#the suicide twins

[fallen-starchild]

the suicide twins, my loves.

[wayward-asshole]

mmm yes fmbot charts...

[justarocknrollclownxd]

Can we please just talk about how amazing and also underrated this song is? Because I, personally, dedicated my life to it.

[oobbbear]

[eclips111e]

tt: @americanadolls

[cantmakeitonmyown]

melancholic

[sad-leon]

TW!! Suicide Attempt, Self Harm, Implied Eating Disorder

i forgor the colour behind the dialogue but im too tired to add it now

im so tired and theres no resolution because nothing i can make will make me feel better. i Know my friends love me and think my life is worth living, but when it gets bad it gets Bad and theres nothing to do but pick up the peices

[abnomi]

random assorted headcanons for Turbo because I like thinking and having fun !!!! 🎉

Read More to Find Out...or are you too scared?... i bet ur too scared ahaha youre too scared Lol! Hahaahaaa!!!

The steering wheel of his kart is covered in bite marks, similar to how one would bite their favorite pencil. he bites things to mark his territory because Nobody is gonna touch that unless they want all of his diseases (150+).

i just know he was fighting to restrain himself not to chew on any of the candy civilians

when it comes to music, he doesn't see the point of listening to it. he doesn't have enough patience to really take it in; to him, it's just a thing that exists and not much more than that ¯⁠\⁠_⁠(⁠ ∵⁠ )⁠_⁠/⁠¯

adding onto that point, this guy listens to metal clanking sounds and loud engine roaring for entertainment because he likes things that would overstimulate any normal person. turbo is incredibly sensory-seeking and will do anything for The Sensations

someone should take him to a heavy rock concert i think it would change him a little. keep that thang on a leash

related to being sensory-seeking, i think he would absolutely love running his hands over random textures. if anyone has run their hands along a wall while walking alongside it...He does that...If u know u know... he is SO stimmy its unbelievable. Unreal.

very pain-tolerant. he'll whine and complain about it for attention, but physical hurt really doesnt bother him much until it gets in the way of what he wants to do.

funnily enough, he is very picky when it comes to temperature. he can handle getting ran over but if its 1° too hot or cold he'll start nagging and nagging for it to go back to normal. turbo really needs his own enclosure i think it'd do him a lot of good

this is a more popular headcanon and its canon-leaning, but he's an artist :-] he usually sticks to graffiti art because its generally considered more "rebellious and cool" but he also sketches cars, design decals, and other stuff when hes alone!

i would love to see his process of character designing king candy because i dont think he really knew what he was doing

he was just like "ok what does a generic king look like. uhhhhh.... 1, old and jolly like santa claus.... 2.... uhh crown..... 3......... purple.... FUCK YEAH im so good at this!!!!🔥🔥🔥"

i just noticed how his design has like 0 actual candy motifs aside from his bow being a candy wrapper and his shoes having those little gumdrop end pieces. what was he THINKING

while King Candy has a lisp, i think it's a coverup for his actual voice because of how goofy and recognizable it is. Overall its the same as his regular voice, he just gets silly with it. i noticed that he still does retain some of his lisp when hes screaming his lungs out at Vanellope, however, so maybe he genuinely does have a lisp that makes itself known when furious :3

another thing i noticed is how he hisses his S's. very cool very cool the reptilian

@/tasticturbo made a post abt how he has tinnitus from the constant noise in his game and i couldnt agree more

AND THE PRESCRIPTION GLASSES. where did he get those...he needs to See

side note, the aforementioned account has made so many interesting analyses on turbo and theyre all so insightful. i recommend u check them out

i think he gets migraines from stress. constant buzzing or pain flood his head but hes like "IDGAF i need to DO something at ALL TIMES no matter what"

hes like a shark in that way. if hes not moving he'll die instantly. idk a lot about sharks or if thats how it works srry but im going off of what the Worms are saying to me and i dont have much to work with

i think a really big contributer as to why he lacks in the self care department is because he fails to notice that something in his body is wrong. hes far too distracted on something he thinks is more important than remembering to Eat Food or Drink Water or Wash Himself or

he's like "WHY DO I FEEL LIKE SHIT ALL OF THE TIME!!! I HATE MY LIFE" and he hasn't slept in 4 days

hes so me. Sorry.

