#the way she re-arranges the song each time... obsessed!
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Fantasy by JADE x live performances
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Later... with Jools Holland
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BBC Radio 1 Live Lounge
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Some thoughts on rockist attempts to 'adapt' Joyce's Ulysses:
The first day I sat down w/ Ulysses (2009) I was jolted coming across 'He is the boy who can enjoy invisibility' in one of the early Stephen chapters -> that lyric was so familiar to me from Sonic Youth's EVOL cut 'Secret Girl.' Since it's near the beginning of the book I imagined Kim started and put down the pages after getting some great lines for a new track (I didn't make it all the way to the end on my first try). Unfortunately Kim doesn't mention the story behind this song in her book or anywhere else (to my knowledge). The track's lyrical commentary on advertising ties in w/ Bloom's profession (he sells copy space for a Dublin newspaper) so she probably did get further than me first try on the odyssey.
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Mike Watt claims his Double Nickels tracks were Ulysses-inspired although the only direct allusion on the album is the title of the instrumental track 'June 16th' (the day the book is set, Bloomsday) on the 'Chaff' D side . Regardless these Watt songs (and Minutemen arrangements in general) evoke the feeling of reading Joyce and thinking-in-real-time so incredibly well. 'One Reporters Opinion' is an especially lovely/fun attempt at a Dedalus style self-portrait. I also love that the lines 'He's a chalk / He's a dartboard / His sex is disease / He's a stop sign' end the A side of the record. Stop sign reached.
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Fontaines D.C. have a 'heart like a James Joyce novel' on their first LP and have a newish enigmatic vibey track called 'Bloomsday' that seems inspired by the Irish identity politics woven into the book. U2 also rep Bloomsday on their 'Breathe' (not a Floyd cover unfortunately).
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Kate Bush has the show-stopping 'The Sensual World' which is a sonic staging of the book's erotic Molly finale (when Molly finally enjoys infinity). Bush recently re-did the track as 'Flower of the Moon' only including text directly from Joyce but I still prefer the vocal take of the original. I wonder if this was an inspiration for Bjork's incredible ecstatic sensual 'Cocoon'? (The most romantic track I know).
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I recently was hipped to J Airplane's 'Rejoyce' which does directly allude to Bloom, Stepen, Molly, and her lover Blazes Boylan while also cleverly commenting on the state of corporation USA ('Sell your mother for a Hershey bar / Grow up looking like a car').
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I dove into Ulysses on our 2019 tours (w/ the aid of an audio) and wrote lyric fragments in the style of the Proteus ('Thrown') and Nestor ('Top Hat No Rabbit') Stephen chapters in our van. I was also re-reading Shakespeare and Aristotle (Stephen's obsessions) which made the Proteus chapter in particular feel thrillingly alive -> it is still my favorite part of the book and takes me far inside each time I revisit. In 2020 I revised the 'Thrown' text in an attempt at self-portrait (similar to Mike Watt) adding more allusions but keeping Prince Hamlet and Dedalus.
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I think Joyce (and Godard) are often taught (or thought) incorrectly, as if their reference-based works are merely academic exercises in meta-textuality. I think of their dense signifying styles as diaristic expressways to the skull --> to paint a portrait of a cultural consumer you must include that which is consumed.
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--> 'I find in the world without actuality'.
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Sweet Pea//i should be the one you’re dancing with
hey! so i’ve kinda become obsessed with maisie peters and i kind of just want to write something based off every single one of her songs, but i’m refraining myself and this is the only one (for now). so i hope you like it! i was originally gonna write it for robin from stranger things but then i had this idea and was like, yeah, okay. i like this one more. enjoy!
Class of 2020!
The blue and gold banner hangs loosely over the doors you once dreaded walking through, now the dread is replaced with a dull unease, settling deep in your stomach as you try to remember the talking points you’ve practiced in the mirror ever since you got the stupid invitation
Riverdale High’s Class of 2020, Five Year Reunion
You take a deep breath and smooth your hands over your outfit, the fabric becoming slightly damp from your clammy hands and you pull a face before dropping them to your sides. You can feel the card burning a hole through your bag and you send it a glare, despite it being an inanimate object.
The last time you set foot over this threshold, was the day of graduation. And you remember standing with your friends, a bright yet anxious smile mirroring each of your faces. None of you really knowing what the future held, and all of you a mix of excitement and terror. Sitting between Archie and Jughead, Veronica and Betty on their sides, and all five of you holding on to each other for the final time and wondering what you’ll be doing the next time you see each other.
None of you meant for it to be five years, but the ideal version of your life that you had back then, crumbled as soon as you left Riverdale. And you have a feeling none of your friends got exactly what they wanted either, otherwise you wouldn’t see their cars in the parking lot.
Betty still has the ugly, yet cute in it’s own way, pale blue beetle her mom got her as a graduation present, only now it’s a lot more dinted than it was the last time you saw it. But the small teddy hanging from the mirror forces a smile to your lips as you remember the day she found it on the floor at the mall and said it looked too sad to be left there.
Archie’s red pick-up truck sits beside it, even more beat up than you remember and it looks like it hasn’t been cleaned in the same amount of time, but there’s a blanket rolled up and tucked in the corner that reminds you of stargazing and getting drunk in the fields just outside of Riverdale. And how when you’re drunk in a field with all of your friends with no light apart from the small fire Kevin managed to start, it really feels like you’re the only people in the world.
Jughead’s bike is in the far corner, surrounded by a bunch of similar looking ones and you smile at the sight. It’s nice to know that after all of these years, the serpents still stick together and try their hardest to stay away from the rest of the town.
And Veronica, well, she has probably gone through at least ten cars since the last time you saw her, but the long black car with blacked out windows and a private number plate just screams Veronica Lodge and so it’s not hard to decipher who it belongs to.
A few people stumble past you, laughing as they walk up the stairs and your eyebrows furrow as you watch them. How can they be so relaxed walking into a building that holds more ghosts than the creepy old house that sits on the corner of maple street.
You really want to stay outside, you throw a glance over your shoulder and contemplate running back to your own car and leaving all together. You’ve already said hi to your parents, you could just go home and never return. And you get so close, you spin on your heel and re-arrange the bag on your shoulder, but then a voice calls your name and you feel 17 again.
Blake Clark.
You can’t even count the amount of times you’ve dreamt of this moment.
The countless daydreams you got lost in instead of doing your geometry work is probably the reason why you barely passed it. Blake Clark stepping out of the shadows and realising just how much of an idiot he was for never looking twice at you. Back then he would realize it after graduation and the two of you would have a very heated make out session underneath the bleachers while some 80′s pop song played in the background.
Well, maybe not the end bit, but that always happened in your dream, and it’s what you always thought about whenever you listened to How Will I Know by Whitney.
But of course, that didn’t happen and he ended up leaving with Clare Miller who’s eyes were always brighter than yours, skin clearer and smile prettier. You didn’t really blame him, to be honest, if given the choice you would have left with her too.
But they drove away together like the ending scene of grease and you silently wished for them to have a minor crash. A horrible thought of course, but you were a kid who was lost and confused and didn’t know what to do with your life.
You’re way more mature than that now.
But when he flicks his cigarette away and sends you the same blinding smile he used to flash at every girl who looked at him, well it makes your knees a little weak and suddenly you’re trying to fight the smile that’s so desperately trying to claw it’s way onto your face.
Oh god, he’s still so cool. Wait, no. Smoking isn’t cool, it wasn’t then and it certainly isn’t now. You’re 22, almost 23 for god’s sake, you will not be reduced to a stumbling, blushing mess just because a boy smiled at you.
But he does have a pretty smile, why does he have to have pretty smile?
“Brian.” You pretend to forget his name, and say it with enthusiasm, but not too much that it shows you’ve been instagram stalking him for the past five years. It’s a thin line, but you’re pretty sure you manage to find the balance.
“Blake.” He corrects and glances at the ground. You laugh and and then cringe when you realize just how ridiculous you sound and probably look.
“Blake.” You repeat and he nods, shoving his hands in his pockets. An awkward silence falls over the two of you and you look around the empty parking lot, watching a few brown leaves fall onto the wet grass.
“So.” He starts and your eyes snap back at him. “How have you been?”
“Good, good.” You reply, switching your weight from one foot to another and he nods along.
“That’s good.”
“And you?”
“Yeah, I’ve been doing alright.”
Alright would be living in a rented apartment at a reasonable price with neighbours that don’t despise you and a job that pays just above minimum wage. But he’s more than alright.
He’s just been promoted to head of his department, he recently got back from Bali where he spent a month with all of his friends and he lives in a house. Not a flat, apartment or shared space. No, an actual house. With his dog. And even better, all traces of Clare have been wiped from social media. She’s no longer in his pictures, nor has she been mentioned in any of his posts. Her accounts have been dead for the past few months and she’s appeared on none of their friends, families or neighbours accounts.
Which means she’s either in a coma, or they broke up. Either way, he’s single...ish.
“Aw, I’m glad.” You smile, maybe a little too much for the moment and he rubs the back of his neck awkwardly.
“Do you wanna go in?” He asks and points towards the doors. You glance towards the ageing building, still just as in need of a paint as it was when you were here last, and the anxiety in your stomach bubbles. “It’s okay.” He adds, sensing your nerves and your expression softens. “You’ve got nothing to be afraid of.” He adds and his hand ghosts the small of your back, making a blush creep up your neck.
“Thanks.” You reply and lean a little into his touch. You feel ridiculous following him up the stairs with the same love sick expression on your face as when you used to follow him around school in hopes that he would notice you. But the other part of you, the 17 year old still trapped due to the endless amounts of trauma you endured, doesn’t care. Because Blake Clark knows you exist, and he’s touching you, he’s telling you a funny story and now you’re laughing along with him like you’re been friends all this time.
He opens the door for you and you send him a grateful smile before slowly walking into the gym. The smell of sweat and teenage despair is still ripe in the air and you choke a little of the staleness of it. Boy, does that bring back memories of having footballs thrown at your head. No wonder you get headaches far more often than you should.
Your eyes scan the room, banners and streamers hang limply from the walls and ceiling in an attempt to make the faded green and brown room look a little more lively. But, still, it feels a little magical, especially when you hear Blake’s voice again.
“Oh god, it hasn’t changed has it.” He whispers in your ear, a chuckle following that makes the hairs on the back of your neck stand. “Hey, can you remember when Luke threw a football at er-oh god what was her name? Fuck, I can’t remember. Do you know who I’m on about? What was she called?” He rambles and you shake your head, a ghost of a smile playing on your lips as you watch him try and figure out who he’s talking about. “She had y/h/c, and it hit her in the stomach so hard she threw up and then cried. It was so funny.” He laughs, doubling over as he remembers the memory. “Do you remember?”
“Yeah.” You nod. “It was me.” You add and he stops, his eyes widening as they meet your watery ones.
“Shit, sorry. It wasn’t funny.” He shakes his head and you shrug, trying to will your tears away.
You didn’t know you would ever be more heartbroken than you were the night of your senior prom and you saw Blake and Clare dancing, but now as you stand and watch Blake try to cover up the fact that he’s still the same immature and selfish boy he was five years ago, you prove yourself wrong. Because you’re sure if they weren’t blasting a heavily censored version of WAP, you would be able to hear the sound of your heart shattering. Which is something you never expected to happen at the same time.
“It’s fine.” You say, forcing a smile as you try to play it off.
“Babe!” A voice calls and the two of you turn around to face the source of the welcome interruption.
Clare Miller.
The brunette’s smile is wide as she approaches Blake and like she used to be, she’s followed by her friends that act like they’re the most lucky people in the world to be breathing the same air as her.
“Hi.” You force a smile and her eyes snap from him to you.
“Hi.” She replies and fakes a smile. “How have you been?”
“Alright.” You shrug and she nods. You can tell she’s trying so hard not to look smug, and you hate the way you can feel all of their friends trying to burn a hole in your skin with their glares. “And you?”
“Can you not tell?” She asks, a small laugh escaping her lips and you furrow your eyebrows. Blake moves to stand beside her and she sends a few looks at her friends before looking down and you follow her gaze.
Oh. Pregnant, not in a coma.
“Oh.” Your jaw goes slack as you stare at her rounded stomach and she rubs a hand over it. “Congratulations.” You smile, an actual real smile, which surprises not only her but yourself. You have no idea where that came from, but you’re glad you’ve matured enough to be happy for them
“Thank you.” She smiles and presses a kiss to Blake’s cheek. Her hand grips his tightly and you notice her knuckles starting to turn white.
“So, what hav-”
“Well.” You interrupt, pointing to nowhere in particular. “I better go, I promised I would catch up with Betty and if I take any longer then I’m gonna get some angry texts.” You excuse yourself and they watch you rush off.
As soon as you step foot outside of the gym doors, you let out a shaky breath and clutch at your chest, the fabric of your shirt feeling far to constricting for you to be able to breath properly.
This wasn’t how it was supposed to go, you think pathetically as you slide down the wall. You know it’s stupid, you know that you should have just let it go, you thought you had. You thought you were over Blake and Clare and all of their friends that made your school life a living hell.
You thought you’d turn up and you’d see your real friends, you’d catch up with them and you’d bitch about the people who used to bully you and how they look miserable. And you’d tell them about your life and maybe, if you were lucky Blake would have magically transformed into a kind, sweet, sensitive guy that would apologize for not seeing you, and you’d be able to live out your teenage dreams.
He should be dancing with you, not her. But they look so happy, they’re both smiling and laughing and his hand is on her bump as he spins her around the dance floor, looking at her like she’s the only person in the world.
Maybe that’s what you want.
Maybe it’s not Blake you want, maybe it’s just the idea of him that you’ve built up in your head. I mean, you’ve given him a rich backstory and enough character development to write a five season tv show and a spin off movie that would do rubbish at the box office and the cast would regret acting in but hey, they would be at least a few die hard fans of it and now you’ve been staring the the same window in the door for too long and you look like a weirdo.
You let out a shaky breath and stand up straight, trying to familiarise yourself with the layout of the school. But, it’s not like you could forget it, no, if you did it would be five years too late.
And so you huff and run off to the bathroom, repeating the exact same steps from five years ago, almost to the day. And still crying over the same boy choosing the same girl. It’s pathetic really, you’re in your twenties now, you should be able to deal with this shit and it makes you feel even worse knowing that you’re not really sure why you’re feeling this heartbroken.
All you know is it should be you, spinning with a vodka coke in your hand and trying your hardest not to spill it while laughing loudly with your friends. Everybody at your fingertips, yeah, that would be nice.
If for just one night, you felt special. If somebody looked at you like you were the only person in the world.
And then you’d grab your coat after sharing glances with...the one. Maybe that would be Blake, maybe it would be someone else. But all you know is that they would follow you out, and you’d act surprised as they called out your name, despite knowing that they wanted you.
The two of you would talk and tease each other, sharing old jokes and new stories, and they’d walk you back to your parents house, despite you both being far too old to be doing that. And they’d kiss you on the front step, and that would be it.
As soon as you step foot in the bathroom, what’s left of your facade crumbles and you find yourself sitting on the floor, your back against the cold tile as you try to silence your sobs. Betty and Veronica are gonna start looking for you soon, you’d text them when you were outside and so by now they probably have a search party out.
But every attempt falls flat and you find yourself a snotty, sobbing mess as tears drip down your face and stain your now crumpled outfit.
You stretch your feet out, eyeing the shoes that you spent an hour picking out and can’t help but roll your eyes at them. You built all of this up far too tall, even buying a new outfit for it, just in case you did want to impress someone (Blake), and you definitely did. But it was all for nothing and you find yourself wishing you just put your trainers on, they’re so comfy compared to these, they don’t pinch your toes.
But you’ve never been one for casual. You’ve always overthought every single thing you’ve ever done, maybe that’s why Blake wants to kiss Clare. She did and probably still does everything so effortlessly.
“Oh shit, sorry. I thought this was the mens.” A voice startles you from your pity party and you stand quickly, your eyes remaining on the floor. “Wait.” He stops and eyes the bathroom before his eyes fall on you. “This is the men’s. Y/n? Are you lost?” He asks and your eyes snap up to meet his brown ones. A toothy smile breaks out onto his face as he looks you up and down and before you know it a pair of strong arms are wrapped around your body and the smell of cologne invades your senses.
“It’s been so long! How have you been?” He asks as he pulls away, but one of his hands remain on your shoulder and you feel yourself relax a little at the contact. “What’s wrong?” He follows up the previous question as he notices your red eyes and wobbling lip. “Did Archie wear that stupid tie again, I thought Veronica made him get rid of it before graduation.”
“No.” You shake your head, a watery smile pulling at your lips and he steps further into the room, letting the wooden door swing closed behind him. “It’s nothing, I was actually just leaving.” You say and point to the door.
He furrows his eyebrows, giving you the signature Sweet Pea look and you find yourself realising that it’s something you’ve missed. Near the end of the school, you and Sweet Pea became quite close. The two of you would hang out, never intentionally, but if everybody else had left, you’d always stay a little while longer just the two of you.
You’d find yourself sharing homework, giving him the answers before class and when you were given the chance to mark each others work, you may have done some tweaking and he always returned the favour.
You hadn’t realised just how much you’d missed him. But now that he’s stood in front of you, you kind of don’t want him to go anywhere for a while. And he somehow looks exactly the same as he used to, the only difference is that he’s stopped putting super glue in his hair, showing off his natural curls that you never knew about until now.
Oh, and he looks happy. Genuinely happy and that makes your heart ache for an entirely different reason.
“I can walk you home if you want.” He offers and you shake your head, already side stepping him.
“No, no. It’s fine. I’m just gonna walk home by myself.” You say, trying to play off the absolute storm of emotions your feeling and he gives you a pointed look that makes your shoulders slump.
“Have you been crying?” He asks and you suck in a breath, wow, he’s very forward. More forward than you remember him being. “What? No!” You say defensively. “There’s just smoke in my eyes.” You mumble the last part and a small chuckles slips past his lips. “Sure there is.” He nods. “And let me guess, the snot is because you’ve got hayfever?” He asks and your eyes widen as you grab a few tissues and quickly wipe your nose. “Come on Y/l/n, there’s got to be a reason you’re hiding in the boys bathroom. So, spill.” He says and sits in the spot you were previously in.
You stare down at him, your eyebrow raised but he looks unfazed and so you just sigh and sit beside him, brushing your shoulder against his.
“Don’t you have better things to do than sit in here and listen to me mope?”
“Nope.” He shrugs, and crosses his arms over his chest. “I would much rather sit on a dirty, pee stained floor than listen to Reggie go on and on about his amazing life.” He replies and you pull a face. “Exactly.”
“Pee stained floor?”
“Oh yeah, boy’s bathrooms are disgusting.” He says and your nose crinkles while you stare down at the ground. “So come on, tell me what’s wrong so we can leave the pee room.”
“Did you think things would be different?” You ask and he frowns. “Like when you were graduating, how did you imagine your life in five years, and is it everything you hoped for?”
“Erm.” He thinks for a few seconds, making some odd noises while he does and you send him an amused look.
“I did yeah, but then again I didn’t think I would graduate, so really anything I’ve done after that has exceeded my expectations.” He shrugs and your expression softens at his realness. “Why? What hasn’t gone the way you wanted to?”
“How long have you got?” You raise an eyebrow and laugh bitterly. “I thought I was doing alright, I have an apartment that’s reasonably priced, I make like quite a bit over minimum wage, my neighbours love me and two days ago I bought $7 wine that ended up scanning for $3.50 so that was good.” You start and a small laugh passes his lips when you tell him about the wine.
“But ever since I got that stupid invitation through the post, I just feel like I’ve been transformed back to 17 years old where I was hopelessly in love with a boy that would look right through me every time he walked by. And I thought tonight would be different, I thought because we’ve both grown and matured that our eyes would meet across the room and it’d be like it is in the movies. Because that’s what every 17 year old wants, and apparently that’s what 22 year old me wants.” You ramble, tears rolling down your cheeks and Sweet Pea sighs beside you. You feel him glance at you and he shifts uncomfortably before nudging you with his elbow. “I sound really stupid, I know. Life isn’t like a John Hughes movie where the girl gets the guy.”
“It sucks that it isn’t though.” He says, surprising you and you look at him shocked. “I’m sorry that it didn’t work out though. Who was it?”
“Blake Clark.”
“Blake Clark!?” He gasps, his widening and you look at him offended. “Really? Him?”
“Shut up.” You laugh. “I was 17 what else do you expect from me?”
“Honestly, I expected more.” He says with a stern expression making you pout. The two of you stare at each other before a smile cracks his lips and the two of you giggle quietly to yourselves. “But I think you’re right. This isn’t a John Hughes movie, but John Hughes movies are overrated anyway, I mean Pretty in Pink? That is a film that has not aged well. We’re old now so what would your film be called? The mouldy breakfast club?” He asks, a grin on his face that grows when you groan at his joke.
“That was so bad.” You shake your head.
“Coming from you? Yeah, I don’t trust your judgement after you’ve just told me you’re in love with Blake.”
“I’m not in love with him!” You argue. “I would just like to be noticed.” You huff and cross your arms over your chest.
“Believe me, you could never not be noticed.” He says, a nervous smile twitching at his lips and you look away shyly. “Come on.” He quickly changes the subject and pushes himself up. He stands above you and holds a hand out to you. Your eyes meet his, and as your fingers lace with his, the faint sound of Whitney Houston fills your ears making you grin. “I’ll walk you home.”
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talk tonight x noel gallagher
i’m back with another noel fic ;) i know the meaning behind the song is completely different to how this story is presenting it, but i’m changing it up so it can fit the storyline. i don’t know why i always write so much for noel BUT he deserves it <3
Paring: 90s noel gallagher x reader
Warnings: its just really fucking soft okay
Word count: 3.809
Requested by anon <3
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“Stop writing so many mopey songs!” Liam yelled, tossing the now wrinkled piece of paper at his brother, containing heartfelt lyrics to another one of Noel’s melancholic masterpieces. “We’re not a sad band, for fucks sakes!”
