#then i’ll have all 4 of the main cast
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daeyumi · 1 year ago
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au Ganondorf 🪷
ngl i am Very proud of his design
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giveamadeuschohisownmovie · 1 month ago
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I’ll just come out and say it. Okarun’s development from weirdo nerd to unhinged badass actually makes sense. It’s actually refreshing to read a story where a nerd becomes a badass and have it not feel forced or feel like the author’s self-insert.
I think what made the story work for me is that the story doesn’t really change who Okarun is as a person. He’s not a cool social person, he’s a fucking weirdo nerd who gets on people’s nerves. And he’s still that way several chapters into the story. What makes his journey feel natural is that even though he doesn’t turn into this cool, social butterfly who everyone likes, it’s clear he doesn’t need to be:
1) Momo falls for him, which makes sense because, like Okarun, she’s a complete weirdo who gets on people’s nerves
2) Aira, the popular girl, falls for him. This would be forced in any other story, but it makes sense in DanDaDan because Aira is also a complete weirdo. The difference with Momo and Okarun is that Aira is weird because she has main character syndrome.
3) Okarun becoming more aggressive and unhinged makes sense when you consider that he wants to protect/impress Momo. Not only is she the first friend he’s ever made, they’re practically soulmates. The manga’s overall story is about how even though Okarun and Momo are weirdos who don’t fit in, they fit each other perfectly. So what happens when someone meets their soulmate? They’re gonna do whatever it takes to protect them, hence why Okarun’s development into a badass makes sense.
4) The story really puts Okarun to the test. For example, in the most recent chapter I read, Turbo Granny actually had to tell him to stop whining and go back to focusing on the fight that was happening. Okarun didn’t even get a chance to do the typical shonen hero “I’m weak, I want to get stronger, I wish I was better” speech. Most other shonen series would let their hero have their “I’m weak” moment. DanDaDan, on the other hand, said fuck that, Okarun needs to step up or he’s going to die. And I do think that’s intentional on the author’s part since the manga feels like it’s mocking all the familiar tropes in the genre.
5) So far, the series doesn’t rely on surprise power-ups. This really works for the development of the entire cast since it forces the characters to use their wits to resolve their problems. Since this post is about Okarun, I do think that part of the reason why Okarun’s journey into becoming a badass feels natural is that he has to use his wits. I mean, he’s already a nerd, so having a nerdy character outsmart their opponents makes sense. I’m mainly referring to the chapter where Okarun defeats Evil Eye by using reverse psychology.
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erindrinkstea · 2 months ago
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Please Please Please
Poly! Dark! 141 x Reader
TW: Dark Themes, Spicy Themes, Possessive Behavior, Obsessive Behavior, Violence, Blood, Death
Description, Part 1, Part 2, Part 3, Part 4
Main Masterlist | CoD Masterlist
Note: The long awaited Part Four!
"Ah, fuck."
The words slipped out as the crushing pain yanked you from the merciful void of unconsciousness, jolting you back into the harsh reality of the suffering you’d momentarily escaped.
“Settle down, sweetheart.” The gruff voice grated on your nerves, and you groaned, too hazy to register who was speaking but annoyed enough to resent the command.
"Easy for you to say." you hissed, batting away the hand rubbing your shoulder. "Feels like I got dragged down from Heaven straight into Hell."
“As much as Heaven might miss its angel, I’m not nearly saintly enough to let you go just yet.” Another deep, rough voice cut in, the familiar chill of it snapping you back to reality.
“Price? Ghost?” You blinked, coming to your senses. “Holy shit. I’m alive?”
Their expressions darkened at that.
“Of course you are. We’d skin the medics alive if you weren’t.” Ghost chuckled, though there wasn’t a hint of humor in it. The edge in his tone made you suspect he wasn’t joking.
"How was the mission?" you asked, worry sparking for the victims left in that hellish place.
"All civilians are on the path to recovery. And you should be too.” Price replied, casting you a look that was half-reassurance, half-warning.
“You were reckless. Careless enough to be suicidal." Ghost scolded, and you resisted the urge to roll your eyes.
“We’re in the military. We’re the 141. Everything we do is suicidal, lieutenant.” you shot back, unapologetic.
“I know. But a bit of caution wouldn’t kill you.” Ghost narrowed his eyes, holding firm. Normally, you’d relish the back-and-forth, but the weight of exhaustion from skirting death kept you quiet this time.
“Think I’ll catch a little more shut-eye before getting thrown back into the fire.” you muttered, gesturing toward the door. “If you’d kindly leave, gentlemen.”
They exchanged a look, hesitating for a moment before nodding and stepping out. Weirdos.
As the door shut behind them, you let out a relieved sigh. The tension in the room had felt suffocating, like a collar around your neck with the way those two had stared down at you. It was terrifying, to say the least.
You stared up at the ceiling for a few minutes, deciding that thinking too much about it would only add to your headache. Closing your eyes, you took a deep breath, letting yourself drift back to sleep.
──────⊹⊱☕︎︎⊰⊹──────
“How were they?” The moment Ghost and Price left the room, they were bombarded by the two sergeants waiting outside.
“Were they breathing okay?” “Is their pain under control? Do they need more meds?” “Were they able to talk? Were they coherent?”
“They're fine.” Price raised a hand, silencing them both immediately. “Just very tired. They needs rest.”
“You will not disturb them. Give them space and time.” Ghost ordered, his tone leaving no room for argument. Soap and Gaz looked ready to protest, but he cut them off.
“They're exhausted. They need rest, and we’re going to give them all the time they wants to heal. Fussing over them now will only stress them out.”
Ghost’s stern logic shut down any further protests, leaving both of them nodding reluctantly.
“What can we do for them in the meantime?” Soap’s voice was laced with desperation. He hated just standing around and waiting—it was never his strong suit. Patience was possible, but only up to a point, and right now, he was far too agitated to have an ounce of patience in him.
“We’ll give them all the time they need, Johnny. That’s all we can do until they walks out of those doors,” Ghost replied.
“That’ll be easy enough. We’ve gotten away with worse than a bit of extra time to rest.” Kyle shrugged, a knowing smirk on his face. It wasn’t exactly a secret that special forces sometimes received certain privileges, and a little bending of the rules came with the territory.
“I’ll head to the kitchens and cook something up for our birdie.” Gaz grinned, clearly proud of his idea. “They'll feel better with something warm and savory in their stomach.” Gaz was probably the only decent cook in the 141.
John hadn’t set foot in a kitchen in ages. Simon could cook, but the man had no sense of seasoning; whatever he made would end up either too bland or overwhelmingly spicy. And Johnny? He’d either blow up the kitchen or whip up some abomination that was more science experiment than food.
“I can help!” Soap perked up, only to have Ghost pinch the back of his neck in warning. “We don’t need a burnt-down kitchen, Johnny. We have enough people in the med bay as it is.”
Ghost nearly laughed at Soap’s sulking expression. “Come on, you can help me with paperwork instead.” Soap’s face turned from sulking to horrified as Ghost steered him off to work.
Price chuckled and shook his head before heading to his own office to file some papers. He’d have to talk to Laswell about the extended rest period as well. She’d likely be the easiest to convince, considering how much she cared about you.
The 141 will take good care of you from now on, don't worry.
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tomriddleslove · 11 months ago
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Pt 4 - Drunk words are sober thoughts.
✩ Theodore Nott x Reader
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Summary: The one where Pansy organises a dinner party, you’re on the run from Theo, and bad decisions are made. Alternatively: Uncomfortable awkward tension, then smut.
A/N: We aren’t out of the trenches yet. We’ve only dug ourselves deeper with this one.
REQUESTS ARE OPEN.
Please let me know in the comments if you want to be added to the tag list!
MDNI!
Tags: Smut (duh),Drunk sex, PIV, Hair pulling, praise.
Songs: Love survive - Michael Nau
Star Treatment - Arctic Monkeys
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The sun filters through the cracks in the blinds, casting an almost heavenly glow on your bed. The warmth was soothing, and you’d almost call it a very peaceful morning.
That is, of course, if you weren’t woken by Pansy yanking the covers off you, tossing them to the side.
You groan sleepily, rolling over as you try to shield your eyes.
“Oh come on! Merlin, you've been asleep for so long! Everyone else is up! I refuse to let you spend all holiday rotting in bed.” She nags, grabbing your arm as she tries to pull you up. You let your body go limp, the dead weight pulling you back onto the bed as you use your free hand to pull a pillow over your head.
“You know Pansy, have you ever considered my idea of a holiday is sleeping in all day?” You mumble and she tuts, grabbing the pillow from you.
“Nonsense. I’ll kill you if we don't make the most of this.”She admonishes, faffing around you like a mother hen as she walks around your shared room with Theodore (who notably wasn't there, his bed made.) She opens your closet and takes the liberty of choosing you an outfit as she flicks through your clothing, speaking again.
“We're going to celebrate the start of this beautiful Holiday I have so kindly provided us with. We’re making dinner and having a small dinner party. Nice clothes, naturally. Mattheo, Lorenzo and Theodore will be making the starters, and Draco, Blaise and I will be making the main, which means you’re in charge of dessert. Consider it a penalty for waking so late.” Pansy explained as she crouched down to sort through your other clothes.
You grumble, muttering childishly under your breath as you sit up, on the edge of your bed as you come to your senses.
“I'm putting poison in yours.” You half-joke, and she isn't phased as she tosses you a floral white sundress and a handful of jewellery. You dodge the assortment of gold sent towards you and you glare at her.
“There. You’ll have to change for dinner but this is good for now. We’re all downstairs, but I sent some of the boys to fetch the ingredients. Chop chop!” She calls out, as she descends down the stairs.
Pansy. She truly tested your patience.
You manage to drag yourself up from the warm confines of your bed as you head over to the bathroom, going to take a shower. You walk past Theodore's bed as you do so, and you see his copy of Little Women lying on his bedside table. Curiosity tugs at you.
It would be bad to take a peek, right? I mean, he did hand it to you that day in the library. Granted, he took it back right after, but surely that implied you could take a look.
You (rather weakly) justify your decision and pick up the book, thumbing through the pages as your eyes scan over the various annotations and underlined passages Theodore had analysed.
One in certain catches your attention. There, messily underlined, is the quote:
“Watch and pray, dear, never get tired of trying, and never think it is impossible to conquer your fault.”
Followed by “No. 4” scrawled in Theodore's handwriting. You frown, confusion etched on your face as you try to decipher what the four could possibly mean. You flick through the rest of the book, trying to spot any other instances.
“You are the gull, Jo, strong and wild, fond of the storm and the wind, flying far out to sea, and happy all alone.”
No. 7
I've loved you ever since I've known you, Jo, - couldn't help it, you've been so good to me, - I've tried to show it, but you wouldn't let me; now I'm going to make you hear, and give me an answer, for I can't go on so any longer.
No. 5
You couldn't seem to find any rhyme or reason for this labelling. It was simply random parts of the text underlined every now and then with a number next to them, as though some sort of list. Your curiosity gets the best of you, and you're itching to look for more when the sound of footsteps coming up the stairs snaps you out of it. You quickly shut the book, placing it back down as you grab your dress and towel, dashing into the bathroom. You just manage to lock the bathroom door when you hear the door to your room click open, and you let out a small breath of relief. Your mind is working tirelessly, trying to decipher the cryptic annotations as you take a shower.
You finish off and get dressed in the bathroom, taking your time to avoid Theodore. By your luck, when you unlock the bathroom door and peer out the small gap, Theodore is not there, and you let out a small sigh as you step out.
You put on the jewellery Pansy set out for you and slip on some socks, combing through your wet hair as you dry it lightly. Satisfied with how you looked (you did feel rather pretty, in all honesty), you make your way downstairs.
The kitchen is empty, save for Blaise putting the groceries away into the fridge. You grin as you walk over to join him, his eyes flickering over to you as you walk in.
“Morning. You got your rest, didn't you?” He teases and you shoot him a mocking smile, rolling your eyes.
“Yeah yeah, make fun of me all you want.” You sigh as you reach for the second bag, helping him put everything away.
“Where is everyone else?” You ask.
“Pansy and Lorenzo went out to get drinks, and I'm pretty sure the rest found some sort of creek or something so I think they went out for a swim,” Blaise says and you hum, nodding.
Come to think of it, you had completely forgotten about the rather surprising development between Blaise and Pansy. You and Lorenzo had bet on it as well. Deciding to pay Pansy back the favour, you begin probing into their little dilemma.
“So Blaise, tell me. What's going on between you and Pansy?” You ask, and he chokes on the coffee he was sipping as he sets the cup down. You open one of the cupboards, storing away a packet of pasta as he looks at you.
“What do you mean?” He responded, and a small grin tugged at your lips.
“Oh come on, don't act all shy now. This whole flirting thing you have going on.” You say, vaguely motioning in his direction as you put some fruits in the fruit bowl resting on the kitchen island.
“There's nothing. Just friend.” He denies, and you turn to him, resting against the island.
“Sure. Just one thing? You're both stubborn fools. Don't let that prevent anything.” You advise, looking at him. You grab an apple, tossing it into the air before catching it as you walk past Blaise, patting him on the back.
“Right now, out. I need to start prepping the dessert.” You say, and for the first time in your life, you see Blaise ever so slightly red.
He playfully grins as he walks out, and you tie your damp hair up as you look through what the boys bought.
You settle on a classic after taking note of the copious amounts of cream cheese the boys had bought (You were reminded to never ever ask them to go shopping, and you'd be sure to remind Pansy the same.)
A salted caramel cheesecake. You decided to make the biscuit base yourself - it would serve as a good way to pass the time seeing as you had the whole day to yourself.
Before you begin cooking, you wander over to the living room. Your eyes settle on a collection of vinyl records in the corner, and you sift through the sleeves, settling on one that doesn't look immediately terrible.
You carefully place the vinyl onto the turntable, the soft crackle of the needle hitting the record filling the room. The sound of a smooth jazz melody starts playing, creating a cosy atmosphere in the kitchen. As the music envelops the space, you begin gathering the ingredients for the biscuit base.
You preheat the oven and begin making the biscuits, sifting flour into the bowl as you work. It's surprisingly relaxing, the villa is empty and you're left to your own devices, humming along to the music as you bake. Sure, you definitely weren't the cleanest baker. A simple biscuit recipe had left you with a white powder coating over the kitchen, stacks of bowls in the sink and somehow, flour on your clothes as well. You huff, dusting down your dress as you place the haphazardly shapen uncooked biscuits into the oven. It didn't matter whether they looked good or not - you'd be crushing them anyway.
It only takes about 15 minutes before the delicious aroma of vanilla fills the kitchen, You're admittedly pleased at just how good they smell, and you can only hope they taste as good as they smell.
Whilst those finish off, you begin making the actual filling of the cake. You reach for one of the bowls when a certain song begins playing, your ears perking up at the sound.
“This is my conquering song
played on a wave so strong
pulled the broke-down ride for far too long”
You lightly sing along to the lyrics, a small smile tugging on your lips as you do so. You had always imagined this song to be blissfully domestic, something you'd willingly play if you were to cook or bake, so the fact you selected it by chance made you oddly happy.
Sometimes it was the little things that count.
With a little pep in your step, you walk around the kitchen as you gather the ingredients. Liberated by the villa having no other occupants, your movements are freer, a small little (unnecessary) spin or a little break to sing along as you cook.
Now, it had been long established that you really did not have the best awareness of your surroundings. This continued to be the case now because you were sure you would have stopped immediately if you had seen Theodore leaning against the doorway of the kitchen, looking over at you.
Unfortunately for you, you did not notice him.
Theodore leans against the doorway, his eyes fixated on you. They always would be, he couldn't not look at you even if he tried to.
A fond smile is tugging at his lips, watching as you lightly sing along to the song. It's offkey, and your impromptu dance moves incorporated with your haphazard baking skills is laughable, but Theodore can only look at you and feel simultaneously so happy yet also so terrified. Terrified because he acknowledges how such a simple sight can't get that smile off his face, and the fact someone has the capability of doing that to him seems daunting. He was scared because, for a brief second, he imagined walking over and helping you. You'd look up at him with that smile of yours.
God, that smile.
You have that little impish look in your eyes, ready to poke fun at him. He does the same with you. The worst thing is if he hadn't fucked up so royally, you could have been doing that.
Instead, he pushes off the doorway to go and help you. The first part goes as expected, you see him and you yelp, spinning around. He knew your ears would turn red, as they usually did when you got embarrassed. Theodore knew you like that.
He knew you'd look at him akin to a deer caught in headlights because your mind would go blank for a second. Theodore knew you like that.
He also knew you well enough to know that, despite his own hopes of your once confused and mortified face breaking into a wide grin, it would instead fall and you would avert your eyes.
Theodore knew you like that.
He hated it.
“Oh. Hey.” You utter, clearing your throat. You berated yourself for always acting so obviously on edge when Theodore was near. He looks down at you with an indescribable look in his eyes before he speaks.
“Hey. Need help?” He asks, and you look around at the messy kitchen, before shaking your head.
You actually did, but you'd be damned if you had to spend more time with Theodore, alone. You'd either end up dead silent or stammering some embarrassing declaration. You couldn't tell which one would be worse.
“Alright.” He mused, looking down at you. He doesn't make any move to leave though, and you're hyper-aware of the fact that he is very close to you.
His hand comes up, cupping the side of your face gently as his thumb brushes against your cheekbone. His hand is there for a second too long, crossing the boundary of what it should have been. Again, it seemed as though everything you and Theodore did crossed that boundary.
“You had flour on your cheek,” he says, and you nod, drawing away your face. You turn around, praying to the gods above that they'd stop torturing you and make Theodore leave. You keep your back to him as you continue cooking, and he seems to finally leave, making you release a breath you didn't know you were holding.
You hasten your cooking after that and you're out of the kitchen in no less than 20 minutes with the cheesecake stored in the fridge as you make your way to Pansy’s room. You absolutely would not go back up to yours, as you were sure Theodore was there.
Exactly how long did you plan on running from him?
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Hours have passed lazing away on Pansy’s bed, bored out of your mind when she finally returns.
“Finally.” You sassed, sitting up as she raised a brow at you.
“Why are you waiting here?” She asks, and you shrug.
“Can I not miss my friend?” You quip and she eyes you, knowing there must be another reason. She chooses not to probe further, however, joining you on her bed.
“We ought to get ready. I did tell the boys to dress nicely, we’re dignified people.”She chided as she got up, walking over to her closet.
You giggle at her swift change of actions and lean back on her bed, looking over at Pansy.
Her love for micromanaging you often was a negative, but now it could very much be a huge positive.
“Pans… You always know just how to style me right. Can you run up to my room and choose a look for me? I'm hopeless.” You groan, putting your hand on your chin in an exaggerated display of hopelessness. Her eyes light up, as though she was a little kid playing dress up, and she nods.
“Finally, you've come to your senses! I know exactly what I'm getting, wait here.” She gasps, scampering upstairs. You grin, having successfully avoided Theodore once again.
(The answer to the previous question? You'd run from him for a very long time, seemingly.)
Despite her reassurances, Panys arrives a solid half an hour later, a scarlet lace dress clutched in her hands. An impulse buy, the dress was shorter than what you usually wore. It had a fitted bodice but a flowy skirt, though it only reached your upper thigh. The long sleeves that extended down into flowy bell sleeves had to be your favourite feature of it, alongside the bustier style bodice at the front. She grins as she passes over the dress, alongside a pair of black boots.
“Dressed nicely but not too fancy. Plus I've been dying to see you wear this, so up and change.” She demands, pushing you up. You grin lightly at her antics as you take the dress, disappearing into the bathroom to change. You run your hands down your body as you admire yourself in the mirror. A hell of a good impulse buy, the dress looked incredible. The low cut was far out of your comfort zone but boundaries were meant to be pushed, right?
(No, they were not.)
Pansy gasps as you step out, pulling you over as she admires the dress, words of praise leaving her lips.
“You look so good! Oh my god, wear this everywhere.” She gushes, and you smile shyly.
“Thanks, Pans. Really. And you look incredible too, like positively mouthwatering,” You say and she grins, doing a small twirl in her satin black dress. After styling your hair and doing some light makeup, you make your way over to the dining room, which had already been set up beautifully.
The table, adorned with a crisp white tablecloth, is set meticulously with polished silverware, crystal glasses, and porcelain plates. A centrepiece of fresh flowers in varying shades of red and white adds a touch of elegance, their fragrance mingling with the soft glow of candles placed strategically around the room.
Pansy's attention to detail is evident in every aspect of the setup. Delicate linen napkins, folded artfully, rest atop each plate. You begin to feel excited for the evening, walking over to the kitchen as you look for everyone else. Theodore, Lorenzo and Mattheo are all in the kitchen, sorting panicking over the starters as they rush around like headless chickens. You step in and Lorenzo spots you, a wide grin breaking out on his face.
“Wow wow wow. Look at who we have here.” Lorenzo says admiringly, calling over the attention of the other two boys. You grin, ironically doing a small little pose to shake away the awkwardness of their gazes on you.
“Stunning!” Mattheo announces, slinging an arm over your shoulder as he ruffles your hair. You groan with disdain as you jab him in the side.
“Ow!” Mattheo complains, letting go as he frowns, rubbing his side.
“The bloody devil, you are.” He mumbles, glaring at you, A small laugh escapes your lips.
You affectionately pat him on the cheek, before turning to Lorenzo.
“What do you need help with?” You ask them, and Lorenzo shakes his head.
“Nothing. You go and rest, we’ll come serve them soon.” He says, and you nod.
You've been avoiding Theodore's gaze the whole time you've been in here, but you stupidly can't resist looking up at him and instantly regret it when he staring at you so intently. His eyes meet yours and he seemingly snaps out of it, swallowing harshly.
You quickly walk back to the dining room.
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A solid 4 hours or so later, you're all lounging in the living room, stomachs full with what was a surprisingly good meal. Whilst the starters were good, Blaise, Pansy and Draco had really knocked it out of the park with the main, a mouthwateringly good risotto that you helped yourself twice to. The cheesecake seemed to be a crowd-pleaser though, with Draco having three slices.
With a glass of whiskey loosely held in your hand, you take a sip, leaning back into the couch. Whilst you tried to fit the aesthetic and sip some wine, you couldn't bear the taste and (truthfully) wanted to get drunk tonight.
It was a lazy and subdued atmosphere, and you didn't even notice Pansy, Blaise, Draco and Mattheo all retiring back to their rooms. You yawn as you get up, stumbling slightly (you had drunk quite a bit actually). You sleepily bid goodnight to the remaining two ( as vaguely as possible because god forbid you say Theodore's name) and make your way upstairs (in one piece.)
You walk into your room and kick off your boots, wandering over to your bed as you begin taking off your jewellery. You look up a mere few seconds later when Theodore walks in, seemingly equally as drunk as he looks at you. He shuts the door, yawning as he pulls off his knitted jumper, leaving him with his white t-shirt on. He throws his sweater somewhere to the side as he flops down onto his bed with a sigh, rummaging through his pockets as he produces a lighter. You can't help but openly stare at him as he does so, alcohol freeing you of what little inhibitions you had.
Something about the sight of Theodore laying on his bed, lazily smoking a cigarette with his slightly messy hair and those damn eyes….
You could see his muscles shift every time he brought the cigarette up to his lips, and you didn't realise smoking could be so erotic.
For some awfully stupid reason, really I mean, you had to question your own sanity, you get up, walking over to Theodore. You're alarmingly quiet as you approach him, and don't say a word as you stand there. His eyes flicker up to you, and suddenly you realise:
Alcohol + tension + two rash people
Is not a very good mix.
You reach down, plucking the cigarette from his fingers. Theodore observes you with a small smile, those sinful eyes of his boring into you as you take a drag, before passing the cigarette back to him.
“He was right,” Theodore says after a second, looking up at you, You tilt your head. If you were already slow at making these connections, the alcohol only made it worse.
“Hmm?” You hum.
“Mattheo. You did look stunning today.” Theodore says, voice low.
Instead of doing what you usually did (some awful combination of looking away, panicking or just remaining quiet), a lazy smirk tugs at your lips as you look down at Theodore.
“Yeah?” You question, and you're 100% sure you watch his eyes flicker down to your lips.
Theodore's eyes widen slightly, a mix of surprise and excitement flickering across his face as he absorbs your murmured words.
Tentatively, as though testing the waters, he sits up, back propped up against the headboard as he looks up at you. His hand tugs at the sleeve of your dress, pulling you down, His hand rests on the curve of your hip, massaging light circles, and you go dizzy at the feeling.
