#the whole concept of it is so cool

[retros-artandstuff]

hes such a goober i love him 😭

[ohitslen]

*Vampirizes your Vashwood*

keep reading for more :)

If there needs to be much closer close-up please let me know!

[plant-cell-park]

the recursive nature of fractals typically means it's bound to get crowded when you're the pattern

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[justalittlebluetiefling]

I love this whole thing with them (mostly) playing the gods because there is definitely this idea that the gods can do anything and the dice are over here reminding me that they are in fact capable of failing and it is interesting.

[mossy-rainfrog]

[ID: Several drawings of Calvin Wright, Tenebrosum, Arthur Lester, and John Doe. There are a few portraits of Calvin and Tenebrosum alone, and a few others of Calvin and Arthur kissing or otherwise intimate together. More detailed ID in ALT.]

FINALLY posting this on a random monday, here are some of my drawings from @croik 's Arkam Horror/Malevolent Crossover series that has made me category 10 unwell for months. I absolutely recommend this series, it's hot, it's got just a Delightful dynamic of jarthur x another possessed traumatized guy and his Personal Horror, it's got a plot so good it could be its own arc of the show, and also, its got The Horrors!!! give it up for the horrors everyone

Genuinely I have been SO obsessed with this series and ESPECIALLY their characters of Calvin and Tenebrosum. Thank you op for writing over 100k for these guys, i need to inject them into my brain. Calvin and Escuridão specifically are like catnip to me i WILL be rereading this many more times

[regret-evatorful]

goodmorning

[seance]

ALINA STARKOV + her amplifiers.

[dyke-in-crisis]

never properly drawn this wretched yellow rat before so here’s a WIP!! commissions

[thefloatingstone]

The older I get and the more terrible takes I see the more in favour I become of gatekeeping

[descendant-of-truth]

Boruto wearing so many pins and necklaces arguably clutters his design a bit but I think it's entirely worth it for the emotional damage they give me

Like. at this point, Boruto hasn't been able to go home in three years. he's regarded as a traitor to his village and family by nearly everyone. there are orders to have him killed on sight. most of his friends hate him and almost nobody remembers him for who he truly is.

But despite all of that, he doesn't let go of what he had. He wears a badge of the village symbol that cast him out. He wears a necklace of the Uzumaki crest, despite the people saying he doesn't belong to that family anymore. He has a pin of the design that was on the back of his first coat, as if to say that's still who he is.

And the one that makes me go insane the most - he wears a sun symbol, of all things. A reference to Himawari, possibly, whose name means "sunflower"... but seeing as it's not a flower pin, I have a feeling that it's actually a reference to Mitsuki.

Mitsuki, who always said that Boruto was like the sun. For him to now wear a sun on his coat, I can only imagine that he valued being seen that way by him more than he let on; enough to include it in what's functionally a compilation of the symbols of his identity.

He's Uzumaki Boruto, from Konoha, and apparently, the sun in Mitsuki's sky. I am never going to be normal again

[seventeendeer]

just started book 3 of my ATLA rewatch and, all goofs aside, I do think it's a massive shame how many genuinely interesting ideas are in here which never get to shine because the headwriters are fundamentally uncomfortable with the themes they inserted into their own story.

they want to write a story introducing kids to the concept of war, but all of their main characters are inexplicably insanely competent and powerful, so we only get a handful of scenes depicting the war with any amount of realism. these scenes usually involve very minor one-off characters, and while evocative to adult viewers to an extent, they are likely to go over kids' heads because they're not grounded in the central narrative.

the writers are eager to borrow concepts from various asian mythologies and schools of thought, but they cherry-pick the parts they think are "cool" or "deep", while ignoring or shouting down ideas that don't neatly line up with what they themselves are already able to relate to (see the whole "opening the chakras"/"letting go of katara" plotline).

they want to portray strong, independent female characters standing up to sexism, but every female character must still on some level aspire to be someone's wife (and the dark-skinned girls are depicted as already fitting the mold perfectly; it seems to be the price they pay to be allowed in the story at all. the writers attempted to branch out a little in the sequel series with korra, but immediately felt so uncomfortable they felt the need to put the character through an insanely traumatic plotline as punishment for creative choices they made!).

there are many more of these, but you get the pattern. it's what happens when creatives like the idea of doing something meaningful, but ultimately can't bring themselves to leave their own comfort zones.

I'd honestly be interested in reading fanfiction of ATLA by writers who have a better understanding of the themes it's trying to depict, because there are a lot of interesting pieces on the board and I would love to see them moved around by players who aren't fucking stupid and actually know what the hell they're talking about

[yo-yo-yoshiko]

Spiderphim by @ultrainfinitepit meeting Spiderfan(my somewhat jokier spidersona) for Artfight! I think they could be good friends aaahah!

