#the whole mystery is an attempt to make her interesting again

[yolowritter]

In Offense to Lila Rossi

O...kay! Am I the only one who sometimes takes offense to Lila's entire existence? Even if she just stands there, looking at her on screen makes me want to grab the nearest pitchfork! So please, allow me to explain why I despise Lila Rossi in Miraculous Canon, and what my delusions say should happen for Season 6 regarding her character! Call it a stich, I'm still doing it because I can!

To kick things off, it's worth establishing what kind of antagonist Lila is supposed to be in the show. She's introduced in the finale of Season 1, Volpina (yes I know some lists have Origins last, but Collector picks up directly after so it's the finale), and from the moment anybody even mentions her, we get the hint that something is fishy. I'm quite sure it's Alya who first approaches Marinette and tells her about this "new girl" who's showed up at school. Apparently, "she" knows famous musicians, is very talented, etcetera. Marinette raises an eyebrow at this, but there's no real reason to question it yet since the audience has already seen that some of those things are true for her as well (see Jagged Stone). All in all, good little bit of foreshadowing and getting people intersted without going overboard.

Then we actually meet Lila in the library with Adrien. She seems pleasant enough, if a little infatuated, but this is Adrien. He has more fangirls that there are ticks on a goat, so he takes it in stride. All in all, Lila is cheery and excitable, happy to spend time with him. Not the most likable character in history, but also not malicious in any way. This is the expected behavior for some random teenager learning she's classmates with a supermodel. And since we get this whole thing from Marinette's point of view, the audience is encouraged to share her suspicions about Lila. We all know how the rest of the episode goes, and I'll get back to this in a sec.

Point is, when Lila first shows up, she seems interesting. Her lies aren't immediately obvious (or at least like 20% plausible given past events), and she appears to be infatuated with Adrien, just like Marinette. Sure, it looks a bit superficial, but who can blame her? We don't know anything about her yet, and it isn't completely outrageous to think that she might be giving out small lies to make herself more popular since she's the "new kid" and all that.

But after Volpina...we don't see her again until Season 3! Excepting Heroes Day Part 2, where she gets re-akumatized into Volpina for the whole illusion thing, I mean. Lila remains a mystery, and so far has been a nuanced character who we have questions about and know to be a cunning liar. Especially since in Volpina, Lila actually is being smart with her lies to Adrien! She plays up her persona of infatuated fangirl and extracts general information about the book he has, and plays off it by giving minimal details and still attracting his interest. It's only once Adrien has shown her the page about the fox heroine that Lila makes up a story about having the Miraculous in her family, and then she immediately goes off to cover her back by buying a fake Fox Miraculous from a "Gabriel" store.

Side note: This is the one and only time we see this happen, and I still have questions as to why Gabriel Agreste is selling jewerly that only someone with the Guardian's Grimoire would know how to design. Dead giveaway, but that's a general plothole in the show, and irrelevant to Lila.

The thing is, I love Lila in Volpina! She actually does manipulate Adrien pretty well, makes sure to subtly get all the information she needs, and then plays her part perfectly, to the point where he's on her side when Ladybug swings by to berate her for lying about having a Miraculous. Granted, Marinette's intense reaction doesn't do her any favors, but nonetheless Lila is actually good at lying in this episode! Now prepare to throw this out the window with Chameleon! Oh, Chameleon! What is even left to say about this episode that the fandom didn't tear to shreds back when it first aired? Welp, doesn't matter! I'm grabbing Hawkmoth's cane and beating the dead horse one last time, just because Lila pissed me off this badly when I re-watched it recently!

I have genuinely researched the lies that Lila spouts out in this episode, and I'm honestly baffled as to why the writing team even put them there? I'd think it takes more effort to think of something this ridiculous rather than a semi-believable lie? Let's break the two most ridiculous ones down real quick. Getting tinitus from being behind a plane engine while it was taking off. Now, I'm assuming Lila also lost a few braincells in this episode, because while while yes, if that were to happen one would have severe hearing damage...we're talking about going completely deaf. Not to mention that you'd have to ignore countless airport security measures to even get there, and that in some countries, it's very much illegal to be on the runway when a plane is taking off. So Lila would have gone completely deaf, forever, not to mention sustained actual injury from being right behind a plane as it's taking off. Do you see why this is so ridiculously unbelievable? And okay, for the sake of argument let's say that people do believe her. Miss Bustier has zero reaction to this information, which would have presumably caused a responsible adult to panic at the idea of a child sustaining such an injury. Clearly, this episode is designed to devour braincells from everyone present.

Then we move onto the moment that still infuriates me, the Napkin Incident™. I'm not going to go into too much detail because we all know the gist. Lila catches a napkin thrown by Marinette with her supposedly "sprained" wrist, and explains the reason she "hurt herself" was to protect Max's eyes from being gouged out! By a napkin, while he's wearing glasses! In addition, Lila blatantly lies about being best friends with Ladybug and having sustained other minor injuries, and all of this makes me honestly upset because I see what they were going for! I can see the vision here!

Lila lying about being best friends with Ladybug to gain Alya's interest! Lila making herself the victim and exploiting Marinette's eagerness to expose her to gather support from her classmates and take away her friends! She even says that's what she plans to do at the end of the episode! But...this never goes anywhere. Lila is almost entirely absent from the remainder of the season, and just...doesn't follow up on this? Instead all we get is Lila getting outrageous lies that require every other character in the room to lose the entirety of their IQ to even be plausible in the slightest. And the plot wants to pretend as if she's a master manipulator when all she does is tell extremely obvious lies that can be very easily disproven!

Even when she pretends Marinette pushed her down the stairs, nobody reacts in the way they should! Bustier and Damocles should have called in the school nurse, or a doctor to check her over, especially since Lila claimed to be in severe pain. It's completely unreasonable for adults to behave they way these two do whenever Lila is involved in anything. My point is that for Lila to be what the show says she is, she needs plot armor. People believe her just because they have to. It's demanded by the script. And it's infuriating!

It would be another thing entirely if Lila slowly approached each and every classmate and systematically inserted herself in situations as the "friend", or used small lies to slowly degrade Marinette's connections with others. She could ensnare Alya with little lies about Ladybug, and then act concerned and worried when Marinette denied everything without any proof (like we already see her do multiple times). And yes, obviously they can't devote another dozen episodes to focus solely on this, but the fact that we never see Lila even try to do it very much undermines her character. The narrative presents her as a master manipulator who pulls the strings from the shadows, and addmittedly she has some good moments like when she frames Marinette for stealing her necklace...but that can easily be disproven by checking security cameras, or by Adrien speaking up. Remember, he was there in Volpina when the necklace was proved a fake, and Lila is using the same lie here.

Not to mention that in each and every case where Lila lies, even in Season 5, the believability of that lie is solely dependant on the sheer incompetence of every (allegedly) responsible adult around her, and the fact that Marinette's classmates are contractually obligated by the script to believe her without a second thought. The problem here is that Lila isn't good at lying. What she says is either outrageous enough to warrant genuine concern if believed (ex: Marinette pushing her down the stairs. No adult would have made this girl walk back up that staircase without first asking if she was hurt and calling in a medical professional) or so plain stupid that it has everyone wondering where their lost braincells may have slipped off to. To give credit where it's due, Lila's manipulation of Chloe in Season 5 is actually pretty great and consistent with what we've been told she's supposed to be.

But...considering that by this point, (regarding Marinette's friends now) Alya knows her best friend is Ladybug, hates Lila, and was clearly right about the girl being a walking red flag...why does it take a DIY bathroom and a literal 300 IQ scheme to prove that Lila has been lying about things? Like, Alya, Adrien and presumably Nino (if anybody bothered to clue him in) should know that she's full of crap, and suspect her. Don't get me wrong, I love Marinette's whole fake bathroom plan. Genuinely made me marvel at how smart she is. But it also shows that the script still treats Lila as an Avengers-level threat...even if at this point in the story, her lies are just bad. We know from Chameleon she can't even keep her own stories straight (see Lila forgetting which ear her tinnitus was on), and this could have been an amazing detail the gang utilized to start convincing the others that she is lying.

The general problem with Lila's canon character is that she's underutilized, barely appears outside of when she absolutely needs to, and fundementally fails to be what she's been writen as, requiring her Villain Plot Armor™ to kick in and steal everyone's braincells away. I absolutely love the whole "Lila is a fox" characterization, because Volpina was literal genius! The metaphors and symbolism of Lila being cunning and always scheming? Amazing! But...what we actually get to see of her in action? Really, really bad. Also, I am not touching her three mothers with a ten foot pole, not until we get a canon explanation. Personally I ascribe to the Scarlet Lady AU version, but we'll see. Even the more obviously ridiculous things, like Lila having a whole secret lair in the Parisian Catacombs...I'd buy it. If there's IRL raves happening down there, then she could totally have a secret villain lair tucked away behind a few crypts or something.

What I wish we had gotten from Lila is honestly not a lot. Instead of just walking up to people and lying her ass off, I'd prefer to see her be more subtle about it. For Nooroo's sake, just get this girl to actually be cunning like all the fox metaphors want you to think! It isn't that hard to write a scene where she plays the "concerned friend" as Cerise to plant seeds of discord. Buggachat did it very well in "Open my Eyes", and it made me absolutely hate Cerise! And that's a good thing! Lila/Cerise/Iris/Whatever-other-identity-she-has-in-her-closet is meant to be hated by the audience! She literally is a "love to hate" character! And in Open My Eyes, Cerise actually did act as the concerned friend, she was subtle, she didn't always lie but sometimes twisted the truth just a little bit, enough to get the doubts to creep inside someone's head. I got so frustrated because I wanted Adrien to figure her out, but couldn't find a logical way for him to do so in the first place! Do you guys get what I'm talking about yet?

Subtle but convincing. Small and unnoticable until it's too late. That's how Lila should be, because it utilizes the most plot threads made by her lies. I can go on and on with specific examples, but I want to actually post this someday so I shall refrain. In conclusion, there are only two types of Lila. "I'm going to burn your house down and smile while doing it, then find a puppy and kick it into a sewer before emotionally scarring someone to the point of needing life-long therapy" Lila.

And the "cunning, sneaky and subtly manipulative fox who drives people insane slowly but surely as she makes them have an existential crisis" Lila.

I vehemently refuse to accept her canon version, and fear for Season 6 if she doesn't change into one of the above, or at the very least stops being so incredibly in-your-face about it. It's infuriating (in a good way) when the characters don't know, but if the lie is as obvious as "How was my weekend? Oh, nothing much! I just went skydiving on Venus, that's all really!" ...do I even need to elaborate? Because that's what Lila sounds like 96% of the time!

Alas, I digress. Feel free to give your opinion about our resident lying wretch, I need to go take a break before her incompetence drives me insane. I'll see you all soon...but until then, Stay Miraculous everyone!

[astralphobia]

anyone else think of how terrifying sock opera must have been for mabel

like

when bipper’s looking down at her with that shit-eating grin, holding the rope?? Yk, that iconic scene??

Yeah, I can’t imagine how Mabel must have felt or how many nightmares sprung from that.

just. Imagine with me, okay? You’re twelve. You have a twin brother who’s been there for you your whole life, and always has your best interest at heart. He’s given up so much for you, and you’ve tried your best to help him in return, helping him solve mysteries and engaging in the things he enjoys with him. You don’t have to do that, but you do, because you want him to be happy.

And one day, something odd happens. He hasn’t gotten a lot of sleep lately, so maybe it’s just sleep deprivation! Maybe he’s just. ..Acting so oddly,, because he’s tired!

yeah. That’s it. At least he wants to help you with your crush for once, even if he wanted to focus on that laptop earlier. You feel kinda bad about ignoring it, but c’monnnn!! This guy is. So hot. You can’t help yourself! .. probably.

When you’re almost halfway through your attempt to impress this guy, this.. puppet you made starts floating, talking to you in the voice of your brother, telling you that he did something stupid (made a deal), and his body is currently being possessed by this triangle jerk you encountered earlier in the summer.