You make no effort to move.
Rather, in a bold surge of confidence that quite literally materialised from nowhere, you swing your leg over Theodore's lap, straddling him. His hands immediately find their place on your hips, as though they're meant to be there, and he's looking at you through half-lidded eyes.
You knew this was a bad idea, but the alcohol spoke prettier words than your rationale did.
“You certainly know how to make an impression.” He murmurs his fingers trailing lightly along your thigh. You resist the urge to shudder at his touch, goosebumps erupting on your skin as he touches you. You lean closer, admiring the features of his face as you speak, mere inches away from one another.
“Well, I had someone to impress.” You say. He lets out a small, wry laugh, though he's far too consumed with looking at you.
Close the gap. Do it.
You do.
With a surge of hunger, your hands fist his shirt, pulling him in. His hand cups the back of your head as he meets your lips in a passionate kiss, mouths melding together. He holds you tightly, his grip both possessive and comforting at the same time.
The bulge of his clothed cock presses against your wetness, grinding against you with a desperate need. A small meek escapes your lips and it’s as though Theodore immediately swallows the sound, tongue slipping into your mouth as you continue to make out. It’s simultaneously lazy yet desperate - hungry.
"Fuck," Theodore murmurs against your lips, his voice laced with desire. "You're driving me insane." He mutters, trailing open-mouth kisses down your jaw and neck. You moan, arching your back as you tilt your head back, giving him easier access. He wastes no time in sucking and kissing the delicate skin of your neck, tongue soothing the places he nips at you, your skin blossoming red and purple.
His hand trails down your body, his fingertips tracing along the swell of your breasts. A low groan escapes your lips, hands coming up to thread through his hair. You tug lightly and feel him smile against your neck. With deliberate slowness, he undoes the lace on the back of your dress as he continues to press sloppy kisses to your skin, undoing the top as he tugs it down. He pulls back, eyes hungrily taking in the sight.
He flips you over with alarming ease, pinning you down onto the mattress as he hovers above you, holding your hands down by the side of your head as he begins kissing down your neck to your breasts.
“Beautiful.” He murmurs, large hands coming up to cup one of them, the other holding your hands in place. He squeezes one of your nipples, pinching the bud lightly between his fingers as you gasp, arching off the bed. The sound is music to his ears, and he grins, his eyes remaining on you as he leans down and takes the other one into his mouth, tongue running over the sensitive bud as he pulls away, blowing lightly.
The contrast sends you into a haze, and a whimper escapes your lips. Theodore wants to devour the sound, he simply can’t get enough.
“Do you know how fucking long you’ve been on my mind?” He mutters, voice laced with desperation as he leans back down to kiss you, bulge grinding against your clothed cunt in a way that had you desperate for more. You can’t even formulate a response, because you’re all too consumed by Theodore. Everything about him.
He sits up slightly, hands resting on your thigh as he runs his hands up and down, his fingers disappearing under the hem of your dress.
You feel his fingers brush against the damp spot on your panties and swear that Theodore Nott will be the death of you.
Seemingly satisfied, a small smirk tugs at his lips, observing your reactions as he slowly pulls them down. He throws them to the side, and words cannot describe the look on his face as his eyes hungrily rake over you.
You needed him, every bone in your body ached with a visceral need for Theodore. Your hands come down to his belt, tugging at the buckle as you look over at Theodore, eyes glazed over as you were driven mad with your need for him.
He undoes his belt, the sound of the metal buckle clinking as he throws it onto your bed, unzipping his slacks. You can make out the bulge of his erection against his boxers and your heart skips a beat. You’re filled with this primal need to just have Theodore, you need as much of him as physically possible.
You tug his boxers down, freeing his strained erection from its confines. You swallow harshly at the sight of his cock, the tip glistening. You lean up to meet his lips in a kiss, your hands wrapping around his length as you give him a single jerk. You suddenly realise why Theodore was kissing you the way he was because the low groan that escaped Theodore's lips had you mad for more.
“Look at what you’ve done to me.” He murmurs, pushing you back onto the bed. He hiked the skirt of your dress up over your hips, eyes straying down as he spoke.
“You’ve unravelled every thread of control I have.” He says against your lips, teasingly running the head of his cock between your folds. A low moan escapes you, desperately seeking more friction.
“I’m going fucking crazy for you. I ache for you every second of the fucking day.” He mutters, and you pull back from the kiss, looking up at him.
“You have me now.” You respond.
His lips surge forward and meet yours in a kiss with renewed intensity, slowly thrusting into you.
You both let out a collective low groan as he slowly thrusts into you, and you can feel every inch of Theodore within, stretching you out so good you feel as though the simplest movement would split you open. A plethora of gasped curses escape your lips, but Theodore silences them instantly, coming down to kiss you deeply. He buried himself inside you fully, savouring the way you stretched to accommodate him, clenching tightly. He gives you a second to adjust before slowly pulling out. He rocks back in again, his moments slow and measured, but strained as though it’s taking every inch of self-restraint to not ravage you there and then.
“More. Don’t be nice.” You moan, and Theodores swears he won’t ever be the same again. One look at you, hair splayed out against the mattress, your back arched off the bed. It’s a sight he’d never forget.
“Don’t say shit like that. I’m already close to losing it.” He utters, voice strained as his hand grip your hips harshly, surely leaving imprints.
“Good. Ruin me.” You whisper, a fucked-out grin on your face.
Theodore groans, pulling out slightly before slamming back into you. You gasp, cursing as your hands grip Theodore's sheets. He sets a ruthless pace, fucking into you hard. The sound of skin slapping against skin fills the room, though you’re sure it had to be muffled by the moans leaving your lips. It was only then that you were thankful for having a room all the way on the top floor. You both were too drunk to realise Muffliato did exist.
“God, you’re so fucking tight. Taking me so well. It’s like you were fucking made for my cock” Theodore groans, leaning down to capture your lips in a kiss. Your hands come up, running along his back as you lean up (to the best of your ability) to meet him in a kiss.
Theodore's forehead presses against yours, breaths mingling as he shifts slightly, before thrusting back into you. You can feel every inch of his cock brush against your walls, and you can’t help the pathetic plethora of moans and whimpers escaping your lips when he brushes against that spot, stoking a fire in your stomach.
“Theodore- Fuck! ‘m gonna…” You babble, and he lazily smirks, slowing down slightly as one hand tangles in your hair, tugging at it lightly. He experimentally plays with it for a second before harshly tugging your hair, eliciting another moan that felt like it came from the depths of your body, the line of pain and pleasure blurred.
“Hmm? You’ll have to speak up.” He hums, teasing you with shallow, slow thrusts.
You let out a whimper at the loss of contact, frustration gnawing at you as you look up at Theodore.
“Fuck, stop being such a tease. Please just..” You whimper, trailing off and he tuts, his grip on your hair tightening slightly as he forces you to look up at him.
“You have to tell me what you want. I don’t speak in half sentences, sweetheart.” He says, voice laced with an almost animalistic pleasure.
You groan, nails digging into Theodore's back as some slight form of retaliation.
“I’m gonna cum- please.” You say, breathlessly, and a small smirk tugs at his lips, his hand loosening its vice-like grip from your hair as it trails down the side of your face, his thumb running along your bottom lip.
“Good girl. Since you asked so nicely,” He muses, no longer teasing you with shallow thrusts as he wastes no time slamming back into you, cock brushing against your cervix. You moan, eyes rolling back as the heat in your stomach rises rapidly; the sensation of Theodore fucking into you was pure perfection.
“Theo…” You moan, breathlessly. He responds to you moaning his name with a harsh snap of his hips, nails digging into your hips as he grabs them tightly.
“Say it again.” He grunts, his thumb coming down to rub harsh circles against your neglected clit, sending a surge of electricity through you.
“Mmm- Ah, Fuck- Theo-“ You moan, and you’re sure you would have done it without him even asking.
“You close? Gonna cum on my cock?” He groans, and you’re sure you’ve become mush because you can’t respond, can’t think, your mind and body reduced down to one simple thing.
Theodore. Theodore, Theodore, Theodore.
You teeter impossibly close to your climax, nails scratching down his back. The sheer ecstasy was too much, and you felt like you couldn’t handle it but also like you needed more and more.
His eyes take over you, as if even though you're both inebriated, he tried to commit every little detail to memory, the way you moaned, mascara streaked around those eyes of yours.
His thrusts grow more intense, fingers working their magic against your clit as he brings you to your release. His relentless thrusts push you close to the edge over and over again,, eliciting a strangled moan from your lips as you feel his thrusts become sloppier, indicating that he was close. With what little strength you have left you wrap your legs around him, pulling him closer as his lips descend down onto you, ravishing you with messy kisses. It takes one last thrust for you to be sent hurtling over the edge, a cry of pleasure escaping your lips as your orgasm crashes through your body with frightening force. Your walls clench around Theodore's cock, eliciting a low groan from him as he chases his own release, eyes never leaving yours.
It’s positively sinful, but he’s sure he’s never seen a prettier sight.
“Fuck-“ He grunts, his movements becoming erratic as you feel him twitch inside you. your legs don’t give in, though you’re surprised you have the strength as the rest of your body convulses with the sheer intensity of your orgasm.
“So fucking perfect.” He gasps, and with one final thrust, he stalls, burying himself deep inside you as he groans, hands momentarily tightening their grip on your hips before relaxing slightly. He utters your name with reverence like a sinful prayer, coming down to press lazy kisses to your lips as he releases deep inside you.
You reciprocate the kisses, and embarrassingly whimper at the loss of contact as Theodore pulls out of you, collapsing down next to you. You’re both breathless, panting as you come down from a high you've never experienced before. The post-orgasmic haze lingers over you, making you feel impossibly sleepy. Your eyes flicker over to Theodore and it’s evident that he feels the same. Your eyes widen slightly when you see the red spattering along his neck, not realising when you had done that.
In any other situation, you both wouldn’t have done this in the first place. But the effects of the alcohol had you both giving into temptation, and you didn’t fully comprehend just how badly you both had fucked up.
You roll over, pressing a teasing kiss to the hollow of his throat as he tugs the blankets over the two of you, an arm wrapping around your waist as he pulls you into him. He rests his face in the crook between your neck and your shoulder, pressing a light kiss to your shoulder with an arm wrapped around your waist. You let out a small sigh of contentment, wrapping an arm around him as his hand massages your back and side lightly, the tender feeling sending you further into that sleepy state. The sheets smell of Theodore, and you find yourself (as you often did) consumed by him.
You and Theodore both fall asleep in each other's arms, holding onto one another as the night passes by.
You had fucked up, truly.
If only you knew the consequences your actions would bring in the morning.
You couldn’t even blame it on the alcohol, for it was a known saying that drunk words are sober thoughts.
The same undeniably applied to actions too.
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@llpovi @camille-1019 @lovelyygirl8
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lilstarkeydream · 2 months ago
Text
Hidden Flames- Chapter 3
Summary: Y/N, a Kook who prefers the company of her Pogue friends, falls for Rafe Cameron. Despite their growing feelings, they maintain a facade due to their conflicting social circles and personal insecurities. Y/N is best friends with Sarah, Rafe's sister, which fuels Rafe's hidden affection. He despises how Y/N hangs out with the Pogues, believing she has more potential, while Y/N can't stand Rafe's for fights and stuck up nature. After a dramatic confrontation, they confess their feelings but must keep their relationship secret, with only Sarah in the know.
Warnings: 18+ only! Fluff, Angst, Smut (p in v), Adult language,
Authors note: Hey guys! Ugh I'm so sorry I made this like crazy long again and that it has been SO long betwen chapters. I've already sort of started working on Chapter 4 so hopefully I'll have it done soon. Anyways enjoy and feel free to message me if you have any requests xoxo.
9k words
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The warm sand felt soft against your feet, the gentle waves lapping at the shore. The sun was settling, casting a golden glow over everything. You were laughing, you don’t know what from, but Rafe was beside you, smiling, his eyes filled with softness. Rafe's arms wrapped tightly around you, holding you close as he spun you in slow circles, laughter mingling with the sound of the ocean. He pulled you closed, gently kissing your lips and whispering sweet nothings into your ear. You were dressed in white, almost like ghosts in a beautiful, ethereal world.
Rafe leaned in, his forehead resting against yours, “I want you forever Y/N. Even when I’m gone I’ll still be with you.”
Before you could respond, a loud powerful jarring sound shattered the peaceful scene. The scene faded away and turned black and you groaned and opened your eyes. You padded your bed around you searching for your phone trying to turn off your god-awful 7:30 am alarm. Early mornings are going to be the death of me, you thought.
You instinctively pulled your cover back over your head, dreading the day ahead. Dress shopping for midsummer’s… perfect. With only a week and a half to go, you already dreaded the thought of the superficial conversations that were bound to happen.
You try to hold onto the sweet memories of your dream but it is suddenly ruined when your mom yells down the hall.
“Y/N time to get up! We are already behind schedule, we are leaving in an hour for the boutique” 
You groaned, slamming your face into the pillow and then pulling yourself up to start preparing for the day. You can already imagine your mom with her cup of coffee in her hand criticizing every dress you pull off the rack. Your parents were very particular when it came to a lot of things but the main thing was presentation; they hated it when you dressed in “pogue” attire. Hence why dress shopping is so important to your mom, it validates to her that there is still hope for you. You rolled your eyes at the thought of her voice in your head but smiled, knowing it was easier to just go along with her sometimes.
-
The boutique was glowing with varying colors, patterns, and dress types; it was overwhelming. From rack to rack, your mother picked out various dresses and styles for you, ushering you to the changing room to try on every single one. 
You spent what felt like hours trying on dresses, in and out of the changing rooms, accumulating a small pile of maybes. Finally, as you were about to call it a day, your mom came over with a navy satin, backless dress with a bow detail. 
“Now I'm not a fan of the backless back but I do think the bow in the back ties it all together,” she said as you slipped it on. But when you turned to the mirror, the fit was perfect. It was the one. Scenarios played in your head on how Rafe would react seeing you in this dress, so tight fitting and revealing, you know it would make him ogle. 
“I agree Mom, this has to be it,”  you said smiling running your hands down the dress.
Your mom was about to respond when you felt goosebumps begin to rise on the back of your neck like someone was watching you.
You quickly glanced around in the mirror at the surrounding store as your eyes locked with Chris’s.
Oh god, you got to be kidding me, you thought. Out of all places, this is where you see him? He must be with his mom and sister or something. 
A twinge of nostalgia immediately began to coarse through you. You quickly looked away, pretending not to notice him, but of course, he noticed you—and began walking over, giving you his typical polite smile.
“Oh my gosh is that Christopher Phillips?!” Your mom whipped around, beaming with recognition. She practically jogged over to greet him, her eyes lighting up with that motherly approval. She quickly pulled him into a hug. “Christopher! How are you? Look at you, still as handsome as always!” 
You couldn’t help but roll your eyes, your mom failed to acknowledge boundaries sometimes. 
“Hello Mrs. Chastain, it is great to see you, you look fantastic!” he said as he pulled away, quickly glancing over at you as well.
“Oh please Christopher, call me Linda. You're still such a charmer. Anyway, Y/N is just trying on some dresses for Midsummer but I’ll let you old love birds catch up, I’ll just be right over there” She pointed to a random corner, and knowing her we would still be eye-shot. As I’ve said before… she is a huge fan of Chris.
As she eagerly waltzed away, Chris visibly got a bit nervous shoving his hands in his pockets, clearing his throat.
“Hey Y/N, uh, I wasn’t expecting to run into you, you look great,” he said gesturing to your dress, his voice carrying a hint of the awkwardness that hung over you guys even after the breakup.
“Yeah, Chris, good to see you too,” you said, keeping a neutral smile. The idea of catching up as old friends was tempting, but you could tell by his eyes that lingering feelings were still there, and you didn’t want to stir them up.
“So, are you going to Midsummer?” he asked, trying to make conversation.
“Yeah, I am. You?”
“Same,” he replied, nodding with a tight smile.
Silence settled between you. You were about to excuse yourself when he cleared his throat. “Are you… seeing anyone new?” he asked, his voice a bit too casual.
Your heart skipped a beat, and you forced a neutral expression. “Nope. You?” As you spoke, a flicker of guilt stirred. Rafe was still in the back of your mind, his presence lingering, tugging at the corners of your thoughts. The memory of his touch was enough to make you blush, but you couldn’t say any of that—not to Chris, and not to anyone else.
He hesitated, noticing your sudden change in demeanor, then shook his head. “Nope.” He looked away noticing your mom eagerly waiting with prying eyes,  “Anyway, it was good to see you, take care. I’ll see you around, I guess.”
“Yeah. See you around,” you said, relieved as he walked away. 
God that was so awkward
-
You stepped out of the boutique with your mom, your newly purchased dress slung over one arm. The bright afternoon sun made you squint, and you took a deep breath, savoring the fresh air after what felt like hours spent in stuffy fitting rooms.
"Well," your mom said, eyeing you with satisfaction, "now that we’ve got that settled, we can get on to the important things, like accessorizing.” She gave a little smile, seeming more pleased with you than usual.
You smiled, barely listening as your mind drifted back to your encounter with Chris. Why here, of all places? 
Just then, a familiar voice called out across the street. "Y/N! Hey, Y/N!"
You turned to see JJ striding over, his hands shoved casually in his pockets, but his expression lighting up when he saw you. As he reached you, his gaze darted between you and your mom, a flicker of mischief in his eyes as he took in your shopping bags.
“Oh,” your mom said, straightening, “this must be one of your…friends.” Her voice held that edge she always had when she saw you talking to Pogues. She gave him a quick, tight smile. "Well, Y/N, I'll just grab a coffee down the street. You two…catch up. I'll be waiting in the car." Her heels clicked against the pavement as she walked away, looking back just once before disappearing into the café.
Once she was gone, JJ grinned. “Nice to see I’m still charming the Kooks, as always.”
You rolled your eyes but laughed. “You have that effect.”
“So, what’s all this?” He pointed to the bags with a teasing smirk. “Getting ready for Midsummer? Gotta say, I never pictured you as the ‘princess of Kooklandia’ type.”
“Oh, very funny,” you said, nudging him. “Yes, it’s for Midsummers. My mom practically forced me to come out today.”
“Lucky me, running into you, then,” he said, shoving his hands back in his pockets and giving you an easy smile. “So, how’s it going? You look…like you’ve been through it.”
You shrugged, laughing a little, but your voice softened. “I actually just ran into Chris.”
JJ’s face fell, the teasing look replaced by concern. “Wait, Chris? Like…Chris Chris?”
“Yeah,” you replied, the awkwardness of it making you cringe all over again. “It was…strange. He was trying to be nice, but I don’t know. It just reminded me of how I’ve changed, you know?” 
JJ nodded slowly, eyes narrowing as if weighing his words. “Y/N, listen. Be careful with those Kook guys—no offense, but they can be a lot. And Chris…he’s bound to have feelings still, so just, you know…keep an eye out.”
You raised an eyebrow, surprised by the intensity of his reaction. “JJ, he’s harmless. We were just talking.”
“Yeah, maybe,” JJ muttered, rubbing the back of his neck, “but I don’t know. You’ve seemed kinda distant lately. Like…you’re around, but not. Got me worried, is all.”
Just as you were about to respond, your phone buzzed in your pocket. You glanced down, your pulse picking up slightly as Rafe’s name flashed across the screen.
Been thinking about you. What are you up to? The message was simple but meant everything, and you couldn’t stop the faint smile that crept onto your face as you typed back a quick reply, your heart beating just a little faster. 
JJ’s voice snapped you out of the moment. “Uh-oh,” he said, smirking as he watched your expression shift. “That look’s usually reserved for the extra-rich Kooks.”
You quickly pocketed your phone, fighting to keep your expression neutral. “What look?”
He rolled his eyes. “Come on, Y/N. I may not be a Kook, but I know you well enough to see when something��s got you all…happy like that.”
You let out a laugh, shrugging it off. “It’s nothing. Just someone I know.”
JJ gave you a curious look, his playful smirk softening as he studied you. “Well, whoever it is, I hope they’re good enough for you. Just don’t go getting lost in Kooklandia too long. Us Pogues kinda need you”
The genuine concern in his eyes made your heart twist slightly, and you nodded, touched by his words. “I won’t, JJ. Promise.”
A flash of relief crossed his face, and he returned your smile with a lopsided grin, nudging you playfully. “Alright, princess, get out of here before your mom thinks I’m corrupting you or something.”
You laughed, shaking your head as you said goodbye, his words lingering in your mind as you headed to the car.  
-
During dress shopping earlier, your phone had buzzed with a text from Sarah, asking if you wanted to hang out. She went on about an argument she’d had with Topper, making it sound both dramatic and all too familiar. You’d texted back, agreeing to come over once shopping was done, already bracing yourself for whatever rant awaited you.
Your mom is currently driving to the Cameron's residence as she droned on about Midsummer's etiquette and the importance of making a good impression.
“Don’t worry, honey, I’ll pick you up in a few hours. We can get lunch and talk more about Midsummers,” she said as she unlocked the car. But her phone buzzed just as she opened the door. She glanced at it, frowning.
“Oh, you’ve got to be kidding me…” She sighed, her voice turning business-like. “They need me at the hospital honey. I’m so sorry, would you be able to grab a ride home.”
“Yeah, of course. Don’t worry, Mom, I understand. I’ll ask Sarah if she can drive me,” you replied, secretly grateful for the change of plans. You’d had enough of Midsummer's talk to last a lifetime.
She gave you a sympathetic smile, and as you shut the passenger door, you watched her drive away, feeling relieved. But that feeling quickly gave way to nerves as you noticed Rafe’s truck parked in front of the house. Of course, he’d be here,you thought, trying to keep your pulse steady.
Once your mom was out of sight, you made your way up the Cameron's all-too-familiar staircase. You hadn’t been here since that night—when you’d drunkenly found yourself in Rafe’s room. The memories flickered back, and you thought you caught a faint hint of his cologne lingering in the air. You passed by his door, stealing a glance, but it was empty, the bed neatly made. Maybe he’s out with Topper or Kelce by the pool, you mused, trying to shake the thrill of knowing he was nearby.
Reaching Sarah’s room, you barely had time to knock before she flung open the door, grabbing your arm and pulling you onto the bed beside her. “Finally!” she exclaimed, tossing her phone onto the bed as she settled in next to you. “You have no idea how badly I needed to see you today.”
“Really?” you laughed, stretching out beside her. “What’s going on?”
“Ugh, where do I even start?” She let out a dramatic sigh, flopping back against her pillows. “The guys are outside right now, so I can’t be too loud, but Topper and I had the stupidest argument last night. He gets jealous of everything—it’s unreal. Sometimes I think he’s the insecure one, not me! He saw me talking with John B near the docks and now he’s convinced I’m sneaking around behind his back!”
Your eyebrows shot up. “John B?” That was news to you. John B and Sarah had never shown much interest in each other before—or at least, not that you’d noticed.
Sarah nodded, biting her lip with a mischievous smile. “Yeah, he and I talked a bit last week, and honestly, I kind of liked it. He’s so…different from Topper, you know? But I swear, I wasn’t doing anything sketchy. Topper just freaked out and, ugh, it’s such a mess.”
You couldn’t help but imagine how the Pogues would react if they knew about Sarah’s budding friendship with John B. It was complicated enough with your friendship with them, let alone…well, your situation with Rafe. The Pogues wouldn’t exactly be thrilled to know you were sneaking around with the one person they despised most.
“Wow,” you said, trying to sound casual. “I just can’t picture John B with a Kook like…well, like us, honestly.”
Sarah laughed, rolling her eyes. “I know, right? It’s complicated.”
“Speaking of complicated…” you began, realizing you hadn’t yet told her about the day’s chaos. “I ran into Chris today.”
Her eyes widened, surprise flashing across her face. “Chris? No way. How did that go?”
You gave her a tight smile. “Awkward, mostly. He was…polite, I guess, but I could tell there was something else. I don’t think he’s over it. He even asked if I was seeing anyone new.”
Sarah groaned, shaking her head. “Classic Chris. He’s just trying to find an excuse to come back into your life.”
“Maybe,” you admitted, “but I had to lie and say no. And that made it even worse because…”
You paused, hesitating. Sarah propped herself up on her elbow, eyes narrowing. “Because what?”
You took a deep breath, feeling your pulse quicken. “Because I snuck out with Rafe last night.”
Sarah’s eyes went wide, and a slow smile spread across her face. “Oh my god, what? Go on!”
