#the subtitles making us familiar with it

[chirpsythismorning]

Yeah there’s gonna be plenty of little details in s5 confirming byler, but there’s one thing in particular that I feel like would be too hilarious to pass up on…

[sskk-manifesto]

And so the big sskk shortage begins (no sskk for the next 15 episodes) (and the sskk episode coming after kind of sucks)

[glassrunner]

i LOVE that on ng+ you can actually understand what the puppet bosses are saying thanks to the ergo decoder that venigni gives you :') such a cool continuity touch, it's also just really interesting to see the puppets' commentary on their circumstances and tie that into the lore as you learn more

[primatechnosynthpop]

Was almost moved to tears by a nico nico douga song medly even though I was never on that website (was too young and didn't know about it at the time) and only know maybe half the songs featured at most

[liu-yu-xin]

The yuehua business model also needs to be studied bc they are known in china for their famous but completely dogshit fleet of chinese idols (ie wang yibo, cheng xiao, fan bingbings ugly brother, the serial homewrecker girl, etc etc) who make a metric fuckload of money for yuehua BUT they seem to be putting way more effort into training the idols they send to korea for groups and for participating in produce 101 type shows.. But then they also pulled cheng xiao out of korea at the height of her popularity so she can be kept in china and be ridiculed for her acting skills so like what is the plan here what is the goal

[lunarflare64]

Did it really take us five fucking years to figure out that the reason why we inherently hate podcasts is because we have fucking audio processing disorder and can't understand half the shit they're saying, and that listening to it while reading text or just reading the text on its own doesn't work because we have intense adhd and without stimulating visuals we have no fuckin reason to even bother trying to give this story we already don't care about any attention?

[powdermelonkeg]

Cheat Code #2 for accommodating disabled characters in sci-fi/fantasy:

How you aid a disability depends on if it's a new development or had always existed.

i.e.: If someone's lost their legs to a griffin biting them off last week, giving them steampunk prosthetic legs is a good aid. There's something they can't do, that they very recently could, that they need to learn to work around. The prosthetic legs still need an adjustment period to learn how to use them, but your character knows how legs should work and can figure it out more easily.

If someone lost their legs because, as a child, they wandered away from the space field trip and got partially eaten by a carnivorous plant, then it depends. Prosthetic legs can technically work, but the longer the character was without legs, the harder it'll be to re-learn how to use them. You might want to go with bionic legs for short distances, but a hover chair for daily use.

If someone was born without legs, then prosthetic legs are more hindrance than they're worth. Your character has never had legs, and has no idea how they're supposed to work.

Imagine if you're in a world of centaurs; you're given prosthetic hind legs, and now expected to be able to climb up cliffs with the grace of a mountain goat. It's a whole new skill you'd have to learn, and you would get annoyed with it very fast; how are they supposed to sync with the legs you already have? How are you supposed to balance? You can't feel anything, you don't know how much space it occupies.

Someone who's always been disabled doesn't need the thing they were born without, they need aid that lets them do what everyone else can in a way they're familiar with. If your character has always been deaf, glasses with subtitles appearing on them are infinitely more useful than aids that let them hear, because hearing when you've always had silence is going to have a steep learning curve and be ridiculously overwhelming.

Your rule of thumb?

Try to give them something they're used to.

Note: This is different with very small children, because they're already learning how to use every part of them. If a toddler in your sci-fi was born without legs, they can be taught to use bionic legs at a very young age, but it has to start early or it'll run into the problems above.

Cheat code 1: How to avoid eliminating disability in your setting

Cheat Code 3: How to make your setting itself disability-friendly

Cheat Code 4: How to personalize your character's disability aid

[ddarker-dreams]

Hey Lock!!!! How are you doing? Do you have any Chrollo crumbs for us? 👀👀👀👀

i'm doing well today anon, thank you for asking!!!!!!!!!!! 💖💖💖 and yes ... i have this chrollo thought that has been floating around in my head rent-free...

chrollo is not a yandere you want to genuinely upset.

he doesn't do 'forgive and forget.' he may appear outwardly courteous, but he's not above being petty and cruel. it's for your benefit that he keeps these tendencies to himself. there are days you can forget who exactly he is, days where he feels more like a pesky ex than an actual threat. deep down in your subconscious, you know you'd never make it far should an escape find initial success. the usual avenues won't be available to you. there's no flagging down a bystander, who in turn will alert the authorities and shuffle you off into protective custody.

there's just you and the dwindling distance between an immensely displeased force.

you're unsure what compels you to do it. perhaps it's paranoia, exhaustion, or sheer desperation from how little you can actively do to prevent what awaits; but you call him. on a payphone, amidst a bustling metropolis. you're seconds away from transit that'd speedily haul you away, should he track the call. your mouth goes dry as each ring sounds. you begin having second thoughts, wondering what exactly it is you're hoping to accomplish—

—when a familiar voice on the other line greets you. the quality distorts it ever so slightly, but your recognition is immediate, as is the way your heart temporarily stops.

he'll ask if you're alright. if you've been resting well, getting enough to eat, taking your medication.

your responses are automatic, like you're catching up with an old friend. he doesn't come across as angry, or upset really; more concerned than anything else. he does care about you. nothing you do will ever change that. he knows your allergies, what you prefer the AC to be on in the summer and heat in the winter, to turn on the subtitles when watching a movie without even asking.

he knows you.

you didn't mean to chat this long. it's a bad idea, potentially the start of the end, yet you can't help asking:

"... are you mad at me?"

he goes quiet.

not much time passes. you think you hear him sigh, but the connection's bad and your brain sleep deprived.

