#the older the more freedom

[shortnotsweet]

[ “SOMEBODY TOLD ME”]:

BREAKING MY BACK JUST TO KNOW YOUR NAME. SEVENTEEN TRACKS AND I’VE HAD IT WITH THIS GAME. A BREAKIN’ MY BACK JUST TO KNOW YOUR NAME—BUT HEAVEN AIN’T CLOSE IN A PLACE LIKE THIS.

— The Killers, Hot Fuss (2004)

Princess Rhaenyra’s insolence is wearing her stepmother’s patience thin. Queen Alicent is not ten years her senior, but even during her own sixteenth year, she cannot recall herself behaving so brazenly. She would never burst into courtly discussions in nothing but gilded armor and the underskirts of her riding leathers, awash in blood. (She would never be spotted in blood that was not her own, anyway. Alicent has never picked up a sword, not one that belonged to her.) Nevermind that Rhaenyra is attending to diplomatic affairs with bared teeth and scales, no—the crux of the matter is just that, her affairs. Rhaenyra is the Realm’s Delight, a beauty incomparable to any fair maiden, Alicent included. She indulges herself with appetite of a spoiled child, the confidence of man, and the pickings befitting only to her royal blood. Criston Cole. Daemon Targaryen. Harwin Strong. Laena Velaryon. She’s full of love, isn’t she? That selfish, foolish girl. What does Rhaenyra Targaryen know of love, of duty? She is a child in so many ways—she thinks killing makes her a man, thinks the throne is hers despite being a woman, thinks she can have her knight and her uncle and her protector and Laena Velaryon in one fail swoop. She’s wrong. She doesn’t know herself half as well as Alicent does. Alicent, who sees her for what she truly is, who wants to see all of her and more of her and none of her. Alicent has been stolen into the Keep by her own father—both of their fathers—but Rhaenyra is the key to this place, is the window to everything barred. Rhaenyra Targaryen has a dragon. Rhaenyra can fly.

That’s what Rhaenyra had promised her once, with her lips pulled back in a grin, exposing the white of her teeth like the violently radiant creature she was. “Perhaps when you grow tired of plotting against me, we shall ride on dragonback together,” she had said. The tease.

Alicent had yanked her into an empty corridor by the silk of her sleeve, ready to chastise her for her ill behavior. Conversing with the lords and ladies of the court at a feast was one thing, but chattering about her bloody encounters in battle over the pudding tureen were another. The lord at her elbow was going green. Alicent’s own face was likely red; her heart raced whenever Rhaenyra got like this. Alicent had never seen the battlefield—only seen battered men in dented armor and the slumps of corpses lined along dirt roads in the aftermath of war—but her own imagination terrified her like nothing else.

(Rhaenyra is better with a sword than half of the knights in Westeros, and more lovely than the lot. Her reign has not yet begun, but already the commoners flock to her—lured in by tales of her beauty and fine hair—and soldiers would follow her into battle. Alicent would not follow, but she would watch and bite her nails down to the quick.

She thinks of the figure Rhaenyra cuts in full armor, the heat in her gaze underneath the slots of her helmet. Alicent remembers the weight of her own hand in Rhaenyra’s—which was gloved—when the princess rode up to the spectators box and grasped it in her own, bringing Alicent’s knuckles to her lips. She thinks of Rhaenyra murdered in the sky, skewered with another man’s sword, plummeting to the ground, torn in half, streaking crimson across the clouds. Alicent would scream, or cry. She might laugh. She would throw herself from the window of her tower. Rhaenyra’s bloody exploits terrified Alicent for reasons she could not identify, and excited her for reasons she refused to.)

“I’d sooner be confined to the castle for the rest of my days than get on the back of that bloody lizard,” Alicent scoffed. Rhaenyra only tucked her hand over Alicent’s, where it was resting on her forearm. She flexed her fingers, moving to release her grip on the dark fabric, but Rhaenyra intertwined their fingers and held them fast.

“You’re confined already. You are already accustomed to such a thing. I know you. But—”

“But you forget yourself. You think you’re invulnerable, Rhaenyra. You don’t know who you are.” Alicent intends for it to be a sneer, but instead it comes out quietly, and too gentle for disdain. She can’t know. Rhaenyra is as trapped as she is, but they’re trapped together. They belong together. She belongs with Alicent.