“He came to my house, tapping on my window like a total maniac.” You laughed at the memory, but your voice softened as you remembered what had happened next. “We ended up going for ice cream and walking on the pier. He…he told me he wanted to try with me, you know? Like, actually give it a shot. And I said yes, Sarah. I told him I liked him.”
Sarah’s expression shifted, a mix of excitement and caution. “Wow…okay, so this is getting serious, huh?”
“Yeah,” you admitted, feeling a flutter of nervousness at her words. “It feels…different.”
Sarah sighed, looking at you with a gentle but wary smile. “I get it. Rafe can surprise you sometimes. But be careful, Y/N. He’s my brother, and I love him, but…he can be unpredictable.”
“I know,” you replied, grateful for her understanding. “But right now, I just…I don’t know. I feel happy.”
Just then, a familiar voice drifted through the open window from the backyard, and your stomach did a flip. Rafe’s unmistakable laugh mixed with Topper and Kelce’s voices, the sound sending a thrill through you.
Sarah noticed, smirking. “He’s right out there, you know.”
You rolled your eyes, feeling a blush creep up your cheeks. “Ugh, I know. But we’re trying to keep things secret, remember?”
“Sure, sure,” she teased, winking.
You both laughed, and the conversation drifted to other things. But as you glanced out the window, you saw Rafe and the guys heading inside, his attention focused on his phone. Sarah’s voice faded into the background as you heard him walk through the house and up the stairs, heart thudding as you wondered if he might notice you.
Excusing yourself with a quick “I got to go to the bathroom,” you slipped out of Sarah’s room, making your way quietly down the hall. Just as you rounded the corner, you nearly collided with Rafe, who looked up in surprise, his lips curving into that familiar smirk.
“Whoa, well this is a surprise, what are you doing around here, pretty girl?” he murmured, voice low and teasing. “Sneaking into my house just to see me?”
You rolled your eyes, unable to hide your smile. “I’m best friends with your sister, dumbass. You’re the one who’s supposed to be downstairs with your friends.”
Rafe leaned casually against the wall, his hair still damp and tousled from the pool, water droplets catching on his tan skin, his arms toned and relaxed. He flashed you that familiar, mischievous grin. “Kelce and Topper just headed out, so I guess that leaves us. Think you can handle it?”
Your heart skipped a beat as he closed the space between you, the playful glint in his eyes making it clear he knew exactly what he was doing.
You opened your mouth to answer, but his hand was already reaching for yours, pulling you into his room. The familiar thrill of being this close, in a place where you could be caught any second by Ward or Rose, made your pulse race.
“You know,” he murmured sitting on his bed pulling you between his legs, his voice barely above a whisper, “I’ve been thinking about you all day.”
“Yeah?” You tried to keep your voice steady running your hand down his chest, even as your heart raced. “What about me?”
He chuckled softly, his thumb tracing circles on the back of your hand. “Everything. The way you laugh, the way you look at me…” He paused, leaning in just enough that you could feel his breath against your skin. “The way you make it really hard to keep my hands off you.”
You swallowed, feeling the warmth spread through you. “Who said you have to?”
A slow grin spread across his face leaning in to capture a kiss, and for a moment, everything else faded away—the house, Sarah, the risks of being caught. It was just the two of you.
But then, footsteps echoed from the stairwell, and you both sprang apart, glancing nervously down the hall. Rafe gave you a quick wink, his eyes dancing with mischief.
Rose’s voice called down the hall, clear and firm. “Sarah! Rafe! Y/N! Dinner’s ready!”
Rafe pulled back, his lips just inches from yours, his playful expression turning to one of frustration. “Of course,” he muttered, a wry smile tugging at the corner of his mouth.
Before you could respond, Sarah’s footsteps sounded from the other side of the hall, followed by a quick knock on the bathroom door down the hall. “Hey Y/N dinner’s ready! Rafe, dinners ready. Come on, let’s go!”
Rafe raised an eyebrow, smirking as he glanced at you. Then, with his best impression of an annoyed brother, he called out, “I’ll be down in a few, Sarah!”
Satisfied, Sarah’s footsteps faded down the stairs, and in an instant, Rafe’s arms pulled you back toward him. His lips found yours again, the urgency even stronger now.  The thrill of secrecy rushed through you as his fingers tangled in your hair, his touch somehow gentle and desperate at the same time.
“Alright, you really need to go now,” he whispered between kisses, his voice thick with reluctance.
“You don’t make it easy,” you murmured, smiling against his lips. Finally, you pulled back, running a hand through your hair as you gathered yourself, fixing your clothes.
Taking a deep breath, you slipped out of his room, glancing over your shoulder one last time to see him watching you with that signature smirk. 
-
When you entered the dining room, the Cameron family was gathered around the table, and Rose flashed you a warm smile. Sarah was already seated, chatting with Wheezie, who was recounting some story with animated hand gestures. You slipped into the seat between Sarah and Rose, offering a polite smile to Ward as he nodded in greeting.
“Glad you could join us, Y/N,” Ward said, his tone warm. “We don’t get to see you around here often enough.”
“Thank you for having me, Mr. Cameron,” you replied, feeling a bit more at ease as Rafe entered the room and took the seat across from you. His expression was casual, but the glint of mischief in his eyes was unmistakable. As he sat down, his foot tapped against your thigh under the table, and your cheeks flushed.
Dinner began with light conversation, Rose asking about school, and Ward making polite inquiries about your family. The food was excellent, and for a while, you settled into the cozy atmosphere, almost able to ignore Rafe’s occasional gaze across the table and the flutter it stirred in you.
“So, Y/N,” Rose began, setting down her fork and smiling at you with that piercing, Kook-perfect smile. “I’m assuming you’ll be going to Midsummers? Did you end up finding a dress?”
“Oh, uh, yes! Just today, actually,” you replied, hoping to sound casual despite your racing heart.
She nodded approvingly. “Wonderful! Midsummers is such an important event, especially for making connections. Do you have a date lined up yet?”
The question caught you off guard, and you took a quick sip of water, trying to keep calm. “Not yet,” you replied, glancing down at your plate to avoid looking at Rafe.
“Oh, what about that young man you were seeing before?” she asked, tilting her head slightly. “What was his name? Chris, right?
The mention of his name made both you and Sarah choke on your drinks at the same time. Sarah quickly recovered, covering her laughter with a cough, but your cheeks burned as you struggled to respond.
“Oh, uh, we’re…we’re not together anymore,” you managed, giving Rose a small, tight smile. You could feel Rafe’s eyes on you, though you didn’t dare look up. 
Rose’s eyebrows lifted slightly in surprise. “Oh, I see. Well, no matter. I’m sure you’ll find a date—someone with a good head on his shoulders,” she added, her gaze lingering a bit too long on Rafe as if expecting him to say something.
Rafe cleared his throat, his expression unreadable as he casually picked at his food. “I’m sure Y/N will be the best-dressed one there,” he said smoothly, his tone calm but laced with a subtle edge. The mention of Chris hadn’t gone unnoticed, and a hint of jealousy flickered in his eyes.
The comment hung in the air for a moment before Ward chuckled, drawing the attention back to himself. “Well, I thinkit’s great that you’ll be attending, Y/N. Midsummers is a special event. It really brings out the best in everyone.”
“Yes, sir. My family is excited about it—it’s all my mom has been talking about,” you replied, chuckling as you offered Ward a polite smile, eager to steer the conversation away from your love life, especially with one of the culprits sitting directly across from you. 
-
As the meal continued, Rose turned her attention to Sarah, her smile a little too fixed as she asked, “So, Sarah, I heard you were spotted down at the docks last week with…what’s his name? John B?”
The question dropped into the conversation like a stone, and Sarah froze, her fork hovering mid-air. You felt your pulse quicken as you glanced over at her, sensing the shift in the atmosphere.
“Oh, that?” Sarah laughed, shrugging nonchalantly. “We just ran into each other. It was nothing.” She was doing her best to act casual, but you could tell Rose wasn’t convinced.
“Well, it just seems like…an unusual friendship, doesn’t it?” Rose remarked, her voice light, though her eyes were sharp and watchful. 
“Considering his father’s…reputation.”
Sarah’s jaw tightened as she replied evenly, “John B’s not like that. He just…runs with a different group of people, that’s all.”
Ward set his glass down, nodding thoughtfully. “That’s true. John B’s worked well with us, especially on the boats. He’s shown some responsibility.” He paused, looking between you and Sarah. “But I’d hate for either of you to get caught up in their habits—like sneaking around and stretching the truth. It’s just not the kind of influence we want for you two.”
You exchanged a quick, uneasy glance with Sarah, sensing that Ward’s words held more weight than they seemed to on the surface. The underlying warning was clear.
Rose’s attention shifted to you, her eyes narrowing with curiosity. “And you, Y/N, seem to spend quite a bit of time with the Pogues, don’t you?” she asked, gesturing lightly. “How would you describe their…character?”
The question hung in the air, and you could feel the unspoken judgment. You hesitated, thinking about how to explain it without stirring more suspicion. “They’re…genuine,” you said slowly, choosing your words carefully. “They’re rough around the edges, maybe, but they’re loyal, and they don’t pretend to be something they’re not.” You looked down, aware of Ward and Rose’s scrutiny. “They’re just good people, in their own way.”
Rafe cleared his throat, breaking the tension. “Come on, Rose, it’s just a friendship,” he said, his tone casual yet carrying a hint of protectiveness as he glanced at you. “It’s not like either of them are running off with the Pogues and getting into trouble.”
Ward’s silence lingered, his frown subtle but clear. “It’s not the friendships themselves that concern me,” he said at last, eyes settling on Sarah and then you, “but the sneaking around and secrets. That’s what’s…disappointing.”
-
Just as the conversation drifted back to more mundane topics, Ward turned his attention to you. “Actually, Y/N, there’s something I wanted to ask you about. Your father’s company—he does business in real estate, right?”
Caught off guard, you nodded. “Uh, yes. He’s got some investments around the area.”
Ward nodded thoughtfully, his expression unreadable. “Interesting. I heard he’s been expanding into some new developments recently, some pretty big projects.”
You sensed there was more to his curiosity than casual interest, and out of the corner of your eye, you noticed Rafe’s gaze sharpened. What was Ward getting at?
“Yeah, I think he’s been working on a few,” you replied, keeping your tone light, though you felt a prickle of unease. Your dad had mentioned some big investments lately, but he was always cagey about the details.
Ward gave a satisfied nod, swirling his glass thoughtfully. “It’s good to hear. The market around here’s always shifting, and it’s smart to have eyes on it.”
“Exactly,” Rose chimed in, shooting Ward a supportive glance. “Families that know how to work with each other tend to do better in the long run, don’t they, Ward?”
You nodded politely, feeling Ward’s intent but still uncertain about the details. What exactly was he interested in?
“Tell him he should swing by sometime,” Ward added casually as if it were an afterthought. “We could go over some ideas, and talk business. Who knows, might be a win-win for both of us.”
“Oh, sure,” you said, keeping your tone neutral. “I’ll let him know.”
Ward nodded with a pleased smile, raising his glass in a small toast. “To partnerships,” he said, giving you a look that seemed almost fatherly.
You nodded politely, feeling Ward’s intent but still uncertain about the details. What exactly was he interested in?
-
Dinner was winding down as everyone began clearing dishes from the table and bringing them to the kitchen. Rose stood at the window, watching the heavy raindrops pelting down outside, her brows knitting together in mild concern.
“Oh, it’s really coming down out there,” she said, glancing back toward you. “Y/N, you have a way to get home, right?I’d hate for you to get caught in this.”
You hesitated, unsure how to respond as Sarah chimed in. “I was going to take her, but I, uh…let Topper use my car earlier.” Her eyes flicked toward you and Rafe, her mouth twisting into a half-smile as if she could sense the tension brewing.
“Oh, that’s no problem,” Ward said, looking over at Rafe, who was lounging casually on the couch in the other room, scrolling through his phone. “Rafe, why don’t you take Y/N home? I’m sure she’d appreciate it.”
The suggestion hung in the air for a moment. You and Rafe exchanged brief glances, each of you caught off guard, but Rafe recovered quickly, nodding with a tight-lipped smile.
“Yeah, I can take her,” he replied, his tone nonchalant, though his gaze lingered on you a second longer than necessary.
Rose beamed slightly taken aback by his sudden willingness. “Wonderful! Thank you, Rafe.”
Excitement and nervousness coursed through you knowing you would get alone time with Rafe without anyone suspecting anything.
-
Your heart thumped as you ran upstairs to grab your bag and then you said goodbyes to the Camerons. Ward remindingyou again to talk to your father about the business deal and Rose just telling you to tell your mom hi. 
Rafe grabbed his keys, and after a quick farewell to Rose and Ward, he led you outside, holding the door for you as you climbed into his truck, his eyes glinting with something you couldn’t quite place. The rain continued to pour down, droplets hitting the windshield in a steady rhythm that enveloped you both.
As Rafe pulled out of the driveway, silence filled the space between you, his fingers drummed on the steering wheel, and his jaw was clenched just enough to hint that something was bothering him.
Finally, he broke the silence, his voice soft but edged with something deeper. “So…looks like you got stuck with me .”
You chuckled, glancing over at him. “Guess I am.”
He shot you a sidelong look, a smirk tugging at the corner of his mouth. “Doesn’t seem like you mind too much.”
“Maybe I don’t,” you replied, your voice barely above a whisper, “maybe we can finish what we started earlier” your hand resting on the seat between you.
His gaze flicked down to your hand, and then back to the road, dodging your flirty comment. “Seems like Chris came up a lot tonight,” he muttered, his tone casual but carrying a distinct note of tension. 
Oh gosh is this what was making him so bothered, you thought
You glanced at him, feeling your heart pick up pace. “Well, it was Rose who brought him up,” you said softly, sensing that this was more than a casual comment.
Rafe nodded, a small frown crossing his face as he kept his gaze on the road. After a moment, you hesitated but felt it better to be honest. “Actually…I ran into him earlier today. At the boutique.”
His fingers tightened on the steering wheel, his expression hardening. “You ran into him?”
You sighed and nodded, feeling the familiar tug of conflict. “It was nothing, Rafe. Just…awkward. He tried to make conversation, and he asked if I was seeing anyone. I told him I wasn’t because…well because we’re supposed to keep this between us.”
Rafe’s grip on the steering wheel tightened slightly, his jaw flexing. “So…he thinks you’re single, then?”
You glanced at him, taken aback by the edge in his tone. “Rafe, it’s not like that.”
“But it sounds like it,” he shot back, his voice soft but insistent. “I don’t like the idea of him thinking he’s got a chance when he doesn’t.”
You looked away, raising your own voice caught off guard by his intensity. “Well, what do you want me to do? Tell him I’m secretly seeing someone who…hasn’t even asked me to be his girlfriend?”
The words slipped out before you could stop them, and you instantly regretted it, resituating yourself in your seat glancing out the window, feeling vulnerable under his gaze.
Rafe’s eyes flickered with surprise, then softened as he pulled the truck over to the side of the road a block from your house, rain pattering loudly on the roof. He turned to you, his expression unreadable. “Do you…want that?”
Your breath caught, and you forced yourself to meet his gaze. The vulnerability in his eyes almost broke you, “Maybe I do,” you said, a faint smile tugging at the corners of your mouth. “But I’m not ready to put a label on it just yet, I like this sneaking around”
A smirk played on his lips as he leaned in, his hand finding yours and giving it a reassuring squeeze. “Fine by me. But you’re still mine, Y/N,” he murmured, his voice low and possessive. “And if I see Chris—or anyone—try to touch you, it won't go unnoticed” His jaw clenched, and he shook his head. 
A shiver ran down your spine at the intensity in his voice, but a warmth spread through you at the same time. “Rafe, you know I’m not interested in anyone else.”
“Good,” he whispered, his hand moving to cradle your face, his thumb brushing over your cheek and your lip. “Because I’ve wanted this for a long time.”
“You’ve wanted this for a long time Cameron?” a smile tugging on your lips, “I always knew you had a thing for me.”
“Just shut up and kiss me,” he muttered, his lips curving into a smile as he leaned in.
You felt everything fade away as he pressed his lips to yours, the rain still hammering down. You melted into him, your hands threading into his hair as he deepened the kiss, his grip on you tightening as if he couldn’t get enough. The intensity between you grew, each kiss more urgent than the last, and before you knew it, he was pulling you over onto his lap, his arms wrapping around your waist to hold you close.
You could feel the heat radiating between you, your breaths mingling as he kissed you with a hunger that made your head spin. His hands traced along your back, drawing you closer, as he whispered, “You’re the most beautiful girl in the world, you know that?”
You felt your cheeks heat up, his words making your heart pound as his fingers traced gentle patterns on your back and he began to kiss down your neck hitting your soft spot. “Rafe…” you moaned out.
“And if I see any guy even thinking about getting too close…” He trailed off, his lips brushing against yours as he spoke, a possessive glint in his eye. “I’ll remind you exactly who you belong to.”
His words sent a thrill through you, and you captured his lips in another kiss, feeling the heat between you building. 
“Rafe,” you breathed between kisses, “I can’t get enough of you.”
“Good,” he whispered, his voice rough as his hands explored you, pulling you closer. “Because I don’t think I could stop, even if I tried.”
He held you close, his lips moving from your mouth to your jaw, then along your neck, each touch igniting sparks across your skin. You felt as though you were lost in him, the way he looked at you as though you were the only person in the world.
“I can’t wait to see you in that Midsummers dress,” he murmured, his voice rough with anticipation, his hands lingering at your waist. “I can only imagine how good you’ll look.”  he continues to whisper, “and how good it'll be when I take it off and fuck you.”
His words made you blush, a smile playing on your lips as you gazed at him. “You’ll just have to be patient.”
He grinned, capturing your mouth again in a kiss that was anything but patient, his hands roaming up your back, pulling you closer. Without thinking, your fingers drifted to the buttons on his shirt, fumbling slightly as you began to undo them, feeling the heat of his skin beneath your hands. He exhaled sharply, his grip tightening as you pushed the shirt off his shoulders, running your hands over the hard lines of his chest. 
You pull away quickly, and Rafe can sense your reason for hesitation.
“Don’t worry, baby. It’s raining so hard, and my windows are too tinted,” he says confidently, immediately going back to attacking your neck.
Rafe’s hand slipped under your shirt, tugging it off with a swift motion, his fingers exploring the newly exposed skin with an intensity that left you breathless. His hands cupped your breasts, and you shivered at the sensation.
“God, Y/N,” he murmured, his lips pressing against your collarbone as he pulled you flush against him. His mouth left a trail of fire along your skin, kisses becoming more insistent as he marked you with small bites—a silent declaration that you were his.
Your hands drifted down, fingers skimming over his toned chest before finding the waistband of his shorts. You felt his body tense under your touch, his breath hitching, eyes darkening with a fierce, barely restrained desire as he looked down at you.
“Careful,” he whispered, his voice low, almost a warning. But the challenge in his gaze made it impossible for you to hold back. You pressed 
closer, letting him know you were just as ready for this as he was. 
You locked eyes with him, a smirk playing on your lips as you took your time grinding your hips down, feeling his hardness beneath you. Rafe let out a low groan, his hands instinctively gripping your waist, urging you to move. His grip tightened, one hand sliding over your thigh and pulling you closer, making you roughen the kiss as his touch neared the edge of your skirt.
A shiver ran through you as Rafe’s hand inched along your inner thigh, each slow movement sparking anticipation. When his fingers brushed over your panties, you caught your breath, your heart pounding as he pulled the fabric to the side. His fingers found your warm, wet center, and he sighed against your mouth, his arousal pressing insistently against you.
A low moan escaped your lips as his fingers entered you, the roughness of his touch making you grip his seat for support. You’d craved this feeling, the way only Rafe could make you lose yourself, and every lingering memory of your first night together flooded back, more intense than ever.
You let your lips drift down to his neck, biting and sucking as you went, intent on leaving a visible reminder. Your body was moving on instinct, grinding against his hand as he picked up the pace, each thrust of his fingers igniting you further. When he angled his fingers just right, your body tensed, and a choked gasp escaped you, urging him on as he went deeper.
You rocked your hips against his hand, feeling the pressure building, each movement pushing you closer to the edge. The pleasure built steadily until you felt it crest, your entire body shuddering as you surrendered to the intensity of it. The truck windows fogged up, trapping the warmth between you as the rain pattered on the roof outside.
Rafe’s fingers slowed, coaxing the last waves of pleasure from you, and you moaned softly, holding tightly to his arm. Just when you were catching your breath, he slipped his fingers out, leaving you with an ache at the sudden emptiness.
With a sly smirk, Rafe reached down, pulling his boxers lower to reveal himself to you. The sight made you bite your lip, but he didn’t leave you much time to dwell on it; his hands tugged at your hips, guiding you over to your knees. Reaching into his pocket, he pulled out a condom and tore it open, sliding it on in one smooth motion.
Breathless with anticipation, you steadied yourself above him, slowly lowering your hips as Rafe guided you down. A gasp escaped both of you as he filled you completely, the world around you fading away as you moved together, lost entirely in each other.
As he entered you, a shared moan echoed between you, raw and unfiltered. “Holy shit, you’re so perfect,” Rafe breathed, his head falling back, his voice laced with awe.
He leaned forward, capturing your mouth with his, his breath mingling with yours as he deepened the kiss, sending a rush of pleasure straight through you.
You began to move, adjusting to his size. Each new rise and fall brought a wave of intensity that heightened your pleasure. His hands gripped your hips tightly, guiding you as you took him in fully, and you wondered if his fingers might leave marks. 
Your own hands curled around his arms for support, gripping tighter each time he filled you, your bodies falling perfectly in sync.
As you grew more comfortable, your pace quickened, driven by the sheer pleasure that neither of you could hold back.
“Rafe…” you whispered, your voice trembling as you began to falter, feeling yourself edging closer. No one had ever made you feel this way before, and you could sense you wouldn’t last much longer, each movement pushing you closer to the brink of release.
“You just feel so good. You’re so perfect, princess,” he murmured, trailing kisses down your neck and onto your breasts. With each thrust, he guided your movements, pulling you down harder onto his lap, as if channeling the jealousy he’d felt over Chris into each motion.
Rafe’s arm tightened around your waist, drawing you in deeper, the pressure becoming almost unbearable in the most addictive way. The sound of your pleasure filled the small space, mingling with the sound of the rain pounding against the truck. You swore that if it weren’t raining so hard, anyone nearby would hear the sounds of your moans. Soft whimpers and moans spilled from your lips as Rafe continued, making you completely his. He groaned, his voice low and rough, as your moans nearly sent him over the edge.
You were lost in the rhythm of it all, overwhelmed by the sensations as you neared your peak once more. Rafe’s thrusts became more intense, and you felt the tightening of your walls around him, a telltale sign that you were on the brink.
“Rafe!” you gasped, feeling your climax wash over you in waves, pulling a deep moan from your throat. “I want you so bad,” you murmured, 
“Come inside me, baby…” Your words seemed to ignite something in him, his eyes widening as he watched your body react, his arms wrapping around you, holding you close as he thrust deeper.
You could hardly breathe, your body trembling as the overwhelming pleasure intensified. It felt like you were floating, the world outside fading until only he remained—his touch, his heat, the way he made you feel. Rafe groaned, a low, desperate sound as he felt your walls tighten around him, his own release fast approaching.
With a final thrust, he buried himself deeper, his hips moving sloppily as his climax took over. His hands gripped your waist as he moaned against your skin, his lips finding your chest as he rode out the last waves of pleasure. For a moment, both of you remained still, panting as you caught your breath, hearts racing in unison.  Rafe whispered sweet nothings in your ear as you caught your breath, Rafe fixing your hair.
“You okay pretty girl?” he asked leaning in to kiss you.
“More than okay, Rafe,” you say between kisses, smiling more and more. You swear you've never felt so happy.
You pull back slightly, and he does too, your eyes meeting in a moment of vulnerability. You can't quite put your finger on why kissing him feels so different—so much better— so right.
You kiss him once more, instantly melting into his warm touch. You want to stay in his arms forever until your moment is interrupted by the buzzing of a phone. You glance over and it's Rafe's phone on the dashboard, Dad.
Rafe answered the call, his voice shifting to a more serious tone. “Hey, Dad,” he said, leaning slightly away from you as he focused on the conversation. You watched as his expression darkened, his jaw tightening at whatever his father was saying.
