#the war arc we all know and love happens in year 3

[flfverse]

hm. might try to finish the timeline today or tomorrow. we shall see. quick question how important of an event does something have to be to make the timeline

[queenofapeacefuldawn]

SxF Crack Theory: The Identity Of [REDACTED]'s Father

Hear me out here.... but, maybe, Twilight's father could be Yuri's boss, aka, the SSS Lieutenant.

Now, this might be a crack/joke theory, but here is the evidence I have to back up my claim (yes, I'm presenting it because I'm just Like That):

(Warning: Manga spoilers ahead)

Exhibit A: Physical Characteristics

Here is a picture of Agent Twilight:

Here is a picture of Yuri's boss (who, from now in, will be referred to as YB, for my own convenience):

We can see that Twilight and YB have very similar facial characteristics: bluish-grey eyes, blond hair, and a similar face shape (nose, jaw).

We never see Twilight's father's full face: only the lower half, because he has presumably forgotten his face, along with his mother's (King of Emotional Repression™️), but we can see that his jawline and shape of his mouth are very similar to Adult Twilight.

Oh, and look at that- rather pronounced cheekbones, if I do say so myself. Where else did I see those? Hmmm

Exhibit B: Ambiguous Fate

During the War Arc, we're never told about [REDACTED]'s father's fate. We just know he never returns to his family: and the reason why he left for the very last time, was that, "Things have been heating up at the border. I need to take a little business trip." The fact that his, a (presumably) rather important man's, body was never recovered: nor were [REDACTED] or his mother informed of his death. Of course, his body could have been lost in the bombings, or the part of [REDACTED] finding out about his father's dead could have been omitted, but for most of the part, we're left to assume about his father's dead. And... this sounds familiar to another instance...

Like the instance of [REDACTED]'s friends. He (and we) assumed they'd died in the warehouse as children, but later we see that they're alive and in the army (only to die a second time, RIP), but this time, for their deaths to be confirmed: for [REDACTED] to only receive their dog tags after the failed campaign.

This may have been a setup: for Endo to reintroduce [REDACTED]'s father, later in the story, as YB.

Anyway, one thing I've learned after reading and watching so many books, comics, and TV shows: never assume a person's dead, not unless their body/proof of their death has been explicitly shown. This belief was only reinforced after [REDACTED]'s friends.

And, [REDACTED]'s father's last known place was around the Westalian-Ostanian border. He could have escaped in the crossfire, theoretically...

Exhibit C: Fatherly Nature (?)

We all love a good found-family dynamic in the workplace. It's there with WISE, it's there with Garden, and it's kinda there with the SSS.

My main argument about this stems from the chapter which focuses on Yuri's work.

We see YB continuously worry about Yuri's physical health, in panels like:

Obviously, this doesn't happen only in this chapter. Whenever Yuri's there, YB is also there, yelling at him to a) go to sleep, or b) STOP GETTING HIT BY BUSSES OH MY FUCKING GOD IT CAN'T HAPPEN SO MANY TIMES TO ONE PERSON-

And, of course, there's the Yuri Sick Fic chapter:

Not gonna lie, this point is extremely weak, if I brought this up in court I'd be laughed out of there-

Anyway, I just wanted to put this in.

If it does turn out that YB is [REDACTED]'s father then. Bestie. Buddy. How are you managing to be a better father-figure to some insolent kid who gets hit by busses than you were to your actual son, like 20 years ago. Maybe he learned along the way.

Exhibit D: Symbolism (???)

Oh, look, another point I'm pulling out of my ass! But whatever, you're reading it <3

During the War Arc, we see Twilight sustain two major injuries:

One, as a child, when his home is bombed:

And two, as an adult, in the army:

and these injuries are both to his left eye.

Of course, this has given rise to theories of him not being able to see his left eye, it being his blind spot, and Yor guarding his blind spot on missions, etc., etc., which I love bc ✨Twiyor✨

Getting back on point, if we look at YB, we see that he has injuries too... or rather, remnants of them, what with the scars he has...

which, are also on his left eye. Huh! Interesting... this might just be me, but could this be parallels to how similar he and his father were? Are? His father also wanted peace between Ostania and Westalis: but he taught his child that in a very harsh manner (by slapping him), but Twilight wants to teach Anya that in a kind manner. Whenever we see him teaching her, he never loses his cool with her (of course, he loses a lot of hope, but this man's a pessimist, what can we do).

Also shows how much kinder Twilight is, compared to his father.

---

Of course, these points are very weak, and it might just be that Endo reused some character designs for efficiency, but let me be, ok!! This is a crack theory!!! Let me be a clown!!!! AKDFJSJF

If I'm being honest, this post was inspired by a convo I'd had with my friend, around the time Chapter 86 was released. She was theorizing that [REDACTED]'s dad is the Shopkeeper, and I was theorizing it was this dude. Of course, our theorizing was sidetracked by Chapter 86, and a certain panel within it, but... WHATEVER.

So, what are your thoughts? Obviously, my own theory is very weak (for example, why would the SSS accept a Westalian citizen into their ranks? Why would he even join the SSS? Could he have defected? Abandoned his wife and kid?), but this was fun to think about, lol. What are your theories? I think the Shopkeeper-is-the-dad theory and the YB-is-his-dad theory are both cool, so, what do you think?

(Also, yeah, I know, his dad could very well be dead. I just refuse to believe it, bc I'm just Like That <3)

[ghostieblr]

ok so i kind of want a canon divergent fic where Stiles & Derek know each other from their childhood (Derek is like 3-4 years older than him and used to pick up Cora from the same daycare maybe?)

the plot doesn't change till s3's finale, minus some of the character's deaths. Boyd, Erica, Allison — they all live. except, see, except stiles knows derek.

and derek knows stiles.

so post nogitsune arc where everyone can finally breathe, there is no other danger that is incoming, stiles pesters derek to call a "pack night" and derek begrudgingly texts so in the group named "awooo plus others." everyone's first thought is that derek has been possessed, or something, but then stiles records a video of derek saying it too and sends it via derek's phone. nobody questions who took the video, and they all come together for the pack night.

on the day of, everyone trickles in slowly, except stiles who was literally the first to arrive. he had derek go with him to buy snacks and groceries, and then they both come back to the loft to make food for everyone else. they have a mini food fight, and stiles' white shirt is littered with all sorts of condiments and food, so derek lends him one of his henley's.

"Dude, doesn't this hurt your werewolf sensibility?" Stiles asks, the henley in his hands. Derek rolls his eyes.

"Shut up, Stiles."

(he'll not admit it for a long while, but derek loves stiles' scent clinging to his own).

and then once everyone is there, derek and stiles realize simultaneously that there's not enough room for everyone to sit around, even if some people sit down on the floor. there's only one big couch, one armchair, and the rest is carpet around the sitting area, which isn't too big. which means that lydia, allison, scott, and jackson have taken the couch; peter has taken the armchair; isaac, boyd, erica, kira, and cora have taken the space on the floor in a way that there is literally only one person's space left, and that too is a squeeze. it's clear that scott was gonna ask stiles to squeeze on the couch with them, and that the floor space, beside cora, is meant for derek.

what happens is derek picks up the tv remote and stiles hands everyone their snacks and puts the rest on the coffee table, and then derek sits down on the floor, and stiles, without a single thought and without a single glance at scott, who is trying to motion for stiles to come sit on the couch, sits in the v of derek's legs. derek, of course, puts his arm around stiles' waist and pulls him closer, so that stiles is sitting on his lap, and they have one (1) bowl of popcorn between them that is half salt, half tomato. derek gives the remote to stiles and takes the bowl.

stiles is muttering about choosing a film. he insists, "since i called this pack meeting, i'll choose the film," to which erica says:

"batman, you called the meeting?"

derek scoffs when stiles puts on star wars. neither of them is paying any attention to the others, and cora and peter are enjoying the not-so-silent freak out from the others.

derek says, "not again, stiles."

"inflection, derbear, inflection! it is the soul—"

"—soul of language. yes, i know, stiles. but i fight—"

"—against the periods and commas because it's entertaining to see you squirm. i mean me. it's funny to you to see me squirm, you asshole!"

derek just smirks, and snatches the remote to fast-forward the beginning credits, to which stiles sings holy murder and snatches it back and rewinds to the beginning.

"great, now we have to watch it again. why do you never learn, derek?" cora gripes, and peter is just watching in amazement as lydia's eyes go big with the new information. she's getting it.

the movie starts, but nobody but derek and stiles are actually watching it. cora is sort of into it, but she's not into rewatching, so she's on her phone. peter is into watching and betting who will break first. the others are entirely focused on how derek and stiles are interacting, like stiles isn't fucking afraid of derek (at this point derek is still the angry, will break your hand in training if you piss me off alpha; at least to them), and that derek isn't fucking annoyed by stiles.

stiles and derek are just. chilling. throughout the movie, stiles settles into derek, and derek wraps his arms around stiles, and they're cuddling.

derek feeds stiles once every five minutes, because stiles just turns his head and says softly, "der." after the first 2 times, stiles doesn't even have to turn. once their popcorn is over, stiles reaches over and takes the hot dogs — nobody says anything about him taking four of it (one by one, not all at once) because duh — and eats one bite, then leans back to feed it to derek, and then just stays there while alternating the bites.

stiles is super engrossed in watching so he's 1000% oblivious to his surroundings, but derek isn't, and he's just fucking proud of providing for stiles and having him in his arms, showing stiles off as his.

he just doesn't give a shit to answer the other's questions.

so just. yeah. this. where derek and stiles are childhood friends, true mates, and nobody knows how close they are until they do, and they're like "wtf???" while derek is just super duper possessive and proud and stiles is oblivious until comments from the pack members makes him rethink things and he like stops doing the things he normal does with derek (scenting, cuddling, touching derek every chance he gets, spending all of his free time with derek... yeah). day 1 has stiles antsy. day 2 has derek angry at his pack because of course they're behind his stiles-starvation. day 3 has stiles having an epiphany and derek whining outside stiles' window until stiles lets him in and says, "how long have i been stupid?"

"this is the 3rd day."

"not — no. i mean like... how long have we been dating without dating?"

derek's eyes widen. heartbeat is going crazy. "you don't mind?"

"you have literally been treating out interactions as if we are mated, dude. i don't think that question has any merit now."

"don't call me dude."

"can i call you mine, then?"

and he goes to kiss derek when derek just smiles, this bashful little small smile, but derek backs off.

stiles sighs. "we are engaged to be mated, huh?"

"engaged to be engaged to be mated, actually."

"you mean to say you've basically pre-ordered me?!"

derek is horrified. "no! what the hell, stiles?"

"NOW you use inflection? wow."

they go back to cuddling like crazy, except now derek kisses stiles on the head, forehead, and knuckles, and stiles combusts every time because that is so sweet.

the pack never do get over this development. they get over stiles having magic in a week, tops, but derek and stiles? as alpha and future alpha mate? yeah no. impossible. still unbelievable. every pack night they watch these two instead of the movies, because it is one of the few times derek actually lets his guard down and acts non-asshole-ish to them.

[wangxianficfinder]

Fic Finder

Sep 5th

~*~

1. Hello :)

I'm looking for this fic where lwj, jwy and maybe some others use wwx's inventions to travel back in time to before wwx was brought to yunmeng after wwx died and both lwj and jwy have all these plans to make wy's life better. lwj wants to bring him to gusu while jwy is planning to make his mother treat him better.

But, plot twist, the years pass and wwx hasn't been found and the time travellers start theorising that because it was his invention, maybe it pulled him back w/ them. later on, my is killed further establishing their theory that wy is alive and avoiding them. this goes on for years until the wen discussion conference when the top shooter is an archer from the wen sect named wei ying. the closing line of this fic was jwy, lwj and the others thinking that the sunshot campaign has been lost before it even started.

Also, there was a flashback showing that wrh's spirit had lingered after his death and he saw everything that happened after. so, when he saw them making the time travel array, he entered and went back with them. also, he was the one who killed my, I think by slitting his throat.

I don't remember if this was a multi chapter fic or not (I'm only like 60% sure it was), but I remember one of the author's notes saying that while jwy is saying that he'll make his mother treat wwx better this time, he knows deep down that this isn't true and that his form of love is selfish.

Hi again. I'm #1 from the sept 5th fic finder and I'm sorry, but it wasn't sunset, sunrise. It was more jwy-centric, and it's implied that wrh is still planning a war

NOT FOUND! Sunset, Sunrise by Ariana Deralte (ArianaDeralte) (T, 41k, WWX & WRH, WangXian, WIP, Time Travel Fix-It, Crack, Temporary Character Death, sorry I killed a-Yuan for a few paragraphs before the time travel, WWX is a Wen, Genius WWX, WRH gets to rewatch the series as a treat, Implied/Referenced Child Abuse, in this house we acknowledge that all the sects have flaws, Implied/Referenced Sexual Assault, WWX Has ADHD, Bad Parents JFM & YZY, Implied/Referenced Suicide, Autistic LWJ)

FOUND? Lost Oppurtunities by Scarlet914 (T, 5k, JC & LWJ, WWX & WRH, Canon Divergence, Time Travel Fix-It, JC Needs a Hug, Sad JC, JC is Bad at Feelings, JC-centric, Golden Core Reveal, Sad LWJ, Sad LXC, BAMF WWX, YLLZ WWX, POV WRH, Qishan Wen Sect Wins the Sunshot Campaign, Gusu Lan Sect, YZY Bashing, Bad Parent YZY, Mentioned JYL, One-Sided WangXian, WWX is a Wen, Inventor WWX, Genius WWX)

~*~

2. hi thank you for all you do! i’m looking for a fic that starts during the cloud recess arc. wei ying steals lan zhan’s clothes/blankets and makes a nest on his bed? and lan zhan notices someone is stealing his laundry but doesn’t immediately realize it’s wei ying? @hashtagad

FOUND! this mattress is a desert island by bbyminmaki (E, 19k, wangxian, A/B/O, no sunshot au, mating cycles/heat, nesting, omega WWX, alpha LWJ, getting together, scenting, pining, friends to lovers)

~*~

3. Hello! I have a request for ficfinder!

I don't remember much about it, but Lan Wangji and Wei Wuxian were married (it was not post canon) and Wei Wuxian was walking in the woods at Cloud Recesses without his sword, and Su She attacked him. Wwx was able to dodge Su She's attacks. Su She was insulting Wwx and his relationship with Lwj, and Wwx was taunting him for being jealous. But then Lan Xichen showed up and was really angry at Su She. I think Su She got exiled and Wwx was kind of uncomfortable with that punishment, but the Lans were like "he attacked an unarmed person in the woods, even if you weren't married to Lwj, exile is a light sentence." I cannot for the life of me remember anything else about that fic, just that I think it was kind of long?

Thank you all so much!

FOUND! 🧡 Stunted, Starving Juvenility by TomatenMark (E, 859k, WangXian, WIP, Fix-it of sorts, Talisman master WWX, Not JFM Friendly, Study Arc, Getting together, Fluff and Angst, Engagement) They aren't married yet when that happens, but very engaged.