i dont think turbo is necessarily suicidal, but the way he behaves shows a clear disregard for his own safety and wellbeing. he thinks that he knows what he needs but he really doesnt :-[ i think he has some kind of immortality complex, feeling untouchable and like nothing could get to him. as scared as he was when ralph was about to turn him into sloppy mush, he didnt take the threat very seriously. like it was some kind of joke

his kart regenerates every time his game starts up, so what if he smashed it into buildings for fun. He's the number one fan of car accidents. he is all about that shit

i think his living space would literally be a garage btw. its a place to sleep and a space for his car all in one!! he thinks its very convenient and awesome but i think he is coping. he has some old dingy stained sheetless mattress that he has never washed in his life and its covered in dirt and smoke particles. no wonder he has such heavy eye bags Dude Please

the turbo twins have a garage used in a similar way, and while its still pretty shitty, they still at least TRY to maintain it. they just fight a lot over who has to care of it. nobody taught them how to take turns ever

but this aint about them. maybe another day

i think that turbo would find comfort in garbage and keeping it around because its familiar to him. a big clean empty space would make him so mad and if anyone moves even an inch of scrap off to the side he will throw a fit. he generally doesnt pay attention to his surroundings but when its his personal space he is 1093 times more neurotic

i think the big empty castle he stole wouldve been a big transition for him. maybe it helped him clear his mind a little more to practice his tricky schemes...it helped him get more subtle

thats all i have for nowww ty for reading ^_^ if anyone else has any wacky ideas pleeeease tell me i would love to hear them!!

[averageperson888]

me fr

[nowimjustastranger]

Somebody to Call My Own Lore | Part 2

This was too big to fit in one post so I had to split it into two parts, you can find part 1 by clicking on the AU tag! Please feel free to pop into my askbox if you have any questions about any of my AU's, I'm itching to ramble about them.

Trigger warning for suicide. Also, 77/H Ford's relationship with his brother is mentally & emotionally abusive.

Ford has far more advanced technology than what earth is capable of, taking inspiration from the dimensions he's visited to design a tattoo made of nanobots that allow him to teleport short distances, he still has to use the gun for long distances. But if he can see his destination, he can teleport there using the tattoo. The ink is red and the tattoo is the outline of the Stan o' War.

When Ford comes across dimension 77/H, he is pushed to the breaking point. Stan’s fate is to eventually take his own life after his brother guilt trips/emotionally manipulates him into staying by his side while Weirdmageddon swallows the world. Stan wouldn’t even be an official part of Bill's freaks, seen as akin to Ford’s pet by the group (Bill included).

Stan would end up suffocated with survivor's guilt and the worst self-esteem ever seen in a Stan, regarding himself as Ford’s loyal dog instead of a person. His hopelessness and despair wear him down until he is driven to take his own life, Ford wiping their dimension out entirely in his grief. The kicker is that Bill could’ve stopped it but didn’t because he wanted Ford all to himself, jealous that Stan got the majority of Ford’s attention and affection while Ford was reserved and cold with Bill. So Bill simply let Stan die, and that was ultimately his downfall.

419”3 Ford stays up for days in order to scour the timeline for a series of events that doesn't end with Stan killing himself, but most paths lead to the same destination while several others are decidedly worse and are immediately discarded. Ford gets more manic as his window to step in without catastrophic consequences to the timeline rapidly closes, his self-inflicted sleep deprivation and desperation pushing him to act rashly.

Stan had received the postcard like in canon, but the difference is that Ford had teamed up with Bill and opened the portal to bring Weirdmageddon onto earth. Ford had planned to have one of the freaks fetch his brother for him once they came through the portal, but the anti-weird barrier surrounding Gravity falls was an unexpected setback. So Ford opts to send his brother a postcard and work on finding a way to break the barrier while waiting for Stan to arrive, Bill doing his best to convince Ford that his brother would only be a distraction.

