#the visitor (1979)

[fanofspooky]

Horror movies of 1979

[slushi-chan]

I just watched the visitor from 1979 and idk what the fuck I just watched I’m gonna be honest

Lance Henriksen was in it and handsome and he didn’t really do much though

The letterboxd reviews are so fucking funny

[angelsaremathematical]

jim hanks - god (purgatory house 2004)

jeffrey licon - goth kid god (joan of arcadia 2003-2005)

john hurston - jerzy colsowicz (the visitor 1979)

[schlock-luster-video]

On May 1, 1980, The Visitor debuted in West Germany.

[sam-keeper]

The Visitor aka STRIDULUM (1979)

Ha ha yeah, wooo YEAH

da daaaaa dadadaDAA DAAA DAAAAAAA DADADAAAAA DADADADADA DA DAAAAA YEAH!!!!

This is the most prog rock movie I've ever seen in my life. This is spiritually being painted on the side of a van. Does it have a good plot that makes sense? I don't know, asshole, does Emerson Lake and Palmer's seminal classic Karn Evil 9 part 2 have a good plot that makes sense? I'm telling my kids The Visitor (1979) is Star Wars.

I noticed a pattern when looking at other reviews of this film: they fall back on comparisons, as a slight. Well, it's sort of The Omen, and it's sort of Close Encounters of the Third Kind, and it's sort of Carrie, and a little Battlestar Galactica and maybe The Birds... which all sounds very derivative, I suppose, until you actually a movie smashing all those things together, and realize, wait a minute, that's bonkers. It feels like critics grasp for these comparisons while foundering in The Visitor's psychedelic sea, desperate for a point of stability. None of these references offer stable landmarks, though, if you hope to predict where the film will veer next in its crazy pursuit of cool ideas and weird setpieces.

Not that the comparisons are totally off base, mind. This IS the story of Katy Collins, a Wicked Little Kid in the vein of the Omen's Damien or Carrie's... Carrie. It's just that this generic convention of the Bad Seed gets set up at the beginning of the film with a bizarre cosmic encounter between an old space wizard and an apparition of the devilish little girl in what looks like a blizzard on mars, followed by a whole ass monologue by "A Jesus Figure" about cosmic psychic spirits of good and evil dueling it out across the planets, delivered to a bunch of bald, white robed children. Hell yeah. But! But. Katy Collins is otherwise a classic, average evil psychic kid who kills people with telekinesis. And uses it to rig professional basketball matches for her shitty step dad, possibly at the behest of the satanic businessmen he answers to who are REALLY giving some serious drone hive vibes what with the way they all turn their heads at the same time. Oh and she's got a pet hawk that murders people at her behest. No, trust me though, it's a really derivative movie. Not like the movies we have now like uhhhh

[sweating] uhhhhhhhhhhhhhhhhhhhhhhhh

Better touchstones than typical blockbuster fare might be the mind-expanding chaos of paperback epics--Clive Barker's Great and Secret Show, King's Dark Tower, Morrison's The Invisibles. Here's some other fun facts: it was directed by Giulio Paradisi (it's a heavily italian production) but he directed it under the brilliant name "Michael J Paradise". The italian title was "Stridulum", which I guess is latin for something like a harsh or shrill sound or shriek, which fits the whole repeating War Between Birds motif and the use of bird cries in the soundtrack. Oh, and one of the guys playing basketball in the first scene with Katy is Kareem Abdul-Jabbar, actual famous athlete. It's sort of a bizarre and improbable movie!