"i don't know, dear," he eventually admits. the pet name lacks its usual warmth. "i'm always pursuing you in some regard, aren't i? and yet... you always turn your back. always evade me, right at the last second. just when i think i finally have you, i'm reminded removing your heart might be my best chance at having it."

another pause.

"don't mind my musings. we both know out of all the lives i'll take, yours is perfectly safe."

[sir-adamus]

i've got the blu ray for volume 1 playing and i'm watching the behind the scenes video and Monty explicitly spells out how important collaboration with other creatives was in building RWBY, saying how he wanted to work with Kerry and Miles on it in creating the world and how he mostly gave them broad strokes. and it's mentioned how they all put the show bible together - i'm gonna put the whole transcript for the video under the cut (which i'm having to do myself because no one has uploaded this video anywhere as far as i can tell and there's no fucking subtitles)

Monty Oum [Creator and Director]: It’s the stories I’ve always wanted to tell versus the idea I came up with about, a little over a year ago. And we were talking about doing another show, and I just kind of half-asleep came up with the idea of a color rule for a bunch of characters. The red, white, black and yellow color scheme was something that was very prominent even in my previous work, so I started matching names up, matching ideas up. Also thinking about like, some of the ideas I’d stored up over the years. At some point or another the word ‘RWBY’ came to me.

Monty: Starting the show out originally, I designed the original character, Ruby, as well as going into the other characters. So once I had the first trailer done, and thinking about the rest of the characters for the show, I started bringing in other artists who I had watched for years. People I’d always said “someday I’ll work with them, someday I’ll have them design for me.” And when I was certain about having certain characters, I first contacted an artist I admired and found over DeviantArt. Her name was Ein Lee, she’s actually from Taiwan, and I found her art probably well over five years ago, and just loved her art style, and therefore wanted to incorporate it into my characters. So, I would do rough designs for team RWBY as well as designs for team JNPR, and she would flesh that out to be even further. To the point where eventually I didn’t need to design characters anymore, she started designing a bunch of the rest of the characters down the line.

Monty: The second person I brought on to RWBY was Kerry, because we had just been having conversations about the kind of show we could make. I’d been working with Miles on Season 10. He was writing scenes while I was making scenes, and so the three of us would have a lot of meetings and collaborate on the show to the point where I just started coming up with the broad strokes eventually and they had pretty much written the bulk of the show. Collaboration’s a big deal here, and I tried to include as many people as I can.

Kerry Shawcross [Co-writer]: Right after RvB ended, we wanted to just go straight into RWBY, but that was like right when we were going into commercial season. So we would work our normal hours here. Like 10 to 7-ish, then we would go back to one of our apartments and just start writing.

Miles Luna [Co-writer]: Monty really was enthusiastic about having these characters that may appear really one-dimensional for like the first few scenes that you see them, but the longer you get to know them, you realise “Oh, Yang isn’t just a dumb blonde party girl. She’s a very caring and nurturing girl, that has had to essentially be there for Ruby when she was young.”

Kathleen Zuelch [Producer]: When Monty and Miles and Kerry came to me, and really took me through the story. I started becoming a huge believer, because I’m a big fan of old school, traditional fairy tales, I love the Brothers Grimm, I love all the Snow White, and I love Little Red Riding Hood. I grew up with all of those stories, and the way that they were very clever in creating this whole world that’s kind of making homage to all of these amazing stories really inspired me to get more on board with what they wanted to do with this whole anime show.

Taylor McNee (née Pelto) [Art Director]: The world of RWBY, it looks very familiar. We wanted a blend of very classic looking architecture and clothing and cars, but we’re also mixing in this really kind of futuristic feel, like these little touches of some really futuristic stuff like holograms and things that you wouldn’t find in a classic [inaudible]. And that’s how we’re making this world unique. Our assets have to go through this pipeline of concept, modelling, texturing, and then finally being able to be put into the 3D program. So we start out with the concept and we usually bring that image into Maya, which is the main 3D software that we use. We have to make a 3D model that looks exactly like the concept that we were given, and it’s quite a process. Basically, we’re pushing polys and extruding stuff until we make the perfect shape, then afterwards we have to UV unwrap it, and then lay everything out on a texture sheet and then paint it, and that will put the image on the model. After that we’re basically done with the model and texture, and then we have to give it to the animators. So then we will set it up in Poser so the animators can grab it and use it for their characters.