Ford didn't take kindly to Bill’s poor opinion of Stan, proving a point by ignoring his work for several days until Bill reluctantly apologized and agreed to spare Stan from the apocalypse by letting him live in luxury in Gravity Falls with Ford.

419”3 Ford steps in quite literally at the last minute, Stan’s car unknowingly approaching the barrier that separates the rest of the world from Weirdmageddon. Stan, of course, panics and yanks the wheel when a man dressed in all black and wearing a biker helmet darts into the road in order to avoid hitting the stranger. Stan’s car swerves into the ditch, slamming his forehead against the steering wheel when he hits a tree.

Stan is –understandably– disoriented as the figure pulls him out of the totaled car, Stan's awareness coming in waves. Stan thinks he sees a giant pink woman on fire watching them from the other side of the “Welcome to Gravity Falls” sign before the stranger adjusts his grip on Stan and his vision is overtaken by blue as he’s effortlessly hauled into a wormhole that deposits them in 419”3 Ford’s current headquarters in a different dimension.

[sage-nebula]

Mabel despises Bill, send post.

Okay, I'll say more than that.

One thing that I haven't seen people talk about (and that I've in fact seen some fan content ignore) is the fact that The Book of Bill makes it explicitly clear that Mabel Pines despises Bill Cipher as of the end of the series. I think there's a tendency to view Mabel as a bastion of love and forgiveness, and while it's true that Mabel does have a lot of love and kindness in her heart, a.) she's not actually an all-forgiving heroine (see: she never comes close to forgiving Gideon for attacking Dipper in "The Hand that Rocks the Mabel"), and b.) we're given explicit text on multiple pages in The Book of Bill that outline just how much she hates Bill and will actually do violence unto him (again) if she ever gets the chance. (Because remember, she got him in the eye with spray paint with extreme prejudice.)

We're first told about this when Bill recounts the story of how he visited Mabel's dreams days before Weirdmageddon in the hopes of making a deal. (Which, side note -- how was that possible? The unicorn hair spell was supposed to prevent that sort of thing from happening. I guess she must have been at a sleepover at Candy's or Grenda's house when this little dream jump occurred.) Bill at first gushes about how much he likes Mabel and would like to sway her to his side, but then:

"Unfortunately, her mind had Wanted posters of me everywhere -- just because I possessed her brother one time!"

Mabel wasn't a fan of Bill's even before "Sock Opera," but as of "Sock Opera" it seems that there's no chance of forgiveness from her for him. And this tracks; in "The Hand that Rocks the Mabel," Gideon treated her horribly. He pressured her into the initial date with him, and then continued to use public pressure and guilt trips in order to keep her locked into successive dates and a suffocating relationship that she couldn't escape from. He was emotionally manipulative, possessive, selfish, and cruel. Despite this, Mabel still felt bad for asking Dipper to break up with him on her behalf and initially went to the factory to apologize to Gideon, until she saw him attacking Dipper through the window. It was only at that point, when he attacked her brother, that Mabel's opinion on Gideon did a 180 and he was no longer worthy of any sympathy or forgiveness in her eyes. Regardless of how he treated her, it was hurting Dipper that Mabel could not forgive.

So it makes sense, then, that possessing Dipper would be the breaking point for Mabel with Bill, particularly considering the note that Bill left for her (and specifically for her, part of it was addressed to her) to find in the car on the way back from the play at the end, as revealed in Journal 3:

"Note to self: Possessing people is hilarious! To think of all the sensations I've been missing out on -- burning, stabbing, drowning. It's like a buffet tray of fun! Once I destroy that journal, I'll enjoy giving this body its grand finale -- by throwing it off the water tower! Best of all, people will just think Pine Tree lost his mind, and his mental form will wander in the mindscape forever. Want to join him, Shooting Star?"

(Yeah, I sure believe Bill that Mabel's a kid he likes. 😬 Maybe "likes" is more appropriate . . . even his lies are lies . . .)