But I don't think I'd be nearly so dazzled by all the crazy shit this film throws at the audience if not for Katy herself, played brilliantly by a young child star Paige Conner. She's written and performed in a way that suggests malice, yes, but a childish malice, a bit of a put-on, a belligerent front that gets more and more petulant and uncontrolled as John Huston as the space mystic Jerzy (yes) Colsowicz (get it) confronts her with the limits of her own powers. There's this sequence where Jerzy and Katy play pong against each other. Jerzy, smiling, accuses her cheating by speeding up the game with her powers. Katy, giggling genuinely, gloatingly informs him that no, she sped up the game using a switch on the game console. Later in the film she tries to drop a fire escape on his head, of course. In that conversation, though, there's this charming chemistry between them, the chemistry of a smart young person and an older adult willing to treat her, not as a peer exactly, but as a thinking being, not just a Thing to be smacked into shape. This dynamic is crucial to the climax of the film and its ultimate conviction that no matter how ghastly Katy is, there's more than just evil to her, which might not be the most seasonally horror-forward message but is honestly pretty damn refreshing. Like I don't know if The Visitor is as good a film as The Omen (ok, I know that obviously it's not) but on balance it's probably got its heart more in the right place. Perhaps notably along those lines, one of the horror subplots of The Omen involves possibility of a woman getting an abortion, whereas The Visitor explores the possibility of a woman being impregnated against her will. While it may lose out on form, The Visitor might just win the long game on its politics.

Also some shitty teens get thrown through a plate glass window, and there's a whole sequence where a big truck's lights are treated exactly like an approaching spacecraft, and it's awesome, I don't know what to tell you, I love this shit.

Read more horror reviews like this all season on my Patreon

[k-i-l-l-e-r-b-e-e-6-9]

[haverwood]

Stridulum Giulio Paradisi Italy, 1979 ★ The movie's so confidently nonsensical, that's gotta count for something.

But anyway, here's some random thoughts:

I'm sure everyone involved signed up for a different project.

The director probably didn't speak a single word in english.

I don't think there even was a script (maybe just some doodles on a napkin)

The best part was Shelley Winters slapping the little brat.

Oh well, it could've been a grandiose disaster but unfortunately, it's just a monotonous dud.

[barejunk]

day 14

The Visitor (1979)

[goryhorroor]

What are some underrated horror films? I have watched all the popular ones and need more! Thanks!

mentally prepare yourself because im ready to give a gumbo list (this has been sitting in my inbox because i had to ask all my friends and this is the list we came up with):

curse of the demon (1957) the serpent and the rainbow (1988) paranoiac (1963) the old dark house (1932) countess dracula (1971) golem (1920) haxan (1968) island of lost souls (1932) mad love (1935) mill of the stone women (1960) the walking dead (1936) the ghoul (1933) tourist trap (1979) the seventh victim (1943) ganja & hess (1973) dead of night (1945) a bay of blood (1971) let's scare jessica to death (1971) alice sweet alice (1976) the deadly spawn (1983) the brain that wouldn't die (1962) all about evil (2010) black roses (1988) the baby (1973) parents (1989) a blade in the dark (1983) blood lake (1987) solo survivor (1984) lemora: a child's tale of supernatural (1973) eyes of fire (1983) epitaph (2007) nightmare city (1980) slugs (1988) death smiles on a murderer (1973) intruder (1989) short night of glass dolls (1971) the children (2008) alone in the dark (1982) end of the line (2007) the queen of spades (1949) the housemaid (1960) tormented (1960) captain clegg (1962) the long hair of death (1964) dark age (1987) the crawling eye (1958) the kindred (1987) the gorgon (1964) wicked city (1987) baba yaga (1973) 976-evil (1988) bliss (2019) decoder (1984) amer (2009) the visitor (1979) day of the animals (1977) leptirica (1973) planet of the vampires (1965) lips of blood (1975) berberian sound studio (2012) a wounded fawn (2022) matango (1963) the mansion of madness (1973) the killing kind (1973) symptoms (1974) morgiana (1972) whispering corridors (1998) dead end (2003) infested (2023) (this just came out but im adding it) triangle (2009) the premonition (1976) you'll like my mother (1972) the mafu cage (1978) white of the eye (1987) mister designer (1987) alison's birthday (1981) the suckling (1990) graveyard shift (1987) messiah of evil (1987) out of the dark (1988) seven footprints to satan (1929) burn witch burn (1962) the damned (1962) pin (1988) horrors of malformed men (1969) mr vampire (1985) the vampire doll (1970) contracted (2013) impetigore (2019) eyeball (1975) malatestas carnival of blood (1973) the witch who came from the sea (1976) i drink your blood (1970) nothing underneath (1985) sauna (2008) seance (2000) come true (2020) the last winter (2006) night tide (1961) the brain (1988) dementia (1955) don't go to sleep (1982) otogirisou (2001) reincarnation (2005) mutant (1984) spookies (1986) shock waves (1977) bloody hell (2020) the den (2013) wer (2013) olivia (1983) enigma (1987) graverobbers (1988) manhattan baby (1982) evil in the woods (1986) death bed: the bed that eats (1977) cathy's curse (1977) creatures from the abyss (1994) the dorm that dripped blood (1982) the witching (1993) madman (1981) vampire's embrace (1991) blood beat (1983) the alien factor (1978) savage weekend (1979) blood sisters (1987) deadly love (1987) playroom (1990) die screaming marianne (1971) pledge night (1990) night train to terror (1985) the devonsville terror (1983) ghostkeeper (1981) special effects (1984) blood feast (163) the child (1977) godmonster of indian flats (1973) blood rage (1980) the unborn (1991) screamtime (1983) the outing (1987) the being (1983) silent madness (1984) lurkers (1988) forver evil (1987) squirm (1976) death screams (1982) jack-o (1995) haunts (1976) a night to dismember (1983) creaturealm: demons wake (1998) the curse (1987) daddy's deadly darling (1973) nightwing (1979) the laughing dead (1989) the severed arm (1973) the orphan (1979) not like us (1995) prime evil (1988) the monstrosity (1987) dark ride (2006) antibirth (2016) iced (1988) the soultangler (1987) twisted nightmare (1987) puffball (2007) biohazard (1985) cameron's closet (1988) beast from haunted cave (1959) the she-creature (1956)