Sighing, Noel looked away from his sibling’s frustrated stares. Taking a hold of the paper, he unfolded it slowly, attempting to stretch out its unfortunate bruises: formed when gripped firmly in Liam’s palm as he skim read it atrociously. His eyes trailed from the top, all the way to the bottom of the page, examining the lyrics that messily peppered the sheet. He had spent hours, days, relentlessly trying to get the words right; it seemingly sounded better in his head rather than on the paper, his heartfelt remorse towards the amounts of paper he used - and eventually binned - ghosting his mind as he stared at the title of the song. Talk Tonight.
Usually, he would be skilfully speedy with writing such anthems, yet, with this song, he felt it contained more of him than anything else did - his bare heart, unexpectedly torn out of its ligaments, dusted on a random chopping board, framed for the entire world to see. The public would have no idea who it was about and why he had written it, but knowing the obsessive fans that queued for hours just to buy a 7” single, crammed gigantic concert halls, chanted back memorable lyrics, which were either written hurriedly, wanting to complete the song or were age old melodies, well thought out in his childhood bedroom - accompanied by Liam’s occasional interrupting with his rowdy complaints about their mother not allowing him to go out and mess around with his friends at the time. His fans may either be oblivious as to the meanings of the song, or they may be able to depict it as adroitly as a neurosurgeon figuring out the exact muscle which broke apart the spine. You never knew.
Noel stayed silent, not replying to Liam, leaving the standing sibling puzzled by his distanced expression. Expectedly, he assumed Noel would answer him, perhaps with a scolding, reminding him that he doesn’t write the songs, and that Noel’s the mastermind of it all, to which Liam would throw a hissy fit, storming out of the room in anger towards his repetitive comeback. Nevertheless, all that sounded in the room was a light hiss of wind escaping from the outdoors, seemingly into the small crack of the slightly opened window; you couldn’t tell whether it was shut or open. The fresh seeping air felt like it was intruder, like a fox deciding it was their place to rummage through your neighbours’ bins for a midnight snack, and after not managing to find anything, leaving all the bin bags ripped open, the trash every place imaginable in the adjacent front yard. “Noel?” Liam spoke, walking up to where his brother was sat, eventually inviting himself to sit next to him.
Liam’s words snapped Noel out of his ponder over what seemed to be anything imaginable. Blinking a couple times, he rubbed his right eye irritatingly, finally responding to his awaiting brother. “What?” he asked, folding up the paper once again, hiding it from Liam, as if he hadn’t already seen it previously. There was an element of secrecy in this song, something he found himself afraid to admit, even to the closest person to him.
Taking note of this, Liam slowly gained an idea of the reasoning behind his aloof body language. “Who’s it about?” he questioned, snatching the piece of paper out of his sibling’s grip, once again. As he opened the fold, he noticed Noel’s tense body again from the abrupt clutch of his work. He re-read the roughly written lyrics - some endings of the words resulted in being smudged due to the pen his brother was using - this time seeing the lines in a completely different light. Noel was calling out for someone, a hint of plead, offhand desperation, a simple crave for attention, all effortlessly foreshadowed in his words. This wasn’t an ordinary song; this was about someone, someone close to him.
“Who’s it about?” he repeated, his tone on the stretch between rough and soft, like a baby’s screeching, features soft yet voice ever so repulsive. Noel’s dry, lifeless responses began to agitate him, though he tried to hide it, his eyes trailing off to study the older brother’s distinctive features in a midst of the silence, always taking interest into his sibling’s prescence. He took note of his messily arranged mop hair-do, decorated lightly with significant stands sticking out freely; it was obvious that his attention being undivided towards his meaningful lyrics made him feel that he had no need to do himself for anyone else, along with the curved bridge of his nose, morphed in a delicate overlay of skin, a unique microcosm to who he really was. Both Gallagher brothers were pictured in the magazines as loud, condescending, boisterous teenagers from a poor, working class background, each one oblivious to the understanding of how to control (and handle) the spotlight - yet always wanted it to be on them. However, the way the world pictured Noel wasn’t fully correct: yes, there were times he was off of his head, drugged up in all sorts of class A drugs he seemingly was able to purchase from the insane sales their debut album, Definitely Maybe, had scored. Regardless, the world saw Noel as the twin of Liam: the same, when without a doubt both carried such idiosyncratic differences.
Once again, Noel kept quiet, engrossed between his many thoughts and ideations, not knowing whether to answer Liam or keep his silence. Noel felt the strong stare of his sibling being emitted onto his flesh, drawing himself two options: telling Liam and having him shut up about it, although he knew he wouldn’t, or keep his brother asking the same questions, his curiosity - and aggravation - increasing every millisecond as his quietness progressed on. “Is it someone I know?” the sibling asked, causing Noel to swivel his head instantly - locking eyes with him in surprise. Yes, Liam, it is.
Liam was quick to catch Noel's startled expression, immediately thinking of all the girls they had been friends with, or had been working with them within the past year. They didn’t have many girl-friends; when you’re front page on practically every entertainment article about how loud and tatty you usually were tended to result in hatred by the mass population of women. Regardless, there were enough girls to be friendly with; when you’re drunk in a pub at three in the morning searching for a passionate night with someone, it’s less likely you’re going to keep your eye out to not sleep with someone as attractive as the Gallaghers. “Is it Matilda?”
“No,”
“Evelyn?”
“No,”
“Nicole?”
“No! It’s Y/N!” Noel yelled, agitated by his brother's bombarded neediness to know.
“So not Nicole?”
“No,” he repeated, his mind beginning to despise the word after the countless amounts of it rushing off his tongue in the mass of a few seconds.
“Good, because I like Nicole,” Liam mumbled, gazing straight at the window, intently listening to the quiet sound of cars driving by on the road beside them.
Shocked, the older brother bunched his eyebrows together and squinted his eyes. “You have Patsy, Liam,”
“Yeah, but,” the younger brother began, before being caught in realisation. “Wait, Y/N?”
Sighing, Noel came to a conclusion that there was no way of escaping the situation. “Yes, her,” he replied, taking the song out of Liam’s palms. He had stared blankly at the sheet hundreds of times, lost in a dream, yet each time he felt as if he was reading it for the first. Every time his eyes laid upon the first few lines, his heart felt as if it was a balloon being punctured with a toothpick on accident, cascading out of a little child’s hand in the middle of the sidewalk, flying onto the road making it unable to get a hold of it again. The kid cries, but the mother tells him to get over it, you’ll get another soon, she says. Noel rarely spoke to Y/N, and when he did, he either stuttered or was too drunk to finish a sentence. She made his heart flutter, in the most endearing ways, receiving a small smile from the girl brightened his day to the fullest. Sometimes he wondered if he was in love with her, love at first sight when they first locked eyes in the recording studio, the band’s manager introducing them to the band as the recording assistant. She was the prettiest girl he had ever laid eyes upon.
“Why didn’t you tell me?” Liam asked, wrapping an arm around Noel. “Or even, why haven’t you gone out with the girl yet? She’s single ain’t she?”
Noel nodded his head, staring down at his fingers as they cradled the sheet cautiously, hoping not to rip it in the slightest. “I was thinking of showing the song to her, since I have no fuckin’ clue how I’m supposed to tell her how I feel,” he added, pulling his hand up to chew on his nails - out of nervousness of the idea of presenting such a heart-wrenching song to her.
“Tell her tomorrow, show her the song after recording,” Liam suggested, slipping his top lip into his mouth, wondering what was battling his brother’s thoughts. He had never seen his brother so naive to how to talk to a girl, tell her he wants to go out for a drink with her, enjoy each other’s company as friends, not co-workers, for once. It was like the entire topic was something so new to the sibling - not even his brother could aid him with directions over what to do, exactly presenting a child the quadratic form, they would never be able to understand it.
A few long, impatient seconds whistled by in the room - the ambience tense yet soft, bubbled to the brim with thought. Liam didn’t want to say anything else, knowing his brother wouldn’t answer; he wanted to wait for a well thought out response, one that would make sense - unlike receiving flat-out no’s, which brought both boys off guard over the repetitiveness. “You think it's good enough?” Noel questioned, locking eyes with the opposing brother once again. Funnily enough, he knew the exact answer he was going to receive; he could hear it in the room, bouncing off of the walls, the exact words rolling off of Liam’s tongue. He knew him so well, he didn’t need a conformation of words as they fell off of his lips.
“Go for it,”
~~~
After another strenuous day of recording, bickering, and a sporadic storming out by the lead singer, they somehow managed to record two songs: Acquiesce and Headshrinker, both songs to be included in their first single release, Some Might Say, for their upcoming album. There was high anticipation for this forthcoming LP - tabloids had the topic stained on their lips, the matter embossed in their heads, it being the only thing they were able to talk about with a such excitement, almost exactly like the buzz the band received with their first album, due to it becoming the fastest selling debut LP in the UK charts. Everyone was shocked by their sudden appearance, and along with their rugged up, tough looks, you couldn’t take your eyes off of them. Unsurprisingly, the air in the room was filled with up to the brim in fog - all from the hundreds of joints that were scruffily wrapped up and burnt, all up to its butt to be chucked away in the dustbins. There were ashtrays decorated all around the room; some practically overflowing in dust, others merely sprinkled in ash it could almost present as unused and clean. Time felt distant; with the clock itching to strike hour 5, the atmosphere was left fussy, all five boys drained entirely from the ridiculous amounts of re-recordings they had to do, along with Guigsy being especially annoyed by a decision their label had made for an upcoming gig they seemingly had to start planning for. Bollocks, he shouts, slouching down in his seat, as Bonehead scoffs at his continuous childlike behaviour.
“Right well, I’m out,” Liam yells, his eyes immediately drifting onto Noel. Giving his sibling a nod, he grabs hold of his spliff again, his fingers softly entwining with the roughened fabric, inhaling sharply before exhaling out its poignant contents in front of Y/N’s face. “Bye, Y/N,” he adds, turning his head away and swaying out the door - trying to present a cool-like physique. The rest of the boys follow, except Noel. She laughs at him, whispering a short bye before carrying on with her previous activities. The boys were planning on going to the nearest bar to hang out, we deserve it after all our hard work and dedication to this shitting album, Liam would always repeat. Not like their lives aren’t situated with cigarettes, bars and alcohol practically everyday. I want to find a bird to sleep with. You have Patsy! Oh, yeah.
After everyone had left, it was only Noel and Y/N left in the space. Noel was sat in the recording room, playing around with the strings on one of his many Gibson’s, his fingers lightly tapping on the metal cords, attempting to settle another melody for another upcoming song he had thought about. He was always like this. He was the definition of the I’ll-see-you-guys-there type; he constantly had something to do beforehand. He carried such a creative mind, you never wanted to interrupt him when he was left in his element, you knew he was going to create something amazing - he always did. Y/N currently had her headphones on, her head slowly bopping to the sounds of the music she was playing as her eyes were focused on the controls. Every few seconds she would mess around with the controls, either boosting the bass or lowering the sound of the guitars, continuously finding something fun to do with the tunes. As the song she was listening to had come to a close, she clapped lightly to herself, accompanied with a wide grin plastering on her face. Listening to music was her favourite thing in the world to do; it repeatedly gained her such emotional satisfaction you’d envy it from afar.
His eyes drifted onto stare at Y/N. Every time he laid her eyes on her, he was perpetually enthralled. Enthralled by her presence, enthralled by how much dedication she can hold to one small, simple thing - she never seemed to get tired by anything, even by his younger brother’s whiney behaviour. She was most certainly the best one to speak to him whenever he was pissed, agitated or refusing to do as everyone was telling him to: whether it be because of an argument he had in the midst of recording about how the lyrics sounded, resulting in him storming out, or about a petty comment that was slipped out of their managers’ lips about how hard they are to work with, she consistently knew what to do. Her voice always held this calming tone, almost like she could never shout, get mad, even if she tried to. What made Noel inspired for his songs wasn’t the same, rapid rush of exhilaration that he’d gain as he was nearing finishing the song; it was the Oasis in her eyes that motivated him. She saw them as this power, this light that no one was able to obtain, Noel being the only one able to unlock the true colours behind it. The mastermind. Whatever she said, whatever followed off her tongue professedly felt like it came straight out of a book - no matter what conversation was occurring. Her words would repeat in his head until they became engraved and cherished, saved for another moment to remember. It would never leave his mind. He was constantly captivated by her, in the most desiring ways.
“What are you doing?” Noel asked, attempting to hold a conversation. His fingers were still messing around with the cords, this time his other arm resting on his lap instead of situated on the neck of the guitar. He watched her head lift up, switching her gaze from the controls to instantly lock eyes with Noel, a bright smile now glued onto her face.
“Just having a bit of a play with the controls,” she grinned. “And you, mister Noel?”
Laughing lightly at the tiny nickname he had received from her, his heart warmed by her blissful aura of everything he had wanted to see in a girl. She always carried optimism wherever she went, consistently held her head up high. “Figuring out something for a song,” he mumbled to her, to which she nodded her head slowly in reply, her eyes now staring at the guitar placed on his lap. Her eyes kept switching from to the nape of the instrument straight to its body, practically analysing everything that was on it. This carried on for a few seconds, the air mute until Noel decided to speak up with something he was anxious about bringing up. “I wanted to show you something,”
Building up enough courage, Noel placed his electric guitar on the stand next him, exiting the crammed recording room to quickly enter the lounging space. Y/N’s eyes never left his body; her curiosity stretched out in the masses towards the lanky boy’s withdrawn approach, striking her attention right away. The entire time he avoided locking eyes with her, trotting into the space quickly as he went to grab a random acoustic thrown on one of the couches in the room, knowing his nerves would reach a breaking point soon enough, for even thinking of creating contact with her enticing, sunlit orbs, filled with an itch of interest and consistent undivided attention, would cause him to shrivel back into the young Mancunian boy he once was, before stuttering slightly and rushing out of the room - danced in embarrassment. He had never come across a girl who was able to strike him in such a way his nervous system was at a risk of collapsing, the only songs he was able to write about people tended to either be his brother, or situations with friends - for it was never a girl, he was never like that.
Snatching the previous seat of the acoustic that was cradled in his arms, Noel pulled the instrument closely to his body - the wooden material now in contact with his clothed chest. Inhaling the air as if it were a spliff coiled with weed, he took deep breaths, counting down from the number five before speaking up again. “This one’s called Talk Tonight,” he echoed, before his fingers - as if magically casted a spell - automatically shifted places on the fretboard, beginning to strum the solemn notes, beautified with adoration. At this point, Y/N’s chair was completely swivelled, her gaze fixated exactly on Noel, her heart agape as she marvelled at the boy merely inches in front of her. The heavy strums were the only thing sounding in the room, settling on a peaceful, luscious tone, containing powers to set you in a stupor of harmony, reconciliation, sending you straight to sleep in just a few seconds. It had power to heal you, like an antidote adorning your skin, the pain at first making your face scrunch up in distress, then relaxing after a short while, pleasure washing over your veins to realise you were finally healed.
Once Noel began singing, he became a different person. His nerves were long gone - escaped from his mind, for all tension was now released from his body as his fingers swept across the strings freely. Without even looking at Noel, it was clear that the piece he was performing meant a lot to him, his vocal chords perfecting the notes in hilarity, infatuated by the idea that he was truly presenting it, in real life, to the girl he couldn’t stop thinking about for days on end. He was singing it like he had nothing left to lose, for he was unmasking a side to him he never dared to even think of letting escape; it all his thoughts, his feelings, pouring out in a short 3-minute song, pacified with emotion - it was impossible not to feel an attachment to the music. As he was nearing the last couple lines of the song, he lifted his stare from his instrument, looking to see if Y/N was watching him, and to his surprise, he was instantly met with her gaping at him. Their eyes were glued to one another’s, almost like they were afraid to blink, or do something to prevent not sharing the moment with each other - even if that meant having your eyes burn out of dehydration.
“I wanna talk tonight, Until the morning light, ‘Bout how you saved my life, I wanna talk tonight.”
After the song ended, there was immediate clapping from Y/N. It was the same, quiet clapping she bestowed earlier when she had finished listening to one of their demos by the control centre, but this time for Noel, and only him. “Was that for me?” she asked, her grin blaring out in her words. She knew it was, all from the beginning with his awkward walking to grab the guitar, yet she still asked anyways. Noel didn’t answer, looking away to stare at his free hand stroking the couch nimbly. He didn’t know what to say, slightly embarrassed yet glad he finally accomplished what he was trying to muster out for months. At first it was a quickened heartbeat as she walked past him, him being all flushed out with a simple doing, to not even knowing what to say when she asked him a question about his guitar riff he performed, to which he’d turn to look at Bonehead, asking him to reply a question he didn’t know the answer to. “Because if that’s the case, I feel the same way,” she added, knowing Noel’s head would turn almost immediately. And it did. He was met with her lips, brushing against his teasingly, their noses colliding together, on the verge of morphing into each other. He felt that he had finally found the one person who understood him best among anyone he knew; he felt as if she knew him more than he knew himself, without even communicating. It was a feeling so scarce and infrequent, he finally understood life for what it really was, for he would prefer dying in that exact moment than pulling away, having to endure the ache of realisation: realisation he would never have a moment so perfect ever again.
#noel gallagher x reader#noel gallagher#liam gallagher#oasis#oasis band#britpop#90s#nineties#imagines#band imagines#fluff#smut#angst#my writing
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Everything Wrong With The Umbrella Academy. Episode 1, We Only See Each Other At Weddings and Funerals.
Some context before the cut: This is all in good fun! I wanted to do a really nitpicky re-watch of the series and found some really cool and interesting things I didn’t notice before. This is meant to have a Cinema Sins-esque tone. However, I did take off a lot more sins than Cinema Sins would have because I do genuinely like the series and the people that made it possible. So all of the good things got one sin off and all the bad things got one sin added. This is a really long post, so grab some popcorn. If there’s anything that I missed, feel free to add it!
