#their translations are fine as I point out a lot. the issues mostly lie with their localisation

[project-sekai-facts]

Out of curiousity, what level of Japanese proficiency (JLPT) certification do you have?

None, I’m entirely self taught so my understanding isn’t by any means as good as someone who has had lessons. I can read it for a fairly large part but usually have to use a dictionary to help with kanji. I’m not qualified to talk about ENs translations at all but they leaked ages ago and I saw a lot of people on twitter who can speak Japanese complain about them, so Phoenix TL is definitely bad.

I didn’t translate the original JP text in that post, I relied entirely on the Fan TL because those stick as close to the text as possible and can generally be regarded as accurate. Which I probably should’ve done but as I said I’ll make a better post about EN’s bad localisations some other time where I actually break everything down fully. Honestly the localisation is the important part in the post I made - I think I said in the post that the translations aren’t outright bad it’s just that they’re out of character and removing important information that was in the original text. And if I didn’t, there you go.

[bright-and-burning]

Twenty Questions for Fic Writers

thank you @glasscushion this was really fun!

1. How many works do you have on AO3?

two under various pseuds rn and 1? or 2? orphaned fics from years ago

2. What’s your total AO3 word count?

19.6k!! not much but i’m proud of it <3

3. What fandoms do you write for?

hopefully f1 skdjskjd. ive got a ted lasso wip i reeeeally want to finish someday. and a newsies historically accurate magnum opus that may never see the light but that’s fine

4. What are your top 5 fics by kudos?

i only have two non-orphaned fics published rn so:

five times colin cooks for his team (and one time his team cooks for him)

cute lil 5+1 ted lasso fic !! mildly colin/isaac but mostly colin & co being besties. written before season 3 came out

a look never hurt this much

tiny meat gang soulmates au (i refuse to be ashamed abt this). noel/cody lol

5. Do you respond to comments? Why or why not?

oh absolutely yes!! i treat comments like dms honestly i love giving a directors commentary type whatever in the comments

6. What is the fic you wrote with the angstiest ending?

an orphaned fic in a to-remain unnamed fandom. unrequited love very very angsty stuff but more than a bit silly looking back on it (i was like 14 and really going through it). i tend to write very domestic-y stuff so not much i write has any lasting angst in it!

7. What’s the fic you wrote with the happiest ending?

probably my tiny meat gang soulmates au mentioned above i won’t lie 😭 i haven’t read back through it since i wrote it so if it’s bad don’t blame me

8. Do you get hate on fics?

i’ve never gotten hate on fics thank god i would die

9. Do you write smut? If so, what kind?

i’m trying to figure out how to write it lol (ask me about curly girl method lando and blowjobs). unfortunately (fortunately?) my draw to silly domestic stuff shines through so it’s not like molten hot smut, it’s kinda silly sex, i won’t lie

10. Do you write crossovers? What’s the craziest one you’ve written?

ive never published one bc i am occasionally a coward but i have many many notes on them/half written stuff. i like a lot of things and i like mashing those things together like barbie dolls! i think the craziest one i ever conceived of was newsies x music man tbh.

11. Have you ever had a fic stolen?

who knows. as far as i know no

12. Have you ever had a fic translated?

nope!

13. Have you ever co-written a fic before?

no but i would LOVE to omg i feel like there’s so much potential to balance out my weaknesses with other people’s

14. What’s your all-time favourite ship?

i am a multi shipper girlie i can be convinced of the appeal of ANYTHING. in terms of f1. lando/oscar maybe tho. won’t lie pierre/esteban kinda hitting…

15. What’s a WIP you want to finish but doubt you ever will?

hm i have some very grandiose far-reaching plots floating around rn (runners au and apartment/roommates au) that will be written and “completed,” but probably won’t ever fully get expanded to the point i’ve thought about them, if that makes sense

16. What are your writing strengths?

oh i like to think i’m very good at writing like. domestic intimacy/intimate friendships. feeling like home. comfort, and food! ppl tend to describe my writing as cozy and lived in, and i think that’s what i’m good at! (someone once said reading my fic was like eating comfort food and i literally cried)

17. What are your writing weaknesses?

transitioning!! time passing!! i’m so bad at that! also smut as i’ve discovered lol. i tend to stay away from genres i feel like im bad at writing so that’s less of an issue (hence why i haven’t really written any real angst). writing on my own w no feedback is Hard i would die for someone to look over my stuff

18. Thoughts on writing dialogue in another language in fic?

if it’s like a random line/couple of lines in a different language then usually i’ll put it in english but in italics. if the entire fic is between people who would all be speaking the same (non english) language then i don’t bother. i don’t translate to that language tho bc i don’t trust translation sites and im VERY rusty on my languages (you will not get french or mandarin in a fic from me i would die of fear). throwing in random words in other languages also makes me cringe in my own writing for some reason? but it doesn’t bother me in others’ writing lol

19. First fandom you wrote for?

if we mean published fic, for either 5 seconds of summer (cringes) or the maze runner, i can’t remember. if we mean wrote in general, definitely harry potter when i was like 9 in a little notebook that i sincerely hope has been burned since then.

20. Favourite fic you’ve written?

probably the ted lasso fic! i love writing food, and comfort, and that’s like entirety of the fic, so. if i get runners au off the ground any time soon i would bet money on that becoming my fave tho

pretty much every single one of my mutuals has been tagged in this already so. if you see this and you wanna do it do it like i’ve tagged you!!!

[winter-soldier-vibes]

We Need You

Bucky x reader

Word count: 1901

Summary: Bucky comforts a reader with imposter syndrome (inability to believe that one’s success is deserved)

Warnings: imposter syndrome, low self worth/self esteem, feeling worthless, slight angst, mostly comfort

A/N: I have issues that present similarly to imposter syndrome, but I don’t experience it fully or severely. You belong and wherever you are, you fucking earned that. You worked hard to get where you are. I hope this fic can bring you some comfort, I apologize if I did not serve the topic justice. Sorry it took so long! As always, if anyone needs anything from me or just wants to talk and vent, I am ALWAYS here! <3

Tags: @buckys2thicc @buckfics @thatfangirl42 @mardema @barnesplums @bucks-bunny @stucky-on-spiderman @peggycarter-steverogers @freigeistundanderes

Add yourself to my taglist! Masterlist

------

You were calm, cool and collected. Smart, dedicated, and hard-working. You were an Avenger, one of the more valuable assets to the team with your training in hand to hand combat and knowledge of weaponry. 

At least, that’s how everyone saw you. Everyone except you. 

Every “job well done” translated to “I could’ve done better” for you. Compliments in a way felt like pity to you. Like it was all a lie or something. You could’ve been better, you didn’t think you were anything special. 

Anytime someone gave you praise you would wave it off with a small smile. Everyone saw it as you being modest, but internally you just couldn’t accept it. You couldn’t accept praise knowing you could’ve done better.

Settle for nothing less than perfection. But nobody’s perfect.

You were endlessly grateful for your team, your family, but you couldn’t help but feel like you didn’t deserve it. You had so much good in your life, but you felt like you had to keep proving yourself. 

You had everything you could ever want, but you still felt like you had to earn it. 

You thought you had done a good job at keeping it hidden. Imposter syndrome you had heard someone call it at one point. You had looked into it, realizing more and more of it resonated with you. You didn’t feel that you deserved your spot on the team, even though most of the team could agree that you were one of their best fighters. 

You were also one of the kindest people on the team, and everyone enjoyed being in your company. Again, you wrote it off as them feeling obligated to talk to you rather than them choosing to talk to you. 

Everything you thought about yourself, the degrading names you called yourself, and the way you waved off all of your achievements didn’t match up at all with the way anyone thought about you. 

It went unnoticed to most. You would put up a front, small smiles and thank you’s occasionally. There would be small side comments that you would make occasionally, but it was nothing that would cause red flags to arise. 

It’s nothing, really.

I didn’t do anything you wouldn’t have done.

It’s no big deal.

No worries

That’s why I’m here I guess

Compliments were deflected. Whenever you received criticism you would internalize it even though you knew it was nothing against you. Friendly advice to improve job performance. But for you, it reinforces the thought that your performance needed to be improved.

No matter what you did, you would never be good enough. You used to chase achievements, telling yourself that if you did well enough, if you did good things, that you would feel a sense of self worth. That maybe if you achieved things you would be filled with a sense of pride.

Instead you were left feeling as though you didn’t deserve any of the recognition you received. In a way, it made you feel even more insecure.

You thought that if you accepted the praise you would seem self indulgent or boastful that if you said what your achievements were you would seem prideful. So you accepted them with a small smile and thank you. At least until people moved onto the next topic and you drop the smile when it seemed safe. When no one was watching. 

When you thought no one was watching. 

Which is how Bucky had come to notice the discomfort you had.

When he had first joined the team, he was very quiet. He did a lot of listening and observing, not wanting to speak much himself. That was understandable to anyone. So when you had been introduced to him and your skillset had been mentioned and you waved it off saying no big deal, he had noticed how you shifted as if you were uncomfortable and your smile dropped as soon as the attention was on someone else. 

He didn’t think much of it. If anything it had to do with being uncomfortable around him. 

But as time passed he started relaxing around everyone too, especially you. He was still accepting what he had done and who he was now. He was still reserved but he wasn’t silent. The two of you had become good friends, being two of the quieter personalities on the team. 

Now you had someone to keep you company when you stayed at the outskirts of Tony’s parties.  

But as more time went on, he noticed small things that you did. Behaviors you had, things you said. Clutch phrases. The way you would seem embarrassed when people complimented you. The way you would say that there were no worries even if you were the only reason that a mission was successful. 

Sometimes when you thought you were alone or no one would hear, he would catch you mumbling things to yourself. Things like yeah right to compliments before giving a genuine response. The slight shakes of the head in protest. The nervous habits you had when you got a compliment. The little things that others were too distracted to notice, too small to 

Bucky was an observant man. 

Which is how one night, you hadn’t realized him come into your room to talk to you about something that Bucky completely forgot about once he saw you. You were sitting down at your desk, head in your hands and rubbing your eyes. 

Jesus why am I so stupid

What the fuck is wrong with me

They don’t mean what they say

How could they like you?

I’m worthless

Just like everyone else

I don’t belong here

You were so trapped by the marathon of degrading thoughts that you hadn’t heard Bucky come in. He stood beside you, concern etched on his face. 

“Y/n?” you jumped slightly and took your hands away from your face, blinking in surprise. You had been crying. Why was he here?

“Y/n what’s wrong?” he asked, coming over to you. 

You shook your head and shrugged, wiping a few loose tears from your face. “‘M fine Buck,” you whispered, struggling to keep your emotions out of your voice.

“Y/n,” Bucky said, crouching down in front of you. “You wouldn’t be crying if something wasn’t wrong. It’s okay to be upset, there’s nothing wrong with that. Just tell me why you’re upset.”

You shook your head again. “Really Buck, I’m fine.”

“Y/n, I may not be able to read minds like Wanda, but I know something’s bothering you.it’s okay.”

You sighed, taking a breath before looking at him. “Do you guys really mean it?” you suddenly asked meekly.

Bucky drew his eyebrows together in confusion. “Mean...what?” 

“After missions, when you say I did the right thing, that I did a good job, that you guys need me - do you mean it?”

Bucky looked more puzzled now. “Yeah, of course we do. Why else would we say things like that?”

“If you thought you were supposed to.” you said suddenly. “Or if, you know, you wanted to be polite, or you thought I wanted to hear it, or you didn’t really mean it I don’t really know I -”

“Y/n, hold on, slow it down...What?” Bucky said. “Why on Earth would you think that?”

You crossed your arms and shrugged. “I dunno, I just don’t really feel like I’m all that valuable to you guys here. I don’t do anything you guys couldn’t do without me. I make so many mistakes all the time and no matter how hard I try I just don’t feel like I belong here.”

Bucky took a minute to look at you. He had known you doubted yourself but this was beyond what he had thought. To think that you, y/n, weren’t valuable to this team was a crazy idea to him

To you it was the truth.

“Y/n, no, we need you. Why on Earth would you think you don’t belong?”

“Because I haven’t earned it. I’m on the team, I fight with you guys, but I still don’t feel like I should be. The mistakes I make all the time, the wrong calls, the selfish calls, bad judgements...I could go on. I just...no matter how much good I do it doesn’t make the mistakes go away.”

“Y/n, you are one of the best people we have, we -”

“No I’m not,” you said firmly, surprising Bucky. You shook your head. “You guys don’t need me. I don’t deserve to be on this team.”

“And I do?” Bucky asked.

You looked back at him. “What do you mean? Of course you do. Your the best fighter we have, Steve's best friend, we need you.”

“But I’ve made so many mistakes. You know all of the horrible things that I’ve done y/n. I was made into a weapon.” he said.”

“Bucky you know that wasn’t your fault. You didn’t choose that and you would've done anything to stop it. That’s different. You’re a great fighter and a good person, Bucky.”

“So are you.” he stated simply. “Do you believe that?”

You took a deep breath.  “I believe you believe that. But that doesn’t mean it’s true.”

Bucky put his hands on your shoulders. “You are a fighter. A hero. You’ve saved so many people doing things that some of us couldn’t or wouldn’t do. People out there remember how you saved them. How you protected them and gave yourself to them. That was you, no one else. You are a part of this team, you help make it what it is. We would be lost without you. You put your blood, sweat, and tears into this team. You give your heart and soul to this team. You’ve earned every goddamn bit of praise you get and more. You fought your place onto this team and you deserve to be here just as much as everyone else here. So when your head tells you that you don’t belong or that we don’t need you, tell it to fuck off. Because you’re one of the best people we have.”

By now you had tears in your eyes again, but not ones of shame. Ones of appreciation and relief. You had wanted to hear those words directly for so long and to be affirmed in that way was something you needed. “Thank you Bucky,” you said softly, giving him one of your first genuine smiles at a compliment.

He squeezed your shoulder reassuringly. “Anytime. Anytime you want a reminder, you let me know. I’ll tell you as many times as you need to hear it before you can start to believe it for yourself.”

[canary3d-obsessed]

Restless Rewatch: The Untamed Episode 21, part one

(Masterpost) (Other Canary Stuff) (Previous Post)

Warning: Spoilers for All 50 Episodes!

Reunions

All together in The Unclean Realm, The Yunmeng trio find a spot inside where they can sit down and have a proper Yanli-Wuxian reunion, while Jiang Cheng sits across the table watching them. 

For years Jiang Cheng has been rejecting Wei Wuxian's free and easy affection; now Yanli might be the only person Wei Wuxian offers to hug until Wen Yuan comes into his life.

Jiang Cheng is really going through it. He'll do nearly anything for Yanli--except, uh, stay in the goddamn inn with her when she's sick and the Wens are hunting them--and what makes her happiest is Wei Wuxian. He's brought them together, and so he's happy, even though he's excluded from their dynamic. This absolutely fucking kills me.

Here Jiang Yanli and Wei Wuxian are sweetly pledging to always keep the trio together and put each other first. Neither of them will keep this promise. 

Wei Wuxian will leave first, to take the Wens to the Burial Mounds. Jiang Yanli will leave second, staying in Lanling at Jin Zixuan's request instead of accompanying Jiang Cheng to retrieve Wei Wuxian. Jiang Cheng will be the last to let go.

(more after the cut)

Nie Huaisang comes literally running in, filled with joy at Wei Wuxian's return. When he goes to pat his shoulder Wei Wuxian flinches away.

I feel like something important is happening in this rapid sequence of glances and expressions between Wei Wuxian and Nie Huaisang. NHS is startled, and WWX realizes he's shown something about himself that he didn't want to show. He glances at Jiang Cheng and back at NHS before laughing and covering his slip with a squeeze of NHS’s hand.

NHS switches from shocked to cheerful just as quickly, helping with the coverup. It’s like they have a quick mutual agreement, rooted in their history of shared shenanigans, to not point out that something is wrong.

Meanwhile, Lan Wangji is wandering around the grounds, having feelings. At this point it's presumably been at least a couple of weeks since their breakup fight. 

He sees Wei Wuxian sitting contemplating his flute, and as he sees him he goes from sort of neutrally apprehensive to full on angry judging, complete with sword clenching. 

Part of this may be that his feelings are hurt over their fight, but the larger issue is his distress over Wei Wuxian's apparent heretical cultivation.  That, at any rate, is what's on his mind when he's selecting music, later in the episode, and when he's selecting flashbacks. 

Party Time

Later, the Nies host an excruciating party to celebrate Wei Wuxian's slaughter of Wen Chao return. Jiang Yanli is sharing a table with Wei Wuxian and Jiang Cheng is sharing a table with his crippling social anxiety. 

Everyone starts grilling Wei Wuxian about his sword, because that's suddenly all anybody cares about even though Jiang Yanli, Nie Huaisang, Meng Yao, and probably plenty of other people don't carry swords most of the time.

Wei Wuxian says "after the Wens caught me, Wen Zhuliu crushed my core, so I can't use my sword any more, too bad so sad, can we change the subject?" And everyone is very understanding and admires his resiliency. HA HA HA HA HA. Of course he doesn't opt for that simple lie, but instead mopes audibly without saying anything.

Nie Huasiang tries to change the subject by asking how he killed Wen Chao. Apparently "I had a sexy ghost mostly flay him" isn't good party chat, though, so neither Wei Wuxian nor Jiang Cheng opts to tell the story. 

Everyone lapses into awkward silence, all the more noticeable because there are no dancers, musicians, or entertainers of any kind at this event. OP has gone to audit-kickoff meetings that were more fun than cultivator banquets.

Moment of Clarity

While the awkwardness builds, we hear the sounds of the Song of Clarity. Lan Wangji is skipping the party, which is part of why Wei Wuxian is so mopey. But instead of sitting and stewing in his anger, Lan Wangji has shifted gears, and is starting to work on his "save Wei Wuxian's soul" plan.

This isn't the God-botherer version of soul saving, however. Lan Wangji and Wei Wuxian disagree about correct practice, but they both are still practitioners within the same spiritual system, and the majority of their beliefs are closely aligned.

Lan Wangji has powerful magic at his disposal, and now he's taking a step back from his plan of forcing persuading Wei Wuxian to give up heterodoxy, and instead he's preparing to use his magic to offset the consequences of Wei Wuxian's choice.

He still isn't ready to accept that choice, but he's working on it. This is a big moment for Lan Wangji's relationship with Wei Wuxian. Lan Wangji is a deeply, deeply uncompromising person, as well as being super bossy, and he’s taking his first steps toward supporting Wei Wuxian’s free agency. 

Wei Wuxian leaves the party in the middle of Yao's toast, saying "I have to see you and your lover all over my tumblr dashboard but I am NOT going to listen to you talk!" He takes his wine to go roam around near Lan Wangji's quarters to pine and feel conflicted.  Lan Wangji has thoughtfully set up a projection scrim to catch his shadow and make the pining easier.

Jiang Cheng comes looking for Wei Wuxian, partly to reprimand him for rudeness and partly to see what the hell is wrong with him. Jiang Cheng is trying very hard to be pleasant. He's bad at it, but he's trying.

Wei Wuxian is trying to be unpleasant and he's pretty good at it. He won't say why he isn't using his sword. He’s obviously super fucking depressed about it, calling his former self childish for liking to spar, and only smiling once during the whole exchange.

He finally tells Jiang Cheng that he will always want to do the opposite of what Jiang Cheng tells him.  Jiang Cheng lets this go with an eyeroll.