… kinda a lot to take in, but hey!! At least you know what was off now. .. wow, you’re kind of a bad sister for not noticing, huh?

anyways, he needs your help! But it could totally ruin your chances with this guy…. But that doesn’t matter, he needs your help. This only happened because you didn’t help him earlier, so you gotta help him now, right??

you rush to find the only thing that could possibly help you in this scenario. The journal.

And when you do find it, well..

even though you know that is not your brother, that’s a demon, possessing your brother’s body.. it still looks like him. And never have you felt such utter horror, such primal fear at the sight of a simple grin, ear. to. ear.

seeing him above you, standing on the catwalk makes you feel small, useless, insignificant.

and the expression on his face is one you hope you never see his facial features contort into again.

And he’s holding onto the rope that could mean the difference between life or death for you, the rope that is holding you and the wooden cake in the air. You’re lucky he caught it in the first place.

He could drop it any time he wants. Let go any time he wants. And he does, briefly, toying with you.

When your eyes widen and fear squeezes at your heart, he laughs at your pathetic, meaningless actions.

and even though you know it isn’t your brother. You know it’s not him, it’s not him, it’s not, it’s not…

And yet. It sounds like him. His laugh. The little one he makes whenever you make a silly joke, or fall over dramatically, possibly at the expense of your dignity. The one you have heard so many times, usually just as innocent and sweet as the last. And now you hear it again, and even if it’s something else laughing through him,, you can’t help but hear it. Tainted with ill intent.

The day does get saved, however. Your brother gets back into his own body not too much later. And everything is back to normal!

….. but.

You can’t help but remember that moment whenever he smiles a bit too wide, or laughs a bit too hard.

You can’t help but stay awake at night, replaying that moment. Telling yourself that it wasn’t him.

And you still have nightmares about it, too. Where you don’t notice until it’s too late and that thing that looks and sounds like him but isn’t him is back and this time you’ve lost, you’ve lost, you’ve lost!

..you wish you were a better sister.

[cirtusmistress]

JJK Bridgerton Inspired HC’s - Gojo, Geto, Nanami

authors note: so your girl is on a Bridgerton binge and a JJK rewatch binge so like.. I’m boutta cater to such a niche audience lmao

genre: historical romance

tw: a lil horny sometimes but ultimately SFW

AO3 Crosspost

💙 Crown Prince Satoru Gojo and The Debutant 💙

• A prince by birth and next in line for the throne.

• Well bred, read, and wanted most dead. Has lived through multiple assasination attempts.

• Was never really interested in the prospect of marriage, was more invested in rehauling the royal system as a whole.

• Likes to spend his time with the young royals and nobles like his ward Megumi.

• W H O R E. Chronic flirt. Smart enough not to accidently sire an heir but knows how to have his fun.

• Met you during your debut year. You were the first woman to actually catch his eye.

• First he thought it was just more sexual attraction, but after a dance and a conversation he knew it was much more. Your wit was unmatched and you had snark enough to keep up with him.

• Played it cool though because he knew if he gave you too much attention you’d have a target on your back, and he wanted to make sure you were his.

• Goes out of his way to see you as much as he can. Lots of ‘accidental’ run-ins.

• The moment that sealed the deal for him was when you near bested him in a fencing match. It had been so long since someone had surprised him.

• Though being under the eyes of the crown prince doesn’t go unnoticed. Soon enough other men began attempting to court you. Even worse, certain parties started conspiring to use you against him.

• This all came to a head when you were cornered at a ball. You were meant to be taken hostage and used to lure and kill the prince. But there was no corner of the world they could hide you where he would not look. His day started and ended with you and if they harmed you the world would burn in your name.

• You were found and rescued by him, and your kidnappers were dealt with in a swift and brutal fashion.

• He proposed on the spot. No hesitation he was on that shit. You were to be his and that was that. And you would never be alone again.

• The wedding was huge. No expense was spared and he catered to your every whim and desire. You were his gorgeous only ever.

• Honeymoon was.. Oh baby. Literally. You weren’t coming back without being knocked up.

💜 Duke Suguru Geto and The Viscountess 💜

• Of common birth and rose to the rank of Duke after the former Duke passed away. He was the only living male relative, hence receiving the title.

• A former friend of the crown prince. The pair had a falling out when Geto grew power hungry in his new role. He is still a respected member of the ton, though under constant watch of the crown.

• As a Duke he is in charge of a small township. He’s known for his high taxes and using his citizens to collect rare birds from the surrounding area. He keeps them in an aviary with clipped wings, and sells them to other nobility for profit.

• He once was in charge of two townships, but one mysteriously burnt to the ground. An investigation brought no results, but it did reveal two survivors. Geto took them in as his wards.

• He met you during one of his bird sales to the Queen. You were a member of her entourage.

• You were a young widowed Viscountess with two young daughters of your own. Your husband had died of medical complications, leaving you alone with no sons. Luckily you had favor with the queen, but with no husband and no heirs you were in desperate need of saving.

• He found your unwavering commitment to your children admirable and you two began a long friendship.

• Your girls all got along well, and you loved his daughters with all your heart. Something about you doing their hair and tending to them so gently made his heart flutter.

• The friendship did eventually turn into more.. Especially after you admitted you urned for more children.

• Enter baby fever Suguru.

• He proposed in his aviary, promising to love your children as his own, and to give you as many more children as you desire.

• Townsfolk said Geto became far kinder after your marriage.

💛 Viscount Kento Nanami and The Housekeeper 💛

• Kento was born into his role as Viscount. And he takes it extremely seriously. Balancing finances and planning events, maintaining a reputation for his family.

• Unlike other men in the ton he rarely goes out to gentlemans clubs. He goes on the occasional hunt though he sees it as pointless and barbaric.

• His goal was to find a practical match, not a love match. He wanted someone who would bare him an heir, so that one day he could rest knowing he had done all he could for his family.

• His housekeeper eventually was forced to retire after injuring her hip. She had served his family for over fifty years and raised him, so he ensured she lived the rest of her life comfortably.

• But.. That meant he had to find a replacement. Easier said than done. No one could live up to the former housekeeper. Plenty of maids were recommended but.. None of them felt right. So he put out a request.

• And then you showed up. Younger, so he was skeptical. But you came on high recommendation from her majesty herself. Apparently you were quite capable and able to handle the heavy loads associated with the job.

• And lord were you. No one could have taken this job more seriously. Not a hair out of place, not a meal late. Sheets pressed. Animals tended.

• And Nanami found it.. Oh so attractive. Your dedication. Your concentration.

• Nothing impressed him more than your skills in the kitchen. You were an amazing cook. Although it wasn’t a listed priority in your job, you still took time out of your day to prepare one of his meals. Usually his afternoon tea.

• After a few months, he was starting to grow fond of you. It was improper to feel such emotions for a servant. But he couldn’t help notice all the little things. The crease of your brow as you kneaded dough. The satisfied smile after a days work completed. The pensive worry in your eyes as you dotted on him in his study.

• Eventually he had enough. Forgetting formality for once in his life, he gave you his heart. And you returned it.

• It was a scandal, but he took it. Because having you made it all worth it.

[blacknedsoul-blog]

Random Thought of the Day (VIII)

So, posh besties are finally canon, yay! Congratulations Annabel, you only had to die, get divorced, survive an assassination attempt and have about 4 or 5 mental breakdowns to make one (1) friend, that is progress! Hopefully the next one will take less effort.

That said, there are two things I want to dwell on here.

I should like to by your friend and Could we be friends?

This is not the first time we've seen Annabel ask or tell someone outright that she wants to be friends. It's the second.

Yes, Lenore is not only Annabel's wife, but -possibly- her first proper friend. And it's really interesting because these scenes show you two really different sides of her, even though it's a similar situation.

When she meets Lenore, Annabel comes across as a very confident person, full of confidence and absolutely charming. She is formal but approachable and straightforward about her intentions: "We can help each other".

On the other hand, at this point, Annabel is keeping the reasons she wants this friendship to herself, she seems nervous -even a little uncomfortable- and behaves much more awkwardly. She hesitates, chokes on words, doesn't quite know if what she's doing is appropriate.

If I had to think of reasons for this contrast, there are two.

First: Annabel when she has time to plan vs. when she has to improvise. She went looking for Lenore, probably had at least an entire night to think about what kind of person this mysterious woman locked in the attic might be and how to approach this conversation. On the other hand, this conversation with Prospero had to be pulled out of her sleeve after a lot of emotionally complicated moments, maybe it didn't occur to her that this conversation could actually happen, and she has no plan B if Prospero rejects the offer.

On top of that, Annabel knows better than anyone the risks of getting attached to someone in Nevermore.

Second, that the scene with Prospero functions in some way as a reflection of Annabel's feelings when she first meets Lenore: there's no reason to believe she was any better equipped to enter into a relationship with anyone at that point in her life than she is now. But in this scene, we -and Lenore- see what Annabel wants to show, the parts of herself that she may find most attractive or pleasing. Here, Prospero gets a glimpse of her awkward and uncomfortable side, and I'd bet that awkwardness was present in that first meeting with Lenore, it's just that she had a chance to think about it, rehearse it, and thus hide those sides of her character as well.

The thing that makes me think of it that way is this:

Annabel's first gesture to Lenore is to shake her hand, which she also mentions here:

She still doesn't remember doing it, but the idea behind it is more or less the same: Annabel associates this kind of formality with friendly or amicable gestures; a mixture of business dealings and affectionate promises.

Again, the same intention, but with a very different performance. One that makes me wonder what exactly her thoughs when she went to see Lenore.

The Introvert Who Adopts and the Extrovert Who Is Adopted

Another thing that got me thinking about this whole thing is that so far we've seen Annabel -a very introverted person- be the one to take the first step in getting into a relationship with someone: she's the one who asks the question.

The funny thing is that even though Lenore is an extrovert, it was the other way around, she never took the initiative to start a relationship with anyone: Annabel came to see her, Morella is her assigned roommate, Duke came to talk to her, Pluto was won in a Pokémon swap (and she didn't choose him, Ada threw him under the bus), and Eulalie and Bernice approached her first.

I can see why this would happen from Annabel's side; she's a person who moves in the shadows, someone who lives by appearances and isn't afraid to manipulate or deceive to get her way. Under this premise, explicitly telling the people she cares about that this is an honest relationship feels like something even necessary for the sake of the relationship and her own mental health.

But in thinking about why this is happening to Lenore, and going back and reading chapter 22 to do this little analysis, I remembered this scene:

And…I don't know about you, but I think I'm going to pin this one. For now.

[cedarxwing]

Hello!!

What do you think made Will bluebeard's last wife? And how did Will understand that Hannibal was in love with him when he had the bluebeard discussion with Bedelia?

Hello! I see that someone already answered this question here, but I'll try to put my own spin on it.

Some context:

In the folktale, Bluebeard is a wealthy man whose wives keep mysteriously disappearing. He gives his seventh wife the key to all the locked doors in their house, but tells her not to open the door to the basement ("Secrets you're not to know, yet sworn to keep"). Of course, the wife goes snooping and discovers the corpses of all his former wives. It's a classic Pandora/Psyche myth with a horrific twist.

Key point: Bluebeard's seventh and final wife survives, inherits his fortune, and lives happily ever after.

The Bluebeard analogy is honestly perfect for Hannibal's character because it highlights the way he destroys everyone he loves. He brings a series of "wives" behind the veil (Miriam, Abigail, Gideon) and all of them end up maimed, mentally broken, or dead. This pattern echoes his childhood behavior, originating with the consumption of Mischa and developing with his mind games with Chiyoh. "Every family loves differently. Every love is unique." Hannibal expresses love through destruction and consumption.

Bedelia understands this. When she says she would've preferred to be Bluebeard's last wife, she means that she would've preferred to be the one who escaped Hannibal and lived happily ever after. She does not want to be on the receiving end of Hannibal's "love."

There's a deleted scene in the Antipasto script where she says the same line to Dimmond:

Basically, "Help me lock this monster up, because I'm not going to be one of his victims. I do want his money, though."