We Only See Each Other At Weddings And Funerals
The story opens with a random scene. I know why this is important now, but for a first time viewer this is a strange Russian show with no subtitles. Sin for the fact that this opening scene could drive away audiences when they could have opened with Pogo’s monologue or the sudden birth scene. +1
Sudden birth. I know that this is what starts the whole series, but not once do these assholes discuss the implications of sudden birth. That shit is traumatic and must have induced a lot of trauma in the mothers. Sinning for trauma. +1
The russian ladies all help this poor girl. Teamwork and togetherness gets a sin off. -1
How did they get her swimsuit off enough for her to give birth without just taking the whole thing off? Did one woman happen to have a pair of scissors on her so they could cut the crotch? Because one piece suits are not that flexible downstairs. They didn’t take it off her, it’s still covering her. Sinning for lack of realism or explanation. +1
This narration should have happened much sooner. +1
Buying children. Literally buying children. And he gets seven so he buys them wholesale. Seven sins because Sir Reginald Hargreeves is a dick that bought seven children. +7
One sin off for the soundtrack now. All the songs used in this show are bops! -1
Ellen Page starts playing the Lindsey Stirling Phantom of the Opera piece on the lowest string when the piece starts on a high note. One sin for lack of musicality. +1
Minus one sin for Ellen Page’s vibrato. Not many people pretending to play the violin get that so accurate. That or this was the talented body double. Either way one sin off for musicality. -1
“Please send more food” Reginald Hargreeves is a dick to his adopted children. He didn’t feed Luther enough, so who knows what he did to the ones he didn’t like as much. +7
Also, Luther has presumably spent four years in this base on the moon. Did he hit his head every morning? You would think that he would learn to duck. +1
One sin off for the moon plant. -1
I’m taking 10 sins off for the special effects of this entire series. -10
That car transition between Diego’s and Allison’s entrances was out of place. I know it’s meant to show that Allison is far away from the action. But did we really need that? It’s not shown when transitioning from the red carpet to Klaus in rehab. +1
What is keeping the lawnchair that Luther has on the moon down? It looks lightweight. Does he have it nailed to the moon? Is there now a lawnchair on the moon forever? +1
Tom Hopper is an excellent actor. He nailed the “just got the news that my father is dead” without saying a single word. -1
Diego doesn’t bother to untie the family he saves. He caused property damage and severely injured the thugs that broke in. No wonder Patch has a problem with him being a vigilante. +1
“Allison, will you wear Valentino to the funeral” +1
One sin off because Robert Sheehan has already won my heart as Klaus and he hasn’t said a single word yet. And for the little jig he does when he gets the drugs. Interesting choice, but I like it. I could be biased because I’ve watched the series already, but I don’t care. One sin off for Robert Sheehan. -1
Why was Vanya allowed to be playing to this empty theatre with spotlights on her? Does she have an arrangement with maintenance? Is that why the orchestra isn’t set up? +1
One sin off for the Hargreeves mansion. The set designers did an amazing job.-1
Creepy shrine portrait of Five is creepy and somehow manages to not look like Aidan Gallager. This could be a stylistic choice to show that Reggie didn’t care about Five, in which case, another sin for child abuse. +1
Creepy statue of Ben is creepy. And it doesn’t look like Justin Min or Ethan Hwang. Who is this statue honoring? +1
It has been stated that Ben’s death broke up the academy. Yet, the other four assholes stuck around for one more portrait after his death? +1
Vanya doesn’t close the doors behind her when she walks into the mansion. +1
Diego’s outfit is central to introducing his character. However, it is dumb as hell and he probably stabbed himself with the knives in the harness multiple times. Especially the ones on his back. +1
Diego is a dick to Vanya at their father's funeral. I know Reggie was a jackass, but Jesus Christ, Diego. Have some tact. I know this is meant to show that Diego doesn’t have any tact, but this is such a severe line. +1
In the first shot of Reggie’s bedroom there are 6 freaking lamps. What is he, Bella Swan? And later, there are three more. +1
David Castaneda really brings Diego to life with his interaction with Luther in Reggie's bedroom. -1
I know I already took sins off for the special effects, but Pogo deserves another two off. Special Effects team, you did good. -2
“How long has it been since Five dissapered” is the most obvious bit of exposition/foreshadowing. To the point where it reads lazy. Another option would be Vanya asking “How long has it been since” and trailing off from there. Pogo knows what happened. This is a crucial reveal, let the audience wait for it a bit. +1
One sin off for Vanya being a good sister to Five. Fluffernutter sandwiches and leaving the lights on is heartwarming. -1
Props to these child actors for being able to portray the way Reggie treats them and how that affects their emotions in the scene where they wanted to say goodnight to Reggie. -1
However, Reginald Hargreeves is a dick to his adopted children. I will keep sinning this. +7
After Reggie shuns and ignores his children, Luther’s hand on Ben’s shoulder is a subtle way to show that Luther and Ben were sort of close, which is what an excerpt from Vanya’s book implies in the comics. Good job directors or actors for making that choice! -1
Robert Sheehan in the office scene. This is where we meet Klaus as an audience for the first time with dialogue, and he fucking nails it. -1
“Thank God he’s not our real father so we couldn’t inherit those cold dead eyes! Ahh! Number Threee-” The delivery on that line is excellent. -1
Klaus’s dangly necklace that looks kind of like dog tags foreshadowing the real dog tags he wears later on in the show. -1
No way in hell Klaus’s skimpy outfit provided enough concealment for that massive box. In fact, in the shots we do see of his back, we should have seen the outline of the box. +1
Sir Reginald Hargreeves is as obsessed with lamps as he is with collecting children. His office is full of them! +1
“Do you think he wears that thing in the bathroom” “Like in the shower” “Yes, absolutely” Allison and Luther have some good interactions. This is where they really act like siblings making fun of another sibling. -1
A woman who told bedtime stories to her kid about her uncle on the moon forgets that said uncle has been on the moon and judges him when he doesn’t know about her divorce.+1
“Rumor thing” Way to be specific, Luther. +1
Allison’s expression at the family meeting when she takes a sip of her drink. Emmy Raver-Lampman is what makes this character likeable. -1
Reginald Hargreeves was a dick to his children. The whole favorite spot thing? Yeah that. Golden child abuse victim. +7
Sir Reginald playing tennis with Hitler line. -1
Luther accuses his siblings of killing their father. Have some tact man, not at the funeral. This makes sense for the character and his circumstances, but I am still sinning it because Luther doesn’t think he did anything wrong. +1
I feel kind of bad for Luther after his siblings leave the room. Great acting on Tom Hopper’s part. -1
How did Allison get into the bank? +1
Luther straight up throws this man out of a building! That guy is 100% dead. And then he admonishes Five for being a killer later! +1
“Guns are for sissies, real men throw knives!” is a line that would only be spoken by a twelve year old that has never faced the judgement of people he isn’t related to. Also, Diego practiced this line in front of a mirror. +1
But that throw was badass, so... -1
Also, how did Klaus, Diego, Five, and Ben get into the bank as well? We only see Luther enter. And presumably Five teleported in. So were the rest already in there? +1
Five manages to jump faster than a bullet here, but in episode two he’s a lot slower when jumping from one side of the table to the other. You could make the argument that the table is in the way, but there was a human being and a bullet in the way here. +1
“Woah! That’s one badass stapler!” This is the first sin off because Aidan Gallagher can act, and it will not be the last. For all his grumpy 58 year old man, he also manages to shine while playing a young version of said grumpy 58 year old man. You would think that one or the other would be a little weak, but no he nails both performances. -1
But, how did Five switch the gun and the stapler? And why do we never see him do this again with more useful items like a briefcase or one of the machine guns used by the local commission hires? Can he only switch items with a similar mass? How does this power work? +1
Luther is the one that tells Ben that there's more guys in the vault to kill. Not Klaus who could have been like “a ghost said there's more guys in the vault”. What exactly did Klaus do on missions? He isn’t shown helping the hostages or fighting in any way. +1
“I didn’t sign up for this.” yeah Ben, like it’s a summer camp and not your abusive father buying you as an infant and then forcing you to kill people. +1
Kenny’s mom appearance. Also, the woman mixes leopard print leggings, a black dress, a square pattern cardigan, and a hat with stripes and a pom-pom. +1
“Can we go home now” Ethan Hwang had great delivery on that line. -1
Sir Reginald Hargreeves is a dick to his children. He forces 6 of them to kill, and then makes it seem like it’s all fun and games to the one he isolates. +7
When did they get coats and scarves? Did Reggie bring them coats and scarves while coming down to address the crowd? +1
Also, Reggie was on the roof of a different building with vanya! What did the kids do while they were waiting for him? Stand around and look pretty? Not likely, Ben was covered in blood. +1
Also, when did Ben have time to clean up? He is significantly less bloody in the scene where Reggie talks to the press. Yet his mask, uniform, and a bit of his jaw still have blood. This suggests he had time to wipe down. What kind of magic wipes are these that soak up and remove blood quickly and where can I get them? +1
The way the children wear their scarves show their personality. Luther has it done properly, Diego has his flapping around, Allison and Klaus have tied it fashionably, Five has it done well, but not as proper, and Ben has it done like Luthers. Well done costume people or actors who made that character choice. -1
The entire scene when Klaus attempts to summon Reggie from the afterlife. -4
I forgot that Klaus actually calls him Reggie in this scene. I thought it was just a fandom thing lmao. -1
How did Klaus clean up the ashes without leaving evidence on the bar? Did he vacuum it? +1
The cutesy fighting posters are a great set design choice. -1
Allison had her trauma tattoo refreshed at some point. It’s faded on Klaus, but on her it’s perfectly visible and stark. I’m sinning because they don’t show or tell why Allison might want to do this. +1
Also, that guitar Klaus was cuddling in a later scene, was just in the kitchen for some reason. Why? +1
Five and Ben are not part of the I Think We’re Alone Now dance party. I know it’s for plot, but come on! They don’t even have another dance party later to make up for this. +1
Diego and Vanya totally saw each other when Diego went to close the door between the foyer and the living area. +1
Luther and Vanya’s dance moves. No hate on either though because I dance like them if it isn’t swing or any other partnered dance +1
Diego, Klaus, and Allison’s dance moves. -1
Also, the song is heard all the way in the kitchen. There is no soundproofing in this mansion. +1
Luther punching down the airplane is funny. -1
David Castaneda doing those amazing dance moves in character. -1
Oh hello Five. Nice of you to show up and kickstart the plot into being something other than washed up superheroes are really sad and abused. +1
“Daddy!” -1
Why were Five’s powers affecting random objects? +1
Klaus is the only one with self preservation. “I vote for running” +1
“Does anyone else see little Number Five, or is that just me” is a great line because Klaus can see the dead. However, the dead don’t show up in massive portals, otherwise something like that would have happened when we see Dave in The Day That Wasn’t. +1
Five asks for an exact date and then Vanya gives him “the 24th” real specific, Vanya +1
Five doesn’t close the fridge properly because that doesn’t matter in the apocalypse -1
“In the end I had to project my consciousness forward into a suspended quantum state version of myself that exists across every possible instance of time” “That makes no sense” “well it would if you were smarter” the mark of someone being smart is being able to explain concepts like this in layman's terms. If Five were as smart as he said he was, then he could have been able to come up with an analogy. That or the showmakers have no clue what they’re talking about and wrote a bunch of science-y bullshit to make Five sound smart. +1
Diego was ready to throw hands with Five, someone who looks thirteen and was thirteen until Five explained otherwise. +1
“Dolores kept saying the equations were off” so in other words, Five knew that his equations were off, but he still risked it. +1
But also, Five knew his equations were off, but he was so desperate to see his family that he risked it anyway. -1
Nations Gazette paper has articles that look like they’re actually about the headline. -1
“What part of the future do you not understand.” -1
Aidan Gallagher’s delivery in that scene really set the tone for his character. Impressive. -1
Five decides to dress in the full on school boy getup. Complete with the tie and the blazer when those items aren’t necessary. +1
Aidan Gallagher and Ellen Page are two kick ass actors. They play off each other surprisingly well. -1
“You mean like what happened to Ben” “Was it bad?” What happened to Ben? This remains a sin until they explain it. +1
“May the darkness within you find peace in the light” that sounds really bad. What a horrible thing to have on your statue. +1
Jordan Claire Robbins’s performance of Grace -1
Luther and Diego are so emo that they don't need umbrellas. You’re in The Umbrella Academy! This had to be a personal choice to not carry one. +1
Klaus’s face when Luther dumps out the ashes. -1
The camera cuts to Five when Diego says that Mom gave them actual names. -1
The fight between Luther and Diego is stupid. +1
Klaus and Five fight over who is going to protect who. +1
“Stop it!” “Hit him! Hit him!” -1
The detail on Ben’s statue. It shows his toe and knee have been touched many times by people who presumably miss him and love him. -1
Luther punches Ben’s statue in the crotch, which makes Klaus’s face 10x funnier once you remember that Ben was probably there too. -1
Luther punches Ben’s statue in the crotch and beheads it, suggesting that Luther had something to do with Ben’s death. -1
Luther punches Ben’s statue in the crotch. +1
Klaus puts his cigarette out in reggie’s ashes. -1
Reggie narration +1
Reggie is a dick to his kids +7
The stupid, bright green jumpsuits +6
What is the point of this exercise? How does running up the stairs make them better heroes? +1
Young Diego either practiced “That’s not fair, Five’s cheating” or his stutter is only there when the plot calls for it. +1
Child Abuse tattoos +12
The fact that Vanya feels left out because she didn’t get a child abuse tattoo. Reggie, you fucked up these kids real bad. +2
We think that Reggie is comforting Luther after he got a child abuse tattoo, but no, he’s actually just attaching monitors to his head. +1
Reginald Hargreeves likes to watch young children sleep. +7
Vanya foreshadowing. Her monitor showing more activity then the cut to her taking one of the pills is brilliant. -1
Vanya still doesn’t close the academy door behind her when she leaves. +1
“An entire square block, 42 bedrooms 19 bathrooms” Five are you a real-estate agent now? +1
“Dad hated children too, but he had plenty of us!” Klaus would be excellent at cinema sins. Seven more for child abuse +7
What are the rules to Five’s jumps? We only really see him jump to places he can see unless he is time traveling or in the instance where he jumps to the car. Speaking of, the car had the keys in it. Reggie, are you trying to get it stolen +1
Diego is a dick to Allison about her divorce. +1
Klaus and Diego’s interactions make me happy. -1
The Klaus theme is a wonderful piece of music. -1
Robert Sheehan making David Castaneda laugh. -1
We get our first glimpse of Luther’s arm here. It’s super weird and vague and only teases the reveal. This is where the ape reveal should have been for the audience and where it would have made sense. Doing the reveal in a later episode is weird. +1
Five doesn’t know how to break correctly, which contradicts “I know how to do everything” +1
Something I just noticed, Five completed the uniform not only with the tie and blazer, but with the hair gel too. +1
The towing guy chooses to sit next to Five at an empty counter. +1
Five looks so offended when Agnes refers to him as “the kid” -1
The creepy smile Five pulls in an attempt to look innocent doesn’t make Agnes scream in terror. Seriously Aidan Gallagher, what the fuck was that that was absoulutely terrifying. +1
+1
Five attempts to relate to a man that looks the age that he should be, but it ends up exceedingly awkward because Five looks 13. +1
The tow truck driver helps him out, but how was Five going to pay for his coffee? We don’t see him with money. Was he just going to jump out to the car? +1
Five never gets his cup of coffee :( +1
“Istanbul was Constantinople/ Now it’s Istanbul not Constantinople”. This whole scene is great. Five plays with them like he did in the bank scene which shows that even if he did age, he didn’t do it around people so he doesn’t have maturity. -1
Five stabs a guy with a mop and kills him. -1
Five stabs a guy in the crotch with a pencil, then uses the same pencil to stab him in the eye. In between he throws a plate at another guy. This is badass. -1
Five jumps in a way that actually does make two of the idiots shoot each other. Which means that technically, Patch was right. -1
Five kills a man with his bare hands. -1
But he stops to put his fucking tie back on. +1
And yet after all that, the goriest thing is when Five pulls the tracker out of his arm. Props to the makeup department and Aidan Gallagher’s acting skill for making that look so real. -1
Five should be way sweatier when he walks out of Griddys. Unless he moped that up with some napkins? What are these super absorbent napkins and where can I buy them? +1
Agnes should be far more traumatized. And definitely shouldn’t have survived that. +1
Diego is emo with the monocle. +1
Luther flashback narration. +1
Klaus, thankfully interrupts this. -1
“Number 6 “Ben” (deceased)” -1
We can see Ben depending on if it’s Klaus or Diego talking. -1
The vigilante mask Diego wears +1
Five jumpscare in Vanya’s apartment. +1
“Rapists can climb” yes Five. Continue with the criminals that can climb. Including you. +1
This whole scene is the best ending to an episode in the entire season. -1
Aidan Gallagher and Ellen Page play off each other with subtle expressions. This acting talent is amazing. -2
“The world ends in eight days and I have no idea how to stop it” “I’ll put on a pot of coffee” roll credits. I love this ending for many reasons. It’s a total mic drop moment. -2
Overall review:
While actively looking for nitpicky things, I got to see the first in a whole new light. Both the great parts and terrible parts stood out in a way that they didn’t when I wasn’t looking for them. Robert Sheehan, Aidan Gallagher, and Ellen Page were the stand out actors in this episode. All three contributed something significant that didn’t heavily rely on the script writers.
The child cast also really stood out to me. All seven of them had very limited screen time (I am counting Gallagher playing a child version of his character in this assessment) and they absolutely made the best of it. Out of all of them, Ethan Hwang stood out to me because of his overall great delivery. I hope that we see him play Ben in a more in-depth way in season 2.
Don’t get it twisted, I genuinely like this series and I think that it tells a great story. I just think it’s fun to nitpick and look deeper. After over analyzing everything else, it’s time to get back to basics. Especially because the season 2 trailer could drop any day now.
Total: 82 sins
Sentence: Tennis with Hitler and Sir Reginald.
#The Umbrella Academy#all in good fun#luther hargreeves#diego hargreeves#Allison Hargreeves#five hargreeves#ben hargreeves#vanya hargreeves#i worked really hard on this
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Hey there, swifitie anon over here. Lets go over some things, shall we?
The last season of The Bold Type could have been better, it felt so rushed and a couple of the plot lines came out of nowhere and didn't make sense. At all.
I saw your post giving us a sneak peak for welcome to the digital age, babe and swooned when I saw you put a Taylor reference for me. I didn't read it though, because I prefer to experience the whole thing in one go.
Like I did last night, when you posted the whole chapter. Funnily enough, I was rereading another one of your fics: he laughed, she shrieked; she yearned, he loved. The references to Taylor's songs are not only greatly appreciated by me, but they also fit the story arc to a t. Weird how I hadn't brought that one up.
Now, the chapter. I'd firstly would like to thank every person who voted for angst on the twitter poll. I hope all of them are having a great day. I loved it. I loved the humour, their panic, their failed attempts at communicating how they're feeling, the fact that looking back from this chapter to the first or even second one, you can really see the progress their relationship has had, that we're officially in the mutual pining territory. THE MENTION OF BENJI. All of it.
I also would like to say that you do such an amazing job at conveying their emotions through text messages that it baffles me a bit. I think is a testament to how talented you are with words, that you can find the perfect way to arrange them so we can understand what they're feeling and thinking, without having access to their inner dialogues, descriptions of their facial expressions and basically only getting a summary of what happened based on what they text to each other and rest of the characters. I'm blown away by you every time I read a new chapter and can't wait for the next one. Meanwhile, you can find me in the pubwe rereading WCBCR again.
We got Wildest Dreams TV!!!
wekjnrafkdjnsaefkjnweajkr you are honestly my favorite person ever. this message really made my day and I literally wasn't expecting it at all (even despite the fact that I left you a s/o in the chapter note lmao)
- completely agree about The Bold Type and it's super unfortunate that they ruined a great show with a poor final season. My favorite character was Sutton and they... made choices with her.
- lwekmfwklasdmf okay so I just realized that the TS reference I kept hyping up is in fact in the part of the chapter I cut off for the next one... Benjamin is, of course, a Tay reference but there's a better one in the next chapter that I think you'll appreciate
- !!!! you re-reading the song fic 🥺Penelope is just so Taylor and her entire experience with Colin works so well with TS's discography. That whole fic was truly inspired by "Mr. Perfectly Fine" (my obsession with that song re-ignites like once a month) and it's so much how I imagine Pen feeling after the incident
- Ahhh I had so much fun with the mutual pining and I love angst sm that I was all too happy to provide. Fluffy endings are just so much more satisfying with the struggle build-up and I'm so glad you enjoyed it!
- I say this every time but you're so so SO sweet oh my god. I think about every single word/phrase/message I write and the meaning behind them and it's so overwhelmingly amazing that people pick up on that and appreciate it. Also, the way you just casually throw in "I'm re-reading so and so" FLABERGASTS me. I know that people generally enjoy my writing and that's amazing but the idea of someone liking it so much that they re-read the same story I wrote is just so incredible and unbelievable that I don't even know how to put it into words. Thank you so so so much not only for reading but also for just letting me know. It's so thoughtful and wonderful and I just wish you all the happiness and good energy back. (also I jammed to the LB reference)
- and finally NKJWESAFDJKASDFNJKESFNSED WILD THINGS (TAYLOR'S VERSION) !!!!!!!!!!!!!!!!!!!! WHAT IS SHE PLANNING
#writing asks#my fics#digital age#taylor swift anon#lakwensdfzajksdnf#dude ily#i put a lot of feels into this answer xxx#tbh I'm always so amazed by how much kindness there is and I just want you to know how special of a person you are!#like absolute no bullshit you are lovely#and I hope that someone in your life reminds you of that every day#:-) <3#brb gonna go cry cause people just keep being nice to me
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examples of people being racist toward yoko unintentionally: 1- calling her a weird stalker when they glorify/don't mind the many white fangirls who used to stalk the Beatles. 2- spreading misinformation that she lost custody of her daughter when in fact she'd won against her white crazy ex despite everything NOT in favour of her 3- bashing her for using John's glasses on the album cover she worked with John on, when they would've praised the artistry and bold statement if she was a white woman
Hey sorry I got around to answering your ask so late! You make a lot of really interesting points and I rarely hear people consider that.
1 - reminds me of a Tumblr post I saw about an obsessive Beatlemaniac stalker and people were like “me” or “bless her” haha. Definitely different when they can interpret Yoko’s actions as “stalking”. And your point also reminds me of this quote, which isn’t about fangirls but still somewhat kinda related.
“Like Yoko when she met John, Linda was a divorced woman with a daughter when she met Paul mere months later. There are stories similar to those about Yoko of her “scheming” to meet and marry Paul. In the same way that Yoko is said to have joked prior to meeting him that she was “going to marry John Lennon,” Linda joked like any woman with a celebrity crush about how she was “going to marry Paul McCartney.” (Bob Spitz notes both in his book The Beatles. Guess which one he thought was conniving, and which one he thought was adorable.)... Was it the lucky fact that Linda got the scene a few months later than Yoko, or was it her whiteness?“
X
And I don’t have the answer if it was Yoko’s race that made her such a target, but it’s something interesting to consider and note. [And I’ll clarify this, I'm pretty sure Yoko didn't know about the Beatles until she became face to face with one, like she wasn't a fan who got lucky enough to meet her idol. In the David Frost interview and the 1971 Rolling Stone interview, John noted that Yoko didn't know him when they met, and Yoko Ono: Collector of Skies by Neil Beram says this on their meeting: "She was about as familiar with John's work as he was with hers. "I was an underground person, and such an artistic snob," she said later. "I knew about The Beatles, of course... but I wasn't interested in them." Just about the only thing she could recall about them was the drummer Ringo Starr's first name, because ringo means "apple" in Japanese.”] Also, and this definitely wasn’t stalking, but I posted a quote from Bob Spitz’ biography where he writes along the lines of
“[Linda] always insisted that she was going to marry Paul McCartney,” [Nat Weiss] recalls, “even before she met him”... It was no accident that Linda Eastman veered into his aura. She’d taken a few polite shots of Ringo and George before “zeroing in on Paul,”... Linda had come dressed to kill. Most days she played the typical rock chick, decked out in rumpled jeans and a T-shirt, with little or no makeup and unwashed hair. But today her hair had been carefully blow-dried so that it fell perfectly forward in wing points at her chin. And she was dressed in an expensive double-breasted striped barbershop jacket arranged just so over a sheer black sweater, with a miniskirt that flattered her gorgeous legs. When she squatted down – not so subtly, in what must have been a rehearsed gesture – in front of Paul for an intimate chat, he had trouble keeping his eyes from wandering below-decks...
, and some people commented that it appeared kinda predatory/pre-planned (reminds me of some criticism of Francie Schwartz’s meeting with Paul), but overall cute and everything. At the time I wondered how people would react if Yoko did that to John lol. No way of knowing, just a thought. And also, I know Yoko sent him Grapefruit and little instructions often, I think that’s usually what people cite as the stalking, that she tried to ensnare him with it. Again quoting Yoko Ono: Collector of Skies,
For a time Yoko kept in touch with John by mailing him daily instructions-she called this Dance Event-that said things like "Dance" and "Watch all the lights until dawn" and "I'm a cloud. Watch for me in the sky." John found the instructions as perplexing as he found them intriguing.
