrayal of Snow as a character, and it’s a very effective villain origin story for the type of villain that Snow is. It never once excuses him from his actions because it highlights just how accountable he was for his actions

[hkpika07]

Get ready for me exploding in the tags

what's everyone's favorite mario character?

[animatingforfun]

This was a pure joy to work on.

For the behind-the-scenes story of how I made this animated mini-short, click “keep reading” below.

I started this 6 weeks ago, just before Nintendo shut down its 3DS and WiiU servers. The server shutdown meant no more multi-player online play for 3DS games, like Mario Kart 7, but also no more uploading to the Butterfly Animation online gallery directly from the app.

As an homage to the Inchworm and Butterfly Animation apps for the DSi and 3DS that I’ve been animating on since 2011, I originally was just going to animate just a single shot featuring something butterfly related.

But the story evolved as I began asking myself a series of "what if" questions that I had fun answering, like, “what if it was a little girl playing dress up as a butterfly?” And then “what if she was first cosplaying as a caterpillar then the butterfly?” “If this is a story of growth, what if she stumbles? What is her attitude when she stumbles?” “What if the design of the girl was something like Isao Takahata or Yoichi Kotabe would draw?”

Making this was the embodiment of everything I hope to achieve with my personal animation: to let creativity flow and just have fun animating and creating.

Since this mini-short was animated on my Nintendo 3DS, there was a memory limit of only 100 drawings, which was a bit of a challenge for longer or complex actions, but was a fun puzzle to solve. Sometimes limitations force you to come up with even more creative solutions. (I was able the squeeze in more drawings than the memory allowed, and filled it to the max!) :)

The song I used is from Rebecca Sugar’s album, "Spiral Bound", and perfectly fit the theme of the short. Initially, while I was drawing the character, I found myself humming a tune from Steven Universe that dealt with beginnings, endings, and not being ready. It’s amazing how the brain can subconsciously pick the playlist!

In the end, that song, sung by Steven’s father in the show, didn’t quite fit, but then I remembered another song by Rebecca Sugar which was more on theme with my story, called “My Own Way to the End”. The whole album is wonderful! You can check it out here:

Painting the backgrounds for this was the most challenging thing for me, but also the most eye opening! After painting, I would look around at the trees in the neighborhood differently. So many colors when you really look closely.

There’s so many talented people at my work and it was great that I could ask them for advice. One person I asked was the talented Tia Kratter, who happened to teach a mini-painting class for the animators while I was working on this short. I asked her for advice on one of the background paintings and she asked great questions which challenged me to try different things, but I still felt like I was having fun and playing without fear of failure. I mean, it was still hard though! Hahaha!

If you’ve read up to this point, thank you for reading this. :) I hope you enjoy this mini-short as much as I enjoyed making it!

[homunculus-argument]

I know it would probably be a logistical nightmare to also make this accessible to the actual people represented, but I think it would be cool to have a game where the whole point is that every character has different limitations, that make it impossible or at least incredibly difficult to get past the whole game without switching them every once in a while, and the way you switch is by going to another character and asking their help with something.

Like you start out the game with one character and go "oh huh, the colour sceme of this game is really cool, really interesting use of such a limited palette", play through the puzzles for a while, and then encounter something where you're supposed to arrange some slightly differently coloured puzzle pieces to the right order by shade or something, and it's goddamn impossible. No matter how many methods you try, it's just not clicking, no matter how logical your solutions seem, no matter how clearly they can't be arranged in any other way that'd make more sense.

And maybe you go online to ask people "hey I'm stuck in the colour puzzle, what the hell am I supposed to do to get past this?" and someone tells you to go find one of the other playable characters and ask for their help. Which sounds patronising and stupid but you're stuck so you might as well give it a try. You go to one of the other characters, choosing the dialogue option to go "hey I need a hand with something, I can't do this on my own", and when they go "sure, let's go", your controls now switch to the other character.

And the colour scheme switches immediately. The aesthetic limited palette has changed to a far wider range, there's details in the environment that you hadn't noticed, like the muted faint flowers on the ground are actually bright red, the greyish shirt that your first character was wearing is actually striped with orange and green. The first POV character is colourblind, this whole time you haven't been able to perceive the difference between green and red. Solving the colour arranging puzzle with the other character is a breeze.

And this is the repeating theme of the game - every character has their own limitations, and while none of the puzzles are easy, you learn to think "maybe I should ask someone to help me with this" whenever you've been stuck for an unreasonable amount of time. You need to grab a buddy along for the quests, or you'll need to go back to get one eventually, and the way the game is structured somehow ensures that you can't just tactically dodge the limitation puzzles beforehand. Deaf character's POV doesn't have the audio clues that different pieces of the same puzzle make a different clicking sound, the puzzle with garbled numbers on it stops being garbled when you're not playing the character with dyscalculia.

You slowly get to know the whole cast, and occasionally help them out with things, too. You know which character could probably help with something you're stuck with, but while they'd be glad to come help, they're unfortunately stuck doing some task that could take you 20 minutes but is going to take them all afternoon, and you can offer help. Sometimes the helping-a-buddy-out minigames don't come with any direct transactional reward, you can just help a friend with something just because you can.

And the game's whole goal isn't to just illustrate how different people have different strengths, and sometimes things that are easy for you are hard for someone else, and vice versa, but to condition the player to think "maybe I should just ask someone to help, instead of wasting time struggling on my own."

[momochanners]

After a good night's sleep, I think I can better solidify my thoughts in regards to the Dragon Age trailer.

First, let's start with the positives:

- Companion diversity: This has always been part of the series' DNA that has been clearly depicted with every iteration, so those who cry foul over "Asian & Black elves", prosthethics, etc etc...I really don't get that, because values and sensibilities evolve over time. Even the series itself has course corrected when needed, eg. Player character creation influencing the family ethnicity of the Couslands in DA:O vs the Hawkes in DA2.

- Unlocked romances: Letting players choose whoever they want to romance regardless of their sexuality and race has always been a positive for me. Allowing everyone to enjoy the experience equally is great (and I'm sure the nuances of player race & gender will be addressed through dialogue and banter). Moreover, CRPGs are long and time-consuming, so to be locked out of character romances mid-way through is never going to be a good time (from personal experience and observing fandom in the past).

Now the negatives:

- Maybe it's me being on the older side of the Bioware fandom (15 years in Dragon Age, 20 years if you count older games like KotOR and Jade Empire), but I cringed very hard watching the trailer. If you followed the development of this game in the past decade, the cancelled live service element that was to be DA4 in one of its iterations was so all over the way the companions were introduced that it brought out a visceral reaction in me. The tonal whiplash from how foreboding Dreadwolf was presented in the past to the patronising happy quippy MEET OUR LITTLE GUYS YOU'RE SURE TO LOVE also did not help as a first concrete look of what to expect after all this time (also poor anachronistic choice of soundtrack when you already have Trevor Morris' compositions right there). I was so dismayed when they went with a looter-shooter-esque lighthearted vibe when they could've leaned hard on the foreboding established mood and momentum they've already got going with Dreadwolf. 