So Bill possessed Dipper on purpose, threw his body down stairs, stabbed forks into his arms, poured soda into his eyes, slammed his hands in drawers, and then had planned to throw his body off a water tower, killing him in what would look like a suicide attempt. I don't think it's any wonder that after this, Bill crossed the point of no return in Mabel's mind. Bill recognizes as such by the time he's finished in her mind as well:

"That was it. She'd never make a deal with me."

It was why he had to possess Blendin in the first place and make up the lie about a way to extend the summer; because thanks to Craz and Xyler, he knew that Mabel was sad about summer ending, and that she could be tricked by someone she thought had a way of extending summer, like a time agent. Bill had to possess a known time agent, because Mabel wouldn't have believed anyone else could do it, and it had to be Blendin because Blendin wore goggles that obscured his eyes (and thanks to fighting against Bipper, Mabel knew how to look for possession eyes, and would never make a deal with Bill). Bill using Blendin to trick Mabel was calculated, and extremely so, because Mabel hates his guts because of what he did (and wanted to do) to her brother.

But it doesn't end there, because then we get to Mabel's letter. (And Dipper's as well, but mostly Mabel's.) Some might be thinking, well, if Mabel knew about Bill's backstory, she might regain some sympathy for him. However, I don't think that's the case . . . because Mabel does learn about Bill's backstory (or at least his history with Ford), and she doesn't feel sympathy for him. Ford's letter not only states that the entire family was reading the book when he exited his lab (and laughing so hard they were crying at it), but Mabel's letter in specific has her write this:

"Anyway, Bill seems to me like a super-needy ex."

We have all laughed and enjoyed this line because of how it further cements Billford as canon toxic old man yaoi, but think about what this means for a moment. This means that:

Mabel has read Bill's backstory, at least re: everything that went down between him and Ford and how heartbroken Bill was over it (she knows about O'Sadleys and the intergalactic Taco Bell incident)

She doesn't feel sympathy, in fact, she's calling him super-needy, which is insulting

Mabel isn't sympathetic toward Bill; she's patronizing. She's one step away from calling him cringe. Her "helpful tips" for how to move on are her condescending to him as she tells him to get the hell away from Ford -- and speaking of which, let's not forget that she says "if you're reading this from space or hell or wherever," indicating exactly where she thinks he very well could be. If she felt sympathetic toward him at all, knowing what she does about his past, I really doubt she'd think he'd be burning in hell.

Mabel ends her letter with this delightful gem.

"Anyway, Bill -- you tried to kill my brother. If I ever see you again, I'm doing this! [illustration of her biting him in half] Deal with it!"

There is no love for Bill Cipher in her heart. There is only a wish to sever him in half, preferably so that his precious eyeball is split in two, with her teeth.

Now, this is in her letter. But we also get some of this in Dipper's letter, too, since she interjects over there. Dipper also delivers a death threat to Bill, and Mabel comments on it. Her commentary praises Dipper's threats (and confident in making his threat):

Dipper: "Come at us again and I'll end you." Mabel: "Wow, Dipper!! So confident!!" Dipper: "Was it . . . was it too confident?" Mabel: "No, it was just right! 13 looks good on you!"

Now, again, this is mostly praising his confidence. But the "it was just right" could also apply to the threat, considering she made a very similar one herself. Many people focus on Dipper's threat to Bill, considering how cutthroat Dipper seemed toward Bill in the show (and how it was their relationship that was focused on because Dipper was the primary protagonist).

But this book has made it explicitly clear that Mabel hates Bill's flat yellow ass with her entire sparkly heart. She wants him away from her grunkle because she knows how badly he treated Ford. And she especially wants to rip him to pieces herself if she ever sees him within a 100 mile radius of her brother again. The idea that Mabel would be forgiving of, or sympathetic to, Bill because of his backstory just doesn't jive with what we know both of her character or her actual, canonical feelings toward him as of the most recent canonical material. Mabel is a loving, kind person, yes -- but she has her limits, and those limits come with those that cause serious harm to her family, just like the rest of the Pines. She's not a two-dimensional, all-forgiving heroine. She's a well-rounded character who forgives when things are forgivable, when it's warranted, when it's deserved. And it's been demonstrated that in Mabel's eyes, certain things -- like trying to cut out her brother's tongue with lamb shears, or possessing him and threatening to throw his body off a water tower -- simply aren't forgivable.