~*~

4. Hi! This is for fic finder. Ithink this fic is about LWJ and WWX in arranged marriage. I think its for LWJ protection (? Not sure about this part). Then WWX is sent to a war but failed to come back and declared as dead. LWJ become a widow (it is a correct term?). Because he is still young, many pressed him to remarried, but he use a griefing period to avoid that. I think he write a poem and become famous because of those romantic poem and ballad using a fake name. And then near the end there are a negotiation to exchange prisoner and WWX is not one of them (?) It was revealed that someone want him dead and dont want him be rescued (i think it was yxy?). A yuan, who should not be there tells lwj about wwx. Wwx then rescued and the three of them in the inn. As wwx rest there, JWY visited and talked. Lwj then bring wwx and a yuan to his house in capital. I think there are a sheep/goat involved?. Wwx healed but there are some injuries that cant be fully healed. I think because of that he cant do something he was proud of doing. I dont remeber if it was his hand or leg or maybe his eyes?. I think then lqr teach wwx something. Thats all i can remember. Thanks

FOUND! ❤️ Where the nightingales are singing, and a white moon beams. by Moominmammashandbag (M, 52k, wangixan, jin zixuan & lan wangji, no powers au, grief/mourning, aftermath of war, angst w/ happy ending, reunions, fluff & smut)

~*~

5. Hiiii, can u pls help me find a fuc where lwj plays cleansing gor wwx coz if he does that wwx will be free of resentful energy but his body is literally held together by resentful energy so it almost kills him but wen qing saves him and the core secret is also revealed. Pleaseeree help me find it, thanks!

FOUND? 🧡 decay by antebunny (G, 15k, WangXian, Canon Divergence, Angst, Misunderstandings, Miscommunication, Fix-It, Angst with a Happy Ending, the fluffiest ending, Hurt/Comfort)

FOUND?🔒A Heart Undying by NonsensicalRambling (M, 114k, WangXian, Undead WWX, Canon-Typical Violence, canon-typical dead things the burial mounds, Fix-It of Sorts, Canon Divergence, Eventual WangXian, No Yīn Tiger Seal, Morally Gray WWX, Animals Eating People, WWX's questionable choices, Morally conflicted LWJ, Oblivious WWX, WWX Creates a Sect | Yiling Wei, YLLZ WWX, Sect Leader WWX, LWJ & WQ have an Understanding)

~*~

6. Hi! For the fic finder

I have scoured ao3 dark lan zhan tag and similar but I still can't find this fic. I remember Lan Zhan gets like cursed (i think he got the curse from a junior accidentally) and the curse like lowers his self control and amplifies darker urges so he takes wei ying to a cottage to live his domestic dreams but at some point wwx realizes lwj is isolating them and wwx tries to trick him to send a letter to lan sizhui. This doesn't work abd LWJ doesn't realize he is cursed. The curse like hides the mark too i think?? It ends happily I think.

I wonder if I'm mixing fics or it's been deleted bc I just can't seem to find it?? Thank you in anycase!

FOUND! Clouded by diamondbruise (M, 15k, WangXian, Canon Divergence, Getting Together, Case Ficish, Curses, Dark LWJ, It's a curse, Dubcon Kissing, Jealousy, Sharing a Bed, Angst with a Happy Ending, Dubious Consent, no sex in this fic just in general)

~*~

7. Hi! This is for fic finder. Qin Su ressurected someone (either wwx or jyl im not sure but i think it was wwx). Whoever in that body now do qin su duty and trying to make her own power without jgy knowing. And then there was a flood. She help people there as expected, but she do her duty too competent. JGY now suspect it was not QS in that body and confront her. Thats all i can remember. Thank you! @idontknowwhattowriteforusername

NOT FOUND!🔒Everyanything by deliciousblizzardshark, lingeringdust (E, 46k, WangXian, Canon Divergence, Franken-canon, Gender Identity, Gender Dysphoria, Trans WWX, Protective LWJ, Accidental Baby Acquisition, tCanon-Typical Misogyny, Fluff and Angst, Vaginal Sex, Canon-Typical Major Character Death)

NOT FOUND! the problem with authority by isabilightwood (M, 139k, wangxian, qingli, Canon Divergence, Sacrifice Summon, slightly dark!JYL, wq lives because i said so, Angst with a Happy Ending, Chronic Pain, Mild Sexual Content, Top/Bottom Versatile | Switch WangXian, manipulative relationship (background xiyao))

~*~

8. Hello! I'm trying to remember the name of a long fic where wx are hooking up, no relationship. Wwx will come to lwj's super nice modern apartment, they'll have sex in lwj's big modern bed with a moving headboard that exposes restraints and then after wwx will take a bath and sleep in the guest room. Does this ring any bells?

FOUND? A Sure Thing by vesna (mrsronweasley) (E, 95k, WangXian, Modern, Sugar Daddy, Sex Work, Light Dom/sub, Aftercare, Semi-Public Sex, Exhibitionism, Bondage, use of sex toys, boundary setting, Relationship Negotiation, many baths, Barebacking)

FOUND? show me a quiver, give me tonight by spookykingdomstarlight (E, 115k, wangxian, lwj/others, communication failure, mutual pining, artists, demisexual wwx, angst w/ happy ending)

~*~

9. please help oh wonderful mods : a favorite Cloud Recesses Study AU with injured talisman genius Wy, ace Jin Zixuan, good mother Jin, WY explodes badguy Wen’s heads - couldnt find it again!! @oldoni

FOUND! 🧡 To have and to hold by Moominmammashandbag (M, 78k, WangXian, Canon Divergence, Angst, Hurt/Comfort, Major character injury, CQL verse, Happy Ending)

~*~

10. hi i’m looking for a fic i read a long time ago. it was a post-canon jc & wwx reconciliation fic. i believe it was jc and an oc jiang disciple on a night hunt where they ran into wangxian who were also working on that case. i remember there was some sort of misunderstanding regarding this (i think he found some letter?) but not the exact details of it. one scene i remember clearly was jc finding out wangxian were married and being a little hurt that he wasn’t invited. after they opened up, wwx told him he was there for it and when jc realized he meant the two bows in the jiang ancestral hall, he said smth like jyl would be rolling in her grave and demands a proper ceremony i think @nalalie

FOUND!🔒asunder by alessandriana (M, 51k, JC & WWX, JC & LWJ, WangXian, Post-Canon, Hurt/Comfort, Whump, Twin Prides of Yunmeng Dynamics, Reconciliation, Golden Core Reveal, Violence, Implied/Referenced Torture, Implied/Referenced Child Abuse, Implied/Referenced Child Death, Case Fic)

~*~

11. Hello to fic finder so here's what I'm trying to search for I remember it as a podfic and I remember it was in Lan zhan POV I think and it was like him thinking about wei ying leaving the cloud recesses soon and I remember one Pacific scene where Wei ying was teaching the baby Lan how to sew their clothes

FOUND? [Podfic] And Yet Here You Are by zaffre (T, 1-1.5H, WangXIan, Post-Canon, Domestic Fluff, Location: Cloud Recesses, settling down, LWJ needs a hug, Separation Anxiety, Teacher WWX, People being nice to wwx is my kink, And probably lwj's kink too huh, very light angst, Chief Cultivator LWJ, And Yet Here You Are by cosmicmilktea)

~*~

12. hi! i’m looking for a fic where lan zhan has a type of hanahaki where he has a tree/plant growing roots in his back that he removes a few times. i believe he also worked with textile production and the fic itself had a very stylized writing and was quite angsty. thank you!!

FOUND? The Roots Grow Riotous by hansbekhart (E, 104k, wangxian, modern, fashion au, garment company, casual sex, group sex, implied/referenced cheating, switching, recreational drug use, angst w/ happy ending, single dad WWX, panic attacks, implied/referenced self-harm, grief/mourning, catharsis, body horror, floral horror) is the absolute masterpiece , Roots Grow Riotious by Hans Bekhart , it's taken off ao3. however I have a copy and I've gotten permission to share from the author, DM your email so I can send you a pdf. @/the-marathon-continues-nip

~*~

13. Guys~ I love u blog and am so desperate so I will cut to the chase:

There was this wangxian time travel fic where they meet their younger selfs and go back again. I think it was 7 chapters. Pov was mostly LZ (Young and old) and young Lz was confused about why he "didn't" marry Wwx ( Wwx introduced himself as mo xuanyu)

Hanguang-jun’s Husband by lilacevergarden (T, 6k, Time Travel, post-canon wangxian being disgustingly in love, wwx bullying teenage wangxian, Yeah that’s it, Jealous WWX)

~*~

14. Hello, hope you’re doing well! I’m asking about a fic I read a while back. Lan Zahn and Wei Ying meet as children, but Lan Zahn doesn’t take him back to the cloud recesses. Instead, years later, they meet during the disciples visit to Gusu. Lan Wangji remembers Little Wei Ying as Wei Wuxian, but Wei Ying has no memory of him.

Highlights include drunk lan wangji with other disciples, su she getting punished for trying to assault lan wangji, and more I don’t remember. I read this in 2019, so my memory is pretty spotty.

It’s probably been deleted, but I really enjoyed this one. Thanks for your help. @myshallweplay

FOUND? Sun on a rainy day by MiiMi (M, 194k, WangXian, Canon Divergence, Childhood Memories, Childhood Friends, Idiots in Love, Happy Ending, First Love, Fluff and Smut, Angst, Everyone Lives/Nobody Dies, Reversible Couple, Bottom LWJ, Top WWX, WangXian/XianWang, XiCheng, Top LWJ, Bottom WWX)

~*~

15. Hello! I'm looking for a Wangxian fanfic. It took place in a modern au. LWJ and WWN's entire family were gathered for a barbecue, and Wangxian was fighting. There is a moment when Lan Wangji is about to eat something spicy, and Wei Wuxian stops him from eating, but they continue to fight. I remember that at some point, Wei Wuxian is eating this spicy dish, and Lan Wangji gets up to kiss him. And horrified by this situation, Jiang Yanli spills a glass of wine on Lan Wangji's shirt. I remember the story ended with Wei Wuxian saying that her husband was a knight with him and them going away to clean Wangji's shirt @a-ghostking

~*~

17. This is probably some sort of canon divergence, not post-canon. I think it might take place somewhere after WWX busts out the Wens but before the shit hits the fan. Anyway, the specific detail we're working with here: WWX asks how the yin iron pieces were destroyed, please don't say you just chucked them in the volcano, then tells the sect leaders they fucked up and Qishan is going to explode with resentment if something is not done soon. Thank you 🖤 @linderel

I don't believe I've read this before, and I'm pretty sure the fic I'm looking for was neither crack (treated seriously or otherwise) nor time travel, but I'll certainly mark it down for later!

NOT FOUND! 🧡 built by the fires of volcanoes by isabilightwood (T, 26k, wangxian, time travel, crack treated seriously, canon divergence, fluff & humor)

FOUND! 🔒In search of safety by SomeDumbGuy (M, 22k, One-Sided WangXian, Canon Divergence, Angst, Hurt No Comfort, Incomplete Fix-It, Unreliable Narrator, JZX Lives, distruction of the yin tiger seal, Is it still hurt/comfort if it's comfort then hurt?, Blood and Gore) Here is a quote from chapter 3: “What do you have on the destruction of the Yin Iron at Nightless City?” Wei Wuxian asked. “We don’t have anything. It was thrown into the lava in the aftermath of the battle,” Lan Xichen replied.

~*~

18. Hello

I'm looking for a fic published @ 2020 or so

Idk if it was dark lwj, but at the meal in Yiling, LWJs inner monologue was very critical, on how Yuan had no manners and the Wens were very bad for WWX.

Wwx might've also been outwardly hostile, but put up w it for the food @midnightlighthowlite

~*~

19. Hiii, hope you're having a nice day :)) i was searching for a certain fic in which both wei wuxian and lan wangji are assassins and housemates. They both dont know that the other is an assassin too but they keep coming across on their missions.(i think they were competing and sometimes lan zhan was just watching wei ying do his job? idk) i remember wei wuxian accidentally revealing his identity by talking?? Something like that! Hope you can find it bc i've been searching for it nonstoppp T-T anywayss thank u in advancee!!! @for13years-i-play-inquiry-foryou

FOUND? silhouettes to steal this night by moonsteps (T, 51k, WangXian, Graphic Depictions of Violence, Modern, Assassins & Hitmen, Roommates, Rivals to Lovers, Fluff and Angst, Identity Porn, Violence, Blood and Injury, Mutual Pining, Slow Burn, Secret Identity)

~*~

20. Hi! This is for fic finder. Its modern with magic (i think? Because the tech is not showed much) and single parent wwx. I think that lwj is sent by an institution to make wwx accept a contract to familiar because he didnt have a familiar for years and usually people who didnt have a familiar for yearst went crazy/died (i think it was a familiar. Not sure about that). In wwx house, lwj meet lsz. He then tried to confince lsz to study in institution. After that, i dont remember much. I think lsz transform and became a dog that kinda declared to the world that he is a wen. Lsz is left by wq as a baby and found by wwx. Wwx then raised lsz. I think they have a cat (or crow) that reminded wwx of wq. Lwj found out the reason why wwx didnt go crazy/die is because wwx make a clone of himself and killed it. Lwj found the corpses in wwx's backyard in a grave. That grave is near a tree. Long story short, at the end of the story, it was implied that wwx faked his death with jyl, jwy, jzx, and lwj help and moved to england (?). Thank you! @idontknowwhattowriteforusername

FOUND! Howling by MimiSpearmint (E, 40k, WangXian, Modern with Magic, Mortal Instruments Fusion, Horror, Eldritch, Domestic Fluff, Single Parent WWX, Witchcraft, Getting Together, shifter!lwj, yllz!wwx, Intercrural Sex, Hand Jobs, Angst with a Happy Ending, Switch WangXian, a bit of a degradation kink, anti-STI sex talismans, Anal Sex, Oral Sex)

~*~

[immaturityofthomasastruc]

Every Episode of Miraculous Ladybug Season 5 Ranked (Part 2)

Part 1

(This site's stupid 30 images per post forced me to do this, so thanks for nothing, Tumblr)

#14: Transmission

I swear, I'm not doing these on purpose. This is just how I've been ranking the episodes.

Like I said in the last part, this episode just did not need to happen. The first half is cheap melodrama between Marinette and Adrien and the second half is a run of the mill Akuma fight with two different heroes. This is the story that seriously warranted two parts this season?

I just can't stand the fact that Marinette and Adrien gave up their Miraculous so easily here. Maybe if it was Season 2, Season 3 at the latest, I'd buy it, but near the middle of Season 5? They honestly view their love lives as more important than the battle with Monarch. If it was anything else like the stress or physical danger, I'd also be understanding, but Tikki and Plagg decide that Marinette and Adrien are so miserable that they need to be happy by losing their Miraculous without a fight. Remember, this was just two episodes after “Reunion”, which showed Joan of Arc was a Miraculous holder. So fighting in the Hundred Years' War didn't get so much as an ounce of concern from Tikki, but teenage angst is too much for her little heart to bear?

Maybe it's the benefit of knowing this won't be permanent, but the issue I have is how much the show draws this out for so long, as if the audience is supposed to buy it. “It's really happening, guys! Ladybug and Cat Noir won't be the stars anymore, we swear!” This kind of plot can work under the right circumstances. All you needed to do is at the very least, make it something they choose to do instead of their Kwamis taking their Miraculous away so we can see them weigh the benefits of giving up life as a superhero in ways that aren't exclusively about their love lives. I'd even buy it if it's something Ladybug and Cat Noir actually agreed on before quitting.

While I can sort of get Alya becoming Scarabella due to her experience with the Ladybug (even if she chose to give up using any Miraculous at the end of Season 4), Zoe getting the Cat just feels like the writers put a bunch of names in a hat and picked hers. The two just don't have as compelling a dynamic as Ladybug and Cat Noir do, because they don't get a lot of time to know each other. Alya and Zoe have almost never interact with each other, so the masks don't really shake up their relationship, because there's no relationship to speak of.

