#the real force of creation
Explore tagged Tumblr posts
Text
I wake up, and I think about them. I eat food, I think about them. I go to work, I write their stories when no customers are around. I don’t believe in god, but I believe in them.
The Cosmic Daniel.
The one who consumed the whole universe like it was the size of a golfball, and fit it in the center of their chest just to hold us closer. A lifetime of unforgivable woes for them, and yet they ache for the happiness of us. Though they swallowed the unknown universe at first for selfish reasons, like humans often do, the force of life itself spoke to them and shared the rest of the worlds unspoken secrets, and they realized that life was the something that forms in between all those vast gaps of nothing.
You may think me the artist here, the weaver of tales, but alas. If I have a religion, it is Codan. Get it? Cosmic Daniel? Please tell me it isn’t taken. Codanish? hm.. Workshopping this. Anyways.
If I have a religion, it is [of the Cosmic Daniel variety]. I am merely a follower. I am a vessel for them and their values, a humble spreader of this life changing, sacred vision. May we all let their light flow through us.
#azdamnsdaniel#god#the real force of creation#the one who gives everything#expects nothing#He who has the lovliest lashes in town#They who mastered all pronouns#as one ate them all. sowwy x3#unicorn#I can imagine a pony version of them wait stop#HOLD ON#FUCK#alright well that’s fine#oc#character#religion
1 note
·
View note
Text
look sorry for the reference but simon's relationship to fionna is giving barbie movie vibes to me. she both exists and is 'real' in some capacity but is also a creation made by a person, and is therefore directly affected by her creator's thoughts and actions. simon is like america ferrera inadvertedly giving his fionna barbie thoughts about dying and just generally ruining the vibes of 'fionnaland' because he's so overwhelmingly depressed that it seeps into how he perceives that world in his mind
#nearly 100% convinced this is what is going on and it's so good i love it#not just because i love simon but because i also love stories where creators interact with their fictional creations#like how they are forced to see the ways in which trey subconsciously project their emotions into their fiction in a real and tangible way#best route they could've taken#fionna and cake#fionna and cake spoilers#simon petrikov#at
405 notes
·
View notes
Text
Me: I hate all superhero movies/shows that boil down to 'it's Superman but an Asshole' they al-
Megamind 2010: all?
Me: oh no not you, you're perfect.
#superman#clark kent#megamind#metroman#megamind 2010#comics#dc comics#`if i was superman id use my powers to enslave humanity' yeah but superman wouldn't YOU would because apparently you're a horrible person#metro man#roxanne ritchi#like metro man is superman if he was forced to be a hero from a young age and became dissolutioned with it#and megamind is Superman if he looked alien and didnt land in a nice place to grow up.#they both go through the motions of hero and villain because thats what's expected of them. in the end they realize thats not what they wan#metro man stepped down and megamind stepped into his shoes to defeat the villain (even if its of his own creation)#how did DreamWorks do this? eveyone does `Superman but.... wait for it! EVIL` but they did it so much better like neiter metroman or#megamind was really evil. megamind was a nusence at best. even durimg his dictator era the city was still ok. a fire truck in a wall and#spray paint. some thievery one guy got cubed. blew up the museum. etc but he could have done worse. he wasnt truly evil just mad scientist#the real evil was the 'nice guy' who got powers and automatically used them to to an actual dictator when the girl he liked rejected him
278 notes
·
View notes
Text
woe haphazardly thrown together character sheet be upon ye
#not me willingly obsessing over the first itch game that held my attention to ignore the 2024 election#It's really fucking good tho#a tale of crowns#I read the character creation guide AFTER I did everything#now I have a million HCs about how characters would try to get her to keep all her layers on#she'll be good if she expects to spend time with Keko but everywhere else is fair game#this is what forcing myself to not immediately replay it looks like#I'm gonna go do that now#I realized that the 2nd tag could be misinterpreted (tho it would require a complete lack of understanding context) so let me be clear#game real good. game amazing#presidential election results bad
36 notes
·
View notes
Photo
#a boss and a babe#a boss and a babe the series#guncher#gun x cher#force jiratchapong#book kasidet#my creations#real subtle guys
309 notes
·
View notes
Text
i feel like ppl push back against geoff's narrative by claiming he was the first to posit kon being actually kryptonian but this is just not true............. sb94 itself and wf3 both heavily imply/outright state that kon is a clone of superman with a small amount of stabilizing dna from paul westfield. this is an internal inconsistency with his established intro in rots and adventures of superman, but it's still like. in text stated. just look at hypertension arc. black zero talks explicitly about all the kons across the timelines being clones of superman who simply haven't grown into their full powers yet. geoff isn't the originator of this idea y'all he just retconned the human dna donor into lex instead of paul.
#also as a matter of personal opinion.#kon being an actual kryptonian clone works more elegantly in the narrative just like. occam's razor-wise#and the major reason he was established as being human emulating kryptonian powers is that there was that major editorial mandate#at the time it was prioritized that clark be the ONLY real kryptonian#this was later relaxed (kara. later versions of kon) but that was the driving force for superman during kon's creation#which imo is important context to consider#anyway. i keep seeing posts pushing back against fanon claiming this but it's just. that's not actually true#there are many real reasons to complain about geoff and about fanon without just making stuff up.........#this is the thing i was vaguely complaining about the other day btw. im still atm too lazy to go get citations#but is2g the power of spite might compel me soon#kon#rimi talks
45 notes
·
View notes
Text
I may be failing my plan to not make any isat aus. So there's this guy her name is Euphrasie right. What if I took her and combined what could be 3 separate au concepts into one. And in the process forced myself to go back and reread a bunch of shit to make sure I know how to maximally fuck over this sad wet puppy of a woman
#rat rambles#did I ever actually make a proper isat talking tag? I don't remember but erm#stars posting#anyways dont count on me committing to this au too hard since Im mostly eternal gales brained rn but I am rotating ideas in my head#shes always interested me deeply as what am I if not a sucker for women who are mostly silhouettes of a character#I was mostly just thinking abt other ppls aus where she is also looping and was thinking abt how fucked it be for her in general but also#how much more fucked it would be for her if it was Only her looping#because as far as she would know theres straight up nothing that can be done to fix this and shed be stuck in a hell of what shed be sure#is her own creation#and then I thought to myself. what if she then accidentally did a loop while trying to fix it#and then my brain also said but what if loop was also there#so I did some mental gymnastics to ignore the possible problems and decided to take an extra spin on it and just sorta add her to the main#party by having her have basically wished to be able to help them defeat the king to make things right and her getting dropped earlier#on in the adventure so I can fuck around with potential character dymamics more (cough cough siffrin)#and for the actual loops I think it'd be funny if she could remember just like loop but was fully convinced that she was looping alone#so itd be siffrin and her acting at eachother trying to hide their seperate breakdowns while meamwhile loop is just staring at her with a#whole heap of mixed emotions but mostly the confusion of who the fuck is this guy???????#and sif is just like yeah thats secret. shes a powerful craft user who's craft experiments backfired and fucked up her body. duh.#and loop just Knows that thats not true but they have no real way to bring it up properly without drawing too much suspicious#oh yeah and Im calling her secret for now. in my minds eye shes like constantly putting on different fronts in hopes that one of them will#stick but shes been able to get away with it by playing up her belief in change to a cartoonish degree#shes really trying to be strong and not raise suspicion since she does want mirabelle to be able to learn and grow from this just the same#as her own mirabelle before and just wants to be able to fix the broken wish by being there to defeat the king herself#which she had already convinced herself was the reason the wish broke since she was the one stuck remembering#I should reword it to that probably because saying shes the one looping isnt Wrong but asside from sif not remembering it still entirely#revolved around him she was just the one forced to deal with it without any real way of learning how to fix it#and while she never figured out the entirety of the sif stuff it was always him taking to her that reset the loop#so she has. complicated feelings on him. she doesn't want to be avoidant or distant or to dislike him! and as time goes on she does grow to#like him a lot! but its just. hard to look him in the eye sometimes.#and then theres the horrors of the actual main game starting and the slow but horrifying realization of how badly she fucked up
2 notes
·
View notes
Note
No i am not joking, according to Endeavor Dabi being near death allowed him to awaken a whole new ability and he now has ice coming out of his chest.
#.........#i am taking very deep breaths right now#i had to do a LOT of heavy lifting to make the last dumb quirk science thing be feasible#when Hawks complained about it#however. deep breath. however#Enji is in fact the SINGLE LEAST RELIABLE SOURCE ON HOW TODOROKI QUIRKS WORK#considering just how badly he failed even basic quirk science‚ match ups‚ genetics‚ medicine‚ and eugenics#a detective does not a novel scientist make or whatever#so him just saying that? yeah sure he can say that's why Dabi can ice now#he's wrong but he can say it. it's very in character for him to be wrong that way#the real reason is it's because Ujiko messed around with Dabi's body previously#which would implant an ice creation meta but only activate in dire straits due to the strain it would cause on the rest of him and his mind#Enji is just like 'ah well he has a vestigial ice invulnerability mutation that had to evolve under stress' because he has never read#Learning Curve nor understood the in universe reality of forced quirk manefestations / mutations#which is fine. he doesn't need to#he needs to wrap up the fighting Dabi thing though#we've been here for.... years...............#pocket talks to people#anon#bnha manga spoilers#bnha manga leaks
25 notes
·
View notes
Text
Hey, so, Patreon is lying to you about Apple forcing their hand.
Patreon is getting rid of 1st-of-the-month/per-creation billing, claiming a new decision by Apple has forced their hand. This will hurt a lot of creatives, and their excuse is bullshit. Allow me to explain.
In 2018, Patreon tried to impose a new ill-considered fee structure on everyone that would have cost creators a lot of smaller pledges. They ended up apologizing for this profusely; they have now deleted this apology from their website and unfortunately I was unable to find it on the Internet Archive. This was shameful, but to their credit they backed off quickly when things got ugly.
