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hoshigray · 1 year ago

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Hiiii, I have a request- could you do like jealous or after arguement smex- you can pick any sort of of storyline or any jjk character. (prefferbly a character like sukuna or toji because i feel like they'd be kind mean about it)

Tyy

𝐚. 𝐧𝐨𝐭𝐞: oof, i think after an argument, sex w/kuna would go crazyyy (esp true form! like yikes)

⊹ 𝐜𝐨��𝐭𝐞𝐧𝐭𝐬: true form! Sukuna x fem! reader - explicit content; minors DNI - size difference - fingering (f! receiving) - impact play (spanking + pussy slaps) - clitoral play (grinds, swipes, and pinches) - biting - pinching - degradation (bitch, whore) - monster-fucking (he got 2 dicks) - double penetration; anal and vaginal - backshots/doggy position - pet names ([little]dove, my wife, pet, woman) - multiple orgasms - mention of drool/spit and blood.

⊹ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 1.3k

You dare avoid him? The King of Curses? Did the screws in your brain finally come loose, and now you’ve gone mad?

Ryōmen Sukuna rarely lets things slide. He is considered the top dog of the cursed Jujutsu world – he doesn’t find himself bowing down to things because things are supposed to bow to him. Anything and everything doesn’t go unnoticed under his gaze, as that’s the order of things that are supposed to happen.

And this philosophy doesn’t stop with you — his little dove.

Being engaged to a human spouse already raises flags of inconsistency. It isn’t rare for you and Sukuna to argue; the workers of the fortress where you reside can attest to this. The love is there, but Sukuna expects you to understand your standing in this marriage. You may be what he always keeps by his side. However, even you shouldn’t overstep him so carelessly.

Nonetheless, your humanness continues to poke him; your resilience is a thorn to your giant husband’s side. The more disagreements you clash with him, the bolder you’ve become in your standing, which makes the cursed man proud, albeit prefers it wasn’t directed towards him.

And now, after he puts his thunderous foot down and shuts you up with your bickering, you decide to be courageous enough to turn your back on him? Him? Your betrothed? He couldn’t believe what he saw; your expression molded to neutrality before you turned on your heel and headed somewhere away from him. And then you don’t respond when he calls out to you — the absolute nerve.

Oh, you knew Sukuna wasn’t the one to be daring with, especially when you think you can get the last laugh. So, it would be best if he corrected your foolishness.

“—Dahhh! Su’kunaa, stop! Let go—Ohhh!”

“Shut your mouth. Think you’re in any position to order me now, huh?”

He has you pinned to the tatami flooring, his upper hand on your head to keep your cheek printed on the mat despite your cries. The upper right hand has a good hold on your waist while his lower right hand grips your ankle to keep your legs spread. And with the lower left, he uses it to tease and toy with your chasm. The mouth of his chasm laps around your labia to lick the fluids that coat your slit while his middle and ring fingers grind on your sore clitoris.

This is your punishment: your husband reprimanding you as he gesticulates around your body. You can cry and holler all you want, squirm out of his hold when knowing your efforts are futile. He doesn’t care because he knows that he will make this point to you no matter what.

The tongue of his palm easily swallows your essence, pushing the muscle into your cunt to fuck you. You nearly choke on spit, sensing the considerable muscle swirl around your insides and graze your walls. “Mmph! Oh, fuck—Nnnm! Sukuna, no! I just came seconds ag—Oooh!”

“Do I care?” He raises his sole pink brow, four red eyes scanning your figure, writhing because of his touch. “You will cum however many times I say, my wife.” He draws out the last words to your ear, enjoying how small you appear under his massive shape.

He lives for your shrieks, your pitch going higher and higher with every flick of his tongue. Swiping your clit makes it harder to maintain balance, your resolve slipping through your fingers with every push and pull of the abnormal tongue.

“Hahhh, ahhhshit, shiiiit,” your eyebrows scrunch together, nails purchasing on the tatami mat beneath you, which you’re sure your scratches would cause damage. Again, not that your jerk of a spouse would care; he is probably getting a kick out of you losing your poise because of him. “Ooh, ‘Kunaa, y’re going too fast…Nnnn !”

“Oh? Does the dove think I’m going too fast?” Sukuna licks the helix of your ear tantalizingly slow, and you gasp when he bites it while the mouth of his palm sloppily kisses the entrance of your vagina. “You wish to cum again, woman?”

You nod hurriedly, his chuckle rumbling to the core of your heart. The hand on your waist comes up to smack your ass, denting the skin by piercing his fingertips. You howl in pain, “Yesss, I wanna cum again!”

“Hmph, no,” he removes his hand from your throbbing folds before slapping it; the abrupt action erupts a choked sob. Screams fly out at the pinch of his fingers on your delicate bud; the pain from your chasm stings, making your head pound. “You’re not some whore who gets to cum when they want; you’re mine, and cumming without my permission will get you into predicaments worse than this. Are we clear, pet?”

You had no choice in the matter, propping your ass up and your face down, forcing you to take his two cocks with both of your holes.

“Aiishhh, oh Lord, Shhlow down! I’m t’oo full…!”

“Mmnn, khheh, I bet you are, grippin’ on my cocks like a real bitch in heat…”

His lower hands keep hold of your hips, keeping you glued to his pelvis as he pistons his fat dicks into your ass and vagina. The tip brushes on your inner walls, and you mewl at every push as the girth stretches your caves. His upper hands keep you held down to the floor, submitting you to his robust stature that easily swallows your small frame.

Your face is still on the floor, drool trickling down your lips as ineligible babbles seep out. “Nnmahh, ahhaa…!” God, he puts so much strength on your poor body; the inability to move or move away from him keeps you immovable for him.

Sukuna’s pace is unforgiving, propelling himself into your leaky wetness with no remorse. The fact that he has you come two times already doesn’t concern him; if anything, it aids him in pushing to and fro from your tight cunt. He bites his lip from how your rear contracts around him—so snug for his dual limbs as if you’d milk him dry.

“Fsshoo, ohhmy Go—Daah!” A hand finds its way to the left wrist on your shoulder. “Ohh, ‘Kunaa!”

Your wails are broken when he bends down; the added weight is so lethal that you might end up being pressed and being one with the tatami mat. “Hmm? What is it, woman?”

“—Ahhck! Fuuuhuck, pleaseee, can I pwease cu–Uhhmm?!”

You make him snicker, pulling back his rhythm to implement slow yet harsh ruts to your openings while throwing a slap to your asscheek. “Why should I let you?”

A tear rolls down your hot cheek. “Pleasee, forg’ve me! I shouldn’t have…turned my back on you...”

Crimson eyes narrow while observing the way your ass quakes from his powerful pounds. Sukuna then comes to your shoulder to bite on your shoulder, and of course, you yelp bitterly. The sight of his canines drawing blood from his mark dials his excitement. “Say it properly, pet,” he purrs as he licks the wound on your shoulder.

“Mmmm! Suk’naa, my Lord…”

“Hmm?” He cups and squeezes your cheeks with his upper left for access to kiss your neck, and the lower left snakes down to play with your clit again. You gasp from the sensation of the tongue of his stomach licking your back, the colossal muscle having you arch like a cat.

Rubs on your pearl have you squeaking for him and eyes rolling upward— all desperate and aching for your release that you could break any moment. “Forgive me for stepping out of line...Hooooh, I wanna cum on yer cocks,” you admit while swaying your hips. “Please allow me to cum.”

“Depends,” you gulp at his quick answer. “This will be your only kind warning for this; if you dare do it again, don’t ever think of asking me.” Sukuna licks your cheek before he chews on the flesh, your breath halting at the graze of his fangs. “Understand?”

Your brave side takes over to turn to him meekly, watery eyes meeting his fierce red ones – a good move on your part. “Yess, my husband…”

And he sneers. “There you go, little dove.”

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mostlysignssomeportents · 2 years ago

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Kickstarting a book to end enshittification, because Amazon will not carry it

My next book is The Internet Con: How to Seize the Means of Computation: it’s a Big Tech disassembly manual that explains how to disenshittify the web and bring back the old good internet. The hardcover comes from Verso on Sept 5, but the audiobook comes from me — because Amazon refuses to sell my audio:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

Amazon owns Audible, the monopoly audiobook platform that controls >90% of the audio market. They require mandatory DRM for every book sold, locking those books forever to Amazon’s monopoly platform. If you break up with Amazon, you have to throw away your entire audiobook library.

That’s a hell of a lot of leverage to hand to any company, let alone a rapacious monopoly that ran a program targeting small publishers called “Project Gazelle,” where execs were ordered to attack indie publishers “the way a cheetah would pursue a sickly gazelle”:

https://www.businessinsider.com/sadistic-amazon-treated-book-sellers-the-way-a-cheetah-would-pursue-a-sickly-gazelle-2013-10

[Image ID: Journalist and novelist Doctorow (Red Team Blues) details a plan for how to break up Big Tech in this impassioned and perceptive manifesto….Doctorow’s sense of urgency is contagious -Publishers Weekly]

I won’t sell my work with DRM, because DRM is key to the enshittification of the internet. Enshittification is why the old, good internet died and became “five giant websites filled with screenshots of the other four” (h/t Tom Eastman). When a tech company can lock in its users and suppliers, it can drain value from both sides, using DRM and other lock-in gimmicks to keep their business even as they grow ever more miserable on the platform.

Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

[Image ID: A brilliant barn burner of a book. Cory is one of the sharpest tech critics, and he shows with fierce clarity how our computational future could be otherwise -Kate Crawford, author of The Atlas of AI”]

The Internet Con isn’t just an analysis of where enshittification comes from: it’s a detailed, shovel-ready policy prescription for halting enshittification, throwing it into reverse and bringing back the old, good internet.

How do we do that? With interoperability: the ability to plug new technology into those crapulent, decaying platform. Interop lets you choose which parts of the service you want and block the parts you don’t (think of how an adblocker lets you take the take-it-or-leave “offer” from a website and reply with “How about nah?”):

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

But interop isn’t just about making platforms less terrible — it’s an explosive charge that demolishes walled gardens. With interop, you can leave a social media service, but keep talking to the people who stay. With interop, you can leave your mobile platform, but bring your apps and media with you to a rival’s service. With interop, you can break up with Amazon, and still keep your audiobooks.

So, if interop is so great, why isn’t it everywhere?

Well, it used to be. Interop is how Microsoft became the dominant operating system:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

[Image ID: Nobody gets the internet-both the nuts and bolts that make it hum and the laws that shaped it into the mess it is-quite like Cory, and no one’s better qualified to deliver us a user manual for fixing it. That’s The Internet Con: a rousing, imaginative, and accessible treatise for correcting our curdled online world. If you care about the internet, get ready to dedicate yourself to making interoperability a reality. -Brian Merchant, author of Blood in the Machine]

It’s how Apple saved itself from Microsoft’s vicious campaign to destroy it:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

Every tech giant used interop to grow, and then every tech giant promptly turned around and attacked interoperators. Every pirate wants to be an admiral. When Big Tech did it, that was progress; when you do it back to Big Tech, that’s piracy. The tech giants used their monopoly power to make interop without permission illegal, creating a kind of “felony contempt of business model” (h/t Jay Freeman).

The Internet Con describes how this came to pass, but, more importantly, it tells us how to fix it. It lays out how we can combine different kinds of interop requirements (like the EU’s Digital Markets Act and Massachusetts’s Right to Repair law) with protections for reverse-engineering and other guerrilla tactics to create a system that is strong without being brittle, hard to cheat on and easy to enforce.

What’s more, this book explains how to get these policies: what existing legislative, regulatory and judicial powers can be invoked to make them a reality. Because we are living through the Great Enshittification, and crises erupt every ten seconds, and when those crises occur, the “good ideas lying around” can move from the fringes to the center in an eyeblink:

https://pluralistic.net/2023/06/12/only-a-crisis/#lets-gooooo

[Image ID: Thoughtfully written and patiently presented, The Internet Con explains how the promise of a free and open internet was lost to predatory business practices and the rush to commodify every aspect of our lives. An essential read for anyone that wants to understand how we lost control of our digital spaces and infrastructure to Silicon Valley’s tech giants, and how we can start fighting to get it back. -Tim Maughan, author of INFINITE DETAIL]

After all, we’ve known Big Tech was rotten for years, but we had no idea what to do about it. Every time a Big Tech colossus did something ghastly to millions or billions of people, we tried to fix the tech company. There’s no fixing the tech companies. They need to burn. The way to make users safe from Big Tech predators isn’t to make those predators behave better — it’s to evacuate those users:

https://pluralistic.net/2023/07/18/urban-wildlife-interface/#combustible-walled-gardens

I’ve been campaigning for human rights in the digital world for more than 20 years; I’ve been EFF’s European Director, representing the public interest at the EU, the UN, Westminster, Ottawa and DC. This is the subject I’ve devoted my life to, and I live my principles. I won’t let my books be sold with DRM, which means that Audible won’t carry my audiobooks. My agent tells me that this decision has cost me enough money to pay off my mortgage and put my kid through college. That’s a price I’m willing to pay if it means that my books aren’t enshittification bait.

But not selling on Audible has another cost, one that’s more important to me: a lot of readers prefer audiobooks and 9 out of 10 of those readers start and end their searches on Audible. When they don’t find an author there, they assume no audiobook exists, period. It got so bad I put up an audiobook on Amazon — me, reading an essay, explaining how Audible rips off writers and readers. It’s called “Why None of My Audiobooks Are For Sale on Audible”:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

[Image ID: Doctorow has been thinking longer and smarter than anyone else I know about how we create and exchange value in a digital age. -Douglas Rushkoff, author of Present Shock]

To get my audiobooks into readers’ ears, I pre-sell them on Kickstarter. This has been wildly successful, both financially and as a means of getting other prominent authors to break up with Amazon and use crowdfunding to fill the gap. Writers like Brandon Sanderson are doing heroic work, smashing Amazon’s monopoly:

https://www.brandonsanderson.com/guest-editorial-cory-doctorow-is-a-bestselling-author-but-audible-wont-carry-his-audiobooks/

And to be frank, I love audiobooks, too. I swim every day as physio for a chronic pain condition, and I listen to 2–3 books/month on my underwater MP3 player, disappearing into an imaginary world as I scull back and forth in my public pool. I’m able to get those audiobooks on my MP3 player thanks to Libro.fm, a DRM-free store that supports indie booksellers all over the world:

https://blog.libro.fm/a-qa-with-mark-pearson-libro-fm-ceo-and-co-founder/

Producing my own audiobooks has been a dream. Working with Skyboat Media, I’ve gotten narrators like @wilwheaton, Amber Benson, @neil-gaiman and Stefan Rudnicki for my work:

https://craphound.com/shop/

[Image ID: “This book is the instruction manual Big Tech doesn’t want you to read. It deconstructs their crummy products, undemocratic business models, rigged legal regimes, and lies. Crack this book and help build something better. -Astra Taylor, author of Democracy May Not Exist, but We’ll Miss It When Its Gone”]

But for this title, I decided that I would read it myself. After all, I’ve been podcasting since 2006, reading my own work aloud every week or so, even as I traveled the world and gave thousands of speeches about the subject of this book. I was excited (and a little trepedatious) at the prospect, but how could I pass up a chance to work with director Gabrielle de Cuir, who has directed everyone from Anne Hathaway to LeVar Burton to Eric Idle?

Reader, I fucking nailed it. I went back to those daily recordings fully prepared to hate them, but they were good — even great (especially after my engineer John Taylor Williams mastered them). Listen for yourself!

https://archive.org/details/cory_doctorow_internet_con_chapter_01

I hope you’ll consider backing this Kickstarter. If you’ve ever read my free, open access, CC-licensed blog posts and novels, or listened to my podcasts, or come to one of my talks and wished there was a way to say thank you, this is it. These crowdfunders make my DRM-free publishing program viable, even as audiobooks grow more central to a writer’s income and even as a single company takes over nearly the entire audiobook market.

Backers can choose from the DRM-free audiobook, DRM-free ebook (EPUB and MOBI) and a hardcover — including a signed, personalized option, fulfilled through the great LA indie bookstore Book Soup:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

What’s more, these ebooks and audiobooks are unlike any you’ll get anywhere else because they are sold without any terms of service or license agreements. As has been the case since time immemorial, when you buy these books, they’re yours, and you are allowed to do anything with them that copyright law permits — give them away, lend them to friends, or simply read them with any technology you choose.

As with my previous Kickstarters, backers can get their audiobooks delivered with an app (from libro.fm) or as a folder of MP3s. That helps people who struggle with “sideloading,” a process that Apple and Google have made progressively harder, even as they force audiobook and ebook sellers to hand over a 30% app tax on every dollar they make:

https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112

Enshittification is rotting every layer of the tech stack: mobile, payments, hosting, social, delivery, playback. Every tech company is pulling the rug out from under us, using the chokepoints they built between audiences and speakers, artists and fans, to pick all of our pockets.