“I told you I’d handle it,” Rafe snapped, frustration evident in his tone. You could see the tension building as he rubbed a hand over his face. “No, I’m fine. Just… give me a minute. Just dropped Y/N off. I drove extra slow since the rain was so bad.”
Your heart sank as you realized your time together was slipping away. Rafe looked back at you, his expression apologetic, but you could see the stress brewing in his eyes. “I have to go. I’ll call you later, Dad” he said, clearly trying to wrap up the conversation.
You sat back slightly, feeling the warmth of your earlier intimacy fade, trying to give him space while the weight of the moment lingered between you.
Rafe ended the call and exhaled slowly, running a hand through his hair. “Sorry about that. My dad’s being… well, you know how he is. Just pissed off about some investment bullshit,” he said, frustration still etched on his face.
“It’s fine,” you replied, trying to sound more upbeat than you felt. “Family stuff comes first.”
“Yeah, but I was really enjoying… this,” he said, with a smirk on his face but his voice still lingering with regret.
“Me too,” you admitted.
He leaned in, pressing a soft kiss to your lips, and for a moment, everything felt perfect again. “Let’s go do something this week, okay? I’ll take you out on a real date.” His words wrapped around you like a warm embrace, promising more to come.
You nodded eagerly, giving him another soft kiss, cupping his cheeks as you savored the moment.
He helped you swiftly off him, both of you collecting your scattered clothing and attempting to put it back on correctly.
“I should get you home before your dad starts worrying,” Rafe said reluctantly, the reality of the situation settling over you both.
You nodded, feeling a mix of disappointment and understanding that this moment together was ending. “Yeah, let’s go.”
Rafe started up his truck, creeping closer to your house. He pulled over in front of your home and parked.
As you climbed out of the truck and into the pouring rain, Rafe came over to the other side and offered you his hoodie to protect you from the rain. You swiftly put it on, feeling its warmth envelop you.
“Do you want me to walk you to the door?” he asked, his eyes searching yours, finding any reason to spend more time with you.
You didn’t really have a choice but to nod. “Yeah, that’d be great,” you replied, a flicker of anxiety rushed through you at the thought of getting caught but it out to be rainy and dark enough, no one could make out his figure.
As he walked you to your front door, you said a quick, discreet goodbye, not wanting to raise any flags or cause your dad to look out the window. You took one last glance at him, watching him walk back to his truck, his shoulders slightly hunched against the rain.
As you slipped inside, your heart raced as you stood in the hallway, the familiar sounds of your home bringing you back to reality as you tried to shake off the lingering adrenaline from your time with Rafe.
“Y/N?” your dad called from the living room, pulling you out of your thoughts. You took a deep breath, mentally preparing yourself as you approached.
“Hey, Dad,” you replied, forcing a casual tone. He was sitting on the couch, the TV flickering in the dim light.
“Where have you been? You got home a little late,” he said, looking up at you and the clock with a hint of concern.
“Oh, I was just with Sarah,” you said quickly. “Her brother drove me home since she didn’t have her car.” The words felt slippery, but you hoped they’d hold.
He raised an eyebrow, clearly gauging your sincerity. “Okay, just make sure you’re careful out there, especially with the rain coming down so hard.”
You nodded, relieved that he seemed to accept your explanation. “I will, Dad. I promise.”
He glanced at the hoodie now draped on your arm, his brow furrowing slightly. “That’s a nice hoodie. Is it new?”
“Yeah, I just borrowed it,” you replied, trying to sound casual as you fiddled with the fabric. “I got cold, so… you know how it is.”
Your dad nodded but remained silent for a moment, his expression thoughtful. “Just remember honey, I worry about you, sometimes I don’t know if you’re out with those pogues or not. I’d rather you be safe than sorry.”
“Of course,” you said, forcing a smile to reassure him. “I’m always careful Dad, I promise.”
He smiled back, his worry easing a bit. “Good. Now go wash up and get some rest. You’ve had a long day. I love you”
“Okay, night Dad, love you too,” you said but right before you headed up the stairs you turned around, “Oh Dad, Ward Cameron wanted to meet with you about some business investment stuff” 
He simply chuckled and said “Okay” before you continued heading up the stairs towards your bedroom.
Once back in your room, you collapsed onto your bed, burying your face in the pillow as a muffled scream escaped—equal parts frustration and exhilaration. The adrenaline started to fade and the memories of Rafe’s touch, his kisses, and that promise of a real date whirled through your mind, making it hard to catch your breath. Excitement buzzed through your veins, filling you with a warmth that felt as surreal as it was intoxicating.
None of tonight felt real.
You could still feel the comforting weight of his arms around you, and his hoodie was still curled up in your arms, smelling strongly of his cologne—a lingering reminder of everything that had happened.
Your phone buzzed on the nightstand, snapping you out of your thoughts. Reaching over, you saw a message from Kiara.
Hey, Y/N! The Pogues and I are hitting the beach tomorrow. The waves are supposed to be crazy good. Wanna come?
A grin crept across your face as you quickly typed a reply.
Oh, hell yes! That sounds perfect!
But as soon as you hit send, another notification flashed across your screen. This time, it was your manager, Lance.
Hey Y/N! I’m so sorry it’s late, but could you pick up a morning shift tomorrow? We’re short-staffed, and I could reallyuse your help!
Your heart sank as you rolled your eyes in frustration. Taking an early shift meant skipping the beach day you’d just agreed to. You hesitated, caught between the thought of spending time with the pogues or actually making some money.
With a reluctant sigh, you typed out a response to Lance,
Sure! What time?
Then, biting your lip, you shot a follow-up message to Kiara.
Shit, Ki, I’m so sorry! My manager just asked me to work tomorrow morning, so I’ll have to miss out. But maybe I can meet up later?
After a few seconds, you saw Kiara’s text bubble pop up.
Ugh, bummer. Don’t let those Kooks work you too hard! We’ll be at the Chateau if you wanna swing by later. I’ll even save you a drink. Plus, we have some stuff to catch you up on.
You tossed your phone on the bed with a sigh, the weight of the skipping out kind of making you upset but you’ve called off so many shifts these past few weeks. Plus you know there will be a party this week to make up for lost time. You kicked off your shoes and pulled the covers over you. Your body was utterly exhausted.
As you settled into bed, Butters, your cat, jumped up and curled himself beside you, purring contentedly. You ran your fingers through his soft fur, letting the rhythm of his purring lull you into a sense of calm.
"I hate skipping out on the Pogues," you muttered to Butters, who responded with a contented purr. "But, hey, at least I won’t be broke."
You sighed, snuggling into the covers and letting the warmth of your cat and the quiet of the room start to ease your mind. Just as you were starting to drift off, a new notification buzzed on your phone.
You picked it up, blinking at the screen in surprise.
Goodnight beautiful
A small smile tugged at your lips as you stared at the text. You couldn’t help the flutter in your chest, even though you knew you'd have to face the consequences of whatever you were getting yourself into with Rafe. For now, though, you let the words settle in and your exhaustion wins, letting sleep pull you under.
--——----------————- ❥・-------------------------
Taglist: @rafesno1bae, @drewsphswife, @maybankslover
179 notes · View notes
gloomwitchwrites · 9 months ago
Text
By the Belt (2 of 4)
Kyle "Gaz" Garrick x Female Reader
Content & Warnings: established relationship, undressing, talking through it, praise, vaginal fingering, unprotected piv (wrap it up irl), creampie, cowgirl position
Word Count: 1.5k
A/N: Part of the Imagines & What If Series
Gaz tells you to take what you want.
ao3 // taglist // main masterlist // by the belt masterlist
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The light on the bedside table is on. Its warm glow rolls out across the bedroom, illuminating the room enough to cast long shadows against the wall.
Kyle stands just shy of the end of the bed, his black suit jacket tossed onto the sheets. Tugging on the tie at his neck, Kyle’s gaze is focused on the phone in his hand. He’s tapping away, his cheeks slightly flushed with a rosy hue from the amount of alcohol the two of you have consumed this evening.
The top two buttons of his white dress shirt are open, revealing skin and the faintest fluff of chest hair. He sighs, tapping again, sending something out before opening up another message. It’s likely all work related, an aspect of him that never seems to shut off.
Slowly, you stalk from the bathroom doorway to Kyle in nothing but your lingerie. You’re already out of your dress and heels, only wanting for him to put his phone aside and relax. The moment you walk up to him, Kyle reaches out almost on instinct, his gaze still on his phone but his hand seeking you.
His palm makes contact with your bare skin, and you slide your fingers into the belt loops of his perfectly tailored dress pants. Pulling taut, you draw Kyle against you, bodies pressed close together.
Kyle’s gaze immediately shifts to you, the concern in the middle of his brow softening to affection. His mouth stretches into a smile that he only ever gives you.
“Baby girl,” he croons, the backs of his fingers tenderly skimming along the edge of your jaw. “You can have whatever you want.”
The two of you stand in the middle of the bedroom, pressed close, your hands between your bodies. It’s late, and the flow of traffic is almost non-existent. It’s unusually quiet, just your breath and his.
Kyle is the handsy one. He loves touching you, reaching for you at every possible moment. Sometimes it’s blatant, squeezing thigh and hip, while other times he is subtle with just passing touches.
“I want you,” you murmur, because it’s the truth, and you also want Kyle to relax, to be present in this moment. The entire evening has been a whirlwind.
Sometimes Kyle reaches for you and almost isn’t aware that he’s doing it. You are not nearly as generous or bold with your touches as he is, so sliding your fingers into the belt loops of his pants to pull him closer might come across as forward.
But Kyle doesn’t seem all that surprised. The sultry smile on his face is enough to send heat racing to the space between your legs.
“You want me,” he repeats back. Kyle doesn’t need to question your motives. His is aware of just how much you love him; of how much you like to just linger in his presence.
“I’ll always want you,” you murmur, tipping your head back as a silent invitation.
Kyle locks his phone and tosses it onto his suit jacket. “But how do you want me, love? Be specific. You can take what you want, but you need to tell me.” The fingers brushing at your jaw rotate, tracing the curve of your bottom lip. “Direct me,” he murmurs. How do you want it?”
The way he’s speaking to you doesn’t make the dominance in you flare. If anything, it drives you toward submission, to lay on your back and welcome him in until you feel him for the next few days.
Slowly, your fingers slide out of the loops, travel upward to undo the buttons on his shirt one at a time, revealing chiseled chest. Kyle does not move. He waits for you to help him out of it, to toss it onto the bed before transitioning to the front of his pants, undoing buckle, removing his belt, opening the front only to push it down his legs and hips. You stay down there, unlacing his dress shoes and rolling off his socks. They’re kicked off. Tosses to the side. Entirely forgotten as you return to standing.
The moment you’re staring into his face again, Kyle moves, sliding his arm around your waist, head dipping like he’s about to kiss you but pauses at the last second.
“Where do you want me?” he asks softly.
“On the bed.”
Kyle shakes his head. “Be specific.”
“Reclining,” you answer.
“That’s it, love.”
Kyle teasingly clips the underside of your chin before he picks up his phone and suit jacket, bringing them to the dresser and returning to the bed. He slides into the middle, leans back against the array of plush pillows, spreading his arms wide.
He is entirely naked. Completely bare. And Kyle hides nothing from your gaze. He is displaying himself, knowing that you’re absorbing it all, taking notice of the hardening length of him.
You crawl up the bed to straddle his lap. Kyle keeps his arms outstretched, not touching until you give him the next instruction. Your hands rest on his chest, pressing into him, lips coming together in a slow kiss.
“Touch me,” you murmur against his lips.
“How?”
You reach out and guide one of his hands between your legs. “Touch me here.”
Kyle lightly rubs his palm over your pussy through the fabric of your delicate lace underwear. He sighs deeply, one finger sliding underneath and then another before pushing it to the side.
He plays with you at first, exploring like he’s just now learning your body. Then, he isn’t. Then he is circling your clit in little swirls that draw up the gentle roar that sits low in your belly. Already, you need him, and Kyle knows this.
He moves away, testing to see how wet you are. Kyle moans softly when he finds your excitement dripping onto the tips of his fingers. One finger easily slides inside, and Kyle begins to pump casually, simulating sex, lightly curling the very tip to draw against that perfect spot inside you. His thumb takes up residence against your clit, moving in time with his pumping finger.
Your eyelids flutter, then shut as your back arches, moaning loudly.
“Is that what you want, love?” he murmurs, coaxing an answer from you with a perfectly placed stimulation of your clit.
“Yes,” you manage to breathe, the word stuttering out.
The orgasm is sharp and quick, giving you the release you need and yet driving your desire even higher.
Kyle slowly continues to pump his finger. “More?”
You shake your head. “I want something else.”
“What?” he asks, automatically.
Leaning back a bit, you reach behind you to grasp his cock, stroking him gently. Kyle groans, his hand not occupied between your legs reaching out to grasp your thigh, fingers digging into your flesh.
“You know what to do,” he says through gritted teeth.
With one hand around his cock to guide, you flex your hips up, slowly sinking down on him. You roll up, and then back down, hands returning to Kyle’s chest as you seat yourself entirely on him. The head of his cock sits deep, and your fingers dig into his chiseled pectorals.
Kyle’s eyelids and brow are soft as they gaze on you. Whimpering, you come up and go right back down, the angle hitting that sweet spot.
“Good,” he breathes. “Doing so well, love. Just like that.” You repeat the movement and Kyle fails to stifle a groan. “Fuck—oh, fuck. That’s right, sweetheart.”
His praise warms your skin and blood. Sliding your hands upward, you hold onto his shoulders, using them as leverage to rock and bounce back on him. Kyle’s breathing lengthens, nostrils flaring as he tries to retain control of himself. Kyle’s grip on your thigh changes. Moving closer toward your pelvis, Kyle finds your clit with his thumb, stroking it in just the way you need to, causing the muscles in your legs to quiver.
He sends you over the edge in moments.
“Kyle,” you groan, his name dripping from your lips to stain the air.
“Fucking hell, love,” he moans, his other hand sliding up to grab the back of your neck, keeping you anchored against him.
“Fuck me, Kyle. Please. Please.” You need to feel him everywhere, to remember the stretch of him inside you for days after.
Kyle answers by meeting each roll of your hips with an upward thrust. The two of you come together repeatedly until his own thighs tense beneath.
“Inside me. Please, Kyle. Please. Please.”
You’re begging at this point, the words falling into bursts of air that Kyle pulls from your body with each thrust of his hips.
He holds you flush against him as his release hits him. No words are spoken, just sounds that speak to pure contentment and bliss. Collapsing against him, Kyle wraps his arms around your back, holding you close, sinking further into the pillows and bedding, your bodies sticky and sweaty.
taglist:
@glassgulls @km-ffluv @glitterypirateduck @tiredmetalenthusiast @spicyspicyliving @childofyuggoth @coffeecaketornado @aykxz98 @kayden666 @36namey @miss-mistinguett @keiva1000 @cherryofdeath @pertinentpostmortem @enfppuff @berarenado @saoirse06 @ninman82 @no-oneelsebutnsu @thewulf @hayleybarnesx @lxblm @ferns-fics @ooldcardigan @beebeechaos @enarien @sw33tsnow @kessi-21 @makayla-666 @lifes-project @burn1ngw00d @heeheehoohoohahahihi @lulurubberduckie @ravenpoe67 @jade1605 @miaraei @contractedcriteria
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raven-at-the-writing-desk · 1 month ago
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10k+ Milestone Event: ✨ After Ever After ✨
Blog event introduction story here.
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(Credit for the wonderful artwork goes to tinyfantasminha!)
For 10k followers in 4 years (the same number of years it generally takes to complete high school), I thought it might be thematically fitting to do a “10 years in the future” themed event!
Here are the general rules:
For the next week (until the 14th!), I’ll be opening my inbox to take headcanon and character interaction requests.
Please note that the characters will be aged up 10 years to fit the theme of this blog event; it’s meant to feel like a class reunion all these years later and you’re catching up on old times! (Requests that don’t fit this theme may not help accepted or will be less prioritized.)
Indicate if platonic or romantic. If you do not specify, I will NOT default to romantic, I will default to platonic.
Gender is not necessary to include; I will assume gender neutral they/them in all cases so everyone is able to comfortably read.
As the regular blog rules state, you can request up to 5 characters for headcanons.
I’d like to limit interactions and short fic requests to 1 main character (though others may be requested as supporting cast or cameo).
Any characters are fair game, including family members, RSA students, Halloween characters, NRC staff, etc.
For interactions, you can submit a request as yourself/the Reader/a general self-insert or as a canon character.
NO FAN KIDS THOUGH, PLEASE 💦 It'll just get too confusing for me to keep track of, sorry!
Note that all other writing request rules apply. This means no NSFW, no OCs, minding the specific triggering topics I have noted, etc,
Also!!
Miss Raven has changed these last 10 years too~! Maybe you should check in with her as well?
I’m also opening up interactions for Miss Raven, who is now the headmaster of NRC.
For the Miss Raven interactions ONLY, you can submit as a general Reader/self-insert, a canon character, or as your Twst OC.
If you are submitting as your OC, I would appreciate some quick background on who the OC is so I’m not going in totally blind ^^
NO FAN KIDS for similar reasons as stated above.
For select individuals (defined by myself; could be mutuals, friends, or just users I recognize), you’ll get a little something extra :DD (It’s a surprise though!! Will be delivered privately when applicable.)
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thehypnone · 3 months ago
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here we gooo let's try to make some money (/hj, but I am a broke disabled student, so...)
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I honestly don't know if this will be a big fail or big success so I'm starting out with 4 masks this month and 4 more masks next month (because I can't sell more than 4 masks per month due to some stupid taxation rules in my country), only to pay off the money that went into me making all this shit. If it turns out to be a success I'll probably be dropping more batches of better quality later on
Prices in EUR/prices in USD/shipping times:
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It's quite cheap for a prequelle mask replica for one main reason; I'm no professional. This is my first time doing something like this and while I'm very proud of how the first mask came out and am confident in the ones I’m gonna be selling, they do reflect my lack of professionalism. Feel free to ask me for more detailed pictures if you're worried about how they look up close
I will not be doing any business with minors, tho, so please don't even try, MDNI always stands here
FC45 resin, acrylic primer, hydroalcoholic chrome paint and a waterbased polyurethane varnish. There's also foam padding and an elastic strap
Current availability of the masks is going to be updated in my pinned post. There’s going to be two steps to ordering, first is to fill out this form. You’ll have to leave your email there (optionally Tumblr username, too) for me to be able to contact you, and then when it’s your turn and everything is calculated, I'll contact you. If everything's agreed on and alright I’ll make an individual Ko-fi listing just for you to use. The form will help me keep track of the “wishlist” (if there's gonna be such interest, of course, because as I said I have no idea how it will go). First 4 people from the list will get a message from me and we'll proceed from there
I can ship anywhere you want; you as a buyer cover all expenses of the shipping, as well as customer protection fees on PayPal. For cost cutting reasons (and also because I'm not a registered company) the mask will be described as a gift on the customs declaration
The moment I have the first 4 people pay, I order the supplies and begin casting the masks as soon as they get to me (2-3 days). The entire process, between the waitlist filling and the masks being shipped, may take up to two weeks
I think that's it, feel free to message me/send me an ask in general if you have any questions!
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thomaskong · 2 months ago
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4 minutes fancon highlights‼️‼️‼️
Let me just start off saying this was genuinely SO fun. Like it was silly! It was entertaining! Sometimes it was sexy <3 Even sad! And of course always exciting. I wasn’t expecting it to be THIS fun lol
the fanservice was genuinely SO good. Like. The inside jokes within fandom type fanservice. Like ฮ็อบ y’know
When Den/Job asked the audience what Great’s name was and everyone went MUAYYYY—MULTIPLE times (me included!)
Tymegreat going on what I would call a post-waking-up-from-their-4MP-date and having a little dress up dance moment??? Tyme/Jes kissed Great/Bible’s cheek and of course everyone lost their minds. They also “won” (Great/Bible couldn’t win one of the two so he straight up unlocked the machine and pulled it out😭) the iconic cats in a recreation of their date in Great’s 4MP hehe
THE ACTORS WHO PLAYED YOUNG GREAT AND YOUNG TYME HAD A PERFORMANCE TO BUTTER BY BTS AND IT WAS GENUINELY SO FUCKING FUN AND THEY WERE LIKE BREAK DANCING ??? THEYRE SO GOOD!!! LITTLE UDON IS SOOO CUTE (honestly maybe the main highlight for me…)
Bon Jovi cover from Jes on the drums and Bas on the guitar. Genuinely so fucking cool.
Even the dance stages that weren’t related to the show were so fun. Like jjay doing mmmh by Kai…. OHHH LORDDDD. Jes and Bible are good dancers! And also they’re so hot😁 I have to emphasize this guys😁
Full cast ohm hiwwhee cover!
Tyme/Jes and Den/Job had a scene as when they were in med school and it was so sillay and a little gay of course. Very entertaining I love the dynamic these two have
BUMP APPEARING FOR ONE PERFORMANCE LMFAO. IN THE SAME LITTLE SKIT TITLE/JET AND DOME/MIO HAD A LITTLE GAY MOMENT AND THEN BUMP KISSES BOTH THEIR CHEEKS AND RUNS AWAY SKSKDJKS (it was like. Them as freshmen)
“If this love triangle was a musical…” coming on screen right before a musical between korn/bas, tonkla/fuaiz, and win/jjay made me lose my SHIT. it was LITERALLY 4 minutes: THE MUSICAL. Fuaiz was cunty as hell. Bas is honestly a great performer. And jjay got water dumped on him very dramatically/sadly as it “rained” LOL
Dome/Mio singing billkin’s lahn mah ost to Tonkla/Fuaiz. V sad </3
DENKORN PARALLEL UNIVERSE. IF GREAT INSISTED FOR KORN TO GO TO THE HOSPITAL AFTER GETTING CUT IN THE NECK. AND EVEN FUNNIER THEY PARALLELED TYMEGREAT THE WAY DEN WAS LIKE …yeah I’ll take care of this guy Bee. AND IT GOT SO GAY LOLLLL
THE LIKE LITTLE DANCE PARTY WE HAD AT THE END??? Job was DJing and the cast was jumping around with everyone, going into the audience, and just having so much fun lol (esp Jes hehe)
PONGTONG WERE HERE AND THEY PULLED EM UP ON STAGE TO DANCE WITH THEM!!! Even the young actors danced too and mio was like carrying them it was very cute hehe
Just. Apo’s presence for the auction is always <3 and btw they raised over ฿400k for HIV research!!! They also kept kissing their photos LMAO (since the couple photo was last, jesbible kissed it at the same time kdksjd)
SEASON TWO BEING ANNOUNCED!!! It seems like 8 hours is about when you dream👀 and yes there was lots of screaming (tbh, it was nonstop screaming the whole time ofc)
ALMOST FORGOT. THE WAY THE COUPLES SHIRT MERCH WORKED FOR ALL OF THEM (in terms of characterization (mostly) and ship wise—including ghost ships LOL). Those wearing white: jes, jjay, bas, and mio; those wearing black: bible, fuaiz, job, and jet
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gremlin-girly · 3 months ago
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Flufftober Day 4
From: @flufftober
Prompt: Market Day
Title: The Love of Plums
Pairing: Bucky x gn!Reader
Warnings/tags: FLUFF, CW!Bucky but mostly tooth rotting fluff (with a hint of sad! This is CW Bucky after all), no beta
Summary: You go shopping at the market for plums for a baked treat and share a cute moment with a stranger over plums.
Word count:
A/N: This is more of a wholesome moment between Bucky and reader, rather than a big ol' romantic one. The man just wanted his plums in CA:CW and I couldn't resist with this prompt😌 Although if anyone noticed that Bucky holds the plum with his left hand... I'm sorry- Love, Grem x
I hope you enjoy! Likes, comments and reblogs are always appreciated 💜 Dividers by: @/saradika-graphics
Prev | Next | Masterlist
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Spiced plum jam. Apple and plum loaf. Caramelised plum tart.
You stood before the box of plums in awe, ideas swirling in your head as you stared at the big, purple orbs in front of you.
Poached plums and figs with brie, spread on crunchy, toasted bread....
Your mouth started to water. You couldn’t come to the market and not get some plums. Especially when they looked this delicious and ripe. They were just the right amount of squidge which meant they were juicy too.
“I’ll take ten.” You tell the shopkeep, who smiles down at you as he fixes a brown paper bag with ten huge plums, uttering the price.