Back in 2021, Patreon discussed plans to force all creators into a rolling bill structure and get rid of first-of-the-month/pay-up-front billing. The community once again very decisively shouted them down, and they had to walk it back again. This whole fiasco damaged the already shaky trust between Patreon creators and staff.
This week, Patreon announced that, along with extra fees, Apple's policies were supposedly forcing them to move everyone over to the rolling fee structure that they first tried to get us to agree to in 2021. Patreon will tell you they are not happy about this. As a person who spent a long time watching Patreon make terrible decisions, I can tell you-- they are probably very happy about this, because it's exactly the smokescreen they needed to do what they've been trying to do for years, which is pull ALL Patreon creators away from 1st-of-the-month and per-creation billing.
The spin in the news I've seen so far is "Apple bullies Patreon, boo hoo hoo poor Patreon". This is very obviously not what's happening. Mind you: Apple does suck, and they are doing something bad here. Fuck apple. But Patreon and Apple are BOTH the asshole in this situation; Everyone Sucks Here. Patreon has options: they can make the iOS app a reader app and do billing through the browser to avoid the restrictions and the extra fees (Netflix and Amazon, notably, both do this), or they can allow creators to opt-out of iOS billing if they want to use billing models that don't work with it.
It seems most likely to me that the Apple situation is a real fire that Patreon has chosen to use as a convenient smokescreen to do what they've been wanting to do since at least 2021, and maybe since 2018.
What do we do?:
They have a feedback form specifically about this.
They also have a creator discord.
And they have lots of social media pages where they probably really, really hope that this doesn't blow up again, because they never learn. The incidents I've described here aren't the only two other times Patreon has pissed off their creators. They know if they don't contain the noise it'll be harder to get away with it, so make some noise. They've done a lot of work to spin this cleverly so you'll have sympathy for them and they won't get the kind of backlash they know they deserve.
Please don't misuse these links and make threats or spam or something. All you have to do is give well-reasoned feedback. Patreon hates feedback. Make sure they get a nice heaping helping of their least favorite vegetable.
18K notes
·
View notes
Text
I really do just need to get over the fact that my stuff is going to drive people mad
I had to actively stop working with the DAY because the wide open reality of being the Dreamer being incarnated into like millions of people at once, incompréhensible unimportant and yet all important, was like... its not good for navigating reality. It's still at the back of my brain where I've had that experience and... I mean for some reason it's more unsettling than nondualist Shaivism stuff is. All Are One Being is somehow more normal than Dreamer stuff but anyway
That was like... the one time I really scared Hermes when I woke him up as DAY and you know I think that's fair first of all and second of all... indicative that if I can scare gods then my existence is just going to scare people who aren't gods nor on the path to godhood
Anyway. These creatures definitely have been trying to tell me they're moving towards Dreamer things. Should've known! Should've seen it coming with Lev throwing Kos back at me but I don't associate bb Dream stuff with what I call Dream stuff irl, I associate bb Dream stuff with nondualist Shaivism-esque stuff... Anyway. Guess I now associate the two
Because. really. they're feeding on impulses... I hope that they'll be gentle. I hope that they won't be as raw and rip-tide-esque as the Tree of Madness and my usual Madness energy but I don't... think they're very Madness heavy actually. They're. very quietly something else in an obvious way. probably Day lmfao. yeah. They are aren't they
#This is... So complicated. The Dreamer stuff I mean. There is no way to translate it properly to a Dreaming language but#The Day archetype through Lev as the Day Sky God is heavily about dreaming and obscurement of the truth of the seld#and masses as one being and the insignificance of this reality as illusory and so on. It's not a paradigm in the way of something in your#head but something that... when you experience it you move to an alternate concurrent reality and existence#Both All Are Individual And Real and All Is Archetypes Incarnating As Many People are true#But then.... Lev and I get into Archetypes as Archetypes instead of as people. We inhabit the inhabiting int he inhabiting#Which causes the chain reaction of eyes moving into eyes moving outside of the original eyes. We force ourselves into alternate views#Like someone watches themselves in first person in the astral... We watch ourselves form ourselves. Pass the head of the god to the body#But. This is the Day. The Day knows it's illusory and is just a play of the Sun who is one of millions of stars and therefore is in million#of places at once and is afloat in nothingness.... The Day knows it's reflections upon reflections it's the arising of colour#from nothingness it's reality coming to be through the projections of millions of molecules.......#It's one truth. It even knows it's not the only truth. The DAY posed the question of whether I wanted to see through it or go back to Dream#Both were valid and I went back to Dreaming. The dream dreams the Dreamers just as they dream it. Anyway! These are...#Not going to pull on what I experienced but they're definitely going to do something Day-esque and... The day....#As much as I branch out into all aspects of the sky I Am The Day.#ramblings //#Aspect: day //#astral creation //#mira //
1 note
·
View note
Text
I ran out of tags XD Good Omens Spoilers Beware! (time for dinner now)
The Magic Trick You Didn’t See: Being An Analysis of Good Omens Season 2
(or: Neil Gaiman, Your Brain is Gorgeous But I Have Cracked Your Sneaky Little Code And Have You Dead To Rights*) (*Maybe)
***
Soooooo I just spent the last 48 hours having a BREATHTAKING GALAXY BRAIN EPIPHANY about Good Omens Season 2 and feverishly writing a fuckin16,000 word essay about the incredible magic trick that @neil-gaiman pulled off.
Yes, it’s long, but I PROMISE your brains will explode. Do you want to know how magic works? Do you want to know what Metatron’s deal is (I’m like 99% sure of this and it’s EXTREMELY FUCKING GOOD)? Do you want to know about the Mystery of the Vanishing Eccles Cakes and the big fat beautiful clue I found in the opening credits? Do you go through the whole inventory of Chekov’s Firearm & Heavy Artillery Discount Warehouse?
Here is the essay, go read it: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ When ur done u can tell me I’m an insane crackpot, and u know what, i won’t even be offended
In case you don’t know whether you want to bother reading the whole enormous thing on google docs, I’ve put the first couple sections of it under the cut. JUST TRUST ME OKAY, HEAR ME OUT, THIS IS VERY EXTREMELY COOL, NEIL IS GOOD AT HIS JOB–
Keep reading
#FASCINATING essay#intriguing ideas and clues#the eccles cakes are DEFINITELY significant! weren't they called the ultimate comfort food? comfort disappears...#s2 has so many threads left up in the air ready to be played with in s3 it's great#wondering hard about the editing/erasing memories ability...is that something any angel at michael/uriel/saraqaels' level can do?#is it something they can do to ANY angel (or demon?)/only if they decide as a committee?#cuz they expected to erase gabriel's memory. saraqael had the thing to “look up” gabriel's memory in her hot little hands at the meeting#was THAT the book of life or is angel memory editing a separate function? (I'm leaning toward the latter)#GABRIEL fell in love?? GABRIEL?? with a demon?? is that Real? is it??#One Prince of Heaven may fall (lucifer/satan) but not two (crowley?) and CERTAINLY not 3 (gabriel) eh metatron? eh?#you are on to something BIG and the payoff is gonna be great!#(hey hollywood execs pay your fucking staff already & stop forcing wga & sag-aftra to strike for survival) (s3 doesn't HAVE to be on prime?)#oooh maggie not sure about maggie not being real. you've got me halfway convinced but aziraphale loves her records#AND she gets all the everyday records that the resurrectionist keeps getting--possible grounding in reality?#“it's just a thing we do” - i am on the fence on this one. on the one hand it is a very Character thing to say. on the other...#it's also a very mellow go woth the flow i don't get it but I'm here and i don't hate it kind of thing to say (and she really really wants#to dance with nina)#*with#the perfect crime...the parallels to gabriel's disappearance with none knowing who done did it (cuz he zapped himself into the fly)#back to gabriel & beelzebub and the everday records....the sheer NUMBER of records...does it imply gabriel turned EVERY RECORD in the juke#every time they visited the resurrectionist (3 times on screen?) or does he change just the one currently selected and there's a ton more#visits there that we DON'T see (but the records are proof of)?#gabriel says Nah. nah. nuhuh. nope. great & terrible prophesy bad things coming ah yes I'll renege and lose my memory to avert it ???#Nah is too out of character to not be deliberate. WHAT DOES GABRIEL KNOW ABOUT WHAT IS COMING. why did he set things up#so that he could escape heaven scot free but memoryless and WHY was that integral to averting the Terrible Thing that is coming?#is metatron the terrible thing? did gabriel have to leave the coop SO THAT metatron would be tempted to meddle & suck aziraphale in?#so that aziraphale (and crowley) can save the day by stopping “heaven”/metatron's plan for the second coming?#the Great Plan is ineffable...the Apocalysn't...the plan behind the plan for apocalypse...god's narration & the nice & accurate prophecies--#what I'm getting at there (poorly) is that...maybe god's plan is to see how long things can last? how great creation can become?#because it IS a damn shame to end an infinite universe after 6000 years before the engine is even fully cranked up...
11K notes
·
View notes
Text
"does x sexuality really exist??? does y sexuality exist or is it just a bit????" you sound like a terf. that's terf rhetoric. i hope you fall off a flight of stairs
#personal#you sound unloveable and insufferable and i hate you#decided to check on some blogs i blocked cause I saw that post going around of new users being forced to follow upon blog creation#and i wanted to unblock any that looked like legit blogs and I had to see some god awful posts while scrolling#anyway all the words we use for sexuality and gender are made up and if someone uses it then its real!! its real!!!!!#because the person using it is describing their lived experienced with the best analogues they can!!!!!#i hate these people so much. get away from me
0 notes
Text
Okay I'm almost done with Fellowship, here's an incomplete list of shit I noticed and thought was buck fucking wild on my first ever read-thru: medieval edition.
In literally the second line of the book, Tolkien implies that Bilbo Baggins wrote a story which was preserved alongside the in-universe version of the Mabinogion (aka the best-known collection of Welsh myths; I promise this is batshit). This is because The Hobbit has been preserved, in Tolkien's AU version of our world, in a "selection of the Red Book of Westmarch" (Prologue, Concerning Hobbits). If you're a medievalist and you see something called "The Red Book of" or "The Black Book of" etc it's a Thing. In this case, a cheeky reference to the Red Book of Hergest (Llyfr Coch Hergest). There are a few Red Books, but only Hergest has stories).
not a medieval thing but i did not expect one common theory among hobbits for the death of Frodo's parents to be A RUMORED MURDER-SUICIDE.