The Internet Con isn’t just a lament for the internet we lost — it’s a plan to get it back. I hope you’ll get a copy and share it with the people you love, even as the tech platforms choke off your communities to pad their quarterly numbers.

Next weekend (Aug 4-6), I'll be in Austin for Armadillocon, a science fiction convention, where I'm the Guest of Honor:

https://armadillocon.org/d45/

If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/31/seize-the-means-of-computation/#the-internet-con

[Image ID: My forthcoming book 'The Internet Con: How to Seize the Means of Computation' in various editions: Verso hardcover, audiobook displayed on a phone, and ebook displayed on an e-ink reader.]

#pluralistic #trustbusting #big tech #gift guide #kickstarter #the internet con #books #audiobooks #enshitiffication #disenshittification #crowdfunders #seize the means of computation #audible #amazon #verso

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screambirdscreaming · 7 months ago

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Something that peeves me whenever I see another post going around with some variation on "autistic people take things literally which means we are the only people who communicate Clearly and Directly" is that - for any given statement, there is not one singular, agreed on, universal Literal Interpretation. If there was, none of this would be a problem!

The nature of language is that there's always some degree of interpretability. Words have several different meanings, often overlapping, and there's nuance of context, cultural references, and so on.

Faced with a statement, most people will quickly come up with an interpretation that to them makes the most sense. But if you asked a roomful of people to explain in detail their interpretations, everyone's would probably be a little different, even for a pretty simple statement. Regardless of whether those people are autistic! Everyone conceptualizes the world a little differently, and everyone has a unique personal history of all the language they've encountered, and these things effect our interpretations.

In order for communication to be workable, given this slosh in interpretability, there's another couple of processes that go on. As conversation goes on, people reassess if their initial interpretation matches up with additional context. If it doesn't, they revise it, or ask clarifying questions. And on the flipside of this process, the other person in conversation is tracking if your reactions make sense with *their* understanding of what they're trying to convey to you, and offering context or rephrasing things if it seems you're out of alignment.

These processes are social skillsets that are, like most social skillsets, not ever directly articulated or explained. Many people are bad at one or both. Sometimes you encounter someone who is really, notably good at it - the vaunted "good listener", who puts in the effort to really understand what you're trying to say, or that really excellent teacher who engages with you back and forth until you really get it. But a lot of the time, it's a sort of passive social friction - people just not getting each other.

Sometimes, you encounter someone whose brain works so much like yours that talking to them feels almost effortless - you just get each other. But that's a pretty rare occurrence for anyone. More often, as you get to know someone, you start to understand the shape of the way they interpret things and learn to account for it, so over time it's easier to make sense to each other.

It's honestly not uncommon in society for people to aggregate in groups of people who interpret things similarly, and who are thus easier to talk to, rather than actually building the skills of communicating across interpretation gaps. Particularly egregious are those groups of men who talk about Women as an incomprehensible monolith, but it turns up to a greater or lesser degree on a lot of levels.

I suspect this is the root of a lot of parenting problems - people who have never built this communication skillset, and relied on choosing friends who make sense to them without a lot of effort, and who are then totally unprepared to interact with a child who interprets things in ways they don't expect.

Obviously I can't speak to The Universal Typical Experience, not least because it doesn't exist. But in general I would posit that:

Most people, give or take a few assholes, are not trying to say things that are confusing. Most people think they are communicating clearly, because the first interpretation *they* would come up with on hearing one of their own sentences is the correct interpretation.

Many people are not very good at accounting for different ways people could interpret things they're saying. However, it is normal and polite social behavior to be somewhat flexible about this and forgiving of misunderstandings. If people are being shitty to you about not understanding them, they are assholes. And I wouldn't assume that the rest of the communication they have with everyone else they know goes totally smoothly for them.

I suspect there is a bit of an unfortunate feedback loop, where people have bad experiences when someone gets mad at them for not getting something, and learn to hide when they're confused. Which then leads to larger, more complicated misunderstandings, which other different people get upset at them about, because those people think they should have asked for clarification in the first place.

Truly you can't win with everyone. No one can win with everyone. There is no monolith of "neurotypical communication" which resolves all these contradictions - all those people you're lumping in together under "neurotypical" have just as much trouble with each other.

#this post brought to you by: the irony of people in the notes of a post about Literal Direct Communication arguing about #what would be a clearer and more unambiguous way to express the sentiment meant by 'autistic people take things literally'#'no *your* phrasing is even *more* confusing it should be -' do you see the problem yet perhaps #Look. If someone says 'I'm the only person who communicates Clearly and everyone else is the problem'#what I hear is 'I have no ability whatsoever to account for other ways people might be interpreting things differently from me'#This is all pretty longwinded. I might try to revise down a more concise version.#Concise is hard for me; that's something I'm working on #I just took out a paragraph about literal vs figurative language because it was clunking things up #But the long and short of it is that those aren't as clearly seperable as people sometimes claim #For one thing I often see 'literal speech' used to mean 'i think the interpretation is obvious' which is sure. A tautology.#anyway sorry for my rambling slash thank you for reading it #long post

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ivorivet · 2 months ago

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Fellowship Cloak Weaving Draft

Hi all! I've been kind of quiet on this blog, but I have something really exciting to share today: after six years, I FINALLY figured out the weaving draft for the Fellowship cloaks from Lord of the Rings.

This is a problem I've been trying to figure out since shortly after I made my Legolas cosplay in 2018. The cloaks that the nine members of the Fellowship receive in Lothlórien look like a nondescript gray fabric from far away, but zoom in and you'll see a very complex pattern of horizontal and vertical bars of dark gray and white.

(First image from Alleycatscratch, second is a photo of the scarf of the same fabric I bought from Stansborough where I was attempting to trace the pattern repeat with orange thread)

This is going to be a long post, so I'm just going to lead with the completed draft:

Imagine me Will Smith wife posing at this for the last 24 hours.

It's got the correct size of pattern repeat! It's got the five individual ripples! It's got that dumb little pattern break in the middle that breaks up the center of the leaf motif! I am OVER THE MOON about figuring this out, especially starting out with very little knowledge about weaving drafts in general. More ramblings about this type of draft and my thought process below:

This particular pattern is known as "shadow weave," a subset of color-and-weave where the pattern is created from the interplay of different warp and weft colors plus the weaving draft itself. To get an idea of how that works, let's start by looking at plain weave in one color:

The solid purple bar at the top indicates the color of the warp threads, and the solid purple bar at the right indicates the color of the weft threads. So far we've got our basic under-over-under-over pattern in a single, solid color (purple). But what if we add an additional color (green) to the warp, and alternate those colors? Then we'd get a speckled fabric like this:

The visual effect looks pretty much identical regardless of if you start with green or purple. However, if you also alternate purple and green in the weft, it produces a very different effect depending on if you start with purple or green (note the differences in the bar on the right):

So cool, now we can make either vertical or horizontal stripes! If you double up on the colored threads in some areas, you can even flip between the two and start dividing the fabric into "blocks," like so:

Note that with all these changes, the only thing we've been doing is changing the order of the colors in the warp and weft. The actual weave structure itself is still just regular ol' plain weave. The pattern that we've created in the pictures above is called "log cabin," which you can read about here. But similar effects can be created by skipping shafts/picks in the weaving draft as well. So how do we get from log cabin into the more complicated and general category of shadow weave?

It's weird to describe how to convert a given pattern into shadow weave. There are multiple very good books with chapters on shadow weave as well as books entirely dedicated to it. Despite my best efforts, all these explanations still got so technical so fast it feels like, to me at least, asking a 6 year old to recite an entire Shakespeare play verbatim immediately after confirming that they can, in fact, sing the alphabet song. So I'm going to give my best shot at explaining it, and if it doesn't make sense, just blame it on me and check out some of the linked books above if you're really curious.

Think of shadow weave as a beauty filter for a black and white drawing. If you create a pattern out of black and white blocks/pixels/whatever, the shadow weave "filter" can be applied to it to create a similar pattern that preserves the shapes in the original, but makes them out of vertical/horizontal lines instead of solid color blocks. So in some of these books you'll find mention of converting a twill or an overshot pattern into shadow weave - that's what this is referencing. The original pattern (usually designated with light yarn) gets a secondary shadow pattern (in dark yarn) inserted into in between every other thread (also called an "end" when referencing warp yarns).

I got stuck at this point for literal years. I could find examples of weaving drafts using shadow weave, but couldn't figure out how to generate ones of my own. I imported some of the drafts I found in books into weaving software and poked around to see if I could push the patterns in the direction I wanted by changing individual elements. My experiments in changing individual warp ends and weft picks always ended up looking like stretched or compressed versions of the original pattern (when I was being careful), or incomprehensible garbage (when I was being daring). I even bought a sample of the fabric from Stansborough in the form of a scarf, thinking I could brute force it by using a magnifying glass to figure out the interlacements. I was able to figure out how large the pattern repeat was (approximately 160 x 80 ends), but otherwise I got nothing but eye strain. I ended up tabling the project and coming back to it every couple years, banging my head against it until I gave up.

Until one day last week when I was flipping through the Strickler book and saw this page:

And I was like

HOLD UP

IT'S HER

...or at least a close cousin of her. BUT IT WAS A START.

So the first step was to identify what about this pattern needed to change in order to make this look like the Fellowship cloak. Overall, the main differences were:

Pattern repeat on Strickler 304 was too small - it was 42 x 42 ends and I needed it to be somewhere in the ballpark of 80 x 80 before altering the repeat.

The Fellowship pattern has a weird vertical dividing line that runs down the middle of the leaf motif, effectively doubling the width of the repeat by creating two similar looking but different leaves. This was the change I was least concerned about, as flipping between vertical and horizontal lines is pretty a straightforward process as shown above with the log cabin draft.

Strickler 304 also has a different number of waves (peaks and valleys, or whatever you want to call them) compared to the Fellowship pattern. There are 3 waves in Strickler and 5 in Fellowship. Figuring out how to add these extra waves was the biggest obstacle for me to address.

And finally, a couple of things I didn't need to care about for the weaving draft: 1) the Fellowship pattern is elongated in the warp direction, but this has more to do with a little extra spacing between weft picks as compared to the warp threads. When weaving this you'd just need to make sure you don't beat it very hard and you'll get that tall rectangle shape instead of a square repeat. 2) Both patterns have mirrored symmetry around a diagonal line drawn through the center, meaning that for treadling I could "tromp as writ" or basically just mirror the threading diagram to get the treadling instructions. For reasons I can't figure out, the Strickler pattern isn't exactly tromp as writ but looks close enough to it that the effect is still there. But I don't really care enough to figure out why - the important thing is that it gives us a threading diagram to start with!

So to start with, here's what Strickler 304 looks like in my weaving software:

(By the way, this is Fiberworks PCW Bronze. The trial version is free, and the only difference between that and the paid version is that the save/print options are disabled. I'm not sure they know about screenshots, bless their hearts.)

This is a design for 8 shafts and 8 treadles, thus the 8x8 square in the upper right corner. And you can see in the threading diagram (upper horizontal bar) and treadling diagram (right bar) that the curvature of the waves takes a similar shape to the curves of the final pattern. We just have to figure out why. And since I had already tried changing individual warp ends and treadling patterns without much success, I needed to approach in a different way.

What ended up helping me see the forest for the trees was de-shadowifying the pattern. It's relatively easy to get the black-and-white version of the pattern from the threading draft - you just need to delete the shadow, which means removing every other warp end. This is what deleting all the dark ends from the warp and light ends from the weft looks like:

We can also see with a little more detail how the threading diagram is similar to the curve in the pattern. The pattern is 21 pixels tall, but it's been chopped up to repeat over 8 shafts, like so:

OKAY COOL COOL COOL. EVERYTHING'S COMIN' UP MILHOUSE IVORIVET. From this green squiggly line we know two things:

The final number of warp ends in the shadow weave pattern is double whatever the height of the squiggle is. In the case of the Strickler pattern, we're going from 21 to 42. Since we know that we need our final height for the Fellowship pattern needs to be 80, the squiggle for that pattern needs to be around 40 pixels tall.

We needed to stitch three repeats of the Strickler threading diagram together in order to see the full squiggle. How many waves does the Strickler pattern have? Three. How many waves does the Fellowship pattern need? Five. How many shafts do we have to work on? Eight. What is 5 x 8? 40!!!

So how about we make a NEW squiggle, only 40 pixels high instead of 21? (We're gonna drop the pixels in blue, since threading diagrams won't work if you put a single end through two shafts.)

Next, we're going to chop up that squiggle and use it to create a new threading diagram in Fiberworks. I'm also using "tromp as writ" here to create the treadling pattern.

LOOK AT THAT. IT'S GOT MORE WAVES!! FIVE OF THEM!

And then we add back in the shadow by creating a space for a new end between each existing end:

And then add in the shadow. I'm using 4 as my number for the shadow offset since we're using 8 shafts. So shaft 1 shadows to shaft 5, shaft 2 shadows to shaft 6, etc.

And we're going to apply tromp as writ again to get:

AYYYYYY WE'RE GETTING CLOSE! I'm fairly certain that the reason why the Strickler treadling wasn't exactly tromp as writ had something to do with centering the pattern repeat a little more than this, but I don't really care about that so I'm going to leave this treadling the way that it is.

From here out, we need at add that weird vertical dividing line that chops up the center of the leaves. So we double the pattern repeat along the horizontal axis, and offset a 40 pixel section in the middle of the threading diagram by 1 pixel. I've also colored in the differences between the dark and light ends to help differentiate the original and shadowed curves a little bit more. (I also tried offsetting the colors of the warp ends by 1 as well like what we did in the log cabin example, but I ended up liking the way that this looked more.)

THERE SHE IS!!! MY PRECIOUS!!

From here on out, there is still a ton of work I need to do if I actually want to weave this cloak from scratch. I did buy roving in quantities that could be used to spin both the dark and light yarn (dark gray Gotland for the dark yarn, and dove gray merino + white alpaca for the light yarn), but there's still the matter of, like, handspinning a cloak's quantity of extremely fine yarn. I did start spinning the Gotland several years ago as fine as I could possibly manage, and got through maybe 20 ounces of it. However, I'm a much better spinner now and I'm not sure if the my skeins from several years ago would be suitable for weaving, or if it would be worth replicating what I did back then vs. just starting over with a new standard. There's also the possibility of just... buying weaving yarn if I want to skip that step, which would definitely save me a significant amount of time.

Anyway, thanks for reading this far and I hope it helped break down why this was so exciting for me!

#lord of the rings #lotr #weaving #lotr cosplay #shadow weave #handweaving #hand weaving #cosplay #fiber arts

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genderqueerdykes · 2 years ago

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being cisgender is just not an option for a lot of intersex people.

i was never given the option to be cisgender anything. every part of me that deviated from what a girl or boy "should" look like spelled trouble. because i dressed and acted very masculine, before puberty, people called me a bulldyke, a butch lesbian, a "girl pretending to be a boy" and "not a real boy". i was never "feminine enough" to be a woman.

after puberty hit, i started growing a beard, and my shoulders and chest got broader and more square. my body became more "masculine", so suddenly, i was labeled as a "boy pretending to be a girl" and "not a real girl". after I started testosterone, i haven't stopped being called a faggot, a fairy, a sissy or a pansy because i'm not "masculine enough" to be a man despite being a bear.

there's no winning in the eyes of a society that's so focused on binary this-or-that choices. i had no hand in the matter, this all happened way before I started testosterone HRT. in fact, even when i was placed on estrogen HRT to try to "correct" my intersex traits and symptoms, i still wasn't gendered or seen as a cis woman. i was still the same tranny bulldyke. no matter what i do, my intersex and transsexual traits will always be weaponized against me; whatever sounds the "worst" at the time, or whatever invalidates what i want.

in order to liberate trans people from this struggle, we must also liberate intersex people, for our struggles are virtually one in the same. our fight for body and identity autonomy is shared. it will always be impossible for me and other intersex people to be viewed as cis anything while white American society remains focused on pointing out the "differences" between men and women, instead of embracing the similarities we all can and do have.

intersex and trans people owe it to one another to disassemble these dangerous attitudes and shut them down when and where possible. it's not only trans people who face this struggle- intersex people deal with never being able to pass or be clocked as their actual gender from birth a lot of the time. people MUST understand that women and men come in all types of bodies, shapes and sexes, whether or not they chose to look like that. and whether or not they chose doesn't matter, they deserve to be treated with dignity and respect, which means being gendered correctly despite how they look or sound.

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theskywithin · 2 months ago

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💫🪞 Juno in the Houses 💌🕊️

Juno in the houses is about the kind of love that leaves a fingerprint on the soul, the vows we make without speaking, the lessons we keep meeting in every mirror.