“Don’t eat them all at once,” He chuckles, handing the bag  to you and taking the money from your outstretched palm. The exchange is swift, friendly, and a mutual understanding of pride and admiration between farmer and cook.
You flash a grin to the shopkeep as you head back through to the main thrum of the market.
“I’ll try my best!”
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You’re clutching your brown paper bag tightly to your chest like your life depends on it. The market was busier than usual today and you’d be dammed if you wasted another moment not eating a juicy plum.
The crowd parts briefly and you spot a bench just off the path beneath some trees. You make a bee-line for it, weaving quickly and smoothly through the throng of people. The trees rustle above you, cascading leaves in hues of bronze, gold and yellow onto the path. It was a crisp autumn day. There was a breeze but it wasn't too cold, not yet anyway, but a clear signal of the change in season.
You dig a hand into your plum bag, pulling out one of your many treasures, looking out over the market. Your bag remains perched on your lap as you watch buyers yell out deals, prepare food or bags of goods and haggle with customers. All sorts of different smells mingled together; from newly fried donuts and coffees and fresh vegetables and fruits all the way to savoury pastries and the fish stall. It was a myriad for the senses and always the highlight of your week when you could come.
You go to take a bite out of your plum when something shifts in your right peripheral. Your eyes flicker beside you and you're startled to find a man next to you. He's sat on the other side of the bench with a backpack strapped to him and there's a baseball cap casting a shadow over his handsome features. He's not looking at you but over at the market, wearing a forlorn expression that makes your chest ache gently.
You don't know him. You don't know what his story is. But from that expression alone, you know he needs something good to happen today.
You glance down at the plum in your hand thoughtfully and then back to him. You shuffle a little closer, awkwardly steadying the paper bag on your lap, when he looks over to you wide eyed and nervous.
You hold out the plum in your hand to him with a soft, friendly smile.
“Plum?”
He looks over at you like the human equivalent of a question mark.
“You... want one? Sorry, maybe I should have clarified instead of announcing it’s a plum.”
He still looks at you strangely, as if he's surprised by the friendly gesture, but there's a ghost of a smile as he looks between you and the purple sphere in your hand. He tentatively holds out a gloved palm and you place the plum into his hand. He squishes it gently, glancing at it with concentration like he’s trying to feel for something.
“They’re perfect aren’t they?” You say watching him, trying to hype up the plum to him. "They're ripe so they'll be extra sweet."
The stranger says nothing but still looks appreciatively at the plum in his hand, rolling it between his thumb and palm.
You point to the direction of the stall, babbling a little to try to fight the awkwardness of the one-sided conversation you were having. “The stall is just over there. I’d go before they sell out.”
He follows your finger, gaze cautious and alert, but he nods.
"Thanks," he mumbles in a gruff voice, which makes you stifle a sigh of relief. You offer him another smile as you retrieve a new plum for yourself, toasting it to him before taking a large, long-awaited bite. Plum juice trickles down your chin and your free hand rushes to cup it before it stains your clothes. You mutter a curse around the plum flesh, blushing a little when you hear a quiet chuckle from the man beside you.
"What did I say?" You try for a charming smile but your mouth is still covered with plum juice and flesh. "Ripe."
The stranger's smile widens and he shakes his head quietly. You can't help the warmth that spreads in your chest at the sight. He looks even more handsome when he smiles; the furrowed brows of anxiety replaced with crinkles around his eyes. You give him a delicate nudge with your elbow.
"Your turn."
He considers it a moment, regarding the plum, before taking a shy bite of his own. Plum juice still manages to dribble down his chin, causing you to stifle a giggle. The stranger's eyes widen with delight, wiping his face with a free gloved hand and he's still smiling.
"They are ripe," he chuckles and takes another bite.
"I did warn you." You mimick his action and take another bite, smaller than your last thankfully. A comfortable silence settles between you as you eat the plums, a soft breeze blowing leaves gently over both of your feet.
"Thank you." The stranger says quietly, after he's finished eating. "That was...nice of you."
You flash another smile. "No problem."
He smiles back and silently rises to his feet, towering above you. Your gaze travels up his form, lingering a little too long when you realise your still mid-way through a bite of plum.
"I... Hope you have a good day." You say gently.
He nods again, cheeks dusting pink. "You too. I... think I might take a look at those plums actually."
"Tell the shop keep the weirdo that bought ten plums sent you. He might give you a discount." You chuckle, earning you another soft, eye-crinkling smile.
"I will. Thanks."
"Stop thanking me. You've said it three times." You huff, mock-annoyed, and then grin. "See ya 'round."
"See you." He nods again and you watch him melt away into the crowd in the direction of the fruit stall with the delicious plums.
You sigh softly into the air, enjoying the final moments of peace with your plum. You wonder if you helped to make the stranger's day better, and if you'll bump into him at the market again. As you leave the market with your (now eight) plums in tow, you think about the stranger and wonder if he will remember you but you shake your head of the thought. It was a fleeting moment of kindness between strangers. You'd probably never see him again. You'd probably not remember him, let alone him remember you.
However, you would be wrong. James Buchanan Barnes always remembered one of the first acts of kindness he experienced after escaping HYDRA. One of the first times he smiled in a very long time.
He never forgot the stranger and their plums.
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physalian · 9 months ago
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What No One Tells You About Writing #5
Part 4
Part 3
Part 2
Shorter list this time, but longer points. I expect this one to be more divisive, but it is what it is, and this is what ‘no one tells you’ about writing, after all. This one’s all about feedback and how to take it, and give it.
1. Not everyone will like your book, no matter how good it is
I’ve said this before, granted, but sometimes you can have very arbitrary reasons for not liking an otherwise great story. For example: I refuse to watch Hamilton. Why? Because everyone I knew and their dog was trying to cram it down my throat when it came out and I still don’t really like musicals, and didn’t appreciate the bombardment of insisting I’ll like it simply because everyone else does. I’m sure it’s great! I’m just not watching it until I want to watch it.
It can be other reasons, too. I won’t read fanfic that’s written in first person, doesn’t matter how good it is. Someone might not watch a TV show because the primary cast is white or not-white. Someone might not watch a movie because an actor they despise is in it, even if the role is fantastic. Someone might not watch or read a story that’s too heavy on the romance, or not enough, or too explicit. I went looking for beta readers and came across one who wouldn’t touch a book where the romance came secondary in a sci-fi or fantasy novel. Kept on scrolling.
Someone can just think your side character is unfunny and doesn’t hear the same music as everyone else. Someone can just not like your writing style with either too much or not enough fluff, or too much personality in the main narrator. Or they have triggers that prevent them from enjoying it the way you intend.
How someone expresses that refusal is not your job to manage. You cannot force someone to like your work and pushing too hard will just make it worse. Some people just won’t like it, end of story.
2. Criticism takes a very long time to take well
Some people are just naturally better at taking constructive criticism, some have a thick skin, some just have a natural confidence that beats back whatever jabs the average reader or professional editor can give. If you’re like me, you might’ve physically struggled at first to actually read the feedback and insisted that your beta readers color-coded the positive from the negative.
It can be a very steep climb up the mountain until you reach a point where you know you’re good enough, and fully appreciate that it is actually “constructive” and anything that isn’t, isn’t worth your time.
The biggest hurdle I had to climb was this: A criticism of my work is not a criticism of me as a person.
Yes, my characters are built with pieces of my personality and worldview and dreams and ideals, but the people giving you feedback should be people who either already know you as a person and are just trying to help, or are people you pay to be unbiased and only focus on what’s on the page.
Some decisions, like a concerning moral of your story, is inadvertently a criticism of your own beliefs—like when I left feedback that anxiety can’t just be loved away and believing so is a flawed philosophy. I did that with intent to help, not because I thought the writer incompetent or that they wrote it in bad faith.
I’m sure it wasn’t a fun experience reading what I had to say, either. It’s not fun when I get told a character I love and lost sleep over getting right isn’t getting the same reception with my betas. But they’re all doing it (or at least they all should be doing it) from a place of just wanting to help, not to insult your writing ability. Even if your writing objectively sucks, you’re still doing a lot more just by putting words on paper than so many people who can’t bring themselves to even try.
As with all mediums subjects to critique, one need not be an author to still give valuable feedback. I’m not a screenwriter, but from an audience’s standpoint, I can tell you what I think works. Non-authors giving you pointers on the writing process? You can probably ignore that. Non-authors giving you pointers on how your character lands? Then, yeah, they might have an opinion worth considering.
3. Parsing out the “constructive” from the criticism isn’t easy
This goes for people giving it as well. Saying things like “this book sucks” is an obviously useless one. Saying “I didn’t like this story because it was confusing and uncompelling” is better. “I think this story was confusing and uncompelling because of X, and I have some suggestions here that I think can make it better.”
Now we’re talking.
Everyone’s writing style is different. Some writers like a lot of fluff and poetic prose to immerse you in the details and the setting, well beyond what you need to understand the scene or the plot. Their goal is to make this world come alive and help you picture the scene exactly the way they see it in their minds.
There’s writers who are very light on the sensory fluff and poetry, trying to give you the impression of what the scene should look and feel like and letting you fill in the missing pieces with your own vision.
Or there’s stories that take a long time to get anywhere, spending many pages on the small otherwise insignificant slice-of-life details as opposed to laser-precision on the plot, and those who trim off all the fat for a fast-paced rollercoaster.
None of these are inherently bad or wrong, but audiences do have their preferences.
The keyword in “constructive criticism” is “construct”. As in, your advice is useless if you can’t explain why you think an element needs work. “It’s just bad” isn’t helpful to anyone.
When trying to decide if feedback has merit, try to look at whatever the critic gives you and explain what they said to yourself in your own words. If you think changing the piece in question will enhance your story or better convey what you’re trying to say, it’s probably solid advice.
Sometimes you just have to throw the whole character out, or the whole scene, whole plot line and side quest. Figuring out what you can salvage just takes time, and practice.
4. Just when you think you’re done, there’s more
There’s a quote out there that may or may not belong to Da Vinci that goes “art is never finished, only abandoned.” Even when you think your book is as good as it can be, you can still sleep on it and second-guess yourself and wonder if something about it could have been done better or differently.
There is such a thing as too much editing.
But it also takes a long time to get there. Only 10-15% of writing is actually penning the story. The rest is editing, agonizing over editing, re-editing, and staring at the same few lines of dialogue that just aren't working to the point that you dream about your characters.
It can get demoralizing fast when you think you’ve fixed a scene, get the stamp of approval from one reader, only for the next one to come back with valid feedback neither of you considered before. So you fix it again. And then there’s another problem you didn’t consider. And then you’re juggling all these scene bits and moments you thought were perfect, only for it to keep collapsing.
It will get there. You will have a manuscript you’re proud of, even if it’s not the one you thought you were going to write. My newest book isn’t what I set out to write, but if I stuck to that original idea, I never would have let it become the work that it is.
5. “[Writing advice] is more like guidelines than actual rules.”
Personally, I think there’s very few universal, blanket pieces of writing advice that fit every book, no exceptions, no conditions, no questions asked. Aside from: Don’t sacrifice a clear story for what you think is cool, but horribly confusing.
For example, I’m American, but I like watching foreign films from time to time. The pacing and story structure of European films can break so many American rules it’s astonishing. Pacing? What pacing? It’s ~fancy~. It wants to hang on a shot of a random wall for fifteen seconds with no music and no point because it’s ~artsy~. Or there is no actual plot, or arc, it’s just following these characters around for 90 minutes while they do a thing. The entire movie is basically filler. Or the ending is deeply unsatisfying because the hoity-toity filmmaker believes in suffering for art or… something.
That doesn’t fly with mainstream American audiences. We live, breathe, and die on the Hero’s Journey and expect a three-act-structure with few novel exceptions.
That does not mean your totally unique or subversive plot structure is wrong. So much writing advice I’ve found is solid advice, sure, but it doesn’t often help me with the story I’m writing. I don’t write romance like the typical romance you’d expect (especially when it comes to monster allegories). There’s some character archetypes I just can’t write and refuse to include–like the sad, abusive, angsty, 8-pack abs love interest, or the comedic relief.
Beyond making sure your audience can actually understand what you’re trying to say, both because you want your message to be received, and you don’t want your readers to quit reading, there is an audience for everything, and exceptions to nearly every rule, even when it comes to writing foundations like grammar and syntax.
You don’t even have to put dialogue in quotes. (Be advised, though, that the more ~unique~ your story is, the more likely you are to only find success in a niche audience).
Lots of writing advice is useful. Lots of it is contradictory. Lots of it is outdated because audience expectations are changing constantly. There is a balance between what you *should* do as said by other writers, and what you think is right for your story, regardless of what anyone else says.
Just don’t make it confusing.
I just dropped my cover art and summary for my debut novel. Go check it out and let me know what you think!
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justsome-di · 2 years ago
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Now a Pulitzer Prize winning book (don’t fact check this, just trust me) and featured on Obama’s 2023 Summer Reading List!
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You should be reading Nobody Ends Up Dead in a Bathtub, Everyone Keeps Their Organs! Why? See above.
It’s a good story if I do say so myself. And if you read it, you’re a cool kid. Don’t you want to be a cool kid? This is something called peer pressure, and it usually works.
But for real, if you read Nobody Ends Up Dead then you’re going to go on a good adventure with good characters I guarantee you will love. Not to brag, but it is a pretty good story. There’s funny one-liners, a cute plot, and relatable characters that have been developed for years. Just heed warnings at the beginning of chapters. NEUD deals with some heavy topics such as eating disorders.
NEUD is officially all online for free. But you can still access bonus chapters and short stories on Patreon for only $4.
Links: 
AO3
Wattpad
Patreon (Patrons had early access to the whole novel and also get exclusive short stories with the characters and sneak peaks for new projects!)
Netflix Previews
Characters’ Playlists
You can also check out my carrd if there are any updates to how/where I post, it’ll probably be the most accurate place to find new or updated links.
Transcript under cut:
The Story is Dope
A New York office worker and a sex worker get set up on a date--one thinking it's a real blind date, the other under the impression it's an ordinary appointment. After realizing it was all a shitty prank, they set out for revenge. Their plan: show up to an upcoming Halloween office party as a genuine couple, convincing the pranksters they genuinely fell in love and refusing to let themselves become the butt of the joke.
Our main characters are Alex, an awkward admin assistant for a medical company who hasn't been on a date since he was a teenager, and Damián, a sex worker who seems way out of Alex's league but keeps insisting on spending time with him so they can perfect their revenge scheme.
The novel features a diverse cast and explores sex positivity. I also like to believe that it portrays sex work well. Damián is a hardworking man, doing what he loves, and meeting mostly great people along the way--but he also would benefit greatly if sex work was decriminalized and therefore had better resources at his disposal.
If you're looking for a story with LGBT characters that's mostly light-hearted but still packs a punch every few chapters, this is it! Overall, it's a happy story.
The Characters!
oh boy the characters!
we got Damián who's hardworking and doting on his lil bro but oh wow does he have some angst
we got Alex who is nothing more than a burning ball of anxiety trying his best--all too relatable
Leo, Damián's bro, is an ally, and he will make sure everyone knows. Also has angst.
Eve, Alex's lil sister, is an edgy teen who's failing calc and runs a queer book club
together, they're a weird lil dysfunctional family
I'll be honest. There's a lot of love in this story. From me and among the characters. The characters love each other, and I think the readers love them, too.
It touches on a lot of loneliness--inspired by how I've felt since Covid started--and a lot of the conflicting emotions that come with being gay. What happy endings do we deserve? What about happy middles?
It's a touching book about learning to be a better person and finding people who love you--platonically and romantically.
Here are some of my fave parts:
And then there was a streak of gray hair that shocked Alex. A streak of gray hair off to the side, nestled close to a salt and pepper beard. Textured hands held cocktails. Little, subtle lines creased when mouths laughed. Alex held his breath. On the packed floor, they were the only people Alex could see. They were laughing and holding each other and enjoying themselves, firmly in the place they knew they belonged. Flashes of teeth pressed against each other, disappearing for long seconds at a time.
--
“Sorry,” Alex said. “Your arm got heavy on top of me.” “You’re a little mouse of a man. I didn’t mean to crush you.” “I’m what?”
--
“A dog!” Damián cooed as he sat across from the lesbians. “His name is Yam,” Martin said.
“His name is Yam,” Damián cried. Kris and Clara released Yam and gently nudged him to Damián. Ecstatic, Damián picked him up and set him on his lap. “His name is Yam,” he repeated to Alex. “I heard.”
--
But he couldn’t deny that he was having a good time. It was like intense yoga with the perk of having a cock shoved up his ass. He was going to feel limber as fuck after.
--
“Can I do anything?” Alex asked. “To help cheer you up?”
“You don’t have to worry about me.”
“I’d like to. If you let me.”
--
“Wow this sounds great where can I read it?”
Tumblr @justsome-di
Watpadd @justsome-di
Patreon @just some di (link on Tumblr)
AO3 @justsome_di
Updates every friday!
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accirax · 11 months ago
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Danganronpa: Despair Time Mastermind Ranking (Least to Most)
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Yeah, I should’ve known that I needed to get around to this someday.
You see, the reason why I hadn’t made a theory about the identity of the Despair Time mastermind is that… I'm not totally convinced on any one person being the mastermind. Like, look at these clowns! They’re all so weird! I love them all for it, obviously, but none of their personality quirks or roles in the story stand out to me as particularly mastermind-y. There are a lot of characters that I believe could be the mastermind, but it’s also pretty easy to convince me out of it for one reason or another.
However, it’s not like I had any idea about who the P:EG mastermind would be, either! At least with two chapters under its belt, I can feel more comfortable that I’m not just fully mischaracterizing the Despair Time cast. And I definitely have things to say about various DRDT masterminds, just… in a way that’s kinda hard to rank.
But, that’s no reason for me to be cowardly! I’m sure that seriously scrutinizing all of the characters’ mastermind potentials and ultimately coming up with who I think the most likely candidate is will be super fun. It’s just… going to be really long, so, buckle in. And maybe prepare to take breaks in the middle.
(Spoilers for all three main canon games and DRDT.)
Why is it going to be so long? Well, it’s because, when it comes to DRDT, I think that my predictions will be at least partially based on how long I think each character will make it into the story. If I have a particularly strong inclination that a character is going to die in Chapter 3.456, no matter how unfounded, it might make me feel worse about their prospects of being the mastermind. That’s not to say that a mastermind can’t appear to die (or actually die) before Chapter 6 rolls around, of course. However, it is an uncommon additional hurdle to the story that would require some justification and a little suspension of disbelief if I’m trying to call it years before it transpires.
So, if we’re going to talk about the mastermind, I need to share my current feelings about where each character might place in the death order. Should I update the title…?
Danganronpa: Despair Time Mastermind Ranking (Least to Most) AND ALSO Death Order Predictions
These are my mastermind rankings, so my opinions on where the characters might be headed will obviously be used as the baseline. Naturally, you don’t need to believe in anything I'm about to throw out here. I’m just trying to explain my thought process so that nothing I say later on will come as a total surprise.
Also, since it’s kind of long, here’s the top of the death order section. I think it’ll provide some important context, but if you want to skip it, look for the other green, bold text.
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Some of my thoughts were inspired by anderscim’s death predictions theory, as I read that pretty soon after I joined the fandom. I encourage you to go read their work as well!
The tiers are mostly pretty self explanatory– 3-4 means I think they’re at risk of dying sooner and 4-5 means I think they’re at risk of dying later. But, I’ll give everyone what I hope to be a quick rundown on each character just to explain my thinking. 
Xander: Xander canonically died as the Chapter 1 victim.
Min: Min canonically died as the Chapter 1 blackened.
Arei: While I respect the concept, I personally don’t believe in the “J and Arei swapped places and Arei is actually still alive” theory, and I will be writing the rest of this post accordingly. So, to me, Arei canonically died as the Chapter 2 victim.
Eden: Pretty much anyone who’s seen my DRDT theories at this point shouldn't be surprised that I’m listing Eden as the Chapter 2 killer. The logic behind this belief has been explained by my lovely mutuals here and here.
Levi: Alright, on to the ones I don’t have any concrete evidence to support! (There is concrete evidence behind the ch2 murder, even if you believe it points elsewhere.) Levi has had a decent amount of focus already in his trainwreck of a relationship with Ace and discussions of morality with Eden and Teruko. If he does serve as an accomplice to the Chapter 2 killer (see the first link in Eden’s section), then I feel like his clock will really be ticking. He’d be trapped with the branding of a bad person, his greatest fear, and left without any relationships to lean on. I wouldn’t be surprised if someone targeted him as a victim they “believed deserved to die after what happened,” or even if Levi decided that he was doomed to be a villain from the start and decided to kill. Alternatively, he could try to redeem himself as a classic Chapter 4 buff curse sacrifice in some way. In either case (or even in the case of him just being the Chapter 2 killer), I have my doubts that he’ll be making it too much later into the game.
Arturo: To me, Arturo doesn’t feel like a character set up for incredible longevity. That doesn’t mean I’m pigeonholing him as a one-dimensional villain or pure comedic relief, just that Arturo seems like a character who might be set up to have his ideology lead to his downfall. I don’t think he’s dying in Chapter 2, as I believe the narrative would want to see how he reacts to J burning the bridges between them, but I could definitely see the story only needing one more round of daily life (or possibly a trial as well) to resolve wherever his character is going.
Charles: Look, it’s not only because he’s already been pronounced dead at 3. As I elaborated upon in Charles’ section of this post (The Jerk), Charles feels like he’s speeding towards the end of his character arc far ahead of schedule. It could just be that he needed to learn to make friends quickly before Whit makes an early exit, sending him on a secondary arc where he learns to process his current grief and fears as a parallel to regaining memories about Elliot. However, I find it much more likely that the Inevitable CharWhit Doom Scenario plays out in the opposite direction. He makes a lot of sense as a Chapter 3 victim to me.
Nico: Similar to Arei and J, I am writing all of my theories with the assumption that it really was Nico who attempted to murder Ace in Chapter 2, because I think it makes the most narrative sense. (I could keep typing out a “well, unless” every time, but I don’t really want to eat up my time writing or your time reading all of that.) Through that lens, the fact that Nico has already murdered someone and “gotten away with it,” more or less, puts them in a really weird situation. I don’t really see them killing again, as it feels like we’ve already explored the emotional and narrative implications of that happening through Chapter 2. Although, I can’t deny that it would be interesting to see the fallout of Ace being proven totally right and Hu 100% wrong. Still, if they were to be a survivor after doing something so severe so early into the game, it seems like they would have to undergo some sort of redemption for the audience to accept them as a face of hope in the end. I don’t currently see any great paths to that happening, although there’s obviously still plenty of story time for something to open up. For now, though, I feel more confident in placing them as a early/mid-game victim, likely as a consequence of choosing to harm someone else.
Hu: Given her overall lack of focus in the story thus far, I find it likely that Hu will be one of the focal characters of the Chapter 3 daily life. That could be bad news, considering how Xander and Arei fared after being focused upon in their respective daily lives, but… I dunno, I just feel like Hu would survive it, somehow? Wouldn’t be too surprised if she didn’t, but my gut instinct is that she would. I kind of see her character exiting the story in Chapter 4, no preference on killer vs victim.
Veronika: Veronika is a very weird character (an “oddball,” I’ll call it), and thus, my predictions for her are strongly based on the patterns that oddball characters normally follow. I’ll be using canon characters only, because I believe that those are the only killing games that I have the right to assume every DRDT fan has seen. But, you can apply these same kinds of patterns to many fangan characters. Don’t get me wrong, I’m all for fangans breaking from typical Danganronpa norms and following their own paths. But, in the case of how oddballs are treated, I think these characters generally tend to follow these patterns because they’re sensible writing practices. I’ll try to explain why each of these conventions makes sense in the following bullet points.
Oddballs tend not to die in Chapters 1 or 2. This is because oddball characters are generally created to supply a very niche kind of comedic relief– examples from DRDT could include Arturo’s commentary on ugly people or Ace’s bizarre remarks of cowardice. Any character deemed worthy of being included in a fangan occupies one of 16 highly contested slots. So, if you include a character for the purpose of making jokes with them, you'll want to get your bang for your buck! It’s hard to fit every joke you have in mind into only a chapter or two. The best example I could come up with for a (canon) oddball who dies early is Teruteru. In his case, the writers likely anticipated that his hyper-flirtatious nature would get tiring if it continued on for too long, and thus, exhausted all of the jokes they wanted to make in Chapter 1 before his exit. An oddball who dies this early has a limited shelf life, and is likely accompanied by other oddballs who can pick up the comedic slack.