Gray Haddock [Lead Editor]: There’s a lot of people working on this show, and there’s a lot of different elements in the pipeline. Editorial kinda serves as a hub between all the different departments, so we help all the communication and coordination between all the different pieces of the show, depending on what part of development that they’re in. Editorial’s getting involved way early in the process, we work alongside the director and the writers and the storyboard artists, and we use the scripts to help develop the storyboards and the camera angles for all those boards. So editorial is responsible for building up the moments of any given scene in terms of the timing and what you wanna look at, at any given moment. So we take the script and we help develop the camera angles and how long you wanna linger in a particular camera angle, look at one character or another or the scene as a whole, and the rhythm of the scene in terms of how long is it gonna take to spend on a particular line or when you want the music to come in, things like that. So we build up a set of animatics with the storyboards, and the first pass of all the audio. This is what then is handed off to the animators, so they can know exactly what is in what shot and how long do they have to animate it in a given shot. And once they’re done animating and their shot’s been approved, then their shot goes to the render farm, we get the rendered shot back and we drop it into the timeline for our episode and finesse the cut a little bit if we have to. But for the most part, we’ve done our job right and everything should pretty much be locked in for the most part by the time we’re getting animation.

Kerry: What’s kinda interesting as we’re creating the characters is, we kinda knew what kind of character they’d be. We knew Ruby would act a certain way, we knew Weiss would act a certain way, but we didn’t really know much about them. So we would get to the point where we’d be figuring out plotlines or figuring out dialogue and we’d be like “What would Weiss say here? What would Nora say here?” And then it turned into “Oh well now we know.”

Miles: Obviously we put a lot of thought into Ruby, Weiss, Blake and Yang before we started writing the dialogue. I remember sitting upstairs and we made a show bible, and we’re starting- we talked about likes, dislikes, personality traits. One of the first things I remember making was “Weiss drinks coffee. Blake drinks tea.”

Kerry: It’s important. It sounds not important at all, but it’s very important. It says so much about them

Miles: But it’s so important. So much about them, also it says nothing about them. It was just like- that’s just what it is.

Monty: I want the show to have resonance with people who are growing up. Cos everyone’s story is the story of kind of becoming who they are. Especially these days when the path of becoming who you are tends to be marginalised with reality. Having done what I’ve done, where I’ve essentially dropped out of high school, started learning this stuff on my own, and therefore land in a position where I get to take the things I was dreaming about when I was growing up and make it real. I tend to get a lot of response from people who are also not sure what they’re meant to become, a lot of them also have the same bright imaginations and with the way the world is, the hardships of what it means to grow up tends to marginalise who you are, and I would hate that to happen to anyone because the future is in creativity and that’s not something you can just manufacture. I actually would like this show to grow up with the people, so unlike most shows where they tend to be ageless or age very slowly, I’d like our fifteen-year-old fans watching fifteen-year-old Ruby, when they’re twenty-five, to be watching twenty-five-year-old Ruby, and to actually have some resonance with the character. Probably one of my favourite types of feedback is to say “I know this person” or “this person is just like me,” and that’s probably one of the best things about coming up with these characters.

[astoundingbeyondbelief]

I was a skeptic about Criterion releasing any post-Showa Godzilla movies on disc, but lo and behold, they're teeing up Godzilla vs. Biollante, my favorite movie of all time, for 4K Ultra HD + Blu-ray (or just plain Blu-ray) on March 18. The description:

SPECIAL EDITION FEATURES:

New 4K digital restoration, with 5.0 surround DTS-HD Master Audio soundtrack

In the 4K UHD edition: One 4K UHD disc of the film and one Blu-ray with the film and special features

New audio commentary featuring film historian Samm Deighan, host of the podcast Eros + Massacreand coeditor of the book Revolution in 35mm

Making-of program from 1993 featuring director Kazuki Omori and special-effects director Koichi Kawakita, among others

Short documentary from 1993 about the Biollante and Super X2 vehicle concepts

Deleted special effects

TV spots and trailers

New English subtitle translation

PLUS: An essay by science-fiction and horror film expert Jim Cirronella

Yes, this means they're skipping over The Return of Godzilla and not waiting until all the Heisei films are in their hands to unload them as another box set. I was surprised at first, but it makes sense. Biollante is the only Heisei movie Toho has released on 4K in Japan so far (with The Return of Godzilla and Godzilla vs. Mechagodzilla II joining it in June), and arguably the best-regarded. Toho's always going to prioritize the domestic market first, so this is Criterion's best shot at a new release during Godzilla's current swell of popularity.

I have mixed feelings, as is usual when any new English kaiju/tokusatsu home release is announced. I'm glad the movie is back in physical circulation; it's again become legendary as the most difficult Godzilla movie to find on home video for a reasonable price. Only one library in my county owns it, and that number is about to spike. It'll be a major visual upgrade to boot. The non-G54 movies in the Criterion Showa box set didn't have audio commentaries, so I'm glad they sprung for one this time. I'm not familiar with Samm Deighan's work, but I think she's the first woman to record an English commentary for a Godzilla movie.

But...

I saw the Criterion presentation of Godzilla vs. Biollante at the Dryden Theater in October, and the subtitles were... simply not proofread, or at least not proofread by anyone who should have a job in the field. "More typos than a Mill Creek Ultraman Blu-ray" was how I described it at the time. I believe Criterion is using a number of vintage (we're talking probably-shown-in-Hawaii) subtitle scripts for the Toho tokusatsu films they're made available on streaming but not on disc, and I dearly hope they show more care with the Biollante 4K.

There's also no English dub.