And quoting this interview (in which she also asserts that “each and every occasion she visited John at Kenwood, it was at his invitation.”),
Despite the popular theory that Yoko was frantically inventing schemes to snare the wealthy Beatle, she was struggling with problems in her marriage [with Tony Cox] and also working hard to establish her career in the UK. Arriving in London in September 1966 to perform at the ‘Destruction In Art Symposium’, Yoko was already respected as an avant-garde artist and performer in New York, where she was allied to the Fluxus movement. She had a trained musical background, and had recently been involved in the improvisational music favoured by her peer group. She had also compiled a book of conceptual and instructional pieces called Grapefruit, and printed up a limited edition.
Yoko distributed copies to a number of influential people during 1966-’67. And John Lennon was one of the recipients. This has since been interpreted as one of various ruses on Yoko’s part to enchant Lennon.
She retorts: “There was a myth that I sent Grapefruit to him… how I wanted to trap him. It was a printed, published book. I had an orange carton of them, a lot of it. I would be giving it to critics. It was that sort of thing. He wasn’t the only one who got it.”
X
And by then, John had already eagerly offered to sponsor one of her shows, I think he was genuinely interested in her work. I don’t think John was actually threatened by these notes or felt he was harassed, especially since he made the jump to invite her over while his wife was away (and Yoko just thought it was a party!). He once referred to Yoko “someone that could turn me on to a million things” in the Lennon Remembers interview, he admired her art. And I know he said to Cyn that the letters were just junk from another one of those weird artists, but c’mon, what do you think John would say to his wife regarding the woman he’s romantically interested in? I don’t think it would’ve been fully truthful IMO, especially considering when John said that he nearly invited Yoko to India around that time because he liked her so.
2 is very true. Tony himself tried to make it seem like Yoko and John were crazy heroin druggies, and that's the case he tried to make (and that’s what he tried to tell Kyoko, that he was “saving” her from drug obsessed occultists). But, Yoko had gone “cold turkey” (ala the song) off heroin in 1969. This was 2 years before she won full custody in 1971.
Although neither parent had been awarded sole custody of the child, Mr. Cox became increasingly reluctant to let Yoko and her new husband spend time with Kyoko, and finally refused to permit it at all. For a year before the Lennons came to America, they had been chasing Mr. Cox and Kyoko around Europe. In Majorca, Spain, the Lennons caught up with them and spirited Kyoko off to their hotel; but Mr. Cox called the police, and a Spanish court gave the child back to him. The incident added to his fear that the Lennons wanted to take her away from him for good.
Soon after the Lennons arrived in New York, they went to the United States Virgin Islands, to the same court where Yoko had been divorced, and that court awarded her permanent custody of her daughter.
X
But, Tony then took Kyoko to Texas (hiding/kidnapping her) which was in violation of that court order. Then more custody battle due to Tony’s stubbornness and evasiveness, but yes, Yoko did win custody then despite everything (even though John was very threatened by Tony lol, to the point he disallowed Yoko to visit him alone in order to discuss co-parenting when that was an option and suggested kidnapping Kyoko. But then again Tony was also kinda crazy. Seriously though IMO Yoko really tried gallantly to have Kyoko in her life, and the loss hurt her. To hear people try to spin it as Yoko being the monster in the situation through misinformation is unfortunate.)
3 is hypothetical, but I do speculate that if Yoko was white, the attitude toward her would’ve been different. Sean said, “It’s intense how racist the world is. If my mother had looked like Debbie Harry, I really think the reaction would have been different.” (X) Yoko’s former partner, Sam Havadtoy, also touched on this in an interview from 1990:
Q: ...No matter what Yoko does, she’s frequently the victim of a bad press. Any idea why?
Havadtoy: After John’s death, newspapers wrote that Yoko was this selfish person hoarding John’s memory, controlling it, not willing to share it with his fans. So after two years, she puts out 200 hours of film footage and a record and they say she’s exploiting John’s memory. She can’t win.
Q: Why not?
Havadtoy: Racism. If she were blond-haired and blue-eyed, nobody would have blamed her for breaking up the Beatles. They were the darlings of the universe; she was an outsider, an Oriental, an avant-garde artist--easy to pick on. When John married Yoko, the British press wrote: “At least he will have clean laundry.” And it’s still happening. America is infatuated with Japan-bashing.
X
And I do think Season Of Glass was a memory thing, I posted about it here: X.
And yes, I think that much of Yoko’s criticism/legacy was rooted in that initial reaction, which was pretty sexist and racist. But I think that influence can still be felt today, in ways that aren’t obvious. And like you said, unintentional. (Before anyone gets mad, if you dislike or hate Yoko that doesn't automatically make you racist lol. But the narrative built around her might’ve influenced your opinion of her, and the narrative was kinda rooted in a racist mentality. So that’s why and re-interpreting her in a fresh light is necessary).
#sorry I know i've said something like that last paragraph many times but just to clarify y'know#yoko ono#the beatles fandom#asks#answers#long post#it got longer than i expected sorry!!#also anon sorry i left your ask unanswered so long!! hope you see this <3#retrospective
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Top 5: Nostalgia Movies
This Top 5 is taking a trip down childhood memory lane to choose the best Nostalgia Movies - films that I loved as a kid and continue to love to this day. The film must have been watched multiple times during my youth and continue to be associated with a memory or tradition that was an important marker of growing up. Therefore, any film produced past 2004, when I graduated high school, has not been considered - and, to even make the cut, the film must be associated with more than just constant re-watches in our downstairs rec room (arranged with a HUGE - well, big for the ‘90s - screen with actual surround sound that my dad installed); rather, these films must be an essential part of my childhood progression into adult-hood and laid the groundwork for a future of loving cinema.
Gibelwho Productions Presents Nostalgia Movies:
5. Ferris Bueller’s Day Off
4. X-Men
3. The Little Mermaid
2. Indiana Jones and the Last Crusade
1. Newsies
Ferris Bueller’s Day Off (1986): As my high school career began to wrap up and I was looking ahead to college (where I had already committed to attending film school), my mother informed me of a proclamation - I was not allowed to leave her household without watching Ferris Bueller. Perhaps she knew that she needed to instill a little bit of rule-breaking encouragement into her straight A / type A child before I was to head out into the unruly world of college, but nonetheless, this film left a mark with it’s delightful adventures of Ferris, Cameron, and Sloane. Years later, I attended an LA rooftop screening where the audience all danced during the Twist and Shout parade, bringing me straight back to the joy of discovering this film with my mom. In the same tradition, I will be sure to make my kids watch this film before they leave our household for the wide world so they can learn to cause a little innocent rule-breaking. Save Ferris!
X-Men (2000): I had a secret obsession when I was a kid - I LOVED Marvel Comics. I had read all of my dad’s comic book collection from when he was a kid, I started my own collection, and had even started tracking the value of each issue. But I was a girl, and did not share this particular passion with my fellow elementary school friends (ahhh, the fear of being judged by your peers). So when I entered a movie theater as a freshman in high school (with my secret still intact) to see an X-Men film and the place was PACKED, I couldn’t contain my excitement that maybe, just maybe, more people would be into these characters and storylines. Then, when I went into my summer theatre program and my friends used X-Men characters as improv inspiration, I thought...this is going mainstream! I still didn’t confide my true colors until the MCU began and my college friends discovered that I knew a...lot more about Iron Man’s backstory than should be possible and I was officially outed. So, fully embracing my nerdom, I traveled to San Diego to the sacred ground that was Comic Con, truly cementing my love of Marvel. And now the rest of the world has caught up to why these characters are so special. That first inkling of a wider world loving what I loved started when I watched X-Men in theaters - seeing my heroes on the big screen, fighting their super villains, and the packed crowd around me was digging it!
The Little Mermaid (1989): One of my earliest memories of opening presents was from my 6th birthday, sitting in the living room and ripping open the wrapping paper to discover the VHS for The Little Mermaid - a film I had seen at school and LOVED - and now it was mine to watch at any time! Truly a special Disney moment, which is also matched with many other memories of Disney animated films (the momentous opening to Lion King and the cut to black that took my breath away in the theater, playing the Mulan soundtrack on cassette over and over singing Reflection, and identifying with Belle’s obsession with reading). I was very much the target audience for the Disney Renaissance, and I ate up all the music, the (slightly) stronger portrayal of women, and our VHS collection only grew to include all of these modern classics. The Little Mermaid kicked off a golden age for Disney Animation and little Katie grew up on the Alan Menken soundtrack.
Indiana Jones and the Last Crusade (1989): Our family had three fancy VHS boxed sets for three different franchises and we watched these flicks on repeat - Star Trek movies (TOS with Kirk and Spock), the Star Wars trilogy, and the Indiana Jones films. Literally any one of the movies from these collections could make this slot, but since both of the Star franchises have already gotten love in these Top 5 lists, I’m going to pick representation from our resident archaeological professor / international adventurer. My favorite of the bunch is the third - from the thrilling opening of young Indy, to the dynamic between father and son, and the epic ending of selecting the correct Grail (“you have chosen...wisely”). Watching any one of these films is just comfort food for my soul, taking me back to the family settling in to watch in our downstairs rec room, setting the foundation for the nerdom that my parents instilled into me at a young age and that has continued to guide my interests and movie-watching to this day.
Newsies (1992): Growing up, my family had Friday movie nights, where we ordered from the Pizza Hut that was right next to a Blockbuster; my brother and I were allowed to each choose a movie to rent for the weekend. I went through a phase where I just rented Newsies on repeat. It was as though this film was made just for me - a musical, set in a historical time period, with cute boys singing and dancing, music by the magical Alan Menken - what is not to love?!? I was so obsessed with this movie that in the pre-Internet age, I wrote down the lyrics by meticulously listening, pausing, writing down, rewinding, and repeating - which was an onerous process when one was working with manual VHS tapes. I eventually got a copy of my own, the DVD when it came out, the CD of the soundtrack, and also the piano sheet music. I knew all the lines to the songs, and could probably to this day quote the majority of the movie. Years later, imagine my delight when Disney produced a Broadway musical of the movie - we took a special trip to New York on my birthday to see the show (which of course, doesn’t match up to my love for the film, the true effect of a nostalgic love for a piece of your childhood). Living in LA affords us the opportunity for magical movie-going experiences, and my husband and I scored tickets to a special showing of Newsies at the Disney El Capitan theater - and then the traveling Broadway company of Newsies the musical that was in town and performing just up the street at the Pantages theater made an appearance and performed for the audience after the movie wrapped. This film has held a special place in my heart and is the epitome of nostalgia love for a movie from childhood.
Honorable Mentions:
The Music Man (1962): The two music genres we listened to growing up were 90s country (Garth, Reba, Trisha, Wynonna!) and also musicals. Our family was very much into theater and starting at the age of twelve, I started acting in musicals at our local performing arts program for youths. Our family also watched many of the classic musicals that were filmed in the 1950s and 60s, such as Hello, Dolly, Oklahoma, and Music Man. This last film stands in as a proxy for all those classics, but was also selected in particular because I performed in a production during a summer in junior high, where I was in the background chorus (and featured in the Wells Fargo song!). The music and lyrics of this story, written by Meredith Wilson, are of such cleverness and variety - from the 4-part harmony barbershop quartet to the love song ballads, the pre-hip hop rhythmic talking song to the genius opening number of the salesmen on the train. The translation to film is serviceable and very much in the style of the musicals brought from stage to screen in the 1960s - nothing too clever and some blocking that sought to recreate a theater stage on the film set, but these series of musical films cemented my love for the genre in an accessible way just as I was starting myself to perform on stage.
Jurassic Park (1993): Oh, the raptor in the kitchen stalking the two kids stills brings me chills thinking about it. Watching that scene as a kid, I (more than once) fled the room because it was so scary! This film had it all - creepy dinosaurs, a smart teenage girl and an even smarter heroine that was a scientist, great music (whose theme I diligently learned how to play on the piano), and plenty of action! My family definitely had this on repeat in the VHS player, but I loved the movie so much that I ended up reading Michael Crichton’s novel to experience the source material - and became more aware of how a film is an adaption of a novel’s storytelling, translating from the page to the screen. I do fall in favor of reading the novel before seeing the movie, but if a film helps you discover an incredible book, it can be like diving into an extension of the world beyond what the screen can fit.
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OpheThorn II: A Slightly Less Rambling Analysis
The Missing of Clairdelune is a superb second installment in The Mirror Visitor quartet. We get more of what we loved about the first book, more pieces to the larger existential puzzle, yet it smartly stops short of resolving too much so that we stay invested for the third episode. Christelle Dabos allows herself slightly more exposition. But the novel really succeeds by continuing to follow the less-is-more mantra and the showing vs. telling style.
As you may or may not recall, after I finished A Winter’s Promise, I spent an embarrassing amount of time copy/pasting excerpts from this book into Google Translate with the result that I really did spoil a lot of the OpheThorn parts for myself—which I don’t exactly regret. But, essentially, it left me with a bit less to say. I had a good response to my first OpheThorn analysis (it’s here and thank you for all the kind words), so I did think that I’d like to put something out about Clairdelune as well, I just wasn’t sure what. After some consideration (and a re-read), I do have some more thoughts about OpheThorn.
So, here we go.
[Spoilers included this time]
[All fanart images credited to @patricialyfoung]
Intro
Since Clairdelune begins right where Promise concluded, Ophelia is still pissed at Thorn, while Thorn is still pining for Ophelia albeit in his uniquely aloof way. The only real thing that’s made me scratch my head with them is the severity of Ophelia’s anger/resentment over Thorn having withheld his true ambitions from her and her finding out about them from someone else. I just think it’s a little bit of a weak conflict for them given how pragmatic they are. I get that it’s the culmination of a frustrating situation. But I still think it’s weak.
So, once again the two begin on shaky ground, a space they occupy for the bulk of the novel. They are, at least, together a bit more than before and there’s all sorts of lovely tension, mostly caused by Thorn’s inelegant method of wooing compounded by Ophelia’s stubborn refusal to give him an inch. Thorn’s growing feelings for Ophelia were subtly hinted at in Promise and they become more apparent here, particularly when juxtaposed against Ophelia’s stubborn denial of hers for him.
And I just adore the cover art! Don’t you?
Thorn and Autism Spectrum Disorder
This is what I want to discuss. I may be alone in this, but it seems like Thorn could be coded as having autism spectrum disorder (ASD). It occurred to me while I was reading Promise and this time around, I feel comfortable in taking that perspective on Thorn. I like the notion of applying an ASD reading to his character because it explains a few descriptive quirks and makes him more than a “weirdo” or “freak”, which is reductive labeling. When considering his interactions with other characters and their reactions to him, this reading lends an added layer to his actions and overall development.
But let me make something clear.
This book isn’t about ASD, so I’m not suggesting that Dabos intended to write Thorn as having ASD or is trying to make a statement in any way on the disorder, and I’m cautious about how I use this idea to understand the character. This is purely my own speculation/take on the character.
I also want to be clear that I don’t have any personal experience with the disorder. I’ve met people with autism and ASD and they were all very different from each other and had very different needs. So, I’m largely making connections with textbook examples of ASD and they’re maybe a little bit broad because as I said it isn’t explicitly made clear that Thorn has ASD. I may very likely err in my understanding of this disorder. If that’s the case, I apologize in advance and please do correct me or give me your own opinion on this idea.
Here’s an overview from the webpage of the national institute of mental health:
Autism spectrum disorder (ASD) is a developmental disorder that affects communication and behavior. Although autism can be diagnosed at any age, it is said to be a “developmental disorder” because symptoms generally appear in the first two years of life. According to the Diagnostic and Statistical Manual of Mental Disorders (DSM-5), a guide created by the American Psychiatric Association used to diagnose mental disorders, people with ASD have:
Difficulty with communication and interaction with other people
Restricted interests and repetitive behaviors
Symptoms that hurt the person’s ability to function properly in school, work, and other areas of life
Autism is known as a “spectrum” disorder because there is wide variation in the type and severity of symptoms people experience. Although ASD can be a lifelong disorder, treatments and services can improve a person’s symptoms and ability to function.
It’s been shown repeatedly that it’s very difficult for Thorn to be an inviting and easy-going person, even with people he cares about. Thorn struggles with communication, is emotionally suppressed, is both uncaring and at times completely unaware of how he presents himself socially, and obsessively consults his pocket watch, particularly when he’s at a loss for words or bored, or otherwise ready to get the hell out of any situation that causes him anxiety. He’s highly intelligent, fixated on order and organization, and has a history (as we know from Promise and learn more about in Clairdelune) of meeting intense emotion with impulsive violence.
Here’s a list (also from the NIMH website) of common symptoms:
Making little or inconsistent eye contact
Tending not to look at or listen to people
Rarely sharing enjoyment of objects or activities by pointing or showing things to others
Failing to, or being slow to, respond to someone calling their name or to other verbal attempts to gain attention
Having difficulties with the back and forth of conversation
Often talking at length about a favorite subject without noticing that others are not interested or without giving others a chance to respond
Having facial expressions, movements, and gestures that do not match what is being said
Having an unusual tone of voice that may sound sing-song or flat and robot-like
Having trouble understanding another person’s point of view or being unable to predict or understand other people’s actions
Repeating certain behaviors or having unusual behaviors. For example, repeating words or phrases, a behavior called echolalia
Having a lasting intense interest in certain topics, such as numbers, details, or facts
Having overly focused interests, such as with moving objects or parts of objects
Getting upset by slight changes in a routine
Being more or less sensitive than other people to sensory input, such as light, noise, clothing, or temperature
People with ASD may also experience sleep problems and irritability. Although people with ASD experience many challenges, they may also have many strengths including:
Being able to learn things in detail and remember information for long periods of time
Being strong visual and auditory learners
Excelling in math, science, music, or art
One can’t help but notice that we can check several of these points off for Thorn. Not all, certainly, but I’m sure you can call to mind some of your own examples of him exhibiting many of these behaviors repeatedly.
Where Does Ophelia Fit In?
Thorn has always treated his relationship with Ophelia in a very business-like manner, almost like a negotiation, which makes sense within the context of an arranged marriage. At the novel’s start, Thorn wishes to make amends, but Ophelia makes it very clear that she will not forgive him for his lies and neglect. His response to her is rather clinical.
“We simply can’t allow ourselves to be enemies,” cut in Thorn. “You’re making my life difficult with your resentment; it’s imperative that we become reconciled. […] Meet me at the Treasury, insult me, slap me, smash a plate over my head if you feel like it, and then let’s never speak of it again. Name your day. This Thursday would suit me.” [65]
I suppose this is a rather annoying response, especially if one is really just looking for a simple and genuine apology. But if we read Thorn as having ASD, then this feels a little different. He’s simplifying a conflict that he maybe doesn’t quite understand; he’s been given a different perspective on his actions and it’s perhaps beyond his capability to comprehend. To compensate, he turns this into a matter of business, which is something he can understand quite well, even going so far as to try and pencil Ophelia into his calendar. But he’s woefully unaware of the frustrating effect his language and tone have on her. Of course, what’s key here is what he isn’t saying: that she’s making his life difficult because he loves her; he wants to be on good terms, but doesn’t know how to fix this. Note that he again suggests violence as a means to deal with her emotion.
When they do meet up, Thorn says,
“I have many enemies. I no longer want to count you among them, so tell me what I must do. That is why you came here, isn’t it? You have a deal to offer me, I’m listening to you.” [152]
He’s desperate. It’s also worth noting that he’s fairly vulnerable in this chapter; he exhibits jealousy and some hurt—Ophelia missed their original appointment because she was with Archibald and forgot about him.
Modest as always, Ophelia asks only for a job, money to pay Fox, her new assistant, and to see the real outdoors again. She lastly requests that he always be honest with her, especially in matters that directly concern her. In exchange, she will teach him how to Read objects after the ceremony of the Gift and he will teach her how to use the claws that he’ll pass to her. She also reiterates, for good measure, that this will be their only conjugal duty. He grants the first three readily enough, but the fourth one trips him up. He does agree to it, but it’s obvious that it will cost him in more ways than one.
While I imagine that he’s receptive on some level to sexual intimacy with Ophelia, I think he’s more afraid of intimacy in general. Sharing things and being honest with a partner means opening oneself up to vulnerability, to weakness. The undertaking he’s set for himself—a mission he’s already devoted 15 years of his life to—doesn’t allow for that kind of intimacy; rather, it requires utmost resiliency, secrecy, and focus. Furthermore, if he were to be seen forming loving attachments (with Berenilde, Ophelia, or anyone else), then that could be turned against him over the course of fulfilling his risky endeavor. It’s that very fear, in fact, which has made him exclude his aunt (and attempt to exclude Ophelia) entirely from his investigation. His pursuit of a noble title and legitimacy is a front, an easy excuse he thought up to satisfy Berenilde’s and the court’s curiosity about why he suddenly wanted to get married and Read Farouk’s Book.
Like Thorn, it scares Ophelia to feel herself falling in love. Perhaps the womanly pride she carries with her makes it difficult for her to open up. After all, love and marriage were never apparently high on her list of things to accomplish either. Ophelia and Thorn are separately dealing with the same conundrum, which is that to love means to fear, and that’s messy. It could get in the way of a life that is humble (Ophelia) and a life that is ambitious (Thorn). Simply put, neither one had accounted for even the possibility of love in their marriage.
Perhaps because Ophelia is a Reader, I think that deep down she likes the enigma and challenge that is Thorn. Yes, he’s frustrating, but she never truly loses interest in him. Indeed, if anything, she becomes increasingly intrigued and is entirely won over when she at last learns all about what he’s doing. Ophelia is very likely the first person to make Thorn both confront and attempt to correct his inadequacy in areas of intimacy. As I touched on in my previous analysis, Ophelia calling Thorn out on his behavior and habits is surely a novelty for him.
“I believe neither in luck nor in destiny,” he declared. “I trust only the science of probabilities. I have studied mathematical statistics, combinatorial analysis, mass function, and random variables, and they have never held any surprises for me. You don’t seem fully to grasp the destabilizing effect that someone like you can have on someone like me.” [377]
Ohhhhkay.
It turns out, she’s a bit of an enigma and definitely a challenge to him in kind. This is Thorn’s way of trying to tell Ophelia that he loves her.