- The branding switch this late in the game that comes with it, especially one as drastic as this will always come with questions and ambivalence. I feel that mitigating uncertainty from announced changes (party number, combat mechanics, setting and environment, etc) should've have been prioritised to reassure existing and lapsed fans before appealing to new ones in such a jarring way.

-  I'm simply baffled at the marketing suit who signed off on whatever this is to be their "best foot forward" at reintroducing the final form of this game? If only there were confident with the world they've already built instead of relying on trendy gimmicks, the amount of damage control I'm seeing prior to the gameplay reveal tonight was so avoidable. Controlling the narrative from the get go is so very important especially now as opinions can easily snowball overnight into behemoth-like proportions especially from bad faith actors. You would think that lessons were learned from DA:O's "THIS IS THE NEW SHIT" and DA2's "Press a button, something AWESOME happens" debacles.

(The thing is, despite it being my least favourite DA out of the three, imho Inquisition has the best marketing campaign in the franchise despite the developmental troubles going on in the background. So it has been pulled off successfully before!)

- I think the Bioware layoffs, especially the recent extensive gutting of senior staff in September 2023, significantly depleted my goodwill as a fan. To see Varric being paraded as a mascot in the trailer, game promotion and supplementary media while having his creator unceremoniously let go after years of building the franchise we love left me so very cold. And it's a me problem, but seeing many other fans barely acknowledging that save for few hollow words before getting back into the fun frustrated me so much. I get being excited to finally get something solid after years of false starts, but with what was lost along the way...I personally don't feel right to approach this installment without cynicism.

Idk, I'm just a bundle of conflicted feelings over this series I guess? When it's so good, it's really good and stays with you as memorable gaming experiences that stays with you for life, but when it stumbles and fumbles the bag...it hurts to see.

[helios-two]

tbh i really dislike how people say that harry can be queer, that depending on how he’s played or what the player chooses to do he has the capability to be queer. the implication being that his queerness is not something that is inherent to his character. it, in essence, feels like such a denial of the fact that he is bisexual. because whether you choose for harry to acknowledge it or not, he still remains bisexual. while, yes, his attraction to women is rather hard to miss, examples of his male attraction are present all throughout the game, many of them appearing without any additional player input. it’s just not something about his character that can so easily waved off or plainly ignored. regardless of him being in denial of it, it will always remain that harry is attracted to both women and men. like he’s bisexual. harry is bisexual. he is a bisexual man

[amethystarachnid]

Can you write for me Amnesia trope from Marvel Bingo with Tony/Fem reader? Tony is a little injured after a mission and he loses his memory, when reader is going to see him (wife or girlfriend) he won't recognize her but he'll immediately fall for her all over again 🥺 she thinks it's absolutely cute that he didn't recognize her but soon he'll recover his memory and blush so hard when reader shows him his videos of him all smitten by her hahahaha ❤️ and Tony saying he'll alwyas fall for her 🥺 (some spicy kisse maybe?)

ALWAYS

⤷ ANTHONY “TONY” E. STARK

ᯓ★ Pairing: Anthony “Tony” E. Stark x fem!reader

ᯓ★ Genre: romance fluff

ᯓ★ Request from: MARVEL bingo

ᯓ★ Story type: one shot

ᯓ★ Word count: 5.4k

ᯓ★ Summary: Because of an injury Tony temporarily loses his memories of you, his wife, and you're determined to make him gain them back. Do you really need to do so when he has already fallen back in love with you?

ᯓ★ TW(s): memory loss and clingy Tony

ᯓ★ Comment if you want to be added to the taglist (specify if you want the everything taglist or for a specific character)

ᯓ★ My Masterlist

ᯓ★ MARVEL Multiverse - choose an AU, pair it with your favorite character and make a request!

ᯓ★ Songs & Superheroes tales - The Game (to make a request, follow the rules on the link!)

ᯓ★ MARVEL Bingo

ᯓ★ English isn’t my first language

The beeping. It’s the first thing you notice when you step into the hospital room—the insistent, steady beep of the heart monitor that Tony’s hooked up to. It’s steady, strong, and for that, you exhale a breath you hadn’t realized you’d been holding. The smell of antiseptic stings your nose, reminding you that, despite Tony's resilience, he's as vulnerable as any of them in situations like these.

The mission had gone wrong in ways you didn’t see coming. Stark Industries had developed tech that a rival group decided they wanted to “borrow”—forcefully. What was supposed to be a simple extraction turned into a messy firefight. But, like always, Tony had pushed you to evacuate, promising he’d be right behind you. Instead, an explosion threw him from his suit, leaving him vulnerable to the final assault. He had barely gotten out before going down hard.

Now, you’re here, nerves raw and trembling as you hover by the doorway, watching him.

Tony is sitting up, but he seems…distant. Disoriented, maybe. His eyes are half-lidded, his lips pressed into a thin line as if he’s trying to make sense of something in the middle distance. It’s unnerving because you’re used to a Tony whose attention burns, even when he’s exhausted, half-buried in his lab, or just waking up. He sees everything.

But not this time. And for some reason, he doesn’t see you.

“Mrs. Stark?”

You turn as the doctor enters, offering you a sympathetic look. It’s a look that’s meant to ease you into news you know you don’t want to hear.

“Is he…awake?”

The doctor nods, gesturing you toward the chair by Tony’s bed. “He’s stable. His vitals are strong. The issue, Mrs. Stark, is that there appears to be some level of memory loss.”

The words clang in your ears, foreign and cold, completely out of place in the world you’ve built with Tony. “What do you mean by ‘memory loss’?”

She sighs, glancing at Tony before she speaks. “Memory loss is complicated. From what I’ve gathered, Mr. Stark has retained his long-term memories and most of his professional knowledge. But, due to the trauma and subsequent disorientation, there’s a block on more recent events…particularly in his personal life.”

Your stomach drops, and you take a deep breath, fighting to keep your voice steady. “He doesn’t remember me, does he?”

“I’m afraid not,” she says softly. “In many cases, memories return with time and familiar cues. Given Mr. Stark’s particular cognitive resilience, I have high hopes for recovery. But until then, he may…struggle with recognition and personal connections.”

You nod slowly, trying to take it all in. In all the battles, the missions, the threats, this is somehow scarier. Because it’s not just his body that’s wounded; it’s your life together that’s fractured.

When the doctor leaves, you take a step forward, but your feet feel leaden, hesitant. And for once, you don’t know what to say. This isn’t just Tony after a rough mission. This is your husband, and he doesn’t know you.

Finally, you muster the courage and approach the bed, offering him a soft, tentative smile. “Hey there, stranger.”

