Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.
Din created the body, naryu the mind, Farore the soul.
And the triforce and its wielders so perfectly reflect that.
Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.
Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.
Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.
They sit in perfect parallels to each other.
And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.
Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.
Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.
Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.
But the other direction?
Fire melts ice, ice redirects lightning, lightning burns fire.
In this scene, Armand looks at Daniel and his eyes say "how could you do this to me?" These looks aren't anger or of someone who is about to attack Daniel. This is hurt and shattered expectation and panic blended into one. There's always an expectation in Armand's eyes whenever he looks at Daniel in Dubai.. an expectation of not being on the receiving end of any of Daniel's hostility. Like somehow Daniel's true anger and malice is unbearable to Armand.
+Bonus
And this is the face of someone for whom seeing Daniel hurt is.. not a happy experience.
If it's not too much to ask, what would Megatron's origin be then?
Ooohhhhehe I love this one.
Megatron is Dredge, a living stone statue or stone giant. Living in the far future. Not as far as Brainstorm, but in the future.
He gets a medical degree, suffers sleepless nights before an exam, and writes poetry. The regular mechs treat him with a little wariness, but no more than that. Overt oppression of monsters is long past, thanks to the efforts of Orion and many other mechs.
Megatron has never and will never meet Orion Pax, but he can see him if he looks at illustrations in historical articles.
I cannot be the first person to point this out, but I never quite processed until now just how much the "cracks" spreading out from Luna's Mark on Vanitas resemble Altus's sky.
We know the spreading cracks from Luna's Mark are related to how Vanitas is being rewritten, and we know that Altus's existence traces back to the rewriting of the World Formula during the Babel incident, so it seems like this cracking effect is caused by Formula alterations. But in what context? We see lots of formula rewriting in this series, including some pretty massive revisions in Gévaudan, and I can't find or recall any other instance of reality cracking into spiderwebs like this.
Vanitas's Mark contains the power of The Vampire of the Blue Moon, and Altus's cracks center on its moon, so maybe that has something to do with it? Or perhaps it's a sign of a rewriting's instability, since from what we see with Misha, becoming "something else" as a result of the Mark is not a good or stable state of being for the blue moon boys.
In any case, there's no real way to know what's up with this right now, but this connection has been haunting me since I finally caught it this week.