#the seam

[gutfaced]

when people stop using the excuse of “olive [skin] is a spectrum!” when referring to any character that hails from the seam, i can die peacefully.

for reference: the seam — dark hair (straight, with the exception of haymitch and his curly hair,) olive skin, gray eyes. (e.g, katniss, gale and the hawthornes, haymitch.)

merchants — blonde hair (curly,) pale skin, blue eyes. (peeta, delly cartwright, mrs. everdeen and primrose.)

yes, in the case of the seamfolk, it is definitely possible that they are simply tan white people. however, in the racial context of appalachia, there is a population of native americans (who often have olive skin and straight dark hair,) along with the melungeon population (which includes people of color.)

suzanne collins would've made the distinction, as she did for the merchants if they were white. this theory is unlikely though, considering that systematic oppression plays a role within their race. (the seam are worse off; they're the poorest part of the district with people casually dying of starvation in the streets, they're also workers in the mines and more likely to have lung problems/die from mine collapses if not explosions. they also run a black market for sake of trades and food. the merchants run shops and are better off than the seam.)

i'm not saying at all that white people can't be olive skinned, i do very much agree with that and it's something i acknowledge. but again, appalachia, where twelve is located, has a population of people of color in which fit the description (which could likely be native americans.) there's a stark difference in both sides of twelve's population and their races, and if suzanne had made the seamers with the intention of them being white in mind, katniss simply could've said it was a white-predominant population with the notion of seamfolk being darker.

with all of this in mind, no matter how you flip it, the seam-originating characters in the movies are whitewashed. and that takes away from the history of these people and takes from their oppression and representation of history in a book that already deals with racial issues and such things.

[callmenani]

so if majority of d12 is white then why even mention a difference in physical characteristics between Seam and Merchant class? no way every single merchant kid has blonde hair or blue eyes or both. and no way seam kids are physically incapable of having blonde hair without merchant blood if they all have the same ancestry. I’m so confused at the logic. I understand that people can be of the same race with different financial/social classes and that is a message you could be sending through your story, but if that was the point then why would Suzanne Collin’s constantly mention a “seam look” throughout the books? wouldn’t it be a “we look the same but our backgrounds divide us” type of thing? Idk man maybe white ppl hair color caste system is just that significant LMAO

[antigerrymanderingspiderman]

i just saw a haymitch fan casting and it was EIGHT DIFFERENT WHITE MEN

lol shut the fuck up

[fireelementalessence]

Had to temporarily leave THG reddit sub because I’m sick of seeing random ass blonde white men being cast as young Haymitch. Every time “The Seam being POC” topic comes up on that sub I question it schools are even teaching the basics of active reading, biology and history anymore because the ability to use context clues and inferencing as well as the basic ass knowledge of how genetics work and US history are always severely lacking in those conversations. I really wish Suzanne Collins had stood ten toes down on Katniss being biracial who passes more for her non-white side (becaue yes folks, mixed race people can come out looking literally anyway including mostly white passing like Prim or like an equal mixture of their ethnicities) instead of handwaving away people who were confused by the castings of Jennifer Lawrence and Woody Harrelson but she’s a white American woman at the end of the day so whatever…………

[goldrushenthusiast]

What are your thoughts on the District 11 tributes in the 74th (Rue and Thresh) and 75th (Seeder and Chaff) The Hunger Games?

How do you think life differs between Distinct 11 and 12?

*Spoiler alert*

What do you think about the inserted scene of rebellion in District 11 in the first movie (scene after Rue's death)?

Thank you :)

@curiousnonny

I think district 11 is a fascinating district! On surface level it seems similar to 12, which I think deep down Katniss believed too, but it really isn’t like it at all which I think impacts how Katniss eventually sees it.

You know how there’s the Seam and the merchants in District 12? I think it does exist. It has to. I think Dill and Chaff are from it, for reasons I explain later, but I had to get that out of the way because in the same way Peeta & Katniss have fundamental differences from growing up in the Seam vs Merchant, I think it affects the tributes as well.

I think we should also consider Reaper and Dill from BOSAS, so I’m gonna do that lol.