He looks up, his gaze sharp but confused, and something in his eyes flickers with a shade of recognition—a spark that leaves you hoping. But then he blinks, and it’s gone.

“Do I, uh, know you?” His tone is polite, curious, but there’s a guardedness to it, as if he’s unsure if he’s supposed to recognize you. You don’t miss the way his eyes dart over you, taking you in, and a pang of sadness tugs at your heart as you realize he’s assessing you the way he might a stranger.

You laugh softly, forcing down the lump in your throat. “You could say that. I’m…” You hesitate, wondering if it’s too much to say it outright, but the words slip out before you can stop them. “I’m your wife.”

His eyebrows shoot up, and he stares at you, stunned. “My wife?”

“Yes.” You smile, more gently this time, as though that will ease him into the idea. “For almost three years now.”

Tony blinks, and you can see his mind racing, struggling to process this unexpected piece of information. He gives a weak chuckle, rubbing the back of his neck. “Damn. I…you’re telling me I’m married to you?”

His shock is genuine, and for a moment, a bubble of laughter escapes you. It’s that classic Tony Stark reaction—equal parts disbelief and awe, as if he can’t quite believe his good luck.

“Yes,” you say again, and this time, there’s a hint of amusement in your voice. “You managed to convince me somehow.”

He raises an eyebrow, his lips twitching into a lopsided grin that’s both endearing and achingly familiar. “Wow. I must be one hell of a salesman.”

“Oh, you are.” The laughter fades from your voice as you take a step closer, unable to resist the need to be nearer to him, even if he doesn’t remember you right now. “You’re the best.”

For a moment, he studies you, his gaze flickering with something like curiosity, maybe even admiration. It’s a glimmer of the old Tony, the man who made you feel like the only person in the room, no matter the crowd or chaos. But here, with him looking at you as a stranger might, there’s something raw and beautiful about it, too. He’s falling in love with you all over again, right in front of your eyes.

“Well, I guess I should feel lucky,” he murmurs, a faint smile playing on his lips. “If you’re half as amazing as you look, then…yeah. Lucky guy.”

The words make your heart flutter, and despite everything, you feel a warmth spread through you, easing the tightness in your chest. He’s still Tony, even if he doesn’t know it yet.

“Want to know a little about us?” you ask, hoping that maybe, somehow, it will trigger something—some hidden memory or spark of recognition.

He nods, settling back against the pillow. “Please. Enlighten me. I’m curious how a guy like me managed to marry someone like you.”

“Well,” you start, a smile tugging at your lips as you pull up a chair beside him. “For starters, we didn’t exactly get along at first.”

“Oh?” He raises an eyebrow, clearly intrigued. “Did I say something to offend you?”

“You…may have.” You grin, remembering the banter, the stubborn disagreements, the sparks that seemed to ignite every time you were in a room together. “You were cocky, stubborn, a little arrogant.”

He chuckles. “That sounds about right.”

“But somehow,” you continue, your voice softening, “you managed to break down all my walls. You made me feel like I was the only person who mattered, even if you acted like you were just being yourself.”

His gaze lingers on you, and there’s a warmth there, something cautious but undeniably present. “I’m sorry I don’t remember that.”

“Don’t be.” You place a gentle hand over his, feeling the faint warmth of his skin against yours. It’s a familiar gesture, one you’ve done a thousand times before, but this time, it feels different—new, almost shy. “You’ll remember. And until you do, we’ll make new memories. Starting right now.”

He looks down at your hand on his, and you can see the faintest flush of color in his cheeks. For a man who’s usually so sure of himself, so confident in every move he makes, it’s endearing to see him look almost…nervous.

“So, tell me more about this…our life,” he says, his voice soft, like he’s trying to hold onto the pieces he has left.

“Well,” you say, smiling as you think of the little things that make up your life together. “We spend a lot of time in the lab together, actually. Even if you’re always tinkering, working on some new project, you always have time for me.”

“Do I? Sounds like a good husband.” There’s a touch of pride in his voice, and it makes your heart ache a little—because he doesn’t even know the half of it yet.

“A very good husband,” you murmur, meeting his gaze with all the love you feel for him. “The best.”

And there it is—that flicker in his eyes, like he’s starting to see it, to feel it. It’s as if, for just a moment, he knows you, feels that connection.

“Thank you,” he says quietly, his voice rough. “For being here. For…all of this.”

You squeeze his hand gently, fighting back the tears that threaten to spill over. “You’re my husband, Tony. I’d do anything for you.”

And as you sit there, hands entwined, you realize that even if he has to fall in love with you all over again, you’ll be right here, waiting.

The drive back from the hospital is quiet, but not uncomfortably so. Tony stares out the window, taking in the blur of city lights as you weave through the streets toward your shared home. Occasionally, you catch him glancing at you, his expression somewhere between awe and disbelief, as if he’s still wrapping his head around the idea that you’re his wife, that he’s returning to a life he doesn’t remember but that he somehow…wants.

When you finally pull into the long driveway leading up to your home, his eyebrows shoot up. Stark Tower looms ahead, its sleek, modern design stark against the night sky. The iconic "STARK" sign gleams with familiar grandeur. He lets out a low whistle, clearly impressed, but there’s a flicker of something else in his eyes, too—something like pride.

“So, this is…our place?” he asks, a note of disbelief in his voice.

You can’t help but laugh. “Yeah. Well, your place, technically. But I’ve definitely made it my own.”

Tony chuckles, the sound low and warm, and you’re reminded of all the times he’s teased you about “taking over” his tower with touches of your personality: the cozy reading nook in his office, the garden on the roof you insisted on installing, even the art pieces scattered throughout the building. And despite his teasing, he’d always seemed proud of how much of yourself you’d poured into his space.

“Well,” he says, stepping out of the car, “if you’re half as great at interior design as you are at, uh, marrying billionaires, I think I’ll be pleasantly surprised.”

“Oh, just you wait,” you say with a playful smirk as you lead him inside.

The entryway is a testament to the sleek, modern style Tony’s known for—polished floors, clean lines, an air of sophistication mixed with warmth. But there are little touches here and there that mark it as your home too: framed photos from the missions you’ve tackled together, a throw blanket draped over the couch, even a small shelf of books beside the entrance to the main living area.

Tony follows you, his gaze flitting over each detail with that trademark Stark intensity, taking it all in as if he’s studying a new project. When his eyes land on a photo of the two of you at a beach, he pauses. You remember that day so vividly: you were laughing, caught in a candid moment as he held you close, your hair whipped by the wind.

“Is that…us?” he asks, a softness in his voice that tugs at your heart.

“Yeah,” you say, stepping closer to him. “A couple of years ago. We were on a vacation you forced me to take.”

“I forced you?” he repeats, quirking an eyebrow. “Was I…was I that difficult?”