The same line, said accusingly to Will, takes on a different meaning. Hannibal is courting a new partner, and if Bedelia isn't his final wife anymore... well, she's going to end up in the basement with the rest. @genufa wrote an interesting analysis on this concept here.

Now, let's zoom out and view the whole conversation from Will's perspective:

Will can't let go of the fact that Bedelia emerged from Hannibal's influence completely unscathed, whereas Hannibal took--and continues to take--everything from Will. He's operating on his understanding of the Chesapeake Ripper: "Contrapasso. You play, you pay." So why does Hannibal make Will pay again and again and again, while Bedelia got away with mere psychological torment? According to Chesapeake Ripper logic, that would mean Bedelia is preferred, right?

Before this conversation, Will doesn't understand how Hannibal expresses love ( @suchawrathfullamb wrote a lovely post about this). He thinks that everything Hannibal did to him (encephalitis era, prison era, honeytrap codependency era, Mizumono, the Primavera human heart, the attempted brain-eating in Dolce) was out of pure sadism. If Hannibal found him more interesting than Randall, Margot, and his other violent patients, it was only because his empathy and involvement with the FBI made him a rare specimen.

[BOOK TANGENT TIME! Oh boy, my favorite!! :D]

Will's misdiagnosis of Hannibal's ability to love was inspired by this piece of hack psychoanalysis in chapter 51 of Hannibal:

^ This is clearly posed as an incorrect interpretation of Hannibal Lecter:

Yes, Hannibal is excited by distress, but he loves those who bear distress beautifully, with strength, courage, and discipline. This is how he comes to care for people like Abigail, Jack, and Bella. And, of course, Will suffers the most pornographically beautifully of all.

[END BOOK TANGENT]

"It's distress that excites him," Will thinks. So it catches his attention when Bedelia says of his forehead scar, "It excites [Hannibal] to see you marked in this particular way." Why? Why this particular way? Is it a mark of ownership (the metaphorical facial theory)? A symbol of the permanent effect Hannibal had on him? This is Bedelia's first hint that Will's distress means more to Hannibal than punishment or sadistic entertainment.

When Bedelia turns the Bluebeard analogy back on Will, it finally clicks for him that distress/destruction/consumption is the pattern of Hannibal's love, and the fact that Hannibal tortures Will more than anyone else means that Will holds a place of honor in his heart. With this context, Hannibal's attempt to eat his brain becomes an act of adoration. The mark on his forehead becomes a laurel wreath.

To answer your first question, I don't think "Bluebeard's last wife" is a great analogy for Will.

First of all, Bedelia never called him that. She implied that Will was becoming the next wife, emphasizing the threat associated with Hannibal's affection. Bluebeard's last wife would've ended up in the basement too if she hadn't been clever enough to escape, and Will doesn't seem particularly clever to Bedelia at this point. Even Will admits his surrender: "I don't know if I can save myself, and maybe that's just fine."

Second of all, Bluebeard's last wife betrays him to the authorities, and Will does the exact opposite in TWOTL. I guess you could interpret "I don't intend Hannibal to be caught a second time," as "I'm planning to kill him myself," but passionately embracing Hannibal before gently dragging him off a cliff in a failed murder-suicide doesn't read as "Bluebeard's last wife" behavior to me.

If Will is to be Bluebeard's last wife, it's because Hannibal's love for him breaks the pattern, meaning Hannibal is no longer Bluebeard. A true fairytale ending. <3

[spacedace]

Fuck whatever DC is doing with the al Ghul's characterizations and story lines, I've decided that from now on the al Ghul's are gonna be DC's version of the Addams Family instead.

Now I don't mean just give the various al Ghul's the exact personalities of the various Addams and call it a day. That's boring, that erases all the interesting parts of the al Ghuls, that's just using "find & replace" and not actually adding anything. I mean give them the vibes of the Addams Family.

Keep the al Ghul's as the al Ghul's with all their scheming and machinations and world domination attempts but give them all the unhinged energy, the casually insane view of the world, the deranged levels of love and devotion for family. Make them that group where objectively they are batshit insane but also you cannot argue with the fact that they are indisputably the most stable and functional family in the entire universe.

They're creepy, they're kooky, they're mysterious and spooky. Ra's many opulent homes and impenetrable fortresses are a museum and the al Ghul's really are a screa-um whenever people come to see-um (or when they lay waste upon their enemies in a surprise attack that has been planned for months and is just the first domino in a series that will ultimately lead to achieving a far greater goal).

They all love each other and want each other to be happy, they express this primarily with stabbing and murder attempts (its fine, death is a thing that happens to other people).

And forget the League of Assassins being a cult. Just make the whole vast globe spanning organization a collection of cousins/aunts/uncles/dear old friends ect. No one (not even the al Ghuls, if they cared to keep track of such things) is sure who is actually related to them and who just got absorbed into the ever expanding family tree based on their vibes being right.

(Is Sensei Ra's father you ask? Well he's certainly someone's father - probably.

Anyway have you heard about Cousin Cheshire? Despicable poisoner of a young woman, capable of the most horrific things imaginable - yes she is the sweetest dear. Like I was saying though, she just had a baby!

Everyone in the family is just so excited to throw a baby shower to celebrate! Ubu has really gone all out with the spike traps, he does so love getting to welcome a new addition to the family.

Talia of course has cultivated a brand new strain of the most toxic plants imaginable to make a brand new kind of necrotizing poison. You know, as a nice little romantic gift for Cousin Cheshire and that young man of hers. It really is so important to make sure you take time for you and your partner to go on dates and have a few pitched battles to the death on dark rooftops in the pounding rain when you have children.

Now there is some to-do about it all of course, you know how family get together can be. Everyone is arguing over who should get to give little Lian her first weapon and what it should be. Nyssa is pushing for grenades but Ra's is insisting on a sword - he's traditional like that you know - but Dusan has the vote so far on throwing knives. You know the kind that have the little divots along the edges of the blades them to make it easier to get the poison you dip them in to stick.)

I'm just saying that the al Ghuls should be a delightful cross between the Bond Villains they were originally conceived as and the lovingly unhinged Addams Family. It just feels correct in my heart.

(Again keep the interesting aspects of the characters and the nuances of who each of them are like their drive to save the world through destroying humanity and their strong environmentalist leanings and their constantly playing 5D chess and everything, but like, take away the racism and the cartoonishly evil for no reason bullshit and give them some fun feral energy to go along with it).

[ghcstao3]

apologies for inactivity here’s a vaguely ghostsoap oneshot w outsider pov from tommy. because ghost’s family is still alive because i said so. rest is below the cut. 1.2k words

-

Watching his younger brother fall in love was a strange thing.

Of course, watching him do just about anything these days was strange enough, but falling in love? For a long time, it had seemed above Simon.

Not once had Tommy ever seen him take time for himself, or let anyone new into his life so long as they’ve been on better terms. It never seemed like something remotely of interest to Simon, either.

Though God only knows how much he deserves to have someone to take care of him for once. From a shitty childhood only made worse by his shitty older brother, then for Simon to have to be the one to put Tommy back on track which led to him falling in love with Beth, and who knows what other horrors Simon would never speak about, it was finally time Simon found someone of his own.

That being said, Tommy hadn’t ever really, truly expected it.

It’s a slow process, but it gradually becomes obvious—to Beth, at least, who will point out signs Tommy hadn’t at all noticed that, when looking back, were quite clear.

Like the uncharacteristic softness in which Simon spoke the name Johnny. The shift in tone when talking about his sergeant though he attempts to maintain a front as to make a show that he knows better than to fraternize with a colleague.

(Though knowing a few stories of the things Simon’s captain has allowed within his task force, neither Beth nor Tommy think it’d be an issue for him.)

But all it had ever started with was a gruff, offhand mention of a new subordinate Simon was none too happy about, because the new sergeant was (and quote), “beyond irritating and without the concept of personal space,” and, “lucky he’s skilled enough for it to be overlooked on the field.” Both Tommy and Beth had tried to argue that surely it couldn’t be that bad, but Simon had only levelled them both a stare he had long since perfected to make even his own brother and sister-in-law look away.

The sergeant isn’t brought up for a while in calls or visits after that, and Tommy is progressively convinced Simon had meant what he said about his disliking. Then Beth asks about it, whether things have gotten better, and suddenly the sergeant becomes MacTavish and he and Simon are almost something of friends. Almost. And from their end of the phone, Beth gives Tommy this knowing look that takes him far too long to decipher, but eventually understands it as her noticing a fondness in Simon’s voice in his renewed opinion of Soap.

It’s odd, figuring these things out about his younger brother. It really, really is.

Then MacTavish becomes Soap becomes Johnny over the course of the next few months, and when Simon visits on one of his rare leaves, for once Tommy doesn’t need his wife’s help in detecting the unique sentiments reserved for this mysterious sergeant. There’s a palpable shift in Simon, a sort of emotion Tommy has never seen his brother express.

It’s unfamiliar, and sure there are things he would never know about Simon, but this? Nearly incomprehensible, at first. It’s new to Tommy as a witness, and new to Simon in general, and it’s all just some confusing mess that neither of them understand in their respective ways.

Though, thankfully, Tommy has Beth for that. Mostly. Whenever she doesn’t scold him for being such a stranger to his own brother.

The worst of the whole Simon-being-in-love ordeal is when Tommy is urged to broach the subject when it started to seem like Simon didn’t realize himself that he was… feeling. Tommy asks if Simon had ever considered that maybe he likes Johnny in a not-platonic way after his younger brother complains about the sergeant being on medical leave for six weeks while he was stuck with training rookies that are (again, and quote), “so green it’s a wonder any of them have made it this far in life,” however Simon only responds with a vehement denial and a quiet not like Johnny would feel the same if I did before he hangs up without a goodbye.

It’s at that point Tommy begins to understand Beth’s frustration with the obvious.

Since Tommy’s question, the ever-present Soap this, Johnny that disappears from conversation with Simon entirely until a month before bi-annual Christmas leave when a near-groundbreaking question is meekly asked—if it’d be alright for Simon to bring someone with him to family dinner. He never specifies who, but it’s easy enough to guess.

(And get it right.)

John MacTavish is somehow exactly and nothing as expected, and it catches both Tommy and Beth by surprise.

He’s talkative, is one thing. That isn’t to say it’s a bad thing, either—they’re both more than happy to finally have someone regale them with the stories that aren’t classified, and John seems just as happy to do so—but also having known Simon for just about all his life and knowing his aversion to chatty people like John, it seems odd he’d be so infatuated.

And infatuated is definitely the right word, when Tommy glances over to see the adoration in Simon’s face watching John speak with such liveliness, an adoration he knows himself guilty of when looking at Beth. It’s the exact same, or so Beth would later say.

Another thing is the touching. It’s subconscious, surely, whenever John reaches a hand out to connect in some way to Simon, but Simon just lets it happen. Leans into it, even. It’s part of what really solidifies the conclusion that Simon has finally found his person.

What really does it, though, is John’s use of Si like the nickname was nothing—and Simon reacting all the same. Even Tommy hadn’t ever been afforded that privilege, and while at first it stings for a very brief moment, once Tommy is over it he settles back into complete disbelief like he’s been told pigs had, truly, learned to fly.

That one had even startled Beth. Had even startled Joseph, who had been told on numerous occasions that his uncle didn’t like when people called him Si. Yet here John sat at the dinner table like Simon hadn’t let him do something previously reserved for absolutely no one.

Later that night, Tommy corners Simon and asks him again about his feelings toward John, because it’s just so painfully clear now. He half-expects another denial, but Simon sighs and shrinks in on himself in a way Tommy hadn’t seen in decades before admitting that he likes John in a very not-platonic way.

That he loves John. That he plans on asking John on a proper date when they get back to Simon’s flat the next day.

Hearing the words from Simon, the word from Simon, is initially bizarre, but Tommy is more occupied with a sense of pride for his younger brother—though expressed in the quieter Riley fashion with an additional wish of luck certainly not needed after seeing how John and Simon act together.

Watching his younger brother fall in love was a strange thing, most definitely. But it also feels rewarding, in some equally strange way, to finally see Simon have something he’s always deserved after so, so very long.