[jenniferchecksbitch]

[jellyvibes710]

A moment In his thoughts

A moment to himself

Not a moment of doubt

Be selfish he told himself, yet he can’t seem to do that.

A moment of arrogance and he almost lost all he holds close

Just a moment

Was all it took to lose himself.

Death never scared him

But the thoughts of losing all that made him who he was made his blood run cold

It’s the only thing keeping him going most days

He’s scared

He’s scared to lose all the lessons he’s learned, he’s scared to lose his brothers smiles, scared to lose the comfort of his dads hugs, scared to lose the hum of his twins rants that never failed to put him to sleep, to lose his baby brother’s affection, to lose his older brother’s hope in making him a better leader, to lose his sister’s care.

Maybe he’s always been selfish, what had he ever gave them?

Nothing that he knows of.

What a nuisance

The noose around their necks

The brick tied to their ankles

A parasite that eats their minds

A pest.

He watches as the blood drains from his body, getting lost in the glow of stars

A moment to himself

A moment in his thoughts

A moment of numbness

A moment of silence

A moment of acceptance

The process of giving up

His eyes fall close

He allows the flicker of hope to sizzle out

Lost in stars, lost in his mind, his body a husk of what it once was

A roar in the distance echos through the endless sky

And he allows death to enter his doorway

He felt a soft warmth itch across his cold scales

In his final moments, he allows himself to let his tears slip through his closed eyes, feeling as they dripped off to be lost in the depths of space along with the rest of him

He feels a familiar warmth and he allows himself to lean into it, and pull him into the light

[saiintofawe]

love how coronabeth and ianthe are both unsettling and gross and fucked up but in different ways. ianthe lurks in the shadows and likes to judge you and purposefully say something rude and out of pocket for the fuck of it, pushes boundaries and creates unpleasant situations for the fuck of it. she killed and ate the guy that she previously used as a chew toy. she basically creamed her pants when harrow ripped her arm off and rebuilt it and when harrow told her she saw the saint of duty kissing a corpse she simply went okay. and? overall she's outwardly weird and somehow obnoxious even while hiding in her sister's shadow.

coronabeth seems like the perfect most charming girl in the world. she's not. she's literally heartbroken over her sister choosing to not kill and cannibalize her, took it as a rejection. she mentions that she would always pretend to be hurt to get attention which is not that weird, but then she goes oh, remember how i always threatened suicide when we were kids ianthe? well i'm doing it again right now. this time for real. i'm down on my knees for you and i'm willing to kill myself rn if you don't do what i fucking say ianthe. at first it looks like she's the dominant one, then ianthe becomes a lyctor and we see their dynamic switch, ianthe looks like the one in control. but then we see them again in nona the ninth and, despite being the one on her knees, hugging ianthe's legs, its clear that corona had her wrapped around her finger. she legit looked at gideon's dead body and tought well, she makes a real good looking dead body. and i also envy her. she also used babs as a chew toy

in conclusion the tridentarii are a couple of weird weird freaks with an interesting dynamic and i think sigmund freud would have loved studying them

[eclips111e]

girlhood

tt: @americanadolls

[oh-no-its-bird]

I kind of ended up w a small pile of Hatake ocs and lore to fill the early konoha timeline void, and a big thing is like. They all die to preserve the narrative. A lot of them very young bc again, made to fill the time line, so logically, there had to be some Hatake kids/teenagers who met an unfortunate end.

So I'm kinda sitting here considering a 4 part fic where each chapter revolves around a specific Hatake and their inevitable death, w maybe a bonus chapter at the end being about Sakumo

"Death of the Wolves," the unfortunate end of the Hatake's, told in 4 parts

The Hatake's helped set the Konoha standard rule of "a team can only be made up of so many % of one clan" (with special exceptions) after a large chunk of them got sent on a mission together bc of their specializations and all wound up dead, wiping out a solid 90% of the clan in one night.