“Only a little,” you tease, nudging him gently. “You hated the idea of not working for a few days. But we made the best of it.”

His lips curve into a small smile as he stares at the photo a moment longer before turning his gaze back to you. “I look…happy. Really happy.”

“You were,” you say softly. “We both were.”

He swallows, his gaze lingering on you, and for a moment, you can almost feel the weight of all the memories he’s lost. But there’s a warmth in his eyes, a flicker of something that feels like a connection—even if it’s new to him.

You clear your throat and gesture toward the hallway. “Come on. I’ll show you the rest.”

You lead him down the hall, pointing out the various rooms, each one filled with a mix of his tech and your touches: the library with shelves overflowing with both your favorite books, the small lounge you use for watching movies together, and finally, your bedroom.

When you open the door, he stands in the doorway, taking it in. The room is a blend of Tony’s sophisticated taste and your own comfortable style, the soft lighting casting a warm glow over the neatly made bed, the nightstand stacked with a few of Tony’s reading materials, and the little tray of lotions and skincare items you keep on your side.

“This…feels nice,” he murmurs, his gaze sweeping over the room. He takes a step inside, running a hand over the bedspread, almost as if testing its texture. “I don’t know why, but I feel…calm here.”

You smile, moving to stand beside him. “It’s our space. Your favorite spot after a long day, whether you’d admit it or not. You always said it’s the one place that lets you truly relax.”

He chuckles, a faint blush coloring his cheeks. “Yeah, well, if you say so. I…believe you.”

For a moment, there’s silence, and you can feel the weight of the day settling over both of you. He’s exhausted, and so are you.

“Do you…want to rest?” you ask, realizing he might be overwhelmed with all of this new information.

“Actually, I think I’d like to keep looking around,” he says, a little sheepishly. “I just…don’t want to miss anything. It feels like I’ve lost a huge chunk of my life, and I want to piece it together, however I can.”

You nod, understanding. You feel a pang of sadness but try to hide it. “Well, I’ll be here. We can take it slow. One room at a time.”

Together, you move back down the hallway, stopping in the kitchen next. Tony’s gaze catches on the coffee maker, and he raises his eyebrows with a look of genuine excitement. “Please tell me I still drink coffee.”

You laugh, crossing your arms with a smirk. “Oh, you drink enough coffee to fuel a small army. In fact…” You open a cabinet, revealing an impressive array of coffee beans, grounds, and Tony’s prized espresso machine. “You’re particular about it. You like to experiment.”

He nods, visibly impressed. “I see I have good taste. I’d like to think I’m a genius when it comes to coffee.”

“Among other things,” you reply, grinning as you start to brew a fresh pot, the familiar hum of the machine filling the room.

As the coffee brews, Tony leans against the counter, watching you with that spark of interest you remember so well. But now, it feels new, raw, as if he’s falling for you all over again and doesn’t quite know what to do with himself.

“So,” he says, a playful glint in his eyes, “you said we didn’t get along at first. How did I change your mind?”

You chuckle, handing him a mug and savoring the warmth as you lean back against the counter beside him. “It wasn’t any one thing. You…surprised me. I kept expecting you to be this arrogant genius with no time for anyone, but then you started showing up at my door with random inventions, making coffee runs at three a.m. with me, and bringing me little gifts from your travels.” You smile, remembering each moment as if it’s engraved in your memory. “You just…wore me down, I guess.”

He takes a sip of his coffee, mulling over your words, and you see the warmth in his expression, a flicker of understanding, even if it’s only a shadow of his former self.

“Well, then,” he says, his tone soft, “I’m glad I wore you down.”

His words hang in the air between you, and for a moment, the kitchen feels smaller, more intimate, filled with a sense of closeness that’s been there since the moment you met but now feels refreshingly new.

Tony shifts his weight, looking suddenly unsure. “So…do I get to sleep in our bed tonight?”

You raise an eyebrow, smiling a little as you nod. “I wouldn’t have it any other way.”

As you walk back to the bedroom together, side by side, you feel a quiet sense of peace settle over you. Tony might not remember you—at least not yet—but he’s here, and he’s yours, and somehow, you’ll find a way to rebuild together.

You slip into bed, settling under the covers, and Tony follows suit, lying beside you with a soft sigh. After a moment’s hesitation, he reaches over, his hand brushing against yours beneath the covers. You entwine your fingers with his, and even though he doesn’t remember the countless nights you’ve fallen asleep like this, it feels natural.

“Goodnight,” he whispers, his voice soft.

“Goodnight, Tony,” you murmur back, your heart swelling with hope.

As the city lights outside cast a gentle glow across the room, you lie there, hand in hand, feeling the warmth of him beside you. And for the first time since the accident, you feel a flicker of reassurance.

The days start to blur together in a rhythm that feels both familiar and new. Tony’s memory isn’t coming back all at once, but he’s recovering it in little flashes, bits and pieces of who he used to be, of who you are to each other. And even though some of these memories are fleeting, almost insignificant, they build something solid between you—something that’s real and growing stronger with every passing moment.

It begins with breakfast one morning.

You’re standing at the stove, cooking eggs and listening to Tony talk about his latest gadget idea. He’s been getting back into work, tinkering here and there in the lab, and he always comes out in the morning with some grand plan or concept. It’s one of the things you’ve missed most—his enthusiasm, his endless curiosity, the way he lights up when he talks about creating something new. You smile, flipping the eggs onto plates and setting them on the counter.

“You know, I don’t think I ever realized how much you put up with me,” he says, leaning against the counter with that lopsided grin that makes your heart skip a beat. “All my late nights, random ideas, and, uh, probably a few accidental explosions.”

You laugh, rolling your eyes as you hand him his plate. “Oh, trust me, I’ve put up with plenty. But you make it worth it.”

He takes a bite, nodding as though savoring the taste. “You know…this feels familiar,” he says after a moment, frowning slightly. “Mornings like this. I used to sit here and watch you cook, didn’t I?”

“Every morning you didn’t have your face buried in a new project,” you reply softly, watching him carefully.

He pauses, that spark of recognition in his eyes growing, as if he’s trying to hold onto the memory, to make it solid. And then he’s looking at you, really looking at you, with a tenderness that feels almost shy. It’s a vulnerability you rarely see from Tony, and it makes your heart ache in the best way.

“I think I remember something else,” he murmurs, stepping around the counter to stand in front of you. “I remember sitting here and…thinking about how lucky I was.”

Your breath catches as he reaches out, his fingers grazing your cheek, tracing the curve of your jaw. His touch is tentative, almost reverent, and it sends a shiver down your spine.

“Tony…” you whisper, feeling your pulse quicken.

He leans in, his lips brushing yours in a soft, lingering kiss that’s both familiar and electrifying, like he’s rediscovering you for the first time. His hand moves to the small of your back, pulling you closer as his mouth moves against yours, slow and intense, like he’s savoring every second. When he pulls back, his eyes are darker, filled with something that looks like a mix of wonder and awe.