Thorn and Ophelia seek control and wield it differently. Thorn can be arrogant and overconfident with it, and he wants to be its sole retainer. Ophelia also wants to retain it but as it pertains to her decisions for herself, and she rebels against it when she feels like that’s being taken away from her. It’s important to them that they are in control of their own actions and destinies. But what neither one of them understands is that those we end up loving is often (or maybe always) outside of our control. Love has no explanation, and doesn’t require one. You can’t predict it. You can’t dictate it. You can’t calculate it or quantify it.
Ophelia seriously turns Thorn’s life, and everything he thought he could predict or control about it, upside down. Initially unwittingly, then actively, she encourages him to develop.
ASD Made Sexy
As inelegant as he is, Thorn does have his own way of being shocking:
“You wanted me to be honest with you. You will thus learn that you are not just a pair of hands for me. And I don’t give a damn whether people find me suspect, as long as I am not so in your eyes. You will return this to me when I have kept all my promises,” he grumbled, holding his watch out to Ophelia without noticing her stunned expression. “And if you still doubt me in the future, just read it.” [156].
You guys, this is kind of romantic, right? He’s so direct and it really flusters Ophelia, who is steadfastly resisting the decidedly non-business-like turn their relationship has taken. Skip to novel’s end, however, and she has totally changed her tune about Thorn. Right before they believe they will be parted forever, Thorn finally gives a straightforward confirmation of his feelings.
“Don’t go falling down any more stairs, avoid sharp objects, and above all, above all, keep away from disreputable people, alright? […] Oh, and by the way, I love you.” [486]
Swoon.
The fact of the matter is this: despite his unconventional looks and mannerisms, Thorn hits a certain level of sexy. Which begs the question: Can ASD be sexy? Sure, one could say that his sex appeal comes naturally with his role as the male lead, which is directly connected to his chemistry with the female lead. But I think there’s actually an important distinction to be made; it’s not whether ASD itself is sexy, it’s whether a character with ASD is sexy and I think that’s important because you don’t want ASD to be treated as a gimmick in fiction. It matters how that kind of character is presented.
Thorn’s ASD traits make him eccentric at best and a “freak” at worst, by Ophelia’s own description. Some of Thorn’s less offensive eccentricities are portrayed in an endearing light: his brusqueness with silly persons (i.e. Archibald, Baron Melchior) and their silly behavior; wearing his heavy uniform in a tropical illusion when there’s no evident dress policy for officials; preoccupied with tending to the order of his office over the tending of his wounds; launching a dangerous existential investigation all because of an illegal and unjust disruption in odds and probabilities, an utter crime in Thorn’s eyes.
But it’s also important to look at how other characters view him. Those at the Pole may look down on him, but there is no doubt that he commands a considerable level of their respect. He’s at the center of Citaceleste’s political and economical arenas, and has some judicial power as well. In short, he’s the one that everyone seemingly runs to in a crisis. Ophelia begrudgingly admires his self-control, coolness under pressure, and appreciates that he is not corrupt, like the other officials and aristocrats. Naturally, Berenilde regards him the highest. She, more than any other, gives us a glimpse of the true Thorn, putting forward the image of a protector, provider, and all-around genius.
So, the answer is yes. Thorn is sexy.
Ophelia and Asexuality
OK, I realize I’m going off on a tangent here, but since asexuality is a common reading of Ophelia that I see in reviews, I wanted to address that as well.
There are many instances of Ophelia fulfilling, for lack of a better way to put it, the butterfly trope:
Perhaps it was due to the nervousness Thorn brought out in her, or the lace veil obscuring her vision, or the scarf coiled around her foot, or her pathological clumsiness, but the fact is, Ophelia tripped on the final step of the stairs. [28]
Hearing Thorn reawakened such nervousness in Ophelia that she seriously considered hanging up on him. [63]
She did, however, have to admit that Berenilde had got it right: it was indeed out of cowardice, more even than anger, that she’d spent recent weeks avoiding him. [100]
Somewhat embarrassed, Ophelia wondered whether he felt as nervous in her company as she felt in his. [160]
Ophelia felt her blood throbbing against her eardrums, but couldn’t have said whether it was due to sudden relief or, on the contrary, heightened tension. [323]
Ophelia gets butterflies whenever her love interest is near. It’s important to note that she’s not afraid for her safety when she’s with him, although there is one incident, where she thinks he’s going to strike her, which is quickly dispelled by his sincere assurance that he’d never harm her. He gives her butterflies often by doing totally mundane things such as standing in front of her or looking at her, and that bothers her. But why?
Like Thorn, she’s convinced herself that intimacy and love aren’t for her. Some reviewers have praised Ophelia for being a representation of asexuality and, while I think there’s a strong case for her being somewhere on the asexual spectrum, I stop short at positing that she’s totally uninterested in sex or doesn’t experience sexual attraction. She’s noted, on several occasions, both in Clairdelune and Promise, Archibald’s handsomeness. In this novel, she also notes Fox’s.
With his gold braiding and red mane, he was as dazzling as Thorn was dark. Ophelia sensed herself coloring just looking at him. [165]
So, she does experience sexual attraction and, furthermore, she physically reacts to Fox’s appearance (though never to Archibald’s), which suggests that she’s not wholly disinterested in sex. In Promise, she commented that “no man had ever quickened her pulse” and lamented about whether she’d ever feel that way about someone, and I think this is probably the point at which most readers took away that she might be asexual.
But, like...
Thorn is the only man who produces intense and consistent physical reactions in her.
Also, if you look at the [323] quote above, he did in fact get her pulse up. Just saying.
Rather than label her as purely asexual or even being on the spectrum, we could instead speculate that, as a Reader, she’s experienced to some degree love in all its forms through countless objects and perhaps she can’t help having this reaction to love and intimacy. I’m not trying to be cynical or pessimistic, but love can be treacherous and people are driven to do all kinds of terrible things for it or because of it. As wonderful as love is despite that, it seems likely that Ophelia has simply decided it’s not something she wants to navigate. Or she just hadn’t met someone yet who was worth all that trouble.
I’ll Close With This:
“You’re free,” whispered Ophelia. “Free to go, free to stay. I won’t make you leave one cage for another one, although, as you’ve seen, I really don’t live in great security. I decided your fate without taking time to think, or to speak to you. I was selfish…and I still am. […] I still am because, deep down, I would like you to choose to remain by my side. I know that apologizing can no longer change anything, but anyway: forgive me.” [135]
Ophelia says this to Fox after rescuing him from the dungeons of Clairdelune and taking him on as an assistant. Now, when I read this, I couldn’t help but think that it’s precisely the apology Ophelia wants to hear from Thorn. Yet, here she is, guilty of doing to someone the very thing she holds against him. Isn’t it funny how hypocrisy and love are such good friends? As we know, articulation and eloquence are not Thorn’s strengths and some of Ophelia’s aversion to him is based around her inability to accept this part of him.
Eventually, Thorn does make, more or less, the same apology.
“I should never have involved you in my affairs. I knew it would be dangerous. I convinced myself that I had the situation under control, and that mistake almost cost you your life. […] There is one thing that I have tried to tell you several times. I’m no good at these formalities, so let’s get on with it and speak no more of it. […] Please forgive me.” [444-45]
Strangely, she barely acknowledges this; she’s too busy having an epiphany.
At that second, she finally knew with absolute certainty where her place was. It wasn’t in the Pole, it wasn’t on Anima. It was precisely where she was now. At Thorn’s side. [445]
Well, perhaps this isn’t so strange since the novel starts off posing the question to this answer.
Deep down, Ophelia wondered where exactly her first home might be. Since she’d arrived at the Pole, she’d already visited Berenilde’s manor, the Clairdelune embassy, and her fiancés Treasury, and she hadn’t felt at home in any of them. [24]
The theme of home and belonging permeates this novel in a more central way than its predecessor. Ophelia is repeatedly confronted by it, but it’s also echoed in Farouk’s obsession with the Reading of his Book and finding out where he comes from and what happened in his past. When her family arrives from Anima, she sees the Pole and Thorn through their eyes. She ends up defending both from their disapproving remarks and in doing so, she realizes that she has ceased thinking of Anima as her home.
Life in the Pole was like that: wherever one went, whatever one did, danger was part of daily life. And yet, Ophelia reflected, she didn’t hate it that much, that life. [280]
Thorn’s apology seals the deal: she understands now that she was mistaken. Home is not a place. People, those who love you and who you love in return, give a home meaning. Belonging, likewise, is only made possible by the people who accept you and give you a place among them. It’s been hard-won, but she’s found both in the Pole, in Thorn and Berenilde. Her lack of a direct response to Thorn’s words suggests that she’s already forgiven him, that it matters less to her that he struggles with communication, that she’s finally accepted him for who he is and, better still, found him lovable despite that.
If we read Thorn as having ASD, then this intense dynamic between them is a positive treatment of mental/social disorders in fiction, which is really the only point I had to make with this entire thing.
Where Does Ophelia End?
I asked this question in my last analysis. Based off of the fact that, when we left her in Promise, she was experiencing some serious discomfort in body and soul directly connected to Thorn, I predicted/semi-already-knew that she would evolve toward him.
At one point, Ophelia loses the ability to pass through mirrors. We understand that it’s because she’s been lying to herself; after all, her great-uncle made it very clear that mirror-traveling is impossible under such a circumstance. It’s ironic because, by her own admission, she’s a “bad actress” [161] and, according to her mother, “was never any good at lying” [157].
She’s just so stubborn, isn’t she? It’s gratifying then to read when Ophelia overcomes it. Thorn makes a public announcement, cancelling his marriage, refusing to Read Farouk’s Book, and handing in his resignation as Treasurer. He does this to protect Ophelia and her family from imminent danger but at risk to his own welfare and position. He’s basically committing suicide, which very nearly turns literal at novel’s end. Ophelia can only think to go to him by the quickest means possible.
She looked straight at her determined face, beyond its scratches and bruises, finally ready to face that truth that she hadn’t wanted to see. It wasn’t Thorn who needed her. It was she who needed Thorn. Ophelia plunged, body and soul, into the mirror. [416]
I don’t think I need to spell that out.
Thorn and His Watch
To go on a little bit of a tangent, I also wanted to touch on the watch.
I believe it was mentioned in Promise that the watch had been a gift from Berenilde, which is so precious. Berenilde is the only true parental figure Thorn has known. She used her status and wealth to protect and care for him, and seems to understand him as only a mother--one with a child the rest of the world refuses to accept--can. I thought her reaction to Thorn’s suicidal announcement was especially devastating.
She had begun to shake so hard that Agatha rushed to take the baby from her arms. Bent double in her chair, as though punched in the stomach, Berenilde looked imploringly at Ophelia. “I beg you. Don’t abandon my boy.” [412]
Keep in mind that Berenilde has outlived her three biological children, none of whom survived past childhood. Thorn is such a lonely figure that it’s easy to forget he comes from somewhere. But Berenilde’s reminder to us is clear: he’s not the child of his Dragon father nor of his Chronicler mother. Thorn is her child, and she’s terrified of losing him like the others.
While there can be no doubt of her sentiment toward Thorn, it’s entirely likely that Berenilde foisted much of her maternal grief, trauma, and longing onto him without his express permission; he never seems to regard her with any particular filial warmth. Then again, he once attacked Archibald in defense of Berenilde’s honor, after he seduced her away from Farouk, and Ophelia later notes that he “suspended an investigation and jumped into an airship” to be near to Berenilde when she went into labor with her daughter [373]. Thorn is clearly defined rather more by his actions than his words. But the point is Berenilde is the one who gave Thorn his sense of belonging, and I just adore that.
Metaphorically speaking, the watch represents Thorn’s heart, which was given to him by his mother figure and which he gives to Ophelia as a token of his love and trustworthiness. Indeed, it’s even called a “mechanical heart” [156]. Ophelia has Read one of Thorn’s possessions before (dice) and was overwhelmed by the fury and breadth of his emotions. If she were to Read his watch, she’d probably die. Every time he digs it out of his pocket to look at it, to hold it, to fiddle with it, he’s engraving some emotional signature or trace onto it. Ophelia ultimately decides not to Read it.
“Before you go, I would like to return this to you. You need it more than me, and, in any case, I won’t read it. I’ve chosen to trust you—you, not your watch.” [285]
Her words have a profound effect on Thorn, rendering him totally speechless and maybe more confused than ever. At any rate, he misreads the situation and catches Ophelia off guard with an awkward kiss. It’s kind of a heartbreaking scene, because Ophelia simply reacts (by slapping him) and is genuinely baffled that he took her words for encouragement. I don’t necessarily take this to be evidence of her asexuality. I don’t discredit it by any means, but it just feels more like she was taken by surprise.
The thing is, for perhaps the first time ever in his life, he actively desired for someone to know his true heart and to trust in his sincerity, which is why he gave the watch to her in the first place. In his defense, this was quite a pretty and irresistible thing for Ophelia to tell him and I don’t think she’s as put off as she wants to be.
With ears burning and glasses crimson, Ophelia stared at the faded letters on the old wooden panel—“STAFF ONLY”—as if Thorn might, at any moment, retrace his steps, take back his kiss, and leave his fob watch with her, as she’d suggested in the first place. [286]
It’s funny. She wants to erase the uncomfortable physical side of the incident, but she also wants to retain his metaphorical heart. I mean, yes, it’s broken because of some careless action on her part and she asked for it back so her great-uncle could try to fix it. But still. It’s hard to ignore the metaphor there as well: if the heart watch has changed from beating to broken and she wants to hold onto the broken heart watch to try to mend it…
Well, good Lord, it’s just so obvious, isn’t it?
End
Well, that’s about it. As I said, I really only had the one main thought and then a bunch of smaller ones.
I just learned—and am seriously devastated—that The Memory of Babel won’t be released in the U.S. until May 2020. I’m hoping this is a tentative date and that it will be available sooner.
In the meantime, if someone could upload a PDF that I could then spend days plugging in to Google Translate (again), that’d be super greeeeaaaat…
For part III, head here.
#ophethorn#La Passe-Miroir#les disparus de clairdelune#the mirror visitor#the missing of clairdelune#christelle dabos#long book report
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here i am 👀 i will restate the question for the audience: do you have any thoughts or headcanons for modern poe?? (also if u wanted to throw some snuggles in there i wouldn’t be mad) ((also i’m love you v much :’)
god ur such a DORKUS
(sorry this is a little late, i had a lot of travellin’ to do yesterday and i got a Big Migraine but it’s ebbing so here i go ghkdhgkhg)
I recall that somewhere, a while back, Oscar said in an interview that he imagined Poe being a west coast jazz singing musician, if he lived in our world, and I really feel like that sits well with his character. If he was a normal, modern guy, he’d probably be a musician of some variety!
But also, like, a musician who has a degree in engineering with an emphasis on robotics and mechanical engineering.
So I like to imagine that Poe has a job working on developmental and experimental tech, probably not for the military but with a separate company (Organa Industries), and that it takes up a lot of his day but that he doesn’t mind, very much. He likes working in the shop and tinkering with his machines, and when the day is over, he goes home and practices with his guitar and does covers of, I dunno, jazz and folk songs, probably.
I think on his weekends or on vacation he probably does a lot of bar performances and gets hired to perform at friends’ parties or at restaurants just because he’s really, really good and he’s handsome so people enjoy watching him sing, too.
I also like to think that he met his s/o before they started dating at one of those performances, at a party hosted by one of Poe’s friends. He was up on the designated stage-esque area, singing and sitting on a stool, strumming his guitar, when he did a cursory check of the crowd.
Everyone was listening to him, and he found that he liked that feeling. Being paid attention to, being listened to. He smiled broad and played even more intently, watching the smiling faces of all the people in the crowd. His ego was strong.
Then he realized that there was someone who wasn’t listening. One woman, out on the balcony, with the doors closed, looking out at the skyline.
And, man, he was annoyed.
He finished his set and accepted the handshakes and compliments and took pictures with people who wanted to post him on their Instagram or whatever, then set his sights on figuring out why one person, in a sea of all these people, had decided to not only not listen to him, but to fundamentally ignore and shut him out. He’s a little bull-headed like that.
He made his way to the balcony after wading through the crowd, and as he stepped out, he could hear the distant sounds of the city meshing with the sounds of the wind, smell the fresh air, breathe deeper than he had, before, when he was crammed inside.
Poe’s such a people person that he forgets, sometimes, what the value of quiet can be, and he was taken aback by how... pleasant it was, out there. He’d come outside with a chip on his shoulder and found himself, then, a little embarrassed that he’d been so annoyed without anything even close to a good reason.
She noticed his prescence after a few seconds, turning to look at him. Then she stood up straight, awkward and rigid, her eyes falling to the ground as she turned back around, as if hoping to avoid his gaze.
“Sorry,” she mumbled. “I’ll, uh, I’ll go--”
“No, no,” he apologized, “I came out here to, uh, talk to you.”
“...To me?”
“Yeah. I saw you out here, ya know, all on your own and... I wanted to see if you were alright.”
That’s not entirely true, but he felt bad for trying to come out there as if he had a right to interrogate her. He felts sheepish, ashamed of his own vanity.
“I saw you weren’t inside during my, uh, show and I just... was curious.”
“Oh.”
“Yeah.”
“It’s just--” She gestured back at the room, the one kept behind the sliding glass doors-- “--I’m not very good with crowds. And I don’t much like live performances.”
“Oh? Why?”
God, Poe wanted to punch himself in the face for being so forward, but he can’t help but be a little curious. Nearly all of Poe’s friends are outgoing, noisy, likeminded people, and while he’s known and cared for many more introverted people, he sometimes finds them hard to understand. So he wanted to try, this time, and make a good impression.
He felt compelled to talk to her, to understand her; maybe it was for the sake of his pride, or maybe there was something else going on with him, something in his gut tugged by the way the setting sun caught against her skin, her eyes shining with the reflections of the city lights, the wind making her hair move in such pretty, organic flows--
“I get really bad secondhand embarrassment,” she laughed, fiddling with her shirtsleeve. “So whenever I see performers, my brain just kinda projects that it’s me, up there, being looked at. Or that if they see me, I’ll be part of the whole affair.”
“...I get that,” Poe lied. “Still, I feel bad that, you know, I didn’t get to--” He laughed, leaning on the railing on the balcony with his elbows-- “--Sweep you off your feet with my dulcet tones.”
She laughed, shaking her head, and she seemed to be warming to him. He found the prospect dizzying.
They talked for a good, long time, uninterrupted. The sun set and the moon rose and they kept talking, each one learning to appreciate the company of the other. By the time the last stragglers from the party were being ushered out, Poe realized he was really, really invested in this girl.
They both knew that they had to leave, since people inside were starting to circle around with big black garbage bags, picking up the detritus of the affair, and Poe felt his gut twist with an ultimatum: now or never.
“Can I see your phone?”
“...What?”
She looked at him, confused, and he smiled shyly, cocking his head to the side.
“I need your phone for just a second. I promise I won’t do anything weird.” He held his hand to his heart and raised the other up. “On my honor as an artist and an engineer.”
“You’re weird,” she laughed back, “But okay.”
She handed over her phone and Poe tapped the contacts icon, then entered his phone number. He tapped the “Add Photo” button, then opened the camera and took a picture of himself flashing a big smile with a thumbs up. She laughed at him, snorting a little, as he took the picture, and he couldn’t help but feel a little giddy at the sound. God, he really was falling hard.
“My number’s in there, now. I want you to text me, okay? And we can, like, get coffee or dinner or whatever it is that you want. But one condition.”
“...Okay, shoot.”
“No crowds allowed, no performing.” he grinned. “Just you ‘n me.”
She paused for a moment, then nodded.
“I definitely would like that.”
From then on they’d stay in constant contact, texting each other fairly regularly, then arranging a “meetup” (Poe wanted to say “date” but was hesitant to push her too far... after all, he liked her. Like, a lot, and he really wanted to keep her in his life...), then, you know... more “meetups” and then “visits” and then, after a while, “dates”.
And things just moved from there, naturally progressing as their closeness and intimacy grew.
One of Poe’s favorite things to do in their relationship is have a “Living Room Day”. Poe’s a mover and shaker, it’s true, and probably is a little bit ADHD in the diagnostic sense, because it can be hard for him to sit still and do nothing, but his girlfriend is a more introverted, calm kinda person who can comfortably spend a long time in one place focused on one thing.
To meet in the middle for a comfortable day in, Poe will move all the necessaries into the living room; a mini fridge that he plugs into a power strip, a microwave next to it, a basket of foods and snacks, et cetera, a bunch of pillows, books, comics, and movies, and they spend the day in the living room, oscillating between activities. Sometimes they’ll sit on the floor and play board games (Poe likes when they both get aggressive about trivia), or move to the couch and cuddle one another while watching garbage TV (Poe REALLY likes Real Housewives and the Bachelorette and it’s abominable), or just kinda lay around doing whatever they want.
It’s really fun and a good way for them to spend time together, especially since Poe can get so busy and so bogged down and locked in back at his work. When he gets dug in to fixing or designing something, it can be hard for him to break away from it, and he tends to work overtime a lot.
The good parts? The sense of accomplishment he gets and the obvious monetary bonuses are nice. But the bad parts? He’ll sometimes sleep in his workshop or not eat well or not rest properly for days on end because he’s become obsessed with “perfecting” whatever project he’s working on.
So coming home allows him to balance out by re-orienting with, like, a relaxed and peaceful life, and basic creature comforts.
When he is home or on vacation, Poe likes to snuggle in bed a lot. He’ll lay there in just his boxers, cuddling onto his beloved, playful and teasing and intent on just touching her however he can. He doesn’t even need it to escalate to sexual levels: he just wants to feel her near and know that she’s part of his life, tangible and real.