Also, the Akuma here was really forced. We know nothing about this new character while the show acts like we're supposed to know who he is based on some minor hints with Nora calling earlier. While I will give the show credit for arguably giving us the most powerful Akuma of all time due to being both a man and a bear, he's as forgettable as a villain as Kitty Noire is as a hero.

Just about nobody here comes out smelling like roses in this episode. The Kwamis are morons for caring about one ship becoming canon, Marinette and Adrien are selfish cowards for giving up their Miraculous with little hesitation, their friends are ignorant buffoons for thinking some random attempt to get Marinette and Adrien to talk will somehow seal the deal, and Alya and Zoe are idiots for not thinking that they should take off the shiny ring that tracks their every movement. It's a terrible episode, and the only reason why “Deflagration” is ranked higher is because it didn't irritate me as much as this one did.

#15: Determination

And now we're onto the really bad episodes this season.

This episode is pretty much what you've come to expect by Season 5. People keep forcing Marinette into situations she's clearly uncomfortable, and we're supposed to just laugh at her anxiety, because we still have eight episodes to go before the show decides to take her mental health seriously.

What makes this episode really sting for me is that it's Luka and Kagami that are forcing Marinette into these unfunny antics this time. For the most part, they never really stooped to this level and didn't try to force anything with their respective love interests until they had trouble in their relationships that required them to communicate. But now, even though one knows Marinette and Adrien are superheroes while the other is usually very blunt with her feelings (at least, before she became this season's next victim), they're going to try forcing Marinette and Adrien to spend time together even they both know they have feelings for each other and MY GOD, THIS IS SO STUPID! It's just a cheap excuse for more pointless shenanigans that stopped being funny years ago.

Yet somehow, that's not the worst of the Love Square drama this episode. It's here where we learn that Adrien fell in love with Marinette over a season ago, during a scene where she violated his personal space. In addition, Adrien somehow showed no signs of attraction to Marinette until the plot demanded it, and came right after another episode showing him falling for her. Why not make it the fake confession Marinette practiced with Cat Noir in “Glaciator 2”? The kiss Marinette gave Adrien at the end of “Heroes' Day”? I'd even take another umbrella scene callback like in “Mr. Pigeon 72”. But no, it's the statue scene that the writers decided on. It's like they noticed all the criticism Marinette got in that episode and were like “Joke's on you! Adrien actually liked being lusted over like an object!”.

And then the masks come on and make things even more convoluted. Adrien at least got to reflect on the events of a previous episode to explain his new feelings for Marinette, but what caused Ladybug to suddenly fall for Cat Noir after four seasons?

The writers don't even bother with an explanation for this. Ladybug spontaneously becomes attracted to Cat Noir with absolutely no foreshadowing, buildup, or even callbacks to earlier episodes. The writers either wanted to complicate things one last time before Adrienette became canon, they wanted to bury the Ladynoir conflict arc from last season in the sand, or the most likely option, a combination of both.

The idea of the public turning on Ladybug was an interesting one to take, seeing how she's been universally beloved for the past four seasons. But despite hinting at it in “Multiplication”, this is the farthest is goes, and even then, guess who's behind it? You can't keep raising points against the main characters if it's only Chloe who does it. It doesn't open debate on the story and essentially tells the audience that they're wrong to agree with her, no matter what kind of point she makes.

As dumb as the way it happened was, Ladybug still screwed up and endangered the city by losing the other Miraculous, but we can't actually challenge children by acknowledging that the hero actually did something wrong and needs to grow as a person. We need to use a recurring character as a strawman to tell the audience that only bad people think this way! Way to remove any interesting internal conflict, writers.

The Akuma was pretty weak, just being an older Puppeteer, down to using wax statues like what happened in “Puppeteer 2”. The army of wax heroes could have been interesting, but there wasn't enough time to do much with the idea. The one thing I liked was how the Ox Miraculous' Resistance was used. It felt like an upgrade instead of a core power Manipula got.

This episode pretty much set the stage for a new level of frustrating Love Square drama this season, and it was one of the season's first outright awful episodes.

#16: Conformation

The only reason this episode isn't at the bottom is because the rest of the ones on this list are far worse by comparison. Make of that what you will.

Like most season finales, this one continues the tradition of being better at buildup than actual execution. Gabriel's plan is pretty decent, even if it's just Heroes Day on a global scale. He utilizes his public influence and business skills to plan out a plan to get almost all of humanity working for him. While I don't like the Miraculized, I still think Gabriel being on top works here, especially since he's not going out into the field like the last three finales.

But other than an okay evil plan, this episode is still pretty bad. Marinette being infected with nightmare dust only happens to get her to the Agreste manor because the writers forgot that Marinette learned Gabriel was Monarch last episode. It could have been a decent way to up the stakes by showing Ladybug not being at 100%, but like everyone else, she just fights off the nightmare dust and doesn't have a single problem during her fight with Monarch. In general, the nightmare dust isn't really utilized well, only being an excuse to bring out the Miraculized. It doesn't impact everyone fighting off the Miraculized, and there's no lesson or theme about fear that's conveyed here.

Speaking of nightmare dust, I'm pretty sure the only reason why it was introduced in the first place was to bench Adrien, which is still easily one of the dumbest decisions the show has ever made. While everyone else had no problem resisting the nightmare dust, Adrien is just physically incapable of doing so because of some half-assed character arc the show pretended happened. So either Adrien got a more potent dosage of the nightmare dust, or Adrien's just too weak to actually overcome his fears. “Sandboy”? Never heard of it! The fact that the writers also tried to claim they were being subversive with fairy tale tropes and cliches didn't help, since it devalues Adrien as a character even further. He's not a superhero and Ladybug's closest ally. He's just some damsel in distress who needs to be saved. Let me just remind you, if the genders were reversed, this would not be seen as some bold move, but the same overused cliche trying to be something new.

I already talked about my problems with Nathalie in “Passion”, and the stuff she does here isn't really different. Despite enabling Gabriel for five seasons, the episode has the balls to act like Nathalie always had morals and is appalled by Gabriel planning to sacrifice someone to save his wife. Just remember, “Passion” established that Nathalie had a history as a treasure hunter, so this is like Indiana Jones not knowing what the Holy Grail does. Nathalie only got dumber than in “Passion” because she somehow thought she could take on a supervillain with nothing but a crossbow and a body that already has one foot in the grave. And just like Felix, Nathalie can't even apologize to Ladybug for the aiding and abetting a terrorist thing. Between Nathalie, Felix, and Gabriel, does using the Peacock Miraculous just make you an idiot?

While the buildup is decent, it's just not enough to really get audiences excited for the second part.

#17: Representation

This episode is yet another example of the show's double standards.

Without going into detail too much, this episode came right after “Revolution”, the one that essentially portrayed Audrey taking control of Chloe's life as a karmic punishment. What happens in this episode? We learn Felix's father literally took control of his life and it's portrayed as wrong as child abuse should be. That's why this episode is still better than “Revolution”. It at the very least understands how serious child abuse is, and tries to tell Felix's story with as much dignity as two teenagers in white onesies can have.

With that being said, there's a reason why this episode is as low as it is. The Sentimonster play used to tell Marinette about Felix is just so stupid. The sets and costumes look ridiculous, it's hard to take the story seriously with Felix and Kagami doing all the voices, and most of it is unnecessary since the whole point is to tell Marinette that Gabriel is Monarch... something that the writers decided she needed to find out on her own in the next episode. It comes across less like Felix trying to alert Ladybug to who Monarch really is and more like he's just trying to justify his own actions. Hell, the actual reason he decided to tell Marinette about Gabriel was because he and Kagami were worried about their own relationship being ruined by him. And yet somehow, Ladybug lets him on the team at the end of the season.

The stuff with Adrien was also pretty dumb. It's cheap fanservice that reminds the audience of Cat Blanc when none of the characters should know who Cat Blanc is. You can call him Anticat all you want, but everyone can see that he's just Cat Blanc with blue hair. It's bad enough that this was what all the times Cat Noir almost Cataclysming people this season was meant to lead up to, but this is pretty much the reason why Adrien is benched during the finale.

This episode really shows how desperate the writers are to make people take this show seriously by showing serious topics like genocide and child abuse, as if the show didn't already ignore the horrible implications previous episodes (like the very last one before this) raised and will continue to raise during the season finale. So much of the episode is just dark for the sake of being dark. It's nothing too horrifying for children, of course, but the issue is how obvious it is that the writers are trying to raise the stakes right before the season finale and show how mature the show's writing is. For lack of a better term, it's this show's equivalent to “Ow The Edge”.

#18: Revelation

Get ready for the episode where the writers abandon all attempts to be subtle and create an episode specifically to attack people who think Chloe isn't the most evil character on the show. Because how dare they be optimistic and try to see the good in people! What do they think this is, a kids' show?

While a big problem with the Lila episodes was how stupid the class is, this episode made it so Marinette got to join in on losing brain cells too. Despite outright admitting to neglecting her duties as class representative (as absurd as it is to be in charge of notifying teachers about student progress they should be aware of), we're supposed to agree with her for not telling her teacher about Chloe cheating. Not only does this make no sense since you'd think Marinette would want to see Chloe get punished, but her claiming that all Chloe does is abuse her privileges loses any point to it because Marinette admitted to not doing her job as class representative, making her just as lazy as Chloe and unintentionally helping her through not telling the teachers. And that's not even getting into how many times Marinette has broken the secret identity rule despite also being the one to enforce it the most as the Guardian.

If the episode at least admitted to Marinette having personal issues that prevented her from displaying any form of professionalism towards Chloe (especially since this episode takes place after “Derision”), that'd be fine. Sometimes, people just can't let bygones be bygones and let their emotions dictate how they handle things. If she willingly resigned from her position by admitting she was just as at fault for Chloe getting as far as she did with her cheating, that would have worked. Instead, the episode does the same things it did with Adrien for the last few seasons: Go out of its way to vindicate Marinette's complaining and never even consider the idea of her being wrong in the slightest.

It's also hilarious to see Ms. Bustier act like an actual teacher for once and plan to work with Chloe to help make up her missed work, but portray it as a bad thing because in Marinette's eyes, that's not a punishment. Since the school year is almost over, Chloe will have to attend summer school at best and be held back or even expelled at worst. How the hell does that not count as a punishment, Marinette?

And don't forget how she gets not one, but two separate scenes insulting people for being idealistic and not wanting to write off people as beyond saving, the second one being copied from Astruc's Twittter.

And remember, this was right before a string of episodes where characters were able to change their ways, including Sabrina (Chloe's accomplice), Andre (Chloe's enabler), and Gabriel (Chloe's supervillain contact). How the hell is Chloe the only one being written off as irredeemable when she didn't pull off any of her evil plans without help? You can still punish Chloe. All I want is for the other characters to be punished as well.

But let's talk about the main event for this episode: Lila. In one of the most confusing “twists” in the show's history, she's now an identity thief who lives with three different mothers. Why? Because the writers have no idea how to hype people up for her being the main villain for Season 6, so they think just making her mysterious for the sake of making her mysterious is enough to build her up as a villain. It's like the writers realized Lila had absolutely zero resources of her own, so they felt like they needed to establish her as an evil genius to compensate. “Who cares if there's no logical explanation for how she's gotten as far as she has despite constantly boasting about her celebrity connections in public? We have to make her vague and mysterious, damn it! It worked for Judas Traveller and Kaine, didn't it?”

This episode takes multiple shots at fans and tries to make Lila seem more compelling than she actually is. It feels more like damage control than an actual plot-relevant episode.

#19: Illusion

Want to see the main characters acting like idiots for almost a half-hour? No? Too bad!

So much of this episode's conflict, the characters trying to investigate a possible lead related to Monarch, comes from everyone making stupid decisions. Nino tries to get one of the most influencial men in Paris akumatized, talks about it in public, falls for his trick, and lets him into his secret alliance. This season really cemented his role as the Zapp Brannigan of Miraculous Ladybug with how incompetent he is. If you really want to start portraying Nino as a tactical genius, maybe you should actually show him doing something smart instead of getting outsmarted by obvious tricks.

Of course, the other characters aren't immune to Nino's stupidity either. Marinette, Adrien, and Alya just go along with his asinine plan to get Gabriel akumatized, never question his logic, and ultimately still go along with the Resistance despite how obnoxious their leader is. The worst part is Ladybug not recognizing her own partner being stung by Venom... when they're fighting someone with access to over a dozen Miraculous. I know Cat Noir was born with glass bones and paper skin, but I don't think he literally freezes in terror when he's scared. And of course, Ladybug never questions the tiny invisible men who stunned Cat Noir after this scene.

The cafeteria scene is something that should really be cited as an example of how terrible this show is with acknowledging continuity. You thought there would be some compelling drama discussing the secret identity rule and all the double standards it has? NOPE! It's a funny joke about how confusing the identity stuff is at this point. The fact that Nino somehow doesn't understand the concept of secret identities in this scene is yet another reason as to why he isn't even qualified to lead an anime club, much less a resistance against Monarch.

The idea of Monarch using an illusion to fight Ladybug and Cat Noir was an interesting one, but it still had some holes. For one thing, what if the two heroes can't dodge one of the illusion Collector's attacks? What if they're fast enough to try tying him up, only to dispel the illusion? The entire plan pretty much relies on the fact that Ladybug and Cat Noir are too slow to catch the Collector.

But one scene that has only become more questionable after the finale is Ladybug trying to reach through to the illusion Collector. Like several episodes this season, it comes across like the show is spitting on idealism and wanting to solve problems peacefully because Monarch tricked Ladybug into believing he willingly rejected an Akuma. Remember kids, if someone says they want to change, it's really a trick as part of an evil supervillain's plan to maintain his secret identity.

This episode is like a microcosm of everything wrong with Season 5. Poor morals, characters acting like idiots, shooting down any potential for plot development, and being told characters are right when their actions say otherwise.

#20: Confrontation

Ladies and gentlemen, I give you the episode where the writers just gave up.

There is just so much that happens in this episode that the writers cram in. There's Marinette's “final” confrontation with Lila, the battle with Reflekta, Sabrina's redemption, Juleka's character development, Ms. Bustier's character development, Mr. Damocles' character development, and the reveal of Lila's true nature. I don't think I need to tell you that the writers struggle to make all of these plot threads work in less than a half-hour.

First off, Marinette and Lila. The previous episode implied that Marinette let Lila have this short-term victory because she had her own plan to expose her. This episode puts that plan into action. See, she has the genius idea of going along with submitting school application forms to Lila and Chloe with no actual countermeasure in place, waiting for Sabrina to have a sudden change of heart so they can work together to expose Lila and Chloe through a bathroom peephole. This is the kind of tactical intelligence that will be studied in the history books, let me tell you. There's just no weight to Marinette and Lila's final battle of wits because there isn't any. There's no series of gambits or scenarios that actually pit their minds against each other, so you don't get a lot of satisfaction from Marinette's triumph over Lila. It doesn't help that there's more focus on Sabrina than on Marinette, but I'll get to that later. Even the actual payoff is anti-climactic. Most of the class' apology to Marinette was deleted because Mr. Damocles using a Magical Charm shield was just too important to leave on the cutting room floor according to the writers.