“I am Rhaenyra Targaryen, Heir to the Iron Throne and all of Westeros. I am a dragonrider. I am—I am your daughter. In a way. Your sister, too. Your enemy. Your sword, your shield.”

“And what am I?” What else is left for me? Alicent wonders.

“My Queen. For now.” Rhaenyra cocks her head, and the gleam in her eyes burns like fire raining down. “When I am Queen, you will be my lady.”

[uncanny-tranny]

I love you smile lines and worry lines and grey and white hair and wrinkles and purple spiderweb veins and the process of aging and living in a body that is standing the test of times. I love you experiences that make you wiser and stories that make you laugh, and every little process that happens to get to the point where you have so many memories because you have the fortune to be here and be so radiant

[kacievvbbbb]

As someone that loves ATLA and is recently getting back into the fandom and has also been spending alot of time in the One Piece fandom as off late

Luffy and Aang have a very similar energy that I enjoy. They are just both so precious oh my god 😭. They are so different but they have very similar narrative functions in how they inspire the people around them to embrace silliness and childlike joy.

But also I love the way they move their powers are fun and they love using them. They are constantly using it's ungrained in the way they move Aang loves airbending he's never not jumping around with it and Luffy loves being rubber

Which makes their differences all the more exciting and seeing how that same scale of personality

they both deal with inherited will Aang more literally and directly that Luffy (as of yet) and they interact with that differently. Aang's inherited will is a weight on his shoulders a burden he has to bear while Luffy's is a pleasant surprise to those around, and the source of his desire for freedom. And this comes through in how they interact with the ultimate version of their powers the literal embodiment of these inherited wills. The avatar state and gear 5

The avatar state for Aang represents a destiny he is still to young to bear, it is unpredictable, overwhelming, uncontrollable, it is something to be feared and worried about, it represents a loss of control for him and he struggles to reconcile that kind of destructive power with himself and his values. It scares him, and That’s why it remains lost to him for much of the series till he makes it his own.

Meanwhile for Luffy Gear 5 represents freedom, he is literally being freed from the constraints of reality. It is the culmination of everything he’s ever been. It’s everything we love about luffy turned up to a 100. Gear 5 is silly, goofy, cartoonish, unserious, fun loving, filled with laughter, insanely power and lowkey a little scary. Even tho Luffy is technically transforming into another person (or god) but god it is still him it is everything that has ever embodied him. And Luffy loves to be in it he has so much because as he said it’s him at his freest.

Aang and Luffy have very different character philosophies, priorities and move through the world differently. Aang is very much concern about the people in the general sense while Luffy is very much focused on helping his friends which then spirals to helping the general population, it just so happens that he is very good at making friends

But at their core they are just both fun loving little boys refusing to let their tragedies define them as they and their rag tag group of walking disasters rove the world like criminals, freeing the people from oppression.

[triple-starsss]

(barring the details lol,) i really like that shadow was adopted and "normal" actually! it really gives us the non-fantasy perspective of being able to focus on the ethics of his childhood ^-^

cus like. can you imagine the f*cking headlines and shit if any of that stuff is publicized (since he's an idol now)?

"Gerald adopted an orphan to run crazy tests on him!!!" "how could anyone do that to him? ;;;;;" "(insert smth about doxing Gerald) (scandal)"

people would go wild, i think! in both good and bad ways lol (the fun part)! :D

LMAOO THE DOXXING

but yeah!! when you take out all the 'ultimate lifeform' stuff and see what Shadow went through on a more grounded level - its insanely fucked up!! I felt as though without those experiences, i'd be writing an entirely different character so i wanted to incorporate them in a way that felt believable in this universe absdjf

[snail-studios]

The visceral rage I feel when I see a brilliant and unique monster design humanised into a white twink with a pinterest haircut and full makeup

[ruvviks]

the way i need to write about roksana so bad

[mariocki]

All Passion Spent: Episode 3 (1.3, BBC, 1986)

"I realise that he wanted me to enjoy all his beautiful things, but what did he imagine I could do with so much money? I can't believe, Mr. Bucktrout, that he knew what he was doing when he left all this to me."

"In the eyes of the world he has conferred a great benefit on you, Lady Slane."

"I know. I know, but I never wanted anything but to stand aside. Something, it seems, that this world of ours won't allow even at the age of eighty-five."