At the beginning of the book a few hobbits report seeing a moving elm tree up on the moors, heading west (thru or past the Shire). I mentioned this in another post, but another rule: if you see an elm tree, that's a Girl Tree. In Norse creation myth, the first people were carved from driftwood by the gods. Their names were Askr (Ash, as in the tree), the first man, and Embla (debated, but likely elm tree), the first woman. A lot of ppl have I think guessed that that was an ent-wife, but like. Literally that was a GIRL. TREE.
Medieval thing: I used to read the runes on the covers of The Hobbit and LOTR for fun when I worked in a bookshop. There's a mix of Old Norse (viking) and Old English runes in use, but all the ones I've noticed so far are real and readable if you know runes.
Tom Bombadil makes perfect sense if you once spent months of your life researching the early medieval art of galdor, which was the use of poems or songs to do a form of word-magic, often incorporating gibberish. If you think maybe Tolkien did not base the entirety of Fellowship so far around learning and using galdor and thus the power of words and stories, that is fine I cannot force you. He did personally translate "galdor" in Beowulf as "spell" (spell, amusingly, used to mean "story"). And also he named an elf Galdor. Like he very much did name an elf Galdor.
Tom Bombadil in fact does galdor from the moment we meet him. He arrives and fights the evil galdor (song) of the willow tree ("old gray willow-man, he's a mighty singer"), which is singing the hobbits to sleep and possibly eating them, with a galdor (song) of his own. Then he wanders off still singing, incorporating gibberish. I think it was at this point that I started clawing my face.
THEN Tom Bombadil makes perfect sense if you've read the description of the scop's songs in Beowulf (Beowulf again, but hey, Tolkien did famously a. translate it b. write a fanfiction about it called Sellic Spell where he gave Beowulf an arguably homoerotic Best Friend). The scop (pronounched shop) is a poet who sings about deeds on earth, but also by profession must know how to sing the song or tell the story of how the cosmos itself came to be. The wise-singer who knows the deep lore of the early universe is a standard trope in Old English literature, not just Beowulf! Anyway Tom Bombadil takes everyone home and tells them THE ENTIRE STORY OF ALL THE AGES OF THE EARTH BACKWARDS UNTIL JUST BEFORE THE MOMENT OF CREATION, THE BIG BANG ITSELF and then Frodo Baggins falls asleep.
Tom Bombadil knows about plate tectonics
This is sort of a lie, Tom Bombadil describes the oceans of old being in a different place, which works as a standard visual of Old English creation, which being Christian followed vaguely Genesis lines, and vaguely Christian Genesis involves a lot of water. TOLKIEN knew about plate tectonics though.
Actually I just checked whether Tolkien knew about plate tectonics because I know the advent of plate tectonics theory took forever bc people HATED it and Alfred Wegener suffered for like 50 years. So! actually while Tolkien was writing LOTR, the scientific community was literally still not sure plate tectonics existed. Tom Bombadil knew tho.
Remember that next time you (a geologist) are forced to look at the Middle Earth map.
I'm not even done with Tom Bombadil but I'm stopping here tonight. Plate tectonics got me. There's a great early (but almost high!) medieval treatise on cosmology and also volcanoes and i wonder if tolkien read it. oh my god. i'm going to bed.
edit: part II
3K notes
·
View notes
Text
As promised I went ahead and continued my "ghoul guide" with a part 2 (part one linked in replies)! This one covers stuff specifically with a made up lore guide of in-world ghoul stuff as if they were a sort of unique magic entity.
This one wound up way longer and had to be split so expect a third final one eventually lmao. for now though... I'm gonna take a break and yell. Bonus extra info plus the transcript under the cut!
ID in ALT text!
Bonus note: While not portrayed in the guide, it’s important to know a detail about ghouls’ origin called “memory echoes”. While ghouls are formed from humans past who lose all memory of their previous self while maintaining an assumed personality from before, at times certain instances of events, actions, items, and otherwise can trigger these “echoes”. Echoes are very rare, but a valued treasure to ghouls; they make them feel more connected to their past and more “human”. Upon triggering an echo, a ghoul will become completely listless, unable to respond or react until the echo has completed, usually within seconds.
“Memory echoes” are described as blurry faded memories that often show featureless shapes and colors, but a very strong “feeling” of a Deja-vu of the moment. They feel viscerally real and can have a mix of the senses i.e. touch and smell, but produce no recognizable faces or imagery of the self. No ghoul has ever reported fully remembering one, nor any semblance of their true past beyond the haunting leftovers.
Begin Transcript:
A Compendium of Hell’s Derivates
While there are many theories on the demonic nature of ghouls,
The true source is surprisingly Human.
Souls cannot be recreated; rather, they’re Recycled and Reborn
The cycle of ghoul creation started for unknown reasons…
But one thing is Certain:
Natural forces do not change easily.
Raw elements collide with the fuel of life itself until one connects
by His command
A violent injection of pure elemental magic
Rewrites and erases all memory and one’s past, drastically altering the soul…
These new powers lend to the powerful allies of the ministry,
However….
… new powers are a dangerous toy.
While coined as “Feral”, new ghouls would better be designated “Raw”, “Unbound”, and “Lawlessly Dangerous”
First formed, they are still elements;
Torrential, Aimless,
Incapable of coherent thought or rules
-but with time, coherence returns to the individual
Who grows much like a life cycle’s stages without necessarily aging.
The overall cycle is the same per ghoul, yet varied enough each rises differently…
First form: “Raw” – Second form (1): “Feral” – Second form (2) – Third form: “Stabilized”
Catalyst, violent, poor formation – Unaware, wild, chaotic – Conscious; can act like oneself; less raw – fully formed and recognizable
The first form, “Raw”, is notably so violent the devil himself does not release them until stage two.
The second form in stage one of a “Feral” ghoul is much like the forces of nature; free willed and wild, understanding minimal speech.
Take caution: they can be mischievous and cause decent damage.
In the second stage of a “Feral” ghoul, they behave like typical people; however, they’re still very free and may choose to never fully stabilize.
Note: you can tell they’ve reached this stage by presence of a tail and civil habits.
If desired, a ghoul reaches the final form: “Stabilized”. They’re transformed into a stable humanoid body, a form less powerful but safer.
Note: Talented ghouls can change form at will in this stage between secondary Feral and Stable.
When it comes to location, each form is most likely to be found:
Raw: Hell, contained
Feral (Stage 1): wilds/natural areas
Feral (Stage 2): wilds and civil areas
Stabilized: anywhere people go
Seeing feral ghouls is not uncommon, and can even be considered lucky!
They tend to provide free protection to keep their home
Ghouls can only stabilize via ministry ritual;
One can assume they’re ministry members if stable, even off duty.
Ghouls are uncommon, but found most places if looked for;
This seems especially true near ministry placements.
Ghouls only form from adults and don’t “age” traditionally, yet they’re still mortal
Deceased ghouls do not seem to return or recycle.
Summoning intentionally pulls only second stage feral ghouls or stable ghouls from anywhere,
They don’t always like this however (see other guide).
The cycle of ghouls serves a main purpose – as forces for the Dark One, in return for rebirth
However, there are two channels through which they serve.
1) Natural defense against corrupted holy magic
Non-stable ghouls defend at will naturally where they live
2) training to fight, protect, and uphold the ministry’s efforts in the name of the Devil.
Contrary to belief, summonings cannot grab from “nothing”;
Like the creation of a ghoul,
Their element, once developed, is what becomes pulled by nature
The force of such pull is incredible,
A disorientating test of will so great…
…it can render even the most sound minds rather violent.
This is why while some choose to stabilize, others may not;
But should a mind change, they can be freed or re-summoned.
Alternative to wild summoning, one can summon from trained ghouls over feral;
Many ghouls are trained for ministry positions all over, but any can be summoned if unassigned.
Though stabilized, unassigned ghouls are not contractually bound to anyone until assigned.
They’re great for extra work hands and being able to know what kind of team mates you’ll get without leaving it to chance.
Summoning any ghoul however reverts them to feral form, and the challenge to tame them remains the same.
Just because you know a ghoul does not mean an easy summon.
Finally, be warned: forcing unwanted breaking or upholding of a summoning contract
Will have dire consequences.
Aside from rarity of an element, there are “power classes” within each element.
Tiers:
Rarity of an element does not equal strength.
The break down is as follows:
Rare – extreme and dangerous power. These ghouls earn a specialized title.
Quite strong, stand out in their class and very sought after.
Most common tier; average and decent powers that are expectable.
Weak powers, but some uses are applicable.
Uncommon – ghouls who possess little to no powers. Ghouls in this tier may at times suddenly change power tier without warning to any other category.
S-Tier ghouls are quite rare and a sight to behold- truly, they embody nature’s power.
End transcript.
#ghost bc#the band ghost#ghost band#nameless ghouls#papa copia#cardinal copia#papa emeritus iv#sodo ghoul#rain ghoul#phantom ghoul#dewdrop ghoul#mountain ghoul#swiss ghoul#aurora ghoulette#cumulus ghoulette#cirrus ghoulette#papa terzo#papa emeritus iii#omega ghoul#cardinal primo#cardinal secondo#papa nihil#sister imperator#ghoul guide#comic#long post#jhopoouughhghhhhoughh. i'm so tired. and there's still gonne be one more. lol HELP!#aether ghoul
782 notes
·
View notes
Text
Trash Novel Chronicles: I Want to Retire - Idia Shroud x reader
You write a novel that reads like a dumpster fire and while trying to delete the draft, you accidentally get isekai’d into it. Now, as the villainess you have to get Idia Shroud on your side as well as survive high society. You have your work cut out for you.