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JUNO IN THE 1ST HOUSE

There’s a mirror welded into the skin with this placement. A silent expectation stitched into your spine: If you love me, I’ll exist. Juno in the 1st doesn’t just seek partnership, it becomes it. Your body turns into a question you’re asking others to answer. Do I belong in this form? Do I deserve to be chosen? In this life, the soul carries the imprint of being defined through the eyes of someone else. The first glance. The first promise. The first wound of being misunderstood. You may fall in love with those who reflect you too well or not at all, constantly orbiting the tension between merging and mattering. But the real vow isn’t to another person. It’s to yourself. To stand still inside your own image. To not flinch when love arrives. To not shapeshift in order to be touched. Juno here asks: Can you commit to being seen as you are, even before someone sees you? Can you stay with yourself long enough to know the difference between recognition and projection? This placement is about re-entering your own body, and calling it home.

JUNO IN THE 2ND HOUSE

Here, Juno moves like a seamstress. She threads her needle through your skin, stitches your worth into the lining of everything you touch, velvet glances, half-sipped silence, the weight of a wrist pressed into someone else’s palm. Love becomes cloth. Tangible. Measured in texture. You don’t just want to be chosen, you want to be kept. Wrapped in. Handled like something rare. But the pattern is old. You carry a memory of being appraised, not adored. Cherished for your function, not your form. And so you tighten your laces. Reinforce your hems. Offer yourself like a tailored coat: Will I warm you enough? Will I fit the shape you need? There is grief, sometimes, in how easily you offer comfort. And in how few ever ask what it costs you. But the soul’s promise isn’t to remain wearable. It’s to no longer confuse usefulness with love. To stop shrinking into garments that were never cut for your shape. You are not a fabric for others to wrap around their emptiness. You are the original thread. The heirloom pattern. The velvet of being that softens with time, not loss. And one day, love will come not to claim you, but to sit quietly beside you, palms open, asking nothing. Because the vow has changed. You no longer offer yourself to be used. You offer yourself to be known.

JUNO IN THE 3RD HOUSE

Juno here is a secret letter folded into the lining of your voice. It’s the vow you try to speak without knowing the language yet, the one you’ve been rewriting since childhood, every time someone interrupted you, misunderstood you, or loved you only for the version of you that kept quiet. Love, in this house, is made of syllables. Of late-night sentences braided with fear. Of conversations that begin with honesty and end with translation, you say truth, they hear threat. This placement carries the ache of being split between words and meaning. You learned early to speak carefully. To listen harder than anyone else in the room. To shapeshift into the dialect of the one you adored, mirroring their cadence, adjusting your tone, rewriting your truth to stay close. But your soul didn’t come here to echo. It came here to name. To speak not just to be understood, but to be real. And so, Juno in the 3rd doesn’t ask for a partner who’s clever. It asks for one who listens between the lines. Who hears the tremble behind your metaphors. Who doesn’t correct your grammar when your grief slips out mid-sentence. The vow isn’t just to communicate. It’s to unlearn all the ways you made yourself more palatable in love. It’s to stop translating your truth for someone else’s comfort. Because when you finally speak in your own accent, the one shaped by all your contradictions, the right one will answer without asking you to explain.

JUNO IN THE 4TH HOUSE

Juno here is not in the room. She’s in the walls. She’s the creak in the floorboard no one else hears, the chill that moves through the house when memory passes by. She’s the promise the soul made long before this life began: I will never build a home on fault lines again. There’s an inheritance in this placement, not of blood, but of blueprint. Somewhere along the lineage, love meant survival. Affection came with conditions. Safety arrived with silence. So now, you hold your breath around people who say “forever,” wondering if they’ve ever seen a foundation crack from the inside out. Love touches the most hidden part of you here. The part that flinches at softness. That rearranges the furniture of your heart whenever someone gets too close. That longs to be known but locks the door before anyone can knock. Juno in the 4th teaches that intimacy is not about history, it’s about shelter. Not about origin but return. The partner your soul remembers isn’t the one who lights a candle in your hallway. It’s the one who brings kindling to the storm. Who sits with you in the basement of your being, where the ghosts of childhood still whisper, and doesn’t tell you to be quiet. The vow here is not to create a perfect home. It’s to stop abandoning yourself in the name of keeping someone else warm. Because your heart was a house long before anyone asked to move in. And now, you remember: the light was always coming from inside.

JUNO IN THE 5TH HOUSE

Juno here lives in the orchard. She tastes like fruit warmed by the afternoon, like something that ripens just from being looked at gently. Love, to you, is a sensory thing, not romantic, not grand. Just the slow touch of presence. Just two mouths learning how to speak joy again. But there’s an old wound under this sweetness. A past-life ache that says: If I let myself feel too much, they’ll leave. If I shine too brightly, they’ll get burned. If I fall in love with the moment, it won’t last. And so, sometimes, you pull back when joy gets too close. You interrupt your own laughter. You brace for absence before the hand ever lets go. Juno in the 5th carries a deep knowing: love is not supposed to be a task. It’s supposed to be a dance. A delight. A sacred kind of silliness. And yet you may choose partners who tighten when they should loosen. Who intellectualize what was meant to be tasted. Who touch you like a concept, not a body. The vow isn’t to create beauty. It’s to become it without shame. To trust that joy can be an anchor, that presence can be a promise, that love can feel like honey, not hunger. When you stop questioning whether pleasure is safe you’ll find someone who doesn’t just walk with you through the orchard, but bites into the fruit beside you. Unafraid of the sweetness. Unbothered by the mess.

JUNO IN THE 6TH HOUSE

Juno in the 6th doesn’t speak in declarations. She moves through the day like a whisper in the spine, folding towels, refilling the glass, asking how you slept. Here, love is not a feeling. It’s a rhythm. A way of staying. But this placement carries the weight of past lives where devotion turned into duty. Where care was transactional. Where love meant overgiving, overfunctioning, outlasting your own body’s limits. So now, you may serve in silence. You may love through effort. You may fall for those who need fixing, mending, translating, as if love were a job you’re not allowed to quit. There is exhaustion here, if you’re not careful, a subtle erosion of self in the name of reliability. But Juno in the 6th is not about self-sacrifice. It’s about sacred calibration. About finding someone who doesn’t just show up on the good days but knows how to meet you inside the mess. Who doesn’t romanticize your strength but recognizes when you're running on reserves. The vow is simple, but profound: to stop proving your love by breaking your back. To let care be mutual, mundane, miraculous. To let someone hold the weight with you, not hand it back with thanks. Love here isn’t loud. It’s the dish still warm in the oven. The chair turned slightly toward yours. The kind of presence that doesn’t ask to be praised, only returned.

JUNO IN THE 7TH HOUSE

Juno in the 7th doesn’t just sit across the table. She becomes the table. The room. The atmosphere between two people when something holy and uncomfortable is being exchanged, not words, not vows, but recognition. There is a strange gravity here. A psychic pull toward the one who sees too much, too soon. The one who looks at you and accidentally unlocks an entire cathedral of memories. The one whose presence makes your own reflection unbearable or beautiful. This placement carries the memory of eye contact that changed you. Past-life entanglements. Silent contracts. Lessons in love that were taught through mirrors, not mouths. And so now, love arrives through the shape of the Other, the one who makes you real. The one who makes you recoil. The one who brings you back to yourself, over and over, whether you want to come back or not. Juno in the 7th is not asking for a partner. She’s asking for a witness. Someone who doesn’t leave when the projection shatters. Someone who understands that sometimes, the deepest intimacy is holding up the mirror and staying while the other one breaks. The vow here is to stop chasing balance. To stop confusing agreement with connection. To stop splitting yourself into halves just to be held. Because the real vow isn’t made to another person, it’s made in their presence, to finally see yourself clearly and not look away.

JUNO IN THE 8TH HOUSE

Juno in the 8th doesn’t make promises, she makes offerings. A name left at the river’s edge. A heartbeat surrendered in the dark. This is not love as a feeling. It’s love as initiation. There’s something ancient here. A soul-memory of bonds that went too deep, or not deep enough. Of giving yourself like an open wound and being devoured instead of held. Of learning, too young or in another life, that love could be a burial and yet still returning to the grave with flowers. This placement doesn’t want surface connection. It wants the bones of you. It wants to know what you look like without your coping mechanisms. It wants the version of you that cries without explanation and trusts that you won’t be left for it. You may find yourself drawn to those who awaken your grief, not to suffer, but to remember. To finally tend to the places inside you that intimacy abandoned. To stop guarding the vault and invite someone into the ruins. But the vow isn’t to fuse. It’s to undress, psychologically, spiritually, emotionally. To be naked in front of another soul and still choose to live. To no longer fear that love will end you and to know that if it does, it will be the death of who you aren’t. This is the house where love becomes a ritual of shedding. Where trust means letting someone walk with you into your own underworld and not asking them to save you. Because the ones who stay won’t just see your shadows. They’ll hand you the candle.

JUNO IN THE 9TH HOUSE

Juno in the 9th doesn’t knock on the door. She waits at the edge of the known world, lantern in hand, whispering promises through the wind. She is not the partner you recognize, she’s the one your bones remember before your mind catches up. Not a soulmate. A soul-echo. This placement hums with distance, not just physical, but existential. You may love those who live in other countries, other timelines, other states of becoming. Or those who remain slightly out of reach, suspended just above understanding, beautiful, untouchable, like a cathedral half-lit in fog. The ache here is not just for union. It’s for expansion. For someone whose eyes widen your cosmos. For the kind of intimacy that cracks open a hidden room in your psyche and lets the stars walk in. But this kind of love can also leave you untethered. You may mistake projection for prophecy. Wander from one profound connection to another, collecting revelations instead of roots. You may love through altitude, never quite descending, never quite staying. The vow here is to believe, not in another person, but in the version of you that emerges in their presence. The one who says too much. The one who loves without proof. The one who isn’t afraid to be foolish in the name of something vast and real. Juno in the 9th is the soul’s promise to trust the pull to follow the strange compass of chemistry and knowing, even when there is no map. Even when it takes you to the edge of your comfort and leaves you there with open hands. Because the kind of love you came here for? It doesn’t ask for certainty. It asks for faith.

JUNO IN THE 10TH HOUSE

Juno in the 10th stands on the roof at midnight. Not to be admired, but to be held up by something other than the ground. There’s a chill to this placement, not unfeeling, but exposed. Like a bell tower catching every echo. Like someone who learned, long ago, that love would come only after achievement. After proof. There’s a soul-memory here of being chosen for what you did, not who you were. Of being honored, but never known. So now, the heart builds scaffolding instead of sanctuary. You learn to love through accomplishment. You offer your competence like a gift wrapped in silence. But inside that posture is a softer vow, waiting. To not be turned into a role. To not become the version of yourself that earns admiration at the cost of intimacy. You may be drawn to partners who appear strong, composed, impressive, but love you only from a distance. From a pedestal. From behind a mask of mutual functionality. The connection is real, but the tenderness gets lost in translation. Because Juno in the 10th isn’t looking for status. She’s looking for witness. For the one who sees you when you’re off-script. Who knows how to stay when the world turns its back. Who walks into the room not to applaud but to kneel. The vow here is to stop proving. To let love come without an audience. To learn that being trusted is not the same as being seen. Because the most powerful thing you will ever do is take off the armor while someone’s watching.

JUNO IN THE 11TH HOUSE

Juno in the 11th doesn't fall in love. She drifts toward it like a signal broadcast across lifetimes, hoping the right frequency hears her hum. This isn’t romance. This is recognition from the outskirts. This is two souls orbiting the same forgotten dream, and realizing, mid-spin, they’ve met before, not in body, but in vision. You carry the memory of being alone in a crowd. Of belonging to a movement, but not a person. Of being celebrated for your ideas but starved for intimacy. So now, love feels safer when it’s abstract. When it has room to breathe. When it doesn’t ask for skin-to-skin closeness but soul-to-soul resonance. You may fall for minds before bodies. For friendships that slowly shape-shift. For those who carry a glint of the impossible in their eyes like they remember the same lost utopia you do, even if they never say it aloud. But the risk here isn’t distance. It’s dissociation. It’s confusing connection with concept. It’s mistaking collective love for personal touch, and forgetting that even the most cosmic bonds need warmth to survive. The vow is not to disappear into the dream. It’s to come back to earth with someone who holds the same sky in their chest. To learn that loyalty isn’t about ideology, it’s about presence. About knowing someone could choose anyone and still shows up, again and again, for you. Because in the end, Juno in the 11th isn’t looking for a crowd. She’s looking for the one who finds you in the static. Tunes in. And stays.

JUNO IN THE 12TH HOUSE

Juno in the 12th doesn’t wear a ring. She wears a shadow. She wraps herself around your aura like a forgotten melody, the kind that haunts you, even if you can’t place where you first heard it. This placement is not about partnership. It’s about surrender. About the kind of love that lives in the spaces between moments, the glance that lingers, the dream that repeats, the silence that doesn’t need to be filled. You may carry the imprint of hidden love. Of devotion unspoken. Of soul contracts that were broken before they could be named and so now, love feels like a riddle you can’t quite solve. You fall for ghosts. For feelings that arrive before their source. For people who slip through your fingers but remain lodged in your spirit. There is grief here, but also grace. Juno in the 12th asks: Can you love without possession? Can you stay open when no one is promising to stay? Can you believe in a bond you may never fully explain? The danger, of course, is vanishing. Becoming the dream instead of the dreamer. Waiting in the silence so long that you forget your own name. But the vow, the real vow, is not to lose yourself in love. It’s to trust that what’s real doesn’t always have a form. That the heart knows what language cannot hold. That even the invisible can be intimate. One day, someone will love you without needing to find you. And you will realize that you were never lost. Just hidden, until now, in the space where the soul whispers yes.

✨ Want to go deeper into the language of the soul? My book The Sky Within is a poetic guide to decoding the birth chart, now available on Amazon and all digital platforms.

#astrology #astro community #astro observations #natal astrology #natal aspects #birth chart #astrology tumblr #astrology blog #astrology book #juno #astrology community #astrology observations #astrology notes

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pitlanepeach · 2 months ago

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Radio Silence | Chapter Thirty-Six

Lando Norris x Amelia Brown (OFC)

Series Masterlist

Summary — Order is everything. Her habits aren’t quirks, they’re survival techniques. And only three people in the world have permission to touch her: Mom, Dad, Fernando.

Then Lando Norris happens.

One moment. One line crossed. No going back.

Warnings — Autistic!OFC, pregnancy, emetophobia warning, domestic fluff, birthdays + Christmas, some emotional instabillity.

Notes — I hope you guys love this one. It's so full of sweetness. A bit of frustration too, but mostly sweetness.

December 2023

The lights in the MTC's build bay always felt too bright. Amelia squinted up at them in annoyance, then turned her gaze back to the car.

Her car.

Not hers in any legal or possessive way — it belonged to the team, to the season, to the wind tunnel and CFD modellers.

But the final profile of the MCL38-AN was a shape that had lived in her brain before it ever existed in carbon fibre form. It had existed exclusively within spreadsheets and flow charts and headaches. Whiteboard scrawls at two in the morning. Phone calls to her dad. Arguments with aero. Hours of simulations. Hours of starting over.

And now it was real. Sitting right in front of her.

Orange and black, sleek and hungry, its chassis caught the overhead lights and glowing.

Amelia didn't move. She needed minute. She just stood beside the rear wing, arms crossed tight over her chest, soaking in the project that had consumed every spare hour of the past two years of her life.

She had half a muffin in her bag from breakfast four hours ago. She'd forgotten to eat it.

The name on the spec sheet was just technical: MCL38-AN. The suffix had started as a quiet claim — her way of signing something no one could take from her. Years ago, her father had passed off one of her ideas as his own. "AN" for Amelia Norris, scribbled on a draft after too much coffee, felt like insurance. But the department kept using it. Zak hadn't stopped them. And now it was printed on the official build list, black ink and daring her to believe it was really hers.

Her name. On a car.

"Staring at it won't make it disappear," came a voice from the other end of the garage.

Amelia didn't look over. "I'm aware," she replied flatly.

Anthony, one of the build engineers, chuckled and walked closer, wiping grease off his hands with a rag. "Just never seen you stand still this long before. Thought maybe you'd short-circuited."

"Internally," she replied. "I'm experiencing the Blue Screen of Emotion."

He laughed again. "Hell of a machine you designed."

She didn't correct him.

Instead, she stepped forward and laid one hand on the side-pod. The material was cold and smooth under her fingers. She could feel the vibration of the building, the faint hum of tools and voices and fluorescent life, echoing back through the structure.

"This was all in my head once," she murmured, more to herself than anyone else. "And now it's... this."

Anthony, thankfully, didn't say anything saccharine. Just gave a nod and let her stand there.

Amelia walked slowly around to the front of the car, fingers trailing against the bodywork. Her brain was already scanning for imperfections — minor details to flag, alignment to double-check, tolerances to run again. But beneath that, buried under years of ruthless professional calibration, was something quieter.

Pride.

Not loud or dramatic or showy. Just a quiet click of recognition.

This was good work. And it was hers.

"Can we run power systems later today?" She asked.

Anthony nodded. "Soon as Oscar finishes his lunch."

"Tell him I said no mayo on the telemetry."

"I don't even know what that means."