This suggests that Toho is now doing its best to bury all the pre-Reiwa Godzilla dubs, even the ones they commissioned themselves. I doubt Criterion will bother to include the film's English visuals either. So... the version of Biollante I rented from Blockbuster some 20 years ago, the version I grew up with, will just be completely erased from the latest-and-greatest (and last?) edition. Depressing stuff. The current incarnation of Toho might be embarrassed by those old dubs, but as an indignant woman in the Diet Building once exclaimed, the truth is the truth! And Biollante's one of the films I prefer to watch dubbed (for one, nobody can argue that the English the actors spoke on set was better than that recorded by the Hong Kong Players).

Lesser concerns: I'll have to double-check, but I think the making-of program and the short documentary were on the old Echo Bridge discs too. The trailers would be new, but, well, they're trailers. So potentially nothing fresh in the featurette department, certainly not a retrospective with surviving cast and crew. (Somebody get one of those done before we lose even more of them!) And I do feel bad for Ed Godziszewski, whose commentary for Echo Bridge was effectively pocket-vetoed by Toho and is now truly never going to see the light of day.

Bleh.

[tomikashii]

tokyo debunker : obscuary ghouls with deaf mc

in light of another potentional obscuary centred episode coming soon, here is the obscuary version ! 💗

warning: ooc (?)

edward :

lived almost 400 years on earth so we damn well know that he knows how to sign (he was there when ASL was first invented 💀)

would sign to you immediately, the moment rui was busy signing to you. “i have lived here for centuries, i sure have met a ton of people like you.” he explains.

but his signing skills.. is abit rusty. his version of ASL was probably when it was first invented so you would see such unfamiliar but familiar techniques.

he doesn't go out much so don't even bother to think of running into him on campus. if there was a light of day where he does run into you there, he would use his parasol to shade you, gesturing you to turn around and meet his face up close.

would still invite you to watch videos with him. just turn on the subtitles & make do from there (he is so silly, i love him)

doesn't go on missions so the closest to him protecting you is from the door that is opening while you are going through your notifications from your phone, not aware of your surroundings.

rui :

knows what is ASL but never got the chance to learn it actually

so when he first met you, he immediately jumped on to the conclusion on learning ASL so when you do see him again, he could communicate with you 🥹

learns off the internet and would ask you for assistance. gets very hesistant and even moves away when you unconsciously almost touched his hand to sign properly 😭

would protect you from a distance, because of his curse.. he would really rely on the other ghouls or even lyca to protect you while on a mission with him.

when you do help rui with his bar, he lets you do tasks that is within his line of vision. whenever you show a sign of struggle, he would go over to your side and help out.

watch him threaten to disintegrate any customers if they mistreat you in any way ☺️ (i see him deploying lyca like a pokemon)

lyca:

a huge question mark. “.. you can't hear? are they broken?” “LYCA!” you did not hear that interaction between subaru & lyca but only see haku scratching the back of his neck awkwardly & subaru giving you a nervous smile.

had a hard time learning ASL but would go to subaru for help so that he can be more human & talk to one of his friends

since you are together quite often, he isn't afraid to defend you from the general students who will talk badly about you. so, imagine seeing lyca suddenly shouting angrily at some general students while subaru holding him back TT-TT

protects you during missions. would just jump or pounce on you to push you out of the way, using his body as a shield. when he turned into a werewolf & almost bit you, he literally started fighting himself, nudging you out of his sight.

whenever he sees you on campus, he would grab a hold of your shoulders & start shaking you so that you would turn and face him. (he thinks this will help your hearing to comeback...)

another person who would call out for you and realise that you can't hear so he would awkwardly walk over to you. 🧍🏻‍♀️

refer to my masterlink pinned on my blog for the other houses ! 💌

[nattikay]

The Sully family meets the Metkayina - Na'vi subtitles

Notes under the cut!

First of all, irayo nìtxan to community members Tokahriem, Teriosay, and Karyu Neytiri for proofreading the translation to find the slips/typos and for making good suggestions for some of the lines!

I chose this scene because it gave me a chance to contrast the Forest and Reef dialects, which was fun. In my own communication I prefer to stick to Forest because I'm more familiar with it, we know more about it, and I just kinda prefer it atm (I think this is the case for most speakers tbh, though there are at least one or two who now default to Reef I think), but it's fun to dip my toes into Reef every once in a while if the situation calls for it.

uturu vs. utùru, toruk vs. torùk, etc. Fans watching the video who aren't familiar with the language might be confused as to why the same word is sometimes spelled with ù and sometimes not. This is a dialect difference. Reef distinguishes between the ù and u sounds, Forest does not.

Similarly, tsy in Forest is pronounced ch in Reef, hence the Forest spelling of "Jake", Tsyeyk, becoming Cheyk when Tonowari says it (actually, funnily enough "Cheyksùli" sounds quite a bit closer to the original English "Jake Sully" than "Tsyeyksuli" does lol. The reason I did not include the ù in Suli even though that'd be closer to "Sully" is because in the actual audio you can still hear Tonowari pronounce it Suli, as the Omatikaya do in A1. I guess Jake's just used to being known as Suli now hrh)

dropping "lu" According to KP (language creator), Reef Na'vi has a tendency to drop the word "lu" sometimes, but we don't currently have much information on when exactly this happens. As such I was very hesitant to actually do it. In the original version of my script I simply didn't drop any, just in case. Teriosay and Neytiri suggested a few lines were it might be able to drop, and for the final version I took roughly half of those suggestions. These lines were:

Ayoe [lu] sute wione. Ayngari [lu] sute na'rìnge. Bun [lu] flì fori. [lu] foru reypay vrrtepe! [lu] nawma eyktan tsame Torùk Makto.

ngä'än Also according to KP, Reef Na'vi has a tendency to sometimes turn unstressed ä into e, but again we don't currently have much information on where. For the sake of differentiating Forest and Reef in this video I went ahead and converted all the unstressed ä's by default, but ran into a problem with ngä'än.