Series Masterlist
You’ve lived a life. A noble life, full of honor, glory, and caffeine-fueled late-night writing sessions.
You're an aspiring author.
An aspiring author who, unfortunately, just created the most stupid novel plot of all time.
At least, that’s how it feels. You sit back, staring at your screen, utterly defeated as your latest creation flickers mockingly before you.
You’ve named it: "The Battle for Genius Prince Idia’s Hand" (working title, don’t judge). And wow, it’s a mess.
Here’s the breakdown of your disaster:
You’ve got your heroine—a girl so sweet she’s practically made of sugar, like one of those cookies that look good but crumble the second you bite into them. Naturally, she’s fighting for the affection of your male lead, Prince Idia, who is a socially awkward, genius mechanic prince (because you thought it’d be fun to make him hot and bad with people).
Then there’s the villainess. Ah, the villainess. She’s smart, sharp-tongued, and has enough sass to level a small city. Her entire personality? Sabotage. And she’s also after Idia—because apparently, that’s the only thing women in this story care about. (You regret this immensely.)
But oh no! Plot twist! Idia gets kidnapped by some unnamed evil force (you’ll figure it out later). The heroine? Well, instead of rescuing him, she falls for some Bland Prince. You don’t even know why. You think his name might be Greg. Or Gerald. Honestly, he’s that unremarkable.
Meanwhile, the villainess doesn’t even care anymore about Idia. Instead, she’s full-on dedicated to ruining the heroine’s new, bland romance because… well, that’s her whole schtick.
It’s… awful.
You sit back, hands in your hair, groaning aloud. “What is this? Who would even read this?”
You glance at your notes. They’re a chaotic mess of random scribbles: “Idia = genius, but hates people,” “Villainess needs more fire,” and “Heroine? Too boring. Spice her up. Maybe dragons?”
Yeah. This isn’t working.
You slump in your chair, utterly defeated. The characters are good, great even! But the plot? Oh, the plot is a dumpster fire. No, worse. It’s a flaming dumpster floating down a river of bad decisions. You can’t believe you spent hours writing this.
That’s it. You’re scrapping the entire thing. You’ll keep the characters, sure. But the story? Gone. Deleted. No one needs to suffer through this mess.
Determined, you crack your knuckles and reach for the keyboard, ready to hit the big red “DELETE” button on your disasterpiece.
“Say goodbye to this trash heap,” you mutter, “and hello to some actual good writing.”
But, alas, the universe has other plans.
Just as your finger hovers over the delete key, the worst possible thing happens. Your elbow, as if possessed by the forces of chaos itself, nudges the precariously balanced coffee cup on your desk. The liquid inside, which you had so carefully placed right next to your laptop like a ticking time bomb, tips. In slow motion, you watch the dark, caffeinated doom spill over the edge and land directly onto your keyboard.
“No, no, no, no, NO!” you shout, lunging forward, but it’s too late.
The coffee floods your keys like a tidal wave of misfortune. Your laptop makes a sickening little noise, a soft bzzt, and the screen flickers ominously. You sit there, frozen in horror, watching your computer sizzle as if it’s been cursed by the gods of terrible life choices.
And then—just when you think it couldn’t get worse—it gets worse.
There’s a small, but very real, spark. You flinch back, because nothing good ever comes from sparks. The screen flickers violently, the keys start to buzz, and then—before you can even process what’s happening—you feel it.
ZAP!
Electricity courses through your body. Your vision flashes white, your muscles seize, and in one horrifyingly comedic moment, you realize you’re being electrocuted by your own laptop.
You’d scream if you could, but all you manage is a high-pitched whimper before everything goes black.
Dead. You’re dead. Killed by your own coffee and a poorly thought-out novel. Fantastic.
You blink your eyes open, your head pounding like you’ve been hit with a ton of bricks—or, more likely, an electrical charge. Slowly, your vision clears, and you find yourself… staring at an unfamiliar, ornately decorated ceiling.
Where the hell are you?
You sit up with a groan, and that’s when it hits you: the bed. It’s massive, plush, and absurdly luxurious—definitely not your usual ratty mattress. Panic sets in, and you scramble out of bed, only to catch your reflection in a nearby mirror.
It’s not your reflection.
Oh.
Oh, Shit.
Staring back at you is her. The villainess. The sharp-tongued, drama-fueled antagonist of your novel. The one with a penchant for ruining lives and stealing the spotlight. The one you made up.
You gasp, gripping the sides of the mirror. “No. NO.” You stare at the dark hair cascading over your shoulders, the perfectly arched brows, and the terrifyingly intense smirk that seems to have a life of its own. “Why am I her? Why this of all characters?”
You step back from the mirror and slap your cheeks, half hoping that’ll wake you up from this fever dream. It doesn’t. You’re still stuck in the body of the villainess, and with each passing second, reality—or whatever twisted version of it this is—sinks in deeper.
“Of course,” you mutter, throwing your hands up in frustration. “Of course this is my life now. I write the dumbest novel in existence, and this is what I get.” You pace in front of the mirror, ranting to no one in particular. “Who even thinks it’s a good idea to make me the villainess? Me?! I didn’t sign up for this!”
After a few minutes of thoroughly berating yourself—and by extension, the cosmic forces that brought you here—you finally stop, resting your hands on your hips.
“Okay. Fine. FINE. I’ll play your stupid game, universe.” You throw one last glare at your reflection. “But I’m not tormenting the heroine. Nope. She can have her stupid one-sided rivalry for all I care. I want nothing to do with this mess.”
The decision made, you shake your head and take a deep breath. “Alright, what’s next?” You glance around the villainess’s extravagant room, trying to figure out your next move. And then, a lightbulb goes off in your head.
Prince Idia.
In your novel, he’s socially awkward, reclusive, and definitely doesn’t deserve to get caught up in this disaster. He’s just collateral damage in your sorry excuse for a plot, and honestly? You feel kinda bad about it.
You snap your fingers. “That’s it. I’ll find Prince Idia. Save him or something. Maybe I can even get a reward for rescuing a royal!” You’re feeling pretty good about this plan—much better than sticking around and causing drama with the heroine, at least.
With a dramatic flourish (you are still the villainess, after all), you head for the door, ready to track down Idia and redeem yourself in whatever twisted way you can manage. Who knows, maybe this whole situation won’t be as bad as you thought.
Or… maybe it’ll be even worse. But you’ll cross that bridge when you get to it.
After what feels like hours of arguing with your stubborn, uptight butler—who is absolutely convinced that your decision to head straight for the abandoned palace at the edge of town is the worst idea you’ve ever had—you finally break free.
“If anyone was kidnapped, that’s where they’d be!” you shout over your shoulder as you march toward your carriage, ignoring his protests about "safety" and "reckless behavior."
Butler or not, you’re on a mission. And after a bumpy ride to the palace, here you are, standing at the entrance, waiting for the traps or menacing guards to pounce.
...Nothing.
It’s strangely anticlimactic, actually. You push open the door, expecting maybe a cackle or some ominous fog. But no, just dust and an eerie silence. You frown, stepping cautiously inside.
“What kind of royal abduction is this? Budget cuts?”
Just as you’re about to chalk this whole thing up to a monumental waste of time, you hear it—a low curse, followed by the distinct sound of tinkering. You freeze, listening closer.
Definitely someone messing with something.
Your hand instinctively reaches for your trusty gun (bless past-you for deciding guns belonged in this novel), and with practiced ease, you pull it out and slam open the nearest door.
"Hands up!" you yell, pointing the barrel directly at—
A very, very scared Prince Idia, crouching beside what looks like a half-assembled mechanical gadget. His wide, shocked eyes meet yours, and he lets out a startled yelp, nearly knocking over the tools scattered around him.
"Wh-What the hell?!" you blurt, lowering the gun slightly. This was not the daring rescue scene you imagined.
Idia flinches, awkwardly raising his hands. “I—uh, I don’t know who you are, but how did you even find me?!” he stammers, looking at you like you just kicked his favorite gaming console.
"How did I—? Are you kidding me?" You gesture dramatically with the gun, still in shock. "I’m one of the people you were supposed to choose from! Remember? The whole ‘Battle for the Hand of Prince Idia’ thing?”
He blinks at you, deadpan. “Oh… Oh, no,” he mutters, more to himself than you. “Absolutely not. I’m not going back. I staged this whole thing for a reason.” He crosses his arms, stubborn. “I’ll just stay here with my gadgets. You can go back to… whatever you do.”
You stare at him, flabbergasted. “What do you mean you staged this?” You glance around the dusty, decrepit palace. “This is your brilliant escape plan? Hiding out in the palace equivalent of a haunted IKEA?”
He sighs, running a hand through his hair. “Look, it’s quiet, it’s out of the way, and no one bothers me here. I didn’t get kidnapped, okay? I just—didn’t want to deal with all the royal court nonsense.” He shrugs, as if staging a fake kidnapping is the most logical thing in the world.
“You do realize that Ortho is still at the palace, right? Your little brother? Alone? Without you?” You raise an eyebrow, watching the slow dawning horror creep across Idia’s face.
“Yeah, so?” He huffs. “He’s the Crown Prince now. I’m sure he’s fine—"
“Bro,” you interrupt, “have you seen high society? Ortho’s gonna get eaten alive. Not to mention the other princes aren’t just gonna let him waltz around with a crown on his head without making his life miserable.”
Idia’s eyes go wide, his brain clearly working overtime as the realization hits him like a ton of bricks. “Oh… Oh no. I didn’t think of that.”
You nod sagely. “Yeah. Big oops.”
He stares at the ground, looking like he’s physically shrinking under the weight of his own bad decisions. And then—something unthinkable happens.
“Help me,” he says, his voice desperate. He looks up at you with pleading eyes. “Please. I’ll—I’ll make you anything you want, build you gadgets, whatever you need! Just help me navigate high society while I… hide in the shadows or whatever.”
You stare at him in disbelief. “Are you… Are you asking me to pose as your fake fiancée?”
Idia flushes crimson, his hands flailing. “N-No! Well, maybe? Yes. I mean, yeah, but it’s not like I want to—" He groans, burying his face in his hands. “Just… ugh. Yes. Please.”
