#the people who love me want me to have a good life. suffering is not a badge of honour we all have to wear. if I'm lucky I'm LUCKY

[whetstonefires]

Thinking about the parallels set up between Wei Wuxian and Mo Xuanyu, and how actually most of them are oddly specious.

The sketch of the backstory lines up, but on close examination they're mirror images.

Wei Wuxian wasn't kicked out of his sect, he left it. Wei Wuxian didn't hate the house he grew up in, he loved it, and getting the people there killed was the absolute last purpose for which his dark powers were ever intended.

Jiang Cheng was no Mo Ziyuan--his jealousy was a complicated thing all twisted up with love, and while he would lash out at Wei Wuxian both as a casual means of shit communication and more damagingly in moments of high tension, he had neither the desire nor the ability to bully him, and in general respected his boundaries almost too well.

When Wei Wuxian destroyed himself about Jiang Cheng, it was to give him cultivation, and protect his life and happiness. He would never have killed him.

Madam Yu was a domineering aunt-like figure, who hated Wei Wuxian for reasons of reputation, and because she had resented his dead mother, but she crucially did not have the power to actually disrupt his lifestyle to any significant extent.

Mo Xuanyu was shut up in a small room to rot; Wei Wuxian didn't even attend classes unless he wanted to. Mo Xuanyu was weak and disliked; Wei Wuxian was brilliant and popular.

Mo Xuanyu's uncle is a cipher of a figure, without character or agency, a nonentity who is resented to death apparently mostly for what he didn't do; in theory he is the master of the house, but he certainly never protected his wife and son's punching bag from them.

And this is what got me thinking along this track: because people keep interpreting Jiang Fengmian as this, as exactly like Mo Xuanyu's nameless uncle, a nonentity who lets his wife make all the decisions, and is contemptible therefore.

He shows up in fic characterized this way all the time, handled narratively as a gap rather than a person, an absence where there should have been a parent, and it's...totally inaccurate? The man only has a few scenes but the things that are most firmly established about him are:

he regularly goes out of his way to protect Wei Wuxian

he's extremely fond of Wei Wuxian

he cares a lot about ethical behavior

he's conflict-avoidant and gentle

he can and will overrule Yu Ziyuan when he's made up his mind, and there's nothing she can do about it

his communication skills are mediocre at best

he doesn't understand jiang cheng

he has a dumb sense of humor

Now almost none of this made it into cql besides point 4 and maybe 6, 5 is technically there but buried by the cinematic framing, so I totally get why the fandom on the whole struggles to characterize him well, and it's easier to write him off.

But it keeps bugging me to see him and Yu Ziyuan squashed into the mold of the Mo, because not only is that boring and reductive and kind-of-missing-the-point, it's like. Wei Wuxian and Jiang Cheng's characterization suffers a lot when you alter the environment and take away the influence exerted by their shared father figure.

Jiang Fengmian was Wei Wuxian's primary adult role model and it shows.

Jiang Cheng's relationship to his own sense of ethics is fraught because 'teaching him good ethics' was his dad's number one parenting goal, but they misunderstood each other so badly (partly because Yu Ziyuan kept loudly misinterpreting them to each other, which is so realistic I can't get over it, that's exactly how it works good lord) that Jiang Cheng has a direct association between the concept of 'doing the right thing even when it's hard' and a feeling of personal inadequacy.

The fact that Wei Wuxian got their dad-person's approval for being exactly himself and Jiang Cheng not only couldn't do that, he couldn't even get that same level of approval when he really pushed himself to rise to expectations, because Jiang Fengmian did not intend that warmth as a 'reward,' and so never realized he was withholding it, and therefore misunderstood Jiang Cheng's visible jealousy as a dangerous sense of personal entitlement that had to be carefully restrained, which reinforced his distrust of Jiang-Cheng-the-person and fed into a shitty loop where they were less and less able to relate to one another--that's fantastic. That's so human! I love it so much.