This episode really shows just how Marinette's classmates are like NPCs in the Lila-centric stories. They don't second guess Lila's accusations due to their past experiences with Marinette, and as soon as Marinette's name is cleared, they instantly apologize to her and don't even think about how easily they were fooled by Lila and Chloe. The worst example is Alya, Marinette's confidant and someone who was trusted to temporarily use the Ladybug Miraculous last episode, falling for this and not trusting Marinette. My sister in Christ, your friend goes out and saves lives on a weekly basis at least. How can you fall for Lila's story? This is why I think the Lila episodes should have all been set pre-Season 4, so Alya falling for Lila's lies is a little more believable since she isn't already in on Marinette's biggest secret.

I also have to roll my eyes at how melodramatic the talk about everyone's “futures” is. Yes, I don't know a lot about the French education system (If there's anything I'm getting wrong here, don't hesitate to let me know), but I don't get why they're treating their high school choices like such a big deal. Maybe if it was college, I'd get it, but high school? Why can't you just transfer if it doesn't work out? But then again, this is the same show created by a man who thinks school uniforms are a sign of fascism.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Speaking of futures, this episode also showed just how little the writers cared about Adrien at this point, with how a supposedly heartwaming moment is him having no plan in life other than Marinette. I know this might seem weird given my problem with him last season was his refusal to think about anyone but himself, but there's a difference between wanting someone to follow orders without complaining and giving them absolutely no motivation outside of their significant other. And once again, if you swap the genders, this becomes sexist as hell.

But the big problem comes in the form of how the side characters are utilized. I don't know why the writers decided to focus on developing characters like Sabrina, Juleka, Ms. Bustier, and Mr. Damocles with five episodes left in the season. This should have been done in earlier episodes, not in the middle of a major story arc. I'm just left not caring about the development because it takes away from the conflict between Marinette and Lila, to say nothing about how little Adrien and Alya contribute to the story.

To me, this episode feels like the writers had no idea how to make Marinette outsmarting Lila into an episode, so they crammed in all these half-assed character arcs to pad out the runtime. While “Revelation” personally upset me more, I personally think this is the worse episode of the two from a writing standpoint.

#21: Revolution

Given how often I've criticized the way Chloe has been handled over the years, I bet you're surprised that this one isn't at the bottom of the list. You'll be even more surprised to learn that I think Chloe is one of this episode's saving graces.

This episode (along with “Derision”) provide an example of the Chloe we should have gotten ever since Season 3 ended: A villain who's allowed to be a threat while still being funny. So much of the past two seasons have done nothing but portray Chloe as nothing but an incompetent joke, but here, near the end of the season, she's in a position of power and is taken seriously. The episode does a good job showing how tyrannical Chloe's rule as Mayor is while still making it funny and in-character for her. She uses her power on frivolous things because she's a teenage girl who doesn't understand the complicated issues that come with politics. It's also why her idea of punishment involves detention, because it's something she's more familiar with as someone in middle school. Of course, even the episode all about Chloe ruling Paris with an iron fist isn't stupid enough to actually let Chloe be a compelling antagonist. No, we need to constantly remind the audience that Chloe is being played, as if we're supposed to see her as nothing more than a pawn even though the show still wants us to see her as an irredeemable monster.

Putting aside that one speck of something interesting, this episode is still incredibly bad. So much of the story is dependent not on how smart the villains' plan is, but rather, how lazy the heroes are. Not only is there not a single moment where Ladybug and Cat Noir acknowledge that the whole reason why Chloe was able to take over as Mayor was their fault, they act as if Chloe abusing her power to make everyone's life a living hell isn't enough of a reason to stop her. What kind of Prime Directive bullshit is this? YOU JUST HELPED SOMEONE LEAD AN INSURRECTION AGAINST A POWERLESS CIVILIAN! HOW IS THIS ANY DIFFERENT?! If there was at least something involving Ladybug and Cat Noir taking responsibility for what happened or at least showing that they played a part in this (especially since they “grow up” in this episode), I'd get it. Instead, because this is Season 5, our heroes are perfection incarnate, and can't ever be wrong. Even when they finally decide to get off their asses and stop Chloe, they didn't know she was akumatized, and nobody seemed to care before Chloe blurted it out, so Ladybug and Cat Noir have no excuses for slacking off.

The final battle is just a joke. Not only is it another excuse to force the Resistance into the plot, it shows Ladybug and Cat Noir unlocking the full power of their Miraculous in the most anti-climactic way possible. Even though they spent most of the episode caring more about their personal lives than actually stopping the obvious threat, somehow, this means they “grew up”. There's no buildup, no explanation, and no catharsis gained from this achievement. All of a sudden, Ladybug and Cat Noir are adults now. There's one decent scene with Adrien, but that's far from an actual explanation. What, did you actually expect an explanation for something this huge? Too bad! We need to have Marinette tell Chloe she's not afraid of her anymore even though she was never afraid of her prior to this season. Of all the things that happened this season, this is the one that makes it clear that Season 5 was supposed to be the end. There is no way Season 6 can happen unless the writers come up with some crap that undoes this, because Ladybug and Cat Noir have essentially unlocked god mode.

But I saved the worst for last, and you all know what it is: Chloe's punishment. I still can't get over the fact that there's actually a scene heavily implying we're supposed to be happy Chloe is going to live with her emotionally abusive mother in the same season that's trying to tell a serious story about child abuse. There's already been so much said about all the horrible things this implies, so I'm going to try and bring up something else. Specifically, how everyone is just okay with this. I can buy Ladybug given all the things Chloe has done to her, but it's pretty odd that Cat Noir, Andre, and Zoe all decide to wash their hands of their association with Chloe as if they never knew her. They don't even feel bad that it had to come to this, and feel absolutely no sympathy for her. Remember in episodes like “Malediktator” and “Queen Banana” that showed Adrien and Zoe still cared for Chloe despite all the terrible things she's done, teaching kids a lesson about trying to show compassion to your enemies? The writers sure didn't, because Adrien and Zoe don't get to say a thing about Chloe after she's defeated. Way to establish connections between characters and do nothing with them, writers!

This episode had so many things wrong with it, and it only got worse the longer it went on, to the point where the ending is essentially condoning child abuse. It's disgusting, but at the very least, it means we're not going to have to deal with Chloe in Season 6.

.....

#22: Adoration

This is one of those episodes I honestly didn't think would hate as much as I did.

I think of all the episodes this season, this is the one that shows how frustratingly inconsistent the characterization is. Characters will either announce how much someone has changed or will take a complete 180 while the show makes it clear this is how things have always been. Not only does the show say Zoe has somehow changed and suddenly developed feelings for Marinette, but Chloe's view of Sabrina has gotten even lower, to the point where she calls her an underling to her face. Because actually showing character development and changing interpersonal relationships is too hard for these writers. It's like that rule everyone knows: Tell, don't show. That's how it goes, right?

Before anyone gets on my case about this, I'm not trying to say that Zoe having a crush on Marinette was a bad idea. The issue is more how it comes across like the show is trying to earn brownie points with LGBT+ audiences with the reveal. The issue is that this major revelation isn't about Zoe, but rather, Marinette. It's from a Marinette-focused episode all about her heterosexual feelings for Adrien while Zoe's coming out story is nothing more than a cautionary tale to get Marinette to finally try kissing Adrien. I'm not saying Marinette should have dumped Adrien to be with Zoe. The point I'm trying to make is if you want to show something as huge as a character coming out as sapphic, maybe put more focus on that character's struggles than the struggles the straight main character goes through. Maybe instead of being an afterthought in the story, make the episode about Marinette helping Zoe confess her feelings to a girl she likes.

This was also the episode that laid the groundwork for Andre and Sabrina's “redemption arcs”. Normally, I wouldn't mind something like them changing, but it's less to show a character becoming a better person and more to vilify a different character. Andre went from a corrupt politician who abuses his power to please his daughter to an honest politician who is forced to abuse his power to please his daughter. Sabrina went from Chloe's loyal friend who chooses to help her make people miserable to Chloe's underling who is being forced to help make people miserable. Both of them were perfectly willing to go along with Chloe's acts in the past, and as we saw in “Revolution”, being a pawn didn't excuse her from being punished, so by that logic, they shouldn't get a free pass either. It's also strange how this wasn't the episode where Andre and Sabrina officially cut ties with Chloe, considering they already had issues with them. There wasn't really a reason to wait if they already made their issues clear, especially Sabrina. Somehow framing Marinette here is okay but doing it a few episodes later is too much for her?

Also, Lila served no purpose in the episode. Just like in “Collusion” and “Revolution”, all she does is tell Chloe to do things she was perfectly capable of doing in earlier episodes. We're supposed to see her as a mastermind, but I don't get why she has to hold Chloe's hand here. Why can't Lila come up with her own plan or manipulate different people from behind the scenes? It only further highlights the double standards because while Sabrina being a lackey to Chloe earns her sympathy, Chloe being a lackey to Lila doesn't for some reason.

I am getting really tired of the whole “Nobody believes Marinette” formula that every Lila episode relies on (Chameleon, Ladybug, Risk, Revelation, Confrontation). It's the exact same story. Everyone who has known Marinette for the past four seasons suddenly loses all trust in her, only instead of instantly believing Lila, it's Chloe. CHLOE. This is worse than Lila, because she's at least in good graces with other people, but this is the same season that solidified the idea of nobody liking her at all. They seriously take her words at face value over Marinette, someone whose friends know has tormented her for a year at least (Derision)? Put aside how I feel about Chloe, this is a story that depends on trusting someone nobody has any reason to trust, and it makes no sense.

There are just so many minor issues in this episode that pile up enough to really piss me off. It's like a death by a thousand cuts.

#23: Collusion

I normally don't try to get political on this blog unless I absolutely have to, and talking about this episode is one of those occasions.

If you've been around since the early days of this blog, you'll remember that Astruc once compared Chloe to Donald Trump, and not too long after the January 6th attack on the Capitol Building at that.

Even before that thread, Astruc made a joke comparing Trump to Chloe less than a week after the attack.

Whether you agree with Astruc's views on Trump or not, the point is that he kept up with American politics and strongly opposes him. So anyway, let's get to the episode where the heroes let someone lead a small army to storm the mayor's office and force him to resign, which is totally different from what Trump did.

I cannot get over just how confusing this episode is. For a show created by someone who usually keeps up with American politics, this is such a tone-deaf episode. I get that the story is trying to lean into French history, and I'm not sure how far into production the crew was when the attack on the Capitol happened, but given how Astruc was aware of the drama, he and his team should have at least considered the implications this episode could raise. The problem with the discussion around January 6th is that the supporters see it in as righteous a light as Miss Sans-Culotte is. As far as they know, what happened wasn't a violent invasion of government property, but a peaceful demonstration. Sure, none of the talking balloons said “Hang Andre Bourgeois!”, but it still brings similar imagery to mind.

Something that also harms the French Revolution narrative is the fact that all of Miss Sans-Culotte's supporters are helping her against her will. Much like countless Akumas throughout the show's history (Darkblade, Kung Food, The Puppeteer, Princess Fragrance, Despair Bear, Befana, Zombizou, Malediktator, Gamer 2.0, Mr. Pigeon 72, Hack-San, Revelation, Confrontation), Miss Sans-Culotte brainwashes innocent civilians so they can help her cause. This goes against the idea that she's speaking for the people, because her victims don't have a say in this. She's not reenacting the French Revolution, she's reenacting Order 66!

Also, this is something I've neglected to discuss. Why make Miss Bustier pregnant at all, much less akumatize her while pregnant? Outside of her students telling Chloe not to make a scene because the stress caused from dealing that is bad for the baby, Ms. Bustier's pregnancy adds nothing to the story. Seriously, the story thinks Chloe annoying the class is more dangerous for Ms. Bustier's baby than Ms. Bustier herself running around and getting into fights with her baby inside. It could have made for some interesting drama where Ladybug and Cat Noir are hesitant to hurt a pregnant woman, even if she's been akumatized. While the writers do try to work around it by giving her minions to do the fighting (as much as it mucks up the themes of this episode), it still doesn't explain why she needed to be pregnant during this episode in the first place.

Putting aside how unlikable Miss Sans-Culotte is in this episode, you can't even enjoy seeing Andre getting kicked out of office because this is the same episode where the writers really want us to feel bad for him. Look at how sad the rich white politician is. Let's ignore the fact that he's a big part of the reason why Chloe is as bad as she is, has abused his power multiple times, and is all around the cause of his own problems. But even though this is a show that tries to take an anti-capitalist stance (which I'll get to more in “Emotion”), we're supposed to side with one of the biggest symbols of everything wrong with capitalism and political corruption. Even then, Andre is framed for corruption instead of the several instances he actually abused his power, as if they're trying to say he was never a corrupt man. He just loves his daughter. Is that too much to ask for? His daughter herself? Eh, who cares? You really need to support the rich white man. Are we sure this show was created by a liberal?

But the biggest issue is the moral. It's impossible to frame Miss Sans-Culotte storming the mayor's office as a peaceful protest because she's clearly inspired by one of the bloodiest and most violent revolutions in history. If she was supposed to be a violent warrior who needed to learn there was a better way, that would work, but instead, the show downplays how dangerous she is... when she has a guillotine blade for a weapon. You can't claim Miss Sans-Culotte is non-violently protesting Andre's administration when she brainwashes innocent civilians, storms into the building, and demands he resign without any question. Even taking all that into consideration, the moral ends up backfiring because forcing Andre out of office caused an even bigger problem with Chloe taking over, and the very next episode threw the non-violence message out the window.

Whether or not you want to consider the political implications here, this is still a terrible episode with a terrible moral.

#24: Pretension

I've always had issues with Felix, and after the trainwreck that was “Emotion”, let's just say this didn't exactly do anything to raise my opinion of him. Just like his other appearances for the last few seasons, he did absolutely nothing to help Ladybug, focused on only doing things that benefited him, and making everyone's lives worse due to his incompetence. And somehow, this idiot is the one who moves the plot along the most.

The entire conflict happened because Felix kidnapped Kagami without even coming up with a plan. Even when he believes that Kagami is a Sentimonster (I apologize for saying that word Felix hates, but once again, the show provides no alternative to it), he doesn't think of Tomoe being able to track her or command her to leave even at a far distance. He doesn't even try to explain himself to Ladybug and Cat Noir and spends more time running away from everyone who wants to kick his ass. But by the show's logic, he just needs friends, even though his entire deal is that he works alone to get what he wants.

It's bad enough that Felix has to screw up everything he touches, but now he's dragging Kagami to his level. Kagami has cemented her role as Felix's lackey/girlfriend and nothing more. People give Marinette crap for the way the behaves around Adrien in and out of universe, but Kagami knows nothing about Felix, yet a single conversation about his past is enough for her to fall head over heels in love with him. She went from someone not willing to take any bullcrap from Marinette and Adrien to believing Felix's story in a fraction of a heartbeat. This season really likes ruining the few likable characters the show has left.

I also have to roll my eyes at the conversation Marinette and Gabriel have about fashion. For one thing, it's one of the few times the entire season remembers that Marinette wants to be a fashion designer and doesn't really factor into her rivalry with Gabriel. This season made their conflict revolve around how to treat Adrien, not their views on fashion. It feels like they only brought it up to remind viewers that Marinette is still into fashion. Well, that, and also to take a stance on artistic integrity... supposedly.

And on that note, it's amazing how the writers display little to no self-awareness during this scene. The show that embraces sticking to the status quo and rejecting almost any attempt at keeping consistent continuity is now trying to teach children about the importance of being willing to take risks when creating something. This is like Hannibal Lecter trying to promote veganism. I get the message, but the messenger's history is keeping me from buying it. It doesn't help that for a scene trying to point out how outdated certain views are, the show ultimately chooses to take the side of the man with the “wrong” mindset by the end of the season.

