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ckret2 · 10 months ago

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Chapter 34 of human Bill Cipher not making friends with Stan during his imprisonment in the Mystery Shack, featuring: the tooth fairy and her dentist attempting to steal Bill's teeth in the middle of the night. Stan would care a lot less if he weren't still handcuffed to Bill. And also: Stan and Bill have a friendly chat. As you can see.

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Even though Bill and Stan were trying to watch the same TV as they had dinner, Bill refused to sit in the living room with Stan; so he sat on the bottom step of the stairs in the entryway, Stan perched on the end of the couch, and they strung the handcuffs around the doorway with their little plastic microwave dinner trays balanced on their knees.

Both of their dinners had come out undercooked. Both of them were too proud to complain.

After picking through maybe a third of his meal, Bill decided he'd rather go to bed hungry than eat something he didn't enjoy, dropped his tray on the floor, and kicked it into the kitchen. "Hey Stanley, still glad you went with the cuffs instead of the bracelets?"

"Shut up."

Bill smirked victoriously, and looked back to the TV. "No mayonnaise in Ireland."

"What?"

Bill pointed at the screen and the rows of blank letters waiting for contestants to fill them in. "The round that just started. That's the solution."

"Oh." Stan counted out all the blank letters, frowned, and said unconfidently, "It can't be that. It doesn't make any sense."

"You're wrong," Bill said lightly; and then fell silent, running the tip of his tongue over the new gold spots on his teeth.

When the contestants had guessed enough letters that one could hesitantly offer, "Is it... 'no mayonnaise in Ireland'?" Bill smirked triumphantly at the sound of Stan's silence. He just barely waited until the next board of blank letters flashed on the screen, and then announced, "Tip your waiter."

Stan counted the letters under his breath. "Man. I thought I was good at this, but we'd clean up if we put you on this show. No one would ever figure out how you're cheating."

Bill laughed. "Listen to you! If you were Ford, you'd just be mad that I'm giving away all the answers before you can guess. That's the great thing about you, Stanley: you don't get irritated at me for stupid little reasons. You're more fun." He took a deep breath and shouted, "Hey Ford, did you hear that?! Stan's the fun twin—!"

"Keep it down, you idiot. Ford's in the basement, he can't hear you." Stan had thought Bill was finally sobering up from the sedative; maybe not. (Then again, maybe this was just what he was like sober.) "And what are you talking about? You irritate me all the time!"

"Oh, well, I guess I just don't care when you're irritated." Bill laughed.

Stan grumbled, planted his chin in his hand, and tried to focus on Cash Wheel. It was difficult when he already knew the solution.

He tolerated the silence for less than a minute before sighing, looking toward the doorway, and demanding, "What's with you, anyway? Why are you so obsessed with my brother?"

Bill spluttered in disbelief. Stan could feel his handcuff chain jerk over. Voice even shriller than usual, Bill said, "Excuse m—Excuse me?! Obsessed? Moi?! I don't know what you're talking about!" He forced a loud laugh.

"If Ford's in the room, he's the only one you talk to, and when he isn't here you're yelling across the house for him—"

"Is it obsession to sometimes pay a little more attention to the human here I happen to know best and to whom I happen to be a teacher, muse, and friend—"

"Oh that's a load of bull," Stan snapped, "you're not any of those things! Friend? Friend? He wants you dead, you crazy—"

"Well if he does," Bill said, louder still, "then wouldn't it make perfect sense to keep my eye on the guy who killed me? There's no big mystery—"

"That's it! That's just it!" Stan tossed down his TV dinner and stood so he could face Bill properly. "He didn't kill you alone, remember? That was a two-man con you fell for! But you keep talking like Ford was the only one there!"

Without bothering to stand, Bill looked up at Stan and said, quite confidently, "Only one person killed me. You're just the place where I was killed."

"I wh...?" Stan fell silent, blinking at Bill in disbelief.

"Do you even remember what happened inside your brain? After you took my hand?" Bill asked. "You don't, do you?"

Stan glowered at Bill, but he shut his mouth and said nothing.

"I knew it." Bill laughed nastily. "We were both trapped in there when Fordsy fired the gun. Completely powerless. You were weeping and begging for a way out when the flames got too close, but there was nothing I could do by then—"

"All right," Stan took a threatening step closer, "I know that that didn't happen! I would never—"

Bill leaned back, hands raised palm out in appeasement, "Okay okay okay! All right, you got me—just embellishing the story a little—we actually had a big psychic laser battle. Imagined up all kinds of futuristic weapons. It was very 90's action movie. You did... fine, you were fine."

Stan considered that. "Ehh... sure, that sounds more like me."

"But it was all imaginary," Bill snapped. "It was a vast illusion! At that point there was nothing either of us could do to the other. We were just two victims locked inside a burning house as it came down around us. You didn't kill me, you never even had the power to kill me."

"Huh." That was all Stan said. But he kept looking at Bill, frowning distrustfully, studying him.

Bill's shoulders slowly went up under the pressure of Stan's gaze. "Oh—oh wow, okay, I see what's going on!" He gave Stan a crooked, mean smile. "You're jealous, aren't you? You thought offering up your body to be the scene of a murder finally made you a co-star instead of a sidekick! All your lives, Stanford got more attention from daddy, more attention from the teachers, more attention from the whole world... and you thought you'd finally get at least a little attention from the big bad living nightmare. Just because you let your brother shoot you in the head!" Bill laughed. "You weren't special enough for anyone else—why do you think you're special enough for me?"

Stan jerked Bill to his feet by the handcuff's chain. "I bet I'm special enough to break your face!" He dragged him into the living room, fist raised. "Let's see if you stay down this time—"

Bill scrambled back as far as the chain allowed him. "NO!" Horror filled the one ragged syllable. His free arm was raised to shield his terrified eye.

They froze, staring at each other.

Bill straightened up, forcing a nervous, rattled laugh. "Come on, I just got all this dental work done. At least give me a couple days to enjoy it before you pound it in!" He was talking fast to fill the silence. "Don't get me wrong, I wouldn't mind having a flatter face, all these bones and cartilage jutting out never did feel right—"

Stan feigned a punch.

Bill flinched.

Stan laughed at him, slapping his knee. "You big chicken! Look at you! Baw-baaawk-bgawk! HA!"

Bill tried, very hard, to explode Stan with his brain. This usually worked on people who dared try to insult Bill Cipher. "If I had one billionth of a billionth of my power, I'd have already destroyed you—!"

"But you don't, sucker!" Stan laughed louder.

Bill screamed in frustration, turned his back on Stan, and stomped upstairs to sulk.

Or, he would have, if he hadn't gotten one step up the stairs before the handcuffs yanked tight. He stumbled back, landed on his butt, and inadvertently jerked Stan down on one knee with a yelp.

Bill cast a resentful look at Stan—who was rubbing his shoulder and finally looking as irritated as Bill felt—and then he lay down and deliberately stared straight at the ceiling. "Whatever. I don't even care about your pointless mammal posturing. It's fine. It doesn't bother me. I'm calm. You're just making yourself look stupid." Bill shut his eyes. "I wanna go to bed."

####

"Bill," Ford said.

Bill cracked open an eye and peered up at the form looming over his makeshift cushion bed. "Mrm?"

In a very calm voice that suggested he was not calm at all, Ford asked, "Why are you sleeping on the floor in front of my bedroom door."

"Oh. Right, you missed it." Bill yawned and sat up. "Well, you see, Stanley got us handcuffed together until tomorrow morning," he pointed at his cuffed wrist and rattled the chain, "and I tried to be accommodating, but he doesn't want to sleep in the attic and won't let me sleep in the guest room—"

Stan yelled through the door, "And Mr. Accommodating here still refuses to sleep on the sofa bed."

"—so the best compromise we've got is sleeping on the floor with the chain under the door. Not my idea of a fun evening, but." Bill shrugged ruefully, like an adult resigned to indulging the whims of a petulant child. "Do you want in? It'll take us a little coordination to get the door open, but we've already done this once, so—"

"I'm not messing with this," Ford said. "I'm sleeping in the basement. Good night, Stanley."

"Night, Ford."

Trying not to sound miffed at being snubbed, Bill said, "Hey, do you still keep your cot on that rug you used to channel me better?" He laughed.

"Nope. I burned that rug." Ford turned the corner and left.

Bill stuck his tongue out at his back. He didn't actually know whether Ford was lying. He wished he'd thought to check out Ford's study before heading down to the portal back when he'd had his time tape.

"Hey." He rapped on the bedroom door. "I thought we weren't asking Sixer for help so he wouldn't find out about the handcuffs." They hadn't actually discussed it, but he'd taken it for granted. "Now that he knows, why aren't we getting his help?"

"What, you think I need his help to solve all my problems? Ha!"

"Okay, fine. Doesn't matter to me, I'm used to sleeping on the floor." Bill lay back down and sighed.

He shut his eyes and tried to go back to sleep.

####

Bill wasn't quite dreaming, but for a few seconds it was something very close to a dream. He saw points of light in darkness. One of his earliest, oldest memories. He'd memorized the constellations outside of his plain when his starblind species didn't even have a word for "constellations."

But these weren't those points of light in darkness. Some nearer, some farther—he could sense their distance—and all of the lights were calling to him. All of his eyes. He could see so many more than he had last night.

One was just a few inches away. He could almost reach out and grab it.

But those few seconds of light-in-darkness were in the gray twilight between the dreamscape and the physical world, and Bill only fleetingly glimpsed them as he passed from sleep back to wakefulness. He opened his eyes.

To see a person looming over him.

And the taste of thick metal tools in his mouth.

"Hi," Bill said, for lack of anything better to say under these circumstances.

It was enough to make Dr. Illing gasp and stumble back from Bill. "Jeez." He clapped a hand over his heart. "I'm sorry— I-I didn't want to—"

"Uh-huh." Bill sat up and took the abandoned tool out of his mouth—pliers. They'd been gently clamped around one of his canine teeth. "Not the most unpleasant thing I've had aimed at my face in the middle of the night," Bill mused, "but it's pretty high on the list." He tried to lift his other hand to feel his face for damage—and only remembered the handcuff when the rattling chain caught his wrist in place.

They both looked at the cuff. As Dr. Illing realized Bill was trapped, a change came over his face—a desperate, crazed fury.

Bill shook his head. "Ohhh, no no no—"

"Give me that!" Dr. Illing lunged for Bill, one hand reaching toward the pliers and the other toward his throat, trying to pin him against the door.

Bill shoved his feet in Dr. Illing's chest, trying to hold him back. "Stanley!" He pounded on the door with the pliers. "We have visitors, wake up!"

"It'll only take a second," Dr. Illing insisted. "You were going to give me one anyway! And that tooth is already loose! You can handle the pain! Just—hold still, I can't damage it!" He managed to get his thumb in Bill's mouth—he cringed when Bill bit down, but didn't back off—and pulled a fresh set of pliers out of his tool bag.

Bill parried the pliers with his own pair. "STAAAN—"

The door unlatched and Bill tumbled backward into the room. He twisted out of the dentist's way, slid the handcuff chain out from under the door, and skittered behind Stan.

"Wha—what's—?" Stan squinted into the dark hallway. "The heck's going on?"

Bill stretched to Stan's nightstand and grabbed up his glasses and hearing aids. "Put your face on!" He shoved them in Stan's hands, then reached back for his dentures.

Stan put his glasses on first. "What the— Illing? What are you doing here?"

Dr. Illing stood forlorn in the hallway, trembling all over, eyeing Stan nervously. "Uhhh," he said eloquently. "I just..." He gestured around Stan's shoulder toward Bill, "wanted to check her fillings. I thought one of them might be a little loose—"

Bill's cackle cut through his excuses. "Oh, come on! I know your boss put you up to this! What does the little lady want with my mouth?"

Dr. Illing's eyes widened. All he managed to produce was a squeak.

Stan said, "What 'little lady,' this guy's self-employed. What are you talking about—"

"The tooth fairy, genius!" Bill flung his free hand in the air. "Why did you think your dentist pays you to pull your teeth! He lives in a van, who'd you think was funding him?!"

"Uh," Stan said. "You know, I sort of just took his whole 'creepy sadist who bribes people to let him pull their teeth' shtick at face value." (Dr. Illing's shoulders slumped.) "But—I know things are weird around here, but the tooth fairy's gotta be fake, right? That's the stupidest..."

A fairy popped out of Dr. Illing's bag—just large enough to use an adult man's hand like a chair, with a bob cut so white it almost shone, giving off a glowing toothpaste-blue aura, wearing a necklace of baby teeth like a hunter who'd taken trophies from the bones of her kills.

"Oh," Stan said. "Well. Never mind. Just one more crazy thing in this town."

Bill's back went stiff, his eyes widened, and he curled his fists into the fabric of Stan's tank top like he was holding his shield in place. "Oh, she's here." He lisped an inhuman swear under his breath.

Ignoring them, the tooth fairy glowered up at Dr. Illing. "How did they know? What did you tell them!"

"Nothing!" he protested. "I swear! I'd never!"

"Well, you must have let something slip—"

Bill swallowed hard; but then he straightened up, let go, and stepped into the open. "Why, if it isn't Miss Pearl E. White, in the fae flesh! To what do I owe such an honor?"

Dr. Illing and the fairy both flinched. She asked, "How do you know my...?"

"Oh, Pearl. I know things you couldn't even dream of." Bill favored her with his best, widest, most unnerving grin.

And got the creeping sense that she'd stopped looking at his face, and started staring at his teeth. He pressed his lips together. "And here's just one thing I know: lady, if you were toeing the line of your treaty any harder, you'd be tripping across it. So tell me what you're doing here and what you want."

She huffed defensively, wings buzzing as they lifted her several inches in the air. "I'm well within the terms of the treaty! I haven't laid a hand on you and I'm not about to start, and I've been offering more than adequate financial compensation—"

"Oh, right," Bill laughed, "I'm sure the queen of your court would be thrilled to hear you ordered your legally-dubious helper to rip out someone's teeth in the dead of night—"

"Hi," Stan said, "question. What the hey are you guys talking about. Treaties? Queens?"