"Well, even the smallest planet is compelled to circle round the sun."

"Yes, but does that mean that we must all, willy-nilly, circle round wealth, position, possessions? I thought that I had escaped from all those things, Mr. Bucktrout, and now Mr. Fitz... of all people... he pushes me back into the middle of them. What am I to do? What am I to do? I always preferred the works of God to the works of man, because they're given - freely - to anyone who can appreciate them, pauper or millionaire. Does that make sense?"

"It makes perfect sense."

[elisedonut]

oh no I'm thinking about awkward denperce corridor convo again

thinking about Percy helping Dennis up off the floor

thinking about them not even knowing each others names but knowing the one the other lost just from a glance

Thinking about Percy awkwardly trying to soothe him by like patting him on the shoulder and like talking at him and it working

thinking about how when this event happens the school lets students come and go to be able to mourn the ones they lost at their actual grave sites if they prefer and Percy inviting Dennis to go into town with him so they both get away from it for a bit

Thinking about Dennis hesitating before he accepts

[waywardsalt]

my grievances with botw

Breath of the Wild is... undeniably a fantastic game, but it is very genuinely not the kind of game I like, and since I started playing it I’ve been enjoying it less and less so... I have a pair of problems with it that I’d figure I’d go into, as well as some stuff that, while weak in botw, were executed better in past loz games.

(small shoutout to @zeldanamikaze for encouraging this and having some points that i agree with and had some examples that i hadn’t thought about much initially)

Again, Breath of the Wild is an objectively impressive game, and I’m not trying to sit here and convince you that it’s a bad game. I’m just trying to point out things that detracted from my enjoyment of it, especially compared to my enjoyment of other Zelda games.

Before I get into the big stuff, I’ll just shoot off some quick little things that I think could’ve been improved:

- The dungeons generally felt like glorified shrines, and while they had cool mechanics and ways to access them, they were short and more or less pretty simple and all have similar visual and musical identities.

- Side quests and their rewards didn’t feel worth doing half of the time. I barely remember any notable ones off the top of my head and the longer ones just gave mostly generic rewards, which I suppose makes sense considering the limited amount of truly unique items in botw.

- Seeing the same enemies over and over again made the combat feel more like a chore than something to really engage with, not to mention that there is hardly any difficulty scaling beyond just making the enemies more durable.

- The story is fine, but in my experience, even seeing people go into more detail about the meanings of events, I never really cared for the events or the characters presented, since you don’t actually have to directly interact with any of that to play the game. Hell, you don’t even need to interact with the story at all to beat it, so the focus certainly doesn’t feel like it’s on the story.

- It would be a lie to call the soundtrack bad, but it’s sparse usage makes it hard to truly appreciate and the fact that most of it is meant to be more atmospheric generally makes them a bit less interesting to listen to on their own, though I will admit there are some fantastic tracks in botw, usually being some of the boss themes.

- While the Sheikah slate runes are cool, they feel very bland after a while, especially compared to the varied items seen in previous games. They’re good tools for an open world, but not much fun otherwise (the bombs were good though, since they had a variety of uses).

And that’s the quick stuff- again, mostly courtesy of @zeldanamikaze, since these are the examples I’ve seen her mention.

I have two big points that kind of encapsulate why I dislike this game and still adore the older games, that being: the minigames and the items and their relationships to dungeons.

Breath of the Wild is a very different game than what came past it, and I am very aware that it is a vast departure from those other games for a reason. However, this leads me to view it not only simply as a game not up my alley, but also as kind of inferior in some aspect to those previous Zelda games. Breath of the World is first and foremost an open world game, seemingly putting a focus on gameplay enjoyment above all else (not to imply that the ‘else’ is bad because of this, but I do think that the ‘else’ suffers in comparison to other Zelda titles.)

It may also be worth mentioning that the other Zelda games I have played is the following: LoZ NES, Link’s Awakening (Original and Remake), Ocarina of Time, Majora’s Mask, Phantom Hourlgass, Skyward Sword, A Link Between Worlds, and Triforce Heroes. I have also played both hyrule warriors games as well as loz 2, wind waker, and minish cap, none of the latter 3 i have finished or currently have access to.

