#their episode 1 look is my transition goals

[bunnymi1k]

ouran reboot except haruhi is transmasc and tamaki is his bisexual loser puppy husband

[sungjinhos]

LOVE TRANSIT S01EP01 - TEASER

♥ SYNOPSIS: Soonyoung is a man on a mission to get his ex back, even if this means enduring watching her going on dates in a reality TV show - ok maybe he didn't think it through when he thought it was a good idea to go on said tv show. Alternatively; Soonyoung love transit episode. ♥ GENRE: (this is me trying to do) comedy, romance, a little dash of angsty because they are exes and because it is me writting I guess. ♥ TEASER WORD COUNT: 437 words, FIC WORD COUNT: around 25k? I don't know it is getting out of hands ♥ FEATURING: Wen Junhui as Soonyoung's number one enemy, Xu Minghao, Lee Chan, Boo Seungkwan as a cranky panelist, Seo Changbin as a normal panelist, Girls Day Yura just because I love her, Pi Cheolin as a panelist that nobody knows why he has been cast but he makes it work. ♥ PLAYLIST: 1. VINTAGE - NIKI, 2. LAS JORDANS - TINI, 3. CALL ME - RENGGA JONES, 4. STILL INTO YOU - PARAMORE, 5. LOVE LIKE THAT - SAM KIM, 6. TENTA ACREDITAR - ANAVITÓRIA, 7. URS - NIKI ♥ LOVE TRANSIT MASTERLIST

[INTERVIEW ROOM][CAMERA 2]

“Do you know you have to think about other options too, right?” The producer asks him. The giant camera is way too close to his face and the producer is sitting just under it - in a little stool that looks utterly uncomfortable. Soonyoung wanted to face her, but she begged three different times to stare right at the camera. He is sitting so still that he can feel the energy accumulating on his body, making him almost quick in his seat.

“I am not interested in that,” Soonyoung answers - staring at the camera and trying to not blink too much even if the lights of the studio hurt his eyes. 

“But the point of this program is that you are open to dating other people and letting her date other people as well,” the producer insisted, and Soonyoung almost laughed. He knows that, for fucking sake he only got his date because he is a master in rock paper scissors and his ex went on a date with fucking Junhui. He knows the point of everything, he just doesn't really care.

“Like I said, I am not interested in that, my goal with this,” He tries to explain, using his hand to point at everything, the set actually looked way better on camera and it was very flimsy in real life, and every time he thinks he will break a fake wall. “Is that we get back together,” he grins confidently, “Sorry pd-nim but we will get back together before this end.” 

He hears the producer groan, he is pretty sure she shouldn’t be groaning and this won’t go to the final cut. He thinks the audio people will handle it, they probably will put a fade in music or whatever, they are professionals. 

[PANELIST CORNER - XX FLOWER SHOP][CAMERA 3]

“I mean,” Seungkwan starts with his broadcast voice, “does he understand the point of the program?”

“I don’t think he does,” Changbin answered him, “He still has feelings for her doesn’t he? Like he talked about her the whole date,” he said laughing.

“I am sorry,” Seungkwan pipes up again, “PD-nim are you sure that this guy is even trying? Are you guys even doing your job picking guys like this one?” 

“This one is definitely unique, he is not even trying,” Yura laughs, “But I really did like her dynamic with Jun, the date was super cute.”

“Me too, me too,” Pi Cheolin says, a little way too enthusiastic, “But I don’t think Soonyoung will let us see more of them together.” 

[deoidesign]

if i may ask, is it difficult at all to re-edit/organize the comic pages from the webtoon format to fit the graphic novel format?

on another note, I'm so happy that your kickstarter was funded!!! I love time and time again, im so excited to see this all happen <3

I'll just turn this ask into something of a guide for the process! Because yes, it is difficult, but there are also many ways I have been preparing from the beginning for this very situation to make things easier for me!

I've worked in both print and scroll in the past, and have done this transition once before for a short story, so I already had familiarity both with my goals for print, and struggles with the transition!

How I prepared from the beginning for this transition:

1: My panels are 2500 pixels wide, so they can span my page (which is 8.3x5.8 inches) at 350 DPI (which is print quality)

2: My layers are organized: Text, FX, Foreground, Characters, Background

3: I draw one very large (twice as big as any panel would be, minimum) background for my major locations, as well as drawing furniture assets in isolation. This not only saves me time when making my actual episodes, but it also offers me INCREDIBLE flexibility when making this transition to print.

These 3 things let me pull the character art to the page by itself, scale it up or down to fit my panel, and then fill in the background behind the character.

So, I read the scroll version, decide how many and which panels I want on the page for the pacing (I also keep page spreads and page turns in mind while I am doing this), and then I pull those panels over from the scroll version to the page.

Then, I make the panel borders/page layout that I want, fit the character art into it, paste in the backgrounds, do any art editing that I need, add FX, and then re-do the text!

Sometimes I do need to draw parts that are missing (shoulders or elbows getting cut off is an extremely common one) and sometimes I need to adjust facial expressions, cut panels, or rearrange panels to make things read more clearly. Since it's my comic already, I know how to do these things while maintaining the original intent, but if I were working with someone else's comic I would need to work closely with them to know what can and can't be cut.

(original panel vs an expanded version)

Another common issue is that VERY tall panels will inevitably lose a lot of information when they’re turned to pages. Identify the purpose of the panel (pacing, showing a lot of detail, etc) and then replicate that with your page layout.

examples (in order) are: scene transition, being overwhelmed, suspense, and establishing shot. All of these were a single panel in the scroll version!

Another issue when converting pages is that panel order is a lot less straightforward than when starting from print format. Conversational back and forth that's fine in scroll often messes up the flow of reading in a page (characters facing out, not looking at eachother from panel to panel, etc) and so some creative solutions are necessary to keeping the reading order.

For the first page I had to delete and rearrange some panels, and in the second the dialogue bubbles guide us to read this page in a circle. (dialogue guides through a lot of my pages lol)

And the last really common issue that pops up is that height differences can be really difficult. Usually in print this is solved with clever angles, but I’ve already drawn everything. So, I’ll either resort to vertical shaped panels, panel pop-outs, or editing a character up or down to fit into the panel.

(examples in order)

So, yes, it is difficult! But I have a lot of experience with both formats, and having prepared for this from the beginning I've been able to make the transition a LOT more smoothly than I otherwise could have.

I hope this helps!

And, thank you about the kickstarter! I'm extremely excited I'll be able to print these, the proofs I've received so far look just absolutely stunning and I'm so so so excited to get to send them to people!!!

Obligatory self promo, if you want to see the kickstarter page and get these four books for yourself, then you can check it out here ^^ It's been funded, so at this point we're just reaching stretch goals and placing orders!

[eww-y-tho]

I updated my 'Everything I Have Ever Shipped' post on my profile (the pinned one) to include the story of the sneaky way that my sister trolled me while binging Arcane because it's a really funny story and not a lot of people have read my post and I think it deserves to be put to light becuz wtf.

So first of all, when my sister pitched the idea of binging Arcane in the car while visiting her, I was hesitant at first because LoL is actually cancer, but she convinced me (for her it was going to be a rewatch). I had a peripheral understanding and knowledge of the show. Like I knew Jinx, I knew that there was a lesbian sex scene, and I knew about jayvik, but nothing in detail.

In the car, she goes into specific detail about how she did not like Jayce. Because "all the problems come from him," apparently. I was fishy on Jayce based on her opinions of the character and really tried to see her perspective.

And I will be honest, I did not like him s1 ep4-9, and I really took Jayce and Mel's character arcs at face value. He was a good man with good intentions, but the "Jezebel" character in Mel would take him away from his goal, and he would become a narcissistic prick. But I also didn't hate him. He was a good character and none of his actions seemed too dickish (except the "you didn’t say they were from the undercity" line.)

I was pleasantly surprised by season 2, however, and I started to see what she was talking about was misguided at the same time.

The thing is, I never felt upset at Jayce for s2 act 1 & 2 and trusted that he had a good reason, and he became much more sympathetic in my eyes after ep7. AND THEN I started becoming a jayvik truther in ep8 because of the Mel to Viktor transition in the cave (like wtf), and the homoerotic fight scene, and I did a little soul search deep dive into jayvik.

I completely flipped my opinions on Jayce and she was deeply upset and it was hilarious because at the end of ep7 I said "I still don't get why you hate Jayce" and she like actually sighed and was disappointed.