[fastlikealambo]

seven devils all around you. || Oshamir Modern Royalty AU

Summary: After the assassination of Queen Mae-Ho Aniseya of Brendok, the world watches Verosha Aniseya, the spare the world forgot, return to her home country to lead it. Inexperienced with a royal target on her back, Osha must reach into the dark in order to save her home and her mysterious bodyguard Qimir is all too eager to guide her towards salvation or destruction.

Trigger Warnings: Death, violence, drugging, politics.

Thank you for reading! Don't forget to comment or reblogs if you can please!

Chapter One

  “Where were you when Brendok was in need? How deep are the pockets of Coruscant that you willingly denied my country time and time again?”

When a black woman is angry, the whole world goes quiet.

From the dingy breakroom of a Best Buy in Minnesota, Princess Verosha Aniseya watched her twin sister slam governments across the globe for their sudden interest in Brendok, silence filling the crowded hall of the United Nations.

 No one here gave a shit that the person selling them a smart vacuum shared a perfect likeness to the twentysomething queen of a country America once called “lifeless.” 

   “Brendok is not a member of this body, but a hostage. This is supposed to be a hall of peace but Brendok knows better and I will not govern in shackles.”

    “Osha, the new guy made a mess in the tvs again. Help him get his shit together and you can head out early.” Her supervisor Harris said, popping his head in the door.

With a tired sigh, Osha shoved her phone in her pocket, making a mental note to actually answer Mae’s texts once her shift was over. It would more than likely be the last time before she changed her number and left Minnesota for Texas, then Texas for Alaska and so on and so forth.

Anywhere but Brendok.

Osha turned her attention to her co-worker of the last few months trying to lift two flat screens at once, dark hair flopping into his eyes, oversized blue polo matching her own. With a hint of a smile, she hurried over and took hold of the other tv, putting them back in place.

 “You’re always saving me Osha.” He said, chipper as usual,wiping his hands on his cargo pants.

    “It’s no problem, if Harris gives you shit again, ask him why he keeps a vape tapped under his desk. “ Osha said with an easy smile. Qimir had only been there for a short while or so but he was easy to talk to. 

   “Any plans for the weekend? You’re more than welcome to spend it with me.” Qimir said, attempting to lean on the doorframe only to miss it completely.

   “As much fun as watching you play Sims and fight alcohol poisoning was the last time we hung out, I’m gonna have to pass.” Osha said, throwing her work keys in her locker and slamming her locker closed.

  “We could do something you wanna do? You’re always reading, right? How about if I came over and watched you read?”

  “You wanna watch me..read?”

 Both their phones vibrated at the same time but Osha ignored hers in favor of clocking out with a yawn. 

   “I’ll text you.” Osha said over her shoulder, not waiting for Qimir. As she made her way into the empty parking lot her phone vibrated again, this time for longer.

Someone was calling her.

Nobody ever called her. 

Osha dug her phone out of her pocket to decline the call, only to see a flood of text messages from an unknown number,. Unable to control the shaking in her hands, she tapped on the first one.

SHE GAVE ME HER. WILL YOU GIVE ME YOU?

Osha should have stopped right there, thrown the phone in the trash but she couldn’t help herself and played the video beneath the text.

And watched the person with her face take two bullets to the chest.

Osha couldn’t see, the video kept playing, Mae kept dying, and Osha could not see.

She didn’t know she was screaming until someone was shaking her. Qimir was on his hands and knees beside her, one hand on her back, the other shaking her shoulder.

   “Osha! Osha, talk to me! Princess Verosha Aniseya!”

Her sister was dead.

      “Osha, we need to go. We need to go, right now.” Qimir’s voice was different in her ear now, deeper, less chipper, more forceful.

Princess Verosha Aniseya.

Osha ripped herself from Qimir’s grasp, scooting back and haphazardly got to her feet, backing away from him.

It was as if the Qimir she had known had melted away in front of her eyes, a stranger in his place. The stranger towered over her, her phone in his hand.

     “You called me Princess, how did you know to call me that?”

     “We don’t have time for this, I’m sorry, I really am but we need to go.” Qimir said, hand outstretched but Osha did not move.

  “Give me my phone. Now or I’ll scream.”

  “So scream.”

Neither of them made any inclination to move for a minute before Qimir held her phone out to her. 

Osha snatched the phone from Qimir’s hand but not as fast as she liked and within seconds, he had her restrained and she felt a thin prick in the side of her neck. Things started to go hazy quickly and her legs gave out first.

  “I’m sorry Osha.” Qimir’s voice sounded like it was underwater and she had no choice but to let him cradle her in his arms.

  “Fuck you.”

Osha’s eyes fluttered close and her final thoughts were not for the liar who carried her but for the other half she’d never see again.

The roar of an engine startled Osha into waking, mouth dry, ears ringing. For a good thirty seconds, Osha thought she had dreamed it all but the bandage on her neck brought it all back quickly.

  “Look who’s awake.” Qimir said, taking the plane seat across from her. The work polo and dirty cargos had been replaced by a suit, tailored to perfection and the floppy hair she had once found charming was pulled away from his face.

 “What is this? Where are we going?”Osha’s voice rose, eyes darting everywhere and she pulled herself into a seated position, the blanket that had been placed over her slipping to the ground.

  “You tell me.” 

Qimir reached around her, pulled the window shade up and the sight made Osha want to pass out all over again. 

“No, please, no!”

“I’m afraid so. Welcome home, Your Majesty.” 

[tyran-the-tyranical]

That one line from Raphael's Second Diary will never cease to get me 🥺 LIKE MIGHT I ADD- these are his private thoughts, separate from his manipulation attempts and so he, with his full chest, admits so much in his second diary, like when he says "never have I been so attracted to mortals as I am to those infested by the tadpole." AHH, (my delusions are so real, trust)

BUT WHEN HE SAYS "They gestured to the melting hooks, suddenly glanced my way, and in their face I saw they had the best of me." look, I get the subtext behind all these quotes, but a girl can just ignore all that media literacy and take it for face value, OK? 💅 but also reading into it, he does admire Tav to a certain extent, and I have to wonder, why? Tav isn't an origin character and Tav's actions and character basically changes with every playthrough (Same with Durge, as they can change too) So I have to wonder if it's because Tav is controlled by the player, since, Raphael does end up breaking the fourth wall in his epilogue speech, so perhaps that's what he sees.

Another way to look at it is, either way, no matter what the playthrough, he sees something in Tav, something that makes them stand out much brighter than their companions (For some reason???)

To further that statement, what is the best of Raphael? I mean, if its an evil playthrough, that would be obvious, but if you're playing a good playthrough, what then? perhaps what he sees is someone he can finally use to get the crown, that's also very likely. Still though that's a very to the point (IMO) not as interesting of a reading since it's literally just his end goal for us, BUT STILL A VALID ONE, because, it is true, that's what he wants from us the most.

Also his third diary where he just straight up admits that he's being so honest with us so he can manipulate us, love that for him, "I am master here. A prince of bargains cloaked like scarlet satin. All that hidden under sublimely obvious truths that cannot be discounted." Which also makes me wonder, is Raphael actually an honest person? I mean, Korilla thinks he's at least decent, but honest? outside of helping us, if we look at Yurgir, he really fucked him over lol. Obviously, Raphael isn't what he seems, even if he's honest with us, to what extent? he says it himself, he's honest about "...sublimely obvious truths..." but what about when he says he's grown quite fond of us in his own way, HMMMM?

I wish this man got a proper story arc in the game, outside of the whole deal for the hammer and House of Hope, that's all plot related for the hammer, but a storyline about Raphael as a character? I mean yea, maybe that would whisk away some of his mystery, his intrigue, but I'm sorry- you cant just end it with him fucking himself (poorly) and trying to break Hope (making her a metaphorical symbol of hope anyway, I think....) AND LEAVE IT THERE?!?!? at the same time, I do like the ambiguity of his character, you could think of him as a cruel bastard after seeing what he's done in the House Of Hope to his debtors and Hope herself or perhaps just a Pathetic lil guy who's shit in bed lol, or maybe even soft, if you go off Korillas words and what he does for us in game he can come across as quite nice, especially after we've interacted with Mizora who's is the only other Cambion example we can go off of.

I also just think it's interesting that he sees anything in Tav/Durge at all. Ofc he says he sees the best of him (Always gotta relate back to himself lol) but that especially a mortal is what he could see himself, the best of himself, but then again he does see potential and ambition as admirable (?) or just something he appreciates, you can see that with Mol and Gortash to some extent anyway, But what ambitions does Tav have outside of just trying to survive? Like, the obvious answer is he wants us to give him the crown and we're the underdog in the story but then why does he refer to Tav so differently then? I fear this has turned into another rant again, lol.

Just a final thought here, but, if he did ever get a story arc, similar to the companions, would they give you multiple directions to take his character? i mean with Shadowheart for example, you could help her break from shar or have her fully convert into shars chosen, but even then, if you free her from shar theres the point of saving her family or freeing her from Shars (curse?) there's multiple ways for her story to end. Though, Raphael isnt a companion, so would he have something similar to idk a minor companion like Halsin or Minthara, who don't really have that much of a diversion (I think) in their endings, they don't really have the option, only really if the player decides to be evil or not, they kinda just follow them either way, it doesn't really impact their own stories. Obviously, I would prefer something with nuance but also, HE ISN'T A COMPANION 😭 and pressingly some of the companions need more work done than he does atm lol. Maybe that's me just projecting lol, once again, me wanting to have my cake and eat it too, anyway, that's me done... for now lol

[usagii-bun]

𝐇𝐈𝐑𝐀𝐄𝐓𝐇 ( NAMOR X READER ) PT.6

in which you find a child floating in the water and you save them only for your acts of kindness to get misinterpreted by the father who is also the king of an underwater civilization.

WATTPAD OC VERSION ( NAMOR X ALORA)

PART 1 , PART 2 , PART 3 , PART 4 , PART 5

PART 6

TAGS :

@f1uveryys @xxmilli @ethereal-athalia @cyberficlya @complete-randomness-2 @bobateaae @lunamoonbby @kpopgirlbtssvt @lazyassfinals @ilovehobi101 @r3dc4ndy @puzzlemastersworld @namorlover @happycupcakeenthusiast @kakimakiloh @glaciuswduo @disaster-in-waiting @givemefiction2 @phoenixgurl030 @monbebefan247 @intense-sneezing @simp2537 @lokidbadguy @lovenewfandoms @spookymicrowave @sofi1sstuff @astrogyen @queensarmy @roxytheimmortal @ducttapewizard @nerdreader @avengersftspn @yoonallthetime @forevermoremagcon @napnappsworld @lemonwaterandgreentea @enmuswife3

I tagged everyone but idk why some people's accounts are not showing up😭

"THIS PLACE IT'S BEAUTIFUL" you whispered to yourself, eyes taking in the cave you was in. It's been a day since you was taken to this mysterious place, your ankle already fine from whatever treatment the healers have used.

Harucan had been around you the whole time, bringing up random things to you and showing them.

You also met the healer that treated your ankle, her name was Akna. Akna was gentle and kind with you, making you feel much more at ease with being in this mysterious place yet you was still riddled in fear for your life.

The only source of happiness you did get was the little visits Huracan would give you through out the day, a guard chasing behind him as he reaches towards you and rung his arms around you tightly.

He became even more clingy to you— the woman that saved his life, he wanted to return the favor of you helping him by making your time spent in the cave a bit more interesting so he brought random things he found around the cave and in depths of Talokan to you.

Your ankle felt much better, allowing yoi to walk slowly again which caused Huracan to pull you by the wrist to show you around the cave properly.

The place was indeed beautiful—magical. The blue lights hanging from above , the water that escaped from the cracks gently falling from above.

Huracan points towards a small hut, the roof made out of straw and the walls made of clay. Around the place was weeds that grew from the cracks on the ground— the small hut was surrounded by what looks like objects from the surface world— a scuba diver helmet, a recorder, a fisherman's boot..?

You suppressed a laugh as you thought about the little mermaid— how Ariel would collect anything that was found from the surface world in the ocean.