Amelia didn't clarify. She just smiled faintly to herself and stepped back, surveying the car one more time.

MCL38-AN.

Not bad for a girl who used to line up her Hot Wheels in exact weight-to-downforce order as a kid and got sent home from school for correcting her teacher's physics formulas.

She pulled out her phone, snapped a picture of the car, just for herself, then typed out a message to Lando.

iMessage — 14:33pm

Amelia (Wifey 4 lifey)

Almost ready for testing. I'm so proud it's making me nauseous.

A second later, another text.

Amelia (Wifey 4 lifey)

Or maybe that's just the pregnancy.

—

Amelia sat cross-legged across from Lando, hoodie sleeves pulled over her hands despite the lingering warmth in the air. Lando was barefoot, legs stretched out, half a grin on his face as he finished the last bite of cake she'd awkwardly cut with a plastic knife.

They were on Max's boat, rocking gently in the Monaco harbour. They'd stolen it for the day.

"Bit late," he teased, licking frosting off his thumb. "Birthday was like... three weeks ago."

"You were busy," she said simply. "So was I. And also I needed time."

"Time?"

"To figure out what to give you." She said. Then she reached into her bag and pulled out a small, square box; plain brown kraft paper, tied neatly with black ribbon. No card. Of course there was no card. She hated cards — never knew what to write in them.

Lando raised an eyebrow as he took it. "Not socks?"

"No."

He peeled the ribbon open and lifted the lid.

Inside was a tiny frame. Minimalist. Neutral. Inside it, a single page torn from a notebook — lined paper, slightly smudged pencil. On it: a series of racing lines drawn from memory. His best qualifying lap from Silverstone. Annotated in her handwriting with tiny notes. Brake here. Open throttle earlier. Turn-in felt cleaner than expected.

He stared at it for a long moment before speaking. "This is..."

"You told me you wanted to frame that lap. I had the data sheet, but I wanted to draw it from memory," she said, eyes on the water instead of him. "That way it's both yours and mine. More special."

Lando didn't speak. Not right away. Just set the frame down carefully and crawled across the cushions to kiss her — soft, deliberate. One hand cupped her jaw; the other rested over her heart like it was helping him breathe. When he pulled back, his eyes were suspiciously glassy. "I think that might be one of the best birthday presents I've ever received," he said. "And I love it."

She gave a tiny shrug. "Good. You're really hard to shop for. You buy everything you want as soon as you decide that you want it."

He laughed, pulling her into his chest.

The boat rocked gently, and the sun sank lower, and for once there was nothing they needed to do, nowhere they needed to be. Just a belated birthday, and a perfect lap, and the girl who knew every corner of it better than anyone ever would.

—

The ultrasound room was dim, lit mostly by the soft blue glow of the monitor and the faint flicker of winter sun bleeding through the frosted windowpanes. The air smelled faintly sterile, like clean cotton and antiseptic.

Amelia lay back on the table, her t-shirt folded up over her stomach, the thin paper drape rustling every time she shifted. One hand was clenched tightly in Lando's — not out of nerves, exactly, but out of that taut, quiet focus she always wore when she didn't have full control of a situation.

She eyed the plastic bottle in the technician's hand with thinly veiled suspicion.

"What is that?" She asked flatly.

"Just ultrasound gel," the technician said, chipper and entirely unprepared.

Amelia narrowed her eyes. "What are the ingredients?"

The woman faltered, eyes darting to Lando and then back to Amelia. "Um..."

Lando looked at his wife.

Amelia didn't look at him. "I just feel like if we're going to lather something all over my body, I should know whether it contains...you know, petrochemicals or carcinogens or hormone disruptors."

The technician blinked. "It's... mostly water-based," she said finally. "And glycerin. No dyes. No perfumes."

Amelia stared a second longer, then gave a short, diplomatic nod. "Fine."

Lando leaned over and whispered, "You sure?"

"Yes," she muttered.

The technician, clearly deciding she'd earned the right to proceed, gently pressed the probe to Amelia's stomach. She flinched, not from pain, but from the cold smear of the gel, and made a disgruntled little noise in the back of her throat.

Lando squeezed her hand once, smiling.

And then the screen flickered. A faint, grainy image bloomed into view, shadow and static and light, and the whole room seemed to still.

"Ah, a very easy one. There we are," the technician said softly, her voice shifting into something gentle. "One very small someone."

Amelia blinked at the monitor. "That blob is a baby?"

The tech chuckled. "That blob is your baby."

Lando's breath caught in his throat. He shifted closer to her side, eyes locked on the flickering movement onscreen — a heartbeat, tiny and fast and impossibly loud once the audio kicked in. It sounded like wings. Like something about to take off.

Amelia didn't speak for a long time. Just stared. Her mouth parted, eyes wide. She looked stunned, like her body had already figured it out, but her brain hadn't quite caught up.

"Is that..." she finally whispered. "That flicker, is that... the heartbeat?"

The technician nodded.

Amelia's mouth wobbled. Her fingers clenched tighter around Lando's. "It's going so... fast."

"Perfectly normal at this stage."

Lando, who had been quiet until now, suddenly straightened and leaned in closer, eyes glued to the screen. "Wait—how fast? Like, beats per minute?"

The technician glanced at the monitor, tapping a few keys. "Right now, it's about 170. A bit faster than an adult's, but that's exactly what we expect this early on."

Lando's eyes widened. "One seventy? That's incredible. Is that—like—normal?"

"Yeah, perfectly normal. It usually starts slower around five weeks and then speeds up."

Amelia's voice was quiet, but steady. "How many weeks are we exactly?"

"About seven weeks from the last menstrual period," the technician replied, smiling gently.

Lando glanced at Amelia, then back to the screen. "So... when's the due date? When can we expect... I mean, when—?"

The technician switched the screen to a small calendar. "Based on measurements, your due date should fall somewhere around August 14th."

Amelia exhaled slowly, eyes still on the grainy image of that tiny flickering heartbeat. "August 14th," she repeated. "Between Spa and Zandvoort, then."

Lando grinned and squeezed her hand. "That's... just over six months away. Feels proper real now."

Amelia's lips twitched in a tired smile. "Yeah, it's a bit overwhelming."

Lando's voice softened. "Overwhelming in a good way?"

She nodded. "Yeah. I think so."

He looked at her with such tenderness that it made her throat tighten.

She leaned her head against his shoulder.

"Maybe," Lando said softly, "instead of letting this make us feel out of control, we need to learn how to trust that our little person is just... doing its own thing."

Amelia closed her eyes briefly. When she opened them again, the flickering heartbeat was still there — small but unmistakably alive. "Okay," she said quietly, "yeah. Okay."

The technician smiled again, dimming the monitor as she packed up. "You're doing wonderfully. We'll schedule your next scan in three to four weeks time, but for now, just try to enjoy this moment."

Lando squeezed Amelia's hand.

—

The Norris house was full of noise — crumpled wrapping paper on every surface, half-eaten mince pies on plates, Christmas music playing softly in the background, and the fire crackling with the kind of persistent warmth only a real log burner could offer.

Amelia sat on the arm of the couch, a mug of peppermint hot chocolate in her hands (the only thing that didn't make her nauseous that week), watching Lando and his siblings messily construct some kind of Christmas LEGO set on the floor.

It was chaos. The good kind. Lando was wearing a Santa hat and trying to boss everyone around. Cisca was curled up in the other armchair watching them fondly, and even Adam was getting involved, despite pretending he was "too old for LEGO" about twenty minutes earlier.

Amelia felt warm. Not just from the fire, or the hot chocolate. But that kind of rooted, grounded warmth she hadn't felt since childhood.

Lando glanced up at her from the rug. His cheeks were flushed, curls a little wild, still in pyjamas. He grinned that stupidly wide grin of his; the one she could never not return.

"Okay," he said suddenly, clapping his hands together. "We've got one last gift."

His siblings groaned dramatically. "You're just trying to win Christmas," Flo said, already suspicious.

"No," Lando said, glancing up at Amelia. "This one's from both of us."

He got up and walked to the tree, pulling out a small box, about the size of a mug, wrapped in deep green paper and a lopsided gold bow. He handed it to Flo, gesturing for her to open it.

She peeled it back, frowned... and then blinked.

Inside was a tiny McLaren onesie, size newborn, folded neatly next to a photo printout of the ultrasound. On the front of the onesie was a little stitched helmet — and underneath it, "Team Norris. Arriving August 2024."

There was a beat of silence.

Flo stared.

"Shut. Up."

Adam whipped around, eyes wide. "Oh my god."

"No way," Flo said, already scrambling up from the floor.

Cisca covered her mouth, eyes wide and glassy. "Are you—? Are you serious?"

Amelia nodded, quietly overwhelmed by the whole thing, but smiling anyway, caught in the centre of a hug from Lando's siblings as they collapsed into her, cheering and yelling and somehow knocking her mug over (Lando caught it just in time).

Flo kept staring at the ultrasound photo like it was a sacred relic. "I am going to be the best auntie."

Adam walked over to Lando and gave him a tight hug, a forehead kiss, and a pat on the back.

Cisca hugged Amelia gently, brushing her hair back. "I had a feeling," she whispered. "You've had that glow."

Amelia laughed. "The glow is just sweat from the constant nausea. But thanks."

Lando wrapped his arms around her waist from behind, chin on her shoulder, warm and soft and safe."Merry Christmas," he murmured.

She leaned her head back against his. "Merry Christmas."

—

January 2024

The new apartment smelled like fresh paint.

It was bigger, with big windows and tiled floors and way more space than their old place. But in that exact moment, it mostly looked like a war zone. A mess of cardboard, bubble wrap, and various limbs sticking out from behind furniture.

"Why does your wife own so many pairs of shoes?" Max asked, squinting as he pulled box after box labelled Amelia: Shoes from the back of the moving van.

"She likes having options, Max," Lando replied from inside the apartment. "You wouldn't get it."

"I've already seen three pairs of the same sneaker!"

"Sometimes she wants them to look newer, sometimes she wants them to look worn!"

Amelia stood frozen in the middle of the living room, arms wrapped tightly around a single lamp. Not because it was heavy, it was from IKEA, but because she'd very quickly reached her max input for the day.

People talking, laughing, doors slamming, someone (probably Charles) putting a Spotify playlist on the TV at full volume, Celeste asking where the boxes marked kitchen - fragile had gone (answer: behind the miscellaneous - Lando's gamer shit), and her mom trying to organise snacks that everyone had insisted they didn't need but everyone was happily eating.

It was chaos. Warm, well-meaning chaos. But chaos all the same.

"Breathe, baby," came Lando's voice, suddenly right behind her. His hand gently closed over hers, guiding the lamp to the floor. "Let go."

"I'm fine," she said quickly.

"You're vibrating."

"I'm self-regulating."

"You're about to pop like a champagne bottle on the podium."

She blinked at him. "Lando."

"It's fine," he whispered, kissing her cheek. "Go sit. I'll turn down Charles' shit music."

She nodded once and retreated to the kitchen, or, well, what would be the kitchen, once all the boxes weren't stacked like a cardboard skyline.

Her dad followed her a moment later, holding a garbage bag full of what looked like packing peanuts. "Need anything, sweetheart?"

Amelia, dazed, looked up at her dad. "A new brain."

"I meant, like, a juice box."

"Oh. Do we have any?"

"I'll ask your mom." He laughed and kissed the top of her head before disappearing to the balcony.

Celeste popped in with a stack of throw pillows and collapsed beside her. "Remind me never offer to help anyone move again."

Charles, sliding by with a box labeled guest bathroom, raised his hand. "You're all weak."

"You hired movers," Max called from the hallway.

"Because I am smart," Charles countered.

Eventually, they made enough of a dent in the chaos to pause; boxes stacked in corners, the couch unwrapped, the kitchen sort of navigable. Everyone collapsed onto furniture, floor cushions, or each other.

Lando dropped next to Amelia with a thud. "Jesus," he said. "I'm never standing up again."

Tracey passed around bottles of water.

And then, without thinking, because she was tired, overwhelmed, and slightly frantic, Amelia looked at the empty room across the hall and said aloud. "Oh, cool. I'll be able to start putting the nursery together."

The silence was instant.

Zak froze mid-sip. Tracey turned so fast she almost knocked over Celeste. Charles blinked once, then again. Celeste slowly tilted her head like a confused golden retriever.

Only Max continued scrolling on his phone. Lando looked suspiciously casual, but his eyes had gone wide.

"Sorry," Charles said slowly. "Did she just say nursery?"

"She did," said Tracey, standing like she was ready to break into dance or faint, unclear which.

Amelia, blank as ever, looked up. "Oh. Yeah. Sorry."

"You're pregnant?" Celeste screeched, immediately launching across the couch.

"About eight weeks," Amelia said matter-of-factly.

"Oh my gosh—"

Lando, grinning now, tugged Amelia into his side. "We were gonna wait a while. But she's obviously forgotten the whole secrecy part."

"Not forgot," Amelia said. "Just... didn't filter."

Tracey shrieked. Charles stood and clapped. Celeste immediately demanded to know every detail. Her dad was just staring at them, his jaw slightly ajar.

Max looked at Lando and deadpanned, "Told you she'd blurt it eventually."

"You knew?" Tracey barked.

"Of course I did." Max said.

Celeste swatted him. "I can't believe you didn't tell me!"

Amelia rolled her eyes, but she was smiling, buried in a couch cushion, legs tucked under her, chaos all around her, but warm. Safe.

Loved.

"I'm going to have to help you build nursery furniture, aren't I?" Charles asked.

"Yes," said Lando.

—

Amelia sat on one of the bar stools at the kitchen counter, wearing her comfort pyjamas and cupping a warm mug in both hands. Her mom was rifling through a drawer looking for teaspoons and her dad was standing far too close for someone who'd said "I'm not gonna hover."

"You're hovering," Amelia said without looking up.

"I'm not," Zak replied, absolutely hovering.

Tracey gave him a look as she passed. "Sit down, Zak."

Amelia smirked faintly.

Zak pulled a stool out beside her but didn't sit. He just sort of... rested one hand on the counter and stared at her in that way dads do. "You keeping anything down?" He asked.

"I'm eating a lot of toast," Amelia said. "And drinking ginger tea."

He looked vaguely panicked. "Should we be calling someone? We have dietitian's, or—?"

"Dad."

"What?"

"I'm pregnant. Nausea is normal."

Zak muttered something about "precautionary measures" and "just checking" and "your iron levels, you never know," and finally Tracey grabbed his sleeve and tugged him to the other side of the kitchen.

"Let her breathe," she said, soft but firm.

He sighed but relented, pouring himself a cup of tea and stealing a look at Amelia like he still couldn't believe it. Like some part of him was seeing her as a baby again in his arms; not a woman, not a race engineer, not someone capable of growing a human. Just his daughter.

"I'm going to be a granddad," he said eventually, more to himself than anyone else. He blinked a few times, then smiled like he'd just realised it wasn't a prank.

Amelia raised her eyebrows, lips twitching. "Has he only just realised that?"

Tracey chuckled. "Oh no, honey. He's already ordered some books on newborn safety."

Zak tried to look insulted. "One of us has to be prepared."

Tracey ignored him and turned her attention back to Amelia, warm eyes softening. "You know," she said gently, "that first night at dinner, when you got all worked up about Lando... I just knew."

"Knew what?"

"That this was going to be something magic," she said. "You had that look on your face. Not the 'I'm in love' one, not yet. But that one you get when you've found something you'd fight for. And I thought, ah. There it is."

Amelia blinked, caught off guard. Her mouth opened, then closed again, unsure how to respond.

Tracey smiled knowingly. "You've always been complicated. Precise. A little special in a systemised way. But with him? You were safe. Not smaller, not quieter; just... steadier."

Zak, finally sitting, looked from his wife to his daughter, then back again.

Tracey walked over and touched Amelia's hair, smoothing it back without thinking. The kind of motherly gesture that was muscle memory. "We're very proud of you," she said softly. "Not just for the baby. For the life you're building. For letting yourself build it."

Amelia didn't answer right away. Just looked down into her tea and let that sit in her chest like a warm ache. "Thanks," she said finally, quiet.

Tracey smiled. "Now come sit with us in the living room and let your dad lecture you about your fiber intake."

"Oh no."

"I made a PowerPoint," Zak added helpfully.

Amelia stared at him. "I—I eat enough fibre. I swear. I promise. Don't make me sit through one of your terribly constructed PowerPoints."

—

Five hours later, the apartment was finally quiet.

The kind of quiet that only came after the storm; post-laughter, post-chaos, post-Max dropping a full pizza box face-down on the kitchen floor and Charles chasing Celeste with bubble wrap around his head like a helmet.

Everyone was gone now.

Some boxes still weren't unpacked, the dining table was holding an array of loose screws and takeout containers, and there was one singular sock hanging off the new lighting fixture that neither of them remembered installing.

But it was quiet. And theirs.