Actually, expanding on that bc the tragedy is so good -> I already established that in my time line, the Hatake head, Haruka (Sakumo's mother, Tobirama and Hashirama's aunt) died under a week after Tobirama's death, and she would have lead that failed mission. Does that mean one of Hiruzen's first acts as war time Hokage resulted in the accidental slaughter of his beloved dead Sensei's mother's clan? That's amazing actually, so much drama there. I bet him Danzo and Kagami argued like crazy after that monumental fuck up, probably went on to define how he feels ab being Hokage / what that entails. Fun times!

Anyways, I'd also be very interested in exploring early konoha politics n stuff. Especially from the multiple views of not the people in charge of making the village but the ones who are living in it. The view from the ground up, instead of looking down from the tower. The younger generations being brought to this new village, going from their isolated clan lands to suddenly being surrounded by others their age from different clans, possible for the first time ever depending on their age and their clans level of secrecy.

Also, I really wanna poke at the outsider pov of Madara and other founders— but mostly Madara bc I find his downfall very fun to think about, especially from the POV of someone not in his clan.

I'm so in love w the take of the Hatake's being fond of Madara bc "he'd make a very good Hatake." Something about the two tropes of the Uchiha being a clan that loves love and the Hatake being a clan w similar values when it comes to family and loyalty just meshes so well.

Comedy moment where Haruka is weirdly insistent on Madara potentially marrying into the clan, not even for the politics or anything but specifically bc she NEEDS a cute squishy Hatake baby with his massive hair. She NEEDS IT, MADARA.

Anyways also just the early konoha inter clan drama but like. From the eyes of the clan kids. The Uchiha kids seem to be having some sort of terf war with the Senju— but it was interrupted by the Hyuuga, and now the Senju and Uchiha kids are somehow banding together against the Hyuuga? But oh no now the Nara kids are teaming up w the Hyuuga, and the Hatake kid (singular bc there's literally only like 1) seems to have an actual blood feud going on with the Hyuuga clan heir— but the older Hatake teenagers are fond of the Hyuuga's baby clan heir so it's just a mess. All the clan drama but with none of the tragedy bc everyone involved is a child.

Meanwhile the older clan members are somehow bonding over their children's fights bc they're all struggling to pull them away, or going "what the fuck do you mean you teamed up with the SENJU??" Then sharing a disbelieving Look(tm) w the opposing Senju's parents before realizing what they just did and having a crisis of faith ab it

Meanwhile the teenagers are having a wonderful time, especially those from smaller more isolated clans like the Hatake. There's so much romantic drama, there's probably a whole shinobi soap opera happening in that direction. Hormonal shinobi teenagers from opposing clans just got dropped into the same dating pool it's gonna be a MESSSS.

Even funnier if you take crumbs from my senju weed empire au and like. Some of these clans regularly smoke n stuff. Meanwhile other clans have never touched a psychedelic in their life. Some are especially vulnerable to drugs due to heightened senses (Orochi, Inuzuka, Hatake) while others have been smoking since they were younger and have an insane tolerance and very much distorted views of a reasonable amount of weed to smoke (Senju, Nara, Shiranui) There is no way in hell that goes well. Someone is going to get fucked up in a MAJOR way.

Well-intentioned Nara accidentally gets a bunch of dog wired guys and one snake high out of their fucking minds, the high lasts a full week for some of them and one sometimes wonders if they ever really came down from it

Anyways I got a bit off track but yeah! Early Konoha fic that revolves around the daily lives of differently aged Hatake ocs, taking a look from different angles of Konoha and all the silly clan drama and daily lives of an early Konoha shinobi— each chapter being different degrees of generally lighthearted, but ending in the Hatake's death. The fact that each Hatake is in with a different crowd and is a different age would make it even more fun and easier to explore the different layers Konoha has to offer! It's for sure on my list of things I wanna write

(Also I'd really love to have it just so I can point to it as a good introduction for my Hatake ocs. I love tricking people into learning ab my ocs it's great)