#the singing mannerisms
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iwanthimtocallmebaby · 3 days ago
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IM DYING HIS HAIR 😭😭😭😭 hes so precious im crying
Stephen Sanchez - Unchained Melody
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It's gonna be my BIRTHDAY soon and I really need to rustle up some CASH so if u feel like this blog has made your life MEASURABLY WORSE (or just weirder) over the past year, perchance consider tipping your town fool? THANK YOU (kofi / paypal)
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bassboosted-moon-chao · 5 months ago
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I think they'd be friends if they ever met. They deserve to.
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mikuni14 · 7 days ago
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15 Day BL Challenge - Day 4
Day 4: Fave Ship Dynamic
Since I can't choose one favorite dynamic, I'll allow myself to write a few:
EQUALITY in a relationship will always be my top priority, which I understand as a situation where no one is exploited, or led like a child in the relationship, or dominated, even if one of them is naturally dominant. To make it more complicated, I actually like relationships in which one is clearly more dominant, for example stronger physically, or in the hierarchy, is richer, has power, BUT NOT OVER THEIR LOVED ONE, is actually even dependent on him. The point is that both have the same power over each other, are equally dependent on each other, both support each other to the best of their abilities, no one gives more or less. It is ideal when the seamingly "weaker" one has even a slight advantage in the relationship, to make it more fair. A good example of this relationship is Hannibal or Nagron 😋 There are many BL series with equal characters, most of them will appear below (but I'll start with a gif of these guys, equal in everything, and that widening of Zhou Zi Shu's eyes at the sight of Wen Ke Xing is one of the best things in BLs I've ever seen 💖)
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most often, equality in a relationship goes hand in hand with my second favorite dynamic: when both are mature. I LOVE it when a couple is made up of adults, mature people who know who they are, know that they are interested in each other and the only obstacles in their relationship are external. From BL series, these are: Laws of Attraction, Manner of Death, Jun & Jun (excellent examples 10/10) as well as The Untamed, Word of Honor, KinnPorsche, 4 Minutes, Our Dating Sim, To Sir, With Love. This equality and maturity can just as well appear in series with young characters as in The On1y One
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my other favorite dynamic also goes hand in hand with equality: when both are smart, they are professionals in what they do, like in The Sign, Laws of Attraction, The On1y One, Be Loved In House: I Do, Jun & Jun (see the gif above) and of course The Untamed and Word of Honor (I can't help but mention Beyond Evil, The Devil Judge, Killer and Healer, not BLs we all know better 😎)
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when both are good at communication, I love it when characters TALK to each other, even when they argue, as long as they COMMUNICATE
the best and the rarest: when they trust each other and believe in each other, that the other person will handle the truth, the problems, that they will help, that TOGETHER THEY WILL DEAL with whatever life throws at them, when they talk about what's going on in their lives including the bad stuff, no noble sacrifice and keeping the loved one in the dark "for their own good". It's very possible that in all the BLs I've watched there was a couple who was honest with each other from the beginning until the end, but I can't remember one now... (Beyond Evil, Love in Translation started doing it by the end)
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but I also like it when someone in the couple is unhinged, crazy, like Sahashi in Cosmetic Playlover, or a himbo like Sprite in Twins, or a golden retriever type but a real one like in Sing My Crush, especially when the other one is a bit grumpy and gloomy, like in those series, I love it!
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I also like calm, stoic, solid types, at the same time totally whipped for their loved ones 🥰 such as the characters played by Noh in Nitiman and Oh! My Sunshine Night. Special mention should be made of someone similar to this type, but also noble and old-fashioned in a charming way, like San from Century of Love, and the guys from To Sir, With Love
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eyebulb · 1 day ago
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Also... Bryce bryce bryce bryce bryce motherfucking bryce....
What a great fucking casting choice.. What a fantastic fucking performer.. What a beautiful beautiful voice..
Maaaaaan.. He's the biggest reason to why Stolas is my favourite.. What a character your performance makes him, mr. Pinkham ❤️❤️❤️❤️
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booksandmore · 3 months ago
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hot take alec lightwood listens to olivia rodrigo
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apathetic-tortoise · 10 months ago
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Tin, after sleeping 4 hours in 2 days due to several exhausting shifts, a long night up with Zebra, and an annoyingly long staff meeting at the hospital: Guys please can you quiet down? I can’t focus
Fang, Sing, and Gap looking concerned: We haven’t said anything in the past 30 minutes??
Bunn on his 52nd hour of no sleep full of caffeine: You hear the voices too?
……
Tan: *Drags Bunn out so he can force his husband to get some fucking sleep*
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patrickztump · 4 months ago
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unfortunately for all its haters, my songs know what you did in the dark live fucks incredibly hard
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hoperays-song · 11 months ago
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Marcus and Fighting
Ok, I wanna talk about something real quick: where did the fandom belief that Marcus is aggressive come from?
