#then gives up his entire life and family to save the survivors and establish a safe colony for them in a land thought to be uninhabitable

[martelldoran]

WHAT'S THE CAUSALITY LOOP THEORY

Why Emma, thank you so much for asking. I’m not going to waste time before jumping into this because this is gonna get long so without further ado...

Steve Rogers’ Ending and How Endgame Doesn’t Support a Causality Loop and other such rambles

Last month, I came across a TikTok that proposed that Steve’s ending made sense because it existed within a causality loop. I would link the TikTok but I didn’t save it at the time and trying to find videos on that app is impossible. You think Tumblr’s search function is bad? 🙄 But I digress. The TL;DR of the video is that due to time travel and Steve choosing to go back in time to be Peggy’s husband, it created a causality loop where he was always meant to be her husband because he went back in time and stayed there. The TikToker supported his argument by using Harry Potter and the Prisoner of Azkaban (PoA), another film that uses time travel and has a clearly defined example of a causality loop. However, his argument is fundamentally flawed so I’m going to combine my knowledge of my two biggest fandoms to tell you why.

Continued under the cut because I have no chill. Beware, it's long.

To first tell you how Endgame (EG) doesn’t support a causality loop, we must establish how PoA does establish one and does it successfully. The TikToker specifically mentions the scenes that take place at Hagrid’s Hut surrounding Buckbeak the hippogriff’s execution, so we’ll look at those first. What the film does really well is establish early on that there is something weird going on well before anyone actually goes back in time. There are three things that happen in quick succession during this scene which sets up the causality loop we see later in the film. First, a rock flies through the window and breaks a jar. Second, another rock hits Harry in the back of the head. Third, once outside, Hermione hears a branch snap and thinks she sees ‘something’. There are also two additional moments later on in the film once the Harry, Ron, and Hermione have come out of the Shrieking Shack which should also be noted: a wolf howl that distracts Remus Lupin in werewolf form from attacking the group and somebody casting a full-bodied stag patronus at the edge of the lake to save Harry and Sirius from the Dementors.

Of these occurrences, the first is arguably the most important because it does the most to establish that there is something going on outside of the Trio’s current understanding of their situation. The film makes a point to frame the jar breaking as Important Information the Audience Must Remember because it shows a visibly confused Hermione reacting to it as she picks up the rock for closer inspection and we the audience are given close up of it in her hand. Not only is it framed front and centre in the shot but the rock itself is very distinctive. It’s almost wholly smooth but for a swirl of fossil, thus marking it as not just any rock but An Important Rock To Be Remembered. This was an intentional choice by director Alfonso Curon because he uses this rock to connect this moment to its mirrored scene later on once Harry and Hermione use the Time Turner.

The audience and the characters find out about the causality loop at the same time. There are clearly stated rules of time travel that say that they aren’t to meddle with time but when Harry and Hermione see that Dumbledore, the Minister for Magic, and the executioner are on their way to Hagrid’s hut they panic because their counterparts aren’t leaving. Then, we see Hermione notice something in the pumpkin patch: a distinctive rock, smooth with a swirl of fossil. Again, we see have a close up shot with the rock centred to show its importance. Stylistically, it’s very similar to the shot we saw earlier in the film which gives the audience an emotional pay off for noticing the connection. When Hermione throws the rock and breaks the jar, it sets the causality loop in motion. The jar was always going to break because they went back in time to throw the rock that breaks it.

And it’s the same with all the other instances. Hermione throws the second rock that hits Harry in the back of the head to alert him to the fact they need to get out of the hut. Hermione snaps the branch and is almost seen by her counterpart in the past. Hermione makes the wolf call to distract Lupin from attacking. Harry, and not his father as he had assumed, casts the patronus to save himself and Sirius from the Dementors. But each of these moments are set up clearly in the ‘first run through’ to set up their payoff when the characters realise, ‘Oh, I did these things. They were always meant to happen.’ From a narrative standpoint, these are planned out moments to clue the audience into the fact that there’s something bigger at play. It keeps them ‘in the loop’ as it were.

This doesn’t happen in EG.

To successfully have set up a causality loop that made sense and had the same kind of set up and pay off as we see in PoA, it would have had to have been established as early as 2014 in Captain America: The Winter Soldier (CA:TWS). This does not happen. One of the main themes of CA:TWS is moving on from the past. Peggy Carter herself even says, “I’ve lived my life, my only regret is that you didn’t get to live yours.” Then saying soon after, “Sometimes the best thing we can do is to start over.” Peggy’s character in Captain America: The First Avenger is set up as someone who acts as the backup/back bone of Steve’s own moral compass. When Steve falters at Azzano about what to about the captured 107th, Peggy is there to remind him of what is right. She serves a similar narrative function in CA:TWS. Steve is struggling with life in the present. He’s just seen the helecarriers and argued with Nick Fury about protection vs fear after the botched Lumerian Star mission. Morally, he’s in turmoil and has turned to Peggy for council because he’s trying to find purpose in world where his rigid morality seems to have no place.

From the point of view of creating a causality loop, one would think that this scene in the hospital would be the place where an initial set-up could be made and alert the audience to the long term plan for Steve’s character. Instead, we have Peggy mourning the fact that Steve didn’t get to live his life the way it should have played out, and why would a woman who has supposedly been married to another version of Steve tell him to move on? In addition, when Steve visits the Smithsonian, he watches a video where he sees Peggy talking about how he influenced her life and how during one of his missions, he saved the man that would go on to become her husband. This is the only mention of Peggy’s husband in the entire franchise until Steve reappears as an old man at the end of EG.

Captain America: Civil War (CA:CW) also offers an opportunity to set up the causality loop at Peggy’s funeral but again, this does not happen. The only family we are introduced to is Sharon Carter, Peggy’s grand-niece. When it comes to filmmaking, every choice made is intentional. From the hair and makeup to the clothes, to the music used, everything in a film means something whether it is to further character development, world-building, or the plot. Filmmakers have a limited amount of time to convey a story and anything that doesn’t matter isn’t shown. Therefore, we can conclude from the text of the film that Peggy’s husband doesn’t matter to the narrative. The person in Peggy’s family who matters to the narrative is Sharon Carter which is why she is given prominence during CA:CW’s funeral scene. Had the causality loop been set up here, there would have been a defining moment like in PoA where the audience is clued into the larger story arc. Maybe someone says something, or he meets his older self, but that doesn’t happen. It should also be noted that apart from a small scene in Ant Man, Peggy isn’t mentioned again until EG.

In Endgame itself, the film still fails to set up a causality loop. It could be argued that this is the most important film for the set-up because this is when the audience gets the payoff. The first thing we see after the 5-yer time jump is Steve in a group therapy session for those that survived Thanos’ snap. Survivors share their stories and Steve talks about Peggy, a woman who has been dead in canon for 7-years and who died of old age. It’s incongruous and sticks out because narratively it doesn’t make sense for him to talk about her and not someone he watched disintegrate in front of his eyes. Steve watches his best friend and hundreds of others turn to ash around him and that film ends on his horrified face as he sits by his best friend’s ashes. Narratively, this is the thread that should carry through to EG but instead, he talks about missing his chance with Peggy. However, unlike PoA, there is no indication whether through dialogue or framing that clues the audience into Steve’s eventual ending at the end of the film.

Even when he goes back to the 70s, we see him looking mournfully at Peggy through the blinds in her office and a picture of him, pre-serum, on her desk. Steve and Peggy’s relationship prior to Endgame is supposed to represent the bittersweet loss of the life he could have had had he not sacrificed himself to the cause in CA:TFA. Then, since the audience knows from Steve and Peggy’s conversation in the hospital in CA:TWS that she moved on from Steve to live a happy life, we can assume that this picture is meant as nothing more than a fond memento of someone that meant a lot to her. Once more, there is no indication that Steve is ever meant to be her husband.

It’s impossible to infer a causality loop here in the same way as we saw in PoA. In PoA, there is a payoff for every single unusual or weird moment the story presents the audience before and after the use of time travel but this is something that’s completely absent from Endgame’s narrative. Steve himself doesn’t even vocalise a desire to go back in time at any point in EG nor at any point during the other films he appears in. In fact, when questioned by Tony Stark about the possibility of ‘going home’ in Avengers: Age of Ulton, he says, “The guy who wanted all that went in the ice 75 years ago. I think someone else came out.” While it is indicative of his unhappiness in the modern-day, it does indicate a level of acceptance of the fact that this is his life and he has to make his peace with it. He’s taken what Peggy said in CA:TWS on board. He’s starting over and moving on.

With time travel, and Steve choosing to stay in the past came the fan theory that one of the pallbearers carrying Peggy’s casket in CA:CW is Old Man Steve, her husband. When presented with this fan theory, writer Christopher Markus said during an interview with the LA Times at SDCC 2019,

“I would very much like that. There is no set explanation for Cap’s time travel . . .I mean, we’ve had public disagreements with [directors Anthony and Joe Russo] about what it [time travel] necessarily means, but I love the idea of there being two Steve Rogers in the timeline. One who lived a long life with Peggy and is in the background of that funeral scene watching his young self carry his wife’s coffin up. Not just for the time travel mumbo jumbo of it, but for the just weird, personal pain and satisfaction that would be happening between two Steve Rogers there. I kind of love it.” [emphasis mine]

This shows that unlike in PoA there was no intention of creating a causality loop prior to Markus writing EG with his writing partner Stephen McFeely. In fact, it makes clear that the actual rules of time travel were in contention and that even those making the film didn’t have a unified idea of what they wanted to create in the first place. The fact that there is confusion surrounding EG's time travel is due to the fact that the people behind it, didn't seem to know what they were writing or consider the consequences of it.

What all of this shows is that an argument of a PoA style causality loop doesn’t hold water. The film doesn’t support it, nor do any of the previous films, because there aren’t any indicators for the audience to latch onto. There is no moment of the rock breaking the jar, or the patronus chasing away the dementors, no moment where that the audience is told to hold into this information for later because there’s some timey wimey stuff going on. Ultimately, when examined, there is no set-up for a causality loop that supports the theory he was always supposed to go back and be Peggy’s husband, particularly when examined against a film that successfully lays it out from the start.

Right, the more academic (lol) part of this post is done. I just want to address one more TikTok that bothered me because I have opinions and MCU Captain America is my Mastermind specialist subject.

The TL;DR of this one was that Steve’s ending made sense because he got out of the fight and was at peace and that that has been the ultimate goal of his character arc. This person argued that Steve used the Avengers to distract himself from the fact that he’s this man out of time and he can’t find peace without a fight which to some extent, I agree with. I don’t deny that that is a major driving force to his story. We see that in Age of Ultron with his WandaNightmare. I don’t deny that that is key to his character. However, this creator then made a comment at the end of this video to the tune of, ‘bUt BuCkY iS hIs StOrY aRc’ and tried to play it off like this wasn’t true or that people were wrong to think that this is the case.

These two things aren’t mutually exclusive. They’re both true. They’re intertwined. But you cannot say that Bucky Barnes isn’t at the heart of Steve Rogers’ story. Bucky was the catalyst for every single one of Steve’s movies. He becomes CA because of Bucky. He goes against SHIELD because of Bucky. He defies 107 countries and the Sokovia Accords because of Bucky. You take Bucky out of the equation and what do you have? What happens in those films if you take Bucky Barnes out of the equation? Viewing it objectively, and even without shipper goggles on, you simply cannot sit there and claim that Bucky Barnes isn't a defining component to Steve’s story. Steve Rogers is motivated by Bucky Barnes. Steve Rogers is motivated by the depth of their relationship and the fact that Bucky Barnes is one of the few things connecting his new present to his old life.

You can definitely see the fact that Steve is uncomfortable in the modern world. He doesn’t address any of his trauma but he still attempts to move on. However, if they wanted him getting out of the fight and finding life as a civilian to be the natural end to his story arc then there was a way to do it which didn’t require him going back to Peggy. It would have been a better and more satisfying ending if he’d actively chosen to retire because I often see the argument that him going back to Peggy is him finally allowing him to be selfish after shouldering so much over the past decade or more. If Steve chose to retire and put himself first, then that sends a better message. He’s still getting the chance to ‘be selfish’ but he’s not throwing the life he’s built away. At this point in EG, he’s spent a huge portion of his adult life in the modern-day. This isn’t the future for him anymore, it’s the present and he’s lived a life and made real connections with people. The MCU does a piss poor job of showing the interpersonal relationships between the Avengers but he is at least shown to be friends with Sam, Nat, and Bucky.

But he goes back to a delusion. Or an idea of something that was never his in the first place.

When I see people make these videos and share their opinions, I can see their points but it’s like they’re taking EG on its own when that's impossible. Endgame only ‘works’ if you have the context of 10 years’ worth of films. You have to at least be somewhat familiar with the characters, who they are and what they’ve done up until now to be able to make sense of it.

However, in saying that, they wrote and filmed the movie in a way to make you think you didn’t have to take into account anything you’ve seen in the past ten years. If you only watch Endgame, you only see a grieving man mourning the love he never had. You see a man, regretful that he didn’t get to be with woman he loved. So at the end, of course it would make sense that he goes back to her. But you can only do that if you completely divorce Endgame from its ten-year canon and in a franchise like this where they make a big deal about everything being interconnected, it simply doesn’t work. Steve’s story arc in Endgame is incongruous to the narrative arc we’ve been presented in previous films.

Ultimately, Endgame is a movie you’re supposed to watch once and then not think about again. It’s made for that first viewing when everything is shocking and exciting because if you stop to think about it even a little bit, it falls apart under scrutiny.

Finally, I think that the downfall of a lot of these ‘Steve’s ending makes sense’ posts is that made by people who are most certainly MCU fans but not Steve Rogers fans and it shows.

[redphlox]

How Touya can be Saved

I’ve talked before about why I think Shouto will save Touya, and now I want to talk about how. No doubt saving the eldest Todoroki child will be a combined family effort, but I want to specifically talk about Shouto’s role in this because it will be the culmination of his character arc. I also want to tie in how Dabi can make himself seen and understood by crying tears of blood in front of his family. Finally receiving validation after desperately needing it his entire life will be the key to his salvation.

As of chapter 298, Shouto already empathizes with Touya; he feels Touya’s hate and even recognizes Dabi is the person Shouto himself was before the Sports Festival. Shouto is extending his empathy and understanding to his brother the same way he reacted to Iida during the Stain arc in chapter 53, “Todoroki to Iida.”

Having empathy for Dabi’s resentment is only the first step in reaching him, though. That shared rage doesn’t completely validate Dabi’s pain as an abuse victim, which is something Shouto has yet to recognize about himself. Shouto’s anger has always been about how Endeavor abused Rei to the point she had to be institutionalized and not how Endeavor isolated him, physically abused him, and robbed him of his childhood. Shouto probably hadn’t stopped to think about how the other Todorokis perceived their family situation because, like most families in this situation, no one talked about the abuse - Shouto even expresses surprise and agreement in 192 when Natsuo confronts Endeavor with the entire family’s pain. Shouto thinks back to the memory of wanting to play with his siblings and realizes that specific day didn't only stay with him but that his siblings remember it and were impacted by it, too.

Like Natsuo, Dabi knows the root cause of their family’s dysfunction was Endeavor, and while he had a problem with what he perceived as each individual member’s blindness to their abuse, he ultimately doesn’t blame the victims and instead assigns all the blame onto Endeavor. Even 10 years later, he still calls Rei ‘okaasan’, Fuyumi ‘Fuyumi-chan’, and Natsuo ‘Natsu-kun’ because he still cares about them and recognizes all of them as victims of a corrupt hero who never set out to be a husband and a father and only used them.

However, Touya's own victimhood has never been validated - in 301 and 302, it was seen that he was the scapegoat for his family, and no matter how much he tried to earn back his father’s approval or call his father out on his unfair treatment, no one was ever on Touya’s side. His mother told him to look away from his father as an example instead of standing up to Endeavor for herself and her children, and Fuyumi and Natsuo were too young to understand and couldn't relate to what Touya went through as Endeavor's prized heir. Touya needs validation that he was abused and neglected. He always has. He still does.

The person in the perfect position to understand what it’s like to be on the receiving end of Endeavor’s impossibly high standards, obsession with surpassing All Might, and quirk training is Shouto. But in order to fully empathize with Dabi and show his brother that he can relate, Shouto needs to acknowledge that he too was a victim. In 292, Dabi basically asks Shouto to validate the pain and suffering Dabi had just exposed in the battlefield, but his question still stands unanswered.

To reach Touya, Shouto also has to show Dabi what kind of person he is - as in, Shouto has to separate himself from Endeavor’s shadow and establish that he too has been holding Endeavor accountable for his actions. We as readers know that Shouto’s entire character arc has been about asking himself, “Who am I?” Often, children who grow up in abusive households struggle with their identity and Shouto is a perfect example of this. This is why he chose his hero name to be his name: Shouto. He’s learning who he is after years of trying so hard to not be his father and becoming exactly like him - cold, distant, tunnel visioned, hateful. It wasn't until he met Inasa that he realized this and wanted to right his wrongs.