You cross your arms, tapping your chin. “Hmm. Fake engagement, huh? Alright, but only if you give me a beach house when this farce is over and Ortho officially takes the crown.”
Idia looks up at you, blinking in surprise. “A beach house? That’s your condition?”
You smirk. “Hey, I know what I want. So, do we have a deal?”
He hesitates for a moment, but then sighs, defeated. “Fine. You get the beach house. Just… make sure no one talks to me. Or atleast, you have to handle almost all the talking.”
With a satisfied nod, you extend your hand. “Deal.”
Idia, still red-faced and awkward, shakes your hand. You can’t help but wonder what sort of chaos you’ve just agreed to—but at least you’re getting a beach house out of it.
Sneaking Idia back to your manor wasn’t the most glamorous affair. He insisted on wearing a cloak, “for dramatic effect,” even though the streets were practically empty.
"You know, for a guy who's supposed to be a genius, you're real bad at blending in," you deadpan as he stumbles over his own cloak.
"It’s supposed to make me inconspicuous," Idia mutters, pulling the hood down further. "People see a cloak, they assume you’re some weirdo and leave you alone. It’s basic stealth mechanics."
“Uh-huh. And tripping on it helps too?”
“Shut up.”
Once inside the manor, you sit him down to discuss the details of how you’re going to spin this whole ‘rescue’ thing. Idia, now a little more at ease, starts fiddling with some gadget he pulled from one of his cloak’s hidden pockets. You can't tell if he's actually paying attention, but you figure you’d better get started.
"Okay," you say, leaning in like you’re about to hatch the greatest scheme of your life. "We need a story. Something grand. Heroic. Full of intrigue, mystery—"
“Or we could just say I, uh, got lost?” Idia offers halfheartedly. “And you happened to find me by accident. That sounds more plausible.”
You shoot him a look. "Idia, this is high society. No one ‘just gets lost for 3 months.’ We need something more exciting. Like, I fought off a band of rogue kidnappers—"
“Did you now?”
“And there was this epic battle—"
“With what? Your sense of direction?”
You glare. “Focus. We need an alibi."
Idia sighs. “Fine, whatever. Make it sound cool, but not too cool. If it’s too impressive, people will start thinking I owe you something.”
“Oh, don’t worry. I already have an idea of what you owe me,” you say, smirking.
His eyes narrow in suspicion, but you move on.
"Alright, so I 'bravely' tracked you down to the abandoned palace—"
"Because obviously that's where I'd be hiding," Idia interrupts sarcastically, rolling his eyes.
"—and I singlehandedly defeated a gang of ruthless kidnappers, saving you from a life of captivity. You, overwhelmed by my gallantry, are forever in my debt—"
Idia snorts. "Forever in your debt? Yeah, right. You're more likely to find me dead than in your debt."
“Just go with it. It’s a good story.”
Eventually, you both settle on a suitably ridiculous tale where you, after days of tireless investigation, heroically rescued him from an evil plot to overthrow the royal family. It's unnecessarily elaborate, full of conveniently absent witnesses and a dramatic escape from a non-existent dungeon. The whole thing’s so ridiculous, you almost feel bad for making anyone listen to it.
“Right,” you say, standing up. “Now we just need to sell this at court.”
When you arrive at the palace, Idia hangs back while you step forward, playing your part as the "heroic rescuer." Ortho’s the first one to spot you, and when his eyes land on Idia, they widen with shock and excitement.
“Brother!” Ortho shouts, practically flying over to tackle Idia in a hug. “I knew you’d come back!”
Idia, not really one for public displays of affection, awkwardly pats Ortho’s head. “Yeah, yeah, don’t make a big deal out of it,” he grumbles, though you can see the tiny smile tugging at his lips. “I was, uh, working on some top-secret stuff. Y’know, important genius-level projects.”
Ortho beams. “That sounds just like you!”
You have to hold back a snicker. Yeah, real “top-secret.” Like avoiding social interaction at all costs.
Soon, you’re ushered into the royal court. The king—who clearly knows something is up—doesn't look remotely surprised by the "revelation" that Idia was never actually kidnapped. But, because royal politics are weird, he plays along.
“So, Prince Idia,” the king says, raising an eyebrow, “I suppose you’ll want the Crown Prince title back now that you’ve returned?”
Idia freezes, panic flashing in his eyes. "Uh, absolutely not. Hard pass. Nope. Ortho’s got it handled, right? He can keep the whole… crown… thing.”
Ortho nods eagerly from behind him. “I’ve got it covered!”
The king sighs but nods. “Very well. And what about you?” He turns to you. “Surely, a brave soul such as yourself deserves a reward.”
Here it comes. You’ve rehearsed this with Idia, but now that you’re on the spot, you can’t help the dramatic flair in your voice as you clasp your hands together and say, “All I ask… is for Prince Idia’s hand.”
The king looks thoroughly amused, while Idia, beside you, is turning a very interesting shade of red.
“What?” Idia hisses under his breath. “That was not the line.”
You grin, leaning closer. “Yeah, but you have to admit, it’s funnier this way.”
To his credit, Idia doesn’t collapse on the spot, though he does look like he’s reconsidering his life choices.
Meanwhile, from across the room, you catch the third prince—your so-called "male lead"—glaring daggers at you. He looks like he's about to burst a blood vessel, while the heroine next to him is scandalized beyond belief.
“B-but Idia’s hand was supposed to be won!” she protests, clearly flustered.
You tilt your head innocently. “Oh? Not satisfied with the third Prince?” you ask, batting your lashes at her.
Her face goes red, and the Bland Prince—whoever he is—looks equally scandalized.
Next to you, Idia quietly high-fives you behind his back.
“Nice one,” he whispers.
As you both walk away from the court, Idia glances over at you, his usual sarcasm softened by relief. “You know, I really thought I’d end up hating this whole scheme, but you’re not bad at playing the part.”
You chuckle, nudging him. “Told you it’d be fun. And now I get a beach house, so it’s a win-win.”
Idia sighs but can’t hide the smile tugging at his lips. “Yeah, yeah. Just don’t make me go to any more parties, okay?”
“Deal.”
You’re sitting across from Idia in the study, supposedly "spending time together" to prove to the world how deeply smitten you both are. In reality, though, you’re plotting out your beach house retirement plan, while Idia is hunched over his latest gadget, muttering like a mad scientist.
"Okay, so if I tweak this—boom, self-repairing AI drone. Easy. The idiots at court would never get it," he whispers to himself, eyes glued to the wires and gears he's fiddling with.
You’re busy doodling floor plans of your dream beach house, adding an extra pool for fun. “Yeah, totally, sweetheart,” you mumble, pretending to listen. This fake relationship thing is going swimmingly.
That’s when the door flies open, and in waltzes the male lead—of course he doesn't knock. The guy practically drips entitlement as he saunters in, admiring himself in the reflection of a spoon he’s for some reason carrying.
Without missing a beat, you and Idia scramble to look like actual lovers. You slide closer to him, casually tossing an arm over his shoulders, and he—already flustered—just stiffens like he’s been caught in a trap.
“I see you two are enjoying each other’s company,” the male lead says, not even looking up from his spoon reflection. “I came to invite you to the tea party. You know, with all the nobles. The whole ‘Idia’s too traumatized to socialize’ excuse isn’t gonna fly anymore. It’s been three months.”
Idia’s eyes widen, and you can practically hear his soul leave his body. You give him a reassuring nudge.
“Don’t worry,” you whisper. “I’ll do all the talking. You just have to sit there, sip tea, maybe nibble on a pastry, and nod at Ortho. I’ve got the rest covered.”
Idia doesn’t look convinced, but he nods anyway. “Sure, sure, as long as I don’t have to, like, interact.”
The two of you arrive at the tea party, and the moment you step into the garden, you realize you're absolutely screwed. It’s not a tea party at all—it’s some weird medieval Olympics with archery targets set up, and a bunch of nobles are taking turns shooting arrows while their wives cheer them on.
“What… is this?” you whisper, horrified. “Why are there archery targets at a tea party? Is this... a misogyny power trip?”
Idia looks like he wants the ground to swallow him whole. He’s already backing away slowly, trying to make his great escape, but you grab him by the back of his cloak before he can bolt.
He shoots you a look like you’ve just committed the ultimate betrayal. “This... is not a tea party. You said tea and pastries. Where are the pastries?!”
“I didn’t know!” you hiss back. “I thought we’d just sip tea and gossip about whose cousin married whose horse!”
Before either of you can make another move, the heroine spots you and immediately latches onto your arm, dragging you to the tea table. At the same time, the male lead grabs Idia and hauls him over to the archery side.
"Wait—no—uh—" Idia stammers, but he’s already been thrown into the testosterone-fueled chaos of nobles trying to outdo each other.
Thinking fast, you impulsively declare, “I’ll be the one doing the archery! For my fiancé, of course. You know, because those thugs that kidnapped him? They had bows too!”
Idia, catching on, immediately puts on his best terrified expression. “Y-Yeah! Bows! I’m… I’m still traumatized! Please don’t make me relive it.”
The crowd collectively gasps, and you inwardly pat yourself on the back. Nailed it.
Somehow, despite knowing absolutely nothing about archery, you end up winning the whole thing. Turns out, none of the nobles have actually seen a bow before. You didn’t even hit the bullseye—you just got the arrow near the target, which was apparently enough to impress them.
The prize? A complex-looking mechanical device, something straight out of Idia’s dream workshop. You look at it, completely clueless, before handing it over to him.
“Uh, here. I have no idea what to do with this.”
Idia stares at the device, his eyes wide in disbelief. “You’re… giving it to me?” He looks touched but also suspicious. “You’re not gonna ask for some crazy favor in return?”
You shake your head. “Nah. It’s all yours. Consider it a thank-you for not leaving me to deal with this disaster alone.”
He blinks, clearly not used to receiving gifts without strings attached. “Well… uh, thanks. And… good job on the archery. You, uh, really sold the ‘traumatized fiancé’ bit.”
