HISPANIC HERITAGE MONTH + BAND OF BROTHERS:
JOSEPH "JOE" RAMIREZ
Born October 5th, 1921, in Nebraska
Died April 8th, 1988 (age 66), in Martinez, California
Joe Ramirez enlisted in September 1942 (age 20) in San Francisco, CA, and he trained with Easy Company at Toccoa. Holding the rank of Private, he served in Normandy, Holland, and Bastogne. He was hospitalized in January 1945, and discharged in July 1945.
After the war, he was married for many years, and had children and grandchildren. When he passed away he was buried with his wife, who had passed away 11 years earlier.
Further information about him is scarce, but the brief character profile in the Band of Brothers series bible describes him as Mexican-American, and his personality as "sensitive and nervous."
Appears in Episodes 1, 3-8, and 10; portrayed by actor Rene L. Moreno
Sources below
A million thanks to @bleedingcoffee42 for tracking down this info for me!
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Manny’s Broken Horn Theories
Now that we know that Manny will get some kind of focus episode(s) in the near future, I’ll jot down some of my theories on how his left horn got broken.
Established Facts
Some information courtesy of Shea Fontana’s Twitter that will help inform these theories:
Manny “was raised by his grandmoo and grandbull”
Manny wants to be a veterinarian
Upcoming episodes will reveal that some currently established characters have invisible disabilities
Manny’s new iteration was designed with a conscious effort not to equate being large with being a jerk
Theories
Currently, the theory I find most likely is that Manny was involved in some kind of accident or targeted attack that both broke his horn and killed his parents, thus explaining why he’s been raised by his grandparents. This incident could have thus left him with lasting trauma that gives him nightmares, which could be something Twyla sees and helps him with when she enters his dreams in “Boogey Nightmare”. As seen with Lagoona’s strained family, the show isn’t averse to portraying unfortunate familial circumstances that real kids that watch the show have to live with, so having lost both of one’s parents fits in my opinion. Maybe the accident/attack somehow involved an animal (the equivalent of hitting a deer?), and it ties into his desire to be a veterinarian?
Second theory is that Manny’s effeminate mannerisms (you all saw the way he ran does the stairs and squeed in “The Case of the Missing Squeak”) made his father abuse him for not being masculine enough, to the point of breaking his horn. Eventually his father lost custody and Manny lived with his grandparents since. I find this theory less likely because it feels a bit too much for the show to delve into, even with the above point (especially with how Toralei’s mother & Heath’s fathers are most certainly getting improvement arcs, so an unredeemed abuser feels out of place).
Least compelling & interesting theory was just that Manny was bullied by monsters even bigger than him and they broke his horn. Shrug.
This is an outdated theory now that I’ve gotten to see Manny some more and learned that he was specifically designed with a conscious effort not to equate being large with being a jerk, but I figure I’d include it here for AU fuel and posterity: in the past, Manny used to be more like his G1 counterpart, a bully. Eventually he got into a fight with someone that could hit back, and his horn was broken. After some kind of wake-up call, he turned himself around and became a kind academic.
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Movies should return to looking like cheap theatre plays
I feel like the biggest problem with the decline of quality of the movies is capitalism. I mean, obviously, but I just want to talk about it a bit. The huge problem with the movies is that they cannot be treated like a usual job; a company that creates them HAS to show the positive dynamics in profiting - more money with every next year. So they can convince their investors to stay and still pay them. Because otherwise they might not have enough money to MAKE more movies!
That’s why the quality of the products is dropping - to lessen the production costs. That’s why you often can see the case of ‘but this is a completely original story, it did not NEED the name of [popular brand] to be attached to it’ - to sell more tickets, because investors decided that original concept would not bring as much money (the recent animated movie about Buzz Lightyear off the top of my head. Same with endless reboots that are so tone-deaf to the original it’d be more honest to just make new universe and characters entirely.
Like... in a way, making movies is just a job like others. It is entertainment at least, education at most. Except it isn’t because people that make the movies cannot simply earn stable amount of money every year or god forbid earn less than the previous year. Studies just have to violate beloved and classic franchises and violate the art as a concept just to keep existing- I mean, Disney is the quickest examples of severe decline in quality I can recall. And like, I still think nerfing Strange World with a complete absence of advertising had to be a planned sabotage. Like a somewhat expensive way to gaslight people that ‘hey, you see, new and original universes do not sell well, we constantly make reboots or force [brand] into irrelevant stories not because we want to, but because people ONLY buy that :)))))))’
And like? The alternative is if government was to fund the movies (kind of the case in my country). And that, of course, means heavy censorship and involving propaganda of the ideas that the government wants to spread, so yet again, movies cannot be a truly free form of art.
I do not really see any legit way to escape the loop of movies being very troubled as art, because people need money to make them. If investors pay for them - they’ll be garbage and constantly torment popular brands with whatever they think is cool these days instead of telling original and interesting stories, if government pays for them - they’ll be infected with propaganda and only “approved” ideas and stories will make it through.
The only at least somewhat optimistic way out I personally see is to drop the visual quality bar very low. Like... to come back to shitty cameras, environments made out of tinfoil and wallpaper (seeing this in Star Trek TOS), very shitty low polygon CGI... all that. Because it will cut the production costs a LOT but crappy visual quality will NOT be able to ruin the good story, interesting concepts and well-written characters that’s what. The worst crappy visuals will do is to create a lot of memes in the internet - and that is even GOOD because it can draw a lot of attention. Investment of simple rich guys that want to be even richer feels like lesser evil when it comes to the movies than government funding because of lacking censorship and propaganda; companies and individual studios can do whatever they want as long as it will bring STONKS! Art must be free in expression and what it wants to tell.
But the visuals at this rate feel like a useless leech because people need to justify before the investors that the astronomical money they’ll give will pay off. And why they’re astronomical? Right, because they need the most realistic CGI and the coolest assets.
I just... I think most people can agree that ‘pretty picture’ is not only not everything there is, but also the lowest priority. People would, in fact, look at awful animation or crappy effects as long as they are being told exciting, meaningful, or simply fun story. Basically, what is making movies worse is the same shit that puts even us, simple visual artists and writers, into lasting creative block; once a masterpiece is created, it raises the bar to this level, so now everything else has to be not worse, preferably better, but it is not EVERY time a masterpiece can be created. If anything, it might be once in a lifetime deal.
TLDR; I think movies should return to looking crappy so the original, interesting, eccentric ideas do not scare the investors away with demanding too much money, because at least this way new stories will more likely see the light. And won’t have to cheat by just slapping names of a previously known brand over completely unique and new story that we’re all sick of. Visual quality is just the lowest priority, so if something to cut production costs it can only be this.
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do u have thoughts on what beast flavoured fyodor is like?
Similar to main manga Fyodor imo! Though there are things that would affect him differently I think? Without the challenge that is an ADA Dazai that might change things for him, but I wonder if he would just be more sure of his plans or maybe a little more bored as time goes on? I know it was only added into the movie, but when he watches Dazai die and learns about the nature of their universe he does not even seem that surprised despite talking like this is new information to him, but also says the next thing to do or whatever is to take out Atushi and Akutagawa because too many people can't know about it or things will become unstable. So he seems just as ruthless as he is not in beast. But why does he care about that?
If I think about it too long it does make me wonder if he would come to the conclusion that he can't effect things within this "story" the same way as the other him that he has to assume exists could, that the book he could obtain in his universe isn't the same as "the Book". I don't do great with multiverse shit or explanations it gets confusing for me so I won't go too far into that I'll just confuse myself. But, idk if he would be one to give up or lament. Or just obtain even more information to try and solve things?
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