Both their failures are their own but at the same time it would never have gotten so bad if Yu Ziyuan hadn't been interjecting herself in there, in the middle of their relationship, fucking it up. That's family, baby.

I would ofc like if there was more fic engaging with the subtleties of all this because it's so good, mxtx did such elegant work here and it is not sufficiently appreciated. But it's the kind of thing that's hard to write good fic about; I am struggling with it myself.

So mostly I wish there was just more fic that didn't impose Mo Xuanyu's cliche angst backstory on Wei Wuxian, who has a whole different thing going on.

[deesseshesca]

PAC : Why are u the best ? (10 reasons)

Y'all are my favs...

Good evening pretty souls, let me dive into your energy and bring the best of it out.

SALE 

Until October 31 all readings on my ko-fi is 30$, only

Choose the image that’s speak to you and allow yourself to soak ONLY what’s reasoning with YOUR SITUATION.

Rules and Disclaimer 

I am the type of tarot reader to say as it is. Nothing is sugar coated but everything is sent with good intention. If you are not ready to face some truth, you should vagabond somewhere else. 

PILE 1. 

Even when life feels repetitive or unexciting, you have a unique ability to see potential in every moment. Instead of feeling bored, you use this time to reflect, recharge, and come up with new ideas.

Conflict just isn’t your style. You thrive on harmony and always manage to bring people together, diffusing tension and making sure everyone feels heard and respected.

 Where others may feel dissatisfied, you find hidden opportunities. You see beyond the obvious, turning situations that might seem stagnant into valuable moments of growth and reflection.

 You effortlessly navigate through competitive or chaotic situations, preferring to focus on collaboration rather than competition. You inspire others to work together, not against each other.

 Even in moments where others might feel unfulfilled, your optimistic outlook helps you find joy in simplicity. This ability to appreciate what you have sets you apart as someone who truly understands life’s deeper values.

You steer clear of unnecessary conflict. Instead of engaging in arguments, you stay calm, centered, and focused on what truly matters, avoiding drama and negativity.

Even when life doesn’t give you everything you want, you are still grateful for what you have. This mindset allows you to maintain a positive outlook and inspire others to appreciate the beauty in every situation.

 You solve problems in ways that bring people together. Your natural optimism helps you see solutions that others miss, and you always strive for peace, finding compromises that make everyone happy.

Your energy lifts those around you. When people feel stuck or negative, your optimistic nature reminds them that better days are always ahead. You have a talent for helping others see the bright side.

 No matter how chaotic things may get, you stay centered and calm. You don’t get pulled into unnecessary conflicts, and your peaceful energy helps keep everyone else grounded as well.

💌: Do you wanna to discover 10 other reasons why you are sooo good in bed + moodboard, also you are the only pile where your current/future partner came through, so there's also 10 other reason as for why they love u sexually all on my ko-fi.

PILE 2.

* You’ve faced deep emotional wounds and heartbreak, yet you rise stronger each time. Your ability to turn suffering into growth shows just how powerful and resilient you are.

* After healing yourself, you instinctively help others. Your journey through emotional turmoil has equipped you to guide others through their own struggles, making you a beacon of light for those in need.

*  You embrace your vulnerability, knowing it makes you stronger. This openness creates deep, meaningful connections with those around you, elevating everyone you come into contact with.

*You don’t shy away from difficult conversations. Your emotional intelligence allows you to speak your truth with grace, offering clarity and comfort to others in a way that few can.

* Even when you struggle to fully trust your intuition, you’re constantly learning about yourself. You know your flaws and strengths deeply, which makes you one of the most self-aware people.

* Despite the pain life throws at you, you keep fighting. Your heart may have been pierced, but your spirit remains unbroken. This inner strength radiates in everything you do.

* Even when things seem unclear or you’re second-guessing yourself, your emotional intelligence helps you see through confusion. You know how to sift through the noise and find the truth within.

* You’ve mastered the art of balancing your emotions. You know when to hold on, when to let go, and how to approach situations with both empathy and rationality, making you a stabilizing force for others.