Lando lay stretched across the couch in sweats and a hoodie, one leg propped up on a box labeled BED LINENS???. Amelia was curled on top of him like a blanket folded in half, her cheek resting against his chest, arms wrapped around his middle.

She was half-asleep, her body finally relaxing after hours of overstimulation and problem-solving and people asking where things were that she did not know. "Is it weird I don't feel like this is real yet?" She murmured.

Lando looked down at her. "The apartment?"

"All of it. The space. The nursery. The fact I told everyone because I accidentally emotionally short-circuited. I mean, who announces a pregnancy like that?"

"You," he said, brushing his fingers through her hair.

She huffed a breath that was half-laugh, half-groan. "My brain was tired. My mouth just... decided."

"Hey." He tugged gently on a loose strand of her hair until she looked up at him. "It was perfect. So you. I mean, Tracey looked like she was about to cry and throw you a baby shower in the same breath."

Amelia groaned and buried her face back into his hoodie. "She's going to buy so many pastel things. I'm not emotionally equipped for pastel."

Lando laughed. "We'll make a blacklist. No tulle. No gingham. No text that says 'Born to race' or anything cringe like that."

Amelia was quiet for a moment. "Do you think it's okay we're doing this now?"

He didn't ask what this meant. He knew.

The baby. The life. The shift. The permanence of it all.

"I think it's us," he said simply. "And I think whatever that ends up looking like is okay."

She let out a breath. "I don't know how to do any of it. Not even the parts people think I'm supposed to be good at. I couldn't find the dish towels today."

"That's what the box labels are for."

"And you?"

"I'm just here to kiss you when your brain melts and tell you you're brilliant anyway."

She finally looked up at him again. Her eyes were tired — not with sadness, just the fatigue of too much change all at once. But they were also soft. "You're annoying," she said.

"What, being emotionally intelligent and devastatingly handsome is annoying now?" He teased.

"You're a good human weighted blanket, so I won't argue with that."

He smiled and kissed her forehead. "It's a privilege, honestly."

They lay there for a while, the hum of Monaco outside their windows, the buzz of city life just distant enough to feel like background music. Inside, it was soft. Warm. Familiar.

Eventually, Amelia whispered, "We really live here now."

Lando tightened his arms around her. "Yeah, we do."

"And we're gonna have a baby here."

"Mmhm."

"I have to start nesting. Like... soon."

"Tell me what you want built. I'll blackmail Charles and make him do it."

She laughed quietly against his chest, a sound full of exhaustion and affection.

Then, softer, almost to herself, "I think I'm happy."

Lando didn't say anything right away. He just turned his head and kissed her temple again, slow and sure, before whispering into her skin, "I know."

—

The morning had not been kind.

Amelia had thrown up twice before she even made it out of bed, once more in the sink when the smell of coffee drifted through the apartment. Her stomach had settled into that weird, hovering nausea, not quite sick, but never okay, and everything around her felt a little too much.

Too bright.

Too loud.

Too far from stillness.

The apartment was still full of half-unpacked boxes. One of them had exploded into a mess of packing peanuts by the bookshelf because Lando had tripped over it while trying to carry a lamp. That had made her laugh, for a moment. But now even that memory felt distant and staticky.

She hadn't eaten anything. Her body felt too heavy and too floaty at the same time.

So she wandered into the room off the living room and stood in the doorway, barefoot and still in one of Lando's shirts, staring at the swing.

The sensory swing hung from a reinforced hook in the ceiling, an enclosed hammock-style cocoon of soft dark grey fabric.

She hadn't used it yet.

But now... now she needed to be held by something.

Amelia walked over slowly, pulled the soft stretch of the fabric down, and climbed inside like she was folding herself into a shell. It wrapped around her shoulders, her hips, her knees. A full-body compression hug.

She let herself swing gently, letting the quiet motion do what words and plans and spreadsheets couldn't. The light filtered through the gauzy curtain. The outside world muffled. The only sound was her breathing.

Her eyes fluttered shut.

Her muscles finally, finally relaxed.

And then, maybe because the relief was so sharp in contrast to how awful she'd felt all morning, or maybe because everything just hit all at once, Amelia cried.

Just soft tears slipping down the sides of her face into the swing's fabric as her body unclenched. She didn't even try to stop them. Didn't need to understand them. Her hands cradled the soft swell of her lower belly as she rocked gently in the cocoon, the comfort so complete it almost hurt.

The motion, the weightlessness, the compression; it was like someone had pressed a reset button on her nervous system.

"I love you very much," she whispered, hand on her stomach, words falling into the soft dark of the swing. "Even if you are already making me throw up five times a day." She gave a little wet laugh. Then sniffled. Then rocked some more.

Eventually, Lando peeked his head around the doorframe.

He didn't say anything. He saw her there, bundled up like a sleepy moth, puffy-eyed and peaceful, and his whole expression softened.

"You good, baby?" He asked gently.

She nodded, still sniffling, half-smiling. "It works."

He smiled back. "Good" He walked over and pressed a kiss to the fabric where her shoulder must've been, still swaying. "Want toast when you come out?"

"Only if it's with the nice jam. The apricot one we got from the market last weekend."

"Anything you want. We're celebrating the swings debut, after all."

"Dramatic." She said.

"I know," he grinned.

And then he left her to swing, warm, wrapped up, and for the first time all day — completely okay.

February 2024

Amelia woke to the smell of espresso and something sweet (cinnamon, maybe) and the distinct sound of someone failing, very quietly, not to clatter around in the kitchen.

She blinked, groggy, and rolled over to find Lando's side of the bed empty. A sliver of warm morning light streamed in through the curtains. The apartment smelled like flowers and coffee and... possibly burning toast.

By the time she made it out of bed, hair a mess, t-shirt halfway sliding off one shoulder, she found him standing in front of the kitchen island, proudly staring at a tray of slightly overdone croissants, a half-burnt omelet, and a mug that said engineers do it with precision.

He turned the second he heard her. "Don't say anything," he warned, waving a spatula at her. "This is a labour of love."

"I can see that," she said, amused. "How's the toast?"

"Charcoal adjacent."

She padded over and leaned into his side, arms looping gently around his middle. "Morning."

Lando pressed a kiss to the top of her head. "Happy birthday, baby."

He guided her over to the table, where a small stack of wrapped gifts sat beside her laptop — one of them unmistakably from Oscar if the cartoon scribble on the tag was anything to go by. Another looked suspiciously like it had been wrapped by Max's girlfriend Celeste, given the glittery ribbon and note that just said DO NOT OPEN NEAR ZAK.

"Did you do all this this morning?" Amelia asked, eyeing the slightly lopsided croissants.

"Well," he said, handing her the mug, "I tried to sneak out of bed early. But then you curled up in the blankets and made that sleepy sound you make and I lost, like, twenty minutes just watching you sleep."

Amelia sipped the coffee. Ugh. Decaf. "Weirdo."

"Your weirdo."

They sat together, eating what they could salvage of the breakfast. Lando gave her a small, leather-bound notebook for scribbling car notes (with custom embossing: A. Norris, Race Strategist / Best Mummy Ever). She rolled her eyes, but she didn't stop smiling.

Later, while she was cleaning up plates, he appeared behind her with one last gift, this one small and velvet. Her breath hitched when he opened it. A pendant: a tiny silver disk with a barely-there engraving.

A heartbeat. The one they'd seen on the ultrasound.

"I wanted you to have something that was just... for you," he said quietly.

She touched the charm gently, thumb brushing the engraving. "I love it," she said, voice slightly wobbly.

He kissed her temple again, arms wrapping around her. "I love you."

The rest of the day was full of small joys; visits from friends, a video call with her mom, cupcakes delivered from a café Oscar insisted was life-changing. Max and Celeste swung by with a gift bag full of baby-safe skincare and a framed photo of the four of them.

At one point, her dad had messaged her.

Happy birthday, kiddo. Love you so much. See you soon.

To which Amelia replied.

Love you too.

That night, after the guests had left and the candles had flickered low, Amelia found herself curled up in her sensory swing by the window, legs folded up under her, pendant resting in the middle of her collarbones. Lando lay on the sofa nearby, watching her with quiet contentment.

"I think this was one of my best birthdays," she said softly.

He smiled. "Even with the burnt toast?"

She nodded. "Especially with the burnt toast." And then, after a pause, "Next year, we'll have someone else around to help us celebrate."

Lando's eyes softened. "Next year," he echoed.

—

WhatsApp Groupchat — 2024 F1 Grid

George R.

Welcome to the 2024 rookies!

Oh wait.

LOL.

Nevermind

Lando N.

Someone get this man a rookie asap

Charles L.

Bro we are all still here 💀

Alex A.

Just the same 20 people trying not to crash into each other

Esteban O.

Consistency is key 😂

Oscar P.

George is out here welcoming imaginary friends

Carlos S.

Rookie of the year is the Ferrari catering team

Lewis H.

I vote my physio as rookie of the year tbh

Yuki T.

I still feel like a rookie emotionally 😮‍💨

Fernando A.

I feel younger every season 😎

George R.

Ok ok I made one mistake

I was being polite

What if someone snuck in overnight. Like a stealth rookie

Pierre G.

Bro this isn't among us

Max V.

Let him live he tried ✋

Lando N.

He tried and failed. Spectacularly

George R.

Blocked. All of you. I'm blocking all of you.

—

The main presentation hall at the MTC was cold, the hush of anticipation a physical thing. Staff, engineers, drivers, media teams, and execs milled around in soft clumps, all eyes drawn to the shrouded figure on the platform. Silver satin draped across carbon fibre; sleek, taut, and humming with promise.

Amelia stood off to one side, arms crossed over her chest, one foot tucked behind the other like she was bracing herself against something invisible.

It was familiar, this room. She'd stood in it a dozen times. But this time was different.

This was her car.

She heard footsteps and didn't have to look to know it was Lando. He came to stand beside her, hands shoved into the pockets of his trousers, gaze fixed on the covered car like it might move if he blinked.

"It looks like a spaceship," he murmured.

"It's as complex as one," she said simply.

He grinned. "I'm gonna drive a spaceship."

"You're going to win in it."

Her dad walked out onto the stage, some carefully crafted speech on hand, but Amelia barely registered it. Her ears rang with something heavier; a low, surging pressure that sat in her chest and refused to settle.

She heard her name, heard Zak referencing her as lead technical design engineer on the project, and the soft ripple of polite applause. She didn't move. Didn't blink.

When the cover was pulled back and the MCL38-AN was finally exposed under the lights. Lean, mean, shimmering with graphite and papaya — the room went reverently silent.

It was beautiful. Sharp and elegant and mean in all the right places.

And hers.

Her hands trembled slightly where they were folded. Lando noticed. He reached down, laced his fingers through hers without saying anything. She didn't look at him, but she held on.

Oscar appeared at her other side, chewing a protein bar. "It looks fast," he said through his mouthful.

"It is fast," Amelia replied, deadpan.

He nodded. "Good. I hate slow cars. Bad for my numbers."

Lando snorted. "Your numbers are fine."

"I want more numbers."

Amelia ignored them both. Her eyes were fixed on the low spoiler, the curve of the side-pod, the subtle detailing near the rear suspension she'd fought tooth and nail to implement — backed up by three sleepless weeks of CFD simulations and one argument with the floor design team that she'd very nearly won with sheer stubbornness alone.

"Do you want to go look at it up close?" Lando asked, gentle.

Amelia shook her head. "Not yet."

He didn't press. Just stayed beside her as people filtered forward. Cameras clicked. Flashbulbs strobed. Somewhere, someone asked Oscar to smile more. Zak was already doing a walk-around with Sky Sports.

But Amelia stayed back, hand in Lando's, watching as her car, her beautiful, terrifying, finely-tuned monster, greeted the world for the first time.

Finally, Lando leaned in, voice low against her ear. "I'm so proud of you."

Her mouth twitched, just a little. "I know," she said.

Then, after a beat, "I'm proud of me too."

—

There were two weeks until they were due to fly out to Bahrain for testing.

The smell of carbon composite and metal dust still clung to the air. Most of the lights had been dimmed in the engineering wing of the McLaren Technology Centre, but not in Bay 2. Bay 2 was lit up like a crime scene — bright, clinical, unrelenting.

And Amelia was pacing.

"You changed the front wing flow guide without flagging it to me." Her voice was flat, but her tone cut sharp enough to peel paint. "It's not a minor tweak. It alters the pressure delta across the entire front third of the car."

Across the table, three senior aero engineers; experienced, respected, and visibly nervous, stood their ground, albeit quietly. One of them, Benji, cleared his throat.

"We didn't go behind your back," he said carefully. "It was discussed at the Friday meeting—"

"I wasn't at the Friday meeting," she snapped. "I was with Oscar for simulator calibration. You knew that."

"We had to lock a version in for pre-season aero scanning," said another engineer, trying to be the reasonable one. "You were behind schedule finalising the nose cone parameters—"

"I was behind schedule," Amelia repeated, eyebrows arching dangerously, "because I was rewriting your cooling duct schema so it wouldn't explode in Bahrain."

Silence.

Lando stood quietly just inside the doorway, arms crossed, watching. He wasn't saying anything — yet. But his eyes never left Amelia.

"You've added drag," she said after a beat. "I ran the updated airflow map through CFD myself after I saw the render. It introduces wake turbulence at high yaw, and we already struggle with straight-line pace. You've made us slower on the straights to gain — what? Four points of front downforce?"

"Four points could help balance in the high-speed corners," Benji offered.

"At the expense of the entire overtaking window!" Amelia barked. "You want Lando and Oscar to defend for twenty laps in DRS zones with a car that drags like a parachute because you like the numbers it spits out on paper?"

Someone muttered something; too low to catch. Amelia's head snapped around like a hawk.

"Say it louder," she said. "You clearly thought it was clever enough the first time."

The engineer paled slightly. "I just said... maybe you're too attached to this design."

Lando stepped in before Amelia could respond.

"No, see, here's the thing," he said, tone deceptively easy. "You don't get to say that. Because her attachment? That's why this car is visibly better than last year's. She is the reason why we had the third-fastest chassis on average post-Zandvoort last year. Because she gives a shit. And if Amelia says it's wrong? Then it's wrong."

The room froze. One of the engineers swallowed hard.

Amelia, though, didn't say anything for a full five seconds. She just stood there, arms folded, staring down the table like she was willing the numbers to change.

Then, calmly, "You're reverting to the previous design."

"We can't. Not until—"

"I'll update the approval file myself," she continued. "I want the renders sent back through me. If you're going to make changes to a car with my name on it, you'll run it by me first. Not the group chat. Not Zak. Not the test team. Me."

Stillness.

Eventually, Benji nodded, his jaw tight. "Alright."

She left the bay without another word, her footfalls even, deliberate. Lando followed a few paces behind, catching up only once they hit the corridor.

"You didn't have to jump in," she muttered.

"I know," he said. "But I wanted to."

They reached the elevator. Amelia punched the call button too hard.

"They're not wrong," she said quietly, not looking at him. "I am too attached."

Lando nodded. "Yeah. And that's why you're the only one I trust with it."

—

The hum of the wind tunnel was a low, constant growl behind the soundproof glass. Screens lined the wall of the operations room, flooded with live data — airflow vectors, pressure maps, drag coefficients, temperatures.

Amelia sat perfectly still in the front row, staring at the monitor.

The numbers were wrong.

Not wildly, not catastrophically. Just... wrong enough.

Behind her, the aero lead, one of the few who hadn't been at the shouting match in the engineering bay days before, was going over test notes in a too-cheerful voice. "And that's run twelve with the revised front-wing guide and standard rear beam. A bit of turbulence in the crosswind scenario, but nothing unmanageable."

Amelia's fingers twitched against the armrest of her chair.

Zak stepped in beside her. "They've already locked the transport containers for Bahrain," he said in a low voice. "The old spec wouldn't make it through the scans in time."

"I know," Amelia said without looking at him.

"We'll revert before Melbourne," Zak added. "That's the plan."

"I know."

She said it again, like repetition might dull the edge.

Zak hesitated. "I get it. I do. But it's one race."

"It's the first race," Amelia said quietly. "It sets the baseline. The whole development curve starts from that data. Every upgrade, every refinement — it's all going to skew unless we compensate."

Zak didn't argue. He didn't need to. They both knew she was right.

But it didn't matter.

Because the parts were packed, the plane was leaving in 48 hours, and the wrong spec was going to touch asphalt in Bahrain.

She stood abruptly. The chair creaked as it slid back.

"Amelia," Zak said. "I know this is hard for you."

She turned, her voice clipped but steady. "It's not hard. It's inefficient."

And she left the room.

—

The lights were low. Her desk lamp cast a soft amber glow across a table full of design sheets and scribbled notes, crossed-out margins, red-circled flaws, annotations that no one else in the department could read but her.

Her iPad was open to the Bahrain track layout. She wasn't crying — not even close. But her jaw was clenched hard enough to ache. Her hands flexed, restless, unable to do anything.

She hated that feeling.

A soft knock came at the door.

"Go away," she said without looking.

It opened anyway.