[fanlore-wiki]

Featured Article: Dracula (1980 zine)

This week's Featured Article fits right in with spooky season, it's Dracula, the 1980 zine edited by Lori Chapek-Carleton.

The Dracula zine was focused mostly on the 1979 film "Dracula" starring Frank Langella, although other Draculas were also represented. It's an anthology that features a variety of fic and art, including a Star Wars crossover which was later nominated for a Fan Q award. Although it was intended to be an annual zine available every year around Halloween, only one issue was ever published.

Curious? Head over to Fanlore to find out more!

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We value every contribution to our shared fandom history. If you’re new to editing Fanlore or wikis in general, visit our New Visitor Portal to get started or ask us questions here!

[slushi-chan]

Watching the visitor again to show Nat and I already have questions there’s so much that doesn’t make sense and not just in the way of it’s a weird movie but like just feels like a plot hole

Also the fucking 70s add music I love it

[bekolxeram]

Human remains as props — the Billy Boils of old horror movies

In this week's Halloween themed 9-1-1 episode, Buck rented a mummy replica from a Hollywood prop shop which turned out to be a real human body. This set off a series of misfortunate events for the firefighter, that might or might not be the result of a curse. Once again, the writers have surpassed themselves in terms of over-the-top silliness that has become the trademark of our beloved weewoo show. There's no way someone can accidentally get their hands on a real corpse... right?

Oh, you'll be surprised. You too may have seen a real cadaver or two on the silver screen.

The Economics of prop dead bodies

Using real human remains as movie props was such a common practice back in the days that prop masters working on the 1979 Vietnam war epic Apocalypse Now were totally unfazed when body broker (later revealed to be a grave robber) brought several dead bodies to the set. The plan to use those bodies as props for maximum authenticity was only scrapped after a producer ruled against it.

Source: The Independent

Interestingly, films that ended up actually featuring real bodies were the low-budget, fake looking ones. In the age before 3D printing, creating a set of realistic human skeleton was a very labor intensive process. That combining with the cost of the material used, the price of a plastic replica was in fact more expensive than a real skeleton.

A special effect make-up artist who worked on the 1982 Spielberg classic Poltergeist explained the film's decision to use actual human remains on a podcast:

Source: Snopes

Eerily, two young actresses who worked on the Poltergeist trilogy passed away unexpectedly shortly afterwards, leading to the urban legend of a curse on set.