I remember a specific moment where she went: "EVERYTHING THAT HAPPENS TO VIKTOR IS JAYCE'S FAULT, VIKTOR TOLD HIM TO DESTROY THE HEXCORE, BUT DID HE LISTEN? NO! IF HE ACTUALLY LISTENED TO VIKTOR FOR ONCE, NONE OF THIS WOULD'VE HAPPENED!" And then I was like, "THAT'S NOT HOW A STORY WORKS, THO! HOW WAS HE SUPPOSED TO KNOW THAT WOULD HAPPEN? HE JUST WANTED TO SAVE HIS PARTNER'S LIFE!"

I would also like to point out that I was wondering who the mage guy was that saved Jayce the entire series. It was in the back of my mind for the entire time, and I was really confused about him because I didn't see a character that could really qualify for his power set.

So while I was watching ep7 crying my eyes out becuz of timebomb, memeing with 'MEANWHILE...' spongebob references every time they cut to Jayce, having my mind go a million miles an hour with theorizing and like having a breakdown, I was just in a mentally strange place.

So when the mage showed up in the "I won't fail" scene... I saw the slow zoom in, the power set involved with the hexcore blob, and all the little tiny hints, and I screamed out loud, "IS THAT VIKTOR!?!"

... And she looks me dead in the eye and says "no" in the most monotone voice I have ever heard from her.

And I believed her so much at that point that I didn't even question it. So then episode 9 comes along, and Viktor is revealed to be the plot twist. I was so pissed because I was right the entire time, and SHE made me believe that I didn't understand the story. She fucking CACKLED.

I love her, but that was a betrayal, man.

Once Jayce said, "All I want is my partner back," I was a complete jayvik shipper, and recently, she's changed her tune to Jayce after I completely bombarded her with pro-Jayce propaganda, so that's better, at least, lol.

[el-moscorrofio-y-el-mercachifle]

Besides my obvious annoyance with the new season because of the horrible character understanding from the writers and their ADMITTED goal to change Gaitán's ending, there are other aggravating issues with it:

1. The pacing:

This new novela knows it's in a rush, but we can tell, too. The first episode seems to attack the viewer with so many different new facts and characters and issues. It straight up starts with: Roberto's funeral, Armando and Betty separated and having been so for years now, Armando's presidency in the gutter again, lots of economic issues within the company again, Mila gone for years and her distance with Betty, a new guy that Marcela is suspiciously protective of and planning together to get revenge, Daniel being dead for going to jail from illegal business practices, etc. And all of this in the span of 1 episode. It just hits you with so much that it doesn't even give you the chance to get to know the characters. We haven't seen most of them in over twenty years, and some of them never, so we basically don't know them anymore! It's going so direclty and straight to the point that it feels more like a badly written fanfiction.

2. Lack of builup for tension

Jesus, there is very, very little tension here for the big things that matter. [SPOILER] In one episode we find out that Ecomoda is in bad shape, and just a few ones later, Armando is turning himself in. We don't see him slowly driving himself insane with his moral dilemma, we don't see him desperately trying everything to fix it, we don't even see him turning himself in! Just one episode ends with him saying he was turning himself in, and the next one starts with Armando's mugshot. That's it. No tension at all

3. Bad editing

One of the things that I loved about the old novela were their transitions. The first episodes were amazing with this: while Betty was looking at the magazine of the collection launch and giving her opinions and commentary, we were seeing the pictures of it and then we're taken to the moment the picture was taken. While Gutierrez, Armando and Roberto are talking about Betty and why Gutierrez discarded her, Roberto asks "why would a candidate so well prepared and qualified only want to be a secretary?" And then we see Betty going "because I'm tired of looking for a job!"

Those kind of transitions were incredible, I loved them so much. Now in this new series it just cuts abruptly to something totally different.

4. Inappropriate setting

They really, really tried to make everything seem so modern, and in their effort, they ended up making it so plastic and fake. The office doesn't look like an office at all, but rather a gallery or the lobby of an exotic hotel. The desks almost seem out of place. Sure, it's a fashion business, but it's just so fake looking. Most offices, even modern ones, still look like offices. This one just doesn't feel like it, and that really takes me out of the story.

Finally, and just as a little pet peeve that, objectively, idek if it should count but I'll include nonetheless because I'll forget to make a separete post about it: the robot and the hacking. It's just so cringy and cheap. Are robots like that even in the market fr? AI robots that follow you around and are in the shape of a sewing mannequin? And the whole hacking thing... ugh. As I said it's a personal pet peeve but I always find it cringy when they make these super high-tech knowing characters that can hack on everything and we see on the screen the codes and all of that. I found both of these elements so tacky and unnecessary lmao why not just hide cameras?? Nooo, let's make Daniel wannabe a finance and hacking genius lmao ((this part isn't part of the list I just wanted to vent because my hubby and I died of cringe watching one episode last night where Mila's AI Moving Robot Sewing Mannequin told her someone was hacking into the cameras and Ignacio is cyber-fighting to hide and we see a split screen of him and another of what he's seeing through the cameras and eventually he just closes the lid lmao)) ((anyway little rant over sorry))

[haru-dipthong]

My Utena Fansub Ep 1 (link & translation discussion)

There were a lot of important decisions to be made in the first episode, since much of it is re-used in later episodes. In this post, I'll discuss some of the translation choices I made around the fairy tale opening, and the use of 様 (sama).

王子様が呉れた指輪はやはりエンゲージリングだったのでしょうか。それは良いとして、お姫様は王子様に憧れるあまり、自分も王子様に成る決意をしてしまったのです。でも良いの本当にそれで？

Was the ring from the prince meant as an engagement ring? That part was good, but because of the strength of her admiration for the prince, the princess made up her mind to become a prince herself! But is that really good for her? (from ohtori.nu)

Perhaps the ring from the prince was meant as an engagement ring? Casting the thought aside, and overcome by an idolisation of the prince, the princess instead resolved to become a gallant prince herself! But is that really what she wants? (my translation)

「それはいいとして」 is an idiomatic phrase which, if taken literally, looks like it means “considering that good” or “that was good”. In reality, it means something more like “be that as it may”. A Japanese thesaurus gives synonyms such as 「それを置いといて」, which means “putting it aside for now”. It seems as though the translators from the ohtori scripts didn’t pick up on this nuance, which is surprising because they are usually quite accurate (if a little unnatural sounding).

憧れ (akogare) is a difficult word to translate here. It’s important that the translated word can’t be misinterpreted as the princess being infatuated with the prince. “Admiration” is ok, but it’s still sort of synonymous with love. 憧れ (akogare) contains notions of aspiration, it carries the implication of wanting to become like the target of their admiration, not simply being with them. This is why I chose to translate it as “idolisation”.

I see 「でもいいの？本当にそれで」 as a VERY important line in Utena. To read Utena as queer, this line from the narrator echoes words from straight cis people lacking understanding of someone’s desire to transition. This line is something you’d say to someone who came to a party and when you offered them a wide variety of options of drinks and food, they only took water - “Are you sure? Is that really what you want?” It’s suggesting that what she really wants, what she should really want, is to marry the prince, not become a prince. This line represents the world’s resistance to Utena’s gender non-conformity — even the narrator is questioning them!

girl: あーーーーー！ウテナ様ー！ girl: ウテナ様、あたしのタオルを使って下さい！ later… Anthy: 私は今、西園寺様の花嫁です。

girl: Aaaaaah! Utena is the master! girl: Master Utena, use my towel! later… Anthy: I am currently Master Saionji’s Bride.

One goal of my translation is to make it as accessible as possible to non-anime watchers, which means finding a good translation for 様(sama).

Why master? One good thing about it is that it’s vaguely masculine without being explicitly masculine (which 様 (sama) is not, but I like how this aspect assists with delivering some of the themes of the story). But more important than that, it can be used in the two critically important contexts 様 (sama) is used in — 1. as part of the Rose Bride’s obligation to show deference to the person she is engaged to, and 2. used by the schoolgirls who idolise Utena as a fun, affectionate nickname.

The Utena-sama nickname already exists among the girls at school before Anthy starts calling Utena that. Then the girls use it, they’re using it to jokingly emphasise how skilful and cool Utena is — a “basketball master”, a “master of cool”. This has a totally different connotation to the way Anthy uses it — she uses it sincerely, to show extreme deference to her literal master.