Often he’ll wake up before her and intentionally roll himself on top of her so that she’s pinned under his weight. He’s heavier than he seems, with a good dosage of muscle on him combined with a layer of soft over him, too. He’s got a bit of a soft tummy and a big round butt, so he’s pretty cuddly, but he’s also heavy!
So she wakes up with a groan because “dammit Poe, you’re squishing me, I can’t breathe,” and tries to buck him off, but he goes limp on her and locks her in place with his heft, grinning at her and whining about how she doesn’t love him if she’s trying to throw him off.
“I love you plenty, but you’re knocking the air out of me!”
“Nooooo! Hold me! Or my heart shall surely break and my feeble soul shall be extinguished!”
“Then perish,” she snarls, jokingly, and tries to shove him off.
But he just clings on tighter and blows a raspberry in her neck.
Poe is also a big fan of soft tummies and soft thighs and soft boobies and soft butts and, just generally, nice, soft, warmth. He likes to lay his head on his girl’s belly and just snuggle his face in and litter her tummy with kisses. Sometimes, if they’re watching a movie and Poe’s either bored by the movie or just feeling very amorous, Poe will lay his head on her lap, turn his face to her tummy, lift her shirt, and start leaving little, breathy kisses on her.
“H-honey,” she whimpers, trying to push him away, “That tickles!”
“Good! This is payback.”
“For wh- HAH-- for what?”
“Bein’ cute,” he says with a smile and a soft smooch to her navel.
He doesn’t give up until she either knocks him off the couch with her tickling convuslions or things progress to a more heady, makeout-y level.
Also, in an unrelated vein of conversation, there’s a solid chance that there’s a variant on the Modern!AU where Poe is a classically trained Shakespearian actor but who does e x c l u s i v e l y shitty nouveau representations of Shakespeare’s work. And he’s insufferable.
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New York State Tax Edition | 3.20 & 3.27.21
Secret Radio | 3.20 & 3.27.21 | Hear it here.
Liner notes by Evan (except * for Paige), Art by Paige
1. Antoine Dougbé - “Towe Nin”
There was a while during which I tried to listen to every single T.P. Orchestre song that could be heard via discogs.com. They’ve released dozens of albums, probably close to a hundred if you count all of the albums attributed to various members, so that was a very daunting task… though really what it highlighted was the sheer volume of songs that just are not available to be heard in digital form. Those songs take on a sort of mythic quality as we listen to the huge variety of styles and periods that this band passed through in their prolific and very obscure career. But the ones that loom in the imagination the largest, for Paige and me, are the songs attributed to Antoine Dougbé. He writes for the band but doesn’t record with them, and in most cases Melomé Clement arranges the songs — and these are some of Melomé’s finest arrangements, in my opinion. “Towe Nin” isn’t a propulsive powerhouse like the Dougbé tracks on “Legends of Benin,” but it does have tons of style, and the band sounds extremely confident. My favorite detail of many — like, listen to the shaker solo in the middle! — on this track is the final passage, where three voices suddenly meld into an extremely Western, Beatle-y harmonic finale (with an unresolved final chord). Where did that come from?! It blows my mind to think about how these guys were hearing music and writing music in Benin in the ’70s…
2. Hürel - “Ve Ölüm” - “Tip Top” soundtrack
The other night we watched a DVD that was part of our Non-Classic French Cinema Program that Paige has been drafting for us, featuring movies she figures French people would know but that didn’t get exposed to American audiences. This one was… baffling — the problems were French cultural ones that we really didn’t grok at all. Which was kind of cool. An odd detail was that this song featured prominently throughout the trailer and the film, though we couldn’t figure out, like, why. But we knew immediately that it was awesome.
And… this track sent us down the rabbit hole of Anatolian rock, which turns out to be Turkish psych music from the ’60s & ’70s. We’ve played Erkin Koray’s “Cemalim” and thought that was cool, but had no idea it was a burgeoning scene with tons of creative writers and amazing songs. We’ve spent a lot of time checking out Anatolian music since, and I can tell we’re just getting started. So: thank you to a giant French crowdpleaser movie for the Anatolian clue-in!
3. They Might Be Giants - “Nothing’s Gonna Change My Clothes”
I was not expecting to experience a They Might Be Giants renaissance at this point in my life, but this is just further proof that time has a lot of tricks up its sleeve. This song tells me a lot about what I like now by re-presenting what I liked then, showing off completely new facets I hadn’t yet appreciated. This song is lousy with insights… including that super Slanted Malkmus-y scream at the very end!)
4. Jacqueline Taïeb - “La fac de lettres”
Jacqueline Taïeb is probably my single favorite French pop artist, even though her body of work is way smaller than most of the runners-up. (I would say the closest contender is Jacque Dutronc.) She’s so full of irrepressible character, it just bubbles up out of the vocal performances. Her biggest hit was “7 heures du matin,” in the character of a bored, rock-obsessed teenager trying to figure out what to wear to school that morning, and “La fac du lettres” kind of picks up the thread: now she’s in the auditorium at school, learning about British history — the invasion of Normandy, the Hundred Years’ War — and pining to get back to the recording studio.
5. La Card - “Jedno zbogom za tebe”
I didn’t know what circumstance would call for Yugoslavian synth pop warped by endless cassette plays, but it turns out that driving a thousand miles west in one fell swoop requires a certain amount of ’80s vibes. Turns out Yugoslavia had a pretty rich punk/new wave scene in the ’80s, and even though the songs were often critical of the Communist government, they were not only allowed to be played but, to a certain extent, supported by the government, and there were also several magazines covering punk, new wave, ska (!), and rock music in Yugoslavia.
6. Suicide - “Shadazz”
Maybe it’s the band name, but I was never able to find a place for myself in the music of Suicide, despite how many bands I dig who cite them. But Paige pulled this track, and now I’m starting to get it. I also really like how the kick drum fits against the cymbal-ish sound loop that leads the percussion.
7. Girma Beyene - “Ene Negn Bay Manesh”
Man, Ethiopia was swingin so hard in the ’60s and ’70s! This track combines the organ-driven band dynamic with a smooth Western vocal croon that I’ve never quite heard before.
8. Os Mutantes - “Trem Fantasma”
I still can’t believe that I haven’t been listening to this album my whole life — it’s so freaking amazing from beginning to end. Every song feels like its own complete cinematic experience, with narrative twists and turns, a high-drama dynamic, and each voice taking on a host of characters, independently and together. “Trem Fantasma” is an entire album contained in a single song — and that’s what it’s like with every song on their debut album. PLUS it’s got the coolest possible cover. Truly, I’m still in awe at this album. It makes me wonder: what did the Beatles think of this record?!
9. The Beatles - “Think for Yourself”
This is one of those songs that I feel like established whole new harmony relationships in Western pop… and this likely isn’t even one of their top 50 songs for most Beatles fans. Apparently, they had the main tracks recorded already — this is one of George’s first songs, it’s just 1965 — and they threw the harmonies on in “a light-hearted session” between two other things they were in the middle of, because they were under pressure to get this album finished. That’s amazing! Also, this song is the first one to use a fuzzbox on a bass: Paul played one (excellent) part on clean bass, and another one one all fuzzed out, which became the lead guitar — in fact, John had a guitar part but scrapped it to play an organ instead. What a righteous song to kick off the concept of lead bass guitar! That was Harvey Danger’s big compositional secret: Aaron wrote and played most of the lead guitar parts on bass, and had a fantastic sense of what he could do with the tone of his instrument.
10. Erkin Koray - “Öksürük”
Anatolian rock! It has its own note scale, that gives it this Eastern tonality while working in Western rock shapes and with what feels like a very relatably wry sense of humor. Erkin Koray is right up there in the firmament for us — the whole genre is full of welcome discoveries, but Koray is a really unique guitarist and composer beyond any particular genre. This track plays up his lead guitar passages while maintaining a pretty undeniable disco downbeat, and his vocal delivery strikes me as more French than anything. And yet the whole thing is so deeply and fully Turkish.
11. Vaudou Game - “Pas Contente”
We’ve been so head-over-heels for Beninese funk and rock from the ’60s and ’70s that our fantasies about that music are completely separated from any music happening today. But Vaudou Game is led by Peter Solo, a Togolese musician who grew up on the sound of T.P. Orchestre and decided to work with it himself. His band is handpicked and mostly I think French — the sound is I think a really impressive take on classic Beninese style but with very modern feel. This track is from 2014. I’m looking forward to digging in some more, because it’s a thrill to find a live wire in this music style.
12. Cut Off Your Hands - “Higher Lows and Lower Highs”
This is one of my favorite tracks from the last 5 years. I get so absorbed in the way the bass part relates to all of the other pieces. The bass is absolutely the reason this song works — just tune into it and check out how the whole world of the song bends to accommodate it.
The Gang of Roesli - “Don’t Talk about Freedom”
Years ago, when I took over Eleven magazine, there was a giant stack of mailed-in CDs in the editor’s office. I didn’t hang onto many of them, but there was a set from Now-Again Records that just looked like something we should spend more time with. Turns out that one of them was “Those Shocking Shaking Days,” a collection of trippy, heavy Indonesian rock. I didn’t get it at the time, but lately I’ve certainly been picking up what they were laying down. The baroque keys, the vocal la’s, the hitched-up bass and guitar, that little bass lick, the harmonica… I would love to have been around for the session this came from.
13. Warm Gun - “Broken Windows” - “PAINK”
More paink from France, in the mode of Richard Hell, short sweet and rowdy.
14. Duo Kribo - “Uang” - “Those Shocking Shaking Days”
This is another amazing Indonesian track — amazing for a completely different reason than The Gang of Roesli. Such a note-perfect rendition of chart-topping American (and German — what’s up, Scorps?) rock, but their own song nonetheless! This song attracts me, repels me, attracts me, repels me, on and on in equal measure. To me the kicker is the outro section, which sounds like something Eko Roosevelt came up with… thousands of miles and many genres away from Duo Kribo.
15. The Real Kids - “All Kindsa Girls”
Even as the theoretical pleasures of Facebook overall continue to recede, I find myself glad of a FB group somebody let me in on: Now Playing. The only stipulation about posts is that you have to include a photo of the actual record that you are actually playing — beyond that, it could be any genre, any period, whatever. People post interesting albums all the time, and will often write up their thoughts or memories about the band when they do. Boston’s The Real Kids just sounded like something I should know about, so I hunted it down and man, they were not wrong. Not everything on the album was for us, but right from the African-sounding guitar intro, “All Kindsa Girls” certainly was. Lead guitar/vocal guy John Felice was an early member of the Modern Lovers and a fellow VU devotee with his neighbor Jonathan Richman — he also spent time as a Ramones roadie. I’m tickled by how much the penultimate guitar riff sounds like something off the first Vampire Weekend album, and the final riff was destined to become a punk classic.
16. De Frank Professionals - “Afe Ato Yen Bio”
We broadcast the first part of this episode from the cockpit of the van rocketing between New York and Illinois. Not long after we got here to the woods, a package showed up from Analog Africa with our new “Afro-Beat Airways” reissue, as well as their first indispensable T.P. Orchestre collection, “The Skeletal Essences of Afro-Funk 1969-1980.” We’re celebrating that record with this absolutely killer song by De Frank Professionals, a band about whom very little is known. I am in love with every part of this song, from the sixth-beat hi-hat accent to those tandem vocal parts and that beautiful guitar tone. This track has quickly risen to being one of our all-time faves. Bless Samy Ben Redjeb and everyone at AA for doing the work to find these amazing recordings, track down the musicians, pay them for rights to release, and making these miraculous finds available!
17. Ros Serey Sothea - “Shave Your Beard”
Concurrent to our African fascination has been the gorgeous and thoroughly tragic revelation of Cambodia’s richly talented and expressive rock scene that was utterly destroyed by the Khmer Rouge. There were so many amazing musicians in the scene, but certainly the most flat-out amazing voice was Ros Serey Sothea’s, as this track makes clear. I also love just how sophsticated and innovative these Cambodian song arrangements are — they really take Western ’60s pop into a new world, with intricate guitar parts and really solidly satisfying instrumental structures.
18. King Gizzard and the Lizard Wizard - “O.N.E.”
This is a hard band to keep up with, for a variety of reasons — they can be so intense, and their guitar-rock prog virtuosity can get a bit off-putting if you’re not ready for it. This track, though, reminds me of a host of favorite reference points from the last twenty years of rock. This recording makes me wish that they could have played with Bailiff in Chicago in 2012 — I think everyone would have gained a lot from that connection.
Also, the video is so beautiful!
https://www.youtube.com/watch?v=lkZd2lBQb2c
19. Ettika - “Ettika” - “Chebran: French Boogie Vol. 2”
French culture is shot through with African references. Ettika was an early ’80s hit with musicians besotted by synths and American rap styles. This band was produced by a noted French composer who was married to a Cameroonian and very much into African groove. This “French Boogie” collection is full of African-style gems heavily refracted through the decade’s new technology.
20. Spice Girls - “Wannabe”
I yield the floor.
*As I mention in the “broadcast” it just felt right. That confident opening line. What are guilty pleasures? How do you feel listening to this song? And y’all already have our phone numbers, so that’s no surprise!
- The Gang of Roesli - “Don’t Talk about Freedom”
21. Steely Dan - “Reelin’ in the Years”
Gut reaction: do you actually love this song? Do you actually hate this song? Do you find that your reaction changes moment by moment within the experience of listening to the song, where your personal experience clashes with your cultural memory associations? Me too.
22. Zia - “Kofriom” - “Helel Yos”
I don’t remember how I got to this track, but holy smokes am I glad we did! It’s pretty freakin hard to find out anything about Zia. The cover of this album portrays an older man with dyed hair and a white blazer over a black collar… but I did actually find a video of Zia performing this song on Iranian public television, and he looks considerably younger and less flash than that. In fact, he’s sporting a tan three-piece suit with a wide tie, all alone on a heavily mirrored stage, and he kind of looks like he might be running for a senate seat in his spare time. It’s a very weird effect. But meanwhile: this whole album is super cool, very expressive of an emotional state I definitely don’t understand. The handclaps are absolutely top notch in the rhythm — they remind me of Ayalew Mesfin’s awesome “Gedawo.”
23. Jo LeMaire & Flouze - “Je Suis Venue te Dire Que je M’en Vais”
Doesn’t this sound like something you could have had intense adolescent feelings to?
*I first heard this song in the trailer for Boy Meets Girl and then later in the film. (Not my personal favorite Carax but definitely great, and the music and sound design is top notch.) Then my French teacher suggested I check out a song, and it was this song. So that’s neat!
24. Rung Petchburi - “Pai Joi” - “Thai? Dai!: The Heavier Side of the Lukthung Underground”
We’re still just getting to know Lukthung music, but for the last couple weeks we’ve been getting deeper and deeper into Thai rock, psych, surf and funk. It’s a rich vein, and it shares some really interesting characteristics with seemingly unrelated regions, like Turkey and Ethiopia.
Black Brothers - “Saman Doye”
I’m telling you, “Those Shocking Shaking Days” will improve your life immediately.
25. Nahid Akhtar - “Dil de Guitar” - from “Good Listener Vol 1,”
This collection just came out this month, which was a surprise because we just stumbled across this track by reading about Nahid Akhtar elsewhere. What an AMAZING track! This was recorded and released in Pakistan in 1977, and I can’t even imagine how they wrote it, much less recorded it. The drum loops seem like they hadn’t been invented yet… but there they are, cranked up to their highest speed. It’s a collage of ideas and hooks, all just crammed together into a single song. the main hook reminds me a bit of “Jogi Jogi,” our favorite Pakistani song on WBFF thus far. I feel like I could listen to this song a hundred times and hear something new each time. Akhtar’s voice is so expressive and confident in those long held notes — and who is that ogre doing call and response with her? So weird. So cool.
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Let's Get Personal
1: 6 of the songs you listen to most? Recently, it's been "Secret Love Song" by Little Mix, "Poison" by Rita Ora, "What Ifs" by Kane Brown and Lauren Alaina, "U and Ur Hand" by P!nk, "Perfect Matchup" by Kenny and London Holland, and The Greatest Showman soundtrack 2: If you could meet anyone on this earth, who would it be? Robert Downey Jr. 3: Grab the book nearest to you, turn to page 23, give me line 17. “When was the last night or day you took time off?” 4: What do you think about most? Writing. A new idea, a current idea, something I need to jot down, something I need to fix, the one I want to read. 5: What does your latest text message from someone else say? I'm fine, unless you want the time. 6: Do you sleep with or without clothes on? Underwear. 7: What’s your strangest talent? Personalizing or adding to things that probably do not need to be personalized. (The beige Calvin Klein purse was BORING so I defiled something expensive to make it more “me”.) 8: Finish the sentence. Girls… are strong; Boys… are allowed to be soft. 9: Ever had a poem or song written about you? Not that I know of. 10: When is the last time you played the air guitar? I'm not an air guitar person, I have a THING about looking stupid and I’m certain that I can’t pull off looking cool doing air guitar. 11: Do you have any strange phobias? Nah, just the regular ones. 12: Ever stuck a foreign object up your nose? Don't think so? 13: What’s your religion? LDS 14: If you are outside, what are you most likely doing? Walking to my car. 15: Do you prefer to be behind the camera or in front of it? Behind, definitely. 16: Simple but extremely complex. Favorite band? I do hate this question. I'll go with Queen, it's the first one that popped into my head. 17: What was the last lie you told? I don't recall. 18: Do you believe in karma? Eh, sorta 19: What does your URL mean? I am and have always been a little bit of a rebel. 20: What is your greatest weakness; your greatest strength? Weakness, personal motivation and time management. Strength, creativity. 21: Who is your celebrity crush? RDJ and Sebastian Stan 22: Have you ever gone skinny dipping? Yep. 23: How do you vent your anger? Stewing about it, venting to other people. 24: Do you have a collection of anything? Soooo many collections... I collect shot glasses as my travel souvenir. 25: Do you prefer talking on the phone or video chatting online? Phone. 26: Are you happy with the person you’ve become? For the most part. 27: What’s a sound you hate; sound you love? Permanent markers on cardboard boxes give me the heebie-jeebie shivers, the sound of a soda pop tab opening a can makes me swoon with happiness. 28: What’s your biggest “what if”? I'm not sure. Maybe what if I'd married someone else (not a desire at all, but something I've wondered about from time to time), my life would be entirely different from what it is now. 29: Do you believe in ghosts? How about aliens? No and yes, but not in the traditional sense. 30: Stick your right arm out; what do you touch first? Do the same with your left arm. The chair next to me on the right, the child that is being clingy on the left. 31: Smell the air. What do you smell? My house and my perfume. 32: What’s the worst place you have ever been to? A casino. 33: Choose: East Coast or West Coast? I've never been to the East Coast, so I can't really say. 34: Most attractive singer of your opposite gender? Oh geez, I don't know. 35: To you, what is the meaning of life? To do your best, be kind, and be happy. 36: Define Art. Life made viewable. 37: Do you believe in luck? Not really. 38: What’s the weather like right now? Rainstorm is heading this way. 39: What time is it? 9:31 am 40: Do you drive? If so, have you ever crashed? Yep and yep. Not a big crash, though, minor one. Fixed the alignment! 41: What was the last book you read? Currently reading "Blood Fury" by JR Ward 42: Do you like the smell of gasoline? Don't mind it as long as it's not too strong. 43: Do you have any nicknames? A fair slew. Meg, Megs, Rebel, Mom, Mama, and then standard endearments. 44: What was the last film you saw? Geostorm, I think. 45: What’s the worst injury you’ve ever had? Not sure if this counts as an injury, but I ended up in the hospital with a miscarriage that required surgery. If that doesn't count, I broke my foot falling out of a tree. 46: Have you ever caught a butterfly? Yep! I found one on the grass once during recess as a kid when it was raining, it was close to getting crushed by the other kids playing ball. I held it cupped in my hands so I could show my teacher, its wings dried while I held it, and it flew away while we all watched. 47: Do you have any obsessions right now? Fandom ones, heck yeah. 48: What’s your sexual orientation? Straight. 49: Ever had a rumor spread about you? Probably. 50: Do you believe in magic? Everyday magic, yes. 51: Do you tend to hold grudges against people who have done you wrong? Yeah. 52: What is your astrological sign? Libra 53: Do you save money or spend it? I spend like it's burning a hole in my pocket. 54: What’s the last thing you purchased? Lunch last week. 55: Love or lust? Love 56: In a relationship? Yes 57: How many relationships have you had? Just one serious one. 58: Can you touch your nose with your tongue? Not quite. 59: Where were you yesterday? Home. 60: Is there anything pink within 10 feet of you? My elbow is resting on a pair of my daughter's pink underwear. 61: Are you wearing socks right now? Yep, I love socks. 62: What’s your favorite animal? Bears, penguins, peacocks, owls, dogs. 63: What is your secret weapon to get someone to like you? Being kind and friendly. 64: Where is your best friend? Teaching school. 65: Give me your top 5 favorite blogs on Tumblr. Oh geez, I can't narrow it down to just five! 66: What is your heritage? Mostly British, good mix of other UK and European ancestors, I’m a 2nd generation American. 67: What were you doing last night at 12AM? Watching Gilmore Girls and folding laundry. 68: What do you think is Satan’s last name? Don't think he has one. 69: Be honest. Ever gotten yourself off? Of course. 70: Are you the kind of friend you would want to have as a friend? I hope so. 71: You are walking down the street on your way to work. There is a dog drowning in the canal on the side of the street. Your boss has told you if you are late one more time you get fired. What do you do? Save the dog quickly. 72: You are at the doctor’s office and she has just informed you that you have approximately one month to live. a) Do you tell anyone/everyone you are going to die? Yes, everyone. b) What do you do with your remaining days? Be as happy as possible and spend as much time with the people I love as possible. c) Would you be afraid? Heck yes. 73: You can only have one of these things; trust or love. A huge part of love IS trust, so love. 74: What’s a song that always makes you happy when you hear it? Goody Goody by Julie Lavery, it's an upbeat, bouncy song. (Which is funny, because the lyrics tell a sad story) 75: What are the last four digits in your cell phone number? Nope, I use it as a passcode for stuff sometimes. 76: In your opinion, what makes a great relationship? Humor, taking care of each other. 77: How can I win your heart? Interact with me. 78: Can insanity bring on more creativity? Yep. 79: What is the single best decision you have made in your life so far? To start writing again. 80: What size shoes do you wear? 7 81: What would you want to be written on your tombstone? *shrugs* Something nice. 82: What is your favorite word? Popcorn. I love the sound and the visual appearance of the way the letters are arranged. 83: Give me the first thing that comes to mind when you hear the word; heart. Love, courage, strength. 84: What is a saying you say a lot? "Best thing ever!" 85: What’s the last song you listened to? "Hey Soul Sister" by Train 86: Basic question; what’s your favorite color/colors? Purple! 87: What is your current desktop picture? Shamrocks 88: If you could press a button and make anyone in the world instantaneously explode, who would it be? I don't know enough to be able to make that decision. Also, too many corrupt world leaders to narrow it down, I think. 89: What would be a question you’d be afraid to tell the truth on? I can think of many. 90: One night you wake up because you heard a noise. You turn on the light to find that you are surrounded by MUMMIES. The mummies aren’t really doing anything, they’re just standing around your bed. What do you do? "I am too tired for this nonsense, either sit down and chill or go downstairs and wait until morning." 91: You accidentally eat some radioactive vegetables. They were good, and what’s even cooler is that they endow you with the super-power of your choice! What is that power? Time manipulation without accelerated aging. I just want to be able to nap whenever I want and have time to catch up on my Netflix list... 92: You can re-live any point of time in your life. The time-span can only be a half-hour, though. What half-hour of your past would you like to experience again? The first time my hubby and I held hands when we were dating. It was perfect and absolutely adorable. 93: You can erase any horrible experience from your past. What will it be? Ugh, I'm not sure, there are two that immediately spring to mind that were pretty awful. 94: You have the opportunity to sleep with the music-celebrity of your choice. Who would it be? I have no idea. 95: You just got a free plane ticket to anywhere. You have to depart right now. Where are you gonna go? Europe. Anywhere in Europe, but particularly the UK. 96: Do you have any relatives in jail? I don't think so? 97: Have you ever thrown up in the car? I'm sure I did when I was a kid, but not that I can remember. 98: Ever been on a plane? Finally went on one for the first time a couple years ago! 99: If the whole world were listening to you right now, what would you say? Be kind.