“I don’t remember everything,” he says softly, his voice rough, “but I don’t think I need to. This feels right.”

You smile, threading your fingers through his hair. “It is right,” you murmur, leaning up to kiss him again.

The memory flashes continue over the next few days, each one bringing him closer to the person he used to be. They’re small, fleeting things—a song that triggers a faint memory of a dance in the living room, the scent of his cologne reminding him of the night you first told him you loved him. Each one brings with it a sense of déjà vu, a feeling that tugs at his heart and pulls him closer to you.

One evening, you’re both sitting on the couch, your legs draped over his lap as you watch a movie together. It’s an old favorite, something you’ve watched countless times, and Tony seems to relax into the familiarity of it. His hand absentmindedly traces patterns on your thigh, and you can feel his warmth, his closeness, and it makes you feel grounded, steady.

Suddenly, he chuckles, looking down at your legs. “I remember this. You used to do this all the time. You’d kick off your shoes and practically sprawl across the couch.”

You laugh, nudging him playfully. “And you used to pretend to be annoyed, even though you secretly loved it.”

He raises an eyebrow, that playful smirk you know so well tugging at his lips. “Oh, I’m sure I did.”

You shift, leaning closer to him, your hand resting on his chest, feeling the steady beat of his heart beneath your palm. There’s something about the way he’s looking at you, his eyes filled with both affection and curiosity, that makes you feel bold, like you’re rediscovering each other in a way that’s fresh and exhilarating.

“Can I tell you something?” you murmur, your voice soft.

“Anything,” he says, his hand coming up to cup your cheek.

“When we first met, I thought you were this…impossible genius with no time for anyone,” you confess, your fingers playing with the collar of his shirt. “But then you’d look at me like this, with this softness, like I was the only person in the world.”

He leans closer, his lips brushing against your ear as he whispers, “Maybe you are.”

His words send a shiver down your spine, and before you can respond, his mouth is on yours, capturing you in a kiss that’s anything but shy. It’s slow and deep, his hands sliding up your back as he pulls you into him, your bodies pressed together, fitting perfectly. His kisses are gentle yet intense, each one leaving you breathless, as if he’s trying to make up for all the lost time, all the memories he doesn’t yet have but that you both feel so deeply.

When he finally pulls back, his forehead rests against yours, both of you breathing heavily, hearts racing. He smiles, that teasing glint in his eyes as he brushes a strand of hair behind your ear.

“Why do I feel like I’ve kissed you a million times?” he murmurs, his thumb tracing the curve of your cheek. “Like I can’t get enough?”

“Maybe because you have,” you reply, your voice barely a whisper. “And I’ll never get enough of you, either.”

He chuckles, a sound that’s warm and filled with affection as he kisses you again, softer this time, more lingering, like he’s savoring every second. His lips move slowly over yours, his hands gentle as they cradle your face, as if he’s memorizing the feel of you, the way you fit together.

Over the next few days, the memories come more frequently, little fragments of your life that make him pause, that bring a flicker of recognition to his eyes. Sometimes it’s just a look he gives you, a soft smile that feels so familiar it makes your heart ache. Other times, it’s a touch—a hand on your back, a gentle brush of his fingers against yours—that reminds you of all the little ways he’s shown his love over the years.

And every time he remembers something, he falls in love with you a little more.

One night, as you’re both lying in bed, you reach over to turn off the light, but Tony stops you, his hand catching yours. He turns to you, his gaze soft but intense, filled with a depth of emotion that takes your breath away.

“I might not remember everything yet,” he murmurs, his fingers brushing your cheek, “but I know that I love you. I don’t need memories to know that.”

You feel a lump in your throat, a warmth spreading through you that’s both comforting and thrilling. “I love you, too, Tony,” you whisper, pressing a soft kiss to his hand. “No matter what. I always have, and I always will.”

His smile is tender, filled with a gratitude that makes you realize just how lucky you both are, how strong this connection is between you. He leans in, kissing you with a softness that melts away all the uncertainty, all the fear that’s lingered since the accident.

And as you lie there together, wrapped in each other’s arms, you realize that this isn’t just a return to the life you had before. It’s something new, something deeper and more meaningful, a love that’s growing stronger every day. It’s a love that doesn’t need memories to survive because it’s written into every touch, every glance, every kiss you share.

The morning Tony’s memories come flooding back, it feels both surreal and inevitable. He wakes up beside you, his gaze fixed on the ceiling for a long moment before he turns to look at you, his expression a mixture of wonder, relief, and something deeper—something vulnerable. When he speaks, his voice is low, as if he’s afraid of breaking the spell.

“I remember everything,” he murmurs, his hand finding yours beneath the covers. His thumb traces gentle patterns on your knuckles, as though he’s grounding himself in the reality of the present. “Every detail, every moment. I remember…you.”

You blink away the tears that threaten to spill over, smiling as you reach up to cup his face. “You’re really back,” you whisper, your voice thick with emotion. “I missed you.”

He gives a soft laugh, his hand covering yours as he presses his forehead to yours. “You never really lost me, you know? And I… I missed you, too. Even when I didn’t remember all of it, I knew. I knew you were everything to me. I'd always fall for you.”

You fall into his arms, both of you holding each other tightly, like you’re afraid to let go. And in that embrace, you feel the weight of all those lost days lift, leaving only a warmth that radiates between you. He’s here, fully, and the two of you are whole again.

Later, you’re curled up on the couch together, a blanket draped over both of you, his arm wrapped securely around your shoulders as you cuddle into his side. You’ve both been talking, recounting memories, laughing at the more amusing fragments that came back to him in flashes. And then, an idea strikes you.

“Tony,” you say, glancing up at him with a mischievous grin, “there’s something you need to see.”

He raises an eyebrow, smirking as he brushes a strand of hair behind your ear. “Oh, really? And what might that be?”

You grab your phone from the coffee table, pulling up a series of videos you took during his days without memories. Each one holds moments that, at the time, you’d been scared would be all you had left—little fragments of his affection, of the new ways he showed his love for you while he was rediscovering himself.

“Brace yourself,” you say, hitting play on the first video.

In it, Tony is sitting across from you at the kitchen table, his eyes sleepy and his hair a mess. He’s holding a mug of coffee, and he looks up at you with the softest, most adoring expression, blinking slowly like he can barely believe you’re real. “You’re so pretty,” he says, his voice a murmur, his gaze fixed on you as if you’re the only thing that matters in the entire world. “How did I get so lucky?”

The Tony beside you lets out a surprised laugh, rubbing the back of his neck. “Wow. I don’t think I’ve ever looked that…well, cuddly before.”

“Oh, that’s just the beginning,” you say, grinning as you play the next video.