To establish this double meaning, I made cheeky use of what is essentially background dialogue. When the girls rush the basketball court to congratulate Utena, they scream “Utena-sama”, but I translated it as “Utena is the master”, which is then followed up with the first actual use of “Master Utena”.

[syrena-del-mar]

Blind Spots of Motherhood: Last Twilight, Episode 10

We're coming off of the emotional rollercoaster of last week's episode and seeing the consequences of Day and Mhok's getaway. And the consequences are big, which not even Night can assuage.

I love scouring the tags as I watch Last Twilight, and I've been seeing many call Day's mom evil or a narcissist. In my opinion, she does not fit the bill (if you're looking for one that is, go watch Twins, now that's a narcissist). There's a tendency of wanting to villainize mothers, and BLs do a great job of giving us mothers that do fill that role, but I sincerely don't think that's the story P'Aof is trying to tell us here. Rather than evil, I think her arc is more about being a flawed mother that does more harm than good through overparenting, her perceiving Day to be more vulnerable than he really is, and sidelining of Night.

Stages of Adjustment to Vision Loss

Just like the seven stages of grief, similarly there's a theory about the seven phases of adjusting to vision loss. The Stages of Adjustment applies not only to the one suffering the vision loss, but even their friends and family.

Phase 1: Trauma, where personal attitudes and generalization form one's personal view of a person who is blind takes over.

Phase 2: Shock and Denial. Self-explanatory.

Phase 3: Mourning and Withdrawal, it's where the loss of regular activities and routines occur.

Phase 4: Succumbing and Depression occurs when an individual is unable to come to terms with the sudden low vision/blindness and they stop caring for themselves. Feelings of inadequacy becomes prevalent.

Phase 5: Reassessment and Reaffirmation occurs when individuals regain and maintain control of their life. Loved ones play a significant role in assisting them to reach this independence at this stage.

Phase 6: Coping and Mobilization happens when individuals develop coping techniques to live with the vision loss and acknowledge their abilities and accept when the need assistance.

Phase 7: Self-Acceptance and Self-Esteem occurs when the individual realizes that they have value and their loss of vision is just one of the many attributes.

When the Last Twilight first started, we met Day as he was dealing with Phase 3 and 4. With the help of Mhok, we've seen Day grow in his independence, but also come to terms that his vision loss may be forever. He no longer was thinking and hoping for that transplant surgery, he wasn't even counting on it anymore. Instead, with the help of Mhok (and Night), Day was able to reach Phase 6 and was transitioning into Phase 7.

But just as Day was moving on with his, his mother wasn't. She's still struggling with his disability and has gotten stuck in Phase 3 and 4, just as Day had been. She's so blinded by Day's disability, that she's drowning in the fears of what could happen to Day rather than seeing the strides of improvement that he has made.

Overprotective Parenting fails in Harm Reduction: Day

"Expecting him to be independent at one time and overprotecting him at another will only result in a frustrated youngster. It is important to judge and treat the blind child fairly; not indulging him, yet not setting goals and expectations so high that he is discouraged." -The Blind Child: Becoming an Independent Adult

Day's mother is frustrating, to say the least. She is so incredibly misguided in how she treats both of her sons, it's no surprise that Day locks himself away into the cavern of his bedroom.

She only sees Day for his disability. Acknowledging and accepting that Day is blind is important, and that does signify life adjustments, but that doesn't mean making Day's blindness the only thing about him. She forgets that Day was a full-functioning adult that had his own lifestyle before he lost his sight. She's only come to known Day for his blindness. She's the one that puts his blindness at the forefront.

She wants him to get out of his bedroom, to stop locking people out, but once he has some sense of independence, apart from his family, now she's afraid? Her son, vision loss or no vision loss, is an adult, but instead of giving him such dignity, she regresses and infantilizes him. She pushes him back into that suffocatingly big bedroom. She takes away his phone, his internet, every tool that connects him to the outside world. She takes away what little independence he had started to build up again.

Any good parent would be worried about their child who has undergone a traumatic event, but over-protecting does more harm than good. In her anxieties, she ends up resorting to using unintentionally abusive tactics. Yes, Day would be physically fine, but in her overprotectiveness, she fails to realize that it could lead to dependency inducement, learned helplessness, and bouts of depression. Day's mother fails to realize that taking away any autonomy that Day has only started rebuilding, would only result in Day's emotional state worsening.

Blindness doesn't have to mean debilitating, but locking your son up in his room without any way to interact with the world around him that he is trying to relearn? That's more crippling than any vision loss could ever be.

Readjusting as the Glass Child: Night

"The most egregious form of rejection that anyone can ever experience is parental rejection" -Is Rejection, Parental Abandonment or Neglect a Trigger for Higher Perceived Guilt in Adolescents

Oh man, the pain I felt for Night this whole episode was next level. The idea of a glass child is not one's delicateness but rather as a sibling of a individual with disabilities, the sibling becomes invisible to the parents, only seen when the parents need them. If it wasn't obvious before, it's clear that this was the role that their mother was forcing Night into.

There's nothing that hurts worse than the sharp words of a mother directed to her child. His mother explicitly blaming Night for Day's disability was a new low-blow. Night had already been beating himself up for the accident, his father (who doesn't even live with them) knew that, but seemingly their mother was oblivious. The only one that Night could rely on was an outsider, a father that they hadn't been in contact with for years. Their mother created that environment by not paying attention to her other son, who was also in that accident.

Nothing fuels sibling rivalry like preferential treatment from parents. Even worse when one has to be the caretaker of the other when they already have a fractured relationship. Instead of easing the tension between the two brothers, their mother is too busy worrying solely for Day without accounting for Night. Caretaker burnout is already incredibly exhausting when you're caring for a loved one, but Night has personal guilt and Day's resentment to deal with as well. Not once does their mother ask him how he's doing, if Night is alright.

Night is the forgotten child, the child that's expected to take care of his brother no matter what, no matter how independent Day has become. She has parentified Night without any consideration of how he was doing or what was going on in his life. This was probably already a running theme as they grew up, assuming from their positioning in the family portrait. In doing so, she unknowingly worsens the strife with the brothers, making Day believe that Night had only been "behaving well" in order to win some preferential treatment from her.

Even on Christmas, their mother only cares for Day, feeding him first and putting food on his spoon, body fully turned against Night. In that scene, visually Night seems like he's intruding and he feels it as well! It's why he excuses himself, saying that he's going to meet up with some friends. Even after being forgiven by Day, his mother doesn't make any effort to include Night other than just having him at the table. It's as if he wasn't part of their nuclear family, just a convenient body that is there to help out as Day adjusts to his new life. If it hadn't been for Day, Night would have left that table that night and would have believed that nobody cared for him. I'm hoping this makes her confront and reassess how she's treated Night, now and in the past.

It's ironic, even though Day is blind and held a lot of contempt for his brother, he was still saw Night and all his struggles. Meanwhile, their mother was seeing right through him, blaming him for what happened to Day. Driving a dagger, that Night had already stabbed himself with, even deeper.

Final Thoughts

I'm not quite ready to jump on the 'Mother Gothel' train for Day and Night's mom. I think she is juggling being a career woman and being a mother at the same time, while failing to adjust to Day's blindness and making mistakes in her parenting as a result.

I also don't think it's out of maliciousness or self-importance, either. When I see their mother, it's as if she's trying to save a sinking boat that is already pierced by numerous holes. There's no going back to their lives before Day's blindness. She needs to adjust her priorities, because disregarding Night and locking up Day is not the answer.

This episode was frustrating, not because I found her to be outright abusive, but because of her worries she ends up hurting her sons even more. No parent is perfect, and they can hurt you while thinking they're acting in your best interest, but they have to be willing to love and let their kids learn on their own.

[funhouse-mirror-barbie]

The Decay of Complex Characters and Character Development in Helluva Boss (Stolas and Octavia’s Relationship: Part 1 of 2)

Part 2 here

I’ve seen this in a few different places, but it’s been on my mind in particular since the animated “Look My Way” music video that dropped a while back.

The way the song was updated for the animated music video made the changes to Stolas’ character stick out even more to me, and I really want to talk about what I perceive as some really flawed writing decisions around Stolas’ character.