I think that, for Thresh, the hunger games were an opportunity. A chance at something beyond working on the farms, no matter how terrible it might seem. While I don’t think he was excited for it, I think it would’ve been a glass half full situation he was going to utilize. I genuinely think he stood a chance at winning.

He would’ve shared the same knowledge of plants and stuff as Rue, would’ve kept his moral compass working (the thing with Katniss & owing), and it makes sense he got as far as he did. District 11 is definitely a competitor in these games, noticed even by Coriolanus in BOSAS.

For Rue, on the other hand, this was worst case scenario. I saw someone else mention there was a higher chance for her to be chosen because she had so many siblings and probably took out tesserae, and I think that’s exactly right, and having so many would only make the whole thing worse. I don’t think she had a huge chance of winning, but would’ve even more than the average 12 year old and if she fought hard there’d be something there.

Her climbing skills, of course, give her as much of an advantage as Katniss, plus her stealth. I think she could’ve survived till top 8, especially if she’d stayed in the trees. I also think her knowledge of plants would both help her, and hurt her enemies if she was willing, although I don’t think she would be. She could pull a fox face & Peeta move almost, leaving some poisonous and some not harmful berries or something in a “hiding” place for the careers to find. I just don’t think she’d survive in hand to hand combat. Plus, if she ever found him, I think Thresh would help her even though it wouldn’t help him.

Seeder and Chaff, I can’t be as sure about as I don’t remember as much about them, but I think at least one of them (Chaff, I think) would’ve been from the merchant part of D11. Both being statistically liking, and from his outlook on the games, both before and after he became a victor.

Just read up on him at Hunger Games wiki, and the fact he lost a hand but refused a capitol prosthetic is really very interesting, especially in the farming district. He was so assured that he’d be fine, he’d be taken care of, that he didn’t need one. It was probably an act of rebellion, but goes to show how self assured he was about what the capital would do for him.

Seeder grew up in the seam part to me, given the fact that she never turned to drugs, alcohol (like Chaff did) or any type of escape. She’s mentioned as looking strong despite being 60, and you can’t really achieve that without working hard in childhood and stuff, and continuing to, which I think she would’ve felt was her duty.

Thresh and Reaper also have some interesting similarities, both with their thing (& Katniss’) about owing people. I think D11, and their strict policies, force a sense of community upon the residents that binds them together and helps them trust others both more easily and still more carefully, because of how risky it is if you’re wrong.

If anyone is wondering what Reaper’s thing about owing people is, let me remind you how he apologized to the tributes about having to kill them before the games started (also relating to how strong the residents of D11, or at least the men, interestingly enough, are), and promised to make the capital pay. This was before Jessie spat in his eye btw, so there’s really no excuse for him to be saying other than a strategy or actually meaning it.

Reaper collecting the tributes and lining them up, however, could for sure be attributed to the rabies, but I don’t really know. We’re led to believe it is by Coriolanus because of how unempathetic and unfeeling he is, so of course someone caring is automatically categorized as crazy, and of course that part is used as foreshadow, but it’s still something to think about. How d11 views things and people and companionship.

Dill, however…she’s Dill. She’s tiny. Sickly. Couldn’t tell you much about her, and sometimes I honestly get her confused with Wovey, except Wovey lived longer. Dill was literally the first official death in the games, ofc excluding everyone who died from the bombs and such.

Something curious about Dill is that she’s a snitch, and by that I mean she told a capitol guy Reaper killed a peacekeeper (also, what the hell Reaper? Goes to show just how strong he is and why he considers himself so capable). I think Dill was probably merchant, also she did have tuberculosis, which would’ve been not as rare there.

She also probably knew she was dying no matter what and wanted to get everything out there, which I don’t blame her for.

Woah ok I did not expect to write so much about the tributes. Woah.

Anywho, life in 12 vs 11 is definitely as different as, say, life in 2 vs life in 7. Honestly, 12 would probably be more similar to 2, because of the mining and huts as houses and stuff like that.

In 11, you’re expected to be outside. All the time. Working, working, working. Jobs are assigned, roles specified, it’s very orderly and there’s not much anyone can do about it. Work also starts early, probably as old as 10 due to how experienced Rue was working in the trees. Meanwhile in 12, you can only start mining at 18, which Katniss acknowledges as a weakness.