Lando leaned in, holding two takeaway drinks. "I come bearing peace offering. Decaf vanilla chai for my beautiful, smart wife."

She didn't move.

"I know," he said gently. "It sucks."

"I'm not angry anymore," she said.

He gave her a look. "Don't lie to me, baby."

She finally looked up, and he crossed the room to set the drink beside her keyboard.

"I spent a year making it perfect," she murmured.

Lando touched her shoulder. "And it still will be."

Amelia looked back at her notes. "I hate being forced to let something go when I know I'm right," she said. "Just because I'm one person versus an entire team — and I know that it's not fair to expect them to just blindly trust everything I say, but it makes me so mad.'

"Okay," he whispered. "Time to go home, I think."

—

"Do you need six pairs of sunglasses?" Amelia asked, holding Lando's McLaren duffel open.

Lando didn't even look up from where he was rolling socks. "Yes."

"You only have two eyes."

"It's called fashion, baby."

She rolled her eyes and shoved the sunglasses back in, making sure the soft case separated the orange-tinted pair from the purple ones, because God forbid they get scratched.

Their bedroom looked like a tornado had touched down; open suitcases, half-folded clothes, a stack of electronics chargers that Amelia had labeled with colour-coded cable ties two seasons ago and still didn't trust Lando to keep organised.

Her own packing was... slower. More deliberate. She sat cross-legged on the floor in front of her own suitcase, a checklist open on her iPad and a faint, lingering wave of nausea rising every few minutes like a passive-aggressive tide.

"Are you sure you're okay to fly?" Lando asked for the third time that afternoon.

Amelia clicked her Apple Pencil against her teeth. "I'm pregnant, not ill."

"Still."

"I have packed ginger chews and compression socks."

He looked up. "You hate ginger chews."

"I also hate throwing up at 30,000 feet. Sometimes compromise is necessary."

He grinned. "That's very mature of you."

Amelia waved vaguely in the direction of the ensuite. "Can you grab the skincare bag? Not the one with my regular stuff — the one with the unscented moisturiser that doesn't make me gag."

"Yes, your highness."

She threw a sock at his head.

The packing process stalled every few minutes for various reasons: Amelia needed a snack; Lando forgot where he'd put his phone; Amelia remembered she hadn't downloaded the Bahrain telemetry files onto her personal iPad; Lando insisted on reorganising his racing gloves by colour.

Eventually, Amelia sat back with a soft groan, rubbing a hand over her belly. Not that there was much to feel yet, no bump, just the persistent hum of her body shifting quietly into something new.

She felt... heavy. But not in a bad way. Just full of lists, of responsibilities, of life. Literally.

"Hey," Lando said gently, crouching in front of her. "You okay?"

She nodded, slow. "Yeah. Just... tired. Everything feels like it takes twenty-percent more effort."

"You want to skip testing?"

Amelia narrowed her eyes. "Lando."

"I'm just saying—"

"No. Don't even suggest that. I need to be there for Oscar and I want to be there for the cars first proper run. I have to see how it holds up."

He smiled softly. "Just checking. That's my job now, remember? Worrying about you."

Amelia's expression softened. "I'm fine. I'm just slower than usual. I'll sit. I'll drink plenty of water."

Lando stood and offered her a hand, helping her up off the floor with the ease of long practice. They zipped the last suitcase together, and she stared at the organised chaos around them with a long, contemplative sigh.

"Think this baby is gonna like Bahrain?" She murmured.

He shrugged. "Hot. Loud. Feels like it's already genetically predisposed that baby is not going to have a good time."

She laughed, quietly, the sound curling in her throat.

They were flying out in the morning. Testing started two days after that. And in a few more weeks, the 2024 season would roar to life; full throttle, no mercy, no brakes.

But for now, there were just bags and chargers and familiar, cluttered rhythms. And them.

Just them.

For now.

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goldenroutledge · 5 months ago

Text

i must be dreaming

pairing: lando norris x fem!reader

word count: 1.2k

prompt: ❛ you’re lucky that you’re cute. ❜

a/n: for my wonderful moot @yearneir, thank you so much for the request! i had so much fun writing this <3

masterlist || be my valentine blurb event 💌

“Knock, knock!” Two knocks sound through the door of Lando’s hotel room, followed by the familiar cheerfulness of Alma, the hotel’s concierge. “Delivery for Mr. Norris!”

Lando’s muscles ache with a soreness that weighs him down into the softness of the duvet, having sprawled out face first onto the bed the second he got back from another long day of testing. The winter months are always the shortest, often flying by more quickly than the season does.

His mind is tired as well, struggling a bit extra to get back into the swing of things after months away from being in the car. He doesn’t recall ordering any room service but if he did, he’s more out of it than he previously thought.

With a sigh of reluctance, he drags his feet towards the door of the stylish hotel suite. His vision is blurry as he rubs the sleep from his eyes and instinctively checks the time on his phone that reads 8:03pm. Definitely way too early to sleep for the night, but a power nap has never hurt him before.

Sure enough, Alma is waiting on the other side of the door with a bright smile and a silver platter in hand. “Good evening, Mr. Norris. I was instructed to bring this to your room along with this letter.”

He takes a deep breath, as if the surprise delivery will make more sense when he gets some more oxygen flowing to his brain. “Oh, thank you. Who’s it from?”

Alma smiles coyly but won’t reveal too much. “I can’t say, but your answer is in the envelope. Can I get you anything else while I’m here, sir?”

“Just Lando is fine.” He politely corrects. “I’m okay, thank you though.”

“Have a nice evening.” Alma disappears down the hallway, leaving Lando to his letter and mysterious silver platter. He’s seen enough movies to know that there’s usually someone’s head under these. His first name is written neatly on the envelope and what catches his eye is the red heart stamped into the wax seal.

He remembers the date, February 14th, and blushes at the thought of you. The both of you had been corresponding on the phone like usual, of course confirming that you had received the bouquet of flowers, chocolates, and a few pieces from your favorite designer that Lando made sure to have delivered to your home, with a promise that he’d be able to properly wine and dine you in a week’s time. He carefully lifts the seal, a childlike grin spreading across his face at the sight of your neat handwriting.

My dearest Lando,

It pains me to be apart from you, but the distance will let our hearts grow fonder. I hope you enjoy the present I’ve prepared for you.

Yours truly,

Y/n.

P.S. Call me when you get this. XOXO.

His hopes are high for whatever’s underneath the silver dome, perhaps some comfort food like a classic Roast dinner that reminds him of home, just like his Mum makes.

Lando lifts the silver to find not a warm meal, but cold and slimy rolls of sushi making the shape of a heart, dipping cups of wasabi and soy sauce resting in the center.

“What the hell?!” He yelps, visibly startled by the sight. “She knows I hate this stuff.” He’s scrolling to the favorite contacts in his call log, instinctively clicking your name.

When you answer on the second ring smiling like the Cheshire Cat, Lando knows he’s been set up.

“Is this your way of breaking up with me? Sending a plate of fish to my hotel room on Valentine’s Day?” Your laugh pierces through the phone, and he’s still dumbfounded as to how you managed to pull a prank on him all the way from Monaco. “What did I ever do to you?”

“Nothing, I just wanted you to know that I’m soy into you. Happy Valentine’s Day, babe!”

“Aw, very clever. I hope you know that I’m gonna get you back for this. What fruit was it that you are mildly allergic to again? Starfruit, was it? I’m sending 50 starfruit arrangements to our house as we speak.”

“With all the risks you take at work, I’m amazed that sushi of all things has become your greatest fear. How is that?”

Lando scoffs, “I am not scared of sushi.”

“Are you trying to convince me or yourself? Sorry love, the proof is out there. But I wanted you to know that I love you anyway.”

“I love you too.” He grumbles, but there’s no bite behind his words. Lando finally takes a better look at you, but doesn’t recognize the wall in the background. He doesn’t recognize the wall behind you from your house, that is. He looks around his suite, now puzzled as to how your background matches the exact color of the hotel walls. Interesting. “Wait, where are you? You’re not at home are you?”

“I’m in a place that people temporarily call home?” You offer with a mysterious edge to your words and he subtly catches on. You can see the gears turning for him, the realization visible on his face when he moves toward the door once again.

“Wait a second… Are you HERE?! At my hotel?” His incredulous tone translates from the speaker on your phone to reverberating in your ears, behind his hotel room door that you’re standing in front of.

The door swings open and you’re reunited with those sparkling cerulean eyes you know so well. He takes a pause, glancing back and forth between his screen and you, now within arms reach. Wasting time would be a foolish thing to do. Without a care he drops his phone in exchange for cradling your face in his hands before smashing his lips onto yours. You don’t hesitate to wrap your arms around his frame, relishing in how warm he feels against you.

“Fuck, I missed you.” He breathes out, as if his life depends on saying it.

“Surprise! I missed you too, clearly. I’ve been wanting to try my sushi prank for a while now and this gave me the perfect opportunity. Had to get you riled up with something you hate so you’d be extra happy to see me.”

“Not necessary.” Lando murmurs against you, peppering kisses to your lips. “I don’t need anything extra, you know that. It did serve as a nice surprise, though. Definitely better than the sushi.”

You giggle as he shudders at the thought. “Forgive me?”

“You’re forgiven,” Lando sighs, unable to resist your pleading eyes and the warm notes of amber in your perfume that captivate him, “but I hope you know that if anyone else did this to me, and I mean anyone else on this planet, I would not speak a word to them for the rest of my life. However, for you, I can make an exception. You’re lucky that you’re cute.”

You kiss him sweetly, holding hints of satisfaction behind your smile at how well your plan has been executed. “Don’t worry, I plan to make it up to you. It is Valentine’s Day, after all.”

“Just when I thought tonight couldn’t get any better, how did I get so lucky?”

You pinch his cheek teasingly. “You do look exhausted still, are you sure you’re not dreaming of me?”

Lando catches your wrist and presses a kiss to the skin, content with knowing that he’ll dream of you tonight and wake up beside you tomorrow. “Wouldn’t be the first time.”

💌: thanks for reading, comments & reblogs are always appreciated!

psst… my requests are open :) be my valentine blurb event 💌

taglist: @marjorieswrld (add yourself here!)

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raven-at-the-writing-desk · 4 months ago

Text

book 7 chapter 13 part 2 (book 7 finale!!) thoughts

***THIS POST CONTAINS MASSIVE SPOILERS FOR BOOK 7 PART 13 OF THE MAIN STORY!!*** This spans part 328 to part 349.

This (finally) conclude book 7!!

Please note: this is NOT meant to be a summary or a translation; these are only my initial thoughts on the events that roughly unfold. There may be details overlooked or misunderstood in this post, so PLEASE do not use this as a translation.

ALRIGHT FELLAS, LOCK IN.

We open with a scene of the final confrontation against Malleus (like one of Yuu’s dreams/visions).

Everyone is slowly waking up. UHHH it’s not a pretty sight though, Malleus has grown into his full dragon form and crashed through the ceiling. His voice is becoming distorted. (No live 2D sprite, only a blacked out version of his OB form.)

Mob students panic and almost trample themselves to escape. Us first years brace for impact but suddenly…?! CROWLEY saves us?! YEEEEEEAAH DAD CAME BACK WITH THE MILK LET'S GO 🥛

Crowley commands the staff and dorm leadership to help the students get away. Crewel and Trein use ice magic but it’s instantly melted. (Sam tends to their wounds!) Vargas is knocked back trying to protect students with his body. (Kalim flies him to safety!)

The dorm leaders command their vices to lead their students out. Some notable ones: Jade leads, Floyd is in the back chasing them. Jamil takes charge and tells Kalim to guide people on the magic carpet. Because Ignihyde has no dorm leader, Ortho tells some of their students to be the leaders for the others. Ruggie leads Savanaclaw.

UUHHHHHHH the only person that has not woken up is Lilia. He’s still sleeping at dragon!Malleus’s feet. Silver is freaking tf out OTL calling out to Lilia, trying to wake him, but it doesn’t work.

Sebek is terrified and claims he can’t fight Malleus, he is just too powerful! Chevfowrgwiwj ADEUCE KICK HIM AND SEBEK’s SO inSuLTED HE DECIDeS TO JOIN THE FiGHT AGAIN

Malleus is sending thorns after us to “capture the humans”. ASDHHKAHDLA The tone of voice he takes on is scary, it's like we're farm animals that escaped a pen and he's trying to toss us back in there.

We cut to Ignihyde xjsvsjkw IT’/s A PlOT POiNT THAT iDIA iS OUT OF ShApE, he’s struggling to reach the meetup point to collect the sword, shield, and armor to fight Malleus with. Igni mobs A, B, and C run support and provide him with a magical wheel, which Idia happily accepts.

LOL his mom says he looks cool, just like a prince!! (EW WHY WOULD YOU SAY THAT MRS. SHROUD... DON'T MAKE ME THINK IDIA IS COOL.)

The vice dorm leaders (minus Jamil) have led the mobs to main street. There, they collide with Idia.

The dorm leaders (excluding Kalim) are staying behind to stave off Malleus. Us first years ignore evacuation orders and come back.

LILIA FINALLY WAKES UP (not sure why he took longer than everyone else; I thought he wouldn't wake at all and Malleus was keeping him asleep as his "most precious" thing to protect???) 😭 but his magic is so weak he cannot even summon a flame. Begins to cut through the briar instead.

The OB boys are close to irl OB and cannot hold off Malleus for much longer. LMAO. Rowley is crying at the amount of physical damage to the school vjsbfiwhfhskdmd

When all hope is about to be lost, HERE COMES THE MOTORCYCLE REVVING SOUNDS— Holding out for a hero moment fr 💀

OH MY GOD THERE IT IS, I WAS RIGHT WITH MY THEROYT

The armor made of mystium changes form depending on the pilot… Silver assumes the Dawn Knight’s armor and Sebek takes on the same armor his grandfather gifted him in Lilia’s dream.

Malleus scoffs at them and says he will melt Sebek’s shield—but Sebek says there’s no way, because this was something made with the strength if both fae and humans!! Malleus feels betrayed learning that even his grandmother stands against him.

Sebek corrects his liege. They are all standing WITH Malleus. Silver agrees. To prevent Malleus from completely losing himself and becoming the “ruler of evil”, they MUST stop him here and now.

Man. This really is mirroring the Dawn Knight and Maleanor battle. (Believe even the dragon sprite used for Malleus is the same form his mother takes.)

Malleus blows away Sebek’s shield and Silver rushes to protect him. DBHLsiflaiyDSLBI THEY'RE REENACTING THE EVETSN OF THE PAST

LILIA GETS IN THE WAY?!?!!!??!

In the moment of surprise, Idia uses technomancy to control Silver’s sword to hit Malleus’s horns.

Malleus post-OB flashback!

Ahhhh, so it begins with the senators blessing him with mighty powers. Then we see some memories of him growing up.

Malleus has a maid doing his hair but he gets hurt by the teeth of the comb or something?? His anger strikes the maid with lightning and he apologizes, but another servant (or was it a senator, I forgot) tells him don't apologize, it was the maid's fault. Maid is escorted out.

Next is Lilia coming to visit Malleus; Malleus is so happy and laughs really loud. This shatters nearby windows and lodges glass in Lilia's ears. Malleus panics, but Lilia reassures him it's fine.

Last memory is of him on his birthday; Malleus sees fireworks outside but isn't allowed to go out. His grandma is away on royal duties, so he has to eat a big dinner by himself. He's so sad he instantly freezes all the food and makes the servants super cold.

His black and white lament allows him to express that he was born with mighty powers, but what he really wanted all this time was to be able to express himself, to be with other people. "I just wanted to get angry. I wanted to laugh. I wanted to cry." One line I found particularly poignant was this: “At the table where everyone shares their joy and their sadness… There is no seat for me.”

And… he calls his blessing(s) a curse. This is a parallel to Idia, who realized that what he thought was his own curse was actually a blessing that allows him to be “powered up” by blot!!

Screen goes white and Lilia appears before Malleus. UMMMMMM I 'M SCARED, DON'T LIKE THIS FRAMING. IT'S VERY SIMILAR TO IDIA IN BOOK 6 TALKING WITH DEAD!ORTHO AFTER HIS OWN POST-OB FLASHBACK...

"I have to go soon, too."

"Lilia? Where are you going?"

"Don't worry about it. Like you said, 1000 years will pass in the blink of an eye."

Malleus finally wakes up from his OB. Idia stops the Ferrymen from advancing to attacking Malleus with their oars (the same ones they used to neutralize the other OB boys in book 6).

HIS HORN?????? IS IT STAYING LIKE THAT FDOREVER?????? ? ? ???

h U HHHHHHhHhhh

LILIA DIED (like these sick fucking devs played a heart rate monitor FLATLINING) and Silver’s hair going back to blonde is proof his blessing is gone 💦💦

Malleus crying sprite, but at what cost… (Surprisingly is able to cry without summoning a storm??)