If you’re a fan of HB please know that I’m not trying to attack the creators or change whatever opinions or feelings you have about the story. If you love this show and this character and they mean a lot to you that’s great! My goal is never to spread negativity or toxicity—it’s always to talk openly about media and how we interact with it. ☺️

I want to start by saying I was a big fan of Helluva Boss, and of Stolas, up until the second season started. And before the second season, my favorite episode by far was “Loo-loo Land”.

(TLDR at the end of the post if you don’t have time to read thru!)

I still really like the episode now, and I especially love the opening scene and song. It’s beautiful, and the song “You Will be Okay” has brought me to tears more than once. It’s one of the best songs in the entire series, and I think the only one that tops it for me is probably “The House of Asmodeus”.

The whole sequence of “You Will be Okay” is both heartening and heartbreaking—it captures the unconditional love and protection a parent promises to give their child, while also expressing the sad truth about that promise that only a parent can know—that you can’t and won’t always be around for your child.

No matter how much you want to protect them from the dangers of the world, you can’t—parents have to let their kids go out into the world and become their own person—the most a parent can do is try to always be there in any way they can for their kids, even if they can’t be there physically.

The lyrics and tone of the song tell us as much. It’s very clear that Stolas is acutely aware that something may happen to him and that he needs to let Octavia know that while he may not be there with her physically, his love for her will always be with her, protecting her.

The build up to the song’s crescendo matching the visuals around Stolas and Octavia bring everything in the scene together really well, and Bryce’s performance is so good that it made me believe for a second that he would keep his promise to Octavia. That he would never abandon her, and would always put her needs as his child first.

That, somehow, he will truly be with her always protecting her, and that she really will be okay.

For a moment it was possible for me to forget the dramatic irony of the situation. That this was the past, that I already knew for a fact that Stolas would cheat on Stella and jeopardize his family life.

The song comes to a close, and through all the seemingly random chaos happening in space around them, Stolas keeps Octavia safe, and lulls her back to sleep. They return to her room, and the scene ends on Via in bed sleeping peacefully.

The whole sequence does such a fantastic job of showing you what Stolas’ and Octavia’s relationship was like when she was a child. She trusts him implicitly, and, at least at this time in her life, he seems to have been a present and loving father.

What makes this scene work even better though, is the transition to the present that follows RIGHT after it.

At the end of the song we get this jarring and sharp match-cut of a teenage Octavia being jolted awake by the shrill screaming and fighting of her parents in the background. In that instant, we as the audience see her going from feeling safe and having a seemingly idyllic childhood, to being a moody and neglected teen with a turbulent and unstable family life.

The music change that accompanies this not only fits the change in mood perfectly, but it quite literally tells us what she is feeling—her whole world is crashing down around her.

To this day, I think this transition is wonderful.

The visuals do such an amazing job conveying the changes that have happened in the Goetia family through Octavia’s perspective. And it’s extremely important because it immediately shows the audience that Stolas broke his promise.

I watched this episode when it came out, and when the only other Helluva Boss story and world-building we had was the Pilot and S1E1-“Murder Family”. While it could be assumed that Stella would not be happy about her husband’s cheating, we didn’t know anything about her personality and how she would react.

So. while it was clear that Stella wasn’t acting appropriately or maturely in the next scene, it was also VERY clear that Stolas was at fault for breaking up their relationship by cheating.

I will be talking about Stella’s character in “The Circus”, and how she is used as tool to absolve Stolas of any wrongdoing in season 2 later. For now, I want to stress that I will NOT be talking about future development of her character here.

After Stella leaves Stolas tries to connect with Octavia like they used to and just continuously fails. It’s clear that she’s still very angry with him for cheating on her Mom, and that his trying to carry on like nothing is wrong is irritating her.

Stolas asks her if she slept well and all she can sarcastically say is “Is that a serious question?”

What Stolas does next to try and reconnect with Octavia is very very important because it shows that he’s still being extremely selfish.

He decides they’re going to LooLoo Land, in a poor attempt to recapture some of their old good memories together and does not once LISTEN to Octavia and what she actually wants to do.

They go, but he uses the trip as an excuse to meet up with Blitzø, and behaves inappropriately and flirts with him the whole time, right in front of Octavia.

This, rightly, is extremely upsetting to her, and she runs away. Stolas follows after her and they have a heart to heart where he FINALLY FINALLY takes the time to listen to some of her concerns and why she is upset.

The episode ends on a happy note-with Stolas asking Octavia what SHE wants to do and what her interests are, and Octavia admitting to Stolas that, “You’re okay sometimes”.

This episode is extremely important to Stolas’ character because it does such a good job of getting across to the audience that Stolas is not a perfect person. That he’s someone who has people he genuinely cares about and loves, but that he can still royally fuck up. He’s sleazy, he doesn’t respect Blitzø’s boundaries, he neglects his daughter, and he doesn’t listen to her, putting his own desires and needs ahead of hers.

And the resolution to this episode is important, not because it fixes everything, but because it is the first STEP in the right direction for Stolas becoming better and becoming the father his daughter needs him to be again.

This episode ends with Stolas meeting the BARE MINIMUM to START making amends with Octavia. He doesn’t even say sorry, just that he would never leave her to run off with Blitzø. There is still a lot that Stolas needs to do to make amends with her, and to repair the ruptures in their relationship.

Due to this, at the time this episode came out, I thought that this was just the very beginning of Stolas�� first character arc—realizing his actions could truly HURT those he cared about, and having to come to terms with the fact that he was in the wrong. That something he did, hurt those around him, and that he would need to take responsibility for that.

“Loo-loo Land” went to such great lengths to show us that Stolas is imperfect. That he is someone who is capable of mistakes and doing the wrong thing, of being oblivious and selfish, and of needing to do better.

And before “The Circus” and “Seeing Stars”, I believed that the writers could develop his character to grow and change and become a better person for his loved ones.

This doesn’t happen however, as again the writers bend over backwards to make sure that Stolas never has to actually directly answer for his mistakes. So much so that they literally don’t let him say “Sorry” to Octavia the next time he breaks a promise to her and doesn’t consider her needs before his own.

After S2E2 of Helluva Boss, “Seeing Stars”, came out, I officially lost any faith in the writers to have Stolas ACTUALLY take ownership and responsibility for the ways he harms those he loves. That first step he took on the path to healing his relationship with Octavia from “Loo Loo Land” has been totally erased, and I can’t imagine whatever resolution they come up with for his character will be satisfying.

I have no doubt that Stolas will receive a happy ending, but I predict it will be one with 0 stakes, and 0 satisfaction, because it will not have been earned. I worry that with any character flaw or upset he causes, another character will be swept under the rug in order to make Stolas appear as if he was always in the right.

As I’ve said before, if that’s the story the writers want to tell, that’s fine. It’s their story, not mine.

I just personally cannot imagine not wanting to explore those character faults and acknowledge them. Maybe, hopefully, I’ll be pleasantly surprised. I’d really like that.

I’ll be following up to this post with a critique specifically of how “Seeing Stars” is very much a retread of “Loo Loo Land”, but in all the worst ways possible.

TLDR;

-In my opinion, the initial handling of Stolas as a flawed and complex character who could make mistakes and be in the wrong was really well done.

-The first canon episode that gives Stolas focus, “Loo Loo Land”, goes to great lengths to show us the ways in which Stolas has failed Octavia.

-This was a great set-up for character development and for Stolas to have to come to terms with his actions and change, but future episodes do not follow through on this set up.

-Will be talking about the episodes that undo the set ups for Stolas’ character development in Part 2.

EDIT:

I made the mistake of missing a part of “Loo Loo Land” where Stolas DOES apologize to Octavia properly—missing this was my mistake—I made an addendum post here that goes over this briefly—Apologies.

[delta-orionis]

Tuesday Again No Problem 1/14/25

Long time no Tuesdaypost! Again!! Oops!

(To my newer followers, because I have a few: this is a weekly roundup series inspired by @girlfriendsofthegalaxy's post series of the same name)

Listening

I'm going to be honest, I haven't been very adventurous with my listening habits lately. I've mostly been listening to the Rain World soundtrack and the backlog of Well There's Your Problem episodes. Not much to report here.

Watching

Not much to report in the Watching section either... again, a lot of Well There's Your Problem. Though, DankPods put out a video earlier today where he rambles about telescopes for a bit, and I was fully ready to cringe but I was happily surprised to learn that he's actually pretty knowledgeable about them! He even has a few fancy Celestrons!