* Even when your intuition feels blocked, you still find a way to navigate through challenges. Your ability to persevere through uncertainty is a testament to your inner wisdom and strength.

* You are unapologetically yourself, even in moments of doubt or confusion. 

💌: Do you want to discover 10 reasons why you are so good in bed ? + Moodboard.

PILE 3. 

You have a vast array of dreams and aspirations, and unlike others who might hesitate, you boldly go after them. Your imagination is boundless, and you’re never afraid to chase what you truly want.

While others might be stuck waiting for the right moment, you seize the day. You don’t let life pass you by, and instead of overthinking, you take immediate action toward your goals.

 Where others see limitations, you see opportunities. You live with an open mind, always aware that the world is full of limitless choices, and this makes you incredibly resourceful and creative.

 You refuse to be stuck or trapped in situations that don’t serve you. Your ability to recognize when it’s time to move on makes you a forward-thinking, dynamic individual.

You possess the ability to dream big, seeing things that others wouldn’t even imagine. This visionary energy sets you apart as someone destined to create and manifest things far beyond the ordinary.

While others may get stuck in indecision, you are decisive. Even in the face of many options, you know how to make swift choices, refusing to let overthinking slow you down.

While many people get lost in their dreams, you know how to bring them into reality. Your combination of creativity and action makes you a master of manifesting what you desire.

Even when challenges arise, you find a way to move forward. Your ability to quickly adapt and make changes ensures that no obstacle holds you back for long.

Your imagination knows no bounds. This not only fuels your dreams but also makes you incredibly innovative, constantly coming up with fresh ideas and perspectives that others find inspiring.

 While others may wait for the perfect moment, you create it. Your proactive approach to life ensures that you’re always ahead of the curve, moving forward when others remain stuck.

💌: Do you want to discover 10 reasons why you are so good in bed ? + Moodboard.

[vintagetvstars]

Jeremy Brett Vs. Jonathan Frid

Propaganda

Jeremy Brett - (The Adventures of Sherlock Holmes, The Three Musketeers, BBC Play of the Month) - "Listen, I fell in love with One Man when I was 16 and have never regretted it. Jeremy Brett is Everything. Handsome, charming, sweet, amazing voice, delightfully eccentric. Shakespearean actor best known for playing Sherlock Holmes in the 80s, he is widely considered the definitive Holmes and for good reason. Bisexual and bipolar, devoted husband, he was known to serenade friends at restraunts and hold scavenger hunts in his home, where he hid the plunger in a chandelier. Often pigeonholed into period pieces, he owned them. He was a pretty young man who became not just handsome but arresting. He was one of those people who walked into a room and instantly commanded attention, and I for one have never regretted giving him my attention." Full text propaganda included below the cut

Jonathan Frid - (Dark Shadows) - the man who brought the first sympathetic vampire in pop culture to life! he was so hot that they sent him on a ten-city tour. he was so hot that teen magazines auctioned off dates with him. he was so hot that allegedly women would mail him love letters and/or nude pictures of themselves! he gave what should have been a quickly-killed-off soap opera villain/dracula knockoff a sense of gravitas, intrigue, and humanity that ultimately made him the star of the show. watching him act is always a treat. I've also met several people who knew him, and overall he just seems like a great guy. there's a documentary about him free on tubi, i recommend checking it out! (fun fact, he was also gay. who on tumblr doesn't love gay vampires).

- No Negative Propaganda Please -

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

Jeremy Brett:

“The superbly handsome Jeremy Brett, the regularity of his features made dramatic by a broken nose, the mellifluousness of his voice made arresting by a slight vocal impediment, presented a ravaged and romantic Holmes, a man who had suffered deeply and whose recourse to the syringe was the compulsion of a self-destroying temperament. His relationship with Edward Hardwicke’s transparently decent Watson was that of a drowning man clinging to a raft. The authenticity of the performance was unmistakable.” — “The man who created a monster; Conan Doyle hated the fame of his suave hero, but he couldn’t kill him”, Simon Callow, The Times, 18 December 2009.