Before you can respond, the rest of the nobles start talking about "true love," and you can practically feel the heroine’s eyes boring holes into you. She’s fuming, glaring at the male lead—who, by the way, didn’t win—and looks like she’s about five seconds away from tearing out her hair.
You shoot her a smug grin, thoroughly enjoying her frustration. Idia, who’s been watching the whole thing with mild amusement, lightly bumps you with his elbow.
“Thanks for… you know, saving me from whatever that was. And for giving me this… thing,” he says, holding up the device.
“No problem,” you reply, smirking. “I think we’re pulling off this whole ‘smitten lovers’ thing pretty well.”
Idia snorts, trying to suppress a smile. “Yeah, well, if you keep dragging me to ‘tea parties’ like this, we’re gonna need to come up with a better plan. Preferably one where I don’t have to socialize with archery-obsessed nobles.”
“Deal,” you laugh. "Next time, I'll find a real tea party."
"Please don't."
You’re lounging on a comfy chair, lazily chatting with Ortho, who’s happily explaining some new contraption he and Idia worked on. You’re half-listening, more focused on sipping tea and enjoying the rare moment of peace in this chaotic castle.
That is, until Idia suddenly appears in front of you, looking unusually determined. He stands there, awkwardly shifting his weight, before thrusting his hand out in front of you.
Without thinking, you blink up at him and, in your confusion, place your chin on his outstretched palm. You give him a questioning look, waiting for further instruction.
Idia’s face immediately flushes a deep red. “W-What are you doing?! That’s not—I didn’t—gah!”
Ortho’s trying not to laugh, but it’s clear he’s barely holding it together.
“What?” you ask innocently. “You held out your hand, so I thought…”
Idia runs a hand through his hair, clearly flustered, before spluttering, “I—no, I was asking for your gun!”
“Oh. Right.” Without hesitation, you hand him the trusty weapon you always keep on hand, because at this point, you’ve learned to never question what Idia needs. It’s always better that way.
“Thanks,” he mutters, grabbing it like he’s on a mission and rushing off to whatever secret lair he retreats to.
You glance at Ortho, who’s giggling to himself. “Do you think I should be worried about that?”
“Nah,” Ortho says with a cheerful shrug. “He’s probably just making modifications. He’ll be fine!”
The next day, your luck runs out. Just when you were hoping for another peaceful afternoon, the heroine arrives for a surprise visit, dragging along her little posse of noble followers. You’re seated in a stiff parlor chair, forced to endure the barrage of small talk and fake smiles, feeling as if the universe is punishing you for all the nonsense you wrote in that novel.
One of the heroine’s cronies leans in with a sickeningly sweet voice, “Oh my, Lady Heroine, I just love your new gown. You look positively radiant. Unlike some people who seem to… dress for comfort, I suppose.”
You shoot her a withering glare, but it’s hard to focus when the heroine herself joins in, adding with a falsely sympathetic tone, “It must be so difficult for you, pretending to fit into high society. I can’t imagine how exhausting it must be, keeping up appearances.”
You’re just about to snap back when, suddenly, the door bursts open. In comes Idia, holding your gun, looking both determined and completely out of his element. For a brief, terrifying moment, you wonder what kind of chaos he’s about to unleash.
Before you can ask, he walks straight over to you and hands it to you, his expression serious. “Here. I finished the modifications.”
Your jaw drops as Idia starts rattling off a list of improvements. “So, I increased the firepower by 30%, added a cooling mechanism so it doesn’t overheat, and now it’s got an auto-targeting system that can scan multiple threats at once. Oh, and I swapped the trigger to be more responsive, so you won’t have any lag—”
You can’t help but notice how animated he looks. His usual deadpan expression is replaced by a lively spark in his eyes as he talks about all the intricate details. He’s completely in his element, and you find yourself enchanted by the way he speaks. It’s rare to see him so passionate, so alive.
The moment is shattered when he finally notices the others in the room. His face drains of color, and he gives a forced smile that screams I don't want to be here. Without another word, he turns on his heel and flees the room. But you notice something strange—he had been holding your hand the entire time. His grip, tight and warm, leaves a lingering sensation even after he’s gone.
You’re left holding your newly modified gun, your face heating up as you process what just happened. The heroine's entourage are all staring at you with wide eyes, as if they’ve just witnessed the most romantic moment of the century. Even the butler, who’s usually the epitome of professionalism, is grinning like he’s just uncovered the secret to eternal happiness. The maids nearby are giggling behind their hands, clearly entertained.
You glance down at the gun, then back to where Idia disappeared. Great, you think to yourself. How am I supposed to survive this?
As if reading your mind, the heroine gives you a smug smile. “It seems your fiancé is quite… attached. How charming.”
You roll your eyes, trying to ignore the sudden rush of blood to your cheeks. “Yeah, he’s a real romantic,” you mutter sarcastically.
But even as you try to brush it off, your thoughts keep returning to that sparkle in Idia’s eyes, the way he had held your hand, and the way his enthusiasm had made your heart skip a beat. Maybe this royal con is going to be more complicated than you expected… but also, maybe not as bad as you feared.
Dragging Idia to get fitted for the imperial ball is like trying to drag a cat into a bathtub. He’s actively resisting, feet planted as you haul him toward the tailor with all the enthusiasm of a man being led to the gallows.
“Why do you keep doing this to me?” he groans, leaning back so far you think he might just throw himself on the floor in protest. “An angel loses its wings every time you make me do this. Do you want heaven to be wingless? Is that what you want? To singlehandedly destroy heaven?”
“I’m aiming to open a black market for wings, yes,” you say, deadpan, yanking him forward. “The profits will be incredible.”
“You’re a menace,” he mutters, shuffling along behind you, still resisting like a particularly stubborn mule. “Just put me in a broom closet with a bag of chips and leave me there. I don’t need to go to this ball. No one wants to see me.”
“I do,” you quip. “I’m dragging you into society, one unwilling step at a time.”
By the time you actually manage to get him dressed, you feel like you’ve aged five years. But when you take a step back to admire the result, it’s worth it. Idia looks stunning, even if he’s fidgeting like his clothes are secretly made of fire ants. He’s basically the human version of a rare collectible: usually hidden away, but absolutely jaw-dropping when you finally get to see him.
“Alright, Prince Drama,” you say, exhaling, “I’m going to get dressed. Try not to set anything on fire while I’m gone.”
When you return, you immediately notice something’s up. Ortho’s whispering something to Idia, and whatever it is, it’s causing a nuclear-level blush to spread across his face. He’s stiff as a board, and when he turns around and sees you in your ball attire, he goes straight from “mildly panicked” to “catastrophic system error.”
Without warning, he chucks a flower at you. Just full-on throws it like it’s a projectile weapon.
“Here,” he croaks out, his voice cracking halfway through.
You blink, catching the flower mid-air with one hand. “Uh, thanks? Were you... trying to plant this on me?”
Idia’s face somehow manages to get even redder. “No—I mean yes—I mean—” He looks around for help, but Ortho just gives him an unhelpful thumbs up from the corner.
You grin, deciding to help the poor guy out. “Why don’t you pin it in my hair instead?”
His hands shake as he fumbles with the pin, and you’re pretty sure he’s using every ounce of self-control not to stab you in the scalp. You bite your lip, trying not to laugh, but the whole situation is just too funny. Especially when Ortho gives you a conspiratorial wink from behind Idia’s back like he’s this close to winning a bet.
The ball itself is, as expected, a social hellscape. You and Idia survive by sticking together like conjoined twins, fending off the waves of nosy nobles and fake smiles. You can practically see the stress radiating off of Idia, his expression one of pure misery.
And then, the king makes his grand address, signaling the start of the first dance. You feel Idia stiffen beside you.
“Oh no,” he mutters, “Oh no. This is where it all goes downhill. I’ll trip, I’ll break my leg, and then they’ll throw me in the royal dungeon for embarrassing the family.”
“Relax,” you say, squeezing his hand. “It’s just one dance. I’ll lead, you follow. Easy.”
“I hate this,” he mumbles as you drag him onto the floor. “I hate everything about this. I should have just set myself on fire and gotten out of it that way.”
But despite his protests, you manage to lead him through the first few steps of the waltz. To your surprise, he’s not completely hopeless. He stumbles a little at first, but with you guiding him, he starts to get the hang of it.
“You’re doing great,” you say encouragingly.
“Stop lying,” he grumbles. “I’m one misstep away from taking us both out like a bowling ball hitting pins.”
The music continues, and with every turn and spin, you notice the room around you fading into the background. For a moment, it’s just you and Idia, navigating the intricate steps of the dance together. He’s still anxious, but he’s keeping up, and more importantly, you can tell he’s starting to trust you. He’s letting you take the lead, and for someone like Idia, that’s huge.
From Idia’s perspective, this entire ball is a waking nightmare. He’s completely out of his element, surrounded by people he’d normally go to great lengths to avoid. But then there’s you. You’re handling everything with this... ease, this grace that he can’t even begin to comprehend. You’re not just dancing with him, you’re actively navigating the minefield of court politics like it’s no big deal.
And you don’t need to do this. This isn’t your problem—it’s Ortho’s succession, not yours. But you’re here, by his side, going all out to make sure Ortho’s future is secure. Idia’s heart twists in his chest. He doesn’t get it. You’re way too cool for this. Too cool for him. You wink at him mid-spin, and he feels like his brain’s short-circuiting.
"Oh no. I like them. Like, really like them. And soon, they’ll be gone. This whole engagement is just for show. After Ortho’s investiture, we’ll go back to our separate lives, right?"
He swallows hard, trying not to freak out, but it’s too late. He’s in way too deep.
After the dance, you lead him off the floor and start mingling with the other nobles, making alliances and doing your whole “political mastermind” thing. Idia stands awkwardly to the side, trying to blend into the wallpaper, but his eyes keep following you. You don’t have to do all this for Ortho, but you are. And that’s... that’s really cool. He admires you, he can’t help it.