Playing

Rain World, what else is new. I'm still modding a bunch. Working on my Three Stars Above Clouds mod some more. I have a basic region map figured out:

The blockier rooms are placeholders with nothing in them currently. I am finally at the fun part where I can actually start filling them with Stuff! The process is incredibly lengthy though... more in the Making section.

I'd like to try and play some of the more popular mods this year, too. I have Preservatory, The Seer, and The Gravel Eater in mind currently. Maybe Unparalleled Innocence (to see what other people's iterators are like). I know the Global Hyper Transit System mod links to UI now, so that's a viable option to get there.

Making

I've been working on my TSAC mod a bunch. I also got Rain World and the Rained editor to work on my Linux computer, which I would like to try and use to render levels instead of my poor Windows laptop... it really struggles with mass rendering. The Linux computer has similar specs, but at the very least I can let it render things and put it to the side so I can actually use my normal computer for other things at the same time.

I've also been using Git to keep track of my progress, and it's already saved my ass more than once. Rain World is remarkably easy to crash, and Git makes it easier to trace back your steps or undo big mistakes.

My most recent work was on TSAC's equivalent of the big Memory Conflux room in both Five Pebbles and Looks to the Moon.

I'm trying to dial in how "claustrophobic" I want the rooms to feel. Five Pebbles' rooms are typically very open and wide, while Moon's rooms are much more cramped with lots of crawl spaces and tubes and things. Three Stars Above Clouds is between the two of them in age, so I want their rooms to be somewhere in the middle. It's still a work in progress!

I also updated my ask blog! Responses have been slow, but I want to try and get back into it in 2025. I'm grateful for everyone's patience.

---

I'm certainly Going Through It(TM) at the moment, but I am trying my best to focus on creative pursuits in 2025. I want to work on my ask blog some more, finish some crochet projects, maybe publish that TSAC mod I've been working on...

I also really really want to try and get a new PC this year. I've been saying this for years, but my poor laptop is really yearning for death at this point. I'd like something more powerful than I currently have (and considering my laptop is from ten years ago, that's not saying much). Hopefully new PC acquisition is a goal I will be able to accomplish soon.

See you next week!

[amadeusgame]

January Devlog:

What's up gamers, here is this month's update!

This month has been really good for development despite the fact that I spent the last week bedridden from COVID. Prior to that I was making huge progress towards full game completion now that I'm happy with where the demo is at. I feel strongly oriented in the right direction.

Major accomplishments:

Built the next 2 point-and-click scenes

Discovered & fixed a bunch of bugs (edge cases not present in the demo)

New job that will hopefully be a good long-term fit to support work on Amadeus

Perhaps most importantly: started reworking how I manage this project.

A little more on some of these points follows, and some announcements/communications updates at the very end!

TL;DR: I've figured out how to set goals for myself in a way that motivates me without getting in my own way. Also, expect fewer miscellaneous posts, because I'm going to focus more on development than marketing until the game is nearly complete.

(Monthly devlogs will stay. They keep me accountable and motivated; I enjoy looking back on what I've done each month.)

Development Progress & Bug Fixes

Dartmaure now has a downtown you can actually walk around in! ...See if you can spot the placeholder asset.

It was while coding the interaction with said placeholder that I found one of many new bugs—this one to do with having the first speaking sprite in a conversation on the right instead of the left. This scene also had issues with loading a save that has to handle a screen transition. Neither of these were problems in the demo because the demo had neither initial speakers on the right, nor save progression flags that involved a screen transition.

Good news is these known problems have been addressed now, and it's all working properly!

I expect I'll discover more things that need fixing as I continue to build out further scenes. This month has taught me that every new scene contains potential new untested edge cases. That said, I've kind of impressed myself with how easily I seem to be fixing new bugs.

I made my life difficult by coding all of the game's mechanics myself, but because of that I am intimately familiar with how it works (and where I've applied band-aids). It also turns out that building out this janky engine for 2 years has made me much better at Unity C#! By the time I finish I might almost be competent at it.

I've already caught myself having some goalpost-moving thoughts ("what if I worked on controller support?" - my useless brain) but so far I've successfully pushed them aside and focused on finishing what I've already laid the foundation to build. I would love to make controller support a reality for Episode 2; maybe I'll add an Episode 1 patch for that once it's built. Maybe. But I'm very firm that any new functionality is a matter for the future, after Episode 1's initial release.

Now that I've finalized the core mechanics for Episode 1, building two scenes went pretty smoothly. I was unable to finish more than that due to losing over a week from COVID... but having two more already feels really good.

I'll be working on building the next ones in February. We'll see how that goes in the next devlog!

On Micromanaging

I've started rethinking how I manage this project, because with the new job I will have less free time and energy than I did before. I do still think that I can make it happen. The new job will give me free mornings (it's an afternoon shift) and a 3-day weekend (it's a 4-day work week) along with benefits, and it's work I hope to find personally fulfilling. The arrangement will be more stable long-term than what I was doing last year.

However, I will be losing about 12 hours of personal time a week.

Consistently carving out time for Amadeus without burning out on this new schedule is going to require active and thoughtful adjustment.

The truth is that for the past several months, I have been micromanaging myself too much. Micromanaging can help in the final stages of development: in that case, the reward of meeting a major benchmark is enough to justify the stress getting there. But now that I am back in a "long to-do list" phase of development, it's simply counterproductive. If I'm not motivated on the overly specific task(s) I've assigned myself, then I either don't do anything, or I do the "wrong" thing instead and don't feel rewarded for what I did accomplish.

So, for the next couple months—while getting the game closer to completion, but not yet in the "game built, now for final polish" stage—I'm moving to a different strategy. I've set big-picture goals to aim for for each month, but on any specific day, I simply block out an hour and a half and say "this is Amadeus Time." January's goal was to get the next 4* scenes fully built out. Every day, I just opened up the next unfinished scene and worked on it until the clock said I was done.

Those scenes got done fast.

*(Note: the 4 scene goal was way too optimistic; without COVID, I still think I would have only been able to do 3. I'll be adjusting my timeline to better reflect this more reasonable expectation.)

It's kind of nuts how much I can get done in an hour and a half if I just let myself work instead of worrying about what I'm working on, keeping in mind the big-picture monthly goals as a general directional compass. The removed stress of whether or not I am accomplishing the specific things I am "supposed" to accomplish has freed so much mental space for me to just work on stuff, and the only box I have to check off for the day is a box that says "did today's Amadeus Time."

February's goals are similar to January's: get the next handful of scenes built out. I'm aiming for 3 more, with the caveat that I may be set back by adjusting to the new job. This "build the next 3-ish scenes" monthly format will be the norm until the full and complete game is technically playable and functionally all-in.

Then, it will be time for final assets, polish, playtesting, script revisions, finding a billion bugs, fixing those and finding some more bugs, marketing, more marketing, more marketing, and shipping this baby!

Comms Updates

Speaking of marketing~ there is something pretty cool coming up soon. Look out for a bonus announcement around the end of February!

Also speaking of marketing, because I am about to have less free time after the job switch, you will likely be hearing less from me outside of these monthly devlogs and the occasional bonus announcement. In fact, you might have already noticed a drop in regularity on the Tumblr blog posts and other social media.

("What Tumblr blog," you ask? You probably aren't asking that, because this snippet was written for the itch.io version of this update. But it's a good reminder that all Amadeus resources can be found at linktr.ee/amadeusgame!)

(The most important feature of the Tumblr blog is that it has a fanart page.)

This drop in activity is because, given the choice between spending my time working on the game or spending my time posting about it, I'd rather work on it. I can direct more energy to marketing once the game is done or close to it. I am very aware of how valuable spare time is, and I want to prioritize mine according to what matters to me.

This does not mean that I'm disappearing off of the internet—I will make posts in all of the relevant spaces when there are specific items I'd like to share. I will continue to put out these monthly devlogs with major updates. It's just keeping up with the more regular, smaller stuff that is no longer a priority.

So please don't take a lack of consistent posting to mean the game isn't being worked on. It's the opposite! I'm prioritizing working on it over everything else until the game is near complete.

If you'd like to stay somewhat connected in the meantime, you are welcome and encouraged to join our tiny Discord server or send an ask on the Tumblr blog. If you have any questions about how the game is coming along, please reach out! I check these often and would love to hear from you. This mini-announcement is just meant to be reassurance that less posting is a good thing, for where I am currently at. I'm spending my time and energy wisely.

Finishing this game is the most important thing to me in the world. I will see it through.