"Oh, this is all going over your head, isn't it! I'll catch you up." He turned to the side to point accusingly at Pearl, "Little miss enamel-happy here has a thing for teeth. To the extent that she started stealing them straight out of humans' mouths. She went so crazy that the local human settlements actually declared war on her court over her dental kleptomania—and the fairies she dragged into the conflict weren't any happier about it than the humans were. So now, under the conditions of a human-fairy peace treaty, she's only allowed to acquire already freed teeth that are voluntarily offered to her by their owners—which is why she started bribing children."

Pearl crossed her arms, fuming. "That's a very biased version of events. You're just trying to paint me in the worst possible—"

"Save it, sparkles! I woke up with your minion's pliers in my mouth, I'll be as biased as I want!" He shifted his attention to Dr. Illing—who seemed to wilt under the force of Bill's glare. "But she's getting deep in a gray area working with this guy. Once a tooth is handed to a dentist, he's its 'owner,' and can freely give that tooth to the tooth fairy—but him extracting the tooth puts the whole operation on shaky legal ground. Really, I think the only reason you've gotten away with this racket so long is because nobody's filed a legal challenge with the fairy court yet."

"Nobody's complained about it," Pearl said hotly.

"None of your victims know about it," Bill countered. "Hey Fisherman," he jabbed Stan's arm, "how do you feel knowing your teeth were sacrificed to the tooth fairy?"

He considered that. "Well—it was free."

Pearl crowed, "Ha!"

Ignoring Stan's reply, Bill blithely moved on: "But by any reading of the treaty, hiring a human to steal teeth straight out of someone's mouth is beyond the pale. So you'd better have a good explanation for this!"

"Yeah. I do have a good explanation." She sucked in a deep breath. "I want your teeth!" She launched herself toward Bill; Dr. Illing had to grab her around the waist to hold her back. "I'd do anything for those teeth! They're the most amazing teeth I've ever seen!" She clawed at the air, hissing and straining as she tried to reach Bill.

"My lady, please," Dr. Illing said pathetically. "The treaty—"

She aimed a swipe at his face. "I know about the stupid treaty!"

Bill stared at her, baffled. His perfectly normal human teeth? But he shook his head, smiled, and said, "Well okay, fantastic! It's been a while since I've bargained with the fae, but I'm not too attached to this body—so how much gold do you have on you, kid?"

"We're not bargaining. You already know too much," Pearl snapped. "I'm not about to get blackmailed by a human, and I'm not going back to fairy jail. So here's what's happening." She jerked a thumb over her shoulder toward Dr. Illing. "I'm gonna have my guy rip out every one of your teeth, and then rip your head apart so you can't talk, and the only negotiating you get to do is whether or not my guy uses the local anesthetic before he starts. So what's it gonna be?"

Dr. Illing went deathly pale and his knees shook as he verged on fainting.

"Hey," Stan waved at the fairy, "listen, I'd love to see this guy's head get ripped apart, but—crazy thing, long story—it turns out there's fifty-fifty odds that killing him could end the world. So, maybe let's talk this out—?"

Pearl gestured dismissively at Stan. "His mouth has nothing left of interest to me. He's a witness. Kill him, too."

Dr. Illing swallowed hard; but, with trembling hand, he reached into his tool bag and slowly pulled out a large power drill that definitely wasn't designed for teeth.

"Right," Bill said. "Okay. This'll be fun." If he said it convincingly enough, maybe it would be true. "Hey, Fisher—you know that spell Sixer's got on me? If I cast it on Frankie here, can you..."

"Yeah, I see where you're going."

Pearl's eyes narrowed. She pounded her tiny fist on Dr. Illing's finger. "Hurry up, before they—"

Before she could issue a warning, Stan charged at them, fist raised. Dr. Illing flinched, shielding his face with the drill; but Stan dodged around him, heading for the hall. Bill seized Dr. Illing's upper arm as he passed—"Amnesia Limina, Stupidi Digiti, Occultus Locus!"—and then Stan yanked Bill out into the hall by their chain and slammed the bedroom door.

Dr. Illing gasped. "What?"

Blue light radiated through the cracks around the door as Pearl darted around, shrieking, "Open the door, you idiot!"

There was a moment of futile scrabbling. "How?!"

Bill and Stan retreated to the entryway. Bill said, "If we get outside, we can lose 'em."

"Or get the car and run them over," Stan said.

"You don't wanna be the guy who kills the tooth fairy! She might be in the doghouse, but she's still old fae nobility. Her court would—"

Bill cut off as Stan opened the door. Instead of leading to the porch and the forest beyond, it now opened into a bone-colored cathedral, the arches and vaulted ceilings constructed out of what looked like small irregular pebbles: teeth.

Stan gaped at the vast chamber. "Where the heck...?"

Bill looked at what had once been the outside of the door; the numbers "13 / 32" were carved into the wood. "Nowhere we want to go! Shut it!"

Stan slammed the door.

"That explains how she got in," Bill muttered. "There's no time to un-enchant this exit, we'll need another one."

Stan pointed toward the living room. "We can go out the—"

"The floor room exit." Bill dragged Stan back toward the hallway they'd just left.

"What?! That's the other end of the house, you idiot, the gift shop's right through here!"

"But it's a straight shot down the hall—" Bill stumbled to a stop.

The tooth fairy was clawing her way out from under the bedroom door. She caught sight of Bill, and her wings raised in a sharp V like a wasp preparing to attack. "You!"

"Never mind."

Stan dragged Bill back toward the living room. "Now can we go—"

Bill saw the living room—that familiar dark room, the familiar walls and carpet, the familiar armchair facing the doorway as though welcoming him back, the pale blue light from the fish tank climbing the walls like flames—and Stanley Pines, dragging Bill by a chain toward this tomb—and he grabbed on to the staircase railing. "Up."

Stan jerked to a stop. "That's a dead end!" He tried again to pull Bill toward the living room. "Are you insane?!"

"Yes." Bill locked his hand around the railing like a corpse in rigor mortis. He'd break his fingers before he let go. "We're going up."

"We are not—"

The tooth fairy shot past them like a glowing blue bullet, streaking into the kitchen. Stan started, and Bill took the opportunity to drag them up the stairs. Stan finally followed.

"You're not getting out of here with my teeth!" Pearl screamed after them.

"Ignore her," Bill muttered, "she can't risk touching us and she knows it. She's powerless without her minion." He stumbled on a step and just kept climbing on all fours.

"I wouldn't bet on her self control!" Stan struggled to keep up, his cuffed wrist in the lead. "Why are we going this way? How do you expect to get out from the attic?!"

"I don't know! It just seemed like a better idea! Do I have to think of everything?!"

"This was your plan!"

"There's got to be a ladder in the storage over the kids' room, we can get down out a window."

"I don't keep ladders—!"

"Well maybe Jesús does, do you know everything in the attic?! Come on!"

Bill kicked the door to the kids' room until Stan opened it. After a short argument about who should climb to the storage loft ("I have to look, you can't see in the dark!" "And you can?! Since when!" "Since always! You didn't need to know!"), Bill scrambled up the makeshift rungs nailed to the wall while Stan climbed halfway up to give the handcuffs a little slack.

As Bill started searching for anything useful, Pearl's ranting filled the shack: "Those teeth are too good for you!"

"I think she's getting closer," Stan said. "Find anything?"

"Not yet." Bill pulled out a broken umbrella with a hooked handle. He clung to it like it was his only defense as he scanned the loft for any signs of a ladder.

Pearl went on, "They're the most beautiful, pristine, unblemished, perfect teeth I've ever seen in my life!"

Bill asked, "Are they really that great?" He'd never paid that close attention.

"Eh..." Stan shrugged and made a so-so gesture with one hand. "A little weird-looking, honestly. They've got those jagged bits in the front that make 'em look like kids' teeth?"

"Huh."

"They're pure," Pearl snarled. "I've never seen adult teeth so pure! And you're ruining them by drilling out chunks of perfect enamel for unnecessary fillings! You don't have the right to those teeth! I deserve them!"

"Hey Bill," Stan said. "So you knew my dentist works for the tooth fairy, right?"

Bill was dragging aside a large box to see if anything ladder-like was hiding behind it. "Yes."

"And you knew she goes crazy for nice teeth."

"Yes." No ladder; he moved to another stack of boxes.

"And it didn't occur to you that she'd be furious that you carved up your new teeth."

"It's in the past, Stanley! Focus on the present!"

"—and I don't even know how you got magic teeth," Pearl continued. "Fully adult teeth in a fully adult mouth, but somehow they're barely a month old! It's impossible! I could barely believe it myself until I saw your mouth with my own two eyes! I must have those teeth, as soon as possible, so I can preserve them exactly like this, who knows if I'll ever find such a novelty again—"

"Ahh, so that's it," Bill said. "Welp, nope, didn't see that one coming at all."

"She's been shouting a while without actually coming after us," Stan pointed out. "What's she up to?"

Bill paused. "Check." He lay down and stretched his cuffed arm down from the loft to give Stan enough slack to peer out the bedroom door.

Stan frowned. "Huh. Weird."

"She's upstairs?"

"Yeah. But she's just flying in a circle. With... I think a veggie container from the fridge?"

Bill sucked in a breath. "Do we have mushrooms?"

"Wh—yeah? How'd you..."

"What!" Bill half-climbed half-fell to the attic floor. "That little cheater's making a fairy ring! That's not fair!" He leaned out the door with Stan. "She's probably already made the matching ring downstairs. We have to destroy it before—"

The circle of chopped portobello mushrooms glowed white; and with a glittery puff, Dr. Illing appeared in the ring. He coughed out a lungful of fairy dust.

Pearl pointed at Stan and Bill and screamed, "Get them!" With a murderous scowl and terrified eyes, Dr. Illing stared them down and revved his drill.

Stan yanked Bill back into the bedroom and slammed the door.

Dr. Illing whined. "Aw, f—again?!"

"Just break through it!" Pearl commanded. "It's just wood! You have power tools!"

"He can't do that," Bill said confidently. "Doors don't work like that."

Stan said, "He can do that." A power tool whine announced Dr. Illing beginning his assault on the door.

"Oh." Bill considered that, eyes scanning the bedroom from one side to the other, mouth set in a grim line. "I have an idea." He pointed toward the window with his umbrella. "Stan, open the window." He hooked the umbrella over his elbow as he ripped the bedsheets off Dipper's bed and started tying the corners together.

Stan shook his head in disbelief. "You don't really expect us to climb out that window on bedsheets, do you?"

Bill dragged Stan closer and murmured in his ear, just quiet enough that their assailants wouldn't hear him over the power drill, "No, I expect them to think we climbed out the window, while we hide in the closet in the alcove. Once they're past us to check the window, we can sneak out and run downstairs."

"I don't like hiding like cowards instead of fighting. Illing's rickety, we can take him."

Bill kept tying bedsheets. He picked up Dipper's zodiac blanket, flinched, and tossed it to the floor on the other side of Dipper's bed rather than add it to his chain. "Funny—you didn't seem to have any problem hiding for a week while I had your brother prisoner."

Stan grabbed Bill by the shirt, dragging him closer. "You wanna say that again?"

Bill's hands shot up next to his face in surrender. "Sorry, sorry, sorry—"

"There were people in this shack I wanted to keep safe," Stan growled. "I'm not half as fond of you."

"Got it," Bill squeaked. He pointed toward Mabel's bed. "But I can see a dozen futures that end with our brains splattered across Mabel's dolls. I do not want to fight power tools."

There was a crack as the drill flung the first few splinters of wood free from the door. Stan's scowl deepened, but he let go of Bill and nodded.

They tied the bedsheet rope to a table leg, opened the window, and flung the rope out the window; then retreated into the alcove at the other end of the room, pulled shut the ragged curtain that hid it, and closed themselves in the closet to wait for the tooth fairy and Dr. Illing to break in.

####

(Thanks for reading!! If y'all enjoyed, I'd love to hear what y'all think! Next week we conclude both with the tooth fairy and with whatever the heck is going on between Stan & Bill.)

#bill cipher #human bill cipher #grunkle stan #stanley pines #gravity falls #gravity falls fanart #gravity falls fic #fanart #my art #my writing #bill goldilocks cipher #(i traced 90% of Stan from the canon death punch because i wanted to make the parallel As Blatantly Obvious As Possible lmao)

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ms-demeanor · 1 year ago

Note

Atheist condolence card like "sucks that your grandpa no longer exists and you'll never see him again, oh well"

I mean, I'm looking for a condolence card for a Jewish family (found a pretty good one, will be adding a note about a shared memory of the deceased and hopes for the mourners that their memory may be a blessing).

But also I have no idea why people find the concept of an afterlife comforting. Legitimately, that is unappealing to me and the idea that I would be artificially separated from the people that I love and reintroduced to them after a period of separation if there was no need for that time of mourning and loss seems. Bullshit? It seems like bullshit? Capricious and cruel at best?

Anyway when my grandpa died we got a phone call when they tossed is ashes into the ocean and we never saw him again! Being reminded that we wouldn't see him in an afterlife wasn't the sad part, the sad part was knowing that we wouldn't know him anymore, that we'd be on one side of a growing divide, that there was a before and an after and we had left him behind while we had to move forward. It wouldn't have been comforting to think "well perhaps someday when I have lived my life without him, I will see him again in a place where nothing from this life (all the things that I have done, all the things that he taught me) will matter because they were worldly and unimportant."

What was comforting at that time, and after the very many family deaths that I have experienced (and I've experienced a lot! I've been comfortable with the idea that I'll never see my loved ones again when they're gone since I was a very small child!), and what I suspect is comforting even for religious people who have experienced a loss is to be reminded of the people who are still on the same side of that dividing line, who we can still love and adore and support and make memories with.

Anyway. I'm an atheist at least partially because of my grandfather, who was a magician and a skeptic and took great joy in skewering the supernatural. It would be an insult to his memory to think that he was an angel lighting up a star in heaven or whatever the christian condolence cards say.

My grandpa did a sexy comedy magical immolation of my grandmother in front of crowds; there was a devil on the flier.

(grandma's the one on the right)

Pictured: Not someone who had much reverence for death or much patience for the supernatural:

(Funny story, when my dad came to visit this week he saw a 2-post 52U server rack on the driveway from a distance and asked me "where did you guys get the guillotine? Did I leave that here?")

