#their music is good

[p4ncaikz]

My friend has gotten me into Ghost (the band)

Ladies, Gentlemen and everyone else I have an announcement to make;

It's in the title...

I like Ghost, they're a cool band!

Thank you @toughereel for forcing me making me listen to Ghost against my will during study sessions, you are my best friend

[kaitaiga]

The weather has been so nice lately, it’s already starting to feel like summer. My seasonal depression has been cured 😂

Anyways here’s a list of songs on repeat over the past week ✨

[shesmore-shoebill]

"I had choice paralysis :(" is a KILLER line.

He's such a comedic powerhouse, I'm glad more people are getting exposed to him :'D

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[frogwiththephatahh]

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[itsnotafashionstatementitsablog]

when a song has a callback to earlier songs on the same album or even songs from a previous album. that’s the good shit right there

[theoldaeroplane]

worried that thing you put in your art or writing or game or music is too self-indulgent, too self-referential, too niche for anyone but yourself? fear not! you can do whatever you want forever. and you should.

[susiephone]

*puts hands on hollywood exec's shoulders, staring unblinking into their eyes* listen to me. you will never get people who hate musicals to like musicals by making your musical less of a musical. if you hide the fact that your film is a musical in the advertising, you're going to get a lot of low ratings from people who hate musicals and went into your movie not expecting a musical and got one anyway. people who hate musicals will hate them no matter how realistic and diegetic and lowkey you try to make it. they will hate musicals even if you completely excise anything complicated, over the top, silly, or even slightly challenging. they will hate musicals even if you cut half the songs. they will hate musicals even if you cast that a-lister who can't sing worth a damn. stop trying to market to people who hate musicals. they're a lost cause. your audience should be people who love musicals. this half-assed middle ground pisses off both camps. just embrace the fact that your movie is a musical. lean into it. don't try and trick musical haters into coming to your film when you could be marketing to the theater kids. better cringe than a coward.

[stinkyeggbow]

I love you,I love you,I love you

[schibi12]

Chappell Roan's performance of Good Luck Babe! at the 2024 VMAs

Video from Twitter

[nothing-impt]

Athena in my mind eats bird feed cause she's technically an owl.

Edit: ignore how the panels are inconsistent I’m using some obscure art app and idk how to actually do comics lol)

[perplexingly]

I took the text from Frankenstein: A New Musical

[backpackingspace]

okay so post epic odyssey where odysseus and Penelope have surfaced from their room finally and he and diomedes are catching up I'm imagining the conversation going something like this

Odysseus: so then I gave up being merciful and became the monster.

Diomedes:....you tried being merciful?

Odysseus: Yes?

Diomedes: you did? You tried being a good merciful person? You?

Odysseus: Yah okay fuck off it was polties dying wish. I had to try.

Diomedes:.....90% of the war crimes in the Trojan war were suggested, planned out, and carried out by you. We literally stoned to death the guy you had a personal grudge against. We framed him for treason and stoned him to death. 70% of why Athena liked you was because she thought she knew all the ways to kill someone and then you'd suggest something insane and I'd see her taking notes. You literally gave Ajex a psyoctic break just being yourself.

Odysseus: shut up

Diomedes: I'm not wrong. Did you tell Penelope about your attempt to be a good person?

Odysseus: What? Of course I did. I told her everything.

Diomedes: did she laugh?

Odysseus:...shut up that's not the point

Diomedes: she did didn't she!!!

Odysseus: ANYWAY eurylochus wasn't appreciative of my return to monsterhood and he started causing problems so I

Diomedes: killed him? Yah saw that coming. No shit. I'm so shocked.

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.