#the narration is different too
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garlic-sauc3 · 1 year ago
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reading comics from 1984 and then reading comics from 2014 is so weird. the art, writing, lettering, storybuilding, etc has changed so much in those 30 years it feels completely different
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blackkatdraws2 · 8 months ago
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The narrator and the ugly ahh protagonist [Blank Scripts AU/non-canonical]
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the-meme-monarch · 1 year ago
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had a smidgen of a dream about chapter three and needed to illustrate it
if you ship scc please don’t interact w me 👍
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blackkatdraws · 2 years ago
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"But I'd still devour you..."
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gothic-mothic · 10 months ago
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how did narr even managed to survive outta there irl world before he found stanley again..? bet was confus- anyways, UR ART IS SO SILLYYY N SKOINKY /pos
CW: Panic attack, overstimulation, depersonalization, eyestrain
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Begging tumblr to not send this post to the void again
Anyway, The Narrator wasn’t left alone for as long as Stanley was. He followed a familiar stream of thought to safety shortly after he arrived.
To say he was confused would be an understatement to say the least
Also thank you :]
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island-in-the-shadows · 6 months ago
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Truly, my sympathies to people watching IWTV and are getting tired/bored of different perspectives. I'm not bored or even remotely tired.
Interviews by their very nature are perspective based. The story has this specific framing. As did the first book. They added to it with Armand now being an active participant and Daniel being more seasoned at interviewing. I understand how Armand's very edited and hyperbolic take on events that Book Lestat describes in The Vampire Lestat rubs people the wrong way. I do think that one could argue the way Lestat writes his own autobiography is the objective truth (note Armand in his book does not contradict Lestat). However, sorry to say, there is never an objective truth. The truth is always subjective.
I was raised by a whole family of lawyers and if I learned anything is that you can spin things in any way, but an objective truth will never exist. Not in crime, not in person to person storytelling, not in fictional storytelling. Hell, viewers seeing the SAME show CANNOT come to a consensus. Why? Because we all put our thoughts, experiences, and feelings to it. That's all perspective.
We see Louis give Armand a kiss in bed. Some think aw domestic and cute. Some think Louis is deliberately withholding and rewarding Armand for good behaviour. Some saw the act they put on in E2 as some version of truth and domesticity and some think it's only an act. Some think Dreamstat is actual Lestat out there somewhere and some think it's Louis' conscience.
Yes, the narrative will confirm one thought or another on some things but not all of them. They're deliberately left up to interpretation. Something btw, Lestat urges the reader to do in TVL when he does not go into details about his time with Louis and Claudia. And part of that has to do with perspective.
We could have a straightforward narrative with no corrections and no perspectives. But would that be as interesting as seeing how minds that far exceed our own twist and bend and interpret events? Would it be as interesting as seeing a vampire who tells himself a story so that he can carry on living despite being miserable? Would it be as interesting as this vampire who tells himself a story get pushback on what he's saying by someone who notices errors and inconsistencies? Would it be an interview at all? Or would it be, as Daniel put it in the very first episode, "a fever dream told to an idiot."
If you want a straightforward non-challenging version of the story, the 1994 movie exists. It's not perfect and a lot of details are missing, but there's only one, unchallenged perspective to it. And even then...how many people didn't (want to) see the queerness in it?
TL;DR I get being frustrated or tired or bored by the way the show is trying to tell the story, but at least it's doing something a little different and not word for word.