If I change the unstressed ä into e but leave the stressed one as-it, I get nge'än. Simple enough, right? But wait: Reef drops the glottal stop between non-identical vowels (for example, za'u becomes zau. Between identical vowels, this drop is optional—rì'ìr can become rììr or remain rì'ìr). So if ngä'än changes to nge'än, does it further change to ngeän because the vowels are no longer identical??

Buuuuut then speaker Tekre reminded me that the word rä'ä, which is one of the few we have explicit Reef examples of from KP, does not become re'ä let alone reä, so unless KP changes his mind about that, this is probably one of the cases where unstressed ä does not change. so in the end I just left ngä'än as-is lol.

It's possible that in the future we could get further information that changes this, as well as the places where lu should be dropped, but for now I'm rolling with it.

…ka la’a atxan tswolayon In the original version of my script I used the word ngim, but Karyu Neytiri suggested txan; she said that ngim might still be ok but that txan felt more natural to her in this context. I still liked the sound of ngim, but given that Neytiri has far more experience with the language than I do, I trusted her judgment on this one and changed it.

"It seems Eywa has turned her back on you" Speaking of Karyu Neytiri, in a later conversation she mentioned that she translated this line as lam fwa Eywal ngati nadu. I translated it as datsìng ngati Eywal.

Neytiri's translates back to English as "it seems that Eywa disapproves of you." Mine translates back as roughly "[I] suppose Eywa abandons you". Both versions work, I think, just thought it was interesting to see the differences :)

I thought you said D, B, and G didn't exist in Na'vi! They don't.....in the Forest dialect ;)

Syllables that start with tx, px, and kx in Forest change to d, b, and g, respectively, in Reef. Txampay becomes dampay, pxun becomes bun, kxetse becomes getse, etc.

...still feels weird to read tho ;w;

[detailtilted]

In Search of Supernatural Fans from the Early Years

Hi! I’m looking for the legends who originally recorded old Supernatural convention panels featuring Jared or Jensen, or possibly Misha. See "What I'm Looking For" below. If you know one of them, or if you're a member of a community with people who were in the fandom in those early years, I’d greatly appreciate it if you could let them know about this post. I can be reached at DetailTilted@gmail.com or here on Tumblr.

If you aren’t familiar with my project, see the “Project Background” section below. This is not a low-effort exercise to merely repackage old videos. I’m putting many hours of work into each video to improve their watchability and accessibility. I will always credit my sources unless you wish to remain anonymous.

Even if your videos are on YouTube, I’m likely to have more success upscaling them if I can get the original video files. Thanks to the videos AgtSpooky kindly sent me, I've learned how big of a difference it can make when I have the original files to work with. That's why I’m putting more effort into finding those elusive original video takers.

The problem is that they all seem to have fallen off the face of the earth. Most of their YouTube accounts, LiveJournal accounts, and whatever other accounts I’ve dug up haven’t had any activity in 10-15 years. I’ve left a few messages on some of them, but I doubt they’ll be seen on dormant accounts. I’ve also gone down some crazy and twisted Googling paths trying to find current contact info for them, but without much success. In one case I even messaged the wrong person, who was at least kind enough to reply to the psycho asking for videos to let me know she wasn't the person I'd hoped she was. Oops!

What I’m Looking For

I’ve already finished CHICON 2007, Comic-Con 2008, and CHICON 2008, so I don’t need videos from those events, but I’d be happy to try to upscale your videos for your own collection if you have some you'd like to send me.

Actually, I could use CHICON 2008 Breakfast videos if you have any. I plan to attempt to redo that video either late this year or early next year.

I’ve been trying especially hard to reach people with original video files from either LA 2009 or Asylum 3 (2009), and I’d also be ecstatic to get some from LA 2008.

Any other old con videos you’re willing to share that have Jared or Jensen in them would be awesome. I hope to get to all the old conventions eventually. I haven’t yet defined “old”, so I don’t have a specific cutoff point.

Even if you just have audio files without video, those could be helpful too.

Length doesn't matter. Both long and short videos are welcome. Maybe I won't end up using them all, but the more options I have the better. Even if I don't put your video in my final edit, it would still be used because I always listen to every single video I can find when I'm finalizing my subtitles. Each video sounds at least a little different, and sometimes just hearing the audio in a slightly different way lets me catch a subtitle I'd missed or misheard.

Also, just to be clear, it isn’t necessarily my intent to exclude Misha. I’ve watched and enjoyed many of his convention videos and I liked Castiel for the most part, especially in the earlier seasons. I’m just not obsessed with Misha like I am with Jared and Jensen, and these videos do take quite a lot of work, so I’ve been putting my energy where my greatest interests lie. I’ll absolutely be including him when he’s in panels with Jared and/or Jensen, and in the future I may consider doing some of his solo panels.

