#the philosophy of being

[asteriscooo-r]

i will treat this like a dairy

Hi..i really i want to called Roméo.my real name is Romaissa.my mom chosed it to me .how ever she didn't know the meaning of it at first ;this name means a lot of meanings ;the one I prefer is a little star ..i will turn 18 in the next septembr..my zodiac sign is virgo ;however i don't believe in them.i have to say that i'm a human like others humans;a girl like other girls and that's true! i won't admit it . because this true and not in the same time..well i will support the none like others being. i created this user to express my real and deep me and my interests . divolping me and may find another interests i learn more so i know what i will support. i will create my own art or what ever made by me among the time i will spend here with my own limited material.also i want to make my save zone here and fresh my thoughts i heard that this place is peacefull because i think that match my personality.till now i haven't decided yet what's the goal of this user like to find people like me and whatever people want.but I will treat this as my own space to express .you know like i will check this in the future and i will i trace my thoughts and my personality. SO i really hope some juicy times here

[theabigailthorn]

people sometimes ask if I'd ever consider becoming a university professor and I'm like yeah sure I'd love to do a shit-tonne of unpaid busywork in the sexual harassment factory just so some cis guy can plagiarise my work while my debt-crushed students get arrested for daring to question why their fees are being invested in weapons companies

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[hellenhighwater]

Hellen, how do you know how to do so many things? I know how to do a few things but I look at your stuff and every time I'm like "damn. I wish I could do that"

oh, I just do them.

It's after 1:30 am, so you get the existential answer. The fun thing about personhood is you get to just be whatever. You can't necessarily do whatever--money and laws are things, unfortunately, and you only get so much control over the opportunities available to you. But you can sort of just throw yourself down on the anvil of life and hammer yourself into whatever shape you want. Ideally the process of it drives out some flaws as you go, but sometimes also you take an impurity and make yourself stronger with it.

I am, still, a person who is terrified of failure; of incorrectness; of being wrong. And there is nothing to do with fear except shatter it with blunt force, and so I line myself up against failure again and again and again. I will try. I must; or the fear of failure wins, and I must keep trying after I fail or I have failed utterly. I fear failure, and therefore I take it as a challenge. I must do what I think I cannot. And you know what? More often than not, I can.

I have a weird and wandering skillset because I make myself try things, knowing full well that I will remember for decades every time someone saw me be less than instantly successful, because the only way I know to get better is to batter down the dross of my own fear. That's the deal. I'm not doing anything that nobody has done before. I know it's all possible. I just have to be the sort of person that does it. And it gets easier every time. If the question is can it be done and the answer is yes, then the next question is can I be the one to do it, and the answer is I want to be.

Every time I fail my way over and over to eventual success, trying again the next time is less scary; every time I have a broader base of skills to carry to the next challenge. I'm not unusually talented, just stubborn as hell, and I've lived long enough on I have to do what scares me that honestly, not that much scares me anymore.

If you keep failing long enough, it turns out that you just get really good at problem solving, and figuring out unconventional ways to reach your goals. It's not about a special secret concoction of skills, it's about persistence, and hammering away until you've taken a mess and made it into something you think is worth keeping. It's not easy, but it is simple.

Also I have incredibly strong unmedicated ADHD. But I sort of assume that's glaringly obvious.

[philosophybits]

A dream! What is a dream? And is not our life a dream?

Fyodor Dostoyevsky, "The Dream of a Ridiculous Man"

[pillsopa]

random pinterest studies except i made them about Adam :)

[franeridart]

The Housecat Philosophy - Ep 62

Ep 00 || < Prev || Next >

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[wordsofwisdomandsoul]

[lovegrowsart]

it's pretty wild to me that people don't see that aang running off to save katara in CoD is his luke in empire strikes back moment, where he runs headlong into his want and attachment and he's narratively punished for doing so and not learning his lesson - aang runs after katara despite guru pathik's warning, like luke runs after leia and han from yoda on dagobah despite yoda's warning; similarly, as a result, things go to hell in ba sing se like they do on bespin - aang enters the avatar state before he's ready and gets killed, and ba sing se falls to the fire nation, luke fights vader before he's ready, loses a hand, and symbolically commits suicide after vader tells him he's luke's father.

the difference between their character arcs is that george lucas and co. actually went thru with luke's hero's journey and understood the fundamental difference between attachment and love, whereas I don't think bryke understood this difference and then dropped this from aang's arc pretty much completely and replaced it with aang digging in his heels into his want and attachment and he gets rewarded with energy bending from a lion turtle, the avatar state from a random pointy rock, and his forever girl from the self-indulgent white men that couldn't bring themselves to give their hero a compelling character arc that meant he might not have gotten everything he wanted at the end.