Many have pointed out that silly oddballs often die in Chapter 3 (Hifumi, Ibuki, Tenko) as a way to signify the death of fun and innocence. You also have a chance to get rid of some of the more sinister oddballs (Celeste, Kiyo) at a point where it seems unfeasible for them to have stuck around this long without… well, killing someone. In either case, it’s because Chapter 3 is a great balance of letting a character stay in a story for long enough that they achieve whatever strange effects you wanted from them, while also clearing them off the stage before you get into the really serious business. Silly oddballs especially may not be equipped to handle the often turbulent natures of Chapter 4 without breaking the serious tone too much, so it’s best to axe them at the midpoint.
Endearing oddballs (Gundham, Gonta) have a hard time making it past Chapter 4. If Chapter 4 is serious, Chapters 5 and 6 are even more so, and the Chapter 4 killer slot in particular is a viable dumping ground for characters who don’t really have a place in the finale. Their deaths are meant to pull at your heartstrings and prove how a killing game can make literally anyone– yes, even that guy– a killer. (Miu is an outlier; more like an extended Chapter 3. Unlike THH, which has its tonal shift at the end-of-Ch3-Sakura Traitor Reveal, and SDR2, which has its tonal shift at Mikan’s insanity and death, v3’s tonal shift comes at Kokichi's accusation and Kaito and Shuichi's argument, or possibly even Miu's death itself. The Chapter 4 Daily Life isn’t all that serious in and of itself. Thus, Miu dying as a Ch4 victim functions more like killing off a silly oddball before she has to deal with all the betrayal and scheming that occurs later on.)
Oddballs really only die in Chapter 5 to the extent that you can count major antagonists like Nagito and Kokichi as Weird Dudes. As the precursor to the big, showstopping, mind-bending Chapter 5 Trial, the mood is typically pretty… straightforward. Depending on the overall plot’s arc, Chapter 5 is either the point where most of the surviving students are concluding their character arcs and learning how potent a weapon teamwork is (THH, SDR2), or a “dark night of the soul” type moment where all of the slowly growing inter-character conflicts are finally coming to a head (v3). It can also be Version A for some characters and Version B for others, but, either way, hijinks are not ensuing, basically. Plot relevant things happen here, and as such, plot relevant characters are the ones who are dying. It can be hard for an oddball to find a place in the narrative relevant enough to serve as one of its final, poignant deaths without also being a major antagonist.
Despite everything I’ve said about oddballs dying, it is definitely possible for oddballs to survive. Danganronpa is, at its core, a dark comedy, and as such killing off all of your funny joke characters before the ending is probably a bad move. Hiro, Toko, Kazuichi, and Himiko are all characters I’d call oddballs that survive until the very end. The difference in their case is that part of their oddball nature is being… kind of pathetic? I think it helps them fade into the background more. It's also probably easier to give them a character arc than some others... like Veronika.
I’m sure that you can find exceptions to these “rules” I’ve laid out, especially amongst casts that have a high percentage of oddballs (which you could certainly argue fits DRDT). However, pattern recognition brain go brrrr. I don’t think that Veronika fits the description of a Chapter 1-2, Chapter 4, or survivor oddball particularly well. That leaves Chapter 3 (sinister) and Chapter 5 (bewildering antagonist). I don’t know if it’s that Veronika doesn't seem to have much of a reason to kill at this point in time or all of Veronika’s weird mastermind coding that makes me think DRDTdev might have greater plans for her. Either way, I’m leaning Chapter 5, probably victim. Jeez, that was a long section for one character. Favoritism, I guess?
J: J gets her own category because, honestly, I have no idea what to do with her. Could J make it to the end? Sure! Could J die in a Chapter 3 scheme? Sure! Could J be the Chapter 2 killer? Well, I personally believe the evidence points elsewhere, but in terms of narrative? Sure! The only real inclination I have is that I think it’s more likely that she would be a killer than a victim, mostly because Ultimate Effects Artist is a talent that could lend itself to some really creative and fun murder setups. Given that I have more characters pegged as early game deaths right now, I lean towards J late game, but… man, I don’t know!
Teruko: Teruko is the protagonist, and also is a Lucky Student who allegedly “can’t die.” Especially after she made that claim, it would be silly if she died before the ending– it’d just kinda make her look like a fool. I’m not averse to theories where Teruko is no longer the protagonist by the end, whether by her death or someone else taking up the role for whatever reason, but in the sense that “Survivor” = “Chapter 6,” I think Teruko will survive. I’m not here to predict crazy last-minute Kiibo-blowing-himself-up twists.
Rose: I think that Rose has a really nice arc of overcoming her fears and becoming less passive set up in front of her. We spent enough time establishing her relationship with Teruko that I could see her being a good potential friend/support character to Teruko in the endgame if relationships with people like Eden or Charles fall through. (And, at this point, you know what I think about Eden and Charles…) She’s also good at delivering low-key jokes that can provide some levity without totally ruining the tone. We already saw some of that in this scene. The main things that I think could be standing in her way are her photographic memory and history of debt. The photographic memory could be too annoying of an obstacle to write around for the entire game, and instead be an ongoing effect set to expire in in Chapter 3. Additionally, a money motive paralleling THH’s in Chapter 3 could be too tempting for Rose to pass up. Really, what I’m saying is, if Rose can make it through Chapter 3, I think she’s golden. We’ll just have to see how that Chapter pans out in the future.
David: Oh, David. Currently serving as Teruko’s largest antagonist, I can see why people would think that he would die in Chapter 5. However, I’m not going to beat around the bush and pretend that I’m the only person who thinks David might survive, either. As an inspirational speaker, David is established early on as a character who should be a beacon of hope, before revealing that he’s more of a hope-sucking black hole. It would make sense if, alongside Teruko, he learns to find more of a balance between blithe optimism and cynical depression and heal as a person. He has a lot of very obvious depth that I think a lot of people want to see explored, and whose exploration would be very on-brand for the themes of a typical killing game story. Plus, if Teruko ever does stop being the protagonist, David probably needs to be alive at that point to pick up the slack.
Ace: Similar to Nico, it seems like we’ve already gotten a taste of what Ace being a victim would be like, in a way where I don’t think we’re going to see it again. He could still be a killer, but would the cowardly Ace even want to attempt killing someone and throwing himself into the scrutiny of a Class Trial? Well, it is true that Ace believes that “[neither] dying young or living a long, shitty life of suffering… are as bad as this” (the killing game?). So, he could simply grow fed up with the killing game and decide that risking a Class Trial is worth it, even if he does wind up dying young. However, if that were to occur, Chapter 2 seems like the narratively best time to do it, as it’s when his emotions are most potent and probably when others would least expect him to do it due to his weakened state. Like Rose, I feel the period Ace has most to worry about is this upcoming Chapter 2 killer slot, but if he makes it through, his arc of learning to escape his fear by bravely rising above it instead of lashing out to try to knock everyone down feels very viable.
Whit: The pro of the Inevitable CharWhit Doom Scenario is that, hopefully, one of the two would manage to make it as a survivor after the other one dies. And, I’m Team Whit Surviving! Not just based on which of the two I like better (they’re my first and second favorite characters, so I’m taking a massive L either way), but because I think it makes more sense for it to be Whit that lives further on. Unlike Charles, who feels like he’s already in the final lap of the character arc race, Whit has barely left the starting line. The laundry scene in Chapter 1 and Whit’s secret in Chapter 2 have both been used to establish that Whit focuses on his and others’ bliss in hopes of remaining ignorant of everything that stresses him. The main offender, of course, being that Whit lies about his mom being alive to presumably stave off his grief. The easiest way to give him a character arc that resolves that issue is to give him something to grieve– namely, Charles– and soon. If Whit’s main character struggle is pretending that people dying doesn’t bother him, he might need an entire Chapter or more to stubbornly show off his central flaw. Now, it is possible that, if Whit can’t overcome this flaw, he could die soon after Charles and meet a tragic fate. But, those just… aren’t the vibes, to me? A post-character arc Whit who knows how to grieve fiercely but healthily might come in handy if Teruko finds herself handling her own emotions about Xander, Min, and/or anyone else at the end of the game.
And here’s the bottom of the death order section!
Finally finished writing something that nobody asked of me at all. Well, I still think it was important, and I hope you feel the same.
Now that we’ve laid all that out, I think it’s finally time to actually see who I think the Danganronpa: Despair Time mastermind might be! Although, please keep in mind that, despite the large preamble full of story predictions, I’m still pretty uncertain on who I think the mastermind is. So, my points might not be the best supported, and I might change my mind again pretty soon after I post this theory. I expect to be far better at disproving why everyone is the mastermind rather than proving why anyone would be, because that’s generally how I feel… but, onwards we go!
#17: Arei Nageishi
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(Forgive me for reusing art here, I’ve drawn these bastards ENOUGH /j)
If I were writing this after Despair Time’s prologue, like I did with P:EG, there’s a pretty good chance that Arei, at the very least, wouldn’t have placed dead last. But, well, now Arei is dead. And also last.
Obviously, there are other dead characters too. But still, Arei is the one who I most struggle to see as the mastermind. Given that Arei died as a victim whose body was thoroughly investigated by several parties, it’s pretty hard for me to believe that anyone could have missed any signs of life. I don’t get the sense that DRDT is in some kind of simulation where everyone can magically be alive again at the end either, so I think Arei is, sadly, well and truly dead.
On top of all that, we know a lot about her backstory from her Chapter 2 breakdown, and none of it seems to point her towards masterminding a killing game specifically. She doesn’t have any particular ties to any big organizations that would have helped her accomplish it, either. While she is NOT just a temporary weather spell whose absence will be celebrated and then forgotten, David… I have a hard time believing that the audience would find her character relevant enough(?) to be a good twist mastermind come Chapter 6 several years down the line.
I don’t think I really need to keep elaborating on this. Arei isn’t the mastermind.
#16: Charles Cuevas
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I know it’s a bit of a bold move to put a character who’s currently alive below characters who have already died, but… man, I really just don’t see how Charles could pull this off.
And it’s not (just) because I think he’s going to die in Chapter 3 as part of Whit’s character arc, or that I want to believe that he’s a good person. Really, it’s mostly because of his phobias. How is a guy who started gagging at the sight of blood splattered on the floor supposed to be the one who orchestrated an entire death game? Could he get through the process of creating a brutal execution like Min’s without freezing up and freaking out? Even if he could do it, why would he? Sure, he didn’t seem to remember the fact that he had necrophobia until Xander died, but that might be even more of a problem. Wouldn’t the mastermind, who’s certainly had to consider the others’ deaths before, remember that they were afraid of death? He would almost certainly have to be lying about at least the scale of his reaction, although that’s probably a given if he is the mastermind.
Of course, there are mastermind subcategories that could better benefit Charles. If DRDT is actually a simulation, especially one in which the participants don’t actually die, that would definitely make it easier for him to be the one behind it. We’re also meant to believe that Charles has childhood amnesia, so he could have amnesia in other areas as well and be a mastermind who forgot they were one.
However, as I said before, I don’t particularly believe that DRDT is going to be a computer simulation or that Charles is an amnesiac mastermind. I just… don’t see this one in general.
#15: Xander Matthews
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Let me preface this by saying that I’m not trying to argue that Xander is actually still alive. The concept that he would be able to fool not only Min, making her believe that she dealt him a fatal blow, but also everyone else as they identified his body, seems outlandish to me. However, just because Xander is dead doesn’t mean that he couldn’t have entered this game as the mastermind.
We know for a fact that Xander wanted to kill Teruko due to his dialogue regarding the note he received, which lines up well with the popular theory that Xander is the individual speaking in the first scene with the papers and the blood. If we assume he is that guy, then it may seem a little counterintuitive to think that the person who says “I have to end the killing game” would be the one behind the killing game. However, he also says, “Even if I can’t do that… I have to kill Teruko Tawaki,” implying that killing Teruko is of a higher priority than ending “the killing game.” Thus, if, for some reason, Xander thought that orchestrating the killing game was the only way to kill Teruko, it’s possible that he would be willing to let the death game roll for as long as it takes to eliminate his bigger target.
However, I can’t deny that the Xander mastermind theory has some massive flaws to it. For one, Xander is dead. I don’t think we’ve technically seen any evidence that the mastermind has to still be alive as of Chapter 2, but a mastermind-less Chapter 6 would be… an interesting challenge to write, to say the least. Also, while Xander betraying Teruko and the others was a great surprising hook the first time, if it happened again, it would be kind of… underwhelming, in my opinion. It’s the same kind of concept I brought up in my Eden’s Garden ranking:
Then, in Chapter 6, we’d be faced with the revelation that, wow, the mildly antagonistic character was actually a really antagonistic character all along! It just doesn’t seem like enough of a dramatic hook to me, I guess?
“Wow, the guy who betrayed Teruko and became a killer actually betrayed Teruko and was the mastermind all along! And now, he’s not even around to reap the social or karmic consequences of it!” You see.
And then, there is the literal interpretation of the text that Xander (if he is bloody hands man) obviously stands against the killing games. He’s also the Ultimate Rebel, someone who stands against corrupt institutions in general.
If Xander is revealed to be evil later down the line, it would make much more sense if it was as a traitor type. As for being the one and only mastermind, I think the odds are pretty low.
#14: Ace Markey
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Hey, it’s another character that’s alive! And, this one doesn’t even have a crippling fear of death. However, he is a massive coward, and that’s the main thing that’s dragging him down for me.
Similar to Charles, what would Ace stand to gain from hosting a killing game such as this? Ace doesn’t seem to have any interest in notoriety, money, the destruction of society, despair, or any other things that I can think of that would motivate a typical mastermind. We’ve seen time and time again that Ace cares most about having control over both his life and how other people see him, even though he often fails on both fronts. I guess both of those things could be solved by hosting a killing game, but… Come on, there have gotta be easier ways to do that which don’t threaten your precious life.
Furthermore, what exactly would Ace being the mastermind have to say about the story as a whole? Jockey has to be in the running for “talents that are least relevant to a potential killing game host.” How about the idea that the mastermind nearly died in Chapter 2, only to go off the rails threatening and blaming his assailant? I… always knew that Nico was… fully in the right for doing that, because it would have killed the big bad early??? Ace Mastermind is the preferred ending for those who believe that Nico can do absolutely no wrong, lol.
I can’t remember where I saw it, but I once saw a theory of writing that said that there are two major kinds of character arcs. One is the typical character arc, where the narrative pushes a character's traits to change over the course of the story for better of for worse. The other, this theory posited, was an arc on the part of the viewer, where they learn that a character that they thought was flawed was actually not as flawed as they thought all along. You could potentially apply this kind of thing to Eden: in the first chapter, some people may have seen her as a dim-witted positive girl, but in Chapter 2, we firmly establish that her kindness is not stupidity and learn how her optimism is a strength.
So, you could say that the character arc DRDTdev is going for with Ace is something more like that, where we spend the entire game learning to treat him more seriously just in time for him to be a real threat as the mastermind? It still feels like a bit of a stretch, though– I don’t know exactly what Ace would do to make us take him more seriously that wouldn’t either send him on a growth arc not super befitting of a mastermind or wind up with him being a blackened. Ace as the mastermind certainly isn’t impossible, but I obviously found it unlikely enough that I placed him below one character who is currently (presumed) dead.
#13: Arturo Giles
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Arturo’s role in the story so far is not very mastermind-ish, in my mind. In the prologue, we establish him as a cold and judgmental person who puts his own opinions of how the world works over everything else, especially how other people feel. This already feels like how a mastermind would act, so if he turned out to be the mastermind, it would be more of the same.
Then, in Chapter 2, we establish that he’s a massive simp for celebrities, to the point of transforming into something adjacent to comedic relief. We’re meant to think that his over-the-top sprites and refusal to actually listen to anything J is saying is hilariously pathetic. Other characters are constantly dunking on him, such as Teruko calling him a “bigoted” “crazy person,” and even the narrative gets in on the action when highlighting how he cares less about the fact that J’s life was at risk than that she didn’t come out of it with drip. Narratively, we’ve already seen these characters get the better of Arturo. If we the audience interpret that as confirmation that the surviving cast could easily beat Arturo should he ever come to stand in their way, it could diminish the stakes upon his mastermind reveal.
However, for all of his negatives, there are some definite positives to Arturo being the mastermind, too. Despite his comedic effects, we have seen through his threats to Eden that Arturo is very capable of being very scary in a way that I don’t think we have with Ace. The horror factor of a plastic surgeon as the mastermind could be a really fun and creepy design theme to explore. And, Arturo is obviously super obsessed with celebrities. If hosting a deadly TV show is what he thought it would take to get him in with the Hollywood celebrity scene, he might be willing to go for it.
I don’t really know why he would have made his secret what it is if he was going to get that upset about it, though. I guess if there just weren’t any better options that wouldn’t tip his hand…? Also, Arturo would blend in terribly as a survivor. If you’re heading into Chapter 6 and you have to pick the evil character out of (let me spin a wheel real quick...) Teruko, Eden, Rose, Charles, and Arturo, Arturo is definitely the evil one. (Okay, that was actually a terrible randomized draw for Arturo on the innocence front, but I hope you can imagine how he would oddly stick out of most groups.) Like I said in his death predictions, I find it hard to imagine a character arc for Arturo, which is why I find it hard to believe that he would make it as far as Chapter 6.
#12: Min Jeung
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Honestly, if Min weren’t (most likely) dead, she might be pretty high on my list of mastermind choices. While not as suspicious as the Spurlings, XF-Ture Tech is pretty suspicious, even more so with the introduction of that one altDRDT character. Min is related to XF-Ture Tech, so if that company has anything to do with the operation of the killing game, she could have been the one behind it. Min is also very smart, and her talent has obvious applications for how it could have been used to set up/influence the killing game. The fact that her talent is so similar to Teruko’s, Ultimate Student versus Ultimate Lucky Student, could have also set them up for some great parallels and duality down the line.
However… Min’s role as the Chapter 1 killer throws a pretty big wrench in her chances. Beyond the dying part, Min’s role as the blackened was incredibly evitable. It’s not like she was thrown into a situation where she had to kill or be killed, or even one where a motive was particularly difficult for her. If she wanted to be the mastermind and survive until the end, all she had to do was walk away from Xander stabbing Teruko and pretend she never saw it. However, if Min’s goal was the inverse of ol’ Bloody Hands (keep the killing game running, but most importantly, keep Teruko alive), her actions could line up. And then, perhaps Min could have falsified her own execution early to draw suspicion off of her, much like Junko did by killing Mukuro.
Beyond her death, though, it’s really Min’s reaction to being the blackened that makes me think she can’t be the mastermind. The stellar voice acting in Min’s breakdown scenes makes me really believe both that this was the first time she had ever hurt anyone as gravely as she did to Xander, and that she fully believed that she was about to die. Those are two things that a mastermind, especially one headed into a fake execution, would not be feeling. Maybe Min memorized how to be a great actress too amongst all those textbooks, but I doubt it. I can still see several reasons why Min would have been a good mastermind, but her actual death and her reaction to being told she was dying knock her down several pegs in my mind.
#11: Hu Jing
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Hu is a bit more suspicious to me than some others just because I think she has something to hide. Between her refusal to share whose secret she received or had herself, mysterious “I want to pay for what I’ve done” hidden quote, and intense desire to be relied upon, there’s definitely something about Hu as a person that the narrative has yet to uncover. Could that something be “Hu is the mastermind”? I dunno, maybe.
Hu also has a tendency to react to things with her temper. That could be a sort of foreshadowing to how she would act as the mastermind, much like how David’s brief spell of apathy during the prologue hinted at the way he would act further down the line. Hu’s defense of Nico could act much the same way. Our overall impression of Hu at this point is that, while she is a flawed person, she’s one of the nicest and morally best people in the game, who’s always looking out for others. Defending Nico to the point of babying them might cross the line a little, but she’s only trying to help everyone…! Hu could make it to the end as a believably heroic survivor and then reveal that all of her presumed poor decisions were actually active malice, and I think she could pull that off.
All that being said… I don’t, like, actually think that’s going to happen. In fact, I’m probably overexaggerating the extent to which people think that Hu is nice and morally good. I’ve seen several people discuss the unjust amounts of hate Hu gets in this fandom, which implies that a lot of people hate her, even if I haven’t particularly seen much of it myself. At the very least, I definitely over exaggerated the extent to which people believe Hu could survive! As implied in the death order predictions, I do personally think Hu is going to die, possibly as a consequence of getting too invested in everyone else’s business when they don’t want her to be and/or wearing herself too thin. There are paths which I believe could lead to Hu being the mastermind, but they seem to be the roads less likely traveled.
#10: David Chiem
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While I have no doubts that David has the fame, charisma, and worldview to pull off a killing game… I’d have to wonder about how he would see himself playing into all of it. As we saw in Chapter 2, David knows that his career has a lot of value, possibly to himself but definitely to other people, and therefore, he doesn’t want to jeopardize it. In fact, the reveal of his manipulative secret was the inciting incident behind his massive change in characterization. So, if he were the mastermind of a televised killing game… How would he think that would play out to his viewers?
Now, to be fair, there’s a lot we don’t know about the worldbuilding of DRDT. MonoTV claims that the TV show will be broadcast to a widespread audience. Perhaps that indicates that, in the world of DRDT, publicly broadcasting talented young peoples’ violent deaths is normal, or even sought after. Maybe the cast of DRDT forgot about it.
However, David seems to think that people learning that he sees everyone as manipulable would do damage to his reputation, so it’s a bit of a contradiction either way. If the world has been wracked with despair and craves intense violence on TV, then David’s reaction to his secret is either an elaborate lie or the result of the mastermind erasing his own memories regarding the situation. (Or, I guess the public could see death as fine and dandy but manipulation as a cancellable offense, which is… one of the interpretations ever.) Otherwise, in the scenario that the DRDT world is a normal one, David wouldn’t care about being revealed as a manipulator if he’d already committed to the mastermind bit. If his career was already preemptively ruined by agreeing to commit literal murder, why get so worked up about the thought that people might abandon ship over you not being 100% honest?
And then, there’s also the whole “surprise factor” thing that I keep bringing up. Admittedly, it’s been a longer hiatus between the start of Chapter 2 and the end of Chapter 2 than DRDTdev might have been hoping for, but that doesn’t change the fact that this part of David’s characterization happened in Chapter 2. DRDT fans far and wide have written thousands of words gushing over “the David reveal” or “evil David.” If David were unveiled as the mastermind, we’d have to start writing stuff about “the first David reveal” or “when David showed his true colors again.” You see how it kind of takes the hype away from such major plot points? That’s the sort of concept I’ve been trying to get across with some of my other choices too, but a bit more clear cut.
I don’t know why I sound so much like a hater in this section (in my opinion) when I’m literally putting David at #10, above seven other characters. I guess it’s because I can see why his theatricality and traits foiling Teruko could make him a good mastermind, but also have some major issues with the logistics of him getting there. A lot of good points versus a lot of bad points settle out to him winding up someone in the middle.
#9: Levi Fontana
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With our first single digit number, we’ve also reached our midway point of mastermind candidates: Levi!
Levi would be a really interesting mastermind choice because of how his character centers around grappling with his morality. I think it would be really intriguing to have a mastermind outwardly struggling with their attempts and failures to be a good person throughout the entire game, only for the player and the characters to receive the full context of the debacle at the very end. I guess in this situation, it would be pretty likely that Levi would be redeemed at the end? That’s not necessarily a problem. (Honestly, I don’t know if I think the DRDT mastermind could be redeemed or not based on the fangan’s themes… that’s a post for another day, perhaps.)
Anyways, I think that what we know of Levi’s backstory could work well with him being the mastermind. If he does have the “murderer without remorse” secret, that would be in line with orchestrating a killing game. We also know that he’s “been disowned” and that he and his family were “all bad influences on each other.” We’re meant to assume that Levi was fortunate enough to escape a bad/abusive situation (and in all likelihood this IS what actually happened!!!!), but we are hearing about the situation from his point of view alone. There is a small possibility that, if Levi is actually a despair enjoyer, his family cut him out because they thought he was a danger to their lives.
