#the work is the point

[scarlettgauthor]

I first posted this in a thread over on BlueSky, but I decided to port (a slightly edited version of) it over here, too.

Entirely aside from the absurd and deeply incorrect idea [NaNoWriMo has posited] that machine-generated text and images are somehow "leveling the playing field" for marginalized groups, I think we need to interrogate the base assumption that acknowledging how people have different abilities is ableist/discriminatory. Everyone SHOULD have access to an equal playing field when it comes to housing, healthcare, the ability to exist in public spaces, participating in general public life, employment, etc.

That doesn't mean every person gets to achieve every dream no matter what.

I am 39 years old and I have scoliosis and genetically tight hamstrings, both of which deeply impact my mobility. I will never be a professional contortionist. If I found a robot made out of tentacles and made it do contortion and then demanded everyone call me a contortionist, I would be rightly laughed out of any contortion community. Also, to make it equivalent, the tentacle robot would be provided for "free" by a huge corporation based on stolen unpaid routines from actual contortionists, and using it would boil drinking water in the Southwest into nothingness every time I asked it to do anything, and the whole point would be to avoid paying actual contortionists.

If you cannot - fully CAN NOT - do something, even with accommodations, that does not make you worth less as a person, and it doesn't mean the accommodations shouldn't exist, but it does mean that maybe that thing is not for you.

But who CAN NOT do things are not who uses "AI." It's people who WILL NOT do things.

"AI art means disabled people can be artists who wouldn't be able to otherwise!" There are armless artists drawing with their feet. There are paralyzed artists drawing with their mouths, or with special tracking software that translates their eye movements into lines. There are deeply dyslexic authors writing via text-to-speech. There are deaf musicians. If you actually want to do a thing and care about doing the thing, you can almost always find a way to do the thing.

Telling a machine to do it for you isn't equalizing access for the marginalized. It's cheating. It's anti-labor. It makes it easier for corporations not to pay creative workers, AND THAT'S IS WHY THEY'RE PUSHING IT EVERYWHERE.

I can't wait for the bubble to burst on machine-generated everything, just like it did for NFTs. When it does some people are going to discover they didn't actually learn anything or develop any transferable skills or make anything they can be proud of.

I hope a few of those people pick up a pencil.

It's never too late to start creating. It's never too late to actually learn something. It's never too late to realize that the work is the point.

[muffinlance]

My baby daughter got her adorable puffin-print dress absolutely CAKED in mud crawling around the yard and my first thought was "oh no her beautiful dress"

And my second thought was "oh huh it really WOULD be easy to unconsciously steer her away from playing in the dirt. Unlike my son, whose outfits are usually some kind of solid dark easily washed pants plus a shirt that doesn't trail in the dirt like a dress does."

Anyway something something gender roles start getting shoved on kids from literal birth, but with a little time to think about things, YOU TOO can let your children of any gender absolutely destroy their clothes in the dirt pit they're digging in your garden

[millificent]

Every Nico Di Angelo fan focusing more on the background of the episode than the actual plot

[platoapproved]

louis + cruelty

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[secretdazedragon]

[chloesimaginationthings]

Gregory knows he looks LIKE HIM in FNAF..

[ruporas]

dragon meat, you, and me

[grinchwrapsupreme]

Saw a post about helping people that used the analogy of "if you see someone fall off a cruiseship and theres a life preserver ring on the wall next to you do you walk away or do you throw them the life preserver? Of course you throw them the life preserver." And i dont want to add to or tag the post with any sort of correction because its literally not the point at all but i am desperate to say that the first thing they teach you when you work on a cruise ship is that if someone falls overboard you Do Not Look Away

If theres a life preserver nearby but you have to turn your back to get it, tough luck. If theres someone nearby who can't hear you but you could run and get them, absolutely not. You see someone go overboard you point at them and never ever let them out of your sight because looking away even once could mean losing them forever, so you just have to trust that someone will hear you scream for help but you cant for any reason look away

And maybe that adds to the life preserver metaphor somehow but mostly i just need you to know if you spot someone in the water you point at them and you watch them close and you scream for help

[puraiuddo]

FanFiction.net is not gone.

Right now it's a victim of DNS (Domain Name Service) spoofing. This means that a malicious party is trying to steal traffic from FFn by purchasing a very similar domain.

Correction:

The new "fake" site that people are seeing still belongs to FanFiction.net—they just misconfigured their servers and are not redirecting traffic from the bare fanfiction.net to the main site at www.fanfiction.net. There is likely no malicious agent. Didn't mean to scare anyone! Just wanted to let people know the site wasn't deleted!

So if you want to read fanfiction and not see leaves, you have have to type out "www.fanfiction.net".