And then—oh no. The lower nobles. They spot him and beeline toward him like sharks smelling blood. Before he can make a break for it, they swarm around him, throwing party invitations at him like confetti.
“Prince Idia, you simply must attend our garden soirée next week,” one of them gushes, eyes sparkling.
“And our evening gala!” another pipes up. “You’ll be the guest of honor, of course!”
Idia’s face goes pale, and he shoots you a look that screams, HELP ME.
You swoop in like a knight in shining armor. “Ah, yes, well, unfortunately, Idia can’t attend. He’s... uh... allergic to sunlight.”
The nobles stare at you, blinking in confusion. Idia stares at you too, his expression a mix of disbelief and amusement.
“Allergic to... sunlight?” one noble repeats, frowning.
You facepalm. Smooth. “I mean... it’s a joke! Ha! Obviously! What I meant to say is... uh...” You scramble for an excuse. “I need a nap.”
There’s a beat of silence.
“I—uh—can’t sleep without him,” you blurt out. “It’s, uh, a couple thing.”
The nobles blink at you again, thoroughly bewildered.
You grab Idia’s arm, muttering, “We’re leaving,” and make a quick exit, practically dragging him behind you.
As soon as you’re out of earshot, you let out a groan. “Oh my god, I can’t believe I said that. ‘Allergic to sunlight’? Really?”
Idia is doubled over laughing, completely losing it. “You what?!” he howls. “You need a nap? And you can’t sleep without me?!”
“Shut up!” you say, cheeks burning. “I was trying to save you!”
“You saved me? More like doomed me!” He wheezes between laughs, clutching his stomach. “Oh man, you are terrible at this. You make me look good, and that’s saying something.”
You glare at him, but his laughter is so infectious that you can’t stay mad. And honestly? He looks free. Unbridled, even. It’s the first time you’ve seen him laugh so openly, so without reservation, that it almost makes you forget how embarrassing the situation was.
Almost.
It's finally time for Ortho's investiture, and to say you feel unprepared would be an understatement. Not for any political reason—you've long since mastered the art of navigating court intrigue. No, the issue is far more personal, far more heart-wrenching. After today, once Ortho is declared Crown Prince, Idia will no longer have any excuse to stay in the spotlight. He'll retreat, back into the shadows, probably even fake his own kidnapping to get out of any future public events. And you?
You'll finally get that peaceful beach house you’ve been dreaming about.
But the thought doesn’t feel like a reward. It feels bitter. You don’t want that beach house—not if it means losing Idia. The man who’s wormed his way into your heart with his sarcasm, awkwardness, and hidden kindness.
But you know he’s not someone you can tie down. Idia doesn’t do well with permanence. And as much as your heart begged to hold on to him, you also know he’d likely slip through your fingers if you tried.
So you do what any self-respecting person would in this situation: put on a brave face, slip into your formal attire, and prepare to smile your way through heartbreak.
When you walk out to greet Idia, he’s already dressed in his formal robes, looking every bit the reluctant royal. His eyes widen slightly when he sees you, but he says nothing, fidgeting with the hem of his sleeve.
You muster up the strength to smile and reach for his hand. “Ready?”
He nods, but neither of you can meet the other’s eyes.
From Idia’s perspective, today should feel like a victory. He’s been planning for Ortho’s investiture for months, and now that the day is finally here, he should be feeling nothing but relief. But no—he’s filled with an overwhelming sense of dread. It’s not about Ortho. His little brother is brilliant, and Idia knows the kingdom is in good hands.
No, what he’s not ready for is letting you go.
If someone had told him a year ago that he would care about someone—want someone—so desperately, he would’ve locked them up in a mental facility. But here he is, standing on the precipice of his worst nightmare.
You, who shine in every public setting, who effortlessly charm everyone around you, are going to move on. He knows he can’t tie you down with his reclusive lifestyle, his constant desire to escape from the world. How could he? You’re everything he’s not—bright, resplendent, beloved. He can’t ask you to give up your life for him.
But when you come out and take his hand, his heart skips a beat. Neither of you are able to look each other in the eye, but the gesture says more than any words could.
The investiture itself goes off without a hitch. Ortho’s speech is flawless, full of the hope and wisdom of a ruler who will no doubt lead the kingdom into a golden age. You’re so proud of him—of the boy who’s become like a little brother to you.
But even as you smile and clap with the rest of the court, you feel a heaviness in your chest that has nothing to do with the political spectacle unfolding before you.
A few tears slip down your cheeks, and you don’t even know if they’re from the overwhelming pride you feel for Ortho or the quiet heartbreak you’ve been trying to suppress all day.
Before you can wipe them away, Idia silently hands you his handkerchief. He doesn’t say anything, doesn’t even look at you, and that just makes the ache in your heart a little worse.
You take it with a quiet, “Thanks,” dabbing at your eyes, and you both stand there in tense silence, watching as the formalities continue around you.
Once the investiture concludes and the guests filter out, you and Idia retreat to a balcony to catch your breath. The sky is darkening, and the cool evening breeze does little to soothe the heaviness you feel in the pit of your stomach.
Idia breaks the silence first. "I've, uh... already arranged the beach house. It’s in your name now."
You blink, looking over at him. His voice cracks slightly, and when you finally turn to face him fully, you realize that he looks like the very picture of heartbreak. He’s not meeting your eyes, staring out into the distance as if it’ll keep him from falling apart.
You swallow hard, trying to keep your voice steady. “Idia... do you want me to leave?”
He freezes, still not looking at you. "I... I want you to be happy. I mean, that's the whole point, right? The beach house, everything—you’ve been wanting that for ages."
“I didn’t ask if you wanted me to be happy,” you say quietly. “I asked if you want me to stay or go.”
The silence between you stretches, heavy and suffocating. You hold your breath, waiting for him to answer. When he finally speaks, his voice is barely above a whisper.
“I... I don’t know what I’m gonna do if you’re not here anymore.”
That’s all the confirmation you need. Before he can say anything else, you step forward, cupping his face and pulling him into a kiss. For a split second, he stiffens, shocked, but then he melts into it, his arms wrapping around you like he’s afraid you might disappear if he lets go.
It’s everything you needed and more—sweet, desperate, and filled with all the words neither of you have been able to say. When you finally pull away, you rest your forehead against his, both of you breathing heavily.
“Come with me,” you whisper. “To the beach house. We can... we can figure everything out from there.”
Idia lets out a watery laugh, one that’s half-disbelief, half-relief. “You really want a shut-in like me hanging around your dream house? You’re gonna get sick of me in a week.”
You smile, brushing a strand of hair away from his face. “I don’t think I could ever get sick of you. So... what do you say?”
He hesitates for a moment, then gives a small nod, his eyes shining with unshed tears. “Yeah... okay. I’ll come with you.”
And just like that, the weight that’s been pressing down on your chest all day lifts. It’s not the end—it’s a new beginning. One where you and Idia don’t have to part ways, where you can move forward together.
As you both stand there on the balcony, holding each other close, the world feels a little less daunting, and the future a little brighter.
The grand hall is slowly emptying out, nobles drifting away after offering their congratulations to Ortho. You and Idia maneuver through the lingering crowd, dodging overly-friendly dukes and avoiding eye contact with barons hoping to extend the festivities.
Idia clings to your arm like a cat being dragged to the vet, mumbling, “Please tell me we’re not about to be emotionally ambushed again.”
You smirk. “Relax. It’s just Ortho.”
“Yeah, that’s what you always say before things get sentimental and I have to deal with ‘feelings.’”
You spot Ortho standing near the dais, still wearing the ceremonial robes from his investiture. Despite the long night, he looks bright-eyed, waving cheerfully at some departing courtiers. When he catches sight of you two, his face breaks into the biggest grin, and he hurries over like an eager puppy.
“There you are!” Ortho beams, practically glowing with excitement. “I was worried you left without saying goodbye.”
“Us? Leave without saying goodbye?” you tease. “What kind of villains do you think we are?”
“Exactly the kind who would sneak away in the middle of a banquet,” Idia mutters under his breath. “And you know what? That plan still sounds great.”
Ortho rolls his eyes fondly. “You’re impossible, brother.”
“Only when I’m awake.”
“Anyway,” you cut in, shooting Idia a playful glare before turning back to Ortho, “we wanted to talk to you before we go.”
Ortho’s smile falters, just a bit. “You’re leaving already?”
You nod, squeezing Idia’s arm. “Yeah. We’re heading to the beach house.”
Ortho tilts his head, curious but not upset. “You’re moving there?”
“For a while, yeah,” you explain gently. “Idia and I need a break from all the court politics. But don’t worry. We’ll visit you. Often.”
Idia shifts beside you, scratching the back of his neck. “Yeah, uh... It’s not like I’m leaving forever or anything. Just... you know, temporarily escaping society.”
Ortho laughs, but there’s a softness in his gaze now. “I get it. I don’t blame you for wanting to leave all this behind for a bit.”
You take a step closer, voice lowering. “And hey... I know you’ve got a lot on your plate now. But we’re still family. If you need anything—anything—we’ll be here for you.”
Ortho’s grin returns, full force. “I know. I’m really glad you two have each other. Honestly, I was worried for a long time that Idia might never find someone willing to put up with him.”
“Gee, thanks,” Idia deadpans. “Glad my personal development arc has been so inspiring for you.”
“But seriously,” Ortho says, his expression softening again. “Thank you. You’ve done more for us than you had to. I know you could have just... gone back to your world or left things as they were. But you stayed. And you helped him.”
Oh no. Not this again. That suspicious prickle starts in your eyes, and you blink rapidly to fend off the tears. Not now. Not in public.
“You’re not... making me cry,” you insist, even as your voice wobbles. “This is just... allergy season.”
“Oh no, it’s happening,” Idia groans dramatically, pinching the bridge of his nose. “Please don’t cry. If you cry, Ortho’s gonna cry, and if Ortho cries, the nobles will definitely blame me.”
“Shut up, you big baby,” you sniffle, swatting his arm before pulling Ortho into a hug. “Come here, you. Group hug, now.”