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strixcattus · 1 month ago
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aroaessidhe · 2 months ago
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2024 reads / storygraph
Asunder
slow-paced high fantasy
a woman who has a contract with an eldritch entity allowing her to see the dead & survives by taking various jobs
when a job searching for stranded smugglers in a cave goes wrong, she ends up with the soul of a dying stranger bound to her shadow
along with a scholar and her old childhood friend, they travel to his home country to find a way to unbind him and save them both
dark fantasy world with gods, demonic entities, arcane magic, and semi-sentient beasts used as transport
#asunder#kerstin hall#aroaessidhe 2024 reads#okay SUPER fascinating worldbuilding with some very visceral creatures and biological constructs and interesting magic systems.#many things I like. A great cast of characters. Honestly I could read tons more stories set in this world.#it’s very slow building and meandering narratively; focusing on the complex journey of the main character#didn’t love the audio narration tbh - it felt like some lines are read with the wrong emphasis or tone? but I got used to it after a while#So this has one of my absolute favourite tropes (bodysharing.) unfortunately it turns it into a romance which is. well.#it just doesn’t hit the same if you make it romantic!! so that kinda made it change traintracks from being on a direct line to#potentially 5 stars to a whole different station where i do not live. lol.#I SUPPOSE it’s a well developed relationship and I’d prefer romances more like that than instalove I guess.#I did love their dynamic; too; but suddenly realising it was romantic threw me for a loop. I had put him in the annoying dad category.#I do also feel like we didn’t get quite enough of him as an individual person and characterisation - which obviously makes sense to an#extent; but I felt like I only got to see more of him in the brief time around his father.#Also he was surprisingly chill and nice to her immediately considering he was essentially her hostage???#Anyway I did enjoy a lot of it; it just suffers the unfortunate tragedy of#[literally my favourite thing made for me] [turns that thing into literally my least favourite thing i hate]#but also -random dude you’re bound to being overly protective and considerate despite barely knowing you (platonic/familial vibe) - yeah!#random dude you’re bound to being overly protective and considerate despite barely knowing you (romantic) ehhhh…idk.....#(to me personally. i'm sure people enjoy that. whatever)
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multiversal-pudding · 20 days ago
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...A thought I have that I can't help but like the shape of is the idea of Wally not even really knowing why he is the way he is himself
He doesn't know why he's alive (should he not be? why are you alive, then?). He doesn't know why he can do the things he can do- that's not to say he's stupid or anything like that, he's a little odd but he acts with intention even if the consequences might not be things he fully expected or truly gets the full scope of- (he never meant to hurt anyone, he really doesn't mean any harm!)
All he knows is that he loves his friends very dearly, that something very, very bad may or may not happen or be happening, and that he needs You to Listen.
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doodlejoltik · 3 months ago
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my favourite writing device is having an un-Rei-liable narrator
#rei#volo#cheren#// tikposting#// character meta#the crowd booes me off the stage#forgive the pun XDDD his name is too easy to pun on#the way i write it it's not a conscious choice. it's just how the pov character (rei) experiences and contextualises the world#revealing backstory and personality and mindset through narration !!!!#not necessarily out of malice it's just. how he views things#interpreting new and foreign experiences through the lens of what came before...#conversations which read differently to different people.#in the context of rei that's stuff like unease around authority figures#always choosing his words carefully to project an image of competence (he has to be needed)#distrust and not taking things at face value but also paradoxically a fragile and nurtured sense of almost blind optimism#when it comes to friendships. like volo. (everyone turned on me when the sky turned red but it all resolved itself in the end didn't it?)#(what makes this different? / a lot of things. / i choose to believe)#volo [directly]: “i won't be stopped from my goal” rei thoughts: we can work with this!!!!#and everything with Arceus too and his divine blessings and a plan that will work out in the end#if Rei can just... figure out what part he's meant to play. interpreting events as a narrative hurtling towards some unknown conclusion#i am talking about rei here specifically but this writing device is so good in general#would be fun to try get inside volo's head. there's so much going on there i don't understand yet#quite fond of that one analysis post about how volo lacks emotional intelligence and sees relationships as transactions#not necessarily out of malice it's just how he views things. whether because of past experience or brain chemistry#also need to give a shout to cheren my guy who is an outsider pov who projects his own experiences onto new things so that he Understands#(an outsider to Hilbert and N's clash of truth and ideals. life changing experience and knowledge but felt just a little off to the left)#(the narrative repeated again with new heroes. all he can do is help them but it falls on their shoulders in the end)#(no wonder he tries to insert himself into Situations)#anyway tag ramble over feel free to also ramble to me about your takes XD#rei pokemon
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insomniphic · 1 year ago
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Narry and Narry
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@braisedhoney
I was looking through my old posts and was reminded about their little interaction and missed these two twinsies lol.