Like Inasa, Dabi doesn’t know Shouto at all. Both Inasa and Dabi knew Endeavor and assumed Shouto would be just like him. Inasa had a valid reason to think this of Shouto of course, because Shouto was standoffish and dismissive during the UA entrance exams, but at the time of the provisional license exam Inasa hadn’t learned that Shouto had recognized this toxic side of himself and had begun working towards the kind of person he wants to be. Shouto had to show Inasa the real him, and in a similar way, he will have to prove this to Dabi. Dabi hasn’t seen Shouto struggle with his identity like we the readers have; Dabi only sees his usurper making headlines and willingly interning with Endeavor. He probably assumes Shouto is proudly training to carry their father’s legacy. Dabi isn’t privy to the nuanced relationship Shouto or their siblings have with their father. All Dabi knows is that Endeavor is seeing and paying attention to Shouto and Shouto seemingly submitting. Dabi has no idea THIS is how it really is:

Showing others who he is is a way for Shouto to process his own trauma and establish his identity. As the son of the #2 hero, Shouto has always had to prove himself to others - that he’s not his father. He’s even had to prove this to himself by accepting his fire side and making it his own in spite of his father repeatedly calling him a creation or a masterpiece. Not being like his father is such a defining trait for Shouto that he feels compelled to tell kindergarteners during the re-licensing exam his life story and his trauma. He literally bore his heart out to these kids because he knew he wouldn’t get through to them unless he was genuine. I think he’ll apply this concept to Touya, too.

The thing about Shouto is that, while he hasn’t reconciled with his own status as an abuse victim, he sees himself as a survivor. He sees himself as someone who managed through a difficult situation and wants to help others get through their struggles too. That's why getting through to these kids was so important to him, why he took it so seriously. These were problematic kids, and instead of calling them brats or trying to intimidate or manipulate them, he tries to get down to their level and relate. Notice he emphasizes how much he struggled in school at first, how his relationship with his father is strained - in his mind, it's something these kids may be able to relate to.

Shouto is someone who sets out to understand and make others feel seen and understood. It's what makes him kind. Shouto probably understands why his father abused the entire family - Endeavor's reasons don't excuse him or earn his children's forgiveness, but it's a reason that humanizes him to Shouto. He himself was a cold, bitter person who now believes people can change if given the right opportunity and self-awareness because this is a lesson he's learned from Midoriya and Inasa. This is also something Shouto can grant Touya: understanding, a listening ear, space to be wrong, and a chance to be seen.

Touya wanted and still craves to be seen, and he has to see in return. He has to realize Shouto isn't his father's puppet. He has to relate to Shouto much like Shouto is relating to him. Shouto will have to pull the same move he pulled on those kindergarteners and tell Dabi his struggles, and then show him he’s making his own path different from their father’s and that the family isn’t blindly following Endeavor anymore or letting him do what he wants. Natsuo has stood up to him, Rei has stood up to him, Fuyumi has admitted to herself she had been trying to play a happy family instead of fixing the internal mess - they as a family will have to show Dabi all of this, and he’ll have to wrap his head around it. He has to realize that his family is different from how they were 10 years ago. This is what I mean by allowing Touya space to be wrong - it’s okay for him to be wrong in assuming all these things about Shouto. Shouto won’t judge him for it.

I've talked before about how the narrative framing as of chapter 309 has set up that a person must express their feelings in a socially acceptable manner before they can be a candidate for saving, and that means crying. As soon as Midoriya saw a glimpse of little Tenko crying, he switched his mentality from "I'll never forgive you" to "I want to save that crying boy." When Toga ran away from Ochako crying, Ochako became concerned and curious. Following this pattern, it makes sense that Dabi also has to show his emotions, but it’s complicated because he can’t cry due to his burnt tear ducts. Every time we’ve seen him cry tears of blood, he’s been alone - he’ll have to cry in front of Shouto and the family for it to sink in that all of Dabi’s destruction and hate stems from deep-seated sorrow and feelings of abandonment. The family does not yet know how the fire that killed Touya started, and they have no idea that Touya’s emotions are linked to his fire and that he died because he was feeling overwhelmingly forsaken and sad. Once they find out, however, they’ll fully understand Touya (hopefully) and recognize they haven’t been understanding him at all. Saving Touya will be difficult because he has to be vulnerable and that's not something he's done as Dabi, but that's where the Todoroki family arc is headed: healing as a family.

As a side note: I’m not saying that the message the manga is giving is the correct one (how you express yourself shouldn’t be a determinant of the help you receive) but it’s what we have to work with. I also think saving Touya will be more complicated than this and will also involve Natsuo, but that’s a meta for another day! ;]

[sundayswiththeilluminati]

Continued from this post, Part 3 of my discussion of Essek Thelyss in the context of real-world espionage. This time: what happens to espionage assets in the long run? Do they break contact, and why? What might have been in store for Essek?

At the treaty meeting Essek tells Ludinus to his face that he wants no further contact with the Assembly, not even to learn what the Assembly discovers via their own beacon. He’s far from the first asset to try to sever their relationship, and it ends in one of three ways: they don’t manage to break contact, they break contact but voluntarily return, or (rarest of all) they end the relationship permanently. 

Most attempts don’t go beyond option 1, because intelligence agencies are not in the business of respecting their assets’ choices. Handlers are skilled in keeping the upper hand in their asset relationships and will take any further opportunity to gain leverage by compromising the asset. For instance they’ll often pay for information even if the asset hasn’t requested it, because money changing hands makes it far harder for an asset to frame their activities positively to their own side if they attempt to confess (”You expect us to believe they were blackmailing you when you got $10,000 to hand over the secret manual?” etc.) And when push comes to shove most people aren’t willing to accept the severe punishments for espionage. An asset’s threat to confess is more likely a negotiating ploy than a serious option.

Some assets, especially nervous or ego-driven ones, get the carrot: the KGB did a strong line in awarding secret medals to convince them they were doing important, well-regarded work and that the KGB would protect them - not an empty reassurance, as highly-placed moles like Aldrich Ames warranted elaborate ops involving double and triple agents to avert suspicions. And some assets get the stick: the handler tightens the screws using whatever leverage they’ve gained, implies that they’re already “too far in to go back,” or gives some time for those who were blackmailed into spying to think about the consequences of exposure.[1]

Those who get as far as option two, breaking it off and later returning, are usually driven away by fear but back by finances. Fantasy spies have all sorts of motives but in real life the majority are in it for the money. Assets, as you might imagine, make bad choices. About half start selling secrets just to stave off massive debt from overspending and poor financial decisions (the rest feel underpaid.) So even if these assets stop temporarily, the circumstances that drove them to espionage in the first place are still very much present. In these cases all a handler has to do is shrug and say, “You know where to find us.” Infamous FBI mole Robert Hanssen broke off contact with his Russian handlers when the Soviet Union collapsed, fearing he might get outed in the chaos, but linked back up with them just 10 months later when, surprise surprise, he needed some cash.

And then there are the rare handful who stop completely. There’s a bit of survivor(?) bias here because anyone who passes along secrets, breaks off the relationship before being caught, and manages to get away with it is by definition someone we don’t know about. Those who do manage to break contact long-term are usually able to do so because they left the situation that gave them access to interesting secrets and therefore the controlling agency determined they were no longer a useful resource and not worth pursuing. But even if an asset stops working for an agency, they’re far from forgotten - and far from off the hook. Names and evidence of their espionage would be kept on file for potential use as blackmail, leverage in state-to-state negotiations, or expendable material to prove bona fides in ops involving fake defectors or triple agents. A surprising number of spies are caught/outed years after their espionage ended.

Very few assets permanently sever their espionage relationships the hard way: making a genuine confession and accepting punishment. But it’s not unheard-of, especially if the espionage was brief and the asset believes the damage can be repaired. In 1989 Army signals analyst Michael Peri disappeared from his post in West Germany along with a portable computer containing numerous classified documents. Eleven days later he returned to his previous post with the computer and voluntarily confessed to the theft and sort-of defection to East Germany. When interrogated, Peri - who had been a model soldier until that point - said he felt overworked and underappreciated by his superiors, though he couldn’t entirely explain his decisions either to leave or to return (a sexy female Russian agent might also have been involved). He received a 30-year sentence.

Marine Clayton Lonetree, a guard stationed at the US Embassy in Moscow in 1985, was blackmailed over an affair to hand over details on the embassy compound for a year, but his conscience finally got the better of him and he confessed in late 1986. Being a Marine he faced the very real prospect of death by firing squad, but the court martial ended up giving him a 30-year sentence. It was later reduced to 15 after the Marine Corps Commandant wrote a letter to the Navy Secretary on his behalf attributing the young Marine’s actions not to treason or greed but to loneliness, naivety, and poor judgement.[2]

Going back to Essek’s case, he’s already in the minority of espionage assets because he doesn’t want money in return for the secrets he passes along; though the knowledge the Assembly promises him in return fulfills a similar desire, Essek doesn’t need that knowledge to pay off the equivalent of debt or to maintain his lifestyle. He has no pressures at home that force him to continue spying. With the beacons returned, the fall guys in place, and their tracks seemingly covered, he tells Ludinus that all he wants is to be rid of the entire affair. That rules out option one (he sincerely means to cut the Assembly off) and option two (he won’t be driven back by need.) 

Essek is also in an unusual position in that the worst of the damage he caused is repairable - just return the beacons.[3] A secret, once compromised, can’t be un-compromised. If an asset hands over a cipher machine they can’t fix the situation by stealing the cipher machine back; the foreign agency they sold it to has already studied the machine and learned its secrets, meaning it’s now effectively useless. But returning the beacons restores what the Kryn lost. While keeping dunamancy secret gives the Kryn a tactical edge, and I’m sure the Dynasty would prefer to keep the magical soulstones of their elite hidden from their long-time rival, the beacons don’t need to be secret to work. Essek therefore has a much better chance than most to simply repair the damage, cut off his handlers, and try to forget the whole affair ever happened. He might even think that, now that the Assembly has their own beacon, they’ll have no further use for him and will just leave him alone.

But from the Cerberus Assembly's perspective, this fruit still has plenty of juice in it and they risk nothing by continuing to squeeze. Now that they have their own beacon Essek’s knowledge becomes even more valuable. He has access to hundreds of years of dunamantic spellcrafting - and more importantly the rite of consecution, since the Assembly were probably after beacons in the first place to make themselves immortal. If Essek is caught, it’s treason for him, but the Assembly doesn’t suffer; they were doing it for the good of the Empire, learning about dunamancy to help the war effort. So if he refuses to keep spying voluntarily for the Assembly, they’ll just have to find another way to motivate him. 

As part of evaluating Essek before recruitment, Assembly operatives would have noted that he’s, well, highly motivated to save his own skin. Ludinus’ goal therefore becomes to make Essek see further espionage as the only way to stay alive. So instead of confronting Essek then and there, Ludinus shrugs and goes, “Okay. Sure.” Then he activates the Volstruckers, maybe leaks a little info to the Dynasty about a traitor in their midst, and sets up Essek to stew in fear, feeling isolated and attacked from both sides - targeted by the Assembly for his defiance, under suspicion from the Dynasty, unable to ask for help because of his crimes. Ludinus sits back and waits for Essek to re-establish contact on his own. Of course Ludinus didn’t know that the M9 had confronted Essek and gotten him to confess, making a return to spying impossible even if he tried.

While Essek’s motives revolve around ego, frustration, and rebellion, his situation is more like those of people who end up defecting because they’re unable to pursue their careers or live as they want to back home. He has virtually no social/family ties to leave behind, no loyalty to Dynasty authority, and no religious fervor to defend the Luxon, while the Assembly promises him the company of like minds and free rein in his experiments. Assuming no intervention by the M9 I think Essek would have ended up defecting to the Cerberus Assembly. If he did it early enough in the story he might have even joined the Volstruckers to complete the narrative foil transformation.

If the crew had confronted him at the treaty but not offered mercy I think he would have defected purely out of fear, thinking the Assembly were the only people who could protect him from both the Dynasty and the M9. He was already on edge watching the guy he'd set up to take the fall getting walked away in chains and with the Assembly's Wind of Aeons ship right there it would be the ideal time to make the move. Assuming the treaty confrontation went as it did (the crew makes him confess but lets him live) but the M9 hadn’t shown up in Eiselcross, Essek would likely have fled the outpost and gone into hiding in a bid to outrun his crimes (and probably gotten caught two weeks later given how awful he was at being “Dezrain Thane.”)

Essek is far from the first recruited asset to regret what they did even as they kept doing it. Those who can sell out their nation and not feel even a pang of guilt are thankfully thin on the ground. Most start off doing what seems to be a favor for a friend - or accepting a favor from a friend who wants to help with their “financial difficulties” - and end up so deep they can’t see any way forward other than to keep handing over secrets. He’s one more in a long line of those who compromised information out of frustration, especially through the appeal to shared professional interests (that’s how industrial assets tend to be recruited.)

But he’s also in a much better place to make up for it than most assets. Since he primarily compromised property, not secrets, returning said property can (somewhat, mostly) repair the damage done, which goes a long way towards buying leniency from the powers that be. And now I’m realizing that this post actually needs one final part, which is: how do you try someone for espionage, and should you charge them with it in the first place?

[1]  While spy dramas love sexy blackmail, and handlers will happily collect it to leverage against a balky asset, it works far less often in reality as a main reason for espionage. Social penalties for extramarital affairs pale before actual legal penalties like the death sentence for treason. On the other hand, those with foreign relatives are sometimes coerced by threats against those relatives.

[2]  Lonetree’s case for leniency got a boost in 1994 when Aldrich Ames was finally caught and some serious breaches of embassy security that had been attributed to Lonetree were found to be Ames’ work instead. In 1996 Lonetree was released after having served 9 years total.

[3] Although I did just think of a really messed-up Cerberus Assembly plan: consecute a handful of completely loyal Volstruckers, kill them, and send the beacons back so said agents will be reborn in the Dynasty and work to undermine it from within. How fucked up would that be?? Campaign 3 plot hook anyone?

(This accidentally turned into a series on Essek & IRL espionage: Parts 1, 2, 3, 4)

[bignaturalsenergy]

y'all watch the untamed cause this entire thread sounds like it rolled out of the main character's mouth

i know there’s a lot of jokes about being evil and stuff like “i will act evil today” or “i am an evil ball of semi-lucid slime” or what have you and i think it’s not that people really want to be morally reprehensible or do things to hurt other people, i think it’s that we’ve all grown so disillusioned from the idea of what is “good” or “right”.

in the same way that the nuclear family and the “american dream” have underlying problems, we too have found issue with the social norms that constitute what it means to be a socially acceptable good person. falling in line with the unspoken rules of behaving “normal” and “just” is archaic and, most notably, a failing final remnant of the now dead era.

people don’t want to be evil by blowing up hospitals and pushing old people over, they want to be quote-unquote “Evil” by killing billionaires to redistribute the wealth and disrespecting your elders by calling them out when they say something racist or being a boy and kissing your boyfriend in a park even though it’s wrong to have an “alternative relationship” in public because it will “corrupt the children”. we want to be quote-unquote “Evil” by shoplifting from corporate mega-giants and beating the shit out of defenseless nazis and having belief systems that deviate from the catholic and christian churches.

i dont think any of you really want to be evil. i think you’re just fed up with what’s considered good.

[theemptyskies]

Ok I'm posting this first chapter a little late haha. It was for @azulaweek for Day 2 Rare Pairs and Day 4 AU.

It's going to be a Buffy the Vampire Slayer and AtLA crossover.

Hope y'all enjoy! Shout out to @juniperhillpatient for motivating me to give this a shot. You're awesome 🙂

Any feedback is appreciated ❤

Displacement - A New Beginning

Content Warning: Major Character Death, Graphic Depictions of Violence, Blood and Gore

Summary

The rise of Vaatu leads to unprecedented darkness falling upon the world. Unexpected events lead to Azula learning to live in an unknown world, preparing for an uncertain future.

-------------------------------------------------------

A spell to close the Hellmouth in "The Zeppo" has unexpected consequences. With no way of sending the newcomer home, Buffy, Faith and the Scoobies do their best to help the young girl adapt to her new home.

Or

While facing the possible end of the world, Azula finds herself transported through the newly created hellmouth, ending up in Sunnydale. Watch as she grows and adapts in this new world, learning to overcome the pain of losing loved ones, finding a family, and starting to see this as a new opportunity at life.

Anyone who thought the Fire Nation was evil was a fool. At least they should feel they are, given the darkness that has enveloped the world in the four years since the war has ended. It all began last year when Avatar Roku warned Avatar Aang that there was a risk of a dark spirit breaking free. He called it Vatu. It was the spirit of chaos and darkness, the antithesis to the Avatar spirit. 

The spirit had a sort of cult worshipping it. Avatar Aang tried to stop them himself, not wanting to involve their friends and risk our safety. That was his first mistake. It left Katara and myself woefully unprepared for the cult's ambush. We fought them off as best as we could, but there were far too many. In the end, our cottage was left in ruins, dead waterless foliage caked in our enemy's blood, I was nearly beaten unconscious, and Katara was taken. 

They times the kidnapping perfectly, just a day before their planned ritual to free Vaatu from his imprisonment. Avatar Aang, the foolish child that he is, refused to leave Katara's rescue to Sokka, Toph, and myself. His inability to let go of the infatuation he holds for Katara gave the cult enough time to break Vaatu's bindings. It was then the darkest days came.

Upon its release, Vaatu, with the help of its cult, performed a ritual. Black tendrils erupted from its body, tearing across the skies and burrowing into the earth, its physical dorm dissolving in the process. Agni's light was blocked by shadows stripping bending from Firebenders across the glow. From the five largest points, great beasts emerged. Enormous, otherworldly, monstrosities that the worst of nightmares couldn't compare to. Following their emergence, a diverse horde of smaller, equally horrid, creatures poured from the openings. 

There was no time to prepare. Within hours the largest cities were reduced to unrecognizable ruins. Formerly bustling streets were transformed into rivers of red. Body parts left strewn across the rubble. Images of beast feasting on children still haunt my mind. Even our own friends weren't able to escape the carnage. We managed to find Ty Lee the last of the living Kyoshi Warriors, just as she was impaled on the claws of a bald, gaunt humanoid-looking monster. It managed to rip an arm from her body by the time we closed the distance enough for Katara to decapitate it with a disk of ice. Her last words will forever be seared in my mind.

"I'm happy you're ok 'Zula."