Huracan tugged at your hand towards the dimly lit hut— wanting to take you inside of it, you was hesitant, scared that you left the place you was at and it would cause the Talokanil King to be upset with you intruding.

"Come!" Huracan insisted, you took a thick gulp and allowed the boy to drag you to the hut, you were about to enter until a hand sudden grasped your unoccupied hand sending a fast chill of fear to spiral down your spine, goosebumps irrupting and covering your skin as you go pale.

" Huracan, why did you bring this surface dweller here?" You heard a gruff voice says from behind you , the grip on your wrist getting a bit tighter as it yanks you away from the young boy as you let's out a shocked gasp.

You turn around slowly, fear radiating off of you to see a Talokanil man, his skin a similar shade to Huracan's. He looked fierce and even more scarier than Namor, a scowl behind his apparatus.

"Attuma! I just wanted to show her my father's paintings." the boy whines out, a pout forming on his face but Attuma's stern expression didn't flutter at the child's attempt to let thr two of you off the hook.

You didn't understand anything the two said but from the Talokanil's tone in voice he was not happy. At all.

Attuma holds you by the arm tightly and pushes you away from the hut, he gently takes Huracan's hand but the boy slips it out of his grasp.

"Huracan.." the Talokanil warrior says in a warning tone but the boy ignores him and ducks under the man's arm to be by your side.

'Why does this kid like me so much?' You thought, your heart beating faster as Attuma sighs and just pushes you forward to walk back to where you was meant to be.

Attuma disliked— no he hated the idea that Namor brought a surface dweller, once again down to their secret kingdom. Attuma pushes you towards the hammock once they reached the place you was meant to be as you falls onto the flimsy cloth that was 'your bed'.

'My arm..' you thought, rubbing it gently as Huracan was pushed away by Attuma to not get closer to you.

How could his king, his Ruler, K'uk'ulkan — so easily trust this surface dweller? Did he not learn from what had happened a few months back with the Wakandians? Even though they had an alliance, Attuma still didn't like this idea— he felt that his home is now at even more threat than it was before and now seeing that you was roaming around freely in their secret home made him even more questionable towards K'uk'ulkan.

With a warning glare towards you—knowing that you won't understand his threat towards you, he walks away— Huracan being dragged with him as you just watched, fully understanding the wordless threat towards you.

'I need to get back home.' You thought, your body laying on the hammock as you curl your legs into your chest, your heartbeating faster that you could infact — be killed at any moment.

    ✧ : - ⭒ - : ✧ : - ⭒ - : ✧

Namor's fingers gently touched the pearls in his hand, a heavy sigh leaves past his lips as he thinks about his late Queen.

She , Huracan and the Talokanils where the most precious things to him yet he had lost one of the things he cherished with his heart and soul. When the queen died, part of his heart also died with her— for him, she was the sun to him.

Her beautiful smile forever etched into his mind as a shaky sigh leaves past his parted lips as he leaves the pearls that had crafted pieces of vibranium threaded with it back down on his table— the last gift he had given to her before she was taken away from him and their son.

"FATHER! " He heard an all too familiar voice call out to him, instantly he was alarmed at the tone of voice Huracan had called for him. His thoughts instantly drifting towards you, his breath hitching at the fact that you may have harmed his son.

He rushed out of the hut, heart beating faster only to find Attuma holding onto the boy's arm tightly, bringing him towards the hut as the boy wails.

A sigh leaves post Namor's lips, feeling revealed that his son is okay but his brows furrow when he sees the way Attuma held him as he raises up his hand towards Attuma, instantly he let go of the child's arm as Huracan ran towards his father to hug his waist.

"Attuma is being mean to me again." The boy sobs into his father's chest as he gently pats his back.

"What happened now, Attuma?" The king asks.

"Huracan tried bringing the surface dweller in this area." Attuma simply says, Namor's eyes slightly widening as he looks down at Huracan.

"My child why did you try and do this? you know we can not trust her fully." Namor states, Huracan's glossy eyes looking up at his father.

Namor himself, does not really know what to do with you. It was a rushed decision to bring you to Talokan to heal you from your wound and you had a panic attack, if he had left you— you would have surely being dead. He wanted to leave you but his son didn't approve of this, insisting that you saved his life and took such great care of him.

He didn't think back than, now he is left with a problem— how is he going to send you back without you opening your mouth? What if you planned all of this, what if you manipulated Huracan?

Namor's trust in the surface world was weak, the only surface people he now trusted were Wakanda.

He had made a grave and foolish mistake yet for his son it was not. He had never seen his son so enthusiastic since the death of his mother.

"I just wanted to show her the paintings you did." Huracan says as Namor's gaze soften.

"Hura.. you know we can't trust the—" no y/n is different, she saved me. You are lying about the people from above." Huracn says defiantly letting go of his father, tears brimming his eyes.

"Hura—""leave me alone!" the boy shouts as Huracan pushes his father hand away from him.

"I'm tired of only being here and believing that all the surface people are bad yet the surface world is not as bad as you said. " Huracan shouts and backs away from his father and Attuma as he rans away before screaming,

"And ice cream is amazing and I hate you for keeping it away from me!" the boy says before diving into the pool, his father sighing, brows furrowing at the child's words as he have heard about this so called desert before.

"This child." the king mumbled out, heart stinging at the word hate  as Huracan had thrown it towards him quite a few times.

"We should get rid of the woman, K'uk'ulkan." Attuma suddenly states, grabbing Namor's attention.

"And how we do that, Attuma? " Namor asks already knowing the answer to his question.

"Killing her." The Talokanil warrior says. Namor's creased his brows , a frown forming on his face. Knowing that if he was to kill you , Huracan would become even more hateful towards him and he didn't want this.

"I can not. Huracan would become hysterical." Namor says, watching as Attuma frowns deeply.

"It's for Huracan's own good. We don't know what's her true motives are, K’uk’ulkan." Attuma says, voice filled with warning. Namor was torn between the safety of his people and his son's fixation with some random surface dweller (you) , he regrets deeply spoiling the young child.

"You spoilt him way too much." Attuma mutters as Namor replies " Let's give her some time, we can't just go about and kill her. If she does anything that goes against us or is a threat than— we will kill her."

Attuma didn't like this decision as he gives K'uk'ulkan a firm nod— the tension between the two strong as Attuma walks away from K'uk'ulkan, his doubt and faith in his leader becoming weaker as he clenched his fist in anger and dismay.

𝐍𝐎𝐓𝐄 | okay so now i need to write more new chapters but idk what else to write. writers block and college drained me :/

reblogs and likes are highly appreciated 💞

[cinnamongorll]

a fragile line - chapter 2

read on ao3! (111k words) | previous chapter | next chapter | masterlist

Pairing: Joel Miller x Female OC

Tags: extreme slow burn, age gap, older man/younger woman, protective joel, jealous joel, hurt/comfort, pov third person, mutual pining, angst, sexual tension, friends to lovers, canon-typical violence, feral joel, parental abuse.

Fic synopsis: three years ago, Juliet escaped her father's religious survivor camp, ending up in the Boston QZ. Juliet created a life for herself in Boston, desperate to forget the trauma of her upbringing. One day, Juliet arrives home to find a mysterious letter which forces her to return to her home town. Juliet can't travel the harsh post-apocalyptic landscape alone, so she enlists the help of the grumpy and, at times, frightening man she works alongside: Joel Miller.

Word count: 2.4k

Chapter 2: ‘Put It On Me’

Joel Miller: cold, aloof, and famously uncharitable. 

Not a man you could ask for a favour. Especially not to join a stranger in a highly dangerous and potentially deadly journey across the country.  

But Joel, despite his reputation, was not a god, he was only a man and that meant he could be bribed or blackmailed, perhaps. 

Drugs or alcohol were not an option. Despite being the most sought after product in the Qz, Joel wouldn’t be interested. He was the one who sold them. 

A dull ache had begun to spread across the back of Juliet’s skull. She dropped her head onto the table and felt the sweat coating her skin stick to the glossy paper of the map. 

The spiral turning in her mind started to pick up speed again, her darkest thoughts now gripping her lungs. Juliet forced herself to take a deep breath, and another, and another. Her father knew where she was now, she had to get out of her apartment and out of the QZ, fast. 

Juliet thought back to every interaction she could remember having with Joel, every time their eyes met or every time he looked away too quickly. Joel was impenetrable, always holding his thoughts close to his chest. 

Juliet sat up quick, her hand instantly reaching to her forehead to calm the wave of dizziness that washed over her. 

She remembered something: 

Abe, a kind but pliant man, worked the radio for the QZ and held ‘office hours’ on weekdays. Anyone in Boston who wanted to contact another QZ waited in a large queue in the dusty hallway outside Abe’s apartment. 

Not Joel, though. 

Juliet was walking through the building a few days ago when she shuffled past the line of bored residents. With no intention of stopping, she kept her head down and avoided eye-contact, as always. Her pace slowed, however, when she heard a familiar name. Juliet turned her head and noticed two men complaining, not very discreetly, about Joel: 

“This isn’t the first time he’s done this,” grumbled a tall man who leaned against the peeling wallpaper. 

His friend grunted and moved closer, “he just walks past, skipping the whole line like we ain’t even here” he replied, rolling his eyes. 

The tall one snorted, “As if he’s the only bastard in Boston who needs to use the radio.”

Juliet paused, now incredibly interested in the conversation of the two whining men. Joel was sending messages out of the QZ? To who?

Juliet continued to walk past the queue and rounded the corner until she could safely tuck into a dark corner and attempt to catch a glimpse inside Abe’s apartment/office. 

There he was. Joel Miller, sliding a piece of crumpled tin foil across Abe’s desk.

It didn’t take a genius to know what was inside. 

Joel sat forward, his elbows now resting on the dark oak as he watched Abe open the silver package. She was only able to catch a glimpse of his profile but Juliet could still make out the hard clench of Joel’s jaw, locked in place, as he waited for Abe to take a puff. 

They started to talk and Juliet inched forward, careful to remain in the shadow of the corner, but she was too far away to hear any part of the conversation. It was clear it wasn’t going well - for Joel, at least. 

Seconds later, Joel abruptly rose from his chair, the screech of metal rang out along the hallway, and he stalked out of the apartment without looking back. Terrified she might be caught snooping, Juliet was gone before he reached the doorway. 

Juliet shook her head, she had forgotten all about that strange observation, having been immediately caught up in another Firefly ambush when she left the building. 

Now though, the memory flushed her body with adrenaline. She sat up straight, the ache in her head had begun to recede. A plan started to take form in her mind, the different puzzle pieces clicking together. There was someone important to Joel outside of the QZ. If she found out who that was, she could use that information to her advantage.

That meant she had to pay a visit to Abe. 

Unfortunately, he didn’t share intel for free. 

Juliet turned to the window on her right, the glass was clouded, aged with the building. Still, Juliet could make out the dark blue sky as night rapidly descended on Boston. Shock had dulled the passage of time, the minutes silently passing around her. 

Juliet walked to her cupboard, her steps quick as she grabbed her hidden backpack filled with supplies ready to be used at a moment’s notice. With one last mournful look at her apartment, Juliet made her way across the hall to Kenny’s door, the neighbour who didn’t take ‘no’ for an answer. 

He broke into her apartment on more than one occasion. It was only fair she repaid the favour. 

Juliet pulled a hair pin from the inside pocket of her jacket and started to work on Kenny's rusted lock. Her neighbour was notorious for arriving back home seconds before curfew, always narrowly missing the enforcers. So Juliet had some time, less than an hour to be exact. 

Seconds later, Juliet heard the familiar metallic pop and she was in. Similar to most in the QZ, Abe was very receptive to bribes. She had witnessed it first hand when Joel expertly slid that tinfoil in his direction and Juliet watched a lazy grin glide over Abe’s face. 

Good thing Juliet knew someone else Joel sold to and good thing that person was stupid enough to leave his supply on his dining table where anyone with a hair pin could find it. The small, chalky white tablets were now safely tucked in her jacket pocket. 