1: The Minigames

Minigames are common in Zelda games, so of course botw has a few scattered around it’s world. Botw’s minigames are very different than the minigames seen in past Zelda games, mostly due in part to the limited array of items and unique gameplay gimmicks available in botw. Botw’s minigames usually focus on different forms of archery, gliding, or rune usage: all things integral to normal gameplay. At best you get rupees or cosmetic items from most minigames.

Botw’s minigames are just slightly altered situations of normal gameplay. The bowling is just using stasis except this time the game has a special little arena for it. Pretty much all of the archery games are either just counting how many deer you can kill or if you can just hit some targets on horseback. There’s one race I can think of and one gliding activity I can think of.

This makes sense, considering that there are a handful of other non-minigame activities to engage in, but these minigames feel... hollow. None of the minigames feature gameplay exclusive to those minigames or feature gameplay only used in certain parts of the game. They all make use of readily available mechanics in botw, so they’re like tests of skill- but otherwise not really any worth giving a second-thought unless you want to see how good of a glider or archer you are or grab some extra rupees.

But they aren’t very... worth it or generally fun within the context of botw. It’s just another way to do something that is available to you pretty much all game. They don’t feel unique, they just feel like a task.

Previous Zelda games (obviously) have archery minigames and allow you to use archery when you get the bow and from that point onward. And yet the archery minigames are made unique from the rest of the archery in the game; ocarina of time’s archery minigame is simply just shooting at targets, but the possible rewards and the simple fact that not often are you going to be continuously shooting arrows at enemies make it a bit of a novel experience within oot. The minigames in past zelda games take advantage of the items and area-specific mechanics: they usually include item-exclusive mechanics like bombchu games, or take advantage of more specific mechanics, like the minecarts in skyward sword, the masks in majora’s mask, or being able to control gongoron in phantom hourglass.

They also gave genuine rewards- empty bottles, quest items, ship parts, new masks, heart containers or pieces, kinds of stuff that are hard to get and very valuable. They’re worth doing for reasons outside of just a little activity. The minigames in other Zelda games do really enhance the experience by taking advantage of situational mechanics or giving a unique usage for some items.

You can probably get every item in botw without playing all of the minigames. They have little actual purpose. But in other zelda games, they have a purpose in the greater game and provide novel experiences within the game.

2: Items and their relationships with the dungeons

Obviously, compared to past games, botw’s ‘dungeons’ kind of sucked. They’re fine in a vacuum, with interesting gimmicks and the like, but they’re really little more than glorified shrines with four different-but-similar bosses at the end.

In my opinion, one of reasons why the divine beasts just... fell flat compared to other zelda dungeons is the lack of unique items in general. The runes in botw are cool and useful but you get them at the start of the game and never get anything new. You are give every tool you need to beat all of the dungeons the moment you finish the tutorial.

Older zelda games’ dungeons being tied to their respective items is a big part- to me- of what makes those dungeons so good.

Obviously, the theming, musical themes, and larger layouts and more varied puzzles make them objectively better experiences, but the way they interact with item acquisition makes the whole thing even better. 

Even in a link between worlds, where you can get every item whenever you want from Ravio, each dungeon is still tied to one of those items, and one of those items is needed to successfully complete that dungeon.

The dungeons in past Zelda games are practically complex tutorials on how you can use your new items. They are where those items shine and they are designed so that those items are used to their fullest potential within. And then you must then use that item to defeat that dungeon’s boss, and you usually have no chance of beating that boss if you don’t make use of the dungeon’s associated item. It’s like a final test for the item, seeing if you know how it works enough to complete the dungeon and use it against a boss’s weaknesses.

The most recent example, and probably one of the best, is needing to use the whip to tear off koloktos’ arms in the ancient cistern, but the classic scenario of the bombs for king dodongo works well enough, and the bosses of majora’s mask requiring you to understand how the transformation masks work. There are definitely some bosses that require no use of dungeon items (moldorm in the tower of hera, either ghirahim fights), but the item’s usage is still showcased prominently in their dungeons.

Outside of the dungeons, too, the progressive acquisition of items makes more areas and secrets available to you, giving a much more palpable sense of progression through those games’ worlds.

In botw, you get every tool the moment you are released into the rest of hyrule, so while figuring out what to do with those tools can be fun, the sense of progression is dampened by having every item from the start and nothing you gain beyond that being needed for anything aside from a nice little ability to make things easier.