Like he's not? The few scenes where we see him upset are scary, yes, but he never physically lashes out at any character in them. He slams his hands down on a table in the jail disownment scene, which is a common behavioral cue of frustration. And he looks mad... which makes sense because he's in jail! I don't think many other people would be that happy about that situation either. Yet he never hits the glass, threatens his kid physically, or raises his voice more than one time. Did he handle the situation well? No, but I wouldn't call that straight up aggressive.
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He was upset and frustrated, so his body language said that. He's in an extremely stressful situation and is having to mentally process a lot. Everything is going to be big emotions for him, but that doesn't make him aggressive for feeling those.
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And as for the bank robbing stuff? The nearby police didn't know of the crime until the alarm goes off. Most banks have a hidden button at every desk that deals with customers that alerts police silently of a robbery. The fact that the nearby police were clueless means that button was not pressed and therefore the people in the bank likely didn't see them either. They didn't hurt anyone.
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And then, when they were caught by cops later in the movie? They didn't even try to run, let alone fight. Marcus, along with the others, turned himself in without any fuss. Not what you would expect if someone was a violent and aggressive criminal.
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And as for in the second movie? Neither Marcus, Stan, or Barry throw the first punch. In fact, they only act defensively. They're trying to keep the guards out of the theatre. That's it. They don't go out of their way to attack Suki or Jerry when they are just standing there because they aren't posing threats to the troupe. And the gang was just defending them, not going out and picking fights.
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See? Jerry was fine, despite clearly being a Crystal employee. If Marcus or any of the others had been trying to hurt people, he would have been hurt. But they left him alone.
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They even wait to make sure that the guards are going to attack them and only move when they do, going by school rules of "never throw the first punch and make sure you have witnesses to prove you didn't". Technically, since they did that, they could argue self-defense.
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And they did also give them the chance to just walk away as well, gently pushing Jimmy away when he tries to get in.
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Sure, Marcus enjoys boxing. But that doesn't mean he's an aggressive guy. I did years of martial arts and was pretty good at it but I still flinch when I see people get paper cuts and avoid conflict like the plague. It was just a sport I liked. The same is probably true with Marcus.
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Besides, we see Johnny do boxing as well and I don't think anyone could possibly ever call that ball of anxious energy stuffed inside a theatre kid's body aggressive.
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Marcus is not actually committing acts of outright aggression in the two moments that he's commonly marked as being aggressive in. Instead he's upset/frustrated and protective. He never actually harms a character without an actual reason to do so, with the only reason we see being his son potentially being hurt. He's not aggressive, he's just a parent with emotions.
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honeydewcorporation · 1 year ago
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Shout out to Fantasy Name Generators for coming up with the best character ever concived
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bmpmp3 · 2 months ago
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Now I will probably buy kotarou maghni when he comes out if not just to encourage the planned other vocals although out of all the virvox characters the teens are the least likely to be used very often by me outside of group songs. Now I do selfishly hope the next one announced is akashi because he's my second favourite and I Want His Voice. the bits I've heard of his vp has a lot of nice depth but also some really charming anime-boy-idol type of solidness which id really like using
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kiosdah · 8 months ago
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The april fools covers are UP and may I say, whoever had the idea of putting Honami Mafuyu Shizuku and Luka together was so right, what a good combo
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pixiedust-poppers · 5 months ago
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Bc I have peaked in English, I’m going to be listening to various episodes in different languages starting with Korean.