This is a bit off topic, but the mining age probably started to be an issue after Coriolanus showed up and realized just how much worse he could make the lives of d12 people by raising the mining age (both in the games and money wise)

Back to the original point, In 12? If you’re outside, that’s fine. The peacekeepers love the hunters, and we know some townsfolk venture to the edges of the meadow and the woods to forage as well. Getting your own methods of food is fine, nearly encouraged.

11 is also way more strict, which Suzanne makes clear to us a lot. When Katniss visits 12 and they shoot the old man. Talking with Rue about punishments. Lots of stuff that makes Katniss do a double take and realize maybe she was lucky to grow up in 12 instead. It certainly has more freedom, despite 11 having the same working conditions. Truly, I think 11 would be the worst to grow up in, even though it helps so much with the hunger games.

Love the scene, btw!! It really supports my point about the strictness of D12 and how it forces a sense of community and stuff. It was a nice addition and realistic I think.

Also, the fact Rue knew the boy who was slow and his story about forgetting to put back the night vision glasses is so much more than an introduction to the glasses!! it shows how much the residents know about each other and how well they remember based on what the peacekeepers enforce.

Ok this has got to be one of my longest ramblings to date, but I loved it! I don’t focus as much on the original series as I should when I usually do these, and it was a fun change of pace actually having to go through the wikis instead of just remembering like I do for BOSAS.

Thank you for the question @curiousnonny , and I hope you enjoy my answer as much as I liked writing it! As always feel free to debate (but not argue or insult) with me in the comments as I always love having these combed through and stuff and getting a chance to learn more.

[official-lucifers-child]

still thinking about the brainrot that fast fashion has caused in people, like i made this pair of pants that are black and white with a cool flowery design, and an acquaintance saw them and said "wow i'd pay like 20 dollars for you to make me a pair" and i could barely think with how utterly horrified i was at that; i told them that 20 dollars wouldn't even cover the materials, let alone the hours of work that went into cutting, sewing, ironing, hemming, altering, etc. they just had this look on their face when i told them that, when i said i wouldn't make them a pair for even 100 dollars because that was still way too low of an amount, a look that said "you're crazy for thinking that those cost 100 dollars" and maybe i am crazy but holy shit, 20 dollars for a pair of handmade, durable, lined pants fitted specifically to your measurements? 20 dollars for upwards of 60 hours of work? 20 dollars for several yards of high-quality fabric, thread, and buttons? 20 dollars???

[techstylemedia]

'Tis Business As Usual for eBay, Baby!

Hello y’all!

I thought eBay went out of business a long time ago, but apparently not! 

PR Newswire published a press release by eBay about the company’s expansion of its Circular Fashion Fund (CFF) to the U.S., committing $1.2 million to start-ups by the end of 2025 in a bid to promote sustainability and support small businesses in the fashion industry. 

More and more large corporations are investing in promoting circular economies, where the reuse, repair, and resale of products become a core part of the fashion ecosystem. This fund is primarily “designed to help fashion start-ups scale circular solutions, from production to end-of-life, including rental and repair services.” 

The CFF, launched in the UK in 2022, “has helped 15 businesses scale their circular solutions”, two of which include The Seam, which allows businesses to offer garment care and repair services at scale to extend the life of clothes, and RCYCL, an innovative at-home fashion recycling program for unwearable clothing. 

eBay’s investment marks its understanding of the vital role small businesses play in creating a more resilient fashion ecosystem. Circular fashion, with its focus on reselling, upcycling, and refurbishing, directly benefits small enterprises and promotes sustainability by lowering their dependency on raw materials and reducing overhead costs. 

Start-ups that engage in this model can access new revenue streams by reintroducing products into the market rather than relying solely on the traditional supply chain, which can be costly and unsustainable. A circular economy can foster healthy competition in small businesses, and reduce vulnerability to the fluctuations in raw material prices and other supply chain disruptions.

CFF’s launch in the U.S. notes will help start-ups cater to a growing eco-conscious consumer base to meet their demand for sustainable and circular fashion alternatives. This could potentially translate into increased brand loyalty and market share for these small businesses, with eBay’s backing boosting their credibility and resources to build trust with their consumers.