The pancake metaphor really confuses me too. It's meant to be a running gag that the only thing Gabriel knows how to cook is pancakes, but A) Nothing is really indicated to show how terrible they are as a metaphor for how bad his outdated views are other than Marinette's verbal assessment of them, and B) We later learn Gabriel used to be poor, so either he never knew how to cook prior to earning his fortune or being rich somehow made him forget basic living skills. I'm just saying, when an episode of Sid the Science Kid manages to better convey someone doing a terrible job making pancakes, you might need to put in a little more effort to show how bad Gabriel's pancakes supposedly are.

Finally, Tomoe. This episode didn't really do much to show her as a compelling threat, given all she did was nag Gabriel and try to shoot her daughter when she didn't even try commanding her to fight back when she was kidnapped. She's nothing more than a female Gabriel and is another example of how overstuffed this show's cast is,

This episode is awful, plain and simple. It took aspects from previous episodes that were already questionable, and doubled down on them while acting like there weren't any problems at all.

#25: Derision

And now we're onto the really, REALLY bad episodes this season. One of the reasons why this post took so long to make was that I wasn't sure how to rank these last three episodes. Thankfully, I managed to find a way to rank them based on the morals are executed. With that being said, let's start scraping the bottom of the barrel.

Ah, “Derision”. You're the only episode that makes the backlash caused by “Chameleon” seem like a pleasant breeze. It's incredible to see just how much negative a reputation this episode has in the fandom. Virtually nobody likes it because it manages to upset everyone with its poor characterization. I'm talking Marinette fans, Adrien fans, Chloe fans, Kim fans, and pretty much every other character's fans. I've only seen a few die hard fans defend this episode, and they're the people on Tumblr who defend pretty much everything done this season.

I have just one question to ask about this episode: Why did it need to happen? We didn't learn anything new that we didn't know already. We know Chloe is mean, and we know Marinette used to be more timid and had no friends. We didn't even need that much of an explanation for why Marinette acts the way she does around Adrien, seeing how it was usually played for laughs

Speaking of which, let's talk about the fact that the episode tries to shame the audience for laughing at the jokes about Marinette's reactions to Adrien. You know, something that was the show's primary running gag ever since Season 1? A running gag the writers ran into the ground by the end of Season 3 but still chose to go with it? Now we're not supposed to have laughed at it, assuming we laughed at it all. Way to insult even the small portion of viewers who didn't get on your case about this, writers.

I only have about two positive things to say about this episode. For one thing, Chloe actually served as a pretty decent antagonist in the flashbacks. Much like in “Revolution”, when the writers actually let her be a villain on her own without being made a pawn, she can be somewhat entertaining. If this was the Chloe we got after Season 3, I don't I would have been as upset at the direction Astruc's team took with the character.

In addition, the thing that saves this episode from being at the bottom is that unlike the next two, it actually understands that what the antagonist did was wrong. They don't make up excuses for what Chloe did and she actually gets called out as a result. It doesn't lead to anything major, but it's something.

Like with “Queen Banana”, there's not much else I can say that hasn't already been said. There's plenty of retcons, the characterization for everyone is off, it attacks the audience, and the message about trauma got fumbled by the show's usual double standards. It's been said over and over again, and it's become a symbol of how much the show's quality has degraded.

#26: Emotion

I think if you've kept up with my reviews of this season, you should know by now that I don't exactly like Felix, and most of the problems I have with him can be attributed to this episode. In fact, for a while, this was going to be my choice for the bottom slot.

It's clear that the writers want to make Felix this wild card who's only in it for himself, but like most of the show's antagonists, they want to show Felix as this devious mastermind... but he's also not really evil, and you should feel bad for him. For most of the episode, Felix does nothing but make everyone's lives worse during his first outing as Argos. He smears his cousin's reputation yet again, tricks his girlfriend into dancing with him, condemns some rich kids for the crime of being rich when he's just as rich, and eventually wipes out all life on the face of the earth. But he's just doing it for his cousin, we swear!

While Felix has understandable motivations for what he does, wanting to free Adrien and Kagami, the way he tries to achieve his goal makes it hard to sympathize with him. If the whole point was that what he did was wrong and that he needs to find a different way, that could work. Instead, we're supposed to see him as this tragic figure who was forced to do terrible things when the episode shows him happily singing while causing chaos. It's the same problem with Gabriel, wanting a sympathetic character to do unapologetically evil things. The fact that he has to be told that genocide is bad doesn't make us want to sympathize with him when he breaks down crying. It paints a picture that he's crazy but the show wants to act like he isn't.

Even putting all the crap with Felix aside, the episode is still unbearable. The stuff with Marinette was poorly executed and was just done to get her involved in the plot, and later become the first one to excuse Felix for betraying her. Other than the dance scene, you could easily just have Marinette swing in as Ladybug when Argos starts his rampage and nothing would really change. The episode tries to make jokes about how unnecessary this is, but as usual, its attempts to be self-aware come across like its saying “What we're doing it wrong, we know it's wrong, but we're gonna do it anyway!”

Speaking of the dance scene, I can't stop rolling my eyes whenever Felix tries to be all “We live in a society” to Marinette. Forget the corrupt politicians, corporate moguls, human traffickers, and despotic rulers of foreign nations. The absolute worst section of humanity is composed of the teenage children of the 1%. Sure, you'd have to break my legs before I'd agree to supervise them at this party, but I don't get why these are the people we're supposed to see as irredeemable monsters. Do the writers think because these kids associate themselves with Chloe, we'll automatically hate them? Newsflash, but if I had to choose between hanging out with some annoying kids and a mass murderer, I'd stick with the annoying kids.

Rewatching this episode was what helped me finally realize just what my problem with the show's anti-capitalist message is. How the hell am I supposed to hate the villains on this show for being rich when several characters are rich or at the very least, are successful thanks to their connections to the rich? Think about it for a second. Putting aside Adrien and Kagami, you have Marinette, the daughter of two of the most popular bakers in Paris and earned the respect of multiple celebrities, Alya, the daughter of a chef who works at a five-star hotel, Nino, someone who got to DJ at a major fashion show, Rose, who is friends with a literal prince, Luka and Juleka, the children of a popular rock star, and Max, the son of an astronaut with access to cutting-edge technology. Somehow, these people are supposed to be poor? They make Monica from Friends look like Oscar the Grouch. It's why I can't take the message seriously. You can't write a story about a class struggle when both classes are shown to be pretty well-off.

The only thing that saves this episode from being at the bottom of the list is the fact that despite committing genocide while singing, Felix at least gets what he did was wrong and makes up for it. It doesn't fix everything else he did in this episode, but that's better than nothing. As for the villain featured in the episode that's at the bottom of this list? If you've been keeping track, I think you know who I mean.

#27: Re-Creation

I'll admit, I'm sort of cheating here. I'm judging this episode more as a finale than an individual episode, but I'm making an exception because the plot is tied to wrapping up all the loose ends this season.

I'm mentioning this because for a season finale, the stakes just feel so low. The fight between Bug Noire and Monarch doesn't have any weight to it because they've barely interacted at all for the last five seasons. These are supposed to be two mortal enemies, but you can't really buy the enmity between them. It ultimately cheapens the moment of Bug Noire triumphing over Monarch in the end... before Monarch triumphs over her not long afterwards, but we'll get to that.

The stuff with the Miraculized doesn't help either. We already know that the Ladybug and Cat Miraculous are in the Agreste manor, so the Miraculized's goal is impossible to achieve. It's never even explained why the Miraculized don't go back to the manor to help Monarch beat Bug Noire, since they should still be able to track the Miraculous. All of the fights with them just come across like filler, and there's no real sense of danger or hopelessness to be found. Whether the Miraculized win or lose is irrelevant. Nothing will happen either way because the important stuff is happening in the Agreste manor.

This extends to the part where all the heroes appear to help. It doesn't come across as an Avengers-esque moment for the climax, because it doesn't change anything. The episode never explains what any of these characters were doing prior to the events of this episode and why only now they're helping out. The United Heroes are the most egregious example because unlike Fei or Su-Han, they're a major organization whose members include the president, and they didn't do a damn thing when Monarch stole all of the other Miraculous. Speaking of, there is no way in hell that Su-Han taught Mirakung-Fu to three random people over Ladybug and Cat Noir, much less that those three people are actual masters after about two months at best. Maybe they got to train in Bunnix's Burrow? After all, she's not doing anything else to stop the end of the world other than sending four people over to Paris. This whole sequence really highlights how bland the other heroes of this universe are. If they're not slacking off when they're needed, they're criminally underdeveloped because there's a slim chance they'll get spin-offs to flesh them out.

But I think the biggest issue me and other people have with this finale is the resolution. In what is easily one of the most baffling decisions the show has made, Bug Noire doesn't defeat Monarch, and Monarch gets to make his wish. I don't care how many times the writers technically say she won because she beat him in a fight. Gabriel backstabbed her at the last minute and got her Miraculous to make his wish. Yeah, he died, but he succeed in achieving his goal, never faced any real consequences, didn't get any closure with his son (much less apologize for abusing him), told Marinette to lie about the monster he was to him, and was turned into a martyr with a statue made of the same things he used to control the world.

This ending infuriates me because it not only makes Marinette out to be a terrible hero for failing to do the one thing she was chosen to do (get the Butterfly Miraculous back), but it also ultimately makes Gabriel out to be a decent person even though he destroyed and recreated the world. All Marinette did was take credit for saving the world, and even then, Gabriel got more celebration in the end. Our hero, ladies and gentlemen! She got outsmarted by an abusive parent and didn't even get a new statue in her honor!

But the most damning thing of all this is the fact that this finale retroactively makes everything that's happened over the last five seasons completely pointless. If Gabriel making a wish wasn't as bad as it was supposed to be, why didn't Ladybug and Cat Noir let him borrow their Miraculous? Why make the stakes this high if you're going to downplay the impact of a madman recreating the world in his own image? Follow-up question: why make the stakes this high if the wish being made is ultimately shown to have huge benefits for society? In an attempt to wrap things up with a happy ending, the writers accidentally made the conflict completely meaningless.

That's why this resolution is the ultimate example of the writers refusing to allow any major changes to happen. If they're willing to treat the end of the universe as less important than Ms. Bustier becoming mayor, why should we assume they'll ever take their story seriously? For God's sake, every character you know and love is essentially dead, and we're supposed to act like that isn't a big deal? That's how you wanted to end the show originally? Then again, at least they tried to resolve something, unlike the Love Square. We still haven't gotten a reveal, and I don't think we ever will at this point. These writers will drag out the story until the show stops becoming profitable, which won't be for a long time.

And with that, I am officially done with Season 5. Honestly, after having to rewatch this season again, I'm not sure if it's even worth giving Season 6 a shot. There's nothing to look forward to, and Lila becoming the main villain isn't really appealing to me. At the very least, I have the movie review to look forward to, meaning I can watch something good for a change.

[amxrany]

!! CHAPTER 7 / DIASOMNIA ARC SPOILERS !!

WE CAN GET THROUGH THIS GUYS LET'S GO (Part 4):

While Silver is in the darkness, he then sees Lilia's old memories. The first one is of Lilia visiting Wild Rose Castle after a peace treaty was made, this takes place 300 to 400 years after the events of Meleanor's death

While walking through the abandoned castle, Lilia hears a cry in the throne room. He rushes there to find a baby, and not just any baby IT'S BABY SILVER WHICH REVEALS THE FIRST CG IN THE GAME 🥹

(SILVER BEING TWISTED FROM AURORA IS REALLLLL)

Of course Lilia wondering why the hell is there a baby in the abandoned castle uses his Unique Magic on it. Thus revealing his UM "Far Cry Cradle", this allows him to see the past memories of someone who gets hit with the spell. This is how he finds out that the baby is actually the son of the Knight of Dawn and Princess Leah, while the war was happening 3 fairies blessed the baby by making him sleep through the war, even if it will last 10 to 100 years (well it went beyond 100 years). Once the little prince finds someone who loves him (or in other words true love), he will awaken from slumber; AND IT WAS LILIA WHO APPEARED WHICH CAUSED BABY SILVER TO WAKE UP WHICH IM JUST AAAAAAAAAA 😭😭😭

We can't forget that present time Silver is watching all of this happen, and noticed Lilia having mixed feelings about the whole thing. He (Lilia) tries to kill the baby after finding out he was the child of the enemy, but couldn't bring himself to do it. Lilia then asks himself if he can even love a human being? After losing his loved ones to them, and everything that happened. Which causes Silver to scream at Lilia that he doesn't deserve love (STOP SILVER IT'S NOT YOUR FAULT)

Lilia then tells baby Silver that the day he finds him will be his birthday (which is May 15th), and blesses him. This explains why Silver has silver hair despite being born blonde. Lilia also names the baby Silver because of the moon that shines through the night, which serves as a light to light up the path

We then move to another flashback, now this time it features Malleus. We see the cottage that present time Silver grew up in (which is like the cottage from the movie)

While Lilia is singing a lullaby to baby Silver (the same one Meleanor sang to egg Malleus), Malleus comes in cuz he overheard from the fairies that Lilia found a human. Then Malleus proceeds to call baby Silver A NAKED MONKEY CREATURE NAHHH 💀🤚

We also have to remember that Lilia didn't know shit about taking care of a human, much more a baby, so he visits Baul's daughter and son-in-law (Sebek's Mother and Father) for advice. Lilia then tells Malleus he's going out to get baby supplies and leaves Malleus with Silver, but Malleus is afraid that he might destroy Silver if he holds him (aww that's cute 🥹) but Lilia still leaves him behind regardless

Baby Silver wakes up to Malleus and starts crying and Malleus is now wondering if lullabies can help put it (yes he referred to the baby as "it") to sleep. He then hums to the baby the only lullaby he knows, which is the same lullaby is mother sang to him (I forgot to mention that whoops). This is the same lullaby Malleus sang when he placed the sleeping curse on everyone in part 3. Baby Silver falls asleep to it and Malleus is relieved, hoping for Lilia to come back soon but also wonders where he heard that lullaby before

We then see more flashbacks of Silver growing up, from his first time walking and his first words (which is "Dada/Father")(Edit: got this wrong by accident sorry guys). We also learn more about faes from here as well, it takes 30 years for a fae child to learn how to walk, but for the case of Malleus it took him 20 years to have a 2 legged form

Malleus then asked Lilia why he decided to take the baby in and Lilia respond that Malleus's father, Leverne said that Fae and Human should learn more about each other, thus learning a language that humans can understand. Lilia wants to learn how to love humans through Silver, but Malleus is like "but what if you can't", he replies with "let's not jump to conclusions"

STOP YOUNGER SILVER CALLS LILIA "TOTO" MY HEART CAN'T HANDLE THIS. WE ALSO FIND OUT THAT THE ACORN BRACELET WAS SILVER'S GIFT TO LILIA (since it symbolizes living a long and healthy life). He (Younger Silver) also says "I love you Toto!" (Guys what if this my last straw 😭). One more memory we see is Silver running away from home after finding out him and Lilia aren't related (in reference to his 1st birthday card)

Back to present time Silver, he thinks that he doesn't deserve to be called Lilia's son because his true origins is that of the son of the Knight of Dawn, this causes him to take on his biological father's form and General Lilia appears before him, saying he's the enemy (BUT IT'S ALL NOT REAL)

Thus a battle between the two begins, until present time Lilia suddenly appears; telling Silver to stand up and stay alive 😭

This end Silver's segment of the story, but we can't forget about Sebek, Yuu and Grim

Next: Part 5

Previous: Part 3

[pikahlua]

I've been in the dkbk fandom for 3 years and my husband is an anime only. We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward. He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced. I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc. I told him what you said about Bk's death and Deku losing his arms as being symbolic but he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed. I wanna believe in Hori but I'm waiting for payoff instead of enjoying the story. Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?