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blackkatdraws2 · 5 months ago
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The Curator. Her name is Gloria Beatrix. [Achromatic Loop AU]
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She can summon close-ranged weapons [preferably daggers] using her blood as an offering to the tattoo of three crows on her skin. The Crows will give her a fraction of its power in return.
The tattoo can move anywhere on her body but is usually seen on her neck or chest.
She doesn't physically show up in the story until way later in the timeline.
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arson-09 · 6 months ago
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its very interesting to me how Tamlin is the character and High Lord that is heavily vilified (I would almost say even more than Beron strangely) when he is the only High Lord to have talked about d how he has gone about removing slavery within his court, protecting lower fae in general, and his court was open to immigration from other courts (i cant remember if its mentioned again in acomaf but in acotar fae from other courts are free to move to the spring court. example, Alis) and how overall he is a great leader. Especially when you compare him and Rhysand as High Lords.
The Court of Nightmares is well, a nightmare. Its existence is extremely strange and makes Rhysand look very odd. as well as its unclear how Rhysand gets his wealth. Velaris was a hidden city until acomaf-ish, which means it was locked (so no immigration or emigration which isn't bad per-say but does bring up how it works economically) and Rhysands inability or unwillingness to protect his citizens (not enforcing the wing clipping ban and allowing people to be abused in the CoN. and before anyone starts about him not being able to control the illyrians, why did he make it a law in the first place? It just makes him look bad) makes him look like a shitty ruler. His supposed "feminism" and friendship with the people of velaris doesnt answer these very important questions or justify the strange shit he does. Versus Tamlin, which you can refer to my opening statement for the comparison. Also to note, his rule only came into question and stability after Feyre broke into people minds (which I do feel is extremely gross and a huge violation of ones autonomy and privacy) and had to sabotage him. I won't comment how I feel about this in this post, but it says a lot that she had to go through such lengths to break him down. Especially after it was revealed he was in fact a double agent and never actually siding with Hybern.
The only time Tamlin is an arguably bad high lord is in acofas and acosf where he is in a severe mental crisis and not in a position to properly rule. But even then, it's not clear if this is actually causing harm to the land and people. It's probably not good because they don't have a proper leader but I can't believe it's a severe issue.
Its definitely a strange choice, isn't it? Cause I think anyone in their right mind would choose the anti-tyranny, anti-slavery leader who does his best for his people... and its somehow not our supposed 'hero'
"I once told you I would fight against tyranny, against that sort of evil. Did you think you were enough to turn me from that?"
Acowar, chapter 44
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tspstuff · 3 months ago
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This trend but with my beloved Nge (tsp narrator)
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And after 4 months of existing I finally gave him some lore!
And yeah he once was more human looking
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martyryo · 1 year ago
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js paint art from class
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bookatans · 1 day ago
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This is probably going to be a very long post but the more I think about the rise (and subsequent fall) of the New Mandalorians, the more that I get wrapped up in not only the colonialism committed by Satine and the movement, how it began in such a horrifyingly understated way, but also how it paved the way for Mandalore to be destroyed thanks to the almost-complete erasure of their culture.
First of all, Canon verse deciding to remove the True Mandalorians (and placing the "Old" Mandalorians in a similar, though less prominent position) feels particularly underhanded and paints everything in a black and white manner. Satine: a sympathetic character who is the only one standing against Death Watch, the last shred of peace left for Mandalorians to cling to. Which. Last standing? Yes, definitely. But not the only one.
A war where Death Watch and the New Mandalorians were the major players, only to have Death Watch defeated – even with the assistance of the Jedi keeping Satine alive – makes little sense from a technical standpoint. Is it impossible? Probably not. All sorts of things can happen in history, pure dumb luck makes every difference, but it's unlikely. A party which seeks peace is not going to survive against another ultra violent, volatile party that's pissed off at you because you want to erase the culture that they so deeply value.