The B2B economic impact is also evident in how eBay facilitates access to markets for these start-ups. By offering a global platform with a well-established customer base, eBay helps small businesses reach a wider audience, significantly enhancing their growth potential. 

This kind of exposure is invaluable, especially for start-ups that may struggle with visibility in the early stages of their development. eBay’s support also includes non-monetary assistance such as mentorship and guidance, as highlighted in the press release: “the fund will support start-ups with both funding and eBay’s marketplace expertise.”

So while I am surprised that not only is eBay still in business but that it is actually in profit, I do think that the launch of CFF in the U.S. is a strategic move to ensure monetary and environmental benefit for all stakeholders involved. 

What’d you guys think of this? Does anybody still use eBay? Let me know in the comments below.

Until next time, 

Cheers!

http://newhouse.syr.edu

[therealraewest]

Laios cuts the tags outta his clothes like an autistic king confirmed

[callmenani]

This probably doesn’t add anything that hasn’t already been said to the conversation, but I come from a country where the majority of the population has a mix of indigenous, African, and European ancestry (unfortunately the first colony in the Americas) and if that quote from Suzanne Collin’s is true (“It is a time period where hundreds of years have passed from now. There's been a lot of ethnic mixing.”) I’m going to assume Seam folk have a similar background. I’ve seen firsthand how two siblings with the same parents can be born with wildly different physical characteristics (ex: my grandma with very dark brown skin, eyes, and black hair vs her sister with very light tanned skin, brown hair, and green eyes).

“Appalachia is 90% white”

“Katniss is only described as olive skinned, that like so many Europeans”

“Prim’s blonde, that’s weird for a biracial person.”

Bitch shut the fuck you and just say your racist ass doesn’t accept that the Seam are stand in for minority races. Having two pasty ass group of people with different hair colours isn’t going make anyone notice or analyze the class divide between the Seam and Merchants. I fucking hate the movies for white washing Haymitch and Katniss because their Seam backgrounds are exactly why they understand each other. They have their own small culture and identity from the merchants.

It also visually shows how Peeta and her mother are outsiders. It’s important. It matters!!!!

And I get why Katniss and Haymitch were white back when the movies first came out, but times have fucking changed and I want the representation that existed in the books from the beginning.

Second of all, you can be biracial and have blonde hair as long as both parents have the fucking gene. 12 is small as shit, people get around and cross townlines from time to time. Shut the fuck up.

I fucking hate it here.

[afaimscorner]

The Magicians 4x13

So, I finally saw that one and ... the only positive thing I can say about it is that the rendition of "Take on Me" was really beautiful, if misplaced, but ....

... I put watching Season 4 of for years after German television just stopped airing "The Magicians" after Season 3 (and stopped with the Home Release after Season 2) and after getting spoiled for the end of Season 4, which I was really in no hurry to see if I had to put actual work in. So after being able to watch the first three episodes without work it took me until 2023 to watch the rest of the season, and while catching up I got the general gist from the fandom and was not motivated to watch that season finale, but ...

... I was not prepared. Even if you put aside anything else, this episode was a mess and not in a good way! The whole season seemed to be building toward something but not toward this! And knowing what went down around the show the last few weeks before the finale aired does make everything even worse!

And if the "quality" of this episode is any indication for Season 5, I can understand why more or less the whole fandom fled the show during it's last season.

And, yes, I am sorry, but saying "it was not suicide because your friends loved you and you love them and would never willingly leave them" does not change the fact that it was suicide and that this episode and the whole show with it does now endorse suicide, even though the intention behind the books and the first three and a half season of this show was the opposite!

There is nothing wrong with writing a character out of show (even though people still haven't learned that it's never a good idea to do this with the main character), there is nothing wrong with killing a character of in a show and there is even nothing wrong with writing a scene in which a character sacrifices themself for others and/or the greater good, but there is definitly a wrong way to do all of those things and this show did on the top of all of this also manage to send the wrong message with all of it by - again!- endorsing suicide to an audience who is struggeling with Mental Healt Issues none the less!!

I am not sure those people should ever be hired to write a new show by anyone ever again after this crap (I have no idea, if they did since "The Magicians" ended, but given how crazy life has been since then it is totally possible).

