Hail, whump queen! Do you have any thoughts or head canons about the end of TotK?
Ah! You're too kind. 😌 Though I usually feel more like a whump jester than a whump queen. 😅
Mmkay, so. I have Complicated Feelings toward TotK. I had fun while playing it, but trying to reconcile it as a sequel to BotW left me with a bad aftertaste (WHERE IS KASS), and as a result I haven't spent a lot of time thinking about the story or the ending or what came afterwards.
But what I HAVE spent a lot of time thinking about is How The Heck Does TotK Make Any Sense, and I have a timey-wimey cockamamie theory at which you are all sure to HOOT.
You know how there was always a sky full of floating islands and this mind-bogglingly huge underworld above and below Hyrule for thousands of years and everyone just never noticed. That really bugged me from day one. And whenever it gets brought up people are always just like "Oh yeah, it was the Upheaval."
What is that even supposed to mean? Ganondorf lifted the castle into the air and now the sky is filled with islands and we have giant chasms leading to an underworld? How is "it was the Upheaval" an explanation of anything?
But then I was thinking about how the game begins with time travel, and how Zelda has always been fast and loose with their time travel rules, and how maybe "the Upheaval" is just what people call it because it's all they can see to blame it on, but what they're really referring to is "the moment Zelda went back in time."
There's a couple different time travel options, right? You have alternate timelines, like Ocarina of Time, where you create multiple branches when you go back and forth in time and change things. You have the Back to the Future type, where there's only one timeline, but only the time-traveler notices things have changed. You have Dr. Who, which has no rules whatsoever except for when it does.
Tears of the Kingdom presents itself as more of a predestination paradox type time travel, which is more Star Trek-y. Ganondorf recognizes Link and Zelda beneath the castle before she ever goes back in time and there is a mural of her turning into the Light Dragon in the catacombs, implying that she has already done what she's about to do. If that's so, then she and Mineru have also sent the islands into the sky in preparation for Link's future, and basically everything that he discovers after his awakening has been there all along, unbeknownst to everyone.
OR HAS IT?!?
I think the game isn't a predestination paradox at all. I think, prior to their jaunt beneath the castle, there are no islands in the sky, nor Dragon fly-through routes through Hyrule's underbelly, nor any of the new, inexplicable things that crop up between BotW and TotK.
I think that when Zelda traveled back in time, she altered history. During the events of BotW there were no sky islands and no Light Dragon and no geoglyphs. But unlike in Back to the Future, when Zelda alters history everyone is aware that things have changed. They just don't know why. They blame the "sudden appearance" of sky islands and a Light Dragon and geoglyphs and everything else on the strange event they could all see happen at Hyrule Castle: the Upheaval.
Now maybe I'm just a dumb-dumb and this was what we were supposed to think all along? But I didn't get that during my play-through. O_o
BUT WAIT, you may be thinking. If that's the case, how did Ganondorf recognize Link and Zelda beneath the castle in the intro, and how was there already a mural of her turning into the Light Dragon down there? And I'll give ya another one! How do we see the Light Dragon flying around the Great Sky Island when Link still has the decayed Master Sword in his possession?!
SO THIS IS THE HOOTABLE PART.
Things don't change when Zelda goes back in time. Things change when Zelda picks up the Secret Stone.
The stone itself is a magical magic-amplifying device, and rather than the instant Zelda warps backwards being the time-altering event, I think that it was the moment she touched (and "activated," if you will) the stone and it's timey-wimey powers that the timeline began altering.
At that point she is existing in a midst of a magically-created spacetime paradox bubble, wherein time no longer functions linearly for her. She exists as the princess beneath the castle, as the time traveler in the past, and as the dragon in the sky simultaneously. All of the events that are currently happening (from our perspective), have happened (in Hyrule's past), and will happen (in Link's future), are all swirling and altering the timeline at once. This is why Ganondorf already knows her name, and why she exists as the Light Dragon in the sky despite Link not having sent back the Master Sword yet.
BUT WAIT, you may exclaim. WHAT ABOUT THE MURAL.
Ok so. This is a cop out, but listen. We don't ACTUALLY see the contents of the mural. It's covered up until later. So. It might not have been an image of the Light Dragon at all. PERHAPS.
...
Look. I know this whole theory is riddled with holes and I don't think this is what the developers intended at all and I'm not even sure I really believe it myself. But if I had to write a fic and I needed the events I see in the game to make sense, this might be a route I would take. Just so my brain would stop hurting.
So! That's totally not what you asked but there you have it. 😂
Thanks for writing in!
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A new conception of power has emerged, a potent and direct concentration. Holding out against this force requires a new conception of freedom, one that can have nothing to do with the washed-out ideas associated with the word today. It presumes, for a start, that one does not want to merely save one’s own skin, but is also willing to risk it.
Ernst Jünger (German WWI hero, novelist, dissident philosopher) writing in 1951 in The Forest Passage
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TOTK where everything is more or less the same except the dragon tears are as giant as the springs that Zelda went to, and Link has to wade through them to experience the vision. On top of that, after he sees the vision in full, he can relive that vision for as long as he stays in those tears.
Now, the reason why I want that is because I want to see Link witness the final memory and turn numb with denial and guilt and grief. It should not have surprised him the way it did; he knew in the previous memories she had planned to do it. But there were still more geoglyphs to search, still more time and hope for her to realize there was a different way, a better one that didn't ask her of so much.
He was wrong, of course. Destinies like theirs were never so generous.