Juliet made her way out of the apartment, cringing as the old linoleum creaked under her cautious steps. She took the time to lock the door behind her before tiptoeing down the stairs and past Margaret’s apartment. Juliet prayed no shadows under Margaret’s door announced her departure from the building. 

Outside, the streets were quiet, most residents of the QZ probably now tucked away in their apartments. A peaceful night of relative safety was taken from Juliet the second she picked up that letter. 

She was on borrowed time anyways, Juliet always knew her father would find her eventually. 

Tendrils of doubt and fear threatened to creep back into her mind and destroy the numbness which currently clouded her thoughts. As she moved through the murky streets, Juliet wasn’t just racing against time.

When she arrived at Abe’s building, Juliet sacrificed a precious moment to rest her back against the red brick wall and let her eyes fall closed. Juliet was not a naturally hostile person, she always prioritised indifference in her daily interactions. But she was a survivor, which meant that she would do anything, be anything to ensure her safety and the survival of the people she loved. Meaning, for Ethan, she would wear a mask of hostility. 

She entered the building and hugged shadows to Abe’s apartment. Juliet didn’t wait for an invitation to enter before she stalked through the unlocked door. 

“Abe, I need a word,” Juliet declared, she kept her voice clipped and steady.

Abe stood by the radio and turned quickly at the sound of Juliet’s entrance. A puzzled expression took over his face, his mouth turned downwards. 

“Juliet? What are you doing here? It’s almost curfew,” he said, his voice cushioned with a cautious tone. 

When Juliet just stared back, Abe released a heavy sigh and walked over to his desk. He pushed back his chair and dropped himself into the padded leather. 

“Take a seat,” Abe huffed as he pointed across his desk at the vacant chair.

Juliet approached at a leisurely pace as she took the seat opposite him. She placed her backpack on the floor, leaned forward in her chair and placed her elbows on the table. Then she straightened her back, attempting to imitate the air of intimidation she had witnessed from Joel. 

“I’ll keep this short,” Juliet asserted. “I need information about Joel Miller.”

Abe’s furrowed brow deepened, confusion now etched in the fine lines of his face.

“Joel?” He asked, before sighing.“I don’t deal in information, Juliet. I just listen to the radio,” Abe replied, dismissal clear in his tone, as he shifted in his chair, moving to stand.

“Stop,” Juliet commanded. She raised her left hand and willed it to stay steady as she reached her right hand into her pocket, pulling out the pills. Just like Joel, Juliet locked eyes with Abe as she slid the contraband.

A smug smile twitched at the corner of her mouth as she leaned back in her chair, folding her arms over chest. 

“Like I said,” Juliet maintained, stretching out the words, giving Abe time to make the right decision. “I need information on Joel Miller.”

Abe stared back at her and for a moment, one terrifying moment, Juliet thought he would throw the pills back at her. But no, Abe’s irritated expression eventually transformed into a sly smile to match her own. 

“Okay. What do you want to know?” he asked, already reaching for the drugs. 

Relief was sudden and intense, it settled deep in her stomach and relaxed her tight muscles. Juliet was careful to not let it show on her face. 

“I know he has someone on the outside he’s contacting,” she paused.“I want to know who.”

Abe whistled low then tossed back one of the pills with a swig of water.

“Well, that’s a whole can of worms,” he replied. 

Juliet raised her eyebrows and made a vague gesture with her hand - go on. 

“He’s got a brother,” Abe began, swallowing rough. 

Once again, Juliet willed her features to remain neutral, to show no sign of the shock now coursing through her body. A brother? 

“He stopped responding to Joel’s messages about three weeks ago,” Abe continued.“Not like him, he usually replies within a couple days. Got Joel all worried.” 

It was Juliet’s turn to be confused. Joel, worried? Juliet had yet to see a glimmer of emotion on the man’s face. He was always so stoic, always so detached. It was a surprise to hear there was someone he cared about, someone he worried about. 

Unaware of the turmoil that raged behind Juliet’s steady features, Abe continued to speak as he rambled something about Joel’s accusation of his incompetence. Juliet collected this new information about Joel and held it close as though it was the key to getting to Ethan. It might well be. 

“I told Joel not to go after him, that it might just be a fault in the signal. But of course he wouldn’t listen,” Abe muttered, rolling his eyes. 

Juliet perked up, tuning back into the conversation… Joel needed out of the QZ.

“Where does his brother live?” coaxed Juliet, attempting to exude only vague curiosity. 

“Wyoming,” Abe replied, shaking his head. “He can’t be serious if he thinks he can travel that far alone…” he trailed off, resting his hands on the desk in front of him.

Wyoming… Juliet’s fledgling plan became a concrete shape, igniting a flicker of hope within her. Her old community, her father’s community, was in Iowa. After years of studying old maps, Juliet was almost sure that it was about halfway between Boston and Wyoming. 

This could work.  

“Is he planning on going alone?” Juliet asked, eagerness seeping into her tone. 

Abe’s eyebrows shot up. “Yes, he’s been dealing for a car battery, no luck though. He can’t wait around much longer,” he replied. 

Juliet nodded as she placed her sweaty palms on the dark wood of the desk and pushed herself out of her chair, grabbing her backpack.

Abe leaned back, rolling a pill between his fingers.

“Juliet… Joel’s a capable guy but there are worse things than infected out there. I hear everything on the radio. There are raiders, there are slavers…” he trailed off again. 

Juliet knew this all too well. 

“I appreciate the concern, Abe, but that’s not what I paid you for,” cautioned Juliet. “Keep this quiet,” she warned, turning towards the door and out of the building.

She didn’t look back. 

Outside, curfew was now in place so Juliet pulled her hood up and moved silently through the dark streets. The pressure in her chest was slowly building through her entire conversation with Abe. Now, it threatened to burst. Juliet stopped on a corner and tucked herself into an alleyway. The rain had started, it splashed off the pavement and dampened her jeans. Juliet’s skin was buzzing, electrified by the string of new information about Joel. 

For years, Joel was a mystery. Juliet had learned more about Joel in that five minute conversation with Abe than she had in the three years they worked alongside each other, and now she had to use her newfound knowledge against him. 

Juliet had no other choice. She would use Joel’s desperation to sedate her own. 

Juliet looked up towards the night sky, letting the rain glide over her skin. She took a long breath, licked the water from her lips and moved out of the alley. Juliet danced along the sides of buildings as she headed towards Joel’s apartment.

She had watched him head home a few times after their shifts, his apartment in the same direction as her own. This time, though, it appeared before her so suddenly that she had to force herself to stop, to calm her racing heartbeat as she made her way to the front door. 

Shivering, Juliet gripped the door handle into the building, turning it open as her heart continued to pump more adrenaline straight into her gut.

Juliet stalked up to Joel’s apartment, releasing a trembling breath from her damp lips. This was all happening too fast, the puzzle pieces forming her plan had clicked together so quickly. All she could focus on was the bigger picture. But what about the smaller details? What would she say to Joel? Would he even recognise her? Should she knock the door and risk his neighbours hearing her? 

Juliet didn’t have to agonise over those thoughts for long. Without warning, the rapid sound of multiple locks consecutively turning reverberated through the dark hallway, before the door swung open. 

Joel Miller stood before her, one hand on the handle, the other on the chipped wood of the entryway. Juliet released a strangled gasp, her eyes widened at the sight of his permanent scowl and furrowed brow. 

“Juliet?”

[mixelation]

I recently read Annihilation by Jeff VanderMeer! I was a bit skeptical of it because I really disliked the movie, and the reasons people said the book was far superior had very little to do with why I disliked the movie. However, I found the book pretty engaging. The prose seems a little rigid at first, but you get used to it as a stylistic choice to reflect the voice of the POV character pretty quickly. I thought the pacing was pretty good and sense of suspense well done, and as a result I read it in about two sittings (which is fast for me lol).

Annihilation is about a team of four women entering the mysterious Area X, a deserted zone of "ecological disaster." Their team's goal seems to be to explore the area, but as the story progresses, we learn a lot of information has been withheld and the expedition's true purpose is unclear. Area X is a sort of supernatural-meets-scifi area of strange occurrences: there's a strange wailing of unknown origin at night, the narrator character (a biologist) is constantly noting strange fungus-like growths, there's ~unknowable~ creatures wandering around. Oh, and it's also the sort of story where all the characters are slowly losing their minds for various reasons. I've seen the genre described as horror, although I'd describe the mood as vaguely unsettling rather than frightening.

My main complaint about the movie was that, IIRC, a lot of it leaned heavily on unknown-biology-as-horror and very poor biological explanations. The book isn't like this: the POV character specializes in "transitional environments," by which I think it's meant she's a community ecologist interested in ecological succession or else how environmental perturbances alter ecology. So there's a lot of prose of her describing ecological communities, both real ones and the almost-supernatural ones of Area X, but it's done without the infuriating attempts at an "explanation" which makes no sense, nor is discovering a new community arising villainized as being horrifying in how unknown it is. In some ways, getting to watch such a new community talk hold is portrayed as soothing to the main character. So in that regard, I enjoyed the novel.

Most of the negative reviews I saw of this book focused on the unreliability of the narrator or the lack of resolution for mysteries encountered. It is very true that the narrator is unreliable and she occasionally admits to withholding information form the reader, or in some places it's not clear if what she describes even really happened or was a hallucination. If you don't like that trope, you will hate this book. If you love unreliable narrators.... I wouldn't call this a stand-out or particularly interesting example, but it sure is unreliable.

Now, given this book is basically all suspense for a building mystery, I did feel throughout the whole read that the end would make or break it. And my conclusion upon finishing it is.... it's fine? I wasn't blown away by the ending, but I wasn't dissatisfied. However, I think you will be very frustrated as a reader if you expect clear-cut explanations, or for every detail to be resolved. The mysteries put forth by this book come in three categories:

the narrator - we get a full character arc with her, and in this regard I found the ending satisfying. again, it's not mind-blowing, but it does feel adequately resolved. you do have to be alright with some ambiguities and making your own conclusions, but i personally like this in a story.

the southern reach - this is the name of the agency organizing the expedition (and the name of the trilogy). Their purpose/goals are unclear, and we become aware rather quickly that they are sending people to gruesome deaths and outright lying to them about it. Personally, I didn't find them that compelling as a mystery, and didn't care to learn more than "they're a generic cryptic agency, you know the type." Some, but not all, of these mysteries will be resolved, and some of those resolutions will just open up more questions, which could be frustrating if you are interested in this element of the plot and are also the type of reader who expects all questions to be answered by the end of a story. Worry not, though-- there's two more books!

Area X itself -- like I said, there's very little attempt to actually explain WTF is going on here and why, although you sort of start to intuit the logic of this strange world. honestly, i feel that "solving" the mystery of Area X is beyond the point of the story (which is about the narrator being obsessed with ecological change but terrified and unwillingly to cope with change in her own life) and trying to shove an explanation into the movie was doomed to fail. it's unclear to me if the subsequent books will get into this or not.

Overall, a pretty good read, would recommend. I might read the other two books one day, but probably not for my next read.