(Point Break Quote Alert)

But actually this is a sign of trouble, right here in River City, with a capital T and that rhymes with P and that stands for abandoning the Jiang Clan. Wei Wuxian has just told Jiang Cheng he has no intention of obeying him; not just about the sword, but in general. That's no way for a disciple to talk. 

OP has nothing to say about this gif. OP watches gif over and over and over and over

Wei Wuxian ends the conversation by tapping Jiang Cheng's chest with his flute and then walking away. The (still nameless) flute has no problem with this - does it, like Subian, recognize Jiang Cheng as an extension of Wei Wuxian?

The next day, Wei Wuxian is chilling in his room, looking ungodly sexy in his bold slashed robe, holy frack. I mean, he is sex-on-toast at all times, but the cut of his post-burial-mounds combo is particularly heart-stopping when he decides to stick a knee or two out. 

He's meditating and flashing back to being in the burial mounds, where he was also meditating. I admire his ability to fractally meditate about meditating. 

Chenqing

He didn't put a sock on the doorknob, so Jiang Yanli comes in and startles him. He brandishes his flute at her before calming down. The flute definitely does not see her as an extension of Wei Wuxian, because when she touches it, it smokes and then knocks her out of the frame so fast it's comical.

Did they put her in a jerk vest for that shot?

Wei Wuxian hides the flute from her, freaked out by its behavior. She, however, is unfazed, and gives him the first & only affirmation he's gotten about his new cultivation path, and says the flute is "like Mother's Zidian."  She kind of walks him through the whole "first class spiritual tool" concept, beaming with approval and telling him he must name the flute.  

Jiang Yanli is hardcore Jiang Clan, seriously. Freedom and impossibility. You survived 3 months of mystery trauma and now you're all fucked up? We'll roll with it. You have a demon flute now? Rock on. You're going to use necromancy to beat the other clans in a group hunt? Gold star for you.

He names the flute Chenqing, which @hunxi-guilai​ translates and explains in depth over here.

Bichen

Lan Wangji has finished practicing the Song of Clarity, and regardless of whether it's had an effect on Wei Wuxian, he himself seems much calmer. 

As Wei Wuxian contemplates Chenqing, Lan Wangji contemplates Bichen and remembers Wei Wuxian's assertions about resentful energy way back in Gusu summer school. 

This time when he grips his sword, it's loosely, as if he's made some progress with his anger.

Soup

Jiang Yanli sits Wei Wuxian down for some soup, and talks to him about what's going on with him, saying he's changed. He insists he's fine and works very hard to be convincing.

She's not convinced but says she won't press him, and then abruptly shifts tone and works very hard to act like everything is fine. She leaves, taking a lot of soup with her, and Wei Wuxian remarks that it's unfair she is giving so much to Jiang Cheng. But of course, some of it is secretly for Jin Zixuan.

Everything isn't fine, as Wei Wuxian scream-meditates with resentful energy just rolling off of him. He's got some of the dark energy stored in the Yin sword in his bag of holding, but I get the impression that a lot of it is just stored in his body.

Club Ruohan

At some point in the episode we stop in to check on Wen Ruohan. He and his wind machine are mad that Wen Chao is dead. 

Meanwhile, his interpretive dances with the Yin iron now turn his puppets into...Klingons? Sure, why not. 

Literal Stand-Up Meeting 

Jiang Cheng needs Wei Wuxian at games night a meeting and comes running to Jiang Yanli to find him. He is freaking out and she tells him to chill. 

No matter what fuckery is going on in the world, Jiang Yanli is going to find herself a nice little outdoor table and she is going to sit her ass down and have some tea and civilized lady activity. Queen.

This shot of the meeting is composed so nicely. The blocking (placement of actors) in this scene encapsulates the familial dynamics, and I’ll talk about that as soon as I finish admiring Jiang Cheng’s proportions. 

Here we have four clans represented by four family pairs around the game war table. The Jin cousins, despite their differing personalities, are side by side, matchy-matchy, in lockstep. Jin Zixuan lets Jin Zixun do the talking for him, so maintains his own rep as a reasonable guy.  

The Nie brothers are even closer together, also in matching greys, Nie Huaisang giving all of his attention to his brother/clan leader. You can see his careful watching of his brother's temper...not fearful for himself, but fearful for Mingjue.

The Lan brothers have a growing distance between them; they are in different colors (which is pretty usual for them), and Lan Wangji is standing well away from his brother and the rest of the group. Partly this is his personality, but it's also symbolic of his growing distance from his brother and other proper cultivators. He's carrying WWX-related secrets, and he's wrestling with what he's learned.  

While Nie Huaisang is looking at Mingjue, Lan Xichen is turning around to see what's up with his own volatile sibling.

Lastly you have Jiang Cheng, alone in the room, with his shidi nowhere to be found, and seriously feeling the heat because of his isolation. 

He's alone in his purple, but the color value (lightness/darkness) of his robes exactly matches Xichen's. 

And Xichen, bless him, makes a point of speaking to him respectfully as a fellow clan leader, gives him a path out of the "where is your brother" conversation, and is just generally his kind and helpful self with Jiang Cheng.

Next: Awkwardness Increases!

[tl-notes]

Kobayashi’s Maid Dragon S2 Episode 3 Notes

Sparrows! Specifically the Eurasian tree sparrow, known in Japan as the suzume. You can just about see them all over Japan, all year long—but that doesn’t mean they aren’t a season word!

Depending on their depiction, they can be used as a season word for most times of the year, but a major one is “late spring,” as that’s when they’re out and about finding food for their baby birds. You can also see in the art they look a little floofy, indicative of the winter coat they haven’t fully shed yet; suzume in summer have a more sleek look. Here’s a shot of them from late summer last season:

And from closer to winter here↓. Quite fluffy.

As a quick refresher, 季語 kigo, or season words, are words/phrases/concepts used to give a sense of season to a haiku (or other poem/work of art), which is what part of what differentiates them from a senryuu. They were used pretty frequently in a lot of episodes last season, but a bit less so this time so far.

Where Lucoa and Ilulu are talking about a “right” here, the Japanese word is 資格 shikaku. While this usage is similar to “right” in English, the connotation is a little different as the word actually means more “qualification.” 

Whereas a “right” is generally something you have innately in some sense (e.g. if you make art you automatically have copyright over it, you have human rights just for being human, etc.), a shikaku is something you earn (e.g. if you study and take a test for certification program and pass, you’re rewarded with a shikaku.)

Ilulu’s response to the question here is 

そういうのは違う。小林がくれたあの言葉はなかったことにはできないから。

One way in which this differs from the English is that she’s not saying it would be right or wrong, but rather not the solution she’s looking for—because it would also mean undoing the words Kobayashi gave her, and that is something she doesn’t want to do, no matter what.

In contrast the English feels more like she thinks it would be wrong to do that, and even if she did it wouldn’t let her escape what Kobayashi said to her. (That would make more sense if Kobayashi had called her out on being evil, but that’s not really what went down.) An alternative wording might be something like:

“That wouldn’t solve anything. Besides, I don’t want to erase what Kobayashi gave me.”

This line is: 小林さんのようにはいかないなー

This is perhaps just my interpretation, but the English here sounds like Lucoa once convinced/helped Kobayashi in some fashion previously, is trying it again with Ilulu, but failing this time. (I don’t that’s ever happened though.)

In contrast, I think the Japanese is saying that Lucoa is trying to be like Kobayashi (e.g. when helping alleviate/solve Tohru’s various worries), and it’s not really working for her. I.e. “It’s not working like when Miss Kobayashi does it.” 

Ilulu’s line about “I don’t want to ask Kobayashi about it because she’d probably solve it too easily" seems to support that reading; the dragons know Kobayashi as worries-solver.

The English here has Lucoa saying she’ll go talk to Kanna/Saikawa, and casually telling Ilulu to wait in the bathroom. But Lucoa doesn’t actually talk to the kids, and even if she was planning to, why would Ilulu waiting in the toilet do anything?

The answer is that Lucoa is actually telling Ilulu to talk (to an unspecified subject, assumed to be Saikawa, since she’s a human and thus someone Ilulu feels guilty about interacting with; Kanna she’s more fine with, as a dragon). And instead of “Go ahead and wait in the bathroom,” it’s more of a “Go wait in the bathroom and see what happens,” with the implication Lucoa is going to set something up. 

And she does!

“I won’t lie about X, but Y is a different story.” This seems to imply she will still lie about Y? That seems a bit odd to me, especially when she just lied about X (those feelings) to Kanna/Saikawa minutes ago. 

The Japanese says something a bit different though.

The core of the middle line here is 気持ちに���をつかない kimochi ni uso wo tsukanai. Because the に, the particle indicating “direction,” is attached unadorned to "feelings,” it is saying not “lying about X” but “lying to X.” This construction, to say one is lying to a feeling, is fairly common in Japanese media. It’s basically equivalent in English to lying to yourself about those feelings.

(for “lying about X” you’d change the に into a について or similar)

So basically she’s saying she won’t pretend, to herself at least, that she doesn’t want to play. But that’s a separate issue to whether she has, as she said before, the “right” to play after what she did. 

You could maybe put it sort of like this:

“I won’t lie to myself about my feelings anymore. But that doesn’t mean I can act on them after what I did.”

I feel extremely silly even pointing this out, but the beam here is 尿意 nyoui, which is the urge to pee, not necessarily actually needing to pee. Hence why she seems to stop needing to as soon as she gets to the bathroom and walks straight back to the living room with Ilulu after they talk.

“Be deceived” here is not 騙される damasareru, lit. “be deceived,” but 騙し討ちにあう damashi-uchi ni au, which is like being hit by a sneak attack, being stabbed in the back, etc. In a fairly literal sense in this case too, as they’re talking about actual combat.

I mostly bring it up because it feels like there is not much difference between “being deceived” and “being tricked,” despite those being portrayed as polar opposites (deceived by hostile dragons, tricked by kind Kobayashi), so it might have been wise to differentiate them more in the translation.

E.g. perhaps “She had to change to avoid a knife in the back.” (though dragons don’t use knives, so maybe a claw?)

Another pretty minor point, but the “doesn’t know right from wrong” is 分別のない funbetsu no nai, where funbetsu means not so much “knowing right from wrong,” but a more encompassing sense of discretion and maturity.

I mostly bring this one up because it struck as me awkward to say Ilulu explicitly shouldn’t know right from wrong, since that would be going backward to her be okay destroying the city again. Instead it’s more that she shouldn’t need to feel weighed down by what’s “correct” or what she “should” do. One possible alt example:

“So go back to being a kid, and worry more about what you want to do than ought to do.”

(Lucoa also changes from a narrative tone to a more conversational tone at the end, in conjunction with the visual shift away from the flashback, so swapping the “she” to “you” might be appropriate.)

Note how Kanna shuffles the cards here. Depending on where you’re from, this may seem like an odd way of doing it (unless you watched Yugioh maybe). A lot of places with majority English speakers tend to use the overhand shuffle or riffle shuffle, but in Japan (and many other Asian countries) the most common shuffle is the one on display here, known as the Hindu shuffle. 

~The More You Know~

The act of handing over a piece of candy like this has been used as imagery in other places in the show as well, though I’ll leave thinking about what it represents to you.

“Blanket” is futon, which is used to refer to both the “mattress” part and “blanket” part of a full futon, the traditional Japanese bedding (not the same thing as the sofa/couch mattress you might hear called a futon in some places).

I mostly mention because just “a blanket” kind of sounds like they’re going to leave them on the floor, but they’re actually going to get the equivalent of a guest mattress (+blanket) to put them to sleep in, as it’s late enough for this to turn into a sleepover.

Just as a bit of trivia, the word she uses for “onlooker” here is the same term as the “spectator faction.” In the manga Tohru interjects with “Aww, come on, why not Chaos faction instead?” 

Also as a side note to this whole bit about Kobayashi wearing a maid outfit; recall this scene from early in season one, where Tohru found an outfit Kobayashi had bought and stuffed deep in a closet:

Relevant! Anyway, back to the actual episode now:

If you felt like this exchange felt a little disjointed, especially given Tohru’s tone of voice: the idea is that Lucoa is saying Tohru really goes to extremes when it comes to matters relating to Kobayashi, which is implying that it seems excessive to call so many people over for a relatively mild issue (not that she necessarily minds though). Tohru’s response is a slightly defensive “yeah I know, but thanks for coming over anyway.” 

(They’re saying it in ways such that you have to read between the lines a bit though, so it may not come across as easily in a translation.)

The word for “cold” here is 水くさい mizu-kusai, basically meaning “watered down” (like beer etc.), and used frequently to refer to a person/actions/words that the speaker considers too reserved for the relationship they have with the other person.

So it’s similar to cold, but cold in the context of already warm relationship. If talking about a stranger or someone you don’t get along with normally, you shouldn’t use 水くさい; you can just say 冷たい tsumetai (lit. “cold”) or similar.

In this context you could probably have her say “No need to apologize, Kobayashi-san.”

Also I like how they swap around the honorifics (Miss, Lady, -san, -sama, etc.) based on the speaker (I think differentiating between dragons and native-Japanese-speaking humans?). I would say it works given the setting, but that’s just me.

The text there says “Money Street.” It’s probably obvious, but it’s based primarily on Monopoly, which is semi-popular in Japan (though not to the extent as say in the US). 

Just some trivia, but the “sales pitch” for the game in the Japanese market is more that it’s an educational game that teaches investing and negotiation skills. (The origin of the game in general being an educational tool about exploitation of tenants by landlords, so not quite the same thing.)

Japan also has Momotarou Dentetsu (”Momotetsu”), which is a video game series that’s been around since the NES and is broadly similar to Monopoly rules-wise.

I just want to point out, amid all the riches, the bag of potato chips and other junk food in the back there.

Mini-trivia: the cardboard boxes in the background there seem to be a mix of the Amazon logo and the Seino Transportation logo, a Japanese shipping company with a kangaroo logo.

You probably noticed it without me pointing it out, but I enjoyed the fact Elma got corn starch* all around her mouth from the daifuku and then immediately got told to go play with the kids while the adults are talking.

*It may seem like powdered sugar if you’re used to donut holes, but daifuku, like most Japanese sweets (wagashi) generally, is not heavily sugared and not even particularly sweet by the standard of most “sweets” (which is part of the appeal for many). The skin of the daifuku is powdered with corn starch or similar simply to make it less sticky.

Kobayashi’s “do that” here is やろー yarou, which can mean “let’s do X” (which is a construction often used to tell/suggest someone to do something, without really including yourself in the “us”). 

However in this case—especially given Kobayashi’s pronunciation and tone of voice—I think it’s actually a homophone of that, a form of 野郎 yarou, a word for “guy” with often negative connotations, like saying “son of a” or “asshole” etc. 

The idea, I think, being that his immediate agreement of “Oooh, right I didn’t think about you wearing it,” comes with a heavy implication of “yeah you’re right, you couldn’t pull off something cute like that,” so she’s replying with a (mostly good-natured) “oh you fucker.”

This giant 完 kan means “the end,” used like “fin” at the end of a story or game etc. It’s also frequently used in “fake end” jokes. E.g. a show about a sentient zombie might start with the main character getting hit by a truck and dying immediately. The end! ...Except not, and they wake up as a zombie.

So here, the original goal was “make a maid outfit for Kobayashi to wear.” Then Georgie convinces Kobayashi that anything is a maid outfit as long as you are a maid at heart, so really, she’s already wearing one! The end! ...Except not.

Here’s some extra, probably needless, context on this “annoying”: it uses the word 面倒くさい mendokusai, which is basically used to describe something as annoying, a pain, etc. When used to describe a person like this, one of the ways it can be taken is specifically that the person is really fussy about details that others wouldn’t really care about—which describes Kobayashi about maids pretty well. 

So just for clarity, it’s not necessarily “I became an annoying person who is a maid otaku,” and can be more of a “within the context of my maid otaku-ness I became annoying.” Just to kind of shed some light on the extent of her self-deprecation here.

The word Kobayashi uses for “helping with the housework” is 家事手伝い kaji-tetsudai, which is a noun* that means “a housework helper”... here, basically a more bland way for a native Japanese speaker to say maid. 

Hence why Tohru reacts with “Oh, don’t call me that, call me a maid!”; Kobayashi went as far as to acknowledge her clothes as a maid outfit, but not quite as far as calling her maid outright. That’s our “annoying maid otaku” doing her thing. 

*It can also be verbed.

These neighborhood notices, 回覧板 kairan-ban, ~lit. circular notice, are a method used by local governing organizations to distribute information or forms etc. For example, about an upcoming neighborhood event to pick up litter.

The general idea is that one person gets the notice, reads it, signs it, then goes and passes it to the next household in line. It saves paper versus sending everyone a thing in the mail, encourages interaction between neighbors, and is more likely to be read than a flyer/email, though some people consider them a pain and they generally feel a little dated.

The phrase for “piercing noise” is  劈く金切り音, tsunzaku kanakiri-on, ~lit. “ear-piercing sound of tearing metal.”* 

“Was it that loud?” in the Japanese is a little different, そんな音してた?, meaning “was it making a sound like that?” 

I’m mostly just bringing it up to say that the “Sasakibe’s cooking isn’t just loud, the sounds don’t even make sense” gag is alive and well this season.

*The “sound of tearing metal” phrase can also used idiomatically for some types of high pitched sounds, but I imagine it was chosen very deliberately here.

It’s probably obvious, but this is a reference to the music video of the OP for season one. You can see it on the official channel for the band, fhána, here.

The season two music video is here, and it seems to have decent English subtitles for the lyrics if you’re curious what they are.

The adjective here is ニヒル nihiru, an abbreviation of nihilistic. It can be used as actually “nihilistic” like in English, but it can also be used more colloquially to describe a person with dark vibes. It can almost be a compliment!

“Sleeping” here is 惰眠をむさぼる damin wo musaboru. Damin is not just sleep, but “worthless” sleep—not like a nap because you’re tired. Musaboru is a verb for ~gorging upon on something (often metaphorically, not just food).

The two words are somewhat frequently used together for, basically, lying around the house doing nothing all day. And not in a particularly flattering way, so it’s pretty funny for her to just be like “yeah I do that as a hobby I guess.” 

It doesn’t mean the same thing, but it’d be like saying your hobby is loitering. Maybe could have translated as like “Hobbies? Vegetating.” or “Procrastinating?” or something, though I don’t know if those would have the right impact...

Kanna’s word for “idol” here is アイドル aidoru, i.e. idol in the pop culture sense.

Tohru’s word is 偶像 guuzou, or idol in the religious sense.

(Tohru swaps to the pop culture “idol” when she starts talking about Kobayashi though.)

Kanna’s “lost it” it here is 大変 taihen, a pretty common, almost generic word used as an intensifier (greatly, immensely, seriously, terribly, really, etc.) in both positive and negative ways. E.g. “thanks, you really saved me!” or “that was extremely rude.”

When used alone, like here, it usually implies something bad has happened, like something has befallen Tohru and/or she’s in some sort of trouble. Hence why Kobayashi immediately rushes home worried and bursts through the door like this—and loses her tension when she sees Tohru is fine, just... extreme(ly annoying to Kanna and Ilulu).

You could maybe say e.g. “Something’s wrong with Tohru!” to keep that double meaning open.

(”Lost it!” also makes sense for Kobayashi to be worried about, but the type of worry is somewhat different in that case; “oh god what is she going to do” vs. “oh god what happened to her.”)