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Over the two weeks, since The Emergence began, Aang was almost non-stop searching for and rescuing survivors. We established a temporary refugee camp at the unoccupied Southern Air Temple. Like an endlessly erupting volcano, the creature continued rising from the pits Vatu created. Isolated locations like the Air Temples and Water Tribes were the only places still safe, for now at least.

Knowing that allowing events to continue unimpeded, Aang turned to the spirits for guidance. The Air Temple's sacred grounds made the transition from the mortal world to the spiritual plane much easier. Sitting in the temple powerless as Katara held me, waiting for Aang to return from the spirit world, listening to the distant roars of monsters below the clouds, I don't think I ever felt so terrified. 

Almost like she could sense my fear, Katara held me tighter, softly kissed the top of my head while gently running her fingers through my now unkempt hair. It's strange how the moment I felt the most fear was followed by one where I felt incredibly safe. As her gentle caresses lulled me to sleep, I heard a whisper from my lover. A hope a clung to until the very end.

"Everything will be ok Zula. We'll make it through this."

Two days later, Aang returned from the spirit world. With the help of Avatar Roku, he had managed to make contact with Rava, the spirit of light and the source of the Avatar's power. With the information she gave us, we were able to come up with a plan. Vaatu's ritual tore open portals that were connected to another dimension. They were directly connected to the five largest beasts that first erupted from them. While the portals themselves couldn't be closed, the pits that housed them would be sealed, finally stopping the endless stream of monsters from pouring into our world. All they had to do was kill the five great beasts.

Admittedly, it wasn't much of a plan. As Sokka had put it "So all we have to do is take out monsters the size of small palaces? Great! You know, for once, why couldn't the world-saving plan be easy." I rolled my eyes at his remark at the time but didn't make a retort. The small smiles that our friends held were worth dealing with his rather poor sense of humor. Besides, he was family after all, and if he said something too stupid I'm sure Katara would've happily frozen him to the ceiling.

Rava's power, being the opposite of Vaatu's, would lure the massive beasts to Aang, acting as a sort of beacon. The general plan was that Aang would activate the Avatar State, he would kill the beasts near the pits, we would keep the army of smaller monsters away from Aang while he fights the bigger ones, don't die. Said like that, the plan sounded risky but simple. Unfortunately, it was anything but simple.

------------------------------------------------------------------------------

There were a few Earthbenders among the rescued survivors that volunteered to help. We knew we couldn't hold back a never-ending army. After talking with Sokka, rapidly formulating and dismissing plans, the best we came up with was having the Earthbenders create a dome over the pit. This would grab the attention of the surrounding creatures. While they focused on not letting the army break through the barrier, the rest of us would protect the Earthbenders until the beast was slain. 

Naturally, it wasn't that simple. Rava failed to mention that as each beast died, only some of Vaatu's energy returned to the pit, sealing it. The rest dispersed to the remaining beasts, making them stronger. The first there battles went relatively smoothly, the growing strength of the beasts was more and more apparent with each successive fight. We experienced a handful of losses but nothing unexpected. Merely some inexperienced volunteers. It was the fourth battle that hit our group the hardest. 

The battle started just like every other, sealing the pit and fighting the surrounding beasts. However, due to the strength of this beast, this fight lasted far longer than the last. With our growing exhaustion, it was only a matter of time before someone made a mistake. As Sokka slew one of them, another managed to catch him off guard from behind. Faster than anyone could react, the hairless humanoid snatched his wolf-tail, yanking him back, and sunk its fangs into the side of his neck. Within seconds his skin lost all color and he was left hanging limp in the thing's arms, his sword slipping from his hands and his vacant eyes forever left wide in horror.

That fight ended soon after, with the Avatar finally defeating the creature. I had to nearly rip Katara away from her fallen brother, the last of her biological family. I held her as she cried during the entire flight back to the Southern Air Temple. Upon our arrival, Aang approached us after climbing off of Appa.

"I'm sorry for what happened to Sokka, Katara." He began. At the sound of his voice, I felt Katara stiffen in my arms. 

"You're sorry..." It was a whisper I barely heard as she pulled away, her face displaying a hatred I didn't know she was capable of. He began to speak again but she cut him off.

"How dare you come to me and say that!" She growled at him. "Like I'm sorry will make it all better! You could've stopped all of this! You could have prevented Vaatu from breaking free and none of this would've happened! Now SOKKA IS DEAD!" A loud slap echoed across the now silent temple as she struck Aang across the face. 

Her voice lowered to a whisper as she continued, tears freely falling from her eyes. "S-s-sokka is d-dead and it's all your fault... Just stay away from me..." Finishing her quiet statement, Katara ran inside the temple, away from the sympathetic stares of the gathered survivors. 

Aang watched her go, holding his own tears back before turning to me. He unfastened the strap holding Sokka's blade across his back. With both hands, he held it out to me. "Will you please give this to her. He would want her to have it."

I accepted the blade and he turned, beginning to walk away. "She didn't mean that you know. Katara's hurt and angry."

I don't know why I felt the need to offer him that small comfort. Maybe it was because Aang had taken the time, despite his exhaustion, to do this for her fiance. Regardless of the reason, he paused, shaking his head.

"Doesn't matter Azula. Even if she apologizes, we both know she's right." With that statement, he walked away. Turning, I walked in the direction Katara had run. I knew I wasn't the best at providing comfort, but that's all I could do for her now. I don't remember ever seeing her so broken, and I don't think there's anything I could've said to help.

-----------------------------------------------------------------------------

Katara squeezing my hand pulled me from my memories. "Are you ok?"

I turned to look at her, seeing the concern reflected in her eyes.  I looked over the edge of the Bison's saddle, noting that the sea was replaced by land below us, before responding "Ya, I'm fine. Was just thinking about everything that happened. What brought us here."

Katara stilled, appearing to look at something that wasn't there. She was probably lost within the same memories I was moments ago. I squeezed her hand softly, wondering for a moment how her hands remained so soft after the countless battles they've been through. She jerked slightly, her eyes regaining focus before giving me a small smile. It was a rare sight in recent months but still as beautiful as the day she proposed.

"Despite everything that's happened, I'm glad you've been here with me Zula."  Katara said softly before leaning in and giving me a soft kiss that left my heart stuttering. It's amazing that, after all this time, she still has the same effect on me. It faintly reminds me of how nervous I was when I admitted out loud to Ty Lee and Zuko that I wanted to marry her. Though the nervousness I felt that day grew to be far greater when she walked around the corner in the palace hallway, clearly having heard what I said. 

I couldn't stop the small smile from forming on my face as the memory washed over me. Leaning my forehead against hers, I recalled her walking up to me, her wide-eyed, surprised, expression shifting to one of pure happiness. 

"Ya know, I've been nervous all week about giving this to you, but suddenly I feel a lot more confident." She had said jokingly, a smirk plastered on her face as she pulled a small rectangle box from her robe. She opened the box, standing barely a foot away, revealing a blue necklace, simple in design. The pendant had the symbol of the Fire Nation in the center. Only, instead of black over a red background, it was ivory over a pale blue. It was simple but perfect. 

"In the Watertribes, we use necklaces to propose. I wasn't so sure before, but something tells me I can guess your answer. Will you marry me?" Her eyes twinkled in amusement as I nodded dumbly, too shocked over what had just happened. It certainly wasn't my most elegant moment. It had taken me a few moments to process what had happened before I launched myself at her, pulling her into a searing kiss which she smiled into. Pulling away from me, with eyes full of joy and a smile lighting up her face, Katara asked "Can I put it on you?"

I nodded again, not trusting my voice. Katara pulled the necklace from its case and walked around me as it looked over at Zuko and Ty Lee both wearing equally large smiles. As soon as it was fastened, Zuko pulled us both into a large hug, quickly followed by Ty Lee, who couldn't contain her excitement. "Oh my gosh Azula! Congratulations! You're getting married! There is so much planning we have to do! The decorations, oh you know there has to be music..."

I looked into Katara's eyes, not pulling away from her, returning the smile. "There's nowhere else I'd rather be." I said softly so only she could hear, before closing the distance for another kiss.

We were pulled from our moment by Appa beginning his descent, and Aang jumping off, unfurling his glider and flying away, creating distance for his battle. Looking back towards the rapidly approaching ground of the western Earth Kingdom, I could see the sea of black dots below us start to become more defined, revealing the mass of creatures we'll soon be fighting. Appa landed with a massive gust of wind sending monsters flying, giving us a few moments to disembark and fall into formation.

As soon as Toph landed, she quickly entombed the pit in a think earthen dome, soon backed by two other Earthbenders, preventing the swarm of monsters from continuing to grow. Katara, myself and the other volunteer survivors formed a protective perimeter around them. I quickly unsheathed Sokka's black blade instead of using my dual tanto. Katara handed me the sword before we left the temple, saying Sokka would want to be here fighting with us. Looking at the gleaming dark metal, I knew she was right. 

The luminous light of the Avatar state in the distance, shortly followed by a deafening roar and rumbling earth signified the start of the battle. The monstrosities surrounding us, the same kind that butchered Ty lee, righted themselves before charging. There was a vindictive pleasure in cutting them down, watching their bodies crumble into dust as their heads rolled. The creatures were stronger and faster than normal people, that was unquestionable. However, for a veteran of the 100-year war, their attacks were laughably easy to read and counter.

As the battle drew on, the quakes from Aang's battle with the giant, snake-like beast continued, and exhaustion slowly began to seep in. There was a yell to my left followed by a sickening snap that drew my attention. The limp body of a survivor was held by one of our enemies, head twisted to an unnatural degree. It carelessly threw the body into another ally that was attempting to flank it before running towards the earthbenders.

"Katara!" I yelled, directing her to the monster. She quickly launched a disk of ice, decapitating the beast.

"Fall in!" I yelled, causing our allies to move closer to the earthbenders, closing the gap in our defense.

I risked a glance towards Aang's fight to see the serpent falling from a newly formed mountain, who's shadow covered our battlefield. The end of its tail was coiled around the light of the Avatar State. Not a moment later, a massive quake tore across the Earth, the impact echoing in its wake. Chaotic black and red energy tore through the air, washing over us, blasting through the cover of the pit, and, for the first time in ages, I felt my Firebending return as Agni's light shined once again.

Unlike before, when the energy entered the hole it pulsed. Before I could react, some of the energy solidified, wrapping around my waist, before it began to drag me with it. 

"Azula!" I heard Katara yelled as she raced towards me, skating across her ice. Using it, Katara launched herself off the ramp, rapidly closing the distance between us. Her left hand gripped mine as she used the last of her water to freeze her feet to the ground, stopping the energy from pulling me further.

I smirked at the display. "Very impressive Master Katara." I said causing her to roll her eyes.

"Only you could brush off nearly dying so easily." She said, her light tone trying to hide the strain of fighting the pulling tendril of energy. Her expression softened before she looked me in the eyes and said "I told you we would make it through this remember. I'm not gonna let you make a list out of..." Her words abruptly stopped as warm blood splattered across my face. "Zula... Your face..." Her voice was weak, words barely audible. My mind shut down, a sinking emptiness filled me as I started at the now crimson fist sticking through my fiance's chest. I couldn't help but look into her wide, horrified, blue eyes as the first extracted itself. Her grip on my hand didn't lessen as the bloodied hand gripped her hair, pulling her head to the side.

Gaunt, bald, fanged monsters peered at me from over her shoulder, giving me a sickening, malicious, grin before sinking its teeth into the side of Katara's neck. Her mouth opened in a silent scream, the grip on my hand weakening. The slick blood coating her front caused my hand to slide out of hers within a moment, my grip causing her ring to slide off with it. I watched, unable to speak, as the tendril of energy pulled me into to pit. The last thing I saw being the light leaving Katara's beautiful eyes as it tore its fangs from her throat.

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"For untold eons, demons walked the Earth. They made it their home, their, uh... their hell. But in time, they lost their purchase on this reality, and the way was made for mortal animals, for-for man. All that remains of the old ones are vestiges, certain magicks, certain creatures." -- Rupert Giles

[pop-punklouis]

top five HL fanfic!!!!

biiiiitch you all know how hard it is for me to choose only 5. but sigh FINE here’s my all-time favorite list that isn’t 5 sorry i can’t choose 😔:

• Here in the Afterglow (89k)

“If you hadn’t noticed, I don’t have many friends,” Louis whispers, the blossom of insecurity in his stomach unfurling and clawing its way into his throat.

Harry is silent for a long time, and then he speaks; a soft, slow uncurl that makes Louis’ stomach shake. “I’ll be your friend.” 1970’s AU. In a tiny town in Idaho, Louis’ life is changed forever by the arrival of a curious stranger.

• Coax the Cold (86k)

England, 1897.

English Professor Louis Tomlinson’s passion for the occult has been a source of mockery and derision for most of his life. When he hears whispers of a travelling freak show newly established in London claiming the existence of a monstrous sea hybrid, half-man, half-fish, Louis sees it as his ticket to credibility amongst his peers. The summer he spends undercover working on the show, however, gives him much more than that.

• Wild and Unruly (124k)

Harry is a cowboy sitting on the biggest oil reservoir in Wyoming, and Louis is the paralegal assigned to pressure him into selling his land.

• This Wicked Game (70k)

An AU in which The Bachelor is gay, Louis is a contestant, Harry is the bachelor, everyone drinks a lot of champagne, the entire world gets to watch them fall in love, and no one plays by the rules.

• Love is a Rebellious Bird (135k)

AU in which the boys still make music. Louis is the concertmaster of the London Symphony Orchestra, Harry is the New! and Exciting! interim conductor/ex-cello prodigy who "has made Mozart cool again" according to Esquire Magazine (Louis hates him immediately, which is definitely why he internet stalked him in his dark bedroom late at night that one time), and Niall is the best. Zayn and Liam are around too.

• Fixated On One Star (53k)

Louis is just a boy with the world on his shoulders, and Harry's just a boy from the wrong side of the galaxy. A little thing like love doesn't stand a chance against a thousand years of war, at least until the right two come along to break the mold.

Or: space Romeo and Juliet AU

• Finding Lou (60k)

Louis is the nomadic stranger who wanders into Harry’s bookstore. Harry is the skeptic who falls for him.

• California Sold

Notoriously closeted boyband member Harry Styles is famous on a global scale, meanwhile Louis, as his best friend, is back home in Manchester, living the typical life of a 24 year old. When Harry needs Louis with him in LA, a publicity stunt gone wrong changes their friendship forever.

A fake-relationship AU between two lifelong best friends.

• Empty Skies (134k)

For three years, Harry has been running from his past. Now, he is moving to London and pledges to fulfil his only dream -- making it big in the music industry. Not everyone has a place, though, and the competition is tough. As is his past catching up on him.

Louis is part of the biggest boy band of the world, and getting there had meant a lot of hard work, as well as sacrificing parts of his heart and soul. He's still happy. Maybe not as happy as he could be, but who is he to complain?

• And Then a Bit (159k)

“We’d like to give the fans what they want.” Magee states, placing his hand on the table in front of him and leaning forward. “We want to give them Larry Stylinson.”

Or, take a parallel universe where Louis and Harry were never together, mix in a two year hiatus and an impending comeback, pour in a dash of lost fans, two tablespoons of strong friendship and a Modest! employee with a good idea. Add a squeeze of pretending to be a couple, lots of kisses and a tattoo or two. Stir. Serve: the mother of all publicity stunts. (aka Harry and Louis fake a relationship for publicity. Eventually it becomes a lot less fake and a lot more real.)

• Dream Awake (31k)

The sun leaks through the tent wall behind him the way it leaks through eyelids, bathing the boy in an ethereal half-light as he croons. The crowd is mesmerized. Louis is mesmerized. This is the most important person in the world, he thinks wildly, and then can't figure out how to take it back.

On a hazy day in August, Louis sees Harry perform at a music festival as an unsigned act and convinces him to spend the rest of the weekend in his company. Harry gets signed; life changes. They never really wake up from the dream.

• Say You’ll Remember (93.5k)

au. louis and harry are best mates that are only half aware that they're also soulmates. alternatively, louis goes to university and harry travels the world, and they always manage to find their way back to each other.

takes place over nine years, in which they love and hurt, make mistakes and learn, and above all, grow.

• Outwit, Outplay, Outlast (61k)

Survivor All-Stars AU in which Harry and Louis are just in this game to win the million dollars, but they end up with something better.

Featuring Harry's yellow swim shorts, Louis in snapbacks, and OT5 shenanigans.

• Nothing Else But Us Right Here (35k)

Louis sighs and gives himself a mental pep talk as he smooths his jumper down over his hips. He can do this. He can resist the draw of Harry Styles, because he is a responsible, mature adult, and as much as he wants to tangle his fingers in that mess of hair and map those ridiculous tattoos with his tongue, he does not want to get his daughter’s favorite teacher fired.

• Wings to Break Your Fall (103k)

strip club AU. Harry’s work and family are keeping him busy. He really isn’t looking for a relationship, doesn’t want one. He just wants Louis. Problem is, Louis has other plans.

• Leave it to the Breeze (81k)

Louis couldn’t be prouder of his bake, but there’s something—there’s something. Something about Harry Styles and the earnest way he measures, pours, mixes, scrapes. Something about the tip of his tongue poking out of his mouth as he knocks the air out of his batter.

or a great british bake off au in which louis cares about winning and winning only, harry is made of sunshine and rainbow sprinkles, and niall sticks his nose into other people's business. also featuring liam as louis's best friend-slash-concerned mother, and zayn as a macaron connoisseur.

• You Come Beating Like Moth’s Wings (81k)

Harry smiles. He's only known Louis for about two hours, knows nothing about him past his first name, but he's nice and sarcastic and helpful and so, so pretty. And Harry's still got a few days left in Barcelona, and he thinks he wouldn't mind spending them with Louis.

