#theatre scene

[huariqueje]

Leaving the Theatre  -  Kees Maks 

Dutch, 1876-1967

Oil on canvas ,    26.25 x 32.25  in.     66.7 x 81.9 cm.

[zombetty666]

"They're doing it over there but they don't do it here....FASHION."

[nancycastrogiovanni]

What Different Types of Work Experience Opportunities Are Available in the Theatre Scenes?

When we think of theatre, acting naturally springs to mind first. Yet, within the theatre scene, there is a whole universe of roles beyond the stage lights, from directing and production to design and administration. This article is intended to uncover the myriad opportunities the theatre industry has to offer.

 Onstage Opportunities

Actors: Many theatres have special programs like internships and apprenticeships just for actors who want to improve and stand out. These programs give you a real feel for the job through rehearsals, performances, and advice from professionals who know what they are doing.

By joining in, not only do you work on your acting skills, but you also learn a lot about how theatre works and how to perform at your best. We are all about giving a hands-on experience that helps grow new talent in a supportive and creative way, helping start off acting careers on the right foot.

Dancers: For dancers and choreographers, the theatre is full of chances to move forward in their careers. With so many productions looking for people, there are lots of ways to get involved in creating and performing dances. These opportunities let you work with directors and others to come up with exciting dance pieces for the stage. It’s not just about showing off what you can do; it's also about getting into the creative side, coming up with new works that mix dance, stories, and theatre in interesting ways.

 Behind the Scenes

Directing: If you are interested in what goes on behind the camera or the curtain, starting as an assistant director could be the way to go. This role gives you a peek into the entire directing process, from the early planning stages all the way to the final show. It's about learning how to bring a vision to life, making decisions, and working closely with everyone involved to make sure everything goes as planned.

Stage Management: Stage managers are the unsung heroes of theater. They make sure everything runs smoothly, from rehearsals to the actual performances. If you're good at organizing, keeping things on track, and communicating with lots of different people, this could be a perfect fit. It's a chance to develop those skills further and really see how crucial they are to a successful production.

Set Design and Construction: For those who love being creative but also enjoy a bit of hands-on work, set design and construction offer the best of both worlds. This role is all about turning creative ideas for sets into real, physical structures on stage. It combines artistry with practical skills, like carpentry and painting, to create the backdrop that brings a play to life.

Costume Design and Wardrobe: This is where fashion meets theater. Working in costume design and wardrobe means you'll be part of the process from the very start, thinking up costume ideas, and then actually making them or putting them together. It's a role for those who have a good eye for detail, love clothes, and enjoy being creative in a way that tells a story through what characters wear.

Lighting and Sound: The lighting and sound departments add another layer to theater productions, setting the mood and atmosphere or enhancing the action. If you're interested in the technical side of things, these roles offer a chance to learn about the equipment and technology that make it all happen. From designing lighting and sound effects to operating the equipment during shows, there's a lot to get involved with and learn in these areas.

 Production and Administration

Production Management: This role is all about making sure the show goes on without a hitch. Production managers oversee the behind-the-scenes work that keeps a theatre production moving. They handle scheduling, make sure the budget is on track, and work with all the different departments to keep everything coordinated. It's a big job for someone who is organized, good at problem-solving, and able to keep a lot of plates spinning at the same time.

Marketing and Public Relations: If you've got a knack for getting people excited about things, then working in marketing and public relations for the theatre could be your calling. This area is all about finding creative ways to promote theatre productions and build a buzz that gets seats filled. It also involves managing the theatre's relationship with the media and the public, from handling social media accounts to organizing events that get people talking.

Fundraising and Development: Theatre isn't just about creativity; it also needs funding to bring those creative visions to life. That's where fundraising and development come in. People in these roles look for ways to get money through grants, donations, and fundraising events. It's a mix of writing grant applications, managing relationships with donors, and coming up with fun events that both raise funds and keep supporters engaged. It's ideal for those who are persuasive, great with people, and passionate about keeping the arts alive and thriving.

Educational and Community Theatre

Educational Programs: Theatres are not just places for performances; they are also centers for learning and sharing knowledge about the arts. Working in a theater's educational department means you could be organizing workshops, running youth productions, or getting out into the community to spread the word about theatre. It's a chance to teach others, especially kids, about acting, set design, costume making, and more. This role is perfect for those who love theatre and want to inspire the next generation of performers and creators. Plus, it's a great way to give back and make theatre accessible to everyone.

Community Theatre: Community theatre plays a big role in bringing people together and keeping the arts alive at the local level. There are lots of roles here, from acting and directing to behind-the-scenes jobs like set construction and costume design. What's special about community theater is that it's often volunteer-based, which means it's driven by passion and love for the arts. Getting involved is a fantastic way to meet new people, learn new skills, and make a difference in your community. It shows just how important theatre is for creating bonds and bringing stories to life that resonate with everyone.

Digital Theatre and New Media

Digital Production: The theatre world is catching up with the digital age, opening up new roles that blend traditional performing arts with cutting-edge technology. Digital theatre includes everything from virtual performances and streaming live shows to creating digital sets that can transport audiences to another world without leaving their seats. These opportunities are perfect for tech-savvy creatives who are interested in how software and digital tools can enhance storytelling on stage. Whether it's operating cameras for a live stream or designing a digital backdrop for a virtual play, there's a lot of room for innovation in digital production.