The “lick” here is べろ bero, an onomatopoeia for licking that’s also used as slang for "tongue” (noun).

A bero chuu, as in the chorus here, is slang for a French kiss/deep kiss/tongue kiss.

~The More You Know~

The text here says “If your total assets are above one billion, proceed towards goal.” 

Only billionaires can win...

Here is 私のものはカンナのもの, lit. “What’s mine is Kanna’s!”

This line is a reference to a catchphrase of the bully/antagonist in Doraemon, Gian: “What’s yours is mine, and what’s mine is mine.” 

His line, and character, is so well known it’s spawned the term “Gianism” to represent that sort of self-centered philosophy: everything is rightfully mine to take, even if you think you lay some claim over it.

It’s interesting that the inversion of Gianism, i.e. “what’s mine is yours,” is the only way Kanna and Saikawa are able to overcome the rules, beat the billionaire, and win the game.

Solidarity forever.

[pi-cat000]

BNHA: Kakashi dimension hops crossover (5)

Summary: Kakashi gets dumbed into the My Hero Academia universe through random plot devise.

Characters:  Kakashi Hatake

Fandoms: My Hero Academia and Naruto

WARNINGS: Mentions of violence/injury

START  / RREV / NEXT

Ms Iroi always tries to engage him in conversation whenever she comes in, asking questions and chatting to herself in a fruitless attempt at helping him recover his 'lost' memories. Most of the time, Kakashi is indifferent to her presence and always has a magazine handy as an excuse not to talk.

Today, Iroi is in a particularly good mood, humming to herself, greeting him with an energetic, “How are you doing today!”

Kakashi grunts a noncommittal response which doesn’t do much to discourage the woman’s good mood as she runs through a check-up routine.  

“You should try watching U.A’s sports festival tomorrow. I hear it’s going to be particularly spectacular this year,” she says as she pulls the blinds on Kakashi's window, blocking out the distant city lights. 

U.A? he recognises the name. Kakashi glances up over the pages of HERO!! MONTHLY BREAKDOWN. It is the third time he has read this issue.

“You know, since you like reading those hero magazines, I figured you would be interested in watching the ‘next generation of heroes’ debut,” she continues, noting his attention, “U.A always puts on a good show.”

Kakashi frowns. The problem with his amnesia cover story is that he is still trying to figure out what he can get away with not remembering. So far the doctor’s seem content to chalk up the disappearance of his long term memories to a ‘quirk’ accident but were always more concerned when he failed to recall basic factual information. Something to do with different parts of the brain being responsible for different types of information.

 “Watch how?” He settles on asking. U.A. was supposed to be a hero-training academy so whatever this ‘sports festival’ was was worth checking out. 

“Oh,” Iori pauses to think, “I, ah, think channel 2 with be covering it?” she hesitates, “You know what. I’ll look it up and let you know later. Sorry, I can’t carry my phone around with me while on shift.”

“Thank you.” He smiles and makes a show of returning to his magazine to dissuade further conversation.

Later the same evening, just before the end of the evening shift, Iori pokes her head into his room again. She is out of uniform, long hair untired, waving to catch his attention.

“The coverage is on channel 2 and starts at 11am,” She holds up her portable communication devise like it means something.  It probably did mean something. The frequency by which people checked them suggested it had a function beyond basic communication. He has held off attempting to steal one because, unlike pens, people would notice and care if one went missing.  

“Have fun watching! Oh… also, I forgot to ask…”

Kakashi raises a brow.

“I have a bunch of old gossip magazines. Mum used to read them all the time and there are a few hero-themed ones in the mix. I can bring them in if you want more stuff to read.” 

“If you want.” Iori must have noticed him re-reading the magazines. 

"I'll bring them on Friday!"

Iori had been unsubtly hinting that Kakashi might have had a history in heroics. It definitely wasn’t because reading information on a page just made sense when compared to the barrage of conflicting reports the television gave him. A few weeks with only the television as his information source has him writing off most of its information as useless or propaganda.  

…

...

“HEELLLOOOOO, LISTENERS!”

Kakashi stares dully as the video footage, which had been giving him a bird’s eye view of a positively massive stadium, changes to a sweeping shot of what must be thousands of people crammed into seats. It almost makes him claustrophobic just watching it.

“WELLCOME TO OUR ANNUAL U.A. SPORTS FESTIVAL! THE HIGH SCHOOL ADOLESCENT RODEO YOU ALL LOVE TO WATCH. CAN A GET A ‘OH YEAH!’”

As if of one mind, thousands of people leap to their feet screaming. The camera angle changes again to show a grinning blond-haired man, seated at a desk and pointing enthusiastically at the camera. All these shot changes are going to give him a headache. Kakashi is already having reservations watching this and its only10 minutes.

“Thank you! You’re an AMAZING audience!”

 It almost reminds him of the final Chunin Exam stages -if the Chunin exams had had three times the audience - which always involved some sort of combat display.  There hadn’t been any public Chunin Exams recently for reasons such as a large portion of Konoha being flattened by Pein.

“FIRST UP ARE OUR FIRST-YEAR EVENTS! And what an exciting round of events they are, perfect for debuting our newest students! Give us a shout so they can feel your support!”

Another loud shot as thousands of people yelled in unison.

“Come on! Louder than that! These are your future Heroes I’m talking about! SHOW THEM SOME LOVE!”

More yelling. Kakashi turns down the volume.

“But! Wait just a minute!! We're not only here for our Hero students! As I'm sure you all know, behind every great hero is a hardworking support team! GIVE IT UP FOR our Support, Management and General departments who are also competing for a chance to face off in the finals!”

Kakashi sighs. He is getting the sense that this might be more for entertainment than utility purposes, conforming to the general trend of Hero-related stuff being flashy. Different from the Chunin exam which had deadly consequences if not taken seriously.

“Hey. Hey! HERE THEY COME NOW! OUR STUDENTS PARTICIPATING IN THE FIRST YEAR STAGE!”

What follows is an overly dramatized race where the only thing of interest to him are the obstacle types, including robots, - mobile mechanical weapons of some sort that produced a lot of environmental damage but were taken down fairly easily- and explosive devices that acted a lot like explosive tags. Then there was a team elimination round and one-on-one tournament fights after which the coverage shifts to the second year and third year stages.

He uncovers the sharingun only to discover that, while its memorisation function worked fine, the part that translated the movements into muscle memory felt off. Perhaps, the replication and copying component of the eye didn’t work when viewing a technique through a screen rather than in person. Interesting. As there wasn't anything particularly impressive technique-wise during the events he counts the new information as a net gain. 

The student-heroes – he is not sure if there is an official term for a hero in training – barely match Konoha’s academy standard in their taijutsu and physical conditioning though there was marked improvement between first, second and third-year groups. These students were what...between 14-18 years old...and yet most had the skill level of an academy  students and fresh genuin with only a few notable exceptions?

Sure, there were - honestly ridiculous- versatile and powerful bloodline abilities being thrown around like nothing, but ninjutsu techniques only took a shinobi so far without a strong base to work from. He shakes his head, reminding himself that these kids - because what else did you call combatants who hadn’t graduated yet- weren’t shinobi in training and would be policing civilians and engaging ‘Villains’ of similar skill levels. It was obvious that the students favoured non-lethal takedown methods and put little to no thought into stealth and misdirection during fights. 

Different words…different priorities. 

As Kakashi has yet to see any evidence that the country, Japan, was at war with another he thinks the skill level displayed might be serviceable. There were also no major conflicts between the country’s large cities over farmland, water sources and the like. Obviously, this place had sorted out the resource and distribution issues usually encountered when supporting such large populations. Or, who knows, maybe everything on the television was a carefully constructed lie to lull people into complacency.

Now he has seen an example of hero-students, he better understands the low combat ability demonstrated by the police. It also gives incite into the blurry recordings of Hero/Villain confrontations which played on repeat across the various ‘news’ reports. They all tended to hover around Chunin or maybe Special Jounin in terms of skill. He knows generalisations are dangerous so, until he saw the combat in person, he would exercise his usual level of caution. There were bound to be outliers after all-the impressive brute strength of the number one hero comes to mind- and there was no telling what advantages a bloodline ability might provide. Absently, he makes testing the susceptibly of people without chakra to genjustu as something to figure out sooner rather than later.

He sighs. This is why he hated the television. Whenever he watched it, he came away increasingly confused, with more questions than he had answers. Not to mention anything useful being constantly interrupted with information detailing one of the many products that he could apparently buy here. It irritated him to no end. 

...

...

The chakra collecting seal is ready before the week is out. Mostly ready...it was ready enough.

Kakashi returns to the roof. Sitting cross-legged, back against the stairway entrance, he works his way through the 100 or so pens, cracking them open and tapping out ink into a large bowl, stolen -like the pens -from hospital staff.

The mix of black, blue and red ink is gluggy, forcing him to add water to thin the solution out. Once satisfied he pulls out an appropriated scalpel – one of a growing collection hidden alongside his pens because having a stash of weapons is never a bad thing- pricking his middle finger, watching the blood drip and curdle with the mixture. The blood would be absorbed into the ink, allowing it to conduct chakra. He mixes everything with pair of disposable chopsticks, taking care not to spill it on the ground or stain his hands.

The whole process reminds him of other insistences where he had improvised fuinjutsu ink in the field. The last time being during his final Anbu missions where he had created a body storage scroll from scratch after unexpectedly losing a squad mate on what should have been a simple intel retrieval mission. Not a particularly fond memory but a memory he was stuck with.

Since his demotion to Jonin-sensei there had been fewer of those sorts of missions. Not that being a Jonin-sensei had been easy – considering all his students had gone off to find other teachers he didn't even think he had been particularly good at it - bringing with it its own special brand of stress, culminating in a stint as Hokage, a fourth war and him stuck here. He is pretty sure his experiences aren't universal. Team 7 was just cursed to fail in increasingly spectacular ways.

He lets out a heavy sigh, leaving his airways open to a sudden gust of cold wind which carries the scent of cleaning chemicals from the hospital and oil from the road straight up his nose. He exhales forcefully and mentally bumps finding a face mask up his list of priorities. It would be good for hiding his features and dulling the artificial smells of a city housing over a million people.

The sound of wind whistling around the building almost blocks out the echo of feet in the stairway, approaching his location. In one smooth motion, Kakashi stands pushing the remaining broken pen back into the vent, nudging the cover back in place with his foot. Carefully he holds the bowl of ink in his injured arm and a scalpel in the other. Kakashi steps back against the entrance so the outward opening door would hide him from whoever came out.

A crying kid comes barrelling through the door.

Well, not completely crying, more like sniffing loudly, eyes all shiny. He even recognises the kid from the U.A combat demonstration, as improbable as that was. It is the first year hero student with the speed-enhancing ability which, seeing him up close, probably had something to do with the strange growths coming out of his caff muscles. High speed movement put enormous strain on the body so he could reasonably conclude that the kid was physically resilient to acceleration stress and similar forces. Not resilient to stabbing though....

Kakashi forces himself to relax, his scalpel lowering ever so slightly. Lucky he had heard the kid coming or he might have accidentally hurt him. A few weeks of reduced sleep coupled with a lot of time to ruminate on past missions and failures has put him on edge. This was exactly why he disliked taking extended breaks. 

Maybe, Kakashi should start relocking the stairway if he was planning to make regular trips up here because the young male probably hadn’t had the roof in mind as a destination. Kakashi knows from experience that, unless you were injured or a member of staff, there were few good reasons to wander around a hospital at odd hours.

With the hero-student distracted sniffling into his arm, Kakashi slips around the door and back down the stairs. He hadn’t planned on applying the seal on the roof anyway. Too exposed to the elements and the concrete was too rough for the delicate line work.

He continues mixing while he walks, having mentally mapped the hospital well enough to know which hallways to use and which to avoid. There is a surgeon with some sort of heat-sensing vision who works late most nights that he must be careful around and a nurse with a weak proximity based empathic ability working in paediatrics. Both obstacles force him to take a meandering detour on his way to the ground floor and  the larger shower blocks which housed  cubicles the size of small rooms. Enough smooth floorspace for the expanded seal design and easy to clean afterwards. He supposes he is lucky, some complicated fuinjutsu required several meters worth of floor space. The containment on Saskue’s cursed seal comes to mind and he is glad that this seal is infinity smaller.

Not one to waste time knowing that nurses and patients regularly used the space even this late in the evening, he immediately slips into a cubicle upon arrival. Flopping onto the floor he pulls out the paintbrush he had had scour the hospital for and eventually to steal from the children’s ward. Carefully, he begins the slow process of application.

…

…

The final seal design is circular, about the size of his splayed hand, positioned on his uninjured shoulder just above where his Anbu seal had previously sat. The sleepwear provided by the hospital had sleeves that extend just past his bicep. It hid the design, for the most part. The final visible seal is a bit bigger than he had predicted or planned for. If this were a proper infiltration mission, where blowing his cover came at the price of death, he would be in big trouble. If this were a proper mission, he would have waited before applying this. An unnecessary risk. He itches the back of his head, turning from where he is craning his neck to see the seal, gathering up his supplies to be thrown in one of the hospital’s many rubbish bins. Kakashi lets out a breath. Maybe, this whole ‘trapped in a different world’ thing is affecting him more than he was willing to admit and making him sloppy.

He pulls down the sleeve so it mostly hides the design. Not like the doctors here would recognise the significance of fuinjutsu, he reminds himself, even if their questions would be annoying to deflect.

He pumps chakra into the seal and a jolt akin to lightning runs down his limb. It activates without issue and Kakashi grimaces as his chakra is slowly drained and collected. The rate of the drain is pathetically slow. Three years too slow. But, between this and his sharingan - which was always active and draining chakra- he can’t risk making it quicker. Despite the relatively low-level threats around him, Kakashi is, first and foremost, a Jonin in an unknown territory who is already taking risks simply making and applying the seal. He can’t afford to impair himself with poor chakra management on top of everything else.

Kakashi pops his head out of the cubical, scanning the shower block. Nothing of note has changed and he darts out, intent on returning to his room. He is tired and it would be a long, tiresome week as his body adjusted to the strain as well.

NEXT  

[steve0discusses]

Yugioh S5 Ep 20: Pharaoh’s Cool New Trick

Digging my way through quite a pile of commission work (funny how these things only come all at once or not at all), nearing the light at the end of the tunnel, was looking forward to some free time to catch up on my many little side projects when I was asked to take off for a weekend to do some cat-sitting to which I would NEVER say no to a cat, so like...Rip this blog I guess, we only update like once a week nowadays, but what do you do?

That’s right, play Puzzles and Dragons! The only phone game worth paying any attention to! Where they just released Pegasus on their Yugioh Collab and he looks pretty great!

So I’m just gonna take a second for some art appreciation, because the Puzzles and Dragons art team is just A++++ honestly, and yes, I did pull 13 times to get a Pegasus in my monster box, and yes, he is a completely insane team leader that is absolutely broken when paired with Yugi (the numbers are so satisfying) but...look at him. He looks so good!

(also I finally got Joey Wheeler, and so now my gatcha cravings are settled. And, don’t worry, I play this game so much that I was there during Christmas when they offered like a bajillion stones for free so I didn’t actually use real money on this.)

Now PAD also released a Weevil and Rex, and I don’t know why, and neither does the art team because they still look pretty good but in comparison to all the mains, they sure do looks like just some shorty guys in some casuals.

though I gotta admit, I want to learn how the hell this art team does swooshy effects, because man, that would make my art so much better to just have flames violently exploding out of all my art. Why am I not doing that more often? I have the technology.

anyway, I didn’t bother trying to pull them. Maybe I’ll accidentally pull them when they eventually release a Duke Devlin. (also, RIP to the fact that Roland will probably never be in Puzzles and Dragons but like...I can only send them so many polite letters covered in stickers pretending I’m some 10 year old child and writing in my broken Hiragana “Roland in PAD?”. Thems the breaks. (They also might not remember who Roland is.))

Shoutouts to the card that Weevil is holding that is censoring this nipple on the booby spider, PS.

So because this is not actually a Puzzles and Dragons blog, and it’s been ten eons since I regularly updated so I could remember episode to episode...where the hell were we?

That’s right, we’re on an island now. This show’s wonderful obsession with evil islands (and spoiler, this is one of the few Yugioh Islands that doesn’t explode at the end. Mostly because Kaiba isn’t here to do it or this place would be cinder)

(read more island stuff under the cut)

Anyway, after announcing “hey guys! Screw islands!” Yugi immediately collapses and without any warning.

Apparently the armor is a big ol parasite, which is something that Yugi is so used to at this point that he refuses to admit that this is a problem. Just normal Muto stuff, refusing to tell anyone that he has a serious illness going on underneath that giant mass of hair.

(the sailor moon vibes coming off this weird orb energy)

Sort of feels like a call back to S1 when Yugi was clearly possessed and everyone else was like “He acting weird to you?” except it’s S5 and everyone has learned to never trust Yugi when he says he’s fine and they are responding like he is about to die. Which is correct.

Outside of the cave falls this scroll that is...glowing, I guess. So they open it up and get a bunch of hieroglyphs that give them the “riddle of light” and like youknow...it’s riddle stuff.

They’re doing this riddle for “wings.” And it’s like...everyone’s monster here has a set of wings or an ability to fly. Every single monster except for I dunno, flaming swordsman? Hell, Yugi himself had two sets of wings when he fused with Dark Magician (which was weird, and I still don’t like to think about what technically was going on there.) But we have to go and get ourselves even more wings.

Weirdly, Joey turns to Tea and does something that in any other show would be completely normal. He was like “you want to stay here with Yugi, don’t you?” and it was the first time Joey has ever actually addressed the fact that Tea and Yugi are close. Uncharted territory. I was amazed at the amount of casual shipping that is happening here. It’s almost like a normal ass relationship.

So the boys decide to go off, and be boys and tackle this themselves. And they shouldn’t have, because Tea is smart for this group, and also has the only healing spell.

Like if you’re playing D+D you wouldn’t typically leave your only healer behind. Just saying.

Also like...Grandpa Muto went with them? I guess he’d have to since he’s the translator but also...kind of weird to leave your grandson dying in a cave, but maybe that’s just the Muto lifestyle.

Do not be fooled by my caps, no one has addressed the Bakura in the puzzle for 3 seasons. I’m starting to think this show will never address the Bakura in the puzzle. Which honestly, that would be hilarious if they made a big deal out of that plot point and then couldn’t use it in the end.

And speaking of plot points that kind of come out of nowhere and don’t make full sense with the continuity of the show--Joey has regressed back to the 4th grade.

Hey show? What?

So like if you love Joey, this is not the arc for you, because this arc he is reduced to a Himbo and nothing else. Straight up didn’t know what an echo is, but is very strong and pretty, I guess.

This inevitably happens with any TV show becuase different people make different parts, and I’ve brought up before that sometimes it feels like some teams only have loose post-it notes of what any character should be like at any given point (ESPECIALLY with Seto Kaiba’s timeline) but like...

...Personally I’m mot so fond of this interpretation of Joey, kind of ignores Joey’s best traits, and makes Tristan look way too smart in comparison (and like I always pinned Tristan to be the Himbo of the group, but maybe it’s because they give Tristan so little else to do?)

And like don’t get me wrong, Joey’s a dumbass a lot of the time and needs to get corrected by his pals...but...to the point he doesn’t know what an echo is? He’s a dumbass in a High School student sort of way, youknow?