Imagine that he appears expressionless, a stark contrast to his more emotional nature that has come out during gameplay. And yet his eyes are noticeably glazed over and he's frozen to the bed of the spring. The sages watch him through their vows, knowing this to be the last memory, and they feel it, immediately, that something is wrong. They desperately try to talk through their avatars, much to the surprise of their loved ones.
"Link? Link, snap out of it!"
He hears nothing.
And so the scene parallels to the off-screen moment Urbosa had with Zelda -- a careful Sidon wills his avatar to carry Link away from the cursed waters, and is pained when he's met with vehement resistance. Why would his wonderful friend drag himself back there, when whatever he saw tore his heart and shattered his soul? It wasn't good for him, to deal with grief in such a poisonous manner.
But for Link, he would weather the heartbreak in watching that bright, curious, ambitious girl sacrifice everything that made her who she was infinitely if it meant he could commit her face to memory. The Sheikah Slate that he took pictures of her with had been dismantled, and the Purah Pad contains no recollection of Zelda. He would watch his princess lose herself, over and over again, in that damned tear, than forget what she looked like.
He couldn't do that to her. Not again.
In the meantime, Tulin, Riju, and Yunobo have created a circle around him together, blocking the hero from hurting himself any further.
By this point, Link's expression is wavering, brows furrowed and lips pressed to a thin line. They don't get it, do they? All of the closest friends he had from an era past are gone; yes, Impa, Purah and Robbie are still alive, and they belong to that era too, but they didn't know him like the Champions did. Like Zelda did. She fought for him in death as much as he fought for her in life, and now he lost her too.
He finally collapses to the ground, shaking, and cries.
He had one job: Protect the princess. And he failed her. Twice.
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At its core the most important relationship arc in Avatar the last air bender is the one between Zuko and Aang honestly if you can’t see that then I don’t think we watched the same show.
Aang and Zuko are the true Yin and Yang in the show the push and pull. Fire and Air right down to their personalities.
It is both of them that have to go on the journey of learning that fire is more than just destruction can be used for more than just to hurt.
And that right there is the point it doesn’t matter if Aang defeats Ozai and they bring the fire nation to heel. Without a character like Zuko the fire nation would be lost forever to distrust and unrest, balance would never be reached. Because despite everything they have done all the damage they have wreaked the world still needs the fire nation and to work with the fire nation they need to know that fire can do more than hurt. And who best to show them than a prince who’s been burned himself?
The war started with the fire nation attacking the air nomads in a bid for control and it will end with the fire lord embracing an air nomad and taking ownership of his nations actions. You must first close a book before you can start a new one.
Aang needed Zuko just as Zuko needed him because to get peace a true lasting peace you can’t just cut off the head of a snake you have to change its mind. The world already lost the air nomads the balance is already precarious, it cannot afford to lose the fire nation too.
Afterall Air can snuff out a flame and it can also fan them. But when the two elements are balanced one existing in peace with the other it can also make a warm hearth for the home.
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I take issue with this idea of Link just "fucking off" and leaving Zelda completely alone before totk. Not even in just a shipping sort of way either, as close friends and him choosing to remain her knight, that makes zero logical sense? It is completely out of character for him?
Link doesn't ever leave Zelda's side. This is canon. "Fucking off" is just not something he does during peace time when he isn't on a heroic quest and being controlled by the player's whims
That's five times it's stated officially somewhere that he is by her side, and that's only the ones I can immediately recall. Botw's full ending and totk's opening together also show us that. We see them together when the story ends and we see them together when it picks back up in the sequel. At no point is it implied they ever parted.
And can we just remember for a second what happens when he's not there, for even a short amount of time, if she is unable to call upon her abilities and therefore defend herself?:
"Fucking off" is a fantastic way to get her killed. The Yiga worship Ganon, there is nobody they want dead more (besides Link), than the last living member of the royal family. They are also not opposed at all to going into villages. They snuck into Kakariko to assassinate Dorian's wife. We just don't see that reflected in gameplay.
Some people will say "it's just his job" to deny they even have a friendship or growth as characters, but want him to... not do the main part of that? "It's just his job" and "he fucked off to the wilderness" are simply not compatible ideas. Either you think Link is just a completely duty-bound mindless command robot or you think he completely doesn't care anymore about that to the point of endangering the person he's supposed to protect. It can't be both at the same time.
Thankfully, it's implied by the wording of master works, the cutscenes and the jpn version that he wants to protect and support her. That this is what he desires, even when the king is dead and he is immediately given the option to not do so anymore. That he is motivated by wanting to see her happy and safe. I'm pretty sure the only way to get him to stop trying to protect her or following her is death, and he has already proven that twice over.
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In fact where once a tyranny might start and end with an individual, who could meet his end at an assassin’s blade, the machinery of modern tyranny is made only the more monstrously robust by the fact that so often no one seems to be in charge. The “combination of significant scenes with insignificant actors” has become a particularly characteristic feature of our times, noted Jünger. Only in the age of the automaton do we find ourselves ruled by so many men of “such trivial stature with such enormous functional power.” Yet “one must concede the zeitgeist an infallible hand in picking out just these characters” to carry on the great “demolition enterprise” of our times. For indeed all “the expropriations, devaluations, equalizations, liquidations, rationalizations, socializations, electrifications, land reallocations, redistributions, and pulverizations presuppose neither character nor cultivations, which would both actually impede the automatism.”
The Upheaval, Autonomy and the Automaton
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