[theywontletmebeprincipal]

anyway here’s my cornley polytechnic drama society into the woods fancast because I think it’s the perfect sort of show for them to fuck up 👍

jonathan plays the baker, alongside sandra as the baker’s wife. I imagine this is shortly enough after peter pan that they’re still very bitter at one another. said bitterness absolutely shows onstage, but it fits the characters perfectly and the audience ends up thinking that they’ve just finally gotten good at acting. jonathan brings a homemade “medieval feast” to celebrate opening night and it poisons the entire cast

annie plays the witch. this was the only casting decision that was unanimously regarded as good until chris let it slip that he’d ultimately done it because she was “the loudest singer.” robert took great offense at this and, despite having no interest in the part before, began campaigning to play the witch instead. it did not work. annie’s witch costume has two layers to make the quickchange at the end of act 1 easier, but the top layer keeps falling off before the reveal is supposed to happen. her magic staff is supposed to emit a smoke effect but it keeps malfunctioning, and at a certain point she just gives up and tapes lit cigarettes (stolen from trevor) to it. this goes about as well as you’d think

dennis plays the narrator. everyone had assumed it’d be an easy role for him since he could just read all of his lines off his book prop, but this is proven wrong near instantly when he starts genuinely reading the book instead. when dennis actually does start reading from the script, it becomes immediately clear that he somehow has the director’s copy and the entirety of the rehearsal notes are read out loud, including several deeply personal things that chris has written in his script for convenience

dennis also plays the mysterious man, but he keeps forgetting which way he’s supposed to be related to the baker. over the course of the show he goes from father, to son, to brother, to father again, to distant cousin, to grandmother

chris plays cinderella’s prince, alongside robert as rapunzel’s prince. they spend the entire show trying to out-act one another, and it goes without saying that this ends up a complete disaster. robert makes any moment into an unplanned duet to try and prove that he could have succeeded in seducing the baker’s wife. chris shows up at rapunzel’s tower and attempts to choke robert out with her wig. they get in an opt-up battle at the end of agony (reprise) that ends with robert singing a note so high it shatters a stage light

in accordance with typical into the woods casting, chris also plays the wolf. he orders a very expensive “wolf suit” online from someone he thinks is a bespoke costume artist. it doesn’t arrive until opening day, and it becomes immediately clear that what chris has actually bought is a full on fursuit. it’s very hard to see in and he keeps running into the fake trees

robert is double cast as milky white. there is no practical reason for this whatsoever, as milky white could’ve just as easily been a puppet or some kind of cutout on wheels, and it’s very obvious the whole thing is just a power move on chris’ part. during the scene where milky white is meant to “eat” the props, vanessa misunderstands and literally feeds them to him. he chips a tooth on cinderella’s shoe

due to a lack of numbers, vanessa is playing both cinderella and rapunzel. her costume is split down the middle, and due to this she can only face in one direction as each part. this means that half of the time she’s facing away from whoever she’s talking to, and that she frequently has to walk/run backwards without turning her head at all. whenever cinderella and rapunzel talk to each other she faces straight forward. the break-off mechanism in rapunzel’s side of the wig doesn’t work (sandra ends up stealing a single, barely visible hair), so she’s also constantly tripping on her hair

max, being in a new relationship with sandra, desperately wanted to play alongside her as the baker so that they could kiss onstage. unfortunately for him, he is playing jack instead. although this is maybe the single most-fitting role he’s ever been cast in and he’s genuinely giving a great performance, the opportunity is ruined by his having to do every scene accompanied by robert’s milky white

lucy was supposed to play little red, but was pulled from the production the day before opening by her parents, who have banned her from performing with “robert’s troupe” after what happened in peter pan

consequently, little red is now being played by trevor, who is wearing a costume far, far too small for him. trevor manages to get away with reading his lines off papers pinned to the inside of his cloak, but he doesn’t know any of the songs, so sandra has to sing them offstage for him while he lipsyncs

all of the ensemble characters are played by a celebrity “guest” frantically switching between various comically large hats. chris tried to get francis back for this part but after some careful deliberation he determined that it would genuinely be easier to kidnap a famous person than to get francis to come back after the disaster that was peter pan. the tension is only worsened when, via a botched music cue, it’s revealed that francis is now an active member of trevor’s metal band

the giant was supposed to have been played by trevor via voiceover from the sound booth, but now that he’s onstage playing little red the part is left to approximately four members of the run crew who are desperately trying and failing to say the lines in unison. lucy breaks into the theatre sometime during the baker’s wife search sequence and takes over the giant’s part the next time she’s on, much to trevor’s dismay

the worst fuck-up award goes to annie, for accidentally knocking the supports out from under dennis’ narrator platform during last midnight and triggering a chain reaction in which every fake tree onstage topples each other one by one like some terrible, life-threatening game of dominos. honorable mention goes to chris for spending $6000 of max’s inheritance on a custom costume without actually seeing it at any point during the process

the worst injury award goes to max, for getting his circulation cut off and almost losing a hand after his arm got stuck inside the golden hen puppet midway through act 2. honorable mention goes once again to chris, who got stabbed with a bunch of glass shards when robert broke that stage light

[nichoswag]

Hey I really love your works!! I wanna request the trope "demon x human" with maki please? Demon is y/n and human is maki! Not sure if you need more infos, but you can add the prompt #9 "may i have this dance?” Thank you!!

eyes . hirota riki

prompt: "may i have this dance?"

trope: demon x human

pairing: stranger!human!maki x demon!female reader

warnings: reader is a demon obviously, lots of flirting, kissing, cursing, teasing, fear, pet names (handsome, love, cutie)

song rec: your eyes tell - bts

a/n: this is an interesting take on this trope! when i put it on the list, this was not exactly the person and scenario I'd imagined for this quote and trope, but i'm happy to write it!! i like writing new things! thank you anon for requesting, and i hope this is what you had in mind! enjoy ♡

maki looks around the lively room. he's currently at a party his friends have dragged him to, except they've all gone off and he's all alone.

he keeps looking for his friends when he spots you.

you meet his curious, doe-like orbs with your own siren eyes.

immediately, you decide you need to have this man. he's simply too cute and attractive. you have the urge to steal him and take him far away so only you can look at him.

maki's curious eyes turn fearful as he realizes you're eyeing him as if you want to devour him whole. he realizes as your eyes flash red exactly what you are.

a demon.

maki obviously knew there would be demons at this party, but he could not have predicted he'd pique one's interest. he wonders if the rumors and myths about your kind are true - are you truly capable of unimaginable sins? would you snap and kill him in a heartbeat?

you notice the look on his face change from curious to terrified, and flash him a smile as if to say 'it's alright, i'm not gonna hurt you,' as you're thinking quite the opposite. there's just something about him that makes you want to protect him forever.

as you smile at him, he takes in your razor-sharp teeth from across the room, and his fear turns to sheer panic.

"relax, she won't hurt you," a voice says from beside him. a girl slings her arm around his shoulder. "i think she likes you, actually, considering she looks like she wants to rip my throat out."

maki looks back to you to see you making a face that's truly much more terrifying. somehow, even looking angry, he's able to notice how absolutely stunning you look in your red dress with your hair down.

"do you wanna go get a drink with me?" the mystery girl next to him asks.

only then does he notice her sharp teeth and red eyes.

"oh- i, uh-"

"sorry to interrupt, but can i steal this guy away for a sec?"

maki turns to see that you've made your way across the floor and are now standing in front of him, seemingly close to bursting into flames.

the girl side eyes you, but maki feels something wrong about staying with her, so he opts to nod at you as you take his hand and lead him back across the room.

you both seat yourselves on an unoccupied couch, ignoring the couple making out against the wall next to you.

"sorry if i startled you," you say. "that girl is just-"

"dangerous, right?" maki asks, and you're taken aback at how he knew that. "i could kind of sense something was wrong with her."

"she's one of those demons who hurts humans for fun," you explain. "i won't get into detail, but it's pretty fucked up."

his eyes widen. "wait- so you mean all demons aren't like that?"

you're again taken aback. "how little do you know about us? the laws we go by say we can't do any harm to humans."

it's his turn to be surprised now. "but- earlier, you were staring at me like you were gonna eat me."

you laugh, and he somehow still thinks the sound is sweet. "i wasn't gonna eat you, silly. though i could if you want me to-"

"i'm good, trust me." he chuckles.

"so what's your name, handsome?" you ask.

he blushes furiously. "it's maki. well- riki, technically, but my friends call me maki."

"cute," you mutter. "i'm ____."

"that's a pretty name," he says, attempting to be bold.

you giggle. a new song plays in the background, a japanese song you recognize by bts. "ooh, i like this song!"

he nods his head to the beat. "it's a nice song. you have good taste.

you stand up in front of maki and extend your hand. "may i have this dance?"

he giggles like a little kid. "you sound like an old person."

you glare at him. "do you wanna dance or not?"

he grabs your hand and you both walk closer to the middle of the room. his hands are on your waist, yours on his broad shoulders, and you swear you could die like this as you sway to the sweet melody.

"so, you like me?" maki asks suddenly. "that's what that girl said, and the way you were looking at me..."

you contemplate how to answer. "well, yes. i thought you were really cute when i saw you and i hated that that bitch had her claws on you."

he blushes again, flustered. "you're really pretty yourself."

"yeah, love?" you smirk at him. "you like me too, don't you?"

he exhales sharply, not sure how to answer. "um... i think so."

"you think so?" you aren't satisfied with his answer. "you mean you don't know?"

"well... i wanna get to know you better," he says.

this satisfies you a bit. "you're so cute," you whisper, but he hears anyway.

"thank you," he says, not meeting your eyes.

you remove a hand from his shoulders to palm the side of his face and steer it back towards you. "look at me. i wanna see those pretty eyes of yours."

he blushes again, his doe eyes wide as he looks into your narrow, crimson orbs. they're beautiful to him, in a way.

he realizes your faces are getting closer together when you're only inches apart.

"can i kiss you?" you whisper as your lips ghost his.

he closes his eyes and connects his lips to yours. your arms wrap fully around his neck, pulling his body in closer, and his arms envelop your torso.

a few moments later, he pulls away with a gasp for air. "jesus. that was..."

"good?" you ask, tilting your head to feign innocence. your eyes narrow. "i've been told i'm a good kisser."

"how many people have you kissed?" he asks, seemingly upset.

you caress his face with one hand, reaching the other to snake around his waist and close the distance again. "the number doesn't matter. what's important is that none were ever as stunning as you."

you kiss him again, and this time he rests his hands on your hips, thumbs rubbing circles into the bare skin where there's a gap in the dress you're wearing.

this time, you pull away to let him get some air, but you stay close, resting your forehead against his. "i want to get to know you too, cutie."

he giggles against your lips. "well, what are you waiting for?"

©nichoswag | do not copy my work or repost onto any other platform.

[eleanorfenyx]

I have finished Mysterious Lotus Casebook, and here are some of my thoughts! (Obviously not spoiler free)

The cases are absolutely batshit insane and I loved it every single time they were like 'we totally collected this evidence that incriminates a secret suspect, just believe us and also don't question when the fuck we had the time to do this or when we figured out that we needed to look for it'. 10/10 no notes, that's a hilarious way to have a genius detective. Show us nothing, tell us everything, YES king.

That being said, I could have done with a lot less standing around having the supporting cast repeat whatever Li Lianhua and Fang Duobing announce, maybe in an attempt to make sure their genius is clear for the audience? I get it, but at the same time it felt a little too hand-holdy for me, especially in scenes where LLH and FDB had already discussed their findings between themselves before presenting them to the concerned bystanders. I can read between the lines (or else understand what has just been explicitly stated) without having every conclusion filtered through a slightly different sentence structure to make sure I got it.

Di Feisheng amnesia arc my fuckin beloved

Di Feisheng destroying his 'father' and freeing everyone in Di manor in a vicious act of catharsis that tied nicely into the main Nanyin bug-mind-control-thing narrative my beloved

Di Feisheng my beloved

The amount of times I was like...genuinely surprised he and Li Lianhua didn't kiss is both embarrassing (because I do in fact understand censorship and what I sign up for with these dramas and yet and yet) and numerous enough that I could...possibly...theoretically..write a 5+1 fic of every time I want them to kiss about it. No one hold me to that but it's something I think I'd like to do.

Re: the above point: because what the FUCK was that ending?!!! EXCUSE ME?! I gotta FIX THAT SHIT.

There will come a day when the strength of my hope for an unambiguously happy ending in a queer(-coded? is the source originally bl or is this its own thing?) wuxia drama is rewarded....but it is not this day. I must fix this myself.

Jiao Liqiao's laugh is one of the most annoying things I've ever heard. I was reaaaaally hoping someone would just up and stab her during one of her little evil laughing fits. At one point I was shouting "KILL HER, KILL HER" at my screen because I could NOT take anymore of her (unfortunately, I did in fact have to take more of her).

I still think her insistence on being obsessed with DFS is hysterical when he is so VISIBLY only interested in LLH. Explicitly STATES that his only life purpose is to fuck fight LLH again. Babygirl (derogatory) he is so fucking gay let's get you a nice knife to the gut instead, okay?