Anyway, they get down to this big ravine, and they have to destroy this stone while the light passes over it. Kind of feels like a Breath of the Wild shrine quest, actually. In fact, I think Breath of the Wild recycled the shadow/sunlight pathing quest like 4 or 5 times. (I love Breath of the Wild to death but boy did they run out of ideas at the end there.)

They have to fight a glass monster and it’s kind of like...do you know the game Balls 3D? probably not, but it looked like a bunch of random shapes stuck together like a 90′s animation. They basically went to war with shapes.

Pure Himbo energy, has several pokemon, but punches for his pokemon instead of using them. A power move if I ever saw one.

Youknow that would make pokemon a lot more interesting if you could like throw out your pikachu, and then choose to just physically run up to your opponents Eevee and sock it in the jaw. Raise of hands--I know you all would love a version of pokemon like that. Let Ash Ketchum punch a Ratata.

Bro has informed me that Ash does do something like this in the anime. But I’m not talking about the anime, I’m talking about the video game. Give me the option to physically combat my rival. This is what I want, Pokemon.

They discover a way to break the monolith, and the show thinks we’re like actually 7 years old (because the show is Y7, although I forget because it deals with so many dark themes) so the show is going to hold on to this puzzle for a while...just to fill time. And it’s fine because we gotta switch over to Pharaoh anyway.

Yami has this dream again. He attempts to fuse with Dark magician to overcome the dream, but alas, he is still not strong enough.

Yugi wakes up in this murky cave while Tea is out washing out like...some rag? (he’s also still got a rag, so I guess multiple rags were required for how sweaty Yugi is.)

Yugi says “I feel like I’m a new man!” a lot in this episode, and every time he calls himself a man like he’s some sort of adult it’s very funny to me.

And then this plot lore dropped.

I mean I guess inevitably it had to happen...

But man, end of an era. It was freakin hilarious while it lasted: that Pharaoh refused to read ancient Egyptian because it’s like 2002 and he is a High Schooler living in Japan and he actually doesn’t WANT to resolve the mystery of the puzzle. Maybe the people who made this arc don’t know about how in S2 and S3, the fact Pharaoh couldn’t read Marik’s back tatt was like...a really big issue. He couldn’t read the God card, he couldn’t even read that massive tablet that read “HEY PHARAOH THIS IS LITERALLY YOU”. KAIBA had to tell him how to read the God card for him. Freakin Seto “Magic is a lie” Kaiba had to tell him how to use the God Card because Pharaoh couldn’t read it.

But like...Pharaoh finally gave in at some point after the world was devoured by the Leviathan, and before Kaiba finished building Kaibaland (which was already built in S1 but wtv)

The timelines on this show have always been a mishmash...but this one is just like...

...show are you trying to convince me that at any point in this show after season Zero, Pharaoh had any idea what he was doing? Did he sap that brain energy straight out of Joey Wheeler so he could do this?

Wow.

(secretly hoping he forgets how to read Egyptian after this arc is over and the show goes back to the other development team)

Pharaohs reasoning is that, if this is the riddle of the light.....

....then where is the riddle of darkness????????????

and when Tea was like “Pharaoh that is not even remotely logic. Omg it’s so bright outside, lets go back to gross cave.” and Pharaoh was like “Tea! You got it!” and she was like “What the hell are you talking about?”

Not gonna lie, I saw the Orichalcos green, and I got concerned.

Anyway, Yugi gets very frustrated and was like “ugh, lets go save em. They’re gonna die (again.)” and marches down there as if he didn’t pass out an hour ago.

And he fuses with Dark Magician again while everyone else (including his grandpa) was like “Yugi are you freakin kidding me? The suit freakin kills you omg! Tea you had one freakin job!”

And then we get the plot twist that...I mean it makes sense but it was choreographed in a confusing way.

And out of no where this guy shows up again:

So this mysterious man shows up and says “If you don’t succeed you have to live here forever” which...nice...that would probably save the world a lot of problems if Yami got locked away and took his OP puzzle with him. And then this man also says “if you do succeed you become VERY POWERFUL” and Yami was like. “...”

This whole episode had a theme to it, where Tristan and Joey were trying to prove that they could do things on their own and without Yugi’s help. And honestly...felt a little bit misplaced. Yami’s the same guy who murdered Yugi last season with the Orichalcos so like...

...I mean he is probably more reliable than Tristan who once died and turned into a robot monkey for 10ish episodes.

and then they flew into a glowing door.

Folks, this was wild to look at.

This is wild.

And at this point I closed Photoshop and thought I was done. But then I looked at my timeline on the video and was like...wait...there’s more?

and I’m really glad I kept watching because it went back to Alex, who...is apparently just still at those steps in this haunted ass Pyramid.

Now we’re watching Yugioh.

I forgot for a second when they turned Joey into a Himbo and made Pharaoh literate, but we’re back. I mean...

...look at the liner art on this adult man.

So...I posit the question...has Alex spent the last 2-3 episodes doing nothing but applying eyeliner to his face in the dark? Because he absolutely has. And honestly, the vibe of being in a spooky haunted pyramid with barely any light, just applying eyeliner down the edge of your face...that’s a Yugioh vibe, if I ever saw one.

This arc is wild. Anyway, next episode we do even more fetch quests and riddles? Just going to guess now that we probably will.

(and for those new here, this is a link so you can read them from the top. Which, since we’re in S5, means you got like...hours of Yugioh content to read through. Enjoy the rewards of my weird hobby.)

https://steve0discusses.tumblr.com/tagged/yugioh/chrono

[meimae]

Look at me, not being on time for my April Immersion Overview as is the usual. (・w・;

First, little blog updates to get out of the way:

I reached 100 followers! Got an influx of people checking out my 1 year update post, and got plenty of nice compliments on my data collection.

For those of you wondering just why I keep up with so much data, it's mostly because it can get really hard to notice how much you're improving in a language especially with something like immersion learning that for people who don't get it feels like a waste of time or a time sink.

Graphs showing consistency, improvement in reading speed, increasing vocabulary counts, and generally just seeing numbers grow turns language learning more fun and motivating for me, and if as a bonus, it encourages someone to try immersion learning then that would be cool!

With that said, whether you're here as a fellow language learner, graphs enthusiast (笑), or just want some Japanese media recommendations, ようこそ! 

Also, made a tiny DP change - it’s チト from 少女週末旅行. Pretty sure it’s the first manga series I ever finished in Japanese (not the first one I started since ちはやふる is still ongoing), and I always felt a bit of a ☆connection☆ with  her - between her book-loving personality and being a no-nonsense kind of person, there was no way for me not to enjoy her character. Great beginner anime/manga if you’re not into most beginner recommendations.

-☆-

April has been a pretty good immersion month, as I was able to dip my toes in a variety of media. A bit competitive, too! The club I joined has been pulling all the stops to get to the Top 20 Immersion Leaderboard in it’s first month. I was able to snag the 9th spot among a bunch of people of different comprehension levels (the majority being N1+ since they’re able to comprehend much more and in turn stand longer immersion hours). Lots of tiny complaints though of potential “whitenoising” content (”listening” and “reading” but not comprehending very well just to get a large number to post), but really what can you do? People lie all the time on the internet. Besides, it’s internet points that doesn’t do anything beyond being a little shiny I guess.

Enough about that, let’s get into the nitty-gritty details you came here for!

ANIME

フルーツバスケット

Might need to rewatch this one. Felt like I didn’t connect with the characters the way the rest of its fandom has. I’m kinda sad about it, since I normally love Slice of Life and Fantasy, and I know this is one of my friend’s diehard shows.

ラブライブ! School Idol Project S2

A filler anime to watch tbh. Nice and easy enough to follow for beginners. Pretty good songs. With regards to it being a show about music and moe, I still 100% prefer K-On! if I’m going to be honest, but for a show about non-toxic idols, it’s good!

魔法少女まどか☆マギカ

First read this as English translated manga when I was 13 or something. Mistakes were made. Let’s all just agree to throw キュウベえ into a pit of fire and never talk about it again. Great ending and a show that really reworked the magical girl genre. But seriously, I was traumatized by マミ’s death then and now, help.

四月は君の嘘

Already knew what was going to happen even before watching this so I didn’t ugly cry like I was expecting. Still got that awful sinking feeling though. 10/10 would recommend for a good cry. Also, I’m planning to read the manga, might enjoy that more, because I’ve always liked it more than anime actually. *shocked pikachu face*

ホリミヤ

Watched before I even finished the manga which felt like a mistake at first until I realized that it perfectly stops where I stopped reading. Nice and comfy anime, the kind I would have loved as a teen. Fun animation too, making parts very dramatic even though it wasn’t really that deep of an issue even in the manga. Just teens feeling feelings. Still salty that we lose bad boy styled 宮村, but I get why it had to happen.

AUDIOBOOKS

氷菓

Second re-listen. I understand it fine, but it’s very easy to drift off when you can’t catch all the words so I had to replay often. Will have to mine more from the anime/book.

君の名は

I mined from the anime, and was really pleased to be able to follow all 6 hours of this audiobook perfectly fine. Will need to read the book, because I realized just how seamless reading it would be after listening to it with hardly any issue.

BOOKS

キッチェン

Completed! Read my thoughts about it and see my stats on this post.

君の膵臓を食べたい

Still trudging on with this one. It’s not a bad story, it’s pretty well written actually, I just made the mistake of watching both the anime and live adaptation first, so I know exactly what’s going to happen and it’s killing my motivation to keep reading. I guess reading the book first before watching the movie still applies in any language with me. Really need to 頑張れ and finish so I can move on. 

三日間の幸福

Started reading towards the end of the month, mostly because I realized that every chapter is only 5000-15000 characters long, and I was able to read up to 40k in a day with Island most days. Only two chapters read so far though because I got distracted by manga, but it’s shaping up to be a really good plot and potentially a really sad one, too, so I’m interested.

DRAMA

花ざかりの君たちへ イケメンパラダイス

Heard this was a classic so I gave it a try. Loved 生田 斗真’s character in this one the most especially all his internal dialogue acted out. Also, 小栗 旬 in anything is bound to be a good watch. Simple and fun watch. They dragged the ending so much though lmao 

ごくせん

Look, I see 松本 潤, I click. Definitely the kind of show you should watch for some great life advice. Planning to watch the 2nd and 3rd seasons even if there is a terrible lack of 松本 潤, because I love my strong female protagonists, and man, ヤンクミ is such a great character. Need to read the manga, too, if I can find it.

極主夫道

Oof, this was kind of hard. The yakuza talk was throwing me off, but the rest of it was enjoyable. Not really plot heavy as I thought it was going to be. The comedy side of it was fun and predictable after the first few episodes. Overall, pretty good slice of life, family story with a twist.

MANGA

Read a bunch of manga this month, mostly because I am struggling to find the next vn to read.

おやすみプンプン

Read a couple of volumes (6-7). This manga is so good, but it’s so depressing I need to stop to take a breather every once in a while. Please don’t leave any spoilers. The club has been reacting to me reading this, and it has mostly been a lot of crying emotes. It’s both been enjoyable to see and really worrying. 笑

チェンソーマン

Club recommendation. Only read the 1st volume so far. I really need to get into more 少年 anime/manga. That’s currently my 苦手 genre which is awful because literally all the top anime/manga is 少年 help. I just can’t enjoy it much still even though it’s comprehensible to me.

ちはやふる 中学生編

Read Vol. 1, chill read to me at this point after reading 45 volumes of the regular manga. Look, it’s my favorite 幼馴染 manga in baby format, of course I’m going to read this! 太一 has been a flake way before season 3 confirmed. Don’t come at me たいちはや stans bc I also like his character.

約束のネバーランド

Volume 7. I’m taking my sweet time with this one, because I heard the anime for season 2 sucked, so I’m avoiding it like the plague. This is 少年 how am I enjoying this and not everything else what.

ヲタクに恋は難しい

Enjoyed the anime hated the movie why did they make it a musical that sucked (ps i normally love musicals hated this one) 

The オタク jargon is kinda hard to read suprisingly but I do enjoy this ship very much. It’s a lighthearted take to otaku culture which is great because seriously it’s scary out there.

ツバサ -RESERVoir CHRoNiCLE-

It’s my childhood ship, obviously I will read this again (read in English several years ago). Still as plot twisty as I remember it being (now at a bonus hard level reading it in Japanese 笑). Really enjoyed reading this one (I finished it this May).

-☆-

I’m starting to really dislike furigana in manga. It was a great help as a beginner, but now it’s like training wheels that you can’t take off. I feel like the gains I’m getting from manga is much lower than it was when I first started which makes me both proud of how far I’ve come, but also sad because I love manga. Sad that I might have to start choose VNs over it, because it’s not going to challenge me as much going forward. I mean it didn’t stop me from reading a lot of it this month, but you get the picture.

VISUAL NOVELS

ISLAND

Completed! See my stats and read my long spoiler filled post here.

ファタモルガーナの館

Picked up this VN and finished two doors (15 hours) before stopping. On the fence about it, because it has been kind of predictable so far, and I don’t particularly enjoy the horror genre. That said, this is more psychological than anything, so it’s probably not that that’s putting me off. The language is not exactly difficult, too - maybe some oddly specific words because it is after all historical fiction (which is one of my favorite genres, btw), and 敬語 is definitely interesting to read for once after encountering so many お嬢様 characters in anime/drama so far. 

I think maybe it’s the conversations that are kind of dull - dots (silence) every few clicks that keeps breaking the flow of reading. Probably judging it really harshly too early, because it’s rated so high everywhere, and I just have high expectations. Definitely not dropping it yet though, just taking a break and testing a couple of other VNs before I settle with whatever I end up choosing. It is, after all, going to be another 50+ hour read, and I just don’t want to not enjoy the process, because having fun with the process is a huge part of immersion learning.

Let me know if you’ve read Fata and if I should continue! 

-☆-

That’s it for this month!

If you have any suggestions on what to watch and read next, please send me a reply, especially for VNs because I’m struggling over here.

[btsandvmin]

Vmin “being distant”

I know this topic is brought up a lot, but I got two asks about it, which I think were replies to this ask: “Kind of agree with vmin not spending much time together outside of work & things they do/say barely even give off that “possibly a couple” vibe in general”...

These two asks bring up a lot of good counter arguments to Vmin being distant and then there are all the other million moments we have of Vmin doing incredibly intimate things and even calling, facetiming or texting despite working together all the time... I mean we literally got Tae basically say “I am too lazy to come to you so you come to me instead and sleep together” as if either of them are supposed to be with the other. Vmin has now normalized sleeping together and no one even reacts. 

How is that not couple behavior compared to other ships? Like at least acknowledge that Vmin are definitely close and definitely spend free time together. And even go out of their way to do stuff like facetiming when one of them is at work.

Thanks to Tae mentioning Jimin being there with him in London we also know Tae sometimes at least seem to avoid mentioning when he spends time with Jimin. Saying “members” (in the pics it’s translated as a couple of us went but he says members) instead but then when he gets frustrated finally saying he means Jimin and a few staff. So if it was Jimin, Hobi and some staff members why say “some members went together”. Though to be fair I would love a proper translation since I don’t speak korean myself. (also I cut away parts of the conversation, they go back and forth a lot)

We have moments like this, small mentions, that show us Vmin spend time together. Tae posted pictures of just him. He doesn’t have to always let us know who is with him.

I don’t have much to say in this post that I haven’t already said before. But Vmin show us time and time again they spend plenty of time together and enjoy free time together as well. Just because we don’t get pictures all the time, and they might only let us know they did something years after it happend, it doesn’t mean they are distant. 

As for the vlives or their push and pull I think that is something else entirely. I don’t see why even if Vmin still are close but a bit “distant” they would do that push and pull in some moments but not others. Also, they literally released a song about being soulmates and wanting to be together after BTS, tell me again the point of this if they are “too distant to do a vlive” when both Tae and Jimin also had vlives with many other members and solo. It’s not a time issue if you ask me. And if they keep calling each ohter best friends what is the big deal with hanging out or having vlives together?

We know Vmin go out, though we have no idea how often, but they definitely do because they mention is at times. And as one of the asks pointed out the other members also seem to think Vmin go out together. 

For me I still lean more towards Vmin simply being private, and also probably having no need to share what they do (maybe they are just hanging out and it’s nothing special or maybe they rather keep moments to themselves.)

We also have seen some indications of Vmin gradually showing things more and more as well. So if Vmin really get normalized we might keep getting moments like this.

Remember, this selca was the first time in years posted one of him and Jimin, and we know they have taken ones but just never posted.

EIther way, people have different ideas of what “being distant” is. But for me I see Vmin doing plenty of things that seem very intimate as well as them spending time together and talking a lot with each other. With everything they keep giving us I can’t help but feel that people who call Vmin distant either don’t know much about Vmin, or don’t want them to be too close. (Or have a very weird view of what being distant is.)

Also as for what is a couple “vibe” is highly subjective wouldn’t you say? One person can see something as 100% platonic while another says the same moment is filled with sexual tension. What someone feels doesn’t really mean anything... It’s just interpretation.

As for me I personally think most people say Vmin doesn’t seem like a couple, mostly because BTS insist on them being just very close friends and the labels is more stuck to them than others. I don’t see how the actual things they do are “less like a couple” than others. All members do things that are intimate to different degrees, so fine if you want to say no members act like a couple. But that should apply to all members then.

Vmin are best friends, and soulmates and spend time together. I think these three things are facts people need to stop denying. Because BTS has no reason to lie about those things and honestly Vmin aren’t good enough actors to fake that well for so long.

Anyways... For me Vmin are definitely not distant, and they definitely spend time together in their free time. They are clingy enough to call and text despite how much they work together and spend time together. And again, most members are pretty private and don’t post a lot, and we don’t get to see them out often either. So I’ll say based on what we actually see and things they mention Vmin are definitely not “distant”. But hey, maybe we just have different views on what that word means.