I’m hesitant to answer this. I said I wouldn't answer any asks that were looking to me for reasons to keep liking MHA, and I really don't want to encourage more asks like this--and yes OP, I don't know if you realize it but that's basically what you're asking. You've framed this question around your husband's opinions, but you're couching your own thoughts inside.

If your issue is that you and your husband like different media, then that's a marital issue to resolve; accept that you shouldn't always watch all media together, particularly if doing so isn't fun for both of you. But your husband doesn't like what's going on in MHA, and this is enough to make you doubt whether or not MHA is written well? Despite the fact that many, many people like MHA in its current form? That sounds more to me like you agree with your husband. It certainly doesn't sound like you tried to sell this story arc to him.

I decided I'll answer a question like this this one time because it'll help me summarize my feelings on these topics, though I'm sorry to say the topics I address may not be what you expect.

"We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward."

Is this really a surprise? I don't remember anyone being all that into this arc when it first came out. Everyone was saying Star would die, and yet most people did not correctly predict the actual outcome of this fight--that Star's quirk would be eliminated and Tomura would be weakened. Most guessed Tomura would steal Star's quirk and become overpowered.

"He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced."

You mention sci-fi but uh, has your husband watched like...any other anime? Ever? At all? MHA is far from the first shounen anime to do this. You can't really make your husband like MHA if his problem is that he came to an anime restaurant and got upset when there was nothing but anime on the menu.

Seriously, MHA is not doing all that much different with its ending than what Fullmetal Alchemist Brotherhood did, and that's one of the most critically acclaimed shounen anime of all time. If he's predisposed to dislike the stuff anime does, that's not a writing problem. That's a mismatch of anime with his tastes.

It strikes a nerve with me because I grew up loving anime and was bullied for it by people with opinions such as your husband's. Now, the mainstream-ification of anime has drawn those same sorts of people to anime for whatever reason, and all they seem to wanna do is complain about anime being anime. Take sci-fi for example: I typically hate outerspace-themed media and the concepts such media often explore, and you know what I do? Not watch it. I've decided such media is not for me. Honestly, the same is true for a lot of anime too. I am very picky about anime because there are some tropes or themes I'm just sick of.

"I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc."

This is where it sounds like you primed him with your own feelings, because it certainly doesn't sound like you were selling him. I don't even know what this means. "A holding pattern"? Do you mean the arc has just been going on a long time (see: welcome to anime being anime)? Or do you mean not much has happened with Izuku? Because I am getting a bit of a sense that your issue is you're an Izuku fan and his growth has been slow because the arc has had to wrap up all the other characters' arcs first. Because a lot HAS been happening with all the other characters (and we recently got some Izuku progression too).

The only other thing I can think of is an opinion I've had for a long time. I think a lot of anime fans don't realize they're not actually manga people. You watch an anime you like a lot and you wanna get up to speed, so you go to the manga not understanding that the manga is different from the anime. The pacing is different, as is the presentation and focus on details. The manga presents one or two story points per chapter, whereas anime episodes are 2-3 chapters compressed into one sitting. The anime's major selling point is its fast pacing, but this is not a selling point of the manga--of ANY weekly manga. "2-3 years" means very little in the context of a 15-page-a-week-AT-BEST manga.

"I told him what you said about Bk's death and Deku losing his arms as being symbolic"

The symbolism angle is one thing. I've never really understood why people like any media without symbolism--that's what gives a story its flavor, isn't it? If we're talking about tropes and familiar story structures, the artist's approach to familiar items is precisely what makes it unique and interesting to me. I wouldn't become invested enough to care about Katsuki's death if all that mattered to me was the surface-level event.

But are you saying you spoiled the fact that Izuku lost his arms? That's...not that big of a plot point to spoil if you ask me. Certainly not one I'd bring up as one of the greatest hits of this arc. This is another detail that makes me feel like you're particularly focused on Izuku, which is not a bad thing nor is there anything wrong with that, but Izuku doesn't actually feature very much in this anime season all things considered. It's hard to sell anyone on what's currently happening with Izuku in the manga since we just got to his stuff and it's not complete.

Again, this was what happened with Fullmetal Alchemist. The last arc covered the events of one day that ended the final war. The main characters were only occasionally featured and didn't do all that much in the season until the very end, as one would expect. When it was coming out in manga form, the pacing was admittedly very weird because of this storytelling choice, albeit it felt a bit different from MHA since it was a monthly manga and covered more ground per chapter. But when the same arc was adapted to anime, the feeling and pacing were very different, and a lot of iffy elements improved on me as a result.

"he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed."

Is your husband someone who watches things only once and then can't rewatch and enjoy them ever again? Does he only watch stories for plot twists and once he knows the twist he stops liking it?

I don't understand this general obsession with consequences and stakes a lot of people have. Sure, they are elements that can contribute to a mood or feeling in a story, but they're far from the make-or-break linchpins so many people make them out to be. The "reversals" are major plot points too. I find much more enjoyment in trying to follow why a writer would do such things and what they're trying to say than wondering how likely some character is to die or how many people will be brutalized.

I'm in the camp that believes spoilers should not make a difference in whether or not I find a series "good" or whether or not I can invest in it. I personally have played video games specifically BECAUSE they were spoiled for me and it sounded like I would like them, and having those major things spoiled for me did not detract from my enjoyment at all. I'm not saying everyone has to be like me, but I do certainly think a story's ability to persist as an impactful and memorable work has very little to do with its stakes and everything to do with how it handles its story and characters. Was Star Wars memorable and beloved because of how many people were at risk of dying in it? Was something taken away from the story when Luke got a robotic replacement for the hand he lost?

Goodness, didn't the MHA fandom predict for years that Dabi was Touya Todoroki? And wasn't everyone just waiting for the reveal to fucking happen already so we could get it over with? And wasn't the entire fandom surprised and enthralled when the Touya reveal did happen precisely because it was handled in such a unique and cool way with Horikoshi's flair? Did predicting that twist really ruin anything for the story?

A good story is a good story.

"I'm waiting for payoff instead of enjoying the story."

I can't know what payoff you're waiting for. I've enjoyed all the events and details along the way, even if there were some expected dips here and there. When I went back and reread the entire arc in one go, the pacing really hit me differently and I got a lot out of it. If you're not enjoying the story, that's not about whether or not the story is employing "good storytelling." I've enjoyed plenty of stories that were told poorly and sloppily because there were other redeeming features that appealed to me. This is about preference. You and your husband have your own personal preferences, and that's okay! But you both have to manage your preferences with respect to each other and to yourselves.

"Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?"

If you're actually interested in whether or not MHA has "good storytelling," I'd suggest you take a creative writing class or otherwise learn about the way stories are told in different media i.e. novels vs comics vs TV shows vs movies vs video games. But I honestly don't think that's what you mean. I think you're looking for permission to keep liking MHA even if you personally don't like its storytelling or how Izuku's character is currently being handled. I can tell you from experience that yeah, you can. Plenty of people do it all the time. Some people get so frustrated with the stories they like they write fix-it fanfiction. Some people appreciate the way a story is so perfectly written that they cannot build a fandom around it because they can't come up with anything to add. It's going to depend on you and how you want to approach the situation, and while I'm happy to talk about what I like about MHA and which writing choices I think are well made, that's not going to get us very far if you don't like the same things.

I do often find media that I personally think is not written that well, and like I said, sometimes I like it and sometimes I hate it, but if it's a piece of media with a large fanbase like MHA, I have a hard time calling its writing universally "bad." If it speaks to that many people in some way, clearly there's something about it that reaches people effectively, and who am I to judge? I'm certainly no expert in quality of writing. All I have are what I've taken away from my education in literature/writing, my years of experience with many anime that came before MHA, and my thoughts on all the other media I've enjoyed. My experiences will lead to different conclusions than others'. I know I don't like a lot of what's popular with most people, so I certainly can't hold myself out as some paragon of good taste.

It's okay to like or dislike whatever for whatever reason. I don't always stay with the same fandom. I move around when I find new and good things. I sometimes come back to old things I loved and like it anew or find it underwhelming as I currently am. As of right now, I'm actually willing to say something I never was before, which is that MHA might be one of the best-written manga if not the best manga I've ever read. While FMA is top-tier, its themes are a lot safer than MHA's ambitious goals. MHA was always going to be controversial in some ways just because of what it attempts to do, such as telling its story through comic book-themed superheroes. It also says a lot of political things that risk alienating readers. The levels of risk MHA takes are part of what makes it amazing to me and what makes it a worthwhile piece of art to enjoy. I'm so happy it exists, flaws and all. No story will be universally loved, and that's something I accepted a long time ago when I decided I wouldn't let the bullying stop me from liking anime. All I can hope to do is have the courage to love the things I love and the grace to leave alone the things I dislike for others to enjoy.

[atyd1960]

The more I think about it the more I'm confused about Snape's so called "redemption arc":

We don't know much about his years at Hogwarts outside of the time James hanged him from his underwear and he called Lily a Mudblood, but we know that:

1. He had a disdain for Muggles ever since he was born or at least ever since he was 10 y/o bc that's when he meets Lily and Petunia and treats the latter like garbage.

2. He was friends with Mulciber and Avery- known death eaters, especially Mulciber who we know was particularly close with Baldy due to the time he came to Hogsmede with him for his job interview with dummydore.

From that we can assume that he was a witness and a participant in A Lot of hate crimes against Muggle Borns ever since he was a minor. One of which was the time Mary was the victim.

3. We know HE invented the spell James used to hang him from his panties, which must mean that he used it against others, probably muggle borns, and his DE friends must've used it as well.

4. We know he invented the spell Sectumsempra to use against his enemies?? (Sorry it's been a while since I read the books I don't remember the exact quote.) and his enemies are almost certainly the Marauders. Also maybe his dad but that's a discussion for another day.

5. We know he was one of Baldy's dearest death eaters, even tho he was a Half-Blood with no status and no connections, which means he definitely did a lot of horrific things to Muggles and Muggle borns and the members of the Order of Phoenix.

6. We know he heard Trelawney's prophesy after eavesdropping in a bar, and immediately ran to Baldy with it. He knew that by telling Baldy about the prophecy an innocent baby will be killed, and he didn't give a shit. I cannot stress enough how much that information in vital for his character. Taking a baby's life so that Baldy might give him a sit closer to him by the table. And nothing would've happened to him if he shut his mouth and didn't go to Baldy. He didn't have his life or even his status\loyalty on the line. He just sacrificed this anonymous innocent baby for kicks and giggles.

7. The only point in which he cared about his actions was when Lily's life was on the line. This wanker really didn't care that he just gave Baldy (a man who made it his life' mission to kill Lily and the likes of her) a reason to kill Lily's son and husband, who were practically her only source of joy while she fought against his people in the war. He just wanted the girl he slurred and stalked and mistreated in high-school to live with all her friends and family dead. And thought he was doing something good. I don't even know how to begin to describe how fucked up that is.

8. He went to Dummydore and asked him to save her. After he got her, her husband and her kid to be under an even worse constant death threat than they were before because of Lily's blood status and their participant in the order. And after he spent the last 3-4 years killing Lily’s friends and the people who share her blood status.

9. That was also the point in which he offered himself to be a double spy right?? Again real heroic of him to risk his life after all the shit he did because he was in love with a girl whose life he ruined. He never cared about all the shit he did and all the people he murdered and he never actually wanted to help innocent people or do good by the world or even by Lily.

10. After Baldy died for the first time and the first war ended, Harry had nobody left, and Dummydore put him with Petunia and Vernon. Snape knew better than anyone else what the Dursleys will do to Harry. He knew everything, and he didn't do shit. Not only did he not do shit, but he also made things worse for Harry by bullying and harassing him since the moment he stepped foot in the castle.

11. Extending on the last point- Snape bullied, harassed, abused, mistreated and discriminated against students at Hogwarts ever since he started teaching there, I'm not gonna start elaborating on all the times he did those things because that would take a different essay of similar length.

12. If Voldemort chose to go after Neville instead of Harry, Snape would live and die as the most loyal Death Eater ever

So to conclude: am I really expected to forgive him because he loved Lily and had a hard time with James when they were 16 and he spied for Dummydore for a bit?? Being a loser in middle school and then becoming a double spy doesn’t make up for… anything. Especially since he never stopped being a terrible person.

[verpineshatterrifle]

okay so your post abt alpha-17 and the other alpha arcs got me thinking (and im sorry for using you as sw google but in my mind you're Alpha Legends Lore mutual) who ARE the oldest clones? I feel like everything got... really confusing with a bunch of super secret REAL first clones getting shuffled into the order. is boba the oldest? in my mind it goes 1 boba 2 nulls 3 alphas 4 the rest of the initial clones that obi-wan saw in aotc but I have no bloody clue 😭

I AM HONORED TO BE YOUR LEGENDS LORE GOOGLE MUTUAL

ok so. sources probably conflict bc this is star wars, of course they do. what i care about is repcomm so we're just gonna go with that as our primary source with wookieepedia as secondary sources

first we gotta get some dates. unfortunately star wars doesnt really give months for most dates but years is still a starting place. these dates are all pulled from wookieepedia, legends page when applicable/different

also we're using geonosis as our date reference point since the timeline is honestly so hard to work with

order 66 happens 19 bby

1st battle of geonosis, 22 bby, the clone wars are 3 years long

boba fett's birth date is listed as 32 bby, meaning he was 10 at geonosis. cody, rex, ordo, fi, spar, and sull are all also listed with a birth date of 32 bby, so we're down to a difference of months here. essentially they're all the same age though- boba himself, troopers, nulls, commandos, and alphas

I REPEAT. ALPHA IS NOT SIGNIFICANTLY OLDER THAN THE CORE OF THE GAR. PLEASE FOR THE LOVE OF GOD. HE ISNT THE ONLY ALPHA EITHER.

but who's actually oldest? and is wookieepedia entirely correct? this is the part where i open repcomm and ignore everything else. i don't even know if anything else contradicts because i'm not checking

chapter 1 of triple zero, kal has just arrived on kamino. it's eight years before geonosis, and 2 years into the cloning program

(ALSO ITS SO FUCKING GREAT THAT THIS IS KAL'S INTRODUCTORY LINE LMAOOO <3)

he does see a lot of clone babies in gestation vats, just like we see in attack of the clones as well as cadets of varying ages- the kaminoans continue producing troopers through the entire ten years of the cloning program, so yes, the 'first generation' (clones deployed at geonosis) ARE older than a lot of later clones. but we dont really have a lot of those later clones as named characters as far as i know

anyways

the nulls appear to kal to be 4 or 5 (also peep jango apparently being legitimately shocked by them)

chronologically the nulls are NEARLY two, which probably means like 1 year and 11 months or something

(pause for me to cry about this entire scene, 'kal was instantly proud of all of them,' 'how would you like to be called ordo, he was a mandalorian warrior,' kal teaching them to embrace their fear as a mechanism their body uses to help protect them, but this is gonna be long enough as it is)

and then we have jango showing up with boba. no real indication of if boba or the nulls are actually older, but it's implied that they're very very close in actual age, if not the same age. we also get mention of the commandos and the alphas.

now, this is now just down to what i think and what makes sense to me. the whole point of the nulls is that they were experimental units- the kaminoans wanted to see if tinkering with the genome would be worth it, and ultimately decided it wasn't. it would actually make sense to me if the nulls were at least a year or two older than the rest of the clones- the kaminoans need time to see if their experiment panned out, don't they? but the nulls are also 10 at geonosis

while the nulls have been flash-trained and put through some trial runs at this point, it's indicated that the alphas and commandos aren't quite ready for training yet. this could be because the alphas and commandos are just a bit too young yet, it could be that the kaminoans put the nulls through training at a younger age than they're doing for non-experimental units. not totally clear

this is another point that is important to me: multiple times the nulls pass for clone troopers. i keep seeing headcanons of them being noticeably taller/bigger than other clones and while it is true that they're canonically slightly heavier, i think the difference is probably like 10-20 pounds, most people cannot easily tell the difference. ordo puts on corr's armor and just notes that it's slightly tighter than he's used to. mereel infiltrated kamino in trooper armor unnoticed, even while directly speaking to a kaminoan

here is my opinion on it: -the nulls and boba are basically the same age -the alphas were created next, but a few months after. by this point the kaminoans had decided (possibly because of the nulls' high mortality rate in gestation) that the alphas would be fully unaltered aside from the accelerated aging. the nulls' behavior 'issues' proved to the kaminoans that this was the right call -the commandos were created at the same time or shortly after the alphas. we're talking within weeks if not days. they have minor genetic changes to work better as a team but that's about it. -the troopers then begin production, now that the kaminoans have lots of practice altering jango's genome. heavy alteration for better social cooperation and obedience. -we're talking a span on like 4 months for all of this

you could say that ordo's gray hairs support the nulls being maybe 4-6 months older than everybody else, but i really think he is just that stressy, and there's also book evidence for clones actually aging at variable rates depending on how much stress they're under

quick note for omega: i think her existence is just insane and she's only here because disney was making a children's show and needed a child character (and girl so they can get inclusivity points), but i could see her being made anywhere from at the same time as boba to up to 3 years later. her wookieepedia page doesn't say, because the bad batch never bothered to give us any concrete information on... anything.