The real bitter thing is that this was one of the few shows that was very much made for me personally (have you any idea how few there are?) and I really loved it. But now I am not sure I have it even in me to watch Season 5 anymore, because I am so digusted with the people behind the scenes. Which is probably a shame, because I was told the show did not really change at least in the first half of the final season, so it could be a blast (and finally Elliot would be on screen again), but maybe it's just crap in the end and I am better off never subjecting myself to it, who knows?

It's not like someone will tell me if watching Season 5 is worth the time I would put in it, because no one is talking about the show anymore, so yeah, it's one of those decicions, I never wanted to have to make.

[sleepnoises]

due to factors such as "time pressure" and "tulle is of the devil" my expectations for this shirt are not high. but i spent a lot of time imagining these button bands and they turned out pretty nice

[akanemnon]

So many questions... so little answers

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[sennedjem]

23 hours of hand embroidery later - I have finished one cuff

[tibby-art]

Busting down your door to remind you to stay tuned for @hotguycomiczine!! In the meantime, here's a preview of my and @sisyphean-writes' part!

[kaekolormore]

assorted dark world doodles for the undertale anniversary and deltarune newsletter

[lynxgriffin]

Eldritchrune - Kris's Birthday

Story Setup Eldritchrune Masterpost

Close to the end of their journey, Kris has a small celebration with the beasts, and reflects some on both their past with their brother, and the light world ahead.

(Reminder that I draw these scenes out of chronological order!)

YAY managed to get another part done! This one won the poll, so had to go with it first! At least Kris finally gets a nice, happy moment with all the beasts they've recruited!

Alt text under the read more:

Page 1

Panel 1 - Wide opening shot. Kris sits facing Ralsei, with the rest of the Fun Gang surrounding them. The Gang now consists of Susie, Noelle, Lancer, Berdly, Catti and Jockington, and Monster Kid. The Fun Gang have set up camp in a hollow crater, the landscape around them rocky and barren. Everyone is lit solely by the glow of a campfire in the center of the crater. Ralsei addresses Kris: “Get plenty of rest, Kris.”

Panel 2 - Medium shot of Kris and Ralsei, still across from each other with the fire between them. Ralsei continues, “Tomorrow we face the last bound god before the Dark Fountain…it’ll be our toughest fight yet!” Kris responds, “Yes. I understand.” They stare into the fire.

Panel 3 - Closeup on a happy Ralsei as he holds up one claw. “And since we’re so close to the end…”

Panel 4 - “...I thought I’d conjure up a special surprise for you!” Ralsei moves his claws, and magically congeals a plate, food and frosting all together in a swirling center.

Panel 5 - Ralsei holds up the finished object in front of the fire: a small frosted cake, topped with strawberries. “SURPRISE! Happy birthday, Kris!” he declares with a broad smile.

Page 2

Panel 1 - Ralsei holds the cake up in the foreground. Kris looks at it in surprise. Behind them, Susie and Noelle look on with interest. “Wow! Is today really your birthday, Kris?” Noelle asks.

Panel 2 - Closeup on Kris. They scratch at their head in confusion, and respond, “I… Is it? I’ve lost track of the days since arriving here…”

Panel 3 - Medium shot as Ralsei happily hands the cake to Kris, who takes it. He says, “Well, I’m not sure if it’s exactly today. But by my estimates you should have had one by now! So now is as good a time as any!”

Panel 4 - A wider upshot as Kris takes the cake, and the beasts watch. Berdly leans in closer, curious, and asks, “What do you humans do on these ‘birth-days,’ as you call them?”

Kris replies, “Well, typically…you eat cake, or some other sweet treat, and you spend time with your friends and family.”

Panel 5 - Kris stares into the fire again, and continues, “And usually, they also give you gifts.” Behind them, as if in abstract shadow, is an image of a younger Kris surrounded by the other Dreemurrs, all smiling. It seems to be a memory of a past birthday.

Page 3

Panel 1 - Closeup of Kris still looking into the fire, their eyes hidden by their hair. A shadow seems to fall over them. The memories of happier times still hurt.

Panel 2 - Lancer pipes up: “Ya got the cake and friends part right here!” Kris turns to see Lancer and Susie smiling at them, and gives a small smile back.

