#the scene that stared it all

[rocketbirdie]

so close yet so far

[bixels]

Watched Rear Window last week. Went a little overboard on what was supposed to be a simple expression/design study.

Maybe one of the most bone-chilling scenes in film.

Individual shots:

[captain-flint]

Buck and Tommy looking at each other's lips

[inklore]

hi i rewatched the carriage scene (again) and just want to point out that when they kiss colin is literally moaning for a good minute before pen makes any noise. hope you’re all as sane about this as i am!

[spicyvampire]

Great and Tyme being worried about each other

4MINUTES (2024) EP. 5

[rileyclaw]

new TOH animatic on my channel!

[mayasaura]

one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.

the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)

the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.

Oh boy my friend, have you come to the right place!!

So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.

Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.

So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.

[jimmysea]

No more loneliness, little Day.

LAST TWILIGHT SERIES (2023)

[ruporas]

special operatives (silly interaction beneath read more)

[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]

[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]

[rinmemesuoka]

adelaide in front of a group of hella's friends (including her meangirl situationship) who were not there for the regicide: oh hella did Such a good job killing me. it was kind of a sex thing.

hella, dragging her hands down her face: it wasn't. it was not a sex thing. fero was there.

[kimdokjas]

what if we made ice ado the new goncharov

[twentyfivemiceinatrenchcoat]

cult leader geto throws up blood if you don’t tell him you love him before he leaves for work btw

[gojuo]

two siblings two teenagers forcefully married to each other have children together have discord in their marriage and they just lost their child in what was one of asoiaf's top 5 most horrific events to have ever happened and their actors had to beg the writers for them to have a scene together....

this is what hotd's writing is worth.

[babacontainsmultitudes]

Actual footage of Tony trying to talk to Kelsey this episode:

Now what I personally need is for her to despise him for a while then for them to have some big heart to heart and them to become best friends OKAY I'm very invested in what's become of their dynamic and I'm all here for "Punished" Tony the wet cat that he is I yield the rest of my time thank you.

[novelconcepts]

The more the show progresses, the more I want to see the 90s cast infiltrating the modern timeline. We've gotten hints of it with Shauna and her younger self, her Jackie hauntings. We've gotten a little more with adult Lottie seeing teenage Nat (and Laura Lee), and with Natalie getting teenage Lottie in her final moments. I want more. I want the teen cast to be absolutely invasive on pivotal adult moments, infecting their adult counterparts when least expected. I want Taissa's argument with Van to dissolve into their teenage selves, their bond endless and timeless and inescapable. I want Misty absolutely wrecked by young Natalie lurking around corners, watching from mirrors. I want to see these women unable to navigate adulthood without the specters of their teenage selves cropping up absolutely everywhere, more and more as they let the memories in, as they stop being able to repress the trauma. They didn't grow up. They never could. You are always doomed to regress around your high school teammates. You are haunted by the phantom elements of your misspent youth. It is a comfort, and it is a gift, and it is a trial, and it is a curse. I would love to see that reflected with greater intensity, until the lines blur, until the timelines have no choice but to intersect. They haven't escaped themselves at all. They didn't grow up. They just got older.

[scisac]

newtmas in the scorch trials deleted scene