#then got drunk on power

[icedmetaltea]

A rather precarious position you've found yourself in...

]Taking a majority of my art off tumblr for now. Fuck AI

More self-indulgence bc I have zero self-control! Behold an angry boi

Some aftercare cause I felt bad 😭

[nelkcats]

Scamming the scammer

John Constantine was the biggest headache Danny had managed to get, ever. After becoming King he did not think that his first task would be to solve the man's soul problems.

And it seemed quite incredible to him that the hellbazer would consider selling his soul as if it were a used car that he wants to get rid of to buy a new one. He was aware that he needed a soul, wasn't he? That it was not possible to buy a new one? Because he didn't want to be the one to inform him if that was not the case.

To top it off, beings from different domains within his kingdom came explicitly to claim the British's soul, which didn't even make sense, there were thousands of souls! Why did everyone want the same one? And why did he have to be the one to take care of it?

Completely frustrated, he placed all the paperwork for John Constantine in an empty room and locked the door. He smiled as he came up with a plan to improve the situation, it might be worth it.

That's how a drunk John Constantine found himself signing a dubious contract in exchange for the power to turn any liquid into beer, he didn't bother to read the contract, most demons just wanted his soul and this guy looked so human, with a presence so light it must be a minor demon for sure.

This turned out to be a bad decision when the next morning he found himself trapped in a room full of documents, the door locked. Taped to the door was a green note that said "Enjoy doing your own paperwork sir, I hope you're pleased with yourself", and well, maybe he should have read that contract after all.

[deimcs]

Mystra has dictated the terms of my potential for long enough. The Crown would grant me control of my own destiny at last.

[starishsky]

mutual on twt said leon got his ass stolen by chris

[moyazaika]

people don’t write it often, probably bc it’s a bit intense and can be triggering

but my favorite type of darling are the ones who are 100% seriously willing and able to kill themselves to escape their yan

i don’t care about the having the will to survive and escape i want to have the pettiness and spite to take away the only thing they truly love (me)

ooooh ur right nonniee!!!! ☝🏽☝🏽

iii i agree it can be quite triggering. think for a lot of people it also breaks the immersion; if ur reading yandere to feel like you matter to the extent where someone is so enamoured with you they’d condemn the law and their own morals, it defeats the purpose if darling just ,,, like,,,, kills themselves,,,,,,

but there’s also a sort of power in that!!

the sheer devastation it would entail for them, to lose the object of their affection by their own fucking hand. they promised to keep you safe, tucked away from the rest of the world and all its dangers; and yet, in a tragically ironic way—

you were the one thing they couldn’t protect you from.

wonder who gets the last laugh, then.

[skyloftian-nutcase]

Link & Hemisi should not drink alcohol

Hemisi: You know, I wasn’t lying earlier. You look like shit. Like do you even eat? You’ve definitely lost weight.

Link: *shrugs*

Hemisi: You live in a freaking castle. I’ve been out here starving for resources. How am I fatter than you.

Link: I’m fine.

Hemisi: You say that like it’s your catchphrase. I know what’s happening here.

Link: *glances at her and then yelps as she takes his face in her hands and squishes his cheeks*

Hemisi: Link. I mean this with all my heart. STOP. BEING. A DOORMAT.

Link:

Hemisi:

Link: I want to kill them.

Hemisi, letting him go: Uh, what?

Link: The nobles. I want to kill them. I want to see the light fade from their eyes. I want to use my sword again.

Hemisi:

Link:

Link: See? It’s better for me to just be a doormat.

Hemisi, shrugging: I mean, I wanted to burn Hyrule to the ground. We could start a support group.

Link, snorting: Hemisi—

Hemisi: I think “Murderers Anonymous” has a nice ring to it.

Link: Hemisi, for Hylia’s sake, I’m not letting you burn Hyrule to the ground, I’m here to negotiate trade with you!

Hemisi, sighing: I know, I know.

Link: Now’s the part where you tell me not to kill the nobles.

Hemisi: Oh I’m absolutely not discouraging you, those fuckers deserve it.

Link: Hemisi NO—

[wlwaerith]

i’m aware i’m 100% alone in this, but i genuinely adore ascended astarion (especially when romanced) because of how—frankly—horrific it is. it’s simultaneously so cathartic in its brutality but so unsatisfying personally while managing to be narratively satisfying (just as his other outcome is, of course).