Panel 3 - Noelle leans in over Kris as well, her head taking up most of the panel. She says, “Sorry, we don’t have any gifts for you…but two out of three isn’t bad, right?”

Kris’s smile broadens a little, and they reply, “No, it is not.”

Panel 4 - Kris pulls out a smaller knife…

Panel 5 - And in a shot focused on the cake, begins to slice the cake into equal pieces with the knife.

Panel 6 - Kris offers a piece to Catti, who happily licks it up. “Tasty.”

Panel 7 - Kris tosses a piece across the fire to Berdly, who catches it in his mouth. “Thanks, Kris!”

Panel 8 - Kris turns around and tosses another piece into Susie’s open jaws. “Hell yeah, cake!” she says, excited.

Page 4

Panel 1 - A wide shot as the whole Fun Gang sit around the fire, enjoying their cake slices, small as they are. Kris works on eating their own slice. Noelle says, “That was good! …Do you think there’ll be lots more cake in the light world?”

Panel 2 - Medium shot of Kris, who turns to look up at Noelle. “Yes, there are. But I would have thought you’d be interested in the humans more,” they say around a mouthful of cake.

Panel 3 - Noelle looks off to the right, and responds, “Sure, I’ll have some, if they’re soft… I don’t like the hard bits, like armor and bones.”

Panel 4 - Wider shot as Noelle leans back against Susie, snuggling into her side. “I mostly want to get to the Light World and quiet this feeling in my mind…once I do that, I’ll be happy,” She says.

Susie grins, and says, “More for me, then! I can’t wait to get to the Light World and all that food…”

Page 5

Panel 1 - Susie rests her head on the ground, and continues, “I’m gonna eat up all those humans and finally feel full!” She smiles and licks her lips at the thought. Lancer sits just nearby.

Panel 2 - Wider shot of all the beasts around the fire. Across from Susie, sitting in a loaf, Catti says “Greedy.”

“Oh come on, like you aren’t excited for the food!” Susie responds with an annoyed look.

Panel 3 - Medium shot as Catti looks up towards the dark clouds above them, grinning broadly. Behind her, Jockington also looks Skyward, his body wiggly. Catti says, “Not just that. Open skies. Sun. Fresh smells. New magic.” Jockington adds, “It’s been, way too long since we, learned a new technique!”

Catti reiterates: “Lots of things. Looking forward to them.”

Panel 4 - Wider shot as Kris turns to Monster Kid, who’s been quiet this whole time. They’re mostly buried underground, but their tail is currently out of their mouth. Kris asks them, “You’re looking forward to leaving the Dark World, too?” They reply, “Y-yeah, Kris! I wanna eat some humans too, but…also wanna be someplace niver, y’know?”

Panel 5 - Closeup on Monster Kid’s face as they continue: “Here it’s really hard to find food. And it’s so dark and cold, and e-everyone’s trying to fight each other… I hate it, yo.”

Page 6 

Panel 1 - Wide downshot of the whole Fun Gang huddled together in the empty crater. The barred landscape stretches out around them. Berdly looks to the skies, and says, “Yes, it’s true. The terrain here is so bleak and devoid of sidequests.”

Panel 2 - Closeup on Berdly as he smiles, looking excited and proud. “But if the Light World has as many humans as you say, I’ll be able to max out my volume in no time!”

Panel 3 - Susie looks away and sticks out her tongue, clearly annoyed at the prospect. “Oh goody, we’re aaaall excited for that…”

Berdly, not picking up on her sarcasm, just continues to beam proudly. “And rightfully so!”

Panel 4 - Noelle nudges her enormous nose against Kris’s back, and says, “We’re all really excited to see the Light World with you, Kris.”

Kris turns back towards her slightly, and smiles. “Me too.”

Panel 5 - Kris reaches around the fire to hand the now empty plate back to Ralsei, who takes it.

Panel 6 - Ralsei makes the plate vanish into shards of nothing with a wave of his claws. “Then let’s get some rest!” he says, satisfied.

Panel 7 - The small campfire is now extinguished. Only a thin wisp of leftover smoke rises from the blackened wood and coals.