Listen, I fell in love with One Man when I was 16 and have never regretted it. Jeremy Brett is Everything. Handsome, charming, sweet, amazing voice, delightfully eccentric. Shakespearean actor best known for playing Sherlock Holmes in the 80s, he is widely considered the definitive Holmes and for good reason. Bisexual and bipolar, devoted husband, he was known to serenade friends at restraunts and hold scavenger hunts in his home, where he hid the plunger in a chandelier. He also practiced archery in the middle of London. He could sing, he acted alongside Audrey Hepburn twice. He wanted to be a jockey when he was young but then grew a foot too tall. He had rheumatic fever as a child and was told he would never climb stairs. Dear Reader, he jumped over couches on film. In War and Peace he is very clearly the only actor riding a real horse, and is one of few actors who played both Sherlock Holmes and Watson. Often pigeonholed into period pieces, he owned them. He was a pretty young man who became not just handsome but arresting. He was one of those people who walked into a room and instantly commanded attention, and I for one have never regretted giving him my attention.

Jonathan Frid:

"HES SO CUNTY" - mutual's reaction to me sharing this photo:

[eddis-not-eeddis]

How To Stop Killing Conversations

Talking is hard. People are confusing. Making friends is difficult, and interacting with coworkers is tortuous.

You want to make friends, you want to reach out, but it's hard and every time you start a conversation it dies, or limps along until both you and the person you're talking to are looking for excuses to kill it and put it out of it's misery so you can both escape the increasingly awkward situation.

As an introvert who has suffered a lot of social anxiety in my time, let me share a few tricks I've learned over the years going through hundreds and thousands of excruciatingly painful conversations until I found something that works. I've kind of distilled the process.

ALWAYS ASK A QUESTION!!!

The first thing is to always leave your partner an opening. You need to let each other talk for a conversation to get off the ground, but it's more than that, really. You need to actively encourage each other to talk. The best way to do that is to ask questions.

Here are two examples of an introduction: Example A

You: Hello.

Them: Hello.

You: Nice to meet you.

Them: Nice to meet you too.

Example B

Y: Hello, nice to meet you, how are you? T: I’m doing well, yourself?

Y: I've been really well. How are you liking the weather?

T: I'm so happy the weather's finally getting cooler, I'm looking forward to pumpkin spice season. Do you like lattes?

Do you see how in Example A the conversation wasn’t going anywhere? It just kinda died, because there weren’t any openings for new topics, whereas in Example B, there were openings to keep the conversation going.

But what do you do if your conversation partner is as socially inept as you were two minutes ago and doesn't play along? All is not lost.

Example C

Y: Hello, so nice to meet you, how have you been doing?

T: I'm doing well.

Y: That's great, are you enjoying the nice weather, then?

T: Yeah. I'm glad it's finally fall, I'm looking forward to pumpkin spice lattes.

Y: I love pumpkin spice lattes! Pumpkin spice anything, really. I recently got the best pumpkin spice candle at the shop down the road, have you been there?

Even if they don't leave you an opening, you can usually make one. It may be difficult, especially when they don't give you much to work with. This is where having a go-to script is a life-saver--me, I always default to talking about the weather, so when in doubt, you can do that.* The important thing right now is to keep fostering the conversation, so once you bring up the weather, segue into a question. When they answer the question, make a brief comment or observation from your own experience and build off of that comment or observation to ask another question.

"But I don't want to make it about me. Doing that's bad, right?"

This is why that questions are important. If you haven't been asked a question, you kinda have to make it about you, you don't have a choice. But to keep from being an attention hog, follow up your shared experience or anecdote with another question.

Example D

T: I love pumpkin spice lattes

Y: Me too. I had the best pumpkin spice latte the other day at the cafe down the road, have you ever been there?

Now you've circled the conversation back around to them again, and you aren't taking the limelight. Sharing an experience is so important, you're trying to show that you understand, that you sympathize, that you relate.**

This really is the most important element of being a good conversationalist. You have to keep asking questions.