The story of Elmer J. McCurdy

In late 1976, the production crew of the TV show The Six Million Dollar Man was filming scenes at the Pike, a then amusement zone in Long Beach, California. While shooting a scene at a thrill ride, a member of the prop department spotted a wax mannequin covered in fluorescent paint dangling from a noose. Worrying it would get in the way of the camera, they gave the dummy's arm a tug in an attempt to remove it, but instead of the whole thing coming off, only the arm broke off, exposing a human bone and muscle tissues.

A penny from 1924 and ticket stubs to the "Museum of Crime" were found in the body's mouth. Investigators contacted the museum owner's son, who identified the body as Elmer McCurdy, an outlaw killed in 1911 in the middle of a shootout with police following a botched train robbery in Oklahoma.

Unlike the fictional McCurdy in 8x05, the real McCurdy was a simple petty criminal looking for some extra cash to support his alcohol habit. Utilizing the skills he learned from the army, his robbery method of choice was explosives, but he was very terrible at it.

Source: KCRW

His body was subsequently taken to a funeral home, where he laid unclaimed for the rest of his stay. The undertaker embalmed the body, shaved his face, dressed him in a suit, but refused bury him until someone come forward to claim it and pay for the service. As time went by, the owner of the funeral home decided to dress the body as a gunslinging cowboy and allow visitors to see "the Bandit Who Wouldn't Give Up" for the price of a nickel, in order to fund his burial.

5 years later, two men claiming to be McCurdy's long lost brothers came forward to take custody of the body for a proper burial. End of the story, right? Well, of course they were travelling carnival owners lying to acquire the body for their shows. In 1922, the body was sold to yet another travelling exhibit called "Museum of Crime", which featured wax figures of other famous outlaws in history.

For the next 3 decades, McCurdy's body travelled all around the country as an attraction. He even had a brief film career. He was once used to promote the 1933 film Narcotic!, then he had a small cameo in the 1967 B-movie She Freak. In 1968, the Museum of Crime owner's son decided to sell his father's exhibits to the Hollywood Wax Museum. There, McCurdy's body started getting mixed up with other wax figure, and his origin story long forgotten.

Following over half a century of voyage, McCurdy eventually became fully mummified. The wax museum believed that the body was too gruesome and unlifelike to be showcased anymore, so he was finally sold to The Pike, an amusement zone in Long Beach, where he began his new life as a thrill ride decoration dummy.

After the shocking revelation by TV crew in 1976, McCurdy was transported back to Oklahoma, where he took his last breath 66 years ago, and finally laid to rest after a graveside service attended by 300 people. (Under 2 feet of concrete, to prevent grave robbing)

Source: Atlas Obscura

[schlock-luster-video]

On March 14, 1980 The Visitor debuted in Los Angeles, CA.

[musingsofahistorymajor]

If you don't follow the 100th Bomb Group Foundation on Facebook then you are missing out on some great historical information associated with Masters of the Air. The one post of theirs that really hit close for me was this one:

"Sammy, better known as Sam Hurry, played by Alfie Tempest. Sam Hurry grew up near Thorpe Abbotts and was a frequent visitor to the 351st Bomb Squadron. “On the base, I was unofficially adopted by the American servicemen who welcomed me,” he wrote. “They shared a variety of experiences and insights broader than the small village school could provide.” Sam was also allowed to assist with various jobs on base including washing down dispersal points after an aircraft left for a mission. “The hardstand was covered with 100-octane aviation fuel,” Sam recalled, “and we would be given a lighted rag to throw onto the concrete which immediately burst into flames, burning all the oil and grease off and leaving the area clean and ready for the aircraft to return.” The time after the Hundredth departed in 1945 was hard for Sam. “The silence was unnerving,” he wrote, “the atmosphere was ghostly.” It was the most difficult period of our young lives to adjust to an emptiness that was not of our making.” As an adult, Sam never forgot the veterans that he came to know during the war. “Thorpe Abbotts had etched itself into my heart,” he wrote, and when he found that local people had started an effort to restore the Control Tower as a 100th Bomb Group Memorial Museum, he joined them.

In 1979, the 100th Bomb Group Association elected Sam an honorary member and he attended five reunions in the US. Sam Hurry passed away in 2014, and his story lives on. (Photos courtesy of Apple TV+ and Malcolm Finnis)