But my family is probably *unusually* atheist and irreverent.

For atheists in general I don't know why people think that it's more upsetting to acknowledge the truth (that once people are dead you won't see them anymore) than to be told "comforting" lies (that you will see dead people again at some mystical place that you have no access to or proof of).

I *hate* hearing "they're in a better place" when I'm mourning someone I loved because that's something that's comforting for a religious person to say but dismisses both the way that I mourn and (frequently in my family) the beliefs of the deceased. They are not in a better place, they are *gone* and I don't want to imagine that they're somewhere waiting for me to join them again, I want to remember them for who they were and accept that they aren't in my life anymore.

"They're in heaven now" "they're with the angels now" "they're with their maker" - none of those things are true and they reflect an extremely limited worldview that I don't share and find pretty insipid actually! Thank you for trying to comfort me you are doing a poor job of it I'm going to go hang out and talk to someone who actually knew them and we'll share stories of what an asshole they were and what kind of crazy nonsense they got up to and what a big, important part of our lives they were and we'll start trying to make sense of how to fill the hole left behind with something practical and joyful and fun and honest that they would have loved instead of cardboard angel wings.

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mrm0rgansw0man · 5 months ago

Note

Hii can I please have a scene with Arthur Morgan and his fem s/o in an alternate universe where Arthur never got TB and he is happily married living with his wife on a cosy farm similar to the marstons. They have just had a newborn daughter and she is only a few days old and Arthur sees his wife picking up their newborn, still in shock from giving birth just days prior. She is cuddling and sweet talking her baby, gently kissing her head and loving her. She coos and gently but sweetly whispers good morning to her baby girl. I just want Arthur’s reaction to this and how he reacts to all the fluff plus him being a new father. Can you please end it with fem reader putting their child back in the crib and making their way to the living room, relaxing on the sofa together and talking about how they should visit the marstons soon. Thank you 💞💞💞💞💞💞

The Life a Good Man Deserves

Has it really been only a week since I watched her walk along the tree line of the forest near our home, soaking in the sun, glowing like a god damn angel? She was pregnant as could be, but she wanted to take one last walk before we took our first walk with our baby girl.

And a few days later, she was here. God was it hard, watchin' my wife hurt like that. Her screams and all the blood... it left me shakin' like a leaf. I've never felt so scared in my life I don't think. We didn't have a doctor or a nurse or anythin', but we had Charles and a forest only a few yards away. Thank whatever lord there was above that he had stopped by that morning, and right as he was about to leave I heard my wife screamin' for me from our bedroom. We both came running, and that was the start of the longest night of my life.

Charles made a million different remedies on the stove of our kitchen. For pain, for infection, any complications my wife or our little girl could have after birth. All the while I was holding my wife's hand as she brought our baby-girl into the world, how crazy life is sometimes.

We named her 'Briar-Rose.' Right after she was born, my wife looked out the window and saw the ones we had planted had finally bloomed. We'd have horrible luck with them before, so it seemed perfect.

I ought to go find them now, instead of just sittin' her day dreaming about the family that I finally have. God, I love them so much.

• • • • • • •

Arthur set his leather journal down on his bedside table, the matching ones he made for the two of you for your first anniversary you spent together in your home. The one he had built for you, with the help of Charles and John. Oh and little Jack of course, he did so much!

Arthur got up and slipped on a pair of worn old jeans and his favorite blue button up shirt. How it had survived all these years, he didn't know.

How he had survived all these years, he didn't know either.

Arthur quietly made his way to the nursery. It was right next to the bedroom the two of you shared, and the door was cracked open. There was no other place you could be. Arthur was about to walk in, but he stopped when he heard you talking to your daughter. He watched through the crack of the door, completely mesmerized.

Your hair was in a messy braid down your back, and you wore a long flowing white nightgown. It was long sleeved, and the strings around your bosom area were tied into a pretty bow. The sleeves, which had forever been too long for your arms but you refused to mend time, rested around your whole hand, only leaving your fingers sticking out. Arthur could see them sticking out under your coat and laughed to himself. He loved these little things about you, and he had them all written down in his journal.

Your coat, which was actually the brown plaid one that belonged to Abigail, also hung loosely around you with your nightgown. He smiled as he remembered both you and Abigail trading your favorite coats. John and Arthur had both been talking and they decided it was time to leave the gang, it wasn't an easy decision but a necessary one. You and Abigail were two peas in a pod, like sisters almost. You had both decided you needed to do something to always stay together now that you wouldn't be able to see each other everyday.

A small cry from your daughter pulled him from his thoughts.

"Oh my sweet girl, shh shh." You cooed softly, you picked up your daughter from her crib and cradled her in your arms. Holding her close and tight. You pressed a gentle kiss on your daughters head, and she calmed. You rocked her back and fourth and started talking to her.

"How'd my baby sleep? Did you sleep well?" You asked, your tone so gentle and full of love Arthur thought he could cry. You were the perfect mother. "I love you, so much my sweet girl. Your so beautiful. You've got your daddy in you, those stunning blue eyes and that hair of yours. I can't wait to watch you grow up."

Arthur couldn't take it, tears fell freely from his eyes and he opened the door of his daughters room and actually ran to you. He held you close to him, careful to not hurt your stomach.

"Oh Arthur, are you alright?" You said with a light laugh, though your voice was laced with concern.

"Honey, I have never been more alright in my life." He said shakily. His quiet voice held so much emotion it broke your heart.

When Arthur first found out you were pregnant, he was angry. Not at you, and certainly not at your unborn child. He was angry at himself, how could he be so stupid? Getting another woman pregnant, while still being in the gang? Which was definitely going to shit, by the way. Arthur could feel it happening. His heart actually hurt when he thought about Eliza and Issac, how his stupidity had gotten them killed. His little boy, and the woman he never married but god damn he should've, both dead over 10 dollars. 10. Fucking. Dollars. If he had been there, those bastards would've been dead in a second! He was a gunslinger for fucks sake! He could've saved them if he had just done right. But he was so scared to be a father, especially to a son. He didn't want to turn into his own father. He wouldn't wish that on anyone. But once a certain Karen Jones dragged him by the ear to the hiding spot you had found to cry in telling him to "fix it" he knew what he had to do. And it wasn't easy.

He held you in his arms, and apologized for every second he made you think or feel like he didn't want you or the child growing inside you. He said he had a plan, and it was the first time since joining the gang that you were relieved to hear those words.

"Arthur?"

Your voice pulled him from his thoughts. Arthur pulled away from you so he could get a better look

"Would you like to hold your daughter Mr. Morgan?" You asked with a smile just as sweet as your southern drawl.

"Yes I would, Mrs. Morgan." He said with a smile, quickly wiping the tears from his eyes. He ever so carefully took his daughter into his arms. She fussed for a moment, before quickly settling back down again.

"I can't believe I'm a daddy..." Arthur said softly. "Look at my sweet girl... Both of my sweet girls."

You stood on your tip toes and kissed Arthur on the cheek, and you bent back down to kiss your daughter. You winced straightening back up.

"Sit down, please honey." Arthur said gently. "You just had a baby after all."

"'M fine sweetheart." You dismissed. "I need to get the best view possible of this.."

A sudden sharp cry erupted from your daughter, causing both you and Arthur to laugh.

"Still a view I want to see." You said with a smile. Arthur passed Briar off to you, and she quieted down a bit.

"Ain't nothin' like the touch of a mother." Arthur said softly, gently wrapping his arms around your stomach. With your body flush against his, he rested his chin on top of your head. You chuckled.

"You should sing her a lullaby. Arthur suggested. You chuckled, knowing he'd use any excuse to hear you sing. You took a breathe, and began a gentle lullaby:

Down in the valley, valley so low Hang your head over, hear the wind blow Hear the wind blow, dear, hear the wind blow Hang your head over, hear the wind blow.

Roses love sunshine, violets love dew Angels in heaven know I love you Know I love you, dear, know I love you Angels in heaven, know I love you.

Writing this letter, containing three lines Answer my question, "Will you be mine?" "Will you be mine, dear, will you be mine?" Answer my question, "Will you be mine?"

Down in the valley, valley so low Hang your head over, hear the wind blow Hear the wind blow, dear, hear the wind blow Hang your head over, hear the wind blow.

You finished the song, and were now left with a sleeping daughter and a husband who was weeping. The sight of it brought tears to your own eyes.

"I just watched my wife sing my daughter to sleep for the first time.." Arthur wept. "Look at me, I'm a god damn mess. God I love you so much, I love her so much- (Name), this is real. This is our life."

"I can't belive it either!" You said with a sniffle. "Let me put her in her cradle before we wake her up."

Arthur nodded, sneaking a quick kiss to your forehead before heading to the door. Arthur was about to leave, but something told him to stay a moment longer. He turned just in time to see you tenderly set your daughter down in her crib and cover her up with her blanket which you had sewn by hand for her. You kissed your daughter one last time before joining Arthur.

As soon as you were in arms reach, Arthur scooped you up and carried you bridal style right into the living room. You giggled like some lovesick schoolgirl, causing Arthur to giggle too.

"Nothin but laughter and tears of joy in this house." You said happily. "That's exactly how I wanna be livin'!"

"Me too darlin!" Arthur said, gently setting you down on the sofa. He sat down right next to you and opened his arms, which you gladly crawled into. With your head resting in the crook of his neck and your legs curled up in his lap, you felt so safe. And so loved, you swore Arthur Morgan was sent from the lord above just for you.

"When do you think you'll be up for a trip to go see Abigail?" Arthur said, a sly smile on his face.

You gasped in excitment. "Oh goodness, is the house done already!? Did John invite you?"

"Yes ma'am! And guess what else darlin'?" Arthur said with a laugh. Your excitement was contagious, anyone could agree to that. "They made us a nursery for Briar-Rose."

Your eyes welled up with tears and you covered your mouth with your hand.

"Your kiddin' me..." You said softly, a smile slowly forming on your face.

"They really did honey." Arthur said and smiled softly at you. "Abigail wrote to me. I got the letter the night I went to town right before you had Briar. Said the house is done and we need to come visit as soon as you feel up to it after you have the baby."

"I don't know how soon, but I can't wait to go! Oh Arthur I miss her so much.." You said sadly. "I'm gonna write her back! We'll plan a visit next month...." You said, but your words trailed off into a yawn.

"Sounds good t'me baby." Arthur said, his hand natrually finding your hair to begin running his fingers through it. It put you to sleep faster then you'd like to admit.

Arthur let out a content sigh. He had never dared even daydream of a life like this for too long, yet here he was. Actually living the life of his dreams. With his wife, daughter, and even his 'brother'.

He wouldn't have it any other way.

authors note: I HOPE YOU ENJOYED CAUSE I LITERALLY HAD THE BEST TIME WRITING THISSS Xx

#x reader #arthur morgan x reader #rdr2 arthur #red dead redemption 2 #red dead fanfiction #arthur morgan x you #arthur morgan is a sweetheart #arthur morgan fluff #dad arthur morgan #arthur morgan as a father #rdr2 #arthur morgan rdr2 #arthur morgan #tooth rotting fluff #thanks for the submission!#reader is an amazing mother #arthur is an amazing father #briar rose morgan

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greedandenby · 1 year ago

Text

Jacob Anderson, Sam Reid, and others talking about Jam Reiderson.

Here's a compilation of bits and pieces from various interviews about these two men's beautiful friendship. Will be updating as new promo for subsequent seasons comes out!

(Long post, so keep reading!

- there's SO MUCH good stuff)

Pride.com

Q: You guys have incredible chemistry. It hinges on that. Can you talk a little bit about how you built that kind of connection?

JA: I find it so difficult to talk about chemistry. Because me and Sam… like each other.

SR: Yeah. I think we’re very similar in a lot of ways, and that was a big relief. It’s a very bizarre job to do when you’re doing it, cause you’re shooting entirely at night, you have amazing costumes and contact lenses and accents and teeth and blood. The scenes, while they feel like they have a flow to them, there’s a lot of splitting up while we do it because we’ve got to have special effects come in or the blood come in, or we’re on a rig of some kind. So it’s a weird experience, and we also had these extraordinary lines of dialogue to say as well. And so to have somebody who’s similar, can process these things the same way as you and bounce off of and decompress with is vital.

JA: Yeah, and the first step is you just have a common language that you find, and sometimes it clicks and sometimes it doesn’t. And we were just lucky that we, you know…

SR: Yeah. Yup.

Amc Talk

Q: The relationship between Louis and Lestat is rife with complications, but at its core there's obviously a real connection there. What was it like crafting this tumultuous relationship on screen with Sam Reid? You two are quite good friends having come out the other end of Season 1.

JA: Yeah, we were good friends when we were doing it and I think that's part of why it worked out for us! We didn't put too much emphasis on trying to figure everything out. The scripts are so beautiful, the writing is so dense and so full of life and detail that you don't need to discuss it too much. Obviously, we talked to the directors, and they'd have ideas and we'd have ideas, but I think, in terms of me and Sam finding it, I think we just paid attention to each other. We just trusted the writing, trusted each other, and it meant that we’d already be prepared for whatever was going to come up. We felt comfortable with each other, so we could try things and it felt safe. It felt like we could play around with body language and with eye contact and all these things. But it was unspoken, I think. It wasn't something that we spent a lot of time discussing. Everything's intentional to a certain extent, but there's this other thing that is just about instinct and listening really.

Q: And having the right scene partner where that happens.

JA: Yeah, I felt really lucky! Sam gives you so much. There's so much to play off and I hope that I did the same for him. Our first day of shooting we did the opera house stuff, and I was so excited. It's the scene where he talks about loneliness, and I remember thinking even though I'd got to know him a little bit and we'd done a bit of rehearsal and we'd become friends by that point, I was like, "Oh wow, this is going to be really special! I'm going to get to do this every day. I'm going to get to watch this character come to life and respond to it." That's a gift. Sam Reid is a gift!

Q: The relationship between Louis and Lestat is rife with complications, but at its core there’s a real connection there. What was it like crafting this tumultuous relationship on screen with Jacob Anderson? You two are quite good friends having come out the other side of Season 1 so if anything, I’m sure the experience brought you closer together?