So if you have original video files of Misha's solo panels that you’d like to send me, I’d be happy to add them to my stockpile for future possible use. If your videos turn out to be mostly complete, and if they upscale easily, then I might go ahead and do his panel at the same time I do the other panels from the same convention. If they'll take more effort to work with, I’ll probably skip them for now, but I may come back and tackle them if/when I run out of old Jared and Jensen videos to work with.

For any con videos you send me, regardless of whether I use them or not, I’d be happy to try to upscale them and send them back to you for your collection. I can’t always get things to upscale, so I can’t promise success, but I’ll definitely try.

Project Background - Enhanced Edition Con Videos

You can find my videos on my YouTube channel. (If you're already familiar with my project, skip to the next section -- there's nothing new to see here.)

I started this project in December 2023 to enhance old convention videos. My goal is to make them easier on the eyes and more accessible to both new and old fans from around the world. The videos on YouTube from that time can be difficult both to watch and to understand due to a combination of the older technology used to record them, the difficult recording conditions the fans were working with, and the lack of subtitles that make any sense.

I’m enhancing the videos as follows:

Visual Improvements: I’m upscaling the videos if possible, making color corrections if needed, and adding some slight stabilization to reduce the jitteriness. The end result is far from perfect because there’s only so much that current technology can do, but it's noticeably improved if you compare it to the originals.

Subtitles: I’m adding good, color-coded, English subtitles that can be turned on or off through YouTube’s CC button. The color-coding makes it more clear who's saying what when multiple people are speaking, and YouTube can auto-translate them into other languages to improve the accessibility.

Multiple Sources: If one video has gaps in it, then I'll try to find another that I can edit in to fill those gaps so the end result is as complete as possible. If I have more than one source that captured the same portion of the event, then I'll cut to whichever video I think had the best view of the action. In a few cases I’ve added a split screen with two different videos showing simultaneously so we can see action that's taking place in two separate areas. For example, when Jared and Jensen are on opposite sides of the stage. (There were also the infernal talking head bubbles on my Comic-Con 2008 video which nearly made me throw in the towel, but taught me a lot. 😅)

Extra Content for Context: These older videos don’t take up the full width of a modern video frame, so I’ve taken advantage of the extra space to display some still images with text to add extra context for many of the things they discuss. Some things are a lot funnier, or at least a lot more relevant, when you know exactly what they’re talking about. I clarify Supernatural episode references and pop culture references among other things. Sometimes I’ve also inserted short video clips, usually just a few seconds’ worth, if I thought it would add worthwhile clarity or entertainment to the topic at hand.

Current Project Status

If anyone has been wondering how I’m doing on my current video and what’s next… I’m almost done with the last video from CHICON 2008, which was Jensen’s solo panel. I should be ready to publish it on YouTube this Friday, May 24. I plan to use the same schedule as last time and put the Tumblr post up the following Tuesday when it’s a little more likely to be noticed here.

The next sequential conventions are LA 2009 and Asylum 2009, but I haven’t had much success in my attempts to upscale the available videos. If I were to work with what I have now, I know I could turn out something better than what’s on YouTube today, but the end result wouldn’t be nearly as good as what I might be able to achieve if I can get some original videos to work with. So I think it’s more logical to skip over these conventions for now and give it some time to see if I get any responses, in hope of a better end result.

I do intend to come back to the skipped conventions eventually, even if nobody sends me anything. Once I run out of conventions for which I can upscale the videos, if I still don't have anything better to work with for the ones I skipped, I’ll just do the best I can with what’s available. Even if I can't upscale, I can still do color corrections and stabilization, plus the subtitles and extra content. Some of these panels are split up into a bunch of very short videos, so it would also add value if I can combine them into something more sequential and cohesive. (I found 130 videos from the Jared and/or Jensen panels at LA 2009, and most of them were under 2 minutes long. 🤣) I don’t know if there’s enough footage to cover the entire panels seamlessly, but I’m itching to get my hands on that jigsaw puzzle of videos to try to make sense out of them.

So… the next videos I intend to work on will be from Vancouver 2009. This is one of the conventions that AgtSpooky attended and sent me videos for and they upscaled very well. Her breakfast video had already found its way onto YouTube, but wasn't properly credited. Her main panel videos aren't on YouTube as far as I could find, so that version may be new to newer fans. I'm only just starting to play around with upscaling the other sources out there, but my first attempt at the other main Breakfast source came out well. Both breakfast videos were taken from extreme opposite angles, so that should provide some useful editing opportunities. I’d still love to get more videos of this event if anyone has them.

If you made it this far, I am in awe. Sorry for putting this wall of text on your screen! 😅

[necronatural]

What's Up With Dante's Name Anyway

It's fairly evident from the start Dante's name is not actually Dante. They express superficial "I've kind of heard of it, but idk what that is" reactions to a number of things, but make it clear that "Dante" is completely alien to them. Their own name!

Notable is that the sinners will write/embroider? their own names on their coats.