Malleus, Silver, and Sebek cry (Idia pulls us away to give them alone time 💦 guess he is socially aware enough to understand this.) Malleus tries to use his magic to revive Lilia.

There’s glowing from Malleus’s broken off horn and Silver’s ring???? Magic comes from a strong wish, so he and Malleus wish for Lilia to return. Malleus states “I love you” to Lilia and that’s what does it.

qbfuvILFIsFIPFw IT'S THE DISNEY POWERE OFR LLOVE SAVES THE DAY TROPE

We skip to a few days later. Mobs are chatting about the extent of Malleus’s magic; Maleficia, Ambrose, and Crowley did a press conference appearance about the catastrophe.

UMMMMM

Ace mentions there is now a Fairy Dream Life Association made up of Malleus fans who sdjlbblsaiadbsi actually preferred the dream worlds to their realities???? (IT GIVES ME KINDA CULT VIBES) We learn that it will take Malleus's horns 100-200 years to grow back and he cannot use his UM or other disaster-level magic during this time.

Dorm leader meeting!!

Idia lets everyone know that S.T.Y.X. created a new classification a few days ago specifically for Malleus. He is now being considered the same as a natural disaster, and they've developed a safety protocol + policy for what to do in the case of Malleus again. Basically, he should be treated LIKE a natural disaster (earthquake, hurricane, tornado, etc.). In other words, don't engage or try to fight, just hunker down and wait it out. This label cannot be erased, appealed, etc.

Okay, WHAT 🤡 I know that we were desperate to stop the spread of Malleus's magic + aiming to limit the damage he does, but apparently there were NO deaths at all, NO damage (beyond NRC, I believe), and only SOME NRC students got injured. That's... all OTL REALLY???? ?? ? ??????? ??NOTHING ELSE??? ? ?? ???? ???? Sounds kinda like bullshit to me, but okay.

Silver and Sebek are currently hospitalized, but they're supposedly recovering well and should return to class soon. (Really???? In only a few days' time??? Magic must really speed up the recovery process.)

Damage to Diasomnia dorm was quickly fixed up with fae magic. Maleficia donated a bunch of rare Briar Valley literature and technology to NRC for free as an apology for the trouble Malleus caused.

aASDIUBADBOIAFFIA WOW apparently Lilia is reenrolling??? He somehow recovered some of his magic. Riddle explains it as being similar to medical cases in which a patient spontaneously recovers for no discernable reason.

IULADFBFIYOAAFAFID Crowley drops the bomb that Malleus is also returning to school, which freaks the other dorm leaders out. Idia reveals it's likely because Crowley wants funding from the International Magical Security Organization (IMSO), which has promised to give money to support whatever area houses Malleus during his rehabilitation period or something. asfihloadbyfasyafsi IMAGINE NOT WANTING MALLEUS SO BAD THE GOVT HAS TO GIVE MONETARY INCENTIVE TO HAVE HIM IN TYOUR VICINITY

Crowley excuses this by saying the teachers agree Malleus should return. After all, as along as you wish to learn, NRC will not turn away a student. He also says that this is important for promoting diversity and enhancing the understanding between humans and fae. adihbabilfaifasi SCROWLEY'S ALSO PLEASED BECASE HE;S BEEN GETITNG A LOT FO GOOD PUBLICITY, NRC IS EEING HAILED AS HEROES.

We cut a few weeks later to Ramshackle, where Yuu and Grim are writing down details about their dream with Mickey. This is the only mention of Mickey in the update; Yuu going home and what Mickey is up to is NOT addressed again. Yuu just says they wonder what he's been up to/they want to see him again.

Sebek and Silver pop in for a visit!! Silver's hair is silver again. Apparently he asked Lilia to bless him a second time. Sebek makes a joke that it would be weird if his name was Silver but his hair was gold; then shouldn't his name be Gold?

Other first years arrive!!

Mmmmm... We get some lore about Sage's Island??? There was a powerful master mage that lived here 2000 years ago. But this mage had an apprentice that had trouble controlling his own magic and brought about a great disaster because of it. Instead of banishing this apprentice, the master mage scolded his student and did his best to teach him everything he could. That is why the schools on Sage's Island try to follow this philosophy of welcoming those that want to learn.

First years speculate that there must have been other incidents in the past where powerful mages got out of hand. They must have been forgiven too, right...? Like the sorcerer's apprentice was.

WAIT A DAMN MINUTE

Silver and Sebek claim it took them 1 week to heal from their injuries. Their magic healthcare must be cracked because that recovery time is INSANE.

Suddenly?????? Invites pop up???? It's from Malleus! He's inviting his peers to a party on May 15th (Silver's birthday), to be held at Castle Wildrose (which has been reclaimed and made into an official neutral zone belonging to no country). A carriage will come and pick them up.

The carriage is pulled by a talking direbeast???? FHABFAIBA HE REFERS TO YOU, GRIM, ACE, AND DEUCE WITH -SAMA!!???!

We arrive at the venue at last, and...

WHOA, UM... MALLEUS NEW FIT??????? 😭 King look?????? Emo lookin' ass/j He looks so much like his mother here, but they don't really explain why he's wearing this??? (Up until this point, I believe he was being studied, tested, and monitored in S.T.Y.X. facilities.)

This looks SO weird, I'm not used to seeing his pale ass chest out...

Malleus asks Silver and Sebek to step forth. OFMMAFOJ;IAFLIUAFIEAF OMG ALH HERVURQ3TVOFEVYFSOIfsihadgouvaegipaf hE'S OFFICIALLLY KNIGHTING THEM??? ?? ? ??? ?

Sebek is henceforth known as the Knight of Lightning. Silver will be the Knight of Dreams.

Silver interrupts and asks if he can donate his armor to NRC and S.T.Y.X., as he feels he couldn't have saved the day without their efforts. This way, they will also have something to use in emergencies. For Silver, he says the title alone is enough.

Malleus agrees and splits up the Dawn Knght armor. He asks Silver what does he want instead?

(Silver's new look, after Malleus strips away the armor.)

They confirm that Silver is now 18 years old. So that means the official ages stated on Twst profiles are the ages they are at the start of the school year??? And they "aged up" as the main story went on?

OH MY GOGSH ADSKHLADBSLISDBAIADBSILBIADS IT'S HAPPENIG YOU GUYS, SIVLER'S ASKING LILIA IF HE CAN POSSIBLY TAKE ON HIS SURNMAE AND FORMALLY BEOCME HIS SON

Lilia says he was wary about it because the name Vanrouge sounds bloody + invokes the color red. It was a name given to him by the queen, he doesn't think it suits Silver. But Silver insists, so he relents. ADFLIYOAFADFYPADFAF MALLEUS OFFICIATING IT TO THE ONLOOKERS

Idbskwnkwwk IS THiS THE OMEDETOU EVA SCENE OTL

Lilia and Malleus hold hands and helps Lilia use Far Cry Cradle?? Which revives the memories of Castle Wildrose... including the fae soliders, the Silver Owls, the guardian fairies... INCLUDING Maleanor and the Dawn Knight who once resided there.

adsbihlffuadyoadfiadf SOH???? ? ??? ? ? ? AND SILVER'S MOM, QUEEN LEAH... She looks so gentle and kind, wah... Pretty lady...

Woooow, those memes about book 7 ending on a dance party twistune/rhythmic aren't just memes anymore OTL Somehow they're able to dance with their dead parents even though I'm SURE this isn't possible, realistically speaking.

Context for Dawn Knight Silver's SSR! Malleus and Lilia playfully change the color of Silver's cape between blue and pink. They look like they're having a lot of fun with it!!

Malleus speaks tenderly to the memory of his mother, even though she cannot respond and is just a phantom of the past. Silver does the same to his parents, thanking them for loving him, protecting him, and "not taking Lilia away." I'm SO glad that we got confirmation that Silver has no ill will toward his blood family, he just doesn't have it in him to hate.

asfhulailafiafd SEBEK CRIES BECAUSE HE LOVES HAPPY ENDINGS OTL MY BOY... YOU CAN SEE HIM CRYING IN DAWN KNIGHT SILVER'S GROOVY TOOAW LH ABHFDOVEFUOVQEFUOUfobaegvaegbiFINPdw jCUTIEPIE

Grim grabs us and says let's dance the night away!!! ... And that's what we end on KJBFIUABUIDABIDSGIPAF tTHE FRAKING DANCE PARTY MEME OTL (No preview for what may come next!)

OKAY, that was a whirlwind of an update 😭 As much as I screamed this entire post, it was mainly from shock and not because I necessarily enjoyed everything presented. I feel like Twst got TOO ambitious and wasn't able to deliver on the follow-through because they set up so much. It definitely feels like there's tons of room to expand because there's still unanswered questions about Yuu going home, Mickey Mouse, Crowley's intentions, Grim's OB (we didn't see him eat a blot stone this update, shockingly), and the upcoming interscholastic magift/spelldrive tournament. What we got this update, considering the length of the book as a whole... It honestly felt TOO short. I know, I know, I've been complaining about the length of book 7--but the problem is that the resolution for all this build-up felt rushed, so it doesn't feel genuinely resolved. I'm sure they'll go more into the fallout and consequences next main story update (again, lots of stuff left to explore), but it's going to hurt knowing this is what we're digesting until then.

Some parts of this update I liked a LOT. Lilia's death, Silver finally taking on the Vanrouge surname, SEBEK SOBBING, and Idia being a badass on a magical wheel!! It was also nice seeing the staff members ADULTING for once (especially Crowley, WOW) and helping out. Same thing as previous update, I loved that each student gets a little time to shine by evacuating students or holding off Malleus.

Other parts... I did not like at ALL. I knew from the start that they weren't going to commit to TRULY killing anyone (otherwise Twst would lose a very marketable character), but it really sucked that Lilia dropped out + died for all of 5 seconds before magically being reenrolled and revived with the Power of Love. Very Disney-esque, but it still sat wrong with me. The party at the end was nice, but it confirmed all the memes about forgiving Malleus with a dance party.

My big issue with this update was how... AFRAID the narrative seemed to be to hold Malleus accountable and to have him make up for what he did. For example, they kept stressing how the damage he did was 'contained', how no one died, how only some NRC students were injured, how the buildings he damaged got patched up easily with magic, etc. What was especially offensive, however, was when they mentioned the history of Sage's Island and how there were other mages who caused disasters like Malleus did; those mages were scolded + forgiven and not exiled, so they should offer the same to him. Okay. But that... that feels like you're trying to say "It's okay that Malleus did this, because OTHER people also did this!" It sounds like you're diverting attention away from Malleus's actions by pointing out that other people did similar things. We're not talking about those other people though. We're talking about MALLEUS DRACONIA, who is responsible for the CURRENT crisis. Don't try to distract us by talking about other people 💦💦

And really, what did Malleus DO to fix things???? I get that he won't be able to use his UM for a long ass time, but what about his relations with the world at large? His grandma is getting on TV to say sorry but why isn't Malleus also doing that??? Why is he throwing a party and ONLY apologizing to NRC when he arguably endangered many more people???? Should he not also be saying sorry to S.T.Y.X., his country, and all other countries????? OTL Like, I don't think he should be thrown in jail or physically harmed as "further" punishment, but I want to know what steps he intends to take to correct what he has done. An apology to everyone is the very least Malleus can do.

I'm also leaving this update confused about how tf Lilia's UM works??? Because previously we knew he could see the memories associated with objects, right??? What object is he calling the memories from, the whole CASTLE???? Is this only possible because Malleus held his hand and boosted his magic or something??? Okay... but then why are both the fae and the humans of the past both there happily (I assume happily because those memories were able to dance with their children without issue)??? Aren't those two separate memories from two different points in time??? Because I cannot imagine a reality in which both parties were in the SAME space, at the SAME time, and NOT at each others' throats. It feels like Twst breaking its own logic and lore just because it would be cute to have this moment between parents and children. And how come we saw Silver's mom Leah but not Malleus's dad Raverne???? Surely Raverne must have bene in Castle Wildrose before, considering that's where his WIFE resides??? And during the rhythmic/twistune I also saw a Silver Owl and a Briar Land soldier dancing together… even though they wouldn’t???? So many questions...

I don't know. I just have so many mixed thoughts on this ending. I always knew in my gut that I would never be completely satisfied with it, because there are limitations with the media involved, expected tropes, an unnecessarily high amount of hype riding on this, etc. Man. What we got in the end was... okay? Okay, but still lacking in certain areas. I just hope a future main story update fills in those gaps.

I guess I don't have anything else to say but... This truly was our Twisted Wonderland 💀

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galaxy-stardust · 4 months ago

Text

Simon Ghost Riley x you

Ghost vs. The Grocery List

Simon had faced enemies in the field, survived impossible missions, and lived through hell itself - but nothing, absolutely nothing, had prepared him for standing in the middle of a grocery store, staring at a list he did not understand.

Your handwriting was fine, it wasn’t that. But the sheer number of abbreviations, shorthand, and vaguely cryptic descriptions had him gripping the paper like it was a classified document.

-“Milk (normal, not weird!)” - What the hell is weird milk?

- “Tomatoes (but the good ones, you know)” - No. No, I don’t know.

- “That one bread we like (NOT the dry one)” - They all look the bloody same.

- “Cheese (the fancy one)” - …Fancy how? Expensive? Funky-smelling?

- “Pasta (NOT the wrong kind again!!!)” - Oh, for fuck’s sake…

Simon exhaled slowly, standing completely still in the middle of the aisle, dressed in his usual black hoodie and tactical boots, looking every bit like a man who belonged on a most-wanted list rather than picking between *normal* and *weird* milk.

He had options. He could call you, admit defeat. But that was a last resort. Instead, he did what any sane man would do.

Ghost: [Picture sent: Confused selfie in front of the bread aisle]

Ghost: What’s the not-dry one?

You responded instantly.

You: Babe, it’s the one we always get.

Ghost: That does not help me.

You: *he rye one. But not the dark rye. The medium one.

Ghost: The hell is medium rye?

You: The one in the paper bag, not plastic.

Simon scanned the shelves, narrowing his eyes. There were at least three different bags that matched that description. He sighed.

Ghost: If I pick the wrong one, you’ll never let me live it down, will you?

You: Correct.

Muttering a curse, he grabbed the probably correct bread and continued, methodically eliminating items from the list - until he got to the pasta.

- “Pasta (NOT the wrong kind again!!!)”

He stared at the shelves. There were too many. Short ones, long ones, curly ones, weirdly shaped ones. He had already been yelled at once for coming home with the "wrong" pasta. He wasn’t making the same mistake again.

Simon took a deep breath, then did what no one had ever expected from the infamous Ghost - he video-called you.

“Alright,” he grumbled when you picked up, your amused smile already making him regret this. “Which one is not the wrong kind?”

You giggled, and that sound alone made this whole disaster worth it. “Oh, you’re adorable.”

“Just tell me before I abandon the mission and order takeout.”

You guided him, teasing him relentlessly, until he finally got everything you needed. When he reached the checkout, he muttered, “Never again,” to which the cashier, who had been observing his misery, just chuckled.

When he got home, dropping the bags on the counter with a scowl, you wrapped your arms around him. “See? That wasn’t so bad.”

He huffed. “Next time, you’re writing a proper list.”

You smirked. “Next time, I’m sending you with Soap.”

Simon groaned, burying his face in your neck. “I’ll take a bullet instead.”

#cod #simon ghost riley #simon riley #simon riley x reader #simon riley x you #cod fandom #cod fanfic

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kakushino · 2 years ago

Text

The Queen

Ryomen Sukuna x F! Reader

He never orders you around - rather, he requests.

Tags: slight gore, suggestive, fem reader, true form Sukuna Word count: 1,7k

Masterlist

AN: Fanart used in banner made by the amazing @innaillus - be sure to check out their divine fanart Written as a Secret Santa's gift for @zoyakuna - Merry (early) Christmas! (and pls stop slandering Giyuu, it's causing me undue stress)

There was little to amuse you in your secluded throne room underground.

Correction - there had been little to amuse you out of your throne room, so you had retreated back into your palace - and even then, was it a palace, when there were no servants, no great halls, no music, and no consort?

Just you - the Supreme Sovereign - and your throne made of roots and vines.

Which made it odd to hear a sound echo in your chamber. You feared nothing, no one, and your heart remained steady, not a beat out of place, your eyes closed as you rested from lifetimes of exhaustion.

“Who goes there?” you called out, not moving from your reclined position.

You were it to him, the holy grail of his searching - the Queen of Curses. Your name was feared enough that it had been scratched out from all written sources, the feats accredited to you terrifying… yet thrilling to Sukuna. He had needed to meet you, though he knew not why… A deep hunger for companionship, another who could stand at his level, who could reign with him from his Shrine, a craving so consuming he nearly went mad with his searching.

And he did find you, though hardly in the condition he thought he would.

“This is what You have become? The cynosure of all mortals reduced to a wretch.”

The voice was rough, forceful - distinctly male - though the tone held a hint of remorse and confusion. “All beauty is short-lived,” was all you said, a slight irritation churning your stomach for the first time in - decades, centuries, millenia? Who knows?