[kacievvbbbb]

I think Haikyuu makes an effort to be a great example of all the different ways innate talent can manifest, and all the ways it can go unrecognized or under appreciated when we stick to the ridged rules of what it means to be “gifted”

Take Kageyama and Oikawa. Both insanely gifted and innately talented people. But Kageyama’s genius is obvious it’s grounded in an exceptional skill in physics and mathematics anybody with a basic interest in volleyball can tell his sets are basically perfect, he is lauded as a genius because he is one!

And then there’s Oikawa whose innate genius is a little harder to see especially if you’re not paying attention, because he does it so well that you don’t even think to notice it. it’s not very technical or flashy so it’s been overshadowed by the more trained flashier aspects of his playing. But Oikawa’s genius is that he knows people. He knows how to finely tune a set, adjusting the most minute details to fit the spiker like a glove and he does it all in a split second like he doesn’t even need to think about it he just knows. That is actually insane. Hell it’s even pointed out by Iwaizumi, nobody is better than Oikawa at knowing his players and knowing how to set to his players.

But the world they (and by extension we) live in, is so used to seeing genius in only a constrained specific light that Oikawa’s innate talent is woefully underrepresented so much so that it leads to him ( and by extension most of the fandom) believing that he has no innate talent, that he’s not a genius. Oikawa somehow believes that he is less that kageyama because kageyama was “born to do this” but if you think about it so was he!

Even despite his self aggrandizing and petty selfishness Oikawa innately, more than anyone else in the whole show, understands what we all tend to forget (across many sports), Volleyball is a team sport.

It doesn’t matter if you’re the single most best techical player out on the court; there are 7 other people out there as well and like it or not they’re playing too. Who then can say that knowing how to make 7 other people move as if extensions of your self with an ease taken for granted, isn’t a sign of genius?

[cari-canes]

I just remembered the absurdist vs nihilist argument and

Two soulless beings with completely different takes on the universe/multiverse is kinda rad imo.

It’s not really expanded upon in the fandom much, but both Ink and Flowey have quite a bit in common; and not just the fact that they’re soulless beings with (sometimes overpowered) powers.

They were both “forgotten” by those who were supposed to care for/ nurture them.

They both made choices that ultimately ended with them loosing their souls.

And they both (in a way) view the universe in which nothing really matters.

Food for thought I guess but I thought it was interesting at least.

[poorly-drawn-mdzs]

Thank you. I'm sorry.

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[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[fellthemarvelous]

Holy forking shirtballs

I'm choosing violence today. I started this on Twitter, but I'm going to finish my thoughts here like I always do.

But what really blows my mind the most is the way that people look at Aziraphale's "choice" at the end, as if he had one to fucking begin with.

I'm sorry, but Aziraphale knows how messed up Heaven is. He told The Metatron, more than once, that he did not want to go back to Heaven! We can debate what each of us means by "choice" all night because my "choice" and your "choice" might be two different concepts. He could have been strong armed by The Metatron or he could have looked at where things were headed and realized he had no choice but to intervene himself.

You need to ask yourself what Aziraphale has a moral imperative to do.

What do we owe to each other?

Seriously, if you have not watched The Good Place, I recommend you go and watch it, because it absolutely shaped how I've viewed Good Omens 2 since its release.

My levels of frustration with the bad faith mischaracterizations of Aziraphale are off the charts. If you are blaming him for everything, implying that he should have to grovel and that Crowley has a right to hurt him back, you have missed the point of Good Omens entirely.

I defend Aziraphale, but I don't think one of them is more right or wrong than the other. They're equals. They're a group of the two of them, acting and reacting to each other throughout history. They're Alpha Centauri.

I cannot even begin to explain how fucking devastated I felt when Crowley said these words, knowing he was fighting a losing battle. What he said took a lot of courage because he's finally admitting something they've both been too scared to publicly define for 6,000 years. Crowley has had to spend so long with a rough outer shell because he fell and had to hide all of his softness.

The look on his face was one of pure joy when he created that nebula, but I think the fact that he got to share that moment with Aziraphale is what has always stuck with him.

So yeah, seeing Crowley with a broken heart at the end of "Every Day" was sad for me as well.

My brain still lives here!!

But Neil has said that Good Omens 3 is not quiet, gentle, or romantic. I imagine it's going to be more like the the first season in which they are not central to the plot. GO2 will help us make sense of how they ended up where they are when we see the bigger picture with all the other major players involved with GO3.

Aziraphale was still a soldier and accidentally got himself discorporated in his own magic circle in season one. He had a platoon waiting on him to start Armageddon, and he deserted them to go save the world with Crowley instead. Aziraphale is a deserter. I need everyone to remember that. He yeeted himself out of Heaven and sought out Crowley before even locating a body just to warn him about what was happening so they could try to save the world together.

I can't help but think of 1941 and that magician who had been arrested for being a deserter.

Aziraphale disobeyed orders. That took courage but it branded him as a traitor against Heaven. They tried to destroy him for it the same way Hell tried to destroy Crowley for his part in stopping the war.