Also known as, Harry takes the summer before uni to travel Europe and meets Louis in Barcelona, and they end up traveling together.

• Hold Me Closer (36.5k)

Louis Tomlinson is one of the most promising dancers of the English National Ballet, on track to become the youngest principal dancer in the company's history. That is, until forces conspire to significantly complicate his life, including: a surprise ballet, an unfairly attractive guest choreographer, and being pushed into a rivalry with his best mate. Featuring lots of wine, dancing, pining, and a happy ending.

• In Vogue (121k)

Fashion AU. Louis is the editor in chief of Vogue magazine, and Harry's running British GQ. Featuring Zayn as the crazy creative director and Louis' confidant, Liam as the sports writer that gets to sit front row at fashion week and DJ Neil as the only sane person in the whole story. (There are no skinny jeans in this fic)

• These Things Will Never Change for Us at All (1.5k)

The room falls silent as they stay wrapped up in each other. Harry can feel Louis’ soft breaths on his neck, and he almost thinks Louis’ fallen asleep until he says softly, “How did you know you were in love with me?”

Or, Harry and Louis look back on five years.

• A Runaway American Dream (15k)

AU. they take route 66 with only each other and their secrets.

• Things Have Gotten Closer to the Sun (49k)

it’s strange, making the choice to face his past—it almost feels like he’s heading for the sun straight on, like he’s screaming come on and burn me, i deserve it.

when a solar flare is announced to end the world in twelve days, harry reunites with the people that he used to know better than the back of his own hand.

• Here (in your arms) (60k)

the one where Louis is a successful real estate agent and Harry works at a retirement home. They’ve never had a real home. Up until now.

(Starring Liam Payne as a fitness trainer, Zayn as an artist, and Niall, who busks.)

• These Inconvenient Fireworks (190k)

Future AU in which nobody tries out for X Factor but the boys end up finding one other eventually anyway. Louis is a jaded bastard who owns a cat named Duchess and teaches drama to teenagers, Harry is an idealistic aspiring photographer/part-time footy coach, Zayn teaches English lit and wears leather jackets, Liam saves people from burning buildings, and Niall is Niall.

• In Dreams (23k)

AU. When Harry moves to a new city, his new flat come with a number of sweet, anonymous gifts and surprises that brighten his days. Could it be a friendly ghost? Another friendly presence in his new building is his tattooed neighbor, Louis, who seems determined to put a smile back on his face.

• My Heart is Breathing for this Moment in Time (160k)

When Louis first saw Harry at the 2010 X Factor Auditions, he thought he was watching a peculiarly special stranger. But Harry has known Louis ever since he was five years old. Because Louis has a rare genetic disorder that causes him to Time Travel to important moments in his past and in his future - and to Harry, always to Harry. When they’re put into a band together, it seems like everything Harry has been waiting and wishing for has finally come true. Except for the small fact that Louis doesn’t know that Harry is in love with him- that Harry’s always been in love with him. Fate, it would seem, is just getting started.

A story about growing up and growing together, and the impossible love that makes it all worthwhile.

• Paint the Sky with Stars (63k)

On 10 April 1912, Harry Styles boards the finest ship the world has ever seen. Still grieving the death of their mother, he and his sister are being sent to America to live with a callous uncle who cares more about his business connections than family. Harry prepares himself for a long, disappointing voyage alone in his stateroom. Louis Tomlinson has borrowed and saved, and finally has enough to purchase a Third Class ticket to America. With all of his belongings in a single ruck sack, he boards the Titanic filled with hope for a brighter future. Never one to sit still, he can’t resist exploring the massive ship, and soon goes sneaking into First Class in a stolen steward’s uniform. By a twist of fate, Louis finds himself in Harry’s stateroom, entranced by the most attractive man he’s ever laid eyes on. He keeps returning day after day, even if he doesn’t understand what it is about Harry that continues pulling him in. That’s all right; Louis has a week to figure it out, and Harry is plenty willing to help. Except they don’t have a week. They have four days. Because on 15 April, their entire world will be turned upside down.

Or, the historically accurate Titanic AU with a happy ending.

• Through Eerie Chaos (102k)

For as long as anyone can remember, Old Hillsbridge Manor has always been believed to be haunted. Everyone in the village agrees and keeps a respectful, fearful, distance. New in town after a bad breakup and an internship that led to disappointment rather than a permanent job, Harry Styles figures taking pictures of the decrepit building could be a great new creative project. Or at least a much-needed distraction while he searches for a job and crashes at his parents’ new house. No one warned him about the apparitions though; about the music, the laughter, the people who flicker and vanish when you call after them, the echoes of a past that should be long gone… Harry has never believed in spirits but even he can admit that there’s something weird going on. What starts as mere curiosity evolves into a full-blown investigation and soon enough, Harry finds himself making friends with an aristocrat from the 1920s and struggling with finding the best way to tell him that he’s dead.

The Ghost Hunter AU where Niall lives to prove ghosts are real, Zayn is a skeptical librarian and Harry gets caught up in a century-old mystery and catches feeling in the process.

[askmerriauthor]

Star Wars: Visions thoughts and discussion

Been on a bit of a Star Wars binge lately. Getting ready for the Book of Fett and the return of The Mandalorian soon, just finished playing the Jedi: Fallen Order game, and recently "Star Wars: Visions" dropped on Disney+ (not to be confused with the, like, half-dozen other Star Wars properties that use "Visions" as their title). If you've got the streaming service and haven't watched the series yet, I can honestly suggest you should do so. The whole thing is a series of very short episodes and is entirely non-canon to the setting, so you don't even need a hard understanding of Star Wars to enjoy it.

In fact, it's actually better if you don't know anything about Star Wars going in. Spoilers and brief episode discussion after the jump.

Episode 1: The Duel As soon as I saw a lightsaber umbrella and a R2 droid in a hat, I knew this one was going to be a must-watch.

I REPEAT. LIGHTSABER. UMBRELLA.

Solid kick-off for the short series. Dig the aesthetic, dig the classic samurai vibe (even if it's more of an homage than a direct application of the style), dig the simple story. The particular animation style they chose here was a little wonky but I quickly got used to the visuals and loved a bunch of the design choices too much to care. This one was very action/style-focused and clearly chosen as the leading episode for that reason, which I don't fault them at all for.

Episode 2: Tatooine Rhapsody I'm sorry, I don't recall giving Star Wars permission to be this fucking adorable, how dare you.

The tale of a Padawan survivor of Order 66 who makes a new life for himself not with the power of the Force, but with the power of Rock and Roll and Friendship. Bitchin'. Super adorable, semi-chibi art style that's honestly ringing, like, a dozen different bells in my head for trying to figure out all the different styles it's drawing from. Good fun, if a bit bland in the end. The biggest problem is the music. The story relies on "using music to save the day", which is fine. But when you use that trope you need an absolutely face-melting banger of a performance, which this just doesn't have. An enjoyable entry all the same though. Not bad, not great, cute designs; the quirky story of how Jabba the Hutt got a new slave band to play at his den.

Episode 3: The Twins This entire episode is animated by the team who brought us Kill la Kill and that should really tell you everything you need to know.

You know how if you get a bunch of little kids together, they'll start playing make-believe games where they just invent stories and plot twists and super powers like "I have whatever you can do, but infinity plus 1 better!" shit like that? That's what this short is. It has only the vaguest allusions to the setting proper and immediately hurls every semblance of consistency, logic, and sense out the window with both hands. It is 1,000,000% style over substance.

Okay, y'know what, no, that's not enough to describe the utter insanity this episode is. All I can find online is pictures of the main villain character pulling a General Grievous impression or the protag snaring lightsaber whips on his lightsaber, but that is fucking tiddlywinks compared to where this episode goes.

There is a scene in this short where the protag, who is ghost-riding the hood of his X-Wing upside down in space without a space suit, super-charges his lightsaber into a giant rainbow of FUCK YOU GEORGE LUCAS with the power of familial love and fabulousness, using said rainbow super saber to CUT AN ENTIRE STAR DESTROYER IN HALF WHILE ACCELERATING TO HYPERSPEED, all to save his twin sister's life by making her explode in a somehow non-harmful manner.

This short is utterly nonsensical drivel and yes I would like more right the fuck now, please and thank you.

Episode 4: The Village Bride Wait, we're actually trying to tell a reasonable story in this series? Sorry, I was still on a sugar high from the previous episode. Lemme sit down.

The Village Bride is great. Excellent short that's just dripping with atmosphere and a slow, purposeful pace to its writing. It's short and sweet with little focus on the Force-using characters themselves, which actually serves to its credit. Even in the Star Wars universe, the Ainu people can't catch a fucking break. Easily one of my favorites in the whole run.

Episode 5: The Ninth Jedi The fact that two characters in this short have Sasuke's haircut was extremely distracting. But I actually really enjoyed this entry overall.

Despite playing extremely loose with the established lore around how lightsabers work, this episode over all others really embraces the original setting and tells a slow-burn story about the potential revival of the Jedi Order. A little meandering at times, but it's a solid piece and well worth exploring. Of all the shorts in the series, this one has the greatest potential to actually continue on as a standalone series or be folded into the canon franchise. Main protag is an adorable bean and I love her.

Episode 6: T0-B1 This episode is simultaneously a love letter to Astro Boy and a giant middle finger to Star Wars lore purists.

The tale of an imaginative Droid named T0-B1 who dreams of becoming a hero like the Jedi he's heard so many stories of. This short gets extra credit for being so unyieldingly stylish and charming. On the surface of its presentation and story choices it seems like it doesn't know anything about Star Wars lore, but it's actually packed full of some pretty deep cuts that show the folk behind it do know what they're talking about and just don't fucking care what purists have to say. The entire thing is just "Yeah, I'm ignoring your lore, but I'm doing it in a fun way that makes the setting more interesting, and I'm so genuine about it that you can't be mad at me". I can respect that. Plus the old dude in that screenshot is an armless Jedi who's retired to be a botanist and that's just fucking cool.

Episode 7: The Elder I'm Episode 1, but better.

This one. This shit right here. This is the good shit.

I'm sure y'all have heard before that Star Wars is directly inspired by Kurosawa and samurai films in general, but The Elder really digs into that hard. Where Episode 1 styles itself after a samurai tale, Episode 7 is a samurai tale. Subdued, methodical storytelling, slow-burn pace, charming dialogue amid believable characters, and a truly intimidating villain who provokes a brief but striking duel. This is my vibe. I crave more of this. Far and away the best short of the entire series.

Episode 8: Lop and Ocho Oh for fuck's sake, there's going to be so much porn of this bunny girl character, isn't there?

This entry is another that kind of meanders with the story it's trying to tell and plays very loose with the lore. It reimagines a lot of what we know of the Jedi/The Rebels and Sith/The Empire into a feudal faction-based conflict akin to what you'd see in a period samurai drama. Modernization and callous industry crushing the spirit of the people and breaking apart families. A decent work overall, but nothing really all that impressive in the end. It takes too long to get going and then peters out halfway through its pay-off for some reason.

Episode 9: Akakiri The fact that I had to look up this episode's name and scenes online and still could not remember anything about it should tell you a lot.

The series ends on a downer with the dramatic tale of a fallen Jedi who sacrifices himself and succumbs to the Dark Side. Turning evil for... the greater good? Wha? Had some pretty neat visuals, but I genuinely cannot remember a damn thing about this episode or its characters. Big swing and a miss in terms of impact.

[atinybitofau]

S A N ⇨ mafia au

THE ONE WHERE SAN = SMILEY SATAN

part two

• he watches you.

• and he’s thinking to himself.

• fuck, this dumbass chick really had to be at the right place at the right time.

• he was the most wanted hitman in South Korea

• the most skilled hitman belonging to none other than the top class mafia group ATZ.

• he was trying to fill up his empty schedule that’s all.

• wanted to kill some low life useless fuckers for fun and extra money— why not.

• he never gave a single shit to care about meaningless souls like society’s proper.

• he’s the greatest hitman to ever live?

• why should he care.

• never spent more than 10 seconds looking at a face pretty or not.

• his tongue pokes at his cheek, leg bouncing underneath the tripod of his sniper in impatience before he lets out an exasperated groan.

• “Fucking bitch better move out of my way or I’ll blow her brains out too.” he mutters under his breath.

• he was losing too much oppurtunity.

• “5 seconds, San. Take the shot.”

• “I’m fucking trying! There’s some bimbo in my line of fire and I am not going to waste my time cleaning up her mess.”

• he sighs, finger hovering the trigger counting down from five.

• that is—

• till he stops at three as soon as you turn around.

• you’re gorgeous, he thinks.

• like no one other.

• his eyes narrow and his mouth waters at your beauty.

• special and nothing he’s ever laid eyes on before.

• satan’s gift to him after hard years of working for his ass.

• san’s lips part and he has to look out of the scope for better landscape.

• you smile and he’s shot down.

• he forgets for the last three seconds what he was supposed to be doing.

• “You dumbass. We missed the mark. Now we gotta wait two more hours. You better hope you can sit your cocky ass down for it all cause you are not taking your eyes off that scope, San.”

• with pleasure, he wants to reply to his boss but his finger grazes his lips instead of the trigger reveling on you.

• yeah he didn’t mind.

• fuck yeah he didn’t mind.

• not when you’re on the other side of the scope for him to drool over.

• it bogs him why you were working at that piece of garbage establishment and how he could slither you up his sleeve before he leaves.

• he sits back in his chair, watching you more than his target at this point.

• “San, are you paying attention this time?”

• he hears Hongjoong but he’s more intent on watching you then listening.

• you had curves for days and he couldn’t wait to get his blood stained hands on them.

• “10 seconds.”

• “San.”

• “4 seconds.”

• he packs his sniper, pulling out a small pistol from his weapon bag, strapping on a vest under his business suit.

• “What the fuck are you doing, you idiot?”

• “Gonna get the girl.”

• “SAN IM GOING TO FUCKING KILL—“

• he pulls out his in ear out before his boss could finish and practically runs to the building across.

• he has to get you.

• he won’t be able to think straight.

• wont be able to work straight without knowing he’d see your face every night he comes home.

• won’t kill anyone until he gets his reward.

• “Sir, I’m sorry but you can’t go in there.”

• San doesn’t like to wonder at a pretty face twice.

• at least one that’s not yours.

• he shoots the poor receptionist point blank and half the building with just a little pistol between his fingers.

• not knowing he got the target down in the process.

• but then he see’s you, the lone survivor.

• scared shitless behind your desk with wide eyes and trembling lips.

• “Hi.” he manages to say from his salivating mouth.

• so that’s what people’s faces look like, he thinks. two eyes, one pair of lips just like his.

• he’s never looked at another person for this long before.

• he’s thinking you’re the only person he’ll ever look at for that long. the only person he’ll ever give it worth.

• “Um, hi.”

• you kind of think he’s nice..

• for smiling at you before killing you.

• you think he has a nice smile for a psychopath.

• and that you might not want to haunt him later for killing everyone you hated in a span of 2 minutes.

• “You’re very pretty.”

• you let out a faint laugh of disbelief.

• there’s blood on his cheek, a smoking gun in his hand, and a heart okay with killing innocent lives.

• but he has the time to call you pretty instead of put a bullet through your skull?

• “I’m San.”

• “Y-Y/n.” you mumble tripping over your feet. “Ow. Sorry I’m y/n.”

• he smiles again this time teeth in full view.

• he may be a bad bad criminal but

• he’s got the most sweetest smile in the world.

• “Sorry for killing all your friends, sweetheart.”

• you blink shaking your head at the assassin. “S’okay. They’re not my friends.”

• “I’m glad. They were chumps anyway.” the corner of his lip curls up. “You got a family, y/n? Actual friends?”

• he approaches you.

• you take a step back not knowing what his intentions are.

• his gun seemed noncompliant by his side and you suddenly feel like he’s not trying to threaten you.

• quite the contrary actually.

• you have a weird feeling that maybe this charming assassin was trying to impress you.

• “My family.. my family don’t care what I do. My friends are just people I talk to every now and then.”

• in other words, you had nobody.

• but in no means were you trying to make a good impression.

• you just didn’t want to get killed.

• “I’m gonna give you two choices.”

• “Okay.” you were very obedient and it showed with your answer.

• you weren’t the type of girl who overstepped boundaries.

• he liked that.

• a little too much.

• “You’re either going to come home with me like a good girl— a very nice pretty girl I must add and stay with me until I die,”

• you swallow because you don’t necessarily see a way out.

• “Or I could just shoot you and leave you here with the rest of these dead useless no good rotten excuses for human bodies.”

• let’s see.

• spend your entire life damned to a hot psychopath killer who obviously thinks of you as the prettiest thing on the planet.

• OR

• die with a bunch of losers at a piece of garbage establishment where you never really belonged in the first place.

• “You.”

• now he feels like a twisted version of prince charming.

• he gets to run away with the girl.

• “I think you have the prettiest eyes.” he says as he rushes to you to hold your hand. “The prettiest smile.”

• he reminds you of a lovesick puppy when he looks at you.

• “You don’t talk to a lot of people do you, San?”

• he’s sweet to you.

• it bogs your mind how this sweet little bean was actually a heartless sociopath.

• “No.” he answered you proudly.

• you breath a soft chuckle and he thinks it’s the most precious thing in the world.

• if something were ever able to kill him, it’d definitely be you.

• “You’re gonna love me.” he says rubbing at the back of your hand, eyes dawned in obsession. “And I’m gonna love the shit out of you too. Is that okay, sweetheart? Are you okay with that?”

• “Y-yes.” you’re flattered and a little bit terrified. “Yeah, yeah that’s okay.”

• it’s not like you have a choice.

• his smile almost makes you convinced he’s not actually a cold blooded killer.