Which, yeah I don't buy it. Even with the Republic stepping in later on, it's fishy. But for the sake of my sanity, I'm mostly focusing on Legends, because the more you try to create a coherent timeline (seriously, how is Clone Batch Math easier than this?) for the Mandalorian Civil Wars, the harder it is not to give up entirely.
Anyways. Satine did not survive years of conflict due to mere smarts and perseverance, and did not end the war by being charismatic and having good people skills. She was the LEAST THREATENING PARTY in a three-party war, hunkering down with her Jedi protectors and playing politician while the actual warriors in the conflict weakened one another and – for the True Mandalorians – were wiped out.
True Mandalorians. Death Watch. New Mandalorians.
So, okay. The approximate dates of the beginning and end of the Mandalorian Civil Wars don't necessarily make sense with Satine’s age. She'd have been slightly younger, and Canon seems to have a tendency to just wave their hand in the general direction of a time period and deflect onto another topic.
Which, you know what? Fine. I can work with that without having to think too hard about the dates. It kills me not to delve into it further, but. No. It's not like Disney's gonna pay me to fix their broken timeline.
(But if I had to, I'd shift Jaster's death to 47BBY instead of 52BBY, and push the Battle of Galidraan a year back to 43BBY, and—)
Here's what's important to remember, though:
- There are two Mandalorian Civil Wars. The first being True Mandalorians vs Death Watch. The second being the much shorter, and quickly solved Death Watch vs the New Mandalorians.
- The massacre of the True Mandalorians happened shortly before the beginning of the second civil war.
- The True Mandalorians had already been dealing with Death Watch for years, and they were winning. Death Watch wasn't just on the run, they were weak, they had to resort to TRICKING THE JEDI into killing the True Mandalorians for them.
Who wasn't weak? The New Mandalorians, the people that actively choose to turn their back on a culture that had survived for centuries. And yes, Death Watch remained even after the True Mandalorians fell. Tor Vizsla targeted Satine and the New Mandalorians viciously after that, there was even more destruction, but it wasn't with the severity with which he'd prosecuted the True Mandalorians.
Here's what happened next: Jango Fett escaped his enslavement. He hunted down Tor Vizsla, and he killed him. Whatever strength Death Watch had regained in those few years didn't matter, because the second their leader was gone they were certainly left unorganized and at a disadvantage.
Giving the New Mandalorians the opening they needed to cement in people's minds to their beliefs and convince the House and Clan leaders that abandoning their old ways was the solution. After all, how much more of Mandalore was left to destroy? How many more had to be lost?
With the public's approval and the Republic’s help, Satine Kryze and the New Mandalorians scavenged the corpse of Mandalore, and they took what they deemed fit, left the rest to rot and – given time – be erased completely.
What's worse is that Satine's activism and speeches made it sound like that made sense (because, to Satine, it did make sense); abandon what Mandalore once was because that's the reason we've been destroyed, isn't it? (Not entirely untrue.) And these people, whose world had been ravaged, who's clans and families had wrecked everything with in-fighting, were tired and desperate enough that they listened.
Actually, here's what's really worse — Satine got LUCKY! The first time! It should not have ended like that. But because she got lucky, because it worked once, she tried to do the exact same thing when the entire galaxy went to war. And she ignored the suffering of people whom she should have known empathy towards, who were going through the very same torment she experienced as a child. Because her position of superiority where peace is the only answer was so ingrained in her beliefs, because she was ARROGANT.
And because peace was the only answer, because she'd disavowed any sense of warrior culture from her people, Satine had as much a hand in dooming Mandalore as everyone who went in with the worst intentions. Does it matter that it was doomed regardless, because Maul was the great evil that came to destroy them? No. Maul was just the most convenient means to an end the resurrected Death Watch could find, but if not him it would have been anyone — anything – else.
I do feel for her. She had to experience her father's death so young and step into a role he'd left behind, didn't get a proper chance to grieve because she had to be strong for everyone else who was grieving. She gave up the possibility of love for duty. Satine was a good leader, I won't argue that, and she was the last stand between Mandalore and total annihilation, but she was also deeply flawed.
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