I will reiterate again, though, that I don’t think this is the case. Levi seems like he’s a chill guy, or at least that he’s trying very hard to be one despite how he’s been told to react all his life. The whole “mastermind wanting to become a good person” lens also makes less sense given how channeled Levi’s development is through Ace. Like, I would imagine that, if this were the angle DRDTdev was going for, Levi would be making an effort to get along with everyone as part of his atonement. The mastermind randomly choosing to focus on just one person out of the crowd seems kind of strange, especially when that person is someone as disagreeable as Ace. That kind of plot would have big “the mafia CEO vampire prince fell head over heels in love with me, the random average girl” vibes. Repenting mastermind Levi is the preferred ending for pining lovers to enemies to lovers AceVi shippers, lol.
And then there’s the part where I think he’s going to die. I don’t think Levi is the worst mastermind choice, but I think there are better out there.
#8: Nico Hakobyan
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Yay, we finally got to one of the characters that Anon thought was suspicious! It only took… 7k+ words. Oh boy.
I definitely think that the cat coding is the strongest thing that Nico has going for them. It would be pretty funny if the extent to which “Ultimate Pet Therapist” is relevant to the plot is the climactic reveal that “yeah Nico has been talking to a (robotic) animal the whole time.” That’s a joke, as Ultimate Pet Therapist is already quite relevant to Nico’s characterization as someone who prefers communicating with animals over people, but it would be funny as hell from a character designing perspective.
There are less silly reasons to believe that Nico is the mastermind too, though. While it seems like, similar to David, pulling the trigger on Nico’s change in behavior in Chapter 2 would be a bit early, I don’t think it’s as destructive to mastermind Nico as it is to mastermind David. There’s a lot more doubt in people’s minds that Nico even did anything to Ace, to the extent that a decent number of people (in the story and out of it) think that it was someone else trying to kill Ace entirely. Nico also has a stalwart defender in Hu, which adds an extra level of intrigue to the situation. Instead of confirming that everyone was right to be suspicious of David, at least some amount of focus could be placed onto Hu being wrong for trusting Nico and failing to see someone’s true colors again, which could be interesting for her characterization if she was alive at that point.
On the other hand, the biggest reason that I think Nico isn’t the mastermind is also because of the attempted Ace murder. Why would Nico, as the mastermind, try to kill Ace at this time? If Nico wins the Class Trial, then the killing game is over, which is probably counter to the mastermind’s goals. If Nico loses the Class Trial, well, we’ll say that the possibility of Nico dying isn’t an issue, as they could just fake their own death or deny entering the execution. But still, why?
It could be that Nico was trying to remove themselves from the killing game on purpose, but I don’t see why it would be necessary. No one was particularly suspicious of Nico being the mastermind, and if they were worried about their gender identity getting out, they could have simply made their secret something else. A mastermind could kill to avoid the killing game falling into a standstill, but tensions were really high at the time that Ace almost died! With a full day left to go before the motive secrets were revealed, such drastic action wasn’t yet forced. I guess the best option would be that Nico was just really angered by what Ace said, and wanted to retaliate as part of their vicious mastermind nature. Is that worth taking yourself out of the killing game and risking the show’s termination, though…?
There is also the possibility that Nico is the mastermind, but didn’t try to kill Ace. In that case, suspicion of Nico would be such a huge in-universe coincidence that I’m doubtful DRDTdev would have included it as a major plot point.
Speaking of “show’s termination,” I also don’t know why Nico would have any involvement in creating a TV show, both from a backstory/talent perspective and a personality one. Nico doesn’t like interacting with people. Therefore, I don’t know what would possess them to want to create and join a TV show for which the major draw is a big stressful discussion between a bunch of people.
I guess I had fewer reasons why I thought Nico would be the mastermind than I thought. I would love to hear more details about why you suspect Nico though, Anon! I’m definitely willing to believe that they could be the mastermind.
#7: Eden Tobisa
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Make no mistake, I still think that Eden is the Chapter 2 killer. However, in the case that she isn’t… mastermind isn’t a terrible choice for her.
The biggest draw of Eden being the mastermind would definitely be the shock value. The seemingly nicest character suddenly being revealed as the mastermind would create a huge hurdle for the surviving characters to overcome. Teruko especially, given that she probably would have grown at least a tad closer to Eden if they survived five chapters together. It would be a little mean to give Teruko a trustworthy friend just to rip it away from her again, but I could see the opportunity being used to highlight Teruko’s growth. When Xander and Min betrayed Teruko, she panicked and shut everyone out, but when Eden betrays Teruko at the very end, she’s able to remain strong and rely on the other friends who she continues to trust. Or DRDT could have an unconventional feel-bad ending, I suppose.
If some kind of time loop is at play within DRDT, then Eden’s talent would obviously be thematically and perhaps practically relevant as well. I could see a lot of comparisons being made regarding a killing game being run “like clockwork.” Her secret quote “you can’t go back, no matter how hard you try” is... actually kind of anti-time loop, but at least the concept of going back in time is somewhat related…? Speaking of secret quotes, her Mai quote, “she kept calling the number, even though no one picked it up” is also really weird. That suspicious hidden evidence could point to her being the mastermind.
However, Eden’s personality is a pretty major issue when it comes to her being the mastermind. Shock value is great in the moment, but it can ring hollow in retrospect if people find that the twist doesn’t make any sense. Masterminds aren’t typically known for their kindness or optimism. So, if Eden is the mastermind, it seems like her whole “even if this world is cruel, I’ll still make the choice to be kind” speech is a complete lie. And, that would be a shame! I don’t think that having an unexpected mastermind at the end of the game is worth the cost of completely demolishing a character that we’ve come to know and love over the course of six chapters and several years. (I’m not saying that complete demolition has to be the case if Eden is the mastermind, but I think it’s a reasonable worry that many people have.)
And, I know that all this talk about how wonderful Eden is might sound rich coming from someone who strongly believes that she just killed someone who wanted to be her best friend. But, that’s kind of the point, isn’t it? As someone who thinks that Eden is the killer, I know very well how a lot of people have a really hard time believing that Eden could do something as terrible as killing Arei. I can only imagine how hard it would be to accept that Eden was the one who put Arei, Min, Teruko, and everyone else in danger, and the one pulling the strings behind every execution.
Eden as the mastermind, to me, is more tempting in concept than it would be viable in execution. And also, I don’t even think she’s going to live to see the light of Chapter 3 day. However, there’s also some definite emotional power behind the accusation that makes me see how shooting for this ambitious choice could be worth it in the long run.
#6: Whit Young
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Alright, it’s finally time to talk about Whit. I know that he’s a really popular mastermind choice, but… I just don’t see it, personally. Even though I put him at 6th place. (I do not enjoy putting him in 6th place.) Is that just because he’s my favorite and I’m attached to my interpretation of the character? Perhaps. But, I’d still like to explore some points that I find faulty.
Perhaps the biggest reason behind suspicion of Whit that I’ve seen is the way that he breaks the fourth wall. People connect his asking people to pause for the evidence list to MonoTV invoking similar mechanics, and lines such as “do you really think she’d be hanging out in the playground” to him knowing more than he’s letting on. However, there are a couple of ways that this accusation can be depowered, in my opinion.
Firstly, Whit isn’t the only person who says stuff like this. Veronika alludes to the killing game before it begins, Teruko also breaks the fourth wall to tell the viewer to pause (albeit only in her thoughts, not out loud), and Arei makes the same kind of “hanging” wordplay in Eden’s flashback that Whit did. I won’t say that characters addressing the fourth wall can’t be important at all, because I believe there are some moments where the other characters commentate on how weird it is that MonoTV is talking to no one. However, I also think that breaking the fourth wall may simply be part of DRDTdev’s humor, as exemplified by that “make sure to like and subscribe so that Teruko has enough mental strength to carry on” joke. Whit is a funny guy, so it just makes sense that if DRDTdev’s brain generates funny meta jokes, Whit would get some of them. Everything that Whit says reminds me more of Mia AceAttorney saying “hit tab to open the Court Record” than some sort of groundbreaking DDLC-Undertale direct communication with the viewer. However, I can see why others would think otherwise.
The second is that I think some of Whit’s comments (more so the “dead at 3” and “hanging in the playground” than the pause) are just meant to showcase his intuition. And, yeah, it could be that DRDTdev has been leaving crumbs of Whit’s intuition behind so that in Chapter 6, he can use it to exploit everyone’s insecurities and greatest despair. To me, though, Whit’s intuition has always reminded me of the myth of Cassandra.
For those who don’t know, Cassandra is a figure in Greek mythology who was blessed/cursed to receive prophecies, but for no one to ever believe them. By my interpretation, Whit is a really smart and perceptive guy who has strikingly accurate gut feelings about how things will play out down the road, even when he doesn’t realize it himself. However, the curse of his own coping mechanism– choosing to act like an eternally cheerful goofball– leads the majority of the other students, and perhaps some of the viewers, to never take his point of view seriously. He can only realize the accuracy behind what he said after the bad things have already happened, leading him to blame himself more and more for not being able to speak up and help when times were tough.
This kind of behavior would line up with two different themes we’ve seen from Whit before. The first, that when he jokes around without thinking, he can accidentally say hurtful things that he later reprimands himself for. We saw that when Charles blew up at him at the end of their shared FTE. The second is Whit’s major theme of good things hiding a darker undercurrent. Being the Ultimate Matchmaker is great until you’ve never had a successful relationship yourself. Having an awesome mom is great until the truth comes out that she’s actually dead, and you’ve been covering it up. Growing super close to someone is great until he dies. Having an amazing intuition and understanding of everyone is great until you can never actually use it to help those you care about. Joking around is great until it's all you can do. Pretending everything is fine is great until it’s not.
Like I said, very specific interpretation. I promise I was not citing classical literature to make my argument sound smarter than it actually is. I am aware that my interpretation of Whit is no less or more valid than everyone else’s. However, it’s one that I hold very close to my heart, and thus, I personally have a hard time seeing around it.
However, I’ve also seen a lot of people argue some valid points for Whit, so I can at least acknowledge that he deserves to be in the upper echelon of choices. There’s a lot of weird stuff regarding him in Literature Girl Insane, and he’s certainly an option of someone who felt so much grief that they became totally empty inside as shown in that one hidden quote. I would be appropriately surprised and heartbroken if Whit revealed himself as the mastermind in Chapter 6, so he checks the box in that regard. There isn’t anything from his backstory that opposes the notion that he set up the killing game, and, to quote what I said about our other Ultimate Matchmaker, Toshiko…
While Ultimate Matchmaker might seem like a silly talent to give the mastermind, it could also be a ruse to distract us from the fact that [Whit] has a talent that allows [him] to read people well and make choices that will impact their lives dramatically.
I don’t like it, but I can see the argument… kind of. To me, most mastermind Whit interpretations feel like mischaracterization, but as a theorist, I always try to keep in mind that I’m the one who could be twisting the text to my whims as well. In this my-opinions-based list, though, he’s not getting any higher than 6th.
#5: Veronika Grebenshchikova
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Ooh, what spooky art for a spooky mastermind. Let’s be real, though, Veronika is way too obvious of a mastermind candidate to actually be the mastermind. Unless… she’s so obvious that she loops back around to not being obvious, and thus, is the perfect mastermind candidate?!
Veronika is in a really weird place. I obviously have no doubts that she would have any moral qualms about hosting a killing game, because she’s told us herself that she doesn’t. She knows what Monokuma is in immense detail, but claims to have no idea what a killing game is. She’s dressed really similarly to Junko, though. Is that just a coincidence? Are giant pigtails also a symbol of fear in the DRDTverse? I need ANSWERS, LADY!!!
The biggest problem I see with Veronika is the potential for obviousness. Similar to Arturo, if she actually made it to Chapter 6, I feel like it would be pretty obvious what’s going on. An oddball like Veronika is not the typical survivor type (although she could break the mold). Because Teruko’s character arc is all about trusting people, it would make sense if the reveal of the mastermind was someone who challenged her trust to some degree. With Veronika being obviously unhinged the whole time, I don’t think that Teruko would have any particular difficulties with kicking her to the curb.
However, Veronika clearly has the motive to start a killing game, and potentially to spread despair. DRDT has taken inspiration from Trigger Happy Havoc in the past, so it could make sense if DRDT’s mastermind was also inspired by THH’s. Having a so-obvious-it’s-not-obvious mastermind could also be another way to mess with theorists like me, as DRDTdev did with the comments section portion of Literature Girl Insane. “bro Veronika being the mastermind would be WAY too obvious” sounds EXACTLY like “I just hope XXXXXX doesn’t go crazy and kill in chapter 3. That would be way too predictable” or “XXXXX will obviously die in ch5”. If part of the point of DRDT is to make know-it-all analysts rethink the rules they believe to be set in stone, I could see Veronika as a subversive choice.
Veronika definitely seems to be building up to something, but I don’t know if being the mastermind is exactly it. I think that Veronika could make it pretty late into the game, but I still struggle to see her making it all the way to Chapter 6. I would absolutely love to see what DRDTdev does with her writing if that is the case, though. 
#4: Mai Akasaki
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(Well, now I feel bad that I’ve never made a colored portrait of Mai.)
As you may have noticed back at our first entry, Arei, I started the countdown off at seventeen, not sixteen. (If you didn’t remember that, I don’t blame you– it was a WHILE ago.) That’s because I thought it was only fair to include DRDT’s best kept(?) secret, the lovely Unnamed Student herself, Mai Akasaki, as an option! Because, man, is she mysterious in some suspicious ways.
“But, didn’t MonoTV tell the students that the mastermind was one of them? Mai isn’t one of the students in the killing game (unless prosopagnosia is REALLY going crazy), so she can’t be the mastermind, right?” Well, yes and no. The scene where MonoTV confirms the existence of the mastermind is SUPER weird. Let’s take a look at it.
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On one hand, MonoTV is still in the Movie Screening Room, where it was JUST talking to the student body, so it would only stand to reason that it’s a continuation of the scene we just saw. However, the setting also seems to be doing everything in its power to tell us that this is NOT the same scene we just saw. The lights have been turned off, even though they were on in the scene just before this. They return to being on in the first scene of Chapter 1, which the students treat as being directly after the scene during which the lights were on before. The widget denoting the time, chapter, and episode has completely disappeared, placing this at an even more unknown time than “Time Unknown.” The text indicating that the speaker is MonoTV has even disappeared! I mean, I assume that MonoTV is still the one saying it, considering that it’s on screen and the speech bubble is pointing right at it, but we don’t even know that for sure!
Additionally, MonoTV refers to the viewers directly (“dear viewers”) two speech bubbles after this one, which makes it seem more like MonoTV is talking to us the audience rather than the students in the room. But then, if the mastermind is “one of you,” and MonoTV is talking to us, wouldn’t that mean the mastermind is someone in the audience? That could lead in to some really meta interpretations of the text (i.e. “DRDTdev is the mastermind of DRDT because he’s the one who created the killing game”) or it could indicate that I’ve gone fully off the rails. 
A midpoint between those two ideas is that the mastermind is part of the in-universe audience watching the killing game, as in, a fictional character who is watching the real-to-them TV show that is Danganronpa: Despair Time. That could include Mai, a very notable character who is not one of the sixteen participants in the killing game.
Side note, I’ve seen some people fight back against the concept that Mai could be the mastermind with the idea that making the mysterious character the mastermind would be too obvious. While I sort of agree, I feel like we’re somewhat overestimating the extent to which Mai is obvious. It’s not like no casual viewers would know who she is, because her image was shown pretty obviously in Chapter 1. However, the name “Mai Akasaki” is only accessible by finding the hidden quotes on the optional associated website’s character profiles. To learn anything about her beyond that, you have to have the thought to type the name into the website URL, and then solve another puzzle just to see the bare bones of what’s there.
I’m not trying to assert any sort of dominance or superiority over DRDT fans on YouTube, Twitter, TikTok, or anything else, but from what I’ve gathered, Tumblr is the place you want to go for deep analysis and theories on DRDT (possibly because of Tumblr’s longer word count). Therefore, anything about DRDT that may seem like common knowledge on Tumblr may only be common knowledge to the fans who specifically bothered to come to the deep lore and crack theories website to find deep lore and crack theories. Essentially, this:
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Sort of similar to what Gravity Falls did with the reveal of Bill Cipher back in 2012 (at least I think, I wasn’t actually in the Gravity Falls fandom at that time), I think it would be reasonable to plant clues about an overarching villain that people who want to analyze can analyze ahead of time, such that the villain’s arrival can come as a victory to the puzzle solvers and an exciting new development to the more casual viewers.
However, while I believe that Mai has an awesome setup that she could use to become the mastermind, whether she would actually fit the role is another question entirely. As I alluded to back in the first Mai paragraph, I’m rolling with the widely held (among theorizers) belief that the Unnamed Student in Xander and Min’s bonus episodes is supposed to be Mai. In those episodes, Mai seems to be incredibly caring, peppy, and sweet. She knows a ton of little heartwarming details about Min and Xander, and I wouldn’t be surprised if the same is shown to be true with Arei and whoever else’s bonus episodes in the future. Those hidden quotes on Mai’s profile also give off the impression that everyone in the cast really loves Mai– one could call them a “portrait of a person dearly loved,” perhaps.
While it’s possible that these scenes are supposed to highlight Mai’s social prowess and how much she can get people to fall in love with her, they… don’t really seem to be giving off those vibes. We see her thoughts in those bonus videos, and she really does seem to be dedicated to helping Min and Xander out. Mai’s change from someone who wanted nothing more than to help out her friends to someone who was willing to throw all of them into the killing game is something that would have to be explained, and it could be difficult to communicate that shift within the confines of bonus material, if Mai’s content is mostly kept there. There is the concept that Mai could have put her friends into a killing game to protect them somehow, which could be a way to avoid Mai’s character seemingly doing a total 180, but that rationale would need a lot of explanation too.
Otherwise, there’s also the problem that Mai is almost certainly dead. I won’t get super into it myself, because the amazing @1moreff-creator has already done a great job explaining why here (starts in the XI. God is Dead section). I don’t think I need to elaborate on why Mai being dead potentially before the killing game even began would be detrimental to the idea of her being the mastermind.
To be honest, I don’t know how much this idea actually makes sense. I think I’m personally more inclined to believe that Mai could be the mastermind just because I really don’t get mastermind vibes from pretty much anybody in the cast. If the mastermind simply wasn’t one of the members of the main cast, that could solve that issue, right…? Mai is very likely involved in the inception of the killing game somehow, so extending that role to one of being the mastermind isn’t the biggest stretch. However, her personality and living status do throw in some pretty big question marks, so I don’t think she should go any higher.
#3: Teruko Tawaki
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Teruko was definitely the first character who I believed could be the mastermind after I watched the series for the first time. However, over time, I’ve sort of fallen off of the idea that she would be. Is that because I’m forgetting key details of the plot, or because I’m drifting closer to the truth…? Honestly, I have no idea.
Let’s start with the strongest “evidence” we have against Teruko, her motive secret: “How could I even select which secret to make your motive? Just about everything you’ve done in your life is worth killing for. The killing game is all your fault.” Although “the killing game [being] all [Teruko’s] fault” sounds pretty damning, there’s the obvious counterargument to be made that this isn’t even Teruko’s motive. In fact, the board currently shows it assigned to Xander. However, the majority of people (including myself) seem to believe that David was lying, and this secret is Teruko’s. So, let’s analyze under that assumption.
Teruko did admit to Veronika that she doesn’t know what secret could be used as her motive because there were so many. Even if that motive secret isn’t hers, that still means that Teruko has done a lot of shady stuff. Teruko’s decision to live on set forever could line up with the mastermind's goal of wanting to keep the cameras rolling as well. The very first scene of DRDT shows that someone who wants the killing game to end also wants Teruko dead, which implies that Teruko and the killing games are on the same side.
Teruko also has a prior history of concealing things about herself from us, the viewing audience. We knew basically nothing about her past or trust issues before Xander stabbed her, causing her sudden change in attitude to come as a blindside. Teruko apparently has a “risky” killing game-ending plan in mind for the end of the second Class Trial that she’s told us absolutely nothing about. And, most notably, Teruko clearly knows things about Mai that she’s decided not to share with viewers at home. (I do believe that Teruko genuinely can’t remember Mai’s name, but she does remember that Mai is similar to Xander and wanted to help, which is more than anything we would have known from the main text on our own).
Point is, DRDT is written in a way where we don’t hear a ton of Teruko’s thoughts. That would make it much easier for her to scheme something behind the scenes, as opposed to someone who we get a lot of emotional reactions or logical theorizing from. It’s actually kind of similar to the difference between Kaede and Shuichi’s styles of narration, as pointed out by ShortOneGaming in their impeccable v3 playthrough! I recommend watching their entire letsplay if you're in the mood for v3, but I found one time where they talked about this concept here. I’ll transcribe it for anyone who doesn’t want to open YouTube right now:
Gina: I do want to call– as my final sort of note– what’s interesting is that you called out immediately that Kaede’s narration was weird. That, it was always, like– dictation? Allison: Yes! Gina: It’s always, like, speaking directly to a person– Allison: Yes! Yes, I did say– It never really felt like actual internal monologue. Like, she never was expressing her thoughts or anything to us. I mean, yes, she was, but then there were those weird moments where she was, like… y’know, hiding it from the player, and… probably from herself, too, to some extent. Like, she was just like, “and then I had to go do this thing.” Um, and like, “we won’t really address how I’m feeling about this.” Gina: Yep. Allison: And at the same time, it hides it from the– the player. And that was very clever. Really good. I mean, her– yeah, her narration was always kind of weird. But, she did have moments where she had internal reflection.
Hopefully, you can see the comparison. By putting a greater emphasis on actions as opposed to what Teruko is feeling (“I kneeled down and touched his neck” after finding Ace’s presumed-dead body; “Everyone else started filtering in” when people walk into the Playground and find Arei’s corpse), it becomes much easier to have Teruko hide exactly what she knows or exactly how she feels about certain events. It’s actually the opposite of the kind of narration that Damon had (“I’m trapped in a killing game… with people who despise me. How… how did this happen? I just wanted to help… I wanted to make sure we didn’t trust each other too easily… and now I’m being treated like the bad guy” after the 0th Class Trial) that made me believe he wasn’t the mastermind!
So, do I think that Teruko would be a mastermind who remembers, or a mastermind who forgot? Well, I could kind of see it either way. Personally, I think that Teruko being a mastermind whose memories are intact is the more interesting version, and I do believe it’s possible. I also don’t understand why someone with as many trust issues as Teruko has would want to remove her own memories if it weren’t necessary. Then again, Teruko being an amnesiac mastermind could make up for some of the… issues that arise with her as a mastermind candidate.
What? She’s in third place, not first. Despite how long I’ve already talked about Teruko, there’s still more to say!
First, the problems if Teruko did retain her memories: why would she ask MonoTV about the mastermind’s identity when the two were alone? Why would she be creating a plan to end the killing game? Why would she pretend to not know who Mariabella Rosales was even though everyone else clearly knew?
And then, the problems that persist even if Teruko did lose her memories: where would Teruko have gotten the resources to plan a killing game of this caliber? Even if she had them, why would she use it on this? Assuming that secret is hers, why would she write that about herself in a plausibly public place (beyond the swapping, Arei looked over Whit’s shoulder)?
Oh yeah, back to that secret. Just because “the killing game is all [Teruko’s] fault” doesn’t mean that she’s the one who planned it. In fact, the wording sounds very accusatory and hostile for something that Teruko would have theoretically written to herself. From the first scene, we already know that there is a person or group of people somewhere who are out to get Teruko. It could make more sense if that entity is the mastermind, and wrote the secret to blame Teruko for whatever she did that got her on their bad side.
There’s probably more to be said, but hopefully you can see why I have so many mixed feelings about Teruko. I definitely think she’s one of the more likely mastermind candidates out there, but I still don’t know exactly how likely that is, y’know?
#2: Rose Lacroix
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Once upon a time, a wise and powerful theory alchemist known only by the epithet @1moreff-creator postulated that Rose could be the mastermind of Despair Time, and then never elaborated on the idea at all. For centuries (a couple of weeks) the townsfolk (me) were baffled by these dark and mysterious ramblings. However, as seasons passed by, as travelers came and went, as the tide advanced to kiss the land before slinking back to its home once more– the idea… started making more and more sense?
Rose is a really smart character who has already shown her proficiency in Class Trials. In the first, she utilized her ability to perfectly capture the scene and her knowledge of chromatography. Although her talents haven’t been as useful so far in the second, she’s still managed to keep up with the conversation despite never looking at the scene of the crime. Thus, I can see why, from a writing perspective, DRDTdev would choose to make his mastermind the Ultimate Art Forger.