Hope you had a fun read even if this topic is a bit repetative. Thanks for the asks as replies (and sorry for taking time to answer), your points were excellent and I probably didn’t even need to add anything else to them. :)

[wovenstarlight]

YWBK update: chapter 25 + liner notes

yesterday will be kinder has updated! you can read chapter 25 here, or start from the beginning here

okay, on to notes and commentary! first time i’m doing these, let’s hope this works out. commentary under the cut to save people’s dashes

Hamin laughs. “Given how bad you are at not being suspicious, that’s understandable.” “Oh, come on, I’m not that bad.” Hamin screws up his whole face in a squint. “Okay, so maybe I’m a little bad.”

this part was really funny to me when i wrote it because i was like “hmm reasons for DHM to understand why HHJ wouldn’t work in the guild” and then i was like Wait. Their Whole First Meeting, Dude. DHM was lowkey convinced for the longest time that HHJ was like, on the run from the KR version of the mafia, and got plastic surgery to look like his little brothers, and is possibly in some sort of witness protection program??? or something??? how else does he not have cops on his ass this man is so suspicious all the time

“I don’t think… They said the dungeons were, like, different worlds? Did they find people there?”

mafia theory second place. dungeon theory first place

“Like, humans? Um. No, no humans.” “So then you can’t be from there. Okay.”

dungeon theory shot down. mafia theory back in the running

“Hey,” he says cautiously. “I’m— I’m gonna go get us some water, okay? Why don’t you… take a minute.” “Okay.” “The bathroom is over there, if you need it.” “Okay. Thank you.”

after four years working alongside a guy you start to notice when he’s feeling a little out of it and needs a bit of a break... but as JHW mentions later you also learn to be a little subtle about giving him one

jung heewon What’s with your typing? It reads like Jihye’s [HYJ]’s fine. Very energetic Too energetic? He’s going to burn out. How do I make him calm down

Epic Burnout Man makes a reappearance! when translating sclass one of the things that makes me want to shake HYJ most is his habit of constantly adding things to his to-do list while he already has 1 billion things on his plate. and all the time he’s whining about “UGH there’s SO MUCH WORK to do” No One Asked You To Do It

Anyway. the point is. HYJ isn’t about to be beat by HHJ at Developing Issues 😔

jung heewon I haven’t spoken to him directly about this because if he’s anything like you he’ll take it as an insult You wtf whts tht supposed 2 mean quit typing jung heewon Better not say shit, mr “No, I can’t take days off and cater to my interests or go out with friends or on a date, I’m too busy taking care of the kids and making sure their needs are met, no I don’t care that there are thousands of people out there balancing personal enjoyment and romance and work AND kids at the same time, are you suggesting I be a BAD GUARDIAN to MY KIDS?”

see above re: not being too direct with pointing out when HHJ’s having Issues because he doesn’t react well

You wht but our eyes r fine jung heewon Even if having glasses doesn’t run in the family, you should still get him checked, just in case

top 10 funny time travel moments: referring to you and your past self as “us” (our = my eyes are fine), but other people think you mean “our family” (our eyes are fine = no family history of long/shortsightedness)

Also. Sooyoung-ie says hi [Attachment: 20XX1213_144516.jpg] 

ok no lie this was one of the parts that pissed me off the most, even though it’s Literally One Line, because. i love chat exchanges. i really do. when done right they’re a lot of fun to read. But Do You Know How Long It Took Me To Figure Out A Calendar For The Events In This Fic. now everything’s TIMED i have to count HOW MANY DAYS IT’S BEEN since XY event so i can CORRECTLY NUMBER the FILE ATTACHMENTS!!! this sucks!!! it took me fucking forever to pin down a timeline just so i could write this chapter plus the few before and after it!!!!

anyway i gave up when i reached year. i just put 20XX. fuck it. we are running on fairy tail time now. (actually i think that’s XXnumber number? XX76? or was it X796. something like that. Who cares i stopped watching fairy tail forever ago)

Fuck it! Hamin will understand!! “If you Awaken you should come work with me,” Han Hyunjae says all in a rush. 

“HAMIN WILL UNDERSTAND” => he literally was cool with me giving zero context for half a dozen absolute balls to the wall nonsense bullshit things i’ve done before. he’ll be fine with this too. dog_in_burning_house_this_is_fine.png

“You already know about the guilds, those are going to be for dungeon Hunters, but I was thinking of forming something like an independent group of contractors. Awakened people with skills that aren’t useful for combat, but that might… that will be generally useful. It’d be you and me, and maybe one other guy I met recently. Probably more in the future.”

given that HHJ has no idea currently that peace exists (i’m so sorry baby i’ll find a way to shoehorn you in soon i miss you so much) he’s got no intentions to start a kiseungsu business yet! he mostly wants to live quietly while just acting as a manager for other Awakening-related services, like YMW’s forge and DHM’s tracking service, along with the information exchange/lowkey spy ring that he’s planning on setting up with JHW and the bar. since HYH is fine associating with him in this timeline, HHJ’s thinking he can get a foot in the door that way, then eventually spread out into dealings with most major guild leaders

RIP to this plan. you were well-made but you will not last long.

“Please, I can’t tell you how I know that, I really can’t, it’d put me and my brothers in danger if it got out. But—” “No need.” Hamin looks slightly alarmed, and Han Hyunjae feels himself settle at the obvious concern in his eyes.

MAFIA THEORY RAPIDLY RISING TO PROMINENCE??? THIS IS NOT HOW DO HAMIN WANTED HIS GUESS CONFIRMED

“I spoke to the Task Force Head and she said that there’s been discussion about hosting a meeting for the nearby high-rankers, where they’ll announce the guild proposal and see who else is interested in trying it out.”

“they’ll announce” i’m sorry king 💔 you deserved a nap

(OH ALSO FUN FACT choi eunyoung is a canon character, not an OC of mine! she appears in uhhh i think late 140s? 150s? something like that)

“I think there’s… probably only one other S-rank who’s Awakened right now?”

Hehehehehehehehehehehehehhehe

Hamin beams. “No, they’re doing great! Spookie’s taken really well to the new housing situation, but I think Spots might miss the store…”

shoutout to @daemonic-dawn​ for letting me borrow a pet name, love u king. i had a much longer ramble about pet names here but i finished typing and realized it was all entirely off topic so i removed it for convenience

Hyunjae makes an annoyed noise in the back of his throat. “Don’t— I mean.” He huffs, visibly taking a deep breath, and Yoojin frowns reflexively. [...] “Is everything alright?” Yoojin kind of wants to be annoyed at his tone on principle, but he forces his shoulders to relax, matching Hyunjae’s posture. Though he can’t stop himself from being a little short when he answers.

things the brothers have learned in four years living together: getting confrontational often leads to arguments that just fizzle out anyway, so it’s way fucking easier to consciously tone down their combativeness in advance when talking to each other about things they have problems with, instead of screaming their heads off and then having to calm yoohyun down afterwards to boot

“I guess. Whatever.” Yoojin slumps. “Can I…” “Hm?” Hyunjae blinks at Yoojin as he gestures to the spot on the bed beside him, then jolts. “Oh! Yeah, sure, c’mere.” He opens his arms, and Yoojin goes over and flumps on the bed, head in Hyunjae’s lap. Almost immediately, Hyunjae starts stroking fingers through his hair, and Yoojin relaxes into the touch, listening as Hyunjae continues speaking.

cuddles 🥺🥺🥺 sorry i don’t have any other commentary here just. cuddles. extremely and overwhelmingly comforting for a man who spent the better part of 8 years(?) with no major positive relationships, and a kid who spent 12 years of early life basically abandoned by his parents. you had best bet they gave up on not hugging each other 1 year into this whole mess

Yoojin hums in acknowledgement. It’s not like he’d ever let himself get hurt; he has too many responsibilities to his family and friends. If he wants to be good enough to keep up, he can’t afford to fuck up like that. But… hyung will worry if he keeps working so hard. He can slow down a little for him. 

Problems disorder man when will you stop. the way he sees “getting hurt” as an inconvenience and an obstacle to his duties rather than a danger to himself. the way he doesn’t really care if he himself gets hurt, but if it’ll worry his family, then it’s a no-no. it’s just. wow. i know i wrote this but i hate him

“Not really. I talk to Myeongwoo about it sometimes.” “Ah, right, Myeongwoo.”

haha gays

“Don’t be weird about him,” Yoojin warns[...]. “I won’t, promise.”

if the “i won’t” line had a dialogue tag it’d be “Han Hyunjae lied”

“Is Eunwoo still in his relationship?” “Mhm, happy as ever. Apparently they’re trying long-distance, now that Eunwoo’s gone off to university abroad.”

three guesses for who eunwoo’s dating and you won’t need the first two

Hyunjae raises his hands like he’s going to deny the accusations levelled against him, so Yoojin seizes him by the collar and shakes him until he cries for mercy

oh my o/rv ass struggled so bad with not writing “shakes him like a man betrayed” here. it killed me not to. but in the end i prevailed (against, uh, myself. don’t think about it too hard.)

“Jeez, okay, he’s an F-rank!” “Eh?! Then why—” “He’s also got an SS-rank potential skill,” Hyunjae admits[...].

play-by-play of this scene because god if i draw any scene in this fic it would be this one just for the sheer hysterical nature of HYJ’s reaction:

YOOJIN: I HATE YOU WHAT THE FUCK WHY. TELL ME HIS RANK

HYUNJAE: HE’S AN F

YOOJIN: WHAT? WHAT THE FUCK?

HYUNJAE: he’s also got an SS-rank skill,

YOOJIN:

[precious-whumps]

a rokka no yuusha/braves of the six flowers whump summary

hey all, i didn’t know there was such a thing as whumplr until recently. my excitement is immeasurable and my day is made, and i thought it’d be fun to join the community with this offering~

i see that y’all know about rokka and gif the boy a lot, but it seems like most don’t even know about anything that came after the anime. i was so obsessed with the characters and the story that i purchased the light novels and was not disappointed — at least on the whump front. the books are kinda pricey since barnes and noble was the only retailer i found that had it and the author never continued after volume 6, so if you happened to want to know the whumpy details, i’ve got them for you right c’here.

be warned though! there’s major spoilers from this, not limited to the identity of the seventh and the climax to the first (lol only...) main conflict since context, at least for me, adds everything to the moment. i also don’t have the books with me, so the descriptions here are just off the top of my head. small plot details might be wrong. once i get my books out of storage, i’m happy to post excerpts if anyone’s interested in that :)

alrighty so vol 2 picks up right after the end of the anime. the braves make it into the howling vilelands (book translation, i can’t remember what they called it in the anime), but they’re soon accosted by tgurneu. adlet has this spike thing with crystallized saint blood on the tip. after some desperate fighting and help from hans and mora, he manages to get close enough to stab tgurneu with it. the beautiful dumbass just stands there though, watching, waiting for that sweet sweet vengeance. tgurneu looks up at him and says, “are you seriously trying to kill me?” then, lightning fast and with inhuman strength, he punches adlet square in the face. the hit fractures his skull, knocking him out instantly, and sends him flying into the woods. he rolls and hits a tree i think. fremy screams for him :’c

mora gets to him first. i definitely remember that she feels his neck for breaks. it might have been my imaginings, but i’m pretty sure she pulls his arm across her shoulder and carries him in a semicircle around tgurneu who hasn’t died yet. hans comes up and takes adlet from her, saying he’ll get everyone to the next checkpoint which is a cave that has a special protective barrier the saint of the single flower made however long ago it was. he runs with both adlet and chamo (who’s been poisoned) on his shoulders all the way there. tough kitty. the others catch up eventually ‘cause they were dealing with more fiends attacking them and having trust arguments with each other, fremy and mora specifically with fremy ending it by outright saying that she’s worried about adlet. at the cave, they’ve laid him down by the spring, and mora heals him with the power of the mountain since bones aren’t rolonia’s forte. he’s still unconscious for a few more hours, until evening i think. she notes his resilience when he wakes up.

this volume also introduced me to the joys of hans whump..he gets my absolute favorite kind here. it’s revealed that tgurneu got to mora some years before, threatening to murder her young daughter if she doesn’t kill “at least one brave.” but she’s smart and dedicated, so she recruited rolonia, trained her to be both a strong enough fighter to be chosen as a brave, but also to be an insanely powerful healer too, because mora’s plan is to kill a brave to free the daughter but then immediately have rolonia resurrect them. she’d decided to use adlet since he was both healthy (had the best chances of being revived) and the easiest for her to deal with (lol), but there’s a hiccup in her attempt to separate him from the group. she ends up with hans instead because he sensed something was fishy, wanted to scope the situation out himself. it’s too late to fix it, so she fights her little heart out with him, finally managing to get a solid, heavy punch to his chest, stopping his own heart. she collapses from the licks he got on her and has to drag herself to his body. she pricks his jugular, all the while rolonia’s freaking out cause she wasn’t in on the plan, and the rest of the team swarms them. mora just yells at rolonia to pump hans’ spilled blood until his heart starts up again even as the others are yelling at her, believing she’s the seventh. i think adlet gathers the situation a bit and kneels by hans’ side across from rolonia, asks her if she needs him to do anything. i don’t remember the dialogue exchange, i just know that he’s holding hans as he comes back to life, and the poor guy, this hardened, i-ain’t-scare-of-no-things assassin, touches his neck where he was pricked, then starts screaming from the realization that he was dead. i love it. i’m so unbelievably salty we didn’t at least get the second season for this scene alone.

oh i also remember a flashback scene from when adlet met rolonia on atro’s mountain, it might’ve been in this book. it was one night, after a long day of struggling just to get nowhere with his training, he lamented that he was born a man, meaning he could never be a saint and have the power he needed to get revenge for his village. rolonia had her own issues at the time too, mainly that she didn’t want to be a saint, so the two ended up sobbing together all night.

~

vol 3 didn’t have a whole lot of…anything really. it was mostly goldov’s backstory (he takes a beating, i think, with nashe by his side for a little bit while he’s recovering) and the braves running around in circles like idiots trying to find nashetania. she loses her arm *shrug*. i guess i can say this one was important since it was showing the first signs of adlet’s strong man veneer cracking. boy’s getting stressed out by this whole leadership thing.

~

vol 4 also didn’t have much physical whump, but the emotional is pretty nice. it’s actually my fave in the series because it made me cry ;-;

the braves push deeper into the vilelands and come across the ruins of human villages. now, there’s a fiend with the special ability to implant parasites into the brain stem of humans and control them. they can still be ‘alive’ even after they should be dead, like this small army of zombies have long since starved to death, but their minds are sort of still there. and one of them just so happens to be adlet’s childhood friend rainer, the kid that he thought died with his sister. rainer heard information from the fiends that he knows the braves need, so most of the book is him trying find a way to tell them. he’s not able to until the very end as he’s lying in the woods, dying for real and singing a song from their village because it’s the last thing he can think of. he sort of recognizes adlet, saying, “you look like someone i know,” just before he’s gone. hans tells adlet it’s okay to cry if he needs to, and he’s all, ‘no i’m fine, we need to go.’ he takes a few steps away then stops and says, “actually, hold on,” then “presses his face to a tree trunk and weeps.”

~

vol 5…i gotta admit, i honestly don’t remember this one very well. adlet gets “beat to a bloody pulp,” but i can’t visualize it since some of the plot was hard to follow, and he’s honestly had worse already so i was barely registering it. the braves suspect him again of being the seventh, and real evidence comes forth showing that he likely is, and fremy tries to kill herself to protect the braves? like it’s just a big dramatic thing. so it’s kinda half revealed that tgurneu, who ~somehow~ still isn’t dead, has some kind of control over adlet involving ~the power of looove~, and it’s starting to be more clear that he has an unnatural compulsion to protect fremy. so like, yeah, he’s having to do a bunch of shit to stop her from killing herself, stop the braves from trying to help her with that, and stop them from suspecting him. i think fremy shoots him in the leg? i legitimately cannot recall. i do remember that he finally manages to craft a lie that convinces them that hans is the seventh and that fremy doesn’t have to kill herself, that her death might actually hurt them. she’s kneeling on the ground for some reason, he runs over to her, just stands there again looking at her, asks if she’s okay. she feels bad about him being injured and gently places her hands on his torso to keep him steady. it’s a super sweet image to me, yeet. he drinks some potion thing goldov uses to keep pain at bay with the warning that he’ll “be in hell once it wears off.” that’s all i got for this one, sorry >.<

~

and finally vol 6. it’s fully revealed that yeah, tgurneu is mind controlling him to love fremy so that she can fulfill her engineered purpose (she wasn’t aware of it. she’s such a brilliant, sweet girl, i love her so much), which is to drain the magic from the braves’ crests while they’re in the vilelands. of course, this will kill them as soon as the protection from the land’s poison is gone. so adlet’s for sure the seventh but he never knew it until now (or he didn’t accept it, i think he did realize it back in 5). his entire life was manipulated for this scenario. most of his POV in the book is his mental breakdown dealing with all of this. like he tries to force himself to stop loving fremy and being willing to betray his friends and destroy the world for her, but he just can’t shake the control, making him cry again from the stress.

at some point, he and hans are cornered by tgurneu’s special forces. they’d reverted to enemies after the previous book’s shenanigans but when hans realizes what’s going on in adlet’s head, he feels bad for him. adlet doesn’t do much fighting, leaving hans to deal with it. “not an inch of his skin is clean of blood” as this fight goes on. later, to keep adlet from causing any problems, tgurneu has one of the big fiends swallow him. he’s stuck in there a good while with its weird prehensile organ cinched around his throat and the potion wearing off.

finally towards the end with the rest of the braves coming to the rescue, he finds the will to escape and attack tgurneu, thanks to some clever situation-manipulation by mora once again.

a good slash to hans’ gut takes him out. adlet holds him again for a minute before chamo has one of her swamp fiends also swallow him for safe keeping lol.

oh i should probably mention that the prologue for this one showed a younger adlet still in training with atro. he’s told to ‘surprise me or gtfo’ because up to this point, he’s shown zero promise or skill, relying only on his need for vengeance. this is when he’s first given the saint blood spike, and it’s also shown that this was when the love spell took effect - a dream about a girl he doesn’t know but wants to protect at all costs. he has to figure out how to use the weapon in a way that no fiend would see coming. so he holds it up and stabs his own chest.

now back to his final battle with tgurneu. he conveniently had two spikes only, used one already that didn’t work because tgurneu is actually a fig-tree thing that controls any fiend that like..vores him, so the saint blood only killed his meatsuit before (he’s now in a large bird-like one). adlet knows he won’t get another lucky stab in, so he lets tgurneu rip his stomach open. he slips the crystal from the second spike into the wound, then grabs tgurneu by the face. his now toxic non-saint blood bubbles up into his throat. tgurneu, ridiculous fool that he is, can only watch dumbfounded as adlet pries his beak open and spits a mouthful of that blood into him. it reaches the fig portion of his body, killing the new meatsuit and forcing him to retreat. he’s helpless like this. adlet only has to go pick him up, tear the fruit-body apart to reach the fiend’s core. adlet stands there, holding the core in his palm. it’s occurring to him that everything he’s become is about to be gone because the love spell was the only reason he became the strongest man in the world. then he crushes the core and collapses, half dead.

fremy goes to him and tries to treat his wounds, but his blood burns her hands. the fiend army is still bearing down on them, so she wraps him in her cloak and carries him on her back herself to the next safe zone. at some point, he wakes up a little bit while they’re still running. his mind is so scrambled, and he feels an indescribable terror that knocks him back out. five hours pass, and when he wakes up to the others arguing about what they should do with him, he finds that he doesn’t feel anything for fremy anymore. he looks at her sitting next to him, says her name like three times, but he can’t summon back that love he felt so strongly.

hans is just in the background sleeping off the second healing session he must’ve had with rolonia. everyone’s pretty worn to the bone.

and that’s basically it. there’s cliffhanger plot stuff that i’m sad i’ll probably never see developed further. oof not to mention the destruction of adlet’s character and his romance with fremy. i can only assume yamagata-sensei intended to rebuild it in the next arc considering tgurneu truly believed that adlet’s capable of achieving the impossible. but yeah, i’ll compile some excerpts for y’all when i can xx

[antagonistchan]

really long post sorry lol but i have so many thoughts about this that i so desperately need to get out

Something I’ve been thinking about a lot lately: Cheating in Transformers.

For some backstory; I’ve vaguely known about Transformers as long as I can remember (I had a bunch of Armada minicons as a little kid, and my Dad liked G1 when he was a kid and told me about it a couple times (and eventually I inherited his old toys)). And then I really got into Transformers myself in 2006 when I was 8 years old, when I started watching Transformers: Cybertron (which was already over halfway done at that point, oops, but still). And then I got REALLY into Transformers myself in 2008, when I truly discovered the Transformers fandom (I discovered tfwiki, and I discovered a couple Transformers youtubers who I actually still follow today, and I realized that I wanted to start collecting Transformers...); ever since then, I’ve been a hardcore Transformers fan. Transformers has consistently been at least one of my biggest fandoms this whole time. And most of the time it’s my absolute biggest, I’ve just had a couple phases here and there of thinking “maybe I care about this other thing just as much as if not more than Transformers” (most notably during my Vocaloid phase from 2015-2018). My favorite video game of all time is the Mass Effect trilogy, and a couple weeks ago I was thinking “there’s probably nothing that could ever top Mass Effect as my all-time favorite game” and then a week later I realized “Actually, no, there’s one thing that could potentially push Mass Effect aside, and that would be my dream Transformers game”.