[urproblematicfav-ao3]

wipwipwip

I love my babies so much. y'all remember the whole The Great Molasses Flood thing?? Yea that

Also funfact: the song Alastor's playing is Atonement from the Journey soundtrack(specifically at 4:40) Which is both my favorite part of the whole game, and also funny because no the fuck he isn't

[carefulfears]

okay the hank & mia ask i've been struggling with: i genuinely have no real thoughts about this show, just intense feelings. like i truly love it, all the characters and relationships, but especially these two. and i just wonder at all the ways they're similar. i always go back to the scene on the balcony

i have intense feelings about this show too and a hard time articulating so many of them, this topic included. it's funny because this is something that i've talked about absolutely non-stop for coming close to a year and have broken down from seemingly every angle and i still don't know how to pull it all together or what to say, where to start. most people who would care have heard me run the talking points through a thousand times over.

they asked duchovny this question too ("is mia at all similar to hank?") on the season 2 DVD and i literally hopped out of my seat when i heard that in my longest "i've been saying" ever, because it's something that i find very interesting and emotional but that i was a little surprised to find was as intentional as it is in the text. one of the first times that i talked about it was this tweet: "they're very similar people and it drives me crazy...when you have a dead mom, an absent dad, and you act out by putting yourself in dangerous disrespectful sexual situations."

and i used the word "disrespectful" because there's a quote of duchovny's that always reminds me of mia: "hank's lack of respect is really for himself, not for anybody else." which i think is an insightful observation about mr. moody and his relationship to women and culture and himself, but that also relates a lot to this idea of "acting out" and of sexual encounters as infringing on something personal. which is an experience familiar to that of a young woman trying to develop those relationships and sense of self, during a very spongy time where it's easy to infringe upon.

and so yeah what i'm saying is basically that hank moody has the constitution and coping mechanisms and vulnerabilities of a teenage girl (or as i put it in this tweet: "he has abandoned 16-year-old girl swag")

or how duchovny answered when they asked, is mia at all similar to hank, on the DVD: "you kinda know that there's...that her behavior is being driven by some problems, you know, and you wanna reach out and try to help that. and i think hank has a little of that too. you know, obviously they've got a history that makes everything complicated. but i think that he feels paternal towards her more than anything."

or how madeline zima put it: "mia is a wealthy girl who has had every luxury and is now probably really bored. she's been touched by hank's writing- it may be the only time she's been affected or stimulated in that way. so she's looking for something new, something exciting, and she finds that. and i don't think hank has found many people who are on his wavelength."

mia is the only character on the show that can really go toe-to-toe with hank and match him and never waver to him, which is why she's so diabolical to a certain demographic. they even call it out in the show: "did you see how completely unfazed she was by hank? i mean, no offense, he's a cool guy, but it was kind of pathetic, right?" (dani to charlie after the book meeting)

the only times that hank ever really surprises her or throws her for a loop or catches her off guard is when he's genuinely investing in her. (like when she's struggling in her writing class and he tells her that he'll help her if she just writes something and lets him read it, her eyes go SO WIDE when she has the "really? you'd do that for me?" line.)

and for the most part, outside of the obvious, mia doesn't surprise hank either. he is the only person in the world who really knows her and what she's doing and what her life is like.

we were talking in the group-chat the other night about the scene in season 2 when karen says that mia asked her opinion ("it was like she was kind of asking my approval") on dating an "older man," a scene that's one of my favorites of the series and such a delicious example of dramatic irony.

hank is instantly on offense ("i hope you shut that shit down immediately." / "why would you say something like that?" / "that's foul." / "this gross 'older man' thing.")

while karen is so much more relaxed and talking about her own times in college and how it can be a "valid life experience" with "the right guy."

and what i love about this scene is that they aren't having the same conversation, they aren't talking about the same thing, but so much of that difference is what we said: karen thinks that mia is her, hank knows that she's him.

the kind of dynamic that karen imagines when she hears her 17-year-old stepdaughter who is about to graduate and travel the country say “older man” is a world away from the reality that mia actually inhabits, and that hank knows about. as jaden pointed out when we discussed it, when karen finds out that mia is having sex with lew ashby, she freaks the fuck out!! she goes and throws shit at him and yells and cusses at him and rants at him about how she’s a child. (and hank has the nerve to go “you’re the one who condoned it” during their “parental units” phone call L.M.F.A.O.)