SR: Yeah, definitely. It definitely brought us closer together. It was really crazy this stuff that we were doing together. We'd have these massive scenes, and it would be just him and I in the middle of the night playing opposite each other, not really being able to see each other all the time with the contact lenses. You just rely so heavily on one another. You also rely on each other because you're like, "Have we pushed it too far? Is it too much? Is it enough? Like, do we believe each other?" Because it's this very intense relationship but we’re also supernatural beings. So, you're constantly having to reframe the way that you look at a relationship and say, "Well, hang on, my character has all this power." Like in Episode 4, I remember saying, when all the police are coming over to the house, I was like, "Why are we even worried about this? I don't understand why I would be even concerned about this at all." But you're negotiating with someone who's going, "Yeah, but my desire to have a connection to humanity makes this important," and so you're like, "Oh, okay." We managed to balance off each other in that way, because my character's way past any connection to humanity and Jacob's character is holding onto those last threads of his humanity. When we'd both be examining a scene, we'd both be coming at it from different angles. Because of the love between the two characters, there's always that negotiation and blunting of the other's real intention. I couldn't really imagine doing it with anybody else! We did all of it, everything, together, really.

Gold Derby Daniel Hart Interview

Q: In what ways does the show’s really rich visual palette and then of course Sam and Jacob’s lightning-in-a-bottle chemistry on screen influence some of the choices that you made on the score throughout your process?

DH: There’s a theme that I would call their love theme, and it’s sprinkled throughout the first episode but it played in full over the end credits in a piece called “In Throes of Increasing Wonder”. And that theme appears in almost every episode, I think, in some form or another. I don’t think that theme was possible before I had seen some of that interaction between Jacob and Sam as Lestat and Louis. It’s born of their emotional reactions to each other.

IWTV Podcast

Ep2

Q: You and Jacob did your chemistry tests over Zoom? Which, I mean, does anyone have chemistry over Zoom?

SR: Yeah, I don’t really know what they were looking for or how you’re supposed to gauge chemistry from that, because it was really glitchy and we were all speaking on top of each other and trying really hard to act into the camera, which just wasn’t working. But look, I really… Jacob is such a lovely person, such a really fantastic actor and so easy to be around. And I could see that he was going to be a very easy person to fall in love with. So it was fun. In fact I just came from having ice cream with Jacob and he says hello.

Q: Oh my God, I’m obsessed. I want these moments. Give me that footage, okay? I want ice cream footage, I want strolling the streets of downtown New Orleans footage.

SR (laughs): Yeah, I mean we hang out all the time and we’ve become very, very good friends. Cause it is a crazy journey that we’re on and it was a crazy job, so it’s really lovely to have such a good friend.

Ep3

Q: Talking about Sam, how much time did y’all get before you started actually shooting? It’s like “Okay, we’re in love now and it’s going to be very tortured and complicated” – Rolling!

JA: Yeah. I don’t know if I completely believe in luck, but I think there’s like a weird cosmic luck in this whole thing. It is a huge roll of the dice. The first day we met each other, obviously we both had our masks on, and we had a hug and we were like “Oh hi”. And then we just spent the next day walking around New Orleans and getting to know each other. And I truly love that man, so much. Like, we connected so quickly and just found like… And I think part of that as well is that there’s a level of trust that we had to have, otherwise we weren’t going to be able to do this at those hours, and those scenes, and the intimacy of their relationship, and also the toxicity and the fire in it. We had to really hold each other and be like “All right, have we got each other’s back?” And we did, we were just like “We’re in this together. Let’s listen to each other and try and have fun.” And we did, we had a lot of fun. I thought that taking on this role would be quite triggering for me in lots of different ways. I thought it was going to force me to have to reconcile with lots of feelings that I had. I thought it was going to be just a guilt and shame and despair fest for six months. And actually I just found it really, really cathartic being Louis, and Louis has helped me a lot. I think there’s something about acceptance in Louis and acceptance of self, and like “This is who I am, this is who I’ve been, and I’m enduring, I’m choosing to keep going. I’m choosing to accept who I am.” And that was really helpful for me. So rather than feeling tortured, I think I ended up just feeling very… held, very comforted by the whole thing, in a weird sort of way.

Ep7

Q: I’m wondering what you guys would do or how you would hang out on set. Is there hanging out or are you more like “Okay, they’re setting up a light, I gotta go lay down, I can’t with you right now.”

JA: No, we were pretty inseparable, to be fair. There wasn’t really any hanging out. We just were. At a certain point, we just were. We didn’t share a trailer, but it was like, a wall separating us. And we’d just end up sitting on the stairs or texting each other through the wall.

SR (laughs): Through the wall, just texting all the time.

JA: We became a hive mind.

SR: We did, yeah.

Q: Were you still a hive mind once you wrapped? Would you still text and stuff?

JA: Yeah.

SR: Yeah.

JA: We’re going to the theatre tonight. We’ve seen each other every day for the last week. We’re still choosing to spend time together. It’s probably not very healthy. Very co-dependent (laughs).

Ep8

Q: Obviously viewers are in love with Jacob and Sam. People are tweeting me photos of them eating ice cream. We call ourselves #icecreamhive. The fandom is strong. Can you tell me about how you found Jacob and Sam, and the process of deciding they were Louis and Lestat?

Rolin Jones: Well, obviously 9 billion people auditioned. You kind of get down to ten actors that you like on both sides. The simple math of it is the second those two got into their Zoom rooms together, it was very clear something very dynamic was happening. On Jacob’s side, there’s this sort of genuine warmth, kindness, humanity. You’re like “Okay, for a character who’s going to make a number of questionable choices, how do you make them want to love him?” And on Sam: I saw his face and I said “No fucking way! No fucking way that guy, this chiselled, stupid chiselled, with his locks and his dreamy eyes. I was like no, no, no, no. And then I pressed play, and he really knew how big we were going to go. He was wildly specific and subtle. It was in his voice. There was something a little Jeff Bridges/Starman about it, and I was like “Oh, this guy feels like an alien and he feels other than us”. They both won the audition, that’s basically what happened. Although I’ll tell you, here’s a dirty secret: ready for this? Sam bought this piece of technology, that you can do a push-in close-up right when the scene is getting a little juicy. And I just started laughing my ass off. I was like “Oh my God, this guy wants this so hard.”

Mark Johnson: You called me the first time you had seen Sam, and you were just so excited about the potential of this guy and you basically said: “He’s going to be next to impossible to beat.” And sure enough, nobody could really touch him. But from the very first time you saw his audition you were pretty convinced that we had our Lestat.

Keep It Podcast

JA: Sam is just like my… partner-in-crime, and I feel so lucky that I got to spend every day with him. We had to do a lot of stuff in this show and when I say a lot of stuff I mean, those nights are no joke. Knowing those scenes and working on those scenes together at that hour – you can only do that with somebody that you like, even if the scene calls for tension. I think you would just kill each other if you didn’t like each other.

New York Post (October '22)

JA: For anything I got to do with Sam, that relationship is so fun to play. You bond in a really particular way when you're working nights and dealing with these lofty themes. The feelings are huge in every scene. If you don't have that common language and find that chemistry... I don't think me and Sam needed to find it, there was something natural that we found together. It would be rough if we didn't like each other an awful lot.

PaleyFest

Q: Jacob and Sam, I feel like the show wouldn’t work unless the chemistry’s there between Louis and Lestat. There’s a lot riding on that. So how did you two form this immortal bond, if you will, during filming, knowing how important it was?

JA: We just spent a lot of time together even when we didn’t need to (laughs). I don’t know, like, how do you put that kind of thing into words? It’s just, like… I really love Sam. I like spending time with him. I like working with him. I find the way that we talk about what we’re doing… Well, we’re not talking about what we’re doing all the time but I think we have a similar language. I dunno, it’s ki(smet?)… It’s, like, how do you describe a vibe? (laughs)

Q: Sam, how do you describe the vibe?

SR: I think the work, the world and the characters are so extreme and it’s a very intense thing to do. And I think we leant on each other a lot throughout the process and we were very grateful for the friendship that we had built to be able to get through six months of night and some pretty intense scenes. And to have someone that you can look across the room and have a private giggle with and get on with the job and debrief with at the end of the day is invaluable. Chemistry with actors is a complicated beast because it is our job to manufacture it, but when you don’t have to and it just comes naturally it makes everything so much more easy and enjoyable, particularly when you’re nude and bleeding (laughs). You’re really happy you have a buddy (unintelligible).

Q: I was in the Entertainment Weekly suite when all you guys came through for Comic Con at the Hard Rock Hotel and, I mean, I was watching you all interact. Bailey, break it down for me: these two, do they have like a super-bromance going on? Like, what is happening?

Bailey Bass: They’re best friends! They really are, it’s really precious. (Delighted grin from Jacob) Look at Jacob’s face! (laughs)

JA: Are we best friends, Sam?

SR: Yeah, you’re my best friend.

Eric Bogosian: I have to say, I have to throw in: I have two sons who are roughly the age of these guys, and we all went over to Comic Con, us three. And walking around was like being with my kids. The two of them are just like together (clasps hands together) getting into everything and I’m following them around, like “Wait a second, wait a second! Let me catch up with you there!” I didn’t really get it when I first got to set, I didn’t understand what was going on with these two guys, because they were so happy and they were so tired and they were so bonded and I was like “What dimension have I entered here?”

Reddit AMA (2022)

Q: Many of the scenes in the show are very emotionally demanding for even just a viewer of the series [��] Is it taxing on yourselves as people or is it something you can simply switch off?

JA: It really helped having Sam there. We just went and sat on a bench and checked on each other. Without Sam I think I might have found it a lot harder.

Rotten Tomatoes

About the casting process:

JA: I asked (Alan Taylor): “How did you guys decide that it was the right thing?” And he was like: “To be honest, by that point” – cause we did like eight rounds of auditions – “it was more about the way that you interacted when you weren’t doing the scenes. It was about how you listened to each other.” It’s just that we got on, we were pretty comfortable between the things.

Schön magazine

Q: Tell me more about the dynamic between Jacob and you who plays Louis, your love interest?

SR: Jacob and I get on well, we have a close friendship. We bonded strongly throughout the making of this show. He’s one of my favourite scene partners I’ve ever had because it’s just such an easy working relationship. There’s a lot of trust between the two of us. You know, it’s a fucked up toxic relationship. It’s messed up. But at the core of it is like this intense, inescapable love. So, we have to play out a very morbid, obsessive, passionate relationship. I think it would be really hard to do if you hated the person opposite. I’m so grateful that we get on.

ScreenRant at SDCC 2022

Q: Louis and Lestat have an iconic relationship: epic, spanning years and continents, lives ruined, bloodshed. What is it like bringing that to the screen and working together to really establish that immortal bond?

JA: It’s been the greatest partnership – creative partnership – in my life.

SR: Awww.

JA: No, I’m not joking, it really has!

SR: I’d agree, actually. It’s very hard, it’s a very intense relationship that they have, and you have to believe in that relationship. The things they do to each other are so extreme and painful and hurtful. And it’s been fun to have a real buddy to go through that and debrief with at the end of the day.

JA: I’m not sure how we could’ve done everything that we’ve done if we didn’t really trust each other.

SR: Yeah, it would’ve been awful if we hated each other.

JA: And it’s one of the great… you know, in the books, when they join together again – even when you know how awful they’ve been to each other – it’s just like you’re home, and I think that’s something that we always subconsciously tried to make sure was in there. They are kind of like home to each other, particularly after Louis’ human attachments start to fall away.

Eric Bogosian: I just want to say, these two guys (pointing to Jacob and Sam), it’s great watching them, their bonding and everything. The only difference between them and the guys in the fictional world: I’ve never seen them fight.

Bailey Bass: They were walking together alongside the San Diego beach. (To Jacob and Sam) You were! I mean, how adorable is that?

JA: We’re quite co-dependent. I don’t know if that’s a problem (laughs).

SDCC 2022 Panel

SR: It’s the greatest gift that I’ve ever been given, really. And then of course (pointing to Jacob) this guy.

JA: Awww!

SDCC 2022 Press Conference

Eric Bogosian: As a witness to what was going on, watching the way these guys (pointing to JA & SR) interacted was amazing. They had a chemistry that I’ve actually never seen before, and it continues even as we’ve been here for Comic Con. It’s wonderful to watch. I won’t get into it too much, I don’t want to characterise what goes on between them, but there was a great feeling on our set.

TV Insider at SDCC

Q: The level of intimacy that you two have to establish early on is really impressive. Did you know each other? Did you get to spend time hanging out before you got to be these immortal entwined characters?

JA (to SR): What did we do? We had like one Facetime call…

SR: Yeah, we had a Facetime call and then we were texting. We texted a lot, so we go to know each other via text.

JA: Me and Sam talk to each other every day, by the way. We couldn’t cut the cord.

TV Insider’s Trivia Night

SR & JA: Hi, we’re Jam Reiderson and we’re from Anne Rice’s Interview with the Vampire!

Holding up boards that say:

SR: [I won!]

JA: [But I won (really) at life]

SR: Bastard!

JA: Because I get to be with you, Sam, all the time! That’s the twist.

TV I Say Podcast

JA: Me and Sam spent 40 minutes yesterday in a sticker shop. Like, just looking at stickers and buying stickers. That’s not a thing that you ever really talk about. You don’t go like “Are you into stickers?”, you know? (…) I feel like Sam and I end up mentioning things in passing like “Do you wanna go do this or do you wanna do this?” and the other person’s like “Yeah!” But then, we have… There are so many crossovers. You wouldn’t expect it because we grew up in very different ways in very different countries. But we have crossovers of weird things or very niche things that we’d never discussed, really, right up until the point of promoting this show and doing press, that we’re like, “Great!” Like we’re going to go to Universal today. And I thought “Oh, is it a bit of a weird thing to ask?” Like, I don’t know if it’s awkward to… Normally, I wouldn’t ask a friend if they just wanted to go to Universal. But with Sam, I’ll be like “Should we go to Universal Studios?”, and he’s like “Yeah! Let’s do it!” Do you know what I mean? It’s just, I dunno, we just have similarities that we couldn’t have really… We couldn’t have known that we were so similar, but it really helped us when we were working, even if we didn’t know it at the time.