Thank you for your trust and continued interest!

Other Gaming News

Note for indie developers: I cannot overstate the importance of playing some stupid video games every now and then. Earlier this month I played through Shadow the Hedgehog (2005) and somehow that directly translated to getting 800% more Amadeus work done after the fact. That game is a masterpiece.

This month I also had the incredible opportunity to record cello for the music in ENDYSIS's collaborative fairy tale VN, Trail of Stars. The game came out absolutely stunning. Please check it out!

[ghostdrinkssoup]

hi!! I was wondering if you could explain how people break up the seasons of hannibal? I understand 3a/3b but is there a 2a and 2b??? (also I love your blog and analysis’ if you see someone spam liking it’s me sorry😭😭)

aww thank you so much, I’m so glad you like my blog :”)) and no worries, I’d be happy to explain! fair warning though, I’m gonna give you a very detailed answer because I love talking about the nuances of plot and hannibal is so neatly structured it makes me want to devour it <3

so throughout the show the story follows several plot arcs at once (which all constitute the main plot) and because s2 and 3 roughly follow two at a time they’re categorised as either ‘plot arc a’ or ‘plot arc b.’ it’s pretty easy to identify the a/b plots in s3 because they’re so distinct (the florence arc vs the red dragon arc, as you know), plus there’s a big time jump and setting shift.

in s2 it’s a little less clear but still identifiable. s2a follows will’s imprisonment arc which roughly makes up the first half of s2 (I’d say from kaiseki until halfway through yakimono since there’s an odd number of episodes per season) while s2b follows his seduction arc. short-term character goals also change between arcs. for example, in s2a will’s main goal is to prove his innocence, hurt hannibal and escape incarceration, which is resolved once will proves the copycat killer and chesapeake ripper are the same and jack finds miriam alive. however, by resolving the central conflict of s2a will is suddenly faced with new problems/circumstances. thus, in s2b he has a new goal, which is to lure hannibal and assist jack with his capture. this plot thread is resolved in mizumono after hannibal escapes, ending s2b and setting up the central conflict and stakes that underpin s3a (and so on until the main conflict is resolved and the show finishes).

s1 is a little trickier to break up since it doesn’t follow the same structural pattern as s2 and 3. there’s no clear shift mid-season and will’s goal throughout stays the same, which is to find the copycat killer/chesapeake ripper while simultaneously trying to find himself during his sessions with hannibal. i.e no one really says ‘s1a’ and ‘s1b’, it’s all just s1. that being said, I personally have a system of breaking down s1 because I think there are small shifts present throughout the season regardless, even if they’re more minor. this is how I do it:

episodes 1-4 (initial set-up): sets up main themes/concepts the show explores + sets up will’s character by mirroring his psychology with each of the killers (and his foil dynamic with hannibal).

episode 5: transition between initial set up and friendship arc. out of all the killers so far (excluding hobbs) the angel maker reveals the most about will directly.

episodes 6-8 (friendship arc): sets up hannibal and will’s relationship more closely, with specific focus on hannibal’s masks (the psychiatrist vs the chesapeake ripper) and person suit. he destroys the two extremes of his personality (represented by franklyn and tobias) and chooses will despite himself. the rest of the show follows the consequences of this choice.

episode 9: transition between friendship arc and encephalitis arc. after the angel maker, the totem maker (interesting that they’re both “makers”) reveals the most about will directly.

episodes 10-13 (encephalitis arc): end result of everything that’s been built so far, concerning both will and hannibal (as observed through the first two mini arcs, the first focusing on will and the second focusing on hannibal). we look into will’s neuroses and understand his nature, separating him from hobbs, gideon, and georgia (note that the latter two are explored through the water/fire symbols, tying them together). hannibal also becomes semi-aware of the conflict between his need for love and want for control. this could also be described as their mutual “coming to awareness” arcs. by the end, both their s1 person suits (the most “human” aka morally acceptable/meek personas) are destroyed, and we’re left to explore their “monster” sides in s2.

I hope this helps and thanks again for the ask !!

[toujokaname]

Game master / Episode 5

Author: Akira

Characters: Rinne, Hiiro, HiMERU, Niki, Kohaku, Aira

"That's the very least you can do, sincerely and with compassion."

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[ Read on my site for a better viewing experience using Ois~su ♪ ]

Season: Winter

Location: Amagi's House

Rinne: Haha. It's all well and good to be buddy-buddy, but first, lemme give some necessary explanations.

You see, ES has some intentions behind all this. It ain't just a formality to boost the show by making improvements and changing the stage.

Around Okinawa, in Hoshijima[1] and overseas, the forbidden areas where even the gods that have ruled the idol industry for many years have been unable to reach—

There's talk that after establishing nationwide domination through SS, ES is trying to expand its territory carefully and meticulously, leaving no stone unturned.

Hiding behind this festival-like Matrix project, ES is seeking to colonize even the Amagi Village to complete their nationwide takeover.

Reading between the lines, is their next goal world domination? Gyahaha! ♪

Hiiro: I see. The overarching trend of this year was nationwide conquest via ES.

That was also the concept ES was promoting from the very beginning. A world of idols, by idols, for idols—

The plan to "make idols the center of this world" will come to fruition with this invasion of the Amagi Village, then.

Rinne: Looks like Hoshijima hasn't given in yet, but they're pushing ahead and colonizing simultaneously—that's the long and short of it.

It's laughable, really. While they're pretending to be immersed in a misguided and stupid festival project, ES is relentlessly aiming to achieve their grand ambitions.

Despite facing countless resistances, they meticulously suppress them, slowly but surely—

ES is, idols are, corroding this world.

Rinne: In this transitional phase, we, the people involved, can still question and make sense of this changing world.

But. The next generation, and the one after that—

By the time our grandchildren roll around, the strange worldview that idols are the center of the world may become the “common sense."

You familiar with hobby anime[2]? They're shows in which a marketable toy becomes the center of the world.

Like a setting where people who play with yo-yos or spinning tops are at the center and considered the most important.

That's what ES is aiming for. A hobby anime world with idols as the theme.

It's easy to understand and enjoy in manga and anime, but if you were actually thrown into such a world, you'd be in trouble.

ES doesn't have ill intentions. They believe it's a wonderful worldview, and that's why they're gunning for it.

No doubt in their minds, they're confident that by doing that, everyone can be happy, and that's why they're ready to do such an outrageous thing.

By overturning the common sense that has been built up by humanity for generations, they aim to repaint the world with their own ambitions—with their desires.

Yeah, it's repulsive and nauseating.

But we, as idols, are also complicit in ES's ambitions.

Hiiro: ......

Rinne: Well, that's fine. It ain't ideal, but even if individuals fight back now, it won't change anything. We're not toddlers throwing tantrums anymore—

HiMERU: That's not very like you to say, Rinne.

Niki: Weeell, Rinne-kun's been like this since way back.

Rather, it's more like his recent attitude of never giving up and pushing forward no matter what is what's outta the norm, or maybe something's changed in him—

Kohaku: Rinne-han's layin' it on thick, huh. Nah, he's just playing out the role of his ideal self.

Rinne: Shaddup, can't you see Rinne-kun's sharing something important? You lot are always like this. Don't butt in with your nonsense, okay?

Hiiro: Hehe. I'm so relieved you have so many people around who understand you now, Nii-san.

In the past, no one understood Nii-san, nor did they bother to try.

Including me.

Rinne: ...Anyway, as I explained, those are ES's intentions.

The real question is how we'll behave in such an "overarching trend."

Aira: But... what can we do?

Rinne: Probably nothing. Especially you ALKALOID, who've become ES's frontline troops.

Just keep in mind, these are the times we're living in right now.

And then. Instead of being mere invading weapons getting their strings pulled by ES, if you're gonna break the status quo, then do it through your own will.

That's the very least you can do, sincerely and with compassion.

Aira: .........

[ ☆ ]

Referencing Stella Maris, RYUSEITAI's climax event.

Hobby anime are shows created to promote the sale of children's toys, making the plot centered around a product they can sell. So Rinne is comparing what ES intends with stuff like Pokemon, Yu-Gi-Oh, Beyblade, etc. But with idols.

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[amirazat]

Saw your post about the Avatar state vs Katara’s anger at Yon-Rha, it was so civilly handled and well written! I’m scrolling through your blog now, and see you mentioning that you got ideas for how KA could have been written differently. Care to share? I am starved for fan content where Aang gets actual character development instead of being either perfect or the devil.