The one other thing I will touch on is introductions. DO NOT get into turn based combat.

Example E

Y: Hello

T: Hello

Y: Nice to meet you

T: Nice to meet you too.

Y: How are you doing?

T: I'm fine. You?

Y: Me too.

This will kill any possibility of continuing a conversation. Instead, get it all out of the way all at once, if at all possible.

Example F

Y: Hi, it's nice to meet you, how are you doing?

This is good, but this is better

Example G

Y: Hi, nice to meet you, how are you liking the weather?

Don't ask how they are doing, or if you do, before they can answer, follow it up with your placeholder (weather etc.) so they have to say some thing like

Example H

T: I'm fine, and I'm really liking the weather.

or

T: Not so great, the weather sucks.

Either of those options are much easier to work with than your basic "I'm fine."

Usually, if you can get past the introduction, you can get a conversation going. And then, even if you don't end up hitting it off with the person you're talking with, you at least don't leave the conversation feeling like you've died a thousand tiny deaths.

In fact, if you get past that introduction, you may have just made yourself a friend.

Remember folks, basically everyone around you is more afraid of you than you are of them, and in this benighted age no one has been taught conversation skills, so we are all pretty much in the same boat. (Unless you were born an extrovert, in which case we are all deeply envious and would probably kill you if we didn't need you in our sad and lonely lives so much.)

Have grace for one another, and for yourselves because talking with people is difficult.

Go forth, and stop killing conversations.

*If you are one of those awful people who likes to brag about how you hate small talk and only want to talk about important and meaningful things, I have one question: Do you ever have a conversation that lasts long enough to become meaningful? I thought not. Small talk is an important skill. Develop it.

**This is how you deal with sad or difficult situations too. When you want to show you sympathize with someone going through a hard time.

Example:

Y: How are you doing?

T: Not very well. My dog died last week.

Y: Oh, I'm so sorry to hear that. My own dog died last year and I still miss her a lot. How are you handling it?

Now you've circled the conversation back around to them again. You aren't making it about you.

If y'all want, next time I can share how to extricate yourself from a conversation.

[fandomwe1rd0]

I really like how Rick and Morty shows that even if someone has friend and family that love them, even if they are extremely smart and can do basically anything, except those things you can't do because of those pesky morals, but despite that, you can still be depressed.

The majority of depressed people in the media have no friends, neglectful or abusive family, and just an all round shitty life, again not saying that this never happens, but that's not all depressed people.

Rick and Morty shows that you can still be depressed even if you have what most people would want, because depression goes so much deeper than what you have, it can be internal, which is what's going on with Rick. He suffers from intense trauma, self-blame, and self-loathing, which is so SO gripping, and it is seriously not protrayed enough! I love how realistically Rick and Morty shows these things.

Rick Sanchez is SUCH an important character and has really fancistinating psychology, his situation kinda reminds me of the Bojack Horseman quote, I'll edit it slightly to show my point (it was originally directed at Bojack):

Rick, You're a genius scienetist who can make anything, do anything, you have access to infinite dimesions, planets, and universe, with a spaceship, and you have friends, family, and grandkids who loves you. What more do you want? What else could the universe possible owe you?

I... want... to feel good about myself. The way you do. And I don't know how. I don't know if I can.

[the-martyrfication-of-the-matron]

So... SKs...

I need to talk about my positioning on the Zenix/Vylad/Malik Death thing too because i may have changed that opinion a teeny bit with a tiny bit of speculation... but i digress. that'll be another post, i'm just warning you that the yap travelling circus is coming to your city

anyways

SKs!

tw, this is discussions about SKs, and so will be talking about themes involving death, torture, and manipulation.

Lore about Sks really becomes defined after Laur becomes one, because he's a major character and it really makes sense that way, but we do get a lot of lore even before he becomes a recurring character, really. Especially through Zenix and the storylines adjacent to him. I really do think that Sk lore was peaking when Zenix was one of the major antagonists for the series, because it was just very interesting to have to explore that he was experiencing it away from the main storyline, and Aphmau would have to make an active effort to understand and build that knowledge, and even as she is starting to know more she is still kind of in denial that he is capable of the things he is doing.