W Magazine (Oct ’22)

Q: Is there anything specific that you read first thing in the morning?

JA: Realistically, text messages. In the last few months it’s been texts from Sam Reid, who plays Lestat in the show, because he’s in Australia and I’m in the UK. So there’s always some kind of really nice conversation waiting in the morning.

Young Hollywood

JA: I don’t know, we just liked each other straight away. We just had similar thoughts about what this was, about what we were doing. He’s one of my favourite people I’ve ever met in my life, let alone worked with. We just work well together. I can’t even really pinpoint exactly why. We’re going to hang out now, like after this we’re going to go to the Grove…

Q: Oh he’s in LA?

JA: Yeah!

Q: Oh my God, that’s perfect! I was going to say when was the last time you talked to him?

JA: Like half an hour ago.

Q: What’s the best thing that came from IWTV for you?

JA: That’s hard to… Sam Reid. Let’s say Sam Reid.

SFX Magazine – May 2024

That being said, [Rolin] Jones admits that it was a tough adjustment for Anderson and Reid to navigate this season. “It’s very clear, they’re very, very good friends,” Jones observes. “They really do talk every day together. So generally speaking last year, they had each other. They would get off the scene, they’d go to the bench and they would talk.”

92NY Season 2 Advance screening

JA: [Working with Sam on S02] was like slipping on a glove. Like, a glove that fits really well, wasn’t it? (laughs) Wait, is that dirty? (laughs)... An old sock!

Eric Bogosian: I have to say, I’ve never seen two actors in a company behave the way these two guys do. When I got to set and I first met them, they were already as if they were stuck to each other like brothers. (…) And then I watched them just… They follow each other around, like, whenever they’re not in scenes they’re like two puppies playing together.

Instinct Magazine (May ’24)

JA: I think the chemistry between Sam and I is based on a similarity in approach, and the way I think about these characters. Also, we just get on – I think that translates in a way.

AMC Talk (May ’24)

Re working with Sam on “DreamStat”

JA: We didn’t work on it too much ahead of time. Sam and I really trust each other. So, we’d just show up and be like, “we’ll be fine. We’ll just figure it out as we go.” We really listen to each other. (…) [Louis and Lestat’s] dynamic this season is very different. They’re not fighting. They’re not shouting at each other. That kind of intensity has gone a bit, which was fun! That was a new thing for me and Sam to play, this kind of companionship thing. It was fun and I was just glad that Sam was there, and that I was going to get to work with him.

JA: Sam and I have talked about how nice it would’ve been to have had a little mini-series where you just see Lestat and Louis just hanging out in New Orleans. (…) And not necessarily hunting, just like walking, sitting on a bench, chatting, really like the norm.

People Magazine Interview ‘24

Q: What’s a headline you’d use to describe your friendship in real life?

JA & SR: Sam and Jacob go to the movies (laughs)…

JA: … and walk around the city…

SR: … sit in a park and chat for hours.

Sam Reid answers fan questions (AMC)

Q: Who makes you laugh the most on set?

SR: Jacob.

Question from Jacob 😏 (SR reaction: Jacob Anderson? Who's that? 😚): Why is Jacob Anderson your favourite person to work with?

SR: He is very talented and he does some extraordinary work in this season. I feel very lucky to work with him… aside from the fact that he’s a dick. 🥰

Salon (May ’24)

SR: They’re trauma bonded, Louis and Lestat…

JA: … And Jake and Sam also trauma bonded!

Roxane Duran interviewed by Autumn Brown (June ’24)

RD: When I first met Jacob and Sam… They’re just the kindest souls and they really, really take care of each other and of everyone around. […] Jacob and Sam really have that sort of really beautiful friendship, and you see them and they’ve got a huge joy being around each other and also being around everybody else.

Vanity Fair / Little Gold Men Podcast (June ’24)

Q: Can you talk a bit more about Sam as a scene partner, the connection you two have developed over the years?

JA: The key thing that Sam and I have is complete and utter trust. We trust each other. We know that wherever the scene goes, it’s going to be safe. We also know that we’re going to surprise each other. […] Sam always does things with his chest and that is also how I like to work. Say it with your chest; mean it. I don’t think he’s ever doing anything out of a sense of vanity. It’s like, you exhaust as many possibilities as you possibly can and you’re unafraid to look silly or to go to a really heightened place. I think we hopefully see that in each other. When Sam and I are in a room together and we’re about to shoot a scene as these characters, it’s exciting. You don’t always find that, where you just have a symbiotic, or completely common language in the way that we work together. Even though we’re quite different. I think that’s what it is. I think we speak the same language in the way that we relate to these characters and this story.

Variety (June ’24)

JA, about filming the S2E8 reunion scene with SR:

“We held each other’s hands, and we just fucking jumped.”

TV Guide (June ’24)

Rolin Jones about shooting the S2E8 reunion scene:

They arguably did not get enough takes to do that scene. It’s just one of those things that when we turned on the camera, you could feel three years of their friendship. I knew on this side of the camera I needed two takes. I was like, “Jesus, what just happened?” But they wanted to stay there forever.

About the unheard words in the scene:

I don’t know, to this day, I don’t know, nobody knows, except those two, what they said. We wrote it in. That was the gift, to say, “You guys, not only your friendship, but where you’ve taken the characters, you should have something private for the rest of your lives. And go ahead, have it.”

AMC “Inside IWTV S2” Special

SR: I speak to Jacob every day, nonstop, all the time.

JA: Any day where Sam is there is a good day for me.

Den of Geek at SDCC ‘24

Q: How do you go about building such rippling chemistry with another human being, with Jacob? And I know the answer is “chemistry is chemistry”, but how? How do you do it?

SR: Well, I don’t “build” anything. Unfortunately I’m going to give you that same answer. But we’re very good friends. We’re really close. I don’t know if that chemistry happens before you become friends or after, but there’s a lot of trust and we just have a lot of fun making this show. I think chemistry isn’t just two actors or two people together: it’s the whole group, it’s everyone who makes the show. It’s the space, it’s the feeling when you come on set, and you feel like you can do things, try things, be experimental, push the boundaries a little bit. And that creates a sense of play and trust. You might think that it’s just Louis and Lestat’s chemistry, but it’s actually the whole chemistry of every cast member and every creative and every director, every piece of beautiful dialogue we have, the design, down to every crew member. Everyone puts a lot of chemistry into it, so it’s a pot – a big, bubbly pot.

Rolin Jones: Bowling, too. They do a lot of bowling.

SR: We go bowling, yeah. I should’ve said that.

Assad Zaman: Ice cream.

SR: Yeah, we eat a lot of ice cream. And we do sticker play (laughs).

Q: Care to elaborate on sticker play?

SR: Make it up.

Q: A lot of bowling alleys in Prague?

SR: They build them for us on set. It’s contractual.

#jam reiderson #jacob anderson #sam reid #iwtv #interview with the vampire #amc iwtv #iwtv press

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charlidos · 5 months ago

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THE CHRONICLES OF THE CUNTYBAGO

I love the lore of the Fellowship, I can't get enough of it. And it's really turned into a kind of myth, hasn't it? The stories have been established, from being told again and again. Regardless if it's not the whole truth, or even not true at all. The lore has a life of its own. And it changes, depedning on who's talking, and over time.

The lore of the (inappropriately named) Cuntybago is a favourite; that famed make-up trailer bus where Orlando spent so much time with Viggo (hours and hours for years and years if you listen to Orlando) absorbing everything Viggo did.

So here's the Ultimate (very long) Cuntybago Post.

The Cuntybago is apparently where all the after-work parties happened. Most of what actually happened on it is still secret, private events not to be shared; after hours, after some wine/whisky drinking. What kind of special stuff was in the drawers? What did they really smoke? And, most intriguingly, who exactly was left onboard when everyone were ordered to get out... (Erm, V&O, perhaps?)I'm sure there are many more photos from the bus. Like a photo of Viggo & Orlando - which has yet to be seen. Oh, to have been a fly on that wall!

(A clip from the last day of the reshoots, in 2003. Because it's the time the bus has been talked about the most. Even if I'm unsure if this is the actual Cuntybago or not. Since it doesn't look green...)

Mortensen and Orlando Bloom spent much of their off-time on a green bus they named the "Cunty-Bago." Instead of the standard luxury lodging demanded by most stars on set, Viggo and co-star Orlando Bloom shared a converted bus while filming Rings. Viggo stocked the bus with a wine cellar and wallpapered the inside with candid behind-the-scenes photos. A source on the set said the bus was the site of frequent cast parties, with the motto, "Everyone is welcome, but when it's time to go, get out!" Indeed, they formed a club — The Cunty-Bago Club. [Viggo, Sean and Orlando] shared a make-up Winnebago, and through hours of beard and pointy-ear application formulated the rules of their society — most of which boil down to getting gossip and posting it on. [on what? I think the text is cut?]

There are very few quotes from Viggo. If you read his old interviews about life on set it sounds like he mostly worked 6 days a week, 14 hours a day. And in his free time, he went camping and fishing by himself and just drove around to get some me-time. That's it. It all sounds like mostly work and no play for Viggo. Cementing this image of him being ever serene, wise and a hard working method actor who never stopped being Aragorn. But then, we have the stories of this bus, which shows his wilder side...

(Viggo in ponytails, with a glass of wine and banana, in front of that mirror covered in photographs. They both took a lot of photos on set, so I guess a bunch of those photos are Orlando's.)

All Viggo's said is this:

"It was a crazy small bus." "Everything had cunt. It was 'cunt this' and 'cunt that'. We had a cuntmas tree, and we had cuntmas angels."

(Orlando on the makeup bus. )

Orlando has mostly mentioned the bus in passing, as he loves on Viggo, his great hero. And in his words, it always sounds like it was just the two of them... (when in fact it was from time to time also shared with Sean B, Bernard and Liv - but only Viggo & Orlando were there the whole time).

[Me and Viggo would] sit next to each other for a couple or hours each morning in a make-up truck. You get to know someone that way, more than by being in scenes with them. I used to sit next to him on the make-up bus, and find myself just staring at him while he was having his make-up done and drawing in his book or writing his notes. I would find myself fascinated. When I went back for re-shoots, I was on my own and he wasn't sitting there, and I suddenly was sitting in the makeup bus that we'd been driving around in for 18 months in New Zealand and got really emotional and felt that it was kind of weird to be there without him there and sort of reflected on all of the happy conversations and chats and glasses of wine and talks that we would have at the end of the day or whatever. He really had a huge impact on my life as an actor.

But he did say a few specific things too:

"Ahhh yes, the bus. It was mine, all mine. It was my precious." Bloom christened the bus the "C-word" when the makeup artist was fuming about someone and asked Bloom's advice. "You should kick him in the cunt and tell him to fuck off!" Viggo just lost it for half an hour. He kept saying, 'What did you say?' [The bus] became all about "the word. We took that word and took all of its power away. We made it the most loving word in the world. If you were a true cunt, you were the most amazing person in the world. It was a very free-spirited bus. It came about because me and Viggo kept being moved around, and we ended up on this bus one day. And the actors were fed up and we said, "This is it. This is our home and we are not moving. If they come, tell them to go away."

And finally from Orlando's IG in 2019 (obviously, to this day, a very important part of his life):

Our fondly named makeup bus, christened by Noreen my makeup artist and Viggo Mortensen, was, and remains in my heart and memory the most female and male empowered, joyful, disreputable and yet totally respectful place of work and creativity ever. Hours spent in the the makeup chair to apply ear’s and wigs and contacts." (They can't even agree who named it, Noreen never got any credit back then...)

(From the reshoots in 2003, Viggo gives Orlando some love and points out the photo message from Orlando on the mirror. But I want to know, who put up the pic of O with Brad Pitt? From this clip.)

The comments from everyone else in the cast about life on the Cuntybago are actually more enlightening. The rowdy gang reveal another side of life on set and of Viggo: as a drinking, partying prankster who loves crude language. It's definitely part of the fascination with Viggo. He's never one to talk about these things himself.

(I think they're wearing the special cuntebago t-shirts here. No idea from whence.)

Bernard Hill:

You are not supposed to know about it!" "There were five or six of us - Viggo, Orlando and Sean [Bean]. Liv came in and out [of the group]. Viggo has this special kind of crudeness that he is capable of. We were in the same make up bus [along with Bloom]. When I came back [from a break] it was called the Cuntybago. It was our private club. We had wine tasting sessions and had lots of parties. We also kept lots of food in there. Anything that was out [on the table], you could have. You could drink it, eat it, borrow it, smoke it… but don´t go looking in any drawers. That´s where we kept our 'special stuff'! [The Cuntybago bar would on occasion open very early] like 6:30am. There were days that we needed it. [I've made life-long friends with] everybody who was in the Cuntybago. Leaving the first time was such a huge wrench. Especially because of the Cuntybago, it was like our club. Fortunately we managed to get it back for Return of the king reshoots, so ROTK was the Return of the Cuntybago. We actually drove it out onto the streets for Viggo’s farewell. Viggo didn’t know we were going to do it, and when it started moving, you should have seen his face. I kept shouting, “Cunty libre! Cunty libre!” And the bus start leaving—we were breaking free. For propriety’s sake it was called the C-Bago Club, because you couldn’t put Cunty on the call sheet. Sean Bean came in, Liv was also a part of it. As soon as I get back to England I’m going to start the C-Bago web site: Orlando will do fashion and Viggo will do current affairs. I’ll probably do gossip — you know, the social calendar. Liv will do Hollywood and Sean Bean will do the art of war. It’ll be our little corner of the world.

youtube

(Bernard & Orlando Bloom getting make-up done. Here's the green bus again.)