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Fanon Negative Europe
Come, then, comrades; it would be as well to decide at once to change our ways. We must shake off the heavy darkness in which we were plunged, and leave it behind. The new day which is already at hand must find us firm, prudent and resolute.
We must leave our dreams and abandon our old beliefs and friendships of the time before life began. Let us waste no time in sterile litanies and nauseating mimicry. Leave this Europe where they are never done talking of Man, yet murder men everywhere they find them, at the corner of every one of their own streets, in all the corners of the globe. For centuries they have stifled almost the whole of humanity in the name of a so-called spiritual experience. Look at them today swaying between atomic and spiritual disintegration.
And yet it may be said that Europe has been successful in as much as everything that she has attempted has succeeded.
Europe undertook the leadership of the world with ardour, cynicism and violence. Look at how the shadow of her palaces stretches out ever farther! Every one of her movements has burst the bounds of space and thought. Europe has declined all humility and all modesty; but she has also set her face against all solicitude and all tenderness.
She has only shown herself parsimonious and niggardly where men are concerned; it is only men that she has killed and devoured.
So, my brothers, how is it that we do not understand that we have better things to do than to follow that same Europe?
That same Europe where they were never done talking of Man, and where they never stopped proclaiming that they were only anxious for the welfare of Man: today we know with what sufferings humanity has paid for every one of their triumphs of the mind.
Come, then, comrades, the European game has finally ended; we must find something different. We today can do everything, so long as we do not imitate Europe, so long as we are not obsessed by the desire to catch up with Europe.
Europe now lives at such a mad, reckless pace that she has shaken off all guidance and all reason, and she is running headlong into the abyss; we would do well to avoid it with all possible speed.
Yet it is very true that we need a model, and that we want blueprints and examples. For many among us the European model is the most inspiring. We have therefore seen in the preceding pages to what mortifying set-backs such an imitation has led us. European achievements, European techniques and the European style ought no longer to tempt us and to throw us off our balance.
When I search for Man in the technique and the style of Europe, I see only a succession of negations of man, and an avalanche of murders.
The human condition, plans for mankind and collaboration between men in those tasks which increase the sum total of humanity are new problems, which demand true inventions.
Let us decide not to imitate Europe; let us combine our muscles and our brains in a new direction. Let us try to create the whole man, whom Europe has been incapable of bringing to triumphant birth.
Two centuries ago, a former European colony decided to catch up with Europe. It succeeded so well that the United States of America became a monster, in which the taints, the sickness and the inhumanity of Europe have grown to appalling dimensions.
Comrades, have we not other work to do than to create a third Europe? The West saw itself as a spiritual adventure. It is in the name of the spirit, in the name of the spirit of Europe, that Europe has made her encroachments, that she has justified her crimes and legitimized the slavery in which she holds four-fifths of humanity.
Yes, the European spirit has strange roots. All European thought has unfolded in places which were increasingly more deserted and more encircled by precipices; and thus it was that the custom grew up in those places of very seldom meeting man.
A permanent dialogue with oneself and an increasingly obscene narcissism never ceased to prepare the way for a half delirious state, where intellectual work became suffering and the reality was not at all that of a living man, working and creating himself, but rather words, different combinations of words, and the tensions springing from the meanings contained in words. Yet some Europeans were found to urge the European workers to shatter this narcissism and to break with this un-reality.
But in general the workers of Europe have not replied to these calls; for the workers believe, too, that they are part of the prodigious adventure of the European spirit.
All the elements of a solution to the great problems of humanity have, at different times, existed in European thought. But Europeans have not carried out in practice the mission which fell to them, which consisted of bringing their whole weight to bear violently upon these elements, of modifying their arrangement and their nature, of changing them and, finally, of bringing the problem of mankind to an infinitely higher plane.
Today, we are present at the stasis of Europe. Comrades, let us flee from this motionless movement where gradually dialectic is changing into the logic of equilibrium. Let us reconsider the question of mankind. Let us reconsider the question of cerebral reality and of the cerebral mass of all humanity, whose connexions must be increased, whose channels must be diversified and whose messages must be re-humanized.
Come, brothers, we have far too much work to do for us to play the game of rear-guard. Europe has done what she set out to do and on the whole she has done it well; let us stop blaming her, but let us say to her firmly that she should not make such a song and dance about it. We have no more to fear; so let us stop envying her.
The Third World today faces Europe like a colossal mass whose aim should be to try to resolve the problems to which Europe has not been able to find the answers.
But let us be clear: what matters is to stop talking about output, and intensification, and the rhythm of work.
No, there is no question of a return to Nature. It is simply a very concrete question of not dragging men towards mutilation, of not imposing upon the brain rhythms which very quickly obliterate it and wreck it. The pretext of catching up must not be used to push man around, to tear him away from himself or from his privacy, to break and kill him.
No, we do not want to catch up with anyone. What we want to do is to go forward all the time, night and day, in the company of Man, in the company of all men. The caravan should not be stretched out, for in that case each line will hardly see those who precede it; and men who no longer recognize each other meet less and less together, and talk to each other less and less.
It is a question of the Third World starting a new history of Man, a history which will have regard to the sometimes prodigious theses which Europe has put forward, but which will also not forget Europe’s crimes, of which the most horrible was committed in the heart of man, and consisted of the pathological tearing apart of his functions and the crumbling away of his unity. And in the framework of the collectivity there were the differentiations, the stratification and the bloodthirsty tensions fed by classes; and finally, on the immense scale of humanity, there were racial hatreds, slavery, exploitation and above all the bloodless genocide which consisted in the setting aside of fifteen thousand millions of men.
So, comrades, let us not pay tribute to Europe by creating states, institutions and societies which draw their inspiration from her.
Humanity is waiting for something other from us than such an imitation, which would be almost an obscene caricature.
If we want to turn Africa into a new Europe, and America into a new Europe, then let us leave the destiny of our countries to Europeans. They will know how to do it better than the most gifted among us.
But if we want humanity to advance a step farther, if we want to bring it up to a different level than that which Europe has shown it, then we must invent and we must make discoveries.
If we wish to live up to our peoples’ expectations, we must seek the response elsewhere than in Europe.
Moreover, if we wish to reply to the expectations of the people of Europe, it is no good sending them back a reflection, even an ideal reflection, of their society and their thought with which from time to time they feel immeasurably sickened.
For Europe, for ourselves and for humanity, comrades, we must turn over a new leaf, we must work out new concepts, and try to set afoot a new man.
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This week I’ve made a concerted effort to stick to the guidance outlined by the government – and when I did my (rather large) shop at Tesco last Sunday the aim was to not leave the house even for a pint of milk until the following week.
Prior to that I have to admit I’d been popping into the Co-op near my workplace a couple of times a week on the way home to get cow juice and other small ‘necessities’. However – when you weigh the need for a packet of hot cross buns against the danger of catching something potentially deadly such tasty treats somewhat lose their appeal.
Therefore this week I’ve only left the house to go to work and to exercise.
One thing I’ve realised lately though is that now the fallback tactic I’ve been using for dealing with stress, life and weight issues for the last four years (namely going for a ****ing long walk) has been rationed I’m really struggling.
Working every day in an isolated and unfamiliar office without people around me can be a lonely and stressful affair. As you might imagine at the moment anyone that’s in the business of enabling or supporting home working solutions is in high demand from their users.
The pressure to not only provide quality but rapid support is ever present.
It’s a never ending challenge – and I go home a lot of the time feeling like I’m somehow not good enough or that I should know more or be better in some way. I’m still new at what I do and it’s difficult having no-one around me, regardless of how industrious I try to be.
I try to throw myself into my work but with no-one to talk to I find my breaks either get later and later, missed altogether, or taken at my desk reading work e-mail in an attempt to catch up.
It’s mostly because I’m a people person who has no-one nearby to bounce off that I’m struggling.
I’m only a couple of weeks into the current working arrangements (which show no sign of returning to normal any time soon) and I’m already preoccupied with wishing it will all end ASAP.
However I’m not completely alone – there are other people dotted about in other rooms elsewhere in the building. Also, once a day I get to say hello to a cheerful cleaner that comes in to disinfect all of the contact surfaces on doors and work tops nearby.
He’s a nice fellow – and has been keen (since I first engaged him in conversation) to share funny texts that his friends send him, as well as amusing songs he’s found that parody the current lockdown events.
On Wednesday he showed me something that I knew I had to take home – especially given the current national obsession.
As soon as I saw the picture on his (2 metres socially distant mobile phone screen) I knew my other half would be tickled pink by them – and I immediately googled it on my own phone – initially intending to buy a pair for her.
The moment passed however and I was pulled back into my work.
When I returned home I remembed what I’d seen and showed her the picture from my search (the above pair are from Etsy – the link to the page is here) and to my surprise she matter of factly said ‘I think I can make those myself.’
‘Really?‘ I said.
‘Yes – I think I have the beads upstairs…’ she replied.
She’s got loads of craft supplies in teeny little drawers – and loves making jewellery so I guess this shouldn’t have taken me aback – but in some respects we’re still learning about each other’s talents.
Making little trinkets is definitely something that she’s really good at, and although my other half still buys earrings and necklaces all the time (we have several special storage areas set aside in the house) she also makes a lot of her own – such as this chain maille bracelet and pendants.
I remember visibly gulping back when we first started thinking about eachother romantically – becuase she admitted over text that she had a quite a thing for jewelery.
I have always associated this kind of thing with gold and precious stones – and (maybe wrongly) viewed ladies that wear a lot of it as ‘high maintenance’.
We all have our own likes and loves mind you – so who am I to judge?
If I’m willing to spend £1k on an Apple product then why should I expect other people not to do the same with things that they like? However I still find it really hard to dissasociate the ‘high maintenance’ stereotype in my mind from ladies that wear a lot of expensive finery.
Pleasingly none of what my partner chooses to wear is something that you’d find in a regular jewellers shop – and neither is it particularly expensive.
Instead her tastes are really funky and unique and she’s genuinley changed my perspectives on the subject.
Over the last couple of nights I’ve watched her in spare moments re-create the earrings I showed her and make the design her own,
I’ve been taking occasional pictures along the way – until today when she finally finished them and popped them into her ears to ask me for my opinion.
How cool are they?!
They’re flipping awesome not just because of how funky and fun they are – but because she made them – and thats sooooooo cool!
Part of life under lockdown is that (perhaps for the first time since we met) my (currently) captive Geography teacher has had the time to herself in the evenings is usually denied to her.
There’s currently no 90+ minutes of travelling followed by at least two hours and a half hours of marking and lesson preparation every day. In its place is instead an early start and a reasonable finish time in a home office looking out onto our garden that (at least from the outside looking in) seems to be infinitely less stressful than wrestling classes of teens into submission face to face.
It’s still a lot for her to do though – and I think that we’re both sitting well outside of our respective comfort zones. It’s difficult to adjust to a completely new setting at the best of times – but I’m pretty sure that from a career perspective she has always had a much tougher time than I do on a day to day basis.
Being a teacher is damn hard work – and when a month or so back (when we discussed the pressures related to her profession) I worked out that she spends at least 60 hours a week working.
At the moment (although she’s essentially locked up in the house) things are slightly different – and we’ve managed to spend a little more quality time with eachother in the evenings and weekends.
When we’re not doing things together we’re pursuing our own interests side by side on the sofa.
A mutual friend (commenting on her own enforced lockdown with her husband) remarked how awful it would be to be trapped in the house with the knowledge that you’re in a bad relationship hanging over you and the person that you’re trapped with.
I’m sure over the last few weeks that many couples all over the world have been re-considering their life choices – but not me.
I genuinely love spending every moment of the day with my partner – and since we became romantically involved we’ve not managed to fall out, annoy eachother or funamentally disagree on anything .
I’m not saying that arguments are the sign of a bad relationship – because in the right context a disagreement aired can be a healthy thing – but it just doesn’t seem to happen between us.
This is something I’m still bending my head around – because all of my previous relationships led me to believe that compromise and falling out over mundane things (such as the loo seat being left up) were just a fact of life.
It seemed like every relationship was destined to be this way (all of mine were) but now I realise that it was just the fact I wasn’t with the right person.
As nice as life with ‘er indoors‘ is though – there’s still nothing I’d love to do more today than to go for a long, languid walk and sit on top of a hill with a picnic for two. However spending any time together is thankfully something that makes me happy.
Even doing the gardening together cheers me up.
I genuinely thank my lucky stars that we met one another almost two years ago – and if the current crisis tells us nothing else it’s that we damned well have to appreciate what we’ve got while it’s there becuase you never know what’s around the corner.
Although there are no picnic capable hills near enough to where we live (to meet the government’s requirement to exercise ‘locally’) we did manage to get out for a walk around the park earlier today.
The sun spent its time periodically creeping in and out from behind cloud cover but our time there was still lovely.
Maybe becuase the traffic is so reduced on the roads surrounding the park there was a strong scent of flowers in the air as we passed the daffodils and formally planted beds.
I might be wrong but I think this lovely odour hung in the air for a good quarter of the distance around St Nicholas’s ‘measured mile loop’.
If nothing else – having a sense of taste and smell in the current climate is a positive indication of good health!
By the time we returned home we had around 3 miles in the bank.
It’s not much distance (compared to my previous standards) but it’s better than nothing and I’m grateful that the weather was good enough to wander hand in hand – and pretend for a few minutes that the world wasn’t imploding around us.
I’m also pretty damn grateful that I have a garden – becuase the little tweety birds are industriously busy building things.
They’re doing this at exactly the same time the television informs us moment by moment that everything is falling apart so it’s nice to have a counterpoint to focus on.
As the grim statistics just got worse and worse (a five year old just died…) this little fellow flew back and forth for about twenty minutes as we watched it (and it watched us) from a respectful distance.
Again and again this delightful little creature ferried materials back and forth – turning random bits and pieces into the building blocks it needed to create a nest full of little eggs and eventually new life.
I’m going to support it as much as I can – and will be filling my bird feeder to make sure that it’s chicks get the start they deserve.
On that (hopefully upbeat) note I think that it’s time to get something to eat. I should have started cooking ages ago – and my little jeweller looks like she’s in need of a chicken salad.
Who am I to deny her such a simple pleasure?
Of I trot!
Davey
‘Er indoors This week I've made a concerted effort to stick to the guidance outlined by the government - and when I did my (rather large) shop at Tesco last Sunday the aim was to…
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[TRANS-NETIZENS’ COMMENTS] 170725 & 170726 YoonA - The King In Love (3 Articles)
Note: I re-arrange the orders accordingly and update the upvotes/downvotes too as of 26 Jul 4.30pm KST
1. [+953, -51] WonSanRin’s chemistry is so good ㅜㅜ I’m so into Im Siwan ㅜㅜ How do I wait until next week ㅜㅜ
2. [+829, -49] The way Won stare at San is so lovely. But it is only right if it is someone that goodlooking. Ha it is so fun
3. [+787, -56] It is so funㅎㅎ YoonA is so pretty
4. [+736, -49] Wa ... The time passed so fast
5. [+739, -54] Visually the trio’s hegemony is sufficientㅋㅋㅋ no other things are neededㅋ
6. [+328, -27] I finally understand why the actors have so much faith in this drama ㅋㅋㅋ the directing and the story are solid
7. [+290, -16] WonSanRin’s visual are all on point. Their visuals ar the best. Personally I feel the props are costly.
8. [+291, -22] Everyone are looking good and their acting are so good too. It gets more and more interesting. Each character has their own distinctiveness, not only WonSanRin but even the villians do not overlap with one another.
9. [+291, -23] If only the political plot is inserted right from first episode, the feeling is getting stronger now
10. [+277, -19] WonSanRin this 3 roles matched well, thus it is easy to to immerse in. First of all, the script is really interesting. Rating please go up!!
11. [+240, -13] It doesn’t feel strange looking at Won’s lines. But the more you mull over, the scarier it gets ㅋㅋㅋㅋ Really, every character has their own charms, the story’s appeal is no joke, why is everyone not watching this drama?
12. [+220, -10] The way Won look at San is really lovely. I am curious how this love can turn into an obsession.
13. [+237, -18] It is so fun ㅠㅠㅠ When San cried I cried along too. After looking at the preview, how am I going to spend waiting for this whole week ㅠ
14. [+208, -12] Really I do not know where time has gone to when watching the show. Mon-Tues is ‘The King In Love’
15. [+209, -14] After watching the 30 minutes special broadcast, I stick to the live broadcast since yesterday. It is so fun I like this kind of story plot and cinematography.
Source: Naver Cr: Chinese Trans by Stormbar Eng Trans: mystarmyangel
Note: I re-arrange the orders accordingly and update the upvotes/downvotes too as of 26 Jul 4.30pm KST
1. [+546, -30] ‘The King In Love’ is so fun. Yoong is so pretty
2. [+473, -21] The scenes are so pretty
3. [+471, -36] YoonA’s acting is really good~ ‘The King In Love’ is so fun
4. [+418, -23] The backdrop is so beautiful, it is so fun
5. [+398, -21] He has fallen in totally~
6. [+223, -13] Honestly, I have watch one episode and more for all the Mon-Tues dramas, and ‘The King In Love’ is the most interesting one. Don’t criticise just because it is idol actors, I hope you will at least watch once before talking.
7. [+199, -8] Im Siwan’s eyes expression are really good, but it is normal to be so if it is YoonA (you are looking at), because she is really very pretty
8. [+187, -4] To be honest when I first know that this drama is about to air, I was still saying like is it going to be fun if it is acted by Im YoonA, Im Siwan & Hong Jong Hyun…? (Not saying that these actors aren’t good, but I just feel that they are not veteran actors who have built up their skills through accumulated years and hardwork for me to have enough faith) But when I heard that the scriptwriter is Song Jina, I decided that I should give it a chance so I started watching since the first broadcast up til now, and I knew my choice is right. Of course I know that the script is going to be good so I was not worrying about that. What surprised me is that the directing is also very good and the main casts’ acting are really good too. YoonA and Hong Jong Hyun’s acting improved a lot. The chemistry is daebak.
9. [+179, -4] What are you going to do, Won and Rin? San is truly full of charmsㅋㅋㅋㅋㅋ But really what are the two of them going to do from now on?
10. [+174, -8] The background music of ‘The King In Love’ is so good, up til now it is so fun ㅎㅎㅎㅎㅎ
Source: Naver Cr: Chinese Trans by Stormbar Eng Trans: mystarmyangel
Note: I re-arrange the orders accordingly and update the upvotes/downvotes too as of 26 Jul 10.30pm KST
1. [+992, -96] A very interesting drama. Even looking forward more to next week!!!
2. [+861, -88] It would have been better if the first week started out with tension like this week too. Looking at how this week’s rating start increasing again, it is indeed fun.
3. [+803, -82] Gradually sinking into that Eun San only has Won. Rin become more and more pitiful ㅠㅠ
4. [+747, -85] Definitely the previous work is also like this, the story is good and as the story develops, the rating will surely increase too…ㅎ
5. [+754, -94] This is a drama that as long as you watch once you will never be able to drift away from it. ㅠㅠ The chemistry between the actors are needless to say. The story plot, the directing and all are the best too. There is a special broadcast on Thursday 11.10. Anyone who have not watch it and then join the live broadcast!!