So, I'm currently 23, I got into Transformers when I was 8, and I’ve been a hardcore fan since I was ten. More than half of my life. Way more than half of my conscious life since the first few years don’t really count.

So, with that context in mind, returning to the point of this post: Cheating.

I don’t like it when Transformers cheat. The robot mode and the altmode are extremely important to me, but ultimately, the most important part of a Transformer is the transformation between the two itself. And when it’s cheating, I feel a little... well, cheated.

Point 1: Bayverse. When I first saw the Bayverse designs, I was immediately put off because I knew that those designs couldn’t translate into toys without cheating. The only toys that even remotely approach movie-accurate transformations are Masterpieces and old Leader-class toys, and even then it’s not fully there. So like, the Bayverse designs feel like they’re missing the point of Transformers. And remember, I was a kid back then. I’m not saying I was a super mature kid or anything; rather, I was put off because of my childlike priorities. I wanted a toy that didn’t lie to me.

The Bumblebee-style designs are a step in the right direction; the characters are all actually recognizable as themselves now. But the whole design philosophy is still wildly out of scale with what’s actually possible in a toy. And god, as I get older, the more and more I do actually understand the appeal of the Bayverse design philosophy. It is a really cool and creative and interesting design philosophy. But it’s a good design philosophy for a movie, NOT for a toy. So even though I actually appreciate the Bayverse style now, it still stings that it doesn’t really understand toys, and the only Bayverse-style toys I’d ever be willing to buy are the insanely expensive ones.

(Also, it’ll always sting at least re: non-Bumblebee designs that the most high-profile part of the brand for so long was one of the least representative, and was so radically different from everything else. To a lot of people, Bayverse is Transformers. If those people are hardcore fans... I don’t mind too much that Bayverse defined Transformers for them. I can’t fully relate, but I do relate a little (these movies have been around and huge for more than half of my life, I definitely have some nostalgia for them), and they clearly have a lot of love for it and that largely placates me. But the fact that Bayverse also defined Transformers to a lot of casual consumers- THAT makes me wildly uncomfortable)

I had a similar initial reaction to Animated’s designs, but then Animated’s designs actually won me over because the designers used some sort of blood magic to make the toys actually work. The toys actually transform the way they do in the show! Incredible! And even at reasonable prices, and looking good in both modes (at worst, there’s some minor kibble and visible robot bits)! They actually did understand the point of Transformers, and I feel ashamed for having ever doubted them! Animated is actually one of the highest points of Transformers, both in media and in the toys! God, I love Animated!

Point 2: Speaking of Animated, we gotta talk about Wreck-Gar.

And by “We gotta talk about Wreck-Gar”, I mean “Wreck-Gar is actually perfectly fine and everyone’s way too harsh on him”. Animated Wreck-Gar is one of the most infamous backpack-formers, and backpack-forming is one of the most infamous methods of cheating.... but honestly, with Wreck-Gar, it doesn’t feel like cheating at all.

Yeah, he’s got most of a dump truck hanging off his back... but it feels like that’s the point. A dump truck is already just a cargo delivery system, so with Wreck-Gar, it just feels like the robot is still just a cargo delivery system. He doesn’t have a backpack because he’s poorly-designed, he has a backpack because he has a backpack.

That’s not to say the backpack-forming doesn’t have any issues. It does still create two problems- that is, it restricts his waist articulation and gives him balance issues. Those are both unfortunate. But it’s not cheating.

Kibble doesn’t feel like cheating if it feels like it’s supposed to be there.

Point 3: Fake kibble.

CHUG toys like to cheat a lot, especially lately.

For instance, PotP Punch/Counterpunch. Counterpunch’s chest is not the actual windows; the real windows are in his feet and slot over Counterpunch’s chest.

This is... kinda clever. It’s still cheating, but the fake thing is just hidden inside the real one, so everything’s kinda in the same place.

But again, it is still cheating, and I feel like cheating misses the point for me.

In this case, they’re clearly cheating because it makes the two modes look better. And they’re right. If the altmode used Counterpunch’s real chest, it’d be too small; and if Counterpunch used the altmode’s real windows, it’d be too big. I get it. But I just don’t think that’s worth the cheating.

But much like actual kibble, sometimes fake kibble doesn’t feel like cheating.

Optimus Prime has had many many toys with fake cheating over the years, because they’ve experimented with so many ways for him to transform but like to keep his design mostly intact (hell, that’s part of why they’ve experimented so much- Floro Dery’s take on his design is really hard to replicate in a toy). And they have varying levels of “does this feel like cheating”.

Classics Voyager Optimus Prime is cool, but his fake kibble is absolutely cheating.

Powermaster Prime doesn’t feel like cheating at all to me. Part of that is because in the Masterforce anime (which I saw before I’d even seen the toy), they don’t hide how he actually transforms in the slightest. They show him transforming, and he transforms like the toy. There, it feels like they just wanted him to transform different, but wanted to keep the iconic details, rather than making him transform different for the sake of the iconic details.

Earthrise Optimus Prime’s fake kibble is mostly cheating, but the way it cheats is actually so interesting that, if I force myself to think of it the way I think of Powermaster Prime- pretend that it admits it transforms funny- I can actually accept it as somewhat not cheating.

But there’s one Optimus Prime that doesn’t use fake kibble at all and still ends up with a Floro Dery-accurate robot mode. I really love the way this Optimus Prime transforms.

It just fucking sucks that this Optimus Prime’s vehicle mode is so bad that even I- who prioritizes the transformation above the vehicle mode- am willing to say “Wow, this toy is garbage”.

I’m speaking of Classics Deluxe Optimus Prime. The robot mode isn’t as good as Earthrise’s, but it was good at the time, and god, that transformation is absolutely beautiful. But jesus, that vehicle mode is ugly as shit. I really wish they’d give Classics Deluxe’s general design another go, have an Optimus that transforms just about the same way but doesn’t have the worst fucking vehicle mode of all time.

Point 4: Partsforming.

I don’t usually like partsforming. I have a hard time accepting Earthrise Cliffjumper even though it’s mostly very good because the partsforming is so much.

But sometimes- and I think you might be noticing a pattern after the kibble and fake kibble bits- partsforming doesn’t feel like cheating for me.

Partsforming typically feels right when it actually gets so egregious that it loops back around to being Really Good, Actually.

For instance, RiD01 Ultra Magnus. His entire vehicle mode basically splits in half, and one half becomes his legs while the other half becomes everything else. The fact that he has to split in half so dramatically and then recombine equally dramatically makes it feel like an inventive and unique transformation instead of a cheat.

[longinglook]

I’m replying to a bunch more wru asks under the cut, so if you’ve sent me one that I haven’t answered yet, it’s probably down here!

I don't know if it was on purpose but FTTT's story has been mostly character driven so far so the jealousy storyline they tried to push in the last minute is out of place. I also agree that there are most likely scenes missing after what happened in the first part of the episode. I can definitely tell that some things aren't going the way they planned and I'm not talking only about SaiZon but about all couples.

Yeah something was definitely missng there plot wise, and as you said I think the show had been mostly character driven and it was working fine like that. They tried to add drama for the sake of having drama in it and edned up ruining the characters they had so nicely built. The show has been all over the place this entire time, but corona must have really screwed things up for them at the end. Hopefully they do get to shoot some more material to fill the holes that were left. I’m still very doubtful we’ll get the apology scene that was very much needed there.

fighter getting drunk, seeing tutor with the kid and then going to tutor and breaking down crying would have had done the same for the story progression as whatever they tried to do today and it wouldn't have harmed the character development of either characters but considering the article i read about thai and rape culture in the media i'm not even surprised that someone thought this was a good idea

I agree 100%. I think that their whole reasoning behind it was to bring Fighter to some sort of “breaking point”, because apparently just seeing Tutor with someone else wouldn’t have done it. I hated that part as well, I don’t think Tutor would ever use someone to get back at Fighter or piss him off so I’m going to erase that from my memory as well. I think that Fighter breaking down could have easily been justified just by him getting drunk and going to Tutor’s to beg him to get back together. Once Tutor refuses, you have the whole scene where Fighter cries. No need for any of this manipulation and assault. Sadly it seems that the writers didn’t see a problem with it. They didn’t even have Tutor ask for an apology, they didn’t make Fighter provide one. 

I can’t believe they thought this kind of behavior would make sense coming from Fighter. We’ve seen repeatedly how Fighter has had pretty good impulse control around Tutor, stopping when kisses get too intense because he doesn’t want to “break his promise”, so this was just so out of character. Let’s say he was blinded by jealousy and alcohol, the moment he snapped out of it he would have apologized for sure. The fact that he didn’t in my opinion shows that the writers don’t consider this to be a serious matter. It should have happened right after he stopped, still in that scene, so there is no excuse as to why it’s missing.

but this is exactly what i mean even if they are side characters there are side characters that are important because they are tied to the main characters and then there are just random side characters to fill space and to make the series look more alive but whyru just forgot about all of them. i mean a lot of things went wrong so i guess i will try not to be too harsh but i hope the director can do a better job next time.

For sure! If you’re going to have a ton of side characters, make sure you can handle them. Make sure they have a backstory and enough screen time for people to remember them, to show respect both for the audience and for the actors. The show didn’t go the way they were planning to, and hopefully they get the chance to reshoot and release a new cut over on netflix, but there is a lot of work to do and we just can’t be sure of what was due to covid and what was due to bad writing.

most of the mess in bl series could be avoided if they just consulted an actual lgbt+ representative. i know one person can't represent all of us but it's a start. or honestly any sane person could do it. also how many times have people complained about problematic plot elements like this before? and it's not just international fans i have seen many viral thai tweets as well. you would think someone who spends as much time on twitter as the director of whyru would know better.

I think someone from the crew ism’t straight? But yeah apparently that wasn’t enough. Up until yesterday the show had been doing a good job with this sort of issues, even in ep. 12 the conversation with Fighter’s father was excellent, but they really fucked everything up with part 1. In that case it’s not necessarily about lgbt+ rep, since that scene would have been just as awful with a straight couple, it’s about working with someone who is able to recognize assault and realize that it shouldn’t be treated that lightly, that these characters wouldn’t normally behave like that, and that an apology scene from Fighter would have been needed. I’m staying off of twitter for a while because I honestly can’t watch clips of this episode without feeling sick.

It broke my heart to see Fighter begging his father to be happy. No child should have to BEG their parents just to be happy. I'm a mom and if my daughter would stand bevor me and plead under tears that I should just let her be happy it would destroy me. But this jerk didn't show any reaction. I don't get how to be so cold-hearted. In particular, when he claims that he does everything only for his son. He is no father. He ist just a self centric, control freak with no affection

Hopefully that was the last we’ll ever see of him. I’m pretty sure Fighter is going to tell Tutor that his father had a change of heart or something. because Fighter’s words seemed to have an effect on him and he left without saying anything. Still, I completely understand what you’re saying. He went way too far with his control tendencies, he made both his son and Tutor suffer just because he wasn’t okay with Fighter living his life and being happy for once. I hope Fighter will truly be happy after this and his father will leave him alone and lean to be more accepting. If not, I’m sure that Tutor’s mom and sister are ready to dote on him like a second son.

so apparently the subs for fighter's text messages are completely wrong he doesn't say anything about the beach or zon he is telling him he left and that he hopes he will get better soon and that he is sorry if he made him feel uncomfortable. this is not a small mistake, this is a complete different translation like what the hell. i mean part one is still shit but it makes more sense and explains why tutor was crying after reading the last message.

Yeah I saw that! It looks like there was a second version that included those texts but got scrapped last second and they didn’t get around to editing the subs. I’m sure someone on twitter/youtube will upload a revisited version to fix where the subs were off throughout the episode.

Please tell me, i'm not the only one who felt it's gotten worse when tor replied his kiss. Just because he kissed tor softly didnt mean fight didnt force himself on tutor, right? I'm so afraid everyone will take his action as some kind of 'you said you didnt love him but actually you love him, right?'

Yeah no, it was still forced and non consensual. It started with Fighter physically dragging Tutor to the bedroom while Tutor struggled to get free and told him to stop, so basically everything that happened after was assault no matter what. Tutor barely kissed back, it might have been just out of habit, it does not mean he was okay with it. No matter how soft Fighter was kissing him, he was still holding him down and pushing him, so yeah. Not good. Tutor laying still was a way to show Fighter just how much NOT into it he was. He wasn’t reciprocating anything, he wasn’t responding to his touch, it’s the exact opposite of what we’ve seen in all their heated scenes. I can’t believe anyone could look at it and think that Tutor was okay with it. One thing I will say is that Tutor didn’t look too scared, he was more angry and frustrated. He was probably aware of how out of it Fighter was in that moment, and all it took to get him to stop was Tutor’s voice. The writers want us to feel like Tutor wasn’t that shaken by it because he still loves Fighter and he knows he was just reacting to seeing Tutor with his student, but it’s still really bad. The whole love thing, the I don’t love you anymore line, in my opinion it was meant as a lie to get Fighter to leave him alone and finalize this break up once and for all. I don’t think Tutor ever stopped loving Fighter, even in that moment.

I think they were trying to make the scene In P1 not look as bad as it is by confusing the viewers with Tutor kissing back and letting Fighter in the end but it still is what it is and then right after that they gave us the whole sentimental scene and Fighter crying I like that scene if only it did not start the way it did. And so they expected us to forget or turn a blind eye but I don't think it's gonna work for most people.

[read question above for the first part of the question]

I was definitely unable to properly enjoy that scene after the assault. I think it was an important scene, I liked the writing of it, I liked the flashbacks with the added frames revealing just how gone Fighter was for him since day one. It just didn’t have to be triggered by that. It could have easily existed on its own. I will not be able to rewatch it sadly, and I am so mad because I think Zee was at his best there. Incredible acting, too bad it had to follow that unforgivable scene. Even just a single apology could have made things better. It would have shown that the writers acknowledge how serious that was. But no, it happened and then it was brushed off, then why having it in the first place?

[desertdragon]

Another topic I take seriously and have issue with as a supplemental to my last hc post (see tag) is the subject of Vaste's mental state and development regarding romance and sexuality

I said last year after finishing Shadowbringers that I was fine with G'raha Tia and his portrayal, however after this long stewing over it and thinking and rethinking and talking to friends and acquaintances about it, I've made a heel turn compounded by SE's history of signaling and emphasizing Male important npcs pivotal to the plot for romance often and in greater consistency (within context of actual expansions/MSQ, materials outside the game itself are not counted) than any other gender that frankly feels sexist and non inclusive especially as someone LGBT

I mention him because he's a big part of the point I want to make but first, backtrack

Vaste is lesbian like I've illustrated up and down before but it played a role in making her feel pushed to choose to leave her family, I mentioned last post that most of that decision was built on a desire to finally assert free will and control over her future over a regimented predetermined one,

part of this regimentation would've been compulsed heterosexuality and a social "duty" to be on the receiving end of men's whims be they attention or sexual encounters- realizing she's lesbian as she grew older felt like something was inherently Wrong with her and she'd be a failure at contributing to procreating, so sort of a standard situation LGBT people and characters are found in but I digress, it felt appropriate due to the entire concept the Sun Seekers are built on

Becoming open to explore and define what her sexuality means for her after this would of course be messy and awkward since she's so stunted in that regard and has largely had only her fantasies and passing crushes she suppressed along with the rest of her emotions as was her tribe standard, she honestly gets lucky with Yugiri because before that was a lot of Yearning and getting all awkward around pretty girls and ideation of relationships

Meeting Yugiri and the journey to understand her defined the point of Vaste being humbled down to reality when it comes to love, loving and being affectionate because you love someone for who they are and Not for the fantasies you project onto them and expect to force them to follow for your happiness

I will say part of this is her own ability to recognize how little people care to understand Her that combined with Yugiri's grounded (mostly) personality shakes her into not wanting to inflict that same misery on others, and that love is not about submission and bending to one higher than the other, that's slavery and abuse, but about compromise, care, trust, and communication that never infringes on the dignity and rights of either

She grows confident and secure in her sexuality and acknowledging it as Normal for her and she's not somehow born wrong because she is this way, and this further translates into romantic maturity and maturity in general regarding firmness in her beliefs and power to make her own decisions

Which all leads into the G'raha situation and how he honestly feels really fuckin creepy

I redid the Crystal Tower quests again on my alt for Gan recently since it had been a while after a did it as Vaste and like, a Lot of his dialogue is bratty and him wanting to assert His way of thinking and solutions and needing to get a last word in for so many things- that and like he first "meets" the player by stalking them so he can give them a hard time and manipulate their emotions and expectations and putting them in a situation of feeling socially unsafe including the possibility that this stranger at this point might finally lie and lead you to a trap

Then when you meet face to face he's so haughty about what he did and no apology feels sincere, especially when Remmbroes had to chastise G'raha into not being fucking rude and it's treated as in one ear out the other, he rubs me completely the wrong way, # 1

# 2 During the events of Shadowbringers his entire oath to secrecy about how exactly he was going to "save" the player is so childish and petty for no reason really other than what felt like making himself feel important, for boosting his ego, because real adults would instead sit and talk about the situation of him wanting to kill himself and hypothetically undo his mistakes, like that's not something to be like "Uhhhhh They Wouldn't Understand, Nobody Understands" which is what I expect of a child trying to be cool by rebelling, not a man who emphasizes his decades alive and the "wisdom" it's given him; he doesn’t act as if he trusts the WoL to have autonomy but instead that they need his “protection” and can’t handle hard conversations, which is a real abuse tactic designed as part of taking identity and individuality from a victim so they are reliant on their abuser 

I want to make clear the fact that he has desires and attraction to the WoL (even if the way he handles it is immature Ideation) is Not why I take issue with this next part, I don't give a shit if npcs express interest, the problem is the game itself does Not allow me to choose to tell him no in his fantasies and wants for the both of you, I am Never allowed to intervene and make a choice to say "Well I'm sorry but I'm not interested and this makes me uncomfortable" even in a polite way; it treats his attitude as correct and cute and never gives him consequences for it

The game's writing insists and assumes my character Will have attraction to Men and therefore the attention I'm receiving is a So Romantic Why Would You Turn It Down? kind of thing

the game makes no effort to acknowledge WLW (lesbians, bisexual, pan etc. women, anyone identifying as a woman with an attraction to women) for a sexist, homophobic, mysoginist railroad of You Will Accept A Man's Attention and putting MLM higher than WLW because the belief seems to be at least MLM are still Men, the "more accepted" gender when it comes to LGBT media in the public eye, whereas all women are socially supposed to be available to men, get married, look pretty to social standards, and bear children, and god forbid a woman wants to be with another woman, then society says they can only be hypersexualized for the fantasies of Men or they're predators

G'raha is one prominent symbol of this attitude for Shadowbringers bar none, he is at the core in the role of a man with power and authority holding that over people to "persuade" and manipulate others into what He wants, in this case including the fact of keeping his suicide plan (and discussing the moral quandary of him being dead being a Fix It button) secret in favor of sending the WoL into danger over and over to do stuff he says you should- while having the nerve to insist he cares for you and Assuming you will take him anywhere with you once everything is over

 He doesn't care to work out the details and consider the WoLs exact feelings on this very forward assumption and instead speaks of it as set in stone, he pretends to be humble about it in his tone but his words give it away, what the WoL actually wants doesn't matter in the face of His fantasies

In light of this quite frankly the only appropriate response Vaste can have is anger and disgust, she does not like him, she hates his guts, and would have no problem insulting and ripping his ego a new asshole, she despises what she sees as a pathetic, egocentric excuse of a creature that has the gall to say It knows what's best for her and them both, he makes her feel unsafe

This is a general trend throughout all of FFXIV when it comes to major npcs being clearly telegraphed to the player as romantic interests; women and nonbinary people are silenced by the bulk of attention and detail poured into the available men’s storylines and development 

I say fuck that, Vaste will be loudly homosexual and listen and be considerate in a healthy relationship with Yugiri even during difficult moments, I will not tolerate any alternative, especially not one where I’m expected to pretend who and what my character is doesn’t exist, she is loyal, caring, silly, serious, and present for the woman she loves and confident in this fact

[scripttorture]

Your National Styles post is very helpful! I was wondering though if you could talk about what kinds of torture were common in pre-modern India? I don't have a specific time period in mind, I'm just after inspiration for a fantasy setting that's loosely inspired by India. Thanks.