Ortho barely has time to react before you’ve wrapped him up in your arms. He laughs, squeezing you back. You reach out blindly and grab Idia’s sleeve, yanking him into the fray.
“Wait—wait, what—!” Idia stumbles forward, sandwiched awkwardly between you and Ortho. “This is... I don’t...”
“Shhh,” you whisper, patting his back. “Feel the love.”
“This is emotional ambush!” Idia protests, voice muffled against your shoulder. “I want it on record that I was forced into this.”
“Noted,” Ortho says with a laugh, hugging both of you tighter. “But you’re not getting out of it.”
For a moment, the three of you just stand there, huddled together in a ridiculous knot of limbs, nobles glancing your way but tactfully avoiding comment.
Idia mutters into your ear, “This... this is basically treason against introverts.”
You grin. “Consider it penance for being emotionally stunted.”
“You’re both the worst,” he grumbles, but his arms stay wrapped around you.
Eventually, you pull back, wiping your eyes with the heel of your hand. “We’ll be back soon, Ortho. I promise.”
“I know.” Ortho smiles warmly, giving you one last squeeze. “And when you do, I’ll make sure you never have to attend another dull court event again.”
Idia perks up at that. “Oh. Now that’s what I call incentive.”
With one last shared laugh, the three of you break apart. Ortho steps back, standing tall and proud in his new role, though his smile still holds all the warmth of a little brother seeing his family off.
“Take care of him,” Ortho says quietly, glancing meaningfully at you.
“I plan to,” you reply, meeting his gaze with a small, reassuring smile.
“And you,” Ortho adds, looking at Idia. “Don’t screw this up.”
Idia gapes, indignant. “I—why does everyone assume I’m the one who’s going to screw it up?!”
You and Ortho exchange amused glances before both of you answer in perfect unison:
“Because you will.”
Idia groans. “Yeah, okay. Fair.”
With that, you bid Ortho one final goodbye, tugging Idia along before anyone else can rope you into small talk. As you leave the grand hall and step out into the cool night air, the weight on your shoulders feels a little lighter.
Idia sighs in relief. “Well, that’s over. Time to hibernate for the next decade.”
You chuckle, lacing your fingers through his. “Hibernation in the beach house?”
“Hell yeah.”
And with that, the two of you set off into the night, leaving the court behind—for now.
Oh, what happened to the heroine and the male lead, you ask? Let’s rewind a few months before Ortho’s investiture—back when they were still blissfully unaware of the elaborate downfall that awaited them.
You knew that the heroine and the male lead would try to make a spectacle of themselves during Ortho’s rise to power. The way they pranced around, flaunting their superficial charm and good looks like they owned the place—it was insufferable. And, of course, they were always scheming in the background, hoping to secure power and glory for themselves. You couldn’t stand it.
So, you set up the perfect trap.
It began at a lavish gala, one of those unnecessarily extravagant events where nobles gathered to network, gossip, and throw subtle insults at each other. You arrived fashionably late, as any proper duchess would, with Idia reluctantly in tow, mumbling under his breath about how every social event felt like “one of those long quests with zero rewards.”
“The rewards are emotional, Idia,” you whisper, linking arms with him.
“Yeah, emotional damage,” he mutters.
You suppress a smile, but your mind is elsewhere. Tonight is the night. You had planted the seeds weeks ago, a few well-placed rumors, some whispered insinuations, and a letter you’d accidentally left behind in a well-trafficked corridor. It was all coming together like a beautifully chaotic symphony, and now, the climax.
You spot the heroine first, her radiant smile masking the venom beneath. She’s making a grand entrance, arm-in-arm with the male lead, who, as always, looks like he’s stepped straight out of a romance novel. His hair is perfect, his jawline sharp enough to cut through glass. But you know better. They’re both so predictable.
“They’ve arrived,” you murmur to Idia.
He gives you a blank stare. “Yeah, cool, I’m just here to not die of social exhaustion. Whatever you’re planning... don’t tell me. I don’t wanna be involved.”
“Suit yourself,” you reply with a grin.
You watch them mingle, waiting for the right moment. And there it is—the heroine, attempting to cozy up to the king, laughing a little too loudly at one of his mediocre jokes. You slip through the crowd, making your way to where a certain nosy noblewoman is holding court. A noblewoman known for her love of gossip and her even greater love of ruining people’s lives with it.
Perfect.
You lean in, feigning concern. “Oh, My Lady... I probably shouldn’t say this, but I heard the strangest thing about the heroine. You won’t believe it.”
Her eyes gleam with curiosity. “Do tell, my dear.”
“Well,” you drop your voice to a whisper, “there’s talk that the heroine and the male lead are involved in some... unsavory business dealings. Something about embezzling funds from the royal coffers for their own gain? I don’t know how true it is, of course... but it would explain some things, wouldn’t it?”
You leave the rest unsaid, letting her imagination do the rest. The best part? It’s all technically true. You had orchestrated it so well, the heroine and the male lead had no idea that their “private” meetings and “innocent” financial maneuvers were anything but secret.
She gasps, her fan snapping shut. “I knew there was something off about them! Oh, the gall! I must inform the king immediately!”
And just like that, the gossip spreads like wildfire. Within minutes, the entire room is buzzing with scandalous whispers. The heroine and the male lead notice the shift, the way people start looking at them, and for the first time, they’re on the back foot. They try to smile, but their unease is palpable.
You sit back, watching the chaos unfold, sipping your wine as nobles begin to distance themselves from the pair, shooting them suspicious glances.
Idia sidles up next to you, looking around at the suddenly tense atmosphere. “What... what did you do?”
“Who, me?” You bat your eyelashes innocently. “I have no idea what you’re talking about.”
He gives you a side-eye. “You’re terrifying.”
“You knew that when you asked me to be your fake fiancée.”
The next day, official inquiries are launched into the heroine and the male lead’s finances, and though they try to clear their names, it’s no use. The damage is done. Their reputations are ruined beyond repair, and they’re forced to withdraw from court life entirely. A fitting end for their ambitions.
Which brings you to the present...
It’s a peaceful morning in your beach house, and you’re sitting on the veranda, enjoying your coffee while the sun rises over the horizon. The sound of waves crashing against the shore is your only company, and for once, there’s no looming political intrigue or royal drama to worry about.
That is, until Idia stumbles out of the bedroom, his hair a messy blue cloud, his eyes half-closed with sleep. He groans as he sees you, one hand on the wall to steady himself. “Why are you up so early? It’s like... the middle of the night.”
“It’s 10 AM,” you reply with a laugh.
“Exactly,” he grumbles, shuffling over to you. Without another word, he flops down beside you, his head immediately finding its way to your neck. He nuzzles into you, muttering something unintelligible, and you chuckle softly, patting him on the cheek.
“You’re such a big baby in the morning,” you tease, pressing a soft kiss to his forehead.
Despite being married for the past two years, Idia’s face turns tomato-red every time you do something affectionate. He blushes furiously now, burying his face in the crook of your neck to hide it.
“Y-You’re unfair,” he mumbles, voice muffled. “Saying stuff like that... it’s embarrassing.”
You grin. “But you’re so cute.”
“I’m not cute. I’m a grown man. And you’re a villain for making me get up before noon.”
You laugh, running your fingers through his messy hair. “Maybe, but I’m your villain. So deal with it.”
Idia groans dramatically but makes no effort to move away, too comfortable where he is. You continue sipping your coffee, enjoying the moment of peace, when he finally speaks again, a little softer this time.
“Y’know... you really did a number on the heroine and the male lead. They’re still laying low, huh?”
“Maybe the rumor I spread was truly a masterpiece,” you say with a smirk, remembering how perfectly everything had gone according to plan.
Idia snorts. “A masterpiece of destruction, maybe.”
You chuckle, pressing another kiss to his forehead. He sighs contentedly, the two of you basking in the quiet comfort of your shared life. It’s moments like this that remind you just how far you’ve come together, from court intrigue and scandal to peaceful mornings at your beach house.
And honestly? You wouldn’t have it any other way.
Series Masterlist ; Masterlist
For the next part,
#twst x reader#twisted wonderland#twisted wonderland x reader#twst#idia x reader#idia shroud x reader#idia shroud x you#idia shroud#idia#idia x you#trash novel chronicles
659 notes
·
View notes
Text
Part of Slay the Princess' love story is that the Narrator loves the Long Quiet. It's not a healthy or equal love. The real person the Narrator used to be died who-knows-how-long ago, leaving an echo in each version of the Construct. Every time a version ends, the echo ends with it. Still, they carry his feelings, which include some kind of care and love for the Long Quiet.
The love of a creation you've groomed and have certain expectations for that they will fulfill for you. The love of a child you see as a reflection of your own desires. A love that is conditional on the Long Quiet doing as he says. Whatever it is, it is genuine and damaging and oblivious.
The Narrator genuinely thinks that an unchanging eternity alone is a genuine reward for him because he's the Long Quiet, a god of stasis.
His mortal self shaped him to resemble a person. And persons aren't meant to be alone.
He worries about him when he gets hurt. He's spiteful and implied to draw his death out with his narration as the Princess stabs the Long Quiet. He forced control onto his body before that, when he wanted and try to free the Princess.
He sees him as his salvation. He's ready to put him and her through an infinity of torture if it means saving his world.
He sees him as his weapon. He's almost always there with him, even during the worst of time.
He dismisses his Voices, his own desires, his questions. He sees him as a hero who will save the world. It's the reason he created the Construct in the first place - his love for the world and other people. A love that ignores any other option except for his fear of death and loss as 'change'.
The Narrator loves the Long Quiet- as the concept he imagines him to be. A concept that he believes will allow his world persist as it is, for better and for worse.
Does he love him as he is as an individual?
Does he really love his world? Or is he ready to doom millions to stay trapped in horrible situations like poverty, entrapment, etc. with no respite? Does he only love what he knows?
This is a love story.
#slay the princess#slay the princess narrator#stp narrator#slay the princess the long quiet#stp the long quiet#slay the princess spoilers
778 notes
·
View notes