• anyone who would’ve saved you from that crap life of yours?

• you probably woulda loved anyway.

• but you definitely weren’t complaining that it was Choi San that ended up saving you.

• he’s just an assassin by day and your boyfriend by night.

• who knew the devil could be so sweet?

@atinybitofau

[invaderlynx]

Booker and La Campagne de Russie

I just watched The Old Guard and honestly, it was one of the best movies I’ve seen in a VERY long time. Of course, now I’m having all sorts of thoughts about the whole thing and particularly about Booker because his backstory intersects perfectly with my historical interests. I know that all the immortals in The Old Guard have experienced all sorts of terrible trauma, but because I am a history major with an affinity for the Napoleonic period, especially the Russian Campaign (and because Booker is my favorite character), I’d like to give you guys an idea of just what sort of torture he faced even before the pain of losing his family (also for fair warning, I have not read the comics):

Please place yourself in Booker’s shoes. You are one of over 600,000 men mustered to march into Russia. You’re serving in an army you never wanted to join, taking up arms for the glory of an empire that’s never done anything for you. You’ve been separated from your three beloved sons and your wife whom you love more than life itself, and have been sent off to fight in a foreign land that’s nothing like the home you’ve left behind. That much becomes evident immediately. 

The invasion starts in the summer of 1812 and it is hot, unseasonably hot. You feel it, laboring as you are under the thick heavy materials of your sweat-soaked uniform. Each step is its own torture in the heat as you struggle through mud left behind by hard summer rains. More than a few men kill themselves at this point and although this is just the beginning, you can hardly blame them. Some of your comrades get the bright idea to start discarding some of their extra layers of clothing—underthings and the like. Perhaps you join them, anything to lighten the load. You can’t be expected to carry all this over the long miles ahead. You’ll live to regret that decision.

The fighting itself is worse than the conditions. You never quite get used to the violence. No matter how many times you’re thrust into battle, your mouth still goes dry, your heart still thunders as loud as the military drums’ tattoo, you still choke on that thick gunpowder smoke. You nearly threw up the first time you killed with a bayonet. You remember sticking the man in between the ribs, a swift stab and he is bleeding out. It is only then that you see his face and realize just how young he is. He is a boy, maybe a few precious years older than your eldest. He cries as he falls. You didn’t speak Russian at the time but you didn’t need to to recognize the word “Мама”.

The only thing that makes it possible to keep putting one foot in front of the other (besides your family, of course) is your comrades-in-arms. Against all odds, you’ve found friendship here, men with whom you can share stories and jokes and drinks. You find a few men of around your own age with families, wives and children that they lovingly speak of, but many of these soldiers are young, young enough to be your sons, far too young to be out here slaughtering and being slaughtered. Over your meager meals you tell stories of home and it is enough to hold off the impending horror, at least for a moment. When that doesn’t work, you turn to drink. You drink an awful lot.

The conditions of this foreign land are mercurial at best and your woes are only compounded by your lack of proper supplies. The Russians have been scorching nearly everything in the wake of their retreat, making it difficult for you to forage for food. Your search parties turn up very little by way of provisions and your food supply continues to fall in tandem with the temperature.

Borodino is hell. You see the man to the right of you receive a cannonball to the chest and fall in a spray of red, you see the man to the left crumple as a shot rips through his handsome, hard-lined face. One of your friends, one of those boys that you’d come to regard as a surrogate son who was barely old enough to grow hair on his chin, catches a bullet in the leg. He dies in agony four days later, one of the thousands of casualties of that damned battle. In your lowest moments, you wish you would have joined him.

You were never a particularly happy man, even before the war. Prone to fits of melancholia, they would have said back then. Your darling wife and your three sons certainly helped to alleviate that heavy, aching emptiness that resided in your chest, but it never went away, not fully. It resurfaces with a vengeance now. Sitting with your gun in your hands and far too much liquor in your belly, you think about ending it all. How easy it would be to put a bullet in your brain and finally die. In the end, it’s your family that saves you again. You may not want to live for yourself, but for them- for them you can keep fighting. Besides, Moscow is only 70 miles away and once you take the ancient capital, Russia will have no choice but to surrender. That’s what everyone is saying and you force yourself to believe that it’s true.

Moscow was a lie. You took the capital but there was no peace. There was no food either. The Russians took it all when they abandoned the place, leaving almost nothing for your starving army. Nothing but liquor, which you are very grateful for at least. Your superiors probably aren’t, you think wryly as you raise the bottle to your lips and drink, drink, drink.

Moscow passes in a drunken haze for you. You drown yourself in Russian booze, drinking yourself absolutely insensate. There are entire days you spend propped up against the wall of some ramshackle Russian establishment, surrounded by empty bottles, too drunk to even stand. You remember bits and pieces, shattered memories drifting in and out of the fog. The looting and the things you took (a fine scarf, a silver flask, maybe more), a ladies’ fur shawl wrapped about your shoulders to keep out the chill, the burning heat of a terrible fire and the screams in French and Russian, the acrid taste of bile in your mouth as you splutter sick all over yourself only to raise the bottle to your lips again for another drink. In the end, you’re forced to leave Moscow as the position becomes untenable, the abandoned city burned to a shell of its former self. You never do learn who first started the fire, even years after the fact. 

The retreat is hell on Earth, worse than anything else that came before. La Grande Armée is hardly an army any longer, you’ve lost practically all discipline. By now, you’re just a bunch of exhausted, cold, starving men who want nothing more than to just make it home alive. Most of them won’t. The temperatures have dropped to below freezing at this point and you are wishing more than anything that you still had those infernal layers that caused you so much pain in the summer months. The clothing you and your comrades drunkenly plundered in Moscow—silken scarves stolen from abandoned trunks, heavy furs pilfered from store inventories, ladies’ shoes that hurt your feet but do a better job of keeping out the slush than your tattered boots—help, but not enough. Your fingers stiffen to near icicles in the cold as you try your damnedest to massage even a little warmth back into them, your face is wind-chapped and scabbed. You feel as though your very marrow has frozen, and you are one of the lucky ones. Men freeze to death in their sleep in less than an hour. Fifty men will sit down at a fire and only the twenty or so closest will ever get back up again. You all begin to loot the bodies of the dead and—as you grow more desperate—the dying as well. Corpses are stripped naked and left in the snow as the survivors squabble over their threadbare uniform pieces. Sometimes the corpses still twitch and moan but you try to ignore that.

There’s no food either. In addition to freezing, you’re starving too. The lot of you fight and quarrel over moldy crusts of bread, and in some cases even kill each other for them. The more clever turn to other sources to fill their writhing, empty stomachs. Some eat their boots, but there isn’t much leather left in any case. Some carve their meals off the horses as they walk, tearing bits of bleeding flesh off of the warm, moving flanks in a short-sighted attempt to get even a few morsels of meat in their bellies. Others, in mad desperation as the march (if you can even call it that any longer) wears on, turn to each other.

Perhaps you take part in this, perhaps you don’t. Perhaps you sidle a man out of the way to get closer to the fire, perhaps you take a coat off a corpse that you don’t know for sure is dead yet, perhaps you accept a piece of meat that you do not quite know the origin of. Perhaps, perhaps, perhaps…

In the end it doesn’t matter. You die anyway. You don’t really remember how it happened the first time. Maybe you were finally picked off by the advancing Russians, maybe it was exposure, exhaustion, starvation, sickness, any of the hundred ways that you could die in this frozen wasteland. All you know is that one moment you were on your feet, shambling mutely forward, the next you were lying on the icy ground, gasping air back into lungs that had fallen completely still. Four faces are burned into your memory and from one you can still hear the gurgling, watery screams.

That’s when the dreams start, after that first death. Though, you wouldn’t classify them as dreams, they’re far more alike to nightmares. You see that screaming, drowning woman often. You feel her fear as she slams her body against her metal coffin. Even awake you can’t get the sound of her choking out of your head. Sometimes there are soft moments interspersed with the horror. You see a woman with short hair (it reminds you of a coiffure à la victime) laughing, you see two men resting in each others’ arms, foreheads pressed together gently, blissfully happy. To be quite honest, these ones hurt worst of all because they make you regret ever waking up.

You die a few more times before you finally decide to desert. You can’t take it anymore. That tyrant Bonaparte has abandoned this army, why can’t you? You take flight under the cold cover of night, trying to get to the Russian border. You don’t make it very far. You are dragged back—aching, tired, and hungry—and are hanged by the road as a deserter. Perhaps there still is a little discipline left in these ranks, at least enough to allow these soldiers to kill their comrades in the name of orders. You have to wait three days for the road to clear before you can finally run. In that time your body is almost entirely picked clean by looters. You continue your desperate trek back home in spite of it all and die many more times in the weeks (or was it months?) that follow. It never gets any easier.

 It’s near the border into Prussia that you finally meet one of the figures from your dreams. Perhaps it is the woman with the short hair who offers you a drink and a coat to put around your shoulders, and tells you bluntly but not unkindly that you’re immortal. Perhaps it is the curly-haired man who helps hold you upright when you stumble and is careful and caring with his words as he gently explains the situation. Perhaps it is his lighter-haired lover who catches you when you fold in on yourself from the weight of his words and offers you affirmations and condolences in a voice reminiscent of a priest. Whoever it is, they ask you to come with them and explain that there are others like them- like you out there.

“What about my family?” you stutter out, almost unconscious of the words as the tumble from your mouth “My wife? What about them?”

They favor you with a sad smile and try to explain, but you will hear none of it. They do not stop you when you tell them that you are going home, and you are glad for it.

With the supplies they give to you, you manage to hobble your way back home. You’ve been taken for a dead man, you realize, everyone you pass seems to think you’re a ghost. You don’t care. You only have one person on your mind.

Your wife answers the door dressed in black. She starts to cry when she sees you and throws her arms around your neck. You nearly crumple, weak as you are. “Bastien, Bastien,” she sobs against your shoulder “What happened?”

That question fills you with icy dread. Your stomach drops as you realize you cannot explain to her what you’ve been through, not in a way that she’ll understand. Even if you explain the immortality and she believes you, she won’t understand the horrors you’ve seen. No one will. A soldier’s burden.

You stay silent and instead cradle her closer as your boys appear in the doorway. You have them and, for now, that is enough. You won’t forget, you will never forget, but for now at least you have this.

[theoriginalcarnivorousmuffin]

This is a bit random but if characters from your fics lived in the Atla universe what element would they bend? Personally I think Lily would still have all her powers which would result in people thinking she's the avatar even though she's not, Obito would be a firebender, Minato an airbender and Lenin dearest would be a waterbender/bloodbender/maybe the avatar?. This is just the vibe I get tho-

Who needs bullet points when we can do a far too thought out AU that spans multiple fandoms/recursive works that will never happen? 

More to the point, elements in AtLA is a mix of personality (we see earth benders as often brash and stubborn, water benders as adaptive, etc.) but also simply genetics. So, while I get that’s kind of the point of this post, it’s a bit weird to me to assign an element solely on personality. 

So with that, let’s get started.

The Setting

Just to make things fun let’s make our AU take place sometime between Sozin’s first comet and Roku’s death and Aang awakening from that iceberg. The air benders have been wiped out, seemingly with no survivors, the South Pole has been invaded and the water benders from there captured and brought back to the Fire Nation, many of the colonies in the Earth Kingdom have been established, but the North Pole and great cities in the Earth Kingdom still stand.

The Avatar hasn’t been missing for one-hundred years yet, but he’s been missing for decades and people are coming around to the idea that maybe he’s really not going to show up. 

Wizard Lenin/Tom Riddle

In this AU we’ll give Tom Riddle a slightly more traditional shitty background. Since we can’t really have a Tom in the AtLA universe he’s going to have the AtLA generic equivalent name that canon even jokes about: Lee. Lee is the mixed heritage son of a Fire Nation lord and a water bender from the south pole who grows up in a Fire Nation orphanage. And yes, this does happen in the absolute worst way you can possibly imagine, one of the imprisoned water benders from the south pole is raped.

As for Tom (Lee, you get the idea) arriving at an orphanage instead of being imprisoned/taken in as a son, well I’ll leave that to imagination but we can imagine a relatively compassionate guard, a dash of luck, or perhaps someone being an idiot and thinking “oh just dump it in an orphanage, there’s no way it will turn into a water bender too”

So, Tom grows up in an orphanage and looks just a bit... different from everyone else and is clearly not purely from the fire nation. I’m imagining much darker skin (and POC Tom Riddle is the weirdest thing in the world to contemplate, but here we are) and the pale blue eyes.

Tom grows up, dreaming probably of entering the military and winning himself glory, prestige, honor, and clawing out of this impoverished life he was born into. He undoubtedly desperately hopes he’s a fire bender, as not only is it cool but they have the best chance of making it in the world, and probably stays up late for many nights fruitlessly attempting to shoot fire out of his hands.

Unfortunately for Tom, sometime when he’s probably around eight or so, turns out he’s actually a water bender. Naturally, Tom has a huge meltdown and existential crisis as this means something’s terribly terribly wrong. More, all his hopes are ruined, as while a non-bender can make it a bender who is not a fire bender is a foreigner and traitor to the state.

Tom runs away and being a precocious child is able to make it on his own and about the country probably pulling off Toph-like scams. Eventually he runs into a much younger Hama who has just escaped prison and not yet started on her scary old lady adventures of imprisoning random villagers in caves. Hama goes, “of course, yes my child, I knew your mother” and gives Tom the whole horrible rape tale along with “I will teach you everything I know including my scary blood bending”. So Tom learns scary blood bending, probably stays with Hama a few years, and then realizes Hama isn’t going anywhere.

Hama’s content kidnapping random people into caves. At this point, angry and suddenly very pro-water bender Tom wants to murder the Fire Lord and his entire goddamn family and put himself in charge. Go big or go home, am I right?

So Tom leaves, Hama probably saying, “Come back any time, my beautiful murder child” and probably goes exploring the world in search of how the hell he’s going to bring down the Fire Lord. He also probably murders his entire father’s family and steals all his money, but that’s a different story. I imagine he goes to the North Pole where he learns that, as much of a water bender as he is, that he’s the son of someone from the Fire Nation closes pretty much every door to him. He’ll always be an outsider and the North Pole is very frosty towards him.

According to Hama, the South Pole is in shambles, so Tom probably doesn’t even bother going. 

So Tom probably goes and bums around the Earth Kingdom, loitering in Ba Sing Se and Omashu, looking for that damned Spirit Library in the desert, etc. for a good number of years as he works to perfect his water bending and make himself an instrument of death.

And then he meets an alien and everything changes.

Lily

Tom probably manages to wander around the spirit world at one point in his late teens and probably almost gets eaten by something terrifying. While he learns much it’s not really anything useful and is more in the “too cosmic horror for Tom” variety. More than that though, something follows him back out.

When he comes to back in the real world there’s this thing sitting next to him that looks enough like a person but also like someone told a gifted artist what humans look like and they got it mostly right but also went a little nuts. It’s a girl, a few years younger than him, who has flaming red hair, absurdly green eyes, pale skin, and facial features he can’t recognize for the life of him (Lily still looking western in this to up the ante of ‘she’s an alien folks’).

Tom sacrifices his dinner to it and hopes it doesn’t eat him.

It explains that it’s a tourist from another dimension, beyond even the Spirit World, and that it’s come to see what the mortal world is all about. Tom is naturally very weirded out but at this point decides to roll with it.

Except it doesn’t leave and clearly expects Tom to play tour guide.

He does, reluctantly, because he doesn’t want to be eaten but he also sort of gets used to the thing. Then, one day, it starts bending multiple elements with utter ease and Tom is at first flabbergasted and horrified (only to remember that spirits can do what they want and aren’t like lowly mortals who can only bend one element) and then he gets the idea.

The Avatar, lazy bastard that he is (and Tom might be a little more than slightly bitter that he himself is not the Avatar), appears to be MIA and not coming back any time soon. The entire world it seems is waiting for the Avatar to come and save them. But, Tom says to himself, who needs the Avatar when you can just have an Avatar. An Avatar and, of course, her water bending master.

Thus, the scheme is set, Tom will teach this weird alien thing how to a) act like a goddamn human in public and b) water bending and together they will pretend she’s the Avatar and got lost in the spirit world a few decades ago (which accounts for the youthful age and the weird appearance) and use this to gain allies, topple the Fire Nation, and eventually give the throne to Tom.

Lily, who doesn’t know the difference between being a tourist and taking over a nation, goes along but is basically this story’s answer to Uncle Iroh always getting distracted by Pai Sho.

Haru/Dead Last

Given that they’re in the Earth Kingdom, and that Lee picks up water bending insultingly quickly which makes Tom fume in rage, they go to pick up an earth bending master/spread the word that the Avatar has returned from her multiple decades long vacation. 

Along the way they probably run into Haru, who is the world’s most useless excuse for an Earth Bender. As always, he’s so average looking you can barely remember what he looks like beyond “generic earth bender”. 

They probably watch him for two seconds, Lily asks if this is it, and Tom Riddle says, “what a joke”. 

Minato Namikaze

Given that all the air benders are dead we’re going to make Minato a very talented earth bender (it is also very weird to imagine a dark haired/dark eyed Minato, but I suppose we’re going to roll with it). This also, to me, does fit his personality a little better as while he is a leaf on the wind kind of guy he also does dig his heels in and get very stubborn now and then.

Minato’s young, younger than Tom (Lee), but he’s incredibly talented and clever. To keep his shinobi background mostly in tact I imagine that Minato is a swiftly rising member of the Dai Li, stationed in Ba Sing Se, but who occasionally goes on intelligence missions to the other feudal powers in the Earth Kingdom.