Thanks so much for your ask!

I actually have a lot of ideas for re-writes and additional scenes to help bolster Aang’s character development and, relatedly, the development of Kataang. I’m happy to share more of them if people are interested, but I figure I should probably start with something (relatively) short easy to digest. I hope I deliver on your expectations!

Since I was on the topic of “The Southern Raiders”, let’s start there. I think there’s a lot of nuance in the way that Aang approaches his discussion with Katara that’s easy to miss (which I expand upon at length in I this post) and I would have loved to have seen a scene at the end of TSR where Aang actually talks to Katara about what happened, and they become closer as a result. In my opinion, this would have made their romance arc a lot better, since I think one of the biggest problems with the way Kataang works out in canon is that even though they get on well for most of the show, they seem to spend the last few episodes having unresolved fights… then they kiss.

I had three main goals when writing this scene

1. Allow Aang and Katara to reconcile after their fight, showing a healthier friendship and making it seem more natural when that friendship transitions to romance.

2. Flesh out Aang’s motivations in this episode, and allow him to reflect on his mistakes

3. Write Katara showing an interest in Aang in a context where the text indicates to us (part of) why she’s interested in him romantically. We hear a lot about why Katara loves Aang, and we see that she’s interested in him romantically, but these scenes don’t tend to coincide so it ends up being difficult to relate to Katara in the romance.

Here’s what I’ve got:

(Some lines are taken directly from the show because I wanted to keep things as consistent with canon as I could while keeping to my goals.)

Instead of having Katara talk to Aang and Zuko on the dock after they get back, we instead have Katara and Zuko reconcile with a “thank you” and their hug while they’re still alone. Later, when Zuko brings the others to Ember Island, Aang approaches Katara by herself on the dock, giving the two of them space to have their own reconciliation.

Aang approaches Katara on the dock, sitting down next to her.

Aang: Katara, Zuko told me what you did. Or what you didn’t do, I guess. Are you alright?

Katara: I’m getting there.

Aang: I want to be here if you need me. I know that forgiveness isn’t easy.

Katara, sharply: I didn’t forgive him. I will never forgive him.

Aang looks at Katara in surprise.

Aang, tentative: But you let him go? I thought you needed closure.

Katara, staring out over the water: I did. And when I saw him, I wanted to do it. I wanted to take out all my anger on him, but I couldn’t. I don’t know if it’s because I’m too weak to or because I’m strong enough not to.

Aang sort of wilts in on himself.

Aang: When I saw you that angry, all I could think about was how I acted after I lost Appa. I yelled at you all. I went after the sandbenders. I wanted to…

Aang takes a deep breath and refocuses.

Aang: I wasn’t strong enough to not take my anger out on those around me. I needed to forgive in order to move on. Like the monks taught me. If either of us is weak, it’s me.

Katara, turning towards Aang and placing a hand on his shoulder: Aang, no. You’re one of the strongest people I know. You lost your entire culture to the Fire Nation, but you’re still here, still loving life, and you’re doing everything you can to save the whole world. That’s amazing.

Aang blushes and looks at Katara shyly.

Aang: I think you’re pretty amazing, too.

Katara also blushes, and leans her shoulder slightly against Aang. We fade out as the two watch the sunset together.

[sibyl-of-space]

cannot emphasize how important it has been for me to just let myself put development on hold for a bit sometimes to just get obsessed with some new media.

my past couple weeks have basically been:

get obsessed with Euphoria (VN)

after bingeing it complete with a big brain conspiracy board, listen to the OP on repeat for like 3 straight days

think about how much the opening cinematic in the context of the game slaps

think about how much the opening cinematic in Umineko also slaps

fuck

...god damn it

So anyway, my current project is seeing if I can make a (shitty, janky) "opening cinematic" for Amadeus. Mostly because I want to, I have wanted to for ages because I love Umineko's so much, and now the want is too strong to ignore. I have also been wanting to make a new trailer for the game, but I can't do a new gameplay trailer yet because I'm still finalizing the UI for the game so it won't look right.

I *CAN* do a cinematic/thematic trailer though. It'll be limited to mostly panning and comping still images with lots of effects and transitions, but I want to see what I can make with that. And once it's done it will directly contribute to development, because this kind of cinematic can go directly in the game, usually after a prologue sequence leading into the main story. I think it would work well to place it after Amadeus makes the deal with the Witch.

Unrealistically, I'd love to finish it by September 1 because that's the deadline to submit a new trailer to be shown at MAGWest. That's almost definitely not happening, but I'm shooting for it anyway and we'll see. I've watched and listened to my favorite intro cinematics over and over and taken a lot of visual/pacing and music notes, I've thumbnailed the flow I want for mine, and I've outlined the form of a song that would work well with it. The ideal goal is to arrange the waltz that is Episode 1's theme into this more typical anime OP song form.

...Which is very ambitious, and part of me is afraid it's a waste of time, but honestly it has already proven useful in other ways. A trailer like this has to be very focused. You don't get a lot of impact by just throwing everything at the viewer, you have to establish a mood/setting, establish the cast, choose what (very select few) important images to linger on and repeat throughout, and what key moments out-of-context look intriguing enough to tease here and there.

So I had to think very hard about what the absolute most important imagery and themes were for me to evoke, and how to evoke them; and in doing that I... actually started writing more very-late-game Episode 5 stuff. Just from thinking about how to present my game as a cheesy anime opening, I thought about certain symbols and ways in which they might pay off better later, and I made some more very endgame stuff concrete. While that's not in Episode 1 directly, I am definitely of the belief that the more late stuff I know from the start the more effective the story will be.

And well. Most importantly. I am having fun

[rei-does-stuff]

MAKE YOUR MARK CHAPTER 6 LIVE BLOG BABYYYYYYYY

EPISODE 1!!!!!!

-FIRSTLY I’ve been so fucking excited for this that I dreamt about it THATS RIGHT I DREAMT ABT IT

-This is gonna be the last mym chapter….:(((((

-OKOK LETS STARTT

-NO MORE SPARKY TRANSFORMING THE NETFLIX LOGO :((((

-MANESTREAM!!!

-SIBLING BONDING I LOVE THEM

-“Hold onto your cutie marks!” IN MORE WAYS THAN ONE SUNNY

-AAAA THE INTRO ITS THE LAST TIME WELL HERE THE INTRO!!!

-PIPPP YA GOTTA STOPPP

-I love you izzyyyyy

-HOW THE HELL DID SHE BLOW THOSE SO FAST, strong fuckin lungs

-BLAIZE!!!!

-All the dragons have the same model yes, but they all still look unique and pretty good IN MOTION

-OH SUNNY IS TERRIFIED

-Aww trying to put on her tough voice this is why ur my favorite sunny!!!

-AWW IZZYYYY

-I LOVE LUXXE

-Leaf is cuteee

-Tumble and him are def gay

-FOUNTAIN IS A LITTLE CREATURE….Well big creature but yk

-PIPPS FACEEE

-OH SO THEY HAVE THE SAME SHIT AS SPARKY

-OPALINEEEEE

-OOO SONG

-HER VOICE IM IN LOVE

-God that was sooo goodddd

-Love sunny rushing in to defend alicorns

-Also her putting her hoof around zipp GAYYYY

-MISTY I LOVE YOUU

-Hitch and your dad jokes I love youu

-Sunny trying to make friends with Blaize, IS THAT A PERSONALITY I SEE?

-Also her and Blaize? Rlly gay

-Love this green dragon (already forgot his name im a little dumb)

-SPIKEEE

-OH HIS VOICE WILL TAKE A WHILE TO GET USED TO BUT ITS NOT BAD, he finally has the deep voice he’s always wanted, good on you for the transition, plus he is total nonbinary goals

-AWW SAME HUMOR!!

-Also Sunny fangirling a bit

-AWW HE DOESNT REMEMBER :(

-TWILIGHT MENTION

-AW HIS LIL ‘Twi?’ OUGHHH

-okok so we were all pretty right on the real story!

-“You lost magic??” LMAO EVEN SPIKE IS LIKE ‘rlly???? After everything you rlly lost magic yall are wild mannn”

-When sunny gets excited her alicorn-ness starts to show, I’m not saying its a stim but it’s totally a stim

-AWW SUNNY REMINDS HIM OF TWILIGHT AAAA

-Love his speech but I wish they referenced how he thought the same but realized his true family were with other ponies

-GAYYY i need to see ship art of sunny and Blaize NOW

-ALSO WHY ARE YOU ON HER BACK SUNNY YOU CAN FLY, MORE REASON WHY SHES GAY

-YOU TWO PIPP AND ZIPP YOU CAN FLY!!!