Please share so people stop panicking.

[oars]

[bet-on-me-13]

Bruce owes Danny money. He does Not want to pay up.

So! Danny had to run away from Amity Park when his parents discovered his Powers. But every time he tried to stay in a single place in America, they somehow managed to find him.

Turns out, they were working with the GIW to track him using the GIW's resources and the Fenton's Genius to find him everywhere he ran to. Eventually, Danny figured he had had enough and ran to Europe where the GIW had no Jurisdiction.

After wandering for a while, Danny was found and recruited by the League of Assasins. He was powerful, skilled, and connected to the Lazarus Pits, so they approached him with a job offer.

They would hide him from the Fentons, who had began to search for him in Europe independently, and in return he would work for them as an Assasin.

Considering his situation, Danny agreed.

He began training to be an Assasin, supplementing his Ghost Abilities with the abilities of an Assasin to become even more Stealthy.

While training under the League, Danny met another recruit simply known as Bruce. They trained together for years, even going on a few missions together gathering intel, and using disguises to hid in plain sight.

On one of these missions, Danny lent Bruce some money with the promise to get paid back when they returned to the League. That same night, Bruce left the League of Assasins and never came back.

...

Bruce was sitting in the Batcave going over a case with Tim, Jason was off to the side cleaning his Guns, and Dick and Cass were holding an acrobatics competition in their Obstacle Course, with Damien, Steph, and Duke cheering them on.

Suddenly an Eldritch Emerald Light sprang to life in the center of the Batcave, and everybody dropped what they were doing and sprang to action.

Slowly, a glowing green figure emerged from the Light. He appeared Eldritch in Nature, as if he existed in multiple layers of reality at once and looking at him gave them minor headaches. Then, the figure spoke up.

"BRUCE. ITS BEEN 15 YEARS. YOU STILL OWE ME 16 DOLLARS."

Recognizing Danny, Bruce took a moment to compose himself before responding.

"Fuck Off."

[phosphorus-noodles]

personally my biggest dream is to have a post become so viral it changes tumblr's vocabulary forever because then when i say my silly little words like sadful no one can tease me for it because guess WHAT idiot that's what ALL the cool kids are saying now hey wait where is everyone going guys wait please come back i promise i'm cool and normal guys please hang on wait

[themadknightuniverse]

Loustat short comics - There is nothing else until the storm is over - Interview with the Vampire TV Series

text transcription under the cut ⬇️

Fake magazine illustration

Page 1 Daniel : So, tell me... Did you see Lestat again?

Page 2 Louis : When he's not on Tour, he would occasionally visits.

Page 3 Daniel : So you're what, now? Friends?

Louis : [Hello Lestat.]

Lestat : [Hello Louis.]

It would be too simple. You know us.

Louis : [ That's new. Still enjoying the glitz and glamor?]

But there is this arrangement we are both fine with.

Page 4 When two people hurt each other so deeply, what is left afterwards?

Page 5 Things like that, it seals doors once still unlocked at the time. Can time really heal everything?

[Mets moi dans mon cercueil, Louis, Louis...]

Page 6 [Stay down chéri, I don't want to fight like this. I'll stay. I'll stay, I'll never leave you ever again. I promise. I'll be happy. For you. For her. Please please please please]

Some things were flipped over to show the truth. Others, I learned to see differently. I faced my wrongs.

[I'll be anything please please please please please please. I didn't know it was a gift. I wore it like a curse. I was selfish. I wanted you to suffer. Because I was. Suffering. I came to thank you.]

Page 7 Do we love each other still? Yes. Can we live under the same roof, share the same spaces, the same bed, for an extended period of time, again? No. But this raging, all devouring passion, it is now replaced by something that can never be altered. Is this the price we had to pay to finally be equals?

Page 8 We have never been more understanding of each other. A shadow of something that could have been from the start. Friendly jokes. Bickering I will never admit enjoying. Respect. And then, the always surprising softness. So eerie after all that happened. Yet, we always welcome it.

Page 9 Daniel : [How dramatic. Not ready to live together again, yet he's all over your coffee table.]

Louis: [I didn't buy these.]

Daniel : [Sure. Will you let me know the next time he passes by?]

Louis : [Well I can't. This is his safe place. You will have to find him by yourself I'm afraid.]

Daniel : [Of course. He can't make anything easy. As if he didn't have enough safe places with his ten properties.]

Page 10 Louis: [Nice chat. Bye, Daniel.]

Lestat : [Only when I'm not on Tour, hm?]

Louis [Approximately.]

Lestat : [Thanks.]

Louis : [Did you really just say thank-]

Lestat: *kisses Louis* [...too soon?]

Page 11 Louis : Almost a century is enough waiting.

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)