You can see Rodion uses her nickname, how she would like to be referred. DonQui's as the standard, a little uneven but clear and readable. Yi Sang wrote his in lowercase. Ishmael started writing hers, then before she finished tore the lower half of the coat off, preventing her from finishing her name. Gregor's is distorted; why that is is unclear, but the top 2 options are "he's right-handed and couldn't fix it once the mistake was made" and "he never learned to write to begin with". His profile seems to be the only one that's been typed out, so either way, he physically struggles to write, thus proving these are written by the Sinners personally.

Now look at Dante's.

They've interpreted the name phonetically. It's so alien to them they don't even know it's Italian. This is absolutely not their name.

Now, important to note Dante is a sinner too! They're in the lineup as #10, and they have a subtitle name just like the rest of them, "DURANTE". Durante is the poet Dante Alighieri's full name; "Dante" is a nickname, a term of familiarity.

Coincidentally, while their profile doubles down on "Dante", their jacket in that profile is written with...what's this??

DURANTE. The subtitle name.

Now, the subtitle names (purpose unknown) are also written out on the sinners, also clearly written by the sinner themselves, in their native language. On their weapons! (Mostly; Yi Sang's is on his bag, and as his knife is sheathed and obscured we can't tell if it's on there as well.)

Notable is Outis, of course;

Her subname is just her name. That's because she's based on Odysseus; "Outis" is a pseudonym, the written word's first John Doe.

This makes the reversal a little strange; going by a LC-assigned pseudonym, but your subtitle is your true name? That doesn't sound right. While it's obvious Dante can't go by their real name (their identity is being withheld for a reason, as mysterious as it may be), something is up!

My current theories are

Funniest possible option: They've been provided with a nickname as their alias, which is alien because absolutely no one has ever referred to them by nickname before

Durante is a surname; they would never be referred to as "Dante" because their first name (notably missing from their promo art's coat) is the one that would get a nickname. Notable that Durante is generally a surname nowadays.

Durante is just an alias, just like Outis', but can no longer be used due to the secrecy around Dante's previous identity

Durante is the name of D corporation (D-corp being where Dante was found, and the region that is soon to experience a mass-death-event of around 200,000 people in June of 985), which they are the CEO/Face of

Durante is the name of a specific role within the D Corporation that is self-evidently very high up, possibly tasked with being the interface for their Singularity (their Star?)

[kamehamehamlet]

Revival Project Update: The 2024 transformation! 👀👀

Thanks again to everyone who has shown support since we announced the project less than a month ago. I'm so excited to share more details about our goals for this year! I previously mentioned that I'm working to make the script available this year, what I didn't mention is that I'm revising the script, and you will be able to experience KamehameHamlet with a special staged reading of this transformed play with the original KHH cast and director on board!

The reading will be streamed online and recorded for later viewing, and following the reading we will make the revised and original scripts available.

There is one more very meaningful and super radical detail you can see here!

Be sure you don't miss the details by signing up for email updates at KamehameHamlet.com and read on to learn more about the script and staged reading!

More about the script

Why are you rewriting the script?

I'll share another post this weekend breaking down the reasoning behind the rewrite. I'll link to that post here when it's up!

How will the scripts be published?

At the very least, both scripts will be available in digital form for anyone to read. However, I will also be looking into options for printing physical copies.

Will we be able to perform the script?

This is a goal of mine, so I'm looking into options that can support myself and Play-Dot while also making the play accessible to artists of all budgets.

Any way this new version will let me be pedantic to strangers online?

Yes! The original KamehameHamlet had the subtitle 'Good Night Saiyan Prince' the revised version uses the subtitle 'Waiting for Goku.'

More about the staged reading

What is a staged reading?

Staged readings can be pretty varied, but in general, it's a stripped-down production without costumes, lights, blocking, etc. Actors are familiar with the script and may have gone through some rehearsal, but aren't expected to memorize lines.

Why a staged reading and not a full production?

I answered this question yesterday which you can read here. In summary, a staged reading will be a much easier goal to accomplish with fewer risks involved.

What should we expect from a staged reading of KHH?

A lot of these details are still up in the air. Whether we gather the actors on zoom, or bring everyone together with a professional recording equipment, the goal is to make sure it's available for people to view online. To that end I'm looking into costs for a few different levels of quality, and following that we will look into options around funding.

I want the staged reading to be incredible, how can I support it?

Right now, the best way to support the KamehameHamlet Revival Project is to:

Sign-up for email updates: This tells me you are willing to navigate off of Tumblr by a few clicks, to support or view KHH content.

Follow this blog: This helps to make sure you don't miss updates!

Share our posts: Amokslime's original post is nearing 20,000 notes. First of all, that's insane! However, the majority of people who have seen that post still don't know we are working to bring KHH back. You can help spread the word by reblogging our updates and if you see a mutual sharing the OG post, consider reblogging with our announcement!

[tobiasdrake]

Watching episode 2 of Ranma reboot and it remains like a blast from the past.

Gonna be posting spoilers and screencaps to talk about it, so all of that's after the jump.

I'm sorry that I didn't appreciate the slapstick of the original manga because Rumiko Takahashi is kind of brilliant at it.

This gag sets you up to think Akane's about to hit him for yelling misogyny at her early in the morning, but then out of absolutely nowhere his fucking dad erupts from the aether and clocks him for it instead.