Social Media and Content Creation: In today's world, having a strong online presence is key for any theatre company looking to reach a wider audience. This is where social media managers and content creators come in. They are the ones creating engaging posts, sharing behind-the-scenes glimpses, and promoting upcoming shows to the digital world. If you are good with words, photos, or videos and know how to catch people's attention online, this could be your chance to shine. Plus, working in social media and content creation is a great way to use your creativity to support the arts and help theatre thrive in the digital age.

 

Finding and applying for work experience in the theatre industry can seem daunting, but there are several strategies you can employ to navigate this process successfully. Networking is key; immerse yourself in the local theatre scene by attending shows, events, and mixers where you'll meet professionals who can provide advice and potentially offer opportunities. Joining professional associations related to theatre arts is also beneficial, as these groups often have resources like job boards, newsletters, and networking events specifically designed for theatre professionals.

This article Originally Published At: https://www.nancycastrogiovanni.com/types-of-work-experience-opportunities-are-available-in-the-theatre-scenes

[madisoncounty]

it's may, it's may, the month of yes, you may HAPPY MAY!

[ruenii]

Tim, [pointing his staff at the human traffickers]: YOU ARE OUTGUNNED

Jason, [hyping him up]: WHAT?

Tim: OUTMANNED!

Jason: WHAT?!

Tim: OUTNUMBERED OUTPLANNED

Jason: PAY YOUR FUCKING TAXES!

Tim: PUT YOUR GUNS DOWN ON MY COMMAND

Jason: HAND EM OVER!!

Tim: THIS IS HAMILTON MY RIGHT HAND MAN!

Jason, [getting his guns out]: PWO PWO PWO PWO PWO-

Goons: *shaking* what the FUCK are Batman feeding his partners--

[hers-underwraps]

Everyone’s out here calling kwazii a theatre kid

BUT LOOK AT HIM

Like his dorky ass is breaking out into song and performing like a lil goofball every chance he gets

[disappointingcabbage]

Fellas, is it gay to live inside another man forever with Satan himself by my side?

[hellinhawkins]

i provide every byler moment, saved, in order of seasons

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[vampire-dove]

No thoughts. Just Theatre Des Vampires being sillies behind the scenes

[fuzziiwuzzii]

FARLEIGH I LOVE YOUUUUUUU I NEED TO WATCH SALTBURN AGAIN,,,

[fixing-bad-posts]

im a Lesbian who likes les mis.

[sad-leon]

Something about a big leo hugging a little leo in the mindscape just hits different

this time flavored with @remedyturtles's Death Wish boys!

i care about them so much lakdjfalsdjflskd if i had the spoons, there would be a second animatic made already, but alas, school >:(

[justarandombrit]

Owen "Spent four years pretending to be dead, whilst secretly concocting an elaborate plot to take revenge on his ex boyfriend by gradually dismantling every principal he has ever believed in, thus making his entire life purpose obsolete" Carvour: Here's some advice, Curt. It's called moving on.

[ciriceart]

After meeting the person he’s supposed to enact one of the most famous love stories ever written, Eddie decidedly vows to not fall for the charms of the infamous heartbreaker, “King Steve”.  In spite of Steve’s infuriating sporadic practice attendance, the line between Eddie’s feelings for him on and off stage begins to blur as he contemplates breaking one of the biggest rules in theatre: never date your co-star.

I'm thrilled to have gotten to work with @brvss0316 and @dontwasteyourchances on No Chance Showmance for @steddiebang2024! It's fun, it's upsetting, it's ridiculous. Stick around for updates throughout the month to read these lovesick morons stumbling their way through Pride and Prejudice, both onstage and off over on Ao3!

[pianokantzart]

I can’t stress enough how insanely underrated the Luigi flashback scene in the Mario movie is. Genuinely phenomenal visual show, don’t tell storytelling.

You know what? You bring up a good point. That scene absolutely didn't have to go that hard.

Don't get me started about the subtlety of Luigi's facial expressions throughout; the way his eyes widen, then refocus into a thoughtful expression when he realizes the castle below strikes a chord with him, and he takes a moment to recall why...

Seamless transition. We see toddler Luigi playing happily by himself until he starts getting harassed by a bigger kid, and then we see Luigi's natural defense methods come into play: he shuts down, holds his arms out to protect himself, and lets the larger kid do what he wants, even if they're breaking his stuff and taking his things.

Then comes Mario, making a beeline from the other end of the playground to forward-aerial this schmuck.

He returns his brother's toy flag without breaking eye contact with the threat. He stands firm between Luigi and the bully, tiny hands clenched at his sides in anticipation of a fight.

The bully decides to cut his losses and run off, and Mario turns to Luigi with a big, proud smile on his face.

Then we crossfade from Luigi as a toddler, smiling warmly at his brother, to modern day Luigi looking completely helpless and loss.

He lifts up his bounds wrists, examines them for a moment, then slumps over with a sad, far-off look in his eye.

What is going through his mind at that moment? Regret? Guilt? Insecurity? Homesickness? Wistfulness? Self-deprecation? A mixture of all of the above? We can only guess, but we can surmise three things:

Mario has always been there for Luigi in the past

Luigi has always admired his brother's bravery

Luigi feels bad about how weak he is

And it would've been so easy for this scene to have just been Luigi reminiscing about Mario out loud in Bowser's prison, saying outright his thoughts and emotions. The three points I listed above could've been delivered in a half-serious manner with a few jokes sprinkled in to keep things lighthearted. But instead, the sadness and longing Luigi is feeling in that moment is treated with perfect seriousness. All dialogue is replaced with a swelling, emotional score as the specifics of what Luigi is thinking is left to the audience's interpretation. It's really really good.