I thought the whole Shan Gudao plot was interesting, going from looking desperately for his body -> putting him to rest -> hunting for his murderer -> finding out he's alive/the mastermind behind everything going wrong (which I was proud of myself for realizing before the reveal, I'm normally bad at that) -> thwarting him with sass and superior martial arts at every possible turn -> killing him stone fuckin dead with beginner level skills because he's so up his own hole he can't see that's what's happening - was really fun!

He also has a SUPER annoying laugh he can fuck off

OH OH OH MARTIAL ARTS SKILL OF TRANS YOUR GENDER?! I MARRIED HER SO HER AFFAIRS ARE MY BUSINESS NOT YOURS??? ASKING YOUR WIFE FOR HER FORGIVENESS AND UNDERSTANDING AS YOU LAY DYING AND SHE GIVES IT TO YOU?????? OKAYYYYYYY

The twist at the end that LLH is the one with royal blood was so funny to me. Like it's a good twist and I love that Shan Gudao was just quite literally always a fuckin try-hard loser in ways he didn't even know, but also it was SO funny. Granny coming in clutch at the last fuckin minute with secret knowledge she just literally never shared.

LLH is such a smooth motherfucker. Shame about his insistence on dying when quite literally everyone (bar the people who suck) is begging this man to just live. Just LIVE DAMN IT!!!!! I really liked it when FDB begs him to just consider his own life as important for ONCE and remember that people care about him because YES his self-sacrificing and committment to Chilling Out Farmer Style was not the mercy he thought it was!

LIVE AND GROW OLD WITH DI FEISHENG YOU DAMN IDIOT (the likelihood of me resisting the urge to write at least the one fic for them is zero to none)

Unironically love spitting up blood as a plot device and this show is no different. The Drama. The Panache. The desperation of everyone around you because you have BLOOD coming out of your MOUTH and you are FAINTING. Poison acting up? Spit blood. Someone bitch slap you with their magical palm ability? Spit blood. Get stressed? Spit blood. Get stabbed? Spit blood. It's always good!

Okay I think that might be all I've got for now, if I think of anything else I'll add them in a reblog. I thoroughly enjoyed it, would definitely recommend!

[dr-futbol-blog]

Before I Sleep, Pt. 3

So, they get her out of the stasis pod, and they've all gathered around her body as Beckett conducts a medical examination. He finds a piece of paper in her hand that contains gate addresses. What's more interesting, though, is that Sheppard is standing right behind McKay. Like, real close.

McKay's arm is awkwardly placed, like he doesn't quite know what to do with it. But if it was at his side, they would be touching. That's how close to him Sheppard has chosen to stand (obviously because he just wants to get a better look at the mystery woman). Beckett mentions that he has to run a scan for "any brain activity," which makes McKay glance over his shoulder at Sheppard--because his own brain activity is currently clearly at least 80% not on what it's supposed to be (and he's glad that he can actually even count to five looking over the gate addresses written on the piece of paper). McKay seems real distracted.

He even does the thing with his fist that seems to be somehow Sheppard-related. Is somehow related to Sheppard being close to him. Yes, he's a very nervous man. Yes, he does a lot of talking with his hands. But we consistently see him do this when he has been so near Sheppard that he doesn't know what to do with himself.

One of the gate addresses is familiar to him, the planet with the children in Childhood's End (S01E05). McKay has a good memory, is excellent at retaining information (as evidenced by the fact that he has memorized PI to the umpteenth decimal). But he remembers much more than symbols and numbers.

He turns, again, to look at Sheppard, this time not so much to confirm his observation but to share in the memory of their visit to the planet. Good times, simpler times.

As he turns his head back, he is suddenly even closer to Sheppard and unlike what a straight man (or just someone not interested) would likely do, which is to try to maintain the social distance by pulling away in a proportional measure, he makes no move at all. He has no need to maintain a social distance between himself and McKay, he is perfectly comfortable having him inside his personal bubble.

The would-be Ancient woman opens her eyes, and we get a reaction shot of Weir, a reaction shot of Beckett, and then for some reason, the two of them still in the same frame. They get to share their reaction to seeing her revived. What ever this is, what ever this means, they are in it together.

They're also moving in unison again. The woman opens her eyes and they suspect that she has been blinded by the stasis, prompting McKay to wave his hand over her face. And Sheppard actually leans over his shoulder to look not at her face, which was there for him to look at the whole time, but to follow the movement of his hand.

We are also reminded of the importance of eyes, of the importance of looks, to the narrative with McKay's comment about them. It's not unimportant what or who people look at. When you want to know what's going on with someone, you look at the eyes.

Now, we don't actually know how much time passed between this scene and the previous. One might imagine that releasing someone from a stasis pod and moving them to the medical bay, in which ever order that happened, might take a while. Hours, possibly even days (but since Sheppard, Ford and Teyla are still in their fatigues, it's likely still the same day).

However long it did take, something is most definitely changed between Sheppard and McKay. If back in the lab McKay was irritated and Sheppard was contrite, and neither would look at the other, that's all changed here. They do look at each other. They're real close. Freaked out as she turns to look at them, McKay actually backs up right into Sheppard. And, once more, Sheppard does not even attempt to maintain the distance (what distance?) between them but instead turns his head so that he, also, is even closer to McKay here as a result.

It's like... both of them had just suddenly forgotten about the "secrets of Atlantis". And it's not just the body language.

In the lab, McKay ignored Ford's question (which was him just repeating what McKay had just said in an incredulous voice; clearly this did not warrant a response) but while he was arguing with Beckett, he still answered Sheppard's question respectfully, taking the time to explain the science to him without being condescending, not unlike he did during The Storm (S01E10). He was being professional and respectful.

Here, now, they're bantering:

Old Weir: It worked. McKay: What was that? Weir: She said, "It worked." McKay: What's that mean? Sheppard: I assume something worked. McKay: Yes, that's very sharp! Sheppard: Thank you!

And by bantering I mean flirting. Sheppard is teasing him with something McKay 'always' does, i.e., clarifying the meaning of words to him, and McKay is calling him a big dumbhead by sarcastically praising his intelligence for pointing out the obvious, the whole exchange emphasizing the familiarity between them. The way in which Sheppard says "Thank you" in this earnest way as though he's actually taking it as a compliment is also teasing. The thing about knowing someone very well is that it's easy to get under their skin, the thing about falling in love is that it makes you want to poke fun at those repeated mannerisms and characteristics of theirs that you find adorable just to get a reaction out of them, and the thing about wanting to be close to someone is that sometimes you say things just to hear them say things back to you to keep the never-ending conversation going, even when they might be pointless.

I'll remind you of a scene in First Strike (S03E20):

Sheppard: Shouldn't you guys be bickering or something? McKay: Ah, we've got nothing to bicker about. He's run out of bad ideas… finally. Zelenka: If we survive this, I'm putting in for a transfer. McKay: Oh, please. We both know that you've done your best work under me. Zelenka: Under you?! I'm my own department head, you know. McKay: Please, we both know that department is a joke. Zelenka: What?! Sheppard: Why don't you two guys just make out and get it over with, huh?

Hearing Zelenka and McKay arguing out some science is familiar to Sheppard so finding them not doing that freaks him out, for one. His presence gets them 'bickering' again, although not about anything useful. But his comment, about making out and getting it over with? So you can focus on the task at hand and not be distracted by a building unresolved tension. He's not actually suggesting that McKay and Zelenka should make out, his comment was just meant to snap them out of arguing in the weeds. But he sure seems to be talking from personal experience. And by that time, no one has more experience dealing with Rodney McKay than he does.

So anyway. They do an awful lot of bickering in this episode.

Weir orders for the room to be under constant video surveillance in case she says anything else, to have the cameras on in the room the whole time, and Sheppard seems to make a mental note of this, looking briefly to his side. She says "I want video on her at all times recording everything" and it's especially the word 'everything' that Sheppard reacts to (and prior to this, also to the word 'sleep'). Seems like he has no intention of getting caught doing anything he's not supposed to on video. And yet, as Weir leaves and McKay has space to step forward, he steps forward with him. Sheppard is just about as close to McKay as he wants to be, drawn forward with him as by a magnet.

While they're close at the side of her bed, we find them even closer in the next scene. Yes, even closer. They are so close that they are actually touching. We find them sitting in the control room, at the same station McKay was at when they were discussing the new quarters earlier. Sheppard has removed his jacket, which is resting on the chair back behind him either because he was feeling overheated or because he wanted to feel more relaxed. And they both do seem to feel relaxed where they are.

They appear to be looking at the same schematic of Atlantis he was looking at earlier. This puts their conversation in the context of the quarters but as mentioned previously, the dialogue makes more sense pertaining to something (singular) in the quarters (plural) than just to the size of the quarters Sheppard had been checking out. Some people interpret them as discussing the size of Atlantis since they seem to be staring at a schematic of the whole city but, um. They all know Atlantis is huge, and Sheppard's comment "It's not that... [big]" makes no goddamn sense in that regard. So, yeah. They're discussing something that's not on the screen right in front of them and, once more, we (along with Weir) walk right into the middle of their private conversation.

The thing is, when Weir walks in, they change the subject. Sheppard's entire demeanor changes as she walks in. When it was just the two of them, they were talking in soft tones, a real intimacy in the exchange.

(Note the two male couples in the background, one couple coming up the stairs turned toward each other in conversation and the other just chilling and talking in the background standing real close to each other; priming the audience).

They clearly lie about the topic of their conversation:

Weir: Gentlemen. Sheppard: We were just wondering whether there were any other frozen bodies out there in Atlantis that we haven't discovered. McKay: And I was just saying there's no way of knowing in the short term. It'd be like searching every room in every building in Manhattan. It'll, uh, take a while. God knows what other kinds of surprises are out there not showing on the sensors.

First of all, Weir calls them 'gentlemen' again, as though they form a unit in her mind.

But more importantly, if they had been talking about what they report to her they were just talking about, there would be no need to emphasize the fact that they had just been talking about that, really and truly, scout's honour, repeating to her verbatim what they were just discussing, Ma'am. They got caught having a private conversation where they should have been doing actual work. They're coming up with this discussion that they probably should have been having ad hoc and ex tempore in front of her, now.

If their discussion about the size of Atlantis had been important, Weir would have walked in to hear the actual discussion and not this later paraphrase of an earlier discussion. But she does not, she walks in and by her presence, causes them to change the topic. Because that's not what they were talking about. And they are lying.

And Weir knows that they're lying.

I mean, which of these makes more sense, when we change pronouns into actual nouns:

Sheppard: [Atlantis] is too big, huh? McKay: I'm not saying [Atlantis] is too big, I'm just pointing out its dimensions. Sheppard: Huh. [Atlantis] isn't that… [big]

Atlantis is huge. McKay just told us it's the size of Manhattan. Sheppard's comment makes no sense in this context. Atlantis is that big. But interpreting the dialogue in the context of the conversation they were actually having earlier puts their dialogue in a context that makes more sense:

Sheppard: [The bed in the quarters I pointed out to you] is too big [to pass as a comfortable single], huh? McKay: I'm not saying [the bed] is too big, I'm just pointing out its dimensions. Sheppard: Huh. [The bed] isn't that... [big, it could pass as a single].

And, again, while the title of the episode is a reference to Robert Frost ("My little horse must think it queer...") and the endless miles Elizabeth Weir had to endure to save the expedition, sleeping is central to this episode. Not only do we watch her sleep a lot, but we also see both McKay and Sheppard asleep in the same room together, and Sheppard just had a strange reaction to the word 'sleep' back when he was standing right behind McKay. So interpreting their conversation as being about beds for sleeping isn't outlandish.

What ever else you think might happen in or on them is a whole other question, but Sheppard and McKay not having comfortable beds to sleep in is written into the episode. So. Atlantis is big. Miles to go before they sleep, and all.

Beckett alerts them to the fact that she's awake and talking. McKay is interested to hear what she has to say. Sheppard is much slower in wanting to leave the cozy place he had just been sitting at. Could be he even needed a minute.

Continued in Pt. 4