This one shows him lying on the couch, his head in your lap as you’re reading a book. He’s practically burrowed into you, his arms wrapped around your waist, his face buried against your stomach. Every now and then, he looks up at you with these wide, affectionate eyes, and even without memories, he’s the picture of absolute adoration.

“Is that…me?” Tony asks, a touch of disbelief in his voice as he watches himself look up at you like that. “I’m like a…like a giant puppy.”

“Oh, you were,” you laugh, rubbing his arm affectionately. “I have so many videos like this. You’d barely let me out of your sight. I think losing your memories made you even clingier.”

He snorts, shaking his head as he pulls you closer. “Well, can you blame me? I mean, look at you. Not remembering you was bad enough—I guess I was just making sure I didn’t forget you again.”

The next video is of him in bed, lying half-asleep with his arm stretched out, reaching for you. His voice, groggy and low, calls your name softly, and you hear yourself laugh from behind the camera as you step into view. When you do, he pulls you into the bed, wrapping his arms around you like he never wants to let go. He sighs in contentment, pressing his lips to your forehead and murmuring something unintelligible, and even watching it now, you feel that familiar warmth spread through your chest.

Tony, watching beside you, is silent for a long moment, his gaze softened as he watches himself cling to you like that. When the video ends, he turns to you, a tenderness in his expression that takes your breath away.

“I can’t believe I didn’t remember you,” he whispers, his fingers brushing your cheek. “But even when I couldn’t…I needed you.”

You place a hand over his, smiling softly. “I think a part of you did remember, in a way. You were still you—maybe a little cuddlier than usual,” you tease, “but you were still you.”

His lips curve into a playful grin. “So, I was clingy, huh? Was I any good at it?”

“Oh, you were very good at it,” you say, laughter bubbling up. “I mean, I kind of got used to waking up with you practically draped over me. I’m almost going to miss it.”

His grin widens, a mischievous glint in his eyes as he wraps his arms around you, pulling you into his lap. “Well, if you liked clingy Tony, I think I can accommodate,” he murmurs, his lips brushing your ear as he tightens his hold on you.

You giggle, curling your arms around his neck as he presses a series of soft, lingering kisses along your jaw. “Mmm, maybe I did like clingy Tony,” you whisper, your fingers threading through his hair.

He chuckles, his lips trailing down to your neck, his hands running up and down your sides as he nuzzles into you, his warmth enveloping you. “Well then, Mrs. Stark, it looks like you’re in luck.”

His mouth finds yours, and he kisses you deeply, his hands gentle but insistent as he pulls you closer. The kiss is soft and tender, but there’s an intensity to it, a passion that feels even stronger now that he has all his memories back. It’s like he’s making up for lost time, savoring every second, every touch, every shared breath.

When he pulls back, he leans his forehead against yours, his voice a low murmur. “I don’t think I could ever let you go again,” he says, his hands sliding to your waist as he holds you close. “Every second without you felt…wrong, somehow. Now that I know everything, it’s like my whole world is back.”

You smile, brushing your fingers along his jaw as you gaze into his eyes. “Then don’t let go,” you whisper, your heart racing as he closes the small distance between you again, his mouth meeting yours in a kiss that’s both familiar and exhilarating.

soft Tony is just a baby <3 if you liked the story leave a like and a reblog and drop a follow if you want to read more!

[tomatopers]

about the hoyoverse boycott

i just wanted to put my two cents out there, as a South Asian:

We knew, from before anything was out, that Natlan would lack skin tone diversity at bare minimum, so it came as no surprise when these characters showed up; To preface my post, this does not make what happened and what's happening okay.

Why are people mad? Obviously, the skin tones are a big part of it. Yes, lightskinned people exist and live, etc, in these cultures- no, they do not make up 100% of them. What Hoyoverse is doing in Natlan is blatantly profiting off of poc cultures/religion in a disrespectful manner, and they have [once again] failed to acknowledge this. A really obvious example of this is the character "Ororon." I am no expert in Olorun, but as many have said, this character is meant to be based off of the deity.

This is awful- there are NO similarities, "Ororon" looks like my gacha life oc from seventh grade, and the disrespect towards the Yoruba people is insane.

As a twitter user whose tag I forgot mentioned, the majority of the Natlan Characters shown so far have been lighter than Lois Griffin [Family Guy].

Onto the boycott itself- If you are going to boycott Genshin, I recommend also boycotting other Hoyoverse games- being f2p isn't hard either, if you do not want to stop playing completely.

Additionally, I will link a petition to the bottom of this post, as well as some other things you can do to protest this.

I do wish I could have seen more of my and my family's culture in Sumeru, and that this backlash could have also occurred there, but in my honest opinion they did worse with Natlan and I'm glad we as a community are choosing to do something about it.

As a closing piece, I would like to point out the frequency of darker skintones in npcs, specifically enemies; The aggressive POC stereotype is both harmful and obviously incorrect, and people like me do not exist just to be placed constantly in secondary/antagonistic roles. Thanks.

Petition: https://www.change.org/p/stop-cultural-appropriation-and-whitewashing-in-mihoyo-games

Twitter posts about sending a feedback email [and template]: https://x.com/alsoknownasaki/status/1542216133734010881

Update bc I did not research ahead of this like a loser: Sumeru is not any better than Natlan actually!!!! Found out Nahida/Kusanali is likely based off of the Persian goddess Nahid and/or the Hindu goddess Saraswati! Sorry 😭

[pumpkinpaix]

Chapter Spotlight 8:

"'Censorship Made It Better': Anti-Fans and Purity Culture in English-Language Chen Qing Ling Fandom" by Abby Springman

Describe your topic/chapter in one sentence/one meme/140 characters.

Rejoice! MDZS has been cancelled!

What drew you to this topic?

When I got into CQL fandom and started lurking on its outskirts on Twitter, I started getting this weird sense of déjà vu. There was this bizarre similarity between the arguments I was seeing about the aspects of CQL/MDZS and their fandoms being "problematic" from a progressive, social justice point of view and the demands for censorship in American libraries that conservative groups were (and still are) making at an alarmingly increasing rate. In an attempt to make sense of this, I fell down what ended up being a really long rabbit hole, and, well, here we are.

Was there anything you were surprised to discover while researching?

I was surprised by the wide variety of fannish backgrounds found amongst members of English-language CQL fandom! I'm not used to seeing so many different "areas" of fandom intersect over a single piece of media like this. Some folks are primarily into the live action movies and TV shows side of things, some are mostly in bandom, some (like me) are traditionally a part of the anime, manga, and gaming contingent, etc. I think that's fascinating, honestly.

Did researching/writing your chapter change how you saw the text, the fandom, or the media? How so?

I didn't use the block button on Tumblr or Twitter for anyone in the fandom while I was working on my chapter. It definitely changed how I saw fandom on those platforms—literally. It really highlighted how much power social media algorithms have over what kind of content is presented to us front and center.