This made me smile. Thank you Anon, any excuse to read more Indian history is a gift.

 I don’t have good sources for the entire sub-continent. Most of what I have focuses on the north. I’m also not 100% sure what you mean by pre-modern so I’m going to try to describe as much as I can, adding rough areas and time periods. That way you can pick and choose things that suit what you’re going for in your story. :)

 I’m not going to try with the Harappans. Partly because their writing system still hasn’t been deciphered but mostly because I intend to continue imagining they created an egalitarian utopia. Until such a time as some one finds proof of kingship or other crimes. We all have our stories we like to cling to.

 I actually started out with Keay’s India: A History (imaginative title isn’t it?) because the local library had it. It actually turned out to be a pretty good sign post for other sources.

 India has an incredibly rich history, but much of that history wasn’t written down until hundreds of years after the events took place. Which is something it has in common with most northern European countries, although most European countries have less thorough oral histories.

 India is quite interesting as a case study in the depth and accuracy of oral history. The presence of separate oral records for the same events and separate strands of written records- well it builds up an interesting picture. Apart from pure historical interest it’s also interesting to see what people remember, attempts to change records and how (with the right systems in place) oral history can be remarkably resistant to change.

 I digress.

 The point is Arthashastra is available in full online here. It’s a kind of guide to the organisation of a state. We don’t have exact dates for it (it was probably written by several people complied over quite a long period) but it’s probably mostly from roughly 200 AD. It is focused on the Mauryan empire dated as beginning in roughly 320 BC.

 It was pretty damned big. Conservative estimates have the empire stretching across the north of the Indian peninsula from ocean to ocean, from Pakistan, Punjab and Nepal all the way across into Bangladesh and south into Orissa and Maharashtra. Just looking at a global map, we’re talking conservatively of an area the size of France, Germany, Poland and Italy.

 The translation I’ve linked to has some issues that I can see from a casual read. For instance the references to ‘eunuchs’ were probably rendered in the original as a domination of tritiya-prakriti; literally ‘third kind’. The closest English translation is probably ‘queer’ as the term encompasses homosexual, bisexual, transgender, gender nonconforming and intersex people as well as people who can’t naturally conceive. Some of the subtleties in the original are probably lost in translation and there may well be references I’m missing.

 Now like most historical cultures the Mauryans tortured and tried to impose legal limits on torture. We know from modern analysis that legal restrictions on torture don’t work: torturers will always ignore them.

 So it’s highly unlikely that the tortures the Mauryans allowed by law were the only tortures that happened in the Mauryan empire. But we can be pretty confident that the tortures they listed as legal were used through their empire.

 Arthashastra describes torture as a punishment and torture as an attempt to force a suspect to confess. At the same time the text acknowledges that torture can force false confessions and appears to cite a named legal case where this happened.

 I feel it’s also worth stressing that the vast majority of punishments the text suggests are fines. Apparently in ancient India you could get fined for almost anything.

 Arthashastra’s description of tortures starts with a list of people who can not legally be tortured. Now torturers will generally ignore this but I feel it’s worth including for some cultural context:

 ‘Ignoramuses, youngsters, the aged, the afflicted, persons under intoxication, lunatics, persons suffering from hunger, thirst, or fatigue from journey, persons who have just taken more than enough of meal, persons who have confessed of their own accord (átmakásitam), and persons who are very weak,--none of these shall be subjected to torture.’

 ‘Those whose guilt is believed to be true shall be subjected to torture (áptadosham karma kárayet). But not women who are carrying or who have not passed a month after delivery.

 Torture of women shall be half of the prescribed standard. Or women with no exception may be subjected to the trial of cross-examination (vákyanuyogo vá).

 Those of Bráhman caste and learned in the Vedas as well as asceties shall only be subjected to espionage.

 Those who violate or cause to violate the above rules shall be punished with the first amercement. The same punishment shall be imposed in case of causing death to any one by torture.’

 Now I know this is a little dense so in case that’s not clear the second passage is saying that women should be tortured less then men and pregnant women or women who recently gave birth shouldn’t be tortured at all.

 The last paragraph states that the punishment for a torturer for violating the rules, or for killing someone while torturing them is a fine. And not a particularly steep one. (Based on modern research I’d say it’s unlikely these limits were enforced, consistently or at all).

 The text describes whipping, beating with canes, suspension and ‘water-tube’.

 It particularly talks about beating the thighs, palms of the hands, soles of the feet (I refer to this as falaka) and the knuckles.

 It states there are two kinds of suspension but doesn’t describe them. Most suspension tortures involve hanging a person by their arms in some manner, but not all. I honestly can’t tell from the text what sort of suspensions were used.

 ‘Water tube’ could mean- well a lot of things. It could mean pumping, which is forcing someone to swallow liquid until their internal organs are painfully swollen (often causing vomiting and diarrhoea). It could mean waterboarding. It could mean the ‘Chinese water torture’ (incredibly misleading name), continual dripping of water on to someone’s eyes, which is actually a form of sleep deprivation.

 There’s also this ‘the hands being joined so as to appear like a scorpion’ which sounds like a form of finger milking. That’s bindings around the hands or arms restricting circulation and causing the hands to swell painfully.

 The last three things acknowledged as torture in the text are these ‘burning one of the joints of a finger after the accused has been made to drink rice gruel; heating his body for a day after be has been made to drink oil; causing him to lie on coarse green grass for a night in winter.’

 I honestly haven’t a clue what the significance of the rice gruel might be in this context.

 The combination of drinking oil and heat sounds like a strange combination of tortures. Drinking oils can uh- basically give someone diarrhoea. Oil can also be flammable but I don’t think this is implying immolation. I think it might be indicating a combination of pumping, dehydration, starvation and a temperature torture.

 Because forcing a prisoner to drink something that would make them sick would quickly make them dehydrated. Subjecting them to extremely hot temperatures would then be even more painful and dangerous.

 The final description seems to a straightforward form of exposure. It’s exposing a victim to cold winter temperatures. The implication is that this also involves sleep deprivation. The ‘grass’ may or may not be significant. There are plenty of plants you wouldn’t want to lie down on for a night but I’m unsure whether the ‘coarse’ description indicates something that could cause pain.

 The text also describes beatings, branding the face (of Brahmans specifically) and amputation as punishments. It describes death by ‘torture’ but the particular torture is not specified. It describes capital punishment in general terms ie ‘those who commit this offence shall be put to death’. A few offences called for beheading specifically. It also describes the use of jails.

 The amputations I could find listed were: a finger, a hand, a nose, a leg, ears, male genitalia. There’s also a description of blinding by the application of chemicals.

 As a final note before we move on there’s an interesting passage on sudden death and signs to look for on a corpse that could indicate the cause of death. It’s pretty interesting as an example of how people conducted investigations into murders before we had forensic labs.

 You can probably assume Ashoka is broadly covered by what I’ve described. His ethical pronouncements including prohibits on torture but nothing suggests a complete and enforced ban on the practice so it’s likely to have continued under his rule.

 Now I tried to find some sources on the southern Indian empires, like the Chola but I couldn’t find anything I felt was a clear description of the criminal justice system. Similarly I didn’t find anything clear on the Sangam period.

 I’m honestly not sure if this is because sources don’t exist or because there are less translations from Tamil.

 There is a lot of Tamil poetry from the Sangam period that’s available in translation and touches on Tamil history and wars. These might well serve as a good source of inspiration but I don’t think they’re necessarily a good indication of common practice.

 I am, admittedly, making assumptions based on epic poetry from other countries. My impression though is that these kinds of literary pieces tend to record unusual practices rather than common ones. When they mention common ones they don’t always give the full context of what terms mean. So for instance the Norse Eddas describe several unusual (for the culture) methods of execution and torture, but references to more common ones are usually a word or two without explanation. The Eddas mention blood eagles but don’t actually tell us what they were. This kind of description seems common in the epic poetry I’ve read and as a result I’m assuming the Tamil poetry will be similar.

 The next thing I went to was a couple of Chinese sources recounting travels to India. These were from Buddhist pilgrims so remember that bias while readings their accounts.

 Faxian (Fa Hian) wrote an account that’s available in translation here. I only had a quick flick through but from what I can see it’s more useful for establishing the wider historical context of the countries and the religious climate at the time then it is figuring out ideas about justice and torture.

 The next thing that really stood out is the famous Record of Western Lands, the inspiration for The Journey West by a monk whose name is Romanised in about half a dozen different ways. Hsuan Tsang and Xuanzang seem to be the most popular renderings with the former used predominantly in Indian studies.

 Now the first volume is relatively easy to find but I’ve had difficulty getting access to the other 11.

 Hsuan Tsang periodically recounts stories of Indian history, some involving ideas of punishment, justice and torture. Now a lot of these probably don’t show common practice and some of them seem to have been misinterpreted by Hsuan Tsang (I think the account of voluntary castration is more likely to be describing a queer Indian identity then a punishment) but they’re useful nonetheless.

 Generally Hsuan Tsang seems to be confirming that the practices described in the Arthashastra were still in use while he was travelling. As well as fines he describes imprisonment and social shunning of criminals which may amount to isolation/solitary confinement.

 He describes amputations as punishment, of the nose, ear, hand or foot. He doesn’t describe castration as a punishment per say but it seems likely this continued even if it was rare.

 Hsuan Tsang claims that torture wasn’t used to force confessions but then describes torture being used to force people to plead when they ‘refuse to admit their unlawful activities ashamed of their faults’. Which sounds to me like torture used to force confessions and/or something analogous to the historical English custom of being ‘pressed to plead’ (ie people who refused to plead guilty or innocent were tortured until they pleaded one way or the other).

 The tortures described are a form of near (or likely actual) drowning by putting a person in a weighted sack and throwing them in a river. He also describes a burning torture using hot iron. The other descriptions in this section sound more like ways of divining a person’s alleged guilt and I’m going to ignore them.

 He describes blinding as a punishment. And also a vampire story that I wasn’t expecting.

 As we get into the 700s there’s increasing Arab contact, which at this point is mostly via traders and pirates. My initial notes include some questions about whether this is when falaka was introduced to India but going by the Arthashastra it seems likely falaka was in use long before the Arabs arrived. In fact the spread may have gone the other way.

 It’s also possible that Ancient India and Ancient Egypt both hit upon similar practices separately due to the simple nature of torture. I digress-

 Writings by Arab scholars and travellers about India start becoming more prominent from the 900s onwards. Most of these recount hostile encounters between Muslim forces and Hindu or Buddhist groups. The accounts are a lot less interested in the history and politics of the region then the Chinese travellers three or four hundred years earlier.

 The most easily available one is probably Chach Nama which was written in the 1200s-1300s and claims to be a translation of an earlier work on Arab conquests of Pakistan and north western India during the 800s. However- it’s accuracy on several points is disputed. A lot of people don’t think it’s a translation but an original work combining and re-imagining earlier historical documents. Some of the older accounts, such as those of Al Baladhuri and Al Biruni, contradict it.

 Personally I have slightly more faith in the accuracy of the Chinese accounts then the Chach Nama. I think it’s likely it was constructed to justify conflicts of the 1200s by creating a supposed historical basis for those conflicts. I think it also displays a vested interest in making conquered people appear uncivilised, a pattern that’s common in a lot of historical accounts of foreign countries by the people who conquered them.

 In light of that- I think Al Biruni’s A Critical Study of What India Says, Whether Accepted by Reason or Refused, a better bet. Especially since he seems to have been more interested in Indian society then Indian rulers. (Though take into account my personal biases here; I think Al Biruni is a nice example of how Islamic scholars influenced scientific and historical thought. I think our modern philosophy of science owes a lot to the ideas of truthfulness (al-haqq) Al Biruni and people like him championed. I’m going to own my academic admiration.)

 This looks like your best bet for an easily accessible copy.

 I feel like I should stress, having recommended a bunch of foreign scholars as sources on Indian history, that throughout this period we’re pretty sure Indians were writing their own histories. However not many of them have survived. That’s thought to be because of a combination of the climate and the way things were commonly recorded. The theory I see repeated is that Indians were commonly recording things by carving on wood. This almost invariably rotted away. Similar things have occurred in other countries as well: much of England’s early history literally went up in flames during the Great Fire of London when one of the principal libraries burned and Alexandria’s destruction is generally cited as the reason we don’t have a lot of important classical Greek works, like first hand accounts of Alexander’s conquests or say more Sappho.

 Aaaaand that was the point where my friends staged an intervention and the library demanded financial restitution for my kidnapping of their books.

 Spoil sports. The rest of this is from my general knowledge.

 European forces and settlements in India would probably have introduced more tortures. The Dutch regularly used waterboarding, but I can’t find any indication that this became common practice in India.

 However the British army’s combination of stress positions and exposure did. A punishment the British called ‘crucifixion’ was used throughout India. It involved tying the victim standing with their arms outstretched in a T shape in full sun.

 The stress position itself is incredibly painful, combined with the climate it was likely to cause dehydration and possibly heat stroke as well.

 I couldn’t find any other instances where it seemed like part of a European National Style had been adopted by Indians.

 I found historical references to murgha stress position in India, including an illustration from the early 1800s. I’m not sure how far back the usage goes but that could be because it was generally used against children. Punishments towards children are not generally recorded as torture historically and it can be difficult to trace their usage.

 I couldn’t find any historical references to pepper (putting irritating substances such as pepper or chilli into mucous membranes, eyes, nose, genitals etc). That doesn’t necessarily mean it wasn’t practiced historically. Again, this is a form of torture that seems to have been associated with abuse of women and children in the home, rather than legislative punishments.

 I think you could use both in a story set in historical India without it appearing out of place. It might not strictly be historically accurate but both would have been possible.

 Judging by the Arthashastra falaka has been in India for a very long time indeed. I couldn’t find enough sources to confidently state it was in continuous from the late BC until today- but virtually every period I could find records of torture in India for included falaka. I think it’s likely that it was used continuously; I can’t prove it.

 Blinding turns up continuously throughout India history as a punishment aimed at people of high social rank or power.

 I’ve read some accounts of burning people alive as a punishment, but these are from later on in Indian history; the 1700s and 1800s. The particular account that springs to mind is Farzana’s ordering a group of arsonists to be burnt alive. The context for this is that they set fire to a group of buildings housing women who lived in purdah and that if the fire hadn’t been put out these women would have burnt alive rather then leave the building. Farzana’s punishment was interpreted as ‘an eye for an eye’.

 I feel like I should probably also briefly mention ritual suicide. There are a lot of historical Indian accounts of people killing themselves rather then renouncing a particular principal. One of the things that shows up repeatedly is women killing themselves when their husbands die. Sometimes this appears to have been voluntary. In other cases it seems as though the women were given no reasonable choice.

 I don’t think this fits the modern legal definition of torture, but it’s certainly an abuse of human rights aimed particularly at women. Starvation, burning on the husband’s funeral pyre and being thrown off tall buildings are the methods I see cited most commonly.

 The position of women in India is- well it’s a couple of books worth of material in itself. And I’d like to stress going in to this that there are very few countries/cultures that treated women well historically. Keep in mind when I describe the position of women and Dalits that the position of women and slaves or ‘barbarians’ in Greece and Rome was not any better.

 There’s a long history in India of confining women and limiting who they can interact with. The Arthashastra describes curfews inflicted on women and recommends barring women from leaving the home without an escort. It also legally limits the people women can invite to their homes.

 In historical Indian society it seems as though- it looks to me as if it would have been very easy for family members to isolate individual women in conditions akin to solitary confinement. This would probably have been unusual but from what I can see of the law and custom it wouldn’t have been seen as illegal or immoral.

 I’ve seen recent pieces claiming that the caste system is a recent invention. But I find this difficult to believe when the caste system is repeatedly cited in historical sources before European colonialism reached India. It’s cited by Al Biruni, Hsuan Tsang and in the Arthashastra.

 Yes there are historical incidences of people taking up occupations that were associated with different castes. Indian farmers and merchants did become Kings. But showing there was some social mobility and that caste was more (or less) flexible at different periods of time isn’t the same as showing that people were in no way limited by their parentage.

 Al Biruni describes the treatment of Dalits as ‘untouchable’ and describes different castes eating and washing separately as well as society relegating Dalits to work that was deemed dirty or unsafe.

 The Arthashastra describes different punishments for different castes (analogous to Old English law ascribing different punishments to different social classes). Unsurprisingly the rulers and ‘pious’ men are usually let off with a fine, while the poorest and the Dalits are supposed to be maimed, tortured or killed for the same transgression.

 It’s more then possible that living conditions and treatment of people at different levels of society was- perhaps not legally torture but certainly inhumane. I can’t find any clear indication that Dalits were made to live separately in the past. But if they were, judging by how the sources say they were treated by law, it seems likely their living conditions would have been worse. They may have had poor access to water, food and adequate shelter.

 I feel it’s also worth noting that Rejali talks about law enforcement targeting these kinds of minority groups for torture as a punishment for social transgressions. Things like- homeless people daring to walk down the streets of a ‘good’ neighbourhood.

 This sort of behaviour is typical of torturers, even when it’s not supported by the law. It occurs today, and I see no reason why it wouldn’t happen in a hierarchical historical society.

 Slavery was present in India. I can’t say for certain that it was present throughout all of Indian history, and it certainly does not seem to be as prevalent as it was in Greece or Rome but it occurred. I’ve seen more accounts of it in the Mughal period then prior to that but this might be due to better record keeping.

 Many of the Black Indian groups around today are descended from freed or escaped slaves brought to India by Arab traders. Beyond that I don’t know much about slavery in historical India. I’m unaware of any one particular industry slaves were funnelled into or of particular punishments (alla the bleeding Romans-).

 If you’re thinking of using slavery in your story I’d suggest sticking to the most common global tortures used against enslaved people: starvation, exposure, lack of medical treatment, beatings, dehydration and over work.

 From what I’ve read I’d say that India generally fits in with my pet theory about changing torture practices over time. I think that it’s only relatively recently that people have thought of torture as primarily a way to ‘get the truth’ (see here for why this idea is bullshit).