Aziraphale and Job are the only characters we have seen interacting with God directly. Aziraphale has spoken to God before and he is determined to do so again.

Aziraphale knows Heaven is flawed, but he also knows it's supposed to be good. He wants it to be good. He does not like the way the system works and he wants to make a difference. (And I'm pretty sure he's also determined to talk to God without being intercepted by The Metatron.)

Since when is that a bad thing? I don't get it. And I've had this discussion before.

If you need to change the system by burning the old one to the ground, it's still change, and we don't know what Aziraphale has planned.

It seems to me that people just want to see Aziraphale fail because it would punish him for returning to Heaven instead of running off with Crowley.

Some of y'all take everything Aziraphale says or does and twist those things into malicious anti-Crowley actions because you think the only reason Aziraphale exists is to make Crowley happy, and if he isn't thinking only about Crowley then he's doing something wrong.

Aziraphale does not exist as a plot device to further Crowley's character. They come as a pair. They've been learning from each other for 6,000 years. Crowley challenges Aziraphale just as much as Aziraphale challenges him.

You can be mad at Aziraphale all you want, but villainizing him is gross. Defending Crowley does not mean you have to tear down and mischaracterize Aziraphale anymore than defending Aziraphale means you have to tear down Crowley (but I don't see that happen on nearly the same level it happens to Aziraphale). Stop painting Aziraphale as an abusive partner, for fuck sake.

Aziraphale knows there are flaws in the system. He wants to make a difference, and since he has seen that Gabriel can change, then maybe the whole system can. He has to at least try, and if he can succeed then maybe he and Crowley can stop hiding and finally be together without having to look over their shoulders all the time.

Why is that a bad thing? He's just as protective of Crowley as Crowley is of him!

But don't forget that Aziraphale's wing was covering Adam and Eve too. As much as a wants to protect Crowley, he has a moral imperative to keep humanity safe as well.

He sent Adam and Eve into the unknown with a flaming sword so they could protect themselves.

As much as he wants to be with Crowley, there are 8 billion people on Earth heading toward the Second Coming and Judgment Day. They'll work together to fight alongside humanity in the end. Aziraphale should not have to humiliate himself just to earn Crowley's forgiveness. That's a rancid notion.

The Resurrectionist was a whole ass moral dilemma for Aziraphale, which is why I brought up The Good Place earlier, but that's a post for a different time.

Aziraphale has his own motivations and they're just as important as Crowley's, and they don't have to be chalked up to Aziraphale being the bad guy. Weird, I know, but shades of grey.

"To the world."

[delulugirlys-fairytale]

Who tf do they think they are?

[asliceofzosan]

i've seen figure skater sanji and hockey player zoro before. idk if its been explored but i'd love to put it out there:

hockey player sanji (specifically goalie bc he desperately wants to avoid being checked) and then pairs skater zoro.

pairs skater zoro's long time partner has been nami. though many people ship them together a Lot, they just know each other super well. Well enough to try dating and both of them realized they don't swing that way. in fact, it makes them a really good team. they fought long and hard to claim top spots in competitions because they portray a chemistry that's separate from the rest. plus zoro can carry nami like she weighs fucking nothing. so their lifts are so much more dynamic. they even have a whole next to impossible combination that they're trying to get the ISU to name after them officially.

sanji plays for the East Blue Straw Hats in the Grand Line Hockey League – a formidable rookie group that took down lots of big names in the preseason. they want to make it all the way to the postseason playoff finals but always seem to fall short. but theyre so determined. they reignited a lot of old sparks that were no longer there for old fans and brought in new and curious fans. sanji is the starter goalie and a damn good one at that. it makes sense bc goalies are often doing splits on the ice just to make a save. he's perfected the technique that utilizes just his legs to make saves that make the crowd go fuckin insane.

we have the usual "i booked the rink to practice before you did" trope but a little more spice. in actuality, sanji loves watching pairs skating competitions. his favorite pair rn is franky and robin (mostly for robin). and he adamantly does not want to admit to anyone that he watches zoro and nami's routines much more frequently. (and if anyone asks, he always says its bc of nami. its never just bc of nami.) and zoro's besties with luffy so he always watches their matches even if he barely understands the rules. and he definitely does not stare at a certain blond starter goalie most of the match thats fucking ridiculous

one day zoro and sanji are invited to do one of those comparison videos between hockey players and figure skaters. both get to laugh at the other even Attempting to do their sport. zoro frankly looks ridiculous in all of sanji's usual goalie get-up. and sanji couldn't land an euler to save his life. the video producer suggests they try a simple pairs skating routine. sanji is like "oh i couldn't do that–hEY WHAT THE FUCK MOSSHEAD PUT ME DOWN" because zoro lifted sanji and had him sat on his shoulder like it was normal.

zoro smirks, "you might be lighter than nami, actually. wanna be my new partner?"

sanji knees him in the stomach before skating away while blushing so hard he could melt the ice beneath him.