If there’s one thing you hope the fandom takes away from your article, what would it be?

I'll be thrilled if it makes people think about "problematic" content in less black-and-white terms. They don't have to necessarily agree with my conclusions! But if my words make even one person stop and think more about context before posting a reactionary comment, then that would be great.

If you were isekai-ed into MDZS/CQL, what sect affiliation would you choose and why?

The Lan. My existing skills are most likely to be applicable there (see: the library), it seems easy to find some peace and quiet when you need it, there are bunnies, and Hanguang-jun is there.

Chaotic one-sentence pitch to get your friends into MDZS/CQL?

My elevator pitch for CQL has historically been, "It's the adaptation of a book about a gay necromancer, except they can't actually show the gay romance or the zombies on screen."

What is one (1) book/media you would recommend to a MDZS/CQL fan? Tell us about it.

Strange Tales from a Chinese Studio by Pu Songling. It's probably the most accessible collection of Chinese stories of the supernatural available in English. If MDZS/CQL was your first exposure to traditional Chinese cultural beliefs about ghosts, exorcisms, and the like, this is a great introduction to the less xianxia-specific aspects. If that isn't the case for you, I still highly recommend it on its own merits!

Character you keep getting in those "which MDZS/CQL character are you" quizzes?

Wen Ning

Anything to say to potential readers of the collection?

Thank you, and I'm sorry—no, that's a joke. More seriously, I really am thankful for anyone interested in the collection. It's the product of years of hard work by many people, and I'm sure there's an interesting chapter in there for everyone.

(FAQ) (all posts on Catching Chen Qing Ling)

[loz-furbies]

Zelda ages based on when their games came out. Welcome to the team EoW Zelda!

Characters and design thoughts under cut:

For starters, I did a similar Zelda piece a few years ago and ran into the problem that I can't really draw anything else than anime teen girls, which is kind of a problem in a drawing where half the characters are above 20 and their age differences are the whole point. And in addition almost everyone is supposed to be royalty with very similar clothes too. But in my defense, in general it can be pretty hard to tell the ages of 25 to 40 year old anime women anyway.

I needed a reference for the body proportions in order to even get started, so I quickly thought "who is an anime woman who doesn't look like a teenager", and used Yor's character sheet for assistance. The younger characters' proportions are a little inconsistent, since I couldn't choose if I would look at realistic growth chart or go with the anime look (where teens and children are often shorter than they would be in real life) so the result is this weird hybrid.

Four Swords (December 2, 2022) & Four Swords Adventures (March 18, 2004) - Chronologically they are different Zeldas even though they use the same promo art/character design, so I used the promo art design for the original FS Zelda and drew the FSA Zelda based on her sprite. There's not much to these designs, they have very little going on in terms of story or personality to use as inspiration and their character design doesn't offer much anything original when compared to the other more well known Zeldas either. Their only distinct element is the big red hair bow, but I thought it would look too childish when they're supposed to be in their twenties here.

Minish Cap (November 4, 2004) - There's not a lot MC Zelda that I could use for inspiration. But then I remembered that a while ago I wrote about how the pointy hat Queen Ambi wears should be used more often, so I thought I should put my money where my mouth is and draw it here, since Zelda does wear a red cap for a couple seconds in MC. In general the MC Zelda and both FS Zeldas are at a little awkward age for this picture, since they're too old for youthful child designs but not really old enough for more mature queenly designs either.

Skyward Sword (November 18, 2011) - Her design is based on her concept design, which I assume is meant to be her casual look and not the ceremonial costume she wears in the game.

Ocarina of Time (November 21, 1998) - I decided that age-wise she makes the cut of when I start using updos. Why do the Zeldas have such similar canon hairstyles anyway, it was surprisingly boring to work with them. Still not sure about the curls though, my fancy dress design artbook that I used for inspiration had so many cute curly hairstyles but I couldn't really use any here because I worried the characters would become unrecognisable. But since OoT Zelda had some curls in her "sideburns" she fell victim here.

Hyrule Warriors (August 14, 2014) - HW Zelda has a distinct enough design from the other Zeldas that it gives a lot of elements to work with, though her age here limits it a little since she's too young for bikini armour. Also because HW is a spin off, I also considered including the Cadence of Hyrule Zelda, but that led to the realisation that it would have opened the doors to CDI Zelda as well. Which I guess would have been fine, but this is already a pretty wide drawing full of adults, so while a Cadence of Hyrule Zelda would have been easy to fit on the front row, I couldn't justify adding even more adults just for the CDI games. So only HW is included because I've played it and actually like it.

Zelda 1 (February 21, 1986) - The original Zelda is at an age where it's a little awkward how there's little difference between her (38 years old) and OoT Zelda (25). But I couldn't think of any anime that would help me as reference here, and I don't think she's old enough to have that "this character is getting old" wrinkle under her eye (you know the one).

Echoes of Wisdom (September 26, 2024) - I think she looks a bit too old here to be a zero-days-old newborn but work with me here.

Breath of the Wild (March 3, 2017) - She's actually at the age where her mum died, poor girl. She's very refreshing to work with since her look is so different from the other Zeldas.

A Link to the Past (November 21, 1991) & A Link between Worlds (November 22, 2013) - Originally I also had the Oracles Zelda in this since she does have a unique design, but then again I consider the Oracles Link to be the same as in aLttP which ought to apply to Zelda as well, plus the design isn't unique in any interesting way and is just a combination of the OoT & aLttP designs, so in the end I just gave the Oracles Zelda sprite's hair buns to aLbW Zelda. Overall having to use the essentially same design for both aLttP and aLbW Zelda wasn't much fun, especially when neither really offers anything notable in terms of story or personality, but at least they're pretty far apart when it comes to age.

Twilight Princess (November 19, 2006) - I haven't played her game so I don't know a lot about her (other than reading the manga which didn't give me anything to work with either) and she's also close to her canon age (?) here so she ended up looking pretty similar to her canon design.

Spirit Tracks (December 7, 2009) - This was a tough one because technically ST Zelda does have a lot of elements to her story and character that could work for a redesign, but not really for the purposes of this picture. Anything train related is more of Link's thing, and anything ghost related doesn't really fit either since she's not supposed to be a ghost at this age. And as for the Phantom, I got the impression that while she learned to appreciate it, she didn't exactly like using it, and that personality-wise she would prefer not to go on another similar adventure. So In the end I just replaced the regular armour parts many Zeldas have in their designs with the Phantom armour and used the ghost palette for the rest of her look, and I kind of like the result. Her personality looks a little out of character though but I couldn't resist the opportunity to draw this with Grandma Tetra.

Wind Waker (December 13, 2002) - I haven't played WW so I'm not sure how accurate this is, but drawing her with the pirate design definitely added some much needed variety to this picture. I really like her twirly hairstyle in canon, but I also really wanted to draw her with short hair, so it had to go. Maybe ST Zelda can style her hair in a twirl when she gets older to compensate?