So I imagine Lily and Tom run into him unnervingly frequently, probably first meeting him off duty in Omashu where he does his “extremely polite and friendly local guide” routine to show the pair the city (never mind that Tom insists he’s been to Omashu plenty of times goddammit). Despite this, Lily and Minato become friends, Lily easily confessing she’s the Avatar (which Minato at first thinks is a joke, even if she looks strange, then goes ‘oh my god, it’s not a joke). 

Eventually Minato is stationed to spy on them under the guise of teaching Lily earth bending. So he joins the gang. Tom, who knows exactly what’s going on, is not amused while Lily is just happy to collect another friend who will actually play Pai Sho with her. 

Kushina Uzumaki

Kushina is a earth bender, hands down. I debated making her a water bender (because whirlpool) but that personality is just pure earth bender material. Besides, I can just picture her so easily coming from Kyoshi. 

So Kushina’s an earth bending Kyoshi warrior, who while ten times as powerful as Minato, also lacks any of his control or cleverness. Kushina has undoubtedly left Kyoshi, abandoning their neutrality, to join the war and kick some fire bender ass.

She does this but along the way frequently runs into the gang where she annoys the ever loving shit out of Minato (her new rival) and claims that Avatar Lily is her new idol.

Rabbit

Rabbit is a mysterious spirit from Lily’s past that she refuses to talk about except in the darkest of terms promising doom and destruction the likes of which the world has never seen.

No one knows how to react to this. Or what a plain old ‘rabbit’ even is.

Tobirama Senju

Because no story’s not complete without Tobirama, I imagine he’s a stuffy waterbender and scholar from the North Pole who Tom is miffed at as the man refused to teach him even more water bending. Tobirama naturally feels that the day he teaches a blatant spy is the day he goes and drowns himself. 

Later, when Tom has picked up the Avatar and Tom rubs it in his face, Tobirama probably reluctantly spends a day or so teaching them something/fighting off the hordes of Fire Nation soldiers on their tale (it’s not Avatar if the gang isn’t constantly chased by fire benders).

Obito Uchiha

Obito is the answer to a fire bending instructor. Obito’s a firebender and the youngest son of a wealthy Fire Nation lord. However, Obito’s the black sheep of the family that everyone hates, a late bloomer when it comes to his bending, and is seen as bringing dishonor on the family.

Itching to prove himself, Obito becomes a soldier and goes to the Earth Kingdom, and eventually decides the best way to earn recognition and restore his honor is to capture the newly resurrected Avatar. Congratulations, Obito, you’re this story’s Zuko. 

Obito, while not the most talented fire bender at first (though as he gets older he gets dangerously good at it) is extremely clever and becomes the largest threat to the gang. 

That said, Obito actually does grow to like Lily quite a bit and begins to realize honor doesn’t actually mean that much to him and he doesn’t even really like his family. He doesn’t even dislike the concept of the Avatar and thinks the world probably does need one right about now.

So after a whole bunch of chasing them around the globe, thinking about his family, and being forced to almost kill the Avatar now and then he eventually defects and volunteers himself as fire bending instructor.

This is met with suspicion on all sides but he and Lily are bros so he wins.

Avatar Roku

Needing to pick up air bending, Lily probably fakes it until she makes it for a while, but eventually runs into Avatar Roku’s wandering spirit taking vacation from an ice cube.

He’s alarmed, but Aang’s trapped in ice, so if someone’s going to substitute then great.

To everyone else it just looks like Lily’s constantly talking to herself, playing Pai Sho with herself, and miraculously picks up air bending out of absolutely nowhere.

Also anyone close to Lee probably figures out she’s not really human/the avatar at this point, but they’ll take what they can get.

And This All Results In

Lily learns all the elements, there’s probably some big battle, then Lily gives some ridiculous speech about world peace that has nothing to do with anything and while the Fire Nation is defeated, Tom is not in fact made Fire Lord and remains merely the Avatar’s humble water bending instructor.

Instead, if he’s alive at this point, the crown goes to Iroh and he’s given a council of angry Earth Kingdom people who tell him to behave or else. We can give Iroh niceish things sometimes. That, or, hilariously, Obito becomes hokage/Fire Lord being distantly in line for the throne and doesn’t even know how that happened or what his life even is right now.

The colonies are the same mess in canon so something like Republic City probably eventually comes about.

Still, there’s peace, and probably statues to the gang all over the Earth Kingdom and Water Tribes (while the Fire Nation grumbles and remembers the good old days when they controlled the world). 

And then Aang eventually wakes up extremely confused and confronts Avatar Lily noting, “Hey, I’m the actual Avatar” and Lily after a suspiciously blank pause explains, “I said an Avatar, never said I was the Avatar”

So, that’s that. If anyone wants other specific characters added into this mess feel free to comment. 

[profoundnet]

Header by @cryptomoon and is available on merch from her redbubble store. You can use all those fancy emojis (and more!) on our Discord server!

The Masterpost is open for all creations by ProfoundBond members which are posted in their entirety during that month.

MEMBER CONTRIBUTIONS FOR AUGUST 2020!

Featuring works by Ahurston | @allmystars-i | @a-mandala-rose | @andimeantittosting | ArielAquarial | @destielshipper4cas | DragonSgotenks | Endellion | @friendofcarlotta | @friendofcarlotta | @haybibiboi | @kingbirdkathy | @kitmistry |  @latter-alice |  @maleyah-givemetomorrow | @nickelkeep | @one-more-offbeat-anthem | Shadowkat83 | @sketching-fox |  @spnsmile | @starprincecas | @writerposer

Masterpost below the cut.

DragonSgotenks - DragonSgotenks

Getting to Know You (E, 9.1k)

When picking up his new company assigned laptop to work from home Castiel Novak meets IT tech Dean Winchester, who's a little flirty and a lot drop dead gorgeous. After Dean gives Castiel his phone number Castiel calls for help with his computer and Dean, well, Dean is VERY helpful.

Tags: TopCastiel/bottomDean, strangers to lovers, condoms, anal sex, meet-cute

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one_more_offbeat_anthem - @one-more-offbeat-anthem -  one_more_offbeat_anthem

A Barely Functioning Adult’s Guide to Beekeeping (T, 10.7k)

Dean Winchester and Cas Devereaux, seniors, are roommates and best friends. Cas is the president of the beekeeping club, and he eventually cajoles Dean into coming to a couple meetings. Meanwhile, Dean is struggling with his relationship with his estranged father, whether or not he’ll get to graduate, and the fact that he’s maybe, kinda-sorta, almost definitely in love with Cas. Pair those things with his lack of confidence, a sudden road trip home to Kansas, a nosy creative writing professor, and the fact that he might be drinking too much—Dean’s a wreck who believes he has no future. But he might be wrong.

Tags: College AU, First Kiss, Alcohol Abuse/Alcoholism, John Winchester's A+ Parenting, the Impala, Angst and Fluff

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Lovemuppet - @haybibiboi - lovemuppet

15x03 Where’s your head at? (T, 979 words)

Prompt: take a sad scene and try to make it sadder. 15x03: the breakup

Tags: angst, episode related

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kitmistry - @kitmistry - Kitmistry

Stumble and Fall (E, 42k)

Castiel was raised to do one thing: serve his country, whether that was fighting a war or becoming an expert spy. But when his lover is charged with treason and executed Castiel defects. He has evidence that can destroy the KGB’s entire spy ring in New Mexico, he has names of scientists involved with atomic weapons who send information to the Soviets, and he won’t stop until he has revenge. Putting all his trust in the Americans, Castiel finds himself under the protection of U.S. Marshal Dean Winchester, who is too cocky and attractive for his own good, but at least seems to know what he’s doing. When a routine transfer to a safehouse goes horribly wrong, Castiel and Dean narrowly escape with their lives. With the Marshals compromised and Castiel being framed for murder, he and Dean are on the run from KGB and law enforcement alike. They have no one to trust except each other, and nowhere to go that their enemies can’t reach.

Tags: Cold War AU, Soviet Spy Castiel, US Marshal Dean Winchester, Enemies to Lovers, Suspense

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latter-alice - @latter-alice - Latter-alice

pressing the issue (M, 2.2k)

"So," Dean shifts closer, "what's the big one?" It's obvious, and he isn't stupid. There's only one reason to ask this now. To press the issue. His answer is short, to the point. "You." The night before they leave to fight Chuck, Cas and Dean keep each other company.

Tags: First Kiss, Confessions, Cas is stressed

Sweet Insanity (G, 709 words)

"So," Dean draws the word out as he gives Cas a once over. "Did it hurt?" End of series fluff

Tags: fluff, first kiss

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Maleyah - @maleyah-givemetomorrow 

“Dean” (SFW)

A Cas drawn for Ineffable Impala's DTIYS. Sparked a companion piece Dean.

Tags: Destiel, Mobster!Cas, DTIYS submission

“Heya Cas” (NSFW)

Companion Dean, who may or may not be praying to Cas, while he's busy.

Tags: Destiel, DTIYS submission

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Kait - @kingbirdkathy - kait

Don’t leave me (SFW-ish)

"Don't leave me.“

Tags: things that Dean can never say out loud, hint of butt

reverse destiel (SFW)

reverse destiel DIY, original by gabester_sketch.

Tags: Hunter Cas, Angel Dean

smut time (NSFW)

just some smut

Tags: bottom dean, riding

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MandalaRose - @a-mandala-rose - MandalaRose

The Shots You Don’t Take (E, 57k)

Still nursing the tatters of a broken heart and trying desperately to stave off the terror of his impending graduation, college senior Cas Novak decides it’s time to blow off a little steam. Not just any hook-up will do, however. The last thing Cas needs right now is a distraction. On the lookout for someone he can enjoy a steamy night of passion with before leaving them behind entirely, Cas thinks he’s found exactly what he needs in cocky university hockey star and well-known playboy Dean Winchester. Dean is gorgeous, doesn’t date, and is the singular most infuriating person Cas has ever met. He’s the perfect one night stand...that is, until Dean decides he wants an instant replay of what was supposed to be a one-time event. Will Cas’ offer of friends, sans benefits, convince the arrogant love ’em and leave ’em hockey defenseman to find an easier score? Or will Dean wear down Cas’ defenses and lure the sexy nerd in the dorky trenchcoat back to his bed?

Tags: Hockey AU, College AU, Hate to Love, One Night Stands, Strangers to Friends to Lovers, Injury/Hospital, Briefly described (non-graphic) violence, Panic Attack, Fake/Pretend Relationship, THERE WAS ONLY ONE BED.

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nickelkeep - @nickelkeep - nickelkeep

Sometimes You’re the Sea (M, 10.2k)

When a freak storm overtakes the Lebanon, and Dean is knocked overboard, he's considered lost at sea. That is, until Dean wakes up onshore, with the bluest eyes he had ever seen watching over him. In a matter of days, Dean's world is turned upside down. He's falling in love with the man who saved him. A stranger appears, demanding his hand in marriage. And Dean's pretty sure that bird just called him a Dumbass.

Tags: AU - 1700s, AU - Fantasy, AU - Creatureverse, Sailor!Dean, Cecaelia!Cas, Dean POV, Little Mermaid Elements

Dog Days are Over (M, 7.8k)

It was cold. Dean shivered and reached for a blanket before snapping awake. He wasn't in his bed. He wasn't at home. For fuck's sake, Dean was still shifted. He whimpered, hating how pathetic he sounded, and tried to push himself up onto all fours. As Dean tried to put weight on his front left leg, he yelped out in pain and fell back onto the cage’s cold metal floor. He was either at the shelter or at the Vet. And he was so screwed.

Tags: AU - Modern, AU - Creatures Exist, Animal Shifter!Dean, Animal Injury, Hurt!Dean, Hurt/Comfort

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FriendofCarlotta - @friendofcarlotta - FriendofCarlotta

A Fear of Falling (E, 40k)

After his partner’s tragic death, Dean Winchester resigns from San Francisco PD to work as a private investigator. Dean’s first case is a make-or-break opportunity: tailing the youngest brother of powerful shipping magnate Nick Novak. Castiel Novak, estranged from his family by choice, lives a quiet life 30 miles north of the city. His lonely but peaceful existence comes to a rapid end when he’s drawn into a plot to fake his brother’s death. As Dean and Castiel’s paths cross and they grow closer, the noose of a dangerous conspiracy tightens around them. Will they discover the truth before it’s too late?

Tags: Alternate Universe - Modern Setting, Private Investigator Dean Winchester, Accountant Castiel, Top Castiel/Bottom Dean Winchester, Discussions of Past Suicide, Discussions of Past Drug Abuse, Minor Character Death, Inspired by Vertigo (1958), Acrophobia, Angst with a Happy Ending

Stranger Things Do Happen (T, 852 words)

Dean invites Cas to experience the human ritual of watching horror movies to get ready for Halloween. Cas soon realizes that watching scary movies with Dean may come with unexpected... opportunities.

Tags: Domesticity in the Men of Letters Bunker, Movie Nights in the Dean Cave, Getting Together, Dean Winchester Has a Sexuality Crisis, Gratuitous References to 70s and 80s Horror Movies

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Ahurston - ahurston

Yarrow, Lilac, and Foxglove (E, 10.4k)

Dean, Cas, and the magical garden down the road.

Tags: Fluff but give it feelings, domesticity, post-season 15, explicit sexual content, established relationship

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allmystars - @allmystars-i - allmystars

Feels Like Nothing (G, 700 words)

Newly Human Castiel feels the weight of human existence for the first time. Dean is there to get him through.

Tags: Canon Universe, Human Castiel, Depressed Castiel, Supportive Dean Winchester, Emotional Hurt/Comfort, Holding Hands, Hopeful Ending

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sketching-fox - @sketching-fox

The Black Trenchcoat (SFW)

Artworks done for the fic “The Black Trenchcoat”, written by spnsmile in our partnership on spncanonbigbang!

Tags: winged cas, kisses, fic art. Accompanied by fic by @spnsmile.

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Endellion - Endellion

If Tomorrow Never Comes (E, 1.4k)

Dean promised Cas wouldn't die a virgin and he's going to keep his promise.

Tags: Bottom Dean, Top Castiel, anal sex, anal fingering

What We Want and What We Need (E, 1.3k)

Cas is angry, Dean is sorry. They go to the bar's bathroom to work it out.

Tags: Angry sex, Top Dean, Bottom Castiel, anal sex, spit as lube

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writerposer - @writerposer - writerposer

Croat-Ville (E, 27k)

When Castiel stumbles into the Winchester's survivor camp, one of the few safe havens left after the Croatoan virus ravaged the earth, he had thought he lost everything. What he found there, who he found, would change his life, and maybe the world.

Tags: Endverse, Age Difference, Canon-Typical Violence, Time Skip

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Destielshipper4Cas - @destielshipper4cas - Destielshipper4Cas

Fake Bite, Real Love (M, 2.7k)

To show his ex that he has moved on, Cas wants to fake a claiming bite on his neck. Painting it on doesn’t work, but luckily, his best friend and long-term crush Dean steps up to the task. Keeping a lid on his feelings is getting difficult, however, when the alpha is nibbling on his mating gland.

Tags: Friends to Lovers, Mutual Pining, Fluff, Best Friends, Idiots in Love, Omega Castiel, Alpha Dean

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Shadowkat83 - Shadowkat83

Drowning in Guilt (T, 4k)

Bot Prompt: Dean is having another slice of pizza; Cas is polishing his angel blade; Sam is at the library Summary: When Sam discovers a case of people drowning after leaving the local bar. They head to check it out, what they didn't expect was to lose Dean to the creature. Now Cas and Sam need to find Dean before its too late.

Tags: monster of the week, angst, flirting, jealously, hurt Dean, feeling realization, two parts, confession of feelings

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goldenraeofsun - @goldenraeofsun - goldenraeofsun

A Thousand Lies (E, 73k)

Dean Winchester is the best con artist in the continental US. Conscripted into the life after a stupid mistake as a teenager, he works for a man only known as the Lightbringer. He specializes in the marriage con, tricking his marks into falling in love with him and bolting after the honeymoon with everything they own. But the morning before his meticulously planned meet-cute with his newest assignment, he runs into an adorably clueless accountant named Cas in a coffee shop, and Dean’s entire view on life implodes.

Tags: con artist Dean Winchester, accountant Castiel, mutual pining, slow burn, Dean Winchester has self-worth issues, minor Dean/Crowley, angst with a happy ending

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andimeantittosting - @andimeantittosting - andimeantittosting

Honour Undressed (E, 15.3k)

Among his friends, Castiel, Lord Milton is everyone’s confidant and, along with his trusted valet, the fixer of problems. But there is one secret Castiel has never shared: he is in love with his valet and has been for years. Born in the gutters, Dean Winchester was assigned as Castiel’s batman in the war, and when Castiel travelled home to take up his title, Dean followed him as his valet. To assist Castiel, Dean is not above a little burglary or blackmail. But the one thing he wants for himself is Castiel’s heart. When Castiel’s closest friends become the target of a blackmailer, certain truths come out. But while Dean determines to seduce Castiel, Castiel is adamant that he must resist, for if there is one rule a gentleman must follow, it is never to dally with his servant.

Tags: Alternate Universe - Regency, Class Differences, Blackmail, Mutual Pining, Happy Ending

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starprincecas - @starprincecas - cuddlesandcas

Tell All The Truth, But Tell It Slant (T, 35k)

A cursed object gets touched, truths start coming out, and emotions reluctantly with them.

Tags: Canon Divergent - Post Season 8, Truth Spell, Bunker Fic, Human!Castiel, Drama, Humor

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ArielAquarial - ArielAquarial

Hidden in the Sand (G, 5.4k)

Dean tries to drive down to Palo Alto as often as he can to spend quality time with Sam. This time, things are different. Not only is he secretly apartment hunting only a city away, but he's finally getting the chance to fish on the beach instead of a rickety old pier. Despite Sam's warning about stingrays, Dean insists everything will be fine and heads into the water without a care. What could go wrong?