WE ARENT EVEN TOUCHING ON EMERIE. WHAT THE FUCK

[trailmix-silent-old]

TDP: general thoughts about s7 (spoilers, duh)

Sooo I know it's been a week, but I wanted to get some of my thoughts about season 7 out. I'll be posting more TDP stuff for a while after this too. I haven't posted on tumblr in like 5 years (my old blog is @trailmixstar-blog) but the possible end of this show made me come out of hibernation.

So some general points I wanna make first:

AAAAAAAADHDKDKSFDJSKSK

I can't believe the arc is over omg

I've been following this show since the day it came out

I was such an early fan that I had a Rayllum fic on Wattpad that was top 10 in #thedragonprince

And now it may be over?????? FU-

Someone hold my hand

Now, some specific things I liked about this season:

Finally the Ruthari reunion 🥺

Kosmo and Wanda Astrid being relevant

Cute Rayllum moments

Also angsty Rayllum moments that almost gave me a heart attack

Ezran actually does something this season

It might be an unpopular opinion but I like what they did with Ezran's character, I might make a separate post about it later

Aanya is the queen we need but don't deserve

Human Aaravos is such a silly lil guy

Sorvus should've been canon but I enjoyed their banter nonetheless

The dry baguette is somehow still in the lodge

And so many other callbacks to earlier seasons

Terry finally joins the good side

Karim is still such a little bitch istg

(His death was gruesome but I still laughed)

Love how Callum still insists on using his elfsona even though the war is long over

Claudia's new armor? *chef's kiss*

Things I liked less:

Did- did they seriously confirm the Harrow bird theory in the last few minutes? Seriously?? Is this a joke to them? What's he been doing for over 2 years? Just eating worms while watching the potential end of the world?

Is it just me or was Aaravos dumbed down a little? Like him saying Callum's name while trying to give him the poisoned apple, like that's such an obvious mistake. And I didn't really understand why he killed the bird in front of Terry? He knew Terry would be upset, potentially leave and inform everyone about Aaravos returning. Was there a purpose?

I feel like the explosives could've been used more, but maybe if the series continues they'll be relevant then

Many things were left openended, many unanswered questions. What will happen to the novablade? And the evil coin? What about Miyana and her baby? And the self-eating to stay immortal they discovered? Was Harrow seriously the bird all this time?????

Overall, I really liked this finale. I especially loved all the callbacks to earlier in the show. When Aaravos said an archdragon's bite can kill a Startouch elf, I immediately thought of how Zym's bite was the only thing that could break Rayla's armband thingy in season 1. Was that subtle foreshadowing? Also, Runaan was the one who taught Rayla to sweep the leg!! And she used it against Soren, who said sweeping the leg wasn't a thing in swordfighting. Nice.

I think they tied up quite a few things in the plot, but left a bunch of unanswered questions for a potential continuation. I'm really curious about the self-eating, since I think it could be an important factor in a future arc.

That's it for now. Like I said, I'll make some more TDP posts for a while, but I'll probably mainly become a Hazbin Hotel/Helluva Boss focused blog after that.

If you read this far, thanks for the attention <3

[in-g-major]

ATLA Unpacked: Ty Lee's Potential

One of the many things we missed out on from ATLA Book 3 was a Ty Lee character arc. Of Azula's trio she's ultimately the least explored and most auxiliary, which is sad. The possibilities were certainly there: a girl who seems too good-natured for the ruthlessness of the Fire Nation, coerced into helping Azula, seemingly naive about what her nation is doing or perhaps too timid to voice her concerns. Gee, all that sure rings a bell doesn't it? So, here are some things that I think could have been done w/ Ty Lee given what we know about her. 1. Friendship with Zuko and eventual Redemption Arc Canon screwed this one up during "The Beach," but there's no reason it had to be that way. Ty Lee should have been the person Zuko warmed up to the most given that they're both more caring people than Mai and Azula. With Ty Lee and Zuko, you have two sheltered and privileged teenagers who don't quite fit the mold of what Fire Nation children are *supposed* to be. As a result, Zuko is banished and Ty Lee leaves her aristocratic home life behind. Zuko's banishment and journey across the world helps him realize that the Fire Nation's war is wrong. Ty Lee, who was part of a traveling Fire Nation circus and eventually traveled the Earth Kingdom with Azula, could have easily come to the same realization. We never even get her perspective on the war in canon! Just imagine Ty Lee and Zuko bonding over martial arts, theater, and collecting pretty sea shells. They bring out each other's best qualities and motivate each other's redemption. 2. Standing up to Azula This has been commented on before, but Mai being the one who defies Azula instead of Ty Lee during "The Boiling Rock" is not a satisfying emotional climax. Mai happily left her boring life behind in "Return to Omashu" as soon as Azula gave her an opportunity, and she openly defied Azula's orders with no fear of retribution at least once. What Azula represented for Mai wasn't fear. Azula was the metaphorical "devil" on Mai's shoulder, distracting her from her lack of emotional fulfillment with fun and thrills. The one who was genuinely afraid of Azula, and abandoned her passion out of that fear, was Ty Lee. Ty Lee standing up to Azula and emerging victorious is far more emotionally and narratively satisfying given their dynamic. It also gives Mai a more character appropriate choice to make in the situation. Which leads me to my third point 3. Mai and Ty Lee marsreds made a fantastic commentary I read years ago. I'll link it in the comments, but her point was that throwing Mai into an awkward and uninteresting relationship with Zuko took the focus away from her relationships with Azula and Ty Lee and made her character arc about a boy. It's a pretty damning commentary on the sexism that seeped into the way ATLA's female characters were written, and how that became the norm for the franchise by the time of the comics. Anyway, a hugely missed opportunity for Ty Lee and Mai was their relationship with each other. Even though I am pro MaiLee, I won't make this ship heavy. Ultimately the writing has to come first, but Mai and Ty Lee do have a fun and touching dynamic. Ty Lee is even more playful and affectionate with Mai than she usually is, and Mai shows genuine care and empathy for Ty Lee. When they reunite in Omashu, Mai asks Ty Lee what happened with her joining the circus. Then, during "The Beach," Mai is the only one who stands up for Ty Lee, telling Zuko to back off and figuring out the root of Ty Lee's desire for attention. We never see Mai this invested in someone else's feelings and well-being with anyone else. The character appropriate choice for Mai in "The Boiling Rock" wasn't betraying Azula for teen love. It was choosing between the friend who encouraged her better self (Ty Lee) or the friend who kept her from growing as a person (Azula).

[bestworstcase]

First i want to say that i love your rwby analysys, but i just discovered your blog, so can you explain to me why you hate Ozpin so much? Like, every minor thing he does and says must have some malicious intention behind it, but everything Salem does is part of a big plan that means that she's not actually evil?

ooh it’s been a while since we had one of these! 1. i think perhaps a closer read of my salem analysis is called for, because you’ll notice that i am, er, not shy about noting that salem is evil and this is in fact a central tenet of my reading of the narrative; i just don’t think she’s a one-note genocidal lunatic and it is extremely obvious that the narrative is heading in a "the brothers were and are wrong, and salem wants them gone" direction; 2. oz is second in my heart only to salem and cinder, which sort of speaks for itself in terms of "this character did bad things!" not being remotely a bad thing in my book, 3. and speaking of cinder, i get exactly as cranky about uwuified fanon sad wet rag ozpin who’s never done a thing wrong as i do uwufied fanon poor wittle cindy who doesn’t want to hurt people but salem makes her do it for exactly the same reason, which is that it strips out everything that makes these characters narratively and emotionally compelling in favor of mashing them into gutless marshmallow pod people for the sake of… i don’t know, making them neat and bland and easily digestible, i guess? uwu?

4. this is an ozlem house

5. i don’t think ozma has ever acted with malicious intention; rather, he’s been coerced into this situation where his faith in his god, his intense desire to do the right thing, and his terror of what will happen if he fails or disobeys—in combination with a divine curse that is literally designed to prevent him from being able to change or break free, because he has a reflection of himself monitoring his thoughts and actions all the time—are at war with his true desire (he wants to be with salem) and his conscience (he knows that salem was right about what is necessary to fulfill his task, that uniting the whole world under one creed is impossible except by genocidal conquest, and he cannot bring himself to do it because it’s wrong). he’s trying very hard to do the right thing in a situation where he genuinely believes his only options are to commit genocide for his god or sacrifice the whole world for his love and he is desperate to figure out a third option that does not end with "rocks fall everybody dies;" thence the lies and manipulation and all the miserable moral sacrifices he’s ever made.

6. the reason this is an ozlem house, in the sense that my reading of the narrative in its entirety is predicated on the ozlem reconciliation, is that salem and ozma are two sides of a coin: she is doing terrible things in pursuit of a world where the gods aren’t holding a knife to remnant’s throat and he has done terrible things for the sake of the same. their conflict isn’t evil-vs-good, but apostate-vs-zealot; salem believes the gods can and must be defied and ozma believes her defiance is doomed to failure. salem tells him that in order to unite the world he needs to spread his word and crush all who deny him; as the king of vale, ozma uses the divine relic of destruction to lay waste to not only his enemies but even his own allies, thus he forges the vytal accords that established the united global order in which the story takes place. he’s a better person than she is—because she’s been living in exile for thousands of years and her capacity for caring about other people has withered away to almost nothing as a consequence—but they are in every sense equals.

7. the narrative is overtly not on ozpin’s side? he has a whole atonement arc about it in atlas—& this is why i made the comparison to uwuified fanon cinder earlier, because the framing with regard to ozpin is very emphatically clear that he does a lot of things that are not good, and are in fact pretty sinister and in some cases (amber, pyrrha) outright evil, and he has to make the choice and put in real meaningful effort to be better. i don’t think there’s anything to be gained from ignoring what is plainly in the text of the story, especially when rwby is categorically disinterested in sorting its characters into neat little good-or-bad boxes. there’s no such thing as pure evil—that’s been the explicit textual conceit since volume one—and the implied converse is that there’s no such thing as pure good, either. (which is a conceit that ozlem exemplifies.)

8. i threw a fucking PARTY when we found out salem razed vale, i get the vapors every time i think about what sort of narrative escalation we can expect in V10 given that something as huge as razing vale can happen off screen to set the stakes for vacuo. not that i don’t also adore characters who are good or who (like oz in v7-8) grow and change to become better, because i do, but i really can’t emphasize enough how much i Do Not hate fictional characters on the basis of them doing awful things. what i want from a character is for them to be interesting, which ozpin is. what you’re perceiving as me hating on him is me dissecting him under a microscope because i love him to bits.

9. the ozlem screeds will continue until morale improves

[greenerteacups]

Until your most recent chapter I didn't really stop to consider Molly Weasley's role in the first war. She had a baby, 2 toddlers and 3 kids to take care of, plus the house. I imagine she was the one preparing meals for the Order and tending to the wounded, since she seems pretty good with healing charms. It's a side of war that people don't really talk about, right?

What do you think were James and Lily's roles in the war? Either in canon or Lionheart is fine. Also, if you have the time and the will, I'd love to hear what you think about the while blood magic thing Lily did for Harry. Cause we don't really see this type of magic in canon, jkr was really vague about it, and since your Pansy seems to know quite a bit of blood Magic I was curious to know if they work in similar ways in your canon. It doesn't seeem like they teach this kind of thing in Hogwarts' normal curriculum, and to know that Lily Evans was possibly an feral muggle-born toying with dark magic fascinates me. Like, did Snape introduced it to her? The recent talk Draco had with his mother about cruel spells not always being dark magic and vice versa was really interesting and got me in my current state of rambling

This dovetails wonderfully on the heels of my last post about Molly Weasley, so I'll pick it up here! Molly is absolutely at the center of the Order's efforts in both the First and Second Wizarding Wars, and her role as a mother is indivisible from her role as a soldier. Bill is 7 or 8 when the first war begins, which means Charlie's 5-6, and Percy is around 2. You can only imagine the frustration for her — that's an age where someone really needs to be around the house, but at the same time, everyone you know is going off to fight. And like— oh—

Did you ever think that Molly probably had to sit through the battle where her brothers died? That's a thought that just occurred to me. Set aside what happened to Lily and James, or even Frank and Alice; Molly wasn't an only child until the war. Bill was old enough to know his uncles. Charlie was, too. And hey — do you think she had the twins before or after her twin brothers died? Which do you think is worse?

Anyway. I think James and Lily joined the war effort immediately, considering how short the timeline is after they graduate => marriage => baby Harry => Trelawney's prophecy. In Lionheart, Moody mentions that "Evans was 16 when she came to me," which I meant to acknowledge that students were (and are! cf. Cedric and Angelina) trying to get involved with the war before they graduated. Moody and Molly are of different philosophies on this, but it's implied that Moody accepted Lily's offer, because of Molly's remark about "forgiveness" — which is obviously a bit vague, but the implicit accusation is that the Potters wouldn't have died if they hadn't been soldiers. Of course, we know that's not actually true (my spin on this particular part of canon will be fully fleshed-out in the story, but as you can probably guess, James and Lily aren't random kills). But Molly doesn't know that, so in her mind, there's a straight line between Moody accepting Lily's offer and Harry being orphaned.

James and Lily, while by all accounts quite competent, are not actually described as being that powerful in canon. Becoming an animagus at such a young age obviously requires James to be an unusually clever and/or motivated kid, and I have no trouble believing that he was one of the most naturally talented wizards in his year, but he also reads as a bit of a lazy jackass in the one(!) scene we ever get. The person who vouches for his offstage character growth — Sirius — is frankly a bit of a jackass himself. To be clear, I'm not denying the James Potter Redemption Arc. I have great affection for James as this jackass jock who gets walloped off his pedestal by one Lily Evans, and then cobbles together a decent personality from spit and elbow-grease. I just don't think he's a mind-blowing secret agent or anything. In Mad-Eye's view, it would make most sense to put James somewhere behind the front lines, where he can learn from the seasoned Aurors. Same with Lily, too.