Elijah:

Cuntybago is an amalgamation of 'Winnebago' and Viggo Mortensen´s cuss word of choice. I've gained an appreciation of the word cunt. Negative words - the best thing is to diffuse them by using and taking the meaning away. Cunt! Cunt! It's a great, great word. Very forceful. [Viggo] became utterly fascinated with it and it became the word of the film. Their Winnebago for makeup was called the Cuntybago. I was not a part of the Cuntybago unfortunately - it was the makeup room of Orlando, Viggo and Sean Bean - but it was a lovely place to visit. Cuntybago T-shirts were made up. There was a Cunty Christmas and we had a Cunty Christmas tree, all this stuff. Cate Blanchett [who plays the elf queen Galadriel] was deemed Her Cuntliness. I think we were all secretly jealous of the Cuntybago. I was anyway. I loved the atmosphere. Any place that had Viggo in the centre was always an interesting place to be… And that was where all the alcohol was. It was just spending all of that time with brits and Aussies. The word ‘Cunt’ came up quite a lot. I was fascinated by that and how it could become not so dirty. It’s one of the few swear words that still shock people." Is that why you called Cate Blanchett “Her Cuntliness? “Not my creation. She was called that by Viggo Mortensen. I put the blame on him. It was used during the making of the movie and seems a bit silly now. Wood says that his Cuntybago T-shirt is home in a drawer. "It's too big for me. I'm a small guy."

(A few photos up on the mirror in front of Viggo. I'm guessing it's Henry on the toilet (aww!), and Viggo and Orlando doing something something... Sharing a cigarette? Extinguishing a cigarette on Viggo's tongue? It looks kind of erotic. And who's the other dude?)

Billy:

"On Lord of the rings we'd go to Viggo and Orlando's trailer which was called The Cuntybago. Viggo was good for getting Irish whiskey, which was great but I keep trying to educate him on malt whisky. (To Billy it was just V&O's trailer. Like it's where they lived together...) Hobbits, an elf, a King of Men, maybe a dwarf. And quite a few times a wizard, sometimes a princess. Ha ha! That's enough to make anyone feel pissed. We had some good times on that one, some great times."

Peter Jackson:

"The actors had a spiritual connection to it. I liked the way they had photographs [Mortensen and Bloom] taken behind-the-scenes, plastered all over the walls."

(From the reshoots, I think. Beautifully blurry.)

Liv Tyler:

I can't believe he [Mortensen] talked about that. That was our private world. There was a lot of liquor on that bus. But the funniest thing about this bus is that this thing was a beast. It was so tiny; nothing worked. If they ever washed our hair it would go from scalding hot to freezing cold. There was no heat. Our makeup trailer became the center of things. It was given a really bad name that I cannot repeat. There were pranks, most of them also too dirty to tell. I love them all, all my costars. We would hang out mostly in the hair-and-makeup trailer, and after work at dinner. We would eat all the time and drink wine and laugh. I think that a lot of that was the friendships that we made with each other and the fact that we all needed each other. It was vital that we all had each other to survive and to be able to laugh. Everybody had a really good sense of humor, thank God. We'd be constantly making jokes and decorating the trailer with ridiculous things and being rude and that was our sort of little bubble of escape in our makeup trailer.

(Photo by Liv, in the bus. You can see all the polaroids and stuff behind the unicorn elf.)

Cate Blanchett:

Viggo is the funkiest person I've ever met. I am far too polite to . . . he had this thing he called "the cunty-bago" . . . no, I guess I shouldn't go into that. So, yeah, he's incredible, very funny.

So, I can't quite figure out which bus The Cuntybago actually is: the green one Orlando is seen exiting? Or the yellow-ish one seen in the vids from the reshoots? Because they aren't the same. And in the vid from the final day, Bernard says the bus he drove on that last day was the same they'd had "for years" and which never moved before. While Orlando said they drove The Cuntybago around "for 18 months". So which bus was it? And did they drive the bus around or not? Or was it stationary? It's a mystery.

(This is the green bus - but is it the make-up trailer? Same as in the vid with Bernard.)

(Here in the reshoots, the bus is yellow-ish? And completely different. Looks more like a Winnebago than the green one really... So which one is The Cuntybago?)

ETA: it's the green striped one! Here's it's on the Cuntybago shirt:

ETA 2:

All my memories from that time is filtered through our bus, the famous C-bago. That was our haven, our social club and our home: it was our special place. We christened it the Cuntebago, but it had to be shortened to C-bago because Cuntebago couldn't go on the call sheets. It was a big make-up bus, and in one of its previous existences it obviously took people to and from places on a commercial basis, so it had the little place in the front that said where it was going, and we wanted Cuntebago on there: "Cuntebago - everywhere!" That was me, Viggo and Orlando. We were the cunts in the Cuntebago.

-Bernard Hill in Empire Magazine 2011.

That's all I have found about this infamous, mythical place, where all the magic happened, as they say. If anyone has info to add, please do! I want this post to be comprehensive!

#viggo mortensen #orlando bloom #lord of the rings #viggorli #the lore of the rings #elijah wood #bernard hill #billy boyd #liv tyler #The Cuntybago #lotr cast #lotrips

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giamee · 5 months ago

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ᯓ ᡣ𐭩 prev. OG 5 GIRLS INTRO!

masterlist. next. ᯓ ᡣ𐭩

INTRODUCING THE ISLANDERS ...

"HI i'm y/n, i'm 21 and from teyvat. i'm a student, so yay summer break!"

"i'm here for what i hope is a good time. i've had a couple boyfriends before, in fact i broke up with my last one just a few months ago, so i'm really just looking to get out there again and what's a better way than to be here with all the hottest guys in teyvat?"

"hey, i'm ganyu!! i work as a secretary and i'm 21, i live in liyue!!"

"i've never really had a boyfriend before haha, but maybe i'll find one here! my friends say that i'm a workaholic, and i feel like if i were to have a boyfriend he'll have to be able to handle the fact that i have a busy work life, or maybe just have one of his own."

"i'm not really the type to go out much, i definitely prefer a night in haha."

"my type? i like sweet guys, sort of a classic romantic type of guy who will make me feel special and understands my needs. that's all."

"yo, i'm hu tao, my friends call me tao! i'm from liyue, i'm 19, and i'm a funeral director. didn't expect that one did you? you ever had someone on the show with that job before? yeaahhhh, thought not."

"one thing about me is i love a good prank. i've always kind of been a trouble child, ever since primary school. nothing too crazy, just enough to keep people on their toes."

"i like people that are funny, can match my vibe. i don't like boring people. we're here to have fun, aren't we!?"

"one ick i have? to begin with, people who call them icks. and uhh... i also hate when guys make it a point to say how strong they are by comparing my own strength?? like yes, you can curl my bench, i'd hope so or otherwise we'd both be weak as shit."

"hey, i'm rosaria, i'm from mondstadt. i'm 26, and... well i've had a lot of jobs over the years. it's a bit of a funny story, actually, i used to be a nun. clearly that was meant to last 'cos i'm on this show now. right now, i work as a bartender. it's quite fun, getting to know the regulars. i can do most of their orders off the top of my head now."

"one of my icks in a guy? i don't think this really counts, but you won't believe the amount of guys i've met who are just... can't get over the fact that i used to be a nun. it's not that serious, like? i get it, but this isn't a porno."

"my type? good question. i don't know. but the last guy i was talking to had a bunch of tattoos and this really hot beard so, maybe that."

"so... i just talk into this mic? okay."

"hello.. everyone! i'm jean, i'm 26, and i'm an office worker. nothing too glamorous, haha. oh yeah, and i'm from mondstadt"

"my type in a guy is someone who's a bit more mature, you know? i'm not a teenager any more, i don't have the patience to date around with idiots anymore!" (chuckles)

"growing up, my dad and my brothers always made sure to treat me really well so that when i'm older i'll know how a guy should treat me. i guess you could say that my standards are pretty high, yeah"

"ooh, an ick? if a guy wants to go 50/50 with me. if you're broke, just say that"

𝜗𝜚 gia's notes :: the banners r kinda ugly o well. graphic design is my passion 🤓 also i left the y/n bio kinda blank so it's not too specific :)

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cosmerelists · 11 months ago

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Support Groups that are Needed in the Cosmere

[Spoilers throughout!]

Sure, Kaladin has invented therapy, but where are the highly specific, timeline-blind, Cosmere-spanning support groups that our heroes desperately need? Support groups like...

1. "My Parental Figure Tried to Murder Me and all I Got was this Stupid Trauma."

Vin: You grow up thinking your mom tried to kill you, but it turns out she was just spiking you to be controlled for an evil god. Vin: Not better. Charlie: Oh man, that's horrible! My dad just sent me to an evil sorceress he thought would kill me because I was just that embarrassing to him. Wax: My uncle, who raised me, tried to blow me up with my own butler! And that was just, like, the first murder attempt. Shallan (sweating): I really thought there'd be more "and I killed them back" by now.

2. "Kin-Killers Club Support Group"

Wax: Kin-Killer's...Club? Shallan: I thinks someone thought the alliteration would be jolly before realizing that this group probably shouldn't be. Raboniel: Some would claim that "kin-killing" must be specifically a blood relative, like a daughter, rather than a spouse. Dalinar: ...should I go? Wax: No, no, I think wives definitely count as family! Vin: How do we feel about in-laws? Father-in-law? Brother-in-law? Shallan: Hey, it's all trauma. Kaladin: What if you didn't kill your brother exactly but you feel like it's definitely your fault and the guilt eats you alive? Wax: Yeah, nixing the jolly alliteration was definitely a good idea.

3. "I Did Not Enjoy Being Enslaved"

Kaladin: I think, for me, the worst part was that by the time I had fallen that low, I kinda felt like I deserved it. For not protecting people. Kaladin: I think that's why I kept my slave brands for so long. Rlain: I never thought I deserved it. None of my people did. Crow: Hey, why is this group's name in the past tense? Some of us are STILL enslaved to the big stupid dragon, you know!

4. "Dead Brother Gang"

Kaladin: Uh, Shallan? Is it awkward to have me here? Shallan: Eh, it's okay. Narratively, I got over you killing my brother really quickly! Shallan: Sorry he killed, like, all of your friends. Kaladin: I think that's trauma for a different support group. Shallan: Ha ha yeah! I've been to so many it's hard to keep track. Jasnah: If the two of you are finished, perhaps the rest of us could also talk about our deceased brothers now? Llarimar: Uh, is it okay if our brother died but then later came back to life? His death was still, like, very sad. Marsh: Of course. Even brothers who don't remain dead can be grieved. Marsh: ...Sometimes they manage to annoy you more.

5. "Horses Suck So Much--Why Doesn't Anyone Else See It?"

Kaladin: ... Vin: ... Kaladin: Vin: ... Kaladin: I really thought we'd get more people. Vin: Me too!

6. "Killed Off For Another Character's Development"

Evi: I know my death gave my husband such a powerful backstory but...it would have been nice to be in the main narrative. Vin's mom: Hey, at least you got a name. Parlin: It sucks, but it must be nice that you were grieved, at least! Parlin: People are like, why was Parlin even a character? Kelsier: (sighs) Yeah, our deaths may help the main character grow...but at what cost? Evi (low voice): Are we sure he qualifies?

7. "I Really Thought That Guy Was Cool and then He Almost Murdered Me and I Felt Kind of Stupid"

Vivenna: Turns out you CAN'T trust mercenaries, even if they seem jolly. Shallan: Some men who bring you jam and bread are...bad. Siri: Even nerds can be evil. Hrathen: Sometimes the crazed, violence-prone, deeply unstable underling you think you can control for your own purposes turns out to be crazy, violent, unstable, and murderous. Vivenna: ... Shallan: ... Siri: ... Hrathen: What?

7. "Wronged By Hoid"

Kelsier: Ugh, that jerk. Punched me in the face. Sigzil: Abandoned me in the Bridge Crew. Not to mention that I have to run forever now, thanks to him. Jasnah: "Wronged" is perhaps strong, but I will say that he is not the ideal boyfriend. Riina: That son-of-bitch kicked me off of a perfectly fine planet! Amarem: He was quite rude to me, once. Or many times. Hoid: It's all so true. I get myself into SO much trouble sometimes. Hoid: Is there any greater victim of Hoid...than Hoid himself? Kelsier: YOU CAN'T BE HERE

#cosmere #cosmerelists #Vin #Charlie #Hoid #Shallan #Kaladin #Evi #Wax #Kelsier #Sigzil #Amarem #Riina #Vivenna #Siri #Parlin #Hrathen #Crow #Marsh #Jasnah #Llarimar #Dalinar

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aphroditestempleimagines · 11 months ago

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The best male Harem to have

Doubt anyone will listen to my rant but humor me. My mind got burnt by mangas

So these are my husbands (minus Satoru cause if I married Satoru it would not be like this) and their ranks in the harem. I goddamn swear to you this would be the best group to have. Lemme hear your thoughts though and do try to give your own husbands a rank.

Here are the spots for you to fill:

King Consort

Primary lover

2nd Lover - The Old Friend

3rd Lover - The Poet

4th Lover - The Noble you were Arranged with since childhood

5th Lover - The Foreign Prince

6th Lover - The Personal Guard

These are your seven husbands and I tag @rinnndoll @atelier-maroron @aquagirl1978

Enjoy:

King Consort - Chevalier Michel

It's not just cause I love him. It's also cause damn he'd be so freaking capable. He's a genius in everything and could 100% take care of the kingdom with me. He's also very mature and very disciplined so he'd be able to manage the other husbands (they're crazy). He has no male toxicity/pride. All his actions towards you come from pure love, while he's rational enough to act like a freaking King towards everyone else.

2. Primary Lover: Prince Heinrey

He's just perfect alright? I wanna take Navier's place. Cause look at him! He's got it all. He'll do whatever you want, either let you take charge or show his his dark side. He's so freaking hot and yet he's got that golden retriever energy that I honestly can't resist! Also, I have a feeling he'd work well with Chevalier even though he'd be pissed to share with everyone.

Now I know we have two blondies so let's go on with darker shades now.

3. 2nd Lover: Getou Suguru - The Old Friend

Satoru is not here cause honestly we are two alike so we'd be married by ourselves, but this is also the reason SUGURU is here. He'd be crazy for you. He'd only behave in the harem cause it'd make you sad if he didn't. But like...if anyone OUTSIDE of your harem tried to harm you whooooooooooooooooooooooo they'd be dead before you know it. He'd have a strange understanding with Chevalier and Heinrey cause even though he knows that you are more in love with them, you care for him more cause you would had known him from childhood.