Page 7

Panel 1 - A wide shot of the crater, still at night. With the campfire out, all of the eldritch beasts are now asleep. Monster Kid is buried underground. Catti is sleeping as a loaf, with Jockington resting on her back. Berdly sleeps with his head tucked under one wing. Susie and Noelle sleep snuggled up together, with Susie’s long tail curled around them. Kris lays nestled between them, long hair and shaggy fur serving as a makeshift bed. Ralsei stands off to the side.

Panel 2 - Medium shot of Kris. They lay awake between the two beasts, staring up at the sky. They look pensive.

Panel 3 - Slightly closer, Kris looks down and to their right. Ralsei asks from offscreen: “Kris! Are you feeling all right?”

Panel 4 - Downshot of Ralsei as he looks up towards Kris. He spreads his arms out in a hopeful gesture. “I know perhaps this isn’t the sort of birthday you would have had back home, but I was hoping I did okay on such short notice…”

Panel 5 - Closeup on Kris as they close their eyes. “I just…” They take a deep sigh.

Panel 6 - Kris looks up from the makeshift bed, looking sad. “I can’t remember the first birthday I had with mom and dad and Azzy anymore.”

Page 8 

Panel 1 - Shot of the dark skies above. Thick clouds silently roll across a starless expanse. “The whole day feels like it’s completely gone.”

Panel 2 - Wider shot, with Ralsei in the foreground. He still watches Kris carefully. “Oh, I see. I suppose Seam has asked for quite a few payments from you during your time here…perhaps you sold the memory?”

Panel 3 - Closeup on Kris as they squeeze their eyes shut, trying to block out budding tears.

Panel 4 - “Yes. Likely,” they say. Kris sadly holds up their left hand above their head. Their hand is missing the pinkie finger…another payment to Seam.

Panel 5 - Closeup on Ralsei as he looks downward. “I’m sorry, Kris.”

Panel 6 - Medium shot as Kris hugs themself, still nestled in the hair and fur. “Asriel would usually get me a book he thought I’d like, and I’d complain about it, but then read it cover to cover in one night. Once I learned how to read, anyway,” they say with a small smile.

Panel 7 - Low angle shot as Kris continues to reminisce, watching the dark clouds above. “Mom and dad also always got me a square of chocolate. I don’t know how they afforded it.”

Page 9

Panel 1 - In a flashback panel, Asriel and Kris sit across from each other outdoors, each leaning against trees. Simple woods surrounded them, and a lazy river rolls by just past them. Beyond the river are a few small homes and farms from the town. Kris holds an apple, while Asriel has a book and feather pen. Both are talking, looking happy. 

Kris speaks over the flashback: “Azzy and I would go and sit by the river in the summer, and he’d point out plants and animals and tell me to give them science names. Even when I said crass or foolish ones, he wrote them down and said he would petition to get the names changed.”

Panel 2 - Closeup on Kris as they look away, the memory still feeling a bit sad to them.

Panel 3 - Closeup on Ralsei, interested and responding to the stories. “Your brother sounds like a generous soul.”

Panel 4 - Kris looks down, still sad and reminiscing. “He didn’t have to be so nice to me. Everyone said he’d leave town and go do great things.”

Panel 5 - Another flashback panel, this time in Azzy and Kris’s shared room. It looks similar to their room in canon, but much older and more bare-bones, with simple wood walls. Kris sits on the edge of their bed, listening. Asriel sits on the edge of the bed, looking pensive, his cheek resting against his hand. 

Kris continues over the flashback: “But he…he told me that he didn’t like that pressure. That I was more fun to hang around than whatever great thing the town expected him to do.”

Page 10

Panel 1 - Closeup on Ralsei. He looks on, his tattered scarf flowing behind him. A curious smile crosses his face. “The way you have spoken about him, all this time…I am so curious to meet him.”

Panel 2 - Kris nestles down into the bed of fur and hair, and shuts their eyes, drifting off to sleep at last. They mumble, “Maybe…maybe soon.”

Panel 3 - Wide shot of all the beasts, asleep in the crater. Kris finally sleeps as well, tucked between Susie and Noelle. It’s dark, and quiet. In the foreground, Ralsei remains awake and watching, his back to the camera. It’s unknown what he’s thinking.