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[the-dragon-hearted]

We, as a community, do not talk enough about how Juvia and Bora are exes.

Like HELLO

Mr. Number 1 Opp of episode 1 who actively participated in human trafficking dating the one and only done-dirty-by-Mashima water woman.

Also Bora broke up with HER? Sir?? There is so much to explore there that, like many things, IS NEVER BROUGHT UP AGAIN -

Okay - so were they childhood friends or was he using her for her looks/powerful magic? Did it start off transactionally or was there some spark there? How long did they date? Did she stay with him because she felt that no one would ever love her, so at least she could be valuable in a different way? Did he make her laugh? Or just put up a facade in front of other people? Was she his backup for a while, a bodyguard adjacent for when his schemes went sideways? Is that how they started? What about the end? Sure we see him breaking up with her in canon - but why? You can't tell me he suddenly didn't like the rain of The Rain Woman. I mean he can, he's a prick, but consider the alternative: Did she see catch on to his beginnings? Expose one of his scams? Grow critical of whatever shit he was getting into? Did she say something? Did she try to stop him?

The first time we see her she is completely covered head to toe in several layers and the rain does not stop. She says it's never stopped. But damn, doesn't it feel like turned from a drizzle to a downpour after him? I think it's purposeful. The layers are purposeful. The hints are there. She fully expects to be discarded after her fight with Gray. AND seeing how she comes out of her shell in the later arcs - watching her change her hair and her clothes, experimenting with new styles with an almost fervent joy - it just makes me wonder.

Could she not do that before? Was there an expectation there? A controlling factor? How much of her identity was she willing to sacrifice to quiet the fear of being unloved? How hard did the rain fall as it progressed, did it ever waver, or did it only get stronger and stronger.

And Bora? Fucking Bora?

Was it REALLY about the rain, or did she just speak up? Did she intervene and he had enough sense to refrain from trying to harm her. Because if the relationship was built off of him using her for magic and granting her some sense of companionship in return, then he damn well knew that there was no way he, a lil fire mage, could stand up to the actual force of nature that is Juvia. No, that meant he knew EXACTLY how to hurt her without inviting her vengeful side.

So he tells her she's too depressing. He reinforces how unlovable she is. How it's HER fault. How it's always been HER, how he's leaving her because of who she is - how he couldn't change her. He probably throws everything she's quietly confessed to him and leaves - safe from retribution and free to continue his fucking diabolical business. Because he knows he's hurt her worse than anyone else could. He knows that she'll either come running back, or she'll run and run and just keep running.

He doesn't know that Juvia only loved the idea of being loved. Not him. Bora can't imagine anyone not loving him (he can, but he's the run who's running, headfirst into greed with an enchanted ring on his finger - someplace Juvia never would've followed). Juvia doesn't run back to him. She doesn't run at all, the rain pours and she decides: "Fine, if I can't be loved. Let me be feared."

Maybe Phantom Lord orchestrated it, the master seems sort of cartoonishly conniving, and Juvia's magic is insanely powerful - but if that is the case, that doesn't change how easily Bora was bought. It doesn't change how Bora knew just what to say to push her to that point. It honestly doesn't change much of anything.

Bora? Pathetic.

Juvia? We all know she's always been lovesick and maybe if she was allowed a bit more characterization we'd be able to explore why. Maybe we'd talk about why she wore so many layers or kept her hair long. Why she kept a "frilly" pink umbrella but wore all blue. Indulging in a childish side while wearing a face of complete apathy. Why she adores the idea of being loved but can't seem to make it work. Why she's desperate for romance but finds more joy in the friends she makes - it doesn't stop her from chasing "true love" but she finds she doesn't need a lover's touch to chase the rain away anymore.

Because the rain was never about Gray, it was about Juvia. It was about how she was loved - not by others - but by herself.

I could spend eons critiquing how she was written... But for now I'm just gonna sit here and think about the consequences of Juvia dating Bora.

And I'm gonna laugh when Natsu and Lucy own his ass in episode 1. Because they don't even know it yet, but they're avenging a soon-to-be-friend. And honestly, I hope Juvia read about it in a newspaper, the pages soggy under her touch. I hope she sat in a park, the sound of pouring rain drowning out all else, read the headline.

And I hope, that even in that dark moment of her life, when she was the cruelest she would ever be, she read about Bora getting his ass handed to him. And I hope it made her smile.

[punmster]

being ace means i don't get giggly or horny about omegaverse aka abo but instead become painfully obsessed with details in anatomy and world building