4. 3rd Lover: Edgar Alan Poe (BSD) - The Poet

He's the first one you'd run to for a hug. His love is pure and sweet and his devotion is uncomparable. He'd bare no grudges, he'd just give you a pouty face when it was time to say goodbye at night. He'd always listen to your concerns. His gifts are always handmade.

5. 4th Lover: Akashi Seijuro or Gilbert von Obsidian- The Noble you were Arranged with since Childhood

Oh you did not choose this one. This was chosen for you. You are required to take in a member of the aristocracy as your husband that has connections with the people's representatives. He would do ANYTHING in order to be chosen. And I do mean it. You two would have dated in the past before you were crowned and he did not take it well when you dumped him. It was not for the lack of love, rather that the two of you crave the same thing: power inside your kingdom. He would not play well with other husbands but would not do anything to them because he recognises that you're a hair away from kicking him out. He'll take his time being the best husband he can, doing things he doesn't have to to help you rule. You have a love-hate relationship to tell the truth and that translates into the bedroom (he's the best out of all in that department and that's one of the reasons you can't get rid of him)

6. 5th Lover: Guren Ichinose - The Foreign Prince

So he's another one you did not choose to marry but gosh did you fall for his looks when you met him. He's very handsome but also very proud. Your relationship with him is another explosive one. Nothing makes him cockier than the times you pull him into your arms to give him a fervent kiss. But unlike the previous one, he wants the two of you to build something real. He's a fan of taking things slow even though things between you escalated quite quickly. He'll the the type to send his servants/subordinates on missions to find stuff about you, like your favourite flower, and then surprise you in front of everyone else.

7. 6th Lover: Sir Sonnaught- The Personal Guard

As the title says, he was your guard. The two of you spend a lot of time together sneaking in and out of the palace you could not help the sparks flying between you. He was the last one to enter the harem but that does not mean the two of you had not been physical before that. He is disciplined and good at his job, and he continues to protect you even after he's your husband. He a great source for strategic advice for you, and the best person your other husbands can talk to if they want to figure out what is in your mind lately.

#men of the harem #jjk #suguru getou #ikemen prince #gilbert von obsidian #bsd #bungou stray dogs #bungo stray dogs #bsd poe #edgar alan poe #guren ichinose #seraph of the end #kuroko no basuke #akashi seijuro #the remarried empress #chevalier michel #prince heinry

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vyl3tpwny · 6 months ago

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Another follow-up question: you already mentioned medley of visions in the previous answer. Could you share your thoughts on the process behind that one?

despite being a 20 minute fucking song, bri and i actually made it in less than a week's time. the first 5 minutes of it i actually made while sick in bed at an airbnb in 2019. when i got kicked out, me and my roomate had to stay at an airbnb before while we waited for our longterm place to be ready. i ended up getting insanely sick halfway into our airbnb stay. despite that, i made a bunch of tunes in that time and i had to do them in bed lol. so i made the first 5 minutes in one night while i was sick, alongside a bunch of other demos (including the demo that would become CUTIEMARKS eventually)

fastforward a year later to 2020 and i talk to bri about finishing that demo i made. so in like the span of a few days we just sat in a call playing a sort of musical ping pong making each subsequent section. the total amount of days from start to finish (including the one night in 2019) was probably about 4-5 days total.

to this day i still have not encountered a collaborative workflow like we did for that song. we basically were making music at the same time and we'd show each other our progress and weave each section into each others'. so like for example when it came to the dungeon synth stuff she was doing in one section, she showed me the wip and i was like oh yeah i know where to go after that and started making some trance shit that transitions out of that. when she was finished with that section, she sent it over and i had it transition into the section i was working on. when i did that, i showed her how it sounded on my end and she was like yeah i know where to take it after that too. this continued on loop until the entire thing was done basically.

what's also crazy is that bri is an extremely fast learner. she actually had very limited experience making music prior to medley of visions with me. she was teaching herself things on the fly while we made it, it was insane. she wasn't really working on tunes for years until that point. the fact that she was able to create this dazzling array of ideas while learning how to even do that to begin with was mindblowing and it worked. hopefully we can do that again sometime.

she recently decided to just start learning how to make comics out of nowhere. they're really awesome. give her a follow at @hypercubecats !!

#vyop #vymus

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mickimagnum · 4 months ago

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Devin's Dude Ranch: Episode Ten

*the episode opens with a shot of Echo Valley Ranch. The sun has just set and crickets can be heard singing in the background.*

Devin, in the diary room: "Today is our second group date and I'm so excited to spend more time with my four guys tonight. They're all still here because I still want to get to know them and events like tonight are the perfect chance to do just that. I'm hoping they're going to be able to cut a little loose."

*the next shot opens with the contestants lined up. they're waiting for Devin in the backyard. she approaches and they all greet her with smiles*

Devin: "Hi guys!"

Devin (continues): "Wow, you all look so nice tonight. I can't believe I get to spend another evening with you fine gentleman."

*the contestants grin and chuckle softly*

Devin (continues): "For tonight's group date, I thought we could cut a little loose with a backyard hoedown. What do you fellas say?"

*the group cheers in reply*

Devin: "Alright then, let's party!"

*the next scene opens with Devin sitting at the bar, joined by the contestants*

*Devin sips at her glass of nectar while Albert looks on, a smile playing at the corners of his lips*

Albert: "So, how was your day," *pauses and tips his invisible cowboy hat* "darlin'?"

*Devin chuckles and shakes her head*

Devin: "It was good. Just a typical, busy day. Worked the horses. Did some nectar business. Although, I did actually have time to go for a jog this afternoon which was nice. What about yours, cowboy?"

*Albert makes a show out of pausing to ponder*

Albert: "Also busy. I hung out with these goons all day," *motions to the other contestants* "and...thought about you nonstop."

*Devin grins ear to ear*

Devin: "Is that a fact?"

Albert: "Yes. Admittedly, you're all I've been able to think about since I've gotten here."

*Devin blushes and tries to hide it behind her hand*

*After a beat, she recovers, leans forward and asks:*

Devin: "And what exactly were you thinking about?"

*Albert grins, leans closer to her, and they lock eyes*

Albert: "Well, I'd love to tell you, but I'm sure these guys don't want to here it," *glances around at the other contestants* "Why don't you come dance with me and I can tell you?"

*Devin nods as a smile breaks out across her face*

Devin: "Deal."

*the next scene opens with Albert and Devin slow dancing out on the dance floor. They are gazing at each other intensely and smiling.*

Devin: "So tell me. What thoughts have been going through that beautiful, twisted mind of yours?"

*Albert chuckles*

Albert: "Twisted?"

Devin: "You heard me."

*Devin winks at him and the pair share a laugh*

Albert: "Well. I think about that first night, and how natural it felt to have you in my arms. How right it felt. I think about your brown eyes...a lot. And your laugh. Man, I love the sound of your laugh. I think about how amazing it would be to have a life with you, from the crazy adventures we'd have to just waking up next to you every morning. But, mostly, I think about how I can get more time with you, because honestly, it feels like the air I'm breathing right now."

*The camera cuts to Devin. Her eyes are shining and she is smiling widely*

Devin: "Albert...I had no idea you felt that way. That has got to be one of the sweetest things anyone has ever said to me."

*Albert suddenly scoops Devin up. She wraps her arms around his shoulder and they hold intense eye contact*

Albert: "Oh, I do. Maybe I should let you in on a little secret."

Devin: "And what's that?"

Albert: "I'm f*bleep*ing crazy about you."

*Devin smiles and leans forward to kiss him.*

*The camera zooms in to Stan standing in the background watching. His face is etched in anger.*

Albert (in diary room): "What a night. I opened up to Devin about my feelings for her and I feel like it took our relationship to the next level. And she kissed me....best kiss of my life too. These other guys better watch out. I'm not leaving without my girl."

*the next scene opens with Devin and all of the contestants dancing to modern ranch music; all except Stan who can been seen drinking heavily at the bar with a dark look on his face*

Houston: "What do you mean you've never read The Grapes of Wrath?"

Devin: "Don't judge me, mister. I'm admittedly not a huge reader. I don't have time."

*Houston acts wounded*

Houston: "But you have that beautiful library upstairs!"

*Devin chuckles*

Devin: "I do. And I would love to read the books I have in it but alas."

Houston: "I think I know a solution."

*Devin looks at him puzzled*

Devin: "Now you've got me curious."

Houston: "You're too busy to read, so why don't I read to you? I'll be your living audio book. I can read some to you every night before we go to bed."

*Devin pauses a moment as a smile spreads across her face*

Devin: "I think I love this idea."

*Houston smiles back at her*

Houston: "We can start with The Grapes of Wrath. It's a classic and I think you'll love it."

Houston (in diary room): *stares at the floor for a moment before a smile begins to spread on his face. he then looks directly into the camera*

"I think I'm falling in love with Devin."

Stan (ranting to bartender): "Ya know, I don't even know why I'm here. I mean, I came to find love, but it's like competing with a pack of wolves. It's f*bleep*ing ridiculous. I'm too old for this s*bleep*."

*Stan drinks deeply from his mug of beer*

*The camera cuts to Handra and Devin, who can be seen embracing each other, both smiling deeply*

Handra: "I've missed you. Is it too early to admit that?"

*Devin chuckles*

Devin: "Never. I've missed you, too. Your presence...it calms me. You make me feel safe."

*Handra smiles down at her*

Handra: "You're always safe with me, Devin."

*She bites her lower lip and blushes. After a pause she says:*

Devin: "Wanna swing?"

*Handra grins*

*the pair can then be seen swinging, giggling, and talking indistinctly*

*After Handra and Devin get done swinging, he takes her hands and looks into her eyes*

Handra: "I just wanna say, Devin, anytime I spend time with you, I feel like the luckiest man alive. I love how genuine you are to yourself, and with others. You inspire me."

*Devin smiles*

Devin: "I love spending time with you too. I think we get along so well because you are also a really genuine person. It's a rare quality."

Handra: "That it is."

*His eyes sparkle at Devin and she can't help but keep smiling up at him*

Handra (in diary room): "Being with Devin just makes me happy. I really hope she feels the same way about me. And I want us to keep making each other happy. That's all I got to say."

*Devin sits down next to Stan and greets him with a big smile*

Devin: Hi there, stranger. You've been awfully quiet tonight. Everything alright?"

*Stan glances up at her*

Stan: "Just haven't had the energy to claw my way through the wolfpack tonight for your attention."

*Devin cocks an eyebrow at Stan*

Devin: "The wolfpack, huh?"

*Stan shrugs*

Stan: "Everyone's fighting for your attention all the time. That's what it feels like. We're wolves circling prey. You're a prize to be won." *he looks down at his drink* "It's exhausting."

*Devin studies him for a moment*

Devin: "Is it the competition that's bothering you or that you don't feel like you're getting enough time with me."

*Stan snorts*

Stan: "Hell, both, if I'm being honest."

*Devin looks slightly annoyed as she rests both hands on the bar. She takes a deep breath before speaking*

Devin: "I'm sorry you feel that way. I'm doing my best to spend time with everyone. It is certainly challenging. But, this is a two-way street, Stan. You have to put in effort, too. You said you don't feel like you've gotten enough time with me, but also said you don't feel like 'clawing your way' through the others. This is, unfortunately, what we all signed up for. So, do you see my problem? I mean, which is it? Do you want to spend time with me or not? I'm going to do my part, but can I count on you to do yours? I guess that's my question."

*Stan clenches his jaw as he eyes her, choosing his next words carefully*

Stan: "I'm not sure this arrangement is for me. This whole thing is more difficult than I bargained for."

*Devin looks stunned*

Devin: "So, are you saying you want to leave?"

Stan: "I'm not sure what I'm saying."

*Stan abruptly gets up from the bar*

Stan: "I need some time to think."

*he then turns and skulks into the house, leaving a stunned Devin still sitting at the bar*

*the camera cuts to the other three contestants on the dancefloor, looking on in shock*

Handra: "Wait, is Stan leaving?"

*Stan can be seen in the bathroom, clinging to the sink while glaring into the mirror*

Stan (voiceover): "I'm so angry I want to smash everything in this room. I had no idea this was going to be this hard; seeing her with the other men. I'm not sure I can keep doing this. I'm going insane."

Devin (in diary room): "I'm so surprised at the way Stan behaved tonight. I mean, no, this is not an ideal situation for any of the contestants but it is what everyone signed up for. Yes, it's hard. But, we're all doing our best. Really, I'm disappointed in him for acting so...immaturely. If he decides to leave, I will be sad to see him go, but if he doesn't think I'm worth it, then maybe it's not worth the emotional investment. I don't know. I'm really confused righ now."

Stan (in diary room): "I haven't decided what I'm going to do yet. On one hand, I really like her and I want to see what's there between us. On the other, I'm tired of competing with these other dudes, of seeing them with her. It's too hard. I hate it. I don't know what I'm going to do..."

Albert submitted by @bakersimmer Houston submitted by @invisiblequeen Handra submitted by @bloomingkyras James "Stan" submitted by @natolesims

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#devinsduderanch #devin delaney #houston bloom #handra diaz #albert robins #james stanford #sims 4 bachelorette #sims 4 bachelorette challenge #echo valley ranch #chestnut ridge #sims 4 horse ranch #simblr #the sims 4 #sims community #ts4 #sims 4 love story #sims 4 story #sims 4 screenshots

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ladydaybreaker · 2 months ago

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Thoughts on the ending

So this isn't going to be as in depth as what some others have done...just my own personal thoughts. So, spoilers ahead y'all under the break

I felt the finale should have been longer. I felt that, especially towards the end, things were rushed and just slapped on in a 'well this happened'. Granted, this makes me have a bit more fun time with my 'job' writing out what happened for my stories as I get to play around...but at the same time, I wanted to see more.

I felt there definitely could have been more with J and Tessa (or "Tessa's" relationship, giving a better reason of why she sided with them than "I want to live". I kinda did the "Oh...so she knew the whole time." response when I saw J's reaction to the Solver bringing the ship down. Personally, I kinda hoped that she didn't know, which would have gotten a lot of very interesting interactions ranging from grief to confusion to absolute effing fury that the Solver took another thing from her. Which would have meant J fighting alongside N and V rather than against them...which imo could have been a cool thing. The "I hate you but I hate this thing more."