And this becomes especially interesting that she is learning this through other people, when we compare it to what Zenix himself says about being a Shadow knight.

SKs have been around since episode one, maybe not in the way they were later developed to be, but the idea of this little band of antagonists that follow 'The King' and want lords dead, and are stunting villages, and we don't really know why except for monarchism. And as we build upon our knowledge over the episodes we find out they don't live in an active monarchy, but that the King is some supernatural force, and that the little band of villains are too, and they're trying to bring him back.

And then we get, in episode 31/32, that not all SKs are guards, and they don't only kill lords. Of course, the baker is only a knight in training, but the idea remains. The following of the King is ideological, they don't only recruit guards off of some need for the bond between lords and guards, they will recruit whoever is willing to do what they want, kill who needs to be killed.

In fact, the first time we ever really get the guard/lord talk in regards to Shadowknights is in episode 35, by Zenix. Zenix seems to have this idea that Guards and Lords are intrinsically connected, that the life of one is dependant of the death of the other, and there is always this idea that guards are expendable and so they are the ones to die and the lords live. However, if the guards kill the lords instead, they become the King's loyal servants, blessed with power, with immortality.

He cannot be killed like when he was human.

This is the origin of the idea that Sks are not only immortal, but have to kill the one they love most to transform into that immortal state. And it's not exactly what he's saying. He's saying that guards are always expected to die for their lords, but then the King tells them 'hey you kill your lord, i'll let you live forever' and then they're like 'oh neat' and kill their lords to gain that immortality and power.

I understand how this little rant of his later turned into that lore, but i think the implications here are much more interesting. Again, he says 'No one can touch me! No one can kill me like when i was human' and whilst you can take that to mean that he is no longer mortal, it also kind of reads like he has been killed or at least severely harmed before before... which has been implied by Azura earlier on, and sort of himself in the same conversation, where he says 'Garroth told you... didn't he? How he found me?' 'I wasn't in such good shape then either.' What this all overall implies upon SK lore is that the King preys upon victims to find followers, he takes those who have been victimised before, and he offers them the chance to not have to suffer that way again, they just have to do as he tells them to.

It's not some urge they cannot shake off, it's not this feeling deep inside of them that they cannot remove. They have been hurt they have been offered to not have to never be hurt again. It's a choice, through and through, but in the same way it isn't. It's not this primal hunger for blood, so much as a scrabbling for survival, it's fear, and desperation, it's a needing to not suffer through that trauma again and so they say yes. They say yes, because they will do these awful things because it's better to do bad to others than them do bad to you.

Later lore has them do these things because Shad has taken their bodies, and brought them back, changed their memories and given them the urge and the want to kill. He preys on victims because he can only turn those in his clutches into Knights. Earlier lore has him turning people by ideology, he is preying on those who he knows are already vulnerable, he is not limited by scope of domain, but merely by how convincing he can be. And that is terrifying.

Guards aren't killing lords because they need to kill who matters most to them, because they can't stop themselves no matter how much they try.

they're doing it because he told them to.

[cursedvibes]

comparing geto and maki's massacres as the same is crazy to me. geto slaughtered an entire village of defenseless people and justified it as protecting sorcerers from the suffering of those who create curses. maki killed the clan because they explicitly wanted to kill her, mai and even megumi, the new head by naobito's will. she was there to pick up cursed tools and they pushed her to violence after killing her sister. unserious comparison.