That's fantastic. It uses the familiar language not just of Ranma and Akane's established dynamic but of tsundere romances in general to set the gag up, and then hits it with a startling and unexpected swerve that still pays it off but in a way the audience didn't see coming.

Speaking of Genma, bits like this:

Ranma defeats Genma using the "Look, a distraction!" technique and it's funny because he won with what most martial arts anime would consider a cowardly tactic.

But it's funnier when you know the actual art he practices, 無差別格闘流 musabetsu kakutou-ryuu. Separately translated as either "Anything Goes Style of Martial Arts" or "Indiscriminate Grappling". The latter of which is hilariously specific, as 格闘 kakutou can mean wrestling or grappling but simply refers to weaponless styles of hand-to-hand fighting.

He's a fisticuffs brawler by trade, contrasting the various adversaries he faces throughout the series who are mostly tool- or weapon-based fighters, to varying degrees of esoteric oddity.

But what makes this so funny in hindsight is the "indiscriminate" part. Ranma's martial art is built around the idea that there are no rules and whatever gets you to the finish line is fine. This distraction isn't Ranma being cowardly; It's actually part of his martial art. This is how he was trained to fight. XD

You know, I actually forgot that Dr. Tofu... existed.

But setting that aside, once I remembered who this guy is, I forgot that he's implied to be an exceptionally talented martial artist. Capable of masking his presence so thoroughly that even Ranma can't detect his movements.

That's really interesting. To my recollection, Dr. Tofu never has a single fight in the entire series. Instead, his expertise simply serves as an explanation for his familiarity with all the wild and bizarre mystical maladies that come his way.

It lets him be like, "Oh yeah, the reason you're deathly ill is because someone hit you with the 5,000 year old forbidden Chinese Slow Death Syphilitic Pressure Point technique. Here, let me apply the three-step acupressure reversal technique that was lost to history."

But now I.

I kinda.

Want to see him fight.

(Has this dude been like the DBZA Popo of Ranma 1/2 this entire time?)

HAHAHAHAHAHAHAHA She clocks him with the water kettle to make him respectfully bow.

I did not have the cultural context to understand that joke when I was young.

Rumiko Takahashi is so good at slapstick.

Yeah, okay, I don't remember half of what I said about Akane when I was young but I recant all of it. She is so fucking cool.

Imagine if you had to do this every single morning. Every morning. No exception. Just to get to school. At sixteen.

And keep in mind that this is sexualized violence. These guys are trying to overpower her because they think she'll have to be their girlfriend if they beat her up. Every single one of them is sexually harassing her. With violence.

Fuck this entire situation, y'all. I hope she gives them all life-ruining physical injuries that ruin their ability to get scouted as professional athletes at this critical age and turn them into bitter and misanthropic thirty-somethings whining on the couch about how they peaked in high school.

That's probably not how it actually works in Japan. My American is showing. But nonetheless!

She said "Kuno-senpai". She addresses him formally using his last name because that's a normal thing to do in Japan.

Subtitles, why are you changing the way characters speak to each other? The show is released with a dub and a sub alongside one another. If people are choosing to watching the sub, they don't need you to hold their hand and Americanize it for them.

She correctly calls him Kuno in the dub here. The dub is more accurate than the sub about this line. Don't. Do that.

This guy is such a dweeb he makes Jou-senpai look cool. They nailed Kuno, King Dipshit of the Jackass Mountain Akane has to climb each morning.

This is the guy who came up with the whole "Whoever beats the shit out of Akane may claim her as their trophy" thing. He probably watches Andrew Tate videos and writes internet screeds asking why women don't respect his authority and strength. Fuck this guy.

Seriously. He just. Said this. About some girl in another class. And the boys in the school were all like, "Oh, yeah, that sounds reasonable. First one to break her leg gets the girl! Thanks for showing me the best way to express my masculinity, bruh!"

A wacky setup for Akane's personal background but also a chillingly accurate metaphor for how the Manosphere functions.

For his part, it's pretty clear that what Kuno is attracted to is martial strength. He becomes interested in the "Mystery Girl" that appeared after Ranma "fled" pretty much right after she beats his ass.

He's kind of an interesting parallel to Shampoo in that regard. I never really thought of that before, but both of their interests are predicated on how strong Ranma is.

He also makes for an interesting dynamic for Ranma, from a gender perspective. Ranma's curse and the constant menace of Kuno forces Ranma to endure firsthand the kind of harassment that Akane has to undergo in her day-to-day life.

Of course, this being Ranma 1/2, Ranma's going to be getting that from both genders throughout the series. Rumiko Takahashi created a harem dodecahedron for her story, with Ranma and Akane being beset not just by rival suitors but also by rival suitors for their rival suitors trying to kill them and win the rival suitors' love.

Kuno's just one of the crowd.

But it was nonetheless an interesting choice to give Ranma a toxic male harasser as one of his suitors, that speaks to the interesting gender dynamics at play in the series.

One last thing. Something I really love about Ranma 1/2 is the way it uniquely changes the experience of just. Being around water. Like, the ever-presence of water especially in an island nation such as Japan is a constant threat.

You really don't think about how much water there is in everyday life until you have a Jusenkyou curse.