The Adventure of Link (January 14, 1987) - Really don't know what happened here, not particularly happy with the end result. I prefer to draw the Zelda 2 Zelda with her sprite design because just reusing the OG Zelda design is boring, but I really should have kept it closer to that since now she's practically unrecognisable.

[most-datable-datable-bracket]

ROUND 5 MATCH 6

Claude propaganda:

"To say Claude has trust issues is an understatement—you have to spend half the game earning his. (Claude isn't even his real name!) Once you have it, though, he's absolutely ride or die for you until the stars go out. He is so full of heart and ambition: He wants both sides of his heritage to get along, he wants to open borders and eliminate xenophobia and promote equality between commonfolk, and deep down, I think he craves a partner to stand with him at that new dawn, or an equal who sees his vision for the future and will fight for it just as hard. Nobody believed in him when he was a kid, but if you put your faith in him, he'll return it tenfold. Some people don't like that he's calculating, or has to leave the player character at the end of the game to go back to his homeland, but both are necessary elements for his goals to change things. He will always come back, and everyone who bets against him and his love for his companions is wrong with a big fat W. #KhalidForMostDatablePrez"

"Claude is a fun little onion of facades. He calls himself the embodiment of distrust, he acts like he's carefree and without worries, an unscrupulous schemer--and so many in universe buy into that hook line and sinker. He's used to others viewing him with suspicion and uses it as armor to obscure his not-so-dark truth: that he cares immensely, that he values minimizing the loss of life, and that above all he has so much hope that people will fundamentally choose to do better given the choice.

His front guards a center that his conflict filled world would be happy to tear apart. As the child of people from two nations in constant conflict--one of which is explicitly isolationist and dehumanizes those outside its church's reach--he hasn't really had a place where he can be without his facade. As a child he thought he could run, but when confronted with the fact that this hatred existed no matter where he ran, he chose to instead try to create a more just and kind world.

His inability to let others in beyond his facade at first may lead to a sense of distance, but isn't it then all the more satisfying when you're allowed in? All he wants is a little trust, a little faith, and--like what he wants to give everyone--a chance to be better.

And like that you got a charming young lad with a fun personality that your grandma would be thrilled to have stay forever."

Josephine propaganda:

“you get to have a full Disney princess style romance with her, she is the most precious, the most sweet, I love her so much 🥺”

“Josephine's one of the "behind the scenes" companion for the protagonist and she advises them on diplomacy-related matters.

Her personal quest and romance is fairy-tale worthy: she gets threatened with assassination, you help her restore her family's fortune, you get threatened by her best friend to not break her heart, she doesn't dare to hope you mean anything serious when flirting until you spell it out for her, after which Josie agrees to a deeper relationship... And immediately after that she finds out her family has engaged her to a random noble without her knowledge!! You publicly challenge the suitor to a one-on-one duel to win her hand, she finds out and interrupts the duel because she's worried of the Inquisitor throwing literally the entire plot away and risk life in combat for her... To which of course you can confess that they're doing it because they love Josephine, and they get the cutest cutscene with Josie jumping in the Inquisitor's arms and them spinning her around before kissing each other <3 The betrothed steps away because he sees true love between the two. She and the Inquisitor stay together through the end game and after it, gaining a "second home" with her and her family.

She really believes in the Inquisitor's cause and from the very first conversations with her, she asks questions about your background and tries to make you feel welcomed (especially appreciated if the Inquisitor isn't human since people are less trusting of them). She's politically smart but dislikes violence, overall very sweet but still strong... Josie tends to overwork herself (she's a perfectionist) and at first she tries to keep a professional air at all times but if you encourage her, she will rant to you and spill all the tea about nobles lol.”

[thorough-witness-enjoyer]

In the face of recent news about our beloved Destiny, I think it’s more important than ever for us as a community to come together and support each other in numerous ways.

It’s been a very hard week for all of us, especially those who lost their jobs and outlet for their passion in mass lay offs. Losing a position that allowed you to craft magnificent stories alongside some of the most ambitious people in the gaming industry, especially in worrying economic circumstances, must be excruciating to deal with and I wish the best for all those laid off from Bungie.

For us fans, it hurts more than anything to see the game you care so much for get put in headlines for how little that care is shared amongst the people responsible for making decisions on it. I’ve been into Destiny since it first dropped, making it the love of my life for nearly two-thirds of my whole existence , and to hear about how it’s just another product to be sold when it’s everything and more to me is just despairing. I wanted to become a writer and concept artist to create a game for others that made them feel as cared for as I did when I played Destiny and now I’m sitting here seeing all the people who helped foster that feeling be treated as another expenditure.

It’s awful, a lot of us are feeling really uninspired and betrayed at the moment, not sure we even want to see what will happen to this masterpiece of a game in the hands of the current executives. We are also dearly missing the developers, artists, writers, and more who made Destiny more than a fps looter shooter.

But it is times like these where we are torn and confused that we must uplift one another and not let the bitter taste of Bungie’s actions make us speak with hostility. This is not about decisions on whether to support Bungie or the actual game, but about refocusing on what truly makes Destiny enjoyable to so many.

Its world is immersive with care put into every story and that clearly shows in just how eager fans are to create masterpieces for it. It was never playing the game or the notoriety that kept me coming back for more, but the joy of creation I could share with others.

It stings to see a disinterest in nursing the potential of the Destiny universe from the executives with motivations other than monetary gain, but when the executives won’t care, we can. There are still employees at Bungie who adore their work and we can continue to support them by speaking up against horrible industry practices and show that we won’t abandon their efforts to make Destiny what it is.

Make ocs, write fanfictions, follow the former employees wherever they go, draw til your heart is overflowing, join Discords, roleplay, share headcanons, create aus with friends, do whatever keeps Destiny alive and flourishing for you!

Destiny will never die to me, even when it’s long forgotten and the servers shut down, because Destiny made me who I am and I intend to repay that gift an infinite amount of times over. The characters and universe will be alive and well to me until I die, regardless of the fate of the game and Bungie.

So go out and prove that Destiny’s themes of the power of community and hope are more than just morals behind a screen, that they are life changing messages that we will carry on despite hopeless news!!

Reblog charming artists, message people about ships you enjoy, leave questions and tags that contribute to conservations, write essays about what Destiny means to you!!

My messages and inbox for questions are always open if anyone would like to talk (I’m trying to get better at answering them, even if they are months late)! You are all welcome here and I want to start reblogging and liking more freely even if those things scare me sometimes!

We can decide our fates and we can decide the fate of Destiny’s presence in our lives as well! We can choose to care when others won’t and refuse to make our enjoyment debatable!! In troubling times, we should be able to reach out into the dark and find hands to hold onto tight!!