Yeah...I can see where they are coming from because Geto was also pushed to extremes and was defending Mimiko and Nanako from harm, but Maki and Mai were abused by the clan, their family, their whole life. They actively tried to kill them. The only one being shown as defenceless is Maki's mother, but she had made it very clear before that she wants to see her daughters dead (she didn't actually mean it, but it doesn't matter what she secretly felt when it doesn't show in her actions). She was no better than Ogi, except she wasn't the one holding the blade. I really can't blame Maki snapping after everything that happened, especially after Mai specifically asked her to burn it all down. Like yes, Ranta seemed like he was one of the nicer ones, but that doesn't change the fact that he was part of the squad responsible for the years of abuse the twins suffered. They already knew from Toji how badly this could backfire, but they still went ahead with not treating Maki any better because she's a woman and Toji didn't retaliate against the Clan, so I guess it couldn't have been that bad... You can argue over who deserved death more than others, but that was hardly a situation for rational thought. It is very unfair to expect Maki to be the bigger person and just walk away from being nearly killed and seeing Mai murdered by their own family.

I think a big difference to Geto is also that Maki didn't go on to indiscriminately murder outside the Zenin Clan. Geto killed his own parents after the village massacre, who as far as we know never did anything wrong except being born non-sorcerers. And he kept going like that for 10 more years. Maki didn't. Hell, she even learned to somewhat reconciliate with how her mother treated her and she doesn't go on a killing spree like that among regular sorcerers, much less civilians. There's a big difference.

Also, I don't get where so many people are taking from that she just shook off the massacre like it was no big deal. She had a whole arc dedicated to dealing with the aftermath and learning to accept her body, Mai and what has happened! Maybe if people didn't skip through the Culling Game arc they'd actually know this (not that I'm bitter or anything). Like, my problem is that we never get the kind of bonding we see between her and Noritoshi or even Daido with the people who are supposed to be her friends (Yuuta, Inumaki, Panda, Nobara etc.). She is clearly affected by what happened, but nobody even asks her how she's doing. The best we get is "Maki is scary now". I would've loved to get more insight into her current mentality along the lines of the Sakurajima colony, something on how she will move on from this, how she will live now without her family (except Megumi), but we got nothing. That's my issue, not what came before. I think Perfect Preparation and Sakurajima colony were great for her character. She isn't the most expressive, but you can still see how affected she is by everything and it is directly addressed how suppressing everything isn't good for her, but then we get nothing past that.

But yeah, apparently she's less redeemable to some than Geto. Because she's cold and people don't pay attention to the arcs that actually delve into her character.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[teabutmakeitazure]

me: there's cinnamon in the tea? ugh I don't like cinnamon in tea.

"you're so picky. you have to go to an unfamiliar house, so what're you gonna do if your mother-in-law likes cinnamon in tea? don't have such preferences. it's not attractive on a girl 😄"

yeah I'm busting my ass off and greying my hair and losing weight at an unhealthy rate for my degree so that a lady who I have never met in my life can dictate my life choices before I even meet her. okay.

[dbphantom]

Hate having adhd went to go work on my fallout modpack, got distracted while going to disable the steam overlay, ended up in the points shop, went to go edit my profile, decided to change my pfp, found a buried folder I forgot existed, found some old Veneer art I forgot existed, spent 45 minutes looking at all the old photos, STILL HAVE NOT TOGGLED ONE SIMPLE OPTION THAT SHOULD'VE TAKEN 30 SECONDS AT MOST

[ccbatman]

actually so evil how much of hal's internal world gets obliterated with the rewriting of his relationships with jessica and martin.

[leonidskies]

It's time for The Fears (worrying that I'm doing my early 20s wrong because I don't hate my life) ???????

[averlym]

a word to the wise sometimes the only true rest is looking beyond what you thought was success

so true! adamandi is full of wise advice such as this, including: "and you'll never feel better if you - fucking die- you stupid ass!"

[cats-in-the-clouds]

it is unfortunate when i go to prayer and cry my eyes out and the only response i really hear is that i simply have to bear it. like usually i can get my emotions out and once they’re settled i hear a rational solution but it sucks when i don’t get the answer i want. i just have to keep waiting. like normally i hear something that gives me strength but wow apparently i’ve hit a new low

[volivolition]

what's the theme you're fucking going for here voliiii!!! what are you fucking getting at!!! what are you trying to say, what's the point??

[worm-moon-eclipse]

not feeling a lot of "love" or "joy" right now if I'm being honest