Which is good, in my opinion. It's important to the thematic tissue of Harry Potter that James and Lily are ordinary people — extraordinary in the hearts and memories of the people who loved them, extraordinary in courage and resilience, but not especially magical or gifted beyond the range of what normal people in this universe could achieve. That isn't to say that Lily didn't do anything remarkable on October 31, 1981; she did. But I have always liked how canon left them ordinary soldiers, who were betrayed and slaughtered by an accident of fate; in another world, it could have been the Longbottoms, or it could have been no one.

[karliahs]

i finished season 6!! i have...many thoughts. arguably too many. and please be aware that unlike my last screaming session, there's a fair bit of discussion here that isn't wholly positive! if negativity/criticism of this show is going to bum you out (genuinely no judgement if so), please don't click this readmore!

organised into a numbered list to pretend i'm capable of coherency. okay.

i am extremely biased and you shouldn't listen to me probably

there is a sense in which this show cannot win with me once it starts changing the status quo beyond approx the cultural festival, because i'm in the weird position of having spent literal years living mentally in this space that's like vaguely post-kamino to just post-overhaul. that's my comfy cozy little status quo zone and i like it there a lot. so when this show necessarily, very legimately wants to move its plot and characters forward from that point, there is always a part of me that feels a little like someone just ripped a big wall off my favourite playhouse - it's a legitimate story development but also hey :/

that said! when i was looking ahead at the stuff i knew happened from the point after i stopped watching, i kind of thought "huh, it sure does seem to escalate pretty intensely and become Just All War after a certain point." and i kind of thought that perception might be a function of my knowledge being all from spoilers, bc naturally that will focus on big plot developments and leave out quieter in-between moments. but uh... nope! again i cannot be trusted with perceptions about pace but...my feeling when watching is very much that at a certain point horikoshi decided he was barreling this thing right to the finish line

and that's fair! a lot of what's going on here with this status quo shake-up is like the objectively competent storytelling move where you don't give the audience time to slow down so they're feeling the same sense of overwhelm and fear that the characters are. basically it's me not them but boy would i have liked...space. for characters to slow down and react and feel things.

2. midnight was fucking robbed

she was robbed!!! why even kill her if you aren't gonna give it...weight. i know she's a minor character but best jeanist is a minor character and i feel like his fakeout death was borderline given more screentime and gravity than midnight's real actual death. and i know this show isn't about aizawa but fuck!! she had a big big place in the young aizawa arc, she mattered! to mic and aizawa! they were friends for 15 years! and they just don't really...do anything with it. i feel like if they'd killed mic off there'd have been...something. something that wasn't here. and she's not that much more minor a character than mic

3. the dabi reveal ruled

we all knew but christ. dance with your son in hell! the wilder and more bloodthirsty he gets the more i'm here for it. go for it you funky little maniac. love that he was animated like a weird little marionette while talking about shouto being a puppet. it's genuinely impressive that even with 0% surprise factor this still hit so good. i'm rotating him in my head like a microwave

and i say often that this show is better at creating problems than solving them for me but it sure is good at creating problems like. that fucking house. the pressure cooker of misery. tiny little touya soaking it all in. harrowing

4. the thing where dabi is a foil for shouto does not hit for me

i know i just said a bunch of good things about the dabi stuff but. okay.

i was conceptually never here for the concept of endeavour redemption arc and i will say! i was at times pleasantly surprised. the ep that basically concludes that the best thing he can do for his family is to stay the fuck away from them had more maturity than i expected. and again i genuinely enjoy the drama! it's very good drama!

but there is just. something about the thing where dabi is specifically there to be like. this is what shouto needs to try not to turn into with his anger towards his father, this is the path that could lead him down that just... for me it rings too much like vilifying the anger of an abused child. after they went so hard and so explicit on the domestic abuse angle.

i'm not saying you can't tell good interesting and valuable stories about anger after abuse, and even about how it's easy to become consumed by hatred when you've been wronged and let that take away your future. probably this story is that for some people. it isn't for me.

5. i love mirio but the missed potential of his temporary quirklessness fucking haunts me

idk if i can even say more about this like. i love him. i was happy to see him again. i long ago accepted that this show will never dig into quirklessness in a way that would satisfy me (and yes i know about Future Events and will be pleasantly surprised if that proves me wrong). but i truly cannot get over the missed potential of doing nothingggggg with this character who explicitly had a power that only let him be an incredible hero because of WORK. and effort. and training. and then having him lose the power but not the work and effort and training, and then shoving him gently out of the narrative until he just gets the power back one day. when your protagonist grew up quirkless!!! the opportunity for reflection on that is so obvious!!

okay apparently i could say more about that. sorry. read pez dispenser debris

6. hawks man

i already yelled (positively) about the twice stuff last time but it's worth yelling again because fuck!! again it's wild to me that after actively encouraging and seeking out spoilers, i still managed not to know this. and it fucking hit. toga's line where she goes "if [heroes'] purpose is to save people, did they not think jin was a person?" hit so fucking hard i had to pause the episode and put my hand over my mouth and stare at the ceiling for a while. it's...genuinely damning

and i think they did a really incredible job building hawks' character to the point where he does this. like. it's one of those perfect tragedy things where you can see all the pieces spinning into place. make someone into a weapon and they're gonna draw blood.

and then as always. i just vibe way more with the creation of those problems than their solutions. i'm sure they will do at least a little more with hawks but. idk. i feel like horikoshi is so good at breaking stuff and then he kind of hastily glues it back together and i'm like wait please. the wreckage was so fascinating. fixing it would be so long and hard and also fascinating. this is what fanfiction is for probably

7. lady nagant!!

i knew nothing about her going in and i liked her a lot. the music worked so well, there's this one specific kind of circussy little riff that i liked almost as much as AFO's theme, my other fave piece of music from this show

and again it's like...genuinely damning! holy fuck! and i'm trying to just enjoy the parts where they launch extremely cutting criticisms of hero society without remembering that my vague amalgamation of spoiler knowledge suggests we will not be....doing a whole lot with that

8. iconic yellow scarf era of sadness! at last!

in some ways i am the ideal audience for this narrative and in other ways i am again hopelessly biased. bc i have been craving content that addresses the fact that my boy is like this for so long, but also it's so My Favourite Subject that i have seen done well so many times that i'm like...would anything ever really be enough for me, an addressing midoriya's self destruction guy for literally 5 years now

in my head i expected this arc to be izuku going fully rogue so i was surprised when this was like...a semi-sanctioned thing, at least at first. but makes sense so you can then build to him being basically totally rogue. and oof the build. i really liked the visuals! let my son be fucked up and scary and haunted

and god when he admits he can't go back because he is so scared. i feel like the mall scene hit way harder for me this rewatch because there are so many horrible aspects to it, but particularly the thing of looking at these people all around you and knowing if you cry out too loud they will all get hurt. and it will be your fault, if you can't bear it quietly enough. and you are fifteen fucking years old. so the moment at jaku when izuku looks around at all the evacuating civilians and you can see him realising that him being anywhere near them could doom them. because they're near you, and this person with impossibly destructive power wants You. you're next...that inversion. that pressure. i love him forever and ever...

9. i knew aizawa would not be in this arc but i felt his absence so keenly

like i know i know. he's a minor character. he was busy not having a leg anymore. but i would have killed a man for anyyyy kind of OFA reveal reaction/one of his kids running around the city with a target on his back from the world-ending villains reaction. please. please. i knew i wouldn't get it but i still wanted it very bad

[markantonys]

today's gawynposting topic is: the "gawyn wants to be a hero" fandom narrative

i think it is complete nonsense to believe he still holds this attitude by the second half of the series, and i will fight brandon sanderson himself on it. we all know that sanderson's characterizations should be taken with a grain of salt at best, and at worst dismissed as inaccurate contradictions of jordan's characterizations, and he simply missed the mark on this aspect of gawyn's character. (in my opinion he struggled with the 3 trakand siblings even more than he did with mat, but that's another topic.) and unfortunately, recency bias makes this the general fandom memory of gawyn, even though it contradicts what we saw of him under jordan's pen.

gawyn's actual arc in this regard is more nuanced. to me, he reads as a representation of a young man who's been fed patriotic idealizations of war ever since he was a kid, and maybe at first he's eager to get a taste of real war, but when he actually does, he's given a brutal and immediate awakening as to the true horrors of war. it is nothing like it was told to him growing up, and he doesn't want anything to do with it anymore, but he's already signed up for it and so he has no choice but to keep going.

and that brutal awakening happens aallll the way back in book 4, the tower coup:

Most frightening to Min, with that blood-masked face and half-glazed eyes, with his body tensed almost to quivering and his hand upflung as if he had forgotten it, he never raised his voice or put any emotion into it. He only sounded tired, more tired than she had ever heard anyone sound in her life.

“If anything happens to them,” he said in that expressionless voice, “to Egwene or my sister, I will find you, wherever you hide, and I will make sure the same happens to you.” Abruptly he stalked a dozen paces away and stood with his arms folded, head down as if he could not bear to look at them any longer.

here min is doing what she does best - completely misinterpreting other people's behavior - but to the observant reader, it's obvious that gawyn hasn't turned into some violent, emotionless psychopath all of a sudden. instead, he's incredibly traumatized by what's happened today and has shut down as a coping mechanism. in fact, his behavior here is very very very similar to trauma behavior rand frequently demonstrates. a later line in this scene even describes gawyn as "brittle, ready to shatter at the wrong blow", aka the same analogy used for rand's whole "hardness vs. strength" arc.

as of today, book FOUR, gawyn no longer has any delusions about battle and heroism and glory. for further evidence, let's take a look at some of his reactions to dumai's wells, this time from his own point of view:

Young, as indeed all the Younglings were—many did not need to shave beyond every third day, and a few still only pretended even that—but Jisao wore the silver tower on his collar, marking him a veteran of the fighting when Siuan Sanche was deposed, and scars beneath his clothes from fighting since. He was one of those who could skip the razor most mornings; his dark eyes belonged to a man thirty years older, though. What did his own eyes look like, Gawyn wondered.

the younglings as a whole are meant to represent young men - boys, really - getting indoctrinated with patriotic ideals to make them eager to join up, and ultimately ending up dead or traumatized beyond repair because of it. these are teenage soldiers being manipulated and used by adults & institutions for their own ends, and yet fandom treats them like they're psychopathic monsters who love to murder their own mentors. jordan literally chose to name them the YOUNGLINGS, guys, like, i think he was trying to say something here.

Once he would have felt regret; he had grown up believing that if two men must fight, the duel should proceed honorably and cleanly. More than half a year of battles and skirmishes had taught him better. He put a foot on the Aiel man’s chest and wrenched his blade free. Ungallant, but fast, and in battle, slow was often dead.

Turning his bay with a sigh, he rode back down to see what the butcher’s bill had been this time. That had been his first real lesson as a soldier. You always had to pay the butcher. He had a feeling there would be bigger bills due soon. The world would forget Dumai’s Wells in what was coming.

in both of these passages, we see very clearly that gawyn has long since lost the idealization of war he grew up with. he is very aware of the true cost of war, and the prospect of future battles fills him with grim resignation rather than eagerness at more chances for Glory. he knows by the ACOS prologue that there is no glory to be found in war, only death. but he keeps on going because he feels trapped out of any other path, and because he feels a responsibility to the younglings and to the white tower.

and so sanderson's TOM passage where gawyn muses about how maybe the reason he hates rand so much is because rand gets to be a hero the way gawyn wants to be - total bullshit. as of the coup and certainly as of dumai's wells, gawyn has been thoroughly disabused of any heroic notions and has no interest at all in being a hero or gaining glory. if we think that incorrectly blaming him for morgase's death isn't a good enough reason for gawyn to hate rand for so long, then i can definitely buy that he hates him because in his mind rand is responsible for overturning the world in a way that caused gawyn all this trauma and loss of innocence and that broke his family apart, but i cannot buy that he's jealous of rand for getting to be the big hero despite being a lowly peasant.

that being said, in AMOL gawyn's characterization is more or less back on track, and his stated reason for going after demandred is because it needs to be done for the good of the last battle and he considers himself someone unimportant who can be risked for the task*. the idea that his motive is Wanting To Be A Hero is a fandom invention caused by that wonky OOC scene in TOM which apparently dictated gawyn's entire characterization forever despite 12 previous books of him not being like that.

*on this note, i came across one more line from his ACOS prologue that broke my heart: the inscription on his spyglass from morgase

“From Morgase, Queen of Andor, to her beloved son, Gawyn. May he be a living sword for his sister and Andor.”

a sword for others' use. that's how gawyn sees himself, because his own mother (along with gareth bryne and many others, i'm sure) taught him to see himself that way ever since he was a child. is it any wonder that gawyn is so self-sacrificial in the last battle without stopping to consider how his death might harm others? a sword is only worth anything if it's useful, and no one mourns it if it gets broken in battle.

of course he knows egwene will be hurt by his death because of the bond, but at the same time, he so deeply thinks of himself as disposable and as a sword meant to protect people who are more important than him that when he is put into a situation where he can sacrifice himself for a chance of saving someone more important (activating the rings which will kill him for a chance of helping egwene escape the sharans; going after demandred for a chance of taking out the person doing the most damage to the light's army without needing to risk more important people in the attempt), he's going to take it. he's a LOT like lan and rand in that way, convinced their duty is to die to protect others, but lan and rand got to unlearn that and live, and gawyn never did. and i am tired of people writing him off as a character meant to embody "cautionary tale of a mediocre white man arrogantly assuming he's more capable than he is" because that is so completely not what his character is actually about, and what his character IS actually about is really fucking sad!

[azure-sorceress]

Now I can finally do my ranking of all of arc 1 Stormlight cover, so here it goes:

5. Oathbringer

It sucks my favorite book has my least favorite cover. I don't hate it, I love Jasnah and I love how the scene depicted showcases her powers. That being said, I always thought the sword looked kind of awkward and the background is just boring compared to the rest.

4. Words of Radiance

I love seeing my boy Kal on the cover, doing the superhero landing. It's so badass and if we were going off the design of the character on the cover alone, I would pick this as my favorite. But unfortunatly the background is not as beautiful as the few that follow it.

3. Wind and Truth

I'm really happy with the cover we got. The color and the detail is amazing. And it's also great that we finally have Dalinar on the cover. They made it look like something awesome is happening eve if he just looks like he's about to fight the storm with a book (and maybe that's what's really happening, who knows).

2. The Way of Kings

This one gets points for being so iconic. This cover made me want to pick up the series originally (and I didn't for years because I was scared by the size of the books). I love the look of the Shattered Plains and despite the fact that the figure in the front is just some generic shardbearer, I think the design is great. It also leaves you curious as to what is going on between the two figures on the cover. Are they enemies? Are they saluting each other? Pick up the book and find out!

1. Rhythm of War

If I were to get a poster of one of the Stormlight covers it would be this one. It's so damn beautiful. It perfectly captures the weird and magical vibe of Shadesmar. It has so many details I feel like I could look at it for hours. Shallan looks incredible and I'm obsessed with her outfit.

(I didn't count the back of the covers as we don't have yet the back of the Wind and Truth cover, but I reckon the ranking would be the same)