-OUFHHHH THAT WAS SOOO GOOD!!!!

OKOK NEXT EP

EP 2

-TWO PARTER BABYY

-NO NOT THE TOGETHERNESS TREE

-The townsponies still freak just the same as g4, some things never change

-SPROUT

-‘And Pipp’s hair is still fabulous!’ I LOVE YOU ROCKY

-YEA MISTY WOULD KNOW

-LOVE THIS SPEECH UGHHH

-“That is…An option!” SUNNY DONT BE MEAN

-AWWW IM GONNA CRY

-PRINCESS SUNNY AAA

-FILLY MISTY

-‘SHE DOESNT KNOW HOW TO CHECK HER MESSAGES’ HAHAH

-NOOOO NOT THE DRAGONS

-SPARKY YOU ARE ON YOUR OWN

-OHH SHE KNEW SHE FUCKING KNEW MISTY BETRAYED HER

-GET HER ASS ANIMAL FRIENDS

-OOO YAY THE DRAGONS ARE BACK

-OOP NEVERMIND

-YES HITCH GET HER ASS

-OUGH SUNNY UNDERSTANDING HOW AFRAID MISTY MUST BE TO SEE HER ABUSER AGAIN AAAAA

-AAAAAA THAT WAS SOO GOOD

NEXT EP NEXT EP

EP 3!!!

-GRAB HITCHS CUTIE MARK MISTYY

-YESSS GO MISTY

-GET HER ASS

-GO AFTER YOUR GIRLFRIEND SUNNY

-OO PIPP YOU SMART

-WELL IT WORKED FOR A SEC

-UGHH I LOVE THIS INTERACTION BETWEEN MISTY AND OPALINE

-HEY YOU GOT TO DO YOUR PLAN IZZY

-SHE IS SO SMARTTT

-DAMN IT NOO

-‘We could just call’ I LOVE THEMMM

-THE NECKLACE

-NOT OPALINE PLAYING THE “you and I were not so different” CARD

-BUT ALSO SUNNY YA CANT REDEEM HER SORRY

-SPARKY YOU GOTTA BRING IT ALL BACK HOME

-SONGG

-DONT CRY REI AAAA

-NECKLACE TIME RAINBOW POWERR

-THEYRE RLLY PULLING OUT EVERY STOP

-ELEMENT OF HARMONY???

-HA GET YOUR CUTIE MARK WIPED

-AWWW

-CRYSTAL PONY TIMEEEE??

-AWWW THAT WAS AMAZING

LAST EP LAST EP

-40 MINS AND NEW NETFLIX PRESENTS LOGO

-THE MUSIC????

-THEYRE SO PRETTY

-ZIPP BEING WORRIED ABT HER GIRLFRIEND

-THEY DID ALL THE STOPS WITH THE VISUALS ITS SO PRETTY

-CRYSTAL TOWN CRYSTAL TOWN

-New threats maybe?

-MISTY I LOVE YOUU

-CRYSTAL PONIES

-SONG

-TRANCE???

-Auroricorns! New name for Crystal ponies?

-STARSHINE TIME

-AWW THEYRE ALL DOING CUTE EYES AT HITCH

-This is def giving me comfort special vibes!!!!

-Trip-Skating!

-STIMMING SO MUCH RN

-THEY DONT KNOW ABT EQUESTRIA

-Never allowed to leave? Ooooo

-SNOW PONIES

-GIRLFRIENDS AGREE WITH EACH OTHER

-If this keeps going this well this might be my fave ep

-WTFFF

-This is some freaky shit

-WTF ARE THISE????

-GRIFFINS??

-ANGEL BUNNY 2.0

-HER VOICEE

-So she’s like Opaline, but probably less fun? Interesting….

-Messed up tbh

-Maybe Allura will get a redemption arc?

-SUNIZZY CRUMBS

-SONG

-WOW she is stupid I love it

-DAMN THIS IS SOME OUR TOWN SHIT

-SNOWBALL FIGHTT

-YEA MISTY

-SONG

-So she might be back!

-VIOLET FROST

-AWWWW

-NEW FRIEND

-LETS GO COMET

-THEY EACH GETTING THEIR OWN FORM OF ELEMENTS OF HARMONY

-WHO IS THAT VOICE???

-BROTHER???

-THIS IS GETTING INTERESTING

-MANE 7 MAYBE??

-NEW GUY TOO

AAAAA I LOVED THAT, even tho there’s no more mym I’m sure tyt will be just as good once the episodes get longer!!

[harushinkai-daily]

State of the Blog and Plans Going Forward

Hello friends! I wanted to share my plans for this blog now that we've gone through all the episodes and documented more than four years(!!) of good, good Harus.

The bottom line up front: this blog will still be updating, but there is going to be a drop in frequency, and I will take requests via the askbox if there's something you want to see! The rest is under the cut to spare your dash, but read on if you're curious!

First of all, I want to assure everyone that this blog is NOT going away. I care about it way too much to just abandon it. That said, I really don't have it in me to keep it updating daily at this point. There are nowhere near enough "new" Harus I could post, and while I suppose I could start the anime over again from the beginning, I want to make this transition on a high note, and there's nothing I could do that would be more satisfying than (somewhat-accidentally-but-then-totally-on-purpose once I saw it was possible) lining up the end of the anime to coincide with Haru's birthday. Plus, I always want this blog to be a labor of love and joy, so I really do need to make this adjustment before it starts feeling like a chore or obligation to update ^^;

So what does that mean? It means there will still be some new posts to this blog, but they're going to become much more sporadic in nature. I haven't exactly figured out what this looks like yet. It might be every week, it might just be when I feel like it. I still have some manga panels to go through and some anime-related "bonus materials." Plus, there are some stats and compilation-based photosets I want to make (and my personal top 10 Harus? You betcha!). Not to mention finishing the poor, neglected blog index, if you've ever looked at this page on desktop!

That actually brings up another one of my goals for this project: archival and general Appmon news/promotion. In terms of archival, I want to export the contents this blog (screenshots and captions) somewhere outside of Tumblr; I'm thinking a Neocities page or something. I also might use this space to reblog whatever Appmon-related news we might get in the future (few and far between, obviously, but it could still happen!). There are also some other Appmon-related projects that are rattling around in my head that I would also like to get out there (character comparison by director and/or Caught-Up Old Man supercut, anyone?). So things might look kind of quiet as I do some work on some backend HTML and other behind-the-scenes stuff, but progress will probably be happening on those fronts, slowly but surely!

All that said, if you really can't get enough Haru, there are several ways you can help to keep this blog going!

Send me a date on the calendar, ANY date, and I'll reply with all of the daily Harus that got posted over the years! The only exception to that rule is July 1, since that day's dedicated to reblogging fanworks :)

Send me ideas for photosets! With 4 years of backlog, I'm sure there are some interesting ones that could be made.

Send requests for gifs! I only did this sporadically during the original run, but if there's something you want to see that I didn't make already, I'll do it.

Let me know what YOUR favorite Haru(s) are. It doesn't have to be all about me! :D

Send me Harus or requests for Harus that I'm missing? This blog has always accepted submissions. But please note I will not post more than individual Appmon manga panels, because Naoki Akamine, the mangaka, has requested that any art they've shared and posted on social media not be reposted. If it's not directly from the anime, I also have a strong preference for original, official images WITH SOURCES, because I've noticed there are a few AI-upscaled versions of things like card art floating around out there. I will always do my best to track down the original image, and will not use images that have been enhanced with AI on this blog. A sure way to tell: any text on the image looks fuzzy (and wrong!)

Last but not least (and I know I say this a lot, but bear with me): thank you, thank you, THANK YOU for sticking with this blog, whether you're a longtime follower or a relative newcomer. This whole project started on a whim, as a passion project early in the COVID-19 pandemic, and I could not have guessed that it would have taken me this long to make it through the whole series, one good Haru at a time. I have spent a truly shocking amount of time working on this blog, but an equal amount of love, for one of my absolute favorite Digimon series and gogglehead protagonists.

Love from your HaruShinkai-Daily mod,

@citrus-cactus