There’s also the angle that Rose is a criminal, and therefore could be willing to do illegal or immoral things. However, she does seem to be pretty remorseful about it, and she’s already been caught for her criminal behavior before. Unfortunately for her, her relationship with her saviors the Spurlings only makes her all the more suspicious. Even if Rose didn’t want to be the mastermind of a killing game, if the Spurlings forced her to do it, she might have not had a choice. (Xander is very against the Spurlings… Xander is bloody hands guy → stop the killing game → stop the Spurlings?)
I also like the angle of “the Spurlings forced her to do it” because of what I talked about back in Mai’s section– the concept of the mastermind not being among the students. In Rose’s case, you can get the best of both worlds. The entity behind the killing game, the Spurling Foundation, would be a group outside of the killing game for MonoTV to contact, but there would still be a student among the cast’s ranks to suspect and accuse come Chapter 6.
What’s the argument against Rose? Well, I would ask why Rose would want to put herself in this kind of situation, but if it was the Spurlings’ choice, then that explains that. You could say Rose has been too helpful to be a bad guy, but everything she’s done so far has been to help the students win a Class Trial. That keeps the killing game running, which keeps the show on. The biggest problem I’m thinking of at the moment is the notion that the Spurling Foundation would have chosen to make Rose’s secret about how her backstory led her into their clutches. However, the secret doesn’t actually acknowledge the Spurlings by name, and it also frames Rose’s crimes in a way that makes her look like a good person– the opposite of what someone would think of as a mastermind. The secret was also only intended for Rose’s eyes, so it could have functioned as more of a low-key threat to remind her why she needs to stay in line.
Shouldn’t all of this talk of Rose lacking agency make her a bad mastermind candidate, though? If a villain doesn’t even believe in their villainous motivations, the story could end on a really flat note, with the good guys steamrolling an evildoer who doesn’t really care. How are we supposed to reach a satisfying conclusion if the mastermind hardly has anything to be held accountable for?
Those are normally things I would argue, but as many have pointed out, Teruko isn’t a normal protagonist. Actually, I think that this kind of mastermind setup for Rose could be a great way to end Teruko’s arc about learning to trust other people. Rose is the mastermind, somebody who shouldn’t be trusted…! It would be so easy for Teruko to just crush this person who betrayed her into dust– Rose isn’t even putting up much of a fight. But in the end, Teruko will choose to be patient, and see that Rose never wanted to betray Teruko. Even if her actions wound up hurting Teruko and many others, she still deserves a second chance, or at least a second evaluation.
As you saw in the death predictions, I obviously believe that Rose has the potential to make a late game run, whether as a survivor or something else. Writing all of this out, I can see even more clearly why Rose just might be the DRDT mastermind. However, despite all that I wrote, the idea still feels kinda more like a fun AU than the actual truth to me…? So, I still think there’s one person whose chances I like slightly better.
#1: J Rosales
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Whaddya know, J’s personal ??? tier catapulted her into the lead. It is probably true that my uncertainty about where she might land is contributing to me deeming her the mastermind– it’s a really weird space in the kill order, as someone who survives long enough to theoretically have a positive character arc while sometimes not being counted among the survivors at the end.
Part of why I put J this high is that I really like the theory of J being the mastermind along with her brother, Ryan. Sadly, I cannot find any of the original theories that postulated this idea to link to, so I’ll try my best to explain what I remember myself. Basically, some people found the scene in c1e4 where Rose doesn’t remember who J is suspicious. They combined this scene with J’s younger brother, Ryan, and J’s talent, the Ultimate Effects Artist, to suggest that J could be using her FX talents to disguise Ryan as herself and have them occasionally trade places. From this Q&A, one of the few things we know about Ryan is that he enjoys crossdressing, which furthers the idea that he could enjoy pretending to be J. Ryan is also (to my memory) the only DRDT character’s sibling whose name we have seen in the main text, which could indicate that he’s more important than Arei’s sisters, Levi’s brothers, or other potential siblings.
I think it’s a really fun idea that I would at the very least want to see come to fruition, regardless of how likely it is. If J was working with Ryan, you can once again repeat the argument that there’s both a mastermind for MonoTV to talk to outside the game and one to be accused within the game. The biggest issue with it is that I don’t know how Arturo wouldn’t see the differences between the two, even if Rose may have. Maybe if J and Ryan haven’t swapped since the Rosales secret got out, and won’t swap again until Arturo dies…? I don’t know, I’m getting ahead of myself.
The thing is, other than just being a unique and interesting concept, I’m not really sure what the point of having J and Ryan swap would be, in universe or out of it. (This is why I wish I could’ve found a link to the original theorist... :,( ) My best argument for in universe would be that there are some things that only J has the skill to do, her being the Ultimate Effects Artist while Ryan is not. However, they couldn’t just have Ryan be the one in the killing game full-time, because he’s too young and therefore wouldn’t have been part of the original Hope’s Peak class. Thus, there are some points in time where J needs to be working behind the scenes (like on the executions or something), and during those intervals, Ryan subs in. Metatextually, I guess it could show how every person in the entertainment industry can be cutthroat, or that every child of a celebrity is bound to get messed up about it somehow…?
Regardless, even if Ryan isn’t involved at all, there are plenty of reasons to suspect J on her own. Ultimate Effects Artist is a highly suspicious talent when it comes to the deception of a killing game (just check out how many people think J already used it to kill Arei), and in connecting her to Hollywood. J may claim to specialize in theater as opposed to television, but 1) she could have been lying, or 2) that could be true, but she’s making an exception this time. Even if she normally works in live theater, if you were a TV executive approached by the daughter of Mariabella Rosales who is also a Hope’s Peak Ultimate student in her own right, would you really turn her away…?
J’s custom weapon is also pretty suspicious. Even if it doesn’t seem to be able to trigger traps like the one used on Levi (though that could be another lie), I could still see it being pretty helpful for subtly operating MonoTV, turning on a monitor, starting an execution, or stuff like that. Charles essentially confirms that the custom weapons were in the students’ rooms since they all woke up, which means that J could have had this remote on her the entire time.
J’s relationships also seem potentially mastermind-y. Thus far, the two characters with which she’s been associated most are Arei and Arturo. Those two (at least, prior to Arei’s change of heart) have been so clearly villainous and hateful that J would obviously look like a nice person in comparison. Why is this helpful? It means that J can get away with doing more objectionable things without raising any huge red flags. If J is the mastermind, we can look back on her demolition of Arturo in the Chapter 2 Trial as a brief early glimpse into how cruel she can really be. But, for the moment, although it’s definitely memorable, many people (including myself) can react to it with a, “yeah, but based on what Arturo was doing to her, it’s kinda justified…” (Not saying it isn’t somewhat justified either way, just that it could also be something more.)
J could also have a range of motivations related to her hatred for her mom. Maybe she’s trying to turn people against the Rosales name to ruin Mariabella’s reputation. Maybe this killing game is a plan to finally have a big artistic success all on her own (or with Ryan) to prove her mom wrong. Maybe she thinks that a world so enamored with fame and glamor deserves to rot in a pit of despair. I don’t know which of these options would be the most likely, but I could see how any of them could be possible explanations for how J got to this point.
I think my biggest argument against J once again comes back to the “why”. I think that J has a lot of potential to be a good mastermind, but I don’t know if that carries over to being a good mastermind for Teruko. Unlike with Rose, I don’t have a good sense of how J being the mastermind would tie into a satisfying ending to Teruko’s trust arc.
@venus-is-thinking and I sometimes like to run randomized killing games as a fun writing exercise (randomize the cast, motives, and mastermind; see where it takes you), and we’ve generally found that the most compelling protagonist-mastermind duos either have the protagonist sharing the same worldview with the mastermind, or being the only person who believes the opposite.
If the protagonist starts with the same beliefs as the mastermind, then defeating the mastermind is a showcase of the protagonist’s development. Hajime and Izuru work as protagonist and mastermind because Izuru is the manifestation of Hajime’s belief that only talented people are important and can make an impact on the world. By renouncing Izuru, Hajime proves that he’s learned that anyone has the chance to change their future if they put in the effort. 
If the protagonist has the opposite opinions from the mastermind, then it proves how crucial the protagonist is to the narrative because they are the only one who could deliver the critical message. A great example of this is Shuichi and Tsumugi. When Tsumugi tries to set up the conflict of “hope good, despair bad” that will keep the killing games going, all of the other surviving students fall for it. Shuichi being the only character who has spent the entire game learning the importance of balancing two extremes makes his callout of Tsumugi incredibly satisfying, and justifies the protagonist swap by proving that Shuichi is the only hero who could have saved this day.
That’s why I think that J would be a great mastermind for a protagonist who has issues with family or stardom, but might not be the best choice for a story with Teruko at the helm. Those are only my observations, though, so I’d understand if DRDTdev planned things differently.
And that is finally the end! Here’s the final tierlist I wound up working off of, which I fiddled with a TON while writing:
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(It’s based off of Ocean Unknown’s tierlist!)
Since this has already gone on so long, I’ll try to keep the conclusion brief. Please take all of this with a grain of salt, as I wound up making a lot of claims about writing that don’t necessarily have the strongest foundation. I didn’t write anything that I think is blatantly false, obviously, but whether it’s good advice or not doesn’t necessarily mean that DRDTdev considered it. We may have different priorities in telling a compelling story. And, we’re less than two chapters in! Even the end of the Chapter 2 trial could throw a positive or negative wrench in any of these profiles.
Thank you so much for reading through this whole thing, and if you got through it and still have anything you want me to elaborate on further (a specific character, a specific theory, a specific aspect of fangan writing, etc), I would be happy to do so. I, uh, really hope that this answered the question that Anon asked, haha. Until next time… stay wary. There could be masterminds lurking about...!
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autumnteawithfriends · 7 months ago
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Top 10 Reasons on why Pentious is the best Hazbin character to me
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Alright, I’ll do something positive for HH instead of criticizing it, also this post is a mix between a wholesome post a joke post, and a critical one because I love Sir Pentious
10. He’s the only character with a soul in this show, while we don’t know shit when it comes to his backstory except him dying in 1888, he’s still the only character to me that doesn’t feel lifeless
9. He’s the only design in the main cast aside from Nifty that doesn’t have red as a accent color
8. The shade of pink he has is actually nice
7. Steampunk aesthetic, my beloved
6. It’s confirmed on the wiki that this man can bake, so he’s instantly the best character
5. My bisexual ass loves men with long hair, not to mention his hair is actually creative because it’s also his snake hood
4. I personally love his pilot version, he’s a goofy, but actually dangerous villain and that’s personally interesting to me
3. His pilot voice is also nice, he sounds like Fizz with a cold and a French fry stuck in his throat in the show proper and that feels like a downgrade
2. His hat, despite me being confused on how its sentient, has comedic potential
His pilot personality, my beloved🩷🩷
That’s all, still putting this in the critical tags
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storiesoflilies · 10 months ago
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of angels and curses
warnings: light smut? i don’t know, it’s a lil spicy.
a/n: these interludes will have no addition to the main plot in any way. i suppose they are more of a drabble, anyways it’s just me in my feels. enjoy :) Ko-Fi.
next part — chapter 4
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interlude (i)
they lay together intertwined in his garden of bluebells, looking up at the tapestry of starlight galaxies above them. she knew she was dreaming, but it felt so real – he felt so real.
“if i could cast a spell on you, i would,” gojo said, like it was the most simple thing in the world.
how could he not be real? the way his chest rose and fell as he breathed, the way their shoulders touched, and the way he looked at the celestial sky all felt real.
“really? what for?” she asked softly, as delicate as the rain that fell from the heavens that cried whenever angels died.
his eyes twinkled with starlight and silver as he replied, “so you won’t ever forget me.”
she giggled naively, “why, i could never forget you.”
“yes you could,” he quickly said, his words tumbling and rolling like stones from an avalanche. “you would. you know i already love you, but you won’t let me because of him.”
“but i’m here now, doesn’t that count for something?”
“no it doesn’t, because you already think he’s beautiful and he loves you,” he murmured, pointing at a star shooting across the sky, a momentary distraction.
“but i’m here with you now, i’m already yours,” she said, stroking away the blades of grass that clung to his snowy hair.
he shook his head, “you never were. you’re like a little stream running away to join the sea, and i’ve tried so hard to follow you all this time.”
he was so different under the light of moon and stars. here was her champion, reduced to bare bones and flesh, his soul raw and exposed for her to feast on.
“i don’t want to know what you feel anymore, or i’ll start to love you less,” his voice cracked, like ice crashing against stone.
“oh, don’t say that. don’t ever say that,”
he rolled over on top of her, his hands clasping both sides of her head, kissing her face fervently, full of reverence. it felt wrong, this wasn’t holy, underneath the eyes of heaven and the universe.
“i won’t, i won’t,” he whispered, his blue eyes like deep infinite pools that she saw her whole life play out within. “just give me a chance.”
but it would be a lie, and she knew it; so did he. she didn’t think he cared. he was just a fool in the big grand scheme of the universe, but in that moment he was hers, and she couldn’t help but love him the way he wanted to be loved.
“please don’t lie to me, don’t,” he begged, but his voice had become as sharp as thorns and razors, and his fingers dug crescent moons into her arms.
and her heart broke for him, because all she wanted to do was run away from him. it was easier to think he never loved her really, because all any of it had ever been was lies and a facade. he kissed her lips suddenly, trying to be gentle, but he was made of ice and she of the sun. it hurt him more than it did her, and he gasped loudly.
“you can’t leave me, i’ll haunt you, I’ll follow you,” he vowed, his lips all swollen and wet brushing against hers as he spoke, and forbidden desire pooled between them. “is he really worth this?”
his hand travelled in waves and swirls down to her navel, dancing just above the dip in between her thighs, while his other held the back of her head, fingers intertwined into her hair.
“i won’t leave, you can be my beautiful sea now,” she breathed shakily, as his cold lips worshipped her neck.
all lies. she didn’t belong here with him, because he was worth everything she could give. he settled his face between the dip of her neck and shoulder, breathing hard and heavy, and rumbled, “darling, i’m an ocean.”
she shivered as his white hair tickled her chin, and he said, “you’ll hear the sound of my waves, and you’ll know.”
his fingers ghosted over that forbidden spot, and she fought back against the moan that threatened to escape her mouth. he looked at her with those infinite eyes, desire and anger pooling in them, and she knew then she had to be careful against the storm.
“you’ll know that you can never get away from me, from this,” he whispered, his stray hand traveling back up to cup her face.
she said nothing, and they stared at each other like first loves dancing together in between the weaves of fate. time was cruel, and maybe in another life they would have been each other’s dreams. but for now, she would take her chances and turn around and run away.
and run.
run towards him instead, because his love was real.
“why don’t you shine down on me?” he murmured, capturing her lips again, his tongue swiping across them, begging for entrance.
and she let him in, just this once, their tongues twisting and turning together in a fast waltz. he fisted his fingers in her hair and gripped her waist like she was going to melt away from him. in another lifetime, this would have been so right; the way he held her as he started to move into her, the way she wrapped her arms around his neck, and she wouldn’t be pretending it wasn’t gojo making her feel this good.
he finally broke away from her, their foreheads touching, and said, “you can’t, can you? you’ve already spent all your light on him.”
she could only nod, and he sighed in defeat. here was the strongest of them all, a titan brought low, broken and bent, because he could never possibly hope to compete against him.
“you won’t remember this,” he said, bowing his head as the tears fell like a tragedy down his smooth skin. “you won’t remember me.”
“i will,” she stated firmly, comfortingly. this, she would promise.
“no, you won’t,” he sobbed. she’d broken him forever.
and his garden of bluebells disappeared with the wind, as the echoes of his heartbreak cried out to her soul.
-•-
taglist: @kkhaosxx @better-imagination-9 @gabrielle2013 @angelheavensblog @cyberang3lic @justmarlen3 @pinknipszz @moonwingeys @luzzbuzz @hornabbyyy @mitsuyasblackwifey @chosolover736 @spookyjyestha @elisqq @sillyrings978 @littlekittensoftpaws93 @starryluv4 @99k4manii @maid4nanno @chososrealwife @iloveitwhentheyrunnn @kamoslut @rubyrose2014
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shakingparadigm · 6 months ago
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Not only Till and Ivan, but it seems like Luka parallels with almost every ALNST character in different ways. I mean, I think this applies to everyone in how they parallel each other in some form, but I find it interesting that Luka’s character in particular seems to have adopted/inherited specific traits from nearly every character. I say nearly because Mizi seems to be the only exception, but maybe if I squint a bit harder I’ll find something they can relate with. For now nothing comes to mind lol.
Luka and…
Sua: Similar in demeanor, appearance, and in their mysterious narrative role. Both have a strange ethereal “vibe”, wear empty doll-like expressions, are dressed up like dolls with white frilly clothing adorned with a bow, their owners objectify and present them to the universe to be leered and gawked at, their birthdays are one day apart, and they both covered each other’s songs despite having no known direct relation to each other.
Till: Similar in background, talent, and onstage presence. Both artistic geniuses, overwhelm their opponents on stage, and are physically abused and exploited for their skills by their segyeins.
Ivan: Similar in personality, execution, and reputation. Both are seen as perfect “princes” in their respective audiences, calm and consistent, smart/calculating, psychologically twisted, and put on a mature charismatic facade around others.
Hyuna: Similar in their motivations. Both share the same rooted desire for freedom and control over their own life and gain a sense of catharsis in finding that autonomy/independence on the stage.
Luka’s character seems to have no real sense of identity. So, in a way, it’s as if his entire identity is built off of every other character despite being the most alienated (ba dum tss) of them all. He’s a blank canvas who’s been painted in the other characters’ colors. Actually, everyone was originally a blank canvas. Sua is the stemming point who’s painted everyone in color, then everyone painted Luka in their respective colors. The author has stated that every ALNST character originated from Sua. In contrast, it seems like Luka was originated from everyone else.
This is a fantastic observation, anon! I agree! I find that Luka is a rather omnipresent character, almost to the likes of Sua but not quite. This might not make as much sense, but I feel Hyuna is on this level as well.
(Long post ahead! Sorry, I ended up rambling and maybe going off-topic...)
Something that has always intrigued me is that Hyuna and Luka are set apart from the rest of the cast. Unlike the main 4, who's story is rapidly unfolding in the present, Hyuna and Luka's inciting incident has already passed. What they're doing now is dealing with the aftermath and attempting to lay their demons to rest (for Hyuna, at least). Bits and pieces of these two can be found within the main 4, and several comparisons can be made (and often they are made canonically, whether it be implied in the content or directly stated by Q and V).
Mentally, I've always split the main 6 in half. Hyuna with Mizi and Till, Luka with Sua and Ivan. The reasons are obvious, of course.
Luka, Sua and Ivan make up what is essentially the perfection trifecta. Dressed in pure white (eventually, for Ivan), charismatic personas, camera-ready marketing stars. An important part of how they cope with expectations and lack of control is by separating themselves into the persona they put on for the audience and the person they actually are. They're passive and obedient, playing along with whatever the segyein want them to do, top students at anakt (Luka was number 1 during his time, while Sua and Ivan often alternate between 1st and 2nd place, essentially a tie in a way), and often perform to perfection. However, Sua and Ivan still retain a part of themselves that is theirs and no one else's. It's obvious in the way they allow themselves to indulge in certain things, the way Ivan makes room for personal time and how Sua refuses to disclose more information than absolutely necessary, protective of her privacy. While Luka gives himself to the audience completely, it's safe to assume that he's doing it out of necessity and not exactly by will (is there an identity behind the success? what is he if not a winner?). There are the sides of them that will happily present themselves in front of a camera, and the sides of them that are cynical and scornful of the life they were forced into. For the most part, they act logically. The obedient pet act ensures their safety and although it is excruciating, they've weighed their options and decided that this is the best way to take advantage of their circumstances. Smart, well-behaved and proper pets.
I like to call the trio of Hyuna, Mizi and Till the rebels because that's essentially what they are (at least eventually). As the other half, they're meant to be the opposite of what is considered "perfect". It's established that Luka, Sua and Ivan are careful and calculated when presenting themselves to an audience, putting forward only their best and hiding their true imperfect selves under this mask. Hyuna, Mizi and Till however are largely characterized by their authenticity, their genuine display of self. When they perform, there is no mask. They offer themselves fully on stage and present their genuine emotions, whether or not it's palatable enough for the audience to take. Their actions are less calculated and moreso driven by the heart, for better or for worse. Mizi and Till are openly dejected and upset in their respective second rounds, while a more careful pet like Ivan would attempt to hide their true feelings and put on a brave face (which he does during the beginning of his part in ROUND 6). Hyuna's rescue of Mizi leans less towards logical reasoning and more towards her own emotions, her personal need for self-consolation. There's also the rebellion factor, Hyuna is a literal rebel, Mizi becomes a rebel and Till is described as a rebel. Unlike their counterparts, they are able to act more freely and don't carry the same heavy sense of responsibility that the others do. They are themselves unabashedly, either because they fought tooth and nail for it (Hyuna & Till) or because they were raised in an environment where they never had to (Mizi).
You've already done a great job at pointing out the parallels between Luka, Sua and Ivan. To further add onto your points, it's commonly believed that Luka so easily and uncannily mimicked Sua in ROUND 5 because of the fact that he was already so similar to her. It's also directly stated in Luka's character design logs that Luka and Ivan's characters were incredibly similar, with the only difference being the personality of the mask that they put on (calm and doll-like for Luka, cool and cheerful for Ivan).
Hyuna can be seen within Mizi and Till as well. The fact that Hyuna sees herself in Mizi is the main reason as to why she saves her in the first place. Once full of joy and blind optimism, innocence shattered at the loss of a loved one. Till bears resemblance to Hyuna as well, both physically (their eyeshapes are strikingly similar, and Hyuna's eyecolor, brighter as a child, is quite close to Till's teal during specific moments), personality-wise (rebellious, fighting for freedom) and in terms of singing style (Hyuna was originally described to be "rock-and-roll", both perform with strong, loud and energetic voices).
Luka's similarity with Till is a special instance. I've said this before (and you've already brought it up), but I believe they're both essentially two very different people who were put into very similar circumstances. Till is overflowing with emotion and a desire to protect his individuality, bearing "quirks equivalent to 10 people" as Ivan says. Luka, on the other hand, seems to have a rather fragile identity. We don't know anything about him besides the fact that he was created to be a winner, trained and conditioned under extremely brutal means. The only times we see him exhibit any semblance of free will and desire is when he's vying for Hyuna's attention or exerting control over others. While Till and Luka are different fundamentally, they're both put through abusive training and experimentation in order to fulfill the goals of their power-hungry guardians. Unrivaled talent at a steep price.
It's interesting how even Hyuna, who was created to be Luka's exact opposite, is able to parallel him in a certain way. Thank you for pointing that out! As their lives are constantly dictated by their owners, the stage is their only escape, a playground of sorts where they finally have the opportunity to control their circumstances. The difference is that while Heperu is overly-invested in and nearly obssessed with Luka's victory, Phan does not care for Hyuna at all. In fact, Phan does not particularly care for ALNST in general, only participating as a sponsor. They care so little that they couldn't even be bothered to watch the show. As Phan lacks any investment in ALNST, Hyuna's life is much less restrictive and ruthless than Luka's. Hyuna loves performing because it allows her to feel free, a form of self-expression that liberates her from the monotony of segyein routine and allows her to feel like her life is hers. While Luka is essentially the same, his means are much more intense. His life is managed right down to the minute, basically a puppet on a string. Since every other aspect of his autonomy has been taken from his control, the stage is genuinely all he has. Unlike Hyuna, who has a strong personality and set of beliefs, Luka does not have much to express. Instead, he finds his identity and sense of control in dominating others, exerting force and pressure onto his opponents. This can be seen in ROUND 5, where his performance is the least emotionally charged and instead calculated to intimidate and provoke his opponent, Mizi. Hyuna's love of the stage stems from the fact that she is brimming with emotion and energy that she wants to express, parts of her that feel restricted by the way her life is led by aliens. Luka performs to dominate, to assert himself as the most powerful force in the arena, which is a privilege he will never get to have outside of it. Both Hyuna and Luka find their strongest sense of self on stage, however the ways in which they go about it are very different in nature.
I'd like to genuinely thank you for this ask, you make a lot of good points and I find the idea of Luka being a canvas "painted" by everyone else very interesting! While I agree with that idea in terms of his character conception, within the story I find him less affected by others and more as if he's the one affecting them. Just as Sua changed the trajectory of Mizi's life, Hyuna would not be where she is today if not for Luka.
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