karen tries to look after mia and be there for her (“we are meant to be taking care of her”), but they have such a strained relationship always. and she really isn’t equipped, especially as kept in the dark as she is. it’s honestly really sad the way that you can tell mia regrets pushing karen away.

but hank knows her. he says it himself in mia culpa: “i know you. you’re a mischievous little fuck, but you’re not malicious.” (in the same scene where he tells her that she can do better than her exploitative boyfriend, that karen loves her, that becca looks up to her. holds her hand when she tears up)

and they’re able to say anything around each other. it’s this twisted thing where no one else knows their secrets. i was thinking about the other day, how duchovny always says that his favorite thing about hank moody is that he always tells the truth, and his favorite thing about mia lewis is that it’s the one time he doesn’t. it’s this pervasive exception to a rule that bonds them. the most devastating thing about it all, to me, is that there comes a time when you realize that there is no one else looking out for this girl. there is no one else who looks at her teacher and knows there’s danger. there is no one else that she feels she can call to come get her when she’s in trouble. there is no one else to read her writing or ask where she’s going when she leaves the house. (“my own father has never so much as helped with my homework” / “my dad’s always out of town, i don’t think he cares about my whereabouts”)

but they can tell each other and joke with each other and ask each other (loser shit for grown ass mr. moody but still). one of my favorite moments is when the print review of “mia’s book” comes out and she hops on his bed to wake him up so they can read it together: “it’s our review in the times!” (so much talk and discourse over her stealing his manuscript, it’s their story, it’s their book.)

in more ways than one, considering that both books (hank’s ���modern day answer to lolita” and mia’s “nabokov meets judy blume”) are responses to their big secret that they intend for the person closest to them to read. hank is heartbroken when karen won’t read his new book, and we know from charlie that all it takes is “the first page” to figure out the truth. mia wants her dad to read hers, and when he calls it a “fantasy” about hank, she nearly blows the whole thing when she gets upset and snaps “who said it was fantasy?”

these are ultimately two people who want to be seen, who want to be understood, who want to be taken seriously- and they both put that pervasive truth on paper then immediately in the hands of the person that they each should fear ever finding out. it’s the defining moment of their lives, and they both try, and they both are still left with just each other. (what a trap it can be when the person you relate to the most is the most regrettable thing that ever happened to you)

it's these circumstances that lead to the scene on the balcony, my favorite of the series. they haven't seen each other since the arrest. she's back in town for the trial. and everything is so awful. each character is so much darker and weighed down. and every single time that we see mia in season 4 she's drunk or drugged or crying or all of the above.

it always makes me sad to think of her at 16 or 17 or even 19, joking around and being her "mad as a hatter" self, and then to see her on that ledge. hollywood's latest victim.

in a couple of weeks she'll be shaking in a court room, looking over at him from the witness stand, but for today she's on the balcony. remarking how easy it would be to just let go, just fall off. and still, no less tragically, there's only one person to come get her, and know what to say.

"you know what we need to do, mia?"

"what's that?"

"we need to forgive our fucking selves. you understand?"

[b4kuch1n]

tdov was like a week ago already but I just wanna say when I came over to vacation slash help my sworn brother move flat he told me, "ever since you said you wanted to get top surgery I've been thinking about it. it's straight up number two on my bucket list"

[marshmellowtea]

grips you by the shoulders. idk and idc if it contradicts canon in my heart i know sandra met robert and chris in their last year of uni and they were the most dysfunctional friend group who drank too much and spent all their time together shittalking their classmates and she only started to drift away from them after they formed the drama society and robert and chris stopped being as fun and started being uptight and weird because they took this club wayyyy too seriously and she just wanted to put on plays with her friends and show off to an audience i knooowww in my heart that's real

[buildoblivion]

can’t believe s3 finally established klaus as the chaotic but strangely smart, streetwise and spooky middle child ready to find out who he is only to do absolutely nothing with it in s4

[earmo-imni]

Olrox and I share the exact same opinion on Erzsebet Batory and that is: she’s a white woman cosplaying a goddess that doesn’t belong to her and she needs to shut the fuck up

[worldsbiggestnerd101]

rewatching spop and i was vibing and enjoying our main trio of characters and then i got to the entrapta episode and was reminded of why she was (and is) my favorite

[tariah23]

My sis and I have been hanging out with this wg and her mom for a couple hours and she bought us bday drinks 😭. They’re so nice sjsjsjs

[lyricalchrysanthemum]

Numeron Code AU ( ft @antihibikase )