“Not for curses. We are eternal.” You felt the way cursed energy swirled around him - violent, and intense. It lashed out at your own, but like water parting around a blade, yours did too, accepting and redirecting the angry force, dispersing it, and eventually absorbing it. It was like taking a deep breath of fresh air after being suffocated under the weight of the world, a drop of water quenching a soul-deep thirst in the desert of life.

You opened your eyes and sat up properly as you studied him.

The man - curse - was tall, broad, and regal. A king would be a title befitting his posture. His hair was a light color you could hardly make out in the darkness of your abode. The dark marks adorning his face stood out starkly against his skin, as did the shape of the disfigured flesh on the right side of his face. Four gleaming eyes were focused on you, four arms relaxed at his sides.

This man was fascinating, and beautiful; he could easily sway the hearts of humans, bring them to their knees. Too bad you were not human.

“Join me, your Majesty.” Despite the wording, it was a plea. How odd.

“Who are you to ask anything of me?” You blinked slowly. You felt the way cursed energy swirled around him - violent, intense, … defensive, lonely. It enticed you, spoke to you in a language you understood all too well. It wasn’t in your nature to deny an honest request.

“Ryomen Sukuna, your Majesty,” he introduced himself. There was a sense of pride in the way he spoke, as if his existence was created, carved out, into the world by his own hands.

Perhaps Ryomen Sukuna would be the cure to your continued boredom.

You stood up from your throne, your figure hardly atrophied as your cursed energy kept you in peak form. The roots and vines retreated into the cave walls, leaving no trace of your royal seat, the chamber empty again for centuries to come.

“Very well.”

Living with Sukuna was hardly boring. Each day, you felt your apathy falling away as you spent time with the King of Curses, until you smiled freely in his presence. The day you realized he softened you to this degree came all too suddenly.

His cruelty to humans who sought to undermine him was but a flimsy curtain of who he truly was. Like a displeased cat, claws exposed, he scratched up those daring to approach him, but with you -

With you he was as playful and borderline affectionate as the tabby you used to feed back in your human days. It warmed your heart, and your cheeks, to feel his eyes on your figure. It made you feel unsteady on your feet. It made you question who was the ruler of the other, who held the power over the other; the power imbalance slowly became a balance - your energy dimmed by the way he could play you like a puppet.

All these feelings weaved together and knotted around your heart, snaring you in a complex web too tight to escape, exposing your throat to him like a delicacy to be gorged upon.

Only if you let him know, that is.

You somehow felt that a man like him wouldn’t settle, and more importantly, he was a man; just another one of the hordes who wanted a demure consort, you could bet. You were not a dainty flower he likely sought; you were a weed - growing strong despite the harshest of conditions, clawing out a place for your existence where there had been none before. The Curse of Curses.

So you buried those feelings like a female buried herself under layers of junihitoe - though you refused to wear that monstrosity despite the latest fashion in Japan, as all the fabric was too heavy for comfort. You made do with the yukata you stole from Sukuna’s wardrobe. It was definitely not because it smelled like him.

You kept away from the humans and the ruling in his Shrine, spending time with Uraume, him, or alone in the gardens - until you could not. He’d left you in charge of his Kingdom when he had business to do.

Human men were deplorable, thinking you were just a weak curse to be manipulated and slandered. You didn’t raise your voice at all, yet it shut everyone up in the hall - save for one local lord thinking himself too mighty to listen. No amount of flattery would have kept him alive after that. A wave of your hand made vines grow out of his guts - burrowing through his flesh as easily as tearing paper apart; sweet-smelling white flowers bloomed from the mess of red-coated plant matter in the middle of the chamber.

You sat in Sukuna’s throne of bones, regal and untouchable.

That was how he found you - presiding over his subjects like the Goddess you were, and bloody Spring sprouted in front of him, rubies glinting upon the stone floors like a grotesque decoration.

At first, he had wanted to study you - the Queen of Curses, the Supreme Sovereign, older than him, wiser, more powerful. Forgotten, yet not forgotten enough for him not to find any sources mentioning your title. He had been curious about you, and then he became curious about the feelings you evoked in him. Your presence in his home converted from an adornment into an emollient to him, smoothing the rough edges and softening the spikes of his defenses against you, yet you remained the centerpiece of his attention, even when you weren’t in his presence. He found himself thinking about you in all his waking moments.

“Everyone, out.”

He could not hide his devotion to you if he tried now - it had grown roots in his soul and fed off of his life-force, yet strengthened it twice as much. His heart was set ablaze every time he laid eyes upon your form, the blood in his veins searing hot, branding him from the inside - a slave to you forevermore.

And so he knelt at your feet, the bottom two of his arms supporting him as he leaned forward, his top pair carefully reaching for your foot and raising it to his face.

The King of Curses kissed your ankle, closing his eyes in silent worship to his Goddess, his World.

“Your Majesty,” he greeted you in a whisper, his lips caressing your skin.

Your eyes grew soft as you studied him, your posture proud but your expression fond. “Sukuna.”

Wet, hot tongue darted out to taste your skin, making you jolt and tear your leg from his grasp with pursed lips. The tabby was particularly impertinent today.

“You have no respect for your Queen, do you?”

“On the contrary, I hold all the respect for you.” His smirk was mischievous, he knew as well as you did neither of you were serious about this. Just a harmless teasing, if a bit skewed.

You used your foot to lightly push against his chest to tip him over onto his back - which he let you do, for he could have as easily resisted. Even falling down, he looked graceful. It made you feel warm inside your ribcage as you pushed a joyous smile down.

Sukuna turned the fall into a backwards roll, ending up on his knees again.

“At least you know your place - on your knees before me…”

“I-” he licked his lips, “I would gladly be on my knees for you all day, Your Majesty.”

Oh? It was your turn to give him a smile full of mischief as he slowly moved back to you. You remained silent.

“Has a cat got your tongue?”

Sukuna shuffled forward on his knees, his top pair of arms resting on the bones of his throne as he came even closer. Palms trailing to your thighs and covering them with his hands - an easy feat with his size.

You could do naught but marvel at the contrast of your limbs and his - each powerful and deadly in their own right, each in a different way. There was no tremor of fear in your muscles, only anticipation, even while he lightly spread your legs to fit his torso between them as you lounged on his throne.

“Let me feast on your nectar.” His voice, smooth like silk, a plea rather than an order, the nuance of his tone telling all you needed to know. He appeared unreadable to others, but he was as exposed and vulnerable as a newborn babe to you at this moment.

Even so, your lips parted in surprise at his request for you didn’t expect him to say it out loud at last. “Forward, aren’t you?”

His carmine eyes - all four of them - focused on yours with an intensity you were only just getting used to with him. Sukuna said nothing as he waited for your response.

The devil didn’t bargain, after all.

“Very well… Show me how you would worship your Queen, my King.”

dividers by the divine @benkeibear

network: @enchantedforest-network

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holylulusworld · 7 months ago

Text

How to cure a grump (2)

Summary: You’re losing your job on Christmas.

Pairing: CEO/Boss!Bucky Barnes x fem!Reader

Warnings: angst, grumpy Bucky, awful boss, mistaken identity, kinda fake dating trope, snowed-in trope

How to cure a grump (1)

How to cure a grump masterlist

James Buchanan Barnes, or Bucky to his friends, prides himself on not being a petty man. He believes in second chances. So, when storms toward his private jet, he tries not to be too angry.

One day before Christmas he must fly across the country to find a missing employee. Or rather, ex-employee.

Bucky grits his teeth, barely acknowledging the petite blonde welcoming him with a French accent. He always had a thing for French women or women in general.

Today, he doesn’t care, too angry at you for spending Christmas with your parents and not waiting for his call.

“That woman! The audacity! How dare she block my number!” He’s fuming. If this was a cartoon, steam would come out of his ears.

Bucky barks orders at the pilot and the stewardess before sitting down. He hates Christmas and everything that comes with it. From the cheery attitude to exchanging gifts. James Buchanan Barnes is the Grinch in flesh and blood.

“You’ve got to be shitting me.” Bucky loses his temper for a second, or like, ever. He glares at the poor girl telling him there’s only one left at the car rental. “I wanted an SUV, not a fucking truck.”

“Sir,” the girl sniffles, “I reserved the best car for you. It’s the Christmas season, and it's difficult to even rent out a car. We are booked out for months.”

“I don’t care! Is that how you do business?”

“Sir, I must ask you to lower your voice,” the owner of the car rental steps in. “We did our utmost to find another car for you. It’s the only one left. Take it or leave it. If you want to walk, it’s fine by me.”

Bucky grits his teeth. He’d love to go at the man like a missile but doesn’t have the time. If he wants to find your house, get the password, and leave within two hours to fly back to New York, he must swallow his pride and accept one defeat for today.

“Fine,” he growls at the man. “I’ll take that one.”

Bucky is beyond pissed. No one in your sleepy little hometown wants to tell him where you are living, or rather your parents. On top of all, his feet are hurting from running around town for hours.

He cracks his neck before entering the bakery, his last hope.

Bucky opens the door, forcing it to swing open. The little bell above the door rings, catching the other customers' attention. Your former boss, in his expensive slacks, coat, and slippers, sticks out like a sore thumb.

“Good day, Sir,” the owner chirps. She’s a short woman in her early fifties, wearing a brown mini dress shaped like a gingerbread man cookie, with icing details and colorful candy accents. It has a slightly flared skirt and appears to have a tulle underskirt. “What can I do for you?” We have a special offer for Christmas-themed cupcakes and muffins. Or do you prefer classic gingerbread cookies?”

“I’m looking for someone,” Bucky cuts her off. “Y/N Y/L/N. I think she’s at her parents’ house.”

“OH! OH! You must be the handsome fiancé she was hiding for so long!” The owner rounds the corner to wrap Bucky in a hug. He stiffens, not used to unwanted affection from strangers. “But… didn’t you come with her?”

“I—I,” Bucky stammers. If he tells the owner the truth, she’ll not tell him where your parents are living. “Work kept me busy last minute.”

“—and now you came here to surprise her,” she concludes, and Bucky doesn’t correct her. What else can he do? “Wait, I’ll write her address down. And, oh, you must take some of the cupcakes and cookies with you. They are on the house.”

All the women in the bakery sigh. They believe the handsome man in his expensive clothes came to surprise you on Christmas.

Well, in a way, he will surprise you.

“Mom, I’ll go and pick up the things you ordered. Do you need anything else?” You call for your mother, already halfway out of the house. “Mom?”

“Can you bring some cupcakes and cookies from Aunt Y/A/N’s bakery? Bread too. We don’t need to bake it this year. She offered to bake mine at the bakery!”

“Sure thing, Mom. Anything else? We don’t want to forget something, especially with the approaching snowstorm.”

“No, I got everything else, Munchkin. We will survive for at least three weeks or more with all the things in the pantry. You can stay for months if you want to.”

“Mom,” you sigh. Since you told her about your boss and that you lost your job, she offered you half of the house. She already talked to people in town. Within not three hours, you got four job offers. “We can talk about it after the holidays.”

“That’s not a no,” she coos. “You know, I’d love to have my Munchkin back at home.”

You smile because your mom means well and loves you unconditionally, but you know moving back home is not an option. After the holidays, you will attend a few job interviews. You already had a look at a few free positions and applied to them.

“I’ll be back soon, Mom. Call me if you need something else.”

“Coming,” your mom coos as someone impatiently rings the doorbell. She carries a plate with cookies toward the door, assuming it’s one of the neighbor’s kids. “What can I do for you?”

She opens the door, meeting stormy blue eyes. Bucky looks her up and down, humming as she’s the spitting image of you. “Mrs. Y/L/N,” he clears his throat, “I’m looking for your daughter, Y/N. I know it’s a busy time, but I need to talk to her.”

“Wait—” Your mother sizes Bucky up while trying to remember the picture you sent her some months back. The one of you and the guy you dated for a few months before he broke things up with you. “You must be…” She struggles to remember the name you gave her too.

“James,” Bucky offers, and holds out his hand. He chuckles as your mother is still holding a plate with cookies in her hands. “Sorry, can I help you with that?”

“Where are my manners!” She gasps. “It’s freezing, and you are standing on my front porch. Come in and get warm. Y/N is picking up some groceries for me. She’ll be back soon. Do you want coffee, tea, or hot chocolate?”

Bucky reluctantly enters your mother’s house. He looks around before taking off his coat. His hands are ice cold thanks to the lack of hand gloves, and he cannot deny that he doesn’t feel his feet any longer.

“Yeah, the weather caught me cold,” Bucky and your mother chuckle at his bad wordplay. He takes off his shoes to wiggle his toes. “I didn’t expect the snow to be so…persistent.”

“We get lots of snow at this time of the year,” your mother says while preparing a hot beverage for Bucky. “Do you want some cookies too, or a sandwich maybe?”

“That’s too kind,” Bucky says. He doesn’t want to risk getting kicked out of your mother’s house. He’ll be waiting patiently for you to return, get the password, and be on his way.

You hurriedly get inside the house. The snowstorm already arrived, and you barely made it back to the house. “Mom, I’m back,” you call for your mother. “I guess we won’t be able to get in town anytime soon.”

“Munchkin,” your mother calls from the living room. “We have company. Can you come here?”

You frown. The last thing you need after fighting your way through snow masses is neighbors wanting to catch up with you. You love them, but explaining that you lost your job is something you don’t want to do again and again.

“Coming,” you take off your boots, coat, scarf, and hand gloves before walking into the living room. You suck in a breath watching your former boss get comfortable on your mother’s couch, a cup of hot chocolate in his hands.

“Look! He came to see you for Christmas.” Your mother gets up to give you and your “boyfriend” time. She still doesn’t know he’s your boss, or now ex-boss, not the guy breaking up with you weeks ago. “You can catch up while I take care of the groceries you got.”

Speechless, you watch your mother leave the room. “What are you doing here?” You spat at your former boss the moment your mother was out of sight. “How dare you come here to bug my mother!”

“She invited me in,” he dares to say. Bucky shrugs as you look at him, murder in your eyes. “I think she confused me with some other guy. She mentioned a boyfriend or fiancé.”

Huffing, you cross your arms over your chest. “Not even close,” you snap at him. “I was seeing someone, but my mom knows that it didn’t work out. What did you tell her? Did you lie to her?”

“Whoa, calm down,” he slowly gets up. “I’m here because you forgot to reset the password. I cannot access the files.”

“What?” You cock a brow. “I left my current password and the PIN to reset the password along with my keys. I gave them to the security, as suggested by Mr. Rogers the day I left.”

“Mr. Rogers—” Bucky huffs. “That punk! That goddamn motherfucker let me fly down here to get the password and knew you left it?”

“Problem solved,” you grunt and point toward the door. “If you’d leave me the fuck alone now. It’s almost Christmas, and the last thing I need is for my mom to believe you are the guy I dated!”

“Munchkin, will your boyfriend stay for Christmas? Do you want the guestroom to have more privacy?” You love your mother dearly, but right now, you’d love to tell her to shut up. “Y/N?”

“No!” You say. “He will fly back and spend Christmas in New York.”

“Oh, Munchkin, I don’t think he can,” your mother says while walking back inside the living room. She shows you her phone. “See, all airports are closed, and the streets are, well, you know the streets in winter. “I think James is stuck here.” She smiles softly while you start to sweat.

“I think he’d prefer a hotel!” You are quick to reply. “Right, James.” You clear your throat and furrow your brows. “You want to sleep at a hotel.”

“Nonsense,” your mother insists. “We have more than enough space. Let’s get his luggage inside before it gets even colder. I’m sure he’s tired and needs a rest.”

“Mrs. Y/L/N, I appreciate the offer, but I’ll go to a hotel,” Bucky jumps in, wanting nothing more than to get out of your mother’s house.

“All hotels are booked up. I talked to Mrs. Brock yesterday. There are no free rooms left. Your boyfriend can sleep here,” your mother chuckles. “I know you are all grown, Munchkin.” She kisses your cheek before leaving the room.

Awkward silence spreads through the room. You look at your boss, the man ruining Christmas and your career for you within a few seconds. “Why didn’t you tell her?” He asks.

“Why didn’t you tell her?” You throw your hands up. Dropping another bomb at your mom is the last thing you want. Maybe she forgot that you told her about the breakup some weeks ago.

“Uh—you know, I wanted the password and feared she’d kick me out getting to know I’m your boss.”

“Ex-boss,” you point out. Putting your hands on your hips, you huff. “Okay, we will survive one night. You’ll sleep in the guestroom, and tomorrow morning we will find a way to get you out of my hometown.”

“Good,” Bucky mutters.

“Good,” you snap at him before storming out of the room.

How to cure a grump (3)

More tags in reblog.

@cjand10, @nofingjustaninchident, @pettyjayy

#bucky barnes #business au #bucky barnes x reader #bucky barnes x you #bucky barnes x female reader #bucky barnes x y/n #ceo!bucky barnes #How to cure a grump (2)

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