6. [+253, -28] Really fun. WonSan is good, RinSan is also good but it is indeed the most fun when the 3 of them are together~~
7. [+248, -30] I guess because it is a pre-production hence it seem a lot of effort is put into the editing. They also take feedback seriously, the making film is also released right after a live broadcast ends~~
8. [+245, -33] There are still a lot of things to take care of so it is not right if Won is going to change for the worse... He should have linger around more with San.. it is getting more and more interesting~^^ how do I wait until next week?
9. [+227, -30] It is slowly getting more and more interesting, seem like it is doing well
10. [+214, -26] Won couldn’t prevent San’s mother from being killed due to his momentary misjudgement while Rin’s own brother is the conspirator. Both of them feel guilt towards San. Right now they thought she is the loyal maid of the madam who died and the daughter who is left with a scar while shielding her, how will they react when they know the truth?
11. [+170, -14] I am curious about San’s point of view. Even though it has not reach the point yet, but as expected the one San like is Won or Rin?
12. [+167, -15] This is really daebak kind of interesting, for people who have not watch it please watch it I am sure you won’t regret.~~
Source: Naver Cr: Chinese Trans by Stormbar Eng Trans: mystarmyangel
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“Telling” Asks
Because I’m relaxing today and I’ve never answered some of these before.
From: https://beyondthetemples-ooc.tumblr.com/post/185158056997/weird-asks-that-say-a-lot
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1. coffee mugs, teacups, wine glasses, water bottles, or soda cans? Teacups would be ideal, but the reality is more water bottles.
2. chocolate bars or lollipops? Honestly? Neither. (Unless it's a really good chocolate bar, like 85% dark, or Cadbury's~)
3. bubblegum or cotton candy? Both are too sweet for me. (Though, maybe once a year, I'll indulge in one of each.)
5. do you prefer to drink soda from soda cans, soda bottles, plastic cups or glass cups? Bottles, if it's not soda! (Good for multi-tasking and not spilling!) But otherwise, glass cups. Unless the plastic ones are really pretty or have a very nice grippy shape to them.
6. pastel, boho, tomboy, preppy, goth, grunge, formal or sportswear? Oh always goth, all the way. Technically a more "formal" goth (romantigoth is the label i'd choose if i HAD to pick one),
7. earbuds or headphones? That depends. When I'm active, or when it's hot outside? Earbuds. But when travelling, trying to work in a loud environment, or generally needing sound cancellation: definitely headphones.
8. movies or tv shows? Oh, that REALLY depends on the content. Movies are easier on the ADD, and most TV shows are paced TERRIBLY in the long-running format, but then there's, like... cartoons, basically, that have satisfying stories in each episode AND a great overarching plot.
9. favorite smell in the summer? Pre-Thunderstorm Static.
10. game you were best at in p.e.? I wasn't the best at ANY game in PE... ;P Honestly, my best "game" was probably....... tag, but the kind where they're running away from you as a form of bullying, so you just embrace it and "touch" them just to mess with them.
11. what you have for breakfast on an average day? I don't. (I don't feel hungry most mornings.) "First lunch" is usually a piece of fruit and maybe a granola bar.
12. name of your favorite playlist? I don't do "playlists", I do "play every album by this artist in chronological order"! But I guess my Epica and Evanescence stations on Pandora come pretty close, huh?
13. lanyard or key ring? Neither actually; I use those bungee-like things you can stretch to hold my things. I literally attach my wallet to my bag's handle with those so I don't lose it.
14. favorite non-chocolate candy? Peppermint? Candied ginger? Do s'mores count?~
15. favorite book you read as a school assignment? Oh DAMN that's hard... Let's see. If AR Summer Reading projects count: Harry Potter and the Goblet of Fire? The Invisible Thread (by Yoshiko Uchida)? Fahrenheit 451? And if those don't count, maybe The Scarlet Letter (by Hawthorne, of course).
16. most comfortable position to sit in? Your classic lotus position. I'm essentially in it right now.
17. most frequently worn pair of shoes? Work shoes, but outside of work? Black flip flops.
18. ideal weather? Realistically: 65, light breeze, and lots of clouds with a little rain. But my absolute FAVORITE weather was something I've only ever seen ONCE, and that was a thunderstorm in the middle of a snowstorm. It was incredible and the image of lightning against the snowfall is forever seared into the core of my soul as one of the most gorgeous things I've ever experienced.
19. sleeping position? Varies night by night. Safe to call it a general Flop.
20. preferred place to write (i.e., in a note book, on your laptop, sketchpad, post-it notes, etc.)? It depends on the draft! First drafts are best done for me in notebooks (usually, unless it's a scene with No Chronology Yet, it's in the notebook meant for the story)! But also, anything that's on hand whenever a new scene strikes me works too. I've written on napkins, calendar pages, doctor notes, and Greyhound bus tickets.
21. obsession from childhood? Ooh, Teen Titans, still to this day!
22. role model? ...Rrrraven? (And/or, my Actual Mentors. But it's very much a "don't be me, just let us try to teach you some things so you can be the Best You".)
23. strange habits? ...oh gods, where do I even begin. I meditate and practice energy work on the daily. I touch things almost any time I'm walking anywhere, like just reach my hands out a little and touch whatever's closest. I tend to ask a lot of questions when I'm talking to someone, lots of "why is that". I compulsively read Every Single Ingredient on every box I buy and research anything I'm not familiar with. Does taking like 15 pills and vitamins every day count? And also my "nesting" behavior, any time I'm somewhere I feel it's not rude to re-arrange, I grab pillows and blankets for support.
24. favorite crystal? Damnit, all my favorite stones are actually not "crystals"?! But crystalline azurite is close enough. (It kind of depends on the day and what energy I'm looking for. Stone/crystal work is another one of those weird habits. ;P )
25. first song you remember hearing? The "Arthur" themsong. I remember going to my mother and being like, "They said A! A is a letter!" And it wasn't for another, like, 3-5 years that I'd realize, they're saying "hey", not "A".
26. favorite activity to do in warm weather? Stay inside. (Anything that counts as "warm" rather than "cool" is too warm for me....) But if I had to pick ONE thing, definitely swimming, in a lake (because I have a mild chlorine allergy).
27. favorite activity to do in cold weather? ALL of them! Just being outside as long as it's not too sunny! Hiking, meditating, I used to do all my spiritual rituals outside, reading, walking, hell even at work when we have dogs to take on walks, I love walking in the park with them. Being outside when it's snowing. And then curling up in my room, on my soft bed, with a cup of tea and a book (or a great fanfic) after...
28. five songs to describe you? Teen Titans themesong, Bakura's Theme, What's the Use of Feeling (Blue) 1. End of the Dream, by Evanescence [ x ] 2. My Demons, by Starset [ x ] 3. Underneath, by Tarja [ x ] 4. Paradise (What About Us), Within Temptation ft. Tarja [ x ] 5. Reality Fringe, by Alex Dalliance
29. best way to bond with you? Talking, communicating, while respecting boundaries, with patience and sincerity.
30. places that you find sacred? Honestly, the biggest answers are a part of the Nexus and I don't think I'm ready to talk about that here;; Let's just say, astral adventures have gotten wild enough that my spirit guide and I have meeting places that are sacred, my leader-goddess has shown me a few places, and there are some "places" within my own mindscape that are sacred enough.
31. what outfit do you wear to kick ass and take names? Oh honey, that depends entirely on my mood. And the situation. I have multiple cloaks, some closet cosplays, I wear skirts every day, business jackets, and I can mix and match them however I please. It REALLY depends on whose ass I'm kicking.
32. top five favorite vines? I know I really like Thomas Sanders? But specifics-- Oh. Oh crap, wait I have to visit my vines tag to remember my favorites. DEFINITELY "This bitch empty. YEET" because I didn't know the vine OR exclamation before I saw a fanart that had me DYING OF LAUGHTER, thinking someone just made Blue Diamond yell the word "YEET" for no reason. "FREE-shuh-VAH-cuhdu" makes me die every time. "There's only one thing worse... A CHILD" is TOP QUALITY, genuinely hits at least 3 critical notes of my sense of humor. I love the one with the guys playing the piano (I don't know what genre but it's old-school and chill) and the guy comes in and starts club dancing to it. And the umbrella one with, "Run".
33. most used phrase in your phone? ...probably "if you want"?
34. advertisements you have stuck in your head? I haven't seen an ad in literally years. (get uBlock Origin, it works way better than adblock! also, i don't Internet on my phone.)
35. average time you fall asleep? 11pm? (Work nights: 9-10:30, depending on my exhaustion levels. Not work nights? 1-3am.)
36. what is the first meme you remember ever seeing? The actual LOLcats website!
37. suitcase or duffel bag? Neither; I actually use a mid-sized messenger bag and only use Personal Item Sized Bags for airplane trips. Free baggage, y'all. ;P
38. lemonade or tea? Oh tea, definitely tea. (Unless it's too-sweet iced black tea; then that watermelon mint lemonade wins.)
39. lemon cake or lemon meringue pie? Iiii actually can hardly eat either one, but Starbucks' lemon loafs were addictive (but really bad for my system) and I do love lemon meringue flavored things~
40. weirdest thing to ever happen at your school? M e . (I did weird shit like practice reading auras, accidentally warp the moodscape of everyone around me, and get an A on a pop quiz the teacher didn't lecture about for more than five minutes.)
41. last person you texted? An old high school friend I recently reconnected with.
42. jacket pockets or pants pockets? Jacket, since I don't wear pants (unless work forces me to, ew).
43. hoodie, leather jacket, cardigan, jean jacket or bomber jacket? I have no idea what differentiates them. =w=;; Cardigan probably, because I know they have really long flowy elegant ones I like to wear sometimes.
44. favorite scent for soap? ...ooh, that's tough... Lavender's always a good bet, rosemary-mint was a delight, I cucumber-eucalyptus was nice, and I have no idea what scent it was, but a local soap-maker at the farmer's market in the city I lived in for a couple years had this one that was made with, like, honey and red clay, and it felt AMAZING.
45. which genre: sci-fi, fantasy or superhero? Damnit, don't make me CHOOSE like this! I mean, for writing obviously Superhero because I write fanfics like hell for that genre, but I guess my Pokemon fanfics count as fantasy? And, come to think of it, most of my stories center around metaphysical weirdness is some way or other, so... straddling the line between fantasy and superhero.
46. most comfortable outfit to sleep in? Nudity.
47. favorite type of cheese? ...provolone maybe? ??
48. if you were a fruit, what kind would you be? Pomegranate, probably. Gotta do some work to get to the good stuff, strangely unavailable most of the time, and once you get past all the drawbacks, it's just absolutely loaded with compartmentalized goodness.
49. what saying or quote do you live by? Bold of you to assume I only have one quote! Here's just a small sampling. ~ "Don't you want to feel? Don't you want to live your life? How much longer are you gonna give into the fear?" -Disappear, by Evanescence. ~ "Those who dream by day are cognizant of many things which escape those who dream only by night." -Edgar Allen Poe ~ "Be yourself, everyone else is already taken." -Oscar Wilde ~ "Guilt is a powerful motivator. Redemption, even greater." -The Unforgiving, by Within Temptation et al. "When you know in your soul who you are, you can never be corrupted again." -Raven, from the Games graphic novel. + Various quotes from my organization, along the lines of things like "Any Tom, Dick, or Harry can do your job, but only you can be there for your friends, family, and accomplish your dreams", and "When you understand WHY we do what we do, WHAT we do makes more sense".
50. what made you laugh the hardest you ever have? My girlfriend? Most of those vines I mentioned? "OH TITS IT CAN FLY"?
51. current stresses? j o b
52. favorite font? Arial, simple yet elegant. Easy to read. I write all my stories in Arial, so I'm biased. l3
53. what is the current state of your hands? They're in Ohio with the rest of me? 8F No, but seriously, lowkey aching a bit around the finger joints from constantly dragging dogs around for a whopping 60 hours this week, but they're not burned and there's only one Tiny cut I got at work, and I still don't know why, but that's almost gone already. I like my fingernails too, they've been breaking at the corners lately but they're still Decently Long.
54. what did you learn from your first job? "Turn tables" are not, in fact, the name of a band, but an item of musical arrangement. (I worked at the Exchange and someone asked if we had anything like the turn tables. I thought they meant musically similar to a band named Turn Tables.)
55. favorite fairy tale? Does the epic poetry of the Kalevala story count? (Finland's national epic!) But I'm not a big fan of the Grimm style fairy tales.
56. favorite tradition? Going to Evanescence concerts at every single available opportunity? Wearing a bracelet my gf gave me and a ring my mother gave me any time I travel? I'm not one much for Generational Tradition at all, I do kinda like forming my own though~
57. the three biggest struggles you’ve overcome? Literally just, myself. 1. Overcoming my doubt in myself. 2. Overcoming my social anxiety re: Starting Conversations. 3. Overcoming my phobia so I could, you know. Eat food.
58. four talents you’re proud of having? ?! How do you even define what constitutes a "talent"? 1. WRITING! (Creativity re: characters and the plots they're in. Descriptive writing. My mother always acts blown away whenever she reads my writing re: "how you get into the character's head".) 2. I can speak very eloquently and articulately, most of the time. And not just via verbiage; I know how to say things that Matter. 3. I can cook a fantastic stir-fry! And, apparently, really good soup. 4. I'm proud of my (non-numerical) eidetic memory, sometimes. It's kinda just There, and I'm not, like, ACTIVELY proud of it, but it sure makes things easier re: remembering friends' triggers, fandom trivia, etc.
59. if you were a video game character, what would your catchphrase be? What makes you think I don't create each response on demand? (There's... really not something I think I say often enough to count as a catch phrase. So I legitimately have no idea.)
60. if you were a character in an anime, what kind of anime would you want it to be? Is "dark magical girl anime" a thing? Because that'd be MY thing.
61. favorite line you heard from a book/movie/tv show/etc.? See above quotes.
62. seven characters you relate to? 1. R A VE N that's it that's the list Theeee only other ones I relate to are kinda awkward answers to give for this (re Synpathy and such related topics), but then again there's hella sympathy for Raven too, so.... 2. Ryou Bakura 3. Blue Diamond 4. Lapis Lazuli 5. Malachite (it's Complicated) 6. Sucy 7. Crona
63. five songs that would play in your club? Just insert any five Alex Dalliance songs here, I don't listen to a whole lot of Club Style Music. (Unless.... does, like, Cascada and Caramel count? Because I still kinda like their styles.) My "club" would be more like orchestrals by Danny Elfman and Evanescence instrumentals and/or live music from local rock bands.
64. favorite website from your childhood? TitansGo.Net! Screenshots, transcripts, even the forums... I browsed that site on the daily.
65. any permanent scars? Oh boy, are you sure you're ready for this? My scars fade quickly, but you'll see them if you know what to look for. One on my forearm from when I fell off a bed onto a broken fan grate at age 5 (it's a 3-inch long gash), on my left pointer finger from being bitten by an angry rabbit, scars on my heels from my comic!Raven cosplay shoes, scar on my right hip from using rubber cement to attach a scar prosthetic for a Kary cosplay (at my supposedly practical-effects-knowledgeable father's advice-- not good advice at all, for the record, don't put that shit anywhere NEAR your skin), tiny spot on my right hand from the time I became too emotional at my girlfriend's house and scraped it on her carpet, tiny dot on my left shoulder from a protruding nail in an old (pavillon without a roof thing?) we once had in the backyard, tiny line on my right ring finger from the time Belle nearly fell from right next to me and I caught her (she tried to grab something and wound up scratching me), and a scar on my right elbow from cleaning the tortilla press at Chipotle. (They didn't tell me there were protective gloves to use. They really should've told me that.)
66. favorite flower(s)? Oh gosh, I don't know. I like almost all flowers, really. I love the scent of lilac and magnolia in the air. Rose and hibiscus make lovely teas. Seeing mint and lemon balm in bloom always makes me feel contented. Willow and basswood flowers remind me of happy childhood memories at the nature reserve. Pink hibiscus flowers have Very Special Meaning to me (for the other blog, really). And of course, flowers with energy or aromatherapeutic effects like lavender are favorites, too.
67. good luck charms? Look, I don't NEED good luck.~ Confidence, strategy, and being alright with whatever happens are my "good luck charms". (And throwing a little magic at it never hurts when I REALLY want something...)
68. worst flavor of any food or drink you’ve ever tried? ....I'm not comfortable answering that (phobia memories, just not gonna think about that okay.)
69. a fun fact that you don’t know how you learned? ...Remember that eidetic memory I was talking about? Every single little tiny fact I'm thinking about, I can remember how I learned about it.
70. left or right handed? Ambi, actually! 55% right. 45% left.
71. least favorite pattern? That depends on what it's for. Wallpapers? Floral (it kills my ADD, but floral patterns can make some very pretty dresses and blankets). Furniture? Paisley (but some people rock it in clothes). Furniture? any kind of fur trim (but again, it looks good on clothes). Clothing on me? Leopard and zebra (but I like it on lots of other things). My room? Checkered and tartan (but again, good patterns for other things, esp. clothing and interior styles that AREN'T associated with my room in particular, my room's just so noncomforming and cluttered that Busy Patterns like that aren't). I guess overall I'm just not a fan of highly stripey or square-y patterns?
72. worst subject? Math. Always has been. Probably always will be.
73. favorite weird flavor combo? The weirdest and actually not the grossest I tried was, out of curiosity to see what Tamaranian food might ACTUALLY taste like, I mixed sushi with ice cream. It really wasn't that bad! That one's my favorite for fandom reasons. 8P I don't do a whole lot of "weird" flavor combos otherwise.
74. at what pain level out of ten (1 through 10) do you have to be at before you take an advil or ibuprofen? (Those... those are the same thing, buddy.) 8 or 9. NSAIDs, especially naproxen and ibuprofen, really irritate my stomach, so it has to be worth a week or two of Lowkey Constant Nausea to take it. For example, the last time I was waking it, I had dry socket. You know, that thing that happens when you get a tooth extracted and the blood clot doesn't form, so YOUR ACTUAL BONE IS EXPOSED for two FUCKING weeks..... and before the dental stuff, I would only take it when Monthly Stuff would get so bad, it could leave my crippled and crying on the bathroom floor for an hour. (Might've been longer if stepmom hadn't gotten me n0aproxen.....)
75. when did you lose your first tooth? Hell if I know what age that was, I think I swallowed it.
76. what’s your favorite potato food (i.e. tater tots, baked potatoes, fries, chips, etc.)? Potato soup, especially my mother's! But I also like BAKED fries (actually fried fries tend to be... Really Badly Received by my system;;), kettle chips are pretty good in small amounts, and I love those criss-cross cut fries at Mr. Hero (I just can't eat more than, like, five at a time, guh).
77. best plant to grow on a windowsill? I absolutely LOVED having my lemon balm. But it got the aerial blight from my peace lily, and it died with all the rest of my houseplants. :c
78. coffee from a gas station or sushi from a grocery store? Sushi from a grocery store, just because this place called Giant Eagle makes some fairly good sushi for like $5 on certain days of the week, and I think they make it every 3-4 days. Fresh, like you can see them making it right in front of you.
79. which looks better, your school id photo or your driver’s license photo? My passport is actually my best, I think~ Though my college ID didn't look bad, either.
80. earth tones or jewel tones? Depends on what they're for. Clothes, I guess jewel tones because I like blue and purple. But for interior decorations, earth tones like deep rich browns and black are my go-to.
81. fireflies or lightning bugs? They're.. the same thing? ??? I've used both interchangeably.
82. pc or console? PC, mostly because that's all I've had most of my life, and of course DC Universe Online was on my PC so maybe I'm biased. 8F
83. writing or drawing? Oooh, writing for me, all the way~ (Though I gotta do SOME drawing now and again!)
84. podcasts or talk radio? Neither, they're both too long for my ADD. And I don't... really care about most people on them? The only one I've ever seen was Amy Lee on short talk show interviews and the Steven Universe podcast with MKAtwood of course.
84. barbie or polly pocket? Neither. (I had both. Played with Polly Pocket because it came with a lot more animals, but those got lost way too easily, and I never got into the Barbie.)
85. fairy tales or mythology? They're both equally important and equally fascinating! Mythology has more Spiritual Resonance, and fairy tales have more Societal Resonance.
86. cookies or cupcakes? Depends on what kind! Oatmeal raisin cookies beat chocolate cupcakes, but red velvet cupcakes with a cream cheese frosting beat chocolate chip cookies.
87. your greatest fear? I have emet*phobia. You can look up what that means yourself because I don't even want to type the word, thanks.
88. your greatest wish? Just, freedom.
89. who would you put before everyone else? Damn it, I'm too compassionate for that answer. Whoever needs it more at that very moment.
90. luckiest mistake? Being so antisocial that the people running the ALP program made me sit with my girlfriend. I asked "Do you like Teen Titans?", and the rest is history.
91. boxes or bags? Boxes for long-term storage, bags for the daily.
92. lamps, overhead lights, sunlight or fairy lights? Lamps, generally. Candles trump them all, but LED lamps are a lot less fire-hazard-y when you might fall asleep. lD;;
93. nicknames? RHS, RWT, Shadow, Zira (means "Shadow"), closest friends call me Rae.
94. favorite season? Winter~ It's the kindest to my easily-overheated sensibilities.
95. favorite app on your phone? Prooobably the voicemail app my or/ganization uses? I don't do much else on my phone besides, you know. Phone stuff (talk/text).
96. desktop background? PC: A shot of Raven meditating in the forest from Justice League vs. Teen Titans, with the incense and glow and her head bowed and focused and everything. Laptop: The sky as Lapis looked up at it, the gorgeous Homeworld constellation from "Ocean Gem".
97. how many phone numbers do you have memorized? Three. Mine, my girlfriend's, and only because she had the same phone number since I was like 8 years old, my stepmother's. Everyone else's keeps changing.
98. favorite historical era? The answer I want to give is Nexus-related, but I don’t think I have a real favorite era. I know too much about the history of misogyny, racism, colonialism, variation between eras around the world, and generally fucked-up shit in every era I've ever learned about.
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