Tags: Fluff, Cockblock Sam Winchester, Brotherly Bonding, Day At The Beach, Vacation, First Meetings, Flirting, Alternate Universe, Lifeguard Castiel (Supernatural)

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spnsmile - @spnsmile - spnsmile

Destiel Prompt August Collection 2020 (G, 29k)

Collection of short Destiel stories prompt of August writer's month 2020

Tags: Romance,  AU, fluff,  established Castiel/Dean, First Meet,  Cute-Meet, Profound Bond,  Idiots in Love,  Boys Kissing,  Soul Mate

SKID (E, 24k)

Dean Winchester swore off love after getting dumped and fired from his job the same day. Badly drunk, he ended up balcony-hopping until a pair of hands snatched him inside a darkened room. But it's no hero, it's someone with deep voice whispering threats with a gun pointed at his back. Dean’s too drunk to deal with life but one good look at his hot assailant plus enough beer sold him to his accursed fate. The next morning, he found himself engaged to the most notorious leader of a powerful clan, Castiel Novak. Married life in the compound for a month was not as blissful so when he could, Dean fought for that freedom. Castiel relented and as Dean tried to put the pieces of his normal life together, getting a bike messenger job and dealing with pain in the ass clients, he now also needs to deal with the dangerous presence of his very jealous and very protective husband watching over him. Is his life ever going to get back to normal?

Tags: Alternate Universe-Gangster, MAFIA, Arranged Marriage,  Romance,  Hate/Love, Protectiveness,  Established Relationship,  Domestics,  Hurt and Comfort,  True love

Black Trenchcoat (E, 23k)

When Dean found out Castiel was working with Crowley to open Purgatory, he had no choice but to leave the angel in the ring of fire with nothing less than a broken heart. But instead of plotting against his friend, Dean takes a literal sense of fire vs fire. He decides to kill Castiel with love. Or that story where Dean convinces Castiel to look into their future to see if Castiel's plan against Raphael succeeds, only to find the world in chaos and an angel donning a black trenchcoat emerges to take Dean away.

Tags: Canon Divergence,  Romance,  Time Travel,  Protectiveness,  Possessive Castiel, season 6, Profound Bond, Kidnapped Dean Winchester,  Wings,  Kissing. Accompanied by art by @sketching-fox.

[love-minor-poltergeist]

hello father >:] can i request some headcanons for a shy gender neutral s/o's first kiss with ash, ace, and hanzo? thank you for your service i will give you a kiss for your hard work

A/N: Pack it up boys, the himbos have arrived (plus one archer who REALLY needs a hug). This Is actually my first time writing for these three, so I think I went a little overboard making this. 

Actually, now that I think about it, most of the Hcs down below kinda lean towards a “getting together +first kiss” than an actual established relationship. If you aren’t happy with this batch, be sure to let me know so I can redo these!!

(Read more placed due to lengthiness) 

Additional note: I mostly wrote the Hanzo portion with the idea that you met before the short Dragons takes place. Hence why Genji is mentioned as dead or killed. 

Ash Williams First Kiss Hcs: 

When Ash was first dumped into the Entity’s realm, he had little intentions of bonding with his fellow survivors. He had figured that this entire mess was just fate deciding to fuck him over again. After all, why else would he suddenly be ripped away from Kelly and Pablo? 

During the first few trials, Ash kept to himself for the most part. He still pulled his weight in trials, but he tried not to get too close to anyone. In his eyes, it’s better to be a lone wolf again to save himself the emotional heartache. 

Of course, that plan eventually went out the window when you showed up.

You had been a lot meeker compared to the others, and despite himself, Ash couldn’t help but feel a tiny bit protective over you. As luck may have it, the older man ends up developing something of a small crush on you. 

It eventually reaches the point where Ash’s tough “lone wolf” front begins to crumble around you. He becomes a comforting presence for you after trials, often doing so in the form of cracking jokes and telling stories from his younger years to help take your mind off of your circumstances.

It’s during these times that Ash ends up slipping in flirtatious remarks mid-conversation. And while a part of him warns him not to get his hopes up, he couldn’t help but grin whenever you gave him a flustered laugh and that shy smile he grew to love.

When the two of you finally share your first kiss, Ash can’t help but feel a mix of pride and bashful. Out of all the people you could’ve picked, you chose him, some washed-up, old fuck up, for your first kiss? 

Well, he isn’t going to look a gift horse in the mouth. 

Just as the two of you slowly pull away, Ash gently wraps an arm around your hip. He hasn’t felt this light in years. Cheeks flushed, the older man gently bumps his forehead against yours, cheeks stinging from how hard he was grinning.

“Gimme some sugar, baby.” 

Ace Visconti First Kiss Hcs:

With his time in the fog, Ace managed to gain an amicable relationship with his fellow survivors. He and the older men around the campfire liked to play cards and chat. He's been friendly enough with the younger survivors, even earning the status of the "weird uncle" of the campfire. 

And when you first showed up, Ace didn’t treat you too differently-- you were a bit more on the quiet and shy side, so he tried his best to keep you at ease if you were in trials together.

Then you started approaching him after the trials. It had started innocent enough-- casual conversation, plans for future trials, etc. But then Ace found himself fixating on smaller details about you-- how you quietly try to hold back a laugh at his god-awful jokes, the little secretive smiles you gave him whenever you watched him play poker, how quick you were to break eye contact with a bright flush….

Well shit. Ace doesn’t think he’s had a crush this bad since he was a schoolboy. And luckily for him, it seems that you felt the same-- unless he somehow misread the flustered glances you’d shoot his way when you think he wasn’t looking...

Ace ends up becoming a lot more...forward from then on. He flirts with you at any given chance. While a part of couldn’t help but feel a tiny bit bad teasing you like this, he can’t help but find your red face adorable. 

When you finally share your first kiss, Ace was the one who took the initiative. 

With a gentle yet firm grasp on your shoulder, the older man pulled you against his chest. Thin lips brush against your own, and the scruff of his facial hair lightly scratched against your cheeks. A nervous, elated giggle tumbled out of your throat, and you felt Ace grin against your lips. 

“You know, you’re not that bad for a first timer. You feel like going another round?”

Hanzo Shimada First Kiss Hcs:

If you’re anxious about your lack of experience, don’t worry-- Hanzo’s cold and calm front hides a man plagued with demons. While Hanzo has had dates before, he’s never been as prolific with romance as he’s been with his training as the heir to the Shimada legacy. 

After killing Genji and rejecting his birthright, Hanzo bore the weight of his grief and guilt in self-isolation-- wandering from nation to nation to hone his skills as a warrior. All the while killing any mercenaries after his head, courtesy of his former family. 

In short-- romance was the farthest thing on Hanzo’s mind. There were moments where he had dwelled on the idea, but they were always very brief. He was a drifter with hardly a drop of honor to his name now. He had killed his brother before he had the chance to grow or fall in love. Why should he deserve what he had denied his younger brother?

And yet he had found himself envisioning a future with you. 

Around you, Hanzo is given a brief respite from the ghosts of the past. You were a calming presence in his life, and he’s come to cherish the time you have together. 

Though he isn’t the best at showing affection, the small touches and soft-eyed glances he gives you come from a place of love and need for connection; desperate to remind himself that you were real and that this all wasn’t a cruel dream. 

Your first kiss is no different. 

His hand tentatively reached out towards your cheek, his touch feather-light as Hanzo stared down at you with lidded eyes. You faintly make out the outline of his adam’s apple bob as he took in a shaky breath-- cheeks dusted with light pink. You felt your breath hitch in your throat as he drew near. He hesitated for a moment, but a gentle tug on his shirt collar spurs him forward. 

His lips met your own, and his shoulders tensed for a moment, eyes widening. Your hand gently moved to hold his cheek, and you felt him melt beneath your touch. 

As he slowly pulls away, eyes visibly bright and cheeks flushed, Hanzo gives you an almost boy-ish smile. 

“Thank you for staying by my side....”

[scripttorture]

1/? I have a character who has been caught up in a war between planets ever since he was a child. He was out into hiding from the age of 10 to 16, before watching his younger brother killed by the person prosecuting them and elder sister sell her planet (she's heir basically) to save his life and swore herself loyal to the person to save herself.

2/? (She isn't loyal, but she'd be killed otherwise.) The character is then sent to grow up on a different planet, with his mother who figureheads a resistance against the people who took the characters sister and killed his brother. That's basic backstory continuing the character eventually gets captured again, and it taken to a prison. The character is tortured in the prison bc he killed several very important people and cut off the hands of another. 3/? Its seen (by the torturers i suppose, or at least the woman ordering them to do so) as rightful punishment. I havnt quite hashed out exactly what the torture is other than he definitely by the end has rather severe nerve damage in his hands from the shackles and chronic pain/weakness in one of his legs from something or another. Anyway the characters sister was put in charge of this prison, 4/5 and has no choice but to stand by and watch as the character is tortured. She does her best to make sure he isn't killed and the character knows she has no choice but to let them hurt her bc she is just as much of a prisoner as him, albeit in an entirely seperate way. She could stop the torture, and she could get him out, but she would be killed for it and he knows it. Im just wondering if he would blame her, 5/5 because she is in charge and could stop it. But she would be killed and it would likely end with them both dead. She cares for him when she can which isn't often bc she isn't exactly allowed too. Would he blame her I suppose? She has never hurt him, but lets it happen.

-

Alright I understand what you’re going for here.

 It’s not the kind of situation that’s common enough for there to be systematic studies. Most of the time torturers and their victims don’t have a close relationship. It’s much more common to find cases where they were strangers or acquaintances prior to torture then close family or friends.

 This doesn’t make this a bad idea. It just means that there aren’t definitive answers. I’m working from a handful of anecdotes and extrapolating from other things.

 Even if this was a more common situation I don’t think you’d find many definite answers because individual variation would probably play a huge role.

 Torture changes things for survivors in a lot of unpredictable ways. While we know the possible symptoms what any individual ends up experiencing is unpredictable. And how well people cope with mental health problems, and how that in turn impacts their relationships is dependant on the person. Someone’s personal experience, friends, support network, work, general knowledge and a host of other things can effect these sorts of outcomes.

 Having that person also be tangentially involved in the survivor’s torture complicates things even further.

 What I’m trying to say is that there are a lot of plausible outcomes here and I think that makes this a writing question rather then a realism question. So the real focus is: what works best with the character?

 Blame is definitely possible in the scenario you’ve created but it doesn’t have to be straight-forward or simple.

 For instance the character might blame her while knowing logically that there’s nothing else she could do without putting both of them in more danger. And that could make him feel conflicted about blaming her, possibly feeding into self-blame as well. He could openly blame her, or he could hide his feelings for a variety of reasons.

 He might feel angry, that she’s ‘safer’ or that she can’t protect him. Or just because she ‘stands by’ and watches him at his worst. He might even come to hate her.

 But it’s also possible that he wouldn’t associate her with the torturers or guards and would view her more as a fellow (though perhaps favoured) prisoner. He might pity her. He might feel sympathetic towards her plight.

 He could plausibly have no strong feelings towards her at all.

 Whatever emotional response you think is best it’s important to tie it to what’s come before in the story.

 However you look at things he’s been away from his sister for a long time. It’s not clear to me how much time they spent together growing up (they could have been apart since he was 10 from the sounds of things).

 If they spent a lot of their childhood apart they may not have a close relationship to begin with. I don’t think that would make a particular response more likely but it could mean he has a less intense response to her presence generally. If they weren’t close before then he might not feel her presence is particular significant.

 If they were close then I think it’s a good idea to look back over the story. Read their interactions again and try to get a clear picture in your mind of what their relationship was before.

 Whatever happens you’re writing the process of how that relationship changes. And it’s really helpful to have a clear idea of where you’re starting from first. I personally find it helpful to have a clear idea of where I want to end up as well but some people prefer a more exploratory style where they find out where the characters end up as they write.

 It doesn’t matter which approach works better for you, what matters is that the intervening steps, the process of the relationship changing, are clear and understandable to your readers. And preferably pack a heavy emotional punch as well.

 So if blame is the result you want (if it isn’t use this as an example and apply the same process to the emotional response you want) think about what aspects of their relationship could feed into that.

 If they had a competitive or slightly antagonistic relationship then it might feel natural for him to place some blame on her. After all it’s probably an established pattern from their relationship. If he saw her as a protector and relied on her to keep him safe then this might feel like a huge betrayal.

 If they had a really loving, tender relationship then you might want to lean in to the illogical nature of the response. It might even be a good idea to have the character acknowledge (internally or verbally) that this isn’t a sensible response. And yet this does not make the feeling go away.

 With a more distant relationship did he feel like she betrayed her people or her family by ‘giving up’, regardless of how desperate the situation was? Or did he (as a kid raised in the rebellion) mostly view her as a prisoner?

 If he saw her as a prisoner and felt pity for her would that vanish as she stands by while he suffers? Or would it seem to confirm what he already thought; that she’s helpless, powerless.

 Find some part of their previous relationship that you can tie to this new set of feelings. Or acknowledge that it’s not a sensible response and have the character deal with more complex feelings as a result.

 Mostly try to resist the idea that there’s a ‘right’ response for your character to have.

 Try not to suggest in the story that there is one ‘proper’ response for a survivor to have. Because they are a varied bunch. People can live through more or less the same thing and come out with very different attitudes or perspectives as well as symptoms.

 The response you write should be the one that works best with your characters and the story you want to tell. Don’t feel you must use blame. Instead think about whether it adds to your story: does it create interesting character moments, obstacles for the characters or feed into the plot?

 You’re the person who knows what’s best for the story and what will work best with the characters. Be open to multiple options. Take your time and think through what works best.

 For the character himself it’s possible (may be likely) that he’d already have some trauma symptoms before he’s captured.

 I get the impression you’ve probably already seen the Masterpost on common trauma symptoms, but here it is for the new readers. :)

 For the physical injury pattern you’ve got multiple options.

 I think that really severe nerve damage suggests something more then shackles. Unless something went wrong.

 The easiest way to get both injuries in your character would be a suspension torture that was more common historically. Victims had their hands tied together in front of them, were hoisted anywhere between a few feet and two meters in the air and then dropped.

 This causes nerve damage in both hands and could cause breaks or fractures in the legs. Either could lead to chronic pain.

 Suspension without the drop would still cause nerve damage in about 15-20 minutes.

 Nerve damage is less common with restraints but it is still possible. Ratcheting cuffs that can tighten are more likely to cause nerve damage, especially if they’re applied too tightly over a long period.

 Other dangerous things that can happen with those sorts of restraints being too tight- Broken wrists and reduced circulation leading to painful swelling in the hands (look up ‘finger milking’ in my tags for more information).

 Over longer periods (multiple hours with the cuffs tight enough to cause swelling in the hands) blood clots might form and that uh… really dangerous. Basically if large blood clots start forming in a limb due to reduced circulation then they either block the blood vessels (which kills the limb and leads to amputation) or the clot gets swept back into the body when the restraints are removed. The clot usually then lodges in the brain or the heart causing a stroke or a heart attack respectively.

 I’d say suspension probably works better for your purposes.

 Standing stress positions can lead to chronic pain in the legs. But it often also effects the back and usually effects both legs.

 Falaka might work. It’s beating the soles of the feet with an implement. Depending on the implement it can be clean, scarring or even lethal. With a harder implement like a wooden stick it can lead to fractured or broken bones in the feet.

 But even when falaka is performed in a ‘clean’ manner it can lead to chronic pain. It causes a thickening of the tendons in the soles and also causes tiny bone fragments to detach inside the feet. It’s unclear how long these bone fragments stick around but they’re detectable by MRI for a few months with the right method.

 You could also just go with the idea of the leg injury being the result of a specific attack or accident. A broken knee perhaps, after a beating or a fall. Not all injuries in torture scenarios are ‘deliberate’, in the sense that they weren’t necessarily intentional. Because torturers are not as in control of the situation as they’d like people to believe.

 I think I’ll leave it at that for now, but if you have any further questions don’t hesitate to come by when the askbox is open. :)

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Disclaimer

[blodreina-noumou]

what would the show have had to have done to be considered good for you? I thoroughly enjoyed my time watching the show, so I look back at it fondly.

Oh god, where do I even begin?

For starters - if you’re one of the people who enjoyed The 100 in its entirety, good for you! That’s awesome! I don’t want to diminish that. These are just my feelings and my opinions, and I don’t intend for them to make anyone else feel bad for what they like. The ending could’ve been much worse, I’ll give it that. And there were obviously moments I enjoyed throughout the final season, and the series as a whole will still stand (unfortunately) as one of my favorites.

HOWEVER.

I found the ending thoroughly disappointing. It robbed our characters of any of the development they made in the final season, for the sake of propping up Clarke (canonically, that is why they stayed.)

The final season provided us with some really fascinating journeys for our characters. Without recapping the whole season, I can say that I really liked where Octavia, Emori, Murphy, and Echo ended up in their respective arcs. They all had to overcome their past tragedies to fulfill new roles. It was interesting and engaging.

The show itself provided us with so many interesting conflicts, with so many different groups who had competing goals and ideals. On some level, it promised us that peace was not possible until these folks all learned to work together and stop killing each other. That was the goal, all along. 

Survival of the human race was the first goal of the show, and survival of the human race is only possible if they (a) stay human and (b) survive.

Neither of those things happened by the end. The goal of our protagonists - the thing they allegedly existed for, in their stories - to save the human race and survive and thrive and all of that, did not happen for the vast majority of people.

Transcendence and the final scene on the beach erases all of the hard work they did in showing us those character journeys, and in making us invest time and energy into different groups that would only continue to suffer assimilation and homogenization by the end.