I’m not really too sure exactly why I never found botw fun the way everyone else does, but I think lackluster minigames and the general lack of items that aid a sense of progression are parts of it.

[multishipper-baby]

Baby fever so bad I've been thinking about the ideal number of kids for characters. What is wrong with me.

[foxmulderautism]

the wham! and george michael hyperfixation honestly could have faded away like a month ago if i didn’t keep finding this bitch and the other guy in the wild like it’s a challenge for me now how much of a collection can i build without buying online 😹 anyway freedom 12” single i am looking FOR YOU

[tfsroleplay-arch]

"Heheh... Okay it's not wrapped pretty but it's wrapped!"

Zach proudly lifts up his gift, wrapped in some basic blue wrapping paper. Well, wrapped as best as it can be... Apollo chuckles, gently ruffling his hair.

"It's the thought that counts."

"Plus the ribbon makes it look pretty!"

"Did you already wrap yours, Dad? I can try to do it for you if you haven't."

Apollo shakes his head.

"Nope! I've already wrapped and hidden mine."

"If you were trying to be quiet, you failed."

Sylvia laughs, walking into the living room. Zach immediately covers his present.

"Ah no no no no! No peeking! Not until this Friday!"

"Noted. Speaking of... I... actually have plans that day."

"You do??"

All three heads turned towards her, Sylvia pausing. They all look confused.

"Well... I decided to take my bike out for a ride. Not really sure where I'll be going but... It's been a while..."

"...What bike?"

"The old junker Kazu and Axel helped her fix up like... 5 years ago, remember??"

"Oh! Right. The one in the garage is yours, not Dad's..."

"Ha! Dad, on a motorcycle? Even before his accident I can't see him driving one. Though, I guess I never really thought about driving one either..."

Apollo chuckles, though he doesn't deny it.

"How did you even learn to drive it if you didn't take any classes??"

"...Couldn't exactly go to a class when I was in the hospital. So I spent my time watching videos about it and basically got all the information I needed. Passed the test, got some proper gear, and boom, I've got a license to drive it."

"We'll still see you before you go?"

"Of course. We'll have breakfast together like usual, but then I'll head out for the day."

Apollo smiles, nodding.

"We'll be fine for however long you choose to be out. Guess we'll save giving you your presents til after."

Zach grins, nodding as his dad gently nudges him.

"Hooray!"

[20cm]

meg and i promise plave arent more aidols . theyre just vtuber avatars of real like. actual (anonymous) idols <3 they debuted w/ a song they wrote/produced and el capitxn worked on it with them :] big fan if u cant. tell

[pocketramblr]

Upon seeing the post about second as iida my first thought was and third can be uraraka then I noticed you had the same idea in the tags

Great minds think alike I just think that's what she deserves,,,trio holders to the original trio babeyyy

[booasaur]

Bummed about how jack and keeley ended but i guess we all knew it was coming 😔😔😔

that being said I LOVED before it all went downhill when they dressed up for mini golf. It was cute and funny (though the happiness was short lived)

Yeah, we knew, but god, we asked for so little, we didn't ask for a lot of screentime or endgame, we just wanted to avoid the same old trope of the villainous wlw and they couldn't do that much.

At the moment, it's kind of ruined what came before for me, because it's not as if it was a particularly strong relationship based on a deep connection, a lot of my enjoyment was the meta aspect of seeing it happen on a stage like this, and in the end, this was the relationship they wanted to show on this big stage, so...

But on the other hand, I do like Jodi, I like Juno and Keeley, so maybe at some point I can put the end aside and be like, it was nice except the end. :x

[historia-vitae-magistras]

I don't want to be rude and I'm sure you don't want to be either but in your new story isn't it kind of offensive to imply Christianity took their mother from them?

If that offends you, that says a lot more about how you view the world than it does me, anon. As I chose to imply, it isn't strictly Christianity that killed her but the destruction of the culture that produced and sustained her. The influx of invading Jutes, Angles, and Saxons was a part of that. Christianity was a part of that. The splintering of Common Bythronic into what became the Celtic languages of the Atlantic Archipelago we know today was also involved. At a certain point, the culture no longer looked at her and believed in the concept she was. Technically, she might have clung to survival well into the 8th or 9th century, but her children will never know because she wanted to die with who she was intact.