V I expected to be alive. In one way or another. Either she was going to be fully ok like what we saw in canon (that oil drag away in the ep7 teaser clued me in she survived) or we'd have Eldritch V to deal with before messing with "Tessa".

I do wish that the "Bus Crash Trio" had more of a relevance other than delivering the gun to Uzi and Khan getting to slam the door down on "Tessa" and stop her from eating N's core.

Also literally everyone but Doll and Tessa living was just a "aw come on..." from me (though there might be a chance to get Doll back from what I could see since we see Uzi's HUD flash her purple, Cyn's gold and Doll's red.)

I felt the entire episode could have been at least ten minutes longer.

Now, enough with the complaining and on to the stuff I liked.

The horror and action was wonderful. I adored the final fight against "Tessa" and J. The Hallway scene with "Tessa" stalking Uzi and N while giving Callback Pings to call Uzi back to her was chilling. Not to mention the whole "LetMeInLetMeInLetMeIn" scene. (I wish these scenes were longer, make the Solver horrifyingly threatening as it's toying with them/hunting them down). Also. Uzi's core literally trying to rip itself outta her chest as she's getting pinged was just horror fuel.

V and N's PTSD kicking in when "Tessa" confronted them just MWAH! Yes. All the Trauma for the cute murder bots. V's shrieks of terror and panicked "I need to get away!" moments were absolutely gorgeous and I will gladly enjoy messing with that in my own way.

The callback pings also made me squeal because that was something my awesome friend @banyanas created for their DD headcanons and we all kinda went feral over them. I'm glad to see them there!

Cyn lived. Even if she's not in her own body, I am happy to see the silly little chaos gremlin alive. I am STILL of the opinion that Cyn and the Solver are not the same person. As I kinda got that vibe when Cyn was talking to Uzi at the locker...it was a lot more kind and innocent compared to the earlier battle. Maybe it was her resignation of being stuck like that, I don't know.

Cori, effing Cori. I love the purple spitfire, still my favorite character to traumatize and love on and oh my god yes the Khori content. I am so glad she actually lived. Khan still loves his crazy beautiful wife even if she doesn't have a proper body (yet...I'm not convinced they don't eventually give her her body back). Tsundere Nori was sweet as she saved him and oh I'm totally not gonna weaponize this :3

Nuzi confirmed! My Biscuit Bites lovin' heart is happy. (Picks up Orion and Astra) Look! You two are somewhat canon now!

Uzi kicking god in the screen. CROSSROADS CREW! LOOKING GLASS BEAU AND FLIPSIDE VERA YOUR GIRL KEPT HER PROMISE AND KICKED GOD IN THE SCREEN!!

A detail I haven't shared much but have been thinking on was Uzi's eyes now. How they're a gradient of yellow and purple. I...will admit I did have the thought of when she gets stressed/frightened/angry there are little yellow glitches in them even though the Solver is destroyed in Suns, Moons and Stars.

All in all, still kinda 'ok' on the episode. My favorite is still Episode 4 though 7's up there. I wish some things went different but eh, that's what my job as a fanfic writer is.

As it stands, Thank you Liam, thank you Glitch, thank you Michael, Elsie, Nola, Daisy, Fitzy, everyone. All of you did your hearts' work and it very much shows. If not for you guys, I never would have met people I am honored and blessed to call friends. And I never would have started writing probably the longest story project I've ever done.

May you dance among the stars from adversity.

-Lady Daybreaker

#through the earth with adversity #murder drones #murder drones episode 8 #personal thoughts

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fisksaturday · 1 month ago

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Epsilon, my beloved~ I gotta know your thoughts oh please oh please

oh boy - how much time do you have?

I'VE WATCHED THE EPISODES WITH FRANCIS AND EPSILON IN THEM SO MANY TIMES just like. psychoanalyzing the reasons they do what they do and stuff. and it always feels awkward for me because i worry that i'm deciding the wrong parts are lies and stuff, yknow?

like, in "the swarm at the edge of space", epsilon tells the saturdays that he's been retired, but his people talked him back into service. when drew tries to talk zak into helping francis with processing his father's injury, she tells him that he's new to all the crazy stuff. technically, this COULD all be true: epsilon could have been raising francis for a while and francis only just found out that he's a clone and that he's supposed to be their people's perfect agent

but it FEELS more correct for the case to be that epsilon has been training francis since he was born, and this is just his first actual mission or they were trying to use the fact that francis is just a little guy to get the saturdays to let their guards down and stuff

now we'd be here forever if i just listed off every possibility of what could be implied by the actions of epsilon and francis or even what i think the writers INTENDED to be implied but i'd really rather just talk about my little fandom headcanons :3c

i feel like in "the swarm at the edge of space", they did not plan for epsilon getting hurt. i think that francis stole his sonic collar and i think he was not supposed to do that. i think francis and epsilon had a sort of conversation similar to zak had with his parents in "the king of kumari kandam" where francis wanted to have a sonic collar to fight with and epsilon was like "no not yet" and so when epsilon was injured francis took the chance to prove himself

like we see in this shot that francis goes and sits in the corner away from his dad. he and zak have a short conversation and then when the power goes out and everyones distracted:

hes back next to epsilon. this is probably the moment that he took the sonic collar from him but we cant know for sure because there isnt any indication of the collar on their designs until theyre actively using it

when epsilon wakes up a little later, he immediately comments on how he lost his sonic collar and he seems genuinely surprised about it. its possible that he was already conscious before he showed them that he was and he's commenting on it to sell the illusion more, but i dont think that's the case. i think he woke up and realized the weapon was gone, and probably put together that francis had taken it

francis doesnt get in trouble for that and epsilon doesnt show any surprise at the fact that francis took it, but i still feel like he wasn't actually supposed to take it because if he was, why wouldn't he just already have his own sonic collar? there's definitely more than one of them and stuff

i also think so much about like. every single thing epsilon says. he doesn't have as many moments to show his personality as francis does, but i feel like what moments he does have show him being more... sensitive? if that makes sense? it feels weird to call epsilon sensitive but it's just the vibe i get

like the awkward little way he says "its in the file" or when he says "would i ever lie to you?" to doc. he doesn't exactly seem less socially inept than francis, but he seems more experienced with it all

i always feel a little embarrassed when i go on about epsilon for too long. i feel like he doesnt actually have that much power within their organization, he's more just like. the Perfect Agent, their poster boy, but he doesnt actually decide what missions he goes on or what the next thing that they do will be or anything. he and francis always talk as a collective, it's always "my people are trying to do this" or "my people heard about this attack and are concerned"

i dont think epsilon wants to be training francis. not bc he doesnt like francis, but quite the opposite: i think he would much rather francis be able to live a normal life, but that's just not possible given the circumstances of their creations and their duties to their people and stuff. and i really need to write that one fanfic at some point lol

#hides my face in shame. sorry for thinking so much about agent epsilon it will happen again #agent epsilon

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thisbelongsto-nohbodys · 1 year ago

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I have an idea for my fanfic about having the Boonchuy go with their daughter to Amphibia during the latter part of S3 (like Camila did with Luz), explaining it as "if you're trapped there again, at least we'll be all together." What do you think of it?

that'd b neat.

Mr and Mrs Boonchuy learning how much Anne is loved by the Wartwoodians, how much of a capable fighter she is, the threat of Andrias and the Core, seeing the giant beasts and bugs, Recruiting more folks for the invasion, etc etc. What kind of roles would they play? Granted the question then is do they stay on earth after Frogvasion or do they come with and watch their daughter die and become leaves and then get reborn.

(and because of shipping, Mr and Mrs B would she how Sasha changed and how her and Anne's relationship changed and tease her about it. "So, Sasha sure has changed, huh?" "Yeah, she's a lot less bossy and selfish. She's more open to feedback and there's no trace of manipulation or hidden motives. This feels like a new Sasha...and I think I like it." "You know, sweetie, if you want, your father, the Plantars and I can keep an eye on your two's commander thing with that Toad-Dad person of Sasha's if you and her wanna go on a quick date." "Pffft- WHAT!!!?? A date?! Me and Sasha?! W-what are you talking about?!!??" "Oh comeon Anne. We see how you two are around each other now, the lingering hugs and touches, the longing looks, the smiles and blushes. It's okay if you want to date Sasha. Especially now that she's changed, if she was still like her old self then we'd be against it 100%" "b-b-but" "Honestly we figured it'd either be her or Marcy" "Long shot was both of them." "I can't believe what I'm hearing, can you?" "We kinda figured you were dating already but were going through a rough patch" "Hop Pop?" "Yeah, I figured it out by the 3rd time you punched me for asking if you had a boyfriend-" *punch* "like that" "sorry... but you guys are all crazy. There's no way Sasha and I would date because she doesn't like me like that." "She does." "Grime?!?" "She wrote so many songs about you...they were sad apology songs that were kinda also love songs...she made the snails sad" "I'm going for a walk, you 6 get this idea of me and Sasha out of your heads because she'd never date me-er, I mean, we're just friends!")

#ask #amphibia

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waugh-bao · 9 months ago

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what’s the lore about voodoo 👀

@agentidiot 1993-5 was…wild.

The origin of the album, according to Charlie:

“We spent three months there [in Barbados]. Mick and Keith were there first and then I joined them and we just played. So by the time we got into the recording studio, we could play something and you'd go, ‘Oh, I remember that... I did this and that on it.’ You're already a third of a way to getting it together by doing that."

Which all sounds pretty benign, they’ve done albums in a particular place away from the UK pretty much since Exile. But the outtakes from those sessions are downright insane (so much so that I can only mention a handful here, there are many more I didn’t even have room for).

Probably best example of this is a song called “Alteration Boogie.” It’s 5 straight minutes of Keith singing about Charlie’s clothes and his body, which starts out with him making fun of how old fashioned his taste in tailoring is (in a very detailed way) and ends with two comments about Charlie’s ass and a comment about how “cute” he looks in blue.

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Then there’s “Sparks Will Fly.” That song actually did make it to the album, but in a radically different form than it started out. So Keith wrote it:

“We had a big bonfire going one night out in Ronnie’s garden. I was throwing all these logs on it, and these sparks started flying. I started running backto the studio – ‘I’ve got one! Incoming!’ Charlie was the only guy there, and he and I played the thing. “

And he and Charlie were the only two who worked on it until it was completed:

"Sparks Will Fly was actually eyeball-to-eyeball with Charlie Watts more than anybody to start with, because we would not let anybody else play on it until we'd honed down that rhythm track thing dead right. You know, it was like, three's a crowd for a minute, until we'd worked it out. And then we let everybody else in. It all has to do with the rhythm and the guitar, and after that the rest of it fell into place. Charlie's laying down the law on that one. You've got to know a guy so well to play that tight together. It's unspoken, because it's all going by in front of you in 3 seconds."

The lyrics of that song, especially when you consider the context in which it was written, are somehow maybe even more crazy (and suspicious) than “Alteration Boogie.”

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Mick ended up completely overhauling the lyrics, but his weren’t any better. Of particular note at the time was his decision to include the line “I’m gonna fuck your sweet ass”, which he claimed after the fact he didn’t even remember doing.

Oh yeah, and Keith’s thing about Charlie “laying down the law” was pretty literal. Charlie was playing him every night during album recording and rehearsals to the point of actually being on his knees, which Keith bragged to the press about.

“According to Don Was [their producer], Charlie was the driving force behind these rehearsals. They started each night around 10 p.m. and finished 10 or 12 hours later, whenever Keith collapsed, but Charlie was still going strong.”

“To me, it was all tied in with Charlie. If Charlie Watts is willing to experiment in the studio, then I’m the happiest man in the world.”

Coincidentally, Keith was also very eager to tell everyone about Mick’s private practice sessions with Charlie (who also bragged himself about his closeness to the drummer in this period and some of the songs they collaborated on):

“The more that Mick plays [the harmonica], the more differently he sings. Suddenly he starts to sing the way he's playing the harp, phrasing differently, instead of thinking of it as two separate entities, you know...And he played all year. He would do 2 hours a day with Charlie just playing harp, before we'd even come into rehearsal or whatever. And I can hear it paying off a lot in his singing too.”

And another one of the songs which made it onto the album, “Suck on The Jugular”, which Keith was dying to credit to Charlie (he literally credits Charlie with the success of every song on this album):

“Mr Watts again. I mean, it's all drums. The arrangement is all to do with the drums. Charlie laid down that beat and I said, 'Well, if you can keep that up for several minutes, we've got a track! 'Hey, no problem? And he always makes it look like it isn't.”

Has these lyrics:

The fun didn’t stop when they finished the album, though.

They made a music video for the song “I Go Wild” which can only be described as steampunk Marie Antoinette meets geriatric gay BDSM. (Mick is literally in some kind of chain link sex swing for part of it, Keith seems to have a gag in his mouth at point, and they’re both dancing around Charlie. He even goes so far as to bend down in front of the kit and mimic giving oral s*x).

The band has since disowned the video, it appears on none of their official sites or YouTube channel, but you can find it here.

In the interviews which surrounded the actual Voodoo Tour, Keith was very adamant about how close the “trio” were and how much they were enjoying each other’s company:

“Even when we’re not touring or recording we stay in touch. We’re all so close - like a family. In fact, we’re probably closer than a lot of families are.”

There was a video game released on CD-ROM to support the tour, which includes a section where the player enters a bathroom where Keith makes a variety of sexual comments, screams, and then comments on Charlie “peaking”: here.

A documentary about the album and tour made by MTV has also since been memory holed and only promos for it can be found any longer.

Other than that, I suppose I should mention that this was also the era of Keith kissing Charlie on stage and both of them giving him flowers:

As well as the return of the “nipple pincher” bit:

But, more than anything, it was truly a period, despite occasional disagreements, of real closeness and sweetness between those three:

#thank you for coming to my overlong and probably not very exciting Ted Talk #the rolling stones #charlie watts #keith richards #old married band #mick jagger #voodoo lounge #there’s also extracts from another documentary of Ronnie rolling his eyes at them getting along ‘too well’#and footage of Keith playing the maracas behind Charlie while pumping his hips #it was truly an indescribable era #ask response #agentidiot

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