And so far, I don’t know how to describe it but they just sound *younger* than they already sound in the English version
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violetsareblue-selfships · 8 days ago
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hah, i'm getting a bunch of tiktoks about people fawning over the chibi sunday from the program today (and yes, he was cute) but like I'm mentally applying those same mannerisms to robin (like how he covered his eyes with his wings or how they'd twitch when he was visibly happy)
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thewhizzyhead · 9 days ago
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being a busy ass student with student journalism gigs on one hand and comm academic shit on the other is very interesting because with the jam-packed life I live I only really get to breathe at like late lAAATE night when no one can bother me about my responsibilities other than myself. that being said that's also when creative brain goes into overdrive and now misfits finally has the final draft of its opening number woo
#so heres the thing kasi the opening number of that damn project hAS BEEN THE HARDEST TO WRITE#i believe at this point there had been morethan 10 drafts gjdjd because like heres the thing with that number specifically#misfits is a fourth wall breaky show within a show and the 5 narrators (and 1 misfit which i'll get to in a bit) knowingly perform#to appease the audience. hence the opening number throughout the years has reflected that - a performance that breaks the barrier between#audience and stage. even when misfits wasnt a show withjn a show concept this had always been the general treatment so that the audience#actually GETS whats happening - but i always come to changing it because well i also wanted to add foreshadowing factors: somehing that#suggests that the show isn't actually all that it seems. previous drafts had this show through the typical Tagalog - Real#and English - Scripted element in the show - language being used to determine authenticity. however that begs the question of how to#properly utilize the Misfits in the opening number - given that two of them dont know about the Show while the other is confused#and then at 2 am i remembered Hermes from Hadestown and boop a lightning bulb#instead of opting for opening numbers that had hints of sabotage or theatrical malfunctions that suggests that the show is Not What It Seems#i thought - why not have it 'malfunction' at the start and have it introduce the wrong character first 5 minutes before the Narrators come#so basically after the Producers (represented through um P.A. voices smth like that) welcome everyone - what is supposed to be the#introduction of the Narrators first ends up as the introduction of the 3rd Misfit (Zeke - 18 - nb) who appears genuinely lost#they appear genuinely in distress though they keep themselves composed at the realization that they are facing an Audience#and they Know this because he was formerly a Narrator as well - though at this point in the story nobody (bar one) knows that#they decide to take their time in chatting with the audience while charming them using their old Narrator tactics in order to get a grip on#whats going on - being a first step towards how involved the audience will be in the story as Zeke then goes to question them outwardly on#the morals of the story they expect and whether it is ethical to have children forcibly conform to religion in the first place#but they do so in an entertaining Bo Burnham manner - a way that doesnt catch people off guard until They Want To - because ayun he#plays by the rules of the show#this doesnt seem like the 'opening number' yet does it but im getting there fjd because once they sense that the narrators will be on stage#as a memento they teach them to sing a melody that will serve as Zeke's motif - something that will eventually scare the lead Narrator and#the Producers - because whenever the motif is sung it means that someone has Broken a Significant Part of the show#especially since the Motif was um lets say its from a now defunct show the Producers and Zeke and the Lead Narrator used to have#that melody will then be subtly present throughout the entire opening number of the Narrators - which will then be played straight#but with the Misfits make their pre-official-introduction appearances by forming the bridge of the opener using the Motif#thats when we learn of the show being compromised from the very start - especially with the lyrics of the motif expressing doubt in faith#personal shit (ran out of tags whoops but um yea basically its Have The Audience Have A Hint to Whats Going On Through Recognizable Motifs)#(also the motif the audience learns is a melody - Zeke (and the lead narrator) changes the lyrics as they go) (also sorry for the ramble)
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ghostieblotts · 14 days ago
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2, 10 and/or 13 for Owen ans the hc ask game?
Send a character and a number and I'll tell you a headcanon or perception that I have about this character's X!
Oooo these are some tricky ones!
-2- family
In all honesty I do not have a lot in the way of headcanons about Owen's family. All I really have is that, by the time we first see him in the show, most of his family are either estranged from him or dead. He seems so isolated as a character that I can't help but see him as being mostly alone in the world except for Curt - and we all know how that turns out.
-13- ideals or philosophies
I wish I had more to say for this one. I think that, as a spy, he always had a 'trust no one' kind of mentality to some extent, but it only fully took root after the fall. He has probably never been truly honest with anyone since the fall, not even himself. And, I suppose, if you can't trust anyone, you have to make sure you put yourself in a position where no-one has the power to betray you again.
-10- posture/physicality/movement
I spent most of yesterday thinking about this one. Time for assorted thoughts.
I think that when he was younger, Owen stood with almost all of his weight on one leg, and very little on the other. Since this isn't a particularly steady stance, over time he had to deliberately develop a more even weight distribution that was more practical. After the fall, he tries to maintain this more even stance, but often ends up favouring his good leg. He's not happy about this.
Following on from this, when he isn't thinking about it, he naturally holds his head at a slight angle. He deliberately avoids doing this most of the time though. It's originally part of the same kind of thing as the lean, and becomes more persistent post-fall.
I think that overall his movement is flowy, punctuated, and theatrical. I tend to imagine him moving in arcs, lingering with an air that seems deliberate. He'll sometimes maintain a point of contact with something he is walking past (I'm thinking about tables here). In the show, his movements are very punctuated too - he talks with his hands a lot, and there's the moment where he tilts the shot glass on the table to match the beat of Tatiana's words. I see this kind of thing as being a key part of his movement, and also like the idea that he holds on to things longer than he needs to/only ceases contact with an item when necessary. I also imagine him often holding one or both arms higher than they necessarily need to be - I see him not liking having his arms just hanging loosely at his sides. This connects with his tendency to talk with his hands and add those kind of theatrical flairs to everything - it helps him think, it's fun, and it's something to do with his hands. In certain situations he does deliberately keep his arms by his sides to walk more 'normally', but when he's at ease I imagine him keeping one arm up, bent with his hand around chest level, just tapping his fingers on the pad of his thumb or fidgeting some other way.
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