 What I’m interpreting from these sources is that in India, like most of the world, torture was used as a punishment, people were sentenced to it. It was also used to force confessions. And although there was an idea that torture could be used to find the truth, this was not seen as it’s primary purpose.

 And I think that’s probably where I’m going to have to leave this. At four thousand words it’s actually shorter/less detailed then I’d hoped. I blame my mates for insisting I have a social life.

 I think it should be enough to get you started though. :)

Availableon Wordpress.

Disclaimer

[memoriashell]

webs

Characters / Pairing: Muffet, some vague Mettaton / Muffet, some vague Undyne / Muffet, some Napstablook, and if you really squint you might see some Alphyne in the bg.

crossposted on ao3 ft. the full extent of my notes

Notes: Hi @roxrezi, I'm your secret santa! Since I quite love myself some Muffet, I thought I’d write something with her for you. I also really wanted to try writing some Undyne / Muffet and Mettaton / Muffet, and somewhere along the way I went from planing out something with everyone’s first holiday on the surface to... an exploration of various route endings and not at all holiday related. Whoops. This was also supposed to be a lot shorter, but here we are at 4k words instead. I hope you enjoy reading this as much as i enjoyed writing it! This was done as a part of @undertalesecretsanta . Thank you mods for all your efforts in hosting the event! 

Summary:  Webs are a sticky, tricky thing, really. Fortunately, spiders know how to untangle themselves from even the trickiest of webs.

( an apt way to view the branches of fate, really )

A human, they whisper, a human is coming. Get the soul and you will be rewarded.

And so, once again, Muffet finds herself with a renewed purpose. She has grown tired of fussy monsters who will not help her, of having to swindle for even a little bit to be thrown her way. She won’t need to bake for profit ever again if she succeeds. She can finally relax.

Soon. Soon she will have enough, and everything will be alright. The spider clan will be rich and able to be reunited, and they can all be happy together, and she will be happy too—

( — and this is the thought she hold onto when the frying pan slams down on her body ).

i.

The Ruins are ( mostly ) empty. Same goes for Snowdin, and Waterfall—

She wonders if they were bored by the time they got to Hotland. Despicable, really, but seeing as they hadn’t harmed her or her spiders, she can’t completely hate them either.

No, that is a lie, Muffet absolutely detests that human. Her spiders may come first, but that does not make her heartless when it came to other monsters. But she is a woman of her word, there was no reason to kill a human that had supported her cause.

( Was it wrong of her to have done so? Perhaps. Maybe then, there would be a little more liveliness left in the Underground, flashy and loud— )

Napstablook is generous enough to assist her with arranging help with getting the spiders out of the Ruins; the fact that, despite everything, her spiders can be reunited is barely a silver lining, but she’ll take what she can get. The fact that she can afford to bring them home hardly matters, when the Underground is so sparse and the Ruins are opened up once again. It’s not even nearly as much of a hassle, as cold as Snowdin is to travel through. Traps and puzzles are deactivated, there is no need for those things anymore, so there is little but the cold to slow her down.

The spiders are back home, where they should be. Hotland is more or less the same, minus two voices— one loud and glamorous, one not so. Everything should be fine, by those standards.

But it’s not.

It is not.

The world just does not feel quite right.

ii.

Every king needs their queen— no, that is a lie. Mettaton needs no one, if she is to be honest, but she is good at her job.

Muffet dangles from her web, flaunting— a menacing flash of her flash of her fangs. Intimidate their ‘foes’ into confessing their ‘crimes’— work that she could leave to that skeleton, sure, but Sans has always been lazy. She, however, never slacks off.

( Perhaps no real wrongdoings have been done, but it’s fine discarding a few extra ingredients from the batch. Better than letting them sit and go bad— rotten ingredients were never any good. It would spoil the whole batch!

Besides, her pet, her darling Cupcake needed a treat to be rewarded with. What better than something she needed to get rid of anyways? )

It wasn’t like she did not benefit from it either. Why would she serve a fussy customer— no, let her rephrase that: Muffet found no point, no joy in serving someone who did not service her needs too. Even when that someone was the ruler of the Underground, known for whispers of sudden disappearances; she had enough pride left that she would not let herself be squished under Mettaton’s heel like some pest. Her spiders had been brought home with his generosity, and it is oh so fun to watch monsters squirm when she watches them with two, four, five eyes, and claps in joy with her hands— that is a thrill unlike anything else, one that even the capturing of a soul surely wouldn’t have brought. It is not all bad, the monsters had never done anything to serve her, why should she spare them now?

( There is a reason why monsters do not come to her parlor anymore ).

No, while the spider monster might hold a grudge for none of them to be willing to help her cause, that was then and this is now. This is a matter of business, dearie, did you not understand that? Muffet coos and is amused in her tittering, as she watches confusion spread across features.

Spiders may live with her now, but that did not mean that some did not linger in other parts of the Underground. Allow for the whispers to reach corners and make its way back to her. It was always a fun choice to make, what to do with that information. Let one of the ‘agents’ handle this? Handle it herself? Do nothing with it?

( Those who enter the parlor do not usually leave ).

Of course, she can always hand the task over to Mettaton, but she usually left that for the worst offenses only. It was much more delightful to watch and wait to see how he’d react on such occasions, if it was worth making a mess of himself for. More often than not, the answer was yes, and she would make sure the webs were keeping the prey in place, maybe paralyze them if they seemed particularly rowdy, but otherwise sat back to admire his work.

Despite it all, she does not think he’s a bad person— would that not make her a bad person too? Muffet knows that once, he was not half a bad person, despite what one might believe; she was once not an entirely bad person either, despite her arguments that she has remained unchanged all these times.

It wasn’t their fault that they were like this, was it?

“Darling,” He beckons for her, so she lowers herself from her web, dropping herself from the sticky silk with ease and onto his lap. She hardly weighs a thing to a monster made of metal, two hands settling themselves on his shoulders, two others coming up to cup his face. “Have you heard the news?”

“Dearie.” She returns, a brief kiss; her eyes blink at him. “You are the news~” Which is, technically speaking, true. MTT News was the Underground’s news source. Perhaps not like what it once was, but still news.

The robot gives her a look that seems unimpressed, but she knows he’ll let her get away with it ( almost anyone else would’ve been too scared to even consider talking back, she enjoys such privilege with glee ). “You’ve been holding out on me. There was an incident on the edges of Hotland?”

Ah, that. Well, what can she say? She knows Mettaton likes keeping away from the lab. She shrugs, fangs peeking out as she grins. “Someone simply needed a dunk in the river, ahuhu~~” A forceful dip, perhaps, but what did the details matter. If he can read between the lines and figure out what exactly that all means, it does not show; of course, he is an actor, she would not be surprised if he knows exactly and simply opts to not speak of it.

“Well—” He starts, a pause, she’s caught him off guard. Hadn’t predicted her answer. A mechanical clearing of his throat, before he speaks again. “Well, that still calls for a punishment... or perhaps a reward?”

There’s a gleam in her eyes, a grin and a giggle before she’s pulling back. “Already a step ahead of you~ I brought them back for you speak to, fufufu~”

“Ah, now you’re speaking my language, gorgeous.”

( A butterfly and a spider trapped in a web—

—who is really the victim here? )

iii.

Humans aren’t so bad, she decides. She still lacks enough to bring the spiders back home, and they were still stuck in the Underground, but they weren’t dead. It’s not all bad. They made an effort to help her, which is more than she can say for some monsters.

The shy, nerdy one passes through, sometimes, to check up on her; and she will flash her fangs at the scientist and giggle as she scampers off. Other days Muffet will leave her web, willingly, to see the spiders now that the Ruins aren’t closed off.

One time, she leaves to go through to Snowdin, try and figure out if there is a good way to bring the spiders home. Even if she’s cold, at least the Royal Guard is there to help her.

( Which roughly translates to, at least the Canine Unit was there to try and play with her. And then went to fetch Papyrus when they realized she wasn’t interested in them, who in turn fetched Undyne, because Undyne was likely to be more helpful at assisting ).

Muffet likes Undyne ( only kind of like that ) because she’s to the point. She doesn’t bother with trying to skirt around things— time is money, as the saying goes, and while Muffet is not really that greedy with her money, she’d much rather not freeze to death out in Snowdin. Unfortunately, the former captain has very little advice to offer, since the main issue is the fact that the forest is big and the spiders would probably die before they even reached town. The cold is not a foe that can be fought, unfortunately; she laughs a little when the warrior offers to beat up the cold nonetheless. On a more serious note, Undyne also offers to check in with Alphys for her opinion, which is favor she wouldn’t have been willing to ask for on her own, so she’s somewhat thankful for that.

She hasn’t visited with Napstablook in a while, so she does that— she nabbed some ghost pastries in advance for this particular occasion. Just because she only sold spider goods didn’t mean she was incapable of baking other things! For a very select audience, perhaps, but she liked to think of it less as business and more like the kind of favor one did for their friend. They were supportive of her cause and if she baked a few goods for them every now and then in return, what of it? They needed something good, they were always so blue— not that she can blame them for that, but that’s besides the point.

She realizes a little too late that her sudden visit has intruded on something— well, probably something, she’s not entirely sure if they are lying on the floor in accordance to ‘tradition’, or for some other reason. Muffet spares a brief glance to their other visitor, a figure she can recognize quite well, but opts to ignore for the time being.

“oh... i wasn’t... expecting to see you... muffet...” They greet her; the sort of dejected manner they hold themselves with has always made her frown ( she’s glad to see she’s not the only one, if the motion in her peripherals is to be any indication ).

“Why not? You’re my best customer~” Teasing, she’s only teasing as the basket is offered to them. “I had some... business to attend to in Snowdin~ I thought I would come by to keep you company afterwards.”

“oh, right... the spiders are still in the ruins... aren’t they? i’m sorry... i’d help if i could... but the snail business is... still pretty bad.”

Muffet tuts at him, as if she’d blame him. They were both suffering from not being to make money off their fellow monsters, Napstablook was just better natured about it. She was not, though. “Ah, speaking of that, dearie~ I’ve got quite the story about that!” She ignores the metallic sound of their third party getting up, ignores what she assumes to be a glare. “You remember the human who came through, yes? Quite a darling~~ Even helped donate to our bake sale a little~ Not that I knew that when I was fighting them. And—”

“Darling.” Mettaton drawls, and she knows she’s annoyed him. Good! She almost killed an innocent human on his behalf! He’s cunning, Muffet will give him that, but she does not enjoy being deceived like that. He should be at least half as annoyed as she is. “Your gossip is going to put me to sleep. Please change the topic before you bore me any more than you already have.”

“i... don’t really mind...” Napstablook chimes in, though they seem to go ignored.

“You’re no fun. Fine~” She pouts, four arms crossed; she’ll drop the topic for now. Besides, she doesn’t really need to give Napstablook something else to be sad about. “Would you like to hear about the gossip in Snowdin instead then?”

Later, when she leaves Blook Acres, she knows she is not alone, because she can hear the plodding of heeled boots, so she stops and waits for him to catch up— it doesn’t really make much of a difference since they both need to take Hotland’s elevator to get back to their respective homes, but there was no need for her to make him chase after her ( well, maybe it’d be fun to have someone chase after her, but she digresses. It’s a time waster right now ).

“I feel as though I might... owe you an apology.” He starts, and Muffet wants to snort a little— an apology would be far from compensation, but it might be a step in the right direction. If she’s feeling generous. “I was not aware that things were so dire for you. Allow me to make up for it.”

She’s still upset that Mettaton so easily played her for a fool— holding a grudge, however, feels foolish for now ( or maybe she’s being fooled again, only the angel knows ). “And what do you get out of it?”

“Well, I’d never! But, you know, if you’re offering— the spiders being saved from the Ruins would be quite a broadcast worthy moment.”

She groans because, of course, she should have expected there’d be a catch, and of course, it’s a ridiculous catch ( really, she was expecting something entirely different )— only fitting for someone with as much grandeur as him. It’s such a small price for her, though, so she will begrudgingly agree.

It’s better. Things are not the best— this is far from their best ending.

But it’s better, she can’t ask for much else.

iv.

People come. People leave. That is the way this world works, she knows. People come and go, and she has no intentions of trying to make them stay. Such is futile.

Muffet laughs and giggles at monsters who pass through her domain, at the ones that try and convince her to leave her home. What an opportune moment, is what she thinks, and so she stays, like always.

Silly scientists.

( While she regrets not tying Alphys up and playing with her a bit, she’s never seen the lizard so determined— frantic and anxious, yes, that is a given as far as she can tell, but determined is not. So she lets her go on her way, knows that something is coming her way and prepares ).

She is no hero— Muffet would laugh in your face at even the mere suggestion of such— she is no hero, she is not trying to defeat that thing for the sake of others.

No, such a greedy human deserves no pity, no break. One who may have supported her cause all the same, but that is besides the point. A being who has killed so many must have quiet some money— sure, it’s a shame she must go about funding her cause this way, but she thinks the monsters would have preferred it go to her than their killer. Surely, this time, she can succeed in bringing the spiders home. She can be happy knowing that, for a fact.

So she cackles when the thing finally decides to show up, pass through her nest— a foolish move, she thinks. Why would you go through her home? No one is more familiar with the webbed area like she is, it is so easy to catch the tiny little thing like the pest it is. It hardly even seems human when it stares her down like that, face devoid of any emotion. Unfeeling, unlike any monster. Muffet grins and bares her fangs at it and—

She is cocky, has hardly had the time to utter even a sentence; doesn’t notice the weapon until it has collided with her painfully.

v.

This isn’t right.

Her spiders scuttle around her feet, whispers of go home, go home, go home.

Muffet does not bake, she does not tease to munch on people— in this small town, too idle for anyone’s wellbeing, she does not do anything. A monster like her has no place here.

She might as well be a ghost.

( Go home, go home, go back underground.

If only things were that easy ).

Something happens out there, she knows— an echo of laughter falls from her lips.

She does not go out.

( Go back, go back.

She waits until they can go back ).

vi.

It is probably a good thing that their leader is a lively one, or else she thinks that monster’s spirits would’ve been much lower than they currently were. It was not as simple as turning on the television to watch Mettaton’s shows to make them smile anymore. A shame, truly, because while Muffet did not care for those kind of flashy things, had no care for stars of that caliber, she can recognize something has been lost from the Underground.

( A shame, but it really makes no difference to her in the end. Her spiders have been spared, so that’s all that matters to her. The safety of her spiders.

It’s easier to act like that’s all that matters, that things are better for her that way, at least ).

Their new ruler is much more brutal. Blunt. Blood-thirsty— and sure, Undyne’s always been kind of like that, probably. It was an admirable trait, for the head of the Royal Guard; it is a good trait for a ruler too, when supported by the people that she rules over.

Muffet tuts at her and wonders if she will grow to regret that, however, when her grief finally fades. She can mourn those who were lost, but she cannot do so forever. People will move past their grief, eventually... or die when their hope finally gives out.

( She leaves Hotland, passes the lab with its broken doors, forced open when it’d been quiet for too long. It is a sorry echo of what it had once been there. Of who had once been there.

It doesn’t matter, she reaffirms ).

One of her spiders accompanies her, riding on her shoulder; the others stay safe at home with her dear pet. She grabs onto her dress with two of her arms, lifts it up as she wades through the waters of Waterfall. She does not really care for the wet, rocky terrain of Waterfall, but she can afford to make sacrifices. It’s not like any of them have better things to be doing.

( Despite what one may think, she is not entirely all selfish. That said, she is not selfless either, she has her reasons for doing what she does. Her own trivial sort of gain ).

She leaves ghost pastries with Napstablook and checks up on the snails ( she does not care for that wet, slimy thing, but they are friends of the spiders, kind of, and they are tasty, so it’s only with brief prodding before she goes on her way ). Napstablook tells her what she needs to know in exchange for the treats, though she knows they would have told her regardless, just as she would’ve given them to them regardless.

She’s not at her former home, but the piano echoes in the corridors long before she is even close to reaching her. An echoing reminder of how much more empty Waterfall ( the Underground in general, really ) is these days, there is no Shyren to sing along with the occasional plink of an off key note. Once, Muffet would have come to Waterfall to see Napstablook and would have expected to hear the warrior training. Loud clanging of pots and voices yelling while they cooked. The piano playing might have been loud and passionate, fierce and angry at a situation like this, but it is much more dull and sullen now, an almost fragile sound. She finds the Empress draped over the piano, quietly— in a world of her own, probably. She wonders if she has cried today too.

( Once, Muffet thinks she might have not minded the Underground being so empty. She is not sure how to feel anymore ).

Two arms reach up to smooth her hair back into being ‘presentable’— she is pretty sure Undyne has never cared for her appearance, but a leader should look the part— two others gently pull her back in a gesture that could be considered a hug. “Your people await you, dearie~” There is a hum of acknowledgment and little more, but that is fine. She’s not here to fix what cannot be mended.

( Once, Muffet feels like this could have been love ).

vii.

Surface spiders are so very interesting, Muffet decides. When the human— Frisk— mentions to her that the surface has quite a variety of spiders, she did not think they meant it as sincerely as they did. They are so similar to the ones at her home, yet vastly different all the same. She wonders at what point spider monsters and human spider-animal-things changed, but that sounds like a biology thing that Alphys could probably answer in a way that would make no sense to her. So she will just wonder and appreciate the similarities between them— they can communicate with each other, so there’s that. Do the differences even matter, knowing that?

The surface world in general, is very interesting. Muffet does not technically need to bake anymore since the spiders are free, but she does need to make a ‘living’ of sorts, and baking is the easiest way of doing that. Humans may be skeptical of food with spiders in it, but her fellow monsters are finally coming around to her pastries, so all is well.

Well, sort of.

As good for business as all the attention is, it brings about some... unwanted guests. That is probably a generous way of describing the current pest.

“Cameras aren’t allowed back here, dearie~ No exceptions. Leave~~” She’s very to the point about it, easily weaving around Mettaton’s boxy build to get to the oven so she can check on what she’s baking— she needs no pests hanging about, nor does she need any additional distractions. There’s a pause where she thinks he’s actually going to put up a fight, but seems to think better of it and dismisses the camera crew with a wave of his hand. Not the outcome she’d expected, but better. Workable.

“I’m not stopping to talk to you, so speak up~” Muffet might have spiders to help her, but there is only so much they can do, which means she doesn’t have the time for a break. It’s probably good that she has the extra arms to pitch in.

“A brand deal would only benefit the both of us, you know. I’ll provide you with some proper advertising. If we combined our efforts, we’d be actual competition against Grillby’s.”

“Grillby’s doesn’t sell sweets~~ Humans, on the other hand... Still, I’m doing fine here. I don’t need your silly brand~” She bares her teeth in a way that she wants to be menacing ( unfortunately, Mettaton is not a tiny and naïve human, so he doesn’t even flinch— he laughs, the audacity! ); he looks put out, though, so she supposes that’s a victory.

Also unfortunately, Mettaton is stubborn, so even though she gets rid of him for the day, he returns no less than three times that week. Never alone, either, so as much as she would like to rid of him, it’s not so easy to do so. Business propositions are put aside for casual conversations, but she doesn’t trust him so easily ( she’s been deceived by him once before, no need to go doing that again ).

She feels uneasy, like— like she’s missing something. Like something should have happened. But nothing happens, and she’s not sure if that’s a good thing or not. They monsters more than deserve some peace after everything, so she’ll take the peace as a sign of good things to come.

( Even if it cannot last ).