What was interesting to me about our main characters - Clarke, Bellamy, Monty, Raven, Murphy, Octavia, Emori, and Echo - was that they appeared to be the ones best suited (according to the storytellers) to save the human race.

The moment the show introduced the Grounders, I wanted a political thriller that I was probably never going to get. I accept that. 

What I cannot accept is that they erased all of their conflicts with a convenient deus ex machina, and everything that our characters learned is more or less pointless because of it. I’ll focus on their s7 arcs, but I think it applies to their entire storylines.

Octavia learns about her brother’s way of raising her and comes to forgive him for it. She becomes a parent herself. She manages to bridge the gap between two cultures yet again (Bardo and...everyone else, I guess) by falling in love with Levitt. 

She will never utilize any of those skills again. Hope no longer needs a parent. There will never be another culture different from them again. She and Levitt will never have children.

Murphy learns to put value in the group, and to recognize his own abilities as a leader and as a man. He saves multiple people in Sanctum, becoming their protector and their shield. 

Emori learns to put value in herself, and to recognize her abilities to empathize with outcasts and those deemed “less worthy” by society. She becomes a queen in her own right, a protector and a diplomat.

No one will ever need them to fulfill these roles, ever again. There was no point in them leading those people.

Echo had to go back to a deeply painful role, one which has cost her dearly in life - a spy among her enemy. When she’s brought to her lowest, to the brink of committing genocide, it’s her love for her family that keeps her from going over the edge. She reemerges as herself, recognizing that her painful past does not define her, and she can find love despite it.

Too bad the love of her life was murdered by Clarke!

I wanted our heroes to save the human race, not be the only humans that ended up saved. Does that make sense?

Clarke gets the closest thing to a happy ending of anyone, since she was the one who insisted for seven seasons that “[her] people” were the most important thing in the world, and that she would stop at nothing to protect them. Welp, now there’s nothing to protect them from. Her genocidal rages get a little slap on the wrist and then she gets to spend an endless beach day bossing everyone around and pouting.

It just sucked.

I hate the magic hand-wave of all of the conflicts. You can try to tell me that transcendence was a choice all you want. Plenty of people chose the City of Light, too. That didn’t make the way it erased their individuality and personal goals okay. Frankly, the ending to me feels like everyone just decided to go into the City of Light anyway. And sure, they keep their bad memories and some semblance of individuality, but what do those things even mean when you just one blip of a species that works, moves, lives, and decides things as one?

They didn’t overcome their tribalism. All of the other tribes just got assimilated into the borg. And sure, they maintain some semblance of personality once they transcend - we know that because of Madi’s message to Clarke. But what kind of lives are they going to have as part of that big glowy shit? Madi never gets to grow up, or fall in love, or pet dogs again. (Picasso is always going to wonder where her new best friend went.)

And who were those alien assholes anyway? Who are they to say that their way is better, that they have the right to judge entire species based on one representative? That they can just exterminate anyone whose way of life doesn’t match up with theirs?

Our heroes didn’t save the human race. The human race turned into something else entirely, and its last survivors get to watch each other die knowing that that’s it, that’s the end of them all.

No societies. No cultures. No new art, or music, or fashion.

No children, no future. No hope. 

It’s very disappointing and scary to me. I don’t like the messaging and I don’t like the implications for the surviving characters.

There was a brief, brief moment when I saw a glimpse of an ending that I could’ve liked. When Raven says, “just give us another chance,” I was really expecting the aliens to swoop off and leave humanity to their own devices. No crystallization. No transcendence. All of the remaining groups have to come together and figure out how to thrive together. Discuss and establish a system of government that doesn’t rely on state-sanctioned child battle royales, or body snatching, or extreme restrictions on how many children people can have. Obviously, in this ending, nobody gets shot and nobody almost dies. Madi retains control of her body, somehow. Fill in the details yourself, but my ending would include just about everybody surviving.

Build a society that will grow. Let our characters take the lessons they’ve learned and apply them in a meaningful way, a lasting way. Show us that humanity will survive and will rebuild, on the planet of our birth. Let them rest, but let that rest and that peace mean something more than, “Good job! You made it to episode 100!”

Not to mention, the fact that Earth did eventually heal made everything that Monty and Harper did at the end of s5 completely pointless. Monty thought he was delivering the human race to a new hope. He was just steering them towards assimilation to the borg. I don’t think that’s the “do better” that he wanted, you know?

I could go on, but this is long enough. I’ll just end by saying this - if someone had told me, back in 2015 when I started watching, that this is how the show would end, I never would’ve started it. Not for Lexa, not for Octavia, not for anything. 

The ending made everything they went through so painfully pointless.

[symptomofconvalescence]

Some Thoughts on Rey’s Ending

*caveat: I am not interested in discourse so if you disagree with this post and that’s all you are adding to it, please make your own post.

Rey’s ending leaves her alone but it also leaves her-- if allowed to be seen only as itself and not blurred by projections, even possibly accurate ones, of what the writers wanted to do with it-- free and open. Her parentage history has been resolved and she is no longer living a life of empty waiting on Jakku nor playing a role in the Resistance that isn’t hers, pretending to be happy when she isn’t. Luke and Leia’s force!ghosts, additions that I personally could have done without, do not, to me, have to symbolize her entire future still under their tutelage or portend every detail of her future fate. Like Ben, Luke and Leia and Han are all gone. The presence of their force ghosts do not have to make them more present in her story; it is just that here Rey puts their story to rest. Her taking the Skywalker name grates when I see it as a fan wish-fulfillment but does not at all when I see it as her taking it as a symbol of all the things she has learned from them not only but ESPECIALLY from Ben, who was the last Skywalker. Who this whole time has been the one walking her through her struggle with her parentage and who helped her, at the most crucial moment, face and reject her literal lineage. She *DID* take his name, his family’s name. She has chosen to become a part of his family in name and that is not disconnected from him. At all. He arguably, definitively, was the most important Skywalker to her and, muddied writer motivations aside, Rey knows that.

As for her ending-ending, the next chapter of her life, the story that will be hers, is wide-open, left to the imagination. It is not a part of her journey in this story; it is a new beginning found in its ending. The story in which we’ve come to know Rey is that of a girl becoming a woman through her fight, dance, and love with her soulmate. Her story with him has changed her; she has grown, she has grown in that she has healed, and that is not unimportant when we consider her ending. Her scars have been healed by Ben and her love with him, her fear of abandonment and romance resolved by his redemption and his beautiful, selfless run to her and saving of her that makes up his last action. In taking down the barriers between them, in fully rejecting the darkness and his Kylo persona, he becomes hers forever in a way he never was before. And his last act is to give himself body and soul to her entirely. This means that though he is gone he is still hers. He will be hers forever. It’s not the same thing as a happily ever after marriage, true, but it is still so much and in some ways an even more unshakable gift of belonging and love that nothing can ever change because it has already survived death. In light of the tremendous beauty of the gift she has received, of the love she has been shown, there is no way she would be fully and totally devastated or abandoned. She couldn’t be. I imagine she would be sad, I don’t want to take all the bitterness away from her. But it makes sense to me that Rey, Rey who doesn’t speak what she feels but “keeps all things in her heart”, Rey the survivor, would actually be okay even after Ben’s death, because, as mentioned above, in a deep way she hasn’t lost him, but also because it’s a different kind of okay than the way she used to pretend to be. Because this time she is not repressing or compartmentalizing everything like she once was. She does not end where she began. She is not waiting hopelessly and futilely for a family who will never return. That illusion has been broken and the ending, while not the fullness of the end of a different kind of happy ending, is still open and still full of hope.

What she has to hold onto now, and what I believe Rey would not have shared with anyone even in the scene of mourning for which I see so many demands made in this fandom, is a treasure and a secret that is infinitely more precious and so much more life-giving than what she had before, the knowledge of her own worth, the certainty and proof of how much she was, is, loved. It’s a knowledge rather than a living, daily sustenance like a marriage but it is something. She can go out into the world with all of this treasure in her heart and she can do whatever she wants to do, whatever she wants to find, and be so much the better for it. She does have people who love her now in a way she didn’t back on Jakku, though I love the implication that she leaves the Resistance behind because that was NEVER her fight. And, especially in Ben’s death, because it was a gift that he GAVE to her, she has someone who loved her enough to never leave her.

That is a hopeful starting place for a new story and a consistent enough, all things considered, resolution to the one that began. I don’t think it’s perfect; I wish the movie had established more clearly and in some tiny way her memory of Ben. I wish they’d just established that she rescued Ben’s saber and made it hers, a piece of him she carries forward with her always. But I’m just going to take that as true and not as a malicious withholding on the part of the filmmakers, as details that aren’t filled in but can be because they are consistent with the story and because we are free to do it.

The girl who was alone and waiting ends, in a sense, alone and waiting, but both the loneliness and the waiting are different this time. The loneliness, on the deepest, most spiritual level, has been resolved. And so has the waiting, having become open and not fixed. She HAS been changed. She looks forward this time; she will move forward with hope because that’s what she’s been given. 

And that will sustain her in a way that her original loneliness and waiting never could.

[writermich18]

BNHA AU - Midoriya Clan are Record Keepers

Since long before Quirks appeared, hell, long before America had been taken by the British, the Midoriya Clan have been record keepers.

Izuku can remember the nights when all the doors and windows were closed and locked and he would be huddled up in his parents’ bed with his dad and mom cuddling him, listening to the whispers of his father’s stories.

Closed doors and whispered voices were a sign that a tale was being told and for you to listen for it might save your life in the Midoriya household.

The one tale that had always stuck with Izuku, however, was a tale nobody remembers. A tale whispered in the Midoriya Clan for 200 years. A tale you won’t hear about in the history books or from the People. A tale lost to Time, only remembered by the Midoriya Clan because the sole survivor of the tale told them it and asked them to keep it.

His father had called it the Tale of the Forgotten Hero.

Izuku called it the Tragedy of the Two Lost Brothers.

Even though he had only been told the tale once, as is custom in the Midoriya Clan, he remembers every word. Sometimes even whispered the tale to himself during the rougher days of elementary and middle school. It was forbidden to repeat stories already told, even to yourself, but Izuku needed to hear the story during those days.

The tale was a Tragedy, Izuku knew, but it also was a story of Hope in the Darkest of Days.

So, as Izuku watches everybody around him and holds Eri close because he’s the only one she’s letting close to him, in the hospital, recovering. He remembers the tale and the emotions it gave him.

So, as the adults in the room try to figure out a way to do the tests on Eri without causing a breakdown, Izuku carefully sets Eri down beside him on the hospital bed and adjusts their position so she’s laying next to him and they’re cuddling. Grimacing only a little bit as his injuries twitch and scream at him in irritation at his movements.

She stares at him in confusion, holding tight to his hospital gown.

He smiles at him and, ignoring every Midoriya instinct screaming at him to not tell the tale before non-Midoriya’s, whispers, “Would you like to hear a tale?” Eri blinks at him and tilts her head.

“Tale?” she whispers back. He nods. It may be forbidden, he thinks back to his instincts, but she needs this. Just let me give her something to hold on to as Hope. The instincts quiet down just like he knew they would.

“Would you like to hear a tale? You don’t have to,” he repeats the question, voice still in a whisper.

She thinks about it then nods her head, curling up closer to Izuku.

Izuku breathes in then out. He stares at the ceiling. The tale comes easily to him once he begins.

He begins, whispering the tale to Eri like all of his ancestors before him,

“This story takes place 200 years ago, around the beginning of the First Quirk Appearance. There were two orphan siblings, one older and one younger. The older brother was born with a Quirk. The younger brother was born Quirkless.”

“When the younger brother was six years old, one day on his way home from school, a van appeared and took him away. The van belonged to the government. He was sent to, what was called, the Lab.”

Eri’s eyebrows furrow in confusion, “But he’s Quirkless? I thought only Quirked people were taken .” Eri had also tensed at the word Lab. Izuku rubs her arm up and down soothingly.

“Not this Lab. This lab has been taking Quirkless children by the millions since the 20th century, long before Quirks showed up. And they had many facilities all over the world.” What’s even more of a tragedy was that this was a government-funded agency. There would be no Heroes and officers rescuing these children, not with the bureaucracy in the way. Izuku kept this thought to himself.

Eri looks up at him, “What about the Quirked brother? How did he react?”

Izuku shrugs and shakes his head. “Nobody knows. The only survivor who came forward to tell his story was the younger brother. We don’t know the older brother’s side. And this tale is lost through time so nobody knows the story.” Eri frowns sadly at that.

“The Lab and its Men in White Lab Coats tormented and experimented on these children. Few survived after the first couple of experiments. The younger brother being one of the few survivors. His birth name is lost in Time, having been forcibly changed to Subject 27 by the Men in White Lab Coats, codenamed First by the other children while they were in the Lab. For Subject 27 had been the first child since the Lab’s establishment whose body had accepted the experiments. The first who was able to access and use the powers forced inside of him and buried into his DNA. There were four other children out of the 25 million stuck in the Japanese branch’s Lab who survived the experiments. They were Subjects 100, 48, 19, and 9, codenamed Jagger, Gadget, Ruff, and Tiny respectively. When First was 14 years old, so a year younger than my age, some of the newbies started rebelling. They almost escaped if they hadn’t been killed off or dead because of the experiments, much to the Men in White Lab Coats’ disappointment. The five children who had survived the experiments had observed what had happened, using Jagger’s electronic power, noting the do’s and don’ts of escaping. Then, they conserved their energy, doing less as good on their training simulations but passing it off as their body just recovering from the latest set of experiments.” 

He pauses to take a breath and let Eri digest what she was being told. The trembling that had started up once he talked about the experiments and such slowed down when he mentioned they were planning to escape.

She looks up at him in confusion when she realizes that he wasn’t talking anymore, “Why’d you stop?” He smiles softly in response and continues.

“So, when the time was right, they struck. Jagger turned off all the power and purposely spread a computer virus to every single electronic in the facility. Unleashing the eldritch monsters some of the poor children had turned into because of the experiments due to their mind not being able to handle it. While also releasing the five children from their cages. While the poor monster children caused chaos and brought revenge upon their creators before the injuries and the experiments finally kill them, the five children escape in the chaos. Tiny gathers up all the paper evidence they will need, Ruff steals their weapons, Gadget turns each chemical component in the Lab into a bomb using the power forced upon her, and First weakens the infrastructure using her telekinetic powers. They stole an automatic self-driving car and First set the entire facility on fire while Jagger forced the electronic fence to open up then close behind them, turning up the electricity as it closes. According to First, it had set on fire soon after. They watched as the place they had known for most of their lives burn down to the ground. They knew the government agency would be after them, so they went on the run. Relying on each other to survive. Tiny and Jagger sent all the information they had gathered to the media on every platform, including the public internet.”

Izuku takes another breath and looks down to see Eri had laid her head on his chest and had her eyes closed. She was relaxed, but Izuku knew she was listening.

He didn’t realize the conversation around him has stopped. That everybody was listening to his story now, including the Pro Heroes resting in the room with him.

“First was 18 years old by the time the revolution/protests/riots they had started up came to a close. The Lab had managed to kill off every single one of the surviving kids, until First was the only one left. But thanks to their efforts, change was coming. The government agency that once was the Lab had been stripped and forcibly shut down, the remaining children freed and returned to their family. Once the public realized that it was Quirkless children who were being taken and their own who were forcing these powers upon those children, the public fairly quickly turned in favor of the Quirked population. People lost their trust in the government. Reform was demanded. Hero Society was created in response, not only to take care of the growing number of criminals with powers, but also to gain public favor again. The public wasn’t fooled. Under First’s command, the protesters stormed government capital in every country. They sat within the capital and made change upon, with the experimented-on children, the Quirked people, and other minority groups having the most sway over what will change. The rich were executed in front of their peers, politicians were stripped of their power, and the People took control with minorities having the most say as to what changes will take place. The government took back control 20 years after these reforms; unfortunately for the government though, the people had made it impossible for any loopholes or changes to be made to their reforms. Unfortunately for the Quirkless and ‘Weak Quirk’ holders, the government responded by changing public perspective on them over the next 200 years with propaganda and painting them out to be not worthy of living in this world.”

“Subject 27, or Tsunayoshi as he grew to call himself, never found out about his older brother nor reunited with him. But he never really did give up on the idea that one of these days, his older brother was going to found out what had happened to him. Tsunayoshi had decided to keep his identity a secret so by the time the reforms happened, everybody had forgotten what he looked like. So, his brother couldn’t exactly know it was him. Tsunayoshi was 23 years old when he approached a Midoriya, a Record Keeper, and asked for them to keep his story.”

Izuku finishes the story the same way Midoriya’s always finish the story, “I tell you this tale so that you may live.”

Eri had relaxed completely, glad that the Lab was gone yet sad that the two brothers never reunited. He glanced down to see that she was fast asleep and smiles. Even though it’s a sad tale… I haven’t even introduced Papa to her and she’s already a Midoriya.

“The older brother never wondered?” Someone speaks up. Izuku flinches and turns his head to see that everybody was sitting or lying in a hospital bed, looking at him.

He blushes when he realizes that he had gotten lost in the story and forgotten where he was.

Papa’s gonna be so angry at me when he founds out…

He stammers, “E- eh? I – I - …. Uh… What?”

“The older brother,” Mirio, sitting across from him, repeats, “This Tsunayoshi’s older brother. He never wondered?”

Izuku pauses then shrugs, “We don’t know. We were only ever told Tsunayoshi’s side of the story. Neither Tsuna nor any of us Midoriyas, nor the other surviving children before their deaths, learned of what the older brother’s fate was, not even Jagger was able to find any information on him. His story never got told.” Izuku had always been saddened by that, that they don’t even have a name and the older brother never learned of where his younger brother had gone.

That was why he called it the Tragedy of the Two Lost Brothers.